Arabic and Islamic honorific title
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2 episodes with sheiks
2 episodes with sheiks
2 episodes with sheiks
2 episodes with sheiks
2 episodes with sheiks
2 episodes with sheiks
2 episodes with sheiks
2 episodes with sheiks
2 episodes with sheiks
Sintonía: "Conga Twist" - The Revels"Native" - Bob Callaway & The Chicks (nueva); "Hi Yo Camel" - The Peeple; "Dragon Walk" - The Dantes (nueva); "Tequila Twist" - The Valiants; "Caravan" - Jerry Betters (nueva); "Oasis" (versión alargada) - The Majestics; "Loco" - The Terrifies (nueva); "Wild Man Walk" - The Ebonettes (nueva); "Don´t Wanna Leave The Congo" - Norman (Arab) Sands & The Valiants (nueva); "King Kong" - Tarantula Ghoul & Her Gravediggers (nueva); "Oongawa" - Johnny Parker & The Zirkons (nueva); "Uprising" - The Cherokees; "Kana Kapila" - The Continental Cousins; "The Kookie Limbo" - Kookie Joe; "Screw Driver" - The Rhythmaires (nueva); "Baghdad Rock" - The Sheiks (nueva); "Clumsy Dragon" - The Five Sounds (nueva); "Isis" - The Megatons (nueva)Todas las músicas extraídas de la recopilación (2xLP) "Jungle Exotica Volume 1" (Strip, 2013); una reedición ampliada de una primera recopilación de 20 cortes en un solo vinilo realizada por el mismo sello y publicada 22 años antes (Strip, 1991)Escuchar audio
Calling All Cars 34-01-03 ep006 Missing Mexican Sheiks
You can't keep Ilsa down (unless you have a potent smog).
In the Western society, the wife is the mighty one.I proved that in my previous blog: Marriage, - men in slavery. For instance, the wives in the USA are making 86% of every purchase decision in the wedding. And if a husband like to undergo sterilization, he needs the approval of his wife. This means the wife can decide how many kids she wants. If the wife is making adultery, the husband can only divorce. Still, he has to pay for the kids and her. The judge doesn't care who has cheated, done adultery; the judge makes only sure that the man is paying! In any case, the man married or unmarried has to pay for the kids he has procreated and the kids going to the woman. In the Muslim marriage, the husband is responsible for his wives (4 women are possible) and has to give the supply to her. The wife can only have one husband. The females are forbidden in the Mosque, and they must be veiled in public. The divorce is possible for both.After the divorce, the kids are going to the husband.When the husband or wife have made adultery (Zina), both can forgive each other or can divorce. After the Quran, the wife/husband needs 4 male witnesses who have seen the penetration to prove the adultery or the person confess 4 times the adultery! Is it possible to do adultery without 4 male witnesses have seen it or to confess?After Maliki legal school: the single woman pregnancy is proof of adultery. This can mean, if an unmarried woman got raped and can't prove that she got raped, then she has done adultery! Possible punishment for adultery (Zina) is stoning. Read the last 3 paragraphs. What is about prostitution? The husband marries the prostitution, penetrate her and afterward divorces her. This is the standard practice in Saudi Arabia. The Quran allows it to get married 3 times with the same spouse. The Muslim husband is the mighty one. Because if the wife is not good enough for him, he can divorce and his wife is also losing her kids and doesn't get any support. Or he can take up to 3 more women if he has enough money. For instance, The Sultan of Turkey had 5000 wives, and many Sheiks have 10 or more wives! After the hadith for Zina: The proof for this is that the Prophet did not seek out the married woman whom Mâ`iz committed fornication with. He did not inquire after her husband and command him to divorce her. All he said was: “O Unays, go to that man's wife, and if she confesses, then have her stoned.” [Sahîh al-Bukhârî (6633) and Sahîh Muslim (1698)]Adultery has no legal effect in such matters because what is unlawful in Islam is regarded as nonexistent for such purposes. The evidence for this is that the Prophet said: “The child belongs to the (marriage) bed, and the adulterer is stoned.” [Sahîh al-Bukhârî (2053) and Sahîh Muslim (1457)]Stoning for adultery is not mentioned in the Quran. My Video: What is the difference between Christian and Muslim marriage? https://youtu.be/_s1pPbujH9QMy Audio: https://divinesuccess.net/wp-content/uploads/2021/Podcast.A/What-is-the-difference-between-Christian-and-Muslim-marriage.mp3
Chamavam-lhes os Beatles portugueses: Carlos Mendes, Paulo de Carvalho, Fernando Chaby e Jorge Barreto, enfim, os Sheiks. Missing you faz parte do meu imaginário dos sixties. Sheiks | Tell me bird (EP) | Missing you (1966)
Long before there was a CIA or even an OSS, an MI6 or the SSB, modern intelligence began forming among the far-flung outposts of the Great Game between the British n Russian empires. Among Shahs, Kalifs, Sheiks and a new form of recruited intellectuals of the German universities. Today we tell you how a group of Swedish explorers became the teenage idols of Hitler, Göring, Himmler and Rosenberg. How in the late 19th they coined the term Geopolitics, fused together Vitalism (Lebensphilosophie) and Vital Space (Lebensraum) for the sake of the Aryan myth. How they robbed graves for skulls from Turtle Island in the west to Lhasa and Edo in the east. We will see how all the subspecies of bourgeois irrationalism i.e US pragmatism, UK utilitarianism and continental positivism synthesised in a fascist vehicle of imperialism. This a behemoth episode for the real heads. Packed with the typical macabre mood setting intro which throws Nietzsche under the bus like never before. Travel journals, letters and dark comedy about some of the most despicable people the world of spooks has ever called their own.
Live with Jeremy Cordeaux from his dining room table with; - Robert Eley. President LEGACY SA & Broken Hill about ANZAC DAY - Professor Ian Plimer - Professor Gary Mortimer. Supermarket Marketing - James Maskey. Director of Policy & Communications Fortem Australia. Leading support organisation for first responders - Rita Alfred-Saggar. Creative Programs Officer, State Library of WA. Sheiks, Fakes & Cameleers - Anthony Cochrane. Animal Welfare LeagueSee omnystudio.com/listener for privacy information.
Sammy Altman wants $7TT (TRILLION) to fund AI microchip development… how many Sheiks can spare a few shekels? What is impact of AI on jobs and innovation? Actors and writers cut their deal, what about electricians, gaffers, cinematographers? Tyler Perry cancels $800MM Atlanta studio… says, “Sora is the way.” Let's juxtapose the space race and Bitcoin accumulation: AI influences entertainment, the geopolitical race influences technology. We need AI regulation! UK and China have plans–US should take the AI Spurs and Space Reigns! Chapters 00:00 The Space Race and Lunar Landing 02:20 Bitcoin Accumulation and Cost of Space Exploration 03:09 Global Powers and Space as the Next Frontier 06:01 Bitcoin ETF and Double-Backing 09:26 Institutions Accumulating Bitcoin 12:32 Tyler Perry Studio and AI in Entertainment 29:32 AI Regulation and Political Landscape 38:47 Funding on Capitol Hill and Tension Resolution
No dia 10 de março, o país vai a votos. Pedido número um: não se conformem com a abstenção, exerçam o vosso direito e escolham bem. Pedido número dois: ouçam bem o que o Rui Miguel Tovar tem para vos dizer. O Rui remexeu o seu valioso conhecimento e foi descobrir os domingos em que houve eleições e futebol ao mesmo tempo. E as conclusões são muito curiosas, principalmente para o mundo leonino. Não vamos revelar, mas vale a pena recordar também duas coisas: primeiro, felizmente que longe vão os dias da Outra Senhora e do partido unânime; segundo, neste 10 de março há jogos de Sporting e Benfica. Não se distraiam em demasia com as coisas da bola, mesmo que no 'Domingo Desportivo' o Rui nos queira convencer que em Portugal estiveram dois Lenine em campo. Não há confusão, foi mesmo isso. O adeus é feito com o 'Música, Maestro' e os Sheiks a cantarem «Eusébio», ainda antes do Pantera Negra brilhar no Mundial de 66.
When the Sheik of Dubai's daughters tried to escape their father, world powers turned a blind eye. But investigative reporter Heidi Blake was determined to document their plight. Writing for the New Yorker last year, Heidi unraveled the disturbing story of Emirati princesses Latifa and Shamsa, and how Sheik Mohammed bin Rashid al Maktoum crushed their bid for freedom. This week on Whale Hunting, Bradley Hope speaks with Heidi about reporting this story — now available as a new podcast, The Runaway Princesses — and how it reveals cracks in both British justice and in Dubai's system of absolute monarchy. To listen to Heidi's new podcast, search for The Runaway Princesses in your favorite podcast app. For more from Whale Hunting, make sure to follow the podcast – and you can subscribe to our newsletter at whalehunting.projectbrazen.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
#Houthis: Not a ragtag outfit of desert sheiks who can and do shoot anti-ship missiles at the US Navy. .Bill Roggio, FDD, LongWarJorunal.com https://www.longwarjournal.org/archives/2023/11/houthis-launch-anti-ship-ballistic-missiles-at-u-s-warship.php 1890
Dedicamos el primer tramo de programa a una de las bandas de rocknroll más particulares de los últimos treinta años. El sello Slovenly reedita por primera vez en vinilo los dos primeros álbumes de Subsonics; “Subsonics” (1992) y “Good violence” (1993). El trío de Atlanta liderado por el cantante, guitarrista y compositor Clay Reed, junto a su inseparable Buffy Agüero a la batería, asentó en esos dos discos la base de un estilo tan personal como intransferible. Playlist; (sintonía) SUBSONICS “Red roses” (ST, 1992) SUBSONICS “It’s a long way Suzy to New York City” (ST, 1992) SUBSONICS “I’m Charly, I’m Jesus” (ST, 1992) SUBSONICS “Do you think I’m a junkie?” (ST, 1992) SUBSONICS “Her name was Eve” (ST, 1992) SUBSONICS “I’m in love with my knife” (ST, 1992) SUBSONICS “Dangerous when screaming or silent” (Good violence, 1993) SUBSONICS “Voodoo doll” (Good violence, 1993) SUBSONICS “Money greases everything” (Good violence, 1993) SUBSONICS “She didn’t know it would hurt so bad” (Good violence, 1993) SUBSONICS “Drowning in tears” (Good violence, 1993) WEIRD OMEN “Lost Again” (ST, 2023) HAIRY NIPPLES “Kiss goodbye” (Gaslighting, 2023) NOAH and THE LONERS “Protest anger” (single 2023) PIERRE OMER’S SWING REVUE “Atomic swing” (Tropical breakdown, 2023) WALTER DANIELS and JACK OBLIVIAN and THE SHEIKS “Comin’ home” (EP, 2023) Versión y Original; DAVE BAILEY QUINTET “Comin’ gome” (1961) THEE BLIND CROWS “Acougo” (0823, 2023) PETE MOLINARI “Waiting for a train” (Just like Achilles, 2022) Escuchar audio
El productor y músico británico Trevor Horn anuncia disco de versiones con estrellas invitadas en donde Iggy Pop le pone voz al “Personal Jesus” de Depeche Mode. Adelanto del próximo trabajo de Ty Segall y reedición del quinto álbum de Thee Headcoats entre las muchas novedades de este episodio. Playlist; TREVOR HORN feat IGGY POP “Personal Jesus” (Echoes - Ancient & Modern, 2023) TY SEGALL “My room” (adelanto del álbum “Three bells”) HOWLIN JAWS “Mind reader” (Half asleep, half awake, 2023) FOGBOUND “When the drug kicks in” (single 2023) THEE HEADCOATS “No way out” (Heavens to Murgatroyd, Even! It’s Thee Headcoats (Already), 1990) THEE HEADCOATS “I don’t like the man I am” (Heavens to Murgatroyd, Even! It’s Thee Headcoats (Already), 1990) WALTER DANIELS meets JACK OBLIVIAN and THE SHEIKS “Seventh son” (ST, 2023) Versión y Original; WILLIE MABON “Seventh son” (1955) BARRENCE WHITFIELD and THE MAMBO JAMBO ARKESTRA “Shot down” (EP, 2020) BARRENCE WHITFIELD and THE SAVAGES “Survive” (Glory, 2023) THE WOGGLES “Move” (Big Beat, 2013) THE SCHIZOPHONICS “Steely eyed lady” (People in the sky, 2020) THE FLESHTONES “Another direction” (The Fleshtones vs Reality, 1987) JE’TEXAS “Wake and shake” (ST, 2023) WEIRD OMEN “Shake shake” (ST, 2023) NICK WATERHOUSE “Plan for leaving” (The fooler, 2023) Escuchar audio
From last week, kind of a Johnny Thunders tribute show...problem is had major program problems, but think i fixed for next weeks banger. Cheersmottey63@gmail.comHammerbrain / subway train / born to loose..trib to johnny thunder boyfriends / pirate love / valley of tokyo dolls backyard babies / one trck mind / stranded in the doll house johnny thunders and wayne kramer / london boys / gang war dead raze /horrors / Manchester Punk festival # 33 the spike direction effect / Knife edge / Die Hipster Records..goodbye Johnnys / jet fighter ep 2021 the apostles / 7 day weekend / born to looseMad daddys / come with me / music for men motorbike / off i speed / motorbike black mekon / head down / Neat 2 man birmingham 13th recordNegative approach / borstal breakout / BASH 13 10" •bad sleepers / Make love in a coffin / Jacinto ..wired single the scalps / my baby wrote me a letter / savages ..Toxic Neurotic / been to the zoo / not dressing up Los Headaches / she was a witch / hola hola 2016 new bomb turks / bad girl / born to loose Grotbags / Hiya / Manchester Punk Festival 33 Gas Kunst / Cinematic Ocean View rare vitamin records Los VVS / fancy car / Los VVS tape ep paris James Leg / dirty south / below the belt 2019 the Mats / Ints not true / beat the road Mad sound / to masterbate / beat the road trashy danish hits the fallout / talkin punk rock civil war / (Still) Turning Revolution Into Money Demolition 23 / Hammersmith Palais / demolition 23 Krebs and the Maynard G's / too much monkey business / born to looserid of me / go back to back / born to loose blank 77's / london boys /born to looseATOMIC SUPLEX /louie louie / no thanks ep chasers / hey little girl / wyld beests and weirdos (gods of british 60's beat)the judges / the house always wins / judgement Day melbourne Australia stork / cane toad pwyw bandcamp 2017 single austrailiathee lolitta / caffeine pills / velvet underwear 4 songjack oblivian and the shieks / seventh son / Return of Walter Daniels Meets Jack Oblivian and the Sheiks the crooks / go back to go / born to loose I wont lie to you / lets wrestle / in the courts of the Let'sTable Scraps / Motorcycle (straight to hell) 2015 single Raw payphones / do it right / shook ep
ONW - Ep 201 RIP - Iron Sheik New Women's Championships / Charlotte Flair returns Rhea - Womens World Champion Asuka - WWE Womens Champion (Undisputed on the belt) (Do they know what that means?) Unifying the womens tag belts Gunther hits 365 days as IC Champion Jey uso to heyman: If im in the Bloodline, you're out the bloodline More NXT Main Roster crossover / Hayes attacks Corbin on SD / Bron Brekker calls out Seth Rollins Corbin V Ilja Draganov Brock V Cody rumored to be in a bull rope match Are they actually setting up Rhea and Dom V Cody and Brandi? Mens MITB - Santos, LA Knight, Ricochet, Shinsuke, Butch, Damien Priest Rollins v Balor Women's MITB - Zelina Vega, Becky Lynch, Zoey Stark, Bayley, IO Sky, TBD What do they do with Logan Paul next? ideas Thoughts on the return of Ciampa Ko's Character lately has been hilarious/ almost breaking kayfabe WWE rights fees negotiations with fox, moving SD to FX? Jay goes to AEW Dynamite MJF V Adam Cole on Dynamite Punk + FTR v Samoa Joe and BC Gold Mark Brisco + Papa Brisco + Aubrey Edwards V Jeff Jarret, Jay Lethal and Karen Jarret BCC v The Hung Bucks Skye Blue defeats Britt Baker/Martinez/Nyla rose to challenge Toni Storm - Interesting choice Wardlow has gotten worse at promos somehow, Arn is the best though Wardlow V Jake Hager…again The Ethan page hardy stuff is actually kind of amusing lately. Babyface turn for Page Preston Vance's Gusher in his tag match PV + Dralistico V Jungle Hook Forbidden Door Okada v Danielson Omega v Osprey Rumors of a SANADA match - Possibly with Jericho or Hangman Will MJF have a FD match? Punk v Kenta? Does Mercedes Mone show up to set up a match at All In? Now that he's beaten Swerve, who is next for Orange Cassidy and who will end his International Title run? Rumors of Sean Waltman in AEW / What would you do with him? CM Punk + MJF Dog Collar figures Motor city Machine guns, alex shelly wins the impact word title, Chris Sabin wins X division title at Against All Odds Dirty Dangos latest gimmick / Vignette ROH Board of Directors, Stokely Hathaway & Jerry Lynn Storyline Samoa Joe will defend the ROH World Television Championship against Matt Sydal ROH World Six-Man Tag Team Championship: Mogul Embassy (Bishop Kaun, Toa Liona & Brian Cage) defend against AR Fox, Action Andretti & Darius Martin Thanks for listening. Watch us on Twitch. www.twitch.tv/onrslive Chat with us on Facebook. www.facebook.com/groups/ohnowrestling Support us on Patreon. www.patreon.com/ONRS
This week, Phil makes the hot tag as his long time pal Mickey D joins the show. The show opens with a tribute to the Iron Sheik who passed away earlier this week. This weeks Throwback is from June 13th 1993 for the PPV debut of the “King Of The Ring” event. The post Turnbuckle Throwbacks 483: Sheiks, Greeks, And The “Hart” Of A King appeared first on Shining Wizards Network.
As joias que chegaram no Brasil como presente de SHEIKS sauditas ao presidente bolsonaro, são ilegais? Seriam presentes para a ex-primeira dama MICHEQUE BIROLIROS? Seria uma tremenda aposentadoria? Teve internauta pirando loucamente com o show do Mötley Crüe, aparentemente, é uma banda pra lá de machista. Até aonde a militância e falta de conhecimento do que se ouve hoje, pode atingir uma banda velha e super alinhada a seus princípios ultrapassados? Whindersson Nunes se envolveu em uma polêmica leve com o historiador Gustavo Gaiofato. O motivo? BASE DE PASSAR NO ROSTO, MERITOCRACIA, SISTEMA CAPITALISTA E TWITTER. Até aonde vale uma boa discussão sobre tema sérios e ao mesmo tempo, colocados em plataformas que amam viralizar opiniões em formas de abstrações? Meritocracia é uma realidade no sistema capitalista? Se sim, pra quem? Ainda temos Armored Down enfim cancelado por Tarja após grande repercussão de protestos nas redes.
CONTENT WARNINGS: repeated use of the word "harem," non-explicit discussions of sexual exploitation, the potential harm and benefits of polyamory, and brief mention of cultic practices in the United States both historically and contemporaneously. Specifically @20:21-21:20 discussions of sexual exploitation from lack of consent; @24:05 - 24:35 discussion of "Ascended fellowship" and child abuse; @1:01:53 - 1:05:50 discussion of the usage of "harem" and the problematic associations with that term in romancelandiaBut hey! Let's have this discussion, because we know you love a Jackie deep dive...and this time she gets to talk anthropology. Plus Jen gets to share some of her highschool trauma, I mean, ahem, memories.@13:49 please note these practices are *illegal* even though it sounds like Jackie says *legal*Visit us online at NOPL.org!Fictional Love SurveyWho's Listening?Books we mention:Katee Robert's Dark Olympus and Wicked Villains seriesSp. Cruel SeductionIntroductions by C.L. StoneCat Kid Comic Club: Collaborations by David PilkeyThe Starless Crown and The Cradle of Ice by James Rollins (Moon Fall series)Sigma Force series by James RollinsRough, Raw, and Ready by Lorelei JamesDen of Vipers by K.A. KnightHer Pastry Shifters by Mia Harlan (croissant shifter book...)Three Swedish Mountain Men by Lily GoldEntranced by Basilisks & Deceived by the Gargoyles by Lillian LarkLearn My Lesson & The Sea Witch by Katee RobertBroken Bonds by J. BreeCaged Wolf by Caroline PeckhamQueen Takes Knights by Joely Sue BurkhartNights in Bliss series by Sophia Oak (aka Lexi Blake)Episodes we recommend:#27 Werewolves#55 Sports#56 Christmas trees#15 Dark romanceOther resources we recommend:Trust Me PodcastPolygyny and Canada's Obligations under International Human Rights Law (Canadian Government, 2006)"Keep Sweet: Pray and Obey" documentary (Netflix)"How to Build a Sex Room" (Netflix)Sources:"Polycule" (dictionary.com)"Polyamory" (dictionary.com)"Polyandry" (dictionary.com)"Polygamy" (dictionary.com)"Bigamy" (dictionary.com)"Polyandry, the Practice of Taking Multiple Husbands" (Heaphy, n.d.) One Bridge For Multiple Brothers, July 17, 2010 (page A4 N). (Barry, New York Times, 2010, Jul 17)Polyandry, or the practice of taking multiple husbands” (Inglis-Arkell, 2012)“Polygamy is rare around the world and mostly confined to a few regions” (Kramer, PEW, 2020)"A Survey of Non-Classical Polyandry" (Starkweather & HAmes, 2012)"What Makes Reverse-Harems Different From Harems (Other Than the Obvious)" (Ramsburg, 2021)"Is The Reverse Harem Trope A Hopelessly Outdated Thing Of The Past?" (Lu, 2021)“Is Polygamy Legal In the United States?” (Portman, ed. O'Connell, 2022)“A Select History of Consensual Nonmonogamies in the US” (Sheff, 2022)“The Truth About Threesomes, Throuples, and Triads” (Sheff, Aug. 2022)"Oneida Community (1848-1880): A Utopian Community" (VCU Libraries Social Welfare History Project, 2017)"The Rich, Sexy History Of Oneida — Commune And Silverware Maker" (wbur.com, 2016)“Reverse Harem Romance” (Johnson, 2018)"Reverse Harem, gyaku-harem 逆ハーレム" (japanesewithanime.com, 2019)“Otome game” (wikipedia)"Shōjo manga" (Wikipedia)The History of Anime in the USA: The 2000s" (Cooper, n.d.)"Why are Girls Better at Reading Than Boys?" (Wong, 2018)“Sheiks; Middle Eastern Representation in Romance Fiction” (Li, 2018)“History of Reverse Harem and Reverse Harem Garden” (reverseharem.blogspot.com)"Consensual Non-Monogamy Fact Sheet" (Moors et. al.)"When Taking Multiple Husbands Makes Sense (Dreger, 2013)"Plural relationships, when consensual and gender-neutral, may actually help reduce gender inequality" (lse.ac.uk, 2014)"Polyamorous parenting: The surprising benefits of the ultimate modern family" (Smith, 2020)
Calling All Cars 34-01-03 ep006 Missing Mexican Sheiks
Andy gives us the scoop on Vince McMahon's controversial affair that has WWE in the spotlight for all the wrong reasons. He talks about WWE working on raising the TV rating from PG to TV14, which could mean the ressurection of the attitude era. Daniel had a house warming party and days before the event, his stove ended up malfunctioning throwing a wrench in his plans and causing them to make an audible with the food options, but everything worked out well in the end. Daniel finally saw the Iron-Sheik documentary and discusses his empathy for Sheiks situation and how many wrestlers go through tough times during and after their career despite having put their bodies on the line for their craft for so many years. We watched Sonic 2 and while it's enjoyable, the sequel doesn't have the same feeling as the first film. Overall, we agree it felt a bit over the top and campy. Noel gives a quick review of Doctor Strange 2 and unfortunately he did not like it and the direction that Disney/Marvel is going where their movies are more comedic and focus on making jokes versus having a serious plot and developing characters in a meaningful way. Noel also gives a shoutout to a new comic book company that just popped up called Rippaverse by Eric D. July who also happens to run a successful YouTube channel YoungRippa59. It has already made over 3 million in revenue within weeks of launching their first book. We highly suggest looking into it and possibly giving them a chance as an alternative to the current comic book offerings by DC and Marvel. Noel finishes Superman & Lois Season 2 and was pleasantly surprised that CW hasnt had a negative impact on the show as the network is known for derailing the success of DC properties. Superman & Lois has a great plot, developing characters, and a lot of different successful elements that can bring in a wide audience. Article of the Week ‘Disturbing': weedkiller ingredient tied to cancer found in 80% of US urine samples https://www.theguardian.com/us-news/2022/jul/09/weedkiller-glyphosate-cdc-study-urine-samples Warning: May have Strong Language and Content. ========== Thank you to everyone who enjoys what we do. If you like what we do, please spread the word of our show. Email questions or suggestions to ffnquestions@gmail.com ========== See FACEBOOK page https://www.facebook.com/freeformnetwork Follow us on TWITTER https://twitter.com/FFRpodcast ========== Free Form Network and all our podcast are available on many platforms including STITCHER, ANDROID, IPHONE, IPAD, IPOD TOUCH and PODBEAN IPHONE, IPAD & IPOD TOUCH http://itunes.apple.com/us/podcast/free-form-network/id995998853 SPREAKER http://www.spreaker.com/show/free-form-network STITCHER http://www.stitcher.com/podcast/free-form-network OVERCAST https://overcast.fm/itunes995998853/free-form-network SPOTIFY https://open.spotify.com/show/0QKRhkXDmQ9cxItaiu49Vy GOOGLE MUSIC https://play.google.com/music/listen?authuser&u=0#/ps/Iefi4cm2cahq6dg6upjs2exf52e IHEART RADIO http://www.iheart.com/show/53-Free-Form-Network/ TUNE IN RADIO http://tunein.com/radio/Free-Form-Network-p784190/ PLAYER FM https://player.fm/series/free-form-network TUMBLR https://freeformnetworkpodcast.tumblr.com/ WORDPRESS https://freeformnetwork.wordpress.com/ YOUTUBE https://www.youtube.com/channel/UCj0LNZRJHyW7sQwM5ZdOCQg DEEZER https://www.deezer.com/show/1215892 PODCHASER https://www.podchaser.com/podcasts/free-form-network-1193319 PODCAST ADDICT https://podplayer.net/?podId=2920676 PODBEAN DESKTOP https://freeformnetwork.podbean.com/ PODBEAN MOBILE https://freeformnetwork.podbean.com/mobile ========== Free Form Radio - Episode 175 - 08/02/2022 Hosted by Daniel, Andy and Noel ========== FREE FORM NETWORK
It's an all Hershey's Kiss episode for the You Tried Dat?? gang as they taste Hershey's Hugs, Strawberry Ice Cream Hershey's Kisses, and Cookies 'n Creme Hershey's Kisses. They also play a Hershey Kiss themed game of Sooner or Later after discussing the romantic appeal of Sheiks and the latest Chuck Tingle novels. Follow us on Instagram to see pictures of the snacks @youtrieddat.
Neste episódio, Tovar e Reche batem um papo sobre o fechamento do ano fiscal da Nintendo, passando por sheiks que compram tudo que vêem e totós virtuais que se perderam de seus donos. Bora ouvir? Ajude-nos a continuar fazendo este e outros conteúdos, além de ter acesso a vantagens exclusivas. Conheça nossos planos em https://www.nintendolovers.com/ajuda. Link do post: https://nintendolovers.com/2022/05/25/nintendo-powdcast-161-powdnews-relatorio-fiscal-q4-2021-totos-virtuais-sheiks-e-muito-mais/
Darrell Castle talks about how the United States has demonstrated in the Ukraine/Russia war that it can wage very effective economic warfare against other non-complying nations and what this portends for the United States and the world. Transcription / Notes THE WEAPONIZED DOLLAR AND THE COMING CASHLESS WORLD Hello this is Darrell Castle with today's Castle Report. This is Friday, the 25th day of March in this the year of our Lord 2022. I will be talking about how the United States has demonstrated in the Ukraine/Russia war that it can wage very effective economic warfare against other non-complying nations and what this portends for the United States and the world. There are lessons to be drawn from conflict and plans made for fighting the next war. It is a concept like a football coach studying film of his past games to learn his team's strengths and weaknesses. Generals and Presidents learn from past wars and develop ways to prevent the same losses and to preserve the same victories. That at least partially explains why generals always seem to fight the last war as the Russians seem to be doing now in Ukraine. We can take more than one lesson from Ukraine right now such as the lesson that nuclear deterrence works as a powerful defense. I have little doubt that except for Russia's nuclear arsenal, the U.S. and NATO would be actively involved in the air and on the ground in Ukraine. The realization that Russia's nuclear missiles have prevented NATO's active involvement has provoked Europe to re-arm and the U.S. is currently conducting seminars about modernizing the U.S. nuclear arsenal. In other words, another nuclear arms race. The U.S. arsenal, especially in space, has apparently been allowed to degrade since the Reagan years, and suddenly U.S. planners are confronted with two powerful nuclear armed enemies. The U.S. has demonstrated, however, that perhaps the most powerful weapon in the world today is not nuclear weapons which cannot be used without risking worldwide destruction, but the weaponized U.S. dollar. Since the Bretton Woods agreement at the end of World War ll, the U.S. has enjoyed world reserve status for the dollar. That means that world trade must be in dollars either dollars in hand or as the benchmark. No country will currently sign an agreement for future projects denominated in anything but dollars. The Euro is a distant second and the Chinese Yuan an even more distant third. During the Nixon/Ford years when the oil Sheiks in the Middle East discovered that oil could also be a powerful weapon Henry Kissinger, as Secretary of State, developed a system of trade known as the Petro Dollar system. It worked like this; The United States will use its blood and treasure to protect and guard in power the Saud Royal family as rulers of Saudi Arabia and in return they will only sell oil denominated in dollars at the prevailing market rates. Biden's recent courting of Iran, ancient enemy of the Saud Family, along with his refusal to defend them from attacks by the Iranian armed Houthi rebels in Yemen, has convinced the Saudis to take proposals from China to sell them oil in Yuan. Nevertheless, world trade requires U.S. dollars and to get them one must have access to the place where they can be printed in unlimited amounts, the Federal Reserve. Other countries or banks that are awash in dollars are very concerned about violating U.S. banking regulations because they have witnessed the power of the dollar and the message is loud and clear. The lesson for virtually every nation and financial institution in the world is as powerful and clear as an armed strike but even more deadly. No access to dollars means no nation will take your local money to buy anything. You are effectively cut off, unable to conduct business anywhere in the world. The United States is by far the largest economy in the world and the largest importer. For example, the weakness of the Russian economy has been laid bare for the world to see.
Hollywood Stomp - Victoria Spivey singing with a variety of jazz and blues accompaniments in the 1930's - Red Allen, Charlie Holmes, Albert Nicholas, Lee Collins, Arnett Nelson, Black Bob, Mr. Sheiks, Bill Owsley --- Support this podcast: https://anchor.fm/john-clark49/support
Your host, David Weaver talks with Dr. Chris Zaino. Chris is a“Secret Weapon” to Executives, Entrepreneurs, Athletes, Celebrities, Influencers, and Sheiks, through advanced chemistry and regenerative methods. To learn more about Chris' work, visit https://www.instagram.com/drzaino/?hl=en If you'd like to be a guest on Sacrifice To Success, click HERE
Airing from 1933 – 1939, Calling All Cars is an old-time radio police drama examining cases that had been handled by the Los Angeles Police Department. A typical episode began by relating the facts of a particular crime, then introducing individuals who were associated with the case. A dramatization followed, climaxing in the arrest of the criminal. The outcome of a trial wrapped up the story. GSMC Classics presents some of the greatest classic radio broadcasts, classic novels, dramas, comedies, mysteries, and theatrical presentations from a bygone era. The GSMC Classics collection is the embodiment of the best of the golden age of radio. Let Golden State Media Concepts take you on a ride through the classic age of radio, with this compiled collection of episodes from a wide variety of old programs. ***PLEASE NOTE*** GSMC Podcast Network presents these shows as historical content and have brought them to you unedited. Remember that times have changed and some shows might not reflect the standards of today's politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Golden State Media Concepts or the GSMC Podcast Network. Our goal is to entertain, educate give you a glimpse into the past.
How to heal the Soul with positive songs of hope, By Legendary Guitarist Mike Nugent. From the wellspring of the blues to rock and then exploring Americana music. Learn from a professional in this episode. Mike's music delivers a message of hope as summed up in the title of his latest album, “Everything is gonna be okay”. Mike Nugent is my guest today and his reputation as a producer, singer/songwriter, guitarist extraordinaire proceeds him. Fellow musicians recognize his talent as he is known to add spice and wonderful flavor to every song he plays. Collaboration and kindness are at his core, packaged in a gentleman with an infectious smile. Mike has played with some of the most notable bands for decades on Long Island. Starting with Wes Houston & The Allstar Space Band, the “Sheiks”, the Stanton Anderson Band, Cadillac Moon, The Walkers, and many more. His generous spirit is reflected in the music he produces in conjunction with the many talented artists from Long Island and abroad. In this episode we will dive into two of Mike's original songs from his Newly Released Album, “Everything is gonna be okay” and get Mike's take on “The Long Island Sound” ….EnjoyHttp://MikeNugentNY.comMike Nugent has been impressing audiences for over 40 years. A founding member of the well-known band Cadillac Moon, Mike has gone on to grow into a major music force of the local music scene of Long Island and the Tri-State Area. Between fronting his own Bands, working as a kick-ass and tasteful accompanist, a Recording Engineer and Producer in his Studio plus writing and recording his own music, Mike is also fortunate to work with the areas most talented music artists.Mike Nugent & Jim Small work as an acoustic duo called "Take 2". You can find more information about them at Https://GigDestiny.com Mike's music can be found on all major platforms and here: Spotify Melts in Your Ears Music StudioThis is Mike's Nugent's Studio Sandbox where he has produced albums for the following artists:Linda Sussman, Josie Bello, The Breakfast Club (Mike Nugent & Tony Barca)Toby Tobias, Cecilla Kirtland, Nancy Sirianni If you enjoyed the show, please Subscribe, Rate, and Review at Apple Podcast, Spotify, or wherever you get your podcasts. Connect with The Long Island Sound Podcast:Website: Https://GigDestiny.com/podcast Follow Steve Yusko, GigDestiny.com, and his adventures: Website: https://www.GigDestiny.com Twitter, Instagram, The growth of The Long Island Sound Podcast has been exponential. Help us grow the show!Subscribe to the GigDestiny.com Site here for bonus contentSubscribe to our YouTube ChannelCall the Listener Line & leave your comments: (631) 800-3579 Remember to Rate & Review the show! Help us keep the conversation going with your donation - Click Right Here or go to GigDestiny.com Buzzsprout - Let's get your podcast launched! Start for FREE
O primeiro convidado de 2022 do Posto Emissor, o podcast da BLITZ, é Fernando Tordo. Numa longa e fértil conversa, o cantor, compositor e escritor de canções começa por falar de “Os Fados Que Eu Fiz”, o novo álbum, mas segue depois por uma viagem pela memória até aos tempos dos Sheiks e aos anos dourados do Festival da Canção. See omnystudio.com/listener for privacy information.
Conan Neutron's Protonic Reversal
En este episodio hablo junto a Sheiks sobre su camino como Youtuber y creardor de contenido de Detailing. Hablamos sobre cómo usar las redes sociales para comunicar mejor nuestro trabajo
Aboo Imraan is a Latino, Secular Humanist, who practiced Salafi Islam for approximately twenty-eight years. During that time he translated and published over eight Islamic works from prominent Salafi scholars that are still widely read around the world. Aboo's YT: https://www.youtube.com/channel/UCQjn0RJKdHvEQkPPKcj6hJgAboo's IG: https://www.instagram.com/AbooImraan/Aboo's blog: https://offdamanhaj.blogspot.com/ YouTube version of this podcast: https://youtu.be/5gXBxjxa1wg Here are the timestamps for the podcast: 0:00 Introductions.1:40 Aboo's religious background starting off as a Catholic and how he got introduced to Islam.6:33 How Surah Maidah impacted Aboo and helped him with the problem of the trinity in Catholicism.8:05 Why are Islam and the Quran more appealing to Christians especially when they are facing hardships?12:33 Aboo's first interaction with Salafi Muslims and his first visit to the Masjid.20:00 Some background on the Masjid where Aboo was attending and the sectarianism that was at play at this Mosque.24:40 Aboo's take on whether Islam solves the problem of racism and classism.29:04 Aboo's first marriage to another Muslim convert35:14 Why is there a stronger emphasis on early marriage in Salafi Islam?40:50 Moving back to El Paso.43:50 Aboo's first experience with someone leaving Islam and how it pushed him into being more devout.45:30 Muhammad in the bible and Aboo's introduction to the Islamic Dawah mission48:34 Aboo's first encounter with the book Iranian Christian by Nasir Lotfi. Receiving a package from Ahmed Deedat51:00 The Quran's erroneous characterization of Christianity.55:20 Moving back to Dallas. How Aboo was told to throw out all the books he had received from Ahmed Deedat and start reading Bilal Phillips books instead.1:00:15 What is Salafia? Sheik Albani and his anti-Madhhab stance.1:05:47 Channel announcements1:06:07 The literal interpretation of Islamic texts by Salafis1:07:30 Dr. Mohammad Jabali and how he tapped into his vast network and connections to bring prominent Sheiks to the local Masjid1:14:52 The 1998 bombing of the US embassies in Tanzania and Kenya and how some of the key players were from Centre Street Masjid.1:21:02 The ‘US versus Them' mentality in the Salafi community.1:23:15 The funny dynamics of Salafis being against terrorism and yet most terrorists come from the Salafi community.1:25:47 What are Kawarij? How is it different from Jihad?1:30:30 Aboo's divorce from his first wife and his second marriage.1:32:50 The rift in the Salafi community in the East Coast and the cancel culture that sprung out of it.1:44:10 Breaking off from Center Street Masjid and setting up a new Dawa center.1:51:08 Aboo's blog. A critique of Sheik Albani.1:53:00 Aboo's channel.1:53:52 Final remarks.
We discuss the oil crisis, its causes and aftermath.
In this interview I am joined by Gregory Blann: mystic, artist, author, and initiate of the Inayati and Halveti-Jerrahi orders of Sufism. Gregory reveals the rich history and practices of Sufism, including meditation techniques, Zikr, and the dream practices of the Halveti-Jerrahi. Gregory also recounts his own spiritual journey from Evangelical Christianity to Gurdjieff to encounters with great Sheiks of the 20th century such as Pir Vilayat Khan, Sheik Nur, and Muzaffer Efendi. Gregory also explains the 4 Levels of Religion, connections between Sufism and Kabbalah, and discusses the possibility of an allegorical reading of the Gospels. … Video version: https://www.guruviking.com/ep96-gregory-blann-the-garden-of-mystic-love/ Also available on Youtube, iTunes, & Spotify – search ‘Guru Viking Podcast’. … Topics include: 00:00 - Intro 00:45 - The history and context of Sufism 12:41 - The 4 levels of religion 17:14 - The ‘Verse of the Sword’ and the inner path 27:34 - Inclusiveness of Sufism 32:44 - Are there connections between Sufism and Indic Tantric thought? 38:58 - Zikr practice of Sufism 48:57 - Gregory’s spiritual journey 53:29 - Gurdjieff’s work and encountering Sufism 1:02:35 - Initiating into the Inayati Order of the West with Pir Vilayat Khan 1:05:25 - About Pir Vilayat Khan 1:10:32 - About Lex Hixon aka Sheik Nur 1:20:07 - Initiation into the Halveti-Jerrahi Order with Sheik Nur 1:20:49 - Granted permissions of the Sheik by the Grand Sheik Muzaffer Efendi in Istanbul 1:21:24 -Retreat practice and the history of the Halveti-Jerrahi Order of Sufism 1:30:12 - Muzaffer Efendi and the transmission of Turkish Sufism to the West 1:36:34 - Levels of initiation as a Sufi Sheik 1:42:45 - Dream practices of the Halveti-Jerrahi Order 1:44:51 - Sufism and Kabbalah 1:47:20 - Reb Zalman Schachter-Shalomi and Jewish Renewal 1:51:31 - Reading the Gospels on an allegorical level … To find out more about Gregory, visit: - https://blanng.wixsite.com/ For more interviews, videos, and more visit: - www.guruviking.com Music ‘Deva Dasi’ by Steve James
Bayboards are our focus this week and our Jamie gets to chat to the up and coming Manchester home grown talent on today's show. Firstly, Bayboards give us two excellent tracks and a chat. Secondly, Richard is off the foreign shores with his first track of the show from Dr Jazz Dixieland Band. You can find out more about this fully acoustic jazz set up on the show and in the accompanying show notes below. It is a fascinating story. Furthermore, Tobin is off to Somalia for an 80's dance floor shredder of epic proportions. Coming up later in the show we've also got Double Trouble with Romero followed by Jack Oblivian and The Sheiks. Richard is clearly indulging his love of the Memphis music scene again and he shows no signs of slowing down. We've heard rumour there is more from Memphis coming up in Season III. As a result of Richard's love of the avant grade he'll also be introducing us to Volleyball, a new psychedelic collective born out of Pandemic Britain.
@bay yaqeen is an Agnostic Muslim, originally from Pakistan, now living in USA. Been a Sunni Muslim for 40 years now an Agnostic Muslim. Married with 3 kids 8 10 and 13 discussing topics of religion and philosophy. especially Islam and the struggle of people who have doubts about their religion. Subscribe to Bay Yaqeen's YouTube channel here: https://www.youtube.com/c/bayyaqeen YouTube version of this interview: https://youtu.be/aTytOtR7VIk Here are the time stamps for the interview: 0:00 Introductions.0:47 What does the name Bay Yaqeen mean?1:06 Muslims avoid discussing faith issues with apostates - The incident with the 5 “gladiators”.5:04 Bay’s background.6:35 The “You left Islam to sin” trope.8:27 Bay’s appreciation of Abdullah’s YouTube content and activism.12:36 Bay’s childhood in Pakistan and then later in Bahrain. Moving to the US for varsity.15:16 The first time that Bay heard about Muhammad’s marriage to Aisha, the culture of owning sex slaves, and how it affected him. Bay’s first time encountering an apostate.19:37 The turning point for Bay’s religious journey - having a tour of Jordan and Petra with Yasir Qadhi. How Bay tried to quell his doubts by “overdosing” on Islamic apologetics.24:37 Shout out to ex-Muslims and atheists online content creators who provided material for Bay when he started having doubts.26:20 Bay’s reaction when he started consuming competing content from Muslim apologists and apostates.29:20 Muslim apologist’s arguments are hamstrung by the Quran.32:18 Bay’s consultations with the Sheiks during the time he was having doubts and how he tried to use the Hajj to save his faith.39:03 Starting a Facebook page as an outlet and how it snowballed into online activism.41:41 Bay’s story continued - Visiting Sheiks to clear doubts on Islam.47:10 The logical problems with prayer.51:54 The “Islamophobe” tag as a way to evade legitimate criticism of Islam.54:55 The fear of hell and indoctrination.57:42 Phases that Bay went through as he was processing his loss of faith and apostasy. How to deal with Muslim family members who cherry-pick and quote small portions of religious texts without reading the whole text and understanding it.1:06:46 The Quran (and other Abrahamic religions) divides humanity into believers and nonbelievers.1:08:15 Racism and slavery in Islam.1:10:29 How the Muslim society was very insular during the period of Muhammad. The flat earth theory in Islam and how widespread it is in Salafi Islam.1:16:43 It is going to get hard to defend Islam as more scientific knowledge is revealed.1:18:04 Some profound stuff that Bay learned from other prominent atheists.1:25:00 Dealing with family members and spouses after apostatizing.1:33:19 Channel announcements.1:37:40 Responding to comments in the live chat.1:38:35 Shout out to Urdu ex-Muslim content creators.1:41:09 Final remarks.
NEW ROBERTLAND! W/ Brain & Dick of SHEIKS OF NEPTUNE & RYAN D! OTHER FANTASMIC VOICES BY JON SHEFSKY, ZACK HILLMAN, ROSSCO SOLETRAIN, BEN POPICK, DOUG GLEASON, & A SPECIAL MESSAGE FROM CHARLES FLEISCHER (ROGER RABBIT, ZODIAC) On SoundCloud, Apple, Spotify, And google play! Instagram.com/sheiks_of_neptune instagram.com/ryanpdemarest www.instagram.com/eaglemaniaccomedy www.instagram.com/robertlandpod www.instagram.com/zaxxsnaxx www.instagram.com/fockyanation • Intro/outro song: "Sugar Coated Fun" Dick Neptune & The Microwave Ovens (dickneptunethemicrowaveovens.bandcamp.com) • Edited by Harley Thompson Contact: robertlandpod@gmail.com www.fockyanation.com
On todays episode we had a unique time with Dick and Brain from The Sheiks Of Neptune who took time off and flew in on there space ship to hang on TTP, this episode was a absolute blast and these guys had us laughing the entire time!Enjoy the show!Follow The Sheiks Of NeptuneSheiks Of Neptune (@sheiks_of_neptune) • Instagram photos and videosListen to The Sheiks Of Neptune Attack of the Tiki Titans | Sheiks of Neptune (bandcamp.com)We want to hear from you!!Send us a line! via social media or email us at thetwelfthparsecclips@gmail.comWebsite: www.thetwelfthparsecpodcast.comBe sure to check out our Affiliates/Sponsorshttps://cbdmd.t7c9v8.net/xMno3Promo CBDMD15https://oasisbidets.com?p=BJQxaG598Promo TTP10want to start your own podcast not sure how? be sure to check out buzzsprout to make it as simple as possible and receive a 20$ Amazon gift card after your second billing cycle!https://www.buzzsprout.com/?referrer_id=951790
According to the Guinness Book of World Records, today's tongue twister is the hardest in the world. It's so difficult that one can have a hard time even if you read it slowly. Anyway, here it is: The sixth sick sheik's sixth sheep's sick.
In this episode, Alice Spencer talks with one of her biggest fans, Dale Wiley about her time with Three Merry Widows and The Sheiks. She’s got some good stories about recording in the 90’s at Ardent Studios in Memphis alongside the Atari-playing Lynyrd Skynyrd and Big Star while recording an album with Peter Henderson, producer of Supertramp’s, Breakfast in America.
Conan Neutron's Protonic Reversal
Iggy warbles to The Sheiks. Iggy got cucked by a bass player. He was so cool that Iggy didn't care. Jack Wagner was a hot actor and artist. Jack Wag dropped 6 bums. My good friends want to bag my husband. EMOTD.
Iggy warbles to The Sheiks. Iggy got cucked by a bass player. He was so cool that Iggy didn't care. Jack Wagner was a hot actor and artist. Jack Wag dropped 6 bums. My good friends want to bag my husband. EMOTD.
One of Jamaica's most beloved singers, Dobby Dobson, has died at the age of 78. Dobson passed away at 4:30 p.m on Tuesday at a hospital in Florida. Tommy Cowan of Glory Music reported that Dobson had COVID-19. “I was told a couple days ago that he was in a bad way. He had Alzheimer's for a while now and was in a home, then he was diagnosed with COVID." Highland 'Dobby' Dobson was nicknamed 'Loving Pauper' after one of his better-known songs. Dobson started singing in the early 1950s and recorded hit songs such as That Wonderful Sound and Mexican Divorce. He had stints with legendary producers Coxsone Dodd and Duke Reid, recording as a member of both The Virtues and The Sheiks. His signature song, Loving Pauper was done for Reid.
If you like this episode, check out https://otrpodcasts.com for even more classic radio shows! Learn more about your ad choices. Visit megaphone.fm/adchoices
The twins go random, talking about everything from the old Tascam Portastudio to the Clive Davis Documentary - Myrtle Beach to old Hollywood haunts, the Hollywood High Sheiks Marching Band and more. SHOW NOTES: 0:24 - Chris' Portastudio 2:00 - Chris' Portastudio Sessions Ava Cherry & Count Iain Blair 3:19 - Clive Davis Documentary 7:20 - The Portastudio: Eurythmics & Bruce Springsteen 8:25 - Randomness 11:05 - Chris on moving to Myrtle Beach, gigging back in the day. 15:20 - Covers versus originals. 16:00 - Reading people at gigs. 18:49 - One drink away from oblivion. 20:00 - Hollywood High Sheiks marching band. 22:05 - Roger versus Authority 23:47 - Hollywood haunts: Shakey's Pizza, Barney's Beanery 27:48 - Overthinking 29:05 - Cancel Culture 32:02 - "In Distress" - Chris Yale. Recorded at Paramount Recording, Hollywood.
Originally Released: December 2011 On the "Exploited Cinema" feed This installment Jdog & Bat32 decided to break out some more ILSA! In OBSCURE: it's Ilsa, Harem Keeper of the Oil Sheiks (1976) & Ilsa, The Wicked Warden (1977). We also have an Ilsa featured VHS VAULT: Ilsa, The Tigress of Siberia (1977). The boys also pick and announce the winners of the Canadian Ferox T-Shirt contest sponsored by: www. fastcustomshirts.com To top the show off Streebo joins Bat32 on a discussion of American Horror Story (2011). So stay tuned as EC eases the grease into the Holiday season! ———————— Please help spread the word and leave us ratings and reviews on itunes, Google Play, Stitcher, and YouTube! Also, follow the Official Revival House feed for all of our shows in one place. ———————— SUPPORT US: ►http://exploitedcinema.blogspot.com ►http://weirdworldpublishing.com ►http://facebook.com/sleazefiendmagazine ►http://canadianassault.com LISTEN TO THE PODCAST: ►https://youtube.com/revivalhouse ►https://podcasts.apple.com/us/podcast/exploited-cinema/id1468805041 ►https://play.google.com/music/m/Iuj2ye6sflslocaabrtgfsyszje?t=Exploited_Cinema ►https://stitcher.com/s?fid=427176&refid=stpr ►https://open.spotify.com/show/1U3BUbRBAN7bcssR3VxonX ►http://feeds.feedburner.com/RH/EC REVIVAL HOUSE NETWORK: ►https://youtube.com/revivalhouse ►https://itunes.apple.com/us/podcast/revival-house/id1316864493?mt=2 ►https://play.google.com/music/m/I76z5v443fw742cqv2kfl66qiru?t=Revival_House ►https://stitcher.com/podcast/revival-house-2 ►https://open.spotify.com/show/3Djss5ACcF4lkYH0lK5iKW?si=uSwnEoSjRAK5p8wYa-CjdQ ►http://feeds.feedburner.com/revivalhouse SOCIAL MEDIA: ►https://facebook.com/TheRevHouse ►https://twitter.com/TheRevHouse ►https://instagram.com/revivalhousenetwork ►https://reddit.com/r/RevivalHouse ►https://twitch.tv/revivalhousenetwork
Originally Released: December 2011 On the "Exploited Cinema" feed This installment Jdog & Bat32 decided to break out some more ILSA! In OBSCURE: it's Ilsa, Harem Keeper of the Oil Sheiks (1976) & Ilsa, The Wicked Warden (1977). We also have an Ilsa featured VHS VAULT: Ilsa, The Tigress of Siberia (1977). The boys also pick and announce the winners of the Canadian Ferox T-Shirt contest sponsored by: www. fastcustomshirts.com To top the show off Streebo joins Bat32 on a discussion of American Horror Story (2011). So stay tuned as EC eases the grease into the Holiday season! ———————— Please help spread the word and leave us ratings and reviews on itunes, Google Play, Stitcher, and YouTube! Also, follow the Official Revival House feed for all of our shows in one place. ———————— SUPPORT US: ►http://exploitedcinema.blogspot.com ►http://weirdworldpublishing.com ►http://facebook.com/sleazefiendmagazine ►http://canadianassault.com LISTEN TO THE PODCAST: ►https://youtube.com/revivalhouse ►https://podcasts.apple.com/us/podcast/exploited-cinema/id1468805041 ►https://play.google.com/music/m/Iuj2ye6sflslocaabrtgfsyszje?t=Exploited_Cinema ►https://stitcher.com/s?fid=427176&refid=stpr ►https://open.spotify.com/show/1U3BUbRBAN7bcssR3VxonX ►http://feeds.feedburner.com/RH/EC REVIVAL HOUSE NETWORK: ►https://youtube.com/revivalhouse ►https://itunes.apple.com/us/podcast/revival-house/id1316864493?mt=2 ►https://play.google.com/music/m/I76z5v443fw742cqv2kfl66qiru?t=Revival_House ►https://stitcher.com/podcast/revival-house-2 ►https://open.spotify.com/show/3Djss5ACcF4lkYH0lK5iKW?si=uSwnEoSjRAK5p8wYa-CjdQ ►http://feeds.feedburner.com/revivalhouse SOCIAL MEDIA: ►https://facebook.com/TheRevHouse ►https://twitter.com/TheRevHouse ►https://instagram.com/revivalhousenetwork ►https://reddit.com/r/RevivalHouse ►https://twitch.tv/revivalhousenetwork
Former Navy FMF Corpsman Mark Nicolas joins me to talk about his experiences in Fallujah and life after the military.[Organizations mentioned during the show]Warrior's Heart (Strength through healing) - https://www.warriorsheart.com/Fallujah Awakens: Marines, Sheiks, and the Battle Against Al Qaeda - https://www.amazon.com/Fallujah-Awakens-Marines-Sheikhs-Against/dp/1612511287[CLIMB4]** CLIMB4 Fundraiser (click here) or visit https://www.climb-4.org/funVisit the CLIMB4 website (click here) or visit https://www.climb-4.orgDonate to CLIMB4 (click here) or visit https://www.climb-4.org/donateApply for hiking/camping gear (click here) or visit https://www.climb-4.org/apply[VHA Veteran Suicide Statistics - 2019]2019 National Veteran Suicide Prevention Annual Report: https://www.mentalhealth.va.gov/docs/data-sheets/2019/2019_National_Veteran_Suicide_Prevention_Annual_Report_508.pdf
Another donated episode from NE JC. He joins me as we talk about Rory Gallagher's 1978 album "Photo-Finish".
Another donated episode from NE JC. He joins me as we talk about Rory Gallagher's 1978 album "Photo-Finish".
Global Security Consultant, Luke Bencie, shares has background and how he got into the crazy world of consulting for Kings, Sheiks, Warlords and Dictators.
REMEMBERING THE ROARING TWENTIES of the Twentieth Century. It was an era of women “Flappers” with short bobbed hair and short skirts, and men known as “Sheiks” with slicked-back hair and raccoon coats. We recall with records and recollections the decade.
Welcome to episode forty-seven of A History of Rock Music in Five Hundred Songs. This one looks at “Goodnight My Love” by Jesse Belvin, and at the many groups he performed with, and his untimely death. . Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus podcast, on “In the Still of the Night” by the Five Satins.—-more—- Resources As always, I’ve created a Mixcloud streaming playlist with full versions of all the songs in the episode. My principal source for this episode was this CD, whose liner notes provided the framework to which I added all the other information from a myriad other books and websites, including but not limited to Jackie Wilson Lovers, Marv Goldberg’s website, and Etta James’ autobiography. But as I discuss in this episode this is one of those where I’ve pulled together information from so many sources, a full list would probably be longer than the episode itself. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before we begin, a quick content warning. This episode contains material dealing with the immediate aftermath of a death in a car crash. While I am not explicit, this might be upsetting for some. Jesse Belvin is a name that not many people recognise these days — he’s a footnote in the biographies of people like Sam Cooke or the Penguins, someone whose contribution to music history is usually summed up in a line or two in a book about someone else. The problem is that Jesse Belvin was simply too good, and too prolific, to have a normal career. He put out a truly astonishing number of records as a songwriter, performer, and group leader, under so many different names that it’s impossible to figure out the true extent of his career. And people like that don’t end up having scholarly books written about them. And when you do find something that actually talks about Belvin himself, you find wild inaccuracies. For example, in researching this episode, I found over and over again that people claimed that Barry White played piano on the song we’re looking at today, “Goodnight My Love”. Now, White lived in the same neigbourhood as Belvin, and they attended the same school, so on the face of it that seems plausible. It seems plausible, at least, until you realise that Barry White was eleven when “Goodnight My Love” came out. Even so, on the offchance, I tracked down an interview with White where he confirmed that no, he was not playing piano on doo-wop classics before he hit puberty. But that kind of misinformation is all over everything to do with Jesse Belvin. The end result of this is that Jesse Belvin is someone who exists in the gaps of other people’s histories, and this episode is an attempt to create a picture out of what you find when looking at the stories of other musicians. As a result, it will almost certainly be less accurate than some other episodes. There’s so little information about Belvin that if you didn’t know anything about him, you’d assume he was some unimportant, minor, figure. But in 1950s R&B — among musicians, especially those on the West Coast — there was no bigger name than Jesse Belvin. He had the potential to be bigger than anyone, and he would have been, had he lived. He was Stevie Wonder’s favourite singer of all time, and Etta James argued to her dying day that it was a travesty that she was in the rock and roll hall of fame while he wasn’t. Sam Cooke explicitly tried to model his career after Belvin, to the extent that after Cooke’s death, his widow kept all of Cooke’s records separate from her other albums — except Belvin’s, which she kept with Cooke’s. Marv Goldberg, who is by far the pre-eminent expert on forties and fifties black vocal group music, refers to Belvin as the genre’s “most revered stylist”. And at the time he died, he was on the verge of finally becoming as well known as he deserved to be. So let’s talk about the life — and the tragic death — of Mr Easy himself: [Excerpt: Jesse Belvin, “Goodnight My Love”] Like so many greats of R&B and jazz, Belvin had attended Jefferson High School and studied music under the great teacher Samuel Browne, who is one of the great unsung heroes of rock and roll music. One of the other people that Browne had taught was the great rhythm and blues saxophone player Big Jay McNeely. McNeely was one of the all-time great saxophone honkers, inspired mostly by Illinois Jacquet, and he had become the lead tenor saxophone player with Johnny Otis’ band at the Barrelhouse Club, and played on records like Otis’ “Barrel House Stomp”: [Excerpt: Johnny Otis, “Barrel House Stomp”] As with many of the musicians Otis worked with, McNeely soon went on to a solo career of his own, and he formed a vocal group, “Three Dots and a Dash”. Three Dots and a Dash backed McNeely’s saxophone on a number of records, and McNeely invited Belvin to join them as lead singer. Belvin’s first recording with the group was on “All That Wine is Gone”, an answer record to “Drinking Wine Spo-De-O-Dee”. [Excerpt: Big Jay McNeely with Three Dots and a Dash, “All That Wine is Gone”] After recording two singles with McNeely, Belvin went off to make his own records, signing to Specialty Records. His first solo single, “Baby Don’t Go”, was not especially successful, so he teamed up with the songwriter Marvin Phillips in a duo called Jesse and Marvin. The two of them had a hit with the song “Dream Girl”: [Excerpt: Jesse and Marvin, “Dream Girl”] “Dream Girl” went to number two on the R&B charts, and it looked like Jesse and Marvin were about to have a massive career. But shortly afterwards, Belvin was drafted. It was while he was in the armed forces that “Earth Angel” became a hit — a song he co-wrote, and which we discussed in a previous episode, which I’ll link in the show notes. Like many of the songs Belvin wrote, he ended up not getting credit for that one — but unlike most of the others, he went to court over it and got some royalties in the end. Marvin decided to continue the duo without Jesse, renaming it “Marvin and Johnny”, and moved over to Modern Records, but he didn’t stick with a single “Johnny”. Instead “Johnny” would be whoever was around, sometimes Marvin himself double-tracked. He had several minor hit singles as “Marvin and Johnny”, including “Cherry Pie”, on which the role of “Johnny” was played by Emory Perry: [Excerpt: Marvin and Johnny, “Cherry Pie”] “Cherry Pie” was a massive hit, but none of Marvin and Johnny’s other records matched its success. However, on some of the follow-ups, Jesse Belvin returned as one of the Johnnies, notably on a cover version of “Ko Ko Mo”, which didn’t manage to outsell either the original or Perry Como’s version: [Excerpt: Marvin and Johnny, “Ko Ko Mo”] Meanwhile, his time in the armed forces had set Belvin’s career back, and when he came out he started recording for every label, and under every band name, he could. Most of the time, he would also be writing the songs, but he didn’t get label credit on most of them, because he would just sell all his rights to the songs for a hundred dollars. Why not? There was always another song. As well as recording as Marvin and Johnny for Modern Records, he also sang with the Californians on Federal: [Excerpt: The Californians, “My Angel”] The Sheiks, also on Federal : [Excerpt: The Sheiks, “So Fine”] The Gassers, on Cash: [Excerpt: The Gassers, “Hum De Dum”] As well as recording under his own name on both Specialty and on John Dolphin’s Hollywood Records. But his big project at the time was the Cliques, a duo he formed with Eugene Church, who recorded for Modern. Their track, “The Girl in My Dreams” was the closest thing he’d had to a big success since the similarly-named “Dream Girl” several years earlier: [Excerpt: The Cliques, “The Girl in my Dreams”] That went to number forty-five on the pop chart — not a massive hit, but a clear commercial success. And so, of course, at this point Belvin ditched the Cliques name, rather than follow up on the minor hit, and started making records as a solo artist instead. He signed to Modern Records as a solo artist, and went into the studio to record a new song. Now, I am going to be careful how I phrase this, because John Marascalco, who is credited as the co-writer of “Goodnight My Love”, is still alive. And I want to stress that Marascalco is, by all accounts, an actual songwriter who has written songs for people like Little Richard and Harry Nilsson. But there have also been accusations that at least some of his songwriting credits were not deserved — in particular the song “Bertha Lou” by Johnny Faire: [Excerpt: Johnny Faire, “Bertha Lou”] Johnny Faire, whose real name was Donnie Brooks, recorded that with the Burnette brothers, and always said that the song was written, not by Marascalco, but by Johnny Burnette, who sold his rights to the song to Marascalco for fifty dollars — Burnette’s son Rocky backs up the claim. Now, in the case of “Goodnight My Love”, the credited writers are George Motola and Marascalco, but the story as it’s normally told goes as follows — Motola had written the bulk of the song several years earlier, but had never completed it. He brought it into the studio, and Jesse Belvin came up with the bridge — but he said that rather than take credit, he just wanted Motola to give him four hundred dollars. Motola didn’t have four hundred dollars on him, but Marascalco, who was also at the session and is the credited producer, said he could get it for Belvin, and took the credit himself. That’s the story, and it would fit with both the rumour that Marascalco had bought an entire song from Johnny Burnette and with Belvin’s cavalier attitude towards credit. On the other hand, Marascalco was also apparently particularly good at rewriting and finishing other people’s half-finished songs, and so it’s entirely plausible that he could have done the finishing-up job himself. Either way, the finished song became one of the most well-known songs of the fifties: [Excerpt: Jesse Belvin, “Goodnight My Love”] Belvin’s version of the song went to number seven in the R&B charts, but its impact went beyond its immediate chart success. Alan Freed started to use the song as the outro music for his radio show, making it familiar to an entire generation of American music lovers. The result was that the song became a standard, recorded by everyone from James Brown to Gloria Estefan, the Four Seasons to Harry Connick Jr. If John Marascalco *did* buy Jesse Belvin’s share of the songwriting, that was about the best four hundred dollars he could possibly have spent. Over the next year, Belvin recorded a host of other singles as a solo artist, none of which matched the level of success he’d seen with “Goodnight My Love”, but which are the artistic foundation on which his reputation now rests. The stylistic range of these records is quite astonishing, from Latin pop like “Senorita”, to doo-wop novelty songs like “My Satellite”, a song whose melody owes something to “Hound Dog”, credited to Jesse Belvin and the Space Riders, and released to cash in on the space craze that had started with the launch of the Russian satellite Sputnik: [Excerpt: Jesse Belvin and the Space Riders, “My Satellite”] That featured Alex Hodge of the Platters on backing vocals. Hodge’s brother Gaynel Hodge, who like Belvin would form groups at the drop of a hat, joined Jesse in yet another of the many groups he formed. The Saxons consisted of Belvin, Gaynel Hodge, Eugene Church (who had been in the Cliques with Belvin) and another former Jefferson High student, Belvin’s friend Johnny “Guitar” Watson. Watson would later become well known for his seventies “gangster of love” persona and funk records, but at this point he was mostly making hard electric blues records like “Three Hours Past Midnight”: [Excerpt: “Three Hours Past Midnight”, Johnny “Guitar” Watson] But when he worked with Belvin in the Saxons and other groups, he recorded much more straightforward doo-wop and rock and roll, like this example, “Is It True”: [Excerpt: The Saxons, “Is It True”] The Saxons also recorded as the Capris (though with Alex Hodge rather than Gaynel in that lineup of the group) and, just to annoy everyone who cares about this stuff and drive us all into nervous breakdowns, there was another group, also called the Saxons, who also recorded as the Capris, on the same label — at least one single actually came out with one of the groups on one side and the other on the other. Indeed, the side featuring our Saxons had previously been released as a Jesse Belvin solo record. Anyway, I hope in this first half of the story I’ve given some idea of just how many different groups Jesse Belvin recorded with, and under how many different names, though I haven’t listed even half of them. This is someone who seemed to form a new group every time he crossed the street, and make records with most of them, and a surprising number of them had become hits — and “Goodnight My Love” and “Earth Angel” had become the kind of monster perennial standard that most musicians dream of ever writing. And, of course, Belvin had become the kind of musician that most record companies and publishers dream of finding — the kind who will happily make hit records and sell the rights for a handful of dollars. That was soon to change. Belvin was married; I haven’t been able to find out exactly when he married, but his wife also became his songwriting partner and his manager, and in 1958 she seemed to finally take control of his career for him. But before she did, there was one last pickup group hit to make. Frankie Ervin had been Charles Brown’s replacement in Johnny Moore’s Three Blazers, and had also sung briefly with Johnny Otis and Preston Love. While with Brown’s group, he’d developed a reputation for being able to perform novelty cash-in records — he’d made “Dragnet Blues”, which had resulted in a lawsuit from the makers of the TV show Dragnet, and he’d also done his Johnny Ace impression on “Johnny Ace’s Last Letter”, a single that had been rush-released by the Blazers after Johnny Ace’s death: [Excerpt: Johnny Moore’s Three Blazers, “Johnny Ace’s Last Letter”] Ervin was looking for a solo career after leaving the Blazers, and he was put in touch with George Motola, who had a suggestion for him. A white group from Texas called The Slades had recorded a track called “You Cheated”, which looked like it could possibly be a big hit — except that the label it was on wasn’t willing to come to terms with some of the big distributors over how much they were charging per record: [The Slades, “You Cheated”] Motola wanted to record a soundalike version of the song with Jesse Belvin as the lead singer, but Belvin had just signed a record contract with RCA, and didn’t want to put out lead vocals on another label. Would Ervin like to put out the song as a solo record? Ervin hated the song — he didn’t like doo-wop generally, and he thought the song was a particularly bad example of the genre — but a gig was a gig, and it’d be a solo record under his own name. Ervin agreed to do it, and Motola got Jesse Belvin to put together a scratch vocal group for the session. Belvin found Johnny “Guitar” Watson and Tommy “Buster” Williams at a local ballroom and got them to come along, and on the way to the session they ran into “Handsome” Mel Williams and pulled him in. They were just going to be the uncredited backing vocalists on a Frankie Ervin record, and didn’t spend much time thinking about what was clearly a soundalike cash-in. But when it came out it was credited as “The Shields” rather than Frankie Ervin: [Excerpt: The Shields, “You Cheated”] That’s Belvin singing that wonderful falsetto part. Frankie Ervin was naturally annoyed that he wasn’t given the label credit for the record. The recording was made as an independent production but leased to Dot Records, and somewhere along the line someone decided that it was better to have a generic group name rather than promote it as by a solo singer who might get ideas about wanting money. In a nice bit of irony, the Shields managed to reverse the normal course of the music industry — this time a soundalike record by a black group managed to outsell the original by a white group. “You Cheated” ended up making number twelve on the pop charts — a massive hit for an unknown doo-wop group at the time. Ervin started touring and making TV appearances as the Shields, backed by some random singers the record label had pulled together — the rest of the vocalists on the record had been people who were under contract to other labels, and so couldn’t make TV appearances. But the original Shields members reunited for the followup single, “Nature Boy”, where they were joined by the members of the Turks, who were yet another group that Belvin was recording with, and who included both Hodge brothers: [Excerpt: “Nature Boy”, the Shields] That, according to Ervin, also sold a million copies, but it was nothing like as successful as “You Cheated”. The record label were getting sick of Ervin wanting credit and royalties and other things they didn’t like singers, especially black ones, asking for. So the third Shields record only featured Belvin out of the original lineup, and subsequent recordings didn’t even feature him. But while Belvin had accidentally put together yet another million-selling group, he had also moved on to bigger things. His wife had now firmly taken control of his career, and they had a plan. Belvin had signed to a major label — RCA, the same label that Elvis Presley was on — and he was going to make a play for the big time. He could still keep making doo-wop records with Johnny “Guitar” Watson and Eugene Church and the Hodge brothers and whoever else, if he felt like it, but his solo career was going to be something else. He was going to go for the same market as Nat “King” Cole, and become a smooth ballad singer. He was going to be a huge star, and he actually got to record an album, Just Jesse Belvin. The first single off that album was “Guess Who?”, a song written by his wife Jo Anne, based on a love letter she had written to him: [Excerpt: Jesse Belvin, “Guess Who?”] That song made the top forty — hitting number thirty-three on the pop chart and managed to reach number seven on the R&B charts. More importantly, it gained Grammy nominations for both best R&B performance and best male vocal performance. He lost to Dinah Washington and Frank Sinatra, and it’s not as if losing to Dinah Washington or Frank Sinatra would have been an embarrassment. But by the time he lost those Grammies, Jesse was already dead, and so was Jo Anne. And here we get into the murkiest part of the story. There are a lot of rumours floating around about Jesse Belvin’s death, and a lot of misinformation is out there, and frankly I’ve not been able to get to the bottom of exactly what happened. When someone you love dies young, especially if that someone is a public figure, there’s a tendency to look for complex explanations, and there’s also a tendency to exaggerate stories in the telling. That’s just human nature. And in some cases, that tendency is exploited by people out to make money. And Jesse and Jo Anne Belvin were both black people who died in the deep South, and so no real investigation was ever carried out. That means that by now, with almost everyone who was involved dead, it’s impossible to tell what really happened. Almost every single sentence of what follows may be false. It’s my best guess as to the order of events and what happened, based on the limited information out there. On February the sixth, 1960, there was a concert in Little Rock Arkansas, at the Robinson Auditorium. Billed as “the first rock and roll show of 1960”, the headliner was Jackie Wilson, a friend of Belvin’s. Jesse had just recorded his second album, “Mr Easy”, which would be coming out soon, and while he was still relatively low on the bill, he was a rising star. That album was the one that was going to consolidate Belvin’s turn towards pop balladry in the Nat “King” Cole style, but it would end up being a posthumous release: [Excerpt: Jesse Belvin with the Marty Paich Orchestra, “Blues in the Night”] It was an all-black lineup on stage, but according to some reports it was an integrated audience. In fact some reports go so far as to say it was the first integrated audience ever in Little Rock. Little Rock was not a place where the white people were fans of integration — in fact they were so against it that the National Guard had had to be called in only two years earlier to protect black children when the first school in Little Rock had been integrated. And so apparently there was some racial abuse shouted by members of the audience. But it was nothing that the musicians hadn’t dealt with before. After the show they all drove on towards Dallas. Jackie Wilson had some car problems on the way, and got to their stop in Dallas later than he was expecting to. The Belvins hadn’t arrived yet, and so Wilson called Jesse’s mother in LA, asking if she’d heard from them. She hadn’t. Shortly after setting off, the car with Jesse and Jo Anne in had been in a crash. Jesse and the drivers of both cars had been killed instantly. Kirk Davis, Belvin’s guitarist on that tour, who had apparently been asleep in the back seat, was seriously injured but eventually came out of his coma. And Jesse had apparently reacted fast enough to shield his wife from the worst of the accident. But she was still unconscious, and seriously injured. The survivors were rushed to the hospital, where, according to Etta James, who heard the story from Jackie Wilson, they refused to treat Jo Anne Belvin until they knew that they would get money. She remained untreated until someone got in touch with Wilson, who drove down from Dallas Texas to Hope, Arkansas, where the hospital was, with the cash. But she died of her injuries a few days later. Now, here’s the thing — within a fortnight of the accident, there were rumours circulating widely enough to have been picked up by the newspapers that Belvin’s car had had its tyres slashed. There were also stories, never confirmed, that Belvin had received death threats before the show. And Jackie Wilson had also had car trouble that night — and according to some sources so had at least one other musician on the bill. So it’s possible that the car was sabotaged. On the other hand, Belvin’s driver, Charles Shackleford, had got the job with Belvin after being fired by Ray Charles. He was fired, according to Charles, because he kept staying awake watching the late-night shows, not getting enough sleep, and driving dangerously enough to scare Ray Charles — who was fearless enough that he used to ride motorbikes despite being totally blind. So when Jesse and Jo Anne Belvin died, they could have been the victims of a racist murder, or they could just have been horribly unlucky. But we’ll never know for sure, because the institutional racism at the time meant that there was no investigation. When they died, they left behind two children under the age of five, who were brought up by Jesse’s mother. The oldest, Jesse Belvin Jr, became a singer himself, often performing material written or made famous by his father: [Excerpt: Jesse Belvin Jr, “Goodnight My Love”] Jesse Jr. devoted his life to finding out what actually happened to his parents, but never found any answers.
Welcome to episode forty-seven of A History of Rock Music in Five Hundred Songs. This one looks at “Goodnight My Love” by Jesse Belvin, and at the many groups he performed with, and his untimely death. . Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus podcast, on “In the Still of the Night” by the Five Satins.—-more—- Resources As always, I’ve created a Mixcloud streaming playlist with full versions of all the songs in the episode. My principal source for this episode was this CD, whose liner notes provided the framework to which I added all the other information from a myriad other books and websites, including but not limited to Jackie Wilson Lovers, Marv Goldberg’s website, and Etta James’ autobiography. But as I discuss in this episode this is one of those where I’ve pulled together information from so many sources, a full list would probably be longer than the episode itself. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before we begin, a quick content warning. This episode contains material dealing with the immediate aftermath of a death in a car crash. While I am not explicit, this might be upsetting for some. Jesse Belvin is a name that not many people recognise these days — he’s a footnote in the biographies of people like Sam Cooke or the Penguins, someone whose contribution to music history is usually summed up in a line or two in a book about someone else. The problem is that Jesse Belvin was simply too good, and too prolific, to have a normal career. He put out a truly astonishing number of records as a songwriter, performer, and group leader, under so many different names that it’s impossible to figure out the true extent of his career. And people like that don’t end up having scholarly books written about them. And when you do find something that actually talks about Belvin himself, you find wild inaccuracies. For example, in researching this episode, I found over and over again that people claimed that Barry White played piano on the song we’re looking at today, “Goodnight My Love”. Now, White lived in the same neigbourhood as Belvin, and they attended the same school, so on the face of it that seems plausible. It seems plausible, at least, until you realise that Barry White was eleven when “Goodnight My Love” came out. Even so, on the offchance, I tracked down an interview with White where he confirmed that no, he was not playing piano on doo-wop classics before he hit puberty. But that kind of misinformation is all over everything to do with Jesse Belvin. The end result of this is that Jesse Belvin is someone who exists in the gaps of other people’s histories, and this episode is an attempt to create a picture out of what you find when looking at the stories of other musicians. As a result, it will almost certainly be less accurate than some other episodes. There’s so little information about Belvin that if you didn’t know anything about him, you’d assume he was some unimportant, minor, figure. But in 1950s R&B — among musicians, especially those on the West Coast — there was no bigger name than Jesse Belvin. He had the potential to be bigger than anyone, and he would have been, had he lived. He was Stevie Wonder’s favourite singer of all time, and Etta James argued to her dying day that it was a travesty that she was in the rock and roll hall of fame while he wasn’t. Sam Cooke explicitly tried to model his career after Belvin, to the extent that after Cooke’s death, his widow kept all of Cooke’s records separate from her other albums — except Belvin’s, which she kept with Cooke’s. Marv Goldberg, who is by far the pre-eminent expert on forties and fifties black vocal group music, refers to Belvin as the genre’s “most revered stylist”. And at the time he died, he was on the verge of finally becoming as well known as he deserved to be. So let’s talk about the life — and the tragic death — of Mr Easy himself: [Excerpt: Jesse Belvin, “Goodnight My Love”] Like so many greats of R&B and jazz, Belvin had attended Jefferson High School and studied music under the great teacher Samuel Browne, who is one of the great unsung heroes of rock and roll music. One of the other people that Browne had taught was the great rhythm and blues saxophone player Big Jay McNeely. McNeely was one of the all-time great saxophone honkers, inspired mostly by Illinois Jacquet, and he had become the lead tenor saxophone player with Johnny Otis’ band at the Barrelhouse Club, and played on records like Otis’ “Barrel House Stomp”: [Excerpt: Johnny Otis, “Barrel House Stomp”] As with many of the musicians Otis worked with, McNeely soon went on to a solo career of his own, and he formed a vocal group, “Three Dots and a Dash”. Three Dots and a Dash backed McNeely’s saxophone on a number of records, and McNeely invited Belvin to join them as lead singer. Belvin’s first recording with the group was on “All That Wine is Gone”, an answer record to “Drinking Wine Spo-De-O-Dee”. [Excerpt: Big Jay McNeely with Three Dots and a Dash, “All That Wine is Gone”] After recording two singles with McNeely, Belvin went off to make his own records, signing to Specialty Records. His first solo single, “Baby Don’t Go”, was not especially successful, so he teamed up with the songwriter Marvin Phillips in a duo called Jesse and Marvin. The two of them had a hit with the song “Dream Girl”: [Excerpt: Jesse and Marvin, “Dream Girl”] “Dream Girl” went to number two on the R&B charts, and it looked like Jesse and Marvin were about to have a massive career. But shortly afterwards, Belvin was drafted. It was while he was in the armed forces that “Earth Angel” became a hit — a song he co-wrote, and which we discussed in a previous episode, which I’ll link in the show notes. Like many of the songs Belvin wrote, he ended up not getting credit for that one — but unlike most of the others, he went to court over it and got some royalties in the end. Marvin decided to continue the duo without Jesse, renaming it “Marvin and Johnny”, and moved over to Modern Records, but he didn’t stick with a single “Johnny”. Instead “Johnny” would be whoever was around, sometimes Marvin himself double-tracked. He had several minor hit singles as “Marvin and Johnny”, including “Cherry Pie”, on which the role of “Johnny” was played by Emory Perry: [Excerpt: Marvin and Johnny, “Cherry Pie”] “Cherry Pie” was a massive hit, but none of Marvin and Johnny’s other records matched its success. However, on some of the follow-ups, Jesse Belvin returned as one of the Johnnies, notably on a cover version of “Ko Ko Mo”, which didn’t manage to outsell either the original or Perry Como’s version: [Excerpt: Marvin and Johnny, “Ko Ko Mo”] Meanwhile, his time in the armed forces had set Belvin’s career back, and when he came out he started recording for every label, and under every band name, he could. Most of the time, he would also be writing the songs, but he didn’t get label credit on most of them, because he would just sell all his rights to the songs for a hundred dollars. Why not? There was always another song. As well as recording as Marvin and Johnny for Modern Records, he also sang with the Californians on Federal: [Excerpt: The Californians, “My Angel”] The Sheiks, also on Federal : [Excerpt: The Sheiks, “So Fine”] The Gassers, on Cash: [Excerpt: The Gassers, “Hum De Dum”] As well as recording under his own name on both Specialty and on John Dolphin’s Hollywood Records. But his big project at the time was the Cliques, a duo he formed with Eugene Church, who recorded for Modern. Their track, “The Girl in My Dreams” was the closest thing he’d had to a big success since the similarly-named “Dream Girl” several years earlier: [Excerpt: The Cliques, “The Girl in my Dreams”] That went to number forty-five on the pop chart — not a massive hit, but a clear commercial success. And so, of course, at this point Belvin ditched the Cliques name, rather than follow up on the minor hit, and started making records as a solo artist instead. He signed to Modern Records as a solo artist, and went into the studio to record a new song. Now, I am going to be careful how I phrase this, because John Marascalco, who is credited as the co-writer of “Goodnight My Love”, is still alive. And I want to stress that Marascalco is, by all accounts, an actual songwriter who has written songs for people like Little Richard and Harry Nilsson. But there have also been accusations that at least some of his songwriting credits were not deserved — in particular the song “Bertha Lou” by Johnny Faire: [Excerpt: Johnny Faire, “Bertha Lou”] Johnny Faire, whose real name was Donnie Brooks, recorded that with the Burnette brothers, and always said that the song was written, not by Marascalco, but by Johnny Burnette, who sold his rights to the song to Marascalco for fifty dollars — Burnette’s son Rocky backs up the claim. Now, in the case of “Goodnight My Love”, the credited writers are George Motola and Marascalco, but the story as it’s normally told goes as follows — Motola had written the bulk of the song several years earlier, but had never completed it. He brought it into the studio, and Jesse Belvin came up with the bridge — but he said that rather than take credit, he just wanted Motola to give him four hundred dollars. Motola didn’t have four hundred dollars on him, but Marascalco, who was also at the session and is the credited producer, said he could get it for Belvin, and took the credit himself. That’s the story, and it would fit with both the rumour that Marascalco had bought an entire song from Johnny Burnette and with Belvin’s cavalier attitude towards credit. On the other hand, Marascalco was also apparently particularly good at rewriting and finishing other people’s half-finished songs, and so it’s entirely plausible that he could have done the finishing-up job himself. Either way, the finished song became one of the most well-known songs of the fifties: [Excerpt: Jesse Belvin, “Goodnight My Love”] Belvin’s version of the song went to number seven in the R&B charts, but its impact went beyond its immediate chart success. Alan Freed started to use the song as the outro music for his radio show, making it familiar to an entire generation of American music lovers. The result was that the song became a standard, recorded by everyone from James Brown to Gloria Estefan, the Four Seasons to Harry Connick Jr. If John Marascalco *did* buy Jesse Belvin’s share of the songwriting, that was about the best four hundred dollars he could possibly have spent. Over the next year, Belvin recorded a host of other singles as a solo artist, none of which matched the level of success he’d seen with “Goodnight My Love”, but which are the artistic foundation on which his reputation now rests. The stylistic range of these records is quite astonishing, from Latin pop like “Senorita”, to doo-wop novelty songs like “My Satellite”, a song whose melody owes something to “Hound Dog”, credited to Jesse Belvin and the Space Riders, and released to cash in on the space craze that had started with the launch of the Russian satellite Sputnik: [Excerpt: Jesse Belvin and the Space Riders, “My Satellite”] That featured Alex Hodge of the Platters on backing vocals. Hodge’s brother Gaynel Hodge, who like Belvin would form groups at the drop of a hat, joined Jesse in yet another of the many groups he formed. The Saxons consisted of Belvin, Gaynel Hodge, Eugene Church (who had been in the Cliques with Belvin) and another former Jefferson High student, Belvin’s friend Johnny “Guitar” Watson. Watson would later become well known for his seventies “gangster of love” persona and funk records, but at this point he was mostly making hard electric blues records like “Three Hours Past Midnight”: [Excerpt: “Three Hours Past Midnight”, Johnny “Guitar” Watson] But when he worked with Belvin in the Saxons and other groups, he recorded much more straightforward doo-wop and rock and roll, like this example, “Is It True”: [Excerpt: The Saxons, “Is It True”] The Saxons also recorded as the Capris (though with Alex Hodge rather than Gaynel in that lineup of the group) and, just to annoy everyone who cares about this stuff and drive us all into nervous breakdowns, there was another group, also called the Saxons, who also recorded as the Capris, on the same label — at least one single actually came out with one of the groups on one side and the other on the other. Indeed, the side featuring our Saxons had previously been released as a Jesse Belvin solo record. Anyway, I hope in this first half of the story I’ve given some idea of just how many different groups Jesse Belvin recorded with, and under how many different names, though I haven’t listed even half of them. This is someone who seemed to form a new group every time he crossed the street, and make records with most of them, and a surprising number of them had become hits — and “Goodnight My Love” and “Earth Angel” had become the kind of monster perennial standard that most musicians dream of ever writing. And, of course, Belvin had become the kind of musician that most record companies and publishers dream of finding — the kind who will happily make hit records and sell the rights for a handful of dollars. That was soon to change. Belvin was married; I haven’t been able to find out exactly when he married, but his wife also became his songwriting partner and his manager, and in 1958 she seemed to finally take control of his career for him. But before she did, there was one last pickup group hit to make. Frankie Ervin had been Charles Brown’s replacement in Johnny Moore’s Three Blazers, and had also sung briefly with Johnny Otis and Preston Love. While with Brown’s group, he’d developed a reputation for being able to perform novelty cash-in records — he’d made “Dragnet Blues”, which had resulted in a lawsuit from the makers of the TV show Dragnet, and he’d also done his Johnny Ace impression on “Johnny Ace’s Last Letter”, a single that had been rush-released by the Blazers after Johnny Ace’s death: [Excerpt: Johnny Moore’s Three Blazers, “Johnny Ace’s Last Letter”] Ervin was looking for a solo career after leaving the Blazers, and he was put in touch with George Motola, who had a suggestion for him. A white group from Texas called The Slades had recorded a track called “You Cheated”, which looked like it could possibly be a big hit — except that the label it was on wasn’t willing to come to terms with some of the big distributors over how much they were charging per record: [The Slades, “You Cheated”] Motola wanted to record a soundalike version of the song with Jesse Belvin as the lead singer, but Belvin had just signed a record contract with RCA, and didn’t want to put out lead vocals on another label. Would Ervin like to put out the song as a solo record? Ervin hated the song — he didn’t like doo-wop generally, and he thought the song was a particularly bad example of the genre — but a gig was a gig, and it’d be a solo record under his own name. Ervin agreed to do it, and Motola got Jesse Belvin to put together a scratch vocal group for the session. Belvin found Johnny “Guitar” Watson and Tommy “Buster” Williams at a local ballroom and got them to come along, and on the way to the session they ran into “Handsome” Mel Williams and pulled him in. They were just going to be the uncredited backing vocalists on a Frankie Ervin record, and didn’t spend much time thinking about what was clearly a soundalike cash-in. But when it came out it was credited as “The Shields” rather than Frankie Ervin: [Excerpt: The Shields, “You Cheated”] That’s Belvin singing that wonderful falsetto part. Frankie Ervin was naturally annoyed that he wasn’t given the label credit for the record. The recording was made as an independent production but leased to Dot Records, and somewhere along the line someone decided that it was better to have a generic group name rather than promote it as by a solo singer who might get ideas about wanting money. In a nice bit of irony, the Shields managed to reverse the normal course of the music industry — this time a soundalike record by a black group managed to outsell the original by a white group. “You Cheated” ended up making number twelve on the pop charts — a massive hit for an unknown doo-wop group at the time. Ervin started touring and making TV appearances as the Shields, backed by some random singers the record label had pulled together — the rest of the vocalists on the record had been people who were under contract to other labels, and so couldn’t make TV appearances. But the original Shields members reunited for the followup single, “Nature Boy”, where they were joined by the members of the Turks, who were yet another group that Belvin was recording with, and who included both Hodge brothers: [Excerpt: “Nature Boy”, the Shields] That, according to Ervin, also sold a million copies, but it was nothing like as successful as “You Cheated”. The record label were getting sick of Ervin wanting credit and royalties and other things they didn’t like singers, especially black ones, asking for. So the third Shields record only featured Belvin out of the original lineup, and subsequent recordings didn’t even feature him. But while Belvin had accidentally put together yet another million-selling group, he had also moved on to bigger things. His wife had now firmly taken control of his career, and they had a plan. Belvin had signed to a major label — RCA, the same label that Elvis Presley was on — and he was going to make a play for the big time. He could still keep making doo-wop records with Johnny “Guitar” Watson and Eugene Church and the Hodge brothers and whoever else, if he felt like it, but his solo career was going to be something else. He was going to go for the same market as Nat “King” Cole, and become a smooth ballad singer. He was going to be a huge star, and he actually got to record an album, Just Jesse Belvin. The first single off that album was “Guess Who?”, a song written by his wife Jo Anne, based on a love letter she had written to him: [Excerpt: Jesse Belvin, “Guess Who?”] That song made the top forty — hitting number thirty-three on the pop chart and managed to reach number seven on the R&B charts. More importantly, it gained Grammy nominations for both best R&B performance and best male vocal performance. He lost to Dinah Washington and Frank Sinatra, and it’s not as if losing to Dinah Washington or Frank Sinatra would have been an embarrassment. But by the time he lost those Grammies, Jesse was already dead, and so was Jo Anne. And here we get into the murkiest part of the story. There are a lot of rumours floating around about Jesse Belvin’s death, and a lot of misinformation is out there, and frankly I’ve not been able to get to the bottom of exactly what happened. When someone you love dies young, especially if that someone is a public figure, there’s a tendency to look for complex explanations, and there’s also a tendency to exaggerate stories in the telling. That’s just human nature. And in some cases, that tendency is exploited by people out to make money. And Jesse and Jo Anne Belvin were both black people who died in the deep South, and so no real investigation was ever carried out. That means that by now, with almost everyone who was involved dead, it’s impossible to tell what really happened. Almost every single sentence of what follows may be false. It’s my best guess as to the order of events and what happened, based on the limited information out there. On February the sixth, 1960, there was a concert in Little Rock Arkansas, at the Robinson Auditorium. Billed as “the first rock and roll show of 1960”, the headliner was Jackie Wilson, a friend of Belvin’s. Jesse had just recorded his second album, “Mr Easy”, which would be coming out soon, and while he was still relatively low on the bill, he was a rising star. That album was the one that was going to consolidate Belvin’s turn towards pop balladry in the Nat “King” Cole style, but it would end up being a posthumous release: [Excerpt: Jesse Belvin with the Marty Paich Orchestra, “Blues in the Night”] It was an all-black lineup on stage, but according to some reports it was an integrated audience. In fact some reports go so far as to say it was the first integrated audience ever in Little Rock. Little Rock was not a place where the white people were fans of integration — in fact they were so against it that the National Guard had had to be called in only two years earlier to protect black children when the first school in Little Rock had been integrated. And so apparently there was some racial abuse shouted by members of the audience. But it was nothing that the musicians hadn’t dealt with before. After the show they all drove on towards Dallas. Jackie Wilson had some car problems on the way, and got to their stop in Dallas later than he was expecting to. The Belvins hadn’t arrived yet, and so Wilson called Jesse’s mother in LA, asking if she’d heard from them. She hadn’t. Shortly after setting off, the car with Jesse and Jo Anne in had been in a crash. Jesse and the drivers of both cars had been killed instantly. Kirk Davis, Belvin’s guitarist on that tour, who had apparently been asleep in the back seat, was seriously injured but eventually came out of his coma. And Jesse had apparently reacted fast enough to shield his wife from the worst of the accident. But she was still unconscious, and seriously injured. The survivors were rushed to the hospital, where, according to Etta James, who heard the story from Jackie Wilson, they refused to treat Jo Anne Belvin until they knew that they would get money. She remained untreated until someone got in touch with Wilson, who drove down from Dallas Texas to Hope, Arkansas, where the hospital was, with the cash. But she died of her injuries a few days later. Now, here’s the thing — within a fortnight of the accident, there were rumours circulating widely enough to have been picked up by the newspapers that Belvin’s car had had its tyres slashed. There were also stories, never confirmed, that Belvin had received death threats before the show. And Jackie Wilson had also had car trouble that night — and according to some sources so had at least one other musician on the bill. So it’s possible that the car was sabotaged. On the other hand, Belvin’s driver, Charles Shackleford, had got the job with Belvin after being fired by Ray Charles. He was fired, according to Charles, because he kept staying awake watching the late-night shows, not getting enough sleep, and driving dangerously enough to scare Ray Charles — who was fearless enough that he used to ride motorbikes despite being totally blind. So when Jesse and Jo Anne Belvin died, they could have been the victims of a racist murder, or they could just have been horribly unlucky. But we’ll never know for sure, because the institutional racism at the time meant that there was no investigation. When they died, they left behind two children under the age of five, who were brought up by Jesse’s mother. The oldest, Jesse Belvin Jr, became a singer himself, often performing material written or made famous by his father: [Excerpt: Jesse Belvin Jr, “Goodnight My Love”] Jesse Jr. devoted his life to finding out what actually happened to his parents, but never found any answers.
Calling All Cars 34-01-03 (006) Missing Mexican Sheiks
Calling All Cars 34-01-03 (006) Missing Mexican Sheiks
We return to the world of Ilsa, to which she somehow survived a head shot, and this time she’s the HAREM KEEPER OF THE OIL SHEIKS!!! DOWNLOAD HERE CHECK OUT OUR NEW FACEBOOK PAGE and keep up to date with …
We’re pleased to say that all three volumes of Blues Unlimited: The Complete Radio Show Transcripts have now been published as eBooks! They’re available from Apple Books at https://tinyurl.com/y4rceu7b - Barnes & Noble at https://tinyurl.com/yxkvx6rl - and also available in the Kindle Store from Amazon at https://tinyurl.com/yyuwxbla (And please keep in mind that every dollar from every purchase will help keep an independent voice in blues radio alive and well! And we thank you!) In 1980, the good folks at Yazoo Records issued a box set of 36 trading cards called "The Heroes of the Blues," with drawings by legendary illustrator and cartoonist R. Crumb, and text by noted researcher and author Stephen Calt. They've long been favorites with Blues fans, and on this program (the first of three) we dive head first into "The Heroes of the Blues." Among the featured artists on this program are Peg Leg Howell, Blind Blake, Frank Stokes, Jaybird Coleman, Blind Willie Johnson, Leroy Carr & Scrapper Blackwell, Blind Lemon Jefferson, the Mississippi Sheiks, and more. Pictured: One of the "Heroes of the Blues" featured on this episode. Illustration by R. Crumb. Are you looking for ways to promote your band’s latest release, product, business, or service? Advertise on the podcast that’s been downloaded over one million times, and reach a global audience of blues lovers! Contact us at bluesunlimited at gmail dot com for more details! This episode is available commercial free and in its original full-fidelity high quality audio exclusively to our subscribers at Bandcamp. Your annual subscription of $27 a year will go directly to support this radio show, and you’ll gain INSTANT DOWNLOAD ACCESS to this and more than 170 other episodes from our extensive archive as well. More info is at http://bluesunlimited.bandcamp.com/subscribe
We’re pleased to say that all three volumes of Blues Unlimited: The Complete Radio Show Transcripts have now been published as eBooks! They’re available from Apple Books at https://tinyurl.com/y4rceu7b - Barnes & Noble at https://tinyurl.com/yxkvx6rl - and also available in the Kindle Store from Amazon at https://tinyurl.com/yyuwxbla (And please keep in mind that every dollar from every purchase will help keep an independent voice in blues radio alive and well! And we thank you!) In 1980, the good folks at Yazoo Records issued a box set of 36 trading cards called "The Heroes of the Blues," with drawings by legendary illustrator and cartoonist R. Crumb, and text by noted researcher and author Stephen Calt. They've long been favorites with Blues fans, and on this program (the first of three) we dive head first into "The Heroes of the Blues." Among the featured artists on this program are Peg Leg Howell, Blind Blake, Frank Stokes, Jaybird Coleman, Blind Willie Johnson, Leroy Carr & Scrapper Blackwell, Blind Lemon Jefferson, the Mississippi Sheiks, and more. Pictured: One of the "Heroes of the Blues" featured on this episode. Illustration by R. Crumb. Are you looking for ways to promote your band’s latest release, product, business, or service? Advertise on the podcast that’s been downloaded over one million times, and reach a global audience of blues lovers! Contact us at bluesunlimited at gmail dot com for more details! This episode is available commercial free and in its original full-fidelity high quality audio exclusively to our subscribers at Bandcamp. Your annual subscription of $27 a year will go directly to support this radio show, and you’ll gain INSTANT DOWNLOAD ACCESS to this and more than 170 other episodes from our extensive archive as well. More info is at http://bluesunlimited.bandcamp.com/subscribe
Wrestle Me - asking the important questions, such as 'what do wrestlers dream about?' Also, they finish up their take on Wrestlemania XV. Because apparently that's what they're supposed to be doing. show@wrestlemepod.com if you wanna send us stories about M&Ms and other crunchy chocolate candy - and you can find us on Twitter @wrestlemepod. See acast.com/privacy for privacy and opt-out information.
Support us and More Banana Podcasts! Cait & Murda spend another week as best friends sitting through a vintage porn in this episode of There Will Be Porn podcast. One by one they watch the AVN’s The 101 Greatest Adult Tapes Of All Time counting down to the best porn of them all.Cait & Murda are watching #85 Firestorm II: The Angel Blade, 1987. Written by Ann Randal (Ayn Rand?) and Directed by Cecil Howard, this porn is a sequel to Firestorm, which the ladies decided to skip, because what could they have missed? Porns don’t have story, right? WRONG. Once again, Cait & Murda are fooled by the synopsis and find an epic tale of love, betrayal, polyamory, stock certificates and Sheiks that walk so fast. Follow us @twbpodcast on Instagram and TwitterAlso, follow our YouTube Channel and our Porn Hub Channel for animated shorts. Check out more at therewillbedrinkingpodcast.com and morebanana.comLinksThere Will Be Drinking Podcast (the origin of the Murda and Cait dynamic)AVN’s The 101 Greatest Adult Tapes Of All TimeMusic Credit“There Will Be Porn Theme Song” Dejen Tesfagiorgis : bit.ly/funnyreel iTunes Spotify
Hey you little Fairy Boys! Grab your wooden sword and come sit on Brennon's lap, as he regales us all with the Legend of Zelda: Ocarina of Time! We're talking coin purse upgrades, Sheiks identifying as princesses, and the great nuts of the Deku Tree! It just doesn't get any better than this!
Como consecuencia de esta política migratoria surgieron en Toronto en los años 60 grupos de música reggae como The Rivals, The Sheiks, The Cougars y The Cavaliers, que llegaron a grabar pero nunca lograron un éxito comercial de difusión.
Watch & share this superb college class presentation from one of the youngest (if not the youngest!) Sheiks in the nation, Sheik Mikha'EL out of Mecca (Chicago). The Sheik explains in masterfully The Negro Problem & The Solution to it Through Nationality. Support the young Sheik's work here: http://paypal.me/BroSheikMikhael It takes Finance to Uplift a Nation! Subscribe to Sheik Mikha'EL on YouTube here: https://www.youtube.com/channel/UClwW... Disclaimer: This video represents the views of the presenters and/or our guests based off of our personal research and life experiences, and in no way is this content endorsed by or a representation of the official policies of the Moorish Science Temple of America. Subscribe & Check Out Our Website http://www.MoorsInAmerica.com Donations/Support: https://patreon.com/moorsinamerica https://paypal.me/lloydmd Here is the official website of the Moorish Science Temple of America: http://www.mstofa.net Join & Contribute to our FB Group: https://www.facebook.com/groups/moors... Follow Us on Instagram: https://www.instagram.com/moorsinamer... Like Us on FB: https://www.facebook.com/MoorsInAmerica/ Follow Us on Twitter: https://twitter.com/MoorsInAmerica/ Tell Everyone about the channel & Subscribe! https://www.youtube.com/c/MoorsInAmer... #thenegroproblem #nationality #moorishamerican #moorsinamerica #moorishscience #moorishamericans #moors #moorish #moorishhistory
Keilo is fresh off the plane from Bahrain – an Arabic monarchy in the Persian Gulf. The well-traveled DJ recounts his time in the island country spinning in clubs, turning out day parties, and finding local shisha. The night life there starts at 6 pm and doesn't let up for twelve more hours with Sheiks, […]
As part of our larger discussion about how to effectively expand we wanted talk today about taking your business international. To that end we have invited an expert on how to go global. Cynthia Dearin has led a remarkable life working as an entrepreneur overseas. She is the CEO of the International Business Accelerator and has written the best-selling book Camels, Sheiks and Billionaires. She has worked in the Arab world for many years both as a diplomat and a management consultant. Cynthia initially worked as a diplomat including a four year stint in Iraq during the worst fighting there between 2006 and 2010. She says that her time there hugely helped her to develop the skills to solve problems under extreme stress. She returned home to her native Australia and worked with the Arab Chamber of Commerce. It was in that period that many foreign companies were trying to expand into the Middle East with little to no success. In 2012 she created Dearin and Associates to help change that. Her goal is to help small businesses to expand into new markets around the world.
Arab Talk co-host Jess Ghannam has recently returned from Qatar and Saudi Arabia. Jess discusses the warm reception Trump received and the reasons behind it. Also on the show: Islamophobia claims the lives of two heroes in Portland.
The song this week is a track off an album I did taking a look at film stars...this one is called "The Ballad Of Burt Lancaster"...and came about after some ugly rumours were spread about my hero....he seemed to spend rather a lot of time in male company so eyebrows were raised....but I'm having NONE of it !!!!....as indeed the song says. .I was sad to hear of the passing of the great Chuck Berry...to me he was the undisputed king of rock and roll and was a huge influence on so many guitarists...myself included....his songs were not only lyrically brilliant they were uncomplicated and easy to play...once you get those classic riffs off away you go....no rehearsals required....I saw him live on three occasions and his charisma was stunning.....his sound wasn't to clever...but it was CHUCK....even today you play a bit of Chuck and everyone gets up to dance....he was a one-off...irreplaceable. The "experts" have been at it again....apparently if you work at the top of a high rise building you could get depressed...not necessarily because of the job...wait for it...because the building wobbles....obviously the buildings are designed to withstand the wobble (I hope) but those inside are apparently affected psychologically....they KNOW this because other countries have also done tests....and this wonderful experiment has only cost 7 million to come to this conclusion....good value or what?....it would be interesting to know how they arrive at this figure...and where the money actually goes ... ...and talking of money we are not being bombarded with the Comic Relief Appeal....which is great...as indeed are all these fund-raising activities....I'm even part of one myself where we have weekly rock and roll jam sessions and raise money for sick kids...but what I just don't get is why money should have to be raised for starving kids and the homeless etc by the general public....a bunch of billionaire Sheiks and Arabs and even our own Royal hangers on could solve the problem overnight...we are constantly being told that £5 will feed a starving child for a week...or buy a homeless person socks and gloves....Tony Blair gets 250 grand for ONE after dinner speech....that's 5000 fivers...how can you possibly justify this sort of payout?....and that's ONE person.....and the stupid part is the filthy rich wouldn't even miss the money....it's obscene...not to mention the 60 billion high speed train service no-one wants. I don't know whether it's an age thing but I find the news programmes are going worse...especially the BBC...I feel if I never watch the news it would make no difference as there is never anything informative...it's just constant drawn out items repeated every 20 minutes....the death of Martin McGuiness was reported as "breaking news" for an hour...how many times do we need telling?...fortunately ITV get a better balance....if you can stand the adverts.
The song this week is a track off an album I did taking a look at film stars...this one is called "The Ballad Of Burt Lancaster"...and came about after some ugly rumours were spread about my hero....he seemed to spend rather a lot of time in male company so eyebrows were raised....but I'm having NONE of it !!!!....as indeed the song says. .I was sad to hear of the passing of the great Chuck Berry...to me he was the undisputed king of rock and roll and was a huge influence on so many guitarists...myself included....his songs were not only lyrically brilliant they were uncomplicated and easy to play...once you get those classic riffs off away you go....no rehearsals required....I saw him live on three occasions and his charisma was stunning.....his sound wasn't to clever...but it was CHUCK....even today you play a bit of Chuck and everyone gets up to dance....he was a one-off...irreplaceable. The "experts" have been at it again....apparently if you work at the top of a high rise building you could get depressed...not necessarily because of the job...wait for it...because the building wobbles....obviously the buildings are designed to withstand the wobble (I hope) but those inside are apparently affected psychologically....they KNOW this because other countries have also done tests....and this wonderful experiment has only cost 7 million to come to this conclusion....good value or what?....it would be interesting to know how they arrive at this figure...and where the money actually goes ... ...and talking of money we are not being bombarded with the Comic Relief Appeal....which is great...as indeed are all these fund-raising activities....I'm even part of one myself where we have weekly rock and roll jam sessions and raise money for sick kids...but what I just don't get is why money should have to be raised for starving kids and the homeless etc by the general public....a bunch of billionaire Sheiks and Arabs and even our own Royal hangers on could solve the problem overnight...we are constantly being told that £5 will feed a starving child for a week...or buy a homeless person socks and gloves....Tony Blair gets 250 grand for ONE after dinner speech....that's 5000 fivers...how can you possibly justify this sort of payout?....and that's ONE person.....and the stupid part is the filthy rich wouldn't even miss the money....it's obscene...not to mention the 60 billion high speed train service no-one wants. I don't know whether it's an age thing but I find the news programmes are going worse...especially the BBC...I feel if I never watch the news it would make no difference as there is never anything informative...it's just constant drawn out items repeated every 20 minutes....the death of Martin McGuiness was reported as "breaking news" for an hour...how many times do we need telling?...fortunately ITV get a better balance....if you can stand the adverts.
Geek:30 Happy Hour | Celebrating Geek Culture and Craft Beer
Alex and JoJo are each other’s Valentine’s! And then Alex remembers he’s married… BOO! Oh wait, that’s the wrong holiday… This is February, not October… ANYWAYS… The duo sip on a brilliant beer: Laughing Dog Brewing Anubis Imperial Coffee Porter https://laughingdogbrewing.com/beer/anubis-imperial-coffee-porter/ As they talk: Drinking beer is healthy for you! Hooray! http://www.hefty.co/drinking-more-beer/ First looks into Marvel’s Infinity War: http://www.theverge.com/2017/2/11/14585642/marvel-production-trailer-avengers-infinity-war-watch And Toyota’s Window to the world: https://www.youtube.com/watch?v=fthhhPuzTeI Plus, Episode 57’s G30 Question of The Week: What beer should we feature on the show? And as a special treat, at the end of the show we will pop in an excellent song from Paul’s band, Sheiks of Neptune! https://www.reverbnation.com/sheiksofneptune Thanks, Paul, for letting us play this! -Cheers!
This week's show is with Piers has been a personal and professional development coach since 2001, and coached 100s clients for 1000s of hours; ranging from national newspaper editors, to Sheiks in Riyadh, to international sports people. He first discovered the principles in 2009, but it wasn't until participating in SuperCoach 2011 that he realise this was going to be a huge turning point in his life and work. Previously he had based my change work around NLP (he was a NLP trainer) Clean Language, Appreciative Inquiry, and range of others approaches and techniques. Now he is having a wonderful time exploring the Principles with his clients, both in the corporate and private client worlds. Piers is currently in the final stages of divorce and has generously agreed to share what he's learned from going through the experience. So in this show we explore whether it's possible to go through a relationship break-up and divorce without it being a long battle of bitterness and anger. I'd love to know what YOU think about this week's show. Let's carry on the conversation… please leave a comment below. What you'll learn from this episode: We all have our own narrative about what a relationship should be like. Recognising that that that narrative is just something we've made up (via thought) allows us to 'loosen our narrative' and be open to moving onto a different relationship with the other person, whether that's as friends, amicable exes or something else. Some thinking can be particularly seductive - Piers likened it to being sucked in by the Dementors from Harry Potter! That kind of thinking can be very hard to notice that it's just thought. But it can be so helpful to notice that even the most seductive, Dementor-like thinking isn't us (just like our dreams aren't us), it doesn't last 24/7 and when we're not thinking about something, we're not feeling it. We often build stories around people in our life and then continually see that person through that lens. But we can look afresh from a neutral space ('mind neutral' as Piers described it) and see the person how they actually are in this moment, without all the thinking around justification, traditional, commitment, beliefs, history and fairness. From that neutrality we have the opportunity to create a whole different relationship with them. Even knowing this neutrality exists, makes it possible for us. You don't have to stick at difficult conversations if either of you are in a low state of mind. Piers gave the example of he and his ex-wife having a conversation about money and having an awareness of their state of mind. When the feeling dropped, they agreed to pause and then waited until they were in a higher state of mind before restarting the conversation. I loved the point that Piers made at the end: if you're going through a difficult break-up right now, there's probably aspects such as money or custody which don't look like they're 'just thought', but it is all made of the same stuff as everything else. You always have the opportunity to have a liberation from the way you're thinking and feeling about it at the moment.
More Celtic Christmas music for our third episode of the Celtic Christmas Podcast for 2015 with Celtic Christmas music from The Irish Rovers, Small Town Sheiks, Faitissa, Legacy with Jim Flanagan, Golden Bough, Jillian LaDage, The Gothard Sisters, Julia Lane. Don’t forget to pick up your copy of "A Celtic Christmas". This is a compilation CD I released in 2013 featuring many great independent Celtic musicians from around the globe, and it also benefits Celtic non-profits. The Celtic Christmas Podcast is brought to you through the generosity of the Patrons of the Irish & Celtic Music Podcast. If you enjoy this free podcast, become a patron and help spread Celtic Christmas cheer! If you enjoy this podcast, then please rate the show on iTunes or your favorite podcatcher. Then subscribe to our Celtic Music Magazine. This is our free newsletter and your guide to the latest Celtic music and podcast news. Subscribe today to download 34 Celtic MP3s for free. How’s that for a Christmas gift? And Remember to support the artists who support this podcast: buy their CDs, download their MP3s, see their shows, and drop them an email to let them know you heard them on the Celtic Christmas Podcast. This Week’s Celtic Christmas Music 0:03 "Three Jolly Rogues" by The Irish Rovers from Merry Merry Time of Year 3:37 "A Savior's Come (Merry Christmas)" by Small Town Sheiks from Single 7:00 "O Apalpador" by Faitissa from Single “O Apalpador” is a traditional song from Galicia, with additional music and last stanza's lyrics by Faitissa. The Apalpador is a Christmas mythical character from O Courel and Os Ancares mountains, in Galicia. At winter solstice, this old bearded man comes down from the mountaintops and touches the belly of the children to know if they ate enough during the year. Then he gives them chestnuts. 9:58 "Gaudete" by Legacy with Jim Flanagan from An Irish Christmas: Songs and Music of West Cork 14:12 "Drive the Cold Winter Away/Kid on the Mountain" by Golden Bough from Christmas in a Celtic Land 18:06 "Christmas in the Olden Time" by Jillian LaDage from Enchanted Winter 23:10 "Winds Through the Olive Trees" by The Gothard Sisters from Christmas 27:20 "Joyeaux Noel" by Julia Lane from Angels We Have Heard The Celtic Christmas Podcast was produced by Marc Gunn, The Celtfather. If you enjoyed the music you heard, support the artists in this show. Then tell your friends to visit CelticChristmasPodcast.com. Have a Merry Christmas!
This week Joey & Tom discuss: Sheiks, Jaguars and Waterbeds Police car flipping tax Friend Dates Nick "He banged your girlfriend" Kyrios A fun update on Woolworths
What you missed last week:It was a fabulous conversation with Reed Smith, cofounder of Gulf Breeze Recovery, a non-12 step recovery center. We talked about the myth of complexity of recovery: why it doesn't have to be a life-long struggle and why addiction is not a disease... and why we ALL have access to mental health. If you missed that then you missed out so... subscribe to the show and catch up with that episode after this show! And on this week's show... It's an unmissable Fly On The Wall Coaching Session between transformative coach Piers Thurston and his new client, Rachel. Rachel wants relief from her noisy, worry and anxiety-filled mind. She's tried everything, including self-help, meditation and counselling in the past. Listen in now to discover what Rachel found out about where all her worries were coming from. I'd love to know what came up for you as you listened to this show. Let's carry on the conversation... leave a comment below or connect to Piers via one of the links below. Resources and links we spoke about: Piers has been a personal and professional development coach since 2001, and coached 100s clients for 1000s of hours; ranging from national newspaper editors, to Sheiks in Riyadh, to international sports people. He first discovered the principles in 2009, but it wasn't until participating in SuperCoach 2011 that he realise this was going to be a huge turning point in his life and work. Previously he had based my change work around NLP (he was a NLP trainer) Clean Language, Appreciative Inquiry, and range of others approaches and techniques. Now he is having a wonderful time exploring the Principles with my clients, both in the corporate and private client worlds. He is also working as a mentor of other 3P practitioners, many of whom are his old NLP coach students. Piers' website for business clients Piers' website for individuals
Dangerous Assignment-The Sheiks Secret 3-27-50 http://otrdeal.com 1409
Terrible situation in The Phillipines… these things make me so angry…..there are Sheiks with billions …greedy bankers with billions…footballers with billions….how about them putting up the money to build these people shelters BEFORE the event…they wouldn’t even miss the money…this should all be sorted beforehand ….we know it’s coming … but oh no ordinary folk must get involved…we can’t have these “princes” doing without the odd solid gold Rolls Royce….and Beckham has just moved into his 40 million pound mansion…he’s also made an advert about his own brand of after shave…it’s a real throw up job. The Children In Need Appeal has been in full flight … with Terry Wogan at the helm…..WHY?....there are many top class young presenters out there so why do we have to constantly put up with Sir Terry with his unfunny quips looking totally ill at ease in the suit he has squeezed into….I’ve always failed to see what it is about Wogan…totally talentless as far as I’m concerned…call it a day Tel and give us all a break. At least Brucie is talented…. but well past his sell-by date on Strictly Come Dancing….he’s painful. Blackpool hired Gary Barlow and Jonathan Ross to switch the lights on….I’m O.K. with Gary but why they book that grinning village idiot I’ll never know…again I wish someone would tell me what talent he has…Oh Yes he’s a chat show host…ANYONE can do that…..my point is proved in as much as the Blackpool Council decided to charge a tenner to see these celebs…and LOST 375 Grand!!...which make you wonder what Mr Ross’s fee was? When I was working on Radio Merseyside I was asked by the people of Ellesmere Port if I would attend their annual function and crown the May Queen…I felt quite honoured…so along I went and was treated like a local celeb….they then asked me what the fee was…to which I told them a nice cup of tea would do the trick…they then said that the year before they had another local radio personality (who will remain nameless) who charged them £750….and THI is the problem with the planet. ..And finally someone sent me an article from the Daily Mail regarding my mate…wrestler Adrian Street…who once had a novelty wrestling match with Jimmy Savile back in 1971…they were trying to promote Jimmy as a tough guy who had trained with the Marines etc…I remember Adrian telling me about it…he wasn’t happy and made sure Mr. Savile never stepped in the ring again…he nearly killed him…which is why I never sent Jimmy any of the records I wrote and produced for my violent friend….. …. Don't Forget….Don's been working on a doowop song for a new friend in the States….His name is Doowop Joe Conroy and he has a internet radio station in North Carolina...he checked out Don's website and noticed Don writes novelty songs. He asked Don to write one about all the doowop groups….….the song is called “DooWop Days” and can be found on YouTube……
Terrible situation in The Phillipines… these things make me so angry…..there are Sheiks with billions …greedy bankers with billions…footballers with billions….how about them putting up the money to build these people shelters BEFORE the event…they wouldn’t even miss the money…this should all be sorted beforehand ….we know it’s coming … but oh no ordinary folk must get involved…we can’t have these “princes” doing without the odd solid gold Rolls Royce….and Beckham has just moved into his 40 million pound mansion…he’s also made an advert about his own brand of after shave…it’s a real throw up job. The Children In Need Appeal has been in full flight … with Terry Wogan at the helm…..WHY?....there are many top class young presenters out there so why do we have to constantly put up with Sir Terry with his unfunny quips looking totally ill at ease in the suit he has squeezed into….I’ve always failed to see what it is about Wogan…totally talentless as far as I’m concerned…call it a day Tel and give us all a break. At least Brucie is talented…. but well past his sell-by date on Strictly Come Dancing….he’s painful. Blackpool hired Gary Barlow and Jonathan Ross to switch the lights on….I’m O.K. with Gary but why they book that grinning village idiot I’ll never know…again I wish someone would tell me what talent he has…Oh Yes he’s a chat show host…ANYONE can do that…..my point is proved in as much as the Blackpool Council decided to charge a tenner to see these celebs…and LOST 375 Grand!!...which make you wonder what Mr Ross’s fee was? When I was working on Radio Merseyside I was asked by the people of Ellesmere Port if I would attend their annual function and crown the May Queen…I felt quite honoured…so along I went and was treated like a local celeb….they then asked me what the fee was…to which I told them a nice cup of tea would do the trick…they then said that the year before they had another local radio personality (who will remain nameless) who charged them £750….and THI is the problem with the planet. ..And finally someone sent me an article from the Daily Mail regarding my mate…wrestler Adrian Street…who once had a novelty wrestling match with Jimmy Savile back in 1971…they were trying to promote Jimmy as a tough guy who had trained with the Marines etc…I remember Adrian telling me about it…he wasn’t happy and made sure Mr. Savile never stepped in the ring again…he nearly killed him…which is why I never sent Jimmy any of the records I wrote and produced for my violent friend….. …. Don't Forget….Don's been working on a doowop song for a new friend in the States….His name is Doowop Joe Conroy and he has a internet radio station in North Carolina...he checked out Don's website and noticed Don writes novelty songs. He asked Don to write one about all the doowop groups….….the song is called “DooWop Days” and can be found on YouTube……
There's a lot of chaffing going on in this episode… The first set of chafing is from extreme metal gods, Carcass, peeling your face away with their album from 1993 entitled Heartwork. The next bit of chafing comes from the 1976 sexploitation/horror classic Ilsa: Harem Keeper of the Oil Sheiks… [...]
There's a lot of chaffing going on in this episode… The first set of chafing is from extreme metal gods, Carcass, peeling your face away with their album from 1993 entitled Heartwork. The next bit of chafing comes from the 1976 sexploitation/horror classic Ilsa: Harem Keeper of the Oil Sheiks… We'll leave it at that, […]
Episode 3 - Terrace Mix - Gareth Stirling
Episode 2 - Terrace Mix - Ivan De Rossi
Aired 03/27/11 ROBIN WRIGHT has reported from more than 140 countries on 6 continents for numerous news organizations, including The Sunday Times in London, CBS News ,The Washington Post ,The Christian Science Monitor ,The New York Times ,The New Yorker ,The Atlantic Monthly, Foreign Policy and the International Herald Tribune. She has covered nine wars and several revolutions, and won the Overseas Press Club Award for "best reporting in any medium requiring exceptional courage and initiative" for her work during the Angolan war. Wright was one of the first journalists to write about the emergence of Mideast terrorism and Islamic extremism, which she has covered since the 1970s. Currently a fellow at the U.S. Institute of Peace and the Woodrow Wilson International Center for Scholars, she won the 1989 National Magazine Award for her reporting from Iran for The New Yorker. Her last book was DREAMS AND SHADOWS: The Future of the Middle East and her next is ROCK THE CASBAH: How Street Vendors, Sheiks, Rappers, and Women are Shattering the Old Order. http://www.robinwrightblog.blogspot.com/ http://www.robinwright.net/
This week's playlist: • Another Day by Ruby James from a forthcoming CD entitled Ruby James, much of which can be downloaded free from RubyJames.com. For more information, visit Ruby's MySpace page or the RubyJamesFans page at MySpace. Ruby is touring the United States this fall - some dates are confirmed and others are pending, so check Ruby's MySpace page for specifics. • Party On The Levee by Mean Gene Kelton & The Die Hards from Mean Guitar (2003), available at GeneKelton.com. Gene's album Most Requested (2000) is available at the iTunes Music Store and Amazon.com. • Never Gonna by Beau Hall, from his album UNH! (2005), available at CD Baby and the iTMS. For information about upcoming gigs and other news, visit BeauRocks.com or Beau's MySpace page. • Busted by The Hitman Blues Band from their 2000 album Blooztown, available at CD Baby and the iTMS. Also available from CD Baby is their 2003 album Angel In The Shadows, which is dedicated to the memory Ray Alexander, father of guitarist Russell "Hitman" Alexander. For more information about The Hitman Blues Band, visit HitmanBluesBand.com. • Tell Me Baby by EB Davis & the Superband from I Wanna Talk About You (1999), one of a number of CDs available at EBDavis.com. EB also has a track on a German album called Jazz & Blues Award 2004 that's available from the iTMS. And like almost everyone in the world, EB has a MySpace page that includes a gig list. • Looking Out 4 #1 by The Mescal Sheiks, from This World Is Not My Home (2006), available at CD Baby and the iTMS. For more information about the Sheiks, visit MescalSheiks.com and/or their MySpace page (which includes a list of upcoming shows). • Mark My Words by Gregg Martinez & The Rolling Thunder from Big Bad Daddy (2006), available at GreggMartinez.com, CD Baby and the iTMS. An upcoming gig list is available at Gregg's site. • Sweet As Sin by Ruby James from the soon-to-be-released CD Ruby James, currently available as a free download from her MySpace page. There is an alternate, acoustic version of Sweet As Sin available on a seven-song EP entitled Loaded (2002) that's available at the iTMS. Mentioned on tonight's Murphy's Saloon: The Podfather Adam Curry and his uncharacteristic, illogical belief in overblown conspiracy theories, and Gerald Posner's book Case Closed (the logic of which is an excellent antidote to all such conspiracy theories). The audio clip at the beginning of this episode is from the 1987 film The Untouchables, directed by Brian DePalma and starring Robert DeNiro, Kevin Costner, Sean Connery, Andy Garcia and Charles Martin Smith. The Untouchables is available for just $9.99 from Amazon.com. Keeping the blues flame burning bright on the Web: the Blues Foundation, the Delta Blues Museum, and the DBM's top-notch (and free) podcast, Uncensored History of the Blues. Check out No iPod Required to learn how you can enjoy podcasts, including Murphy's Saloon, without owning an iPod. Thanks to the Smackieville Squire for the Murphy's logo and the Murphy's Saloon Disclaimer. Please note: If this is your first visit to Murphy's Saloon, and you want to hear more, you can skip the first 10-12 episodes with a completely clear conscience. Really. Trust me on this one. (Music on Murphy's Saloon #36 courtesy of the artists and the Podsafe Music Network, where I downloaded some of these tracks)
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