Podcasts about glass onion a knives out mystery

Former President Donald Trump survived a second assassination attempt. Join Federalist Editor-in-Chief Mollie Hemingway and Washington Examiner Senior Writer David Harsanyi as they break down how Democrat and corporate media's rhetoric fuels violence against Trump, discuss Israel's decision to blow up Hezbollah operatives' pagers, and refute the lies from outlets blaming pro-life policies in Georgia for a death linked to the abortion pill. Mollie also shares her recent travels, and David offers his thoughts on "Wise Guy: David Chase and the Sopranos" and "Glass Onion: A Knives Out Mystery."If you care about combatting the corrupt media that continue to inflict devastating damage, please give a gift to help The Federalist do the real journalism America needs.

Former President Donald Trump survived a second assassination attempt. Join Federalist Editor-in-Chief Mollie Hemingway and Washington Examiner Senior Writer David Harsanyi as they break down how Democrat and corporate media's rhetoric fuels violence against Trump, discuss Israel's decision to blow up Hezbollah operatives' pagers, and refute the lies from outlets blaming pro-life policies in Georgia for a death linked to the abortion pill. Mollie also shares her recent travels, and David offers his thoughts on "Wise Guy: David Chase and the Sopranos" and "Glass Onion: A Knives Out Mystery."If you care about combatting the corrupt media that continue to inflict devastating damage, please give a gift to help The Federalist do the real journalism America needs.

This week on the Talk Without Rhythm Podcast I'm fulfilling a Patreon Pick from TWoRP Legionnaire Tom B. by discussing The Cheap Detective (1978) and Glass Onion: A Knives Out Mystery (2022). [00:00] INTRO [01:48] CromCast Promo [02:33] RANDOM CONVERSATION [07:13] The Cheap Detective (1978) [33:49] Glass Onion: A Knives Out Mystery (2022) [01:06:32] FEEDBACK [01:10:12] ENDING MUSIC: Glass Onion by The Beatles Buy The Cheap Detective (1978) Support TWoRP Contact Us talkwithoutrhythm@gmail.com

With the highly anticipated third season of "Mayor of Kingstown" premiering this Sunday, Jeremy Renner is already making headlines with his next major movie project. The Oscar-nominated actor is set to join Daniel Craig in Netflix's "Wake Up Dead Man: A Knives Out Mystery." Renner will be part of an impressive ensemble cast that includes Kerry Washington, Josh O'Connor, Cailee Spaeny, Glenn Close, and Andrew Scott. Daniel Craig is set to reprise his role as the world-renowned detective Benoit Blanc, with Rian Johnson returning as director and scriptwriter. Johnson will also produce the film through his T-Street production company, alongside producing partner Ram Bergman. While plot details remain under wraps, the addition of Renner to the cast has already generated significant excitement among fans. The most recent film in the series, "Glass Onion: A Knives Out Mystery," premiered on Netflix in 2022 after the streaming giant struck a record-setting $450 million deal for two sequels. "Wake Up Dead Man" marks the third installment in the acclaimed franchise. Renner's involvement in the project comes at a high point in his career, with his performance in "Mayor of Kingstown" continuing to receive praise. Fans are eagerly awaiting both the new season of the series and his upcoming role in the latest Knives Out mystery. Stay tuned to Geek Freaks for more updates on "Wake Up Dead Man: A Knives Out Mystery" and all your favorite movies and TV shows.

This week Joe and Suz discuss Kate Hudson and her work in Glass Onion: A Knives Out Mystery and Bride Wars. We'd love to hear from you! Write to us at 3FunnyLadies@gmail.com

Paul Costello and Emma Kathryn from The Yearbook Committee Podcast return to Flixwatcher to review Paul's choice Glass Onion: A Knives Out Mystery. Glass Onion (2022) is a standalone sequel to Knives Out written and directed by Rian (Brick) Johnson. Daniel Craig reprises his role as detective Benoit Blanc. This mystery sees Blanc joining a group of “Disruptors” on a private Greek island for a murder mystery weekend hosted by Miles Bron (Edward Norton), a Elon Musk type tech bro and founder of Alpha. His guests include model-turned-fashion designer Birdie Jay (Kate Hudson), the governor of Connecticut Claire Debella (Kathryn Hahn) and her assistant, video game streamer Duke Cody (Dave Bautista) and his girlfriend and co-founder of Alpha and Miles's ex-business partner Andi Brand (Janelle Monáe). As with Knives Out, Glass Onion takes the classic murder mystery genre, throws in several red herrings and is full of fun and enjoyable performances from the ensemble cast. While not quite as intriguing and original as Knives Out, but still fun, Glass Onion still scores high on recommendability and engagement to score 4.23 overall [supsystic-tables id=357]     Episode #343 Crew Links Thanks to the Episode # 343 Crew of Paul Costello (@)PaulCinephile) and Emma Kathryn from The Yearbook Committee Podcast   Please make sure you give them some love   More about Glass Onion For more info on Glass Onion can visit Glass Onion IMDB page here or Glass Onion Rotten Tomatoes page here. Final Plug! Subscribe, Share and Review us on iTunes If you enjoyed this episode of Flixwatcher Podcast you probably know other people who will like it too! Please share it with your friends and family, review us, and join us across ALL of the Social Media links below. [supsystic-tables id=355]     Episode #342 Crew Links Thanks to the Episode # 342 Crew of Verbal Diorama and Easy Riders Raging Podcast   Please make sure you give them some love   More about Parasite For more info on Dune: Part One can visitParasite IMDB page here orParasite Rotten Tomatoes page here. Final Plug! Subscribe, Share and Review us on iTunes If you enjoyed this episode of Flixwatcher Podcast you probably know other people who will like it too! Please share it with your friends and family, review us, and join us across ALL of the Social Media links below. Learn more about your ad choices. Visit megaphone.fm/adchoices

David DeSanto is the chief product officer of GitLab, which is the largest remote-only company in the world. They share many of their team meetings on YouTube, and they've grown from being an open-source code management product competing with GitHub to a multi-product platform that covers security, compliance, continuous integration, project management, and deployment tools, many of which are infused with AI magic. In our conversation, we discuss:• How GitLab operationalizes transparency• The philosophy behind recording and sharing team meetings on YouTube• Their extensive public employee handbook• GitLab's core value of having “short toes”• Challenges and advice for doing remote work well• Strategies for ensuring effective communication in a remote work environment• GitLab's breadth-over-depth strategy• The company's unique approach to AI• The value of using humor in high-stakes conversations—Brought to you by:• Orb—The flexible billing engine for modern pricing• Eppo—Run reliable, impactful experiments• Paragon—Ship every SaaS integration your customers want—Find the transcript at: https://www.lennysnewsletter.com/p/the-gitlab-way—Where to find David DeSanto:• X: https://twitter.com/david_desanto• LinkedIn: https://www.linkedin.com/in/ddesanto/• Threads: https://www.threads.net/@david.the.beard—Where to find Lenny:• Newsletter: https://www.lennysnewsletter.com• X: https://twitter.com/lennysan• LinkedIn: https://www.linkedin.com/in/lennyrachitsky/—In this episode, we cover:(00:00) David's background(04:20) Maintaining an epic beard(05:29) Why GitLab publicly shares team meetings(09:49) The GitLab Handbook(11:30) GitLab's issue tracker(14:29) How to successfully build a culture of transparency(18:11) Benefits of operating with transparency(19:55) The value of building in public(21:53) How GitLab implements their core value of kindness(25:16) What it means to have “short toes”(27:41) Other core values(32:16) Common reasons for not fitting in at GitLab(34:42) Advice for remote teams(42:04) Advice for getting into product(43:52) Advice for PMs who are struggling in a remote world(48:25) Specific tools that help with remote work(53:13) Time zones and remote work(57:18) Breadth-over-depth strategy(01:04:14) AI at GitLab(01:13:11) GitLab's products and solutions(01:14:54) Lightning round—Referenced:• GitLab: https://about.gitlab.com/• UX Showcase—David DeSanto introduction to UX team and AMA: https://www.youtube.com/watch?v=fEdsmnVKNj4• The GitLab Handbook: https://handbook.gitlab.com/• Sid Sijbrandij on LinkedIn: https://www.linkedin.com/in/sijbrandij/• Y Combinator: https://www.ycombinator.com/• GitLab issues: https://docs.gitlab.com/ee/user/project/issues/• Salesforce: https://www.salesforce.com/• GitLab values: https://handbook.gitlab.com/handbook/values• GitLab organizational structure: https://handbook.gitlab.com/handbook/company/structure• GitLab direction: https://about.gitlab.com/direction/• Dogfooding: A simple practice to help you build better products: https://medium.com/agileinsider/dogfooding-a-simple-practice-to-help-you-build-better-products-b5954af4d5f7• The ultimate guide to adding a PLG motion | Hila Qu (Reforge, GitLab): https://www.lennysnewsletter.com/p/the-ultimate-guide-to-adding-a-plg• Zigging vs. zagging: How HubSpot built a $30B company | Dharmesh Shah (co-founder/CTO): https://www.lennysnewsletter.com/p/lessons-from-30-years-of-building• HubSpot: https://www.hubspot.com/• Crossing the Chasm: Marketing and Selling Disruptive Products to Mainstream Customers: https://www.amazon.com/Crossing-Chasm-3rd-Disruptive-Mainstream/dp/0062292986• Geoffrey Moore on finding your beachhead, crossing the chasm, and dominating a market: https://www.lennyspodcast.com/geoffrey-moore-on-finding-your-beachhead-crossing-the-chasm-and-dominating-a-market/• Open-core model: https://en.wikipedia.org/wiki/Open-core_model• GitLab Duo: https://about.gitlab.com/gitlab-duo/• GitLab Docs: https://docs.gitlab.com/• Anthropic: https://www.anthropic.com/• GitLab Acquires UnReview to Expand Its DevOps Platform with Machine Learning Capabilities: https://about.gitlab.com/press/releases/2021-06-02-gitlab-acquires-unreview-machine-learning-capabilities/• Essentialism: The Disciplined Pursuit of Less: https://www.amazon.com/Essentialism-Disciplined-Pursuit-Greg-McKeown/dp/0804137382• The Mission Critical Core/Context Model for Product Managers: https://secretpmhandbook.com/the-mission-critical-corecontext-model-for-product-managers/• The Devil's Hour on AppleTV+: https://tv.apple.com/us/show/the-devils-hour/umc.cmc.3zw4tyzd4lvor5mwhujms63x3• Glass Onion: A Knives Out Mystery on Netflix: https://www.netflix.com/title/81458416• Taylor Swift's The Eras Tour on Prime Video: https://www.amazon.com/TAYLOR-SWIFT-ERAS-EXTENDED-VERSION/dp/B0CP99SN2B• The STAR method: https://capd.mit.edu/resources/the-star-method-for-behavioral-interviews/• Artifact News: https://artifact.news/• Superhuman: https://superhuman.com/• Arc browser: https://arc.net/• An inside look at how The Browser Company builds product: https://www.lennysnewsletter.com/p/competing-with-giants-an-inside-look—Production and marketing by https://penname.co/. For inquiries about sponsoring the podcast, email podcast@lennyrachitsky.com.—Lenny may be an investor in the companies discussed. Get full access to Lenny's Newsletter at www.lennysnewsletter.com/subscribe

Submit a topic/question: https://forms.gle/yGfYKbmJDRLvdbGm9 In this episode Jake reviews Glass Onion: A Knives Out Mystery and Black Panther: Wakanda Forever, two major 2022 movies. What did you think of these movies? Send feedback to us by: 1. Commenting on the YouTube video 2. Sending a voicemail: https://anchor.fm/movietalkwithjandc 3. Sending an email: movietalkcandj@gmail.com Intro music: https://www.bensound.com

Over four years, Hugh Grant experts Diggory Waite and Oscar Beardmore-Gray watched every Hugh Grant film ever made. Now, they're ranking them all from 50 to 1. In episode 2 of Hugh Grant's best ever films list, they count down from 40th place to 31st. There are some titles you'll have heard of like Death to 2020 and Glass Onion: A Knives Out Mystery, and others that will consigned to the film history books for ever more after this episode! Make sure you're following Taking Hugh for Granted on Instagram and Facebook (@TakingHughforGranted) as well as TikTok and X/Twitter (@TakingHugh). You can get in touch with us there or via our email takinghughforgranted@gmail.com Hugh Grant is a British actor who is best known for starring in films like Love Actually, Notting Hill and The Undoing alongside huge stars such as Nicole Kidman and Julia Roberts. In 2023, Hugh Grant continues to make movies and has a wife and children. 0:00-2:37 – Introduction 2:37-5:48 – 40 – Death to 2021 5:48-9:46 – 39 & 38 – Operation Fortune: Ruse De Guerre & Crossing the Line 9:46-14:42 – 37 & 36 – Did You Hear About The Morgans? & Small Time Crooks 14:42-18:01 – 35 – Glass Onion: A Knives Out Mystery 18:01-22:47 – 34 – Death to 2020 22:47-27:26 – 33 – Privileged 27:26-35:27 – 32 & 31 - The Rewrite & White Mischief 35:27-27:46 – Outro

Kate Hudson is part of an all-star cast in the highly-anticipated new Netflix film, "Glass Onion: A Knives Out Mystery". Even before it has begun streaming, the movie has been nominated for two Golden Globe awards. Kate Hudson and Willie Geist got together in New York for a Sunday Sitdown. (Original broadcast date Deccember 18, 2022.)

Continuing our "Age of Mystery" Series, we review Glass Onion: A Knives Out Mystery! We talk about the follow up to the incredible Knives Out(https://youtu.be/1O--XW1v9-c?si=hHN2CZqtOU_W_t-M) and the great detective Benoit Blanc! Tap in and Listen!.TimelineIntro 00:00Cast 03:42Plot 10:39Likes 15:05Dislikes 01:16:55Slushie Meter 01:17:02Closing 01:26:36.Follow us on Twitter @SlushieReviewFollow us on Instagram @SlushieReviewPodcastSubscribe to our YouTube @Slushie ReviewCheck us out on Spotify, Apple Podcasts, Amazon Music, Google Podcasts or wherever you get your podcasts!!Subscribe!!.Website:https://slushiereview.captivate.fm.Intro Music:Home Base Groove by Kevin Macleodhttp://freemusicarchive.org/music/Kevin_MacLeod/Oddities/Home_Base_Groove#SlushieReview #MovieReview #GlassOnion #Podcast

Professional screenwriters Adam Schaller and Alexie Basil break down the script for GLASS ONION: A KNIVES OUT MYSTERY. Watch the live stream Join Writing the Pilot Join Discord

"The Latest 2022 Ranking of All Time"  In which Dylan ranks the 2022 movies he got around to by personal enjoyment, ranging from a fighter pilot legacy sequel to Jordan Peele's newest horror outing to a multiversal existential adventure. Annual questions are addressed in this episode. Did the movies that I most anticipated, ranging from The Fabelmans to The Banshees of Inisherin, live up to the hype? How did the Best Picture nominees stack up against one another?  And, most importantly, could this episode be any later at this point? Answer all of these inquiries and more on the fiftieth episode of CineStudy.  At the end of the episode, brief spoiler talk occurs for Official Competition, The Fabelmans, Aftersun, Nope, and Glass Onion: A Knives Out Mystery. SPOILERS: 1:19:40 and beyond  Thanks for listening to CineStudy!  THE LIST: Be warned if you've yet to listen...  ***  23. Death on the Nile 22. Fire of Love 21. On the Count of Three 20. Scream 19. See How They Run 18. All Quiet on the Western Front 17. Triangle of Sadness 16. Avatar: The Way of Water 15. The Northman 14. Official Competition 13. Elvis 12. Women Talking 11. Everything Everywhere All at Once 10. The Fabelmans 9. Aftersun 8. Nope 7. Glass Onion: A Knives Out Mystery 6. Top Gun: Maverick 5. TÁR 4. The Banshees of Inisherin 3. Decision to Leave 2. Barbarian 1. Marcel the Shell with Shoes On

Next up for Whodunit Month - 2022's Glass Onion: A Knives Out Mystery! Ben, Greg, and Ray take a trip to a private Greek island to discuss the return of the last of the gentlemen sleuths, Benoit Blanc, in Rian Johnson's Knives Out sequel. Written and directed by Rian Johnson and starring Daniel Craig, Edward Norton, Janelle Monáe, Kathryn Hahn, Leslie Odom Jr., Jessica Henwick, Madelyn Cline, Kate Hudson, and Dave Bautista.

“Glass Onion: A Knives Out Mystery” star Kate Hudson and Drew chat about blended families, pranking exes and more. Plus, Kate plays Pop Quiz revealing her favorite guilty pleasure and the last time she peed herself from laughing! Then, Drew and Ross Mathews are serving the news sunny-side up in an all new Drew's News including revealing the color of the year and the new dating term "situationship"!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Let's talk about (spoiler alert) Jazza's favourite movie of the year (and maybe of all time) - as we look at parallel universes, googly eyes, and lesbian supervillains! Support us on Patreon at patreon.com/thequeermoviepodcast for as little as $5 per month to gain access to perks like queer movie recommendations, Discord access, and watch-a-longs. Thank you for supporting us! We're a serious podcast and have a serious sponsor, Squarespace support us! Help make the podcast profitable by going to squarespace.com/queermovie, and by using the code 'queermovie' at checkout. This is a queer movie watch party for your ears, hosted by Rowan Ellis and Jazza John. Join us as we take a look at the queer film canon, one genre at a time. From rom-coms to slashers, contemporary arthouse cinema to comedy classics - Queer Movie Podcast is a celebration of all things queer on the silver screen! New episodes every other Thursday. Find Us on the Internet Super Highway - Twitter: https://twitter.com/QueerMoviePod  - Patreon: https://www.patreon.com/thequeermoviepodcast - Website: http://www.queermoviepodcast.co.uk/  - Multitude: @MultitudeShows Production - Hosts: Rowan Ellis and Jazza John - Editor: Julia Schifini - Executive Producer: Multitude - Artwork: Jessica E. Boyd   TRANSCRIPT: JAZZA:  Hello, everyone. Just before we jump into the main episode today, I want to thank our two top-level patrons, Jennifer, and Toby, who are supporting us on the rainbow parent tier, which is absolutely bloody amazing. Do you want to join them, head over to Patreon and you don't have to donate as much as they do, but we'd really appreciate anything that you can give to us. More about Patreon coming a little bit later. On with the episode, my darlings.  [theme] JAZZA:  Welcome to the Queer Movie Podcast celebrating the best— ROWAN:  —And worst— JAZZA:  In LGBTQ plus cinema, one glorious genre at a time.  ROWAN:  I'm Rowan Ellis. JAZZA:  And I'm Jazza John. ROWAN:  Each episode we discuss a movie from a different genre of cinema.  JAZZA:  This episode's genre is— JAZZA AND ROWAN: Queer Oscars 2023. ROWAN:  So in sync, so coordinated. JAZZA:  Yeah, a 100%. The—the yearly tradition of us doing the Queer Oscar stuff. So today, we're going to be talking about the best bloody movie ever made by the Daniels, Kwan, and Scheinert. And starring the best actor in the history of humanity, Michelle Yeoh, and nominated for 11 Oscars, I think. Everything Everywhere All at Once. ROWAN:  Not to spoil what Jazza thought of the movie or anything. But before we start— JAZZA:  It's my favorite movie, it's my favorite movie. I'm so fucking excite— after like the last three movies that we've done, I'm so excited to speak about something that I actually genuinely adore. I love this film. Spoiler.  ROWAN:  But before we stuff Employee of the Month awards up our asses, so we can fight Michelle herself. Jazza, what's the gayest thing you've done since the last episode? JAZZA:  So um, hi everybody, I live in New York. And I— ROWAN:  Oh, here we go again. JAZZA:  Ran out of my NHS-prescribed prep at the end of last year. And so I have been having to live like it's the 90s, oh, my God. And I just—for the first time, like a true American, which I'm not. But like a true American resident picked up my first prescription of prep from CVS. ROWAN:  You— did you have to pay American money for it? Or do—do you have an insurance? JAZZA:  No, I get it on my health insurance. ROWAN:  Oooh, look at you! JAZZA:  I got a full fe—although, can I just show you the documentation that I have to read—  ROWAN:  Yeah. JAZZA:  —when I take this. ROWAN:  I'll do an audio [2:33] Okay, here's the audio description. What's basically happened is Jazza has just come onto the webcam that I can see. And they've essentially like, you know, one of those comedy scrolls that just keeps rolling all the way down the throne room in some kind of fantasy comedy movie, that's exactly what's just—just been displayed in front of me. That is like, a world map to scale, that is so big. Have you read any of it?  JAZZA:  Yeah, well, I had to try and because, like, I know that, like what you're meant to do to take for it. But I wanted to like double check, because this is American prep, and maybe it's different. So I found the instructions of dosage and how to take it, and it says, take dosage exactly as your prescriber told you. ROWAN:  Okay. JAZZA:  Fucking useless.  ROWAN:  What—oh, did your prescriber not tell you? JAZZA:  No. But I have texted him and said, is it like normal prep and we'll find out when he texts me back, so that'd be good.  ROWAN:  Wow. JAZZA:  What's the gayest thing you did? ROWAN:  Before we go into the gayest thing, I really feel like this podcast is educational. It's very vitally important, very serious, not at all. But in cases, anyone listening who doesn't know this, if you take two or more prescriptions monthly, and you're on the NHS, like through the NHS, get yourself a prepaid certificate, because it will be cheaper. And then every single prescription you get past, I think it's literally like you have to have one and a half prescriptions a month, it will be cheaper, and every single one, it won't cost you any more money. And then when you go in and they say do you pay for prescriptions, you get to be like, I already did baby, I pre-paid. Because I didn't know that until very recently. And I've been taking two prescriptions a month for many years and didn't realize I was paying too much for them. That wasn't the gayest thing I've done though. Um. JAZZA:  [laughs] ROWAN:  What? JAZZA:  Isn't it, making—making healthcare more easy to—easier to navigate and more accessible? [4:24] ROWAN:  [4:25] that's pretty gay. No, that I actually did my first in-person talk, and since the pandemic— JAZZA:  Oh yeah, this is cool. ROWAN:  I used to do a lot of them. And I've done some in person like hosting stuff and things like that, but mostly it's been online. But I went to essentially like a organization where a bunch of like solicitors and lawyers, and legal organizations kind of have joined forces so that, that LGBT group is—has some has—has actual members and it isn't just like one person at one law firm. And I did a little talk and I am very, very proud of it, it went very, very well. And I actually think that talk is very good. It's basically about the—the parallels of the moral panic from the 80s around gay people to the trans panic now. Yeah, a lot of people came to ask me about it afterward, I think including some people who hadn't necessarily been to abreast of the situation with like the trans panic. And who had some very thoughtful questions, and I think definitely was making them think, which is, you know, what we love to do. So, If anyone wants me to come and talk, basically be very depressing for an hour, I now apparently do that professionally. But that was my gay [5:34] JAZZA:  Don't sell yourself [5:35]. If anybody wants like a really informed and provocative discussion or talk to bring to your workplace, then please get in touch with Rowan Ellis because she's one of the [5:45] ROWAN:  [5:48] JAZZA:  Yeah. ROWAN:  Oh, don't think I won't do it, I'll do it. I'm sorry, that was a threat for some reason to you. Yeah. No, that's—that was, that's pretty gay, so that's me. JAZZA:  Well done. Proud of you.  ROWAN:  Thank you. [theme] JAZZA:  So anybody who is new here, here's how we're going to do it. So first, we're going to give a little bit of context around how gay the Oscars are this year in 2023. And I am just going to carve out a little bit of time to do some gushing around how I think Michelle Yeoh is the best person on the face of the planet, how she's my bitch, and that I die for her. I watched Star Trek Discovery for Michelle Yeoh. ROWAN:  That's dedication. We will be spoiling this movie, so we would encourage you to watch it before listening to the rest of the episode because it really is very excellent. And some of these movies that we review, were like, no, don't bother, just listen to us describe what happens during the plot. But for this one, do go away and watch it and then come back.  JAZZA:  Yeah. To be clear, I think this is the best film ever made. So without further ado, let's put everything on a bagel, despair, report cards, salt, and this review of the movie, Everything Everywhere All at Once. [theme] ROWAN:  So this year we had a few options actually when we were looking at what maybe we wanted to do for— JAZZA:  No we didn't, we were always going to do this— ROWAN:  Okay, well— JAZZA:  [7:12] ROWAN:   —hypotechnically.  JAZZA:  Yeah, yeah.  ROWAN:  There would [7:13] JAZZA:  If were gonna pretend. ROWAN:  So obviously Everything Everywhere All at Once, Tar, which was the film with Cate Blanchett that we didn't enjoy, that we have already reviewed. So if you did enjoy that or not, check out the podcast on that, already out. There's also The Whale, which has earned three nominations, I think, including for Brendan Frazier's performance of a gay man, spiraling out over grief after the death of his partner. And then technically Glass Onion: A Knives Out Mystery, [7:44] JAZZA:  Oh sure. Yeah. ROWAN:  For Best Adapted Screenplay because allegedly Ben was gay. And we also have already done that. So realis—oh, I think like, again, technically like Lady Gaga got a nomination for the theme song to Top Gun Maverick, and you know. JAZZA:  Love the Top Gun Maverick, already one of the gayest fucking movies on the planet without actually being gay. Actually did get an Oscar nomination, we could have covered it. I love that because of Lady fucking Gaga of all people. ROWAN:  Yeah. Their only— JAZZA:  It would have been quite poetic actually. Should we go back and just do Top Gun? ROWAN:  I mean, yeah, maybe it's like hey, here's a little sneak little—little cheeky episode where it's just like gay, the gay subtext genre. That is technically a genre, I guess?  JAZZA:  Hey, watch this space.  ROWAN:  And then there's also some ones that are maybe lesser known. So one of the best international feature, Close, which is from Belgium,  follows two teenage boys who have this very close friendship and then it get there like a lot of drama happens after some of their schoolmates sort of notice how close they are. And there's like a rift forms between them, which I haven't seen. And it also haven't seen after [8:48] which seems to be ambiguously gay. Where some people are like, it's very obvious that the main character is gay. And some people are like, it's—it's not, no one picked up on it, blah, blah, blah. So it's like, that was also a possibility of [9:00] this movie that everyone is obsessed with. And that I do need to see, but I need to be emotionally ready for it because apparently, it's going to tear my heart out.  JAZZA:  Great.  ROWAN:  Absolutely decimated. And so yeah, I think that the only one that we haven't covered that we might do on the podcast seems to be The Whale. But I literally—I mentioned it not to say that we shouldn't do Everything Everywhere All at Once. I just mentioned it as like, oh, we could also do the work. Like I hadn't even finished typing to send the message. Before Jazza was like absolutely the fuck not, we're doing this movie. We're not doing any other movie ever again. Only this movie.  JAZZA:  I think I might have threatened to quit.  ROWAN:  Yeah. [9:35] Okay. Good luck [9:37] Rowan. So yeah, essentially, we didn't really have a choice and by we, I mean me. But I'm fine with that. I—I um have a confession though.  JAZZA:  Go on. ROWAN:  I started watching this movie a little while ago. And I just didn't finish. I just got like— I mean I've finished it now. To be clear, I'm coming into this podcast— JAZZA:  Oh my gosh! ROWAN:  —not having watched the movie. JAZZA:  Well, you did it with Rose, so. ROWAN:  I basically got to the fanny pack fight scene, but I just like wasn't in the frame of mind to— I don't know like the ADHD was really ADHD. And I was like, I can't concentrate on anything, let alone this long movie. JAZZA:  You didn't even get that far. ROWAN:  I know. JAZZA:  The fanny pack [10:18] ROWAN:  It's really near the beginning, but my brain was just like, I can't concentrate on anything longer than about two minutes long. And I wanted to do it justice. Like I knew that so many people love this film, and I wanted to give it a good go. So I was like, I'm not just going to try and push through it. I want to actually enjoy it. So I am very happy that you forced me to watch it, because it's a very good movie. JAZZA:  Wait, had you not finished it until we were going to do this episode? ROWAN:  Yeah. I literally watched it for the episode.  JAZZA:  Oh, my God. I'm—you're welcome. ROWAN:  Your—again. Again, Jazza the way you say welcome absolutely destroys me, but— JAZZA:  Welcome. ROWAN:  Absolutely not. So basically, but I'll show you because I don't know why I thought I would be able to watch this movie. I was like, maybe I need something different to my brain. So I was like, maybe I'll just paint while I'm doing it, just like a little cute painting. But then I forgot that I had to make notes for this podcast. So I was like, trying to write notes, and then also paint. So I got like, not far through the painting whatsoever. I just got the under-the-base thing done, which is like, this is— JAZZA:  Oh that's cute. ROWAN:  —the scene where she like cracks in three, and it's like any office building. JAZZA:  Oh yeah. ROWAN:  But like none of the actual features are in, so it just looks really like blobs. But I will try and finish it by the time this goes out, so we can put it on our social media because you know, we should probably upload there, you know. JAZZA:  Hey [11:39] ROWAN:  Put things on our socials. JAZZA:  Really great for engagement. ROWAN:  Yeah, everyone loves a good [11:44] So yeah, that is essentially my context, is that the queer movies we've done, like I've done like a—together, we did a whole video about the quick history of the Oscars on my channel before, we've talked about the kind of Oscars in general in other episodes of the podcast, so I wanted to keep it just to like what's going on specifically this year, which seems to be—I would say that from the movies that I've seen, that are nominated, this one it feels like— like Tar, for example, and Knives Out and things, the sexuality is not necessarily a key part of the plot. It could be that the character like isn't queer, and it would have been reasonably similar. Whereas I think that the queer element of this film is like important to the plot. Like the— the fact— JAZZA:  Yeah 100%. ROWAN:  — that she's queer is important to what's going on here. Which I think is very—it's going to be interesting to have a little chat about. Would you like to do your context, which is basically just you talking about your [12:40] JAZZA:  Michelle Yeoh? Yeah, my girl Michelle, I'm—every gay kind of has a that one female artist, that they will die for generally. Mine in the music sphere, Shakira, and in the action sphere, Michelle Yeoh. Michelle Yeoh could probably be credited with me deciding to learn Chinese and move to China. I'm not even joking. I first— I remember watching her—the first time I ever watched her was in the James Bond movie that she was in, which was I Think Tomorrow Never Dies?  And since then, have just like, completely been obsessed with her, obsessed with her career. She went from—well before then, she started off as like a beauty queen in Malaysia, then did an advert with Jackie Chan in the 1980s because, of course, every East Asian woman in the 1980s did an advert with the Jackie Chan, they were advertising watches. Then she from that ended up being an action star and a huge star in Hong Kong in her own— right Hong Kong being the center of the movie industry in Asia. So she was in movies like when [13:51] Yes, madam, and was already this huge, huge star. She was catapulted into international stardom through James Bond and then ended up doing the Ang Lee film, Crouching Tiger, Hidden Dragon was in stuff like Memoirs of a Geisha, went on to do have supporting roles in movies like Crazy Rich Asians. And just— has just kind of like grown into playing a lot of these matriarch roles. She has a dance background and so has traditionally done all of her own stunts and all of her fight scenes, which is the same for a lot of the stuff that is in this movie. And I just think she's really fucking badass. She's learned whole languages in order to play roles. Before the 2000s she couldn't speak any Mandarin, she learned it for Crouching Tiger, Hidden Dragon and now does this whole movie, this whole movie Everything Everywhere All at Once in Mandarin, just full interviews in Mandarin. She learnt Burmese when she played Aung San Suu Kyi in The Lady hasn't aged very well that movie, but that's crazy. And she didn't speak any Cantonese before she broke into Hong Kong cinema. Like this woman is a absolutely fucking phenomenal. And she was educated at least part of her life in London, so we can claim her, she's one of us. And that's all. I love her. ROWAN:  That's very adorable.  JAZZA:  Thank you. ROWAN:  Someone, someone, someone send this to Michelle. JAZZA:  Oh, I—you know that embarrassing interaction I had with Baldwin Yang, I feel like Michelle Yeoh is one of the only other people who I would like physically combust in front of. I would not be able to handle it. ROWAN:  I love that. Yeah, we'll keep you at a distance. I'll be— if I ever see her in the street and you're with me, I'm taking, I'm like gonna rugby tackle you to the floor. I'll be like, no, Jazza shield your eyes. Like— JAZZA:  Yeah. ROWAN:  —I feel like it would just have you'd be having some kind of like angelic experience, it would burn the very soul out of you, so don't worry, I've got your back.  JAZZA:  Thank you. And just to close on one final thing before we dive into the plot of this movie. She's the first East Asian woman to be nominated for an Oscar Best Actress. And Stephanie Hsu is the first East Asian woman to be nominated as a Best Supporting Actress. This movie is groundbreaking. And yeah, just again, before we go in and spoil the plot if you haven't watched it, you have to, it'll change your life. And you'll cry a lot. If you're anything like me, you'll probably cry a lot. ROWAN:  I think she feels like a shoo-in for Best Actress.  JAZZA:  Who's she against? ROWAN:  Cate Blanchett. JAZZA:  [16:26] ROWAN:  For Tar. JAZZA:  I rec— so I will be. I can see Cate Blanchett winning, and I will be furious.  ROWAN:  Yeah. I think that— I think that's the most likely thing if Michelle doesn't, because the other ones it's other Michelle, for the fave woman's Michelle Williams, which you know, whatever. It's a film, it's fine, but like I feel like there's been better. Movies about movies and stuff. I think it's only because it's Spielberg talking about himself that anyone cares.  JAZZA:  Yeah. ROWAN:  It's Andrea Riseborough for To Leslie, which is like the one everyone jokes about how no one actually knows. That everyone was like what the hell even is that film? When did it even come out? What is it, who cares? Ana De Armas for Blonde, where the hell did that nomination come from? Absolutely unhinged behavior from the Academy, and then Michelle. So I feel like she—she— if there's any justice in the world, will win it. JAZZA:  And also she's—she's like a has a long decorated career, everywhere else apart from the Oscars. And the Oscars generally likes taking these opportunities to award— rewards people who have been such items in the industry, but maybe have never had the— the role has kind of put them in the contention for an award like this.  ROWAN:  Yeah. JAZZA: I think she will win. I think the best picture win is less of a shoo-in. ROWAN:  Screenplay, I think is going to be the contest there is going to be with Banshees. And I think supporting actress—supporting actress Stephanie might be in. I feel like the only one that might—you know actually no because even though it is Angela Bassett, it's for Black Panther, which won't—It won't get it because it's a superhero movie. And the other two for The Whale and Banshees, like the— it's—they weren't big enough roles, I don't think. So it's Stephanie against Jamie Lee Curtis for the same movie, and Stephanie was simply better. So I'm really hoping that we have some— not just like first nominations, but first wins to go with it in the same year. JAZZA:  I'd love it if Mitski beat Lady Gaga as well. [18:30] ROWAN: I love that for you. Right. Should we get into the plot of this movie then? JAZZA:  Yeah, let's do it. [theme] ROWAN:  Okay, so the movie begins with our hero Evelyn doing her taxes, which apparently was the summary of the movie pre-trailers, and even when the trailers were going out because I didn't want to spoil the movie at all. What it was we're going to be before the trailer dropped. So it was just a woman does her taxes was the description on IMDb for a long time, which I think is hysterical. And we essentially get this extremely chaotic scene where we're introduced to a bunch of issues that are going on in her life and complications, including the fact that she's not doing her taxes very well essentially, is one thing that she is, and it kind of hurt her husband on this laundromat which might not be doing too well, business-wise. She has annoying customers, her father is there and— JAZZA:  He's just arrived from China.  ROWAN:  —just arrive from China. And her daughter is gay, has a girlfriend called Becky. The grandfather doesn't know about. And so the daughter has come to basically demand that hey, I just want to tell grand like I don't want to lie to him. I want to tell him what's going on and the fact that Becky is my actual girlfriend, not just like a friend. And she has a very sweet husband that she kind of does—they have this very practice dance where she will like bang the ceiling and he'll know that he needs to come down and but he—there's also slight difficulties in communication. So the husband has like moved a bunch of the clothes for the customers upstairs, so they're not where they should be. And so it's—it's both very like synchronized dance almost situation going on, but with utter chaos because there are things that aren't quite fitting together, which, you know, it's kind of the vibe metaphorically and literally throughout this movie with this— with her life and with the family. JAZZA:  This is the first scene so I don't want to spend too much time on it. But I adore it so much for a couple of reasons. One is the swirling chaos that you talk about, and that I love you [20:37]  describing it as a dance because I've never really thought of it like that. It's also one of the first times I can remember seeing the Chinglish kind of like flow of their language going with like dipping in and out of Mandarin and English, as the two of them are speaking depending on kind of like what they're talking about. When they're talking about external things, so things like their taxes, when Stephanie's girlfriend is coming, and all of those kinds of things, they'll often dip into English. And then when they're talking about their relationship, the fact that Gong Gong is there and all of that kind of stuff, a lot of it is in Mandarin. And they just kind of like that's a part of like bilingual families that I've never really seen before, maybe in kind of like some Spanish media, but definitely not with Chinese, and I love being able to see that. And secondly, I want to ask you, what do you think about the theory that Evelyn has ADHD? ROWAN:  I didn't see that theory. I've not seen that theory before. Until literally I was reading just like the Wikipedia page and stuff to make sure that I hadn't missed any of the plot points while I was like making notes. And it was like yeah, themes, including ADHD. And I was like, huh, interesting. JAZZA:  I think there's a couple of reads of it. One is, this is the modern world that we're in, where we are distracted and having to pay attention to and having to care about things that we don't actually care about. Stuff like taxes and laundry is like the line that goes through the movie. But you can also read it as the this is Evelyn trying to deal with all of the spinning plates, and a mind that is dealing with ADHD. And I love that reading of her, of kind of like, this is how she is trying to kind of like function through the world. And from my experience with ADHD anyway, it feels very—when I'm having like bad days, it feels like this opening scene. And I think that it's portrayed with the editing style and with her acting incredibly, incredibly well. And I'd like this as a reading for the character too. I don't think it's ever like explicitly mentioned, I think it's—I think it is just a theory unless one of the Daniels has mentioned it, ROWAN:  I can definitely see that either way to be honest. I like that. Also, something I think is interesting is I watch everything with subtitles on because otherwise I wouldn't—as someone who doesn't speak anything but English, I wouldn't have noticed the fact that it's both Cantonese and Mandarin, depending on which member the family she's speaking to. So her father speaks Cantonese, and then she speaks Mandarin to Waymond. And I think that's also really interesting these like specific differences, cultural differences, even within this family that I think from the outside people would see as like one distinct group, as like this is a specifically a Chinese-American story. And I like the fact that you've got these elements which are brought in by the people who worked on the film to ensure that it doesn't become something which is sort of the homogenized version of the Asian-American story that might be told by people outside of that group.  JAZZA:  Yeah. It feels so real. It felt so real and really kind of like, it like [23:42] I'm not Asian- American, but I have been around these spaces at all, and it felt incredibly real. Like even though—when Stephanie's character [23:52] ROWAN:  [23:53] Steph's character. JAZZA:  Yeah. When Joy—when Joy as a character is introduced and we see Gong Gong for the first time, hug her granddad for the first time. And she's trying to kind of like get out. She—she understands Chinese, but she's trying to get out like the introduction to Becky and the distain with which her granddad just goes, your Chinese is really getting worse and worse every time I see you. And I've heard—I've heard older members of kind of like, I'm older generations of families, like say that about the other younger generations and like the disdain, like all of those interactions just feel really, really real. ROWAN:  Also, the fact that Joy is— Joy is trying to—it is Evelyn's daughter it's trying to tell her grandfather that Becky has a girlfriend, and she suddenly realizes that she doesn't know the exact version of friend— JAZZA:  Doesn't know how to say it, yeah. ROWAN:  —girlfriend like which again just feels very real. That idea of like if you're someone who's got language for certain things in your life, and like you speak about certain things to your family. I think that's quite telling that that's not necessarily a word that she has at the tip of her tongue to be able to say in Cantonese. That, to me was like very interesting. And then we also have essentially, the end of this interaction is that Evelyn interrupts in Cantonese to describe Becky as a good friend rather than a girlfriend. So deliberately interrupting her daughter, to cover up her daughter's queerness for his grandfather. That she says, you know, he's old, we don't want him to, you know, this would— this would be too difficult for him to deal with. JAZZA:  They keep on talking about how it's going to kill him, [25:24] ROWAN:  [25:25] JAZZA:  [25:25] he's already flown from China for the Chinese New Year [25:27] ROWAN:  It's really difficult. And then essentially Joy leaves really upset. JAZZA:  Yeah. ROWAN:  And goes to get in the car to leave. And Evelyn has clearly got this parental love within her that she just cannot express in a way that her daughter understands.  JAZZA:  And so just says that she's fat.  ROWAN:  Yeah, she's like, you need to eat healthier, you're getting fat, which you can understand. And you can tell that it's—it's—she's not trying to say it to be awful. But obviously for Joy without the context of like, we've kind of been in Evelyn's point of view, and we get from the expression on— on her face that she can't just say, I love you so much, I'm sorry. So she has to just say—she's trying to say I care about you by being like, I've noticed something about you. I want you to take care of yourself like this is the way I show I care. But for Joy, she very much just hears, you're fat, you're doing things wrong, this is bad, you're bad. And so we see immediately this like real kind of disconnects between the two of them. This gap in generations, and language and culture, etc, etc. And we just essentially have this whole very chaotic first scene that leads into her meeting with internal revenue, where things are not going to get any easier for her, put it that way. JAZZA:  Yeah, where Jamie Lee Curtis is her IRS agent. So when they go up into the elevator, we see that Waymond has divorce papers with him. And it's kind of like looking at this other older couple who are very affectionate. And you can see him lamenting the fact that he doesn't have that with Evelyn. Going up in the elevator, the elevator is very slow. And then Waymond shuts down opens up again and all of a sudden is like hiding from the cameras and whatever. And he's been Raccacoonie, and he's being puppeted by Waymond from another universe, the Alpha Verse. ROWAN:  Alpha Waymond. JAZZA:  Alpha Waymond. ROWAN:  And it does the classic, I've taken over your body from another universe thing of being like, you're in grave danger. I don't have much time, here are some instructions. I can't say any more. Very, very classic call to adventure vibes, where it's like, I love a mysterious call to adventure like that. It all depends on you kind of energy to it, which is something that's really fun about this movie for me is it's a lot of like follows that process of the call to adventure. The refusal of the call, like all of this stuff that's very Monomyth is very Joseph Campbell, it's very much how Hollywood works. But then there is just such absurdism going on alongside it, and such bizarre stuff that—kind of by its nature, because we find out later that within this multiverse that's happening, that alpha Waymond is from part of the ways in which you're able to jump through the multiverse is by doing something that's statistically bizarre and unlikely. And so the absurdism sort of is written into these small moments of the script, as well as the overall story. But I just really like how it plays with the classic call to adventure, you know, this Alpha Waymond has said, not, this is your destiny, and she refuses it at first. And it's like, no, it's not me, I'm not the person to do this, and then gradually gets pulled into it. But it has these twists to it, which I really, really loved. JAZZA:  And I—I just want to ask, what—what was your favorite like anomaly that somebody had to do? Apart from having to sit on an employee of the month award and then fighting with a [28:50] ROWAN:  I'll tell you my least fucking favorite, Jazza. JAZZA:  Yeah, go on. ROWAN:  Giving yourself four paper cuts. [28:56] JAZZA:  Yeah. The paper-cut one is horrible. ROWAN:  I could not watch that. I could not watch her, it's literally the worst thing I can possibly think of, so I don't think I even now could name you a single one that— that—oh, do you know what else I hated, Waymond, eating chapstick. JAZZA: Yeah, it was sooo— ROWAN:  I hated it so much. JAZZA:  It looked so waxy, and— ROWAN:  But yes. Anyway, so basically all that to say, because I realized I've jumped ahead to like, by the way, there's a multiverse. Get with it people, you should have seen this movie so you should already know about—yes, we meet Jamie Lee Curtis as audit lady, Deirdre is the name? JAZZA:  Deirdre, yes, Deirdre.  ROWAN:  Who is I've just written in my notes, very mean and has butt plugs in the background question mark, question mark. Because I spotted them I was like— JAZZA:  Chekov's— ROWAN:  Are those relevant, like Chekov's butt plug? JAZZA:  Chekov's butt plug. ROWAN:  But essentially Evelyn, who has heard from Alpha Waymond these instructions that she needs to do during this meeting, gets completely overwhelmed. And just I think at the point of like, I have nothing to lose, looks at the end structions and carries them out, which essentially is to swap her shoes over to the other feet to really, really think about the janitor's closet that he wants her to go into. And basically, she finds herself there somehow. What—what in the science fiction? And the screen at this point cracks, and I think it's really interesting to know a little bit of con—a little bit of a behind the scenes info. Apparently, the effects for this movie, which are stunning, were done by like five people. JAZZA:  Yeah, they also had a shoot time of like, of only, I think it was less than a month? [30:36] ROWAN:  That is wild, that is truly wild. Because this one I feel like is where we start to get the sort of the Sci-Fi element the effects, special effects type element with a skink. The screen cracks, and we sort of realized that she is both in the closet now, but also still in front of Jamie Lee Curtis, who I guess from now on, I'm just going to refer to [30:54] as Jamie Lee Curtis. And we get this explanation that there is, you know, from Alpha Waymond, evil spreading throughout the multiverse, it's only you who can help us. While simultaneously getting the stakes of the normal everyday plot, which is that the laundromat could be repossessed, they could lose everything in that timeline. And it's a very stressful scene, because it's essentially, her potentially, like the whole universe is collapsing, but also her life is collapsing. And I think it's a really good example of how stakes that are just really big, like the whole universe is going to be destroyed are not actually necessarily that impactful, it's much more impactful to have something that's like very specific and personal to the character. And then they manage to marry those both together, by making the whole universe is going to be destroyed, personal for her as well, which to me was just like chef's kiss, my favorite version of this kind of storytelling. JAZZA:  So in the Alpha Universe, we find out that Alpha Evelyn was the person who developed this verse jumping technology, which allows you to not necessarily— to, like inhabit the bodies of like yourself in other—depending on all of the branching decisions that you've possibly made all the way through your life. But also allows you to use all of their skills as well. So if for example, oh, let's say you were Michelle Yeoh in another universe, you'd be able to do kung fu because you learned that when you were a film star. So we also found find out that the big bad in the across the multiverse is someone called Jobu Tupaki, who is going around murdering everybody trying to find Evelyn, to what end, we have no idea. ROWAN:  Dun, dun, dun. At this point, she's sort of slightly convinced, not really convinced this is real. She's very confused, and in a fit of confusion punches, Jamie Lee Curtis in the face, who has just offered to give her a little bit of an extension until the end of the day. And the classic, you'll know when it's time to fight, that happened from Alpha Waymond is completely misinterpreted, because she decides, I guess now's the time to fight and just punches this lady in the face. And it's at this point that we get our first like fight sequence of the movie. And I— JAZZA:  I love all of the action sequences here. It's like one big long homage to Jackie Chan movies. It's fucking brilliant. ROWAN:  It's beautiful. And essentially, it's just Waymond getting possessed by Alpha Waymond and using his fanny pack/bumbag, depending on which country you're in, to fight a load of people. And it's beautiful, it's— it's wonderful. It's actually exciting. I have a real big bone to pick with all the movies that do like CGI fight sequences against like, it's just what—two CGI things fighting each other, and I just get so bored. And these fights are consists— actually had like interesting choreography, was very legible as well, because I find that that's really tricky, which was helped by the fact that they film this movie at a very high frame rate, basically, so that they would have the freedom to use slow motion at any point, not just the ones that were scripted. Because if you've ever seen slow motion in older movies, and it looks really janky, it's basically because they put slow motion on something that was filmed at a normal frame rate, meaning that your eye is like used to seeing frames flick way faster, so it looks weirdly disjointed. And so this was this, I think really paid off for them. What I'm sure was very annoying having to film with that kind of high frame rate, I think has really worked because they utilize that so well. And before he does that, he does eat chapstick which again was extremely upsetting to watch. JAZZA:  Very disgusting. So it is revealed to us that Jobu is in fact, Joy. [34:36] ROWAN:  Plot twist. JAZZA:  Got twist plot, and she possesses the Joy in the universe where there—the IRS having a conversation with Jamie Lee Curtis punching Jamie Lee Curtis in the face. And she wanders off somewhere, maybe to come and find Evelyn in our universe, that seems to be what is happening. Evelyn and Waymond and like it's—it's like the IRS building is in lockdown, and so they're hiding. And Jamie Lee Curtis ends up doing her own verse jump, getting the skills of a high-pitch-screaming wrestler we think? And goes around and fights Waymond one on one. But then Waymond goes, because Evelyn is so nervous, doesn't seem to be able to master any verse jumping at all on her own. He goes, you're clearly not the Evelyn I've been looking for, I've gotta go now. Bye. Can you imagine? No. ROWAN:  No, I can't. JAZZA:  Sorry Michelle Yeoh, you're not good enough. And so then she starts herself just doing a load of random shit in order to be able to try and get the skills of her in another universe. ROWAN:  Yeah, she's like what is statistically unlikely just like give me— don't do random stuff to try and make that happen. JAZZA:  She is told before Waymond runs away that saying I love you yo Jamie Lee Curtis will allow her to jump to a universe where she has the abilities of kung fu. She ends up being able to do that when Jamie Lee Curtis's knee drop is literally centimeters away from her nose. ROWAN:  Millimeters, she's so close to getting a knee to the face. JAZZA:  So close to getting a knee to the face. And Evelyn's verse jumps to basically the life of Michelle Yeoh, the actual actress. So interestingly, did you know that Michelle Yeoh was originally asked to play basically herself? And this verse jump, I reckon was meant to actually be our universes, Michelle Yeoh. ROWAN:  I'll— well because they flashed through a bunch of footage, which is of her on various red carpets that she has done previously because it's all movie she's been in. So I was like, I didn't know whether that was meant to be literally jumping to our universe, or whether it was they just use it because it was footage. But either way, I like— I like both—both of those options to be honest. JAZZA:  So she turned it down because she wanted to be taken seriously. [36:59] want to like play herself. But I do like the reading of—and to be honest, that's how I've been interpreting it as well. She's Michelle Yeoh in the other universe, is totally fine. ROWAN:  Yeah. And we also get a little bit of a bunch of law here. So basically, every jump causes a crack, you can re—reseal the cracks, but only with training. You can't stay in a universe isn't your own that you've jumped to, because you could die, or worse. And essentially, we find out what the worst option is, is what happened to Jobu aka Joy, were in the Alpha Verse, that version of Joy's mind was splintered because Alpha Everlyn essentially pushed her too far. She made verse jump too many times. And now she's experiencing all of the universe, everywhere all at once.  JAZZA:  All at once. ROWAN:  Everything, It's the title. And so she can verse jump, but also sort of manipulate matter itself at will seemingly. And so no one knows what Jobu wants, they just know that she's looking for Evelyn. And we—this essentially is like a little dump, but it doesn't necessarily feel like a bad law dump or like just exposition because you're listening to it going. Okay, okay, this is all information that I do need because right now, I don't know what the hell is going on. Because I am Evelyn, and I'm just like, oh, God, I just want to go back and finish my taxes, I guess, and be Michelle on the red carpet. But that is not her fate, unfortunately. JAZZA:  So there's—out of this law dump come. I think two of the strongest themes of the movie that resonate with people the most, one is intergenerational, the differences between generations, and how relationships between generations are pressured from first-generation immigrants. So the fact that in the Alpha Universe,  Evelyn pushed Joy too hard, made her crack, made her resent. And kind of like reflecting those sometimes difficult relationships, that it's similar across other phenomena like working-class parents, but especially with immigrant parents, that experience being represented there. And then also, the whole idea of fracturing, and each choice that you make in your life, creating a completely new branch of reality and possibility, really reflects people who choose to or are forced to go to another country to uproot themselves and go to another country. Evelyn, when she becomes Michelle Yeoh, and gets the skills of Michelle Yeoh, gets to see the world that she would have had and the life she would have had if she had never left for the United States with Waymond. And there's always whenever you leave a place, you make one of those big decisions. There's always the thought of oh my god, what would my life be like if I never left? Would it be better if I never left? The life I have now it's a struggle. Would it have been better if I had just stayed? And that I love the way that that is pulled through to the whole idea of kind of like the alternate realities and splintering. Like this is I think Sci-Fi and I didn't even really think of this as Sci-Fi until I saw it classified as such on IMDb. But this is Sci-Fi as its—at its absolute best, as a reflection of the real-world phenomena that happen for so many people. ROWAN:  Yeah, I've been reading a bunch of like reviews and this is one that I think touches on that really nicely critic for The Washington Post. [40:22] says it's not only that the multiverse acts as a metaphor for the immigrant Asian-American experience, or a convenient parable for the dislocations and personality splits suffered by hyphenated that is Asian-American citizens. It also becomes a rather heavy vehicle for confronting and negotiating Asian pessimism, which I think is a really interesting idea of like, yeah, the— the literal hyphenation of you the— the ways in which your identity is split between and across, being something that's mirrored quite literally in this like cracking that's happening across these different multiverses. We also see at this point like the powers that Jobu has which includes like confetti cannoning a man's body apart. And various other very exciting, very exciting things which we lo—you know, I'm like, you know what I love to see, but also you are absolutely terrifying. JAZZA:  Also if no, I'm sorry, I'm turning giant dildos into a murder weapon.  ROWAN:  Yes, stunning. JAZZA:  This [41:18] and dildos, brilliant. ROWAN: Very into it. At this point, we also get Michelle jumping to a universe where everyone has hot dogs instead of fingers, I'm losing my mind. Just incredible work all around. And also, we get this moment where we're starting to see the big universal multiverse drama and the personal drama clash together, when Michelle basically is—is separating Jobu as a concept from her daughter Joy, because she says, you're the reason my daughter doesn't call anymore and dropped out of college and thinks that she's gay. So there's a sense of like, everything that's bad is not actually Joy, it's Jobu taking over her body or influencing her in some way, or being connected to her. And that she thinks that being gay is like one of these bad things like not caring and not having ambition. And being gay is like one of these things that she still doesn't support, which I think is— is very telling when we look at before where she—her excuse for not telling the granddad is like, oh, he's old, it's kind of like saying, oh, it's you know, he's old, he might be— it might like kill him all this kind of stuff, but never really admitting that she herself finds this difficult to deal with. And so we are like, this is going to be a journey for her as well in that way. And this is where we get to the bagel. JAZZA:  Before we get to the bagel. ROWAN:  Okay. JAZZA:  This is— this is where I'm like, this is an explicitly queer movie.  ROWAN:  Yeah. JAZZA:  It's not just kind of like a fact, this is about the queer experience. And something that I've only recently like clocked onto, I've watched this movie. I've watched the movie six times. In the—in the hot dog hand universe, I didn't even clock that the Ja— that Jamie Lee Curtis and Michelle Yeoh, in a queer relationship.  ROWAN:  How did you not clock that? JAZZA:  I just like, obviously, I knew that it existed, but I never like when—oh, like Evelyn is also potentially at least in one of these universes, is queer as well. And showing kind of like those—a lot of this movie is about being distracted and caring about things that don't actually in the grand scheme of things matter, and deciding what you actually care about. We see that when Jobu is busy kind of like massacring all of these bodyguards. And goes, wait, you're still hung up on the fact that I'm gay in this universe? As kind of like, I can't believe that this is something that this Evelyn has decided to actually still fixate on. And it's— I think that there is a possible reading here where Evelyn herself is maybe queer in some way, shape, or form. But because of the fact that she was born in particular culture, comes from a particular time, got married to somebody who's actually trying to divorce her, was never able, and never had the freedom to be able to actually experiment with herself and—and find out about herself in that way. And actually, one of the many reasons that many people choose to emigrate and find a new life in another country, is so that they— their children can have a better opportunities and be able to kind of like be whoever they want to be. But then there is sometimes this brush up against who your kid then, therefore, wants to be, you'll have critic— critiques of like, oh, you've become too American. I don't understand all of this queerness and things like that. And I I love that kind of like relationship between Evelyn and Joy—oh, Jobu being represented here. But yeah, they're showing the bagel. ROWAN:  Yeah, then there's a bagel. So basically Jo—okay, listen, stay with me here you guys. Jobu has created a bagel. And everything bagel with everything on it. That's quite literally everything in the world. All concepts, all matter, all things, which is all also kind of created a black hole that could destroy the entire multiverse. Classic. But Jobu is basically like nothing matters, so who cares? Let's all just get sucked into a bagel, that's a vibe for me.  JAZZA:  She's experienced Everything Everywhere All at Once. And therefore is like, well, everything matters, therefore nothing matters—matters. So what the fuck is the point anymore? ROWAN:  Yeah. JAZZA:  What is this world? ROWAN:  Yeah. JAZZA:  Essentially is Jobu's philosophy. ROWAN:  Just total nihilism, just total, just like screw everything. And this is the interesting thing, right? We've heard the idea that she's looking for Evelyn, but we don't know why. And what she basically wants is for Evelyn to come into the bagel with her and for them to be dead and gone, and not have to experience anything, and just be free of the like agonies of life, and living, and experience. And it's kind of like Jobu, where's your therapist, I beg of you. We need— we need to, we need to sit down and talk about the bagel babes. JAZZA:  So we—basically Jobu goes to Evelyn,  I wanted somebody else to experience this with me. Her and her mother is really the only one who is able to because she invented verse jumping. Evelyn doesn't want Joy—she doesn't want joy to feel like this. She doesn't want Joy to have this nihilism as like the basis of her existence. And so Evelyn decides to do the thing that Waymond earlier said was worse than death, and splinter her mind so that she is across as many different universes as possible so that she experiences the same thing as her daughter. And so that she can get there and then bring her back. Essentially, this is the way. So we end up with Evelyn jumping to get the powers of somebody in one of the universes as she falls over and blind herself and then becomes an opera singer. As we all know, in one universe, she is one of those pizza sign spinners and manages to use that in some fighting. ROWAN:  She is a chef who is friends with a man, who is being Ratatouilled by a raccoon. JAZZA:  By a raccoon, Raccacoonie. ROWAN:  Classic. JAZZA:  Which is a better movie, it would have been a better movie,  I think. [theme] JAZZA:  Hello, friends Jazza here from another space and another time. Just popping in to humbly ask you to consider supporting this podcast financially. It makes a huge difference, and it keeps us on the airwaves, frankly. If you like what we're doing and want to support queer media, then you can sign up for our Patreon for as little as $5 a month. For that fee, that low fee less than like a fancy Starbucks, you can become a [47:47] called Baby Gay. And as a Baby Gay, you get access to our thriving Discord with hundreds of members who all chat about, not only movies but queer media and general chitchat that they love. It's a really lovely community. We've been going crazy about stuff like The Last of Us episodes and all of the Oscars hype. It's been a good time in the Discord recently. What's more, those Baby Gays get to join our monthly watch-along, which really is the jewel in the crown of our Patreon perks where we all watch a movie together once a month. In the run-up to the Oscars, we'll be watching something Oscars themed. Maybe The Whale, maybe not. If that sounds fun to you, check out our Patreon for that and many other perks. It really does keep the podcast afloat, especially in these difficult times. So thank you very much for considering supporting us. As returning listeners, know we are part of Multitude a collective of creators who make audio nibbles that you can listen to [48:48] really, really good. This week, I want to walk you through some of the refreshed parks that they offer to their patrons. Important hence separate to our patrons of the Queer Movie Podcast. But you get loads of really cool stuff, for example, my dears at the $10 tier who are called The Insiders, you get access to all of the behind-the-scenes stuff at Multitude. All of the drama going down in the office, all of the pet photos, and all of that kind of stuff. You also get to see the crew-only Instagram accounts, first dibs on any and all Multitude update coming down the pike. Plus, all insiders get 10% off all Multitude logo merch, and that is forever. There were loads of other perks available as well, that all have fantastic perks all the way up to the founders, which is the highest tier, where you can get hangout sessions for one to two hours with certain hosts, which is truly amazing access. So go over to Multitude Patreon and consider having a look there and seeing what you might be interested in, it can really be worth it. We are also still supported by Squarespace, who can help you to buy a domain and create a website. So a friend of mine was putting together an event in New York. Did I mention I live in New York now? And had a ton of amazing artwork that they had made in order to accompany this event. I was very naughty, and I told them to use our link, which is squarespace.com/queermovie. And I'm going to tell you what I told them, dear listener, that then convinced them to use our code. So not only does Squarespace allow you to centralize all of your assets, and platform presences in one place. It also lets you set up a shop where people can buy things from you, or even donate if they feel so inclined. Not only that high-tech analytics present a pretty good overview of how your posts are doing, how your content is doing, what's selling well. And it's all done with pretty, pretty graphics, so you can tell what is working and what isn't. And it also makes all events in New York instantly successful. Yeah, it's true. All you have to do in order to get all of those good things, maybe not the successful New York event stuff. All you have to do is go to squarespace.com/queermovie. And when you're set up to make all of your digital dreams come true, you can use the offer code, QUEERMOVIE that's all one word, to save 10% points off of your first purchase of a website or a domain. Remember to go to squarespace.com/queermovie. Now, back to the show. [theme] ROWAN:  I have to ask at this point Jazza, have we reached act two yet? I forget when act two happens. JAZZA:  Okay. So, so that was Act One, by the way, listener that was— ROWAN:  [51:39] JAZZA:  Handily, handily the movie splits it into three acts for us, that was everything. And then we go into act two, which is everywhere, but what I have also called the party and its aftermath. Because [51:54] ROWAN:  Because the New Year's party is happening. JAZZA:  Yeah, because as Evelyn's mind is cracking and she gets exposed to all of this and she becomes susceptible to all of the nihilism, by the way, that is in this just before this section, a fight scene with Michelle Yeoh and two people with butt plugs in them because that's the thing they had to do to get the martial arts skills.  ROWAN:  Classic. JAZZA:  Amazing. One of the greatest pieces of cinema—cinema ever fucking made. I'm just annoyed, the whole thing was pixelated. But we ended up with her suspecting to the nihilism. And then she also just kind of like gives up and it feels like Evelyn, well, she dies, she dies in this one universe and then get sucked into the universe where she's having the Chinese New Year's celebration, where the IRS are arriving, and they're going to possess everything. ROWAN:  I have my notes here was New Year's party is coming, there will be so much aftermath. Because I'm sure at this point, everyone has listened to the podcast already. But if you haven't, there is always an act in gay movies, that's the party in its aftermath. And they literally threw a party and they kept talking about this party. And I was like, we're gonna get so much fucking aftermath. We love to see it. So yeah, basically, we've reached—she's reached a point in this movie where she's basically like, yeah, you're right, everything is random and meaningless. Every single verse that I—that she's in, because she's in every universe all at once, all the time with her daughter. JAZZA:  It's the movie, it's the title of the movie. ROWAN:  It's the title of a movie. She's piñata in one universe, she's a rock in one universe, she's made of animation in one of the universe— JAZZA:  Ah, the rock universe. ROWAN:  —You've never—who would have thought that the rocks could make us feel so many fucking emotions. And there's a really, really sad bit where basically, Joy says to Evelyn, like, I was really hoping that someone else would have this experience, have themselves crack in this way. And then tell me that they had figured it out and everything was okay. And that I was just—I was just thinking about this wrong, and they would experience it and they will be able to tell me the meaning of life, and tell me what was actually happening and what I should be living for. And that hasn't happened because you essentially have turned just as chaotic and nihilistic and like, everything is meaningless as I have. And that was pretty— that's pretty rough. That's a pretty rough message for us to get at this point in the movie. So you know, spoiler alert, though, it gets better. JAZZA:  Yeah. So as Evelyn kind of gives up, and he's about to step into the bagel, Waymond steps up, normal Waymond, not Alpha Waymond, because he's dead now, he died at some point. This is when I begin sobbing because Waymond is just being like, I don't understand why everybody is fighting. Why can't everybody just be kinder to one another? So this is where we have the trifecta, and it is complete. So we have Joy, who is nihilism, we have Evelyn who is existentialism, and then we have Waymond, who is optimism and absurdism. So those three philosophies, kind of interacting as these three main characters and the different ways that they go to the world, nihilism obviously everything is obviously, you read Wikipedia. Nihilism, obviously being where nothing matters, so why should you care? Existentialism is we can find meaning in kind of like the choices that we make in our live, And absurdism is kind of like finding the—it realizing how ridiculous everything is, and so laughing along with it anyway. And that optimism that can potentially come with that. So these few characters represent that, Those like three philosophies for life. And this speech from Waymond is—is one of the most heartwarming wonderful things because I think it's—it's such an optimistic take on humanity. And sometimes we need that optimism and I— I fucking loved it. So Waymond ended up influencing Evelyn. Evelyn realizes that the thing that is going to get her through this, even though that she is seeing that nothing matters, the thing that matters to her is Joy, her daughter, and so she decides that she is now going to help everybody else who's trying to fight her, including Jamie Lee Curtis. She's going to fight everybody and find out what they're thi—the thing that brings them joy. So she faces off against all of these minions. Jamie Lee Curtis, what is Jamie Lee Curtis's joy? Isn't it—is it— Jamie Lee Curtis finds out that she's lovable. There's one character—oh, the Raccacoonie guy, realizes he really loves being controlled by raccoons. ROWAN:  He is played by Mike from Glee as well.  JAZZA:  Yeah. ROWAN:  Which I immediately clocked and was like, absolutely perfect. Love it, beautiful. That boy I was like if they don't make him dance at some point during this, it would have been a wasted movie. And he does have a little bit of like more fight choreography style stuff, but I'm like I can see your dance roots in there, Harry, I can see them. JAZZA:  And she makes two people dance and they become married in one universe. One of the Daniels, one of the directors, she takes him into another universe and exposes him to S&M and that's what brings him joy. ROWAN:  I—the fact— I didn't know that—that was one of the Daniels, [57:06]  JAZZA:  That's one of the Daniels. ROWAN:  I love that even more. JAZZA:  It's so fucking brilliant. And then she reaches—so Jobu has summoned the bagel that's going to destroy everything and she's about to step into it. And am I sobbing? Yes, I still am. Jobu goes to like start to fight Evelyn her mother, and then Evelyn also like does like some kung fu, goes to fight, and then opens her arms to try and hug her. And eventually, Evelyn like they started rustling in tussling, and Evelyn, let Jobu go into the despair of the bagel. And that's kind of like—that's kind of like the way that this thing— no it isn't. ROWAN:  Uh-huh tricks you— tricks you guys. So this I think is— okay, so again, what I found really interesting that I've just talked about before the idea of the big multiverse fight sequence finale, versus the very personal finale, and that the very personal is almost always going to be more interesting. And they tied it together so well because they have the really dramatic like, no don't go into the bagel, like trying to save her daughter she's being pulled in, which is like a very physically dramatic finale. But the actual moment is that it has that pathos and have that emotionality to it, is within our Evelyn's universe at this party where essentially Evelyn is like Joy is saying to Evelyn, like, we're just too different. You know, I'm tired, I just want to go, like us being together hurts the both of us, we need to go our separate ways. Let me go. And so her version of letting me go is very literal. Like I—we just need to be apart from each other. Like I get that we're mother and daughter but we just fucking make each other miserable. And it's this clear parallel to like the very dramatic Sci-Fi let me go into this bagel situation. And that that to me is just so perfect. And then in between we get the set— we get like the absurdist version of them as rocks and having this scene where— JAZZA:  With googly eyes like we haven't even mentioned the googly eyes. ROWAN:  Oh Joy's googly eye rock falling off a cliff. And then Evelyn's rock just falling after her. Oh, it's so beautiful. JAZZA:  Like literally laughing and crying at stationary rocks that have subtitles. Like how has this—how does the [59:26] do that? Oh, it's so fucking good. ROWAN:  It's essentially like we also get this again like very human ideas of like change and Evelyn being kind of taking up the call, so like breaking the cycle with her dad the idea of like, my daughter ended up being this like stubborn aimless mess just like her mother, and she's perfect that way. And that she gave someone— she says you gave her someone kind patient and forgiving to make up for all that she likes. Talking about her and Waymond, and her understanding of Waymond now, being so much clearer than it was at the beginning. That this is like helped her marriage, helped her relationship with her daughter. Just oh, she's—and also the idea of like, yeah, it doesn't make sense. You're saying the universe doesn't make sense. It doesn't make sense that I would be like, still love you even though you only visit when you need something. And like I— you know, I hate tattoos and your covered in them and like, I could be anywhere else in the entire world. In fact, at this point, she's like a good bit anywhere else in the multiverse, it doesn't make sense, but like, just want to be with you. And like, it doesn't matter if it doesn't make sense, essentially. And I weep and I cry, and so does Jazza. Jazza at this point is just simply 100% tear. JAZZA:  Can I say—so I watched it this morning at an AMC and I cried so much. Have you ever cried so much that you dehydrated and you don't have any more tears?  ROWAN:  Yeah, all the time. JAZZA:  That was me— I've met—that's never happened to me before, yeah. ROWAN:  [1:00:49] like a headache, a headache that just all come fucking zooming. And so that essentially, in every single universe, they reconcile, there's no universe that she wants to be where her daughter isn't. And that has always been her strength throughout this, right? So like, we have this bit at the beginning where she says, like, you're getting fat, you need to look after yourself, whatever. But like in her actions, she shows that she cares about her daughter. She's willing to go through the thing that will like split her consciousness and like destroy her mind and maybe make her go crazy, and potentially she'll be dead. But she's immediately like, as soon as she knows that, that's an option, that it might help her daughter she does it. And so in her actions, she's showing love from the very beginning, and it just feels like it's about being able to show it in a way that her daughter can appreciate and a language in which they both understand, both like, you know, metaphorically and literally, and vice versa, that they can both kind of start to understand each other. And know that meaning is the meaning that they make

Elizabeth Banks, director of “Cocaine Bear,” shares how the movie came to be and tells “The View” co-hosts how her two sons inspire her activism. Madelyn Cline discusses starring in the hit movie “Glass Onion: A Knives Out Mystery” and what it was like joining the star-studded cast. The cast of 'Some Like It Hot' brings the party from Broadway to 'The View' and performs 'Let's Be Bad' from their hit musical!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Seth takes a closer look at Trump and DeSantis competing to see who can be more extreme on culture war nonsense in their appeals to the MAGA base and Marjorie Taylor Greene claiming elementary schools are spending billions on critical race theory.Then, Rian Johnson talks about how being bad at solving murder mysteries helps him to write, discusses the differences between Glass Onion: A Knives Out Mystery and Poker Face and shares his experience working with Natasha Lyonne.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is an episode of The Filmcast: After Dark. To get access to more episodes and support this podcast, please consider becoming a Patron at Patreon.com/filmpodcast. In this special episode of The Filmcast: After Dark, writer/director Rian Johnson returns to the podcast to troll David Chen and also to discuss the making of Glass Onion: A Knives Out Mystery. We delve into topics such as: Why Johnson chose this particular mystery for Benoit Blanc to tackle Major deleted scenes/plotlines How Johnson structured the story  How the look of the final shot was achieved Why the movie has the subtitle A Knives Out Mystery And much more! We're making videos out of our podcast! Be sure to follow us on the following platforms: YouTube Tiktok Instagram You can always e-mail us at slashfilmcast(AT)gmail(DOT)com.

It at first appeared that Two Chunks And A Hunk was back with anothuh episode of their podcast. But why? What could they possibly be discussin' on this particular occasion? And then it hit me. And I must say I was ashamed I didn't see it soonuh. Because it's quite obvious. You only have to put the pieces together just so and then the solution to the puzzle, the very beatin' heart of the question is starin' you right in the face, waitin' for you to be the first to notice it. As fate would have it, it seems my latest adVENtchuh is the subject of this episode's movie musin's. For they're talkin' about Glass Onion: A Knives Out Mystery. Catch new episodes of Two Chunks And A Hunk every Monday and Tuesday wherever you listen to podcasts!Support this podcast at — https://redcircle.com/two-chunks-and-a-hunk/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Looking for someone with peak screen presence? It's Janelle Monáe. Whether it's in a film or show, via her music, or perhaps even giving an acceptance speech when being recognized for her work, she's utterly captivating courtesy of her inspiring energy and the palpable intention behind everything she does. You can see it in her work in Glass Onion: A Knives Out Mystery, and you can feel the gratitude in her speeches and interviews while celebrating the film's awards season run.Given Glass Onion has been streaming on Netflix for nearly a month, this will be your one and only warning; this interview contains Glass Onion spoilers! If you've yet to see the film, go watch it on Netflix and this interview will be waiting for you when you're ready.With that taken care of, Monáe tackles not one, not two, but three roles in Glass Onion. She plays Andi, she plays Andi's sister Helen, and she also plays Helen pretending to be Andi. It's not an easy range to navigate, but Monáe pulls it off beautifully, managing to make both Helen and Andi feel whole, and using the connection between the two to bolster the strength and urgency of Helen's mission.It's a performance feat that's rightfully being recognized this awards season with Monáe being named Best Supporting Actress by the National Board of Review and earning a Best Supporting Actress nomination at the Critics Choice Awards. While celebrating all of that recognition, Monáe joined me for a Collider Ladies Night conversation to revisit some of her journey from studying at the American Musical and Dramatic Academy to standing at podiums accepting awards for her work in Glass Onion: A Knives Out Mystery. Hosted on Acast. See acast.com/privacy for more information.

This week on The Treatment, Elvis sits down with Academy Award winning director Guillermo del Toro, whose latest project is a new adaptation of “Pinocchio.” Next, actor, musician and self-described android Janelle Monae joins to talk about her unusual role in “Glass Onion: A Knives Out Mystery.” And for The Treat, writer Jeremy Dauber tells us about the Stephen King stories he read as a young child that still show up in his dreams.

Welcome back to DMR!As I review the latest instalment in the Knives Out franchise being a Glass Onion.Glass Onion: A Knives Out Mystery (titled onscreen as simply Glass Onion) is a 2022 American mystery film written and directed by Rian Johnson and produced by Johnson and Ram Bergman. It is a standalone sequel to the 2019 film Knives Out, with Daniel Craig reprising his role as master detective Benoit Blanc as he takes on a new case revolving around tech billionaire Miles Bron (played by Edward Norton) and his closest friends. The ensemble cast also includes Janelle Monáe, Kathryn Hahn, Leslie Odom Jr., Jessica Henwick, Madelyn Cline, Kate Hudson, and Dave Bautista.Be sure to take note of the Manscaped promo code for 20% off store wide!#glassonion #glassonionaknivesoutmystery #knivesout #danielcraig #edwardnorton #katehudson #film #movie #moviereview #filmreview #filmcritic #shorts #manscapedpod #adSupport the showMen's Suits, Tuxedos & Shirts | Men's Fashion | M.J. Bale (mjbale.com)

A group of uber-successful professionals are invited on a weekend trip to their billionaire friend's island to play a game: solve his own murder. But one stranger is also tagging along: the famed detective Benoit Blanc, who fears a more sinister game is afoot. The lights go out. A body is sprawled on the floor. Who's the killer? The politician? The fashion model? The scientist? The video gamer? Or the former business partner the host swindled?Daniel Craig leads an all-star cast in “Glass Onion: A Knives Out Mystery.” A modern take on the parlor mystery, the audience follows Blanc as he attempts to solve the case before the killer can strike again.OUR SPOILER-FREE REVIEWS OF "GLASS ONION" BEGIN IN THE FINAL 11 MINUTES OF THE EPISODE.

This week, Slate's Dana Stevens and Dan Kois spoil Glass Onion: A Knives Out Mystery, the sequel to Rian Johnson's Knives Out.  Note: As the title indicates, this podcast contains spoilers galore. Read Dana's review here.    Email us at spoilers@slate.com. Podcast production by Kristie Taiwo-Makanjuola Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Slate's Dana Stevens and Dan Kois spoil Glass Onion: A Knives Out Mystery, the sequel to Rian Johnson's Knives Out.  Note: As the title indicates, this podcast contains spoilers galore. Read Dana's review here.    Email us at spoilers@slate.com. Podcast production by Kristie Taiwo-Makanjuola Learn more about your ad choices. Visit megaphone.fm/adchoices

Associate fashion editor Yusra Siddiqui sits down with our January cover star, Madelyn Cline. Widely known for her breakout role in the Netflix series Outer Banks and the star-studded film Glass Onion: A Knives Out Mystery, Madelyn tells Yusra about navigating early success within Hollywood, how she combats imposter syndrome, and what she's taken from each project thus far. Plus, get a peek behind the scenes of the incredible looks she's been putting together with stylist Mimi Cutrell. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On the latest CinemAddicts episode we review the critically acclaimed documentary Turn Every Page (22:22) , Netflix's Glass Onion: A Knives Out Mystery (37:39), and the 1971 Dario Argento directed thriller The Cat O' Nine Tails (49:02).Subscribe to our Deepest Dream YouTube ChannelLike Our CinemAddicts Facebook PageFollow CinemAddicts on InstagramFor daily movie recommendations and weekly giveaways, join our CinemAddicts Facebook Group!Atty's Antiques is on Facebook MarketplaceCheck out Anderson and Mike Carano's Clever Kind Productions for your production needs!For access to our bonus episodes, subscribe to our CinemAddicts Patreon. For the month of December, we spotlight the year 1967!!For CinemAddicts questions, comments email us at ourcinemaddicts@gmail.com!Rate/review CinemAddicts on Apple Podcasts!HAVE A CHAT WITH ANDY HERELinks to the promised CCP shorts are below.THE COLD COCKLE SHORTSRULES OF REDUCTIONMORMOANTHE CULT OF CARANOSubscribe to Anderson's Channel HereGROUPERS TRAILERPlease Give Groupers a Rotten Tomatoes Audience Score HerePlease Rate It on IMDB HereFriends of the CinemAddicts Family:Middle Class Film Class: https://www.mcfcpodcast.com/Force Five Podcast: https://www.forcefivepodcast.com/Suuuper AnimeNANI! Is This The Greatest Anime Podcast You Have Never Heard?! Come Listen & Find Out!Listen on: Apple Podcasts SpotifySupport the show

Tessa and Princess asked Santa for a brad new Rian Johnson whodunnit for Christmas and boy did he deliver. This week, our hosts dive off a Grecian coast to solve a murder of epic proportions. Listen as they delve into the cast, the outfits, and the goofy accents of Glass Onion: A Knives Out Mystery in our final episode of the year!

Vulture podcast critic Nick Quah sits down with film director Rian Johnson, live from Vulture Fest '22, to discuss his new film Glass Onion: A Knives Out Mystery. Follow Rian Johnson on Twitter and Instagram. Follow Nick Quah on Twitter. Follow Jesse David Fox on Twitter and Instagram. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Is the Winter Classic bad? (9:55) Can adults jokingly complain about their Christmas presents without everyone taking it seriously? (18:05) The bad boys do a TRIPLE movie review consisting of Glass Onion: A Knives Out Mystery (22:18), The Whale (41:17) and The Banshees of Inisherin (1:04:30). Support the podcast and get bonus content: patreon.com/listentobrunch

Rian Johnson's new GLASS ONION: A KNIVES OUT MYSTERY is openly indebted to the 1973 Herbert Ross whodunnit THE LAST OF SHEILA (and has the Stephen Sondheim cameo to prove it), but perhaps even more so to the 2019 Rian Johnson whodunnit referenced in its subtitle. So our spoiler-laden discussion of GLASS ONION begins by wrestling with the inevitable comparisons to its predecessor film before diving deeper into what distinguishes this more playful, “extremely online” Benoit Blanc romp. Then we bring THE LAST OF SHEILA back into the discussion to see how Johnson's new film lines up with his stated inspiration point, comparing the two films' respective deployment of manipulative game-play, their satire of/contempt for the wealthy and well-connected, and their gleeful upending of conventional whodunnit structure. Plus, ahead of next week's best of 2022 episode, we offer up some last-minute recommendations for December viewing in Your Next Picture Show.  Please share your comments, thoughts, and questions about THE LAST OF SHEILA, GLASS ONION, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, leaving a short voicemail at 773-234-9730, or commenting on our Patreon (patreon.com/NextPictureShow), where you can also find bonus episodes and more.  Outro music: “Mona Lisa” by Nat King Cole Learn more about your ad choices. Visit megaphone.fm/adchoices

On the last Empire Podcast of the year, we have something of a The Prestige reunion, which is nice. First, Christian Bale, star of The Pale Blue Eye, talks to Chris Hewitt about being mistaken for Gareth Bale, and his experiences working with directors on multiple occasions, including Adam McKay, Scott Cooper, and Terrence Malick. Then Hugh Jackman, Golden Globe-nominated star of The Son (which opens here in February), talks to Amon Warmann about his experiences on that movie, working with Anthony Hopkins for a day, and why he's about to play Wolverine again in Deadpool 3. Then, Kate Hudson and Jessica Henwick, neither of whom were in The Prestige, more than make up for it by having a freewheeling and very funny chat with Chris about their new movie Glass Onion: A Knives Out Mystery, life with an assistant, British sitcoms, and John Carpenter and Kurt Russell. And if that weren't enough, Chris is then joined in the podbooth by James Dyer and Helen O'Hara (who's not in the podbooth, which is why there's some slight distortion on her mic this week. Hopefully it won't spoil your listening experience.) for a fun episode in which they discuss their Christmas movie traditions, who would win between John McClane and Kevin McCallister; talk about the week's movie news, including Avatar: The Way Of Water's box office, the Barbie trailer, and the sad passing of Mike Hodges; and review Corsage, Glass Onion, and The Pale Blue Eye. We're taking a little break but are back on January 13, folks, so have a great Christmas if you celebrate, a fantastic holiday season if you don't, and an amazing start to 2023. Thanks so much for listening and supporting our nonsense throughout the year. Here's to more!

This is an encore episode of "The View." The co-hosts return Tuesday, Jan. 3 LIVE with all-new episodes. Actor Edward Norton explains why he jumped on board Rian Johnson's movie “Glass Onion: A Knives Out Mystery,” addresses his character's likeness to Elon Musk and shares how the cast passed their downtime with murder mystery games. In Hot Topics, the co-hosts react to Rep. Marjorie Taylor Greene saying that she “would have won” the Jan. 6 attack if she was in charge and calling her comments sarcasm later on. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is an encore episode of "The View." The co-hosts return Tuesday, Jan. 3 LIVE with all-new episodes. Actor Edward Norton explains why he jumped on board Rian Johnson's movie “Glass Onion: A Knives Out Mystery,” addresses his character's likeness to Elon Musk and shares how the cast passed their downtime with murder mystery games. In Hot Topics, the co-hosts react to Rep. Marjorie Taylor Greene saying that she “would have won” the Jan. 6 attack if she was in charge and calling her comments sarcasm later on. Learn more about your ad choices. Visit megaphone.fm/adchoices

While in the midst of filming the new GLASS ONION: A KNIVES OUT MYSTERY, Rian Johnson expressed open admiration for one of the film's inspiration points, Herbert Ross' 1973 whodunnit THE LAST OF SHEILA, a film which in turn displays open contempt for its characters and the contemporary Hollywood scene they embody. This week we set sail with THE LAST OF SHEILA'S noxious friend group and observe the games they are compelled to play, to deduce what co-writers Stephen Sondheim and Anthony Perkins were attempting to unearth with this Hollywood satire-by-way-of-murder-mystery. Plus, our recent BADLANDS episode prompts a listener question about movies we hate by filmmakers we love, in Feedback. Please share your comments, thoughts, and questions about THE LAST OF SHEILA, GLASS ONION, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Outro music: “Company,” Original Broadway Cast Learn more about your ad choices. Visit megaphone.fm/adchoices

Kate Hudson is part of an all-star cast in the highly-anticipated new Netflix film Glass Onion: A Knives Out Mystery. Even before it has begun streaming, the movie has been nominated for two Golden Globe awards. Hudson and Willie Geist got together in New York for a Sunday Sitdown.

Seth takes a closer look at disgraced cryptocurrency mogul Sam Bankman-Fried being arrested and charged with eight criminal counts after the collapse of FTX, while Republicans claim the arrest is a ploy to keep him from testifying to Congress. Then, Janelle Monáe talks about being nominated for a Critics Choice Award for Glass Onion: A Knives Out Mystery, the writer and director of Glass Onion, Rian Johnson, hosting murder mystery parties while filming and her idea for a reboot of The Grinch.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Singer and actress Janelle Monáe explains why she didn't hesitate to join the “Glass Onion: A Knives Out Mystery” cast, shares what to expect from her new music, and what it was like working with Grace Jones. Then, Amber Ruffin discusses her experience reimagining the Hollywood classic “Some Like It Hot” for Broadway and how it felt to have Hillary and Chelsea Clinton on her show. Plus, Elizabeth Werner shares the inside scoop on the hottest toys this year, just in time for the holidays! In Hot Topics, the co-hosts react to Pres. Biden signing the same-sex marriage bill into law, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Actor Edward Norton explains why he jumped on board Rian Johnson's movie "Glass Onion: A Knives Out Mystery,” addresses his character's likeness to Elon Musk and shares how the cast passed their downtime with murder mystery games. In Hot Topics, the co-hosts react to Rep. Marjorie Taylor Greene saying that she “would have won” the Jan. 6 attack if she was in charge and calling her comments sarcasm later on. Learn more about your ad choices. Visit megaphone.fm/adchoices

Glass Onion: A Knives Out Mystery. Inappropriate behavior from Adnan's prospective therapist. Guillermo del Toro's Pinocchio. Adnan wants Mas Miami to last into the wee hours of the night. Till. We talk to Pulitzer Prize winning author, Debby Applegate about her book on the original madam of New York City. Tar. Chris doesn't like movies with a colon in the title. Bones and All. Adnan doesn't understand all the Timothée Chalamet hype. Harlan County, USA. Learn more about your ad choices. Visit megaphone.fm/adchoices

Glass Onion: A Knives Out Mystery. Inappropriate behavior from Adnan's prospective therapist. Guillermo del Toro's Pinocchio. Adnan wants Mas Miami to last into the wee hours of the night. Till. We talk to Pulitzer Prize winning author, Debby Applegate about her book on the original madam of New York City. Tar. Chris doesn't like movies with a colon in the title. Bones and All. Adnan doesn't understand all the Timothée Chalamet hype. Harlan County, USA. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chris and Jeremy have found some things to recommend to you!1) Small Recommends:Cyrano (2:09)The Fabelmans (5:14)Good Night Oppy (12:06)Glass Onion: A Knives Out Mystery (17:14) 2) The Big Recommend: 12 Angry Men (23:15)3) Surprise Double Feature: ????????  (47:06) 4) Questions from You! (52:45)If you'd like to join the LIVE conversation each week, become a member of the SinClub at Patreon.com/cinemasins!Thanks to lorangeproductions.com for the theme song!Advertising Inquiries: https://redcircle.com/brands

On the November 29, 2022 episode of /Film Daily, /Film editor Ben Pearson is joined by /Film editor Brad Oman to gather around the virtual water cooler and talk about what they've been up to. Opening Banter:  At The Water Cooler: What we've been Doing:Brad wrapped up the gargantuan task of the 2022 /Film Holiday Gift Guide.  What we've been Reading:  What we've been Watching:Brad and Ben watched The Guardians of the Galaxy Holiday Special and The Menu Ben watched Bros, Glass Onion: A Knives Out Mystery, and Strange World. Brad watched Christmas with the Campbells, The Fabelmans, Fatman, and Abbott Elementary Season 1. What we've been Eating:Brad found out an annoying thing about Door Dash “ghost kitchens.” He also tried Hazelnut Hot Cocoa flavored Milano cookies and Crunch Tators Potato Chips, and is happy that the Rebel Hard Coffee Winter Wonderland Variety Pack is back What we've been Playing:    All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com.  You can subscribe to /Film Daily on Apple Podcasts, Google Podcasts, Overcast, Spotify and all the popular podcast apps (RSS).  And please subscribe to our newsletter! Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on Apple Podcasts, tell your friends and spread the word!  Thanks to Sam Hume for our logo.

Welcome to Episode 446! We are talking with Paul Hart from Apple to Oranges on this one! For Good Pop Bad Pop in MOVIES we discuss STRANGE WORLD and DEVOTION both out now in theaters. Paul gives his reaction and rating to GLASS ONION: A KNIVES OUT MYSTERY. We watched a documentary about baseball legend Willie Mays on HBO Max SAY HEY, WILLIE MAYS! as well as another documentary about the Mars exploration rovers Spirit and Opportunity, GOOD NIGHT OPPY. And THE SWIMMERS dropped on Netflix about two Syrian sisters flee their war-torn home in Damascus, swim for hours in choppy Mediterranean seas to reach Greece as asylum seekers before going on to compete at the Rio Olympic Games. In TV we discuss THE GUARDIANS OF THE GALAXY HOLIDAY SPECIAL directed by James Gunn. There's a new docuseries dropping each week about the career of Shaquille O'Neil called SHAQ. Peacock released a wild true crime drama series DANGEROUS BREED: CRIME. CONS. CATS. about wrestler Teddy Hart. And Kumail Nanjiani leads a new Hulu true-crime miniseries that focuses on Somen “Steve” Banerjee, the Indian immigrant and founder of the Chippendales male revue who became consumed by his own quest for power and fame in WELCOME TO CHIPPENDALES. In news we discuss AVATAR: THE WAY OF WATER needing to hit $2 billion to make a profit. And INDIANA JONES 5 will feature some de-aging tech for a younger version of Indiana Jones. In Marvel News we've got some more Chris Hemsworth quotes about the future of THOR. And we talk some Black Panther: Wakanda Forever and Namor news. And in DC it looks like Ben Affleck might be too busy to return to Batman and the Rock talks about the struggle of getting Henry Cavill back as Superman. Learn more about your ad choices. Visit podcastchoices.com/adchoices

A special look at our Patreon show, WHAT WE'RE INTO, where DJ and Roxy discuss all the stuff they can't fit into the main show, including GLASS ONION: A KNIVES OUT MYSTERY! Plus... ANDOR, ATLANTA, MYTHIC QUEST and more! More Roxy! https://www.youtube.com/user/roxystriar • https://twitter.com/roxystriar Get the new Whirl Girls calendar! https://www.thewhirlgirls.com Theme Music by: Steven James Schmidt For exclusive bonus podcasts like What We're Into, Spiderversity, and more, check out our Patreon! https://www.patreon.com/OnlyStupidAnswers

For the second installment in his "Knives Out" series, Rian Johnson leaves the family squabbling behind for a trip to a luxury island where murder most foul befalls the filthy rich. GLASS ONION: A KNIVES OUT MYSTERY shows Johnson hasn't lost his ability to pair social commentary with crackerjack entertainment. Unfortunately, director Ryan Coogler's return to the “Black Panther” franchise is a less successful venture. While Coogler does right by the late Chadwick Boseman, his WAKANDA FOREVER is over-burdened by the demands of the MCU and let down by uninspiring and occasionally indecipherable effects work. Also on the show, Golden Brick nominations for Nikyatu Jusu's Sundance-winning NANNY and David Siev's BAD AXE, a documentary about the director's immigrant family's life in small-town Michigan. Plus reviews of Zoe Kazan and Carey Mulligan in SHE SAID and the new doc LOVE, CHARLIE: THE RISE AND FALL OF CHARLIE TROTTER. 1:08 - Reviews: "Glass Onion," "Black Panther: Wakanda Forever" 34:13 - Brickspotting: “Nanny," "Bad Axe" 49:53 - Next Week / Notes 1:02:52 - Massacre Theatre 1:10:08 - Reviews: "She Said," "Love, Charlie" 1:18:57 - New Releases / Credits Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to a BONUS EPISODE where Connor from Cinefied.com and myself give our reactions to GLASS ONION: A KNIVES OUT MYSTERY. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The awesome presence of Chadwick Boseman is definitely missed, but don't let that get you too down! Marvel produces yet another gem (or Infinity Stone, ha ha) for their catalog. Black Panther: Wakanda Forever is an action-packed movie that also explores delicate levels of grief AND delivers on great CGI. The astounding performances from Angela Bassett, Letitia Wright, and Lupita Nyong'o will have you saying, “Wakanda Forever”!  Our next First Run movies will be Glass Onion: A Knives Out Mystery and Avatar: The Way of Water!  Hey there! Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts, for just $5 a month! Join the Club! Join the discussion: Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter | Instagram | Facebook Leave Us A Review on Apple Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

After a quiet few weeks, movies are back in theaters in a big way—and none bigger than Gina Prince-Bythewood's warrior epic ‘The Woman King.' Sean and Amanda break down the new Viola Davis vehicle and nine more new releases, including a pair of disturbing horror movies, a David Bowie doc, and, um, ‘Pinocchio' (2:00). Then, Adam Nayman joins Sean to share a report from the Toronto International Film Festival, including word on Steven Spielberg's ‘The Fabelmans,' ‘Glass Onion: A Knives Out Mystery,' and ‘My Policeman' (56:00). Hosts: Sean Fennessey and Amanda Dobbins Guest: Adam Nayman Producer: Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices