Podcasts about Marsilio Ficino

Orion Rising: The Corpus Hermeticum part #four Hermetica: The Greek Corpus Hermeticum and the Latin Asclepius The Corpus Hermeticum is a collection of 17 Greek writings whose authorship is traditionally attributed to the legendary Hellenistic figure Hermes Trismegistus, a syncretic combination of the Greek god Hermes and the Egyptian god Thoth.[1] The treatises were originally written between c. 100 and c. 300 CE,[2] but the collection as known today was first compiled by medieval Byzantine editors. It was translated into Latin in the 15th century by the Italian humanist scholars Marsilio Ficino (1433–1499) and Lodovico Lazzarelli (1447–1500).[3]

Orion Rising: The Corpus Hermeticum part #fourHermetica: The Greek Corpus Hermeticum and the Latin AsclepiusThe Corpus Hermeticum is a collection of 17 Greek writings whose authorship is traditionally attributed to the legendary Hellenistic figure Hermes Trismegistus, a syncretic combination of the Greek god Hermes and the Egyptian god Thoth.[1] The treatises were originally written between c. 100 and c. 300 CE,[2] but the collection as known today was first compiled by medieval Byzantine editors. It was translated into Latin in the 15th century by the Italian humanist scholars Marsilio Ficino (1433–1499) and Lodovico Lazzarelli (1447–1500).[3]

Orion Rising: The Corps Hermeticum Part #Three Hermetica: The Greek Corpus Hermeticum and the Latin Asclepius The Corpus Hermeticum is a collection of 17 Greek writings whose authorship is traditionally attributed to the legendary Hellenistic figure Hermes Trismegistus, a syncretic combination of the Greek god Hermes and the Egyptian god Thoth.[1] The treatises were originally written between c. 100 and c. 300 CE,[2] but the collection as known today was first compiled by medieval Byzantine editors. It was translated into Latin in the 15th century by the Italian humanist scholars Marsilio Ficino (1433–1499) and Lodovico

Orion Rising: The Corps Hermeticum Part #ThreeHermetica: The Greek Corpus Hermeticum and the Latin AsclepiusThe Corpus Hermeticum is a collection of 17 Greek writings whose authorship is traditionally attributed to the legendary Hellenistic figure Hermes Trismegistus, a syncretic combination of the Greek god Hermes and the Egyptian god Thoth.[1] The treatises were originally written between c. 100 and c. 300 CE,[2] but the collection as known today was first compiled by medieval Byzantine editors. It was translated into Latin in the 15th century by the Italian humanist scholars Marsilio Ficino (1433–1499) and Lodovico

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Hermeticum part #Two Hermetica: The Greek Corpus Hermeticum and the Latin Asclepius The Corpus Hermeticum is a collection of 17 Greek writings whose authorship is traditionally attributed to the legendary Hellenistic figure Hermes Trismegistus, a syncretic combination of the Greek god Hermes and the Egyptian god Thoth.[1] The treatises were originally written between c. 100 and c. 300 CE,[2] but the collection as known today was first compiled by medieval Byzantine editors. It was translated into Latin in the 15th century by the Italian humanist scholars Marsilio Ficino (1433–1499) and Lodovico Lazzarelli (1447–1500).[3]

Hermeticum part #TwoHermetica: The Greek Corpus Hermeticum and the Latin AsclepiusThe Corpus Hermeticum is a collection of 17 Greek writings whose authorship is traditionally attributed to the legendary Hellenistic figure Hermes Trismegistus, a syncretic combination of the Greek god Hermes and the Egyptian god Thoth.[1] The treatises were originally written between c. 100 and c. 300 CE,[2] but the collection as known today was first compiled by medieval Byzantine editors. It was translated into Latin in the 15th century by the Italian humanist scholars Marsilio Ficino (1433–1499) and Lodovico Lazzarelli (1447–1500).[3]

The Corpus Hermeticum is a collection of 17 Greek writings whose authorship is traditionally attributed to the legendary Hellenistic figure Hermes Trismegistus, a syncretic combination of the Greek god Hermes and the Egyptian god Thoth.[1] The treatises were originally written between c. 100 and c. 300 CE,[2] but the collection as known today was first compiled by medieval Byzantine editors. It was translated into Latin in the 15th century by the Italian humanist scholars Marsilio Ficino (1433–1499) and Lodovico Lazzarelli (1447–1500).

The Corpus Hermeticum is a collection of 17 Greek writings whose authorship is traditionally attributed to the legendary Hellenistic figure Hermes Trismegistus, a syncretic combination of the Greek god Hermes and the Egyptian god Thoth.[1] The treatises were originally written between c. 100 and c. 300 CE,[2] but the collection as known today was first compiled by medieval Byzantine editors. It was translated into Latin in the 15th century by the Italian humanist scholars Marsilio Ficino (1433–1499) and Lodovico Lazzarelli (1447–1500).

Giuliano Pisani"L'ignoranza e la scelta"Etica per un'umanità disorientataRonzani Editorewww.ronzanieditore.itGli uomini hanno smarrito la conoscenza e sono in balia di una propaganda vile e abietta, di messaggi fuorvianti, folli, criminali. L'ingiustizia prepara terreni fertili alle sementi dell'odio. Il nemico mortale è l'ignoranza, l'amathia. È qui che attecchisce il fanatismo. La conoscenza dei fatti e la capacità di interrogarli possono cambiare il mondo. Abbiamo il dovere di provarci.L'etica si nutre di libertà. In una società disorientata come l'attuale, che impone ogni giorno scelte complesse, nessuno di noi può permettersi il lusso di non saper distinguere il bene dal male, di non saper tracciare un confine netto tra informazione, propaganda e manipolazione. Qual è il rischio dell'inconsapevolezza? L'ignoranza etica – l'amathia del pensiero greco – è agli antipodi dell'insegnamento socratico, che muove dal dubbio metodico (“so di non sapere”) e ha come fine il rispetto del primo motto delfico: “conosci te stesso”, che interroga il nostro ruolo sociale e ci mette in condizione di prendere decisioni. L'amathès, convinto di sapere ciò che non sa, è facile preda di ideologie e alienazioni e mina alla base, con la sua acriticità, l'obiettivo sociale per definizione: la pacifica convivenza. Come evitare, ciascuno di noi, di cadere vittima della stessa sirena? È lungo il lavoro da fare per riuscire a costruire un nuovo modo di pensare che ci configuri comunità consapevole; ma sarà bene provarci, tenendo a mente che essere coerenti non significa vedere sempre le cose nello stesso modo, ma agire in conformità a ciò che è giusto e doveroso in quel preciso momento, di fronte a quella specifica scelta.Giuliano PisaniFilologo classico e storico dell'arte, è autore di studi, edizioni e traduzioni dal greco e dal latino (Platone, Plutarco, Marsilio Ficino). Ha fornito un'interpretazione innovativa della Cappella degli Scrovegni (I volti segreti di Giotto, Milano, Rizzoli, 2008; La rivoluzione di Giotto, Milano, Skira, 2020) individuandone la chiave di lettura negli scritti di Sant'Agostino. Studi innovativi ha dedicato anche a Orazio, Raffaello e Canova. Ha tenuto seminari e conferenze in molte università e centri culturali europei (spesso in collaborazione con le ambasciate italiane). Ha pubblicato il romanzo Raphael (Milano, GMlibri, 2019) e promosso con Antonia Arslan il progetto “Padova. Casa dei Giusti”, nel cui ambito si inserisce il “Giardino dei Giusti del Mondo di Padova”. Socio effettivo dell'Accademia Galileiana di Scienze, Lettere ed Arti e di altre prestigiose istituzioni, è dal 2017 Cavaliere dell'Ordine al Merito della Repubblica Italiana. IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/van-leer-institute

In this episode, we dive deep into the fascinating origins and esoteric significance of the term larva. We begin by exploring its classical Latin meaning as a ghostly apparition or malevolent spirit, drawing from ancient Roman religious traditions. Discover how larvae were seen as dangerous spirits that disturbed the living, and how these concepts evolved over time. As we trace the term through history, you'll see how larva came to represent not just ghosts, but also astral parasites in modern occultism, feeding off negative emotions and unresolved psychic energy. Learn how figures like Blavatsky, Crowley, and Bardon interpreted larvae as psychic parasites, and how the term has even found its way into modern biological terminology. We'll also discuss the festival of Lemuria in Roman culture, where rituals were performed to exorcise these malevolent spirits, and the symbolic significance of masks in esoteric traditions. CONNECT & SUPPORT

Welcome wisdom seekers to The Brave New World Order! Straight out the dungeons of podcasting I am your host Brandon St. One! Thank you all for joining me for this episode as we contiue our descent into the Corpus Hermeticum! This is PoeMandres, The Shepherd Of Men! The Corpus Hermeticum is a collection of 17 Greek writings whose authorship is traditionally attributed to the legendary Hellenistic figure Hermes Trismegistus, a syncretic combination of the Greek god Hermes and the Egyptian god Thoth. The treatises were originally written between c. 100 and c. 300 CE, but the collection as known today was first compiled by medieval Byzantine editors. It was translated into Latin in the 15th century by the Italian humanist scholars Marsilio Ficino (1433–1499) and Lodovico Lazzarelli (1447–1500). G.R.S Meade Translation -https://archive.org/details/corpus-hermetica/page/n1/mode/2up Greek to English Translation - https://archive.org/details/corpus-hermeticum-balboa/page/n7/mode/2up Website! https://thebravenewworldorderpodcast.com/ Email me: thebravenewworldorderpodcast@gmail.com Follow me on X/Twitter: @Bravenwopodcast If you enjoy The Brave New World Order Podcast buy me a coffee and help it grow! Much Love! https://www.buymeacoffee.com/BRAVEnWo --- Send in a voice message: https://podcasters.spotify.com/pod/show/bravenwopodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/bravenwopodcast/support

In the culminating fifth lecture of the Sophia Lecture series, Professor Douglas Hedley culminates his exploration by delving into play's theological dimension, engaging with Marsilio Ficino, Desiderius Erasmus, and Plotinus to dissect 'serious play', a pivotal concept in Renaissance thought. Throughout the lecture series, Hedley has traversed play's philosophical terrain, examining its roots, the vital role of language in human development, the journey into self-awareness, and the allure of aesthetics. In this lecture, he weaves together the interplay of wisdom and play within cultural narratives, delves into Plotinus' portrayal of the cosmos as a divine ballet, and highlights the synergy between divine ecstasy and human creativity. Additionally, he probes the impact of symbolic play in spiritual realms and underscores the critical role of femininity in the discourse on wisdom and play. Professor Hedley's contributions provide a rich, interconnected view of play as a gateway to a deeper understanding of our selves and the cosmos.   Douglas Hedley is a Professor in the Philosophy of Religion at the University of Cambridge and a Fellow at Clare College. His work spans the fields of philosophy, theology, and psychology, focusing on the intersection of ancient wisdom and modern thought.   Glossary of Terms   Kenosis: The self-emptying of one's own will and becoming entirely receptive to God's divine will. Resources   Ralston College  Website: https://www.ralston.ac/ YouTube: https://www.youtube.com/@RalstonCollegeSavannah X: https://twitter.com/RalstonCollege   Douglas Hedley https://www.ralston.ac/people/douglas-hedley   Living Forms of the Imagination -Douglas Hedley https://www.amazon.com/Living-Forms-Imagination-Douglas-Hedley/dp/0567032957   Sacrifice Imagined: Violence, Atonement, and the Sacred - Douglas Hedley https://www.amazon.com/Sacrifice-Imagined-Violence-Atonement-Sacred/dp/1441194452   The Iconic Imagination - Douglas Hedley https://www.amazon.com/Iconic-Imagination-Douglas-Hedley/dp/1441194630   The Ages of the World 1811 - Friedrich Wilhelm Joseph Von Schelling  https://www.amazon.com/Ages-World-Contemporary-Continental-Philosophy/dp/1438474059   Man at Play - Hugo Rahner S.J. https://www.amazon.com/Man-Play-Hugo-Rahner-S-J/dp/1949899799   Plotinus: Myth, Metaphor, and Philosophical Practice - Stephen R. L. Clark https://www.amazon.com/Plotinus-Myth-Metaphor-Philosophical-Practice/dp/022633967X Quotes   "While our Plato often discusses in a hidden matter, the duty belonging to mankind, it sometimes seems as though he's joking and playing. But platonic games and jokes are much more serious than the serious things of the Stoics." - Douglas Hedley, originally from Marsilio Ficino [00:10:20]   “All fleeting things are just an image. The imperishable is here an event. The indescribable is thus done. The eternal feminine draws us upwards.” Douglas Hedley, paraphrasing Johann Wolfgang von Goethe [00:45:40]  Chapters    [00:00:00] Introduction and Musical Performance [00:04:00] Formal Introduction of Professor Douglas Hedley   [00:09:35] Exploring the Philosophical and Theological Dimensions of Play  [00:16:40] The Renaissance Connection: Erasmus and the Play of Wisdom   [00:22:20] Plotinus and the Cosmic Dance of Creation   [00:27:00] Playfulness in Theology and Philosophy  [00:32:00] Sacred Play: The Intersection of Divine Joy and Human Creativity  [00:36:40] The Iconic Imagination: Symbols and Play in Spiritual Life   [00:42:00] Femininity, Wisdom, and Play in Cultural Traditions  [00:52:00] Concluding Thoughts on Play and Human Development   [00:56:12] Audience Q&A: Insights on Play, Culture, and Society    

University of Cambridge philosopher, Professor Douglas Hedley, delves into the concept of play and its vital role in understanding the human condition. Drawing on Johann Huizinga, Hermann Hesse, and Josef Pieper's ideas, Hedley links play to the divine act of creation, asserting it as an essential element of our existence associated with freedom, creativity, and spirituality. He considers various viewpoints from Christian and Eastern traditions, addressing criticisms and underscoring play's civilizing role. Through Hermann Hesse's "The Glass Bead Game," Hedley probes into play's societal function, its ties to leisure and festivals, and its life-enriching effects. The lecture's Q&A session offers additional insights, marking it as a significant resource for those intrigued by play's profound meanings. Douglas Hedley is a distinguished philosopher at the University of Cambridge, celebrated for his extensive research in the philosophy of religion and Platonism. He is the author of multiple influential works on imagination and religious experience. Glossary of Terms Sophia: Greek word for wisdom, used in the context of the lecture series to signify the exploration of wisdom through philosophy. The Delphic Oracle: The ancient Greek oracle at Delphi, famous for its cryptic predictions and guidance, including the maxim 'know thyself.' Resources Website:  https://www.ralston.ac/ YouTube: https://www.youtube.com/@RalstonCollegeSavannah X: https://twitter.com/RalstonCollege Instagram: https://www.instagram.com/ralstoncollege/ Douglas Hedley https://www.divinity.cam.ac.uk/directory/douglas-hedley https://www.ralston.ac/people/douglas-hedley Living Forms of the Imagination -Douglas Hedley Sacrifice Imagined: Violence, Atonement, and the Sacred - Douglas Hedley The Iconic Imagination - Douglas Hedley The History of Religious Imagination in Christian Platonism,  Exploring the Philosophy of Douglas Hedley - Christian Hengstermann Homo Ludens: A Study of the Play-Element in Culture - Johan Huizinga  In the Shadow of Tomorrow: A Diagnosis of the Modern Distemper - Johan Huizinga  Leisure: The Basis of Culture - Josef Pieper  The Glass Bead Game (Magister Ludi) -  Hermann Hesse  The Journey to the East - Hermann Hesse Siddhartha - Hermann Hesse  Religion in Human Evolution: From the Paleolithic to the Axial Age - Robert N. Bellah  Tertullian. (n.d.). De Spectaculis. De Ludo Globi: The Game of Spheres - Nicholas de Cusa   Plato. (n.d.). Symposium.  https://classics.mit.edu/Plato/symposium.html Plato. (n.d.). Phaedo. https://classics.mit.edu/Plato/phaedo.html Plato. (n.d.). Laws.  https://classics.mit.edu/Plato/laws.1.i.html Quotes "Platonic games and jokes are much more serious than the serious things of the Stoics." - Marsilio Ficino [00:09:20] "Play may well be a key to understanding something about ourselves." - Douglas Hedley [00:09:00] Chapters  [00:00:00] - Introduction [00:01:00] - Welcome and introduction of Sophia lectures series  [00:06:40] - Topic introduction: The Spirit of Play [00:08:13] - Guest speaker introduction: Professor Douglas Hedley [00:09:40] - Distinguishing play and game [00:15:00] - Play as an intimation of the sacred [00:20:40] - The link between play and freedom [00:26:40] - Essentialism and play as an essential part of human condition [00:31:20] - Critique of play within the Christian tradition [00:36:50] - The glass bead game by Hermann Hesse [00:45:00] - Critique of Mandarin culture in the glass bead game [00:51:00] - Religious aspect of play [01:02:00] - Suspicion of leisure in Anglo-American culture [01:04:00] - Q&A session [01:37:19] - Conclusion of Q&A session and end of the lecture

Welcome wisdom seekers to The Brave New World Order! Straight out the dungeons of podcasting I am your host Brandon St. One! Thank you all for joining me for this episode as we swan dive head first deep into the abyss that is the Corpus Hermeticum! The Corpus Hermeticum is a collection of 17 Greek writings whose authorship is traditionally attributed to the legendary Hellenistic figure Hermes Trismegistus, a syncretic combination of the Greek god Hermes and the Egyptian god Thoth. The treatises were originally written between c. 100 and c. 300 CE, but the collection as known today was first compiled by medieval Byzantine editors. It was translated into Latin in the 15th century by the Italian humanist scholars Marsilio Ficino (1433–1499) and Lodovico Lazzarelli (1447–1500). G.R.S Meade Translation -https://archive.org/details/corpus-hermetica/page/n1/mode/2up Greek to English Translation - https://archive.org/details/corpus-hermeticum-balboa/page/n7/mode/2up Website! https://thebravenewworldorderpodcast.com/ Email me: thebravenewworldorderpodcast@gmail.com Follow me on X/Twitter: @Bravenwopodcast If you enjoy The Brave New World Order Podcast buy me a coffee and help it grow! Much Love! https://www.buymeacoffee.com/BRAVEnWo --- Send in a voice message: https://podcasters.spotify.com/pod/show/bravenwopodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/bravenwopodcast/support

Raphael Ebgi"Sette"Le avventure di un simboloLe Edizioni del Mulinowww.mulino.itLa promessa di un sapere senza confini.La mente umana incontra il sette quando si spinge in luoghi di meraviglia. Quando riflette sugli abissi del male, o sulle altezze, ben più difficili, del bene. Quando deve dare ordine alla musica dell'universo, o quando prova a immaginare, a occhi aperti, una via che conduca fuori dal mondo. O quando, infine, deve pensare l'inizio e la fine di tutto, come insegna il libro dei libri, la Bibbia, che crea il mondo in sette giorni. Raccontare la storia del sette significa avventurarsi in spazi in cui i numeri si trasformano in divinità, in elementi della natura, nella materia dei sogni e in speranze di pace. Una storia solo apparentemente lontana, perché il mistero del sette non ha mai smesso di affascinarci, e continua a riaffiorare fra le trame della nostra vita.Raphael Ebgi insegna Storia della Filosofia all'Università Vita-Salute San Raffaele di Milano. Ha curato per i Millenni Einaudi i volumi «Giovanni Pico della Mirandola. Mito, magia, qabbalah» (con G. Busi, 2014), «Umanisti italiani. Pensiero e destino» (con M. Cacciari, 2016), e «Marsilio Ficino. Anima Mundi: Scritti filosofici» (2021).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

In this episode, the esoteric scholar Ronnie Pontiac returns to talk about his latest book: The Magic of the Orphic Hymns: A New Translation for the Modern Mystic.Co-authored by Tamra Lucid, his wife, this brilliant collaboration takes the reader on a winding journey through history, striking a perfect balance between dense scholarship and poetic musing. And they conclude with their own renditions of the hymns, beautifully distilled with poetic skill and the finesse of musicians. Reading this book feels like uncorking a dusty bottle of ancient spirits. The history is allowed to breathe, inviting you to swirl things around and develop your own taste for the mysteries of Orpheus. Tamra and Ronnie present the Orphic Hymns as being much more than beautiful relics. The hymns are magical, invoking the past as the eternal present and inspiring a prismatic vision of the divine. Many decades of research and experiments inspired The Magic of the Orphic Hymns. In their early 20's, Tamra and Ronnie were mentored by the legendary, Manly P. Hall. And when they were asked to help him with a republication of the Orphic Hymns, they fell in love with these ancient rituals. In this interview, Ronnie and I discuss:How an OG episode of Star Trek inspired Ronnie's first religious experience. Why the Orphic Hymns have been called “the most powerful form of magic.”Personal stories of real magical results from the Orphic hymns. How Aeolian Heart was born from an Orphic ritualHow the magic of the Orphic Hymns gave birth to the RenaissanceThe Orphic Hymns and Marsilio Ficino.Orpheus with a thousand faces: a savior, hero, coward and narcissistOrpheus' underworld journey and its symbolism.Orpheus' legacy and impact on written history. How Orpheus has always been countercultural How Orpheus inspired Christianity What Orphic initiates believed about death and the after-life.Why the phrase: “I am the child of earth and starry-heaven” is the password to eternity.Enjoy! If you want to learn more about Tamra and Ronnie, please listen to my other interviews with them. Click here to listen to Tamra and I discuss her exquisite memoir, Making the Ordinary Extraordinary. Click here to listen to Ronnie discuss his epic tome: American Metaphysical Religion: Esoteric and Mystical Traditions of the New World Support the showSupport the show at https://www.patreon.com/aeolianheart

Ronnie Pontiac discusses his new book, The Magic of the Orphic Hymns: A New Translation for the Modern Mystic. Tamra Lucid and Ronnie Pontiac present new literary translations of the Orphic Hymns that reveal their power to attune the reader to the sacred presence of the Orphic Mysteries and the higher order of nature. These translations restore important esoteric details and correspondences about the being or deity to which each hymn is addressed, offering a deeper understanding of these ancient texts. The famous philosopher Marsilio Ficino once wrote that the Orphic Hymns were the most powerful form of magic. These hymns were not just poems but were used for meditation, rituals, and ceremonies. Each hymn was dedicated to a specific deity or virtue, like Athena, Zeus, Love, Justice, or Equality. However, the original hymns were written formulaically, which made them difficult to translate. Tamra Lucid and Ronnie Pontiac have brought back the magical essence of the mystery cults of the past through their new versions of the teletai. They have included important hidden details and correspondences about the being or deity to which each hymn is addressed. They have also added a new version of a lost hymn called "Number" and messages that were inscribed on golden leaves meant to be passports for the dead. These reinventions preserve the original magical intent and mysticism of the teletai. Furthermore, the authors reveal the power of each hymn to attune the reader to the sacred presence of the Orphic Mysteries and the higher order of nature. They also demonstrate how the Orphic Hymns are a book of hours or a calendar of life, covering every event, from birth to death, and guiding us through every experience of human existence as necessary and holy. We talk about The true mission of our souls Who was Orpheus The counter-culture of the Orphic Hymns The Roman Empress Black Julia Marsilio Ficino Black Athena Sator - half goat half human The Underworld True Gods do not sacrifice animals Tamra Lucid, a documentary film producer, including the Emmy-nominated End of the Line: The Women of Standing Rock, is author of Making the Ordinary Extraordinary: My Seven Years in Occult Los Angeles with Manly Palmer Hall. She and Ronnie are founding members of the experimental rock band Lucid Nation. Ronnie Pontiac worked as Manly P. Hall's research assistant, screener, and designated substitute lecturer for seven years. Author of American Metaphysical Religion, he wrote the biographical introduction to Letters to the Sage. He's written for several esoteric journals and has produced award-winning documentaries.

Recaptures the magical vitality of the original Orphic Hymns• Presents literary translations of the teletai that restore important esoteric details and correspondences about the being or deity to which each hymn is addressed• Includes messages inscribed on golden leaves meant to be passports for the dead as well as a reinvention of a lost hymn to Number that preserves the original mystical intent of the teletai• Explores the obscure origins and the evolution of the Orpheus myth, revealing a profound influence on countercultures throughout Western historyAs famous Renaissance philosopher Marsilio Ficino wrote, “No magic is more powerful than that of the Orphic Hymns.” These legendary teletai of Orpheus were not simply “hymns”—they were initiatic poems for meditation and ritual, magical, and ceremonial use, each one addressed to a specific deity, such as Athena or Zeus, or a virtue, such as Love, Justice, and Equality. Yet despite the mystical concepts underlying them, the original hymns were formulaic, creating an obstacle for translators.Recapturing the magical vitality that inspired mystery cults through the ages, Tamra Lucid and Ronnie Pontiac present new versions of the teletai that include important esoteric details and correspondences about the being or deity to which each hymn is addressed. The authors also include a new version of a lost hymn called “Number” and messages that were inscribed on golden leaves meant to be passports for the dead, reinventions that preserve the original magical intent and mysticism of the teletai. Revealing the power of the individual hymns to attune the reader to the sacred presence of the Orphic Mysteries and the higher order of nature, the authors also show how, taken together, the Orphic Hymns are a book of hours or a calendar of life, addressing every event, from birth to death, and walking us through all the experiences of human existence as necessary and holy.Tamra Lucid, a documentary film producer, including the Emmy-nominated End of the Line: The Women of Standing Rock, is author of Making the Ordinary Extraordinary: My Seven Years in Occult Los Angeles with Manly Palmer Hall. She and Ronnie are founding members of the experimental rock band Lucid Nation. Ronnie Pontiac worked as Manly P. Hall's research assistant, screener, and designated substitute lecturer for seven years. Author of American Metaphysical Religion, he wrote the biographical introduction to Letters to the Sage. He's written for several esoteric journals and has produced award-winning documentaries.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2790919/advertisement

Episode 56 features a conversation with my husband Justin and myself. This is part one of two on the topics of Hermeticism and The Kybalion, a book based around the Hermetic Principles. We start with the history of where this wisdom springs from including who Hermes Trismegistus was and some of the myths around Thoth and Hermes. We explore Marsilio Ficino's life and works, and the role he played in keeping the flame of this ancient wisdom alive. We talk about the Cult of Serapis and some similarities it has to Jesus's death and resurrection. We also discuss why we feel this information has been hidden from the masses. Towards the end, we touch on the philosophical and the technical components within Hermetics.

This episode dives into the concept of perennial philosophy, its origins, key figures, and its influence on various religious and philosophical traditions, discussing thinkers like Marsilio Ficino, Giovanni Pico della Mirandola, Philo of Alexandria, and Aldous Huxley. Source: https://en.wikipedia.org/wiki/Perennial_philosophy

How was Magic perceived and conceptualized in the Italian Renaissance? This video will be a brief overview of some philosophical concepts from the Renaissance that shaped the view of magic at the time. We will briefly cover Hermetic Philosophy, Marsilio Ficino, Giordano Bruno and Tommaso Campanella. CONNECT & SUPPORT

#witchcraft #magick #neoplatonism NEOPLATONISM, Plotinus, Iamblichus, Marsilio Ficino, Monism, Emanation, The One in Magick, Esoteric, Witch and Occult practices. BECOME MY PATRON! www.patreon.com/angelapuca ONE-OFF DONATIONS paypal.me/angelasymposium JOIN MEMBERSHIPS https://youtu.be/R_rD7pnKqWI FOLLOW ME: Facebook (Angela's Symposium), Instagram (angela_symposium), Twitter (@angelapuca11). REFERENCES Cocco, G. (1992) ‘La Struttura Del Mondo Soprasensibile Nella Filosofia Di Giamblico', Rivista di Filosofia Neo-Scolastica, Vita e Pensiero – Pubblicazioni dell'Università Cattolica del Sacro Cuore, vol. 84, no. 2/3, pp. 468–493. Copenhaver, B. P. (1984) ‘Scholastic Philosophy and Renaissance Magic in the De vita of Marsilio Ficino', Renaissance Quarterly, vol. 37, no. 4, pp. 523–554 [Online]. DOI: 10.2307/2860993. Gregory, J. (1999) The Neoplatonists: A Reader, Psychology Press. Mebane, J. S. (1992) Renaissance Magic and the Return of the Golden Age: The Occult Tradition and Marlowe, Jonson, and Shakespeare, U of Nebraska Press. Yates, F. A. (1999) Giordano Bruno and the Hermetic Tradition, Taylor & Francis. Zambelli, P. (2007) White Magic, Black Magic in the European Renaissance, BRILL. 00:00:00 Introduction: The Influence of Neoplatonism on Esotericism 00:07:35 The origin of the school 00:09:26 The founding philosophers 00:10:49 The Great Chain of Being 00:17:45 Negative theology 00:23:01 Question break 00:31:32 Monism 00:37:35 Ethics 00:41:51 The problem of evil 00:45:43 Question break 00:56:31 Iamblicus 01:00:21 Marsilio Ficino 01:05:54 The influence of the planets 01:06:02 Neoplatonism in contemporary Esotericism 01:15:37 Final questions 01:32:44 Support Angela's Symposium Music by Erose MusicBand. Check them out! https://www.youtube.com/watch?v=Jyplc67lcA0

Marsilio Ficino fu il pensatore che più di tutti, a Firenze, declinò il platonismo nella nuova sensibilità rinascimentale.

¿Marsilio quieeeeeen? Pues Marsilio Ficino. Cuando le decís a vuestra amiga que Tal o cual es vuestro amor platónico estáis citando al propio Marsilio, que es quien recuperó a Platón y sus escritos, en especial lo que tenía que ver con el amor entre hombres, y por hombres quiero decir varones, o sea, amor viril. Acuñó el término amor socrático (o platónico) para definir el amor homosexual masculino, pero luego la homofobia llegó con el discursito de la sodomía y blanquearon el concepto para heterosexualizarlo... sorprendente, verdad? Pues así se escribe la historia, con una pluma cisheteronormativa. Las músicas del episodio están aquí: https://open.spotify.com/playlist/2pDbVwI2yfQ7WLvd1AOezh?si=8b26edee23884761

Con istitutori del calibro di Pico della Mirandola, Marsilio Ficino e Poliziano, ed amici di gioventù quali Michelangelo, mettendo a frutto i talenti che la natura gli aveva concesso Giovanni divenne uomo di grande cultura e raffinatezza.Alla notizia della sua elezione Giovanni scelse il nome di Leone X in onore dei grandi Papa medioevali. Fu lui a reperire fiumi di denaro con la vendita all'asta di cappelli cardinalizi ed indulgenze, che costituì poi la scintilla scatenante dello scisma luterano

Today's slow drag is with “That Bridge I Burned” from “Extreme Honey: The Very Best of the Warner Bros. Years,” released in 1997, and then again on the “All This Useless Beauty” Rhino re-issue, released in 2001. The songwriting is credited to Elvis Costello. . . . Show Notes: ---------------------- Appreciation written, produced, and narrated by Remedy Robinson, MA/MFA Twitter: https://twitter.com/slowdragremedy Email: slowdragwithremedy@gmail.coms Podcast music by https://www.fesliyanstudios.com Rate this Podcast: https://ratethispodcast.com/slowdrag ---------------------- References: Elvis Costello Wiki Resource, “That Bridge I Burned” http://www.elviscostello.info/wiki/index.php/The_Bridge_I_Burned   “That Bridge I Burned” https://www.youtube.com/watch?v=sPdCavy9z_s  https://www.youtube.com/watch?v=cGhlUBtY8_I   Marsilio Ficino: https://iep.utm.edu/ficino/   Prince's “Pop Life”: https://www.youtube.com/watch?v=56Hvoqgdlfk   Purchase “The Most Terrible Time in My Life…Ends Thursday”   "That Bridge I Burned" Lyrics: I'm walking in Times Square in the Electric Daylight The sailors on shore leave stand out in their perfect white I'm up here with my spying glass at the window up above For better or for worse - it's a perverse universe, my love   Now I know, I should have never walked over the bridge I burned Now I know, somehow I don't feel so alone   "And remember to flee far away from the unbridled, and the impudent, the malicious, and the unlucky. For these being full of bad demons or rays are maleficent, and like lepers and people stricken with plague, they harm not only by touch but even by proximity and by sight." (Dig it!) (Quote from Marsilio Ficino, Italian philosopher [1433-1499])   You mutter underneath your breath - IT ECHOES ROUND THE WORLD  Everybody comes from nowhere There is hope, it loops up in the air   Now I know, I should have never walked over the bridge I burned Now I know, somehow I don't feel so alone   You said I used to be handsome if you screwed up your eyes Professors and vampires drank up all the tears I cried Now there's a bird at my window, he beats upon the pane And sometimes he sings to me - a mocking bird in the twilight of infamy   Now I know, I should have never walked over the bridge I burned Now I know, some how I don't feel so alone Now I know, I should have never walked over the bridge I burned Now I know, they've burned one sinner and the others are selling firewood   Now I know Now I know Now I know

Mini Ráfaga sobre el alma humana y el cuerpo, a partir de un fragmento de la conferencia  “Poesía y armonía en Marsilio Ficino” de María Teresa Rodríguez González. Esta cápsula salió al aire por Radio UNAM en octubre 2014.   Comentarios: Ernesto Priani Saisó. Producción: Ignacio Bazán Estrada. Voces: María Sandoval y Juan Stack. Controles técnicos: Francisco Mejía. Colaboración especial  Rodrigo Galindo. 

Sophia Howlett is the President for the School for International Training. In this episode we discuss her book Marsilio Ficino and His World, alongside discussions on Pico, Platonism, Christianity, the prisca theologia, and more... --- Become part of the Hermitix community: Hermitix Twitter - https://twitter.com/Hermitixpodcast Support Hermitix: Patreon - https://www.patreon.com/hermitix Donations: - https://www.paypal.me/hermitixpod Hermitix Merchandise - http://teespring.com/stores/hermitix-2 Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLK Ethereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9B75a00D9E74

In this episode we cover the curious tale of Marsilio Ficino who translated the Corpus Herticum into Latin at the behest of his patron Cosimo de' Medici. We look at his magical belief system and how he reconciled this alongside his Catholicism. We also touch on how Ficino helped to pioneer the philosophy of religious syncretism and ask the question of whether or not Ficino could have laid some of the groundwork for ecumenism in the Catholic church. Also discussed is some of the occult imagery that exists in the Vatican. So if you have any interest in the Catholic Church, Hermeticism, the occult, the House of Medici or strangeness in general this may be the podcast for youGeorges Jones-Cup of LonelinessJohnny Cash-If I Give my SoulHank Williams-I Saw The Light

Continuing on Commentary on Plato's Symposium on Love with guest Peter Adamson. We consider F's views on beauty and fill out his neo-Platonic epistemology. Get more at partiallyexaminedlife.com. Visit partiallyexaminedlife.com/support to get ad-free episodes and tons of bonus discussion. We'll be live-streaming video for our big ep. 300 on Friday, Aug. 19 at 8pm ET. More info at partiallyexaminedlife.com/pel-live. Sponsors: Learn about St. John's College at sjc.edu/pel. Get 10% off a month of therapy at BetterHelp.com/partially. Maximize the impact of your charitable giving via GiveWell.org; choose "podcast" and enter "Partially Examined Life."

On Commentary on Plato's Symposium on Love (1475), with guest Peter Adamson. What is the role of love in the universe? Ficino tries to combine Plato's theory of love as reproduction in the presence of beauty with an unorthodox take on Christian theology. Get more at partiallyexaminedlife.com. Visit partiallyexaminedlife.com/support to get ad-free episodes and tons of bonus discussion.

Consegue imaginar se não tivesse havido um esforço consistente para recuparar a filosofia clássica, esquecida durante a idade média? MARSILIO FICINO, filósofo renascentista, pouco conhecido mas de enorme importância para a configuração cultural/filosófica atual, do Ocidente. Saiba sobre MARSILIO FICINO nesta palestra da professora e voluntária ANA CRISTINA MACHADO, que tem se dedicado ao estudo e divulgação da filosofia do Renascimento italiano. Brasilia, 2022. Encontre nosso conteúdo: Apple Podcasts, Google Podcasts, Spotify, CastBox, Deezer, iHeart, JioSaavn, Listen Notes, Podcast Addict, Podchaser, RadioPublic Sugestões, colaborações, observações pelo whatsapp 61 9 8361 57 53 - Voluntários Membros da Nova Acrópole Asa Sul #marsilio #renascimento #marsilioficino #renascentistas #ficino  #novaacropole #filosofia #cultura #voluntariado #newacropolis #nuevaacropole #volunteer #culture #philosophy  #palestrasfilosoficas #filosofiaaplicada #podcast #podcastnovaacropole #filosofiaamaneiraclassica  #autoconhecimento #sentidodevida #vidainterior #consciencia #luciahelenagalvao #professoraluciahelena #acropoleplay #palestrafilosoficanovaacropole

Nuevo capítulo de El Libro Rojo, en el que charlo con Marta Piñol, Doctora en Historia del Arte y traductora para Ediciones Sans Soleil de la obra ‘Western Esotericism: A Guide for the Perplexed’, de Wouter J. Hanegraaff. Se trata de un estudio profundo para conocer la influencia del esoterismo y el hermetismo en nuestra cultura occidental, y el papel en todo ello de nombres tales como Platón, Plotino, Marsilio Ficino, Paracelso, Jakob Böhme o Robert Fludd.

What does reading, learning and contemplating have to do with living a good life? We talk about fortune telling, manifesting, humanism, philosophy, devotion, debate and different kinds of knowledge in early modern Europe. Was it better to be a scholar or lead a more active, practical life? This episode's examples are an English treatise in defence of women's education that encourages women to equip themselves with suitable knowledge to be useful to their husbands and children and a letter by an Italian philosopher about the joy of convivial academic discussion. Sources mentioned Bathsua Makin, An Essay To Revive the Antient Education of Gentlewomen, in Religion, Manners, Arts & Tongues. With An Answer to the Objections against this Way of Education (London: 1673). Elizabeth Jocelin, The Mothers Legacie, To her unborne Childe (London: 1624). Gervase Markham, The English house-vvife Containing the inward and outward vertues which ought to be in a compleate woman (London: 1631). Oscar Wilde, The Picture of Dorian Gray (1890). Anthony Grafton and Lisa Jardine, From Humanism to the Humanities: Education and the Liberal Arts in Fifteenth and Sixteenth-Century Europe (London: 1986). Marsilio Ficino, 'Letter to Bernardo Bembo on the Convivium'. Hosted on Acast. See acast.com/privacy for more information.

¿Qué papel tuvieron nombres como Marsilio Ficino o Giovanni Pico della Mirandola en la recuperación de la sabiduría platónica en la Italia del Renacimiento? ¿Qué sucedió con la tradición judía una vez que fueron expulsados de la península ibérica? ¿Cómo ocurrió el encuentro entre esta cábala judía y otros saberes como el hermetismo, la alquimia o el propio cristianismo? En este capitulazo de El Libro Rojo charlo con Mireia Valls, escritora, profesora y especialista en el estudio del símbolo y la tradición.

TOPICS: Journalist Ring Lardner & the Black Sox scandal, Charles Murray's FACING REALITY, & the philosopher Marsilio Ficino.Host Scot Bertram talks with John J. Miller, Director of the Dow Journalism Program at Hillsdale College, about journalist Ring Lardner and the Black Sox scandal of 1919. Charles Murray, W.H. Brady Scholar at the American Enterprise Institute, joins us for an in-depth discussion about his latest book, FACING REALITY: TWO TRUTHS ABOUT RACE IN AMERICA. And Matthew Gaetano, Associate Professor of History at Hillsdale, introduces us to the Italian Renaissance philosopher Marsilio Ficino.See omnystudio.com/listener for privacy information.

Los filósofos renacentistas hablaron de una “Prisca Theologia”, es decir una teología primigenia que habría sido entregada al hombre desde los tiempos primordiales. La palabra “Prisca” proviene de priscus, que en latín significa “viejo”, es decir que estaríamos hablando de un conocimiento original incontaminado, fuertemente ligado al concepto de “Tradición Primordial” (Prisca Sapientia). El primero en usar el término fue Marsilio Ficino en el siglo XV, quien habló de la existencia de una serie de “teólogos primordiales” y de una “genealogía del conocimiento” con seis figuras decisivas.

In this podcast we have as our guest Angela Voss, senior lecturer at the Faculty of Education of the Canterbury Christ Church University, and Programme Director for the MA in Myth, Cosmology and the Sacred. Her expertise is on Renaissance and Baroque Music and has focused a great part of her research on Marsilio Ficino. In the podcast we discuss the importance and contributions of Ficino to early modern astrology, as well as the position of the history of astrology in academia. For more information on Angela Voss’ work see: https://canterbury.academia.edu/AngelaVoss Some of her publications are: – Marsilio Ficino (North Atlantic Books, Western Esoteric Masters Series, 2006) – Daimonic Imagination: Uncanny Intelligence (Cambridge Scholars Publishing, 2013), edited with William Rowlandson. – Re-enchanting the Academy (Rubedo Press, 2017), edited with Simon Wilson.

In this episode we talk with Nicolas Weill-Parot about the “scientia imaginum”, that is, the manufacturing of talismans, often considered a part of the astrological elections. Nicolas Weill-Parot is a Historian of Science and professor at the Ecole Pratique des Hautes Etudes. He compares the attitudes of Thomas Aquinas and Albert the great on this matter and stresses the distinction between addressative and non-addressative talismans, that is, those created by a ritual containing “magic words” and those created by strictly “natural” means. The former were forbidden, because they were considered to represent a pact with the spiritual/demonic realm, while the latter were tolerated, even encouraged, as they represented a safe form of magic. The boundaries between these two concepts began to blur by the end of the fifteenth-century, and were eventually subverted by Marsilio Ficino’s Neoplatonistic philosophy. For details on Nicolas Weill-Parot work see https://ephe.academia.edu/NicolasWeillParot and https://www.ephe.psl.eu/ecole/nos-enseignants-chercheurs/nicolas-weill-parot. He is the author of one of the foundational books on the history of talismans: Weill-Parot, Nicolas, Les “Images astrologiques” au moyen âge et à la Renaissance (XIIe-XIVe siècle), Paris 2002.

    In this episode we speak with Dr Angela Voss, scholar, artist, musician and Program Director for the MA in Myth, Cosmology and the Sacred at Canterbury Christ Church University. Our topic centered around the imaginal realm, the nature and function of the daimon, and the importance of symbol with a shifting perspective more focused on the luminous for the development of theurgic apotheosis.      Secrets of the Heavens CD Dr Angela Voss and the Marini Consort use the Orphic hymns as translated by Thomas Taylor. Between the invocations there are instrumental pieces from the 15th century, and readings by Mark Rylance from the Letters of Marsilio Ficino. http://www.godstowpress.co.uk/secrets.htm?fbclid=IwAR1fXQsJNiuVJtERPkFobzx2jNfFbAcuOKlAbd7wuynW7KLj4xdf15IGpcA  

"Michelangelo's Piazza del Campidoglio" David M. Aguilera, FRC, PhD, ABPP, from the "Mystical Italy" issue of the Rosicrucian Digest Michelangelo's magnificent design for the Piazza del Campidoglio on Rome's Capitoline Hill was only completed in the 1940s. Its stately curvilinear lines with twelve points suggest the astrological influence of Marsilio Ficino, among other references. In this podcast, Dr. Aguilera introduces us to how this Pizza functions in the life of the Eternal City, and what it reflects of its designer, Michelangelo. Mystical Italy: Join Imperator Christian Bernard and all of the Grand Masters from throughout the world for the 2019 AMORC World Convention taking place in the spectacular city of Rome August 14-18, 2019. Following the World Convention in Rome, join Grand Master Julie Scott, other Rosicrucians, and friends on this journey of a lifetime through Sacred Italy. As pilgrims in this mystical land, we will immerse ourselves in the world of the Sacred Feminine, of Francis of Assisi, the Pythagoreans, and the Neoplatonists, and will learn about many other traditions that have flourished here, including the Phoenicians, Greeks, Romans, Byzantines, Arabs, and Normans. Together we will explore Assisi, Venice, Florence, Ostia, Cumae, Naples, Pompeii, Sorrento, Capri, the Amalfi Coast, and then on to Sicily (with cultures dating back to pre-history), to visit Palermo, Taormina, Catania, Syracuse, Calanissetta, and Agrigento. In addition to its exceptional history and mysticism, we will also experience some of the most inspiring art and architecture in the world, its sacred symbolism, and the breathtaking beauty of this land. Running Time: 9:42 | 24.3 MB Podcast Copyright © 2019 Rosicrucian Order, AMORC. All Rights Reserved. Posted by Rosicrucian Egyptian Museum @ 3/1/2019