Podcasts about Marsilio Ficino

The Corpus Hermeticum is a collection of 17 Greek writings whose authorship is traditionally attributed to the legendary Hellenistic figure Hermes Trismegistus, a syncretic combination of the Greek god Hermes and the Egyptian god Thoth.[1] The treatises were originally written between c. 100 and c. 300 CE,[2] but the collection as known today was first compiled by medieval Byzantine editors. It was translated into Latin in the 15th century by the Italian humanist scholars Marsilio Ficino (1433–1499) and Lodovico Lazzarelli (1447–1500).

The Corpus Hermeticum is a collection of 17 Greek writings whose authorship is traditionally attributed to the legendary Hellenistic figure Hermes Trismegistus, a syncretic combination of the Greek god Hermes and the Egyptian god Thoth.[1] The treatises were originally written between c. 100 and c. 300 CE,[2] but the collection as known today was first compiled by medieval Byzantine editors. It was translated into Latin in the 15th century by the Italian humanist scholars Marsilio Ficino (1433–1499) and Lodovico Lazzarelli (1447–1500).

Giuliano Pisani"L'ignoranza e la scelta"Etica per un'umanità disorientataRonzani Editorewww.ronzanieditore.itGli uomini hanno smarrito la conoscenza e sono in balia di una propaganda vile e abietta, di messaggi fuorvianti, folli, criminali. L'ingiustizia prepara terreni fertili alle sementi dell'odio. Il nemico mortale è l'ignoranza, l'amathia. È qui che attecchisce il fanatismo. La conoscenza dei fatti e la capacità di interrogarli possono cambiare il mondo. Abbiamo il dovere di provarci.L'etica si nutre di libertà. In una società disorientata come l'attuale, che impone ogni giorno scelte complesse, nessuno di noi può permettersi il lusso di non saper distinguere il bene dal male, di non saper tracciare un confine netto tra informazione, propaganda e manipolazione. Qual è il rischio dell'inconsapevolezza? L'ignoranza etica – l'amathia del pensiero greco – è agli antipodi dell'insegnamento socratico, che muove dal dubbio metodico (“so di non sapere”) e ha come fine il rispetto del primo motto delfico: “conosci te stesso”, che interroga il nostro ruolo sociale e ci mette in condizione di prendere decisioni. L'amathès, convinto di sapere ciò che non sa, è facile preda di ideologie e alienazioni e mina alla base, con la sua acriticità, l'obiettivo sociale per definizione: la pacifica convivenza. Come evitare, ciascuno di noi, di cadere vittima della stessa sirena? È lungo il lavoro da fare per riuscire a costruire un nuovo modo di pensare che ci configuri comunità consapevole; ma sarà bene provarci, tenendo a mente che essere coerenti non significa vedere sempre le cose nello stesso modo, ma agire in conformità a ciò che è giusto e doveroso in quel preciso momento, di fronte a quella specifica scelta.Giuliano PisaniFilologo classico e storico dell'arte, è autore di studi, edizioni e traduzioni dal greco e dal latino (Platone, Plutarco, Marsilio Ficino). Ha fornito un'interpretazione innovativa della Cappella degli Scrovegni (I volti segreti di Giotto, Milano, Rizzoli, 2008; La rivoluzione di Giotto, Milano, Skira, 2020) individuandone la chiave di lettura negli scritti di Sant'Agostino. Studi innovativi ha dedicato anche a Orazio, Raffaello e Canova. Ha tenuto seminari e conferenze in molte università e centri culturali europei (spesso in collaborazione con le ambasciate italiane). Ha pubblicato il romanzo Raphael (Milano, GMlibri, 2019) e promosso con Antonia Arslan il progetto “Padova. Casa dei Giusti”, nel cui ambito si inserisce il “Giardino dei Giusti del Mondo di Padova”. Socio effettivo dell'Accademia Galileiana di Scienze, Lettere ed Arti e di altre prestigiose istituzioni, è dal 2017 Cavaliere dell'Ordine al Merito della Repubblica Italiana. IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/van-leer-institute

In this episode, we dive deep into the fascinating origins and esoteric significance of the term larva. We begin by exploring its classical Latin meaning as a ghostly apparition or malevolent spirit, drawing from ancient Roman religious traditions. Discover how larvae were seen as dangerous spirits that disturbed the living, and how these concepts evolved over time. As we trace the term through history, you'll see how larva came to represent not just ghosts, but also astral parasites in modern occultism, feeding off negative emotions and unresolved psychic energy. Learn how figures like Blavatsky, Crowley, and Bardon interpreted larvae as psychic parasites, and how the term has even found its way into modern biological terminology. We'll also discuss the festival of Lemuria in Roman culture, where rituals were performed to exorcise these malevolent spirits, and the symbolic significance of masks in esoteric traditions. CONNECT & SUPPORT

Welcome wisdom seekers to The Brave New World Order! Straight out the dungeons of podcasting I am your host Brandon St. One! Thank you all for joining me for this episode as we contiue our descent into the Corpus Hermeticum! This is PoeMandres, The Shepherd Of Men! The Corpus Hermeticum is a collection of 17 Greek writings whose authorship is traditionally attributed to the legendary Hellenistic figure Hermes Trismegistus, a syncretic combination of the Greek god Hermes and the Egyptian god Thoth. The treatises were originally written between c. 100 and c. 300 CE, but the collection as known today was first compiled by medieval Byzantine editors. It was translated into Latin in the 15th century by the Italian humanist scholars Marsilio Ficino (1433–1499) and Lodovico Lazzarelli (1447–1500). G.R.S Meade Translation -https://archive.org/details/corpus-hermetica/page/n1/mode/2up Greek to English Translation - https://archive.org/details/corpus-hermeticum-balboa/page/n7/mode/2up Website! https://thebravenewworldorderpodcast.com/ Email me: thebravenewworldorderpodcast@gmail.com Follow me on X/Twitter: @Bravenwopodcast If you enjoy The Brave New World Order Podcast buy me a coffee and help it grow! Much Love! https://www.buymeacoffee.com/BRAVEnWo --- Send in a voice message: https://podcasters.spotify.com/pod/show/bravenwopodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/bravenwopodcast/support

In the culminating fifth lecture of the Sophia Lecture series, Professor Douglas Hedley culminates his exploration by delving into play's theological dimension, engaging with Marsilio Ficino, Desiderius Erasmus, and Plotinus to dissect 'serious play', a pivotal concept in Renaissance thought. Throughout the lecture series, Hedley has traversed play's philosophical terrain, examining its roots, the vital role of language in human development, the journey into self-awareness, and the allure of aesthetics. In this lecture, he weaves together the interplay of wisdom and play within cultural narratives, delves into Plotinus' portrayal of the cosmos as a divine ballet, and highlights the synergy between divine ecstasy and human creativity. Additionally, he probes the impact of symbolic play in spiritual realms and underscores the critical role of femininity in the discourse on wisdom and play. Professor Hedley's contributions provide a rich, interconnected view of play as a gateway to a deeper understanding of our selves and the cosmos.   Douglas Hedley is a Professor in the Philosophy of Religion at the University of Cambridge and a Fellow at Clare College. His work spans the fields of philosophy, theology, and psychology, focusing on the intersection of ancient wisdom and modern thought.   Glossary of Terms   Kenosis: The self-emptying of one's own will and becoming entirely receptive to God's divine will. Resources   Ralston College  Website: https://www.ralston.ac/ YouTube: https://www.youtube.com/@RalstonCollegeSavannah X: https://twitter.com/RalstonCollege   Douglas Hedley https://www.ralston.ac/people/douglas-hedley   Living Forms of the Imagination -Douglas Hedley https://www.amazon.com/Living-Forms-Imagination-Douglas-Hedley/dp/0567032957   Sacrifice Imagined: Violence, Atonement, and the Sacred - Douglas Hedley https://www.amazon.com/Sacrifice-Imagined-Violence-Atonement-Sacred/dp/1441194452   The Iconic Imagination - Douglas Hedley https://www.amazon.com/Iconic-Imagination-Douglas-Hedley/dp/1441194630   The Ages of the World 1811 - Friedrich Wilhelm Joseph Von Schelling  https://www.amazon.com/Ages-World-Contemporary-Continental-Philosophy/dp/1438474059   Man at Play - Hugo Rahner S.J. https://www.amazon.com/Man-Play-Hugo-Rahner-S-J/dp/1949899799   Plotinus: Myth, Metaphor, and Philosophical Practice - Stephen R. L. Clark https://www.amazon.com/Plotinus-Myth-Metaphor-Philosophical-Practice/dp/022633967X Quotes   "While our Plato often discusses in a hidden matter, the duty belonging to mankind, it sometimes seems as though he's joking and playing. But platonic games and jokes are much more serious than the serious things of the Stoics." - Douglas Hedley, originally from Marsilio Ficino [00:10:20]   “All fleeting things are just an image. The imperishable is here an event. The indescribable is thus done. The eternal feminine draws us upwards.” Douglas Hedley, paraphrasing Johann Wolfgang von Goethe [00:45:40]  Chapters    [00:00:00] Introduction and Musical Performance [00:04:00] Formal Introduction of Professor Douglas Hedley   [00:09:35] Exploring the Philosophical and Theological Dimensions of Play  [00:16:40] The Renaissance Connection: Erasmus and the Play of Wisdom   [00:22:20] Plotinus and the Cosmic Dance of Creation   [00:27:00] Playfulness in Theology and Philosophy  [00:32:00] Sacred Play: The Intersection of Divine Joy and Human Creativity  [00:36:40] The Iconic Imagination: Symbols and Play in Spiritual Life   [00:42:00] Femininity, Wisdom, and Play in Cultural Traditions  [00:52:00] Concluding Thoughts on Play and Human Development   [00:56:12] Audience Q&A: Insights on Play, Culture, and Society    

University of Cambridge philosopher, Professor Douglas Hedley, delves into the concept of play and its vital role in understanding the human condition. Drawing on Johann Huizinga, Hermann Hesse, and Josef Pieper's ideas, Hedley links play to the divine act of creation, asserting it as an essential element of our existence associated with freedom, creativity, and spirituality. He considers various viewpoints from Christian and Eastern traditions, addressing criticisms and underscoring play's civilizing role. Through Hermann Hesse's "The Glass Bead Game," Hedley probes into play's societal function, its ties to leisure and festivals, and its life-enriching effects. The lecture's Q&A session offers additional insights, marking it as a significant resource for those intrigued by play's profound meanings. Douglas Hedley is a distinguished philosopher at the University of Cambridge, celebrated for his extensive research in the philosophy of religion and Platonism. He is the author of multiple influential works on imagination and religious experience. Glossary of Terms Sophia: Greek word for wisdom, used in the context of the lecture series to signify the exploration of wisdom through philosophy. The Delphic Oracle: The ancient Greek oracle at Delphi, famous for its cryptic predictions and guidance, including the maxim 'know thyself.' Resources Website:  https://www.ralston.ac/ YouTube: https://www.youtube.com/@RalstonCollegeSavannah X: https://twitter.com/RalstonCollege Instagram: https://www.instagram.com/ralstoncollege/ Douglas Hedley https://www.divinity.cam.ac.uk/directory/douglas-hedley https://www.ralston.ac/people/douglas-hedley Living Forms of the Imagination -Douglas Hedley Sacrifice Imagined: Violence, Atonement, and the Sacred - Douglas Hedley The Iconic Imagination - Douglas Hedley The History of Religious Imagination in Christian Platonism,  Exploring the Philosophy of Douglas Hedley - Christian Hengstermann Homo Ludens: A Study of the Play-Element in Culture - Johan Huizinga  In the Shadow of Tomorrow: A Diagnosis of the Modern Distemper - Johan Huizinga  Leisure: The Basis of Culture - Josef Pieper  The Glass Bead Game (Magister Ludi) -  Hermann Hesse  The Journey to the East - Hermann Hesse Siddhartha - Hermann Hesse  Religion in Human Evolution: From the Paleolithic to the Axial Age - Robert N. Bellah  Tertullian. (n.d.). De Spectaculis. De Ludo Globi: The Game of Spheres - Nicholas de Cusa   Plato. (n.d.). Symposium.  https://classics.mit.edu/Plato/symposium.html Plato. (n.d.). Phaedo. https://classics.mit.edu/Plato/phaedo.html Plato. (n.d.). Laws.  https://classics.mit.edu/Plato/laws.1.i.html Quotes "Platonic games and jokes are much more serious than the serious things of the Stoics." - Marsilio Ficino [00:09:20] "Play may well be a key to understanding something about ourselves." - Douglas Hedley [00:09:00] Chapters  [00:00:00] - Introduction [00:01:00] - Welcome and introduction of Sophia lectures series  [00:06:40] - Topic introduction: The Spirit of Play [00:08:13] - Guest speaker introduction: Professor Douglas Hedley [00:09:40] - Distinguishing play and game [00:15:00] - Play as an intimation of the sacred [00:20:40] - The link between play and freedom [00:26:40] - Essentialism and play as an essential part of human condition [00:31:20] - Critique of play within the Christian tradition [00:36:50] - The glass bead game by Hermann Hesse [00:45:00] - Critique of Mandarin culture in the glass bead game [00:51:00] - Religious aspect of play [01:02:00] - Suspicion of leisure in Anglo-American culture [01:04:00] - Q&A session [01:37:19] - Conclusion of Q&A session and end of the lecture

Welcome wisdom seekers to The Brave New World Order! Straight out the dungeons of podcasting I am your host Brandon St. One! Thank you all for joining me for this episode as we swan dive head first deep into the abyss that is the Corpus Hermeticum! The Corpus Hermeticum is a collection of 17 Greek writings whose authorship is traditionally attributed to the legendary Hellenistic figure Hermes Trismegistus, a syncretic combination of the Greek god Hermes and the Egyptian god Thoth. The treatises were originally written between c. 100 and c. 300 CE, but the collection as known today was first compiled by medieval Byzantine editors. It was translated into Latin in the 15th century by the Italian humanist scholars Marsilio Ficino (1433–1499) and Lodovico Lazzarelli (1447–1500). G.R.S Meade Translation -https://archive.org/details/corpus-hermetica/page/n1/mode/2up Greek to English Translation - https://archive.org/details/corpus-hermeticum-balboa/page/n7/mode/2up Website! https://thebravenewworldorderpodcast.com/ Email me: thebravenewworldorderpodcast@gmail.com Follow me on X/Twitter: @Bravenwopodcast If you enjoy The Brave New World Order Podcast buy me a coffee and help it grow! Much Love! https://www.buymeacoffee.com/BRAVEnWo --- Send in a voice message: https://podcasters.spotify.com/pod/show/bravenwopodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/bravenwopodcast/support

Raphael Ebgi"Sette"Le avventure di un simboloLe Edizioni del Mulinowww.mulino.itLa promessa di un sapere senza confini.La mente umana incontra il sette quando si spinge in luoghi di meraviglia. Quando riflette sugli abissi del male, o sulle altezze, ben più difficili, del bene. Quando deve dare ordine alla musica dell'universo, o quando prova a immaginare, a occhi aperti, una via che conduca fuori dal mondo. O quando, infine, deve pensare l'inizio e la fine di tutto, come insegna il libro dei libri, la Bibbia, che crea il mondo in sette giorni. Raccontare la storia del sette significa avventurarsi in spazi in cui i numeri si trasformano in divinità, in elementi della natura, nella materia dei sogni e in speranze di pace. Una storia solo apparentemente lontana, perché il mistero del sette non ha mai smesso di affascinarci, e continua a riaffiorare fra le trame della nostra vita.Raphael Ebgi insegna Storia della Filosofia all'Università Vita-Salute San Raffaele di Milano. Ha curato per i Millenni Einaudi i volumi «Giovanni Pico della Mirandola. Mito, magia, qabbalah» (con G. Busi, 2014), «Umanisti italiani. Pensiero e destino» (con M. Cacciari, 2016), e «Marsilio Ficino. Anima Mundi: Scritti filosofici» (2021).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

In this episode, the esoteric scholar Ronnie Pontiac returns to talk about his latest book: The Magic of the Orphic Hymns: A New Translation for the Modern Mystic.Co-authored by Tamra Lucid, his wife, this brilliant collaboration takes the reader on a winding journey through history, striking a perfect balance between dense scholarship and poetic musing. And they conclude with their own renditions of the hymns, beautifully distilled with poetic skill and the finesse of musicians. Reading this book feels like uncorking a dusty bottle of ancient spirits. The history is allowed to breathe, inviting you to swirl things around and develop your own taste for the mysteries of Orpheus. Tamra and Ronnie present the Orphic Hymns as being much more than beautiful relics. The hymns are magical, invoking the past as the eternal present and inspiring a prismatic vision of the divine. Many decades of research and experiments inspired The Magic of the Orphic Hymns. In their early 20's, Tamra and Ronnie were mentored by the legendary, Manly P. Hall. And when they were asked to help him with a republication of the Orphic Hymns, they fell in love with these ancient rituals. In this interview, Ronnie and I discuss:How an OG episode of Star Trek inspired Ronnie's first religious experience. Why the Orphic Hymns have been called “the most powerful form of magic.”Personal stories of real magical results from the Orphic hymns. How Aeolian Heart was born from an Orphic ritualHow the magic of the Orphic Hymns gave birth to the RenaissanceThe Orphic Hymns and Marsilio Ficino.Orpheus with a thousand faces: a savior, hero, coward and narcissistOrpheus' underworld journey and its symbolism.Orpheus' legacy and impact on written history. How Orpheus has always been countercultural How Orpheus inspired Christianity What Orphic initiates believed about death and the after-life.Why the phrase: “I am the child of earth and starry-heaven” is the password to eternity.Enjoy! If you want to learn more about Tamra and Ronnie, please listen to my other interviews with them. Click here to listen to Tamra and I discuss her exquisite memoir, Making the Ordinary Extraordinary. Click here to listen to Ronnie discuss his epic tome: American Metaphysical Religion: Esoteric and Mystical Traditions of the New World Support the showSupport the show at https://www.patreon.com/aeolianheart

Ronnie Pontiac discusses his new book, The Magic of the Orphic Hymns: A New Translation for the Modern Mystic. Tamra Lucid and Ronnie Pontiac present new literary translations of the Orphic Hymns that reveal their power to attune the reader to the sacred presence of the Orphic Mysteries and the higher order of nature. These translations restore important esoteric details and correspondences about the being or deity to which each hymn is addressed, offering a deeper understanding of these ancient texts. The famous philosopher Marsilio Ficino once wrote that the Orphic Hymns were the most powerful form of magic. These hymns were not just poems but were used for meditation, rituals, and ceremonies. Each hymn was dedicated to a specific deity or virtue, like Athena, Zeus, Love, Justice, or Equality. However, the original hymns were written formulaically, which made them difficult to translate. Tamra Lucid and Ronnie Pontiac have brought back the magical essence of the mystery cults of the past through their new versions of the teletai. They have included important hidden details and correspondences about the being or deity to which each hymn is addressed. They have also added a new version of a lost hymn called "Number" and messages that were inscribed on golden leaves meant to be passports for the dead. These reinventions preserve the original magical intent and mysticism of the teletai. Furthermore, the authors reveal the power of each hymn to attune the reader to the sacred presence of the Orphic Mysteries and the higher order of nature. They also demonstrate how the Orphic Hymns are a book of hours or a calendar of life, covering every event, from birth to death, and guiding us through every experience of human existence as necessary and holy. We talk about The true mission of our souls Who was Orpheus The counter-culture of the Orphic Hymns The Roman Empress Black Julia Marsilio Ficino Black Athena Sator - half goat half human The Underworld True Gods do not sacrifice animals Tamra Lucid, a documentary film producer, including the Emmy-nominated End of the Line: The Women of Standing Rock, is author of Making the Ordinary Extraordinary: My Seven Years in Occult Los Angeles with Manly Palmer Hall. She and Ronnie are founding members of the experimental rock band Lucid Nation. Ronnie Pontiac worked as Manly P. Hall's research assistant, screener, and designated substitute lecturer for seven years. Author of American Metaphysical Religion, he wrote the biographical introduction to Letters to the Sage. He's written for several esoteric journals and has produced award-winning documentaries.

Recaptures the magical vitality of the original Orphic Hymns• Presents literary translations of the teletai that restore important esoteric details and correspondences about the being or deity to which each hymn is addressed• Includes messages inscribed on golden leaves meant to be passports for the dead as well as a reinvention of a lost hymn to Number that preserves the original mystical intent of the teletai• Explores the obscure origins and the evolution of the Orpheus myth, revealing a profound influence on countercultures throughout Western historyAs famous Renaissance philosopher Marsilio Ficino wrote, “No magic is more powerful than that of the Orphic Hymns.” These legendary teletai of Orpheus were not simply “hymns”—they were initiatic poems for meditation and ritual, magical, and ceremonial use, each one addressed to a specific deity, such as Athena or Zeus, or a virtue, such as Love, Justice, and Equality. Yet despite the mystical concepts underlying them, the original hymns were formulaic, creating an obstacle for translators.Recapturing the magical vitality that inspired mystery cults through the ages, Tamra Lucid and Ronnie Pontiac present new versions of the teletai that include important esoteric details and correspondences about the being or deity to which each hymn is addressed. The authors also include a new version of a lost hymn called “Number” and messages that were inscribed on golden leaves meant to be passports for the dead, reinventions that preserve the original magical intent and mysticism of the teletai. Revealing the power of the individual hymns to attune the reader to the sacred presence of the Orphic Mysteries and the higher order of nature, the authors also show how, taken together, the Orphic Hymns are a book of hours or a calendar of life, addressing every event, from birth to death, and walking us through all the experiences of human existence as necessary and holy.Tamra Lucid, a documentary film producer, including the Emmy-nominated End of the Line: The Women of Standing Rock, is author of Making the Ordinary Extraordinary: My Seven Years in Occult Los Angeles with Manly Palmer Hall. She and Ronnie are founding members of the experimental rock band Lucid Nation. Ronnie Pontiac worked as Manly P. Hall's research assistant, screener, and designated substitute lecturer for seven years. Author of American Metaphysical Religion, he wrote the biographical introduction to Letters to the Sage. He's written for several esoteric journals and has produced award-winning documentaries.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2790919/advertisement

Episode 56 features a conversation with my husband Justin and myself. This is part one of two on the topics of Hermeticism and The Kybalion, a book based around the Hermetic Principles. We start with the history of where this wisdom springs from including who Hermes Trismegistus was and some of the myths around Thoth and Hermes. We explore Marsilio Ficino's life and works, and the role he played in keeping the flame of this ancient wisdom alive. We talk about the Cult of Serapis and some similarities it has to Jesus's death and resurrection. We also discuss why we feel this information has been hidden from the masses. Towards the end, we touch on the philosophical and the technical components within Hermetics.

This episode dives into the concept of perennial philosophy, its origins, key figures, and its influence on various religious and philosophical traditions, discussing thinkers like Marsilio Ficino, Giovanni Pico della Mirandola, Philo of Alexandria, and Aldous Huxley. Source: https://en.wikipedia.org/wiki/Perennial_philosophy

How was Magic perceived and conceptualized in the Italian Renaissance? This video will be a brief overview of some philosophical concepts from the Renaissance that shaped the view of magic at the time. We will briefly cover Hermetic Philosophy, Marsilio Ficino, Giordano Bruno and Tommaso Campanella. CONNECT & SUPPORT

#witchcraft #magick #neoplatonism NEOPLATONISM, Plotinus, Iamblichus, Marsilio Ficino, Monism, Emanation, The One in Magick, Esoteric, Witch and Occult practices. BECOME MY PATRON! www.patreon.com/angelapuca ONE-OFF DONATIONS paypal.me/angelasymposium JOIN MEMBERSHIPS https://youtu.be/R_rD7pnKqWI FOLLOW ME: Facebook (Angela's Symposium), Instagram (angela_symposium), Twitter (@angelapuca11). REFERENCES Cocco, G. (1992) ‘La Struttura Del Mondo Soprasensibile Nella Filosofia Di Giamblico', Rivista di Filosofia Neo-Scolastica, Vita e Pensiero – Pubblicazioni dell'Università Cattolica del Sacro Cuore, vol. 84, no. 2/3, pp. 468–493. Copenhaver, B. P. (1984) ‘Scholastic Philosophy and Renaissance Magic in the De vita of Marsilio Ficino', Renaissance Quarterly, vol. 37, no. 4, pp. 523–554 [Online]. DOI: 10.2307/2860993. Gregory, J. (1999) The Neoplatonists: A Reader, Psychology Press. Mebane, J. S. (1992) Renaissance Magic and the Return of the Golden Age: The Occult Tradition and Marlowe, Jonson, and Shakespeare, U of Nebraska Press. Yates, F. A. (1999) Giordano Bruno and the Hermetic Tradition, Taylor & Francis. Zambelli, P. (2007) White Magic, Black Magic in the European Renaissance, BRILL. 00:00:00 Introduction: The Influence of Neoplatonism on Esotericism 00:07:35 The origin of the school 00:09:26 The founding philosophers 00:10:49 The Great Chain of Being 00:17:45 Negative theology 00:23:01 Question break 00:31:32 Monism 00:37:35 Ethics 00:41:51 The problem of evil 00:45:43 Question break 00:56:31 Iamblicus 01:00:21 Marsilio Ficino 01:05:54 The influence of the planets 01:06:02 Neoplatonism in contemporary Esotericism 01:15:37 Final questions 01:32:44 Support Angela's Symposium Music by Erose MusicBand. Check them out! https://www.youtube.com/watch?v=Jyplc67lcA0

Marsilio Ficino fu il pensatore che più di tutti, a Firenze, declinò il platonismo nella nuova sensibilità rinascimentale.

¿Marsilio quieeeeeen? Pues Marsilio Ficino. Cuando le decís a vuestra amiga que Tal o cual es vuestro amor platónico estáis citando al propio Marsilio, que es quien recuperó a Platón y sus escritos, en especial lo que tenía que ver con el amor entre hombres, y por hombres quiero decir varones, o sea, amor viril. Acuñó el término amor socrático (o platónico) para definir el amor homosexual masculino, pero luego la homofobia llegó con el discursito de la sodomía y blanquearon el concepto para heterosexualizarlo... sorprendente, verdad? Pues así se escribe la historia, con una pluma cisheteronormativa. Las músicas del episodio están aquí: https://open.spotify.com/playlist/2pDbVwI2yfQ7WLvd1AOezh?si=8b26edee23884761

Con istitutori del calibro di Pico della Mirandola, Marsilio Ficino e Poliziano, ed amici di gioventù quali Michelangelo, mettendo a frutto i talenti che la natura gli aveva concesso Giovanni divenne uomo di grande cultura e raffinatezza.Alla notizia della sua elezione Giovanni scelse il nome di Leone X in onore dei grandi Papa medioevali. Fu lui a reperire fiumi di denaro con la vendita all'asta di cappelli cardinalizi ed indulgenze, che costituì poi la scintilla scatenante dello scisma luterano

Today's slow drag is with “That Bridge I Burned” from “Extreme Honey: The Very Best of the Warner Bros. Years,” released in 1997, and then again on the “All This Useless Beauty” Rhino re-issue, released in 2001. The songwriting is credited to Elvis Costello. . . . Show Notes: ---------------------- Appreciation written, produced, and narrated by Remedy Robinson, MA/MFA Twitter: https://twitter.com/slowdragremedy Email: slowdragwithremedy@gmail.coms Podcast music by https://www.fesliyanstudios.com Rate this Podcast: https://ratethispodcast.com/slowdrag ---------------------- References: Elvis Costello Wiki Resource, “That Bridge I Burned” http://www.elviscostello.info/wiki/index.php/The_Bridge_I_Burned   “That Bridge I Burned” https://www.youtube.com/watch?v=sPdCavy9z_s  https://www.youtube.com/watch?v=cGhlUBtY8_I   Marsilio Ficino: https://iep.utm.edu/ficino/   Prince's “Pop Life”: https://www.youtube.com/watch?v=56Hvoqgdlfk   Purchase “The Most Terrible Time in My Life…Ends Thursday”   "That Bridge I Burned" Lyrics: I'm walking in Times Square in the Electric Daylight The sailors on shore leave stand out in their perfect white I'm up here with my spying glass at the window up above For better or for worse - it's a perverse universe, my love   Now I know, I should have never walked over the bridge I burned Now I know, somehow I don't feel so alone   "And remember to flee far away from the unbridled, and the impudent, the malicious, and the unlucky. For these being full of bad demons or rays are maleficent, and like lepers and people stricken with plague, they harm not only by touch but even by proximity and by sight." (Dig it!) (Quote from Marsilio Ficino, Italian philosopher [1433-1499])   You mutter underneath your breath - IT ECHOES ROUND THE WORLD  Everybody comes from nowhere There is hope, it loops up in the air   Now I know, I should have never walked over the bridge I burned Now I know, somehow I don't feel so alone   You said I used to be handsome if you screwed up your eyes Professors and vampires drank up all the tears I cried Now there's a bird at my window, he beats upon the pane And sometimes he sings to me - a mocking bird in the twilight of infamy   Now I know, I should have never walked over the bridge I burned Now I know, some how I don't feel so alone Now I know, I should have never walked over the bridge I burned Now I know, they've burned one sinner and the others are selling firewood   Now I know Now I know Now I know

Mini Ráfaga sobre el alma humana y el cuerpo, a partir de un fragmento de la conferencia  “Poesía y armonía en Marsilio Ficino” de María Teresa Rodríguez González. Esta cápsula salió al aire por Radio UNAM en octubre 2014.   Comentarios: Ernesto Priani Saisó. Producción: Ignacio Bazán Estrada. Voces: María Sandoval y Juan Stack. Controles técnicos: Francisco Mejía. Colaboración especial  Rodrigo Galindo. 

Sophia Howlett is the President for the School for International Training. In this episode we discuss her book Marsilio Ficino and His World, alongside discussions on Pico, Platonism, Christianity, the prisca theologia, and more... --- Become part of the Hermitix community: Hermitix Twitter - https://twitter.com/Hermitixpodcast Support Hermitix: Patreon - https://www.patreon.com/hermitix Donations: - https://www.paypal.me/hermitixpod Hermitix Merchandise - http://teespring.com/stores/hermitix-2 Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLK Ethereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9B75a00D9E74

In this episode we cover the curious tale of Marsilio Ficino who translated the Corpus Herticum into Latin at the behest of his patron Cosimo de' Medici. We look at his magical belief system and how he reconciled this alongside his Catholicism. We also touch on how Ficino helped to pioneer the philosophy of religious syncretism and ask the question of whether or not Ficino could have laid some of the groundwork for ecumenism in the Catholic church. Also discussed is some of the occult imagery that exists in the Vatican. So if you have any interest in the Catholic Church, Hermeticism, the occult, the House of Medici or strangeness in general this may be the podcast for youGeorges Jones-Cup of LonelinessJohnny Cash-If I Give my SoulHank Williams-I Saw The Light

Continuing on Commentary on Plato's Symposium on Love with guest Peter Adamson. We consider F's views on beauty and fill out his neo-Platonic epistemology. Get more at partiallyexaminedlife.com. Visit partiallyexaminedlife.com/support to get ad-free episodes and tons of bonus discussion. We'll be live-streaming video for our big ep. 300 on Friday, Aug. 19 at 8pm ET. More info at partiallyexaminedlife.com/pel-live. Sponsors: Learn about St. John's College at sjc.edu/pel. Get 10% off a month of therapy at BetterHelp.com/partially. Maximize the impact of your charitable giving via GiveWell.org; choose "podcast" and enter "Partially Examined Life."

On Commentary on Plato's Symposium on Love (1475), with guest Peter Adamson. What is the role of love in the universe? Ficino tries to combine Plato's theory of love as reproduction in the presence of beauty with an unorthodox take on Christian theology. Get more at partiallyexaminedlife.com. Visit partiallyexaminedlife.com/support to get ad-free episodes and tons of bonus discussion.

Consegue imaginar se não tivesse havido um esforço consistente para recuparar a filosofia clássica, esquecida durante a idade média? MARSILIO FICINO, filósofo renascentista, pouco conhecido mas de enorme importância para a configuração cultural/filosófica atual, do Ocidente. Saiba sobre MARSILIO FICINO nesta palestra da professora e voluntária ANA CRISTINA MACHADO, que tem se dedicado ao estudo e divulgação da filosofia do Renascimento italiano. Brasilia, 2022. Encontre nosso conteúdo: Apple Podcasts, Google Podcasts, Spotify, CastBox, Deezer, iHeart, JioSaavn, Listen Notes, Podcast Addict, Podchaser, RadioPublic Sugestões, colaborações, observações pelo whatsapp 61 9 8361 57 53 - Voluntários Membros da Nova Acrópole Asa Sul #marsilio #renascimento #marsilioficino #renascentistas #ficino  #novaacropole #filosofia #cultura #voluntariado #newacropolis #nuevaacropole #volunteer #culture #philosophy  #palestrasfilosoficas #filosofiaaplicada #podcast #podcastnovaacropole #filosofiaamaneiraclassica  #autoconhecimento #sentidodevida #vidainterior #consciencia #luciahelenagalvao #professoraluciahelena #acropoleplay #palestrafilosoficanovaacropole

While Heidegger and Derrida both contributed groundbreaking reflections on hospitality (and “hostipitality”), they failed to recognize that the host-guest relationship can only succeed if it is correlated with the notion of mutual guardianship. The lecture will describe historic guardian civilizations and then turn to Ricoeur's linguistic hospitality as a possible blueprint for future cultural hospitality. However, the latter scenario will have no need for a third party, i.e., a “translator” who mediates between host and guest. The challenge consists of designing a host-guest relationship in which both parties become each other's translators - and guardians.Tamara Albertini is a professor and department chair at the university of Hawai‘i at Manoa. Professor Albertini's research in Renaissance philosophy focuses on Nicholas of Cusa (mathematics, cosmology), Marsilio Ficino (metaphysics, aesthetics) and Charles de Bovelles. Within Islamic philosophy, Professor Tamara Albertini's publications aim at reintroducing the vigor and vision of Muslim intellectual contributions from the classical period. See acast.com/privacy for privacy and opt-out information.

Nuevo capítulo de El Libro Rojo, en el que charlo con Marta Piñol, Doctora en Historia del Arte y traductora para Ediciones Sans Soleil de la obra ‘Western Esotericism: A Guide for the Perplexed’, de Wouter J. Hanegraaff. Se trata de un estudio profundo para conocer la influencia del esoterismo y el hermetismo en nuestra cultura occidental, y el papel en todo ello de nombres tales como Platón, Plotino, Marsilio Ficino, Paracelso, Jakob Böhme o Robert Fludd.

Welcome to the first episode in a series that will be exploring the content, message, and ongoing influence of Heinrich Cornelius Agrippa's magnum opus, De occulta philosophia libri tres, better known in the modern world as Three Books of Occult Philosophy. In this series of episodes, I will talk to experts, translators, historians, and magicians to unravel the secret of this book of secrets, as we figure out not only where this important book came from, but why it has had such a lasting impact on the world. If we want to understand Occult Philosophy, we first need to take a look at the world in which Agrippa lived. This episode will begin by looking at the Holy Roman Empire, where Agrippa was born and spent most of his life, and then examine a few key historical topics that are relevant to Agrippa and Occult Philosophy, including: The Renaissance The Reformation Science and Philosophy Finally, this episode will give a general overview of Three Books of Occult Philosophy and outline a general plan for this series of podcast episodes. This series of episodes about Occult Philosophy will most likely last until Summer. My Patreon supporters will be receiving each episode a week before the rest of the world, along with bonus materials such as full interviews, a glimpse at works in progress, and the opportunity to suggest further topics for this Agrippa deep dive. If you enjoy these episodes and want to help support their development, you can help out by sharing this podcast with a friend! Let your weird wizard buddies and witch pals know that we have embarked on this journey. And if you want to contribute monetarily, you can go to the Support page on this website and find a number of options. Links My review of the modern translations of Occult Philosophy J.F.'s translation, online for free! Marsilio Ficino with Dan Attrell Giovanni Pico della Mirandola with Ted Hand Giordano Bruno and the Future with Scott Gosnell Credits This episode includes quotes from Douglas Batchelor, host of the What Magic Is This? Podcast, and Eric Purdue, whose translation of De occulta philosophia libri tres was published by Inner Traditions in 2021. This episode included music by JuliusH from Pixabay, along with Celebration by Alexander Nakarada. All music was licensed under Creative Commons: By Attribution 4.0 License. Support me on Patreon: https://www.patreon.com/arnemancy Listen on Podcrypt

Versione audio: Il quadro Venere e Marte, oggi conservato alla National Gallery di Londra, venne realizzato tra il 1482 e il 1483 da Sandro Botticelli (1445-1510), grande artista rinascimentale attivo soprattutto durante la cosiddetta età laurenziana, cioè sotto il governo di Lorenzo dei Medici a Firenze, verso la fine del XV secolo. L'opera venne infatti […] L'articolo Venere e Marte, Pallade e il Centauro: Botticelli, Marsilio Ficino, Lucrezio proviene da Arte Svelata.

After a brief sketch of one God believers throughout time, we’ll consider how well positioned we are today to publish this truth. We may be few, but we are mighty, motivated, and making a difference! Additionally, we’ll consider a few important questions like (1) How can unitarianism be right if most Christians are trinitarian? (2) Read more about 424 One God 14: One God Today[…]

What does reading, learning and contemplating have to do with living a good life? We talk about fortune telling, manifesting, humanism, philosophy, devotion, debate and different kinds of knowledge in early modern Europe. Was it better to be a scholar or lead a more active, practical life? This episode's examples are an English treatise in defence of women's education that encourages women to equip themselves with suitable knowledge to be useful to their husbands and children and a letter by an Italian philosopher about the joy of convivial academic discussion. Sources mentioned Bathsua Makin, An Essay To Revive the Antient Education of Gentlewomen, in Religion, Manners, Arts & Tongues. With An Answer to the Objections against this Way of Education (London: 1673). Elizabeth Jocelin, The Mothers Legacie, To her unborne Childe (London: 1624). Gervase Markham, The English house-vvife Containing the inward and outward vertues which ought to be in a compleate woman (London: 1631). Oscar Wilde, The Picture of Dorian Gray (1890). Anthony Grafton and Lisa Jardine, From Humanism to the Humanities: Education and the Liberal Arts in Fifteenth and Sixteenth-Century Europe (London: 1986). Marsilio Ficino, 'Letter to Bernardo Bembo on the Convivium'. Hosted on Acast. See acast.com/privacy for more information.

Di frasi diventate celebri scritte da Michelangelo Buonarroti ce ne sono davvero tante e alcune addirittura sono entrate di diritto nel linguaggio comune. Non parlava né scriveva mai a caso Michelangelo e i suoi scritti fanno parte del patrimonio culturale mondiale. Le sue parole aprono il cuore e la mente di chi ha voglia di imparare sempre di più da coloro che hanno avuto la sorte di calcare questa terra prima di lui. A seguire troverete le frasi su Michelangelo. Michelangelo è il genio indiscusso del Rinascimento. Scultore prima di tutto ma anche grande pittore, architetto e scrittore di versi e di memorabili lettere che hanno fatto tremare papi, cardinali, re, principi e duchi. Il suo carteggio è infinito così come sono innumerevoli le frasi divenute nel corso dei secoli celebri destinate ai parenti più prossimi come al padre e ai fratelli, agli amici ma anche ai potenti del mondo di allora. Sfrontato con chi dall'alto governava le sorti delle genti e amorevole e gentile con le persone amate come Tommaso de' Cavalieri e Vittoria Colonna. Ha dedicato versi indimenticabili a chi era capace di fargli battere il cuore, scrivendo al contempo parole di fuoco contro una chiesa che vedeva allontanarsi sempre di più da Cristo. Michelangelo ha lasciato ai posteri opere straordinarie: basta pensare al David, alla Pietà Vaticana o ai mirabili affreschi della volta e del Giudizio Universale all'interno della Cappella Sistina. Ogni cosa per lui era degna di nota e riempiva interi faldoni annotando qualsiasi cosa: dai pagamenti da riscuotere o da fare fino ai pensieri che la notte gli portava, quasi fossero un dono per le ore trascorse insonni. In alcuni studi di figure si continuano a leggere versi frammentari o pensieri fermati sulla carta rapidamente prima che il passare dei minuti li cancellasse per sempre. Acuto e amante degli scritti danteschi, profondo conoscitore delle Sacre Scritture e dei testi di Marsilio Ficino, Michelangelo era molto di più che un grande artista. Le frasi di Michelangelo estrapolate dalle lettere e dai suoi componimenti poetici continuano a meravigliare chi non lo conosce così bene. Capace di una grande ironia mischiata talvolta al sarcasmo, riusciva a scrivere versi molto profondi, in grado di far vibrare le corde più nascoste dell'animo umano. Per avere un'idea più precisa di chi fosse questo immenso artista, non è sufficiente conoscere le sue opere ma è indispensabile immergersi nella lettura dei suoi componimenti e del carteggio.

¿Qué papel tuvieron nombres como Marsilio Ficino o Giovanni Pico della Mirandola en la recuperación de la sabiduría platónica en la Italia del Renacimiento? ¿Qué sucedió con la tradición judía una vez que fueron expulsados de la península ibérica? ¿Cómo ocurrió el encuentro entre esta cábala judía y otros saberes como el hermetismo, la alquimia o el propio cristianismo? En este capitulazo de El Libro Rojo charlo con Mireia Valls, escritora, profesora y especialista en el estudio del símbolo y la tradición.

TOPICS: Journalist Ring Lardner & the Black Sox scandal, Charles Murray's FACING REALITY, & the philosopher Marsilio Ficino.Host Scot Bertram talks with John J. Miller, Director of the Dow Journalism Program at Hillsdale College, about journalist Ring Lardner and the Black Sox scandal of 1919. Charles Murray, W.H. Brady Scholar at the American Enterprise Institute, joins us for an in-depth discussion about his latest book, FACING REALITY: TWO TRUTHS ABOUT RACE IN AMERICA. And Matthew Gaetano, Associate Professor of History at Hillsdale, introduces us to the Italian Renaissance philosopher Marsilio Ficino.See omnystudio.com/listener for privacy information.

TOPICS: Journalist Ring Lardner & the Black Sox scandal, Charles Murray’s FACING REALITY, & the philosopher Marsilio Ficino. Host Scot Bertram talks with John J. Miller, Director of the Dow Journalism Program at Hillsdale College, about journalist Ring Lardner and the Black Sox scandal of 1919. Charles Murray, W.H. Brady Scholar at the American Enterprise […]

TOPICS: Journalist Ring Lardner & the Black Sox scandal, Charles Murray's FACING REALITY, & the philosopher Marsilio Ficino. Host Scot Bertram talks with John J. Miller, Director of the Dow Journalism Program at Hillsdale College, about journalist Ring Lardner and the Black Sox scandal of 1919. Charles Murray, W.H. Brady Scholar at the American Enterprise Institute, joins us for an in-depth discussion about his latest book, FACING REALITY: TWO TRUTHS ABOUT RACE IN AMERICA. And Matthew Gaetano, Associate Professor of History at Hillsdale, introduces us to the Italian Renaissance philosopher Marsilio Ficino.

In this show, Thomas Moore joins me to discuss the Soul.  It's a subject he has devoted his life to, and in his first book THE PLANETS WITHIN he explores it through the eyes of Marsilio Ficino, the Renaissance genius who was one of the animating forces of the Florence Academy.  It is my hope you experience another dimension of Psyche by listening to us converse. See Thomas's work HERE: https://thomasmooresoul.com/ www.Patreon.com/adamsommer ....to support the creation of my writings/podcasts and be showered with gifts as well   www.Holestoheavens.com ...to adventure deeper into kosmos, mythos, and psyche

Versione audio: Il grande pittore rinascimentale Alessandro Filipepi (1445-1510), noto come Sandro Botticelli, nacque a Firenze. Entrato al servizio dei Medici, questo artista partecipò alla fervente vita di corte fiorentina, facendo amicizia con le personalità più eminenti dell’Umanesimo italiano, ossia il filosofo Marsilio Ficino e il poeta Agnolo Poliziano, da cui imparò molto. Ficino e […] L'articolo Sandro Botticelli proviene da Arte Svelata.

Los filósofos renacentistas hablaron de una “Prisca Theologia”, es decir una teología primigenia que habría sido entregada al hombre desde los tiempos primordiales. La palabra “Prisca” proviene de priscus, que en latín significa “viejo”, es decir que estaríamos hablando de un conocimiento original incontaminado, fuertemente ligado al concepto de “Tradición Primordial” (Prisca Sapientia). El primero en usar el término fue Marsilio Ficino en el siglo XV, quien habló de la existencia de una serie de “teólogos primordiales” y de una “genealogía del conocimiento” con seis figuras decisivas.

Ze starożytnych głębin wyłania się dzień jak co dzień. Wpadam w poranek wprost ze snów o ogrodach, pełnych trujących kwiatów i mam za oknem białą kartkę. Pustka samego środka zimy o świcie. (zzzzzz) Minus 18 st C i znikąd ratunku. Zostawiłam we śnie te soczyste, nieobliczane ogrody, świętą medycynę, antidotum na wszelkie troski i... kochanka. No i mam zimny poranek, niedogrzaną łazienkę, resztkę kawy. W dodatku nie najlepszej. Renesansowy humanista Marsilio Ficino uznał, że światu w kryzysie pomoże echo platońskiej myśli, ożywcze interpretacje i sztuka pilnowana przez filozofów. Cóż, miłość platońska do mnie nie przemawia, na kryzys dobrze robi duża dawka słońca, puchaty szlafrok, ciepłe słowo A co do sztuki… Ze starożytnych głębin wyłania się dzień jak co dzień. Marsilio Ficino umarł dawno temu. Wracając do głównego wątku - Ze starożytnych głębin Ze starożytnych głębin Ze starożytnych głębin wyłania się dzień jak co dzień I tak za każdym razem. Czy jest coś bardziej…?

In this episode, Phil and JF explore the vast palatial halls of Susanna Clarke's novel Piranesi. Set in an otherworld consisting of endless galleries filled with enigmatic statues, Piranesi is the story of a man who lives alone -- or nearly alone -- in a dream labyrinth. As usual, our discussion leads to unexpected places every bit as strange as Clarke's setting, from Borge's infinite library and Lovecraft's alien cities to Renaissance Europe, where the art of memory was synonymous with wisdom and magic. SHOW NOTES Susanna Clarke, Piranesi Joshua Clover, 1989: Dylan Didn't Have This to Sing About (https://www.amazon.com/1989-Dylan-Didnt-Have-About/dp/0520267877), [The Matrix (BFI Modern Classics](https://www.amazon.com/Matrix-BFI-Modern-Classics/dp/1844570452/ref=sr11?dchild=1&keywords=matrix+clover&qid=1612285260&s=books&sr=1-1) John Crowley, [Little, Big](https://en.wikipedia.org/wiki/Little,Big)_ Christopher Priest, [The Prestige](https://en.wikipedia.org/wiki/ThePrestige)_ (+Christopher Nolan's screen adaptation (https://www.imdb.com/title/tt0482571/)) Susanna Clarke, [Jonathan Strange & Mr. Norrell](https://en.wikipedia.org/wiki/JonathanStrange%26MrNorrell) JF Martel, "The Real as Sacrament" (forthcoming?) Frances Yates, The Art of Memory (https://www.amazon.com/Art-Memory-Frances-Yates-Paperback/dp/B00I8YLSEM) Mary Carruthers, The Book of Memory: A Study of Memory in Medieval Culture (https://www.cambridge.org/core/books/book-of-memory/323D304448453717FAF27D72E13FFB76#) Plato, Phaedrus (http://classics.mit.edu/Plato/phaedrus.html) Henri Bergson, [Matter and Memory](https://en.wikipedia.org/wiki/MatterandMemory) Jorge Luis Borges, "The Library of Babel" (https://en.wikipedia.org/wiki/The_Library_of_Babel) Giovanni Battista Piranesi, [Carceri d'invenzione](https://en.wikipedia.org/wiki/ImaginaryPrisons)_ Maurits Cornelis Escher (https://en.wikipedia.org/wiki/M._C._Escher), Duch artist H. P. Lovecraft, [At the Mountains of Madness](https://en.wikipedia.org/wiki/AttheMountainsofMadness) Gaston Bachelard, [The Poetics of Space](https://en.wikipedia.org/wiki/ThePoeticsofSpace)_ Gyrus, North: The Rise and Fall of the Polar Cosmos (https://dreamflesh.com/projects/north/) [Emerald Tablet](https://en.wikipedia.org/wiki/EmeraldTablet), foundational Hermetic text Joshua Foer, [Moonwalking with Einstein: The Art and Science of Remembering Everything](https://en.wikipedia.org/wiki/Moonwalkingwith_Einstein) Weird Studies ep. 42 - On Pauline Oliveros, with Kerry O'Brien (https://www.weirdstudies.com/42) Giovanni colleague? Allen Ginsberg, "America" (https://www.poetryfoundation.org/poems/49305/america-56d22b41f119f) Rodney Ascher, A Glitch in the Matrix (https://www.aglitchinthematrixfilm.com) Walter J. Ong (https://en.wikipedia.org/wiki/Walter_J._Ong), American philosopher Weird Studies ep. 71: The Medium is the Message (https://www.weirdstudies.com/71) Thomas Ligotti, "The Night School" (https://weirdfictionreview.com/2015/10/the-night-school/) Thomas Aquinas (https://en.wikipedia.org/wiki/Thomas_Aquinas), Christian philosopher and theologian Erasmus (https://en.wikipedia.org/wiki/Erasmus), Christian philosopher Marsilio Ficino (https://en.wikipedia.org/wiki/Marsilio_Ficino), Christian philosopher

I am joined by Dan Attrell, the massive mind behind the Modern Hermeticist YouTube channel, which includes the vast and ever-growing Encyclopedia Hermetica. He is currently working on his PhD in Renaissance history at the University of Waterloo. He has gone out of his way to share tons of his knowledge and learning with his impressive audience, and is also known for translating some amazing materials from Latin. In this episode, we discuss Marsilio Ficino, and in particular Dan’s translation of Ficino’s De Christiana Religione, On the Christian Religion. We discuss many topics and themes in Ficino’s life, including the highest goal of mankind, the immortality of the soul, the nature of reason, the supercelestial world, and the question of whether or not there even was a Platonic academy in Florence. We also attempt to make some sense of the tangled historical events unfolding around Ficino’s life. The Intermission and Beyond We ran into a really bad recording problem in this episode. About 25 minutes in or so, Dan’s Canadian internet connection gave out on us! We had to pick up the conversation the next day. I filled in the gap with a reading from De Christiana Religione that Dan was kind enough to provide. The background music during Dan’s reading is “But We Shall All Be Changed” by Matt Anthony. Thank you, Matt! In part two, Dan and I begin by talking about Aristotle and Plato and their reception in Medeival and Renaissance Europe, but then we get a few tangents, and then we spend time with our favorite mad monk, Savonarola! Notes and Things to Look Up Maimonedes Averroes (AKA Ibn Rushd) Marsilio Ficino Giovanni Pico della Mirandola (also see my conversation with Ted Hand about Pico) Girolamo Savonarola Pietro’s Pizza Links The Modern Hermeticist Dan’s YouTube channel Dan on My Alchemical Bromance Support me on Patreon: https://www.patreon.com/arnemancy Listen on Podcrypt

The New Year is my personal favorite holiday and the Renaissance is my favorite period of our history so here is my very special New Year's Greeting full of my Best Wishes and a Suggestion to Revisit our World with the eyes of the independent thinkers, artists, sculptors, and humanists that age to begin a Renaissance of Ideas of our own in 2021! There are many lessons and analogies we can draw from during our pandemic from the Renaissance Age in which ideas, art, science, philosophy and literature all flourished beginning with Giovanni Bocaccio's "Decameron" collection of 100 short stories from 10 people escaping the plague of their time, among others. Though the Renaissance ended centuries ago, it produced some marvels of the world which have since not been reproduced. For example, there is only one place in this world I have been to where I truly felt like I was a part of a live painting - at the Florence Dome (Cupola) of Brunelleschi. It is a perfect example of life intertwined with art. We have enjoyed tremendous innovative technologies in modern times and many golden ages of Greece, Holland, 19th Century France, or 1960's United States of America, but to this day, the Renaissance has left its distinct legacy that has been unsurpassed since in many regards as there are very few masterpieces of architecture, or few cities constructed since the Renaissance like Florence, Venice, or Mantova. There are few humanists such as Michelle de Montaigne from the Renaissance or Erasmus from Holland, or sculptors and painters of masterpieces such as the Sistine Chapel like Michelangelo, writers like Bocaccio, Petrarca, and independent thinkers like Leonardo da Vinci or Marsilio Ficino. In this video I highlight some of the root causes to explain why the Renaissance Age has withstood time and distinguished itself from other periods of history and the role of key figures of the period such as Lorenzo De Medici, the owner of the Medici Bank and financial mogul who did not just invest in a lot of talent at once, but intentionally inspired a vision of creating art, philosophy, and other works of art to build communities and cities that placed extraordinary value on: 1) TRUTH - searching for it regardless of religious convictions and theological background 2) BEAUTY - creating it for not just the private upper classes but making it accessible and approachable for the public 3) WISDOM - promoting the positive emotional, social, and intellectual drivers of the human condition and behavior such as compassion and empathy through architecture, philosophy, and fine arts. 4) PEACE - prioritizing practical values of community and stability, intellect, reason, short span of life, the role of legacy, and serenity. --- Support this podcast: https://anchor.fm/alloutcoach/support

Una reflexión sobre lo inevitable del cambio y su relación con la memoria y el conocimiento, a partir de un fragmento del tratado De Amore, de Marsilio Ficino. Comentarios: Ernesto Priani Saisó. Producción: Ignacio Bazán Estrada. Voces: Margarita Castillo y Guillermo Henry. Controles técnicos: Francisco Mejía.

Un día como hoy, 19 de octubre: 1433, nace Marsilio Ficino. 1882, nace Louis Ménard. 1862, nace Auguste Lumière. 1553, fallece Bonifazio Veronese. Una producción de Sala Prisma Podcast. 2020

In this podcast we have as our guest Angela Voss, senior lecturer at the Faculty of Education of the Canterbury Christ Church University, and Programme Director for the MA in Myth, Cosmology and the Sacred. Her expertise is on Renaissance and Baroque Music and has focused a great part of her research on Marsilio Ficino. In the podcast we discuss the importance and contributions of Ficino to early modern astrology, as well as the position of the history of astrology in academia. For more information on Angela Voss’ work see: https://canterbury.academia.edu/AngelaVoss Some of her publications are: – Marsilio Ficino (North Atlantic Books, Western Esoteric Masters Series, 2006) – Daimonic Imagination: Uncanny Intelligence (Cambridge Scholars Publishing, 2013), edited with William Rowlandson. – Re-enchanting the Academy (Rubedo Press, 2017), edited with Simon Wilson.

In this episode we talk with Nicolas Weill-Parot about the “scientia imaginum”, that is, the manufacturing of talismans, often considered a part of the astrological elections. Nicolas Weill-Parot is a Historian of Science and professor at the Ecole Pratique des Hautes Etudes. He compares the attitudes of Thomas Aquinas and Albert the great on this matter and stresses the distinction between addressative and non-addressative talismans, that is, those created by a ritual containing “magic words” and those created by strictly “natural” means. The former were forbidden, because they were considered to represent a pact with the spiritual/demonic realm, while the latter were tolerated, even encouraged, as they represented a safe form of magic. The boundaries between these two concepts began to blur by the end of the fifteenth-century, and were eventually subverted by Marsilio Ficino’s Neoplatonistic philosophy. For details on Nicolas Weill-Parot work see https://ephe.academia.edu/NicolasWeillParot and https://www.ephe.psl.eu/ecole/nos-enseignants-chercheurs/nicolas-weill-parot. He is the author of one of the foundational books on the history of talismans: Weill-Parot, Nicolas, Les “Images astrologiques” au moyen âge et à la Renaissance (XIIe-XIVe siècle), Paris 2002.

    In this episode we speak with Dr Angela Voss, scholar, artist, musician and Program Director for the MA in Myth, Cosmology and the Sacred at Canterbury Christ Church University. Our topic centered around the imaginal realm, the nature and function of the daimon, and the importance of symbol with a shifting perspective more focused on the luminous for the development of theurgic apotheosis.      Secrets of the Heavens CD Dr Angela Voss and the Marini Consort use the Orphic hymns as translated by Thomas Taylor. Between the invocations there are instrumental pieces from the 15th century, and readings by Mark Rylance from the Letters of Marsilio Ficino. http://www.godstowpress.co.uk/secrets.htm?fbclid=IwAR1fXQsJNiuVJtERPkFobzx2jNfFbAcuOKlAbd7wuynW7KLj4xdf15IGpcA  

A webinar with Professor Denis Robichaud (University of Notre Dame), originally presented June 30, 2020. Part of our summer webinar series on "Reason and Beauty in Renaissance Christian Thought and Culture," presented in collaboration with the American Cusanus Society In the humanist recovery and study of Platonic thought and texts, Marsilio Ficino (1433-99) was a brilliant luminary. He produced the first translation into Latin of all of Plato's texts and of Plotinus's Enneads, and he translated and commented on numerous other Platonic works. Ficino was also more than a scholar, he was also a philosopher and theologian whose network of students, friends, and correspondents extended far beyond his Florentine home. His philosophical thought fed early modern philosophy for generations but also raised questions of Ficino's orthodoxy. In this webinar, Professor Denis Robichaud (Notre Dame) will discuss Marsilio Ficino's humanist, philosophical, and theological thought.

Angela Voss, PhD, SFHEA is Programme Director for the MA in Myth, Cosmology and the Sacred at Canterbury Christ Church University, UK. In this podcast we discuss:Her interest in the Renaissance philosopher Marsilio FicinoThe relationship between art, religion and scienceWho were the neoplatonists?Neoplatonic ritualThe neoplatonic goalThe prominence of its practiceThe influence of neoplatonic ideas on contemporary esoteric, spiritual and scientific thoughtShe has studied and taught Western esotericism for over twenty years, and is also a musician and an astrologer. Her interest began with the Renaissance philosopher Marsilio Ficino, who was deeply indebted to both Plato and Hermes in his desire to renew the spirit of the Christian religion (see Marsilio Ficino, 2006), and she completed a doctorate on his astrological music therapy in 1992.  She is now in the Education Faculty at Canterbury Christ Church, and is working within a transformative learning context, finding ways to bridge esoteric wisdom and reflexive scholarship. She has written extensively on Ficino, the symbolic imagination, music, astrology and divination, and she regards her vocation as a ‘walker between the worlds', of spiritual experience and academic discourse.  Some of her publications can be found at https://canterbury.academia.edu/AngelaVoss  Her latest publication is Re-enchanting the Academy, co-edited with Simon Wilson.

Dan Attrell - Canadian-born intellectual historian, classicist and philosopher, also known as ‘The Modern Hermeticist’ - shares about the Latin Polemical Tradition, how converts from Judaism to Christianity debated Talmudic esotericism and theology, and how these debates and anti-Jewish sentiments shaped the thought of Renaissance humanist philosophers Marsilio Ficino and Pico della Mirandola. Dan examines the streaming ribbons of thought how throughout medieval European history, Petrus Alfonsi's converso mysticism and natural philosophy went on to influence many great intellectuals from the monastic and mendicant traditions (such as Joachim of Fiore, Ramon Marti, Paul of Burgos, and Jerome of Santa Fe), culminating in both the Christian interpretation of Kabbalah, and the development of the Christian Cabala itself, among many other topics.►Dan’s excellent YouTube channel: https://www.youtube.com/channel/UCcluftdk1tuDU71ZdGNpHTA►Dan’s website: https://themodernhermeticist.com/►‘The Disputation’ film: https://www.youtube.com/watch?v=-p3WlesJgaI Become a Glitch Bottle patron! ✅►https://www.patreon.com/glitchbottle

Dan Attrell - Canadian-born intellectual historian, classicist and philosopher, also known as ‘The Modern Hermeticist’ - shares about the Latin Polemical Tradition, how converts from Judaism to Christianity debated Talmudic esotericism and theology, and how these debates and anti-Jewish sentiments shaped the thought of Renaissance humanist philosophers Marsilio Ficino and Pico della Mirandola. Dan examines the streaming ribbons of thought how throughout medieval European history, Petrus Alfonsi's converso mysticism and natural philosophy went on to influence many great intellectuals from the monastic and mendicant traditions (such as Joachim of Fiore, Ramon Marti, Paul of Burgos, and Jerome of Santa Fe), culminating in both the Christian interpretation of Kabbalah, and the development of the Christian Cabala itself, among many other topics.►Dan’s excellent YouTube channel: https://www.youtube.com/channel/UCcluftdk1tuDU71ZdGNpHTA►Dan’s website: https://themodernhermeticist.com/►‘The Disputation’ film: https://www.youtube.com/watch?v=-p3WlesJgaI Become a Glitch Bottle patron! ✅►https://www.patreon.com/glitchbottle

***Thank you for your patience while I await for a new computer to replace my two fried ones. I am “working” of an iPhone6s in the meantime as best I can*** Thank you for your support: Recommended Reading: MARSILIO FICINO By Angela Voss Also Read for free “‘Diligentia et divina sors' Oracular Intelligence in Marsilio Ficino's Astral Magic” by Angela Voss (Canterbury Christ Church University) on Academia.edu *More on Frater R.C.'s Youtube and...* *Free Book & Subscriber Updates:* www.EsotericEbooks.com ( http://www.EsotericEbooks.com ) *Book Recommendations:* www.OccultAuthors.com ( https://www.OccultAuthors.com ) *To avoid putting adds on this podcast or the partnered Frater R.C. YouTube Channel, I use affiliate links for some book recommendations and magical products. So you can support my work by using those while also having me compensated out of Bezos' pocket. I recommend you try this out as well on your platforms....KONX OM PAX! --- Send in a voice message: https://anchor.fm/magick/message Support this podcast at — https://redcircle.com/magick-without-fears-frater-r-c-hermetic-podcast/exclusive-content Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

This is a solo episode about the Hypnerotomachia Poliphili, the most beautiful book in Venice. This mysterious volume was printed in Venice in 1499 by Aldus Manutius, with a typeface created by master punchcutter Francesco Griffo. Illustrated with 172 amazing woodcuts, it was written in a strange combination of Latin, Greek, and Italian. The illustrations also contain Hebrew, Arabic, and invented hieroglyphs. Nobody knows who the illustrator was, nor who wrote the book, but most scholars agree that it was Venetian Franciscian monk and priest Francesco Colonna. In this episode, I discuss the history of events leading up to the book, the nature of the book itself, and also possible influences the Hypnerotomachia Poliphili may have had on later European art, literature, and occult currents. Some of the topics I touch on are the 17th century Rosicrucian movement, the Renaissance Art of Memory, and 18th century Freemasonry. My research in this episode relies heavily on the previous work of two people. First, Joscelyn Godwin, musicologist, author, historian, and translator. He translated the Hypnerotomachia Poliphili into English for the first time in 1999, and was the translator and commentator of The Chemical Wedding of Christian Rosenkreutz, which I reference in the show. Second is Efthymia Priki, Ph.D. in Byzantine Studies from University of Cyprus, who did extensive work researching the influences of the Hypnerotomachia Poliphili on works that came after it. Links The Arnemancy Store Register for an upcoming class or get a recording of a previous class. Joscelyn Godwin’s English translation of the Hypnerotomachia Poliphili Robert Dallington’s aborted English translation of 1592 (at Project Gutenberg) Scans of the 1499 first edition of the Hypnerotomachia Poliphili (at the Internet Archive) The Rosicrucian Trilogy (also check out my review of this book) Excellent overview of the story and artwork in the HP “Elucidating and Enigmatizing: the Reception of the Hypnerotomachia Poliphili in the Early Modern Period and in the Twentieth and Twenty-first Centuries” by Efthymia Priki The Club Dumas by Arturo Pérez-Revert The Rule of Four by Ian Caldwell and Dustin Thomason The Mysterious Flame of Queen Loana by Umberto Eco (Make sure you get one that’s in full color!) Support me on Patreon: https://www.patreon.com/arnemancy Listen on Podcrypt

Marsilio Ficino’s revival of Platonism, with a focus on his proofs for the soul’s immortality in his magnum opus, the Platonic Theology.

Una reflexión sobre la mortalidad del cuerpo, la inmortalidad del alma y las posibilidades de la felicidad humana, a partir de una cita de Teología Platónica de Marsilio Ficino. Comentarios: Ernesto Priani Saisó. Producción: Ignacio Bazán Estrada. Voces: Margarita Castillo y Guillermo Henry. Controles técnicos: Francisco Mejía.

---------------------- Appreciation written, produced, and narrated by Remedy Robinson Twitter: @slowdragremedy Email: slowdragwithremedy@gmail.com Podcast music by https://www.fesliyanstudios.com Rate this Podcast: https://ratethispodcast.com/slowdrag ---------------------- Companion Blog: https://slowdragwithremedy.home.blog/2019/10/09/episode-11-king-of-thieves/  References: “King of Thieves”: https://www.youtube.com/watch?v=XwDHBDT07iU “The Bridge I Burned”: https://www.youtube.com/watch?v=cGhlUBtY8_I A bit more about Marsilio Ficino: https://www.iep.utm.edu/ficino/ “The Most Terrible Time in my Life…Ends Thursday”: https://www.amazon.com/dp/B07XLXS5PL/ref=sr_1_3?keywords=remedy+robinson&qid=1568499321&sr=8-3 So, until next time, Adieu, my little ballyhoo "King of Thieves" Lyrics: I had forgotten all about "The Case Of The Three Pins" They said I must be cracked Until the brown paper parcel landed on my welcome mat Even the pretty secretaries who wouldn't even let me hang my hat All recognize my handwriting And return to sender as a matter of fact If I were you I'd change my name again They don't care what they do to you, believe me This is the coronation of the King of Thieves His occupation is the King of Thieves He can steal more than you can save You can take him on, but you're not that brave I'll tell your fortune in a minute or two I might even tell you what comes next The moguls want a human sacrifice And look at that girl - young, hungry and perplexed They took away the best years of her life Ah, but it's all in good fun And if you kept your nose clean You can laugh now at the caring things they've done If I were you I'd change my name again They don't care what they do to you, believe me This is the coronation of the King of Thieves His occupation is the King of Thieves He can steal more than you can save You can take him on, but you're not that brave I'll write this story down, but you'll never guess the final twist Blow the whistle on the whole design As they find my name on that fatal mailing list I hear the clatter of a typewriter Another rookie eating up the reams I think it's time to put my feet under the desk And place my mark on another man's dreams If I were you I'd change my name again They don't care what they do to you, believe me This is the coronation of the King of Thieves His occupation is the King of Thieves He can steal more than you can save You can take him on, but you're not that brave This is the coronation of the King of Thieves And look at that girl, look at that girl Look at that girl, look at that girl Look at that girl

"All things feel," Pythagoas said. Panpsychism, the belief that consciousnes is a property of all things and not limited to the human brain, is back in vogue -- with good reason. The problem of how inert matter could give rise to subjectivity and feeling has proved insoluble under the dominant assumptions of a hard materialism. Recently, the American filmmaker Errol Morris presented his own brand of panpsychism in a long-form essay entitled, "The Pianist and the Lobster," published in the New York Times. The essay opens with an episode from the life of Sviatoslav Richter, namely a time where the famous Russian pianist couldn't perform without a plastic lobster waiting for him in the wings. In Morris's piece, the curious anecdote sounds the first note of what turns out to be a polyphony of thoughts and ideas on consciousness, agency, Nerval's image of the the "Hidden God," and the deep weirdness of music. Phil and JF use Morris's essay to create a polyphony of their own. REFERENCES Errol Morris, "The Pianist and the Lobster" (https://www.nytimes.com/interactive/2019/06/21/opinion/editorials/errol-morris-lobster-sviatoslav-richter.html) Sviatoslav Richter (https://en.wikipedia.org/wiki/Sviatoslav_Richter), Russian pianist Nick Cave., Red Hand Files #53 (https://www.theredhandfiles.com/who-are-your-favourite-guitarists/) Thomas Kuhn, [The Structure of Scientific Revolutions](https://en.wikipedia.org/wiki/TheStructureofScientificRevolutions) Bruno Monsaingeon (dir.), Richter: The Enigma (https://www.youtube.com/watch?v=yfJVpjI3wJM) Bon Jovi, "Livin’ on a Prayer" (https://www.youtube.com/watch?v=lDK9QqIzhwk) Brad Warner, "The Eyes of Dogen" (http://hardcorezen.info/the-eyes-of-dogen/6368) Gilles Deleuze, [Difference and Repetition](https://en.wikipedia.org/wiki/DifferenceandRepetition) Edgard Varèse (https://en.wikipedia.org/wiki/Edgard_Varèse), composer Benjamin Libet (https://en.wikipedia.org/wiki/Benjamin_Libet#Implications_of_Libet%27s_experiments), neuroscientist Robin Hardy (dir), [The Wicker Man](https://en.wikipedia.org/wiki/TheWickerMan) Frans De Waal, Mama’s Last Hug (https://www.theguardian.com/books/2019/may/08/mamas-last-hug-frans-de-waal-review) Gilles Deleuze and Félix Guattari, [A Thousand Plateaus](https://en.wikipedia.org/wiki/AThousandPlateaus) Sartre, [The Transcendence of the Ego](https://en.wikipedia.org/wiki/TheTranscendenceoftheEgo) Tarot de Marseille - XVIII: The Moon (https://files.fireside.fm/file/fireside-uploads/images/e/e38b53e4-e148-4e2d-b301-0b3bb15779ff/W4v2yByR.jpg) Marsilio Ficino, [Three Books on Life](https://en.wikipedia.org/wiki/Devitalibritres)_ Carl Jung, "On the Relation of Analytical Psychology to Poetry" (http://www.studiocleo.com/librarie/jung/essay.html), The Red Book (https://www.npr.org/2009/11/11/120129676/the-red-book-a-window-into-jungs-dreams) Terence McKenna, Food of the Gods (https://www.amazon.com/Food-Gods-Original-Knowledge-Evolution/dp/0553371304)

Hoy se mandraflashea fuerte. Leemos fragmentos de "La Hospitalidad" de Jaques Derrida y "De Amore, comentario al Banquete de Platòn" y vemos que pueden tener que ver

Hoy se mandraflashea fuerte. Leemos fragmentos de "La Hospitalidad" de Jaques Derrida y "De Amore, comentario al Banquete de Platòn" y vemos que pueden tener que ver

Teacher and independent scholar Ted Hand joins me in this episode for a deep dive into the angelology of Pico della Mirandola, followed by a crazy romp through the gnostic world of Philip K. Dick. It’s a dense episode, and (hold on to your hat!) it’s all connected! We follow Pico’s adventures through the Florentine Renaissance as he encounters translating superhero Marsilio Ficino, the mad monk Savonarola, and tragically doomed king Charles VIII, but our journey doesn’t stop there. In the late 20th century, our trip through gnosis and mysticism continues with PKD information that left me speechless! You’ll need your podcast safety glasses for this one, dear listeners. As a bonus, we also discuss Ted’s upcoming Philip K. Dick Tarot! Also, here’s where I was wrong: The Popes that Pico had to deal with are not Pius II and Alexander VII like I said, but instead Innocent VIII and Alexander VI. Who remembers their Popes? I’ll bet you don’t! Give me a break. Links Thrice Blessed Press The Alchemical Diagrams Blog Philip K. Dick Tarot at Wide Books Support me on Patreon: https://www.patreon.com/arnemancy

En este tercer episodio seguimos en nuestro viaje peripatético a través de los oscuros caminos del conurbano para hundirnos en la melancolía y preguntarnos ¿me tengo que tatuar “soltar” en el brazo? Peripatéticas es una coproducción de Furor Podcast, Danila Suárez Tomé y Natalí Incaminato. Cuenta el sponsoreo de Luciano Musaccio y Denise Cufré.   Está auspiciado por [Penguin Random House audiolibros](https://www.megustaleer.com/audiolibros/). ¡Ingresá en leer.com.ar/peripateticas y elegí tu próximo audiolibro! **Referencias bibliográficas: **"El alma atómica" (2009), Guy Hocquenghem y René Schérer. "Los fantasmas de eros". Un ensayo sobre la melancolía (1982), Giorgio Agamben. "Anatomía de la melancolía" (1621), Robert Burton. "Eros y magia en el renacimiento" (1984), Ioan P. Culianu. "El concepto de la melancolía en Marsilio Ficino" (2014), Andrea María Noel Paul. "La vuelta de la melancolía" (1993), Julio Romero. "Duelo y melancolía" (1917), Sigmund Freud. "Bajo el signo de Saturno" (1980), Susan Sontag. "Saturno y la melancolía" (1989), Raymond Klibansky, Erwin Panofsky y Fritz Saxl. "Hamlet" (1605), William Shakespeare. "El desdichado (1854),Gérard de Nerval. "Oda a la Melancolía" (1819), John Keats. "Trilce", poema “XXVIII” (1922),César Vallejo y "La mayor" (1976), Juan José Saer. **Créditos:** Narración: Danila Suárez Tomé y Natalí Incaminato. Interpretación: Josefina Avale, Mariel Giménez y Vanina Pikholc. Locución: Miranda Carrete y Florencia Flores Iborra. Guion: Danila Suárez Tomé, Natalí Incaminato y Mariel Giménez. Edición: Florencia Flores Iborra. Producción: Josefina Avale y Vanina Pikholc Música: Podcast con ladrido por Juan Manuel Ontivero. Ilustración: Viviana Maidanik. **Peripatéticas es el primer podcast argentino financiado colectivamente.**

"Michelangelo's Piazza del Campidoglio" David M. Aguilera, FRC, PhD, ABPP, from the "Mystical Italy" issue of the Rosicrucian Digest Michelangelo's magnificent design for the Piazza del Campidoglio on Rome's Capitoline Hill was only completed in the 1940s. Its stately curvilinear lines with twelve points suggest the astrological influence of Marsilio Ficino, among other references. In this podcast, Dr. Aguilera introduces us to how this Pizza functions in the life of the Eternal City, and what it reflects of its designer, Michelangelo. Mystical Italy: Join Imperator Christian Bernard and all of the Grand Masters from throughout the world for the 2019 AMORC World Convention taking place in the spectacular city of Rome August 14-18, 2019. Following the World Convention in Rome, join Grand Master Julie Scott, other Rosicrucians, and friends on this journey of a lifetime through Sacred Italy. As pilgrims in this mystical land, we will immerse ourselves in the world of the Sacred Feminine, of Francis of Assisi, the Pythagoreans, and the Neoplatonists, and will learn about many other traditions that have flourished here, including the Phoenicians, Greeks, Romans, Byzantines, Arabs, and Normans. Together we will explore Assisi, Venice, Florence, Ostia, Cumae, Naples, Pompeii, Sorrento, Capri, the Amalfi Coast, and then on to Sicily (with cultures dating back to pre-history), to visit Palermo, Taormina, Catania, Syracuse, Calanissetta, and Agrigento. In addition to its exceptional history and mysticism, we will also experience some of the most inspiring art and architecture in the world, its sacred symbolism, and the breathtaking beauty of this land. Running Time: 9:42 | 24.3 MB Podcast Copyright © 2019 Rosicrucian Order, AMORC. All Rights Reserved. Posted by Rosicrucian Egyptian Museum @ 3/1/2019

“Michelangelo's Piazza del Campidoglio” David M. Aguilera, FRC, PhD, ABPP, from the “Mystical Italy” issue of the Rosicrucian Digest Michelangelo’s magnificent design for the Piazza del Campidoglio on Rome’s Capitoline Hill was only completed in the 1940s. Its stately curvilinear lines with twelve points suggest the astrological influence of Marsilio Ficino, among other references. In this […]

Dr. Angela Voss and I discuss “A Methodology of the Imagination,” transformative learning, magical and divinatory ways of knowing, balancing the rational and the intuitive, scholarship as initiation, the personal daimon and the daimonic, and Marsilio Ficino’s astrological music therapy. Dr. Angela Voss is Programme Director for the MA in Myth, Cosmology and the Sacred at Canterbury Christ Church University. Previously she was the Director of the MA in the Cultural Study of Cosmology and Divination at Kent. As a graduate student, she was introduced to the writing of the Renaissance philosopher, musician and astrologer, Marsilio Ficino, and became thoroughly immersed in the world of 15th-17th century music and philosophy, then decided to embark on a PhD to explore Ficino’s astrological music therapy - her dissertation was titled: 'Music, Astrology and Magic: the astrological music therapy of Marsilio Ficino and his role as a Renaissance Magus’. She has published numerous papers on Ficino, as well as an edited collection of his astrological writings for North Atlantic Books, Western Esoteric Masters series, and is the author and editor of several other books, including Seeing with Different Eyes: Essays on Astrology and Divination, The Imaginal Cosmos: Astrology, Divination, and the Sacred, Daimonic Imagination: Uncanny Intelligence, and Re-enchanting the Academy. Angela is now moving deeper into the territory of symbolism and the imaginal, exploring statue-magic, the spiritual dimensions of music, and past-life therapy, ancient Greek mysteries and the metaphysics of divination. She is engaged in creating a framework for the MA within Transformative Learning, linking esoteric and wisdom traditions with soul-work and consciousness raising within the academy. -- Notes -- Dr. Voss on Academia - http://canterbury.academia.edu/AngelaVoss Myth, Cosmology, and the Sacred MA - https://www.canterbury.ac.uk/study-here/courses/postgraduate/myth-cosmology-and-the-sacred-19-20.aspx - Cover art/logo design by Jeff Wolfe Music by Poddington Bear

Una reflexión sobre las razones por las cuales somos malos para juzgar la belleza y bondad de quienes amamos o de quienes nos enamoramos, tomado del De Amore de Marsilio Ficino. Comentarios: Ernesto Priani Saisó. Producción: Ignacio Bazán Estrada. Voces: María Sandoval y Juan Stack. Controles técnicos: Miguel Ángel Mendoza. 

Renaissance Magick, largely and obviously defined by the time, the 15th and 16th Century. There were a few people who helped shape the ideas that would later influence all further generations of magicians - Henry Agrippa and Marsilio Ficino were two of the big ones. Agrippa's Of Magick is cited as one of the most influential works of occult literature according to many modern day magicians and witches. I dig into these people and the branching off of a period of time when science and magick parted ways instead of being considered in and of the same thing - knowledge and wisdom. Link to Agrippa's work: http://www.esotericarchives.com/agrippa/agrippa1.htm www.meandparanormalyou.com www.ryansingercomedy.com www.patreon.com/ryansinger www.society6.com/mapy 818-839-0593 Mindline Please rate & review on iTunes and GooglePlay! --- Send in a voice message: https://anchor.fm/meandparanormalyou/message

This week we speak to musician, scholar and astrologer, Dr Angela Voss. Dr Voss is Programme Director for the ‘Myth, Cosmology and the Sacred’ MA at Canterbury Christ Church Cathedral University and is the author of the western esoteric masteries series book on Marsilio Ficino. Ficino is one of the most fascinating people in European history, a cornerstone of the Renaissance and the story of western magic. So this is a great chat. Show Notes MA Course in Myth, Cosmology and the Sacred Marsilio Ficino (Western Esoteric Masters Series)

Esta pequeña cápsula nos describe a grandes rasgos el texto de Marsilio Ficino, que bien puede pasar de ser un texto histórico-filosófico en torno al amor, a ser como un tratado médico o incluso una serie de consejos para prevenir y curar el mal de amores, conocido por la mayoría de los seres humanos.

Monk, psychotherapist, and musician Thomas Moore (author of Care of the Soul) talks about the astrology of Marsilio Ficino, and developing a Religion of One's Own.

Institute of Musical Research TITLE: ‘Music is nothing more than a Decoration of Silence’ (Marsilio Ficino, c.1485) ARTIST: Anthony Rooley DESCRIPTION: Lecture by Anthony Rooley PRODUCER: Colin Still COPYRIGHT: Optic Nerve 2012