Podcasts about what are you doing here

What Are You Doing Here? 1 Kings 19:1-9 Questions God Asks, Part 2 June 8, 2025 Pastor Gary Watkins

What Are You Doing Here is the message shared by Sue Shearman with The Rock Christian Church on Sunday, 27th April 2025.

'ACTION!' Collection II - 'antithesis.' Track 09. ‘ACTION!' Prod. By Blū Tha Gürū Previously on (Whatever, I Give up. ) HALLE BERRY is that how you spell it It is for now. Fuck going online “That ain't part of my day” Shut up Drake, not now. You'll thank me later “If You're Reading This, It's Too Late” [HALLE BERRY is taking A VERY PAINFUL SHIT, clutching her *favorite OSCAR award-- Which one's her favorite? CUT TO: BEFORE HALLE BERRY looks over her OSCARS in the display cabinet, carefully scanning them, with a New York Times paper tucked under her left arm, sipping from the coffee cup in her right hand.] —I like this guy. The other OSCARS groan; they are often overlooked during this process. Come on! This guy! AGAIN!? UGH. CUT BACK TO: [HALLE BERRY clenches painfully, sweating audaciously—at the worst possible moment, her cellphone rings. ] WHAT THE—COME ON I THOUGHT I WAS IN AIRPLANE MODE. (I just found out The Illuminati can still make calls go through in airplane mode Or without cell service at all) wtf my phone is ringing. That's weird. You don't even— —I don't even have a phone. Right. (Seriously, my phone is disconnected. I didn't even pay my bill.) The fuck. [it's JIMMY FALLON] Damn. This dude has the worst possible timing ever. Like fucking ever. Always shows up at the worst —THE WORST MOMENT. [HALLE BERRY rejects the call. It rings again] WHAT THE— [She ignores the second call. A moment of subtly relaxed silence, until— [JIMMY FALLON appears in the ceiling window of the bathroom. HALLE BERRY SCREAMS, still fluting her OSCAR.] (Calmly, kind of) Hey, WHAT THE FUCK, JIMMY. WHAT ARE YOU DOING HERE? I called first! I KNOW THAT— Went to voicemail. YOU SHOULDN'T BE HERE. Just—calm down. NO. Look. GET OUT OF MY HOUSE! I'm not in your house, I'm outside your house. Technically. —yeah, but your FACE is in my house— —I hear that's the best part. —What?! Listen— Get out— No, look, listen— I need to borrow your Oscar. What?! For what?! That's not important. Oh really?! Yeah. It seems important. It's not that important Just—- What! Give it to me! [He snatches the OSCAR and tosses her his GRAMMY.] Just—trade me. What! What for?! Just—trust me— I do not— Just trust me—! WHAT! Congratulations. As you were. Kind of. WHAT—JIMMY— [She realizes the ridiculousness of her calling after him. She sits awkwardly with the Grammy in her lap, sighing] —he was my favorite… [SUDDENLY, though the other window Why does this bitch have so many windows in her bathroom that are this penetrate? For the sake of the joke, but probably not something any celebrity should have, are windows where anyone can enter your house from the outside. Fans are weird. CUT TO: AAAAHHHHHHHHHHHHH. I LOVE YOU. CUT TO: What's this place. It's my house, Where are the windows? They don't exist. CUT BACK TO [DANE COOK appears through the opposite window.] YO. WHAT THE FUCK! Chill, Halle Berry. WHO THE FUCK ARE YOU?! I'm the guy who wrote this. You should have called first! Who do I look like, Jimmy Fallon?! NO. I LIKE HIS face. Huh. Is that what it is… I GUESS I DONT KNOW. —who are YOU—?! GET OUT OF MY HOUSE— I am not in, technically— I DONT CARE! Ooh— Is that a Grammy award?! I didn't know you had a Grammy! Gimmie! [he snatches the Grammy] HEY! Is—what is this, for COMEDY?! FOR COMEDY?! WHY WASN'T I MADE AWARE THAT THIS IS A THING?! I DON'T KNOW, WHO THE FUCK ARE YOU? WHAT THE FUCK. It's not important. What. Anyway, thanks. Toodeloo. ‘The equilateral triangle should always be centered.' —use that vocal trick from compli—sometimes things get whatever // What's he reading? Architecture? ‘Oh; that dude's fancy.' Interior design? Classy. He's sexy. That dude's fancy. lol wtf is in my Amazon cart right now? Uh— Some yoga mats Kettlebells A record player that looks like a gramaphone A Pilates machine A peloton Uhm Frozen berries. When did you become a ghost? —I guess— I always was one. This is wrong. There must be a mistake. You and I both know, There are no mistakes Made by us. This is dangerous. That, you are correct about, dear boy. However, The only one here mistaken, Is you. Oh God, If I fall back into this dream again Who knows how long it might be Until I come out. —or if you come out at all. The pressure points Besides my veins, Or arteries, For scientific purposes Targets for thumb marks, Thimbles and razorblazes Misfortune to have found Such a pain only grows, Out of homeless, And then once housed, A lack of love from others I've an entire cast of antiques In the back of my mind, Behind me, Manhattan The coffee has cooled And yet nothing such starts Until I've gone and bulleted All the sins of the father {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. That thing that you wanted is waiting. Which thing? Love? Money? Fame? Power? Protection? Safety? Wealth? …Cream of Wheat? Cream of wheat? …it's probably cream of wheat. {Enter The Multiverse} …did you mean to do this? Nobody ever really means to do this. [The Festival Project ™ ]

'ACTION!' Collection II - 'antithesis.' Track 09. ‘ACTION!' Prod. By Blū Tha Gürū Previously on (Whatever, I Give up. ) HALLE BERRY is that how you spell it It is for now. Fuck going online “That ain't part of my day” Shut up Drake, not now. You'll thank me later “If You're Reading This, It's Too Late” [HALLE BERRY is taking A VERY PAINFUL SHIT, clutching her *favorite OSCAR award-- Which one's her favorite? CUT TO: BEFORE HALLE BERRY looks over her OSCARS in the display cabinet, carefully scanning them, with a New York Times paper tucked under her left arm, sipping from the coffee cup in her right hand.] —I like this guy. The other OSCARS groan; they are often overlooked during this process. Come on! This guy! AGAIN!? UGH. CUT BACK TO: [HALLE BERRY clenches painfully, sweating audaciously—at the worst possible moment, her cellphone rings. ] WHAT THE—COME ON I THOUGHT I WAS IN AIRPLANE MODE. (I just found out The Illuminati can still make calls go through in airplane mode Or without cell service at all) wtf my phone is ringing. That's weird. You don't even— —I don't even have a phone. Right. (Seriously, my phone is disconnected. I didn't even pay my bill.) The fuck. [it's JIMMY FALLON] Damn. This dude has the worst possible timing ever. Like fucking ever. Always shows up at the worst —THE WORST MOMENT. [HALLE BERRY rejects the call. It rings again] WHAT THE— [She ignores the second call. A moment of subtly relaxed silence, until— [JIMMY FALLON appears in the ceiling window of the bathroom. HALLE BERRY SCREAMS, still fluting her OSCAR.] (Calmly, kind of) Hey, WHAT THE FUCK, JIMMY. WHAT ARE YOU DOING HERE? I called first! I KNOW THAT— Went to voicemail. YOU SHOULDN'T BE HERE. Just—calm down. NO. Look. GET OUT OF MY HOUSE! I'm not in your house, I'm outside your house. Technically. —yeah, but your FACE is in my house— —I hear that's the best part. —What?! Listen— Get out— No, look, listen— I need to borrow your Oscar. What?! For what?! That's not important. Oh really?! Yeah. It seems important. It's not that important Just—- What! Give it to me! [He snatches the OSCAR and tosses her his GRAMMY.] Just—trade me. What! What for?! Just—trust me— I do not— Just trust me—! WHAT! Congratulations. As you were. Kind of. WHAT—JIMMY— [She realizes the ridiculousness of her calling after him. She sits awkwardly with the Grammy in her lap, sighing] —he was my favorite… [SUDDENLY, though the other window Why does this bitch have so many windows in her bathroom that are this penetrate? For the sake of the joke, but probably not something any celebrity should have, are windows where anyone can enter your house from the outside. Fans are weird. CUT TO: AAAAHHHHHHHHHHHHH. I LOVE YOU. CUT TO: What's this place. It's my house, Where are the windows? They don't exist. CUT BACK TO [DANE COOK appears through the opposite window.] YO. WHAT THE FUCK! Chill, Halle Berry. WHO THE FUCK ARE YOU?! I'm the guy who wrote this. You should have called first! Who do I look like, Jimmy Fallon?! NO. I LIKE HIS face. Huh. Is that what it is… I GUESS I DONT KNOW. —who are YOU—?! GET OUT OF MY HOUSE— I am not in, technically— I DONT CARE! Ooh— Is that a Grammy award?! I didn't know you had a Grammy! Gimmie! [he snatches the Grammy] HEY! Is—what is this, for COMEDY?! FOR COMEDY?! WHY WASN'T I MADE AWARE THAT THIS IS A THING?! I DON'T KNOW, WHO THE FUCK ARE YOU? WHAT THE FUCK. It's not important. What. Anyway, thanks. Toodeloo. ‘The equilateral triangle should always be centered.' —use that vocal trick from compli—sometimes things get whatever // What's he reading? Architecture? ‘Oh; that dude's fancy.' Interior design? Classy. He's sexy. That dude's fancy. lol wtf is in my Amazon cart right now? Uh— Some yoga mats Kettlebells A record player that looks like a gramaphone A Pilates machine A peloton Uhm Frozen berries. When did you become a ghost? —I guess— I always was one. This is wrong. There must be a mistake. You and I both know, There are no mistakes Made by us. This is dangerous. That, you are correct about, dear boy. However, The only one here mistaken, Is you. Oh God, If I fall back into this dream again Who knows how long it might be Until I come out. —or if you come out at all. The pressure points Besides my veins, Or arteries, For scientific purposes Targets for thumb marks, Thimbles and razorblazes Misfortune to have found Such a pain only grows, Out of homeless, And then once housed, A lack of love from others I've an entire cast of antiques In the back of my mind, Behind me, Manhattan The coffee has cooled And yet nothing such starts Until I've gone and bulleted All the sins of the father {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. That thing that you wanted is waiting. Which thing? Love? Money? Fame? Power? Protection? Safety? Wealth? …Cream of Wheat? Cream of wheat? …it's probably cream of wheat. {Enter The Multiverse} …did you mean to do this? Nobody ever really means to do this. [The Festival Project ™ ]

Voices In My Head (the Rick Lee James Podcast) Sermons Week 2 - What Are You Doing Here?     Good Day Everyone, This week's episode of the podcast is actually a video of a sermon that I preached in July. This is sermon one of three that I will be presenting here on Voices In My Head. This second week asks the question, what are you doing here?   Blessings, Rick Lee James   Get the new song - Whatever You Do Get the new song - Whatever You Do Up on the Mountain Also, Don't forget to swing by Spotify, Apple Music, YouTube, or your favorite streaming platform and hit those follow buttons! By hitting the follow button, you'll stay updated on my latest releases and show your support for my music! I can't wait to meet you Up on the Mountain on July 12th. Blessings, Rick Lee James         ----more----   10% Off Everything Rick Lee James on Band camp Instructions Visit https://rickleejames.bandcamp.com At checkout use code: 10off Advent Hymn (Watching, Waiting, Longing) This song appeared on over 80 Spotify playlists this Advent Season. I want to thank everyone for listening and sharing it this year.   Official Music Video:   Web Site: https://rickleejames.com   PURCHASE ALBUM: www.RickLeeJames.Bandcamp.com SongSelect: https://songselect.ccli.com/Songs/6152291/advent-hymn-watching-waiting-longing Downloadable Charts and More available from LIFEWAYWORSHIP.COM: https://worship.lifeway.com/findAndBuy/songPage/AdventHymn(Watching%2CWaiting%2CLonging)?versionId=93901&rowNum=0&searchString=Advent%20Hymn%20(watching,%20Waiting,%20Longing)#song-Parts Loop Community: https://loopcommunity.com/en-us/songs/advent-hymn-(watching%2C-waiting%2C-longing)-by-rick-lee-james-3892  Endorsements: “A perfect and needed addition to any Christmas playlist this year. Rick Lee James bringing home the Advent Message.” -CCM Magazine https://www.ccmmagazine.com/music-video/rick-lee-james-advent-hymn-watching-waiting-longing/ “I love Advent Hymn (Watching, Waiting, Longing), which gives newness to the phrases of Isaiah. Watching, waiting, and longing is what we do now, and these songs help us do that in confidence. I anticipate that this album will be received as a great gift by many who will find their faith nourished and awakened by it.” –Walter Brueggemann (Professor Emeritus of Old Testament at Columbia Theological Seminary) "I've watched Rick grow as an artist and songwriter for many years. Congratulations brother on an excellent independent release." -Paul Baloche (Dove Award Winning Songwriter) "Rick Lee James is a poet and singer. You will not only enjoy listening, you'll be drawn into the source –Jesus." -Mike Harland RICK LEE JAMES INFO Web Sites: https://www.rickleejames.com Get The Single: https://rickleejames.hearnow.com/halls         More from Rick Lee James Shine A Light In The Darkness Get The Single: https://rickleejames.hearnow.com/shine-a-light-in-the-darkness Music Video:   Rick Lee James Playlist on Spotify:   https://t.co/S7nCRl0xqa            

Voices In My Head (the Rick Lee James Podcast)Sermons Week 2 - What Are You Doing Here?Good Day Everyone,This week's episode of the podcast is actually a video of a sermon that I preached in July. This is sermon one of three that I will be presenting here on Voices In My Head. This second week asks the question, what are you doing here?Blessings,Rick Lee JamesVINYL SALETHUNDER by Rick Lee JamesONLY $9.99. (Plus you get a free digital download of the album)VINYL SALE -“KEEP WATCH, DEAR LORD” BY RICK LEE JAMES

HALLE BERRY is that how you spell it It is for now. Fuck going online “That ain't part of my day” Shut up Drake, not now. You'll thank me later “If You're Reading This, It's Too Late” [HALLE BERRY is taking A VERY PAINFUL SHIT, clutching her *favorite OSCAR award-- Which one's her favorite? CUT TO: BEFORE HALLE BERRY looks over her OSCARS in the display cabinet, carefully scanning them, with a New York Times paper tucked under her left arm, sipping from the coffee cup in her right hand.] —I like this guy. The other OSCARS groan; they are often overlooked during this process. Come on! This guy! AGAIN!? UGH. CUT BACK TO: [HALLE BERRY clenches painfully, sweating audaciously—at the worst possible moment, her cellphone rings. ] WHAT THE—COME ON I THOUGHT I WAS IN AIRPLANE MODE. (I just found out The Illuminati can still make calls go through in airplane mode Or without cell service at all) wtf my phone is ringing. That's weird. You don't even— —I don't even have a phone. Right. (Seriously, my phone is disconnected. I didn't even pay my bill.) The fuck. [it's JIMMY FALLON] Damn. This dude has the worst possible timing ever. Like fucking ever. Always shows up at the worst —THE WORST MOMENT. [HALLE BERRY rejects the call. It rings again] WHAT THE— [She ignores the second call. A moment of subtly relaxed silence, until— [JIMMY FALLON appears in the ceiling window of the bathroom. HALLE BERRY SCREAMS, still fluting her OSCAR.] (Calmly, kind of) Hey, WHAT THE FUCK, JIMMY. WHAT ARE YOU DOING HERE? I called first! I KNOW THAT— Went to voicemail. YOU SHOULDNT BE HERE. Just—calm down. NO. Look. GET OUT OF MY HOUSE! I'm not in your house, I'm outside your house. Technically. —yeah, but your FACE is in my house— —I hear that's the best part. —What?! Listen— Get out— No, look, listen— I need to borrow your Oscar. What?! For what?! That's not important. Oh really?! Yeah. It seems important. It's not that important Just—- What! Give it to me! [He snatches the OSCAR and tosses her his GRAMMY.] Just—trade me. What! What for?! Just—trust me— I do not— Just trust me—! WHAT! Congratulations. As you were. Kind of. WHAT—JIMMY— [She realizes the ridiculousness of her calling after him. She sits awkwardly with the Grammy in her lap, sighing] —he was my favorite… [SUDDENLY, though the other window Why does this bitch have so many windows in her bathroom that are this penetrate? For the sake of the joke, but probably not something any celebrity should have, are windows where anyone can enter your house from the outside. Fans are weird. CUT TO: AAAAHHHHHHHHHHHHH. I LOVE YOU. CUT TO: What's this place. It's my house, Where are the windows? They don't exist. CUT BACK TO [DANE COOK appears through the opposite window.] YO. WHAT THE FUCK! Chill, Halle Berry. WHO THE FUCK ARE YOU?! I'm the guy who wrote this. You should have called first! Who do I look like, Jimmy Fallon?! NO. I LIKE HIS face. Huh. Is that what it is… I GUESS I DONT KNOW. —who are YOU—?! GET OUT OF MY HOUSE— I am not in, technically— I DONT CARE! Ooh— Is that a Grammy award?! I didn't know you had a Grammy! Gimmie! [he snatches the Grammy] HEY! Is—what is this, for COMEDY?! FOR COMEDY?! WHY WASNT I MADE AWARE THAT THIS IS A THING?! I DONT KNOW, WHO THE FUCK ARE YOU? WHAT THE FUCK. It's not important. What. Anyway, thanks. Toodeloo. The Rock must have been buzzing in some sort of special way on this day; because for some reason, I couldn't stop thinking about it. I had finally rearranged the remainder of my seemingly new surroundings— the miniature keurig, a status symbol, of course, looked handsom on the work desk— the cat tree seemed to match, though with no actual feesible monetary income, and no end in sight— the tree itself would have to be enough to lift my spirits. It was a nice cat tree, almost untouched and looking very brand new— though the couch had a few scratches, though easily hidden with the decorative use of a couple throws—at least I had a couch, and all that was left to accomplish before fully enjoying was to arrange an order of Freebreeze to rid it of its previous owner's dandruff smell, and general mismanagement—besides that, it was itself almost brand new as well, and it seemed a strange new world to wake up in, after sleeping in a nearly empty apartment for 6 months; there was 6 months left in my lease, and I was getting nervous that they would try to push me out—hopefully I would find someplace better, or at the very least higher up—with the same amenetire intact. Still, I was working as diligently as in could on organizing—at least the recordings, to put together the next group of projects as quickly as I could— nevermind the writing—and there was so, so much of it, I hadn't a clue what to do. I had been avoiding Rockefeller Plaza like the plague for quite sometime—it always made me nervous in a sort of way I didn't understand, in that I would pulsate and vibrate differently, and more often times than not was upset and concerned that I had yet to go to the top—a costly feat—nor could I afford to entertain or enjoy any of the amusements at the bottom—not that i wanted to, as the older I got, and especially the longer time spent in New York, the more of putting the public and large crowds were—particularly after a remarkably disgusting respiratory infection I caught on new years, battling a crowd which became impossible to move through at all—let alone see the ball drop—and I had learned my lesson, especially after The Macy's Day parade; the crowds in New York were disgustingly unbearable, and in order to get a good view of anything, you would have to arrive nearly a full day early, and simply camp—now I knew why people packed around collapsible lawn chairs on holiday weekends. I had been blindsided by Fallon towards the end of the Macy's day parade—I hadn't any clue at all that he apparentlyboarticipated annually, as it had been years since I had watched the parade myself with my parents—and still, it was iconic—I always wanted to go. Still, and even though I had only written very little of him up to that point, I found it disasterous that as his name was announced and the float which carried him and The Roots, the best late night band on Television, not by opinion, but by fact—as I had most recently been studying and researching as thoroughly as I could all of the late night hosts since the dawning of Television in preparation to write this pilot, The TV People, short handed to TVP—and just then I recalled a dream from the night before, about Pat Kirkpatrick—for the first time in the dream world, it wasn't Fallon at all, but Pat Kirkpatrick. I couldn't remember the dream, nor could I seemingly work myself out of the rut that had been the plateau in writing the show—the show itself was heavy, with so many characters, all of which each had been given detailed and specific personalities, livelihoods, and backgrounds—in fact, I hadn't written anything in such a way since college, with detail—actually, I had never written anything so detailed at all, so character oriented that the character analyses filled entire pages of documents with excruciating vividness, as if these people were real. Well, now they were—and Fallon was neither Patrick as I was Esha, and the story has taken its own form, still however birthing an incredibly awkward and romanticized fascination and near obsession with Fallon—not that I would feed it to be so. I blocked out the news outlets, the media, the alrogithm's suggestions to watch bits and pieces of Fallon, though, however, I refused, and somehow, I didn't need it. Fearfully so, he was somewhere lodged deep inside me—and I was even sort of embarrassed to have written some of the things I had of his essence, however prophetic it seemed to be, that for about a three week period between April and May, I seemed to have gone off into a trance of sorts, writing for hours and experiencing vivid visions of this show, The TV Prople, alongside writing The Festival Project ™ And all of its markers—there were so many worlds, so many ways throughout them—and now as I had realized, I had actually been writing about Fallon nearly as long as I had been writing about Sonny, but differently. I had never of course come face to face with Fallon as I had the latter—and still—found it somewhat nessecary to hide my face beneath a mask as his float passed my viwingbspace, an elevated view from the staircase of some church, which had happened to be perfect—and although I was certain it's not as if he was looking for me—I had just then been writing of this Cosmic Avenger, and hadn't any idea at the time of Fallon in reality having been an actual magician, and still— with cameras everywhere, and knowing even what I had written—I didn't want to be caught by any passing cameras with any sort of blush or worse—a smile on my face as the float passed— a smile which would flash my atrocious gap-tooth and crooked smile I was sure was permanent, by then having been in the homeless shelter nearly a year. As soon as his name was announced, I promptly pulled up my masked. I had already been caught on camera earlier in the parade gawking at some float—now was not the time to be caught gawking again. He, like Rob Lowe seemed impeccably professional and well-rehearsed, like a cartoon character— he was, after all, kind of a cartoon character, however now, even if it was partly due to my own writing, I took him more seriously. There was a darkness about him— a sometimes glassy-eyed, almost scary darkness that told me, even a world away not to fuck with this dude—some kind of animal or monster I was sure we both shared, however mine more the type and category of insatable and undernourished and his more peaking its head out in the form of a multi-millionaire network puppet, which housed an untamable powerhouse of musicianship, manhood, and wit— it's true, I was finally scared of him, knowing after all what the true tears of a clown could be, a dangerous man in a uniformed suit, the Everyman for the programmed masses, and the funny man with a jig to dance, a story to tell, and an indoor life— secret realm within I was sure no one knew. I fed the monster with respect to the home, happy wife, and children— I, after all, loved love, and only wanted it for myself, leaving alone the parts of a man I had found and was sure was broken enough to have left me puzzled and star studded rather than struck as I always was, tears welling up at the thought of it that something should be mended neither I or anything I was could not fix—I continued to write, however, knowing I was walking on glass barefoot and tiptoeing on eggshells around the mass media conglomerate of the network that stood between my feeble world and his, the higher ups— and bryknnd: it was, after all, a level system— and now with a beautifully decorated and fully apartment, besides my mistress on the floor instead of the space saving loft bed I had wanted—though it looked just right with the piano bench as a headboard, housing my crystals and new globe, plus a colorful collection of books I could crack open as I awoke to the morning light, no longer so early but increasingly later, as I shifted into the insomniatic habits of a true DJ and music producer, still writing and reading in the mornings, however— I had to wonder what level I was truly on. My apartment looked like a home. The decor was better than I could have imagined myself even, the tasteful furnishings and modern elegance shifting my reality— no longer an empty apartment, now a fashionable hub for art and creation. I assumed the car would come along in the winter, with any hopes that I would finish my albums by then—and also looming over me— my last life, and the people in in struggling to call up to me in this very ascended realm, which I was lucky to inhabit. ‘Thank you God for your many blessings' My wishes it seemed, had been granted— magic did indeed seem real, and though I had an Amazon return packaged and ready to go— there wasn't a time and place I could see myself as ready to even be near The Rock, some festering bulletwound in my heart, all that I had written, not just of Fallon, but of the rest of the people I had honored by word mark but had not yet the status or wealth to have ever known as human at all, but more products of the program; with intention, however, it was the path I had followed to be destined here somehow though small codes and doorways, signals and symbols which called to me and seemed only I could see—but were there in plain sight, and with the right eyes, had meant more than I ever dreamed anything could— open doors to a world I had indeed created myself, and in turn, the world in which I lived had also been created around me. I had to, in my mind, find the light inside all of whom I studied, to humanize myself—nurturing some fascination of fame and celebrity inside which still stood unanswered, the question of why and how one becomes so high up that without trying, that I might continue to find them in my mind's eye and in my world, on the outside, time after time. —tales of a superstar DJ. https://linktr.ee/codenameblu {Now You See Me} From Google: Charismatic magician Atlas (Jesse Eisenberg) leads a team of talented illusionists called the Four Horsemen. Atlas and his comrades mesmerize audiences with a pair of amazing magic shows that drain the bank accounts of the corrupt and funnel the money to audience members. A federal agent (Mark Ruffalo) and an Interpol detective (Mélanie Laurent) intend to rein in the Horsemen before their next caper, and they turn to Thaddeus (Morgan Freeman), a famous debunker, for help. No, not the google documents! GET IN THE HOLE. Hm. What. Blood Shower All along the watch tower Do you feel good? Do you? Do you feel bad about this. I do. I feel bad about this. I forgot to tell you– I should probably let you know that I just want to MAN, FUCK THIS DUDE. MA. WAHT. IT'S ON. WHAt. THE SHOW IS ON. THEWHAT. THE– *suddenly self aware* …I gotta get out of Boston. What, first this was about war, now it's about bird people? It's about a war WITH the bird people. I should sleep. Hahaha. No. This isn't funny anymore. At least it's over. MA– Oh, it's far from over. Yo, i'm going through some crazy shit right now. Spur of the moment I'd never thought of it; This is gonna take forever. I don't have the patience To even write this I just want french fries right now But been up for two days with no gym and I'm on a diet. GUAC TIME. No, no burritos. GUAC TIME. Oh shit, this is getting real as fuck . NOw i see it three ways. I love it. I hate it. HEY, LET ME OUT. GET BACK IN YOUR HOLE, SKRILLEX. I'M DILLON FRANCIS. IN THE HOLE. Check it out. Huh. It's another DJ. *agrees* Should we pick him up. WEll, the good news is: I found your friend. Oh, that's good. The bad news is: He's dead. Oh, that–'s … nice. Yeah. It is. Uh. Kaskade. Yeah. We gotta find Ryan. Why. What's up? You're freaking me out. Why. What's up. Nothing IS it my eyes? I– *wild ass eyes* Yeah, it's probably that. Fuck dude, what did you do to deadmau5. NOTHIN. He's not the same. What the fuck is that. Holy shit I jus timejumped Where the fuck are you going. How the fuck could this happen?! It COULDN'T. Well, that's it then. *shrugs* Well, I guess we're just gonna have to go dig up Dillon Francis. I guess so. Do you think he's still alive. Like, probably not– Maybe… No, probably not @prodbywar& @Halmadeit This amazon order took me nine hours Alexa, I think i should fire her Like a arm I don't leave at night without armor Don't make me a martyr Your mom will be proud of us all If i make it outta here And i'll look after her Got the whole block coming up on my heels as I walk Wtf is it… Idk dude. Is it speeding up? I…i think so. There's no way this is 140 IT's 140. It's 140 . There's no way. Yes way. Nah huh. Let me see. No. Let me at the decks. Let me at the decks. NO. YO LET ME AT THE DECKS. You want deks. Yes. I got deks. Really. yeus . I never listened to it like this In ableton I read serato, synesthesia and rekordbox I talk a lot, I'm like a human music box I walk a lot I run my mouth a mile a minute (faster than i run around the track reciting rap words) Like they're passwords. Oh, I could do this forever.. I wish i had i microphone right now And was all alone With the lights off Lying on the floor I'd be lying if i said I could afford you Just to fornicate But may consider playing with a foreigner If you're all for her I'm unnerved, you know Cause i've been up so long My monster likes to play with boys and Make the bass go down below where Nobody does anymore Once I get a hold of things Or the hang of it You've got another hot ones on your hands I've another record under my belt Or in my roster, Whatever you'd call it But now I've got no time to bark about Wanting a dog and a daughter But none of the responsibility or Going through all the trouble to find her a father I'm still holding a fart in. Reaally–cause–it's been a really long time. WHAT WOULD YOU KNOW ABOUT A LONG TIME, JIMMY FALLON?? Um a lot! You literally just saw me make the journey all the way up from nothing. I am nothing EXACTLY. I don't have time to fight with you Jiimmy Fallon. I did NOT write these games by myself you know?! Um, excuse me– “GAMES” ?! YES, GAMES. Uh, I've only got one game with you in it, my friend. Is that so! One game that I've written with the Great–formerly LATE Jimmy Fallon. Is that like a play on words cause i'm on late night TV YOu'RE ON ALL THE TIME TV, JIMMY. NBC SHIT IS PRACTICALLY AUTOMATICALLY SYNDICATED. -_- …are you alright. –_-_-__-_ Hold on, I think i've got it Nice, I found a growler. yOu still haven't got all the monsters and sprites Ive got all the big ones, but the little ones are harder to catch. GrO0Wl3rrr. Aww. He's so ugly. Yeah, but cute, though, right. I don't think so. Gro)WwlErrrrrrrrr. Aww. That's so fucking gross. lol . so what does this thing look like. Well, that't the thing about the monsters and sprites. WHAT THE FUCK IS THAT. It's alright, it's alright–he's nice. WHAT. THAT'S A SPRITE. No, it's a monster. He's just scary. SUPACREE. David Bowie. What up. God, it took me ages to find you. Tell me about it. I'm still trying. We've been expecting you for a long time. You were expecting I'd die? Yes. So when she says she's “married to the music…” I'm married to the music. Oh, so. Yo, honestly if you een want to talk to this bitch, you'd better have like a musical instrument, or a mic in your hands, Otherwise– No, getawayfrom me. It's not even worth it. HI. –No. What's up? Tempo. SUNNI Cotour From the store I was poor Now i'm honorable In velour, Glamour (Snap) Forsure, Jesus Christs is making appearances in my abletons I'm not able to comprehend or understand exactly the message, But the evidence sire is mounting Get it Reached the temple, More of a sanctuary, Is that sacrilegious I guess it is, I'm stressed as ever Trying to get it together {Enter The Multiverse} Now I know too well, The well of tears on my guitar She's got a body like one Oh her curves But I just wonder what it like to be loved By stars Socialites and superstars They're Gods, you know How high up they are Above us And he lives in an ascended dimension, But he insists, he says Her transcendence is upon us He said Your transcendence is upon us He says these things, And then just vanishes So she gets up promptly Warms up yesterday's coffee Looks around in her coffin And wonders What for I just Wonder what it's like to be loved by stars Without double r's, you know I've got scars But it's mostly just Teardrops, and soft kisses On my guitar Cause, oh, Oli, I ain't got nobody— And nobody holds me Like I hold Oli (Could have been Ali, But of course— I had already lost that one A whole well of tears, I lost At his departure And a whole well more When I actually lost him I almost miss Having someone to talk to About anything and everything But I've got Oli And God now I've got Oli And Oli (oli) Is all that I've got Besides God That's the only contact In my Phone book No more double Ls And double entendres; No more double rs At all Just scars now No more metaphors. Honest is radical I like them cynical I should have clinical insanity by now But I'm only just an artist You can't help But can only harm that And if it hurts hard enough I'll put art on my walls Become permanent Storybooks all over my arms now My coat of arms now I've run Ten point 5 miles In the last 3 days; But if I rest today Will a motorcycle gang Have a parade outside of my window, To drive me crazy? I hope it rains, So they can't play these games with my head And the seeds that I planted So deep become daisies I still don't remember The way he rearranged me But these days I make my name sound So the way He can never say it Just imitates The way I hate myself I should be dating But expressions are Atrocious If I fall asleep— Who knows I may get Stolen That tends to happen So I'm All the way up And I'm swollen in ways That I hate to say “I love you” Love me back Or say it harder That's my martyrdom Come off the cross, for a moment, Would you for us? And bend over Or bow, if you will? If I did, Would you still call me wicked Or just a Good witch Since I'm a woman, I just couldn't be Jesus, Who you asked for once And always Who you asked for some To save you from your Credit reports And consorts Or some sort of Nonsense [famous last words] God don't speak much English, She says God don't speak much these days We were Always Telepathic That was way back then When Oedipus Rex Was on the Guest list I was standing at the coat check, asking Why I must take off my hat When entering the service To the bouncer, he says “That's just politics” I said, That's just politics We both said, What's the difference Then we all laughed —then we all just laughed and laughed Exchange is my favorite exchange Where my favorite exchanges Have happened for centuries Of engagements Endeared species, And races pieces haven't tasted the same Since I haven't had them Animal products And animal planet I found this hat on Discovery channel Did you want it? I can't stand it So I had to have it back I just had to use the bathroom I just had to disconnect From [] See— I don't even have to put the words in Cause a name is just words When that's a man You just can't have And that's the worse When that's a man And you can't have him What a habit. Silky rabbit. Now he's the Ace. All In A Day's Work I've never died before. Oh… that is terrifying. It sounds terrible. It's really not that bad. Why are you not writing this down? I just need a moment… It's really not that bad… I die all the time. I get sensory overload At Trader Joe's Look at the colors The clothes, This sure isn't queensborough Escalators for shopping carts I get it Manhattan I'll take my half BLVCK ass to the projects Where my kind are I don't belong here , God you're intolerant I like this part of town But I'm way too brown And I dropped my crown at the market I should be jealous of everyone But I have learned my place I've been a slave since Hollywood I lost my son to the devil Now I pay child support And terrorist follow me coughing I'm wrong just for being born ! You could start a war from it If that's what you wanted I'm a people watcher people watcher About to board the people mover People mover Slip, Here's the tell Slip, here's the tell I should have a bell around my neck I think she wanted a picture with papa I'm playin my own paparazzi Look mom, I bought a sacafagus There go them niggas with coughs again I been watching em Got binoculars I got oculus, for my oculars Look how hot he is, make me ovulate Man I gotta love it, Cause they love to hate Fucking racist crazies Have it your way I paid for it with my soul You hate but I love to love Somebody just got me fuckes up I don't have a book to run off of Shut up, honey. Now we're all up here Monkey in the middle Cause the middle one is weaker It's getting deeper and deeper Like the sinkhole that my sink is Let it sink in I've been syncing my secrets with demons In dreams sequences It's just a reparative injustice Kamasutra for your wondering words and stuff You can have it It's ruined anyway m Look at all this trash Look at all these classless classes Classwars, Racists. Everybody hates us The Asians, Latinx's The other niggas What being black is I'll write it in cursive It's just a curse, here So you can have it I'm moving to Heaven I'm packing my boxes I'm getting a cat, too! His name is Agustus He's a big one And I love him I just wanted a hug or a husband Instead I got nothing to trying my hardest And got for a bargain at target some coffee For being a targeted body All on an algorithm I guess I'm just useless. A dumb nigger demon Did I just offend you? Then you shouldn't be reading this either I wrote it for pleasure (Or pain) On the one Or the two Or the one Or the two I could do a lot with this $20. I could spend it all on Fuck all of you I'm moving to Heaven Where the heart it She's not harmless She's a terrorist— And I'll kill her, too Look how right she is Look how white she is, Huh Regardless of color It's a race war Lil biiiiitzzz Yooo, fuck New York. In every hole. In every crevice. Fuck this place. It's racist— Not just cause I'm black. Like statistically. It took a whole ass apartment elsesrch to feature this out. I was like “I wanna live in Manhattan” Everyone was like “NOOOOOOOO—-“ Haha “Nooo, no.” I was like “Why not?” The blacks were like: HAHA The whites were like— *COUGHS OBNOXIOUSLY* New York is so racist. It is statistically the most diverse—and most segregated city in the nation At the same time. WHAT. How do you even DO that? But it's true, at this point, the black people are like—fuck this, we'll just stay over here, and over here. And the rich whites are like YES. KEEP THAT SHIT, OVER THERE. Cause if you've ever been to the ghetto. It's some SHIT, It is NOT COOL. I finally got my ‘night card' back. Had it revoked in california . I was almost a whole valley girl. I still eat exclusively at Whole Foods. Trader Joe's. But NO. Now i live in the hood. It's fucking disgusting. I can say ‘nigga' again. Cause it's NIGGAS. Lots of niggas. I'm telling you. It's night and day! The white folks trains smell like bleach— Ammonia. The black folks train smell like a McDonald's. WHAT. Or just— Vomit. I can actually count the number of times just— Vomit—- On the train. Or. Dookie. Yes. Human feces. But I'm ready to go to midtown and it's like the train that goes around Disneyland. Families! People singing! Hey—cotton candy!! —and I didn't have to pick it! Haha! Fuck New York. Racist ass HOLE. I thought surely the next presidential election was one or two years out, but the racial tensions which had been rising became even more pronounced, as I realized that November was theboncoming time—and that they hostility between the whites and the blacks had once again been a result as the oncoming war, fueled onward—that the hatred, disgust, and general aggression of the whites had been of course, in the midsts of yet another Trump-fueled political upheaval, and I wondered why and how at all I had been caught in such a world that existed in form of man, of course, now proven himself to be the weaker sex, and yet in that of dominance, as was arranged in such an unholy war, to be the helm of power by sheer greed— now it seemed that these attacks were indeed political terrorism, and that these motorcyclists, my placement close to the ground level, and my neighbor's clammorings were specific attacks, after my identity had been varied to be that of the same in which I had once held political ambition, now none of which I assumed mattered at all. Perhaps I needed something more certain than a 12 story jump or suicide by train, and wondered as to whether it would be easy enough to kill myself bh self inflicted gunshot—a sure thing for certain, as love has been lost in the way of money at all. At that party…or rather, kind of—after. That acid that never hit Beyoncé I don't feel it. Man, I'm a terrible influence(r) Just take it. Nah, I'm good— PUSSY. -_- Give me three. K. —suddenly hits BEYONCÉ. BEYONCÉ …I got this. [BEYONCE] however, does not Ohh, shit. — “got this.” A very stranded, very sober Johnny depp stumbles upon what appears to be a college frat party, where the only thing they have is light beer, and nobody even recognizes him as a celebrity, because the attendees are all gen z What's even after gen z? The fucking apocalypse. Anyway. The acid hits Beyoncé on her way to make coffee, which extends the trip from the living room to the kitchen infinitely. Multidimensional Anne Hathaway hulks the fuck out and saves the day by ruining everything, which actually fixes everything— and *spoiler* helps Jesus to remain as the king of kings at beer pong. Lol In the late 90s in New York City, the keystone cast of Saturday night live learns of each other's formerly sexret psychic abilities, and uses the radio technologies of Rockefeller plaza to develop a research center for the telepathically gifted, eventually discovering and perfecting time travel. Supacree (the kid version) appears in and out of her ideal and desired realities, baffling ‘the Hollywood people' and later ‘the New York people', becoming the legendary central figure of the Illuminati, as the original timepiece — a pyramid shaped extra terrestrial vehicle which contains an ascended hyper conciousness, which I can't remember how it goes, did the supacree leave to find the Skrillex, or was it the other way around? I think it was both ways at some point, but the whole thing was this, just in case I never wrote it but just saw— These space god (humanoid evolved) are some kind of scientists/ doctors— there are four timepieces, each representing an era upon our planet; earth, which is distant but sacred— these four time pieces each depart their given “docs” in time to appear on earth at specific Fuck this is hard to explain Times in history, at which the first worlds, or previous human eras were known to have been destroyed— these time pieces travel through time space with the full record of these events in order to alert the current human era of its imminent doom, as an attempt to prevent such disasterous events, typically war, which will lead to the annihilation of the human species; these Gods, one male and one female, a king and queen, a married couple are the rules of the humankind, technically worshiped as a whole as one God, with whom the human design was modeled after, however, the true source of all things is the cosmos, known and unknown, in its totality—neither man or woman, but the force of creation. Anyway, what else is happening Oh. All of the celebrities are stuck in— [the festival project] in some way, shape, or form until its creator finishes it—and though it in itself is infinite, its 'finishing' notates its eventual production, which lol. That never going to happen. Because. Let's face it. I'm scared of …rich people. Yeah, sure. Yeah. I'm scared of The effect of the race war, which has been to pit the white woman against the black woman, which allows and maintains the continuation of war mongering male dominance over the entire planet, which remains as a destructive force of greed, racism, and inequality. So why try? [EDITS] CONAN O'BRIEN Alright. If she hit Fallon, she's gonna come for one of us next. No, Conan—that's not how this works. WHAT—where did you come from!? When did you get here? JAY LENO This goes deeper than all of you can understand. WHAT the FUCK, man! When did you-/ —when did he get here? How did you do that?! How did you do that?! What are you, like, the same guy? Are you not all the same guy? [they shrug simultaneously and kind of just agree] Listen at this. Okay then. The enemy of your friend is my enemy. Oh…kay—and the enemy of my enemy—is my friend— That is correct. —so we're all friends here. That's right. Some special forces? Which forces? How special? [JENNIFER LOPEZ is still JENNY FROM THE BLOCK] Do I look like a fool to you? Uh— OOPS [a pre-fame Jennifer Lopez receives a drop full of diamonds instead of the usual; she has been granted access into the Illuminati, and becomes an overnight success.] This feels heavier than usual. Same as always. Hm. Are you sure. Yep. Hey, you're not the regular guy. Regular guy died. That makes sense. JENNIFER ANNISTON is inside of Ū Okay, grosss Not like that [lifting max weight] Okay. That was cool. Wow. Yeah, sure whatever. I am strong Yeah yeah, okay. Are you sure you want to be my size? Yep. JIMMY FALLON/SKRILLEX (we don't know actually which at this point) is also trapped inside of Ū Okay, gross! Yeah. SKRILLEX is in all of Ū. okay—actually, i'm okay with that, but That other guy?! [JIMMY FALLON] Yeah, he's weird. Also meanwhile, kind of— MARSHALL MATHERS has a closet cleaning service lol. Patrick is smooth as a motherfucker, you know. Every time his head is down on the desk like that, he takes a bump of coke. What?! Big uh! [Patrick takes bumps of cocaine in front of a live studio audience—every single night.] Woah! See. Goddamn. You gotta admire a guy like that. Jennifer Anniston is the weight on the cable tension machine Ooh. Psycho bitch devious methods new ludachris commercial All ya'll girls is toddlers I like long boards and longhairs Lawn mowers and lawn shares Aw hell nah, God forgot Cher I got the Blair witch project On Blair, I hope I scare you How dare you. Your girl looks like a naked mole rat. I got my soul back. You blue eyed bastards stole everything From the whole blacks, Hold that thought I'm at Whole Foods market throw in the Amazon algorithm off With marked dollars Look at God at Walmart On them rollbacks You old hacks are cackling I'm shackled to old habits Hold hands with me, rabbit I'm just a silly rapper really, are you? Maybe. Cut the verse of Reverse God Now I'm the devil I'm still lost in the Amazon cart I sharted all up in your pop tarts Before you warmed them up, pops Just for the sake of the art, Heart to heart, It's a war on love And the white girls won with nothin but Buckets of Whatever's up there I wouldn't know Cause I'm stuck job searching And running, Trying not to have a tummy So some gummy worm will love me First their sour, then they're sweet Then nobody, Trolli Holy moly I could use some more petroleum in the ocean! Said nobody But the globalists are performing your programming Which you're worshiping I put my eye on the dollar So I could watch you all Crumble and fall Don't you know The apocalypse is happening at the mall Of all the places How's that for a stream of consciousness, You salamander I asked Anandar back But I went past that chapter Have a chap Or a chapstick, for four times four dollars A bottle of water will cost you a fortune (But at least the drugs are in it) Get it It's recycled piss Distilled? Which is it, Mr,? The mystery box was literally lifted into My dinner from a fishery filled with nothing but niggers in it— I want a refund, before I catch that Fucking curse of poverty from — what'd you call it salmonellahallibut One hell of a cough from someone on the sidewalk But guess what? The devil's in your pocket or your palm, And that's the omen and the psalm rolled into one Cause God is awesome, But my mom is fuckin toxic And that's how I fuckin got here Blow my head off, Slit my wrists And write a song While jumping off a bit When all you need is money, But the world costs more than It's worth, and words are nothing But another fucking problem in your Google documents I look at my son and see a God, But half of Satan's in him, Oh man Robotics Lets be honest, I don't even know how to write this. Where's my sides?! WHERE'S MY SIDES. You don't get SIDES with this; It's just CHICKEN. I don't eat CHICKEN. It appears as though, however– You do. Ok, I gotta get off this playlist. I… i gotta . “The Wal*Mart Wars” Hm. … …………. …. *face* … no. No. l– What is this place. {After a wild night which apparently spiraled out of control, great , there goes my peace. Not forever, though, maybe. FUCK THIS PLACE. I HATE THIS PLACE. Everybody hates this place. But the album is called “I love New York” Yes, thats Technically How it's pronounced, though It's stylized like I _ NY Cause. EXT. MIDTOWN MANHATTAN. DAY Oh, wow, this is beautiful. THis is great. I love this place FUCK THE FEDS. CUT TO: EXT.Typically WHEREVER ELSE Anywhere ‘above' like 87th? Lets just call it 80th, be safe. BE SAFE! NIGGAZ. ah shit, i gotta go. BITCH– But lets just be honest, It's technically ‘above' But it's really [THE BRONX is a literal extension of the Underworld] Oh no. srsly tho. X_c Anyway. FUck man, Do you think i'll ever get good like that. Idk what equipment is this Hmm, lets see, that's approximately $8,000 USD of CDJs wow yep That's retarded Yep. And you still need a mixer. fukt. OKay, I would literally sell my soul for this. Consider it done. wait , really? YES. you earned it. Wait, I– What?! You earned it… Uh oh. Take care now. Shit. [BILLIE ELLISH is trapped inside WALMART] Uh oh. Fuck. what is this place. INT. WALMART. WHENEVER EMPLOYEESLAVES WHAT TIME IS IT. THERE'S NO WINDOWS IN HERE. That's not funny IT'S literally a synonym, we might as well make it a portemantau MEanwhile, in this other dimension, So that i don't offend anybody… Actually, you know what? Be offended. Quit that stupid fuckin shit and follow your dreams! Wait really? Wait, really? Sure! If you want! …i guess. AMERICA NO. INSTANT HOMELESSNESS ok , nvm. Damn. I know, right. wtf r u guys watching. Shut up. All Wal*Mart Employees are actually top secret government agents. x ∞ >.< (we'll just use Billie Ellish as the alternate, but really it could be Could it really? Shut UP, PLURNICORN. Wtf is a PLURNICORN We'll see. [Upon Realizing s/he is trapped in a mysterious place apparently extremely public Wait, you've never been to a Wal*Mart Before?! NO. I grew up in LA Rich as fuck And i've been famous since I was liike 12, Or something. Right. That is–kind of terrifying. LATER: WHY IS IT SNOWING INSIDE. WHERE'S THE EXIT. THEY HAVE GUNS?! oh wow, they have GUNS. WHY DO WE NEED GUNS! KA-BLAM. BECAUSE THEY HAVE GUNS. Bang-bang! Ptttttttttt—sttt. And they have guns. Actually, these are just– confetti cannons. *pop!* Lol “Possibly The Worst Show Ever the infinite rave continues on in Hell as everyone awaits the return of SŪPACREE- The Cosmic Avenger (Who Is NOT a DJ) and Sunnï Blū (who is a superstar rapper but also not a DJ) go back to back, buying time as the beacon to. Signal "The Supacree" is completed, battling the 10th dimensional DJ Ū, a super ninjas, for control of the decks. what else happened? idk. I CANT STOP DANCING. none of the DJs can find a pair of working headphones, and the sound guy is missing from the booth. "missing" YOU SHOT HIM. I THOUGHT IT WAS A TRANQ DART. {Enter The Multiverse} “TVP” Hazel is 6, turns 7 season 1 Season 7- 15 Man, I can't remember the other two kids names, I think the little boy is Ira but I might have named them all and forgotten, shit. Her sister, though is between 4 ½ and 5, they are technically “Irish twins”, and always fighting—they look very similar, however are not at all alike; Hazel is very much a daddy's girl, while her younger sister is a no-nonsense old soul with the tendency to cause trouble, not by being inquisitive or showy, as her sister often is, but rather by being quietly observant, and tends to dismiss both her parents, often isolating, or even dissappearing without notice, quietly and comfortably into her own world—as the series progresses, and though all of Patrick's children like their parents have showcased some kind of special ability or talent— Holy shit, give this kid a name-/ I thought I already named her, I just don't remember. That's true. It seems like they all had names. She is almost very typically, though showing signs of genius, even at the early age at the beginning of the series, a middle child, prone to upset almost too easily, but rather than acting out, is more likely to take her anger quietly; she shares her fathers deep brown eyes, dark hair, and though she looks otherwise very much like her sister, and later despises her father, is more inwardly and outwardly like him, though taking the side of her mother during their separation and divorce, oftentimes even lashing out at her father quite openly, and very vocally, as she grows into herself. “Ira”, (may have had another name earlier) is the youngest of three— as his third birthday approaches sometime during the first season. Great, now I gotta hide all those allegories so nobody can actually draw from this that Patrick— Where's his write up, anyway? That shit could go on for days. I have no idea why this catharsis is happening. I tried to sleep it off, I swear, but I still woke up like— At least mildly obsessive about this, for whatever reason. Hazel's 7 - Season Arc Hazel has the eyes, charm, and charisma for entertainment —she hopes to one day be as her father, an entertainer and performer, and will do almost anything for a laugh. She is often telling jokes, and is a people- pleaser. She is sickeningly cute, with golden hair and Hazel eyes, long eye lashes, and carries baby fat in her face, though she is rather average, neither heavy or plump, and however also not frail at all. She is inquisitive, smart, and busy, almost never idle-minded, and strong. Though sort of a Tom boy, she has been trained well to act with dignity, class, and feminine eloquence, much like her mother—but like her father, has a tendency to be crass, sometimes carelessly so, or even brutally honest—to her mother's disdain, but embraced wholesomely by other family members and adults, she's extremely funny and delightful, and very much unlike her mother, not a spoiled brat at all, often raising questions beyond her years about inequality, later wishing to attend a public school, and becoming quite the advocate for social justice and human rights in her later years, her final season shows a rebellious and sometimes even antagonistic Hazel, who later even favors Esha over her own mother as a parental figure, often confiding in her about things she can't and shouldn't share with her father, although her almost over the top admiration for her father has become the driving force and inspiration for her own endeavors in show business, much to her father's disdain, as she grows older, him becoming more protective of her, and especially within the oftentimes secretive nature of his actual placement and purpose in the business, and her rebellious nature and charm even force-feeding her into the industry, she is a bleeding heart for superstardom, and is often seen along what may be a path to fame, making Patrick's bleeding heart all the more aching, as though he and Catherine remain at odds throughout the series, he truly loves his children, even “the little sick one”, as he refers to the second child. Holy shit, what is this kid's name If I had the energy to go through my notes, I could know; but I don't. The city sickness has been sinking in from the noise of the obnoxious motorists and honestly, being out of protein is giving me muscle soreness, I'm in some sort of a bloated haze from eating almost nothing but carbs, and the fact that I haven't been with anyone in years is starting to circle like buzzards around my head, my heart has been literally screaming but overwhelming with this sense of calm, and though slipping into Patrick's sometimes erratic tendencies, for the most part I've been underwhelmed with society's expectations that I should get some kind of job, and somehow while working not lose focus on my own interests and projects—I hate [the strange modern behaviors of] most people, and everything costs too much money— my son might be going into foster care, or my ex husband is evil enough just to try to force my energy to worry about a problem he's created, and I really wanted to sleep into the afternoon with this lethargy, hoping that everything surrounding this series would just fall off, but it doesn't. I wake up often wishing I could just forget The Festival Project ™ , but the truth is, it just keeps writing itself, but in the very least, sometimes God gives me little presents that mean the very most to me— a chord organ that I thought was from the 80's, but is more likely from the 1960's— I love vintage stuff, and musical instruments, which only God could know, really—my fascination with history as if I'm still living it, and this, my sudden fascination and drive to write and complete just one series has been haunting me almost just as badly as anything else has, but especially ripping me apart—especially since I have motorcyclists ripping through my body as if it were some kind of disease that existed outside of me, so contagious that it began to sink in to my insanity and mental hygiene. I wondered if anybody else knew or cared about these creatures as much as I didn't—and in fact, I had never felt so much like Ali in the way that I didn't care if they, other “human beings” supposedly, all died tragically, and wondered why the walls and windows didn't keep out the sound of the outside world at all… The middle child begins writing secretly very early on, and is the first to be required more extensive therapy, (as suggested by the family's therapist) after her parent's separation and subsequent divorce. It is not long after she begins learning to read and write at all, that she begins also showing interests in art, asking for art lessons and to begin painting and art therapy, rather than the recommended Equine therapy— she often keeps things to herself, then returning to her hidden places at times when the family's dysfunction becomes uncomfortable and overstimulating, very often paining or reading during times of peace, and retreating to her safe places—sometimes under the stairs, into the attic, the treehouse, or even later, the family's barnyard, where she often keeps drawings, as she ages, later comics, sometimes caricatures of the things she absorbs through her own reality—and diaries, sometimes hidden in nooks and crannies and in places no one would think; a true prodigy and genius, though hidden from much the world, as she is often overlooked, however, her therapist begins unfolding her true reality, often times carrying over sessions and losing track of time, picking her brain or even conversations philosophically What's the therapists name? Doctor Robin She has to have a last name Well, she's a child's therapist, so she's Doctor Robin, but It seems like it starts with a T. We'll see. I just saw her anyway. I drifted off again, thinking about how wildly detailed this all was becoming, and wondered if there was a series of fictional books waiting to be written. There certainly could be, but my mind was reeling, freshly showered but still undressed, and not even wanting to think of going outside—and yet—I was out of water, and had learned that the drinking water from the fountains, especially in large quantities, had a tendency to make me sick—I hadn't yet eaten anything, and though the coffee was fresh, and my apartment was clean (which made me overtly overjoyed for some reason) smelling of Lemon Lysol and Bleach; with notes of a strong pot of organic fresh ground coffee, it seemed like I couldn't do much more than lay in bed writing this catastrophically interesting series—and it was interesting, which said volumes, considering I had always been picky about my TV watching, being that only ever did certain series catch my eyes or my ears, and those series were almost always—or always, always specifically well written, perfectly casted, and had the edge and draw of becoming an entire world within itself, which this series, though only a week or two old at best, in my heart and in my mind , was rampantly ravaging my own world, almost as if it had become of some importance to keep writing it, and never stop, and though Patrick was the forefigure, another broken male protagonist, the truth in the series was that the true heroes of this sometimes scarily violent drama, were its women—a story meant to be told with a diversified cast of creatures from all worlds and walks of life—Esha, of course, herself, a role that had been some recreation of myself, somehow, though so different that even primarily, I never did see myself as her, besides the onslaught of some otherworldly pain, visions of a scene recollected from some remarkable download, and it might have been once and for all that I had lost my mind, or my life, if I wasn't a writer—I was, somehow, though, after all, a writer. It had been a fasting day that could have and might have ended tragically anyway, and still the devil marked his mockery of my efforts by consistently flinging perfect bodied women everywhere that I went—though usually with ugly enough faces that I could see nothing but what a man was—uncaring for one thing over the other, a flawless representation of woman, represented in the current time with scantily clad fashion, almost painfully so—the insecurity of women becoming more apparent in the way she would appear, always almost begging to be near to me, with every perfection and complexion I hadn't—but at least I had a tendency to laugh at my own damage, often surmising that she, these demon creatures, hadn't any talent for this at all—which had turned the state of television into a near circus act; that alone urged me to continue writing the series, perhaps with a typewriter, due to the negligence of nepotism within the industry which often resulted in these pretty little creatures getting even further ahead by stealing works as such, and passing them on as their own originality almost so cruelly and without judgement—plagiarism, as it was called, but more accurately intent-to-kill the imminent threat of what had been said to be a minority becoming a more powerful force to flourish in entertainment however, as quickly as the visions had come, the thought of writing it without my phone became dauntingly impractical, and I scribbled only the most intense scenes and plot lines onto notebooks and scratch papers, keeping them as hidden from the algorithm as possible… lol the Al Gore Rhythm Ahahahahahahaha Was that the joke? Maybe. Idk. Maybe. Idk. Hm. Hmmmmm: What: Nothing. That actually might have been it. Really, was it? I will never know. That is kind of a good dad joke, though. And a good band name. Idk about that. My coffee was lukewarm enough so that I could taste its flavor, as I whittled away at whatever it was— The story was almost so beautifully being told in allegories and parables that it seemed a shame I may never be rich enough to buy fame, as it seemed that was the only way to become a star these days— and yet—it was more the wealth than the fame I wanted, I had realized, at all—the polished class of the Manhattanites drawing me out of Brooklyn and into some debauchery which was my own Grandiose thought form, that I could actually become, at the ripe old age of 31, some kind of superstar. ‘Why would I even want that, anyway?' I thought, interrupted painfully by who I'm sure was the same motorist, who seemed to do nothing but circle the block all day, and all night, doing nothing — and I wondered why he himself had decided not to do grub hub in a richer neighborhood, where money would more than likely come more easily. But really— I drifted off to a time where I wanted to ride a motorcycle myself, and the curiosity forced me to go online to check the price of what it might cost to have one. $5,000 for a decent bike, which would include a muffler as not to be so obnoxious and disturbing to others as these creatures had become to me— and I began doing the math on how long it would take to save $5,000 as if it would be possible to work some dead end job for any amount of time without spending money on anything else. It would take at least 5 months to earn enough for a motorcycle, which landed me directly back at “Not worth it”, and as horrible as it was, I did at the very least have a luxury apartment for at minimum the next 5 years, however, wanting still to move to Manhattan, Midtown specifically—or one of the quaint and quiet neighborhoods on the upper West Side. The neighborhood was going to hell, after some unworldly godless force had seemed to drop hundreds of thousands of rude and thoughtless third world workers onto the streets and buildings bordering the one I lived on, the neighborhood becoming more rough and less peaceful with trash and debris from the depression and congenital disease that was poverty, the collective unconsciousness of the masses colliding with my empathetic nature and oversensitivity to sound, especially awful sounds, such as the hundreds of motorcycles and hot rodded junk cars which only seeemed to move in a track around a four block radius, and had become a cancerous trigger of sorts, no authority figure seemed to much care about. I cared less and less each day to listen to music, since I wasn't making it the way I wanted to—and I had realized that the constant displeasure and unrest, the lack of peace had as much to do with the world outside as it did with the world within—and I began to see the disgusting obnoxious noise pollution outside my window as just an extension of man's abuse, ability to rape, torture, and kill, terrorize— the uncaring waging of war, control, and lack of true power; as no good and true man who wielded actual strengeth or true power in any way would continue to show such distructive action and carelessness for others around him— chaos, corruption, abuse, and misogyny was proving to be the downfall of all humankind, as patronaged by man, and, as I became doubtful of anyone's lack of understanding of this, especially as the immigrants themselves were often naturally pedophillic culturally and toxically abusive in nature, most migrants flocking from countries in which women's liberation or the protection of youth had not yet materialized into their understanding of conciousness and morality—the men were weak, unkind, and selfish—the women mere machines at their disposal—and however many there were, I could see that their children, the many of them, remained as the redeeming factor. Anyway, a political ploy for the ages of there ever was such a thing, the newest chapter in American greed and slavery, it only seemed like an extension of evil itself, and less of a coincidence with each growing day—each new person, another burden to the middle class taxpayer, another reason to inflate the cost of living—and all the more reason to continue to terrorize the American people into its own division, hatred, demise, and consumption. e. My faith, however, was unwavering—God was real, but these abusive and toxic creatures were pushing it further away with violent arrogance, and the inability to understand that God itself was the nature they continued to destroy. Robin Bennett Fine. “My name's —ahem— “Ron Sennet, and I ain't In it.” —did the say “don't” write a book about me? It's Not about him… Or something cute he used to say like that, I couldn't remember, but he had a bunch of cute little idioms that matched his name, and to the day, I still missed him — it was 11:15 PM exactly as I hung up the phone, after an unsuccessful attempt to reach 911, after realizing that the threat outside was maddening enough to be impossible to only be in my head, and after weeks of the excruciating noise, I finally called NYPD dispatch, much to my disdain, and of course magically, the noise seemed to disappear, but these abusive and toxic creatures were pushing it further away with violent arrogance, and the inability to understand that God itself was the nature they continued to destroy. Robin Bennett Fine. “My name's Jon Sennet, and I ain't In it.” Or something cute he used to say like that, I couldn't remember, but he had a bunch of cute little idioms that matched his name, and to the day, I still missed him — it was 11:15 PM exactly as I hung up the phone, after an unsuccessful attempt to reach 911, after realizing that the threat outside was maddening enough to be impossible to only be in my head, and after weeks of the excruciating noise, I finally called NYPD dispatch, much to my disdain, and of course magically, the noise seemed to disappear as soon as I had made the call, which infuriated me. It seemed as though the game in entirety to make me look or feel crazy, though I knew I wasn't—well, I was, but not without purpose or reason. I had been theorizing in energy exchange quite decisively making a mark for my alter, at which I asked to be designated the wisdom and truth of the light within the eye, desire, however never in mind, although I had been summoned in part due to the fact that wenwere somehow alike—I was in some ways besides and out of sorts with my set, sinking my teeth into the forced obsession as I unraveled any possibilities and plotline. Episode 01. Pilot An opportunity presents itself seemingly at random— the protagonist's hand is forced into a life changing ultimatum, putting his reuputation and family in danger. Already involved in an illegal gambling ring which operates out of a secret historical prohibition era speakeasy and some “light” drug mulling within its walls, however often extending even as dangerously close to his workplace, Patrick is propositioned to become an investor in the high end escort service, with which he hired and contracted his lover, Kandi, a “rescue” whom he supports in her exchange for exclusivity, to remain as her only client, however, although he begrudgingly declines, wishing not to be involved in anything much more than what he has already kept under the radar, he is intimidated and threatened by blackmail, his high profile becoming at stake—he then obliges to embark upon this new endeavor, the expansion of this establishment to include a warehouse, which houses a large scale brothel, and, able to use his social status to procure wealthy clientele, quickly becomes a power player within a ring of coveted elites, setting fire to his already inflated ego, and colliding with his intense and highly functional polyaddiction, which he has maintained since his youth, using his entertainment persona as an outlet, becoming a medium of excess, fame, and rampant wealth. Patrick is beloved by his peers, and is humbled often by his devoted fans and friends—proactively worshipped as a comic genius, a prodigy, and a revered successor to legendary frontmen— Okay, this is weird, because I started writing this before I even understood what I was writing at all… —specifically, the sixth successor, to his coveted role. I had written for Esha to be the seventh successor, as with the symbolism deeply and quite literally woven into the sometimes brutal framework of the series, which I had shorthanded to ‘TVP'…the world around me trailed off as my eyes blurred as they had been lately, and I wondered if I might be having some kind of stroke or something, as I was certainly some sort of out of body—the day had been strange, and I had given up on a run or a gym for the day, the motorcycles alone ravaging my energy, and whether I worked out or not, they were everpresent anyway. They were some sort of toxic, abusive force I just had to put up with, hoping it didn't upset my psychology so much that it ended me, though I had become quite odd as of recently, rambling more than usual and actually praying out loud, as my silent ones just didn't seem to be working—they were probably white supremacists, or in some way connected to some political terror group, but it didn't seem to matter. Someone liked torturing me, and it was becoming apparent that no matter much time I spent at the gym, this torture was going to persist. After a month long gym streak, at least going once a day to lift something, I rested, or rather, tried to rest, kind of— but my mind had been swirling with thoughts of a man I was certain by now I had made up—and writing the story of a man I was absolutely certain came from my mind, but in a way that it almost made no sense at all—as the more I looked into the world that I had already written about, the more I realized was accurate without first having known these things, and however cursed I might have been to even know such things, I decided to call it some sort of blessing instead. ‘God, I used to get so fucking high for days, and when I would come down, just crying and crying, eating Totinos or DiJorno and a bag of Bugles, I would watch Saturday Night Live for fucking hours, and I hated [Redacted]. I hated him.' Now I still hated [Redacted], but in a different way, and though really it was myself that was more like Patrick, he at the very least, for whatever reason, used to have his face—now, he was just Patrick, and [Redacted] was just [Redacted], and i knew entirely too much about it all, and about myself to be comfortable with it, but nothing was comfortable at all. I had written entire atrocities, novels, and all that was some conglomerate of nonsense which was the festival project, besides how insanely and innately prodigal it all was sometimes, my own words confusing me with a bizzare and asenine dysfunction, awe, actually, often as if someone else had written them, and although I was always at least sort of semi-concious while writing, the spells and cadences I would fall under were some sort of trance, and as I watched the Nirvana rehearsal from Saturday Night Live in 1992, long before [Redacted] or any of the rest of the — Was it Keystone? It was, the Keystone cast of SNL, but the first word my mind had jumped to was Hallmark, which—after referencing Google quickly for a fact check, also stood true. I was willing to admit, even now, though I had long lost interest in Saturday Nighy Live, or anything at all having to do with current events, that the [Redacted] era—or rather even, the Tina Fey era, a true role model, perhaps, and someone I favored over all of the performers I admired, or allowed myself to admire— the Golden Years of Saturday Night were the only years, for me that even mattered— trying to make sense of anything couldn't be done, but I at least had this new project birthed from it to think about. It would be hard to sit down at a taping of The View and not think about all I had written at all, and it would be impossible not to unfold the characters which had presented themselves, though slowly but surely, through the most vivid visions and insanely lucid dreams, as The TV People began to What if someone steals this out of my documents? That would be unwise…the best scenes are somewhere scribbled in my notebooks and random scraps of paper somewhere in my room…this series is almost nothing without those scenes—the elements with which the most painful scenes I had ever written, became word form. ‘I don't know why, but I feel so i

HALLE BERRY is that how you spell it It is for now. Fuck going online “That ain't part of my day” Shut up Drake, not now. You'll thank me later “If You're Reading This, It's Too Late” [HALLE BERRY is taking A VERY PAINFUL SHIT, clutching her *favorite OSCAR award-- Which one's her favorite? CUT TO: BEFORE HALLE BERRY looks over her OSCARS in the display cabinet, carefully scanning them, with a New York Times paper tucked under her left arm, sipping from the coffee cup in her right hand.] —I like this guy. The other OSCARS groan; they are often overlooked during this process. Come on! This guy! AGAIN!? UGH. CUT BACK TO: [HALLE BERRY clenches painfully, sweating audaciously—at the worst possible moment, her cellphone rings. ] WHAT THE—COME ON I THOUGHT I WAS IN AIRPLANE MODE. (I just found out The Illuminati can still make calls go through in airplane mode Or without cell service at all) wtf my phone is ringing. That's weird. You don't even— —I don't even have a phone. Right. (Seriously, my phone is disconnected. I didn't even pay my bill.) The fuck. [it's JIMMY FALLON] Damn. This dude has the worst possible timing ever. Like fucking ever. Always shows up at the worst —THE WORST MOMENT. [HALLE BERRY rejects the call. It rings again] WHAT THE— [She ignores the second call. A moment of subtly relaxed silence, until— [JIMMY FALLON appears in the ceiling window of the bathroom. HALLE BERRY SCREAMS, still fluting her OSCAR.] (Calmly, kind of) Hey, WHAT THE FUCK, JIMMY. WHAT ARE YOU DOING HERE? I called first! I KNOW THAT— Went to voicemail. YOU SHOULDNT BE HERE. Just—calm down. NO. Look. GET OUT OF MY HOUSE! I'm not in your house, I'm outside your house. Technically. —yeah, but your FACE is in my house— —I hear that's the best part. —What?! Listen— Get out— No, look, listen— I need to borrow your Oscar. What?! For what?! That's not important. Oh really?! Yeah. It seems important. It's not that important Just—- What! Give it to me! [He snatches the OSCAR and tosses her his GRAMMY.] Just—trade me. What! What for?! Just—trust me— I do not— Just trust me—! WHAT! Congratulations. As you were. Kind of. WHAT—JIMMY— [She realizes the ridiculousness of her calling after him. She sits awkwardly with the Grammy in her lap, sighing] —he was my favorite… [SUDDENLY, though the other window Why does this bitch have so many windows in her bathroom that are this penetrate? For the sake of the joke, but probably not something any celebrity should have, are windows where anyone can enter your house from the outside. Fans are weird. CUT TO: AAAAHHHHHHHHHHHHH. I LOVE YOU. CUT TO: What's this place. It's my house, Where are the windows? They don't exist. CUT BACK TO [DANE COOK appears through the opposite window.] YO. WHAT THE FUCK! Chill, Halle Berry. WHO THE FUCK ARE YOU?! I'm the guy who wrote this. You should have called first! Who do I look like, Jimmy Fallon?! NO. I LIKE HIS face. Huh. Is that what it is… I GUESS I DONT KNOW. —who are YOU—?! GET OUT OF MY HOUSE— I am not in, technically— I DONT CARE! Ooh— Is that a Grammy award?! I didn't know you had a Grammy! Gimmie! [he snatches the Grammy] HEY! Is—what is this, for COMEDY?! FOR COMEDY?! WHY WASNT I MADE AWARE THAT THIS IS A THING?! I DONT KNOW, WHO THE FUCK ARE YOU? WHAT THE FUCK. It's not important. What. Anyway, thanks. Toodeloo. The Rock must have been buzzing in some sort of special way on this day; because for some reason, I couldn't stop thinking about it. I had finally rearranged the remainder of my seemingly new surroundings— the miniature keurig, a status symbol, of course, looked handsom on the work desk— the cat tree seemed to match, though with no actual feesible monetary income, and no end in sight— the tree itself would have to be enough to lift my spirits. It was a nice cat tree, almost untouched and looking very brand new— though the couch had a few scratches, though easily hidden with the decorative use of a couple throws—at least I had a couch, and all that was left to accomplish before fully enjoying was to arrange an order of Freebreeze to rid it of its previous owner's dandruff smell, and general mismanagement—besides that, it was itself almost brand new as well, and it seemed a strange new world to wake up in, after sleeping in a nearly empty apartment for 6 months; there was 6 months left in my lease, and I was getting nervous that they would try to push me out—hopefully I would find someplace better, or at the very least higher up—with the same amenetire intact. Still, I was working as diligently as in could on organizing—at least the recordings, to put together the next group of projects as quickly as I could— nevermind the writing—and there was so, so much of it, I hadn't a clue what to do. I had been avoiding Rockefeller Plaza like the plague for quite sometime—it always made me nervous in a sort of way I didn't understand, in that I would pulsate and vibrate differently, and more often times than not was upset and concerned that I had yet to go to the top—a costly feat—nor could I afford to entertain or enjoy any of the amusements at the bottom—not that i wanted to, as the older I got, and especially the longer time spent in New York, the more of putting the public and large crowds were—particularly after a remarkably disgusting respiratory infection I caught on new years, battling a crowd which became impossible to move through at all—let alone see the ball drop—and I had learned my lesson, especially after The Macy's Day parade; the crowds in New York were disgustingly unbearable, and in order to get a good view of anything, you would have to arrive nearly a full day early, and simply camp—now I knew why people packed around collapsible lawn chairs on holiday weekends. I had been blindsided by Fallon towards the end of the Macy's day parade—I hadn't any clue at all that he apparentlyboarticipated annually, as it had been years since I had watched the parade myself with my parents—and still, it was iconic—I always wanted to go. Still, and even though I had only written very little of him up to that point, I found it disasterous that as his name was announced and the float which carried him and The Roots, the best late night band on Television, not by opinion, but by fact—as I had most recently been studying and researching as thoroughly as I could all of the late night hosts since the dawning of Television in preparation to write this pilot, The TV People, short handed to TVP—and just then I recalled a dream from the night before, about Pat Kirkpatrick—for the first time in the dream world, it wasn't Fallon at all, but Pat Kirkpatrick. I couldn't remember the dream, nor could I seemingly work myself out of the rut that had been the plateau in writing the show—the show itself was heavy, with so many characters, all of which each had been given detailed and specific personalities, livelihoods, and backgrounds—in fact, I hadn't written anything in such a way since college, with detail—actually, I had never written anything so detailed at all, so character oriented that the character analyses filled entire pages of documents with excruciating vividness, as if these people were real. Well, now they were—and Fallon was neither Patrick as I was Esha, and the story has taken its own form, still however birthing an incredibly awkward and romanticized fascination and near obsession with Fallon—not that I would feed it to be so. I blocked out the news outlets, the media, the alrogithm's suggestions to watch bits and pieces of Fallon, though, however, I refused, and somehow, I didn't need it. Fearfully so, he was somewhere lodged deep inside me—and I was even sort of embarrassed to have written some of the things I had of his essence, however prophetic it seemed to be, that for about a three week period between April and May, I seemed to have gone off into a trance of sorts, writing for hours and experiencing vivid visions of this show, The TV Prople, alongside writing The Festival Project ™ And all of its markers—there were so many worlds, so many ways throughout them—and now as I had realized, I had actually been writing about Fallon nearly as long as I had been writing about Sonny, but differently. I had never of course come face to face with Fallon as I had the latter—and still—found it somewhat nessecary to hide my face beneath a mask as his float passed my viwingbspace, an elevated view from the staircase of some church, which had happened to be perfect—and although I was certain it's not as if he was looking for me—I had just then been writing of this Cosmic Avenger, and hadn't any idea at the time of Fallon in reality having been an actual magician, and still— with cameras everywhere, and knowing even what I had written—I didn't want to be caught by any passing cameras with any sort of blush or worse—a smile on my face as the float passed— a smile which would flash my atrocious gap-tooth and crooked smile I was sure was permanent, by then having been in the homeless shelter nearly a year. As soon as his name was announced, I promptly pulled up my masked. I had already been caught on camera earlier in the parade gawking at some float—now was not the time to be caught gawking again. He, like Rob Lowe seemed impeccably professional and well-rehearsed, like a cartoon character— he was, after all, kind of a cartoon character, however now, even if it was partly due to my own writing, I took him more seriously. There was a darkness about him— a sometimes glassy-eyed, almost scary darkness that told me, even a world away not to fuck with this dude—some kind of animal or monster I was sure we both shared, however mine more the type and category of insatable and undernourished and his more peaking its head out in the form of a multi-millionaire network puppet, which housed an untamable powerhouse of musicianship, manhood, and wit— it's true, I was finally scared of him, knowing after all what the true tears of a clown could be, a dangerous man in a uniformed suit, the Everyman for the programmed masses, and the funny man with a jig to dance, a story to tell, and an indoor life— secret realm within I was sure no one knew. I fed the monster with respect to the home, happy wife, and children— I, after all, loved love, and only wanted it for myself, leaving alone the parts of a man I had found and was sure was broken enough to have left me puzzled and star studded rather than struck as I always was, tears welling up at the thought of it that something should be mended neither I or anything I was could not fix—I continued to write, however, knowing I was walking on glass barefoot and tiptoeing on eggshells around the mass media conglomerate of the network that stood between my feeble world and his, the higher ups— and bryknnd: it was, after all, a level system— and now with a beautifully decorated and fully apartment, besides my mistress on the floor instead of the space saving loft bed I had wanted—though it looked just right with the piano bench as a headboard, housing my crystals and new globe, plus a colorful collection of books I could crack open as I awoke to the morning light, no longer so early but increasingly later, as I shifted into the insomniatic habits of a true DJ and music producer, still writing and reading in the mornings, however— I had to wonder what level I was truly on. My apartment looked like a home. The decor was better than I could have imagined myself even, the tasteful furnishings and modern elegance shifting my reality— no longer an empty apartment, now a fashionable hub for art and creation. I assumed the car would come along in the winter, with any hopes that I would finish my albums by then—and also looming over me— my last life, and the people in in struggling to call up to me in this very ascended realm, which I was lucky to inhabit. ‘Thank you God for your many blessings' My wishes it seemed, had been granted— magic did indeed seem real, and though I had an Amazon return packaged and ready to go— there wasn't a time and place I could see myself as ready to even be near The Rock, some festering bulletwound in my heart, all that I had written, not just of Fallon, but of the rest of the people I had honored by word mark but had not yet the status or wealth to have ever known as human at all, but more products of the program; with intention, however, it was the path I had followed to be destined here somehow though small codes and doorways, signals and symbols which called to me and seemed only I could see—but were there in plain sight, and with the right eyes, had meant more than I ever dreamed anything could— open doors to a world I had indeed created myself, and in turn, the world in which I lived had also been created around me. I had to, in my mind, find the light inside all of whom I studied, to humanize myself—nurturing some fascination of fame and celebrity inside which still stood unanswered, the question of why and how one becomes so high up that without trying, that I might continue to find them in my mind's eye and in my world, on the outside, time after time. —tales of a superstar DJ. https://linktr.ee/codenameblu {Now You See Me} From Google: Charismatic magician Atlas (Jesse Eisenberg) leads a team of talented illusionists called the Four Horsemen. Atlas and his comrades mesmerize audiences with a pair of amazing magic shows that drain the bank accounts of the corrupt and funnel the money to audience members. A federal agent (Mark Ruffalo) and an Interpol detective (Mélanie Laurent) intend to rein in the Horsemen before their next caper, and they turn to Thaddeus (Morgan Freeman), a famous debunker, for help. No, not the google documents! GET IN THE HOLE. Hm. What. Blood Shower All along the watch tower Do you feel good? Do you? Do you feel bad about this. I do. I feel bad about this. I forgot to tell you– I should probably let you know that I just want to MAN, FUCK THIS DUDE. MA. WAHT. IT'S ON. WHAt. THE SHOW IS ON. THEWHAT. THE– *suddenly self aware* …I gotta get out of Boston. What, first this was about war, now it's about bird people? It's about a war WITH the bird people. I should sleep. Hahaha. No. This isn't funny anymore. At least it's over. MA– Oh, it's far from over. Yo, i'm going through some crazy shit right now. Spur of the moment I'd never thought of it; This is gonna take forever. I don't have the patience To even write this I just want french fries right now But been up for two days with no gym and I'm on a diet. GUAC TIME. No, no burritos. GUAC TIME. Oh shit, this is getting real as fuck . NOw i see it three ways. I love it. I hate it. HEY, LET ME OUT. GET BACK IN YOUR HOLE, SKRILLEX. I'M DILLON FRANCIS. IN THE HOLE. Check it out. Huh. It's another DJ. *agrees* Should we pick him up. WEll, the good news is: I found your friend. Oh, that's good. The bad news is: He's dead. Oh, that–'s … nice. Yeah. It is. Uh. Kaskade. Yeah. We gotta find Ryan. Why. What's up? You're freaking me out. Why. What's up. Nothing IS it my eyes? I– *wild ass eyes* Yeah, it's probably that. Fuck dude, what did you do to deadmau5. NOTHIN. He's not the same. What the fuck is that. Holy shit I jus timejumped Where the fuck are you going. How the fuck could this happen?! It COULDN'T. Well, that's it then. *shrugs* Well, I guess we're just gonna have to go dig up Dillon Francis. I guess so. Do you think he's still alive. Like, probably not– Maybe… No, probably not @prodbywar& @Halmadeit This amazon order took me nine hours Alexa, I think i should fire her Like a arm I don't leave at night without armor Don't make me a martyr Your mom will be proud of us all If i make it outta here And i'll look after her Got the whole block coming up on my heels as I walk Wtf is it… Idk dude. Is it speeding up? I…i think so. There's no way this is 140 IT's 140. It's 140 . There's no way. Yes way. Nah huh. Let me see. No. Let me at the decks. Let me at the decks. NO. YO LET ME AT THE DECKS. You want deks. Yes. I got deks. Really. yeus . I never listened to it like this In ableton I read serato, synesthesia and rekordbox I talk a lot, I'm like a human music box I walk a lot I run my mouth a mile a minute (faster than i run around the track reciting rap words) Like they're passwords. Oh, I could do this forever.. I wish i had i microphone right now And was all alone With the lights off Lying on the floor I'd be lying if i said I could afford you Just to fornicate But may consider playing with a foreigner If you're all for her I'm unnerved, you know Cause i've been up so long My monster likes to play with boys and Make the bass go down below where Nobody does anymore Once I get a hold of things Or the hang of it You've got another hot ones on your hands I've another record under my belt Or in my roster, Whatever you'd call it But now I've got no time to bark about Wanting a dog and a daughter But none of the responsibility or Going through all the trouble to find her a father I'm still holding a fart in. Reaally–cause–it's been a really long time. WHAT WOULD YOU KNOW ABOUT A LONG TIME, JIMMY FALLON?? Um a lot! You literally just saw me make the journey all the way up from nothing. I am nothing EXACTLY. I don't have time to fight with you Jiimmy Fallon. I did NOT write these games by myself you know?! Um, excuse me– “GAMES” ?! YES, GAMES. Uh, I've only got one game with you in it, my friend. Is that so! One game that I've written with the Great–formerly LATE Jimmy Fallon. Is that like a play on words cause i'm on late night TV YOu'RE ON ALL THE TIME TV, JIMMY. NBC SHIT IS PRACTICALLY AUTOMATICALLY SYNDICATED. -_- …are you alright. –_-_-__-_ Hold on, I think i've got it Nice, I found a growler. yOu still haven't got all the monsters and sprites Ive got all the big ones, but the little ones are harder to catch. GrO0Wl3rrr. Aww. He's so ugly. Yeah, but cute, though, right. I don't think so. Gro)WwlErrrrrrrrr. Aww. That's so fucking gross. lol . so what does this thing look like. Well, that't the thing about the monsters and sprites. WHAT THE FUCK IS THAT. It's alright, it's alright–he's nice. WHAT. THAT'S A SPRITE. No, it's a monster. He's just scary. SUPACREE. David Bowie. What up. God, it took me ages to find you. Tell me about it. I'm still trying. We've been expecting you for a long time. You were expecting I'd die? Yes. So when she says she's “married to the music…” I'm married to the music. Oh, so. Yo, honestly if you een want to talk to this bitch, you'd better have like a musical instrument, or a mic in your hands, Otherwise– No, getawayfrom me. It's not even worth it. HI. –No. What's up? Tempo. SUNNI Cotour From the store I was poor Now i'm honorable In velour, Glamour (Snap) Forsure, Jesus Christs is making appearances in my abletons I'm not able to comprehend or understand exactly the message, But the evidence sire is mounting Get it Reached the temple, More of a sanctuary, Is that sacrilegious I guess it is, I'm stressed as ever Trying to get it together {Enter The Multiverse} Now I know too well, The well of tears on my guitar She's got a body like one Oh her curves But I just wonder what it like to be loved By stars Socialites and superstars They're Gods, you know How high up they are Above us And he lives in an ascended dimension, But he insists, he says Her transcendence is upon us He said Your transcendence is upon us He says these things, And then just vanishes So she gets up promptly Warms up yesterday's coffee Looks around in her coffin And wonders What for I just Wonder what it's like to be loved by stars Without double r's, you know I've got scars But it's mostly just Teardrops, and soft kisses On my guitar Cause, oh, Oli, I ain't got nobody— And nobody holds me Like I hold Oli (Could have been Ali, But of course— I had already lost that one A whole well of tears, I lost At his departure And a whole well more When I actually lost him I almost miss Having someone to talk to About anything and everything But I've got Oli And God now I've got Oli And Oli (oli) Is all that I've got Besides God That's the only contact In my Phone book No more double Ls And double entendres; No more double rs At all Just scars now No more metaphors. Honest is radical I like them cynical I should have clinical insanity by now But I'm only just an artist You can't help But can only harm that And if it hurts hard enough I'll put art on my walls Become permanent Storybooks all over my arms now My coat of arms now I've run Ten point 5 miles In the last 3 days; But if I rest today Will a motorcycle gang Have a parade outside of my window, To drive me crazy? I hope it rains, So they can't play these games with my head And the seeds that I planted So deep become daisies I still don't remember The way he rearranged me But these days I make my name sound So the way He can never say it Just imitates The way I hate myself I should be dating But expressions are Atrocious If I fall asleep— Who knows I may get Stolen That tends to happen So I'm All the way up And I'm swollen in ways That I hate to say “I love you” Love me back Or say it harder That's my martyrdom Come off the cross, for a moment, Would you for us? And bend over Or bow, if you will? If I did, Would you still call me wicked Or just a Good witch Since I'm a woman, I just couldn't be Jesus, Who you asked for once And always Who you asked for some To save you from your Credit reports And consorts Or some sort of Nonsense [famous last words] God don't speak much English, She says God don't speak much these days We were Always Telepathic That was way back then When Oedipus Rex Was on the Guest list I was standing at the coat check, asking Why I must take off my hat When entering the service To the bouncer, he says “That's just politics” I said, That's just politics We both said, What's the difference Then we all laughed —then we all just laughed and laughed Exchange is my favorite exchange Where my favorite exchanges Have happened for centuries Of engagements Endeared species, And races pieces haven't tasted the same Since I haven't had them Animal products And animal planet I found this hat on Discovery channel Did you want it? I can't stand it So I had to have it back I just had to use the bathroom I just had to disconnect From [] See— I don't even have to put the words in Cause a name is just words When that's a man You just can't have And that's the worse When that's a man And you can't have him What a habit. Silky rabbit. Now he's the Ace. All In A Day's Work I've never died before. Oh… that is terrifying. It sounds terrible. It's really not that bad. Why are you not writing this down? I just need a moment… It's really not that bad… I die all the time. I get sensory overload At Trader Joe's Look at the colors The clothes, This sure isn't queensborough Escalators for shopping carts I get it Manhattan I'll take my half BLVCK ass to the projects Where my kind are I don't belong here , God you're intolerant I like this part of town But I'm way too brown And I dropped my crown at the market I should be jealous of everyone But I have learned my place I've been a slave since Hollywood I lost my son to the devil Now I pay child support And terrorist follow me coughing I'm wrong just for being born ! You could start a war from it If that's what you wanted I'm a people watcher people watcher About to board the people mover People mover Slip, Here's the tell Slip, here's the tell I should have a bell around my neck I think she wanted a picture with papa I'm playin my own paparazzi Look mom, I bought a sacafagus There go them niggas with coughs again I been watching em Got binoculars I got oculus, for my oculars Look how hot he is, make me ovulate Man I gotta love it, Cause they love to hate Fucking racist crazies Have it your way I paid for it with my soul You hate but I love to love Somebody just got me fuckes up I don't have a book to run off of Shut up, honey. Now we're all up here Monkey in the middle Cause the middle one is weaker It's getting deeper and deeper Like the sinkhole that my sink is Let it sink in I've been syncing my secrets with demons In dreams sequences It's just a reparative injustice Kamasutra for your wondering words and stuff You can have it It's ruined anyway m Look at all this trash Look at all these classless classes Classwars, Racists. Everybody hates us The Asians, Latinx's The other niggas What being black is I'll write it in cursive It's just a curse, here So you can have it I'm moving to Heaven I'm packing my boxes I'm getting a cat, too! His name is Agustus He's a big one And I love him I just wanted a hug or a husband Instead I got nothing to trying my hardest And got for a bargain at target some coffee For being a targeted body All on an algorithm I guess I'm just useless. A dumb nigger demon Did I just offend you? Then you shouldn't be reading this either I wrote it for pleasure (Or pain) On the one Or the two Or the one Or the two I could do a lot with this $20. I could spend it all on Fuck all of you I'm moving to Heaven Where the heart it She's not harmless She's a terrorist— And I'll kill her, too Look how right she is Look how white she is, Huh Regardless of color It's a race war Lil biiiiitzzz Yooo, fuck New York. In every hole. In every crevice. Fuck this place. It's racist— Not just cause I'm black. Like statistically. It took a whole ass apartment elsesrch to feature this out. I was like “I wanna live in Manhattan” Everyone was like “NOOOOOOOO—-“ Haha “Nooo, no.” I was like “Why not?” The blacks were like: HAHA The whites were like— *COUGHS OBNOXIOUSLY* New York is so racist. It is statistically the most diverse—and most segregated city in the nation At the same time. WHAT. How do you even DO that? But it's true, at this point, the black people are like—fuck this, we'll just stay over here, and over here. And the rich whites are like YES. KEEP THAT SHIT, OVER THERE. Cause if you've ever been to the ghetto. It's some SHIT, It is NOT COOL. I finally got my ‘night card' back. Had it revoked in california . I was almost a whole valley girl. I still eat exclusively at Whole Foods. Trader Joe's. But NO. Now i live in the hood. It's fucking disgusting. I can say ‘nigga' again. Cause it's NIGGAS. Lots of niggas. I'm telling you. It's night and day! The white folks trains smell like bleach— Ammonia. The black folks train smell like a McDonald's. WHAT. Or just— Vomit. I can actually count the number of times just— Vomit—- On the train. Or. Dookie. Yes. Human feces. But I'm ready to go to midtown and it's like the train that goes around Disneyland. Families! People singing! Hey—cotton candy!! —and I didn't have to pick it! Haha! Fuck New York. Racist ass HOLE. I thought surely the next presidential election was one or two years out, but the racial tensions which had been rising became even more pronounced, as I realized that November was theboncoming time—and that they hostility between the whites and the blacks had once again been a result as the oncoming war, fueled onward—that the hatred, disgust, and general aggression of the whites had been of course, in the midsts of yet another Trump-fueled political upheaval, and I wondered why and how at all I had been caught in such a world that existed in form of man, of course, now proven himself to be the weaker sex, and yet in that of dominance, as was arranged in such an unholy war, to be the helm of power by sheer greed— now it seemed that these attacks were indeed political terrorism, and that these motorcyclists, my placement close to the ground level, and my neighbor's clammorings were specific attacks, after my identity had been varied to be that of the same in which I had once held political ambition, now none of which I assumed mattered at all. Perhaps I needed something more certain than a 12 story jump or suicide by train, and wondered as to whether it would be easy enough to kill myself bh self inflicted gunshot—a sure thing for certain, as love has been lost in the way of money at all. At that party…or rather, kind of—after. That acid that never hit Beyoncé I don't feel it. Man, I'm a terrible influence(r) Just take it. Nah, I'm good— PUSSY. -_- Give me three. K. —suddenly hits BEYONCÉ. BEYONCÉ …I got this. [BEYONCE] however, does not Ohh, shit. — “got this.” A very stranded, very sober Johnny depp stumbles upon what appears to be a college frat party, where the only thing they have is light beer, and nobody even recognizes him as a celebrity, because the attendees are all gen z What's even after gen z? The fucking apocalypse. Anyway. The acid hits Beyoncé on her way to make coffee, which extends the trip from the living room to the kitchen infinitely. Multidimensional Anne Hathaway hulks the fuck out and saves the day by ruining everything, which actually fixes everything— and *spoiler* helps Jesus to remain as the king of kings at beer pong. Lol In the late 90s in New York City, the keystone cast of Saturday night live learns of each other's formerly sexret psychic abilities, and uses the radio technologies of Rockefeller plaza to develop a research center for the telepathically gifted, eventually discovering and perfecting time travel. Supacree (the kid version) appears in and out of her ideal and desired realities, baffling ‘the Hollywood people' and later ‘the New York people', becoming the legendary central figure of the Illuminati, as the original timepiece — a pyramid shaped extra terrestrial vehicle which contains an ascended hyper conciousness, which I can't remember how it goes, did the supacree leave to find the Skrillex, or was it the other way around? I think it was both ways at some point, but the whole thing was this, just in case I never wrote it but just saw— These space god (humanoid evolved) are some kind of scientists/ doctors— there are four timepieces, each representing an era upon our planet; earth, which is distant but sacred— these four time pieces each depart their given “docs” in time to appear on earth at specific Fuck this is hard to explain Times in history, at which the first worlds, or previous human eras were known to have been destroyed— these time pieces travel through time space with the full record of these events in order to alert the current human era of its imminent doom, as an attempt to prevent such disasterous events, typically war, which will lead to the annihilation of the human species; these Gods, one male and one female, a king and queen, a married couple are the rules of the humankind, technically worshiped as a whole as one God, with whom the human design was modeled after, however, the true source of all things is the cosmos, known and unknown, in its totality—neither man or woman, but the force of creation. Anyway, what else is happening Oh. All of the celebrities are stuck in— [the festival project] in some way, shape, or form until its creator finishes it—and though it in itself is infinite, its 'finishing' notates its eventual production, which lol. That never going to happen. Because. Let's face it. I'm scared of …rich people. Yeah, sure. Yeah. I'm scared of The effect of the race war, which has been to pit the white woman against the black woman, which allows and maintains the continuation of war mongering male dominance over the entire planet, which remains as a destructive force of greed, racism, and inequality. So why try? [EDITS] CONAN O'BRIEN Alright. If she hit Fallon, she's gonna come for one of us next. No, Conan—that's not how this works. WHAT—where did you come from!? When did you get here? JAY LENO This goes deeper than all of you can understand. WHAT the FUCK, man! When did you-/ —when did he get here? How did you do that?! How did you do that?! What are you, like, the same guy? Are you not all the same guy? [they shrug simultaneously and kind of just agree] Listen at this. Okay then. The enemy of your friend is my enemy. Oh…kay—and the enemy of my enemy—is my friend— That is correct. —so we're all friends here. That's right. Some special forces? Which forces? How special? [JENNIFER LOPEZ is still JENNY FROM THE BLOCK] Do I look like a fool to you? Uh— OOPS [a pre-fame Jennifer Lopez receives a drop full of diamonds instead of the usual; she has been granted access into the Illuminati, and becomes an overnight success.] This feels heavier than usual. Same as always. Hm. Are you sure. Yep. Hey, you're not the regular guy. Regular guy died. That makes sense. JENNIFER ANNISTON is inside of Ū Okay, grosss Not like that [lifting max weight] Okay. That was cool. Wow. Yeah, sure whatever. I am strong Yeah yeah, okay. Are you sure you want to be my size? Yep. JIMMY FALLON/SKRILLEX (we don't know actually which at this point) is also trapped inside of Ū Okay, gross! Yeah. SKRILLEX is in all of Ū. okay—actually, i'm okay with that, but That other guy?! [JIMMY FALLON] Yeah, he's weird. Also meanwhile, kind of— MARSHALL MATHERS has a closet cleaning service lol. Patrick is smooth as a motherfucker, you know. Every time his head is down on the desk like that, he takes a bump of coke. What?! Big uh! [Patrick takes bumps of cocaine in front of a live studio audience—every single night.] Woah! See. Goddamn. You gotta admire a guy like that. Jennifer Anniston is the weight on the cable tension machine Ooh. Psycho bitch devious methods new ludachris commercial All ya'll girls is toddlers I like long boards and longhairs Lawn mowers and lawn shares Aw hell nah, God forgot Cher I got the Blair witch project On Blair, I hope I scare you How dare you. Your girl looks like a naked mole rat. I got my soul back. You blue eyed bastards stole everything From the whole blacks, Hold that thought I'm at Whole Foods market throw in the Amazon algorithm off With marked dollars Look at God at Walmart On them rollbacks You old hacks are cackling I'm shackled to old habits Hold hands with me, rabbit I'm just a silly rapper really, are you? Maybe. Cut the verse of Reverse God Now I'm the devil I'm still lost in the Amazon cart I sharted all up in your pop tarts Before you warmed them up, pops Just for the sake of the art, Heart to heart, It's a war on love And the white girls won with nothin but Buckets of Whatever's up there I wouldn't know Cause I'm stuck job searching And running, Trying not to have a tummy So some gummy worm will love me First their sour, then they're sweet Then nobody, Trolli Holy moly I could use some more petroleum in the ocean! Said nobody But the globalists are performing your programming Which you're worshiping I put my eye on the dollar So I could watch you all Crumble and fall Don't you know The apocalypse is happening at the mall Of all the places How's that for a stream of consciousness, You salamander I asked Anandar back But I went past that chapter Have a chap Or a chapstick, for four times four dollars A bottle of water will cost you a fortune (But at least the drugs are in it) Get it It's recycled piss Distilled? Which is it, Mr,? The mystery box was literally lifted into My dinner from a fishery filled with nothing but niggers in it— I want a refund, before I catch that Fucking curse of poverty from — what'd you call it salmonellahallibut One hell of a cough from someone on the sidewalk But guess what? The devil's in your pocket or your palm, And that's the omen and the psalm rolled into one Cause God is awesome, But my mom is fuckin toxic And that's how I fuckin got here Blow my head off, Slit my wrists And write a song While jumping off a bit When all you need is money, But the world costs more than It's worth, and words are nothing But another fucking problem in your Google documents I look at my son and see a God, But half of Satan's in him, Oh man Robotics Lets be honest, I don't even know how to write this. Where's my sides?! WHERE'S MY SIDES. You don't get SIDES with this; It's just CHICKEN. I don't eat CHICKEN. It appears as though, however– You do. Ok, I gotta get off this playlist. I… i gotta . “The Wal*Mart Wars” Hm. … …………. …. *face* … no. No. l– What is this place. {After a wild night which apparently spiraled out of control, great , there goes my peace. Not forever, though, maybe. FUCK THIS PLACE. I HATE THIS PLACE. Everybody hates this place. But the album is called “I love New York” Yes, thats Technically How it's pronounced, though It's stylized like I _ NY Cause. EXT. MIDTOWN MANHATTAN. DAY Oh, wow, this is beautiful. THis is great. I love this place FUCK THE FEDS. CUT TO: EXT.Typically WHEREVER ELSE Anywhere ‘above' like 87th? Lets just call it 80th, be safe. BE SAFE! NIGGAZ. ah shit, i gotta go. BITCH– But lets just be honest, It's technically ‘above' But it's really [THE BRONX is a literal extension of the Underworld] Oh no. srsly tho. X_c Anyway. FUck man, Do you think i'll ever get good like that. Idk what equipment is this Hmm, lets see, that's approximately $8,000 USD of CDJs wow yep That's retarded Yep. And you still need a mixer. fukt. OKay, I would literally sell my soul for this. Consider it done. wait , really? YES. you earned it. Wait, I– What?! You earned it… Uh oh. Take care now. Shit. [BILLIE ELLISH is trapped inside WALMART] Uh oh. Fuck. what is this place. INT. WALMART. WHENEVER EMPLOYEESLAVES WHAT TIME IS IT. THERE'S NO WINDOWS IN HERE. That's not funny IT'S literally a synonym, we might as well make it a portemantau MEanwhile, in this other dimension, So that i don't offend anybody… Actually, you know what? Be offended. Quit that stupid fuckin shit and follow your dreams! Wait really? Wait, really? Sure! If you want! …i guess. AMERICA NO. INSTANT HOMELESSNESS ok , nvm. Damn. I know, right. wtf r u guys watching. Shut up. All Wal*Mart Employees are actually top secret government agents. x ∞ >.< (we'll just use Billie Ellish as the alternate, but really it could be Could it really? Shut UP, PLURNICORN. Wtf is a PLURNICORN We'll see. [Upon Realizing s/he is trapped in a mysterious place apparently extremely public Wait, you've never been to a Wal*Mart Before?! NO. I grew up in LA Rich as fuck And i've been famous since I was liike 12, Or something. Right. That is–kind of terrifying. LATER: WHY IS IT SNOWING INSIDE. WHERE'S THE EXIT. THEY HAVE GUNS?! oh wow, they have GUNS. WHY DO WE NEED GUNS! KA-BLAM. BECAUSE THEY HAVE GUNS. Bang-bang! Ptttttttttt—sttt. And they have guns. Actually, these are just– confetti cannons. *pop!* Lol “Possibly The Worst Show Ever the infinite rave continues on in Hell as everyone awaits the return of SŪPACREE- The Cosmic Avenger (Who Is NOT a DJ) and Sunnï Blū (who is a superstar rapper but also not a DJ) go back to back, buying time as the beacon to. Signal "The Supacree" is completed, battling the 10th dimensional DJ Ū, a super ninjas, for control of the decks. what else happened? idk. I CANT STOP DANCING. none of the DJs can find a pair of working headphones, and the sound guy is missing from the booth. "missing" YOU SHOT HIM. I THOUGHT IT WAS A TRANQ DART. {Enter The Multiverse} “TVP” Hazel is 6, turns 7 season 1 Season 7- 15 Man, I can't remember the other two kids names, I think the little boy is Ira but I might have named them all and forgotten, shit. Her sister, though is between 4 ½ and 5, they are technically “Irish twins”, and always fighting—they look very similar, however are not at all alike; Hazel is very much a daddy's girl, while her younger sister is a no-nonsense old soul with the tendency to cause trouble, not by being inquisitive or showy, as her sister often is, but rather by being quietly observant, and tends to dismiss both her parents, often isolating, or even dissappearing without notice, quietly and comfortably into her own world—as the series progresses, and though all of Patrick's children like their parents have showcased some kind of special ability or talent— Holy shit, give this kid a name-/ I thought I already named her, I just don't remember. That's true. It seems like they all had names. She is almost very typically, though showing signs of genius, even at the early age at the beginning of the series, a middle child, prone to upset almost too easily, but rather than acting out, is more likely to take her anger quietly; she shares her fathers deep brown eyes, dark hair, and though she looks otherwise very much like her sister, and later despises her father, is more inwardly and outwardly like him, though taking the side of her mother during their separation and divorce, oftentimes even lashing out at her father quite openly, and very vocally, as she grows into herself. “Ira”, (may have had another name earlier) is the youngest of three— as his third birthday approaches sometime during the first season. Great, now I gotta hide all those allegories so nobody can actually draw from this that Patrick— Where's his write up, anyway? That shit could go on for days. I have no idea why this catharsis is happening. I tried to sleep it off, I swear, but I still woke up like— At least mildly obsessive about this, for whatever reason. Hazel's 7 - Season Arc Hazel has the eyes, charm, and charisma for entertainment —she hopes to one day be as her father, an entertainer and performer, and will do almost anything for a laugh. She is often telling jokes, and is a people- pleaser. She is sickeningly cute, with golden hair and Hazel eyes, long eye lashes, and carries baby fat in her face, though she is rather average, neither heavy or plump, and however also not frail at all. She is inquisitive, smart, and busy, almost never idle-minded, and strong. Though sort of a Tom boy, she has been trained well to act with dignity, class, and feminine eloquence, much like her mother—but like her father, has a tendency to be crass, sometimes carelessly so, or even brutally honest—to her mother's disdain, but embraced wholesomely by other family members and adults, she's extremely funny and delightful, and very much unlike her mother, not a spoiled brat at all, often raising questions beyond her years about inequality, later wishing to attend a public school, and becoming quite the advocate for social justice and human rights in her later years, her final season shows a rebellious and sometimes even antagonistic Hazel, who later even favors Esha over her own mother as a parental figure, often confiding in her about things she can't and shouldn't share with her father, although her almost over the top admiration for her father has become the driving force and inspiration for her own endeavors in show business, much to her father's disdain, as she grows older, him becoming more protective of her, and especially within the oftentimes secretive nature of his actual placement and purpose in the business, and her rebellious nature and charm even force-feeding her into the industry, she is a bleeding heart for superstardom, and is often seen along what may be a path to fame, making Patrick's bleeding heart all the more aching, as though he and Catherine remain at odds throughout the series, he truly loves his children, even “the little sick one”, as he refers to the second child. Holy shit, what is this kid's name If I had the energy to go through my notes, I could know; but I don't. The city sickness has been sinking in from the noise of the obnoxious motorists and honestly, being out of protein is giving me muscle soreness, I'm in some sort of a bloated haze from eating almost nothing but carbs, and the fact that I haven't been with anyone in years is starting to circle like buzzards around my head, my heart has been literally screaming but overwhelming with this sense of calm, and though slipping into Patrick's sometimes erratic tendencies, for the most part I've been underwhelmed with society's expectations that I should get some kind of job, and somehow while working not lose focus on my own interests and projects—I hate [the strange modern behaviors of] most people, and everything costs too much money— my son might be going into foster care, or my ex husband is evil enough just to try to force my energy to worry about a problem he's created, and I really wanted to sleep into the afternoon with this lethargy, hoping that everything surrounding this series would just fall off, but it doesn't. I wake up often wishing I could just forget The Festival Project ™ , but the truth is, it just keeps writing itself, but in the very least, sometimes God gives me little presents that mean the very most to me— a chord organ that I thought was from the 80's, but is more likely from the 1960's— I love vintage stuff, and musical instruments, which only God could know, really—my fascination with history as if I'm still living it, and this, my sudden fascination and drive to write and complete just one series has been haunting me almost just as badly as anything else has, but especially ripping me apart—especially since I have motorcyclists ripping through my body as if it were some kind of disease that existed outside of me, so contagious that it began to sink in to my insanity and mental hygiene. I wondered if anybody else knew or cared about these creatures as much as I didn't—and in fact, I had never felt so much like Ali in the way that I didn't care if they, other “human beings” supposedly, all died tragically, and wondered why the walls and windows didn't keep out the sound of the outside world at all… The middle child begins writing secretly very early on, and is the first to be required more extensive therapy, (as suggested by the family's therapist) after her parent's separation and subsequent divorce. It is not long after she begins learning to read and write at all, that she begins also showing interests in art, asking for art lessons and to begin painting and art therapy, rather than the recommended Equine therapy— she often keeps things to herself, then returning to her hidden places at times when the family's dysfunction becomes uncomfortable and overstimulating, very often paining or reading during times of peace, and retreating to her safe places—sometimes under the stairs, into the attic, the treehouse, or even later, the family's barnyard, where she often keeps drawings, as she ages, later comics, sometimes caricatures of the things she absorbs through her own reality—and diaries, sometimes hidden in nooks and crannies and in places no one would think; a true prodigy and genius, though hidden from much the world, as she is often overlooked, however, her therapist begins unfolding her true reality, often times carrying over sessions and losing track of time, picking her brain or even conversations philosophically What's the therapists name? Doctor Robin She has to have a last name Well, she's a child's therapist, so she's Doctor Robin, but It seems like it starts with a T. We'll see. I just saw her anyway. I drifted off again, thinking about how wildly detailed this all was becoming, and wondered if there was a series of fictional books waiting to be written. There certainly could be, but my mind was reeling, freshly showered but still undressed, and not even wanting to think of going outside—and yet—I was out of water, and had learned that the drinking water from the fountains, especially in large quantities, had a tendency to make me sick—I hadn't yet eaten anything, and though the coffee was fresh, and my apartment was clean (which made me overtly overjoyed for some reason) smelling of Lemon Lysol and Bleach; with notes of a strong pot of organic fresh ground coffee, it seemed like I couldn't do much more than lay in bed writing this catastrophically interesting series—and it was interesting, which said volumes, considering I had always been picky about my TV watching, being that only ever did certain series catch my eyes or my ears, and those series were almost always—or always, always specifically well written, perfectly casted, and had the edge and draw of becoming an entire world within itself, which this series, though only a week or two old at best, in my heart and in my mind , was rampantly ravaging my own world, almost as if it had become of some importance to keep writing it, and never stop, and though Patrick was the forefigure, another broken male protagonist, the truth in the series was that the true heroes of this sometimes scarily violent drama, were its women—a story meant to be told with a diversified cast of creatures from all worlds and walks of life—Esha, of course, herself, a role that had been some recreation of myself, somehow, though so different that even primarily, I never did see myself as her, besides the onslaught of some otherworldly pain, visions of a scene recollected from some remarkable download, and it might have been once and for all that I had lost my mind, or my life, if I wasn't a writer—I was, somehow, though, after all, a writer. It had been a fasting day that could have and might have ended tragically anyway, and still the devil marked his mockery of my efforts by consistently flinging perfect bodied women everywhere that I went—though usually with ugly enough faces that I could see nothing but what a man was—uncaring for one thing over the other, a flawless representation of woman, represented in the current time with scantily clad fashion, almost painfully so—the insecurity of women becoming more apparent in the way she would appear, always almost begging to be near to me, with every perfection and complexion I hadn't—but at least I had a tendency to laugh at my own damage, often surmising that she, these demon creatures, hadn't any talent for this at all—which had turned the state of television into a near circus act; that alone urged me to continue writing the series, perhaps with a typewriter, due to the negligence of nepotism within the industry which often resulted in these pretty little creatures getting even further ahead by stealing works as such, and passing them on as their own originality almost so cruelly and without judgement—plagiarism, as it was called, but more accurately intent-to-kill the imminent threat of what had been said to be a minority becoming a more powerful force to flourish in entertainment however, as quickly as the visions had come, the thought of writing it without my phone became dauntingly impractical, and I scribbled only the most intense scenes and plot lines onto notebooks and scratch papers, keeping them as hidden from the algorithm as possible… lol the Al Gore Rhythm Ahahahahahahaha Was that the joke? Maybe. Idk. Maybe. Idk. Hm. Hmmmmm: What: Nothing. That actually might have been it. Really, was it? I will never know. That is kind of a good dad joke, though. And a good band name. Idk about that. My coffee was lukewarm enough so that I could taste its flavor, as I whittled away at whatever it was— The story was almost so beautifully being told in allegories and parables that it seemed a shame I may never be rich enough to buy fame, as it seemed that was the only way to become a star these days— and yet—it was more the wealth than the fame I wanted, I had realized, at all—the polished class of the Manhattanites drawing me out of Brooklyn and into some debauchery which was my own Grandiose thought form, that I could actually become, at the ripe old age of 31, some kind of superstar. ‘Why would I even want that, anyway?' I thought, interrupted painfully by who I'm sure was the same motorist, who seemed to do nothing but circle the block all day, and all night, doing nothing — and I wondered why he himself had decided not to do grub hub in a richer neighborhood, where money would more than likely come more easily. But really— I drifted off to a time where I wanted to ride a motorcycle myself, and the curiosity forced me to go online to check the price of what it might cost to have one. $5,000 for a decent bike, which would include a muffler as not to be so obnoxious and disturbing to others as these creatures had become to me— and I began doing the math on how long it would take to save $5,000 as if it would be possible to work some dead end job for any amount of time without spending money on anything else. It would take at least 5 months to earn enough for a motorcycle, which landed me directly back at “Not worth it”, and as horrible as it was, I did at the very least have a luxury apartment for at minimum the next 5 years, however, wanting still to move to Manhattan, Midtown specifically—or one of the quaint and quiet neighborhoods on the upper West Side. The neighborhood was going to hell, after some unworldly godless force had seemed to drop hundreds of thousands of rude and thoughtless third world workers onto the streets and buildings bordering the one I lived on, the neighborhood becoming more rough and less peaceful with trash and debris from the depression and congenital disease that was poverty, the collective unconsciousness of the masses colliding with my empathetic nature and oversensitivity to sound, especially awful sounds, such as the hundreds of motorcycles and hot rodded junk cars which only seeemed to move in a track around a four block radius, and had become a cancerous trigger of sorts, no authority figure seemed to much care about. I cared less and less each day to listen to music, since I wasn't making it the way I wanted to—and I had realized that the constant displeasure and unrest, the lack of peace had as much to do with the world outside as it did with the world within—and I began to see the disgusting obnoxious noise pollution outside my window as just an extension of man's abuse, ability to rape, torture, and kill, terrorize— the uncaring waging of war, control, and lack of true power; as no good and true man who wielded actual strengeth or true power in any way would continue to show such distructive action and carelessness for others around him— chaos, corruption, abuse, and misogyny was proving to be the downfall of all humankind, as patronaged by man, and, as I became doubtful of anyone's lack of understanding of this, especially as the immigrants themselves were often naturally pedophillic culturally and toxically abusive in nature, most migrants flocking from countries in which women's liberation or the protection of youth had not yet materialized into their understanding of conciousness and morality—the men were weak, unkind, and selfish—the women mere machines at their disposal—and however many there were, I could see that their children, the many of them, remained as the redeeming factor. Anyway, a political ploy for the ages of there ever was such a thing, the newest chapter in American greed and slavery, it only seemed like an extension of evil itself, and less of a coincidence with each growing day—each new person, another burden to the middle class taxpayer, another reason to inflate the cost of living—and all the more reason to continue to terrorize the American people into its own division, hatred, demise, and consumption. e. My faith, however, was unwavering—God was real, but these abusive and toxic creatures were pushing it further away with violent arrogance, and the inability to understand that God itself was the nature they continued to destroy. Robin Bennett Fine. “My name's —ahem— “Ron Sennet, and I ain't In it.” —did the say “don't” write a book about me? It's Not about him… Or something cute he used to say like that, I couldn't remember, but he had a bunch of cute little idioms that matched his name, and to the day, I still missed him — it was 11:15 PM exactly as I hung up the phone, after an unsuccessful attempt to reach 911, after realizing that the threat outside was maddening enough to be impossible to only be in my head, and after weeks of the excruciating noise, I finally called NYPD dispatch, much to my disdain, and of course magically, the noise seemed to disappear, but these abusive and toxic creatures were pushing it further away with violent arrogance, and the inability to understand that God itself was the nature they continued to destroy. Robin Bennett Fine. “My name's Jon Sennet, and I ain't In it.” Or something cute he used to say like that, I couldn't remember, but he had a bunch of cute little idioms that matched his name, and to the day, I still missed him — it was 11:15 PM exactly as I hung up the phone, after an unsuccessful attempt to reach 911, after realizing that the threat outside was maddening enough to be impossible to only be in my head, and after weeks of the excruciating noise, I finally called NYPD dispatch, much to my disdain, and of course magically, the noise seemed to disappear as soon as I had made the call, which infuriated me. It seemed as though the game in entirety to make me look or feel crazy, though I knew I wasn't—well, I was, but not without purpose or reason. I had been theorizing in energy exchange quite decisively making a mark for my alter, at which I asked to be designated the wisdom and truth of the light within the eye, desire, however never in mind, although I had been summoned in part due to the fact that wenwere somehow alike—I was in some ways besides and out of sorts with my set, sinking my teeth into the forced obsession as I unraveled any possibilities and plotline. Episode 01. Pilot An opportunity presents itself seemingly at random— the protagonist's hand is forced into a life changing ultimatum, putting his reuputation and family in danger. Already involved in an illegal gambling ring which operates out of a secret historical prohibition era speakeasy and some “light” drug mulling within its walls, however often extending even as dangerously close to his workplace, Patrick is propositioned to become an investor in the high end escort service, with which he hired and contracted his lover, Kandi, a “rescue” whom he supports in her exchange for exclusivity, to remain as her only client, however, although he begrudgingly declines, wishing not to be involved in anything much more than what he has already kept under the radar, he is intimidated and threatened by blackmail, his high profile becoming at stake—he then obliges to embark upon this new endeavor, the expansion of this establishment to include a warehouse, which houses a large scale brothel, and, able to use his social status to procure wealthy clientele, quickly becomes a power player within a ring of coveted elites, setting fire to his already inflated ego, and colliding with his intense and highly functional polyaddiction, which he has maintained since his youth, using his entertainment persona as an outlet, becoming a medium of excess, fame, and rampant wealth. Patrick is beloved by his peers, and is humbled often by his devoted fans and friends—proactively worshipped as a comic genius, a prodigy, and a revered successor to legendary frontmen— Okay, this is weird, because I started writing this before I even understood what I was writing at all… —specifically, the sixth successor, to his coveted role. I had written for Esha to be the seventh successor, as with the symbolism deeply and quite literally woven into the sometimes brutal framework of the series, which I had shorthanded to ‘TVP'…the world around me trailed off as my eyes blurred as they had been lately, and I wondered if I might be having some kind of stroke or something, as I was certainly some sort of out of body—the day had been strange, and I had given up on a run or a gym for the day, the motorcycles alone ravaging my energy, and whether I worked out or not, they were everpresent anyway. They were some sort of toxic, abusive force I just had to put up with, hoping it didn't upset my psychology so much that it ended me, though I had become quite odd as of recently, rambling more than usual and actually praying out loud, as my silent ones just didn't seem to be working—they were probably white supremacists, or in some way connected to some political terror group, but it didn't seem to matter. Someone liked torturing me, and it was becoming apparent that no matter much time I spent at the gym, this torture was going to persist. After a month long gym streak, at least going once a day to lift something, I rested, or rather, tried to rest, kind of— but my mind had been swirling with thoughts of a man I was certain by now I had made up—and writing the story of a man I was absolutely certain came from my mind, but in a way that it almost made no sense at all—as the more I looked into the world that I had already written about, the more I realized was accurate without first having known these things, and however cursed I might have been to even know such things, I decided to call it some sort of blessing instead. ‘God, I used to get so fucking high for days, and when I would come down, just crying and crying, eating Totinos or DiJorno and a bag of Bugles, I would watch Saturday Night Live for fucking hours, and I hated [Redacted]. I hated him.' Now I still hated [Redacted], but in a different way, and though really it was myself that was more like Patrick, he at the very least, for whatever reason, used to have his face—now, he was just Patrick, and [Redacted] was just [Redacted], and i knew entirely too much about it all, and about myself to be comfortable with it, but nothing was comfortable at all. I had written entire atrocities, novels, and all that was some conglomerate of nonsense which was the festival project, besides how insanely and innately prodigal it all was sometimes, my own words confusing me with a bizzare and asenine dysfunction, awe, actually, often as if someone else had written them, and although I was always at least sort of semi-concious while writing, the spells and cadences I would fall under were some sort of trance, and as I watched the Nirvana rehearsal from Saturday Night Live in 1992, long before [Redacted] or any of the rest of the — Was it Keystone? It was, the Keystone cast of SNL, but the first word my mind had jumped to was Hallmark, which—after referencing Google quickly for a fact check, also stood true. I was willing to admit, even now, though I had long lost interest in Saturday Nighy Live, or anything at all having to do with current events, that the [Redacted] era—or rather even, the Tina Fey era, a true role model, perhaps, and someone I favored over all of the performers I admired, or allowed myself to admire— the Golden Years of Saturday Night were the only years, for me that even mattered— trying to make sense of anything couldn't be done, but I at least had this new project birthed from it to think about. It would be hard to sit down at a taping of The View and not think about all I had written at all, and it would be impossible not to unfold the characters which had presented themselves, though slowly but surely, through the most vivid visions and insanely lucid dreams, as The TV People began to What if someone steals this out of my documents? That would be unwise…the best scenes are somewhere scribbled in my notebooks and random scraps of paper somewhere in my room…this series is almost nothing without those scenes—the elements with which the most painful scenes I had ever written, became word form. ‘I don't know why, but I feel so i

HALLE BERRY is that how you spell it It is for now. Fuck going online “That ain't part of my day” Shut up Drake, not now. You'll thank me later “If You're Reading This, It's Too Late” [HALLE BERRY is taking A VERY PAINFUL SHIT, clutching her *favorite OSCAR award-- Which one's her favorite? CUT TO: BEFORE HALLE BERRY looks over her OSCARS in the display cabinet, carefully scanning them, with a New York Times paper tucked under her left arm, sipping from the coffee cup in her right hand.] —I like this guy. The other OSCARS groan; they are often overlooked during this process. Come on! This guy! AGAIN!? UGH. CUT BACK TO: [HALLE BERRY clenches painfully, sweating audaciously—at the worst possible moment, her cellphone rings. ] WHAT THE—COME ON I THOUGHT I WAS IN AIRPLANE MODE. (I just found out The Illuminati can still make calls go through in airplane mode Or without cell service at all) wtf my phone is ringing. That's weird. You don't even— —I don't even have a phone. Right. (Seriously, my phone is disconnected. I didn't even pay my bill.) The fuck. [it's JIMMY FALLON] Damn. This dude has the worst possible timing ever. Like fucking ever. Always shows up at the worst —THE WORST MOMENT. [HALLE BERRY rejects the call. It rings again] WHAT THE— [She ignores the second call. A moment of subtly relaxed silence, until— [JIMMY FALLON appears in the ceiling window of the bathroom. HALLE BERRY SCREAMS, still fluting her OSCAR.] (Calmly, kind of) Hey, WHAT THE FUCK, JIMMY. WHAT ARE YOU DOING HERE? I called first! I KNOW THAT— Went to voicemail. YOU SHOULDNT BE HERE. Just—calm down. NO. Look. GET OUT OF MY HOUSE! I'm not in your house, I'm outside your house. Technically. —yeah, but your FACE is in my house— —I hear that's the best part. —What?! Listen— Get out— No, look, listen— I need to borrow your Oscar. What?! For what?! That's not important. Oh really?! Yeah. It seems important. It's not that important Just—- What! Give it to me! [He snatches the OSCAR and tosses her his GRAMMY.] Just—trade me. What! What for?! Just—trust me— I do not— Just trust me—! WHAT! Congratulations. As you were. Kind of. WHAT—JIMMY— [She realizes the ridiculousness of her calling after him. She sits awkwardly with the Grammy in her lap, sighing] —he was my favorite… [SUDDENLY, though the other window Why does this bitch have so many windows in her bathroom that are this penetrate? For the sake of the joke, but probably not something any celebrity should have, are windows where anyone can enter your house from the outside. Fans are weird. CUT TO: AAAAHHHHHHHHHHHHH. I LOVE YOU. CUT TO: What's this place. It's my house, Where are the windows? They don't exist. CUT BACK TO [DANE COOK appears through the opposite window.] YO. WHAT THE FUCK! Chill, Halle Berry. WHO THE FUCK ARE YOU?! I'm the guy who wrote this. You should have called first! Who do I look like, Jimmy Fallon?! NO. I LIKE HIS face. Huh. Is that what it is… I GUESS I DONT KNOW. —who are YOU—?! GET OUT OF MY HOUSE— I am not in, technically— I DONT CARE! Ooh— Is that a Grammy award?! I didn't know you had a Grammy! Gimmie! [he snatches the Grammy] HEY! Is—what is this, for COMEDY?! FOR COMEDY?! WHY WASNT I MADE AWARE THAT THIS IS A THING?! I DONT KNOW, WHO THE FUCK ARE YOU? WHAT THE FUCK. It's not important. What. Anyway, thanks. Toodeloo. The Rock must have been buzzing in some sort of special way on this day; because for some reason, I couldn't stop thinking about it. I had finally rearranged the remainder of my seemingly new surroundings— the miniature keurig, a status symbol, of course, looked handsom on the work desk— the cat tree seemed to match, though with no actual feesible monetary income, and no end in sight— the tree itself would have to be enough to lift my spirits. It was a nice cat tree, almost untouched and looking very brand new— though the couch had a few scratches, though easily hidden with the decorative use of a couple throws—at least I had a couch, and all that was left to accomplish before fully enjoying was to arrange an order of Freebreeze to rid it of its previous owner's dandruff smell, and general mismanagement—besides that, it was itself almost brand new as well, and it seemed a strange new world to wake up in, after sleeping in a nearly empty apartment for 6 months; there was 6 months left in my lease, and I was getting nervous that they would try to push me out—hopefully I would find someplace better, or at the very least higher up—with the same amenetire intact. Still, I was working as diligently as in could on organizing—at least the recordings, to put together the next group of projects as quickly as I could— nevermind the writing—and there was so, so much of it, I hadn't a clue what to do. I had been avoiding Rockefeller Plaza like the plague for quite sometime—it always made me nervous in a sort of way I didn't understand, in that I would pulsate and vibrate differently, and more often times than not was upset and concerned that I had yet to go to the top—a costly feat—nor could I afford to entertain or enjoy any of the amusements at the bottom—not that i wanted to, as the older I got, and especially the longer time spent in New York, the more of putting the public and large crowds were—particularly after a remarkably disgusting respiratory infection I caught on new years, battling a crowd which became impossible to move through at all—let alone see the ball drop—and I had learned my lesson, especially after The Macy's Day parade; the crowds in New York were disgustingly unbearable, and in order to get a good view of anything, you would have to arrive nearly a full day early, and simply camp—now I knew why people packed around collapsible lawn chairs on holiday weekends. I had been blindsided by Fallon towards the end of the Macy's day parade—I hadn't any clue at all that he apparentlyboarticipated annually, as it had been years since I had watched the parade myself with my parents—and still, it was iconic—I always wanted to go. Still, and even though I had only written very little of him up to that point, I found it disasterous that as his name was announced and the float which carried him and The Roots, the best late night band on Television, not by opinion, but by fact—as I had most recently been studying and researching as thoroughly as I could all of the late night hosts since the dawning of Television in preparation to write this pilot, The TV People, short handed to TVP—and just then I recalled a dream from the night before, about Pat Kirkpatrick—for the first time in the dream world, it wasn't Fallon at all, but Pat Kirkpatrick. I couldn't remember the dream, nor could I seemingly work myself out of the rut that had been the plateau in writing the show—the show itself was heavy, with so many characters, all of which each had been given detailed and specific personalities, livelihoods, and backgrounds—in fact, I hadn't written anything in such a way since college, with detail—actually, I had never written anything so detailed at all, so character oriented that the character analyses filled entire pages of documents with excruciating vividness, as if these people were real. Well, now they were—and Fallon was neither Patrick as I was Esha, and the story has taken its own form, still however birthing an incredibly awkward and romanticized fascination and near obsession with Fallon—not that I would feed it to be so. I blocked out the news outlets, the media, the alrogithm's suggestions to watch bits and pieces of Fallon, though, however, I refused, and somehow, I didn't need it. Fearfully so, he was somewhere lodged deep inside me—and I was even sort of embarrassed to have written some of the things I had of his essence, however prophetic it seemed to be, that for about a three week period between April and May, I seemed to have gone off into a trance of sorts, writing for hours and experiencing vivid visions of this show, The TV Prople, alongside writing The Festival Project ™ And all of its markers—there were so many worlds, so many ways throughout them—and now as I had realized, I had actually been writing about Fallon nearly as long as I had been writing about Sonny, but differently. I had never of course come face to face with Fallon as I had the latter—and still—found it somewhat nessecary to hide my face beneath a mask as his float passed my viwingbspace, an elevated view from the staircase of some church, which had happened to be perfect—and although I was certain it's not as if he was looking for me—I had just then been writing of this Cosmic Avenger, and hadn't any idea at the time of Fallon in reality having been an actual magician, and still— with cameras everywhere, and knowing even what I had written—I didn't want to be caught by any passing cameras with any sort of blush or worse—a smile on my face as the float passed— a smile which would flash my atrocious gap-tooth and crooked smile I was sure was permanent, by then having been in the homeless shelter nearly a year. As soon as his name was announced, I promptly pulled up my masked. I had already been caught on camera earlier in the parade gawking at some float—now was not the time to be caught gawking again. He, like Rob Lowe seemed impeccably professional and well-rehearsed, like a cartoon character— he was, after all, kind of a cartoon character, however now, even if it was partly due to my own writing, I took him more seriously. There was a darkness about him— a sometimes glassy-eyed, almost scary darkness that told me, even a world away not to fuck with this dude—some kind of animal or monster I was sure we both shared, however mine more the type and category of insatable and undernourished and his more peaking its head out in the form of a multi-millionaire network puppet, which housed an untamable powerhouse of musicianship, manhood, and wit— it's true, I was finally scared of him, knowing after all what the true tears of a clown could be, a dangerous man in a uniformed suit, the Everyman for the programmed masses, and the funny man with a jig to dance, a story to tell, and an indoor life— secret realm within I was sure no one knew. I fed the monster with respect to the home, happy wife, and children— I, after all, loved love, and only wanted it for myself, leaving alone the parts of a man I had found and was sure was broken enough to have left me puzzled and star studded rather than struck as I always was, tears welling up at the thought of it that something should be mended neither I or anything I was could not fix—I continued to write, however, knowing I was walking on glass barefoot and tiptoeing on eggshells around the mass media conglomerate of the network that stood between my feeble world and his, the higher ups— and bryknnd: it was, after all, a level system— and now with a beautifully decorated and fully apartment, besides my mistress on the floor instead of the space saving loft bed I had wanted—though it looked just right with the piano bench as a headboard, housing my crystals and new globe, plus a colorful collection of books I could crack open as I awoke to the morning light, no longer so early but increasingly later, as I shifted into the insomniatic habits of a true DJ and music producer, still writing and reading in the mornings, however— I had to wonder what level I was truly on. My apartment looked like a home. The decor was better than I could have imagined myself even, the tasteful furnishings and modern elegance shifting my reality— no longer an empty apartment, now a fashionable hub for art and creation. I assumed the car would come along in the winter, with any hopes that I would finish my albums by then—and also looming over me— my last life, and the people in in struggling to call up to me in this very ascended realm, which I was lucky to inhabit. ‘Thank you God for your many blessings' My wishes it seemed, had been granted— magic did indeed seem real, and though I had an Amazon return packaged and ready to go— there wasn't a time and place I could see myself as ready to even be near The Rock, some festering bulletwound in my heart, all that I had written, not just of Fallon, but of the rest of the people I had honored by word mark but had not yet the status or wealth to have ever known as human at all, but more products of the program; with intention, however, it was the path I had followed to be destined here somehow though small codes and doorways, signals and symbols which called to me and seemed only I could see—but were there in plain sight, and with the right eyes, had meant more than I ever dreamed anything could— open doors to a world I had indeed created myself, and in turn, the world in which I lived had also been created around me. I had to, in my mind, find the light inside all of whom I studied, to humanize myself—nurturing some fascination of fame and celebrity inside which still stood unanswered, the question of why and how one becomes so high up that without trying, that I might continue to find them in my mind's eye and in my world, on the outside, time after time. —tales of a superstar DJ. https://linktr.ee/codenameblu {Now You See Me} From Google: Charismatic magician Atlas (Jesse Eisenberg) leads a team of talented illusionists called the Four Horsemen. Atlas and his comrades mesmerize audiences with a pair of amazing magic shows that drain the bank accounts of the corrupt and funnel the money to audience members. A federal agent (Mark Ruffalo) and an Interpol detective (Mélanie Laurent) intend to rein in the Horsemen before their next caper, and they turn to Thaddeus (Morgan Freeman), a famous debunker, for help. No, not the google documents! GET IN THE HOLE. Hm. What. Blood Shower All along the watch tower Do you feel good? Do you? Do you feel bad about this. I do. I feel bad about this. I forgot to tell you– I should probably let you know that I just want to MAN, FUCK THIS DUDE. MA. WAHT. IT'S ON. WHAt. THE SHOW IS ON. THEWHAT. THE– *suddenly self aware* …I gotta get out of Boston. What, first this was about war, now it's about bird people? It's about a war WITH the bird people. I should sleep. Hahaha. No. This isn't funny anymore. At least it's over. MA– Oh, it's far from over. Yo, i'm going through some crazy shit right now. Spur of the moment I'd never thought of it; This is gonna take forever. I don't have the patience To even write this I just want french fries right now But been up for two days with no gym and I'm on a diet. GUAC TIME. No, no burritos. GUAC TIME. Oh shit, this is getting real as fuck . NOw i see it three ways. I love it. I hate it. HEY, LET ME OUT. GET BACK IN YOUR HOLE, SKRILLEX. I'M DILLON FRANCIS. IN THE HOLE. Check it out. Huh. It's another DJ. *agrees* Should we pick him up. WEll, the good news is: I found your friend. Oh, that's good. The bad news is: He's dead. Oh, that–'s … nice. Yeah. It is. Uh. Kaskade. Yeah. We gotta find Ryan. Why. What's up? You're freaking me out. Why. What's up. Nothing IS it my eyes? I– *wild ass eyes* Yeah, it's probably that. Fuck dude, what did you do to deadmau5. NOTHIN. He's not the same. What the fuck is that. Holy shit I jus timejumped Where the fuck are you going. How the fuck could this happen?! It COULDN'T. Well, that's it then. *shrugs* Well, I guess we're just gonna have to go dig up Dillon Francis. I guess so. Do you think he's still alive. Like, probably not– Maybe… No, probably not @prodbywar& @Halmadeit This amazon order took me nine hours Alexa, I think i should fire her Like a arm I don't leave at night without armor Don't make me a martyr Your mom will be proud of us all If i make it outta here And i'll look after her Got the whole block coming up on my heels as I walk Wtf is it… Idk dude. Is it speeding up? I…i think so. There's no way this is 140 IT's 140. It's 140 . There's no way. Yes way. Nah huh. Let me see. No. Let me at the decks. Let me at the decks. NO. YO LET ME AT THE DECKS. You want deks. Yes. I got deks. Really. yeus . I never listened to it like this In ableton I read serato, synesthesia and rekordbox I talk a lot, I'm like a human music box I walk a lot I run my mouth a mile a minute (faster than i run around the track reciting rap words) Like they're passwords. Oh, I could do this forever.. I wish i had i microphone right now And was all alone With the lights off Lying on the floor I'd be lying if i said I could afford you Just to fornicate But may consider playing with a foreigner If you're all for her I'm unnerved, you know Cause i've been up so long My monster likes to play with boys and Make the bass go down below where Nobody does anymore Once I get a hold of things Or the hang of it You've got another hot ones on your hands I've another record under my belt Or in my roster, Whatever you'd call it But now I've got no time to bark about Wanting a dog and a daughter But none of the responsibility or Going through all the trouble to find her a father I'm still holding a fart in. Reaally–cause–it's been a really long time. WHAT WOULD YOU KNOW ABOUT A LONG TIME, JIMMY FALLON?? Um a lot! You literally just saw me make the journey all the way up from nothing. I am nothing EXACTLY. I don't have time to fight with you Jiimmy Fallon. I did NOT write these games by myself you know?! Um, excuse me– “GAMES” ?! YES, GAMES. Uh, I've only got one game with you in it, my friend. Is that so! One game that I've written with the Great–formerly LATE Jimmy Fallon. Is that like a play on words cause i'm on late night TV YOu'RE ON ALL THE TIME TV, JIMMY. NBC SHIT IS PRACTICALLY AUTOMATICALLY SYNDICATED. -_- …are you alright. –_-_-__-_ Hold on, I think i've got it Nice, I found a growler. yOu still haven't got all the monsters and sprites Ive got all the big ones, but the little ones are harder to catch. GrO0Wl3rrr. Aww. He's so ugly. Yeah, but cute, though, right. I don't think so. Gro)WwlErrrrrrrrr. Aww. That's so fucking gross. lol . so what does this thing look like. Well, that't the thing about the monsters and sprites. WHAT THE FUCK IS THAT. It's alright, it's alright–he's nice. WHAT. THAT'S A SPRITE. No, it's a monster. He's just scary. SUPACREE. David Bowie. What up. God, it took me ages to find you. Tell me about it. I'm still trying. We've been expecting you for a long time. You were expecting I'd die? Yes. So when she says she's “married to the music…” I'm married to the music. Oh, so. Yo, honestly if you een want to talk to this bitch, you'd better have like a musical instrument, or a mic in your hands, Otherwise– No, getawayfrom me. It's not even worth it. HI. –No. What's up? Tempo. SUNNI Cotour From the store I was poor Now i'm honorable In velour, Glamour (Snap) Forsure, Jesus Christs is making appearances in my abletons I'm not able to comprehend or understand exactly the message, But the evidence sire is mounting Get it Reached the temple, More of a sanctuary, Is that sacrilegious I guess it is, I'm stressed as ever Trying to get it together {Enter The Multiverse} Now I know too well, The well of tears on my guitar She's got a body like one Oh her curves But I just wonder what it like to be loved By stars Socialites and superstars They're Gods, you know How high up they are Above us And he lives in an ascended dimension, But he insists, he says Her transcendence is upon us He said Your transcendence is upon us He says these things, And then just vanishes So she gets up promptly Warms up yesterday's coffee Looks around in her coffin And wonders What for I just Wonder what it's like to be loved by stars Without double r's, you know I've got scars But it's mostly just Teardrops, and soft kisses On my guitar Cause, oh, Oli, I ain't got nobody— And nobody holds me Like I hold Oli (Could have been Ali, But of course— I had already lost that one A whole well of tears, I lost At his departure And a whole well more When I actually lost him I almost miss Having someone to talk to About anything and everything But I've got Oli And God now I've got Oli And Oli (oli) Is all that I've got Besides God That's the only contact In my Phone book No more double Ls And double entendres; No more double rs At all Just scars now No more metaphors. Honest is radical I like them cynical I should have clinical insanity by now But I'm only just an artist You can't help But can only harm that And if it hurts hard enough I'll put art on my walls Become permanent Storybooks all over my arms now My coat of arms now I've run Ten point 5 miles In the last 3 days; But if I rest today Will a motorcycle gang Have a parade outside of my window, To drive me crazy? I hope it rains, So they can't play these games with my head And the seeds that I planted So deep become daisies I still don't remember The way he rearranged me But these days I make my name sound So the way He can never say it Just imitates The way I hate myself I should be dating But expressions are Atrocious If I fall asleep— Who knows I may get Stolen That tends to happen So I'm All the way up And I'm swollen in ways That I hate to say “I love you” Love me back Or say it harder That's my martyrdom Come off the cross, for a moment, Would you for us? And bend over Or bow, if you will? If I did, Would you still call me wicked Or just a Good witch Since I'm a woman, I just couldn't be Jesus, Who you asked for once And always Who you asked for some To save you from your Credit reports And consorts Or some sort of Nonsense [famous last words] God don't speak much English, She says God don't speak much these days We were Always Telepathic That was way back then When Oedipus Rex Was on the Guest list I was standing at the coat check, asking Why I must take off my hat When entering the service To the bouncer, he says “That's just politics” I said, That's just politics We both said, What's the difference Then we all laughed —then we all just laughed and laughed Exchange is my favorite exchange Where my favorite exchanges Have happened for centuries Of engagements Endeared species, And races pieces haven't tasted the same Since I haven't had them Animal products And animal planet I found this hat on Discovery channel Did you want it? I can't stand it So I had to have it back I just had to use the bathroom I just had to disconnect From [] See— I don't even have to put the words in Cause a name is just words When that's a man You just can't have And that's the worse When that's a man And you can't have him What a habit. Silky rabbit. Now he's the Ace. All In A Day's Work I've never died before. Oh… that is terrifying. It sounds terrible. It's really not that bad. Why are you not writing this down? I just need a moment… It's really not that bad… I die all the time. I get sensory overload At Trader Joe's Look at the colors The clothes, This sure isn't queensborough Escalators for shopping carts I get it Manhattan I'll take my half BLVCK ass to the projects Where my kind are I don't belong here , God you're intolerant I like this part of town But I'm way too brown And I dropped my crown at the market I should be jealous of everyone But I have learned my place I've been a slave since Hollywood I lost my son to the devil Now I pay child support And terrorist follow me coughing I'm wrong just for being born ! You could start a war from it If that's what you wanted I'm a people watcher people watcher About to board the people mover People mover Slip, Here's the tell Slip, here's the tell I should have a bell around my neck I think she wanted a picture with papa I'm playin my own paparazzi Look mom, I bought a sacafagus There go them niggas with coughs again I been watching em Got binoculars I got oculus, for my oculars Look how hot he is, make me ovulate Man I gotta love it, Cause they love to hate Fucking racist crazies Have it your way I paid for it with my soul You hate but I love to love Somebody just got me fuckes up I don't have a book to run off of Shut up, honey. Now we're all up here Monkey in the middle Cause the middle one is weaker It's getting deeper and deeper Like the sinkhole that my sink is Let it sink in I've been syncing my secrets with demons In dreams sequences It's just a reparative injustice Kamasutra for your wondering words and stuff You can have it It's ruined anyway m Look at all this trash Look at all these classless classes Classwars, Racists. Everybody hates us The Asians, Latinx's The other niggas What being black is I'll write it in cursive It's just a curse, here So you can have it I'm moving to Heaven I'm packing my boxes I'm getting a cat, too! His name is Agustus He's a big one And I love him I just wanted a hug or a husband Instead I got nothing to trying my hardest And got for a bargain at target some coffee For being a targeted body All on an algorithm I guess I'm just useless. A dumb nigger demon Did I just offend you? Then you shouldn't be reading this either I wrote it for pleasure (Or pain) On the one Or the two Or the one Or the two I could do a lot with this $20. I could spend it all on Fuck all of you I'm moving to Heaven Where the heart it She's not harmless She's a terrorist— And I'll kill her, too Look how right she is Look how white she is, Huh Regardless of color It's a race war Lil biiiiitzzz Yooo, fuck New York. In every hole. In every crevice. Fuck this place. It's racist— Not just cause I'm black. Like statistically. It took a whole ass apartment elsesrch to feature this out. I was like “I wanna live in Manhattan” Everyone was like “NOOOOOOOO—-“ Haha “Nooo, no.” I was like “Why not?” The blacks were like: HAHA The whites were like— *COUGHS OBNOXIOUSLY* New York is so racist. It is statistically the most diverse—and most segregated city in the nation At the same time. WHAT. How do you even DO that? But it's true, at this point, the black people are like—fuck this, we'll just stay over here, and over here. And the rich whites are like YES. KEEP THAT SHIT, OVER THERE. Cause if you've ever been to the ghetto. It's some SHIT, It is NOT COOL. I finally got my ‘night card' back. Had it revoked in california . I was almost a whole valley girl. I still eat exclusively at Whole Foods. Trader Joe's. But NO. Now i live in the hood. It's fucking disgusting. I can say ‘nigga' again. Cause it's NIGGAS. Lots of niggas. I'm telling you. It's night and day! The white folks trains smell like bleach— Ammonia. The black folks train smell like a McDonald's. WHAT. Or just— Vomit. I can actually count the number of times just— Vomit—- On the train. Or. Dookie. Yes. Human feces. But I'm ready to go to midtown and it's like the train that goes around Disneyland. Families! People singing! Hey—cotton candy!! —and I didn't have to pick it! Haha! Fuck New York. Racist ass HOLE. I thought surely the next presidential election was one or two years out, but the racial tensions which had been rising became even more pronounced, as I realized that November was theboncoming time—and that they hostility between the whites and the blacks had once again been a result as the oncoming war, fueled onward—that the hatred, disgust, and general aggression of the whites had been of course, in the midsts of yet another Trump-fueled political upheaval, and I wondered why and how at all I had been caught in such a world that existed in form of man, of course, now proven himself to be the weaker sex, and yet in that of dominance, as was arranged in such an unholy war, to be the helm of power by sheer greed— now it seemed that these attacks were indeed political terrorism, and that these motorcyclists, my placement close to the ground level, and my neighbor's clammorings were specific attacks, after my identity had been varied to be that of the same in which I had once held political ambition, now none of which I assumed mattered at all. Perhaps I needed something more certain than a 12 story jump or suicide by train, and wondered as to whether it would be easy enough to kill myself bh self inflicted gunshot—a sure thing for certain, as love has been lost in the way of money at all. At that party…or rather, kind of—after. That acid that never hit Beyoncé I don't feel it. Man, I'm a terrible influence(r) Just take it. Nah, I'm good— PUSSY. -_- Give me three. K. —suddenly hits BEYONCÉ. BEYONCÉ …I got this. [BEYONCE] however, does not Ohh, shit. — “got this.” A very stranded, very sober Johnny depp stumbles upon what appears to be a college frat party, where the only thing they have is light beer, and nobody even recognizes him as a celebrity, because the attendees are all gen z What's even after gen z? The fucking apocalypse. Anyway. The acid hits Beyoncé on her way to make coffee, which extends the trip from the living room to the kitchen infinitely. Multidimensional Anne Hathaway hulks the fuck out and saves the day by ruining everything, which actually fixes everything— and *spoiler* helps Jesus to remain as the king of kings at beer pong. Lol In the late 90s in New York City, the keystone cast of Saturday night live learns of each other's formerly sexret psychic abilities, and uses the radio technologies of Rockefeller plaza to develop a research center for the telepathically gifted, eventually discovering and perfecting time travel. Supacree (the kid version) appears in and out of her ideal and desired realities, baffling ‘the Hollywood people' and later ‘the New York people', becoming the legendary central figure of the Illuminati, as the original timepiece — a pyramid shaped extra terrestrial vehicle which contains an ascended hyper conciousness, which I can't remember how it goes, did the supacree leave to find the Skrillex, or was it the other way around? I think it was both ways at some point, but the whole thing was this, just in case I never wrote it but just saw— These space god (humanoid evolved) are some kind of scientists/ doctors— there are four timepieces, each representing an era upon our planet; earth, which is distant but sacred— these four time pieces each depart their given “docs” in time to appear on earth at specific Fuck this is hard to explain Times in history, at which the first worlds, or previous human eras were known to have been destroyed— these time pieces travel through time space with the full record of these events in order to alert the current human era of its imminent doom, as an attempt to prevent such disasterous events, typically war, which will lead to the annihilation of the human species; these Gods, one male and one female, a king and queen, a married couple are the rules of the humankind, technically worshiped as a whole as one God, with whom the human design was modeled after, however, the true source of all things is the cosmos, known and unknown, in its totality—neither man or woman, but the force of creation. Anyway, what else is happening Oh. All of the celebrities are stuck in— [the festival project] in some way, shape, or form until its creator finishes it—and though it in itself is infinite, its 'finishing' notates its eventual production, which lol. That never going to happen. Because. Let's face it. I'm scared of …rich people. Yeah, sure. Yeah. I'm scared of The effect of the race war, which has been to pit the white woman against the black woman, which allows and maintains the continuation of war mongering male dominance over the entire planet, which remains as a destructive force of greed, racism, and inequality. So why try? [EDITS] CONAN O'BRIEN Alright. If she hit Fallon, she's gonna come for one of us next. No, Conan—that's not how this works. WHAT—where did you come from!? When did you get here? JAY LENO This goes deeper than all of you can understand. WHAT the FUCK, man! When did you-/ —when did he get here? How did you do that?! How did you do that?! What are you, like, the same guy? Are you not all the same guy? [they shrug simultaneously and kind of just agree] Listen at this. Okay then. The enemy of your friend is my enemy. Oh…kay—and the enemy of my enemy—is my friend— That is correct. —so we're all friends here. That's right. Some special forces? Which forces? How special? [JENNIFER LOPEZ is still JENNY FROM THE BLOCK] Do I look like a fool to you? Uh— OOPS [a pre-fame Jennifer Lopez receives a drop full of diamonds instead of the usual; she has been granted access into the Illuminati, and becomes an overnight success.] This feels heavier than usual. Same as always. Hm. Are you sure. Yep. Hey, you're not the regular guy. Regular guy died. That makes sense. JENNIFER ANNISTON is inside of Ū Okay, grosss Not like that [lifting max weight] Okay. That was cool. Wow. Yeah, sure whatever. I am strong Yeah yeah, okay. Are you sure you want to be my size? Yep. JIMMY FALLON/SKRILLEX (we don't know actually which at this point) is also trapped inside of Ū Okay, gross! Yeah. SKRILLEX is in all of Ū. okay—actually, i'm okay with that, but That other guy?! [JIMMY FALLON] Yeah, he's weird. Also meanwhile, kind of— MARSHALL MATHERS has a closet cleaning service lol. Patrick is smooth as a motherfucker, you know. Every time his head is down on the desk like that, he takes a bump of coke. What?! Big uh! [Patrick takes bumps of cocaine in front of a live studio audience—every single night.] Woah! See. Goddamn. You gotta admire a guy like that. Jennifer Anniston is the weight on the cable tension machine Ooh. Psycho bitch devious methods new ludachris commercial All ya'll girls is toddlers I like long boards and longhairs Lawn mowers and lawn shares Aw hell nah, God forgot Cher I got the Blair witch project On Blair, I hope I scare you How dare you. Your girl looks like a naked mole rat. I got my soul back. You blue eyed bastards stole everything From the whole blacks, Hold that thought I'm at Whole Foods market throw in the Amazon algorithm off With marked dollars Look at God at Walmart On them rollbacks You old hacks are cackling I'm shackled to old habits Hold hands with me, rabbit I'm just a silly rapper really, are you? Maybe. Cut the verse of Reverse God Now I'm the devil I'm still lost in the Amazon cart I sharted all up in your pop tarts Before you warmed them up, pops Just for the sake of the art, Heart to heart, It's a war on love And the white girls won with nothin but Buckets of Whatever's up there I wouldn't know Cause I'm stuck job searching And running, Trying not to have a tummy So some gummy worm will love me First their sour, then they're sweet Then nobody, Trolli Holy moly I could use some more petroleum in the ocean! Said nobody But the globalists are performing your programming Which you're worshiping I put my eye on the dollar So I could watch you all Crumble and fall Don't you know The apocalypse is happening at the mall Of all the places How's that for a stream of consciousness, You salamander I asked Anandar back But I went past that chapter Have a chap Or a chapstick, for four times four dollars A bottle of water will cost you a fortune (But at least the drugs are in it) Get it It's recycled piss Distilled? Which is it, Mr,? The mystery box was literally lifted into My dinner from a fishery filled with nothing but niggers in it— I want a refund, before I catch that Fucking curse of poverty from — what'd you call it salmonellahallibut One hell of a cough from someone on the sidewalk But guess what? The devil's in your pocket or your palm, And that's the omen and the psalm rolled into one Cause God is awesome, But my mom is fuckin toxic And that's how I fuckin got here Blow my head off, Slit my wrists And write a song While jumping off a bit When all you need is money, But the world costs more than It's worth, and words are nothing But another fucking problem in your Google documents I look at my son and see a God, But half of Satan's in him, Oh man Robotics Lets be honest, I don't even know how to write this. Where's my sides?! WHERE'S MY SIDES. You don't get SIDES with this; It's just CHICKEN. I don't eat CHICKEN. It appears as though, however– You do. Ok, I gotta get off this playlist. I… i gotta . “The Wal*Mart Wars” Hm. … …………. …. *face* … no. No. l– What is this place. {After a wild night which apparently spiraled out of control, great , there goes my peace. Not forever, though, maybe. FUCK THIS PLACE. I HATE THIS PLACE. Everybody hates this place. But the album is called “I love New York” Yes, thats Technically How it's pronounced, though It's stylized like I _ NY Cause. EXT. MIDTOWN MANHATTAN. DAY Oh, wow, this is beautiful. THis is great. I love this place FUCK THE FEDS. CUT TO: EXT.Typically WHEREVER ELSE Anywhere ‘above' like 87th? Lets just call it 80th, be safe. BE SAFE! NIGGAZ. ah shit, i gotta go. BITCH– But lets just be honest, It's technically ‘above' But it's really [THE BRONX is a literal extension of the Underworld] Oh no. srsly tho. X_c Anyway. FUck man, Do you think i'll ever get good like that. Idk what equipment is this Hmm, lets see, that's approximately $8,000 USD of CDJs wow yep That's retarded Yep. And you still need a mixer. fukt. OKay, I would literally sell my soul for this. Consider it done. wait , really? YES. you earned it. Wait, I– What?! You earned it… Uh oh. Take care now. Shit. [BILLIE ELLISH is trapped inside WALMART] Uh oh. Fuck. what is this place. INT. WALMART. WHENEVER EMPLOYEESLAVES WHAT TIME IS IT. THERE'S NO WINDOWS IN HERE. That's not funny IT'S literally a synonym, we might as well make it a portemantau MEanwhile, in this other dimension, So that i don't offend anybody… Actually, you know what? Be offended. Quit that stupid fuckin shit and follow your dreams! Wait really? Wait, really? Sure! If you want! …i guess. AMERICA NO. INSTANT HOMELESSNESS ok , nvm. Damn. I know, right. wtf r u guys watching. Shut up. All Wal*Mart Employees are actually top secret government agents. x ∞ >.< (we'll just use Billie Ellish as the alternate, but really it could be Could it really? Shut UP, PLURNICORN. Wtf is a PLURNICORN We'll see. [Upon Realizing s/he is trapped in a mysterious place apparently extremely public Wait, you've never been to a Wal*Mart Before?! NO. I grew up in LA Rich as fuck And i've been famous since I was liike 12, Or something. Right. That is–kind of terrifying. LATER: WHY IS IT SNOWING INSIDE. WHERE'S THE EXIT. THEY HAVE GUNS?! oh wow, they have GUNS. WHY DO WE NEED GUNS! KA-BLAM. BECAUSE THEY HAVE GUNS. Bang-bang! Ptttttttttt—sttt. And they have guns. Actually, these are just– confetti cannons. *pop!* Lol “Possibly The Worst Show Ever the infinite rave continues on in Hell as everyone awaits the return of SŪPACREE- The Cosmic Avenger (Who Is NOT a DJ) and Sunnï Blū (who is a superstar rapper but also not a DJ) go back to back, buying time as the beacon to. Signal "The Supacree" is completed, battling the 10th dimensional DJ Ū, a super ninjas, for control of the decks. what else happened? idk. I CANT STOP DANCING. none of the DJs can find a pair of working headphones, and the sound guy is missing from the booth. "missing" YOU SHOT HIM. I THOUGHT IT WAS A TRANQ DART. {Enter The Multiverse} “TVP” Hazel is 6, turns 7 season 1 Season 7- 15 Man, I can't remember the other two kids names, I think the little boy is Ira but I might have named them all and forgotten, shit. Her sister, though is between 4 ½ and 5, they are technically “Irish twins”, and always fighting—they look very similar, however are not at all alike; Hazel is very much a daddy's girl, while her younger sister is a no-nonsense old soul with the tendency to cause trouble, not by being inquisitive or showy, as her sister often is, but rather by being quietly observant, and tends to dismiss both her parents, often isolating, or even dissappearing without notice, quietly and comfortably into her own world—as the series progresses, and though all of Patrick's children like their parents have showcased some kind of special ability or talent— Holy shit, give this kid a name-/ I thought I already named her, I just don't remember. That's true. It seems like they all had names. She is almost very typically, though showing signs of genius, even at the early age at the beginning of the series, a middle child, prone to upset almost too easily, but rather than acting out, is more likely to take her anger quietly; she shares her fathers deep brown eyes, dark hair, and though she looks otherwise very much like her sister, and later despises her father, is more inwardly and outwardly like him, though taking the side of her mother during their separation and divorce, oftentimes even lashing out at her father quite openly, and very vocally, as she grows into herself. “Ira”, (may have had another name earlier) is the youngest of three— as his third birthday approaches sometime during the first season. Great, now I gotta hide all those allegories so nobody can actually draw from this that Patrick— Where's his write up, anyway? That shit could go on for days. I have no idea why this catharsis is happening. I tried to sleep it off, I swear, but I still woke up like— At least mildly obsessive about this, for whatever reason. Hazel's 7 - Season Arc Hazel has the eyes, charm, and charisma for entertainment —she hopes to one day be as her father, an entertainer and performer, and will do almost anything for a laugh. She is often telling jokes, and is a people- pleaser. She is sickeningly cute, with golden hair and Hazel eyes, long eye lashes, and carries baby fat in her face, though she is rather average, neither heavy or plump, and however also not frail at all. She is inquisitive, smart, and busy, almost never idle-minded, and strong. Though sort of a Tom boy, she has been trained well to act with dignity, class, and feminine eloquence, much like her mother—but like her father, has a tendency to be crass, sometimes carelessly so, or even brutally honest—to her mother's disdain, but embraced wholesomely by other family members and adults, she's extremely funny and delightful, and very much unlike her mother, not a spoiled brat at all, often raising questions beyond her years about inequality, later wishing to attend a public school, and becoming quite the advocate for social justice and human rights in her later years, her final season shows a rebellious and sometimes even antagonistic Hazel, who later even favors Esha over her own mother as a parental figure, often confiding in her about things she can't and shouldn't share with her father, although her almost over the top admiration for her father has become the driving force and inspiration for her own endeavors in show business, much to her father's disdain, as she grows older, him becoming more protective of her, and especially within the oftentimes secretive nature of his actual placement and purpose in the business, and her rebellious nature and charm even force-feeding her into the industry, she is a bleeding heart for superstardom, and is often seen along what may be a path to fame, making Patrick's bleeding heart all the more aching, as though he and Catherine remain at odds throughout the series, he truly loves his children, even “the little sick one”, as he refers to the second child. Holy shit, what is this kid's name If I had the energy to go through my notes, I could know; but I don't. The city sickness has been sinking in from the noise of the obnoxious motorists and honestly, being out of protein is giving me muscle soreness, I'm in some sort of a bloated haze from eating almost nothing but carbs, and the fact that I haven't been with anyone in years is starting to circle like buzzards around my head, my heart has been literally screaming but overwhelming with this sense of calm, and though slipping into Patrick's sometimes erratic tendencies, for the most part I've been underwhelmed with society's expectations that I should get some kind of job, and somehow while working not lose focus on my own interests and projects—I hate [the strange modern behaviors of] most people, and everything costs too much money— my son might be going into foster care, or my ex husband is evil enough just to try to force my energy to worry about a problem he's created, and I really wanted to sleep into the afternoon with this lethargy, hoping that everything surrounding this series would just fall off, but it doesn't. I wake up often wishing I could just forget The Festival Project ™ , but the truth is, it just keeps writing itself, but in the very least, sometimes God gives me little presents that mean the very most to me— a chord organ that I thought was from the 80's, but is more likely from the 1960's— I love vintage stuff, and musical instruments, which only God could know, really—my fascination with history as if I'm still living it, and this, my sudden fascination and drive to write and complete just one series has been haunting me almost just as badly as anything else has, but especially ripping me apart—especially since I have motorcyclists ripping through my body as if it were some kind of disease that existed outside of me, so contagious that it began to sink in to my insanity and mental hygiene. I wondered if anybody else knew or cared about these creatures as much as I didn't—and in fact, I had never felt so much like Ali in the way that I didn't care if they, other “human beings” supposedly, all died tragically, and wondered why the walls and windows didn't keep out the sound of the outside world at all… The middle child begins writing secretly very early on, and is the first to be required more extensive therapy, (as suggested by the family's therapist) after her parent's separation and subsequent divorce. It is not long after she begins learning to read and write at all, that she begins also showing interests in art, asking for art lessons and to begin painting and art therapy, rather than the recommended Equine therapy— she often keeps things to herself, then returning to her hidden places at times when the family's dysfunction becomes uncomfortable and overstimulating, very often paining or reading during times of peace, and retreating to her safe places—sometimes under the stairs, into the attic, the treehouse, or even later, the family's barnyard, where she often keeps drawings, as she ages, later comics, sometimes caricatures of the things she absorbs through her own reality—and diaries, sometimes hidden in nooks and crannies and in places no one would think; a true prodigy and genius, though hidden from much the world, as she is often overlooked, however, her therapist begins unfolding her true reality, often times carrying over sessions and losing track of time, picking her brain or even conversations philosophically What's the therapists name? Doctor Robin She has to have a last name Well, she's a child's therapist, so she's Doctor Robin, but It seems like it starts with a T. We'll see. I just saw her anyway. I drifted off again, thinking about how wildly detailed this all was becoming, and wondered if there was a series of fictional books waiting to be written. There certainly could be, but my mind was reeling, freshly showered but still undressed, and not even wanting to think of going outside—and yet—I was out of water, and had learned that the drinking water from the fountains, especially in large quantities, had a tendency to make me sick—I hadn't yet eaten anything, and though the coffee was fresh, and my apartment was clean (which made me overtly overjoyed for some reason) smelling of Lemon Lysol and Bleach; with notes of a strong pot of organic fresh ground coffee, it seemed like I couldn't do much more than lay in bed writing this catastrophically interesting series—and it was interesting, which said volumes, considering I had always been picky about my TV watching, being that only ever did certain series catch my eyes or my ears, and those series were almost always—or always, always specifically well written, perfectly casted, and had the edge and draw of becoming an entire world within itself, which this series, though only a week or two old at best, in my heart and in my mind , was rampantly ravaging my own world, almost as if it had become of some importance to keep writing it, and never stop, and though Patrick was the forefigure, another broken male protagonist, the truth in the series was that the true heroes of this sometimes scarily violent drama, were its women—a story meant to be told with a diversified cast of creatures from all worlds and walks of life—Esha, of course, herself, a role that had been some recreation of myself, somehow, though so different that even primarily, I never did see myself as her, besides the onslaught of some otherworldly pain, visions of a scene recollected from some remarkable download, and it might have been once and for all that I had lost my mind, or my life, if I wasn't a writer—I was, somehow, though, after all, a writer. It had been a fasting day that could have and might have ended tragically anyway, and still the devil marked his mockery of my efforts by consistently flinging perfect bodied women everywhere that I went—though usually with ugly enough faces that I could see nothing but what a man was—uncaring for one thing over the other, a flawless representation of woman, represented in the current time with scantily clad fashion, almost painfully so—the insecurity of women becoming more apparent in the way she would appear, always almost begging to be near to me, with every perfection and complexion I hadn't—but at least I had a tendency to laugh at my own damage, often surmising that she, these demon creatures, hadn't any talent for this at all—which had turned the state of television into a near circus act; that alone urged me to continue writing the series, perhaps with a typewriter, due to the negligence of nepotism within the industry which often resulted in these pretty little creatures getting even further ahead by stealing works as such, and passing them on as their own originality almost so cruelly and without judgement—plagiarism, as it was called, but more accurately intent-to-kill the imminent threat of what had been said to be a minority becoming a more powerful force to flourish in entertainment however, as quickly as the visions had come, the thought of writing it without my phone became dauntingly impractical, and I scribbled only the most intense scenes and plot lines onto notebooks and scratch papers, keeping them as hidden from the algorithm as possible… lol the Al Gore Rhythm Ahahahahahahaha Was that the joke? Maybe. Idk. Maybe. Idk. Hm. Hmmmmm: What: Nothing. That actually might have been it. Really, was it? I will never know. That is kind of a good dad joke, though. And a good band name. Idk about that. My coffee was lukewarm enough so that I could taste its flavor, as I whittled away at whatever it was— The story was almost so beautifully being told in allegories and parables that it seemed a shame I may never be rich enough to buy fame, as it seemed that was the only way to become a star these days— and yet—it was more the wealth than the fame I wanted, I had realized, at all—the polished class of the Manhattanites drawing me out of Brooklyn and into some debauchery which was my own Grandiose thought form, that I could actually become, at the ripe old age of 31, some kind of superstar. ‘Why would I even want that, anyway?' I thought, interrupted painfully by who I'm sure was the same motorist, who seemed to do nothing but circle the block all day, and all night, doing nothing — and I wondered why he himself had decided not to do grub hub in a richer neighborhood, where money would more than likely come more easily. But really— I drifted off to a time where I wanted to ride a motorcycle myself, and the curiosity forced me to go online to check the price of what it might cost to have one. $5,000 for a decent bike, which would include a muffler as not to be so obnoxious and disturbing to others as these creatures had become to me— and I began doing the math on how long it would take to save $5,000 as if it would be possible to work some dead end job for any amount of time without spending money on anything else. It would take at least 5 months to earn enough for a motorcycle, which landed me directly back at “Not worth it”, and as horrible as it was, I did at the very least have a luxury apartment for at minimum the next 5 years, however, wanting still to move to Manhattan, Midtown specifically—or one of the quaint and quiet neighborhoods on the upper West Side. The neighborhood was going to hell, after some unworldly godless force had seemed to drop hundreds of thousands of rude and thoughtless third world workers onto the streets and buildings bordering the one I lived on, the neighborhood becoming more rough and less peaceful with trash and debris from the depression and congenital disease that was poverty, the collective unconsciousness of the masses colliding with my empathetic nature and oversensitivity to sound, especially awful sounds, such as the hundreds of motorcycles and hot rodded junk cars which only seeemed to move in a track around a four block radius, and had become a cancerous trigger of sorts, no authority figure seemed to much care about. I cared less and less each day to listen to music, since I wasn't making it the way I wanted to—and I had realized that the constant displeasure and unrest, the lack of peace had as much to do with the world outside as it did with the world within—and I began to see the disgusting obnoxious noise pollution outside my window as just an extension of man's abuse, ability to rape, torture, and kill, terrorize— the uncaring waging of war, control, and lack of true power; as no good and true man who wielded actual strengeth or true power in any way would continue to show such distructive action and carelessness for others around him— chaos, corruption, abuse, and misogyny was proving to be the downfall of all humankind, as patronaged by man, and, as I became doubtful of anyone's lack of understanding of this, especially as the immigrants themselves were often naturally pedophillic culturally and toxically abusive in nature, most migrants flocking from countries in which women's liberation or the protection of youth had not yet materialized into their understanding of conciousness and morality—the men were weak, unkind, and selfish—the women mere machines at their disposal—and however many there were, I could see that their children, the many of them, remained as the redeeming factor. Anyway, a political ploy for the ages of there ever was such a thing, the newest chapter in American greed and slavery, it only seemed like an extension of evil itself, and less of a coincidence with each growing day—each new person, another burden to the middle class taxpayer, another reason to inflate the cost of living—and all the more reason to continue to terrorize the American people into its own division, hatred, demise, and consumption. e. My faith, however, was unwavering—God was real, but these abusive and toxic creatures were pushing it further away with violent arrogance, and the inability to understand that God itself was the nature they continued to destroy. Robin Bennett Fine. “My name's —ahem— “Ron Sennet, and I ain't In it.” —did the say “don't” write a book about me? It's Not about him… Or something cute he used to say like that, I couldn't remember, but he had a bunch of cute little idioms that matched his name, and to the day, I still missed him — it was 11:15 PM exactly as I hung up the phone, after an unsuccessful attempt to reach 911, after realizing that the threat outside was maddening enough to be impossible to only be in my head, and after weeks of the excruciating noise, I finally called NYPD dispatch, much to my disdain, and of course magically, the noise seemed to disappear, but these abusive and toxic creatures were pushing it further away with violent arrogance, and the inability to understand that God itself was the nature they continued to destroy. Robin Bennett Fine. “My name's Jon Sennet, and I ain't In it.” Or something cute he used to say like that, I couldn't remember, but he had a bunch of cute little idioms that matched his name, and to the day, I still missed him — it was 11:15 PM exactly as I hung up the phone, after an unsuccessful attempt to reach 911, after realizing that the threat outside was maddening enough to be impossible to only be in my head, and after weeks of the excruciating noise, I finally called NYPD dispatch, much to my disdain, and of course magically, the noise seemed to disappear as soon as I had made the call, which infuriated me. It seemed as though the game in entirety to make me look or feel crazy, though I knew I wasn't—well, I was, but not without purpose or reason. I had been theorizing in energy exchange quite decisively making a mark for my alter, at which I asked to be designated the wisdom and truth of the light within the eye, desire, however never in mind, although I had been summoned in part due to the fact that wenwere somehow alike—I was in some ways besides and out of sorts with my set, sinking my teeth into the forced obsession as I unraveled any possibilities and plotline. Episode 01. Pilot An opportunity presents itself seemingly at random— the protagonist's hand is forced into a life changing ultimatum, putting his reuputation and family in danger. Already involved in an illegal gambling ring which operates out of a secret historical prohibition era speakeasy and some “light” drug mulling within its walls, however often extending even as dangerously close to his workplace, Patrick is propositioned to become an investor in the high end escort service, with which he hired and contracted his lover, Kandi, a “rescue” whom he supports in her exchange for exclusivity, to remain as her only client, however, although he begrudgingly declines, wishing not to be involved in anything much more than what he has already kept under the radar, he is intimidated and threatened by blackmail, his high profile becoming at stake—he then obliges to embark upon this new endeavor, the expansion of this establishment to include a warehouse, which houses a large scale brothel, and, able to use his social status to procure wealthy clientele, quickly becomes a power player within a ring of coveted elites, setting fire to his already inflated ego, and colliding with his intense and highly functional polyaddiction, which he has maintained since his youth, using his entertainment persona as an outlet, becoming a medium of excess, fame, and rampant wealth. Patrick is beloved by his peers, and is humbled often by his devoted fans and friends—proactively worshipped as a comic genius, a prodigy, and a revered successor to legendary frontmen— Okay, this is weird, because I started writing this before I even understood what I was writing at all… —specifically, the sixth successor, to his coveted role. I had written for Esha to be the seventh successor, as with the symbolism deeply and quite literally woven into the sometimes brutal framework of the series, which I had shorthanded to ‘TVP'…the world around me trailed off as my eyes blurred as they had been lately, and I wondered if I might be having some kind of stroke or something, as I was certainly some sort of out of body—the day had been strange, and I had given up on a run or a gym for the day, the motorcycles alone ravaging my energy, and whether I worked out or not, they were everpresent anyway. They were some sort of toxic, abusive force I just had to put up with, hoping it didn't upset my psychology so much that it ended me, though I had become quite odd as of recently, rambling more than usual and actually praying out loud, as my silent ones just didn't seem to be working—they were probably white supremacists, or in some way connected to some political terror group, but it didn't seem to matter. Someone liked torturing me, and it was becoming apparent that no matter much time I spent at the gym, this torture was going to persist. After a month long gym streak, at least going once a day to lift something, I rested, or rather, tried to rest, kind of— but my mind had been swirling with thoughts of a man I was certain by now I had made up—and writing the story of a man I was absolutely certain came from my mind, but in a way that it almost made no sense at all—as the more I looked into the world that I had already written about, the more I realized was accurate without first having known these things, and however cursed I might have been to even know such things, I decided to call it some sort of blessing instead. ‘God, I used to get so fucking high for days, and when I would come down, just crying and crying, eating Totinos or DiJorno and a bag of Bugles, I would watch Saturday Night Live for fucking hours, and I hated [Redacted]. I hated him.' Now I still hated [Redacted], but in a different way, and though really it was myself that was more like Patrick, he at the very least, for whatever reason, used to have his face—now, he was just Patrick, and [Redacted] was just [Redacted], and i knew entirely too much about it all, and about myself to be comfortable with it, but nothing was comfortable at all. I had written entire atrocities, novels, and all that was some conglomerate of nonsense which was the festival project, besides how insanely and innately prodigal it all was sometimes, my own words confusing me with a bizzare and asenine dysfunction, awe, actually, often as if someone else had written them, and although I was always at least sort of semi-concious while writing, the spells and cadences I would fall under were some sort of trance, and as I watched the Nirvana rehearsal from Saturday Night Live in 1992, long before [Redacted] or any of the rest of the — Was it Keystone? It was, the Keystone cast of SNL, but the first word my mind had jumped to was Hallmark, which—after referencing Google quickly for a fact check, also stood true. I was willing to admit, even now, though I had long lost interest in Saturday Nighy Live, or anything at all having to do with current events, that the [Redacted] era—or rather even, the Tina Fey era, a true role model, perhaps, and someone I favored over all of the performers I admired, or allowed myself to admire— the Golden Years of Saturday Night were the only years, for me that even mattered— trying to make sense of anything couldn't be done, but I at least had this new project birthed from it to think about. It would be hard to sit down at a taping of The View and not think about all I had written at all, and it would be impossible not to unfold the characters which had presented themselves, though slowly but surely, through the most vivid visions and insanely lucid dreams, as The TV People began to What if someone steals this out of my documents? That would be unwise…the best scenes are somewhere scribbled in my notebooks and random scraps of paper somewhere in my room…this series is almost nothing without those scenes—the elements with which the most painful scenes I had ever written, became word form. ‘I don't know why, but I feel so i

HALLE BERRY is that how you spell it It is for now. Fuck going online “That ain't part of my day” Shut up Drake, not now. You'll thank me later “If You're Reading This, It's Too Late” [HALLE BERRY is taking A VERY PAINFUL SHIT, clutching her *favorite OSCAR award-- Which one's her favorite? CUT TO: BEFORE HALLE BERRY looks over her OSCARS in the display cabinet, carefully scanning them, with a New York Times paper tucked under her left arm, sipping from the coffee cup in her right hand.] —I like this guy. The other OSCARS groan; they are often overlooked during this process. Come on! This guy! AGAIN!? UGH. CUT BACK TO: [HALLE BERRY clenches painfully, sweating audaciously—at the worst possible moment, her cellphone rings. ] WHAT THE—COME ON I THOUGHT I WAS IN AIRPLANE MODE. (I just found out The Illuminati can still make calls go through in airplane mode Or without cell service at all) wtf my phone is ringing. That's weird. You don't even— —I don't even have a phone. Right. (Seriously, my phone is disconnected. I didn't even pay my bill.) The fuck. [it's JIMMY FALLON] Damn. This dude has the worst possible timing ever. Like fucking ever. Always shows up at the worst —THE WORST MOMENT. [HALLE BERRY rejects the call. It rings again] WHAT THE— [She ignores the second call. A moment of subtly relaxed silence, until— [JIMMY FALLON appears in the ceiling window of the bathroom. HALLE BERRY SCREAMS, still fluting her OSCAR.] (Calmly, kind of) Hey, WHAT THE FUCK, JIMMY. WHAT ARE YOU DOING HERE? I called first! I KNOW THAT— Went to voicemail. YOU SHOULDNT BE HERE. Just—calm down. NO. Look. GET OUT OF MY HOUSE! I'm not in your house, I'm outside your house. Technically. —yeah, but your FACE is in my house— —I hear that's the best part. —What?! Listen— Get out— No, look, listen— I need to borrow your Oscar. What?! For what?! That's not important. Oh really?! Yeah. It seems important. It's not that important Just—- What! Give it to me! [He snatches the OSCAR and tosses her his GRAMMY.] Just—trade me. What! What for?! Just—trust me— I do not— Just trust me—! WHAT! Congratulations. As you were. Kind of. WHAT—JIMMY— [She realizes the ridiculousness of her calling after him. She sits awkwardly with the Grammy in her lap, sighing] —he was my favorite… [SUDDENLY, though the other window Why does this bitch have so many windows in her bathroom that are this penetrate? For the sake of the joke, but probably not something any celebrity should have, are windows where anyone can enter your house from the outside. Fans are weird. CUT TO: AAAAHHHHHHHHHHHHH. I LOVE YOU. CUT TO: What's this place. It's my house, Where are the windows? They don't exist. CUT BACK TO [DANE COOK appears through the opposite window.] YO. WHAT THE FUCK! Chill, Halle Berry. WHO THE FUCK ARE YOU?! I'm the guy who wrote this. You should have called first! Who do I look like, Jimmy Fallon?! NO. I LIKE HIS face. Huh. Is that what it is… I GUESS I DONT KNOW. —who are YOU—?! GET OUT OF MY HOUSE— I am not in, technically— I DONT CARE! Ooh— Is that a Grammy award?! I didn't know you had a Grammy! Gimmie! [he snatches the Grammy] HEY! Is—what is this, for COMEDY?! FOR COMEDY?! WHY WASNT I MADE AWARE THAT THIS IS A THING?! I DONT KNOW, WHO THE FUCK ARE YOU? WHAT THE FUCK. It's not important. What. Anyway, thanks. Toodeloo. The Rock must have been buzzing in some sort of special way on this day; because for some reason, I couldn't stop thinking about it. I had finally rearranged the remainder of my seemingly new surroundings— the miniature keurig, a status symbol, of course, looked handsom on the work desk— the cat tree seemed to match, though with no actual feesible monetary income, and no end in sight— the tree itself would have to be enough to lift my spirits. It was a nice cat tree, almost untouched and looking very brand new— though the couch had a few scratches, though easily hidden with the decorative use of a couple throws—at least I had a couch, and all that was left to accomplish before fully enjoying was to arrange an order of Freebreeze to rid it of its previous owner's dandruff smell, and general mismanagement—besides that, it was itself almost brand new as well, and it seemed a strange new world to wake up in, after sleeping in a nearly empty apartment for 6 months; there was 6 months left in my lease, and I was getting nervous that they would try to push me out—hopefully I would find someplace better, or at the very least higher up—with the same amenetire intact. Still, I was working as diligently as in could on organizing—at least the recordings, to put together the next group of projects as quickly as I could— nevermind the writing—and there was so, so much of it, I hadn't a clue what to do. I had been avoiding Rockefeller Plaza like the plague for quite sometime—it always made me nervous in a sort of way I didn't understand, in that I would pulsate and vibrate differently, and more often times than not was upset and concerned that I had yet to go to the top—a costly feat—nor could I afford to entertain or enjoy any of the amusements at the bottom—not that i wanted to, as the older I got, and especially the longer time spent in New York, the more of putting the public and large crowds were—particularly after a remarkably disgusting respiratory infection I caught on new years, battling a crowd which became impossible to move through at all—let alone see the ball drop—and I had learned my lesson, especially after The Macy's Day parade; the crowds in New York were disgustingly unbearable, and in order to get a good view of anything, you would have to arrive nearly a full day early, and simply camp—now I knew why people packed around collapsible lawn chairs on holiday weekends. I had been blindsided by Fallon towards the end of the Macy's day parade—I hadn't any clue at all that he apparentlyboarticipated annually, as it had been years since I had watched the parade myself with my parents—and still, it was iconic—I always wanted to go. Still, and even though I had only written very little of him up to that point, I found it disasterous that as his name was announced and the float which carried him and The Roots, the best late night band on Television, not by opinion, but by fact—as I had most recently been studying and researching as thoroughly as I could all of the late night hosts since the dawning of Television in preparation to write this pilot, The TV People, short handed to TVP—and just then I recalled a dream from the night before, about Pat Kirkpatrick—for the first time in the dream world, it wasn't Fallon at all, but Pat Kirkpatrick. I couldn't remember the dream, nor could I seemingly work myself out of the rut that had been the plateau in writing the show—the show itself was heavy, with so many characters, all of which each had been given detailed and specific personalities, livelihoods, and backgrounds—in fact, I hadn't written anything in such a way since college, with detail—actually, I had never written anything so detailed at all, so character oriented that the character analyses filled entire pages of documents with excruciating vividness, as if these people were real. Well, now they were—and Fallon was neither Patrick as I was Esha, and the story has taken its own form, still however birthing an incredibly awkward and romanticized fascination and near obsession with Fallon—not that I would feed it to be so. I blocked out the news outlets, the media, the alrogithm's suggestions to watch bits and pieces of Fallon, though, however, I refused, and somehow, I didn't need it. Fearfully so, he was somewhere lodged deep inside me—and I was even sort of embarrassed to have written some of the things I had of his essence, however prophetic it seemed to be, that for about a three week period between April and May, I seemed to have gone off into a trance of sorts, writing for hours and experiencing vivid visions of this show, The TV Prople, alongside writing The Festival Project ™ And all of its markers—there were so many worlds, so many ways throughout them—and now as I had realized, I had actually been writing about Fallon nearly as long as I had been writing about Sonny, but differently. I had never of course come face to face with Fallon as I had the latter—and still—found it somewhat nessecary to hide my face beneath a mask as his float passed my viwingbspace, an elevated view from the staircase of some church, which had happened to be perfect—and although I was certain it's not as if he was looking for me—I had just then been writing of this Cosmic Avenger, and hadn't any idea at the time of Fallon in reality having been an actual magician, and still— with cameras everywhere, and knowing even what I had written—I didn't want to be caught by any passing cameras with any sort of blush or worse—a smile on my face as the float passed— a smile which would flash my atrocious gap-tooth and crooked smile I was sure was permanent, by then having been in the homeless shelter nearly a year. As soon as his name was announced, I promptly pulled up my masked. I had already been caught on camera earlier in the parade gawking at some float—now was not the time to be caught gawking again. He, like Rob Lowe seemed impeccably professional and well-rehearsed, like a cartoon character— he was, after all, kind of a cartoon character, however now, even if it was partly due to my own writing, I took him more seriously. There was a darkness about him— a sometimes glassy-eyed, almost scary darkness that told me, even a world away not to fuck with this dude—some kind of animal or monster I was sure we both shared, however mine more the type and category of insatable and undernourished and his more peaking its head out in the form of a multi-millionaire network puppet, which housed an untamable powerhouse of musicianship, manhood, and wit— it's true, I was finally scared of him, knowing after all what the true tears of a clown could be, a dangerous man in a uniformed suit, the Everyman for the programmed masses, and the funny man with a jig to dance, a story to tell, and an indoor life— secret realm within I was sure no one knew. I fed the monster with respect to the home, happy wife, and children— I, after all, loved love, and only wanted it for myself, leaving alone the parts of a man I had found and was sure was broken enough to have left me puzzled and star studded rather than struck as I always was, tears welling up at the thought of it that something should be mended neither I or anything I was could not fix—I continued to write, however, knowing I was walking on glass barefoot and tiptoeing on eggshells around the mass media conglomerate of the network that stood between my feeble world and his, the higher ups— and bryknnd: it was, after all, a level system— and now with a beautifully decorated and fully apartment, besides my mistress on the floor instead of the space saving loft bed I had wanted—though it looked just right with the piano bench as a headboard, housing my crystals and new globe, plus a colorful collection of books I could crack open as I awoke to the morning light, no longer so early but increasingly later, as I shifted into the insomniatic habits of a true DJ and music producer, still writing and reading in the mornings, however— I had to wonder what level I was truly on. My apartment looked like a home. The decor was better than I could have imagined myself even, the tasteful furnishings and modern elegance shifting my reality— no longer an empty apartment, now a fashionable hub for art and creation. I assumed the car would come along in the winter, with any hopes that I would finish my albums by then—and also looming over me— my last life, and the people in in struggling to call up to me in this very ascended realm, which I was lucky to inhabit. ‘Thank you God for your many blessings' My wishes it seemed, had been granted— magic did indeed seem real, and though I had an Amazon return packaged and ready to go— there wasn't a time and place I could see myself as ready to even be near The Rock, some festering bulletwound in my heart, all that I had written, not just of Fallon, but of the rest of the people I had honored by word mark but had not yet the status or wealth to have ever known as human at all, but more products of the program; with intention, however, it was the path I had followed to be destined here somehow though small codes and doorways, signals and symbols which called to me and seemed only I could see—but were there in plain sight, and with the right eyes, had meant more than I ever dreamed anything could— open doors to a world I had indeed created myself, and in turn, the world in which I lived had also been created around me. I had to, in my mind, find the light inside all of whom I studied, to humanize myself—nurturing some fascination of fame and celebrity inside which still stood unanswered, the question of why and how one becomes so high up that without trying, that I might continue to find them in my mind's eye and in my world, on the outside, time after time. —tales of a superstar DJ. https://linktr.ee/codenameblu {Now You See Me} From Google: Charismatic magician Atlas (Jesse Eisenberg) leads a team of talented illusionists called the Four Horsemen. Atlas and his comrades mesmerize audiences with a pair of amazing magic shows that drain the bank accounts of the corrupt and funnel the money to audience members. A federal agent (Mark Ruffalo) and an Interpol detective (Mélanie Laurent) intend to rein in the Horsemen before their next caper, and they turn to Thaddeus (Morgan Freeman), a famous debunker, for help. No, not the google documents! GET IN THE HOLE. Hm. What. Blood Shower All along the watch tower Do you feel good? Do you? Do you feel bad about this. I do. I feel bad about this. I forgot to tell you– I should probably let you know that I just want to MAN, FUCK THIS DUDE. MA. WAHT. IT'S ON. WHAt. THE SHOW IS ON. THEWHAT. THE– *suddenly self aware* …I gotta get out of Boston. What, first this was about war, now it's about bird people? It's about a war WITH the bird people. I should sleep. Hahaha. No. This isn't funny anymore. At least it's over. MA– Oh, it's far from over. Yo, i'm going through some crazy shit right now. Spur of the moment I'd never thought of it; This is gonna take forever. I don't have the patience To even write this I just want french fries right now But been up for two days with no gym and I'm on a diet. GUAC TIME. No, no burritos. GUAC TIME. Oh shit, this is getting real as fuck . NOw i see it three ways. I love it. I hate it. HEY, LET ME OUT. GET BACK IN YOUR HOLE, SKRILLEX. I'M DILLON FRANCIS. IN THE HOLE. Check it out. Huh. It's another DJ. *agrees* Should we pick him up. WEll, the good news is: I found your friend. Oh, that's good. The bad news is: He's dead. Oh, that–'s … nice. Yeah. It is. Uh. Kaskade. Yeah. We gotta find Ryan. Why. What's up? You're freaking me out. Why. What's up. Nothing IS it my eyes? I– *wild ass eyes* Yeah, it's probably that. Fuck dude, what did you do to deadmau5. NOTHIN. He's not the same. What the fuck is that. Holy shit I jus timejumped Where the fuck are you going. How the fuck could this happen?! It COULDN'T. Well, that's it then. *shrugs* Well, I guess we're just gonna have to go dig up Dillon Francis. I guess so. Do you think he's still alive. Like, probably not– Maybe… No, probably not @prodbywar& @Halmadeit This amazon order took me nine hours Alexa, I think i should fire her Like a arm I don't leave at night without armor Don't make me a martyr Your mom will be proud of us all If i make it outta here And i'll look after her Got the whole block coming up on my heels as I walk Wtf is it… Idk dude. Is it speeding up? I…i think so. There's no way this is 140 IT's 140. It's 140 . There's no way. Yes way. Nah huh. Let me see. No. Let me at the decks. Let me at the decks. NO. YO LET ME AT THE DECKS. You want deks. Yes. I got deks. Really. yeus . I never listened to it like this In ableton I read serato, synesthesia and rekordbox I talk a lot, I'm like a human music box I walk a lot I run my mouth a mile a minute (faster than i run around the track reciting rap words) Like they're passwords. Oh, I could do this forever.. I wish i had i microphone right now And was all alone With the lights off Lying on the floor I'd be lying if i said I could afford you Just to fornicate But may consider playing with a foreigner If you're all for her I'm unnerved, you know Cause i've been up so long My monster likes to play with boys and Make the bass go down below where Nobody does anymore Once I get a hold of things Or the hang of it You've got another hot ones on your hands I've another record under my belt Or in my roster, Whatever you'd call it But now I've got no time to bark about Wanting a dog and a daughter But none of the responsibility or Going through all the trouble to find her a father I'm still holding a fart in. Reaally–cause–it's been a really long time. WHAT WOULD YOU KNOW ABOUT A LONG TIME, JIMMY FALLON?? Um a lot! You literally just saw me make the journey all the way up from nothing. I am nothing EXACTLY. I don't have time to fight with you Jiimmy Fallon. I did NOT write these games by myself you know?! Um, excuse me– “GAMES” ?! YES, GAMES. Uh, I've only got one game with you in it, my friend. Is that so! One game that I've written with the Great–formerly LATE Jimmy Fallon. Is that like a play on words cause i'm on late night TV YOu'RE ON ALL THE TIME TV, JIMMY. NBC SHIT IS PRACTICALLY AUTOMATICALLY SYNDICATED. -_- …are you alright. –_-_-__-_ Hold on, I think i've got it Nice, I found a growler. yOu still haven't got all the monsters and sprites Ive got all the big ones, but the little ones are harder to catch. GrO0Wl3rrr. Aww. He's so ugly. Yeah, but cute, though, right. I don't think so. Gro)WwlErrrrrrrrr. Aww. That's so fucking gross. lol . so what does this thing look like. Well, that't the thing about the monsters and sprites. WHAT THE FUCK IS THAT. It's alright, it's alright–he's nice. WHAT. THAT'S A SPRITE. No, it's a monster. He's just scary. SUPACREE. David Bowie. What up. God, it took me ages to find you. Tell me about it. I'm still trying. We've been expecting you for a long time. You were expecting I'd die? Yes. So when she says she's “married to the music…” I'm married to the music. Oh, so. Yo, honestly if you een want to talk to this bitch, you'd better have like a musical instrument, or a mic in your hands, Otherwise– No, getawayfrom me. It's not even worth it. HI. –No. What's up? Tempo. SUNNI Cotour From the store I was poor Now i'm honorable In velour, Glamour (Snap) Forsure, Jesus Christs is making appearances in my abletons I'm not able to comprehend or understand exactly the message, But the evidence sire is mounting Get it Reached the temple, More of a sanctuary, Is that sacrilegious I guess it is, I'm stressed as ever Trying to get it together {Enter The Multiverse} Now I know too well, The well of tears on my guitar She's got a body like one Oh her curves But I just wonder what it like to be loved By stars Socialites and superstars They're Gods, you know How high up they are Above us And he lives in an ascended dimension, But he insists, he says Her transcendence is upon us He said Your transcendence is upon us He says these things, And then just vanishes So she gets up promptly Warms up yesterday's coffee Looks around in her coffin And wonders What for I just Wonder what it's like to be loved by stars Without double r's, you know I've got scars But it's mostly just Teardrops, and soft kisses On my guitar Cause, oh, Oli, I ain't got nobody— And nobody holds me Like I hold Oli (Could have been Ali, But of course— I had already lost that one A whole well of tears, I lost At his departure And a whole well more When I actually lost him I almost miss Having someone to talk to About anything and everything But I've got Oli And God now I've got Oli And Oli (oli) Is all that I've got Besides God That's the only contact In my Phone book No more double Ls And double entendres; No more double rs At all Just scars now No more metaphors. Honest is radical I like them cynical I should have clinical insanity by now But I'm only just an artist You can't help But can only harm that And if it hurts hard enough I'll put art on my walls Become permanent Storybooks all over my arms now My coat of arms now I've run Ten point 5 miles In the last 3 days; But if I rest today Will a motorcycle gang Have a parade outside of my window, To drive me crazy? I hope it rains, So they can't play these games with my head And the seeds that I planted So deep become daisies I still don't remember The way he rearranged me But these days I make my name sound So the way He can never say it Just imitates The way I hate myself I should be dating But expressions are Atrocious If I fall asleep— Who knows I may get Stolen That tends to happen So I'm All the way up And I'm swollen in ways That I hate to say “I love you” Love me back Or say it harder That's my martyrdom Come off the cross, for a moment, Would you for us? And bend over Or bow, if you will? If I did, Would you still call me wicked Or just a Good witch Since I'm a woman, I just couldn't be Jesus, Who you asked for once And always Who you asked for some To save you from your Credit reports And consorts Or some sort of Nonsense [famous last words] God don't speak much English, She says God don't speak much these days We were Always Telepathic That was way back then When Oedipus Rex Was on the Guest list I was standing at the coat check, asking Why I must take off my hat When entering the service To the bouncer, he says “That's just politics” I said, That's just politics We both said, What's the difference Then we all laughed —then we all just laughed and laughed Exchange is my favorite exchange Where my favorite exchanges Have happened for centuries Of engagements Endeared species, And races pieces haven't tasted the same Since I haven't had them Animal products And animal planet I found this hat on Discovery channel Did you want it? I can't stand it So I had to have it back I just had to use the bathroom I just had to disconnect From [] See— I don't even have to put the words in Cause a name is just words When that's a man You just can't have And that's the worse When that's a man And you can't have him What a habit. Silky rabbit. Now he's the Ace. All In A Day's Work I've never died before. Oh… that is terrifying. It sounds terrible. It's really not that bad. Why are you not writing this down? I just need a moment… It's really not that bad… I die all the time. I get sensory overload At Trader Joe's Look at the colors The clothes, This sure isn't queensborough Escalators for shopping carts I get it Manhattan I'll take my half BLVCK ass to the projects Where my kind are I don't belong here , God you're intolerant I like this part of town But I'm way too brown And I dropped my crown at the market I should be jealous of everyone But I have learned my place I've been a slave since Hollywood I lost my son to the devil Now I pay child support And terrorist follow me coughing I'm wrong just for being born ! You could start a war from it If that's what you wanted I'm a people watcher people watcher About to board the people mover People mover Slip, Here's the tell Slip, here's the tell I should have a bell around my neck I think she wanted a picture with papa I'm playin my own paparazzi Look mom, I bought a sacafagus There go them niggas with coughs again I been watching em Got binoculars I got oculus, for my oculars Look how hot he is, make me ovulate Man I gotta love it, Cause they love to hate Fucking racist crazies Have it your way I paid for it with my soul You hate but I love to love Somebody just got me fuckes up I don't have a book to run off of Shut up, honey. Now we're all up here Monkey in the middle Cause the middle one is weaker It's getting deeper and deeper Like the sinkhole that my sink is Let it sink in I've been syncing my secrets with demons In dreams sequences It's just a reparative injustice Kamasutra for your wondering words and stuff You can have it It's ruined anyway m Look at all this trash Look at all these classless classes Classwars, Racists. Everybody hates us The Asians, Latinx's The other niggas What being black is I'll write it in cursive It's just a curse, here So you can have it I'm moving to Heaven I'm packing my boxes I'm getting a cat, too! His name is Agustus He's a big one And I love him I just wanted a hug or a husband Instead I got nothing to trying my hardest And got for a bargain at target some coffee For being a targeted body All on an algorithm I guess I'm just useless. A dumb nigger demon Did I just offend you? Then you shouldn't be reading this either I wrote it for pleasure (Or pain) On the one Or the two Or the one Or the two I could do a lot with this $20. I could spend it all on Fuck all of you I'm moving to Heaven Where the heart it She's not harmless She's a terrorist— And I'll kill her, too Look how right she is Look how white she is, Huh Regardless of color It's a race war Lil biiiiitzzz Yooo, fuck New York. In every hole. In every crevice. Fuck this place. It's racist— Not just cause I'm black. Like statistically. It took a whole ass apartment elsesrch to feature this out. I was like “I wanna live in Manhattan” Everyone was like “NOOOOOOOO—-“ Haha “Nooo, no.” I was like “Why not?” The blacks were like: HAHA The whites were like— *COUGHS OBNOXIOUSLY* New York is so racist. It is statistically the most diverse—and most segregated city in the nation At the same time. WHAT. How do you even DO that? But it's true, at this point, the black people are like—fuck this, we'll just stay over here, and over here. And the rich whites are like YES. KEEP THAT SHIT, OVER THERE. Cause if you've ever been to the ghetto. It's some SHIT, It is NOT COOL. I finally got my ‘night card' back. Had it revoked in california . I was almost a whole valley girl. I still eat exclusively at Whole Foods. Trader Joe's. But NO. Now i live in the hood. It's fucking disgusting. I can say ‘nigga' again. Cause it's NIGGAS. Lots of niggas. I'm telling you. It's night and day! The white folks trains smell like bleach— Ammonia. The black folks train smell like a McDonald's. WHAT. Or just— Vomit. I can actually count the number of times just— Vomit—- On the train. Or. Dookie. Yes. Human feces. But I'm ready to go to midtown and it's like the train that goes around Disneyland. Families! People singing! Hey—cotton candy!! —and I didn't have to pick it! Haha! Fuck New York. Racist ass HOLE. I thought surely the next presidential election was one or two years out, but the racial tensions which had been rising became even more pronounced, as I realized that November was theboncoming time—and that they hostility between the whites and the blacks had once again been a result as the oncoming war, fueled onward—that the hatred, disgust, and general aggression of the whites had been of course, in the midsts of yet another Trump-fueled political upheaval, and I wondered why and how at all I had been caught in such a world that existed in form of man, of course, now proven himself to be the weaker sex, and yet in that of dominance, as was arranged in such an unholy war, to be the helm of power by sheer greed— now it seemed that these attacks were indeed political terrorism, and that these motorcyclists, my placement close to the ground level, and my neighbor's clammorings were specific attacks, after my identity had been varied to be that of the same in which I had once held political ambition, now none of which I assumed mattered at all. Perhaps I needed something more certain than a 12 story jump or suicide by train, and wondered as to whether it would be easy enough to kill myself bh self inflicted gunshot—a sure thing for certain, as love has been lost in the way of money at all. At that party…or rather, kind of—after. That acid that never hit Beyoncé I don't feel it. Man, I'm a terrible influence(r) Just take it. Nah, I'm good— PUSSY. -_- Give me three. K. —suddenly hits BEYONCÉ. BEYONCÉ …I got this. [BEYONCE] however, does not Ohh, shit. — “got this.” A very stranded, very sober Johnny depp stumbles upon what appears to be a college frat party, where the only thing they have is light beer, and nobody even recognizes him as a celebrity, because the attendees are all gen z What's even after gen z? The fucking apocalypse. Anyway. The acid hits Beyoncé on her way to make coffee, which extends the trip from the living room to the kitchen infinitely. Multidimensional Anne Hathaway hulks the fuck out and saves the day by ruining everything, which actually fixes everything— and *spoiler* helps Jesus to remain as the king of kings at beer pong. Lol In the late 90s in New York City, the keystone cast of Saturday night live learns of each other's formerly sexret psychic abilities, and uses the radio technologies of Rockefeller plaza to develop a research center for the telepathically gifted, eventually discovering and perfecting time travel. Supacree (the kid version) appears in and out of her ideal and desired realities, baffling ‘the Hollywood people' and later ‘the New York people', becoming the legendary central figure of the Illuminati, as the original timepiece — a pyramid shaped extra terrestrial vehicle which contains an ascended hyper conciousness, which I can't remember how it goes, did the supacree leave to find the Skrillex, or was it the other way around? I think it was both ways at some point, but the whole thing was this, just in case I never wrote it but just saw— These space god (humanoid evolved) are some kind of scientists/ doctors— there are four timepieces, each representing an era upon our planet; earth, which is distant but sacred— these four time pieces each depart their given “docs” in time to appear on earth at specific Fuck this is hard to explain Times in history, at which the first worlds, or previous human eras were known to have been destroyed— these time pieces travel through time space with the full record of these events in order to alert the current human era of its imminent doom, as an attempt to prevent such disasterous events, typically war, which will lead to the annihilation of the human species; these Gods, one male and one female, a king and queen, a married couple are the rules of the humankind, technically worshiped as a whole as one God, with whom the human design was modeled after, however, the true source of all things is the cosmos, known and unknown, in its totality—neither man or woman, but the force of creation. Anyway, what else is happening Oh. All of the celebrities are stuck in— [the festival project] in some way, shape, or form until its creator finishes it—and though it in itself is infinite, its 'finishing' notates its eventual production, which lol. That never going to happen. Because. Let's face it. I'm scared of …rich people. Yeah, sure. Yeah. I'm scared of The effect of the race war, which has been to pit the white woman against the black woman, which allows and maintains the continuation of war mongering male dominance over the entire planet, which remains as a destructive force of greed, racism, and inequality. So why try? [EDITS] CONAN O'BRIEN Alright. If she hit Fallon, she's gonna come for one of us next. No, Conan—that's not how this works. WHAT—where did you come from!? When did you get here? JAY LENO This goes deeper than all of you can understand. WHAT the FUCK, man! When did you-/ —when did he get here? How did you do that?! How did you do that?! What are you, like, the same guy? Are you not all the same guy? [they shrug simultaneously and kind of just agree] Listen at this. Okay then. The enemy of your friend is my enemy. Oh…kay—and the enemy of my enemy—is my friend— That is correct. —so we're all friends here. That's right. Some special forces? Which forces? How special? [JENNIFER LOPEZ is still JENNY FROM THE BLOCK] Do I look like a fool to you? Uh— OOPS [a pre-fame Jennifer Lopez receives a drop full of diamonds instead of the usual; she has been granted access into the Illuminati, and becomes an overnight success.] This feels heavier than usual. Same as always. Hm. Are you sure. Yep. Hey, you're not the regular guy. Regular guy died. That makes sense. JENNIFER ANNISTON is inside of Ū Okay, grosss Not like that [lifting max weight] Okay. That was cool. Wow. Yeah, sure whatever. I am strong Yeah yeah, okay. Are you sure you want to be my size? Yep. JIMMY FALLON/SKRILLEX (we don't know actually which at this point) is also trapped inside of Ū Okay, gross! Yeah. SKRILLEX is in all of Ū. okay—actually, i'm okay with that, but That other guy?! [JIMMY FALLON] Yeah, he's weird. Also meanwhile, kind of— MARSHALL MATHERS has a closet cleaning service lol. Patrick is smooth as a motherfucker, you know. Every time his head is down on the desk like that, he takes a bump of coke. What?! Big uh! [Patrick takes bumps of cocaine in front of a live studio audience—every single night.] Woah! See. Goddamn. You gotta admire a guy like that. Jennifer Anniston is the weight on the cable tension machine Ooh. Psycho bitch devious methods new ludachris commercial All ya'll girls is toddlers I like long boards and longhairs Lawn mowers and lawn shares Aw hell nah, God forgot Cher I got the Blair witch project On Blair, I hope I scare you How dare you. Your girl looks like a naked mole rat. I got my soul back. You blue eyed bastards stole everything From the whole blacks, Hold that thought I'm at Whole Foods market throw in the Amazon algorithm off With marked dollars Look at God at Walmart On them rollbacks You old hacks are cackling I'm shackled to old habits Hold hands with me, rabbit I'm just a silly rapper really, are you? Maybe. Cut the verse of Reverse God Now I'm the devil I'm still lost in the Amazon cart I sharted all up in your pop tarts Before you warmed them up, pops Just for the sake of the art, Heart to heart, It's a war on love And the white girls won with nothin but Buckets of Whatever's up there I wouldn't know Cause I'm stuck job searching And running, Trying not to have a tummy So some gummy worm will love me First their sour, then they're sweet Then nobody, Trolli Holy moly I could use some more petroleum in the ocean! Said nobody But the globalists are performing your programming Which you're worshiping I put my eye on the dollar So I could watch you all Crumble and fall Don't you know The apocalypse is happening at the mall Of all the places How's that for a stream of consciousness, You salamander I asked Anandar back But I went past that chapter Have a chap Or a chapstick, for four times four dollars A bottle of water will cost you a fortune (But at least the drugs are in it) Get it It's recycled piss Distilled? Which is it, Mr,? The mystery box was literally lifted into My dinner from a fishery filled with nothing but niggers in it— I want a refund, before I catch that Fucking curse of poverty from — what'd you call it salmonellahallibut One hell of a cough from someone on the sidewalk But guess what? The devil's in your pocket or your palm, And that's the omen and the psalm rolled into one Cause God is awesome, But my mom is fuckin toxic And that's how I fuckin got here Blow my head off, Slit my wrists And write a song While jumping off a bit When all you need is money, But the world costs more than It's worth, and words are nothing But another fucking problem in your Google documents I look at my son and see a God, But half of Satan's in him, Oh man Robotics Lets be honest, I don't even know how to write this. Where's my sides?! WHERE'S MY SIDES. You don't get SIDES with this; It's just CHICKEN. I don't eat CHICKEN. It appears as though, however– You do. Ok, I gotta get off this playlist. I… i gotta . “The Wal*Mart Wars” Hm. … …………. …. *face* … no. No. l– What is this place. {After a wild night which apparently spiraled out of control, great , there goes my peace. Not forever, though, maybe. FUCK THIS PLACE. I HATE THIS PLACE. Everybody hates this place. But the album is called “I love New York” Yes, thats Technically How it's pronounced, though It's stylized like I _ NY Cause. EXT. MIDTOWN MANHATTAN. DAY Oh, wow, this is beautiful. THis is great. I love this place FUCK THE FEDS. CUT TO: EXT.Typically WHEREVER ELSE Anywhere ‘above' like 87th? Lets just call it 80th, be safe. BE SAFE! NIGGAZ. ah shit, i gotta go. BITCH– But lets just be honest, It's technically ‘above' But it's really [THE BRONX is a literal extension of the Underworld] Oh no. srsly tho. X_c Anyway. FUck man, Do you think i'll ever get good like that. Idk what equipment is this Hmm, lets see, that's approximately $8,000 USD of CDJs wow yep That's retarded Yep. And you still need a mixer. fukt. OKay, I would literally sell my soul for this. Consider it done. wait , really? YES. you earned it. Wait, I– What?! You earned it… Uh oh. Take care now. Shit. [BILLIE ELLISH is trapped inside WALMART] Uh oh. Fuck. what is this place. INT. WALMART. WHENEVER EMPLOYEESLAVES WHAT TIME IS IT. THERE'S NO WINDOWS IN HERE. That's not funny IT'S literally a synonym, we might as well make it a portemantau MEanwhile, in this other dimension, So that i don't offend anybody… Actually, you know what? Be offended. Quit that stupid fuckin shit and follow your dreams! Wait really? Wait, really? Sure! If you want! …i guess. AMERICA NO. INSTANT HOMELESSNESS ok , nvm. Damn. I know, right. wtf r u guys watching. Shut up. All Wal*Mart Employees are actually top secret government agents. x ∞ >.< (we'll just use Billie Ellish as the alternate, but really it could be Could it really? Shut UP, PLURNICORN. Wtf is a PLURNICORN We'll see. [Upon Realizing s/he is trapped in a mysterious place apparently extremely public Wait, you've never been to a Wal*Mart Before?! NO. I grew up in LA Rich as fuck And i've been famous since I was liike 12, Or something. Right. That is–kind of terrifying. LATER: WHY IS IT SNOWING INSIDE. WHERE'S THE EXIT. THEY HAVE GUNS?! oh wow, they have GUNS. WHY DO WE NEED GUNS! KA-BLAM. BECAUSE THEY HAVE GUNS. Bang-bang! Ptttttttttt—sttt. And they have guns. Actually, these are just– confetti cannons. *pop!* Lol “Possibly The Worst Show Ever the infinite rave continues on in Hell as everyone awaits the return of SŪPACREE- The Cosmic Avenger (Who Is NOT a DJ) and Sunnï Blū (who is a superstar rapper but also not a DJ) go back to back, buying time as the beacon to. Signal "The Supacree" is completed, battling the 10th dimensional DJ Ū, a super ninjas, for control of the decks. what else happened? idk. I CANT STOP DANCING. none of the DJs can find a pair of working headphones, and the sound guy is missing from the booth. "missing" YOU SHOT HIM. I THOUGHT IT WAS A TRANQ DART. {Enter The Multiverse} “TVP” Hazel is 6, turns 7 season 1 Season 7- 15 Man, I can't remember the other two kids names, I think the little boy is Ira but I might have named them all and forgotten, shit. Her sister, though is between 4 ½ and 5, they are technically “Irish twins”, and always fighting—they look very similar, however are not at all alike; Hazel is very much a daddy's girl, while her younger sister is a no-nonsense old soul with the tendency to cause trouble, not by being inquisitive or showy, as her sister often is, but rather by being quietly observant, and tends to dismiss both her parents, often isolating, or even dissappearing without notice, quietly and comfortably into her own world—as the series progresses, and though all of Patrick's children like their parents have showcased some kind of special ability or talent— Holy shit, give this kid a name-/ I thought I already named her, I just don't remember. That's true. It seems like they all had names. She is almost very typically, though showing signs of genius, even at the early age at the beginning of the series, a middle child, prone to upset almost too easily, but rather than acting out, is more likely to take her anger quietly; she shares her fathers deep brown eyes, dark hair, and though she looks otherwise very much like her sister, and later despises her father, is more inwardly and outwardly like him, though taking the side of her mother during their separation and divorce, oftentimes even lashing out at her father quite openly, and very vocally, as she grows into herself. “Ira”, (may have had another name earlier) is the youngest of three— as his third birthday approaches sometime during the first season. Great, now I gotta hide all those allegories so nobody can actually draw from this that Patrick— Where's his write up, anyway? That shit could go on for days. I have no idea why this catharsis is happening. I tried to sleep it off, I swear, but I still woke up like— At least mildly obsessive about this, for whatever reason. Hazel's 7 - Season Arc Hazel has the eyes, charm, and charisma for entertainment —she hopes to one day be as her father, an entertainer and performer, and will do almost anything for a laugh. She is often telling jokes, and is a people- pleaser. She is sickeningly cute, with golden hair and Hazel eyes, long eye lashes, and carries baby fat in her face, though she is rather average, neither heavy or plump, and however also not frail at all. She is inquisitive, smart, and busy, almost never idle-minded, and strong. Though sort of a Tom boy, she has been trained well to act with dignity, class, and feminine eloquence, much like her mother—but like her father, has a tendency to be crass, sometimes carelessly so, or even brutally honest—to her mother's disdain, but embraced wholesomely by other family members and adults, she's extremely funny and delightful, and very much unlike her mother, not a spoiled brat at all, often raising questions beyond her years about inequality, later wishing to attend a public school, and becoming quite the advocate for social justice and human rights in her later years, her final season shows a rebellious and sometimes even antagonistic Hazel, who later even favors Esha over her own mother as a parental figure, often confiding in her about things she can't and shouldn't share with her father, although her almost over the top admiration for her father has become the driving force and inspiration for her own endeavors in show business, much to her father's disdain, as she grows older, him becoming more protective of her, and especially within the oftentimes secretive nature of his actual placement and purpose in the business, and her rebellious nature and charm even force-feeding her into the industry, she is a bleeding heart for superstardom, and is often seen along what may be a path to fame, making Patrick's bleeding heart all the more aching, as though he and Catherine remain at odds throughout the series, he truly loves his children, even “the little sick one”, as he refers to the second child. Holy shit, what is this kid's name If I had the energy to go through my notes, I could know; but I don't. The city sickness has been sinking in from the noise of the obnoxious motorists and honestly, being out of protein is giving me muscle soreness, I'm in some sort of a bloated haze from eating almost nothing but carbs, and the fact that I haven't been with anyone in years is starting to circle like buzzards around my head, my heart has been literally screaming but overwhelming with this sense of calm, and though slipping into Patrick's sometimes erratic tendencies, for the most part I've been underwhelmed with society's expectations that I should get some kind of job, and somehow while working not lose focus on my own interests and projects—I hate [the strange modern behaviors of] most people, and everything costs too much money— my son might be going into foster care, or my ex husband is evil enough just to try to force my energy to worry about a problem he's created, and I really wanted to sleep into the afternoon with this lethargy, hoping that everything surrounding this series would just fall off, but it doesn't. I wake up often wishing I could just forget The Festival Project ™ , but the truth is, it just keeps writing itself, but in the very least, sometimes God gives me little presents that mean the very most to me— a chord organ that I thought was from the 80's, but is more likely from the 1960's— I love vintage stuff, and musical instruments, which only God could know, really—my fascination with history as if I'm still living it, and this, my sudden fascination and drive to write and complete just one series has been haunting me almost just as badly as anything else has, but especially ripping me apart—especially since I have motorcyclists ripping through my body as if it were some kind of disease that existed outside of me, so contagious that it began to sink in to my insanity and mental hygiene. I wondered if anybody else knew or cared about these creatures as much as I didn't—and in fact, I had never felt so much like Ali in the way that I didn't care if they, other “human beings” supposedly, all died tragically, and wondered why the walls and windows didn't keep out the sound of the outside world at all… The middle child begins writing secretly very early on, and is the first to be required more extensive therapy, (as suggested by the family's therapist) after her parent's separation and subsequent divorce. It is not long after she begins learning to read and write at all, that she begins also showing interests in art, asking for art lessons and to begin painting and art therapy, rather than the recommended Equine therapy— she often keeps things to herself, then returning to her hidden places at times when the family's dysfunction becomes uncomfortable and overstimulating, very often paining or reading during times of peace, and retreating to her safe places—sometimes under the stairs, into the attic, the treehouse, or even later, the family's barnyard, where she often keeps drawings, as she ages, later comics, sometimes caricatures of the things she absorbs through her own reality—and diaries, sometimes hidden in nooks and crannies and in places no one would think; a true prodigy and genius, though hidden from much the world, as she is often overlooked, however, her therapist begins unfolding her true reality, often times carrying over sessions and losing track of time, picking her brain or even conversations philosophically What's the therapists name? Doctor Robin She has to have a last name Well, she's a child's therapist, so she's Doctor Robin, but It seems like it starts with a T. We'll see. I just saw her anyway. I drifted off again, thinking about how wildly detailed this all was becoming, and wondered if there was a series of fictional books waiting to be written. There certainly could be, but my mind was reeling, freshly showered but still undressed, and not even wanting to think of going outside—and yet—I was out of water, and had learned that the drinking water from the fountains, especially in large quantities, had a tendency to make me sick—I hadn't yet eaten anything, and though the coffee was fresh, and my apartment was clean (which made me overtly overjoyed for some reason) smelling of Lemon Lysol and Bleach; with notes of a strong pot of organic fresh ground coffee, it seemed like I couldn't do much more than lay in bed writing this catastrophically interesting series—and it was interesting, which said volumes, considering I had always been picky about my TV watching, being that only ever did certain series catch my eyes or my ears, and those series were almost always—or always, always specifically well written, perfectly casted, and had the edge and draw of becoming an entire world within itself, which this series, though only a week or two old at best, in my heart and in my mind , was rampantly ravaging my own world, almost as if it had become of some importance to keep writing it, and never stop, and though Patrick was the forefigure, another broken male protagonist, the truth in the series was that the true heroes of this sometimes scarily violent drama, were its women—a story meant to be told with a diversified cast of creatures from all worlds and walks of life—Esha, of course, herself, a role that had been some recreation of myself, somehow, though so different that even primarily, I never did see myself as her, besides the onslaught of some otherworldly pain, visions of a scene recollected from some remarkable download, and it might have been once and for all that I had lost my mind, or my life, if I wasn't a writer—I was, somehow, though, after all, a writer. It had been a fasting day that could have and might have ended tragically anyway, and still the devil marked his mockery of my efforts by consistently flinging perfect bodied women everywhere that I went—though usually with ugly enough faces that I could see nothing but what a man was—uncaring for one thing over the other, a flawless representation of woman, represented in the current time with scantily clad fashion, almost painfully so—the insecurity of women becoming more apparent in the way she would appear, always almost begging to be near to me, with every perfection and complexion I hadn't—but at least I had a tendency to laugh at my own damage, often surmising that she, these demon creatures, hadn't any talent for this at all—which had turned the state of television into a near circus act; that alone urged me to continue writing the series, perhaps with a typewriter, due to the negligence of nepotism within the industry which often resulted in these pretty little creatures getting even further ahead by stealing works as such, and passing them on as their own originality almost so cruelly and without judgement—plagiarism, as it was called, but more accurately intent-to-kill the imminent threat of what had been said to be a minority becoming a more powerful force to flourish in entertainment however, as quickly as the visions had come, the thought of writing it without my phone became dauntingly impractical, and I scribbled only the most intense scenes and plot lines onto notebooks and scratch papers, keeping them as hidden from the algorithm as possible… lol the Al Gore Rhythm Ahahahahahahaha Was that the joke? Maybe. Idk. Maybe. Idk. Hm. Hmmmmm: What: Nothing. That actually might have been it. Really, was it? I will never know. That is kind of a good dad joke, though. And a good band name. Idk about that. My coffee was lukewarm enough so that I could taste its flavor, as I whittled away at whatever it was— The story was almost so beautifully being told in allegories and parables that it seemed a shame I may never be rich enough to buy fame, as it seemed that was the only way to become a star these days— and yet—it was more the wealth than the fame I wanted, I had realized, at all—the polished class of the Manhattanites drawing me out of Brooklyn and into some debauchery which was my own Grandiose thought form, that I could actually become, at the ripe old age of 31, some kind of superstar. ‘Why would I even want that, anyway?' I thought, interrupted painfully by who I'm sure was the same motorist, who seemed to do nothing but circle the block all day, and all night, doing nothing — and I wondered why he himself had decided not to do grub hub in a richer neighborhood, where money would more than likely come more easily. But really— I drifted off to a time where I wanted to ride a motorcycle myself, and the curiosity forced me to go online to check the price of what it might cost to have one. $5,000 for a decent bike, which would include a muffler as not to be so obnoxious and disturbing to others as these creatures had become to me— and I began doing the math on how long it would take to save $5,000 as if it would be possible to work some dead end job for any amount of time without spending money on anything else. It would take at least 5 months to earn enough for a motorcycle, which landed me directly back at “Not worth it”, and as horrible as it was, I did at the very least have a luxury apartment for at minimum the next 5 years, however, wanting still to move to Manhattan, Midtown specifically—or one of the quaint and quiet neighborhoods on the upper West Side. The neighborhood was going to hell, after some unworldly godless force had seemed to drop hundreds of thousands of rude and thoughtless third world workers onto the streets and buildings bordering the one I lived on, the neighborhood becoming more rough and less peaceful with trash and debris from the depression and congenital disease that was poverty, the collective unconsciousness of the masses colliding with my empathetic nature and oversensitivity to sound, especially awful sounds, such as the hundreds of motorcycles and hot rodded junk cars which only seeemed to move in a track around a four block radius, and had become a cancerous trigger of sorts, no authority figure seemed to much care about. I cared less and less each day to listen to music, since I wasn't making it the way I wanted to—and I had realized that the constant displeasure and unrest, the lack of peace had as much to do with the world outside as it did with the world within—and I began to see the disgusting obnoxious noise pollution outside my window as just an extension of man's abuse, ability to rape, torture, and kill, terrorize— the uncaring waging of war, control, and lack of true power; as no good and true man who wielded actual strengeth or true power in any way would continue to show such distructive action and carelessness for others around him— chaos, corruption, abuse, and misogyny was proving to be the downfall of all humankind, as patronaged by man, and, as I became doubtful of anyone's lack of understanding of this, especially as the immigrants themselves were often naturally pedophillic culturally and toxically abusive in nature, most migrants flocking from countries in which women's liberation or the protection of youth had not yet materialized into their understanding of conciousness and morality—the men were weak, unkind, and selfish—the women mere machines at their disposal—and however many there were, I could see that their children, the many of them, remained as the redeeming factor. Anyway, a political ploy for the ages of there ever was such a thing, the newest chapter in American greed and slavery, it only seemed like an extension of evil itself, and less of a coincidence with each growing day—each new person, another burden to the middle class taxpayer, another reason to inflate the cost of living—and all the more reason to continue to terrorize the American people into its own division, hatred, demise, and consumption. e. My faith, however, was unwavering—God was real, but these abusive and toxic creatures were pushing it further away with violent arrogance, and the inability to understand that God itself was the nature they continued to destroy. Robin Bennett Fine. “My name's —ahem— “Ron Sennet, and I ain't In it.” —did the say “don't” write a book about me? It's Not about him… Or something cute he used to say like that, I couldn't remember, but he had a bunch of cute little idioms that matched his name, and to the day, I still missed him — it was 11:15 PM exactly as I hung up the phone, after an unsuccessful attempt to reach 911, after realizing that the threat outside was maddening enough to be impossible to only be in my head, and after weeks of the excruciating noise, I finally called NYPD dispatch, much to my disdain, and of course magically, the noise seemed to disappear, but these abusive and toxic creatures were pushing it further away with violent arrogance, and the inability to understand that God itself was the nature they continued to destroy. Robin Bennett Fine. “My name's Jon Sennet, and I ain't In it.” Or something cute he used to say like that, I couldn't remember, but he had a bunch of cute little idioms that matched his name, and to the day, I still missed him — it was 11:15 PM exactly as I hung up the phone, after an unsuccessful attempt to reach 911, after realizing that the threat outside was maddening enough to be impossible to only be in my head, and after weeks of the excruciating noise, I finally called NYPD dispatch, much to my disdain, and of course magically, the noise seemed to disappear as soon as I had made the call, which infuriated me. It seemed as though the game in entirety to make me look or feel crazy, though I knew I wasn't—well, I was, but not without purpose or reason. I had been theorizing in energy exchange quite decisively making a mark for my alter, at which I asked to be designated the wisdom and truth of the light within the eye, desire, however never in mind, although I had been summoned in part due to the fact that wenwere somehow alike—I was in some ways besides and out of sorts with my set, sinking my teeth into the forced obsession as I unraveled any possibilities and plotline. Episode 01. Pilot An opportunity presents itself seemingly at random— the protagonist's hand is forced into a life changing ultimatum, putting his reuputation and family in danger. Already involved in an illegal gambling ring which operates out of a secret historical prohibition era speakeasy and some “light” drug mulling within its walls, however often extending even as dangerously close to his workplace, Patrick is propositioned to become an investor in the high end escort service, with which he hired and contracted his lover, Kandi, a “rescue” whom he supports in her exchange for exclusivity, to remain as her only client, however, although he begrudgingly declines, wishing not to be involved in anything much more than what he has already kept under the radar, he is intimidated and threatened by blackmail, his high profile becoming at stake—he then obliges to embark upon this new endeavor, the expansion of this establishment to include a warehouse, which houses a large scale brothel, and, able to use his social status to procure wealthy clientele, quickly becomes a power player within a ring of coveted elites, setting fire to his already inflated ego, and colliding with his intense and highly functional polyaddiction, which he has maintained since his youth, using his entertainment persona as an outlet, becoming a medium of excess, fame, and rampant wealth. Patrick is beloved by his peers, and is humbled often by his devoted fans and friends—proactively worshipped as a comic genius, a prodigy, and a revered successor to legendary frontmen— Okay, this is weird, because I started writing this before I even understood what I was writing at all… —specifically, the sixth successor, to his coveted role. I had written for Esha to be the seventh successor, as with the symbolism deeply and quite literally woven into the sometimes brutal framework of the series, which I had shorthanded to ‘TVP'…the world around me trailed off as my eyes blurred as they had been lately, and I wondered if I might be having some kind of stroke or something, as I was certainly some sort of out of body—the day had been strange, and I had given up on a run or a gym for the day, the motorcycles alone ravaging my energy, and whether I worked out or not, they were everpresent anyway. They were some sort of toxic, abusive force I just had to put up with, hoping it didn't upset my psychology so much that it ended me, though I had become quite odd as of recently, rambling more than usual and actually praying out loud, as my silent ones just didn't seem to be working—they were probably white supremacists, or in some way connected to some political terror group, but it didn't seem to matter. Someone liked torturing me, and it was becoming apparent that no matter much time I spent at the gym, this torture was going to persist. After a month long gym streak, at least going once a day to lift something, I rested, or rather, tried to rest, kind of— but my mind had been swirling with thoughts of a man I was certain by now I had made up—and writing the story of a man I was absolutely certain came from my mind, but in a way that it almost made no sense at all—as the more I looked into the world that I had already written about, the more I realized was accurate without first having known these things, and however cursed I might have been to even know such things, I decided to call it some sort of blessing instead. ‘God, I used to get so fucking high for days, and when I would come down, just crying and crying, eating Totinos or DiJorno and a bag of Bugles, I would watch Saturday Night Live for fucking hours, and I hated [Redacted]. I hated him.' Now I still hated [Redacted], but in a different way, and though really it was myself that was more like Patrick, he at the very least, for whatever reason, used to have his face—now, he was just Patrick, and [Redacted] was just [Redacted], and i knew entirely too much about it all, and about myself to be comfortable with it, but nothing was comfortable at all. I had written entire atrocities, novels, and all that was some conglomerate of nonsense which was the festival project, besides how insanely and innately prodigal it all was sometimes, my own words confusing me with a bizzare and asenine dysfunction, awe, actually, often as if someone else had written them, and although I was always at least sort of semi-concious while writing, the spells and cadences I would fall under were some sort of trance, and as I watched the Nirvana rehearsal from Saturday Night Live in 1992, long before [Redacted] or any of the rest of the — Was it Keystone? It was, the Keystone cast of SNL, but the first word my mind had jumped to was Hallmark, which—after referencing Google quickly for a fact check, also stood true. I was willing to admit, even now, though I had long lost interest in Saturday Nighy Live, or anything at all having to do with current events, that the [Redacted] era—or rather even, the Tina Fey era, a true role model, perhaps, and someone I favored over all of the performers I admired, or allowed myself to admire— the Golden Years of Saturday Night were the only years, for me that even mattered— trying to make sense of anything couldn't be done, but I at least had this new project birthed from it to think about. It would be hard to sit down at a taping of The View and not think about all I had written at all, and it would be impossible not to unfold the characters which had presented themselves, though slowly but surely, through the most vivid visions and insanely lucid dreams, as The TV People began to What if someone steals this out of my documents? That would be unwise…the best scenes are somewhere scribbled in my notebooks and random scraps of paper somewhere in my room…this series is almost nothing without those scenes—the elements with which the most painful scenes I had ever written, became word form. ‘I don't know why, but I feel so i

On this episode, Marc talks to Laina Dawes, author of “What Are You Doing Here?: A Black Woman's Life and Liberation in Heavy Metal,” first published in 2013 by Bazillion Points books, then republished in a new edition in 2020. It's a combination of memoir, oral history, and highly-researched documentation of the roles black women have played in heavy metal, both as artists and as fans, and by extension in all kinds of music scenes.As she writes, “What are you Doing Here? reveals the common thread of strength and determination among black women musicians in male-dominated music industries. We have a track record of resilience against all the obstacles put in our path.”So I hope you enjoy my conversation with Laina Dawes, here it is!

“What Are You Doing Here?” by Rev. Phil Anderson. Released: 2023. The post What Are You Doing Here? appeared first on Bethel Church of Tallmadge.

WHAT ARE YOU DOING HERE?Elijah hiding in a cave.  1 Kings 19:8-18• Impact of exhaustion/burn out  • Forget God's goodness  • Blinded to God's movement1 Kings 18:3b-4 NIVPhilippians 1:6 NIV• God's response to exhaustion  • Grace to meet you where you are  • Uses others to encourage• Persevere in the face of exhaustion  • Courageous community   • List of blessings  • Make praise a habit

Sermon by Pastor Mel Baga - "What Are You Doing Here, Elijah?" Scripture: 1 Kings 19:1-10 --- Send in a voice message: https://podcasters.spotify.com/pod/show/auburnsdachurch/message

Face to Face with Mark RomeroLive on OMTimes Radio Thursday, July 13, 2023 at 10:30 PST / 1:30 PM ESTWatch the Livestream on the No BS Spiritual Book Club on Facebook, OMTimes Radio & TV Facebook, or OMTimesTV YoutubeAncient Secrets Of Success – The Four Truths Revealed, A Happy Pocket Full of Money, The Greatest Miracle in the World, and Who Are You & What Are You Doing Here? are just some of the books that will be on the table when thought leader, transformational sound healing expert, harminator, guitarist, and recovered CEO Mark Romero joins Sandie this week on The No BS Spiritual Book Club's live-streaming interview series to share the 10 Best Spiritual Books that influenced him the most on his life journey .MARK ROMERO is an internationally recognized Transformational Sound Healing Expert and Thought Healer whose music has been proven to eliminate negative influences in the environment and create a quantum field where you can begin to operate at optimal levels. Over the past 20 years Mark has been helping thousands of individuals experience instantaneous healings and shifts in their perceptions through the frequencies uncovered within his music.#MarkRomero #SandieSedgbeer #NoBSSpiritualBookClubSign up free for Sandie Sedgbeer's NO BS Spiritual Book Club Newsletter – save money, get the best spiritual book recommendations from the leading new thought speakers, authors, and teachers you trust, and never miss a live streaming episode https://forms.aweber.com/form/93/758545393.htmSubscribe to our Newsletter https://omtimes.com/subscribe-omtimes-magazine/Connect with OMTimes on Facebook https://www.facebook.com/Omtimes.Magazine/ and OMTimes Radio https://www.facebook.com/ConsciousRadiowebtv.OMTimes/Twitter: https://twitter.com/OmTimes/Instagram: https://www.instagram.com/omtimes/Linkedin: https://www.linkedin.com/company/2798417/Pinterest: https://www.pinterest.com/omtimes/

Meet transformational sound healing expert and thought healer, Mark Romero. Ancient Secrets Of Success – The Four Truths Revealed, A Happy Pocket Full of Money, The Greatest Miracle in the World, and Are You & What Are You Doing Here? are just some of the books that will be on the table when thought leader, transformational sound healing expert, harminator, guitarist, and recovered CEO Mark Romero joins Sandie this week on The No BS Spiritual Book Club's live-streaming interview series to share the 10 Best Spiritual Books that influenced him the most on his life journey.    Mark Romero is an internationally recognized Transformational Sound Healing Expert and Thought Healer whose music has been proven to eliminate negative influences in the environment and create a quantum field where you can begin to operate at optimal levels. Over the past 20 years Mark has been helping thousands of individuals experience instantaneous healings and shifts in their perceptions through the frequencies uncovered within his music.  --- Support this podcast: https://podcasters.spotify.com/pod/show/sandie-sedgbeer/support

30.10.22 What Are You Doing Here? - PS. BILL PAGE

Happy Memorial Day!! Another episode of "Having It Made" with Atlanta based artist Ari LaShell, as she talks about musical upbringing, working on the feature film "Praise This", her new EP "Ari, What Are You Doing Here?", and more. SUBSCRIBE TO HAVING IT MADE'S YOUTUBE CHANNEL Click the link to subscribe to our channel for the latest shows & updates: https://www.youtube.com/channel/UCMFZQfW773BLTQuyLelG_Cg FOLLOW US ON SOCIAL Instagram: https://www.instagram.com/havingitmade/ Having It Made on TikTok: @havingitmade Facebook: https://www.facebook.com/havingitmade

'IF YOUR FROM THIS ROYAL AFRICAN KINGDOM, WHAT ARE YOU DOING HERE?' A seemingly innocent question from one child to the other during black history month or any other time when the schools design they want to take up African history topics. It's interesting because the real answer shouldn't be something that black kids have to teach their non-black or white friends. WATCH ON YOUTUBE: https://youtu.be/k7iwj0EB4jU Love music, Save my playlist. LAYEFA LOUNGE LIST 23 https://youtube.com/playlist?list=PLFVvDd61R1XbYF9s25B_drIL0Txkm3EwK LAYEFA LOUNGE LIST 22 https://youtu.be/HwiJkvzYpJg FOLLOW ME EVERYWHERE instagram @theeasedrop TiKTok @theeasedrop AMAZON SHOP FOR HAIR PRODUCTS & MORE: https://www.amazon.co.uk/shop/lovelayefa

You are invited to pause, breathe deep and listen for the still, small voice.   WEEK 5: What Are You Doing Here? Isn't that a question we all hear at some point? Triggered by life circumstances, age, or suffering. And we wonder, “What am I doing here?”    This original scripture meditation series is an exploration of the nature of "call." It was created by Convergence for our Spiritual Collectives series "On Calling."   Watch the video and visit our video library on our YouTube channel. Read the meditation in written form on the blog here. Learn more about how you can develop your ability to hear God's voice in the everyday and in community here.   Convergence is a place of community and spiritual formation for artists. We'd love to connect with you at: https://www.vergenow.org

What are you doing here? - Ephesians 4:11-16THE PURPOSE OF CHURCH IS ROOTED IN THE WORK OF MINISTRYTHE FIVEFOLD JOBS OF MINISTRY LEADERSHIP ARE NOT JUST THE HIRED GUNS OF MINISTRY WORKATTENDING CHURCH IS NOT LIKE GETTING A COLLEGE DEGREE, IT'S GETTING ON THE JOB TRAININGIF YOU'RE NOT LETTING THE WORD PENETRATE YOU, YOU AREN'T BEING EQUIPPEDIF YOU'RE NOT ACTIVELY SEEKING YOUR GIFT OR ROLE IN THE CHURCH, YOU ARE NOT BEING EQUIPPEDIF YOU'RE NOT LEAVING THIS ROOM EXPECTING TO DO THE WORK OF MINISTRY, YOU'RE NOT BEING EQUIPPEDIF YOU'RE NOT BEING EQUIPPED, WHAT ARE YOU DOING HERE?

A new MP3 sermon from Partick Free Church of Scotland (Cont) is now available on SermonAudio with the following details: Title: What Are You Doing Here? Subtitle: Various Texts Speaker: Andrew R Allan Broadcaster: Partick Free Church of Scotland (Cont) Event: Sunday - AM Date: 10/9/2022 Bible: 1 Kings 19:13 Length: 39 min.

In today's episode “What Are You Doing Here?” we're looking at the story of Elijah in 1 Kings 19, and how God speaks to us and cares for us in those moments when we feel overwhelmed and alone.    Check out more from Carly by visiting carlycommunicates.com.    Did this message speak to you today? You can support Calling Water via Venmo (@arumdaunchurch).

What Are You Doing Here? I Kings 19:9-13 NKJV 9 And there he went into a cave, and spent the night in that place; and behold, the word of the Lord came to him, and He said to him, “What are you doing here, Elijah?” 10 So he said, “I have been very zealous for the Lord God of hosts; for the children of Israel have forsaken Your covenant, torn down Your altars, and killed Your prophets with the sword. I alone am left; and they seek to take my life.” 11 Then He said, “Go out, and stand on the mountain before the Lord.” And behold, the Lord passed by, and a great and strong wind tore into the mountains and broke the rocks in pieces before the Lord, but the Lord was not in the wind; and after the wind an earthquake, but the Lord was not in the earthquake; 12 and after the earthquake a fire, but the Lord was not in the fire; and after the fire a still small voice. 13 So it was, when Elijah heard it, that he wrapped his face in his mantle and went out and stood in the entrance of the cave. Suddenly a voice came to him, and said, “What are you doing here, Elijah?” What Are You Doing Here? Your destiny is greater than you realize! Jeremiah 29:11 says, “For I know the plans I have for you,” declares the Lord, “plans to prosper you and not to harm you, plans to give you hope and a future.” Get Out of the Cave! Go Back!

What Are You Doing Here?.

How do we communicate with God? Are we the ones that do all the talking? Join us as Pastor Bethany Marshall asks the question, "What Are You Doing Here?" Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

What Are You Doing Here? Message by Joshua Mutter – August 7, 2022 Big idea: Just because something is too much for us, doesn't mean that it is too much for God.  Now Ahab told Jezebel everything Elijah had done and how he had killed all the prophets with the sword. So Jezebel sent a messenger to Elijah to say, “May the gods… Read more...

"What Are You Doing Here?" | Donovan Drake preaching | Sixth Sunday of Easter | May 22nd, 2022

“What Are You Doing Here”. The post What Are You Doing Here appeared first on Bethel Assembly of God - Carrington, ND.

“What Are You Doing Here”. The post What Are You Doing Here appeared first on Bethel Assembly of God - Carrington, ND.

Welcome to episode nine of Season 2 of the I Am Black History podcast brought to you by InTheBlack:Canada (ITBC) and DeeP Visions Media. This is a continuation of my conversation with Laina Dawes. In this episode, Laine shares what it's been like to navigate the world of heavy metal as a Black women and in particular the stuggles she had when writing her book, What Are You Doing Here?: A Black Woman's Life and Liberation in Heavy Metal. Laina is currently completing her studies as a PHD candidate of Ethnomusicology at Columbia University. --- Send in a voice message: https://anchor.fm/donna-paris/message

As we come to a close with Black History Month, I shall talk about one aspect of the black community that is very much overlooked and that is alternative black culture. I discuss my thoughts on Laina Dawes' 2013 book "What Are You Doing Here?" I can relate to sometimes being the only POC in a predominately white and male space with this genre of music. Laina and a bevy of other black women talk about their experiences of being black and women in the metal, punk, hard rock and hardcore scene.  --- Send in a voice message: https://podcasters.spotify.com/pod/show/rolemartyrx/message

This week we're imagining the life on a thick atmosphere world. We talk echolocation, cascadian black metal music, vision priorities, bat worship, acoustemology, singing dream sentinels. HOSTED by Dr. Moiya McTier (https://twitter.com/goastromo (@GoAstroMo)), astrophysicist and folklorist GUESTS Dr. Kristen Lear is a bat conservationist, If/Then Ambassador, and National Geographic explorer! You can follower her on twitter at https://twitter.com/BatsForLife (@BatsforLife) and read about her Agave Restoration work with Bat Conservation International her https://kristenlear.wixsite.com/batconservation (website). Future Dr. Laina Dawes is an ethnomusicologist and heavy metal fan. She wrote the book https://bookshop.org/books/what-are-you-doing-here-a-black-woman-s-life-and-liberation-in-heavy-metal/9781935950059 (What Are You Doing Here?: A Black Woman's Life and Liberation in Heavy Metal). Follow her on twitter at https://twitter.com/Lainad (@Lainad) and check out her https://writingisfighting.tumblr.com/ (blog). MIDBREAK - Get 10% off your order from Inked Gaming at inkedgaming.com/exolore! - Check out my new show for PBS Digital Studios, https://youtube.com/playlist?list=PL_lsQEz7yLOq6YwIGfRtNTZddCucSvilz (Fate and Fabled)! FIND US ONLINE - patreon: https://my.captivate.fm/patreon.com/exolorepod (patreon.com/exolorepod) - twitter: https://twitter.com/ExolorePod (twitter.com/ExolorePod) - instagram: https://www.instagram.com/exolorepod/ (instagram.com/exolorepod) - website: https://www.exolorepod.com/ (exolorepod.com) - subreddit: https://www.reddit.com/r/ExolorePod/ (reddit.com/r/ExolorePod) CREDITS - Music: https://www.purple-planet.com/ (https://www.purple-planet.com) - Cover art: Stephen J. Reisig, http://stephenjreisig.com/ (http://stephenjreisig.com/) - Editing: Mischa Stanton, https://www.mischastanton.com/ (https://www.mischastanton.com/)  - Transcript by Iesir Moss ABOUT US Have you ever wished you could travel to a different world? Exolore can help with that! In each episode, astrophysicist/folklorist Moiya McTier explores fictional worlds by building them with a panel of expert guests, interviewing professional worldbuilders, or reviewing the merits of worlds that have already been built. You'll learn, you'll laugh, and you'll gain an appreciation for how special our planet really is. Exolore is a member of Multitude Productions, an independent podcast collective and production studio.

Welcome to episode eight of Season 2 of the I Am Black History podcast brought to you by InTheBlack:Canada (ITBC) and DeeP Visions Media. This episode is part 1 of my conversation with Laina Dawes. Laine was born in Toronto Ontario but grew up just outside of Kingston, Ontario. Laina is a music and cultural critic and is the author of What Are You Doing Here?: A Black Woman's Life and Liberation in Heavy Metal. Laina is currently completing her studies as a PHD candidate of Ethnomusicology at Columbia University. --- Send in a voice message: https://anchor.fm/donna-paris/message

Vi bjuder in författaren Sara Bergmark Elfgren för att snacka hårdrock i skräckfiktionen med utgångspunkt i hennes roman Grim. Tomas tycker att den söte huvudpersonen i Deathgasm är lite för gammal för hans smak och Lars har ett begrepp för EQ-inställningarna på stereon i pojkrummet i Trick or Treat. Vi pratar också om: Gröna Lund, House of Nightmares, Mayhem, Entombed, Grotesque, Morbid, Treblinka/Tiamat, At The Gates, Blod Eld Död, Emil Maxén, What Are You Doing Here?: A Black Woman's Life and Liberation in Heavy Metal, Laina Dawes, Lords of Chaos, Monster Dog, Charles Martin Smith, Gene Simmons, The Gate, Hellraiser, aOzzy Osbourne, Kiss, HP Lovecraft, Alice Cooper, Fredagen de 13:e, Hem & Skola, Technics, “‘the DJ smile”, Mötley Crüe, Poison, Orvar Säfström, Jörgen Tullberg, Uffe Cederström, Tidningen Okej, Beverly Hills, Evil Dead, Shawn of the Dead, Braindead, Flight of the Concords, Immortal, Gorgasm, Stabwound Intercourse, Daniel Radcliffe, Guns Akimbo, Jason Howden, Swiss Army Man, Garden State, Natalie Portman, Peter Sarsgaard och naturligtvis lite grann om det ungerska hårdrocksbandet Ossian. Patreon-lyssnare avnjuter dubbel speltid där snacket fortsätter om Saras bok och om de i varierande utsträckning fullständigt umbärliga hårdrocksskräckfilmerna Rocktober Blood och The Devil's Candy.

10 - 24 - 21, What Are You Doing Here, C. Blanchard by tirzahpres

Whether we're facing a difficult decision, trying to solve a pressing problem, searching for clarity on which way to turn, or simply considering how to implement some healthy changes in our lives, there are five indispensable questions that can make all the difference—if only we have the courage and presence of mind to ask them. In this sermon series, we'll discover how to put our past behind us, experience freedom from fear and self-doubt, reclaim a renewed sense of purpose, and seize the possibilities that God places before us. It all begins by asking these five essential, life-changing questions: “Who Are You?” “Where Are You? “What Are You Doing Here?” “What Are You Looking For?” “What Time Is It?”

Whether we're facing a difficult decision, trying to solve a pressing problem, searching for clarity on which way to turn, or simply considering how to implement some healthy changes in our lives, there are five indispensable questions that can make all the difference—if only we have the courage and presence of mind to ask them. In this sermon series, we'll discover how to put our past behind us, experience freedom from fear and self-doubt, reclaim a renewed sense of purpose, and seize the possibilities that God places before us. It all begins by asking these five essential, life-changing questions: “Who Are You?” “Where Are You? “What Are You Doing Here?” “What Are You Looking For?” “What Time Is It?”

Whether we're facing a difficult decision, trying to solve a pressing problem, searching for clarity on which way to turn, or simply considering how to implement some healthy changes in our lives, there are five indispensable questions that can make all the difference—if only we have the courage and presence of mind to ask them. In this sermon series, we'll discover how to put our past behind us, experience freedom from fear and self-doubt, reclaim a renewed sense of purpose, and seize the possibilities that God places before us. It all begins by asking these five essential, life-changing questions: “Who Are You?” “Where Are You? “What Are You Doing Here?” “What Are You Looking For?” “What Time Is It?”

Whether we're facing a difficult decision, trying to solve a pressing problem, searching for clarity on which way to turn, or simply considering how to implement some healthy changes in our lives, there are five indispensable questions that can make all the difference—if only we have the courage and presence of mind to ask them. In this sermon series, we'll discover how to put our past behind us, experience freedom from fear and self-doubt, reclaim a renewed sense of purpose, and seize the possibilities that God places before us. It all begins by asking these five essential, life-changing questions: “Who Are You?” “Where Are You? “What Are You Doing Here?” “What Are You Looking For?” “What Time Is It?”

Rev Ewen Matheson Sermon from Cross Free Church of Scotland in Ness freely available to listen to and download. Also available on Sermon Audio. Date: 18/08/21 Time: Wednesday 7.30pm Preacher: Rev Ewen Matheson Title: What Are You Doing Here, Elijah? Reading(s): 1 Kings 19 vs 1-18 Text: 1 Kings 19 v 9 Psalm: 25 vs 14-22 (Sing Psalms) – … Continue reading What Are You Doing Here, Elijah?

Whether we're facing a difficult decision, trying to solve a pressing problem, searching for clarity on which way to turn, or simply considering how to implement some healthy changes in our lives, there are five indispensable questions that can make all the difference—if only we have the courage and presence of mind to ask them. In this sermon series, we'll discover how to put our past behind us, experience freedom from fear and self-doubt, reclaim a renewed sense of purpose, and seize the possibilities that God places before us. It all begins by asking these five essential, life-changing questions: “Who Are You?” “Where Are You? “What Are You Doing Here?” “What Are You Looking For?” “What Time Is It?”

What Are You Doing Here!? - The Problem of Jesus - Lesson 4

What Are You Doing Here!? - The Problem of Jesus - Lesson 4

What Are You Doing Here!? - The Problem of Jesus - Lesson 3

What Are You Doing Here!? - The Problem of Jesus - Lesson 3

What Are You Doing Here!? - The Problem of Jesus - Lesson 2

What Are You Doing Here!? - The Problem of Jesus - Lesson 2

What Are You Doing Here!? - The Problem of Jesus

What Are You Doing Here!?

What Are You Doing Here!?

This Week On Conversation With The Wisdom KeepersGeorge and Sedena answer listener questions and conclude with provocative commentary on Who Are You & What Are You Doing Here?  For your special offer on The Ageless Living Wisdom Club featuring exclusive audio, video and written material from more than 60 of the World's Leading Wisdom Keepers Go to:www.agelesslivingseries.com/mymembership

Pastor Finney Samuel speaks from 1 Kings 19:13 titled What Are You Doing Here?

This Week On Conversation With The Wisdom KeepersWho Are You & What Are You Doing Here? - Co-hosts George and Sedena Cappannelli, award-winning authors, Co-Founders of AgeNation and Empower New Mexico, Co-Producers of the Ageless Living Television Series now airing on PBS stations around the country talk about two of the essential questions we must answer if we want to live the life we want to live in the kind of world we want to live in. This week's featured guest interview is with is Best-Selling Author and Wisdom Keeper Sonia Choquette,   Listen to Part One of this valuable conversation on intuition, perception and spiritual development.Two special short-form features – 1. Sedena's inspiring and informative Enlivened Ageing Skills – Choice -and 2. George's Life Achievement Tribute honoring the accomplishments of both the famous and lesser known who have accomplished remarkable things in the second half of life.  Today we honor spiritual teacher and author, Ram DassGeorge and Sedena answer listener questions and conclude with provocative commentary on Who Are You & What Are You Doing Here?  All in all another delightful, informative and inspiring podcast.Next Week on Conversations with The Wisdom KeepersOur Topic - Living In The Now with the second part of our featured interview with Sonia Choquette, Best-Selling Author and Intuitive.For your special offer on The Ageless Living Wisdom Club featuring exclusive audio, video and written material from more than 60 of the World's Leading Wisdom Keepers Go to:www.agelesslivingseries.com/mymembership

1 Kings 19:9-12 ESV 9 There he came to a cave and lodged in it. And behold, the word of the LORD came to him, and he said to him, “What are you doing here, Elijah?” 10 He said, “I have been very jealous for the LORD, the God of hosts. For the people of Israel have forsaken your covenant, thrown down your altars, and killed your prophets with the sword, and I, even I only, am left, and they seek my life, to take it away.” 11 And he said, “Go out and stand on the mount before the LORD.” And behold, the LORD passed by, and a great and strong wind tore the mountains and broke in pieces the rocks before the LORD, but the LORD was not in the wind. And after the wind an earthquake, but the LORD was not in the earthquake. 12 And after the earthquake a fire, but the LORD was not in the fire. And after the fire the sound of a low whisper. “WHAT ARE YOU DOING HERE, ELIJAH?” Unlike to God's previous appearances to Elijah, this time God had appeared and had asked him a question, “What are you doing here, Elijah?” Did not the all knowing God know what He was doing? Definitely, it was not a question for God to know but for Elijah to come to his own senses. We may minister effectively to the discouraged by just asking simple questions, like “ Kumusta ka na?” Discouraged people are talking from their hearts not from their heads. It's almost impossible to talk rationally with a person overwhelmed with so much passion. A diagnostic and prescriptive approach may not work, even counterproductive to defensive heart. The person himself must be honest to process and come to his own senses for having been provoked by a simple question. Elijah's answer to God had been skewed and exaggerated. The ‘bread and water' that the angel gave him should have reminded him of both the raven's bread and meat daily provision and the widow's jar of flour and jug of oil at Zarepath. But, evidently, he had a selective memory. Did he remember that the ruined altar was restored, the wicked prophets were killed and the nation of Israel was brought back to Yahweh at Mount Carmel? He discounted all these and had focused on one woman, Jezebel. He needs to be reminded of the past in order to see God clearly who He really is and what He has done. We shouldn't dwell in the past but draw strength from our experiences with God in our past. He was definitely better than his ancestors but he felt not. Instead of talking, God opted to display His object lessons. It wasn't entertaining I suppose but a nerve wrenching display of power for Elijah to witness at Mount Horeb – His great and strong wind that tore and break mountains and rocks, respectively, the earthquake and fire. A similar display was seen when Moses received the law from God that caused fear and awe to the nation of Israel. In this case, there was just one audience – a discouraged prophet. After the display of fire, he must had remembered the fire that came from heaven and devoured the offering and the altar at Mount Carmel. But the Lord wasn't in the wind, earthquake and fire. Of course God was there but it was too blinding and deafening to Elijah. God did whisper and he was able to hear God clearly. To a distressed soul, a soft answer gets attention more than a shout, is it not? As Proverbs 15:1 says “A soft answer turns away wrath, but a harsh word stirs up anger.” Perhaps today, you're discouraged like Elijah. Don't look for the spectacular. God is there in our silence. Let's have a posture of quiet listening to the still small voice of God. As the psalmist had admonished us, “Be still, and know that I am God. I will be exalted among the nations, I will be exalted in the earth!” [Psa 46:10]

Listen to the sermon entitled "What Are You Doing Here?" from Nina Hyldgaard, recorded for the online services on April 11th, 2021 at Hillsong Denmark & Malmö. You can also listen to this sermon on YouTube. For more sermons, visit podcast.hillsong.dk

Kim Valenzuela continues our “Be Our Guest” Series with a sermon titled, “What Are You Doing Here?”

What Are You Doing Here? The post What Are You Doing Here? appeared first on Sierra Bible Church.

Now with no missing audio!All rise for the honorable Judge, Jury, and Executioner Sam Kingma. Thank you, please have a seat. We are gathered here today to discuss the cries of tens of thousands of millennial "feet people", who are claiming they were brained washed by 90s Nickelodeon children's programming. Representing the plantiff is Myles J. Edgeworth, that's with a 'y' for those new here.  And representing the defense it's- *GASP* JEFFERY EPSTEIN'S BRAIN IN A ROBOT SUIT? WHAT ARE YOU DOING HERE? "Lets just say the Nickelodeon network and I share a similar interest in children," Jeffery Epstein's Brain in a Robot Suit said. This bit is fucking stupid. Anyways the boys talk about simping again and make the Definitive Twitter Protected Class tier list.

A new MP3 sermon from Taylor's Chapel Baptist Church is now available on SermonAudio with the following details: Title: What Are You Doing Here? Speaker: B.F. Stickle Broadcaster: Taylor's Chapel Baptist Church Event: Sunday Service Date: 12/27/2020 Bible: Ecclesiastes 3; 1 Kings 19 Length: 66 min.

Catch last Sunday's message from Pastor Brandon Hill entitled "WHAT ARE YOU DOING HERE?".

WHAT ARE YOU DOING HERE

What Are You Doing Here? 10.18.20 Phil Rushton Lead Pastor

God asked Elijah the question, "What Are You Doing Here, Elijah?" This was while he was in a state of depression and disillusionment. How did he find his way out and how can that help us?

The post What Are You Doing Here? 1 Kings 19 appeared first on SHBC.

Rev. Alexandra Mauney's sermon "What Are You Doing Here, Elijah?" on August 9, 2020, at First Presbyterian Church in Greensboro, N.C.

What Are You Doing Here?

Feb. 23rd 2020 "What Are You Doing Here ?" Rev. Josh Lemons by Chapelwood UMC - Lake Jackson TX

What Are You Doing Here? Pt 2 1 Kings 19:1-18 By Pastor David Spencer

What Are You Doing Here? 1 Kings 19:1-18 by Pastor David Spencer

1 Kings 19 The post What Are You Doing Here? appeared first on Seneca Baptist.

Emily Harman, the host of Onward Podcast, offers something special for this Veterans Day episode. Veterans Day, observed annually on November 11, is a tribute to military veterans who have served in the U.S. Armed Forces. Emily shares highlights from her previous interviews with veterans. Hear how these military veterans, past colleagues, and even Emily’s son and daughter share their personal stories of overcoming obstacles and moving onward. Everything from advocating for diversity and inclusion, living a long and vibrant life, sexism, discrimination, and cultural differences, as well as moving onward from addiction, coping with depression, and facing anxiety face-to-face.    Featured Episodes:    “Ever Onward - The Voyage of a Transgender Navy Woman” with Paula Neira (06/17/2019) “Be Your Authentic Self - Even When the Law Says You Can’t” with Zoe Dunning (5/31/2019) “Don’t Let Anyone Tell You What You Can’t Do” with Rear Admiral Kyle Cozad (9/25/2019) “Hike Across America - The Unstoppable Tour” with TShane Johnson (9/11/2019) “Surviving Depression and Moving Onward” with Steven Iselin (05/31/2019) “A Journey Into and Out of the Fog of Depression” with Captain Todd Kruder, U.S. Navy, Retired and LCSW (07/08/2910) “A Mother and Son’s Discussion on Addiction and Recovery” with Emily Harman and William Wilhelm (7/29/2019) “Discussion Anxiety Out in the Open” with Anna Wilhelm and Chanielle Williams (07/01/2019) “Raising a Special Needs Child” with Valerie Muck (10/07/2019) “Building a 75+ Year Naval Career” with Mr. Sarkis Tatigian (07/15/2019) Special 4th of July Episode: “Family and Freedom” with Santiago and Sonia Valdizan (07/03/2019) “Own Your Life” with Adrienne Somerville (06/24/2019) “Nontraditional Paths to Success” with Neil McDonnell (05/31/2019) “What Are You Doing Here?” with Sheila McNeil (09/09/2019) Resources Mentioned: Emily Harman Soul Pajamas Onward Facebook Group Onward: Instagram | Twitter | Facebook PodcastPress  

After a brief half-decade hiatus, the popular segment "What Are You Doing Here?" is back! Luke and Andrew check-in with listener Lindsey, who's been listening to TBTL while she's out hiking the Appalachian Trail. Plus, the Walshelm Scream makes it into another professional production! . . . Today's show is sponsored by DoorDash. Download the app and use the promo code TBTL to get $5 off your first order of $15 or more.

After a brief half-decade hiatus, the popular segment "What Are You Doing Here?" is back! Luke and Andrew check-in with listener Lindsey, who's been listening to TBTL while she's out hiking the Appalachian Trail. Plus, the Walshelm Scream makes it into another professional production! . . . Today's show is sponsored by DoorDash. Download the app and use the promo code TBTL to get $5 off your first order of $15 or more.

Emily Harman, host of Onward Podcast, interviews Sheila McNeill, who in 2003 became the first woman to serve as National President of the Navy League of the United States, where she toured bases across the world as an advocate for the sea services. In this prestigious role, Mrs. McNeill interacted with many of the nation’s top military leaders. In her book entitled What Are You Doing Here?, Mrs. McNeill she shares stories about people she met during her journey. Listen to this interview and learn Mrs. McNeill’s answer to “What are you doing here?”.    Episode Highlights:    Emily Harman introduces Mrs. Sheila McNeill. Mrs. McNeill talks about her book What Are You Doing Here? How did Mrs. McNeill become interested in the Navy League? Mrs. McNeil shares stories about getting involved in the Navy League and working her way up through the ranks. When she competed in elections for Navy League positions, Mrs. McNeill was always competing with men.  Mrs.McNeill shares her experiences advocating for the sea services on Capitol Hill. How did she approach becoming President of the Navy League?  What advice does Mrs. McNeill have for women working in a male-dominated field?  Mrs. McNeill discusses her book and gives some highlights. Mrs. McNeill talks about serving on the Defense Advisory Committee On Women in the Services. Mrs. McNeill shares a story about being asked to speak at a Submarine Veterans of World War II event.  Mrs. McNeill shares how she was fired and later sued for sex discrimination.   3 Key Points: A desire to achieve in something larger than herself, passion, and preparedness benefitted Mrs. McNeill, the United States, and the sea services. Mrs. McNeill’s reputation as a staunch advocate for the Navy, Marine Corps and Coast Guard has answered the question that has followed her the past half-century: “What are you doing here?”. Ms. McNeill progressed up the ladder in the Navy League and, once elected President, she never had a bad moment.   Tweetable Quotes: “Nothing was typical about how I operated things. And I think that is part of why I stand out a little bit.” – Sheila McNeill “Once I got started I could not stop. The more you learn about the Coast Guard and the Navy and the Marine Corps, the more you want to get involved.” – Sheila McNeill “I over-prepare. You would not believe what I do sometimes before any meeting.” – Sheila McNeill Resources Mentioned: Linkedin: SSheila McNeill Mrs. McNeil’s bio: Thecamdenpartnership.org Book: “What Are You Doing Here?” https://www.navyleague.org/ https://emilyharman.com https://www.facebook.com/Onward-Podcast https://www.instagram.com/onwardpodcast https://twitter.com/OnwardPodcast https://www.soulpajamas.com/home https://www.podcastpress.io/

We welcome guest speaker Elizabeth Rawlings - an ordained Lutheran Pastor who most recently served as the Executive Director and Pastor at The Sanctuary: a Lutheran and Episcopal Campus Ministry at the University of Washington. She has a story to tell and for our Forming Questions series, she brings the question: "What Are You Doing Here?"

What Are You Doing Here - 6-9-2019 by Aberdeen First AG

"Hey Church? What Are YOU Doing Here?" 1 Corinthians 3:13 "And now these things remain: faith, hope and love. But the greatest of these is love."

"Hey Church? What Are YOU Doing Here?" 1 Corinthians 3:13 "And now these things remain: faith, hope and love. But the greatest of these is love."

What Are You Doing Here? (1 Kings 19:3-18) by Divine Grace Lutheran Church

LLITP featuring Segments-LuvSpeaks with MLUV-Purpose Rarely Knocks So Open Every Door;Holiday Tips with Powerhouse Safety Guru, Jennifer Riis Poulsen;AuthorSpeaks-Host-Marilyn Pierce-Guest- William T. Parker, Author of, "What Are You Doing Here".

LLITP featuring Segments-LuvSpeaks with MLUV-Purpose Rarely Knocks So Open Every Door;Holiday Tips with Powerhouse Safety Guru, Jennifer Riis Poulsen;AuthorSpeaks-Host-Marilyn Pierce-Guest- William T. Parker, Author of, "What Are You Doing Here".

LLITP featuring Segments-LuvSpeaks with MLUV-Purpose Rarely Knocks So Open Every Door;Holiday Tips with Powerhouse Safety Guru, Jennifer Riis Poulsen;AuthorSpeaks-Host-Marilyn Pierce-Guest- William T. Parker, Author of, "What Are You Doing Here".

“What Are You Doing Here?” – 1 Kings 19:9-14 The post What Are You Doing Here? appeared first on Tabernacle Baptist Church of Oklahoma City.

What Are You Doing Here? 1 Kings 19:9-18 Pastor David Waldo August 13, 2017

Journalist and music/cultural critic Laina Dawes' book What Are You Doing Here? explores the race and gender issues of African-American female fans of metal, hardcore and punk music. Subtitled "A Black Woman's Life and Liberation in Heavy Metal", this is not only Laina's story but also of black musicians and their fans in a genre and culture that is primarily white and male.  Visit the book site: https://whatareyoudoingherebook.com/about   Visit the book Facebook page: https://m.facebook.com/whatareyoudoingherebook   Purchase the book: http://www.bazillionpoints.com/shop/black-women-in-heavy-metal/     Subscribe to TMT on iTunes: http://bit.ly/TalkMusicTalk Or Stitcher Radio: http://bit.ly/TMTStitcher Or TuneIn Radio: http://bit.ly/TMTtunein If you enjoy the podcast, please take a moment to leave a review and/or rating.It Reviews and ratings help to improve TMT rankings and spread the word. Thanks!   "Liz (The Talk Music Talk Theme)"-FULL VERSION Written and Composed on an iPad by boice. https://soundcloud.com/thisisboice/liz-talk-music-talk-theme

The Life of Elijah, Sermon #7 “What Are You Doing Here? Go!” 1 Kings 19:8-21

What Are You Doing Here by Ps Michael Holton. A Message about the still small voice. Recorded live at One Heart Church (Port Lincoln) on the 13th of September, 2015.

What Are You Doing Here?

Laina Dawes is the author of What Are You Doing Here? A Black Woman’s Life and Liberation in Heavy Metal (Bazillion Points, 2012).What Are You Doing Here? is Laina’s first non-fiction book and the first non-fiction, general interest book to specifically focus on race, gender and identity in metal, hardcore and punk music cultures.  Laina is also a freelance music and cultural critic whose writing can be found in print and online magazines, and she is currently a 2nd year graduate student at The New School for Social Research in New York City.  We talked about New York vs Toronto fashion (guess which city someone look at your outfit and say "B*tch have you lost your mind?!").... She talked a lot about how to integrate her love of metal with her appearance; also how navigate respectability politics her aversion to bright colours and her enduring love for Mary J. Blige.  Please refer to www.dresscodecracker.com for images of Laina, plus links to her writing and music recommendations!  Dress Code Cracker's intro and outro music is by Nameless Dread. 

There is a growing subculture of women who love and listen to heavy metal music. This podcast wll discuss the racial and gender stereotypes associated with the heavy metal genre as well as social media outlets for like-minded women like us who love listening to heavy metal. Guests will be Ursula from Hear Evil News and author Laina Dawes who wrote the book, "What Are You Doing Here?": A Black Woman's Life and Liberation in Heavy Metal

“I've had enough!” Have you ever felt that way? That's what Elijah told God as he lay down to sleep under a tree in the desert. Discouragement, depression and despair; we've all felt them. Elijah, a man “subject to like passions as we are...” felt them too. In this message from 1 Kings 19 (What Are You Doing Here?), we examine the contributing causes to Elijah's feelings as well as how God responded to his hurting servant.

AFTERBUZZ TV – Ringer edition, is a weekly “after show” for fans of CW’s Ringer. In this show, host David Schifilliti breaks down the episode in which While the relationship between Bridget and Andrew grows more intimate, Bridget learns about … Read the rest The post Ringer S:1 | It Just Got Normal; What Are You Doing Here, Ho-Bag? E:11 & E:12 | AfterBuzz TV AfterShow appeared first on AfterBuzz TV Network.

** WHAT ARE YOU DOING HERE? ** - America's Idol's are falling all round - God is shaking America's Idol's - We need God! IN ALL TIMES - Trust in the Lord and you'll be straight! (The PJ verse) He (God) is your source - Trust God for everything! - Sometimes God will dry up your supply, so that you will not focus on the supply but on the supplier!!