Podcasts about Mother Superior

In 17th century France a group of nuns described some unsettling visitations at their convent, which developed into a story of possession, political intrigue, and a moment in time that was rife with social tensions. Research: The Editors of Encyclopaedia Britannica. "Wars of Religion". Encyclopedia Britannica, 11 Mar. 2025, https://www.britannica.com/event/Wars-of-Religion “Hawthorn.” National Institute of Health. https://www.nccih.nih.gov/health/hawthorn Cameron, Teagan. “A Diabolical Martyrdom: Urbain Grandier, the Transgressive Outsider, and the Surrogate Victim in The Possession at Loudun.” Constellations. Vol. 13, no. 2. Aug. 2022, doi:10.29173/cons29475 deCerteau, Michel. “The Possession at Loudun.” University of Chicago Press. 2000. Dumas, Alexandre, Pere. “Urbain Grandier – 1634.” 1910. https://www.gutenberg.org/files/2746/2746-h/2746-h.html Ferber, Sarah. “Demonic Possession and Exorcism in Early Modern France.” Routledge. 2013. Hunter, Mary Kate. “Loudun Possessions: Witchcraft Trials at The Jacob Burns Law Library.” Newsletter of the Legal History & Rare Books Special Interest Section of the American Association of Law Libraries. Volume 16 Number 3. Hallowe’en 2010. https://www.aallnet.org/lhrbsis/wp-content/uploads/sites/10/2018/01/lhrb-16-3.pdf Huxley, Aldous. “The Devils of Loudun.” London. Chatto & Windus. 1952. Accessed online: https://ia601400.us.archive.org/3/items/in.ernet.dli.2015.469712/2015.469712.The-Devils_text.pdf Niau, Des and Edmund Goldsmith (tr.) “The history of the devils of Loudun; the alleged possession of the Ursuline nuns, and the trial and execution of Urbain Grandier, told by an eye-witness.” Edinburgh. Private Printing. 1887. Accessed online: https://archive.org/details/historyofdevilso00desn/page/n31/mode/2up Sluhovsky, Moshe. “The Devil in the Convent.” The American Historical Review , Vol. 107, No. 5 (December 2002), pp. 1379-1411. Published by Oxford University Press on behalf of the American Historical Association. https://.www.jstor.org/stable/10.1086/532851 Soth, Amelia. “A Mother Superior’s Demons.” JSTOR Daily. Oct. 31, 2024. https://daily.jstor.org/a-mother-superiors-demons/ See omnystudio.com/listener for privacy information.

Operaspymaster you may ask? Read on and listen to this episode. In this powerful and multifaceted episode of Unstoppable Mindset, we welcome Kay Sparling, former opera singer, PTSD survivor, and now debut novelist—as she shares her incredible life journey from international stages to the shadowy world of espionage fiction. Kay talks about the creation of her first novel, Mission Thaw, a gripping spy thriller based on her own real-life experiences volunteering with refugees in post-Cold War Europe. Kay and Michael discuss the inspiration behind her protagonist, CIA agent Caitlin Stewart, and how real-world trauma and service led Kay to use fiction as both a vehicle for healing and a call to action on the modern crisis of human trafficking. This is a conversation that transcends genres—music, espionage, activism, and resilience—all converging through the unstoppable spirit of a woman who refuses to stay silent. About the Guest: Kay Sparling was raised in the Midwest. At the age of seven, she began her professional singing career as Gretl in “The Sound of Music” and she continued to perform through high school. After graduation Kay attended University of Kansas and earned a BME in music education and a minor in Vocal Performance. She then attended graduate school in opera voice performance for one year at UMKC Conservatory of Music. She was awarded a grant to finish my graduate studies in Vienna, Austria. From there she won an apprenticeship at the Vienna State Opera. After moving to NYC to complete her second apprenticeship, Kay lived in Germany, Austria, and Italy for many years. In 1999 Kay returned to NYC and continued singing opera and became a cantor for the NYC diocese. After 9/11, she served as a cantor at many of the funeral and memorial masses for the fallen first responders. In 2003, Kay moved from NYC to the upper Midwest and started a conservatory of Music and Theatre where her voice students have been awarded numerous prestigious scholarships and won many competitions. In 2020, the pandemic shut down her conservatory, so she began training to be a legal assistant and now works in workers compensation. Back in 2013, Kay had started writing a journal as a PTSD treatment. She was encouraged to extend the material into a novel. After much training and several drafts, Mission Thaw was published in 2024. Kay is currently writing the second book in the Kaitlyn Stewart Spy Thriller Series. Ways to connect with Kay: Website: https://www.kaysparlingbooks.com X: https://x.com/MissionThaw/missionthaw/ Bluesky: https://bsky.app/profile/missionthaw.bsky.social Facebook: https://www.facebook.com/groups/505674375416879 Linkedin: https://www.linkedin.com/in/kay-sparling-8516b638/ Instagram: https://www.instagram.com/missionthaw/ Litsy: https://www.litsy.com/web/user/Mission%20Thaw About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:16 Well, hi everyone. Welcome to another episode of unstoppable mindset. I'm your host, Mike hingson, and our guest today is a very fascinating individual. I was just teasing her a little bit about her email address, which is operaspy master@gmail.com I'm telling you, don't cross her. That's all I gotta say. Anyway, we'll, we'll get into all of that. But I really am glad that she is with us. Kay Sparling is a fascinating woman who's had an interesting career. She's written, she's done a number of things. She's used to be an opera, gosh, all sorts of stuff. So anyway, we'll get to all of it and we'll talk about it. I don't want to give it all away. Where would the fun in that be? Kay, welcome to unstoppable mindset.   Kay Sparling ** 02:11 Well, thank you. I'm glad to be here. Well,   Michael Hingson ** 02:13 we're glad you're here. You're from up in Wisconsin. We were going to do this a couple of weeks ago, but you had all the storms, and it stole your internet and your power away, didn't   Kay Sparling ** 02:23 it? It sure did. Yeah, that was a terrible storm we had.   Michael Hingson ** 02:28 Yeah, that's kind of no fun. I remember years ago, I was talking to somebody on the phone. We were doing a sales call, and he said, I might not be able to stay on the phone because we're having a really serious storm, and he said it is possible that the lightning could hit the phone lines, and if it does, it could come in the house. And we talked for a few minutes, and then he said, I'm going to have to hang up, because I just felt a small shock, because the lightning obviously hit the phone line, so we'll have to talk later. And and he was gone. And we did talk later, though he was okay, but still, wow, yeah, there's a lot of crazy weather going on, isn't there? And we were just talking about the, we were just talking about the Canadian wildfires. They're No fun.   Kay Sparling ** 03:15 No, no. Just everywhere is having crazy weather.   Michael Hingson ** 03:20 Well, tell us a little bit about you growing up and all that sort of stuff, and telling me about the the early K   Kay Sparling ** 03:32 Well, growing up, I grew up in a farm community in the in the central Midwest, just you know, right in the middle of the bread basket, you might say, not near where you are now. No no, no further south and in very much agriculture time, I mean skipping ahead. I remember talking to a famous opera conductor when I was an apprentice, and I made some reference, and he goes, Well, how would you know that? And I said, because I grew up on a farm. And he went, Oh, get out here. Nobody makes it, you know, to a major European opera house from a farm. And I went, Well, I did. And later, I asked my mom to send me a picture, because we had had an aerial view taken of our homestead, and it was obvious for miles, all the way around the house and the barn and all, it was just corn fields and soybeans. You know what they showed   Michael Hingson ** 04:40 Illinois, Illinois, and so you showed it to him, yeah,   Kay Sparling ** 04:44 I showed it to him, and he was like, well, doggone, you're not lying. Like, No, I wasn't kidding you. I really did.   Michael Hingson ** 04:51 It shows how good I really am. See how far I progressed.   Kay Sparling ** 04:55 Well, you know, I was one of these kids. I. At five years old, I my parents took me to see sound and music at the theater, and during the intermission. Now I'm five years old, it's pretty late for me, right? But when we're in the concession stand, I tug at my mom's skirt, and I say, Mom, that's what I want to do. And she looks at me kind of funny, and she's kind of funny, and she's kind of confused. Well, what do you want to do work in a theater? You know, a movie theater? No, no, I want to do what those kids are doing on that on the movie screen. And she was like, Well, honey, you know, that's that's really hard to get somewhere like that. So that was when I was five. And then when I was seven, she just, you know, the all the school and the church were telling her, this kid's got a great voice, and they kept giving me solos and stuff. And so when I was seven, she put me in the Sangamon County Fair Little Miss competition. And of course, my talent was singing, so I just sang away. I really can't remember what I sang, but afterwards, a fellow came up to my parents and introduced himself, and he said that he was there, he had family, not, you know, in the area, and that he had grown up there, but since then, he he was in St Louis, and he said, we are, I'm a scout, and I'm looking, I'm an entertainment Scout, and I'm actually looking for, you know, the von trop children. We're going to do a big production, and we'd love to audition your daughter. Well, we were about, think it was an hour and a half away from St Louis, so my parents are like, wow, that'd be quite a commitment. But long story short, I did it, and that started my professional career. I was the youngest Bon Troy. You know, over cradle, yeah. And so it just went from there. And, you know, it was all Broadway, of course, and I did a lot of church singing, you know, it got to be by the time I was, you know, in high school, people were hiring me for weddings, funerals, all that kind of thing. And so I was a Broadway and sacred singer. Went to college. My parents said, you can't depend on a vocal performance degree. What if things don't work out? You have to have something fall back. So I went into vocal music ed at a very, very good school for that, and also music therapy, and, you know, continue being in their shows. And when I when I graduated, continued the Broadway, and one night I was also singing a little bit of jazz in Kansas City, where I was living, someone approached me. She was a voice teacher at the conservatory there, and that conservatory had an apprenticeship with the Kansas City Lyric Opera. And she said I knew you was an undergrad. My husband works where you, where you went to school, and I have been watching you for a long time. And I wish you quit this nonsense of singing Broadway and jazz and rock and everything and get serious, you know, and try opera. So I thought she was crazy to bring that up, but it wasn't the first time it had been brought up. So I have been teaching for a year, and at the end of that school year, I announced everyone I was going to graduate school and I was going to study opera. And so   Michael Hingson ** 08:55 what were you teaching?   Kay Sparling ** 08:57 I was teaching high school choir, okay, at a very big high school, very, very good choir department.   Michael Hingson ** 09:03 Now, by the way, after doing Gretel, did you ever have any other parts as you grew older in Sound of Music?   Kay Sparling ** 09:11 Okay, that's a very cool question. I am one of the few people that I know that can say I have sang every major role in Sound of Music sometime in my life. Ah, okay, because it was so popular when I was Oh, yeah. And as I would grow older, well now you're going to sing, you know, you just kept graduating up. And then pretty soon I sang quite a few Marias. And then after I was an opera singer. During covid, I was asked to sing Mother Superior. Mother Superior. Yeah, literally, have sung, you know, in a decades long career, I've sung every role in Sound of Music.   Michael Hingson ** 09:56 Cool. Well, that's great.   10:00 Yeah, so, so, anyway, so   Michael Hingson ** 10:02 you said that you were going to go study opera,   Kay Sparling ** 10:07 and I did a graduate school, and then I got the chance to get an international grant over to Europe, and so I decided to not finish my masters at that time and go over there and finish it, and most of all, importantly, do my first apprenticeship in Europe. And so I thought that was a great opportunity. They were willing. They were going to willing to pay for everything. And I said I would be a fool to turn this down. Yeah, so off I went, and that's kind of the rest of the story. You know, got a lot of great training, left Europe for a while, moved to New York City, trained best coaches and teachers in the world at the Metropolitan Opera and then, you know, launch my career.   Michael Hingson ** 11:04 So you Wow, you, you've done a number of things, of course, going to Europe and being in Vienna and places like that. Certainly you were in the the right place.   Kay Sparling ** 11:16 Yes, yes, definitely. You know, at that time in the in the middle 80s, United States was we had some great opera houses Iran, but we had very few. And it just wasn't the culture that it was in Europe, in Europe. And so, yes, there was a lot more opportunity there, because there was such a culture established there already.   Michael Hingson ** 11:44 So you went off and you did Europe and saying opera, what were you a soprano? Or what were you that sounds like a way a little high for your voice?   Kay Sparling ** 11:59 Well, you have to remember, I'm a senior citizen now. So this is the way it worked for me, because we're talking decades from the age 27 and I quit singing at 63 so that's a very long time to sing opera. So I started out, as you know, there is a voice kind of category, and each one of those, we use a German word for that. It's called Foch, F, A, C, H, and you know, that is determined by the kind of vocal cords you have, and the kind of training and the literature you're singing, and hopefully that all meshes together if you have good coaches and a good agent and such. And I literally have seen so many different Fox lyric, lyric mezzo, then to, very shortly, lyric soprano, and then for a long time, spinto soprano, which would be the Puccini and a lot of them really popular things. And then I was, I felt I was quite lucky that my voice did have the strength and did mature into a Verdi soprano, which is a dramatic soprano, not many of those around. And so that was, that was an endeavor, but at the same time, that was a leg up. And so most of the time in my career, I sang the bigger Puccini, like, let's say Tosca, and I sang a lot of Verdi. So I was an Italian opera singer. I mostly sang in Italian, not to say that I didn't sing in German or French, but I did very little in comparison to the   Michael Hingson ** 13:56 Italian Well, there's a lot of good Italian opera out there, although mostly I don't understand it, but I don't speak Italian well.   Kay Sparling ** 14:07 The great thing about most houses now is, you know, you can just look at the back of the seat in front of you, and there's the translation, you know, yeah, that   Michael Hingson ** 14:18 doesn't work for me. Being blind, that doesn't work for you. Yeah, that's okay, though, but I like the music, yeah. So how long ago did you quit singing?   Kay Sparling ** 14:32 Um, just about, well, under, just a little under three years ago, okay?   Michael Hingson ** 14:38 And why did you quit? This was the right time,   Kay Sparling ** 14:42 senses or what I had a circumstance, I had to have throat surgery. Now it wasn't on my vocal cords, but it was on my thyroid, and unfortunately, the vocal cord nerve. They had to take out some Cyst On. My right thyroid, and then remove it too. And unfortunately, my vocal cords were damaged at that time, I would have probably be singing still now some you know, I mean, because dramatic sopranos just can go on and on and on. One of my mentors was Birgit Nielsen, famous singer from Sweden, and she was in my grandmother's generation, but she didn't, I went to work with her, and she demonstrated at 77 she could still pop out of high C. And I believe, I believe I would have been able to do that too, but you know, circumstances, you know, changed, but that's okay. Yeah, I had sung a long time, and at least I can speak. So I'm just very happy about that.   Michael Hingson ** 15:51 So when you did quit singing, what did you decide to go do? Or, or, How did, how did you progress from there?   Kay Sparling ** 16:01 Well, I had already made a transition where I had come in 2003 to the Midwest. I came back from New York City, where I lived many, many years, and I started a conservatory of music and acting, and then that kind of grew into a whole conservatory of music. So I was also a part time professor here in Wisconsin, and I taught voice, you know, one on one vocal lessons, so high school and college and graduate school, and so I had this huge studio. So when that happened, I wasn't getting to sing a whole lot, because I was much more focused on my students singing me at that point, especially the older ones, professional ones, and so, you know, I just kept teaching and and then I had started this book that I'm promoting now, and so that gave me more time to get that book finished   Michael Hingson ** 17:10 and published. What's the name of the book?   Kay Sparling ** 17:13 The book is called Mission, thaw.   Michael Hingson ** 17:16 Ah, okay, and what is it about   Kay Sparling ** 17:22 mission thaw is feminist spy thriller set at the very end of the Cold War in the late 80s, and the main protagonist is Caitlin Stewart, who it who has went over there to be an opera singer, and soon after she arrives, is intensely recruited by the CIA. They have a mission. They really, really need a prima donna Mozart soprano, which is what Caitlin was, and she had won a lot of competitions and won a grant to go over there, and so they had been vetting her in graduate school in the United States. And soon as she came to Europe, they they recruited her within a couple weeks of her being there, and she, of course, is totally blindsided by that. When they approach her, she had she she recognized that things were not exactly the way they should be, that people were following her, and she was trying to figure out who, are these people and why are they following me everywhere? Well, it ends up being young CIA agents, and so when the head chief and his, you know, the second chief, approach her, you know, she's not real happy, because she's already felt violated, like her privacy has been violated, and so she wasn't really too wonderful of listening to them and their needs. And so they just sort of apprehend her and and throw her in a car, in a tinted window Mercedes, and off they go to a park to talk to her, right? And so it's all like crazy movie to Caitlin. It's like, what is going on here? And, you know, she can tell they're all Americans, and they have dark suits on, even though it's very, very hot, and dark glasses, you know? So everything is just like a movie. And so when they approach her and tell her about what they need her to do, you know, and this would be in addition to the apprentice she is doing that, you know, she just gets up and says, I'm sorry I didn't come over and be in cloak and dagger. A, you know, ring, I'm getting out of here. And as she's walking away, the chief says, Well, what if you could help bring down the Berlin Wall? Well, now that stops her in her tracks, and she turns around. She goes, What are you kidding? I'm just a, you know, an opera apprentice from the Midwest grew up on a farm. What am I gonna do? Hit a high C and knock it down. I mean, what are you talking about?   Michael Hingson ** 20:28 Hey, Joshua, brought down the wealth of Jericho, after all. Well, yeah, some   Kay Sparling ** 20:34 later, someone tells her that, actually, but, but anyway, they say, well, sit down and we'll explain what we need you to do. And so the the initial job that Caitlin accepts and the CIA to be trained to do is what they call a high profile information gap. She has a wonderful personality. She's really pretty. She's very fashionable, so she can run with the jet set. And usually the jet set in Europe, the opera jet set is also where all the heads of states hang out, too. And at that time, the the Prime Minister was pretty much banking the Vienna State Opera where she was apprenticing. So he ends up being along with many other Western Austrian businessmen in a cartel of human trafficking. Who they are trafficking are all the the different citizens of the countries that USSR let go. You know, when you know just got to be too much. Remember how, oh yeah, we're going to let you go. Okay? And then they would just pull out. And there was no infrastructure. There was nothing. And these poor people didn't have jobs, they didn't have electricity. The Russian mafia was running in there trying to take, you know, take over. It was, it was chaos. And so these poor people were just packing up what they could to carry, and literally, sometimes walking or maybe taking a train into the first Western European country they could get to. And for a lot of them, just because the geographical area that was Austria. And so basically, the Austrians did not want these people, and they were being very unwelcoming and arresting a lot of them, and there was a lot of lot of bad behavior towards these refugees. And so the Catholic church, the Catholic Social Services, the Mennonite Relief Fund, the the UN and the Red Cross started building just tent after tent after tent on the edge of town for these people to stay at. And so the businessmen decide, well, we can traffic these people that have nothing over to the East Germans, who will promise them everything, but will give them nothing. But, you know, death camps, basically, just like in World War Two. So you have work camps, you have factories. They they don't feed these people correctly. They don't they don't give them anything that they promise to them in in the camps. And they say, Okay, be on this train at this time, this night. And then they stop somewhere in between Vienna and East Germany, in a very small train station in the middle of the Alps. And they have these large, you know, basic slave options. And unfortunately, the children in the older people get sent back to the camp because they don't need them or want them. So all the children get displaced from their families, as well as the senior citizens or anyone with a disability. And then, you know, the men and the women that can work are broken up as well, and they're sent to these, you know, they're bought by these owners of these factories and farms, and the beautiful women, of course, are sold to either an individual that's there in East German that just wants to have a sex aid, pretty much. Or even worse, they could be sold to an underground East Berlin men's club. And so terrible, terrible things happen to the women in particular, and the more that Caitlin learns. As she's being trained about what's happening, and she interviews a lot of these women, and she sees the results of what's happened, it, it, it really strengthens her and gives her courage. And that's a good thing, because as time goes through the mission, she ends up having to be much, much more than just a high profile social, you know, information gather. She ends up being a combat agent and so, but that that's in the mission as you read, that that happens gradually and so, what? What I think is really a good relationship in this story, is that the one that trains her, because this is actually both CIA and MI six are working on this, on this mission, thought and the director of the whole mission is an very seasoned mi six agent who everyone considers the best spy in the free world. And Ian Fleming himself this, this is true. Fact. Would go to this man and consult with him when he was writing a new book, to make sure you know that he was what he was saying is, Could this really happen? And that becomes that person, Clive Matthews become praying, Caitlyn, particularly when she has to start changing and, you know, defending herself. And possibly, you know,   Michael Hingson ** 26:38 so he becomes her teacher in   Kay Sparling ** 26:42 every way. Yes. So how   Michael Hingson ** 26:45 much? Gee, lots of questions. First of all, how much of the story is actually   Kay Sparling ** 26:50 true? All this story is true. The   Michael Hingson ** 26:53 whole mission is true. Yes, sir. And so how did you learn about this? What? What caused you to start to decide to write this story?   Kay Sparling ** 27:08 So some of these experiences are my own experiences. And so after I as an opera singer, decided to be a volunteer to help out these refugees. I witnessed a lot, and so many years later, I was being treated for PTSD because of what I'd witnessed there. And then a little bit later in Bosnia in the early 90s, and I was taking music therapy and art therapy, and my psychiatrist thought that it'd be a good idea if also I journaled, you know, the things that I saw. And so I started writing things, and then I turned it in, and they had a person that was an intern that was working with him, and both of them encouraged me. They said, wow, if, if there's more to say about this, you should write a book, cuz this is really, really, really good stuff. And so at one point I thought, Well, why not? I will try. So this book is exactly what happened Caitlin, you know, is a real person, and everyone in the book is real. Of course, I changed the names to protect people and their descriptions, but I, you know, I just interviewed a lot of spies that were involved. So, yes, this is a true story.   Michael Hingson ** 29:06 Did you do most of this? Then, after your singing career, were you writing while the career, while you were singing?   Kay Sparling ** 29:13 I was writing while I was still singing. Yeah, I started the book in 2015 Okay, and because, as I was taking the PTSD treatment and had to put it on the shelf several times, life got in the way. I got my my teaching career just really took off. And then I was still singing quite a bit. And then on top of it, everything kind of ceased in 2018 when my mother moved in with me and she was diagnosed with Alzheimer's, but Louie body Alzheimer's, which is a very, very rough time, and so I became one of her caretakers. So I quit singing, put that on hold, and I. I had to really, really bring down the number in my studio I was teaching and spend time here at home. And so I would take care of her, but then after she would go to bed, and she'd go to bed much earlier than I wanted to, that's when I write, and that's when I got the lion's share of this book written. Was during that time, it was a great escape from what I was dealing with, believe it or not, you know, even though there's some real graphic things in the book and all it wasn't, it was a nice distraction.   Michael Hingson ** 30:36 Wow, so you, you lived this, needless to say,   Kay Sparling ** 30:41 Yes, I did, and yes.   Michael Hingson ** 30:45 So you've talked a little bit about what happened to these countries after the collapse of the USSR and communism and so on, these eastern companies, companies, countries. Has it changed much over the years.   Kay Sparling ** 31:03 Oh, yeah, for instance, one, you know, I went to Budapest after they were freed, I guess is what usr would say. Stayed in a five star hotel, and we were lucky if we had running water and electricity at the same time. And every time you went down on the streets, all you'd see is lines, you know, I mean, just because there'd be all like, Red Cross, etc, would be there, and they'd have these big trucks they drove in every day, and it just got to be because they had nothing. If you saw a truck, you'd start running towards it and get in line. You didn't care what it was, you know, and it was. And then fights would break out because they wouldn't have enough for everyone. And then, like, you know, maybe someone's walking away with a bag of rice, and some of us knock them over the head and take, you know, and it was very hard, you know, I was a volunteer there, and it was very, very hard to see this, you know, desperation, one story that I'd like to tell, and I put it in the book. I was riding my bike, you know, on a Friday afternoon to get some groceries at the nearest supermarket where my apartment was, and at that time, they still had the European hours, so they were going to close at five o'clock, and they weren't going to open until seven or eight on Monday morning. So you had to make sure you got there to get your weekend supply. So I was on my way, and I was parking my bike, and this woman, refugee woman, runs up and she has two small children with her, and she's carrying a baby, and she's speaking to me in a language I did not know. I do speak several languages, but I don't know Slavic languages and so, but I'm getting the gist of it that she has nothing to eat, neither do her children, and so I'm patting her on the shoulder, and right when I do that, a policeman that was guarding the door of the supermarket came up to me and, like, grabbed me really hard, and told me in German that I was not To speak to them, and I was not to help them, because if you help them, they'll stay. And I said to him in German, I'm an American. I am not Austrian. I am here on a work visa, and I can do whatever the hell I want to do. Well, he didn't like that. And so I just walked away from him, and I went in the store. And so I got up everything I get. Think of the big need, you know, I never had a baby, so I was trying to kind of figure that out, yeah, and I had to figure it out in German, you know, looking at labels now. And so finally I got, I got some stuff, you know, the stuff I needed, and, and, and the stuff that I got for the family, and I checked out, and I'm pushing the cart, you know, towards them. And he runs up beside me and stops me, and he says, I am going to arrest you if you bring that. I told you not to help them. And I said, again, I don't think I'm breaking any laws. And he said, Oh yes, you are. And I said, Well, I didn't read that in the papers. I didn't see it on TV where anyone said. That you cannot help a refugee. And so we're going back and forth. And so, you know, I'm pretty strong, so I just keep pushing it towards it. Well, she's kind of running down the park, and I'm like, wait, wait, you know, because she's getting scared of this guy, you know, he has a gun, he has a nightstick. Of course, she's scared, and so, you know, I would say, No, no, it's okay, because I can't speak for language, right? And so I'm just trying to give her body language and talk. Well, finally she does stop, and I just throw I give the one sack to the little boy, and one second little girl, they just run and and then, you know, I'm talking to her and saying, you know, it's okay, it's okay. And he grabs me, and he turns me around and he spits in my face.   Michael Hingson ** 35:53 Wow. Talk about breaking the law. But anyway, go ahead.   Kay Sparling ** 36:00 Welcome to Austria in the late 80s. You have to understand their Prime Minister Kurt voltheim won on the Nazi ticket. Mm, hmm. At that very time, if you got on a bus and you saw these businessmen going to work, at least 50% of them were reading the Nazi paper. Okay, so we kind of know what, where his affiliations lie. You know, this policeman and, you know, and I was very aware, you know, of of that party being very strong. And so you have to watch yourself when, when you're a foreigner. And I was a foreigner too, just like her. And so after wiping my face, I mean, I really, really wanted to give him a kick or something, yeah, and I do, I do know martial arts, but I was like, no, no, gotta stay cool. And I just told her to run. And she did and caught up with the children, and, you know, kept running. So that was the first experience I had knowing how unwelcome these people were in Austria. Yeah, so I got involved, yeah, I got involved because I was like, this is absolutely not right.   Michael Hingson ** 37:31 And so the book is, in part, to try to bring awareness to all that. I would think   Kay Sparling ** 37:36 absolutely there are, there are bits of it are, they're pretty darn graphic, but it's all true, and it's all documented. Sometimes people about human trafficking, they think, oh, it's not in my backyard. I'm not going to think about that. Well, I live in a very small college town, around 17,000 people, and two months ago, on the front page of this small paper here in town, there were seven men that were arrested for many counts of human trafficking of underage women and prostitution. So guess what, folks, it is in your backyard. If it's in this little town, it's probably in yours too. And we have to be aware before we can do anything. So we have to open our eyes. And I hope this book opens the eyes of the reader to say, Oh, my God, I knew things were bad, but I didn't realize that torture, this kind of thing went on. Well, it does, and I the International Labor Union estimates that 21 million people are being you. You are victims of human trafficking right now, as we speak, throughout the world, that's a lot of people, a lot of people. So most likely, we've all seen some hint of that going on, it didn't register as it at the time. You know, if you're just walked out of a restaurant, and you're walking to your car that's parked on the street, and you happen to go by an alley and there's restaurants on that row, and all of a sudden you see people being kind of shoved out and put in a truck. That's probably human trafficking, you know? And you know, a lot of people don't pay attention, but like, if they stop and think that doesn't look right, and if those people look like they may be from another country, yeah. And all you have to do is call the authorities, you know, and other ways that you can help are by you know, that that you can get involved. Are, you know, donate to all the different organizations that are finding this now.   Michael Hingson ** 40:19 Was the book self published, or do you have a publisher?   Kay Sparling ** 40:25 I self published, but it's more of a hybrid publishing company that's kind of a new thing that's going on, and so I cannot learn all those different facets of publishing a book, right? It just wasn't in my, you know, skill set, and it also wasn't even interesting to me. I don't want to learn how to do graphic illustration. Okay? So what I did is I hired a hybrid company that had all these different departments that dealt with this, and I had complete artistic control, and I was able to negotiate a great deal on my net profits. So I feel that, after looking into the traditional publishing world and not being exactly pleased with it to say the least, I think that was the right business choice for me to make, and I'm very happy I did it.   Michael Hingson ** 41:46 How do you market the book then?   Kay Sparling ** 41:48 Well, that was, that was the tricky part that that publisher did have some marketing they started, but obviously now they agreed it wasn't enough. So at that point, I attended a virtual women's publishing seminar, and I really paid attention to all the companies that were presenting about marketing. And in that time, I felt one that I just was totally drawn to, and so I asked her if we could have a consultation, and we did, and the rest is history. I did hire her team and a publicist, Mickey, who you probably know, and, yeah, it's been going really great. That was the second smart thing I did, was to, you know, hire, hire a publicity.   Michael Hingson ** 42:50 Well, yeah, and marketing is one is a is a tricky thing. It's not the most complicated thing in the world, but you do have to learn it, and you have to be disciplined. So good for you, for for finding someone to help, but you obviously recognize the need to market, which is extremely important, and traditional publishers don't do nearly as much of it as they used to. Of course, there are probably a lot more authors than there used to be too. But still,   Kay Sparling ** 43:19 yeah, their their marketing has changed completely. I remember I had a roommate that became a famous author, and just thinking about when he started, you know, in the 80s, how the industry is completely changed. Mm, hmm, you know. So, yeah, it's, it's really tricky. The whole thing is very tricky. One thing that I also did is one of my graduate students needed a job, and so I've known her since, literally, I've known her since eighth grade. I have been with this student a long time, and she's done very well, but she really is a wiz at the social media. And so she made all my accounts. I think I have 12 altogether, and every time I do something like what I'm doing tonight, soon as it's released, she just puts it out there, everywhere and and I have to thank her from again that that's probably not my skill set.   Michael Hingson ** 44:37 Well, everyone has gifts, right? And the the people who I think are the most successful are the people who recognize that they have gifts. There are other people that have gifts that will augment or enhance what they do. And it's good that you find ways to collaborate. I think collaborating is such an important thing. Oh, yeah. All too many people don't. They think that they can just do it all in and then some people can. I mean, I know that there are some people who can, but a lot of people don't and can't.   Kay Sparling ** 45:12 Well, I've got other things. I've got going, you know, so maybe if I only had to do the book, everything to do with the book, that would be one thing, but I, you know, I have other things I have to have in my life. And so I think that collaboration is also fun, and I'm very good at delegating. I have been very good at delegating for a long time. When I started my school. I also started a theater company, and if you know one thing, it's a three ring circus to produce an opera or a musical, and I've done a lot of them, and yeah, I would have not survived if I didn't learn how to delegate and trust people to do their own thing. So what are you   Michael Hingson ** 45:58 doing today? What are you doing today? Besides writing?   Kay Sparling ** 46:04 Well, during covid, everything got shut down, and I didn't have an income, and I had to do something. And one of, believe it or not, one of my parents, of one of my students, is an attorney for the state of Wisconsin, and she was very worried. I mean, it looked like I might lose my house. I mean, I literally had no income. And so, you know, I was a small business person, and so she offered me very graciously to come work in the department of workers compensation in the legal Bureau at the state of Wisconsin. So I never have done anything like that in my life. I have never sat in a cubicle. I've never sat in front of a computer unless it was in its recording studio or something like that. So it was a crazy thing to have to do in my early 60s, but I'm a single woman, and I had to do it, and and I did, and it put me on solid ground, and that was one reason I couldn't finish the book, because I didn't have to worry about a live cookie. And so I am continuing to do that in so as in the day, that is what I do. I'm a legal assistant, cool.   Michael Hingson ** 47:32 And so when did mission thought get published?   Kay Sparling ** 47:38 Mission thought almost a year ago, in August of 2024 it launched, yes, okay, yeah. And it was very scary for me, you know, because my hybrid publishers up in Canada, and they were telling me, Well, you know, we're going to get you some editorial reviews and we're going to have you be interviewed. And you know, those very first things where my editor at at the publisher had told me it was one of the really a good book, and that was one of the cleanest books she ever had to edit. And so that kind of gave me some confidence. But you understand, look at my background. I I didn't go to school to be a writer. I had never studied writing. I hadn't done any writing up until now, and so to that was my first kind of sigh of relief when the editor at the publisher said it was really a good book, and then I started getting the editorial reviews, and they were all stellar, and they continue to be. And I'm, I'm still a little shocked, you know, because it takes time, I guess, for a person to switch gears and identify themselves as an author. But you know, after a year now, I'm feeling much more comfortable in my shoes about that. But at first it was, it was trying because I was scared and I was worried, you know, what people were going to think about the book, not the story, so much as how it was crafted. But it ends up, well,   Michael Hingson ** 49:15 it ends up being part of the same thing, and yeah, the very fact that they love it that that means a lot. Yeah, so is, is there more in the way of adventures from Caitlin coming up or what's happening?   Kay Sparling ** 49:30 Yeah, this is hopefully a trilogy, um of Caitlin's most important standout missions. And so the second one is set in the early 90s during the Bosnian war. And this time, she cannot use opera as a cover, because obviously in a war zone, there's no opera. And so she has to. To go undercover as either a un volunteer or Red Cross, and this time, her sidekick is not the Clive Matthews. He has actually started a special squad, combat squad that's going in because, of course, we, none of us, were really involved with that war, right? But that's what he's doing. And so, believe it or not, her, her sidekick, so to speak, is a priest that very early, goes on and sees, you know, this absolute ethnic cleansing going on, you know, massacres and and he tries to get the Catholic Church to help, and they're like, no, no, we're not touching that. And so he goes AWOL. And had been friends in Vienna with the CIA during the first book. He goes to the CIA and says, This is what's going on. I saw it with my own eyes. I want to help. And so he becomes Caitlin's sidekick, which is a very interesting relationship. You know, Caitlin, the opera singer, kind of, kind of modern girl, you know, and then you know, the kind of staunch priest. But they find a way to work together, and they have to, because they have to save each other's lives a couple times. And this is my favorite book of the three. And so basically what happens is called Mission impromptu, and I hope to have that finished at the end of this month. And the reason we call it impromptu is because her chief tells her to just get the information and get out, but her and the priest find out that there is a camp of orphaned boys that they are planning to come massacre, and so they they they basically go rogue and don't follow orders and go try to help the boys. Yeah. And then the third book, she has actually moved back to New York, and she's thinking, well, she does retire from the CIA, and it's the summer of 2001 and what happened in September of 2001 911 and so they call her right back in she literally had been retired for about three months.   Michael Hingson ** 52:35 Well, to my knowledge, I never met Caitlin, so I'm just saying Mm hmm, having been in the World Trade Center on September 11, but I don't think I met Caitlin anyway.   Kay Sparling ** 52:43 Go ahead. No, she wasn't in the towers, but no, I was in New York. And yeah, so they called her back right away. And so the third one is going to be called Mission home front, because that's been her home for a very long time. She's been living in New York.   Michael Hingson ** 53:01 Are there plans for Caitlin beyond these three books? I hope so.   Kay Sparling ** 53:08 I think it would be fun for her to retire from the CIA and then move back to the Midwest. And, you know, it turned into a complete fiction. Of course, this is not true stuff, but, you know, like kind of a cozy mystery series, right, where things happen and people can't get anyone to really investigate it, so they come to Caitlin, and then maybe her ex boss, you know, the chief that's also retired, they kind of, you know, gang up and become pi type, you know, right? I'm thinking that might be a fun thing.   Michael Hingson ** 53:46 Now, are mostly books two and three in the mission series. Are they also relatively non fiction?   53:53 Yes, okay,   Michael Hingson ** 53:57 okay, cool, yes. Well, you know, it's, it's pretty fascinating to to hear all of this and to to see it, to hear about it from you, but to see it coming together, that is, that is really pretty cool to you know, to see you experiencing have the book, has mission thought been converted by any chance to audio? Is it available on Audible or   Kay Sparling ** 54:21 anywhere it has not but it is in my plans. It's there's a little bit of choice I have to make do. I use my publisher and hire one of their readers you know to do it, someone you know, that's in equity, that type of thing. Or you know, my publicity, or people are also saying, well, because you're an actor, and, you know, all these accents, it might be nice for you to do to read your own book. Well, the problem is time, you know, just the time to do it, because I'm so busy promoting the book right now. And really. Right writing the second one that you know, I just don't know if I'm going to be able to pull that off, but I have my own records, recording studio in my voice studio downstairs, but it's just and I have all the equipment I have engineers. It's just a matter of me being able to take the time to practice and to get that done. So it's probably going to be, I'll just use their, one of their people, but yes, yeah, it's coming. It's coming. Well, it's,   Michael Hingson ** 55:29 it's tough. I know when we published last year, live like a guide dog, and the publisher, we did it through a traditional publisher, they worked with dreamscape to create an audio version. And I actually auditioned remotely several authors and chose one. But it is hard to really find someone to read the book the way you want it read, because you know what it's like, and so there is merit to you taking the time to read it. But still, as you said, there are a lot of things going on,   Kay Sparling ** 56:09 yeah, and I have read, you know, certain portions of the book, because some podcasts that I've been on asked me to do that, and I and I practiced and that, it went very well. And of course, when people hear that, they're like, Oh, you're the one that has to do this. You know Caitlin. You can speak her, you know her attitudes and all. And then you also know how to throw all those different accents out there, because there's going to be, like, several, there's Dutch, there's German, there's Scottish, high British and Austrian. I mean, yeah, yeah, Austrians speak different than Germans. Mm, hmm,   Michael Hingson ** 56:53 yeah, it's it's a challenge, but it's still something worth considering, because you're going to bring a dimension to it that no one else really can because you wrote it and you really know what you want them to sound like, Yeah, but it's a it's a process. I and I appreciate that, but you've got lots going on, and you have to have an income. I know for me, we started live like a guide dog my latest book when the pandemic began, because I realized that although I had talked about getting out of the World Trade Center and doing so without exhibiting fear, didn't mean that it wasn't there, but I realized that I had learned to control fear, because I learned a lot that I was able to put to use on the Day of the emergency. And so the result of that was that, in fact, the mindset kicked in and I was able to function, but I never taught anyone how to do that. And so the intent of live like a guide dog was to be a way that people could learn how to control fear and not let fear overwhelm or, as I put it, blind them, but rather use fear as a very powerful tool to help you focus and do the things that you really need to do. But it's a choice. People have to learn that they can make that choice and they can control it, which is kind of what really brought the book to to mind. And the result was that we then, then did it. And so it came out last August as well.   Kay Sparling ** 58:27 Oh, well, if you read my book, you'll see Caitlin developing the same skills you were just talking about. She has to overcome fear all the time, because she's never been in these situations before, and yet she has to survive, you know?   Michael Hingson ** 58:44 Yeah, well, and the reality is that most of us take too many things for granted and don't really learn. But if you learn, for example, if there's an emergency, do you know where to go in the case of an emergency? Do you know how to evacuate, not by reading the signs? Do you know? And that's the difference, the people who know have a mindset that will help them be a lot more likely to be able to survive, because they know what all the options are, and if there's a way to get out, they know what they are, rather than relying on signs, which may or may not even be available to you if you're in a smoke filled environment, for example, yeah,   Kay Sparling ** 59:22 yeah, you should know ahead of time. Yeah, you know, I know the state where I work. I I mostly work at home. I'm able to do that, but we do have to go in once a week, and we just changed floors. They've been doing a lot of remodeling, and that was the first thing, you know, the supervisor wanted us to do was walk through all the way for a tornado, fire, etc, and so we did that, you know, and that's smart, because then you're like, you say you're not trying to look at a chart as you're running or whatever,   Michael Hingson ** 59:56 and you may need to do it more than once to make sure you really know it. I know for me. I spent a lot of time walking around the World Trade Center. In fact, I didn't even use my guide dog. I used a cane, because with a cane, I'll find things that the dog would just automatically go around or ignore, like kiosks and other things. But I want to know where all that stuff is, because I want to know what all the shops are down on the first floor. Well, now that that is the case anymore, but it was at the time there was a shopping mall and knowing where everything was, but also knowing where different offices were, knowing who was in which offices, and then knowing the really important things that most people don't know about, like where the Estee Lauder second store was on the 46th floor of tower two. You know, you got to have the important things for wives, and so I learned what that was. Well, it was, it was, those are important things, but you'll learn a lot, and it's real knowledge. Someone, a recent podcast episode that they were on, said something very interesting, and that is that we're always getting information, but information isn't knowing it. Knowledge is really internalizing the information and making it part of our psyche and really getting us to the point where we truly know it and can put it to use. And that is so true. It isn't just getting information. Well, that's great. I know that now, well, no, you don't necessarily know it now, until you internalize it, until you truly make it part of your knowledge. And I think that's something that a lot of people miss. Well, this has been a lot of fun. If people want to reach out to you, is there a way they can do that?   Kay Sparling ** 1:01:40 Yeah, the best thing is my book website, K, Sparling books.com spelled and it would K, a, y, s, p, as in Paul, A, R, L, I N, G, B, O, O, K, s.com.com, okay, and you can email me through there. And all the media that I've been on is in the media section. The editorial reviews are there. There's another thing that my student heats up for me is the website. It's it's really developed. And so lots of information about the book and about me on on there. And one thing I want to mention is, just because of my background and all the all the people that you know, I know, a friend of mine is a composer, and he wrote a song, a theme song, because we do hope that someday we can sell this, you know, yeah, to for movie and, or, you know, Netflix, or something like that. And so he wrote a theme song and theme music. And I just think that's fun. And then I wanted my students saying, saying it. And then, you know, it's with a rock band, but it's, it's very James Bond, the kind of with a little opera, you know, involved too. But, you know, not a lot of authors can say that on their website, they have a theme song for their books.   Michael Hingson ** 1:03:16 And where is   Kay Sparling ** 1:03:18 it? It would be under, it's going to be about the author. And there's a nice one of my other students is a graphic artist. She She did a graphic a scene of Caitlin with her ball gown, and she's got her foot up on a stool, and she's putting her pistol in her thigh holster, in I think, you know, it's kind of like a cartoon, and it quotes Caitlin saying, I bet you I'm going to be the only bell at the ball with this accessory pistol. And then right underneath that, that song, you can click it and hear it. We also are on YouTube mission. Thought does have its own YouTube channel, so you can find it there as well.   Michael Hingson ** 1:04:05 So well, I want to thank you for being here and for telling us all the stories and especially about mission. I hope people will get it and read it, and I look forward to it coming out in audio at some point. Yes, I'll be lazy and wait for that, I I like to to get books with human readers. You know, I can get the print book and I can play it with a synthetic voice, but I, I really prefer human voices. And I know a lot of people who do AI has not progressed to the point where it really can pull that off.   Kay Sparling ** 1:04:38 Well, no, it cannot. Yeah, I totally agree with you there.   Michael Hingson ** 1:04:42 So Well, thank you for being here, and I want to thank all of you for listening and watching us today. This has been fun. And as some of you know, if you listen to many of these podcasts, we have a rule on the podcast, you can't come on unless you're going to have fun. So we did have fun. We. You have fun? Yeah. See, there you go. I was gonna ask if you had fun. Of course, yes. So thank you all for listening. Love to hear from you. Love to hear what your thoughts are about today's episode. Feel free to email me at Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, E, S, S, i, b, e.com, also, please give us a five star rating. We appreciate it. K, I'll appreciate it. And when this goes up, when you hear it, we really value those ratings and reviews very highly. If you know anyone else who ought to be a guest and KU as well, love to hear from you. Please introduce us. Kay, you'll have to introduce us to Caitlin, but But seriously, we always are looking for more guests. So if anyone knows of anyone who ought to come on and tell a story, we'd love to hear from you. But again, Kay, I want to thank you one last time. This has been great, and we really appreciate you being here.   Kay Sparling ** 1:05:59 Well, thank you for having me.   Michael Hingson ** 1:06:04 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

9/10/25 - Yvonne-Aimée of Jesus (1901–1951) was a French mystic, visionary, and Augustinian nun whose hidden holiness shook the 20th century. From a young age she experienced mystical visions of Christ and the Virgin Mary, later becoming known for miraculous healings and the powerful prayer she received from Jesus: “O Jesus, King of Love, I put my trust in Thy merciful goodness.” During World War II, she fearlessly hid members of the French Resistance and Jewish refugees from the Gestapo inside her convent, narrowly escaping arrest and torture. After the war, she became Mother Superior of the Augustinian monastery in Malestroit, where her life of heroic charity, extraordinary mystical gifts, and devotion to the Sacred Heart and Divine Mercy inspired countless souls. In this episode, we explore her visions, miracles, prophecies, and her witness of courage in Nazi-occupied France. Yvonne-Aimée of Jesus stands as a radiant example of Eucharistic devotion, Marian consecration, and trust in God's mercy amidst suffering.

This summer, I found myself slowing down—getting quieter on the trails, more present among the trees, and stepping away from my usual morning routine of “to-do” lists, three coffees, and hustling to get people into my coaching programs. I got quiet. I sat with the parts of myself that feel uncomfortable and need external validation to feel worthy.  I kept hearing the Zen Buddhist phrase: “chop wood, carry water". The wisdom is simple: do everyday tasks with mindfulness and presence.For me, that meant canceling my coaching program that was supposed to start in August. It meant releasing the constant striving for speaking opportunities, letting go of outreach for podcast guests, and returning to my roots—deep, one-on-one conversations where space is dedicated to what truly matters. It meant going back to being a therapist.For years, Sister Monica Clare heard a quiet call toward a quiet religious life. She first explored Hollywood, marriage, and conventional success before discovering that her heart was truly drawn to sisterhood.Even if you're not religious or spiritual, this conversation will likely resonate with you. Sister Monica Clare's story is about learning to "gravitate towards joy versus chaos" and having the courage to follow your authentic calling—no matter how unconventional it may seem, and no matter what you have to release to honor it.Her journey began in a Southern town marked by poverty, abuse, and violence, including witnessing her grandfather attempt to stab her father. Her mother's encouragement to pursue a different life set her on a path through college in New York City, a career in Hollywood, marriage, heartbreak, and even performing in comedy clubs.Through it all, she never abandoned the power of prayer—even when the call to religious life felt “complicated and baffling, completely out of step with her fame-adjacent life in Los Angeles”. She tried everything to silence it: therapy sessions, ignoring it, secrecy, and even asking friends and mentors, “What do you think about me being a nun?”Sister Monica Clare's story becomes a compass for anyone struggling to find their truth. Authentic calling rarely makes logical sense—but it always leads to deeper fulfillment.Today, at 59, she has found her unique path to serve: Launched @NunsenseForthePeople on TikTok in 2020Wrote the bestselling memoir A Change of HabitUses social media to raise awareness about progressive religious orders like the Community of St. John BaptistOffers spiritual counseling specializing in religious trauma, mental illness, and addictionSister Monica Clare is the Mother Superior at the Community of St. John Baptist, an Episcopal convent in New Jersey. Before taking her vows in 2012, she worked as a photo editor in L.A. and performed in an acoustic rock duo and improv comedy troupe.In our conversation, she shares how prayer became her sanctuary throughout Hollywood rejections and personal heartbreaks. She reveals the guiding messages she received from God during life's challenges—like when she discovered her husband was cheating and heard, “Get up and get your house in order.” She opens up about overcoming the fear that people wouldn't want her around and finding peace as a socially awkward introvert in a tight-knit community.This episode is an invitation to listen to your own quiet callings and consider what authentic joy could look like in your life—and what you might need to release in order to honor it.

This weekend marks the feast day of Benedict- a 6th century monk who had his own rule, which has survived down the centuries. That rule emphasises moderation, work and prayer.Our journey this morning will begin in the Great Italian Monastery of Monte Cassino as we learn about the man himself and how he shaped monasticism in Western Europe. The Benedictine Order still exists across Europe- and we will hear three tales-first from Father Pere Basile, a monk who glorifies God through making wine at the Papal Vineyard of Pope Clement V in Provence in France.Then to Karol O'Connell, the Mother Superior at Kylemore Abbey in the West of Ireland leading an order of Benedictine Nuns who fled to Ireland after their monastery in Belgium was destroyed in the First World War. We finish our journey with Abbot Mark Ephrem of Holy Cross Monastery in Rostrevor in County Down - the first new Monastery built here for 800 years.

I greet you in Jesus' precious name! It is Thursday morning, the 10th of July, 2025, and this is your friend, Angus Buchan, with a thought for today. We go to the first book of the Bible. Genesis 21:6:“God has made me laugh,…” This is Sarah speaking, ”…and all who hear will laugh with me.” Then we go to a very well-known scripture in Nehemiah 8:10: ”Do not sorrow, for the joy of the Lord is your strength.”How are you feeling this morning? Are you sad, are you disappointed, are you fearful? I want to tell you that Sarah went through all those things and even more. Then, eventually, the Lord gave her a son, and Abraham named him Isaac. Abraham was 100 years old and Sarah was in her late 90's and she laughed and they all laughed with her. I want to say to you today, “Laugh at your problems because the devil is a liar, a thief and a bully, and he will pull you down as much as he can and he will tell you, 'It can't happen, you have lost it, it is too late.” Its a lie, laugh at him in his face, and I want to tell you something now. That will give you strength. The joy of the Lord is our strength. I think of that movie, The Sound of Music. I am talking to young people. If you haven't watched that movie, you need to watch it. It is a good story, its a true story about a girl named Maria. Maria just loved singing, she was always on the mountain tops, she was appreciating God's creation, but Maria was also late. She was late for the church services. She always had to ask for forgiveness from the Mother Superior, and Maria makes me laugh. Despite of all her shortfalls, in spite of all her mistakes, when she ran into a place, everybody started laughing. I want to say to you today, laugh at your problem, because you know something? God has got a solution for you and He has got an answer, and if you do not lose heart and if you keep your faith in Him, He will bring it to pass, just like he gave that old lady, Sarah, a beautiful baby.Jesus bless you and have a happy day,Goodbye.

And thus, I clothe my naked villainyWith odd old ends stol'n out of holy writ;And seem a saint, when most I play the devil. - Shakespeare's Richard III, Act 1: Scene 3History is, in its mystery, endless. No matter how much detail we might glean from contemporary accounts or archaeological digs, there will always be shadows beyond the reach of candlelight. Do you ever wonder, on a ruin's precipice, what sadness or joy might have filled its halls in days gone by? What secrets did they whisper, never recorded in anything but their own faded memory? Did they conspire? Fear for their lives? Resent their fate? Embrace the era? Have some hot gay sex in the Cloister? Truly, History is endless.This month, Sara and Runa bring you the longest episode of Say it in Red to date as they discuss Misericorde volumes 1 & 2! Set in Linbarrow Abbey during 1482 & 83, near the end of the Wars of the Roses, Misericorde centers around the murder of Sister Catherine, a Benedictine Nun. The Mother Superior, fearing that she cannot trust her congregation, opens the cell of the Anchoress. In Benedictine Abbeys, the Anchorite or Anchoress was someone who swore special oaths before being sealed away in a small cell, isolated from the world and spending their days studying scripture and illuminating manuscripts. Linbarrow's Anchoress, Hedwig, then becomes our unwilling Detective. Forced to investigate, unsure of her place in the abbey, unfamiliar with the social norms and practices of her fellow nuns, and completely out of her depth, Hedwig stumbles about through the dark chasing the specter of Catherine's influence. In volume 1, Hedwig familiarizes herself with the other residents of the abbey and frequently recoils in terror when she learns of how lax everyone's schedules are, how loosely they adhere to the strictures of the rules of St. Benedict, and whatever those two women were doing just before she barged into the room? Then, in volume 2, Hedwig discovers exactly what those two women were doing just before she barged into the room and this, along with some other developments, sends her into an existential crisis. Please join Sara and Runa as they discuss all the funky little nuns of Linbarrow, their theories about the mysteries afoot, and rank their favorite and most suspicious nuns.As always, if you enjoy our show please consider supporting us by leaving a 5 star review on whatever platform you use to listen. You can also support us on Patreon at patreon.com/sayitinred where for just a few dollars a month you can gain access to our entire backlog of bonus episodes! These bonus episodes include a wide range of topics from deep dives into games outside of the Visual Novel space to fandom histories and much more! And please remember, all patrons can send us in your Indie VN recommendations or tell us about an Indie VN you've played and enjoyed recently - you might end up on our next episode! Our next Indie VN Compiliation Track episode is coming up in June, but if you miss that one then no worries - we'll have an other coming in December. Please tell us about an Indie VN you've played and enjoyed recently!

Wendi Peters is starring as Florence Foster Jenkins in the revival of Glorious! at the Hope Mill Theatre in Manchester.Glorious! was nominated for Best New Comedy at the 2006 Olivier Awards and tells the true story of American socialite Florence Foster Jenkins, dubbed ‘the worst singer in the world', who was known for her flamboyant costumes, enigmatic performances and decidedly off-key voice. The revival is directed by Kirk Jameson. Wendi is an icon of stage and screen. Most recently she played Mother Superior in the UK tour of Sister Act. Just a few of her other theatre credits include Big The Musical, White Christmas, Oh What A Lovely War and many more. Wendi received huge acclaim for creating the role of Diana in the UK premiere of You Are Here at Southwark Playhouse, with her performance featuring in West End Frame's Top 5 Performances of 2021. On screen Wendy is beloved for her iconic performance as Cilla Battersby-Brown in Coronation Street (ITV), a role she played from 2003 to 2007 and again in 2014. Wedi has worked extensively on screen, most recently she played Nina Bulsara for a year in Doctors (BBC). In this episode Wendi discusses all-things Glorious! and also reflects on the path of her career, including some of the non-performing jobs she did early on, how Coronation Street changed things, what makes her say yes or no… and lots more along the way.Glorious! runs at the Hope Mill theatre in Manchester until 30th March 2025. Visit www.hopemilltheatre.co.uk for info and tickets. This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

This week we watched Silent Night, Deadly Night (1984) and discuss Grandpa's Oscar-worthy performance, the logistics of night sledding in the middle of the woods, and Mother Superior's off-putting pitch pipe. Our plot discussion begins at 22:48 Content warning: We love horror and want everyone to enjoy it accessibly and safely. In general, assume we may talk about violence, gore, death, and scary situations. We provide a customized content warning about the movie for each episode during the episode, before launching into the plot. If you have particular triggers, please check the movie on doesthedogdie.com.

Front Row Classics welcomes back Jessica Pickens to discuss a gem from the 1960s. Brandon and Jessica are taking a look at The Trouble with Angels from 1966. This was Hayley Mills' first project after her run at the Walt Disney Studios. This film is an authentic look at the coming of age of teenage girls in a Catholic school. Rosalind Russell gives one of her signature performances at Mother Superior along with a solid supporting cast. Brandon and Jessica break down many charming moments including two holiday-themed scenes.

As we take a tiny break for the holiday, we're giving you a gift from our extensive Patreon vault, as this episode was actually recorded back in 2021! If you're interested in monthly exclusive bonus content, please check out our newly launched Patreon at: https://www.patreon.com/darknightofthepodcas It's Garbage Day as we discuss the much maligned sequel to the iconic 1984 Killer Santa slasher Silent Night, Deadly Night.    Join us as we discuss excessive flashback sequences and ponder what on Earth happened to Mother Superior's face! Find out more at http://www.darknightofthepodcast.com

Silent Night, Deadly Night Part 2 (1987) Directed By: Lee Harry Starring: Eric Freeman, James Newman, Elizabeth Kaitan, some other santa fuckers. Just imagine you and your family are on a road trip to visit your crazy grandfather, and on the way back your parents are killed by a drunk dressed as Santa. Now imagine that you were just an infant, and there's no possible way you could remember any of it. Surely, you could recount that as an adult, and that would obviously make you a sociopath. Imagine again that you are now Ricky Caldwell, and Christmas is coming up again... Oh boy here we go again. IMDB has this to say this about Silent Night, Deadly Night Part 2: "The now-adult Ricky talks to a psychiatrist about how he became a murderer after his brother, Billy, died, which leads back to Mother Superior." We Also Talked About: Grand Design 25th Season (Amazon) Baby Driver (Amazon) Half Life: 25 Year Anniversary Documentary (YouTube) Black Mesa PC Game (Steam) Death-Scort Service (Troma) Werewolves on Wheels (TubiTv) Mean Guns (TubiTv) Like what you hear here? We're on the youtubes now with our entire new back catalog and some upcoming exclusive content available at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://youtube.com/@deweypodmonster⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (Some of the above links are affiliate links, if you purchase through these affiliate links we do get a small kickback, and it's the best way to support this show!). Rate and Review us on the podcast platform of your choice! As always, remember, you can always find the latest goings on at our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Crap.Town⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Check out our fellow podcast network members at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Yourunpodcast.com⁠⁠⁠

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Killing Me Softly by The Fugees (1996)Song 1: Mother Superior by Henry Ate (1996)Song 2: Kill the Poor by Dead Kennedys (1980)Song 3: Sing It Out by Switchfoot (2009)Song 4: Ladies and gentlemen we are floating in space by Spiritualized (1997)Song 5: Baltimore to Washington by Woody Guthrie (1944)Song 6: Tear the Fascists Down by Woody Guthrie (1944)Song 7: Battle by Colbie Caillat (2007)Song 8: Jet Song by Mickey Calin & West Side Story Ensemble (1957)Song 9: Hole in the Ground by Bernard Cribbins (1962)Song 10: Speakeasy Blues by King Oliver & His Dixie Syncopators (1926)

Two-time Oscar-nominated actor Emily Watson is a face that has graced the screen and stage – her work of course in Breaking the Waves in 1996 earned her one of those nominations. She joins Anita Rani to talk about her new role in the upcoming film, Small Things Like These. Based on the bestselling book by Claire Keegan, the story focuses on a convent – which is in fact running a Magdalene laundry and Emily plays the role of Sister Mary, the Mother Superior of the convent.Gisèle Pelicot has become something of a feminist icon in France. Her husband is on trial along with dozens of other men accused of raping her and she has promised to try to change society for victims of sexual assault. The trial in Avignon began at the beginning of September and Gisèle Pelicot took the stand yesterday for the second time. BBC correspondent Andrew Harding was in court. He and author and journalist Joan Smith discuss the impact of her testimony.In the toilets at Euston station in the late 1970s, while trying to administer insulin to her daughter, Dr Sheila Reith thought there must be an easier way. She had an idea for a pen-like device that could be used simply and with just one hand. A few years later, the first insulin pen came to the market and revolutionised care for people living with diabetes. Dr Reith has since devoted her life to diabetes care, improving and saving the lives of millions of people. She joins Anita to talk about winning a Pride of Britain Award.Best known for her sketches on Saturday Night Live and playing Weird Barbie the comedian Kate McKinnon has now turned her attention to books. ‘The Millicent Quibb School of Etiquette for Young Ladies of Mad Science' is her first children's book. Kate discusses the story and her broader career. Presenter: Anita Rani Producer: Kirsty Starkey

Best known as Coronation Street's loveable matriarch, Eileen Grimshaw, Sue Cleaver is a woman of many talents. As well as treading the boards as Mother Superior in Sister Act the musical, she's written a book - A Work In Progress. Part memoir, part manifesto, it champions women in midlife and beyond. Our Corrie fanatic, Jen, caught up with Sue to chat about the ways women can be put out to pasture once they hit middle-age, letting go of negative thoughts, life as a Corrie legend and spending time in close proximity with one Mr Matt Hancock. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sue Cleaver is an actor best known for playing Eileen Grimshaw in Coronation Street since 2000, as well as appearing in Dinnerladies, Casualty, A Touch of Frost, and The Hunt for the Yorkshire Ripper. She took part in a I'm a Celebrity Get Me Out of Here in 2022, and is a regular panellist on Loose Women. She is currently touring the UK as Mother Superior in Sister Act. Her first book, A Work in Progress, is a call-to-arms for women as they get older to remember their value and hold on to their confidence, with Sue sharing experiences from her incredible life (many of which she has never spoken about before and will be revealed for the first time in the book) and advice (she is a trained therapist).Sue Cleaver is guest number 429 on My Time Capsule and chats to Michael Fenton Stevens about the five things she'd like to put in a time capsule; four she'd like to preserve and one she'd like to bury and never have to think about again .Sue's book “A Work in Progress” is available here - https://www.bloomsbury.com/uk/work-in-progress-9781526678706Follow Sue Cleaver on Twitter: @Sue_Cleaver & Instagram: @officialsuecleaver . Follow My Time Capsule on Twitter, Instagram & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens and Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

"On the eve of the exposition of the image, I went with our Mother Superior to visit our confessor," St. Faustina writes. Listen in as Fr. Joseph Roesch, MIC, reads from this modern spiritual classic. To order a copy of the Diary of Saint Maria Faustina Kowalska, visit  ShopMercy.org.

Genevieve Lemon has appeared in many premiere Australian productions in a 40-plus year career including Steaming, Steel Magnolias, Seventeen, Miracle City, Priscilla, Queen of the Desert and Billy Elliot, which she also played in London's West End.Other performances include Who's Afraid of Virginia Woolf, Death of a Salesman, Summer Rain, The Venetian Twins, Summer of the 17th Doll and North by Northwest. Screen performances include Sweetie, The Piano, Top of the Lake and The Power of the Dog (among others with Jane Campion); Ticket to Paradise, Colin from Accounts, Prisoner, Here Out West, The Dressmaker, Suburban Mayhem, Rake, The Tourist, Acute Misfortune, Population 11 and the upcoming feature film Runt. Awards include Helpmann, Green Room and Sydney Theatre Critics awards for Best Actress in a Musical for Billy Elliot and Best Actress in a Feature Film from the Sydney Film Critics' Circle for Sweetie.Genevieve Lemon returns to the musical theatre stage as the Mother Superior in Sister Act which opens at the Capitol Theatre in Sydney in August and the Regent Theatre Melbourne in November.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Genevieve Lemon has appeared in many premiere Australian productions in a 40-plus year career including Steaming, Steel Magnolias, Seventeen, Miracle City, Priscilla, Queen of the Desert and Billy Elliot, which she also played in London's West End.Other performances include Who's Afraid of Virginia Woolf, Death of a Salesman, Summer Rain, The Venetian Twins, Summer of the 17th Doll and North by Northwest. Screen performances include Sweetie, The Piano, Top of the Lake and The Power of the Dog (among others with Jane Campion); Ticket to Paradise, Colin from Accounts, Prisoner, Here Out West, The Dressmaker, Suburban Mayhem, Rake, The Tourist, Acute Misfortune, Population 11 and the upcoming feature film Runt. Awards include Helpmann, Green Room and Sydney Theatre Critics awards for Best Actress in a Musical for Billy Elliot and Best Actress in a Feature Film from the Sydney Film Critics' Circle for Sweetie.Genevieve Lemon returns to the musical theatre stage as the Mother Superior in Sister Act which opens at the Capitol Theatre in Sydney in August and the Regent Theatre Melbourne in November.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Ruth Jones joins Nuala McGovern to talk about playing the Mother Superior in a West End production of Sister Act. She discusses getting out of her comfort zone by appearing on stage for the first time since 2018 and working on her fourth novel. Plus what can fans of Gavin and Stacey expect from the Christmas special?This week, the Netball Super League, the UK's elite level domestic competition, relaunched and embarked on what it calls a "new era of transformational change". Anita Rani speaks to Claire Nelson, Managing Director of the Netball Super League, and London Pulse CEO Sam Bird.Politicians in The Gambia are debating whether to overturn the ban on female genital mutilation. Activist Fatou Baldeh MBE explains the impact this discussion is having on the ground and in other countries around the world.From the Pre-Raphaelites to Picasso, Vermeer to Freud, some of the most famous Western artwork involves an artist's muse. So who are the muses who have inspired great art? How do they embody an artist's vision? And why has the muse artist relationship led to abuse of power? Nuala was joined by guests including Penelope Tree was one of the most famous models of the 1960s and the muse of her then boyfriend, the photographer David Bailey. Grammy and Tony award-winning songwriter Anaïs Mitchell is the creator of the musical Hadestown – a genre-defying retelling of the Orpheus and Eurydice myth blending folk music and New Orleans jazz. With productions on Broadway and now at the Lyric Theatre in London, Anaïs performed live in the Woman's Hour studio and talked about the origins and impact of Hadestown.Presenter: Anita Rani Producer: Annette Wells Editor: Louise Corley

The notion of a "perfect mom" is not only an impossible stereotype, it's a tragic impediment to the confidence and well-being of many mothers today. On this edition of Family Talk, Christian comedian Sally Baucke (pronounced Bowe-key) shares hilarious personal anecdotes as she addresses the emotional strain that unrealistic expectations has on mothers. She encourages them to fully embrace the craziness of child rearing and to remember that their godly calling is to "mold" their kids according to trustworthy biblical principles. To support this ministry financially, visit: https://www.oneplace.com/donate/707/29

Ruth Jones is live in the Woman's Hour studio to talk about playing the Mother Superior in a West End production of Sister Act. She discusses getting out of her comfort zone by appearing on stage for the first time since 2018 and working on her fourth novel. Plus what can fans of Gavin and Stacey expect from the Christmas special?What happens in relationships when one person wants a family and the other definitely doesn't? Is missing out on the chance to have children a deal-breaker? Or do some couples decide to stay together, with one person choosing the relationship over a baby? As BBC Radio 4 drama The Archers explores the dynamics between a couple in this situation, Nuala McGovern hears from Joanna Van Kampen who plays Fallon Rogers in The Archers and relationship therapist Cate Campbell.With the cost of renting and living on the rise, housing insecurity is an increasingly harsh reality for many. A survey by Shelter and YouGov found that 54% of women feel that being a renter has held them back. Three young women—Aimee, Rhiannon, and Rebecca—talk about the significant challenges they've faced in the rental market, and how this has affected their lives, plans, and sense of stability. Nuala is also joined by Jenny Lamb from Shelter to talk about how to best negotiate renting.Marina Gibson, a leading female angler who runs the Northern Fishing School in North Yorkshire, has called on the Flyfishers' Club in London to finally open its doors to women. The club, which was established in 1884 and counts the King as a patron, describes itself as a club for gentleman interested in the art of flyfishing. Marina explains why she wants women to be able to join, and how her love of fishing led to a career change. Presenter: Nuala McGovern Producer: Olivia Skinner

This week we're reviewing "Immaculate" starring Sydney Sweeney.

Max Pearson presents a collection of this week's Witness History episodes from the BBC World Service.It's 30 years since Edvard Munch's painting, The Scream, was stolen from the national gallery in Oslo, Norway. We hear from the man who helped to recover it.Our expert guest is historian and author, Susan Ronald, who explores the history of art heists in the 20th century.Plus, a first hand account from Kampala terror attacks in 2010 and the mystery of St Teresa of Avila's severed hand.Finally, we hear about the last World War II soldier to surrender. Hiroo Onoda was an Imperial Japanese Army intelligence officer who spent nearly 30 years in the Philippine jungle, believing World War Two was still going on.Contributors: Kuddzu Isaac - DJ and Kampala terror attack survivor Charley Hill - Scotland Yard art detective and private investigator Susan Ronald - historian and author Sister Jenifer - the Mother Superior of the Church of Our Lady of Mercy, Ronda Hiroo Onoda - Japanese WWII soldier Christos and Ioanna Kotsikas - residents of Thessaly, Greece(Photo: The Scream. Credit: Getty Images)

After winning the Spanish Civil War in 1939, Franco's dictatorship began. During the war, he acquired St Teresa of Avila's severed hand and kept it for spiritual guidance, it was returned when he died in 1975. The hand was initially stolen by General Franco's opposition from a convent in Ronda, but Franco's nationalist soldiers took it for themselves when they won the Battle of Malaga. Sister Jenifer is the Mother Superior of the Church of Our Lady of Mercy, Ronda, where the hand is kept on display for people to see. She tells Johnny I'Anson who St Teresa was, why her hand was cut off, and what made it special.(Photo: Monument of Saint Teresa of Avila, Spain. Credit: digicomphoto/Getty Images)

We recently took a trip up to Manchester again to take a look at what was new for 2024 at the Coronation Street Experience. As well as that, we enjoyed a night out at the Palace Theatre seeing See Cleaver star as Mother Superior in Sister Act, caught up with some of the cast members outside the Corrie studios, visited some old filming locations including what has become of the old set at Quay Street and even travelled to Belfast to meet up with Michael Condron, who played Griff, on his home turf! Also available as a video on YouTube, featuring tonnes of photos and footage of our trip! https://youtu.be/EjRl4wWPSDM

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MIRIAM MARGOLYES IS GOING TO DIE.What does planning a Dream Funeral look like for an 82-year-old national treasure (or 'national trinket' as she'd rather be known)? In this extraordinarily broad conversation the actress, writer, and straight shooter unpacks ageing, religion, a complex relationship with her body, losing friends and lovers, and how one should always channel their inner cunt on the appropriate occasions.MIRIAM MARGOLYES O.B.E. was born in Oxford and read English Literature at Newnham College, Cambridge. She is still working in drama and documentaries (she is the Mother Superior in CALL THE MIDWIFE). She has a passion forCharles Dickens, for radio, for Palestine and is highly outspoken on talk shows, for which she is much in demand.  Sheloves Martha Argerich and Cecilia Bartoli. She is a lesbian, a non-believing Jew and an Arsenal fan. She loathes Trump,Boris Johnson and Modi. She loves India, food, politics and Italy.Miriam's Facebook (FB Miriam Margolyes)'O Miriam' book tour dates (here)Marieke Hardy Is Going To Die is a podcast made by Marieke Hardy (IG @marieke_hardy).You can follow at IG @GoingToDiePodMusic by Lord Fascinator (IG @lordfascinator)Produced by Darren Scarce (IG @Dazz26)Video edits by Andy Nedelkovski (IG @AndyNeds)Artwork by Lauren Egan (IG @heylaurenegan)Photography by Eamon Leggett (IG @anxietyoptions)With thanks to Amelia Chappelow (IG @ameliachappelow)Support the show via www.patreon.com/mariekehardy and drop an email to mariekehardyisgoingtodie@gmail.comWhilst acknowledging the privilege that comes with having the space to discuss death and mortality, we want to also recognise that discussing these topics can raise some  wounds. Should you wish to seek extra support, please consider the following resources:https://www.healthline.com/health/mental-health/online-grief-support-groupshttps://www.grief.org.au/ga/ga/Support/Support_Groups.aspxhttps://www.headspace.com/meditation/griefhttps://www.mindful.org/a-10-minute-guided-meditation-for-working-with-grief/https://griefline.org.au/get-help/ ★ Support this podcast on Patreon ★

In this episode we talk about the Sister Act Spectacle at Heaven Nightclub and Blue's Electrifying Drama at Seven Dials Playhouse. Plus Natalie goes backstage at Just For One Day with cast member Tamara Tare. Sister Act (media event): In this episode, we bring you the glitz and glamour from the Sister Act media event at Heaven Nightclub. Join the star-studded cast, including Olivier Award-winner Beverley Knight, the soulful Ruth Jones, Lesley Joseph, Clive Rowe, Lizzie Bea, Lemar, Alison Jiear, and Carl Mullaney, as they gear up for the much-anticipated West End production at the Dominion Theatre. Beverley Knight reprises her role as the disco diva-in-disguise Deloris van Cartier, and Gavin and Stacey co-creator Ruth Jones takes on the role of Mother Superior. With a Motown-inspired score by Alan Menken, this joyous tale of music, mishaps, and nuns on the run is set to captivate audiences from 15 March to 31 August.Blue:We dive into the intense and thought-provoking world of Blue at Seven Dials Playhouse. Detective LaRhonda Parker, portrayed by the brilliant Tamara Tare, takes centre stage in a gripping interrogation, adding layers of complexity as she investigates one of her own in the shooting of a Black motorist. This powerful two-hander, hailed with 5-star reviews and the prestigious Fringe First Award, delves into the intricacies of race, justice, and loyalty.Interview with Tamara Tare: As a bonus, Natalie sits down with Just For One Day cast member Tamara Tare for an exclusive chat as she shares behind-the-scenes stories, her role, and other intriguing aspects of this dynamic show.Tune in for all the drama, laughter, and backstage revelations in this exciting episode!

You can grab the free workbook at www.catholicmomcalm.com/lent2024 Full text of St. Faustina's Diary. Reflection question: God gives us strength to endure any trial. If life feels heavy, ask yourself, “What am I carrying that God is not asking me to carry right now?” A burden that comes from Him is light. Excerpt from St. Faustina's Diary for today (138): A great mystery has been accomplished between God and me. Courage and strength have remained in my soul. When the time of adoration came to an end, I came out and calmly faced everything I had feared so much before. When I came out into the corridor, a great suffering and humiliation, at the hands of a certain person, was awaiting me. I accepted it with submission to a higher will and snuggled closely to the Most Sacred Heart of Jesus, letting Him know that I was ready for that for which I had offered myself.   Suffering seemed to spring out of the ground. Even Mother Margaret herself was surprised. For others, many things passed unnoticed, for indeed it wasn't worth paying any attention to them; but in my case, nothing passed unnoticed; each word was analyzed, each step watched. One sister said to me, “Get ready, (65) Sister, to receive a small cross, at the hands of Mother Superior. I feel sorry for you.” But as for me, I rejoiced at this in the depths of my soul and had been ready for it for a long time. When she saw my courage, she was surprised. I see now that a soul cannot do much of itself, but with God it can do all things. Behold what God's grace can do. Few are the souls that are always watchful for divine graces, and even fewer of such souls who follow those inspirations faithfully.

10 questions. 10 points. 10 minutes.It's Tuesday so it's time for this week's second edition of Perfect 10.As always we have a show packed full of questions and brain teasers to help you keep your mind clear and sharp. So join us on your commute, while exercising or at work and we'll hopefully help you feel a bit sharper and smarter in just 10 minutes.Don't forget to share with your friends, family and co-workers to see who can score the most points! And if this is your first time joining us, why not go back and take on all of our previous episodes?Perfect 10 is here Monday to Friday so make sure you subscribe to get our daily episodes as soon as they drop.Join the Perfect 10 family on social media for even more bonus content and questions.Facebook

You can grab the free workbook at www.catholicmomcalm.com/lent2024 Full text of St. Faustina's Diary. Reflection question: Sometimes we get carried away with different devotions or checking boxes. We can let our desire to “get it right” or “be a good student” get in the way of listening to God and being obedient. It is not for us to know why God has asked us to do something. We must still trust Him. What comes up for you when you read today's passage? Excerpt from St. Faustina's Diary for today (28): Once Jesus told me, Go to Mother Superior [probably Mother Raphael] and ask her to let you wear a hair shirt for seven days, and once each night you are to get up and come to the chapel. I said yes, but I found a certain difficulty in actually going to the Superior. In the evening Jesus asked me, How long will you put it off? I made up my mind to tell Mother Superior the very next time I would see her. ... Mother answered, “I will not permit you to wear any hair shirt. Absolutely not! If the Lord Jesus were to give you the strength of a colossus, I would then permit those mortifications.” I apologized for taking up Mother's time and left the room. At that very moment I saw Jesus standing at the kitchen door, and I said to Him, “You commanded me to ask for these mortifications, but Mother Superior will not permit them.” Jesus said, I was here during your conversation with the Superior and know everything. I don't demand mortification from you, but obedience. By obedience you give great glory to Me and gain merit for yourself.

Ruth Jones is starring as Mother Superior in the musical production of Sister Act at the Bord Gáis Energy Theatre.

Bob and Brad strike a chord with the 1992 comedy musical sensation, Sister Act. Featuring the incomparable Whoopi Goldberg, this classic film blends humor with heartwarming moments in a story that remains a favorite. The hosts dissect the performances, themes, and the enduring legacy of this hilarious movie that they'd somehow never seen. They explore the dynamic performances of Whoopi Goldberg and Maggie Smith and discuss the iconic soundtrack that adds to the film's charm. In the second half, the spotlight turns to whiskey as they review the O.K.I. Reserve Batch 1 Blended Bourbon. This segment offers a deep dive into the resurrected brand and its new sourced and blended offering, including the unique flavor profile and why it stands out in the crowded field of American craft bourbons. (0:00) Intro (5:55) Brad Explains "Sister Act" (7:50) Performances and Themes of "Sister Act" (33:55) O.K.I. Reserve Batch 1 Blended Bourbon Review (43:10) Two Facts and a Falsehood (46:45) Final Analysis of "Sister Act" (51:30) Let's Make it a Double and Final Scores "Sister Act" takes us on a delightful journey with Whoopi Goldberg as Deloris Van Cartier, a lounge singer who turns a convent choir upside down. Bob and Brad explore the comedic genius of Goldberg and the sharp wit of Maggie Smith as Mother Superior. From the memorable Las Vegas backdrop to the film's impactful soundtrack, they break down why "Sister Act" still resonates with audiences today. Film & Whiskey Podcast. New episodes every Tuesday. Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Remember, you can always join the conversation and share your thoughts on the Film & Whiskey community pages. And if you loved the episode, don't forget to rate and review us on your favorite podcast platform! --- Send in a voice message: https://podcasters.spotify.com/pod/show/filmwhiskey/message Support this podcast: https://podcasters.spotify.com/pod/show/filmwhiskey/support

In the first edition of Spin Shuffle Skip, we take a look at the first album from supergroup Motor Sister, featuring members of Mother Superior, Anthrax, Armored Saint and The Cult. In this show, we pick three songs each: one that we would spin anytime, any day, one that we would be fine if it came on in shuffle play and one that we may skip if it came on. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back with a NEW episode for a NEW year! Ophira chats with Sara Dean, host of The Shameless Mom Academy, about being the daughter of a nun and how she manages the minefield of meal planning.See omnystudio.com/listener for privacy information.

In the first edition of Spin Shuffle Skip, we take a look at the first album from supergroup Motor Sister, featuring members of Mother Superior, Anthrax, Armored Saint and The Cult. In this show, we pick three songs each: one that we would spin anytime, any day, one that we would be fine if it came on in shuffle play and one that we may skip if it came on. Learn more about your ad choices. Visit megaphone.fm/adchoices

Movie Meltdown - Episode 617 (For our Patreon "Horror Club") Gather around the yule log as The Meltdown Horror Club comes together to discuss the 1987 holiday "classic" - Silent Night, Deadly Night 2. And as we all practice our festive maniacal laugh, we also cover… who's your Grinch, The Cult of Humpty Dumpty, Boris Karloff, the feet stuff, the plot made very little sense… and I don't think really mattered anyway, not even following your own rules, the child welfare system has issues, Thurl Ravenscroft, having someone else's flashbacks, a fake movie theater, murder with eye contact, what are those nuns doing, the meet cute where you get hit by a car, exploding eyes, line delivery, everything's better with Yakety Sax, being crazy gives you super strength, awkward love scenes, nuclear waste exposure, Benedict Cumberbatch, that guy at a party that you get cornered by that's been doing coke all day, becoming a vigilante, put your tee hee fingers away, he wears preppy clothes in the woods, they are wearing the most Party City black vampire capes, Eric Freeman, off-screen kills, Makit & Bakit Suncatchers, we flash forward in the flashbacks, Chuck Jones, alternate universe Christmas music, who decided how much time do allot to each of these things, Quentin Tarantino, watching movies in the shower, the time-honored tradition that is… hopscotch in the dark, Ron Howard, rolling down the stairs, toxic Mother Superior and who wanted this… who asked for this?! Spoiler Alert: Full spoilers for Silent Night, Deadly Night 2. And since half of the movie is just re-watching the first movie, also spoilers for Silent Night, Deadly Night. “I don't think Billy had a chance to tell ‘em… ‘Hey, I saw some boobs and killed a guy!'”

NOTE: Though I mentioned timestamping, I've decided to forego that for now to allow me to go ahead and get this episode out without additional delay. I may well add it in retroactively at some point but for now you'll just have to survive with the free full transcript, below. https://columbuscatholic.org/chancery https://www.catholicnewsagency.com/news/253959/cardinal-hollerich-there-s-space-to-expand-church-teaching-on-all-male-priesthood  Hello everyone, welcome back to Popeular History, a library of Catholic knowledge and insights and I'm going to be skipping the brought to you daily part because I've switched, at least for the time being, back to a model that basically can best be described as brought to you as I am able: something every month, probably. Which, I admit, doesn't roll off the tongue quite so well, but it's the right move. Anyways, it's good to be back talking with you again, I've been using the time away wisely, taking care of family and household stuff that needed my attention. Thank you for understanding. This is going to be something of a glossary of various roles within the Catholic Church that are gonna keep popping up, so consider this your cheat sheets to consult as needed. Oh and good news, I learned how to timestamp show notes, at least on some catchers, so see if it works for you. Let me know if it doesn't. See the show notes.  Without further ado, let's get into these church roles, starting with church roles you may recognize from the Bible but which are no longer a thing unless you're like a Mormon or something. First, APOSTLE. The most familiar use of this term is referring to one of the 12 Apostles, Jesus' closest followers: Peter, Andrew, James, John, Philip, Bartholomew, Thomas, Matthew, the other James, Judas (not *that* Judas), Simon, and Judas (yes *that* Judas). At least, that's the listing of the 12 as given in the book of Acts, my favorite reference point as this podcast talks about Church history and Church history actually happens in Acts, unlike the Gospels where it's pre-Pentecost so it's not really Church history yet, per se. And really, *that* Judas, Judas Iscariot, is replaced by Matthias for most purposes when you're talking about the apostles because since Judas betrayed Jesus he's a bit of an embarrassment to the group, which, fair enough. In the end, Apostle is the only one of these titles where I'm going to name the main holders individually in this episode, though of course through future episodes of the podcast I'll name all the Popes and Cardinals I have documentation of any kind for and we should also recognize that the term Apostle is used outside the Twelve as well at various points, including most prominently Saint Paul and even the almost certainly female Junia in his Letter to the Romans. The broader term for one of the earlier followers of Jesus is a DISCIPLE, and while this one does have some use in contemporary Catholicism, for example my parish has a slogan of "making disciples and disciple makers", the title of disciple as a specific identifier is something you're going to encounter in the Bible rather than in the day-to-day, where it's more of a general goal as a follower of Jesus. Meanwhile, an EVANGELIST is one who wrote one of the Gospels. Earlier I committed to the Apostles being the only one of these titles where I'd name all 12 of the main holders and I'm going to stick to that, but yeah, it's that simple. Note that this is actually more restrictive than being one of the writers of Scripture in general, for instance even though he wrote a good chunk of the New Testament, Saint Paul doesn't get described as an Evangelist. That isn't to say there isn't a bit of a tradition of using even this term someone analogously for anyone who spreads the message of Jesus' life, death, and resurrection, for example the decidedly non-Catholic phenomenon of Televangelists get their name as a play on this word. Our last Bible-times Church role is that of PROPHET. Simply put, a prophet is someone inspired by the Holy Spirit to deliver a message, John the Baptist being the most famous New Testament example though especially if you look closely at the Book of Acts you can find other examples. There have been a number of folks who have made claims to be prophets in some form or another, generally the Church has frowned on such pronouncements. Officially, all new *public* revelation closed with the death of John the last Apostle around the year 100. However, the door to being a legitimate prophet is not completely closed, since *private* revelation is still possible, for example the various Marian apparitions like Lourdes and Fatima. What makes revelation considered "private" is not so much its actual privacy as its non-binding nature. All Catholics are obliged to accept public revelation, namely the Bible; no one is obliged to accept any private revelation like latter-day Prophets, though such individuals can gain the basic endorsement of the Church, which is what made Fatima, for example, so influential. That bit of a gray area bringing a Biblical role to the present is a good transition to the category of Church roles we'll talk about next, namely the basic roles in and structure of the Catholic Church today. As a periodic reminder, the default perspective and focus of this show is Catholic Christianity. I say that because there are plenty of Christian groups that follow models different than what I'll be describing here, though in broad terms what we'll be talking about is the dominant structure of Christianity and has been for centuries if not millennia. The fundamental concept to understand for this part–and really, to understand much of Catholicism–is APOSTOLIC SUCCESSION. Apostolic succession is the notion that the Apostles were the first BISHOPS and picked folks to succeed them in their ministry as bishops. I'm not here to convince you that that's what happened, but since this show runs with Pope-colored glasses, it's what we're rolling with. In this framework, not just anyone can have authority in the Church, only those who have this apostolic succession. You can still get wrinkles, like MYSTICS that influence the bishops, but ultimately, whether a mystic has lasting influence is going to depend on whether any bishops- that is anyone who has apostolic succession- listens to her. And I say her because such mystics are typically female. And actually, I wasn't planning on covering mystics in this overview, but I guess I really should give them their own timestamp in the summary here since I've gone off on a tangent. I talked about them earlier in the context of modern day prophets. Basically, a mystic is someone who has some sort of special connection to revelation, whether God or the Blessed Virgin Mary or whoever. But anyways, back to bishops, because while stuff like mystics are fun, the majority of church admin is done in much more mundane fashion by the regular clergy like the Bishops. Catholic Bishops are always male, because in Catholicism ordination is what makes someone a bishop, and Catholic teaching holds that women cannot be ordained. Another particularity of ordination is that someone who is ordained can't get married, though put a pin in that because it's going to get more complicated when we talk about priests and especially deacons. Only bishops can carry out ordinations, and it involves physical touch so they cannot be done remotely. To minimize concerns about who has apostolic succession and who does not, for many years the standard has been that at least three bishops should participate in the ordination of a bishop, though this is not strictly speaking a requirement. With all of this apostolic succession and ordination business, the Catholic world is divided in two: the CLERGY, that is, those who are ordained, and the LAITY, that is, those who are not ordained. There's also sort of a third category but shush I'm keeping it simple and don't worry we'll get into that before we're done today. LAY, the shortened form of Laity, can also be used as an adjective in Church terminology, for instance in the phrase LAY EUCHARISTIC MINISTERS, or LAY CARDINALS, in both cases emphasizing that the individual being described is not as ordained as one might expect. Meanwhile, CLERG is not a word, pleaae don't try to make it a thing. Anyways, once ordained, bishops are typically assigned a specific geographic area called a DIOCESE. Their main base of operations will tend to be in what's called a CATHEDRAL that's generally in the most prominent city in that diocese, and the Diocese is generally named after the city, for instance my home diocese of Columbus is named after the city of Columbus in Ohio. In some ways bishops are equals, for instance all bishops can ordain successors. But in other ways they aren't, for instance Catholicism is somewhat famously centered around the Bishop of Rome, aka the POPE, who is prominent because the Diocese of Rome was where Saint Peter, the foremost disciple, settled down, never mind that by all accounts he also ran the Church in Antioch for a while. Collectively, all the Catholic Bishops in the world are called the COLLEGE OF BISHOPS, and according to the very handy and highly recommended Gcatholic.org there are well over 5000 such Catholic bishops alive today. Of course, there are also a good number of bishops who aren't Catholic, meaning they aren't in communion with the Pope, especially the Eastern Orthodox. And forgive me if I explain being in communion as like the Church version of being facebook friends. It's obviously more solemn than that, but basically yes, it's a mutual public acknowledgement that you're on good terms with someone else. Bishops who aren't in communion with Rome are still bishops- meaning they still have apostolic succession and can still create their own successors, which has lead to a fair amount of drama, historically. When I mentioned not all bishops are created equally, I wasn't just talking about the Pope. There are several different kinds of bishops to consider, so let's hit the highlights. In addition to a regular bishop who heads a diocese, there's a higher level bishop called an ARCHBISHOP who runs what's called an ARCHDIOCESE or you might see the term PROVINCE. Technically I believe a province is the combination of an Archdiocese and any regular diocese that are under its jurisdiction, which are called SUFFRAGAN diocese in that context while the Archdiocese is called the METROPOLITAN, which is also a shorthand way of referring to the archbishop in that arrangement, or you might more fully call him the METROPOLITAN ARCHBISHOP. To return to my home diocese as an example, the Metropolitan for the Diocese of Columbus is the Archbishop of Cincinnati. Not every Archbishop is a Metropolitan Archbishop, because not every Archdiocese has a suffragan diocese. You can also find cases where a person is personally made an Archbishop but is not put in charge of an Archdiocese, those cases are called "PRO HAC VICE", which is basically Latin for "for this occasion”, meaning while the person is being made an archbishop their diocese is not being made an archdiocese. There are weirder scenarios that can pop up as well, but I'm trying to focus on the highlights to keep this manageable and will point out the more unusual stuff when and if it pops up. In terms of territory, the next step above a province would typically be a REGION, which is generally just an administrative subdivision of a national bishops' Conference. Columbus is in a region with all the dioceses–it's hard to pluralize that–in Ohio and Michigan, called Region VI. This particular layer of admin is completely unremarkable and has no special titles or roles associated with it. At the top of the national level there's generally what's called a BISHOP'S CONFERENCE, an organization made up of the bishops and perhaps their equivalents across a given nation. Depending on the scale of things you might also see bishop's conferences that cover multiple countries or I think I've even seen some sub-national bishops' conferences here and there, it just depends on what makes sense given the geopolitics and the nature of the Catholic Community. Though there isn't a special churchy title for the leadership of a Bishops' Conference- they're just called President or whatever- I will tend to note when someone I'm going over holds a leadership post here since it's at the national level. Getting back to church titles rather than standard admin structure, it's worth noting that, in a nutshell, the older a diocese is the more prestige and gravitas it has. Historically, the oldest diocese in a given country had special importance and was something a bit above a regular archdiocese called a PRIMATIAL SEE held by a PRIMATE- not the monkey though sure joke away– oh and see by the way is just another word for a diocese, that's S-E-E. It's specifically referring to the bishop's "seat", which is the same concept that makes the head church of a Diocese called a Cathedral, cathedra being a Latin word for Chair. And yeah, it's a bit weird to have so much focus on what someone is sitting on but keep in mind thrones for kings kind of fill the same concept, it's basically the idea that it's the office that has its own importance that accumulates with each officeholder. Some diocese are dignified at an even higher level and are called Patriarchates, with bishops of those diocese being called Patriarchs. Historically the core group of patriarchates was Rome, Constantinople, Antioch, Alexandria, and Jerusalem. Others have been added through the years, notably Moscow in the East. Generally Patriarchates are more associated with Eastern Orthodoxy since the highest ranking churchmen there are the Patriarchs, though the Popes would also flaunt their Papal powers over the church generally by setting up some new Western Patriarchates as well, like Lisbon and Venice. I'll definitely be spending a lot of time talking about all the various patriarchates in the main narrative, so stay tuned. Recently a new role has been developed, and of course I mean recently in church terms so, you know, in living memory, and that's the role of what's termed a "MAJOR ARCHBISHOP", just half a hair down from a Patriarch in dignity, and of course overseeing a "MAJOR ARCHBISHOPRIC". Check out my episode on Sviatoslav Shevchuk for more on that, basically the Vatican wanted to grant the Ukranians higher honor but could not fully commit to a new Patriarchate because of pressure from Moscow, so the position was developed as a compromise. There are now a total of four Major Archbishops, all Eastern Catholics. To explain very briefly, now that I'm mentioning Eastern Catholics, the Catholic Church is actually made up of a total of 24 sui iuris- that is, "self governing" Churches, called Particular churches. The one you're probably most familiar with is the biggest, what's called the Latin Church, but the other 23 are equally important at least in theory even though in practice they often get sidelined or overlooked. A single city may have multiple bishops because of these different rites, and also because of non-Catholic bishops, for example there are currently five people claiming the role of Patriarch of Antioch, three Catholic bishops from different sui iuris particular churches in union with Rome, and two Orthodox bishops not in union with Rome. None of these Patriarchs of Antioch are based in Antioch, modern Antakya. It's complicated. Collectively members of these non-Latin Sui Iuris churches are called Eastern Catholics and In most cases these are the results of various splits and reunions throughout Church history, resulting in a variety of local traditions maintained because 1 tradition is beautiful and 2 union with the Pope is more important to the Pope then making everyone do exactly the same thing, though there have certainly been pushes for that, and I hope that somewhat tongue-in-cheek brief overview isn't too insulting but long story short the variety resulting from these different traditions could easily double the length of this episode, but given the main purpose of this was to allow Cardinal-Watchers to follow Cardinal Numbers without getting too lost I'm going to let the Latin rite examples I've given form the core and I'll explain Eastern titles- such as calling most bishops EPARCHS and most Dioceses EPARCHIES- as they appear in individual episodes. Now, believe it or not, there's still a few more bishop-tier titles to go. First, a TITULAR BISHOP is a bishop who has been assigned a non-functional diocese, which sounds like a bit of a raw deal- and to be clear, it is- but it generally allows them to focus on other stuff they need to be doing while officially giving them the status and dignity of being a bishop. There are also titular archbishops and even titular patriarchs, basically the next few terms function as adjectives. Another modifier you might see before someone's bishop title is "Auxiliary". An AUXILIARY BISHOP is a bishop who assists in the administration of a see- typically an archdiocese or a patriarchate- while being titular bishop of another see. This keeps one person as the overall pastor but allows for easing the burden when there's a lot of bishopping to be done. There's another kind of bishop called a COADJUTOR. As the co- part might suggest, a coadjutor bishop acts alongside the regular bishop. Generally speaking a coadjutorship is a short term arrangement, designed to ease the transition when the regular bishop retires, with the coadjutor having automatic succession. Unlike Auxiliary bishops, coadjutor bishops are not typically given a separate titular see reflecting this even closer association with the diocese. Normally the goal is one bishop per diocese and one diocese per bishop, coadjustorships are treated as an exception to that ideal for the sake of smooth transition. Another adjective you'll see applied to someone's title as bishop is emeritus, and this one I think is more familiar to folks. A BISHOP EMERITUS is the former bishop of a diocese. In modern practice most Bishops are required to submit their resignation to the Pope once they turn 75, so that's the typical retirement age, but early retirements due to health reasons or air quotes "health reasons" are not unheard of, and sometimes folks are left in their posts for a bit longer. When a diocese has no serving bishop, that period is called a SEDE VACANTE, or "vacant seat". Most folks hear that in connection with the Pope, though the term can be used for all diocese, not just Rome. If the vacancy is a longer one, you'll often see what's called an APOSTOLIC ADMINISTRATOR appointed for the interim, someone to keep things running who may or may not already be a bishop of another diocese, often the metropolitan. Finally, there's a broader term that includes but is not limited to bishops that I've been studiously avoiding: an ORDINARY. Most often the ordinary is a bishop, but there are some special jurisdictions outside the normal diocesan structure that are served by a non-episcopal-AKA non-bishop- ordinary. Such jurisdictions are called ORDINARIATES. And yeah, don't let the wording fool you, ordinariates headed by an ordinary are not, you know, the ordinary arrangement, those are for special circumstances. The most common type of ordinariate is a MILITARY ORDINARIATE. Given the special needs of armed forces and the families serving in them, many nations have a specific ordinariate dedicated to military families. There is also something called a PERSONAL ORDINARIATE, which in modern times is best understood as a bridge between Anglicanism and Catholicism, something Anglican leaders aren't particularly thrilled about but that didn't stop Pope Benedict XVI from setting up the structure a few years back. This is also as good a time as any to note that a CHAPLIN is like the priest-level edition of an ordinary, in the sense that they're dedicated to a specific group of people that isn't a geographic thing, and also in the sense that it's often something you'll see in a military or other institutional context, and *also* in the sense that a chaplain might not actually be a priest even though they carry out many similar functions, much like an ordinary may not actually be a bishop. Alright, next up, let's start looking at what's going on within a typical diocese, especially at Mass, that most Catholic of ceremonies. As you might have guessed, we're going to be talking a fair bit about PRIESTS today, so let's dive in there. Priests, like bishops, receive Holy Orders through ordination. They effectively function as a stand-in for the bishop, serving as his delegates in the local churches called PARISHES. They have apostolic succession only in a secondary sense- their holy orders are valid because of their bishop's valid apostolic succession, and they cannot ordain successors themselves. Unless of course they also happen to be a bishop, which, yes, Mr Offscreen Pedant, bishops are also priests, but I'm speaking specifically about priests who are not also bishops. All bishops are priests and deacons to boot, holy orders is a three-part deal that stacks up like that. Of course, not all deacons are priests, and not all priests are bishops. It's a squares and rectangles kind of thing. The primary function of a priest is to administer sacraments, especially saying Mass and hearing confessions. I actually have my sacraments series done for the Solemn High Pod, so check out the three part Popeular History episode 0.20 if you want to know more about Mass and the sacraments. If 0.23 and dare I hope 0.31 are done by the time you're listening to this you can check out those as well for more on the Mass. Like Bishops, priests are generally expected to practice clerical celibacy, especially in the Latin church but also in the East in the sense that they cannot get married after ordination. So if they want to join the ranks of the married clergy, they better already have the married part done before they do the clergy part. A priest is the most essential person when it comes to Mass, because priests are the ones who either celebrate or say Mass–either of those verbs will work, by the way, and I'm not actually aware of a difference in meaning. Anyways, this is brought home by the fact that priests can literally say Mass by themselves, with no one else present. And I don't want to go too far into theology in this org chart overview, but I really should note that ultimately, on a theological level, it's not so much the priests themselves saying Mass or hearing confessions, rather it's Christ acting through them. What about deacons? Well, first off, there are two kinds of deacons in current practice: TRANSITIONAL DEACONS and PERMANENT DEACONS. The transitional deaconate is a step towards priesthood, and typically lasts a year. It's the first rung of Holy Orders, the first ordination the future priest will receive. In the case of permanent deacons, rather than a stepping stone the diaconate is its own vocation, with the recruiting focus being on men ages 35-55 or so depending on the diocese. Even in the west married permanent deacons are normal, though still with the same caveat that I mentioned for eastern priests earlier: once you're ordained no more new marriages for you. Deacons have an assisting role at Mass and administering other rites and sacraments but historically their main role has been more in the realm of what's called works of mercy, aka helping the poor, as that was the original idea behind setting up the diaconate as outlined in the biblical Book of Acts. It was only in recent times–recent times in the scale of Catholicism of course meaning in you know, living memory, it's a big timeline–anyways it was only in recent times that the permanent diaconate was revived after a millenium of suppression. Technically, to be sure, there were some deacons in the middle ages–Pope Gregory VII gained his reputation as Deacon Hildebrand- but outside of the Papal court, where titles tend to carry on regardless, DROPDROP they were scarcely more than a step to the priesthood, DROPDROP that transitional model I mentioned earlier. Before that decline, deacons were actually generally more impactful than priests, often serving as the bishop's right hand, especially in the form of ARCHDEACONS. This model is still largely present in the Eastern Churches, especially if you recall that Arkdiyakon role I mentioned in the context of the Thomas Christians I mentioned last month. Finally, I should note that there is strong historical evidence for a female diaconate in the early Church, for example in Romans 16 Saint Paul refers to a certain Phoebe as a deaconess, and unlike in the historical argument over female priests and bishops, the Church accepts a form of female diaconate as a historical reality. However, it is argued that women deacons were not ordained, that their role was fundamentally different from that of male deacons. Whether to revive an unordained form of female diaconate is an active topic of discussion in Rome. Of course, we're well into the weeds now. Things have changed. But before we make our way back to the modern Church, let's take a quick look at how Holy Orders worked prior to the Second Vatican Council of the 1960s. Before Vatican II, Holy Orders didn't start with the diaconate, the priesthood was actually the culmination of a seven-step process that began with what's called the minor orders. The lowest rung of this ladder was the PORTER, being basically the church doorman. After that, the LECTOR, in charge of some of the Bible reading at Mass, and a role which largely survived the council but was taken out of the context of a step on the path to priesthood, to the extent that even shock of shocks women can be Lectors. Next up was the ever crowd-pleasing role of EXORCIST, one trained to cast out demons, and perhaps surprisingly that's another role that's still with us, now taking the form of a special category of priests. As I understand it, to this day each Diocese has at least one exorcist, though their identities are typically kept secret because, ya know, kooks who won't stop bugging him because, I mean, real-life-exorcist. Cool. Finally, up at the top of the minor orders there was the role of ACOLYTE. Think alter server but one of the more active ones, not just a candle-holder. And yes, a role that was once higher than an exorcist is now generally occupied by a middle schooler. Right above the minor orders was the first rank that required ordination- no, not the deacon, the SUB-DEACON. Like all the other minor orders suppressed in the West, this role has been preserved in the East. Take this how you will, but the East has tended to more scrupulously preserve tradition than the Latin Church. It probably helps that they have no one with sufficient authority to come close to mucking around with tradition. I honestly don't think we'll be talking about sub-deacons much, but just know they're, well, right below a standard-issue deacon in the medieval pecking order, as you might have guessed, assisting at mass in similar but different roles. This office went away in the West with the abolition of the minor orders in Vatican II. After the sub-deacon the medieval and early modern seven stages of Holy Orders culminated with the familiar roles of Deacon- full on deacon this time- and then priest. Note that Bishop was not really considered a part of this progression in this model. Now, let's take a moment to chat through a couple other church roles largely or totally left to history while we're in the neighborhood. First, who can forget the fact that there's a whole Canterbury tale dedicated to the PARDONER. This wasn't someone who specialized in hearing confessions and absolving sins as you might expect after that episode we did on the newly elevated Cardinal Dri, the elderly Argintinian Capuchin with that focus. Instead, the focus of the Pardoner was on selling indulgences, those get-out-of-Purgatory-free cards that brought enough scandal to destroy the unity of western Christendom. And yes, I'm kind of acting like you already know about the Protestant Reformation in the same episode where I explain at a basic level what a priest is. Anyways, speaking of Protestants–or quasi-Protestants, or whatever you want to call them, perhaps just Anglicans– speaking of Anglicans, in many ways they're an even better time capsule for preserving some things lost to modern Catholicism than the East. Obviously not in all stripes of Anglicanism, as that wide tent contains a lot of innovations, but, well, on the traditionalist Anglo-Catholic end of the spectrum you can still find things like CANONS and PREBENDS. Canons with one N of course, the church kind, though of course the martial Pope Julius II was fond of two-N cannons as well. Anyways, even ruling out the military cannons I need to specify, as there are not one not two but three distinct meanings of a one-N canon in medieval Catholicism and actually in contemporary Catholicism as well, though the role of canon- by definition our focus on this episode on roles in the Catholic Church- the role is much less common than it once was. But first, the most common meaning of the term Canon in contemporary Catholicism is in the context of Canon law, because that's the term for way the Church governs itself and specific sections of the overall governing document are called canons. Similarly, church councils, that is, gatherings of church leaders, also tend to produce canons, especially the great ecumenical–that is, universal–councils of old that we'll start discussing when we get to the fourth century. So for example someone might cite the first canon of the Council of Nicea, where the Church of old ruled on the pressing question of how being castrated would or would not impact one's ability to serve as a priest. There's also something called the Canon of the Mass, and really the root word helps to understand the meaning of both this and the law slash council thing, because a canon in Latin is something like a fixed measuring stick. The fixed part of Mass is the section of prayers that are always the same, or at least that were always the same until our old friend Vatican II made other options available (again, as I understand it). Nowadays the Canon of the Mass, also called the Roman Canon, is additionally referred to as Eucharistic Prayer 1, implying the existence of Eucharistic Prayer 2, which isn't just a theoretical thing but a real life shorter form that liturgical traditionalists like myself tend to hate. There's also Eucharistic Prayers 3 and 4, which are less egregious, but still, stick with Eucharistic Prayer 1, aka the Roman Canon, if you would be so kind. The third kind of Canon is, at last, the role, and interestingly the etymology here is the same root as the others, giving the sense of something standardized or fixed in place. In this case, the standardization is because the "Canons" of a cathedral or other significant church were a group of priests who had decided to live communally and establish their spiritual and physical lives around a set of rules, you know, standardizing them. Canonizing their lives, if you will. They were basically members of a religious order, though not one centrally governed. Oh, and I suppose I should also note that the term canonization fits into this overall picture in a similar way: it's called canonization because what canonization does is standardize the cult of a particular saint across the universal church. Oh and stop saying cult like it's a bad thing, in this case that's just the word used. It's not a wink and a nod to kool-aid. Also, a canon in the sense of a cathedral canon or other role in a religious order is different from a canon*ist* or a canon lawyer, which is one who studies and explains or practices Church law, respectively. Clear as mud? Fair. Oh, and the PREBEND I mentioned, well, that's basically just a fancier kind of Cathedral canon. Let's move on though. The last historical Church role I want to talk about today is the KING. Or the EMPEROR. Or, you know, whoever the relevant feudal LORD would be. Because such secular leaders were nevertheless seen as having a critical role within the Church, with the civil government and the Church not then tending to have the separation we're used to these days. Really, nobility in general was a big deal for the church until the last century or so. Ok, so we've talked about the various forms of bishops and their territories, and about who you might see at Mass. What about those between? Well, one of the most important functions in Church organization is training up the next generation of leadership, and that training of new priests tends to take place at special institutes called SEMINARIES. You can basically think of seminaries as universities for future priests, and there's also a junior league of sorts for younger students that's basically a kind of boarding school called a MINOR SEMINARY. Those who study at seminaries are called SEMINARIANS, and those who teach there are nowadays generally titled PROFESSORS having the same basic sense as in the secular world but with Catholicism baked in. Kind of like this show verses a generic non-Popeular podcast. The head of a seminary is generally called a RECTOR, though I'm sure there's some variety in that. As you may know depending on what's common in your neck of the woods, rector can also have the same basic sense in secular institutes of higher learning as well, which makes sense when you take a look at the root word there: basically, "ruler". Etymology is our friend here, there, and everywhere. Outside of seminary education, there's also the topic of the general administrative structure of a given diocese. Obviously the bishop is on top, and as you probably already guessed the priests of the diocese typically have admin roles in addition to saying Mass. As an American Catholic, I'm mostly used to hearing the term PASTOR for a priest who's tasked with running a local church community called a PARISH, though I gather canonically the Anglican sounding term VICAR is more precise. You'll also hear the term PARISH PRIEST used in the same sense. A single parish may have more than one priest assigned to it by the diocesan powers that be. A secondary priest is called a PAROCHIAL VICAR in more  official stuff but ASSOCIATE PASTOR is the term you'll hear in common parlance, at least in American use. You might also see someone described as a CURATE, which in modern use designates a priest who assists the principal Vicar or Pastor or Rector of whatever, but historically would refer to the pastor themselves, and yes, it's complicated. There are higher levels to consider as well, both administratively and in terms of honorary titles. For example, MONSIGNOR is a special honorary title given to seasoned priests at the discretion of the Pope. It's not really a role, since it's purely a title and has no special function, but I figured I'd include it here. There are three levels within being titled a Monsignor, first a "CHAPLAIN OF HIS HOLINESS", second an "HONORARY PRELATE", and finally a "PROTONOTARY APOSTOLIC". These sorts of honorifics are currently out of favor in Rome given Pope Francis' strong preference for simple aesthetics and not seeking honor and titles, but he's pushing against a very long tradition of honors and titles in Roman culture, long enough that it goes back to the Cursus Honorum of ancient Pagan Rome, and I expect with the back-and-forth way the Papacy and the Curia operate, we haven't seen the last of ecclesiastical honorifics. After a fat Pope, the saying goes, a skinny Pope. Oh, there's even a kind of honorific for church buildings that functions in kind of the same way as making a priest a Monsignor, namely the status of BASILICA, which is basically just a way for the powers that be to say "hey check out this church it's extra nifty". Of course, not all higher titles within a Diocese are honorifics, there are functional roles as well. The overall day-to-day admin of the diocese is typically not run by the Bishop personally but by an office called the CHANCERY run by a CHANCELLOR, another term you may have heard in higher education because there's historical overlap between higher education and the admin of the Catholic Church or, you know, medieval courts in general. VICE-CHANCELLORS are also a thing, being second in command, behind the Chancellor. If you want a little more insight into what a Diocesan Chancery does, my home Diocese of Columbus has a write-up on their website that explains it better than I would so allow me to just quote them: "The Chancery includes those offices and persons who directly assist the Bishop in the pastoral and administrative governance of the Diocese of Columbus. The Chancery, on behalf of the Bishop, expedites canonical matters; collects and preserves diocesan and parish records; assists parishes and priests with civil matters; maintains files on priests and parishes; collects statistical information for the Diocese; facilitates communications with other dioceses and the Vatican; provides information on the Church or directs inquirers to appropriate sources; facilitates pre-Marriage dispensations and permissions and transmits to other dioceses pre-marriage files; and oversees diocesan offices." The rough Papal equivalent to the diocesan Chancery is the Roman CURIA. In Rome, the Church bureaucracy is sprawling. It's no secret that bureaucracies tend to grow over time when left unchecked, and historically Rome was just about the last place to look for a check on a bureaucracy. Even the ancient pre-Christian Romans exalted bureaucracy, with their skills as administrators being credited as a major unifying force for the Empire. Of course, administrative skills and bureaucracy can almost be contradictory concepts– after all, getting things done requires moving beyond committee after committee. But ultimately the purpose of the Curia is to spread the faith handed down from the Apostles throughout the world, and with that emphasis on handing down, tradition is a huge part of things. When you combine an emphasis on tradition with a massive scale- there are well over a billion Catholics in the world today- and a global scope–well, the Curia is absolutely massive and, despite repeated efforts at overhauling things, it's complicated as well. It would be deeply ironic but not inaccurate to call it Byzantine, a term for “really really complicated” drawn from another institution derived from ancient Rome, though the Byzantine empire is no more and the papacy is more globalized than ever. Pope Francis has been toying with the formula more than any other Pope in recent history, time will tell if the changes stick. One of the most apparent changes Pope Francis has made to the Curia, certainly in the context of our rundown of specific terms, is rebranding the various PONTIFICAL COUNCILS and CONGREGATIONS to DICASTERIES. The practical effect of this is minor but it's helpful to recognize these terms as referring to high level Curial departments–often but not always headed by Cardinals, indeed Pope Francis has structured things so there is no longer any official bar to Dicasteries headed by, say, a woman, though that hasn't actually happened yet. In any event, the heads of Dicasteries or Congregations or Pontifical Councils or whatever you want to call them are called PREFECTS, with the second in command being listed as SECRETARIES, and then things like UNDERSECRETARIES appearing further down the chain of command but still fairly high on the overall curial org chart. The CARDINALS I mentioned there are a special role connected to the Diocese of Rome. As a group they are called the COLLEGE OF CARDINALS, in much the same way that the bishops throughout the world collectively make up the COLLEGE OF BISHOPS. Most famously, it is the eligible Cardinals under the age of 80 who pick the next pope in a closed voting contest called a CONCLAVE during a Papal Sede Vacante, in a period of “vacant see”, you know, “empty chair”. Meetings of Cardinals more broadly speaking are called CONSISTORIES, because yeah, pretty much everything has a special term here, that's why you're listening to this episode. The office of Cardinal has historical connections to the clergy of Rome but it is not by definition an ordained role, meaning there could conceivably be women as Cardinals in the future as I discussed in my September 28th episode this year. There are three fundamental orders of Cardinals, the names of which are rooted in the origins of the college but which are no longer tied to their respective levels of Holy Orders in any particular way as all modern Cardinals are at least priests and most are bishops. Nevertheless, Cardinals are Categorized as either CARDINAL-BISHOPS, the highest level, or CARDINAL-PRIESTS, in the middle, or CARDINAL DEACONS, the lowest category, though really if you're a Cardinal even at the lowest level you're still pretty high up in the Church's pecking order. Special roles within the College of Cardinals include the PROTOPRIEST and the PROTODEACON, the longest serving of those respective orders. Historically, it was the Protodeacon's job to crown the Pope, though Popes haven't opted for crowns in decades. It's also the job of the most senior cardinal deacon participating in the Conclave to announce the new Pope through what's called the HABEMUS PAPAM, Latin for "we have a Pope". A specific name for a specific speech. Speaking of Conclaves and Papal Sede Vacantes and such, the CAMERLENGO OF THE HOLY ROMAN CHURCH is the one who runs the show when there's no Pope around, assisted, of course, by a VICE CAMERLENGO. And to give you an idea of *just* *how* *wonky* the Curia can be, though the Camerlengo of the Holy Roman Church is generally a Cardinal, he should not be confused with the CAMERLENGO OF THE COLLEGE OF CARDINALS, a role dedicated to administering the financial affairs of the Cardinals which has, mercifully, recently been allowed to lapse. So, yeah. There are a huge number of special roles and titles connected to the Curia. We'll be seeing them in action repeatedly as we go, but I don't want to get too hung up on them in this overview. Needless to say, Rome is a special case, full of special cases. Before we go, I do want to point out the NUNCIOS are effectively Papal Ambassadors, and the offices they head are called NUNCIATURES. A small step down the latter of diplomatic precedence there are PRO-NUNCIOS who have PRO-NUNCIATURES and who perhaps aspire to be full-on Nuncios one day–yes, oddly, in this case the "pro" prefix actually signifies as a *lower* rank. Finally, it would be just plain wrong of me to skip the fact that there is an important role called the LIBRARIAN OF THE HOLY ROMAN CHURCH, which is pretty much exactly what it sounds like, and which was historically also known as the BIBLIOTHECARIUS. Don't worry, we'll be following them especially closely. Anyways, any more standard diocese, including Columbus, may not have something as deep and extensive as the Curia, but they still have their own complexities not only within but also beyond the walls of the Chancery, often being subdivided into units called DEANERIES, which are groups of parishes. These multi-parish groups are headed, as you might have guessed, by someone called a DEAN, though you might have also guessed that a more official and less intuitive name exists in canon law: a deanery can also be listed as a FORANE VICARIATE, headed by a VICAR FORANE. There are other roles that aren't geographically based but are still critical to the functioning of the diocese, such as NOTARIES, who are permitted to draw up official documents on behalf of the local Church, and CONSULTORS, who, well, are there for the bishop to consult with on specific topics where he may need their advice. Ok, we're getting there. Now, you might think you know what RELIGIOUS means, but in a Catholic context it has a narrower definition. Being *a* religious means you have taken RELIGIOUS VOWS, specifically THE EVANGELICAL COUNSELS of Poverty, Chastity, and Obedience. Obedience, in this case, meaning obedience to a religious superior. Welcome to the world of RELIGIOUS ORDERS, which you might also know variously as RELIGIOUS INSTITUTES, INSTITUTES OF CONSECRATED LIFE, SOCIETIES OF APOSTOLIC LIFE, or even CONGREGATIONS, depending on a variety of factors and generally distinguished at a deeper level than I want to get into today. A fair amount of the variety comes from the various religious orders having their own distinct rules, called, well, RULES, and particular focuses, called CHARISMS. They also traditionally have distinct uniforms, called HABITS. You can typically recognize members of different religious orders by their habits, for example white and black robes will most often be a Dominican, brown or sometimes gray will trend to signify a Franciscan of some sort, though there are a lot more religious orders than there are basic colors so brown is also the dominant color in the unrelated Carmelite order. Anyways, the most classic form of a religious order is a MONASTERY with the members of the order being known as MONKS in the case of males or NUNS in the case of females– and monasteries have always been segregated by gender though there were historically sometimes what was called DOUBLE MONASTERIES with male and female wings. Given everyone involved had taken a vow of chastity, such a separation was seen as a practical step. Now, you might be surprised to hear me mentioning nuns in the context of a monastery, rather a CONVENT, a similar institution, which in contemporary English is where you'd expect to find nuns, with monasteries being reserved for monks. But I want to give you some historical understanding as well, and historically the distinction between a convent and a monastery was not one of gender but of specific type. Monasteries tended to be more rural and therefore removed from worldly concerns but could be communities of either gender, while convents tended to be more urban and therefore a bit more integrated into secular society. But that historical sense has faded sufficiently in English that you'll get weird looks if you say there are nuns in a monastery or monks in a convent. You may be technically correct, which is indeed the best kind of correct, but just be aware that the non-gendered sense of the terms is now not as common as it once was. Either way, members of religious communities are generally called BROTHER or SISTER as the default form of address unless another title supersedes. The head of a monastery is typically called an ABBOT in the case of a male CONGREGATION or an ABBESS in the case of a female congregation- the congregation being the community itself. Second in command in the case of a larger community or perhaps in overall command of a smaller community that is itself subordinated to a mother house is a PRIOR or PRIORESS, the former for a male community and the latter for a female community. In terms of the overall building, if the person in charge is an Abbott or Abbess then it's an ABBEY, if it's run by a Prior or a Prioress it's called a PRIORY, though it's not unusual for folks to simply fall back on the simplified and gendered newer meanings of monastery and convent I described earlier. A generic term for those in charge of a religious community is a SUPERIOR, or perhaps MOTHER SUPERIOR, with the leadership of the overall global order being typically called a SUPERIOR GENERAL. There's also a middle range of governance called a PROVINCE, giving that word a similar meaning to what we saw on the Diocesan side of things. All of these communities vary in a number of ways. Some are more removed from worldly affairs, with few to no outside visiters, those communities are called CLOISTERED. These communities go back to the origins of Christian monasticism, where an individual would often feel inspired to withdraw from the world and live a life of severe ASCETICISM, that is, renouncing pleasure and embracing prayer and PENANCE-reparations for sins-  in the hope of spiritual rewards. In the common narrative, folks would come out to such HERMITS, who might be called DESERT FATHERS or DESERT MOTHERS, and seek to follow their example, forming a community. The term for the individual ascetic who vows to follow the evangelical counsels is a hermit like I mentioned or you might also call them an ANCHORITE, and that form of monasticism is EREMITIC, from same root word as "hermit". Once you're talking about living in community, that particular form of monasticism is called CENOBITIC monasticism, combining the greek words for "common" and "life". Not all monasticism is that degree of renunciation of the world, though certainly that form was most established in the early Church. But over time other orders with various special charisms- special focuses- emerged, with the rise of the MENDICANT orders- those that essentially live by begging- occurring in the 13th century, with the Franciscans and the Dominicans being classic examples. Male mendicants are called FRIARS. In time there would also be MISSIONARY orders such as the Jesuits or the Salesians, as you might guess those being dedicated to spreading Christianity to areas where Christianity was a minority. Members of missionary orders are simply called brothers or sisters, leaving the monk and nun labels to those living in more traditional communities. In a number of cases the communally living religious orders have established affiliated entities designed to allow those who live outside their actual communal life to nevertheless observe some form of their rule and wear some form of their habit. These are called THIRD ORDERS, the first and second orders being by implication the monks and the nuns in their communities. Members of third orders are also called TERTIARIES. Historically similar to third orders were things like BEGUINES and their male equivalents, BEGHARDS, though those were as much defined by their lack of official status in the Church as anything else, which makes them an awkward addition to this episode. So I'll leave it at that. Anyways, with the permission of their superior- keep in mind obedience is one of the monastic vows–the others being poverty and chastity if you need a refresher–anyway with the permission of their superior male religious are able to receive ordination and become clergy. Religious who become priests are called RELIGIOUS PRIESTS, which is fair enough as a title but does have an amusing effect in that priests who are not members of a religious order are called SECULAR PRIESTS, a term that made me laugh when I first saw it and which still makes me chuckle from time to time. They can also be called DIOCESAN PRIESTS, but what's the fun in that? Believe it or not, this overview has left a lot out. Like, I never told you about how CATHOLICOS was originally a title for a bishop whose territory was more devoted to a region than a specific city, but that it evolved to be the highest title in the Church of the East. But that's in part because while I intend to cover all 23 SUI IURIS–that is, self governing– churches that make up the overall Catholic church, nevertheless the ROMAN or LATIN CHURCH is the dominant stream of Catholic history, making up over 98% of Catholics today. In case I haven't made it clear enough yet, let me emphasize again that this stuff does get complicated and you don't need to feel bad about not knowing it all offhand. I've thought about this stuff for hours daily and I don't meet that bar, this episode required research like every other. But I hope this guide helps bring some clarity and can serve as a useful reference as you go. If I didn't explain it here, and possibly even if I did, I promise I'll explain it when it comes up as we go. Thank you for listening, God bless you all!

“All this, over the treatment of a magic cookie-eater!” - Chris on Santa Claus-related outrage  On this week's holly-jolly horror-tinged episode, we're chatting about the totally kick-ass Christmas slasher, Silent Night Deadly Night! Why couldn't they have bothered to actually name the psychiatric institute in this movie? Were there zero dollars set aside for background extras? How despicable is this Mother Superior? And major LOL to that priest assassination at the end. PLUS: Remember to NEVER stop for a Santa Claus or a Dracula on the side of the road! Silent Night Deadly Night stars Robert Brian Wilson, Lilyan Chauvin, Britt Leach, Toni Nero, Leo Geter, Randy Stumpf, Will Hare, Tara Buckman, Geoff Hansen, and Linnea Quigley as Denise; directed by Charles E. Sellier Jr.  Today's episode is brought to you in part by Seed! Listen to your gut with Seed's DS-01® Daily Synbiotic. Go to Seed.com/WHM and use code 25WHM to get 25% off your first month! Want more WHM? Join our Patreon fam today and instantly unlock hours and hours of exclusive bonus content, including Ad-Free WHM Prime at the $8 level and up! Make the WHM Merch Store your one-stop shop for the holidays! Including new Polish Decoy, ‘Jack Kirby', and Forrest the Universal Soldier designs! 

Silent Night, Deadly Night Part 2 (1987) synopsis: “The now-adult Ricky talks to a psychiatrist about how he became a murderer after his brother, Billy, died, which leads back to Mother Superior.”Starring: Eric Freeman, James Newman, Darrel Guilbeau, and Elizabeth KaitanDirector: Lee HarryGarbage Day! This week on Podcasting After Dark, Zak and Corey review Silent Night, Deadly Night Part 2! If you listened to our breakdown of SNDN Part 1 last year, you knew this was coming. I mean, how could it not? Silent Night, Deadly Night Part 2 is a quintessential cult classic. What it lacks in the music department (nothing beats “The Warm Side of the Door” from Part 1) it more than makes up for in pure zaniness. Also, Eric Freeman is a goddamn studfarm, and you can quote us on that!Leave a comment on our social media pages or Patreon and let us know what you think of this episode or the movie itself. We always love hearing from our listeners!— SUPPORT PODCASTING AFTER DARK —PATREON - Two extra shows a month including Wrap-Up After Dark and The Carpenter Factor, plus other exclusive content!MERCH STORE - We have a fully dedicated merch store at TeePublic with multiple designs and products!INSTAGRAM / FACEBOOK / LETTERBOXD - Follow us on social media for updates and announcements!This podcast is part of the BFOP Network

On this episode of Scran we're fully embracing this time of year and investigating some of the more macabre elements of Scottish food and drink history.  Earlier this year Rosalind was lucky enough to attend Whisky & Witches Presents Mythical Beasts, an immersive, mystical, musical whisky tasting produced and presented by Christine Kammerer and Jane Ross. The show touched on the history of women and whisky in Scotland and explained how women who distilled whisky were turned upon by the church and society. These alewives and brewsters were often framed as what we would now recognise as witches. Singer and composer Christine and whisky aficionado Jane who runs The Mother Superior in Leith, join Rosalind to talk all about how women became vilified for distilling and how even today there are challenges around being a woman in the whisky industry. Connotations of witchcraft and herbalism have gone hand in hand for centuries, and delving into the ancient art of herbology is a great way to explore some natural magic in the run up to Halloween. On the second half of the podcast Rosalind chats to Catherine Conway-Payne, author of Herbology- A Psychic Garden Pharmacy, a book being published by The Royal Botanic Garden Edinburgh in the coming weeks, which includes an illustrated guide that brings herbology to life. (rbgeshop.org)  Catherine takes us back to a time when insects, frog spawn and basically all sorts was used in medicine and self care. She tells Rosalind all about how, even now, some of the remedies and uses from the past can be found in modern products such as snail slime in beauty products. She also shares some of the lessons to be learnt from the book including some brilliant uses for cleavers, more commonly known as sticky willy. Thanks for listening and have a spooky, tasty halloween! Learn more about your ad choices. Visit megaphone.fm/adchoices

The Katherine Massey Book Club @ The C.O.W.S. hosts the 6th study session on Sue Klebold's A Mothers' Reckoning. Published nearly 20 years after the notorious 1999 Columbine High School massacre, where 13 people were killed, Mrs. Klebold is the White mother of Dylan Klebold - one of the cowardly White killers. After spending years in silence, Klebold stepped center stage to share her anguish over losing her child and her perspective on her cowardly offspring's attempt to slaughter hundreds of his classmates while disintegrating the high school. Colorado Public Radio reports the book has generated over $400,000 for numerous mental health groups. They have no evidence of payments to Mrs. Klebold. Last week, Klebold provides a brief glimpse of the horror of "the basement tapes," where her son and the other killer make it plain that this was a meticulously planned bombing. In a deft move of deception, "Mother Superior" pivoted from the hours of footage explaining the motivations and goals for the slaughter. She spends more time talking about why many White "experts" agree that showing the footage would inspire "copy cats" and admiration for the gunmen. Which happened anyway. Mama Klebold also confessed to being angry with the creator about her son's attempt to slaughter hundreds of his classmates. Klebold includes that she received quite a bit of fan mail from "Columbiners" who sanctified Dylan and whined about being bullied themselves. Listeners and Gus found this odd since Klebold told us her mail was being vetted for unseemly commentary. Fanboy/Fangirl love letters aren't verboten? Ms. Klebold also told a number of enormous lies. She said she didn't know anything about Dylan's underage drinking and she says Eric made no comment about how the massacre would impact his parents. Dylan, affectionately known as "VoDKa," confesses to alcohol consumption during the diversion program for his felony arrest. Eric laments how his actions will destroy his parents on the restricted "basement tapes." Dave Cullen talks about this part of the footage in the book we just read. #Wholesome #Charades #TheCOWS14Years INVEST in The COWS – http://paypal.me/TheCOWS Cash App: https://cash.app/$TheCOWS CALL IN NUMBER: 720.716.7300 CODE: 564943#

529.  Stephen and Bruce give their presentation over the Ursuline Correspondence. In the summer of 1804, the Mother Superior or the Ursuline Convent, Therese de St. Xavier Farjon, wrote a petition signed by all the nuns in the convent to President Jefferson, asking his assurance that their property be protected by the Unites States government, so that they could continue their mission of educating girls in New Orleans. Gov. Claiborne sent a cover letter supporting their request, which Jefferson granted in his reply. This correspondence gives us an important insight into the transition of Louisiana from having a state-sponsored church under the French and Spanish to a United States territory with separation of church and state. The Catholic church had been the sole one to be allowed to operate legally in the colony. It had not only the blessing of the government, but was also funded by the government. Jefferson had written to the Danbury Baptist Association that he believed the first amendment established "a wall of separation between Church & State." In his letter to the Ursulines, Jefferson does not mention the wall, but he does promise that the government will protect their property and their mission. But they would have to learn to survive without government funding and to co-exist with all the other religious institutions the government was protecting. This week in Louisiana history. June 30, 1870. Robert E. Lee and the Natchez began their famous riverboat race This week in New Orleans history. Writer Shirley Ann Grau was born on July 8, 1929 in New Orleans. This week in Louisiana. Grand Isle Music Fest July 13, 2023 - July 15, 2023 Live Music • Food • Arts & Crafts • Fundraiser for Grand Isle! Island Strong Beach Fest | Grand Isle, LA Come Support Grand Isle! The second annual Island Strong Music Fest celebrates Grand Isle's recovery with a live music festival on July 13, 14, and 15, 2023 If you are interested in becoming a vendor or want to contact the event organizers please email: islandstrongbeachfest@gmail.com The Island Strong Music Fest will take place on Thursday to Saturday, July 13-15, 2022, Tarpon Rodeo Pavilion 4500 Tarpon Rodeo Drive Grand Isle LA TICKETS: TBA Come support Grand Isle's Recovery! The second annual Island Strong Music Fest is a two-day festival featuring live music, food, craft booths and various other vendors that will support Grand Isle's recovery from Hurricane Ida. “We have come a long way since Hurricane Ida and we thank so many who have helped along the way. Island Strong Music Fest celebrates the resilience of our community and helps raise awareness for the work that still needs to be done for us to fully recover,” said Grand Isle Mayor David Camardelle. “We welcome everyone to come down to enjoy some live music and all the Grand Isle has to offer.” Website Postcards from Louisiana. Rickey Caesar at the Blue Nile on Frenchmen.  Listen on Google Play. Listen on Google Podcasts. Listen on Spotify. Listen on Stitcher. Listen on TuneIn. The Louisiana Anthology Home Page. Like us on Facebook.  The Ursuline Academy today

"On the eve of the exposition of the image, I went with our Mother Superior to visit our confessor," St. Faustina writes. Listen in as Fr. Joseph Roesch, MIC, reads from this modern spiritual classic. To order a copy of the Diary of Saint Maria Faustina Kowalska, visit  ShopMercy.org.

Watch the Screenplay Reading: https://www.youtube.com/watch?v=Q6lx36tTrjE In 1350s Florence, an insecure nun unwillingly becomes the Mother Superior after the Plague kills the leaders of her nearly bankrupt convent. To save her convent, she must find the strength to confront the male dominated Church, Guilds and civil authorities, and her own demons. Get to know the screenwriter: While set in the past, Mother Superior has great modern-day relevance. The Plague foreshadows the disruptions of our Covid epidemic. Today's struggles of women with a male dominated Church and civil society, and with their own faith, echo those of the protagonist. You can sign up for the 7 day free trial at www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it's only $3.99 per month. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Join your host Duncan Under The Stairs discussing all things Horror on The Podcast Under the Stairs. Welcome to our review episode for the Glasgow Frightfest 2023 featuring The Baz. Mini Non-Spoiler Reviews of all the movies and the usual Baz banter abound. Movies reviewed are: #ChadGetsTheAxe, Pensive, Mother Superior, Winnie the Pooh - Blood & Honey, Irati Hunt Her Kill Her, Onyx The Fortuitous and the Talisman of Souls, Consecration, Little Bone Lodge, Here for Blood & 13 Exorcisms. TIME CODE ON THE EPISODE: Intro - 0 - 23mins 5secs #ChadGetsTheAxe - 23mins 5secs - 44mins 45secs Pensive - 44mins 45secs - 1hrs 20secs Mother Superior - 1hrs 20secs - 1hr 15mins 30secs Winnie the Pooh - Blood & Honey - 1hr 15mins 30secs - 1hrs 39mins 30secs Irati - 1hrs 39mins 30secs - 1hrs 57mins 10secs Hunt Her, Kill Her - 1hrs 57mins 10secs - 2hrs 16mins Onyx The Fortuitous and the Talisman of Souls - 2hrs 16mins - 2hrs 32mins Consecration - 2hrs 32mins - 2hrs 46mins 55secs Little Bone Lodge - 2hrs 46mins 55secs - 2hrs 57mins 20secs Here for Blood - 2hrs 57mins 20secs - 3hrs 10mins 13 Exorcisms - 3hrs 10mins - 3hrs 20mins 30secs Closing out the Show - 3hrs 20mins 30secs - End Watch this Episode on YouTube: https://youtu.be/W4nFmbNeY2Q The grading follows the Netflix rating style of 1 = Hated It, 2 = Didn't Like It, 3 = Liked It, 4 = Really Liked It & 5 = Loved It #ChadGetsTheAxe: Duncan: 4 Baz: 4 Pensive: Duncan: 3.5 Baz: 3 Mother Superior: Duncan: 2.5 Baz: 2.5 Winnie the Pooh: Duncan: 1 Baz: 2.5 Irati: Duncan: 4 Baz: 2.5 Hunt Her, Kill Her: Duncan: 2.5 Baz: 1 Onyx the Fortuitous: Duncan: 4.5 Baz: 4 Consecration: Duncan: 3.5 Baz: 3 Little Bone Lodge: Duncan: 4 Baz: 4.5 Here for Blood: Duncan: 4 Baz: 4 13 Exorcisms: Duncan: 3 Baz: 3.5 Official Bottom 2 Movies of FrightFest Glasgow 2023: Duncan: Second Least Favourite: Hunt Her, Kill Her Least Favourite: Winnie the Pooh: Blood and Honey Baz: Second Least Favourite: Winnie the Pooh: Blood and Honey Least Favourite: Hunt Her, Kill Her Official Top 3 Movies of FrightFest Glasgow 2023: Duncan: Onyx the Fortuitous and the Talisman of Souls Little Bone Lodge #ChadGetsTheAxe Baz: Little Bone Lodge Onyx the Fortuitous and the Talisman of Souls #ChadGetsTheAxe Check out the show on Anchor, iTunes, TuneIn & on Stitcher Radio. Please leave us feedback on iTunes, podcastunderthestairs@gmail.com and follow us on Facebook & Twitter.

This is a public booty announcement: the Valentine's Day mood enrichment and seductive vibes generator known as the “mixed tape” is in serious danger of becoming a lost art. Cupid's quiver of cassettes and CDs has been replaced with Alexa, Siri, and Spotify's artificial algorithm-generated playlists which could render your romantic evening a bit limp. Join us as we educate you on why the music for your special someone this Valentine's Day must be carefully curated. You better put this on if you want to get it on!What is it we do here at InObscuria? On most shows, Kevin opens the crypt to exhume and dissect from his personal collection; an artist, album, or collection of tunes from the broad spectrum of rock, punk, and metal. This episode is part of our educational track of episodes provided to you by 2 certified Auditory Horndogologists. Our hope is that we enhance your romantic festivities on this very special holiday.Songs this week include:Danko Jones - “Sugar Chocolate” from I'm Alive And On Fire (1999)The Bronx Casket Co. - “Black Valentine” from The Complete Collection (2001)Foxy Shazam - “The Only Way To My Heart” from Foxy Shazam (2010)Quireboys - “Sex Party” from A Little Bit Of What You Fancy (1990)Sam Kinison - “Wild Thing” from Have You Seen Me Lately? (1988)Black Flag - “Slip It In” from Slip It In (1985)Betty Blowtorch - “Shut Up And Fuck” from Are You Man Enough? (2008)Danzig - “Black Candy” from Deth Red Sabaoth (2010)Barracuda - “Back Door Boogie” from Open Fire (1989)Mother Superior - “Valentine's Day” from Heavy Soul Experience (1996)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

In this episode of The Brave Enough Show, Sasha and Erin Lane discuss: What it is to be “Someone Other Than a Mother”   Mothering as a verb  The pressure on women to become mothers  About the guest:  Erin Lane grew up being told there was no love as strong as a mother's love. As a young Catholic girl growing up in the Midwest, she was given two options for a life well-lived: Mother or Mother Superior. She could marry a man and mother her own children, or she could marry God, so to speak, and mother the world's children. Both were good outcomes for someone else's life. Neither would fit the shape of hers.  “Not birthing children doesn't mean forgoing a family. It means faith in a wider, wilier vision of family,” writes Lane. “I have practiced making meaning beyond motherhood in two life stages now: one as a person intentionally without children and one as a person suddenly raising three through foster-care. Along the way, I've learned that the problem with the mother scripts is not simply that they don't work for some women. The problem is that they're assumed to work for all women, thereby shaming any woman who lives beyond their cloud of certainty.”   Interweaving Lane's story with those of other women—including singles and couples, stepparents and foster parents, the infertile and the ambivalent—Someone Other Than a Mother challenges the social scripts that put moms on an impossible pedestal and shame childless women and nontraditional families for not measuring up.  Episode Links:   Brave Enough 2023 CME Conference Brave Balance 2023 Order Brave Boundaries Boundary Rebel Book Club Follow Brave Enough:   WEBSITE | INSTAGRAM | FACEBOOK | TWITTER | LINKEDIN Join The Table, Brave Enough's community. The ONLY professional membership group that meets both the professional and personal needs of high-achieving women.

It's the first proper week of December, so we thought: Why not give you all a holiday treat? That's why we're unlocking our feature-length commentary for Charles E. Sellier Jr.'s psychological slasher film Silent Night, Deadly Night. Now, this isn't some clip, this is the real deal. So, feel free to invite your own gang over and join us at Ira's Toys as we talk all over the movie and get disciplined by Mother Superior. And if you want more of this kind of content -- including commentaries for Silent Night, Deadly Night 2 -- be sure to join our Patreon! Head on over to www.patreon.com/halloweeniespod!Follow us on Facebook | Twitter | Instagram | Patreon Hosted on Acast. See acast.com/privacy for more information.