Decoration technique
POPULARITY
Listening to her college-aged daughter making calls for AmeriCorps in 2020, Laura Nelkin was surprised at how many people in her community faced food insecurity and hunger every day. A problem that had seemed far away suddenly felt much closer to home, and Laura wanted to find a way to help. She had a feeling that other knitters would want to help, too, so she dreamed up a group effort: the Knit for Food Knit-a-Thon (http://www.knitforfood.com/). In its first 4 years, the effort has raised over $1.25 million for Feeding America, Meals on Wheels, No Kid Hungry, and World Central Kitchen. 2025 is poised to be the largest event yet, with more teams and knitters joining the effort every day. How does it work? Until Saturday, April 5, 2025, crafters register to participate, either as members of a team or solo. Participants reach out to friends, loved ones, colleagues, and other contacts to make a financial pledge to support the effort. Then from 10 am to 10 pm Eastern Time on April 5, participants pick up your craft of choice and knit (or crochet or stitch or whatever you like). Some teams and local craft groups organize public meetups for support. Anyone raising at least $100 receives a link to online events including stretching and knitting ergonomics, live music, games, and presentations from the four benefiting charities. At the end of the day, you've enjoyed 12 hours on your favorite craft, strengthened the fellowship of crafters, and helped raise hundreds of thousands of dollars that directly feed hungry people. Laura (and her saucy alter ego, Lola) develop dozens of innovative ideas every year, from original designs to bead-knitting techniques to a brilliant method for swatching to knit in the round while knitting flat. She documents her ideas and experiments on her YouTube channel, offers kits and mystery knit-alongs, and invites knitters to join her in real life on knitting-related tours and cruises each year. The Knit for Food Knit-a-Thon brings that spirit of fun and inventiveness to a much-needed cause, building the spirit of community with every stitch and donation. Links Knit for Food sign-up page (https://givebutter.com/knitforfood25) Knit for Food FAQ (http://www.nelkindesigns.com/index.cfm/page/knitathon/knitathon25.htm) Check out a list of ideas for charities (https://nelkindesigns.blogspot.com/2021/03/10-ideas-for-charity-knitting.html) for handknitters. Laura Nelkin's website (http://www.nelkindesigns.com/) Laura's YouTube channel (https://www.youtube.com/c/lauranelkin) Nelkin Designs Ravelry group (https://www.ravelry.com/groups/nelkin-designs) Nelkin Designs on Facebook (https://www.facebook.com/NelkinDesigns/) This episode is brought to you by: Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com (https://www.treenwaysilks.com/). You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white. If you love silk, you'll love Treenway Silks, where superior quality and customer service are guaranteed. KnitPicks.com has been serving the knitting community for over 20 years and believes knitting is for everyone, which is why they work hard to make knitting accessible, affordable, and approachable. Knit Picks responsibly sources its fiber to create an extensive selection of affordable yarns like High Desert from Shaniko Wool Company in Oregon. Are you looking for an ethical, eco-friendly yarn to try? Look no further than Knit Picks' Eco yarn line. Need needles? Knit Picks makes a selection for knitters right at their Vancouver, Washington headquarters. KnitPicks.com (https://www.knitpicks.com/)—a place for every knitter.
In this episode, our hosts talk about New Years Resolutions in season four of the Beading Table! The Iorì:wase Podcast Channel is brought to you by First Nations Fiber.
Join host Matt Edmundson in this engaging episode of the E Commerce Podcast as he sits down with Lucy Toone, the innovative founder of Tomm Jewellery. Discover Lucy's inspiring journey from crafting bracelets at a young age to establishing a unique jewellery brand that champions individuality and personal expression. Lucy shares her insights on creating a memorable customer experience, the importance of authenticity in brand storytelling, and the challenges of maintaining personal values in business growth. Whether you're an aspiring entrepreneur or a seasoned e-commerce professional, Lucy's story offers valuable lessons on building a brand that resonates with its audience.---Timestamps:- 0:05 - Introduction to the E Commerce Podcast and guest Lucy Toone- 2:41 - Lucy's background and the ethos of Tomm Jewellery- 4:47 - The importance of customer experience and personalization- 7:09 - Lucy's early interest in jewellery making- 10:54 - The origin of the name "Tomm Jewellery"- 15:08 - The evolution of Tomm Jewellery from its humble beginnings- 24:51 - The impact of celebrity endorsements and storytelling- 30:03 - Building an audience through authenticity- 35:41 - Challenges faced in maintaining brand values- 45:28 - Lucy's vision for the future of Tomm Jewellery- 46:55 - Matt's question from Lucy and closing remarks3 Key Guest Takeaways:1. Authenticity in Brand Storytelling: Lucy emphasizes the power of being genuine and transparent with your audience. By sharing her personal journey and the story behind Tom Jewelry, she has built a community that resonates with her brand's values.2. Customer Experience as a Differentiator: Lucy highlights the significance of creating a memorable and personalized customer experience, from the packaging to the storytelling, which can significantly enhance customer loyalty and repeat purchases.3. Staying True to Personal Values: Lucy discusses the importance of aligning business practices with personal values, even when faced with financial pressures. This commitment to integrity has been crucial in shaping the brand's identity and long-term success.
Join our hosts Leith and Margaret in this month's Beading Table! The Iorì:wase Podcast Channel is brought to you by First Nations Fiber.
This month our hosts talk about living with anxiety! This podcast is brought to you by First Nations Fiber.
Our hosts Leith and Margaret are back in studio with a special guest!
La La Beading Creations is a small business that specializes in handmade jewelry. The owners, Sandy Asselta and Laurie LaTorre, started making jewelry as a hobby and eventually turned it into a small business. They create bracelets, necklaces, and earrings using beads, leather, and metal parts. They focus on creating unique and one-of-a-kind pieces rather than mass-producing their jewelry. They participate in craft shows and festivals to sell their products and also offer custom-made jewelry for special occasions. They emphasize the importance of quality and customer satisfaction in their business. Keywords La La Beading Creations, handmade jewelry, small business, craft shows, festivals, custom-made jewelry, quality, customer satisfaction Takeaways La La Beading Creations started as a hobby and turned into a small business They create unique and one-of-a-kind handmade jewelry They participate in craft shows and festivals to sell their products They offer custom-made jewelry for special occasions Quality and customer satisfaction are important to them Sound Bites "We're making something one at a time. We do not mass produce." "Everybody's wrist is a different size. So it's hard to make them individual." "We want it to be exactly what they're looking for. And it's what it fit just right." Chapters 00:00 Introduction to La La Beading Creations 02:37 Creating Unique Handmade Jewelry 03:05 Challenges of Custom-Made Jewelry 08:55 Emphasizing Quality and Customer Satisfaction 10:19 Finding Your Niche in the Jewelry Business 13:09 The Importance of Enjoyment in Business
Leith is back in studio and Margaret is slowly losing it! This podcast is brought to you by First Nations Fiber
A longer, more technical episode that gets into the difficulties of beaded knitting. Hey Ya'll, I'm Peggy, and I'm The Kickass Knitter An experienced knitter documenting her journey through TKGA's Master Handknitting Program, as well as other fiber fun. Peggy is a largely self-taught fiber enthusiast and Knitter with a capital K. She loves yarn, crafting, and riding her motorcycle. Questions? Comments? Feedback?!? My inbox is open at thekickassknitter@gmail.com.Show notes can always be found here.Additional So2W can be sent to your inbox for free! Subscribe!Join in on Ravelry!And, you can check out the Instagram @thekickassknitter
Our hosts Tekaronhiahkwa and Leith play catch up after missing last month's episode and they talk about taking order during graduation season, and they also discussed their thoughts on non-Onkwehón:we drawing and selling our designs. The Iorì:wase Podcast Channel in brought to you by First Nations Fiber.
Leith and Margaret start out season three of the Beading Table by welcoming Merit Cross and Takwenhawi Diabo -two outstanding Kahnawa'kehro:ron beadwork artist. Listen while we share laughs, talk about our various beadwork practices and look towards our creative goals for 2024. The Iorì:wase Podcast Channel is brought to you by First Nations Fiber
Join our hosts Leith and Margaret in this month's episode of The Beading Table. The Iorì:wase Podcast Channel is brought to you by First Nations Fiber
Send us a Text Message.This episode of The Heart Gallery will take you into the history and ongoing realities of Indigenous affairs in Canada. Recent years have shed light on a painful and violent history, as well as present-day systemic challenges. From the harrowing legacy of the residential school system, which remained active until the 1990s, to the continuous struggles over land rights and cultural preservation, these unfolding revelations have sparked crucial national and international dialogues. They compel us to face uncomfortable truths and prompt a critical re-examination of the process of truth and reconciliation.Against this backdrop, I'm privileged to interview Christi Belcourt, an artist whose work is deeply entwined with her Métis community's stories. Christi's art does not merely reflect Métis cultural practices and deep connection to nature; it resonates with the ongoing struggles and triumphs of indigenous people, offering a window into the soul of communities striving for justice.We explore Christi's work while also talking about how the arts can be a conduit for expressing Indigenous voices and can play a valuable role in efforts to reveal systemic challenges.I hope you enjoy this conversation.Homework from Christi: "Do something that is completely selfless - and anonymous - in the aid of someone else."Mentioned:- Keetsahnak: our missing and murdered Indigenous sisters, edited by Christi Belcourt- Medicines to help us: traditional Metis plant us, by Christi Belcourt- Hearts of Our People: Native Women Artists exhibit- Bob Marley's War- Haile Selassie's speech Towards African unity, 1963- Classically trained indigenous pianist Jeremy Dutcher- Gregory Schofield, Canadian Métis poet, beadwork artist, dramatist and non-fiction writer. - Odawa-Potawatomi artist Daphne Odjig- And please see the blog post for visual accompanimentConnect:- Christi twitter - Christi instagram - The Heart Gallery Instagram- The Heart Gallery website- Rebeka Ryvola de Kremer InstagramCredits:Samuel Cunningham for podcast editing, Cosmo Sheldrake for use of his song Pelicans We, podcast art by me, Rebeka Ryvola de Kremer.
Salisha Old Bull (Salish/Crow) is an Indigenous artist based in Montana. She creates a diverse array of art genres but has an affinity to beadwork."I am motivated by the Salish history and Indigenous place-based knowledge. I have learned that place gives a sense of self and allows a person to grow intellectually and continue to explore their possibilities in life. I feel that cultural preservation is a strong influence in my life, and I enjoy combining imagery that reflects cultural values. I use beadwork as an expression of the nature that reflects my tribal heritage. My craftsmanship cannot be possible without the upbringing and teaching of my grandmother, Rachel Arlee Bowers.I adore beadworking but, also enjoy integrating other genres such as photography, painting, and hint of digital art.Artistry has been something of a culmination of my academic studies over the years combined with my love for my Bitterroot Salish cultural values and practices. In my time in higher education one of the best moments was learning about place-based education and its interesting relevance to Indigenous ways of knowing.The basic idea of place-based education and its connection to traditional ecological knowledge is uncanny. Many Indigenous people once depended solely on their environment in reciprocal manner and this was how people were educated. Each person acquired a strength and skill set and most people had an educated connection to the land. This land is what gives a person a strong sense of self-identity. Being grounded allows a person to go forward in life and continue to grow intellectually and explore beyond their basic needs. By evoking this motivation to solidify personal, tribal self-identity, I feel that artistry can empower individuals and empower and motivate them to seek more land knowledge—traditional ecological knowledge.My overall vision is to create contemporary art, combining traditional, flat-stitch, two-needle, beadwork, with current photography and photo editing techniques. I want to capture the past, the present, and the significance of places that hold deep-seeded history for the Bitterroot Salish. I think by capturing past images and present images with traditional beadwork I can evoke this emotional response and help people to think of their roots and how they can continue to learn the historical context of our land and its ties to our existence. I hope to motivate people to recapture knowledge that is almost gone and revive it by passing it onto younger generations."Salisha Old Bull websiteSRTN Website
JESSIE FIDDLER-KISS, a Métis mother, beader, entrepreneur, and educator, taught us about Science as relationships between Land and time, how children are the best teachers of truth, love and how to play, the significance of trickster stories, anti-septic properties of moss, and the connection between swaddling and brain development. "Ancestral Podcast MERCH" helps pay Knowledge Keepers and editors, to keep this podcast going. -The Moss Bag Project -Articles about Moss Bag Project on CBC, Avenue Calgary, Telus Spark Science Centre here -the importance of community and Aunties supporting mothers. “the moss bag is the anchor” (Jessie Fiddler-Kiss) -“children are our greatest teachers,” they are the closest to spirit, learning from the world around them; a method of learning often forgotten by adults. Children teach us about love, play, and new beginnings. -education systems need to allow for children to learn through play, discovery, failure, and follow their own sparks. -“Indigenous Methodology: Characteristics, Conversations, and Contexts” Margaret Kovach. -think about the limitations Western academic processes and methods exert on knowledges that are connected with Land and Community? What are we missing if we don't expand our minds and hearts to knowings and processes/methodologies that are community/land-based? -Dr. Carmon Gillies, University of Saskatchewan - A Critical Race Theory Analysis of Metis Teachers' Counter-Stories. here - Historical Racial Theories and Ongoing Racialization in Saskatchewan. here -Trickster stories: Jessie is using “trickster stories” as a storytelling method for her Masters degree. -the trickster is a common theme in many Native stories and teachings, with the purpose of teacher, making mistakes to teach humans. -“Coyote the Trickster,” Syilx Okanagan & Secwepemc stories. "Trickster Tales," “Trickster: Native American Tales” Dembicki, Thompson, Perry (graphic novel, “Trickster,” Eden Robinson (books) (CBC show) -who/what is a Trickster in your community/culture? How do you learn from these stories/knowledges? -“Whiteness as Property,” Cheryl Harris -“Critical Race Theory, an introduction,” Delgado & Stefancic -Moss Bag Science: moss bag as a tool for survival so caregivers could continue to work with babies. -Sphagnum moss, used as ‘diaper,' is anti septic and anti fungal. Its absorbant properties meant there were little (if no) diaper rash. It is antibacterial and has been used on wounds to heal and protect them. It is reusable, when the moss is used up, it went back to the earth.-“Antibacterial activities of some mosses...” Kang et al., here - Swaddling mimics how babies are held in the womb and how they are delivered from the spirit world. It supports brain development in babies by continuing to hold them post birth. At this time, baby and mothers/fathers are flooded with hormones to allow for neuroplasticity- a perfect time for family healing, learning, and growth! Skin to skin regulates the baby, sleeping better when near loved ones. -being in a moss bag, alongside those working, gathering, telling stories, allows for babies to be observant, always learning from their environment. -Beading & Moss Bags. Each community/family has unique symbols, colours, & patterns of beading. Métis beading: colourful, usually on a black background, florals, plant medicines, and patterns of rotation & scale. Blackfoot beading: often geometrical with triangles, lines, and reflection. Help re-matriate a Moss Bag Ancestor. Picture here, email here. -Land-based Indigenous systems Education Program: programs for skills, conversations, and topics you wish you learned in school; eg. listening to aunties and grandparents talk in the kitchen, community land-based programs. fiddlerkissconsulting -“Prison of Grass: Canada from a Native point of view,” Howard Adams. here Gratitude to Sponsorship from BLUE MARBLE SPACE INSTITUTE of SCIENCE, and the editing skills of EMIL STARLIGHT of Limelight Multimedia.
Join our hosts Leith and Margaret in this month's episode of The Beading Table. The Iorì:wase Podcast Channel is brought to you by First Nations Fiber.
Join Leith and Margaret in the latest episode of the Beading Table. The Iori:wase Podcast Channel is brought to you by First Nations Fiber
Catalyst is a Creative Industries podcast, from Chapman University. Each episode features Chapman students who have completed a Podcasting course through the Center for Creative and Cultural Industries at the university. Students who had no podcasting experience or technical ability in the genre before taking the course were able to contribute all the segments to Catalyst this season with the goal being that they will take this ‘hands-on' experience and carry it over to the launching of their very own series. Each episode of Season 10 will feature one to two different interviews conducted by CCI students, exploring different aspects of the Creative and Cultural Industries. We start the show this week with Melissa Wong who sat down with the founder, designer, and owner of Anna Learns Things, Anna Dong. The company, which is solely run by Dong, specializes in making handmade beaded jewelry, accessories, and textiles. Born out of a pandemic hobby that launched as an Instagram page, Anna has turned the company into her fashion-based career. Melissa discusses with Anna her original plans post college where she studied Neuroscience and Biochemistry, how those plans evolved and finally how she now navigates the fast-paced fashion industry as a small business owner. To wrap the show this week, listen along Maddie Mullany interviews Rachel Ellenbogen. A New York based designer and embroiderer, Ellenbogen is a 2022 graduate of Parsons BFA Fashion Design who works in clothing design, textile embroidery and art pieces. She has worked on embroidery teams with designers such as Alexander McQueen and Versace and was sponsored by Swarovski on her Parsons School of Design graduate collection “Terms & Conditions” who provided her with crystals to embellish her collection pieces. During their conversation, Mullany and Ellenbogen talk about Rachel's creative process and inspiration when it comes to fashion and design, as well as the concept of “wearable art” and how CCI relates to this idea of a collaboration of mediums, like visual arts, haute couture, and slow fashion.
In this episode of the Beading Table, our hosts talk about taking breaks from beading and inspiration. The Iorì:wase Podcast Channel is brought to you by First Nations Fiber
In this episode of The Beading Table, our hosts Leith and Tekaronhiakhwa discuss personal style and preferences in their beadwork! The Iorì:wase Podcast Channel is brought to you by First Nations Fiber!
Welcome to the latest episode of The Beading Table Podcast!
In this episode, Jocelyn is joined by Anna Lambe, an actor and beadwork artist from Iqaluit, Nunavut. Anna has appeared in Three Pines on Amazon Prime, Trickster on CBC, True Detective, Alaska Daily, Diggstown, and more. She started beading during the pandemic and has become a skilled artist and designer of jewelry, primarily making beaded earrings in two-needle flat stitch and brick stitch. Anna and Jocelyn discuss how Anna got started with beading, her design process, how she shows love to family, friends, and community through beading, and her love for the Indigenous beadwork community online. She also explains how her practice as a beadwork artist compares to her practice as an actor, and Anna and Jocelyn discover that they each performed in only one play in high school - and it was the same one!After the episode, go to @sidecraftspodcast on Instagram to see photos of Anna's work!Follow Anna on Instagram @anna.r.b.lambe. The beadwork artists we talked about include: Only Child Handicrafts - https://www.onlychildhandicrafts.com/ - Instagram: @onlychildhandicraftsWhite Otter Design Co (Jaymie Campbell) - https://whiteotterdesignco.com/ - Instagram: @whiteotterdesigncoAstro-Knot (Krystal Cox) - https://astro-knot.co/ - Instagram: @astroknotcoBlu Hummingbird - https://bluhummingbird.ca/ - Instagram: @blu_hummingbirdLisa.Beading (Lisa Walker) - https://www.lisabeading.com/ - Instagram: @lisa.beading City NDN Beadwork (Jana Schmieding) - https://www.cityndnbeadwork.com/ - Instagram: @cityndn.beadwork
Check out the latest episode of The Beading Table!
In this episode of The Beading Table, our hosts Leith and Margaret ask, "what does beading mean to you?" The Iorì:wase Podcast Channel is brought to you by First Nations Fiber.
In this week's episode of The Beading Table, Leith and Margaret discuss various topics, including a recent incident of shoplifting at Traditions, shout outs to those making strides and much more! The Iori:wase Podcast Channel is brought to you by First Nations Fiber
It's the most wondrous time of year, when all the misfits come out to play! Join Lexman and Steven Pinker as they explore the holiday season from a new perspective: as scientists trying to understand why it matters to us. Gird your loins, it's bound to be a hoot!
Welcome to the second episode of Beyond the Art where our host, Cray speaks with Karen Ann Hoffman. Karen Ann is a raised beadwork artist from the Oneida Nation of Wisconsin. They talk about her 25 years in beadwork, how it connects to her mission to stay connected to her cultural past and how she is preparing the way for future generations of artists. To find out more about Karen Ann Hoffman, visit her on the web at https://karenannhoffman.com/Make sure to like and subscribe to Beyond the Art anywhere you get your podcasts and at www.beyondtheart.net
Our hosts Leith and Margaret talk about the new Volume of the Beading Table Podcast, getting out of a beading lull and more in this episode of The Beading Table The Iorì:wase Podcast Channel is brought to you by First Nations Fiber.
Indigenous 150+ podcaster Danasco Chakasam, raised in Moosonee with family roots from Attawapiskat, speaks with host Zorga Qaunaq. Beading and learning traditional crafting skills from the age of nine, Danasco speaks about her love for fashion activism and her experience with the First People's Innovation Lab which brings together modern technology with traditional arts and crafts. She shares what got her into podcasting why it's important to talk about cultural appropriation and why it's so wrong. Listen to Danasso's episode Tia Kennedy: Pursuing Dreams with Gratitude. Follow Danasco Chakasum on Instagram - https://www.instagram.com/danascochakasum Follow host Zorga Qaunaq on Instagram at @heyzorgzilla To follow Zorga's upcoming INUVERY podcast celebrating Inuit culture: https://www.instagram.com/inuverypodcast/ This episode was developed in the Intro to Digital Storytelling Program led by Good Influence Films in partnership with RBC Emerging Artists Project, Inspirit Foundation and the Mastercard Foundation. To join our community and learn more about our events, training programs and learning resources: https://goodinfluencefilms.com/podsubscribe
Join Leith and Margaret on this week's episode of the Beading Table with special guest Jessica Hernandez! The Iorì:wase Podcast Channel is brought to you by First Nations Fiber
In this episode of the Beading Table our hosts Margaret and Leith give advice to beaders. The Iorì:wase Podcast Channel is brought to you by First Nations Fiber
The Surface Design Association is an international organization focused on inspiring creativity, encouraging innovation, and advocating for artistic excellence as the global leader in textile-inspired art and design. Their mission is to promote awareness and appreciation of textile-inspired art and design through publications, exhibitions, and conferences.Astrid Hilger Bennett (President) and Karen Baker (Board of Directors) visit THMM to discuss the current state and future of the SDA. Journal issuesUpcoming Fall issue: The Future of Fiber Arts, Fashion & Design, Co-juried by Amber-Dawn Bear RobeThe Winter issue will be on Beading.Summer 2022 Raised by a MakerSpring 2022: Fiber RevolutionWinter 2021: The Solidarity IssueRecent & upcoming SDA-sponsored Textile Talks:November 2: Crafting the Vote: Ann Morton (the Violet Protest Project, Eve Jacobs-Carnahan, a former election lawyer who uses art to amplify themes of voting, democracy, and Tomasita Louviere-Ligons, whose quilt project focuses on African American Suffragists and her organization, Fibers Between Us (https://fibersbetweenus.org)Conference/Workshops, alternating years:Online workshop event in early 2023: our members like to learn. Also open to non-members.In-person exhibitionsForecast//Recast, Chehalem Cultural Center, Oregon, juror Tanya Aguiniga, Dec 3-Jan 27https://www.surfacedesign.org/events-exhibits/exhibits/sda-juried-member-exhibition-forecast-recast/Online Exhibitions(Em)power, (Em)brace, (Em)body: https://www.surfacedesign.org/events-exhibits/exhibits/empower-embrace-embody/Thank you so much for listening. I hope you have enjoyed this episode. New episodes are released weekly on Sundays. Also, stay in the KNOW by subscribing to our email and newsletter blasts; you will receive a FREE Download copy of The Earning Potential Assessment Template. Credits:Music: Islabonita by An JoneVanessa S. - Ph.D Host
Calgary based, Cree artist Valentina @NycyfF13 and I met on Twitter. Follow Fenton Gals Beading on Instagram and Facebook! ★ Support this podcast on Patreon ★
Join our hosts Leith and Margaret as they discuss various issues related to beadwork! The Iorì:wase Podcast Channel is brought to you by First Nations Fiber!
In this very special first episode of the podcast, Jocelyn Hallman talks to Mary Catherine Garrison (Somebody Somewhere, Veep) about painting, weaving, ceramics, and more. We discuss her early memories of crafting, artistic inspirations, the freedom she seeks in creating and learning new crafts, art and our kids, and some of the political aspects of her work. Follow and comment on this episode on Instagram at @sidecraftspodcast Visit Mary Catherine online!Instagram: @marycgarrisonWebsite: https://marycatherinegarrison.com/ Etsy: https://www.etsy.com/shop/mcatgarrison Please follow and review the show - this helps it grow! Transcripts coming soon!
Artist Teri Pohlmeier is a mostly self taught jewelry designer based out of Fuquay Varina, NC. She always loved pretty rocks and sparkly things, but it wasn't until she was an adult that she discovered the world of jewelry making. She started out doing simple stringing and after experimenting with several styles settled into wire weaving. Shortly thereafter, she discovered bead embroidery, which she quickly realized she loved just as much as wire. To see Ter's work check out her website and follow her on Facebook & Instagram. To see her work in person please visit the Cary Gallery of Artists in lovely downtown Cary, NC, or stop by the Durham Craft Market on Saturdays between April and December in Durham, NC Website: www.etsy.com/shop/CinnabarDesigns Facebook: @CinnabarDesign Instagram: @CinnabarDesignsTeri's artist & resource recommendations:Bead Embroidery Artists Sherry Serafini - sherryserafiniart.com Jamie Cloud Eakin - www.studiojamie.com Heidi Kummli - www.heidikummlidesigns.comWire Wrap Artists Lisa Barth - www.etsy.com/shop/LisaBarthJewelry Sarah Thompson - www.sarah-n-dippity.com Nicole Hanna - www.nicolehannajewelry.com Oxana Crafts - oxanacrafts.com Valeriy Vorobev - wire-wrap-tutorials.com Support the show
Bead artist and metalsmith Valerie Hector (Valerie Hector Designs) brings a background in anthropology, deep knowledge of Asian bead styles, and a passion for pushing boundaries to her work. In this episode, Hector discusses her creative approach to design and why she's driven to develop new techniques. •Click here for video, show notes, links, and other resources. •Learn more about MJSA
Join our hosts Leith and Margaret with special guest Takwenhawi Diabo! The Iorì:wase Podcast Channel is brought to you by First Nations Wireless
Aubrey speaks to the Founder and Creative Mind Behind Beading the Odds, a non-profit social enterprise that partners with shelters for abused and trafficked women to create opportunities for survivors to generate income while also providing a space for their voices to be heard.See omnystudio.com/listener for privacy information.
In this episode of COL Drag Race ‘T-Time', Gary and Damon wrap up the All Stars All Winners season! As the legends show off their Charisma, Uniqueness, Nerve and especially Talent in a variety show eleganza AND a lip sync smackdown for the queen, find out which gurl is crowned the QUEEN OF ALL QUEENS. … Continue reading COLDR: AS7E06: Drag Race Gives Back Variety Extravaganza & Lip Sync LaLaPaRuza Smackdown →
Beads in embroidery have us learning about all kinds of styles and techniques we've never tried. But you know we want to! Note: This episode has some unavoidable background noise. Thank you for bearing with us! Show notes: https://veryseriouscrafts.com/episodes
Join our hosts Leith and Margaret on their latest episode of the Beading Table Podcast. The Iorì:wase Podcast Channel is brought to you by First Nations Fiber.
Have you been looking forward to summer as your chance to relax, spend time with the kids, or enjoy a staycation? This is the perfect time to declutter spaces dedicated to creative and recreational activities! In episode #125 of The Clutter Fairy Weekly, Gayle Goddard, professional organizer and owner of The Clutter Fairy in Houston, Texas, shares strategies for organizing creative and play spaces to get the most fun and relaxation from your hobby, art, or craft.Show notes: http://cfhou.com/tcfw125The Clutter Fairy Weekly is a live webcast and podcast designed to help you clear your clutter and make space in your home and your life for more of what you love. We meet Tuesdays at noon (U.S. Central Time) to answer your decluttering questions and to share organizing tools and techniques, success stories and “ah-hah!” moments, seasonal suggestions, and timeless tips.To participate live in our weekly webcast, join our Meetup group, follow us on Facebook, or subscribe to our mailing list. You can also watch the videos of our webcast on YouTube.
In this episode of the Beading Table we welcome Kahnawake beadworker Terri Thomas as our special guest!
Spiritually Psyched Podcast- The rhythmic relationship between spirituality and mental health Spiritually psyched podcast hosts Anna Miranda (Intuitive Specialist, Psychic, Astrologer & Master Coach), Alissa Schwartz (Holistic Psychotherapist & Soul Coach), Rhea Spina (Reiki Master & Licensed Mental Health Counselor) discuss grief, loss and addiction with The Beading Hearts. A non-profit group of mothers and fathers who have lost their children through overdose and the addiction crisis.
(Lander, WY) – The Bumblebeaders, a Wyoming Indian Middle School beading group, recently sat down with 1330 KOVE AM / 107.7 FM's Coffee Time host Vince Tropea. Staff advisor for the group and WIMS librarian Jenn Runs Close To Lodge brought along student beaders Layleine Moss (7th grade) and Jamie Lee (8th grade), to fill us in on what the group is all about. Wyoming Indian Middle School Bumblebeaders. h/t Vince Tropea photo After seeing an opportunity for students to connect with their culture while learning an invaluable art form, Runs Close To Lodge wanted to provide them with an outlet to learn beadwork. One of the best parts about the group is students are able to sell their work, and receive 100% of the profits. h/t Vince Tropea photo h/t Vince Tropea photo h/t Vince Tropea photo QR Code for how to purchase Bumblebeader work. h/t Vince Tropea photo Lee shared plans for potential beadwork businesses, and Moss also stated how she was able to personally connect with elders in her family through the beadwork she has learned. For the full Coffee Time interview with the Bumblebeaders, click below. Be sure to tune in to Coffee Time every morning at 8:00 AM on 1330 KOVE AM / 107.7 FM, or stream it live right here.
Join our hosts Leith and Margaret as they discuss beading during graduation season! The Iorì:wase Podcast Channel is brought to you by First Nations Fiber
Show Notes:1:09 and 1:19 - Austin, Texas1:40 - Tiny house2:04 - Nancy Crow 2:06 - Gwen Marston2:07 - Denyse Schmidt2:11 - Big Orange by Denyse Schmidt2:28 and 3:01 - Nine-Patch traditional quilt block 2:29 and 3:02 - Half-square triangles 3:08 - Improv quilting 3:16 - Needle point 3:28 - English paper piecing 3:31 - Double Wedding Ring quilt 3:34 - Dear Jane quilt 3:49 - Friedrich [Friedensreich] Hundertwasser4:05 - An example of Friedrich Hunderwasser's print4:06 and 4:15 - Log Cabin quilt blocks 6:16 - Improv Quilting by Irene Roderick 9:18 - An example of Irene Roderick's recent circular motif quilts 9:27 - An example of Irene Roderick's work with lines13:24 - Rosalie Dace13:27 - South Africa15:27 - Q20 Bernina sewing machine 15:53 - Longarm quilting machine 16:26 - Dear Jane quilt16:55 - Sarah Bond 17:26 - Applique16:58 and 17:29 - Foundation paper piecing 18:05 and 18:19 - Indigo vat18:25 - Sourdough 18:46 and 18:55 - Indigo18:52 - Shibori18:58 - Avocado dyeing 19:00 - Onion skin dyeing 19:03 - Natural dyeing 19:07 - Fiber reactive dyes21:15 - Beading 21:37 - Fine Arts Library, University of Texas22:56 - Bluegrass music 23:06 - Louise Penny's Inspector Gamache books 23:10 - Montreal 23:22 - Cheetos 23:30 - An example of Irene Rokerick's improve Log Cabin blocks 23:46 - Irene Roderick's quick step workshop 23:55 - Irene Roderick's design and choreography design workshop 24:15 - Irene Roderick's Voltron quilt workshop24:40 - Clinging to the Edge quilt by Irene Roderick 25:00 - Improv Quilting by Irene Roderick on Amazon 25:01 - Improv Quilting by Irene Roderick on Barnes & Noble 25:03 - Improv Quilting by Irene Roderick on Target 25:10 - Penguin Random House 25:32 - Chartreuse 25:40 - Kona Cotton in Flame 25:49 - Kona Cotton in Pickle 25:50 - Kona Cotton in Wasabi26:08 - Marcia Derse26:14 - Moda Bella Solids in Sangria 26:30 - Over the Top Quilting 26:35 and 27:05 - Austin, Texas27:26 - Bernina 93027:39 - 1950's Singer27:51 - Superior Threads28:00 - Madeira Threads30:34 - Indigo dyeing 30:53 - Annie Hudnut 30:55 - Patti Coppock30:56 - QuiltCon 30:57 - Austin, Texas31:20 - Susan Lapham31:26 - Peggy Black31:31 - Michael Ross 31:54 - Nancy Crow32:01 - Irene Roderick's project with birds 32:04 - Parakeets 32:35 - Crochet 33:16 - Selvedge Magazine 33:35 - SFMoMa (@sfmoma)33:49 - Carolina Oneto (@carolina_oneto)34:13 - Textile Art Center (@textileartscenter)34:17 - Abroiginal art34:25 - National Gallery of Victoria 34:37 - Melbourne, Australia 34:57 - North West Pacific Art School34:59 - Whidbey Island35:06 - Schweinfurth Art Center35:10 - Syracuse, New York35:14 - Stitch A Quilt Store 35:15 - Durango Follow Irene:Instagram - @hixsonirwww.ireneroderick.comFollow us:Amanda: @broadclothstudio https://broadclothstudio.com/Wendy: @the.weekendquilter https://the-weekendquilter.com/Anna: @waxandwanestudiohttps://www.waxandwanestudio.com/Quilt Buzz: @quilt.buzzhttps://quiltbuzzpodcast.com/Intro/Outro Music:Golden Hour by Vlad Gluschenko
Beaded earrings are a visual reminder that we are still here and will not be assimilated. Every piece is a statement of our resistance. We'll look at how beading has become an act of resistance and how it still is a part of trade and commerce.
We're rewinding back to October 2018 to revisit our episode with Collins Provost, who has since been expanding her artistry — spray painting and working on murals with her husband, and designing shirts for Thrive Unltd., which is meant to empower indigenous communities. Lakhota artist Collins Provost finds healing and self expression through her intricate and vibrant beadwork. Listen to this episode of The Cultured Podcast to uncover Collins' deep-rooted journey as an artisan and how her Native American heritage both inspired and challenged her individual path.