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Junk Food Dinner is back and this month we cautiously dip our toes back into the Ghoul Summer waters with three semi-ghoulish creep flicks! Up first, we get a first-hand look at the grim and sad lives of inmates of a Massachusetts mental asylum in the 60's in the avant garde, black & white documentary Titicut Follies from 1967.Then, Michael Rooker makes his film debut in the low-budget look into the life of a murderous psychopath, his equally psychotic roommate and his innocent sister in 1986's Henry: Portrait of a Serial Killer.And finally, an Iraq/Afghanistan War veteran returns home with a screw loose and kidnaps two young girls he believes are his daughters in the ultra-low-budget Song of the Blind Girl from 2011. All this plus Kevin's adventures in movie-going, Sean's trip to Boston, Halloween junk food of 2023, upcoming Jekyll & Hyde news, a new Dune book and so much more!LISTEN NOW:MP3 Direct DonloydAlso, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content. We'll keep this podcast going with your love and support.
The boys are back and once again the delve back into the horrors of the real world. This time they take a look at Night and Fog, Titicut Follies, and The Act of Killing.
Listen up Wiseman-heads, oh do we have a treat for you! The Deep Cut trio are joined by the man himself, Frederick Wiseman, to talk about his new film A Couple (2022) and his expansive documentary filmography. The discussion topics include Nathalie Boutefeu's arresting performance as Sophia Tolstoy, the secret meaning behind filming in a garden, and Fred's views on life and death. It was an honor for us to speak with the revered filmmaker, and we would like to thank everyone at Zipporah Films for helping to make this happen. Check out our most recent episode on A Couple, and our introduction to Wiseman's filmography with our older episode on Titicut Follies (1967), In Jackson Heights (2015), and City Hall (2020). What question would you ask Wiseman? Tell us on the DC Discord. Keep up with Deep Cut on Instagram, Twitter, Facebook, and Letterboxd.
On this episode: On this episode: Artificial Intelligence has invaded the creative space, Courtney Love has beef with Brad Pitt, and nepobaby is now a slur. PLUS! The MCU in the library of congress, and who the hell its Jonah Feldstein?In news: AI programs, Dali, framed.wtf , Bruce Purkey, Find Your Film, Cinemddicts, chat.openia.com , Hallmark movies, Leelu Dallas Multipass, The Lighthouse, Children's book, Space Jame Shakespeare, Lord of the Rings, LoTR, Erotic MCFC fan fiction, Hereditary, Hell Raiser, Marc Maron, WTF, Barrack Obama, Courtney Love, Helena Bonham Carter, Brad Pitt, Kurt Cobain, Fight Club, Variety.com, Man on the Moon, Harvey Weinstein, Golden Globes, O Shea Jackson. Ice Cube, Lilly Allen, Jamie Lee Curtis, Tony Curtis, Janet Leigh, Psycho, Kevin Bacon, Keira Sedgwick, Dan Levy, Eugene Levy, Schitt's Creek, Ben Stiller, Jerry Stiller, Elizabeth Olsen, Dakota Johnson, Timothee Chalamet, Bryce Dallas Howard, Ron Howard, Laura Dern, Bruce Dern, Brendan Gleeson, Domhnall Gleeson, Friday the 13th, Jason X, Jason Takes Manhattan, God of War, Binge Movies, Adam Sandler, Library of Congress, MCU news, Infinity War, End Game, Titanic, Iron Man, Wakanda Forever, Ant Man Quanumania, Mardi Gras Carnival, Cab Calloway Home Movies, Cyrano De Bergerac, Charade, Scorpio Rising, Behind Every Good man, Titicut Follies, Mingus, Manzanar, Betty Tells her Story, Superfly, Attica, Carrie, Union Maids, Union out: the Story of our lives, Bush Mama, The Battle of Gregorio Cortez, Hairspray, The Litter Mermaid, Tongues Untied, When Harry Met Sally, House Party, Iron Man, Pariah, Listener Stephen, Avatar 2, Spider, MCFCpodcast@gmail.com, Jonah Hill Feldstein, Naomi Rapace, Lamb, Prometheus, Ola Rapacehttp://www.MCFCpodcast.com-Email us at MCFCpodcast@gmail.com -Leave us a voicemail (209) 730-6010-Join the Patreon: www.patreon.com/MiddleClassFilmClass-Get some merch:https://middle-class-film-class.creator-spring.com/Join the Patreon:www.patreon.con/middleclassfilmclassJoseph Navarro Pete Abeytaand Tyler Noe Streaming Picks:Joseph:The Grinch, Polar Express, Prometheus, GDT's Pinocchio, Christmas Story Christmas, A Muppet Christmas Carol, Who Killed Santa?: A Muderville Murder Mystery, Harry Potter and the Sorcerer's Stone, Home Alone 2: Lost in New York, A Miracle on 34th Street, Gremlins, Tyler:This Place Rules, Kindred, Home Alone, Pete:All Quiet on the Western Front, Ford v Ferrari, Spider-Man trilogy, Wendell & Wild, Emily The Criminal, Babe, Alita: Battle Angel, Hussel, Banshees of Inishurin, Spirited, Glass Onion: A Knives Out Mystery.
"I don't know when. I don't know how. But I know something's starting right now..." Mike, Tom, and Kyle return for a special live reaction of the 2022 National Film Registry inductees. Season 3 coming soon!Production SocialsMichael Natale, Co-HostTwitterInstagramLetterboxd Tom Lorenzo, Co-HostTwitterInstagramLetterboxd Kyle Lampar, Producer & EditorTwitterInstagram Other LinksTwitterWebsite
Join us as we talk about the first film in the US to be banned from general American distribution for reasons other than obscenity, immorality, or national security. Jessica Hobbs: https://www.jessicahobbswrites.com SAMHSA (Substance Abuse and Mental Health Service Administration) https://www.mentalhealth.gov/get-help/immediate-help RAINN (Rape, Abuse & Incest National Network): https://www.rainn.org Don't forget to subscribe. Follow me on TikTok: @BannedRonnie Twitter: @RonnieUrsenbach Facebook: @BannedMediaPodcast Instagram: @BannedMediaPodcast or send e-mail to BannedMediaPodcast@gmail.com
Randy watches another David Lynch movie in the same theatre he talks about every week. Clark reveals the reason for his movie marathon in Phoenix and Russell has not one, but two TBR Reports. Films: Haunted Changi (2010), Titicut Follies (1967), Incantation (2022), Twin Peaks: Fire Walk with Me (1992),The Retaliators (2021), It (1990), Cruising (1980), The Midnight Swim (2014), Girl in the Picture (2022), Comedian (2002), Stir Crazy (1080), Hereditary (2018), Paranormal Activity: The Marked Ones (2014), Paranormal Activity: Next of Kin (2021), Primal Fear (1996), Allegoria (2022), The Skunk Ape Experiments: Issue #1 (2022), The Immaculate Room (2022) Hey, we're on YouTube! Listening on an iPhone? Don't forget to rate us on iTunes! Fill our fe-mailbag by emailing us at OverlookHour@gmail.com Reach us on Instagram (@theoverlooktheatre) Facebook (@theoverlookhour) Twitter (@OverlookHour)
Titicut Follies is a documentary made famous by its banning. But why was it banned? And what was it even about? Listen in to learn all you need to know about this infamous doc. See omnystudio.com/listener for privacy information.
We have a special treat for you Mutiny of Preverts listeners who have long grown tired of the format and are now only listening as a result of A) losing a bet, B) being related to the hosts, or C) out of the sheer ecstasy you feel from hate listening to us and fantasizing about what incredible horrors the Devil will reign down on Azed and Jay when they are inevitably banished to Hell. We will not only be discussing an excellent new film called Drunk On Too Much Life, but for the very first time, we have the makers of the very film we are discussing, Michelle Melles and Pedro Orrego, on the show to discuss it with us. The film is a very personal one about their daughter Corrina and her experience with "madness" or what she referred to as being "drunk on too much life." We go deep with Michelle and Pedro on their family's search for something more than the biomedical diagnoses and medications that proved inadequate for Corrina and discuss everything from the history of mental health through the centuries, the influence social power has on mental health and the central role that art, poetry and music has played for Corrina, Michelle and Pedro in the healing process. We also dig into a few of the greatest and/or most notorious examples of madness portrayed on film including Titicut Follies, Warrendale, One Flew Over the Cuckoo's Nest, Grey Gardens, Crumb and others and discuss some of the ethical considerations that have often been ignored, especially in the case of documentaries.
Randy opens the door when he hears “Knocking”. Clark confesses about “Midnight Mass” and Russ hits rewind on “V/H/S/94”. Films: Ghost Killers vs. Bloody Mary (2018), Exterminadores do Além (Exterminators from Beyond) (TV), Knocking (2021), Midnight Mass (TV), V/H/S/94 (2021), Knives and Skin (2019), Slut (2014), Lowlife (2017), Squid Game (TV), Mary Loss of Soul (2014), The Gerber Syndrome: il contagio (2011), Dead of Night (TV), Titicut Follies (1967), Bad Ben: Benign (2021), Christine (1983), Rubber (2010), Lamb (2021), Midnight Mass with Your Hostess Peaches Christ (TV), Shutter Island (2010), Paranormal Activity: Next of Kin (2021), V/H/S/2 (2013), Ghostwatch (1992), The Fear Footage (2018), WNUF Halloween Special (2013), V/H/S Viral (2014), Psycho Goreman (2020) Hey, we're on YouTube! Listening on an iPhone? Don't forget to rate us on iTunes! Fill our fe-mailbag by emailing us at Podcast@TheOverlookTheatre.com Reach us on Instagram (@theoverlooktheatre) Facebook (@theoverlookhour) Twitter (@OverlookHour)
A Minneapolis native, James moved to New York and studied at the School of American Ballet with David Howard, and began performing with ABT II. He was a lead dancer with Feld Ballets/NY for six years and has performed as a guest artist with the New York City Ballet, Zvi Gottheiner and Dancers, and Denishawn. He, along with co-founder Sally Rousse, started James Sewell Dance in NYC in 1990, and then moved the company to Minnesota in 1993.Ballet is the central technique of the company, but the goal has always been to expand the boundaries of the art form. James has choreographed more than 100 ballets for companies in the United States and around the world. He is recognized nationally by numerous fellowships and commissions over the course of three decades making work, and regularly develops pieces along with live musicians and artists of other idioms. His work Titicut Follies, in collaboration with famed documentarian Frederick Wiseman and SNL band-leader Lenny Pickett, made its European premier at the Cannes Festival de Danse in France in December 2019. Moving is moving, in every sense of the word, and his work as both choreographer and educator continually seeks to expand that notion and its reach.
We talk Wiseman's debut film, Titicut Follies, and interview Carolyn Anderson, co-author of "Documentary Dilemmas: Titicut Follies" 0:00:00-1:03:09: Titicut Follies 1:03:10-2:29:10: Carolyn Anderson interview wisemanpodcast@gmail.com
On episode 169 of The Quarantine Tapes, Paul Holdengräber is joined by documentarian Fred Wiseman. Fred’s time in quarantine has been his first break without a film to work on in about fifty years. He tells Paul about how he has been filling this in-between time and what he hopes to work on when the pandemic passes.Paul asks Fred about his filmmaking process and they discuss the fictional elements of documentaries. Fred talks about why he chooses institutions as the subjects of his films, how he approaches the editing process, and the role of luck in his work. In their conversation, Fred and Paul discuss a clip from his recent documentary on the New York Public Library, Ex Libris. Mr. Wiseman is a film and theater director of 45 films, primarily focusing on American institutions. His most recent film CITY HALL was released in October 2020. In 2019, he was the honoree of the Library Lions Award from the New York Public Library and received the Pennebaker Award for Lifetime Achievement at the Critics’ Choice Documentary Awards. In 2018, he was the Charles Eliot Norton Professor of Poetry at Harvard University. In 2016, he received an Honorary Award for lifetime achievement from the Academy of Motion Picture Arts and Sciences Board of Directors. He is a MacArthur Fellow, a Fellow of the American Academy of Arts and Sciences, the recipient of a Guggenheim Fellowship, and an Honorary Member of the American Academy of Arts and Letters. He has won numerous awards, including four Emmys. In recent years, he directed The Belle of Amherst, Beckett’s Happy Days in Paris and Vasily Grossman’s The Last Letter at the Comédie-Française in Paris and Theatre for a New Audience in New York. A ballet inspired by his first film, TITICUT FOLLIES (1967), premiered at the New York University Skirball Theater in 2017.
This is it, the big one. We're covering not one, not two, but THREE Frederick Wiseman documentaries: Titicut Follies (1967), In Jackson Heights (2015), and Cahiers du Cinéma's TOP FILM of 2020: City Hall (2020). We talk about our favorite scenes, the pleasures of watching how things work , and why we insist on calling the director of these seminal works "Mr. Wiseman". These three films have a combined runtime of 546 minutes but we promise you watching just one of these will be worth it. These are fly-on-the-wall documentaries of daily life in different institutions so there'll be no spoiler warning for the episode, but we can convince you to give living legend Mr. Wiseman some of your time, if you haven't already. Mad at us for asking you to watch these behemoth docs? Come scold us on our discord server!
As we come to the end of 2020, i can share with you my most ambitious project to date — an attempt to create a modern equivalent of Fredrick Wiseman's “Titicut Follies” for the podcast medium, this time addressing the plight of unredeemed download codes, all piled to the ceiling in the most dire of living conditions. Repeated tries at getting executives from Bandcamp, downloadthisrecord.com, dropcards and A To Z Media to speak on the record were stonewalled, so not for first time, I've had to resort to an all-music program. Maybe 2021 will be easier —I doubt it.
The legendary documentary filmmaker reflects on his decision a half-century ago to abandon a career in the law and make movies, his fascination with American institutions and why he hates the term 'cinema verite.'Credits: Hosted by Scott Feinberg and produced by Matthew Whitehurst.
Released in 1932, Jewel Robbery flaunted the sexual chemistry between it's two leads, introduced marijuana as a comedic motif and had it's debonair criminal escape police capture at the end -- all things that wouldn't have been allowed only a few years later under the restrictive Hayes code. The film stars William Powell and Kay Francis - their sixth film appearance together -- and is ably directed by William Dieterle (The Life of Emile Zola). Dan and Vicky discuss the film and lots of recently seen including 2019's Cats, 1957's Vincent Price vehicle The Story of Mankind, influential documentary Titicut Follies, and 1968's Corruption with Peter Cushing. Check out Hot Date 115: Jewel Robbery and leave us some feedback. Our website is www.hotdatepod.com
A mediados de los años 60 y motivado por el creciente auge del "cine directo", un abogado llamado Frederick Wiseman obtuvo un permiso del Estado de Massachussets para filmar al interior del hospital estatal de Bridgewater, para pacientes con condenas criminales. No iba a reportear un caso particular ni tampoco con la intención de hacer un filme denuncia, pero lo que encontró -una instalación casi medieval, donde los guardianes están tan alienados como los presos- cambió su carrera y también la historia del cine. ¿Cómo? Simplemente observó conductas, momentos y expresiones; filmó al personal haciendo su trabajo, enfrascada y absorta en su rutina (una que consistía en choqueante y deshumanizador trato a los enfermos); captó una institución fracturada hasta los cimientos, pero que continúa funcionando como si nada, incapaz de contemplarse a sí misma. Tras ver el filme las autoridades entraron en shock: esto no podía mostrarse públicamente. Wiseman recién consiguió exhibir el filme en 1996, pero lo esencial le había quedado claro: en adelante se convertiría en cronista de uno de los procesos más fascinantes e importantes del siglo XX, el declive de las instituciones públicas. Un declive que, por cierto, continúa hasta hoy en los más diversos niveles, como se explica en este podcast.
On this episode, we focus on the year of 1967 thru the films: Bonnie and Clyde / Point Blank / The Dirty Dozen / Beach Red / Dont Look Back / Titicut Follies We also discuss: The Graduate / In Like Flint / Cool Hand Luke / Who’s that Knocking at my Door? / Valley of the Dolls / The Producers / Riot on Sunset Strip / The Love-Ins / The Wild Rebels / It’s a Bikini World Also of note from this year: You Only Live Twice (Bond #5) / Guess Who’s Coming to Dinner / Thoroughly Modern Millie / Doctor Doolittle / Camelot / Good Times / In the Heat of the Night
Part 1: Government COVID-19 Aid May Dry Up Guest: Ro Khanna, Democratic Representative who represents California's 17th Congressional District, located in the Silicon Valley. Part 2: The Depiction of Disability in Film Through Time. Guest: Lawrence Carter-Long, disability rights activist and film buff. He is the Director of Communications for the Disability Rights Education & Defense Fund based in Berkeley. A lifetime film buff, he appears in the documentary feature Code of the Freaks, currently available on virtual cinemas with a DVD release coming up August 4. On September 25—for the second time—he'll curate an evening of programming on Turner Classic Movies devoted to notable, historic and authentic depictions of disability in classic film including the TCM premiere of Frederick Wiseman's controversial 1967 documentary Titicut Follies. THE EVOLUTION OF DISABILITY IN FILM: AFTER THE ACCOLADES, THE WORK CONTINUES The post The Depiction of Disability in Film Through Time appeared first on KPFA.
durée : 00:28:47 - La Grande table culture - par : Olivia Gesbert - Il filme depuis plus de cinquante ans les institutions et ceux qui les habitent : un hôpital, la Comédie-Française, une école... A 90 ans, le réalisateur de "Titicut Follies" prend encore le temps d'écouter ce que le réel a à nous dire. Frederick Wiseman est notre invité. - réalisation : Benjamin Hû - invités : Frederick Wiseman Cinéaste documentariste
durée : 00:28:47 - La Grande table culture - par : Olivia Gesbert - Il filme depuis plus de cinquante ans les institutions et ceux qui les habitent : un hôpital, la Comédie-Française, une école... A 90 ans, le réalisateur de "Titicut Follies" prend encore le temps d'écouter ce que le réel a à nous dire. Frederick Wiseman est notre invité. - réalisation : Benjamin Hû - invités : Frederick Wiseman Cinéaste documentariste
Estebanation discusses one of the most important filmmakers in the world. He primarily discusses "Titicut Follies" and "Public Housing." --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/estebanation/support
Our host Jake Wiafe is in this episode guested by award-winning documentary filmmaker Christy Garland from Toronto, Canada - the director of the documentary feature film What Walaa Wants, which was nominated for 9 awards and won the Special Jury Prize at the Hot Docs Canadian International Documentary Festival. Shot over five years, Christy Garland’s documentary is a classic coming-of-age story portraying Walaa from West Bank’s Balata Palestinian refugee camp. Walaa is determined to become one of the few women on the Palestinian Security Forces, and the film follows her as she changes from young troublemaker to focussed adult, navigating multiple obstacles and finally disproving the negative predictions from her surroundings - and the world at large.In this episode, Christy Garland unfolds the filming process in the Palestinian West Bank territory; how she first met Walaa and decided to follow her through pivotal life moments, police academy training, imprisonment, and return to the impoverished Balata refugee camp after becoming a trained police woman. She and Jake further discuss Christy's thoughts on being closely involved with the subjects of her films while following their unique journeys, her inspirations and wider views on documentary storytelling.What Walaa Wants, 2018, directed by Christy Garland, produced by Murmur Media, Final Cut for Real In Co-production with National Film Board of Canada. *Christy refers at one point to the documentary Titicut Follies from 1967 by Frederick Wiseman. Real Stories is available on Youtube and Facebook, and you can follow us on Twitter and Instagram too - and don’t forget to subscribe to our podcast, available on Spotify, Itunes, Player FM, and Acast. See acast.com/privacy for privacy and opt-out information.
Dans cet épisode de Vieille Branche, Marie Misset a rencontré Frederick Wiseman. De passage à Paris pour son nouveau film 'Monrovia, Indiana" le documentariste l'a accueillie dans le pied-à-terre mansardé qu'il occupe lorsqu'il vient monter ses films dans la capitale française.Ensemble, ils ont discuté de son oeuvre foisonnante, devenue au fil des films, un véritable portrait des Etats-Unis et de ses institutions, de son lien avec Paris, et de son rapport avec les personnages de ses films.Frederik Wiseman est né en 1930 à Boston, aux Etats-Unis. Après des études de droit à Yale, il devient professeur de droit à Harvard, avant de tout quitter, à 30 ans, pour tourner son premier film Titicut Follies en 1967. Ce premier documentaire, sur un hôpital psychiatrique pour criminels illustre déjà le style que Frederick Wiseman développera au fur et à mesure de sa carrière : sans interview, sans voix off, sans musique ajoutée, ainsi que son sujet d'étude principal : les institutions étasuniennes.Il est l'auteur d'une quarantaine de documentaires, dont les célèbres "Law and Order" (1969), "Near Death" (1989), "At Berkeley" (2013), "Ex Libris" (2017). Son dernier film "Monrovia, Indiana" (2019) suit le quotidien d'une ville rurale de l'Etat de l'Indiana.Vieille Branche est une émission de Nouvelles Ecoutes, animée par Marie Misset. Réalisation par Aurore Meyer-Mahieu, Mixage par Laurie Galligani, Prise de son et coordination par Marine Raut.
We discuss the films of master documentary filmmaker Frederick Wiseman and his films EX LIBRIS, HIGH SCHOOL, TITICUT FOLLIES and IN JACKSON HEIGHTS. Become a Patreon subscriber for $5 a month and get an exclusive episode every week! This week on our Patreon we discuss Martin Short's CLIFFORD. www.patreon.com/theimportantcinemaclub If you have any questions or comments, feel free to drop us a line at importantcinemaclubpodcast@gmail.com
In this episode, the Director's Club goes the verite route as we look at the films of legendary documentarian Frederick Wiseman. Joined by Chicago Film Discussion Group co-organizer Peter Richards, we go over the vastswath of a remarkably consistent body of work that delves into extensive looks at towns, schools, strip clubs, boxing gyms, and social organizations of all kinds, and explore how their deliberately removed perspectives and extended scopes allow for a contemplative insightful look at these subjects unique to the documentary form. (0:00) Intro to Wiseman (18:52) "Titicut Follies" (37:31) "High School" (48:12) "Juvenile Court" / "Welfare" / "The Store" (1:09:17) "Near Death" (1:27:58) "Aspen, CO" (1:33:05) "Public Housing" (1:49:02) "Belfast, MA" (2:02:30) "The Last Letter" (2:17:10) "Boxing Gym" (2:26:54) "Crazy Horse" (2:34:10) "At Berkeley" (2:57:13) "Ex Libris" (3:13:43) "Monrovia, IN" Stay tuned for the favorite films of 2018 year-end episode coming soon (feat. Brad, Jim + Patrick). Send us your top ten favorites of 2018 here: directorsclubpodcast@gmail.com
Located in mid-America, MONROVIA, INDIANA, (population 1,063) founded in 1834, is primarily a farming community. MONROVIA, INDIANA is about the day-to-day experiences living and working in Monrovia, with emphasis on community organizations and institutions, religion and daily life in this farming community. These towns were once the backbone of American life. While their number and populations have shrunk, the importance of rural America as a formative center of American politics and values was demonstrated in the 2016 presidential election. The film explores the conflicting stereotypes and illustrates how values like community service, duty, spiritual life, generosity and authenticity are formed, experienced and lived. MONROVIA, INDIANA gives a complex and nuanced view of daily life in Monrovia and provides some understanding of a rural, mid-American way of life that has always been important in America but whose influence and force have not always been recognized or understood in the big cities on the east and west coasts of America and in other countries. Since 1967, Frederick Wiseman has directed 42 documentaries — dramatic, narrative films that seek to portray ordinary human experience in a wide variety of contemporary social institutions. His films include TITICUT FOLLIES, HIGH SCHOOL, WELFARE, JUVENILE COURT, BOXING GYM, LA DANSE, BALLET, CENTRAL PARK, BALLET, LA COMEDIE FRANCAISE, BELFAST, MAINE, and EX LIBRIS – The New York Public Library. At the 2016 Academy Awards ceremony Frederick Wiseman received an Honorary Award (Governors Awards) for a lifetime of brilliant filmmaking. He joins us to talk about his latest cinematic treasure, Monrovia Indiana. For news and updates on all of Frederick Wiseman's work go to: zipporah.com
Apprendre des choses en regardant un film, ressentir ou vibrer sur un sujet d’actualité. Il y a bien des enjeux dans le documentaire, et nous espérons pouvoir partager avec vous quelques belles trouvailles. Les documentaires mentionnés Point historique : 1922 Nanouk l’Esquimau de Robert Flaherty 1929 L’homme à la caméra de Dziga Vertov 1958 Cinéma Direct 1969 Groupe de recherche et d’essais cinématographique (Grec) créé par Jean Rouch, Pierre Braunberger et Anatole Dauman. Documentaristes évoqués: Dziga Vertov, Jean Rouch, Alain Cavalier, Raymond Depardon, Agnès Varda, Michael Moore Les Making off devenus documentaires : Jim et Andy de Chris Smith Lost in la Mancha de Keith Fulton et Louis Pepe Lost Soul – The Doomed Journey Of Richard Stanley’s Island Of Dr. Moreau de David Gregory Fucking Kassovitz de François-Régis Jeanne Focus documentaires naturalistes : Jean Rouch et le cinéma direct. Titicut Follies de Frederick Wiseman Basic Training de Frederick Wiseman Les Plages d’Agnès de Agnès Varda Sounds like Teen Spirit de Jamie Jay Johnson La Vie moderne de Raymond Depardon Dernières nouvelles du Cosmos de Julie Bertuccelli Douze jours de Raymond Depardon Les documentaires à charge : Inside Job de Charles H. Ferguson Bowling for Columbine de Michael Moore Amanda Knox de Rod Blackhurst, Brian McGinn Pour un seul de mes deux yeux de Avi Mograbi Nostalgie de la Lumière de Patricio Guzmán Docu-fiction et fiction flirtant avec le documentaire: Waco de David Thibodeau & Leon Whiteson (mini-série) La Bombe (The War Game) de Peter Watkins Le jour d’après de Rob Minkoff (mini série) Pili de Leanne Welham Les recommandations Charlotte: The Jinx de Andrew Jarecki Antoine: La gueule de l’emploi de Didier Cros Sophie: On n’a pas retrouvé la référence, alors bonne chasse sur internet ! Crédits musicaux & extraits Générique : Lemon de Double Dragon (https://double-dragon.bandcamp.com/album/double-dragon)
Surprise! Courtney recorded an extra episode with Kate from Ignorance was Bliss to share with you. This is the first half of our conversation about dealing with loss, mental health, and the documentary Titicut Follies. So tune in and then head over to Ignorance was Bliss to see how the conversation ended. Podcast Corner: Ignorance was Bliss (http://iwbpodcast.podbean.com/ ) Artwork: https://www.facebook.com/UnapologeticArtist/ This episode contains mature subject matter and strong language, so as always, listen at your own discretion. Sound Effects & Intro Music: https://www.zapsplat.com FOLLOW US ON: Facebook: https://www.facebook.com/DomesticPodcast Twitter: https://twitter.com/DomesticPodcast Instagram: @thecultofdomesticity Youtube: https://goo.gl/qhrG9h Email us at domesticpodcast@gmail.com EPISODE SOURCES
Courtney (Cult of Domesticity) and I talk about the documentary "Titicut Follies" by Frederick Wisemen, which I won't link here just in case the YouTube link I found goes defunct or whatever. Toss me a note if you have trouble finding it, though if you value your rage-control, you may want to skip it and feed off our outrage instead. But then, we come up with a few thoughts that help us climb out of that pit of despair. So, there is that. Promos this week are from Killin' It and Go Postal, and sponsorship by Sudio Sweden (use this link and promo code BLISS15).
This week we discuss the 8-time Academy Award winning film, *Amadeus* as well as the recent Academy Award nominations. Plus we get into other stuff we watched including *Hostiles* and *Highlander*. There can be only one...episode in which we discuss Christopher Lambert's accent at length. Thanks for listening. Enjoy! 0:00 - Intro 4:27 - Academy Award Nominations/Trailer fatigue 23:09 - What We Watched: *Highlander*, *Raising Arizona*, *Titicut Follies*, *Hostiles*, *The Sweet Smell of Success*, *American Pop*, *American Gods*, *Waco* 1:07:29 - Deep Dive: *Amadeus* (1984) dir. Milos Forman 1:23:41 - Feedback: What is your favorite scary movie? 1:27:51 - Outro/Next Episode Comments, questions: feedback@filmyakpodcast.com
This week we discuss the 8-time Academy Award winning film, Amadeus as well as the recent Academy Award nominations. Plus we get into other stuff we watched including Hostiles and Highlander. There can be only one...episode in which we discuss Christopher Lambert's accent at length. Thanks for listening. Enjoy! 0:00 - Intro 4:27 - Academy Award Nominations/Trailer fatigue 23:09 - What We Watched: Highlander, Raising Arizona, Titicut Follies, Hostiles, The Sweet Smell of Success, American Pop, American Gods, Waco 1:07:29 - Deep Dive: Amadeus (1984) dir. Milos Forman 1:23:41 - Feedback: What is your favorite scary movie? 1:27:51 - Outro/Next Episode Comments, questions: feedback@filmyakpodcast.com
On Twitter: @ZipporahFilms @thompowers @PureNonfictionZipporah Films website: http://www.zipporah.com.Pure Nonfiction is distributed by the TIFF podcast network.
“Ex Libris – The New York Public Library” is that latest film from documentary master Frederick Wiseman. This year also marks the 50th anniversary of his first film “Titicut Follies” set at the Bridgewater State Hospital for the criminally insane. Pure Nonfiction host Thom Powers talks to Wiseman about both those films and others in […] The post PN 55: Frederick Wiseman – From “Titicut Follies” to “Ex Libris” appeared first on Pure Nonfiction.
The Drunk Projectionist's Todd Melby interviews Frederick Wiseman director of "Titicut Follies," a 1967 documentary about a hospital for the criminally insane. In this interview with Todd Melby, he also reveals why he shot most of his movies on 16mm, how his films are structurally similar to plays and why he hates the term "cinema verite." In the interview, Wiseman discusses Jim's victimization at the hands of prison guards (5:20), Vladmir's case review (9:07), the limitations of documentaries (13:54), the importances of long scenes (17:28), the length of his films (20:03), on directing a theatrical production of "Happy Days" (24:45), on the advantages of shooting on 16mm (26:29), on recording sound and working with cinematographers (28:51), on other documentary filmmakers (29:31), and on "cinema verite" (29:58).
One of the greatest filmmakers ever reflects on his career and his well refined process of making a masterpiece virtually every year. He explains why 50 years ago, as a lawyer in his 30s, he decided to make a film about a prison for the criminally insane ("Titicut Follies") and how he grew as an artist.
Cette semaine nous parlons de documentaires controversés! Olivier nous plonge dans l'aliénation de l'asile psychiatrique Bridgewater avec le choquant "Titicut Follies" (1967). Simon réveillera vos frustrations avec la conspiration du réseau de prostitution juvénile américain de la fin des années 80 impliquant d'importants politiciens, et le documentaire produit par Discovery Channel "Conspiracy of silence" (1993) qui ne verra jamais le jour suite aux menaces... Pour détendre l'atmosphère, on termine avec la VHS insolite de cours de danse de Gérard Content, vol. 39, pour vous apprendre quelques pas de danse sociale pour vos party du temps des fêtes. Bonne écoute!
Cette semaine nous parlons de documentaires controversés! Olivier nous plonge dans l'aliénation de l'asile psychiatrique Bridgewater avec le choquant "Titicut Follies" (1967). Simon réveillera vos frustrations avec la conspiration du réseau de prostitution juvénile américain de la fin des années 80 impliquant d'importants politiciens, et le documentaire produit par Discovery Channel "Conspiracy of silence" (1993) qui ne verra jamais le jour suite aux menaces... Pour détendre l'atmosphère, on termine avec la VHS insolite de cours de danse de Gérard Content, vol. 39, pour vous apprendre quelques pas de danse sociale pour vos party du temps des fêtes. Bonne écoute!