Podcasts about commercial music

The conversation explores various themes including pop culture nostalgia, the experience of watching the Guyver movie, the impact of anime adaptations, the dynamics of basketball growth and playing styles, and cultural commentary on current events. In this segment, the conversation flows from speculations about Super Bowl performances to comparisons between quarterbacks Jalen Hurts and Daniel Jones. The discussion then shifts to the narrative surrounding Patrick Mahomes and biracial identity in sports. The focus then turns to a shocking NBA trade involving Luka Doncic and the Lakers, leading to an analysis of the Mavericks' decision-making process regarding their star player. In this segment, the conversation delves into the current challenges faced by the Lakers, particularly focusing on Anthony Davis's future with the team and the implications of recent trades. The discussion shifts to the impact of these trades on the Lakers' potential moves and their standing in the league. The conversation then transitions to the music industry, highlighting Kendrick Lamar's nominations at the Grammys and the significance of his recent work. Finally, the segment concludes with a discussion on The Weeknd's new album and its reception. In this conversation, the speakers delve into various topics, starting with a discussion on The Weekend's latest album, exploring its introspective nature and lyrical content. They then transition to the rise of AI, particularly focusing on DeepSeek, a Chinese AI model that has gained significant attention. The conversation shifts to the implications of AI on innovation and competition in the tech industry. Following this, they discuss the recent controversies surrounding the Oscars, particularly focusing on a nominated actress's resurfaced racist tweets. Finally, they touch on the accountability of public figures in the digital age, highlighting the challenges and consequences of past actions in today's society. In this segment, the conversation delves into the complexities of public perception surrounding allegations of abuse, particularly focusing on Jonathan Majors. The hosts discuss the nuances of relationships, forgiveness, and the societal reactions to celebrity scandals. They also explore the theatrical experience and provide a detailed review of the movie 'Companion', highlighting its themes and character development. In this conversation, the hosts explore various themes in contemporary cinema, including the unexpected success of January movie releases, innovative storytelling in horror comedies, and character archetypes. They also delve into documentaries about OJ Simpson and Diddy, reflecting on cultural implications and personal insights.

This week Nick Averwater talks with Michael Parsons, Director of Instrumental and Popular Music at Briarcrest Christian School in Memphis, TN. Michael is also Director of Sound Fuzion, a pop vocal ensemble at the University of Memphis.In this episode we'll learn about how Michael has incorporated pop music groups and commercial music studies into the music department at Briarcrest, but in a way that enhances the traditional music ensembles.Our conversation was recorded August, 2024. We've broken it up into two episodes, and this is part one.

This episode has been in the works for a little over 3 years now. My original intention was to meet the members of Brass Against and talk to the brass players about the band and all kinds of other topics. I followed up on the message about 2-3 months ago and I received a response. (I was one happy camper) They said, “Frank will do it!” So then I began researching Frank Cohen. After falling into that rabbit hole I discovered, Frank has done a lot! He's a member of Brass Against and he currently is lead trombone/soloist with Arturo O'Farrill and the Afro Latin Jazz Orchestra, with Willie Colon, and is a member of the High and Mighty Brass Band. Mr. Cohen has great life experiences as a musician that we can all learn from, maybe some can relate to, but most of all we have found another trombone treasure! https://rathtrombones.com/robert-kaip-loves-his-rath-2/ https://www.highandmightybrassband.com/  

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Conrad Herwig, commercial and jazz trombonist from New York City. About Conrad: New York jazz artist CONRAD HERWIG has recorded nearly 30 albums as a leader, receiving four GRAMMY®-nominations for his own projects. His latest CD release is The Latin Side of McCoy Tyner (Savant; 2024). This albums marks 27+ years of the “Latin Side . . .” series, and is a follow-up project to The “Latin Side of ...” tributes to Charles Mingus (Savant 2022), Horace Silver (Savant; 2020), Joe Henderson (Half Note; 2014), Herbie Hancock (Half Note;2010) Wayne Shorter (Half Note; 2008), Miles Davis (Half Note; 2004), and John Coltrane (Astor Place; 1996). These exciting and individualized projects feature an array of special guests including Randy Brecker, Ruben Blades, Michel Camilo, Joe Lovano, Eddie Palmieri, Paquito D'Rivera, Dave Valentin and many of the hottest players on the international scene. Herwig is equally facile in a non-Latin arena. He has been voted #1 Jazz Trombonist in DownBeat Magazine “Jazz Critic's Poll” and nominated for “Trombonist of the Year” by the JazzJournalists Association on numerous occasions. In constant demand as a sideman, Herwig has performed with Joe Henderson, Horace Silver, McCoy Tyner, and Joe Lovano (featured as a soloist on Lovano's GRAMMY® Award winning 52nd St. Themes CD). In the Afro-Caribbean genre he has toured with legends such as Eddie Palmieri, Tito Puente, Paquito D'Rivera, and Michel Camilo. He is a longtime member of the the Mingus Big Band (where he has served as musical director and arranger including on the 2011 GRAMMY®-winning “Live at the Jazz Standard”). In other big band settings Herwig has also performed and recorded with Clark Terry, Buddy Rich, Frank Sinatra, Miles Davis & Quincy Jones, and the Gil Evans Orchestra. All told Herwig has appeared on more than 200+ albums in what is now a 40 year career. In 2006 Herwig received the Paul Acket Award (formerly the “Bird Award”). The prize, presented at the North Sea Jazz Festival, is intended for an artist who, according to the international jury, deserves the attention of a broader audience. Herwig is also a recipient of performance and teaching grants from the National Endowment for the Arts. Conrad was elected to the Board of Advisors of the International Trombone Association and has taught at Mason Gross School of the Arts in the prestigious jazz program at Rutgers University in New Brunswick, N.J. where he currently serves as Artistic Director and Chair of Jazz Studies.

Send us your thoughts! Tom is based in Manchester, UK. He studied Saxophone and composition at the Royal Northern College of Music and the University of Manchester. His classical training from Rob Buckland (saxophone), Camden Reeves and Gary Carpenter (composition) continues to inform all of his original work, which blends his distinctive voice as an improviser, with a characteristically genre bending compositional flare that absorbs the language of contemporary classical, popular and jazz styles.He studied Jazz with Steve Berry and Tim Garland under a scholarship kindly granted by The Kinder Family Trust and with sponsorship from The Royal Society of Musicians.Tom now works internationally as a performer and composer of Jazz, Classical and Commercial Music. Tom has performed at venues which have included The Royal Albert Hall, Royal Exchange Theatre, Colston Hall, Glastonbury Festival, King's Place London, Band on the Wall, The Royal Philharmonic Hall and the world famous 100 Club as well as for various TV/Radio platforms. His professional life involves work in a variety of disciplines such as session touring and studio work, theatre pit work, multi-instrumental positions and original jazz projects. He accepts commissions from Classical performers for new works, as well as composing for commercial briefs including Film/TV and arranging.Support the show

In the final part of a two-part episode of The Bandwich Tapes, I sit down with my son, Skyler, for a heartfelt and meaningful conversation about our shared musical journeys. In this episode, I dive into my gap year after high school, during which I taught drum lines and percussion ensembles. I talk about the challenges I faced as a teacher and how they shaped my understanding of communication and connection. From there, I reflect on my time at Belmont University, where I studied classical and commercial music. One standout memory from those days was playing John Cage's Third Construction and the invaluable lessons that came with it.I also share stories from my time playing gigs on a cruise ship, a job that pushed me in ways I hadn't expected. It was demanding, but it prepared me for the next phase of my musical journey—transitioning to bass guitar. That shift opened up new opportunities and gave me a different perspective on music. I talk about how playing bass connected me with some incredible musicians and the importance of locking in with great drummers to really understand rhythm and groove.Throughout the episode, I reflect on my experiences playing alongside musicians like Tommy Dodd and Scott Meeder. Each one left a mark on my career, teaching me lessons I carry with me to this day. I also talk about the importance of chemistry on stage and how those connections often extend beyond the music. Wrapping it all up, I share my gratitude for the opportunities I've had and the people I've met along the way.Thank you for tuning in! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com. And please spread the word about the show!The theme song, "Playcation," was written by Mark Mundy.

Colt and David sit down with songwriter Adam Wood.  Wood grew up in Colbert Heights, Alabama and graduated from the University of North Alabama with a degree in Commercial Music. In 2004, he moved to Nashville to pursue songwriting and producing, and has landed cuts from Brice, Scotty McCreery, Elvie Shane, Trace Adkins and Tyler Braden.Among the songs he has credits on are “More Beer” and “Hey World” for Brice, “Hey Whiskey” for the duo Smithfield, and Braden's single “Try Losing One,” which reached the top spot on Sirius/XM The Highway's Top Thirty Countdown.Instagram: www.instagram.com/adamnwood Send us a Text Message.Support the Show.Check out our socials and follow us!Facebook: www.facebook.com/TwangTownPodcastInstagram: www.instagram.com/TwangTownPodTwitter: www.twitter.com/TwangTownPodWe would love your support to continue to bring listeners amazing content!Cash App: www.cash.app/$TwangTownPodBuzzsprout: https://www.buzzsprout.com/2232176/support

At times I feel like I am loosing my sanity, like I can't hold it together anymore, after all we can cannot normalize the times we are living through and what we are witnessing, this takes a massive toll on our minds and emotions and spirits.  One of the things holding me together through all of this has been music. Especially revolutionary song, of all kinds. And that of course has me thinking about the power of revolutionary song and art of all kinds, the commercial music industry and how it tries to co-opt this expression of the people and the trap of “representation” in media and politics. This is what I want to talk about today.  A Luis Emilio Recabarren - Inti Illimani nuestro mensaje - Illapu El Necio - Silvio Rodriguez solo digo compañeros - Karaxú El Pueblo Unido - Ventiscka

Songwriter, multi-instrumentalist & producer, Daniel Tashian (Kacey Musgraves Albums Golden Hour, Star Crossed & Deeper Well) took the long way around to massive success. Like many of us, his musicality was simply way ahead of its time. On purpose or by accident, Daniel managed to stick it out long enough to witness his own Golden Hour and we are all better for it. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jon Armstrong is an amazingly versatile performer, composer, educator and thinker. Perhaps that should come as no surprise, since as a young man in his home town in Oregon, Jon not only played in a Buddhist marching band but also worked 12 hour shifts in a diaper factory! After a highly successful career in LA, he now teaches at Idaho State University, where he's established a fantastic commercial music program, while still performing and composing and at an extremely high level.Jon grew up in Corvallis, Oregon, and at a very young age was already deeply involved in music, learning any instrument he could get his hands on and playing in a variety of groups. His studies at the California Institute for the Arts were followed by seven years in Los Angeles, where he worked as a freelancer, band-leader and composer... and also founded three educational jazz programs! He moved to Pocatello to become Director of Jazz Studies at Idaho State University in 2015, which he has evolved into the new Commercial Music Program. Much of our discussion centers around his thoughts on pedagogy and building the commercial music program.Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

This week on A Voice and Beyond, I am very excited to introduce this week's very special guest, Jeannette LoVetri, who, by the way, needs little introduction as she is one of the most recognised and highly acclaimed voice teachers from around the world. Jeanie is my CCM inspiration, and I wanted to honour her and the work that she continues to do, not only in sharing her knowledge and skills in the CCM sector but also in legitimising CCM from a pedagogical standpoint in our teaching community. Jeanie is a true pioneer, and her success has come about because of her remarkable resilience, curiosity for learning, and sheer tenacity. Jeanie has certainly paved the way for the rest of us who teach singers across the broad range of CCM styles, so we too can be respected and acknowledged alongside our classical colleagues for the work that we do in the singing voice field.This episode is a recap of sections of a two-part interview I did with Jeanie in 2022, and I wanted to replay this interview as I feel it is important right now, more than ever, to be advocating for the training of CCM singers. Let's create a movement and see if we can create change in academic music programs to accommodate singers who want to pursue a career in the CCM music market. To listen to the full interview, please refer to episodes 66 and 67.In this Episode00:00 - Introduction02:35 - Jeannette LoVetri's Introduction and CCM Advocacy24:46 - Reflecting on Personal Experience and Vocal Health33:33 - A Transformative Gala Performance45:56 - Expanding the Teaching Program and Faculty52:37 - The Importance of Somatic Awareness in Singing1:06:39 - Upcoming Plans and Reflections on LegacyFind Jeannette OnlineWebsiteInstagramFor more, go to drmarisaleenaismith.com/156.Like this episode? Please leave a review here - even one sentence helps!Follow me on Instagram.Performance Mastery Coaching - Take Centre Stage In Your Life!!Visit www.drmarisaleenaismith.com/coaching to learn more.

Born and raised in Nashville, TN, Luke was surrounded by the music industry from a young age. Throughout his childhood, he continued to develop his musical skills with his involvement in school and church. After high school, he attended Union University for Percussion Performance before transferring to Lipscomb University and becoming one of the first graduates of the Commercial Music program. Luke has since had the privilege of working with artists such as Sam Hunt, Conner Smith, Switchfoot, Tiera Kennedy, The Warren Brothers and many more. In this wide-ranging conversation, Luke shares invaluable advice on what it means to be a professional and how to stay motivated and humble in this ever-changing profession. We hope you enjoy!We'd like to thank our Episode Sponsors:Sonique Drumshttps://soniquedrums.comLow Boy Beatershttps://lowboybeaters.comMusic City Audiologyhttps://www.musiccityaudiology.comDrum Supplyhttps://www.drumsupply.comConnect with Luke:Instagram: https://www.instagram.com/lukesumner7TikTok: https://www.tiktok.com/@lukesumnermusicMusic Featured in this Episode:"Outskirts" - Sam Hunt"I Hate Alabama" - Conner SmithIntro Drum GrooveRecorded by Taylor Friesth at Garden Groove Studios in Nashville, TNhttp://www.garden-groove.comMixed by Jackson Maddox------Interview by: Dan Ainspan, Nathan SletnerRecorded December 2023 in Nashville, TNConnect with us:WebsiteInstagramTikTokYouTubeFacebookRecorded at Diamond Sound Studios, Nashville, TNPodcast Artwork: GENUINE CREATIVE ART ⓒ 2024 Nashville Drummers Podcast, LLC

Adam Schroeder And Mark Masters Pay Tribute To Clark Terry On CT!Big Band Takes On Fresh Arrangements Of 13 Terry Originals Available January 19, 2024 via Capri Records Host/Producer of The Jazz, Blues and R and B Podcast and Radio Show PERIOD: Tom Gouker PERIOD is found on: Youtube, Itunes, Anchor, Spotify, Amazon Podcasts, Google Podcast, Overcast, Breaker, Castbox, Radio Public, Podbay, Stitcher....and more! Tom Gouker is also featured on a limited-run podcast about the Beatles called, "The Beatles Come To America", Join Tom and the "Beatle Guru" Brooke Halpin as we chat about the US Album Releases of the Beatles ("65", "Yesterday & Today" and "Hey Jude"...they are all there.) How To Get a Hold of The Jazz Blues and R and B Podcast and Radio Show PERIOD! Contacts Information: Email: somethingcamefrombaltimore@gmail.com Twitter: something came from baltimore (@tom_gouker) / Twitter Instagram: Something Came From Baltimore (@something.came.from.baltimore) Did You know that The Jazz Blues and R and B Podcast and Radio Show Period is on "TheBocX.com". TheBocX.com - It is a Podcast and a 30-minute radio show and can be heard weekly (Thursday's at 7pm and 10pm EST). TIPS! (Thank You!) Tom Gouker's Cash App Account: $ThomasGouker Tom Gouker's Venmo Account: Thomas-Gouker ABOUT ADAM SCHROEDER Baritone saxophonist Adam Schroeder has established his influence as a major voice and force within the global jazz community, becoming the first call for a multitude of musical situations in addition to his dedication and devotion towards extensive educational outreach. Holding a BM in Jazz Studies from Texas State University, San Marcos and a MM in Jazz Studies from the Bob Cole Conservatory of Music, California State University, Long Beach, Schroeder presently serves as an Associate Professor of Jazz & Commercial Music at the University of Nevada, Las Vegas and was just awarded the University's “Charles Vanda Award for Excellence in the Arts” (2022). He's a prolific studio musician with many album, television, and film credits.ABOUT MARK MASTERSMark Masters is an inventive and prolific composer and arranger from southern California. He organized his first ensemble in 1982. His work has appeared on more than a dozen albums, under his own name and for other bandleaders. Masters has written and arranged music for recordings featuring Billy Harper, Jimmy Knepper, Andrew Cyrille, Oliver Lake, Mark Turner, Tim Hagans, Grachan Moncur III, Peter Erskine, and many others. From 1999 through 2006, Masters was a guest lecturer at Claremont McKenna College. He's been named a Rising Star: Arranger in the DownBeat Critics Poll. PERSONNELSal Lozano, alto saxophone / Bob Sheppard, tenor and soprano saxophones / Kirsten Edkins, tenor saxophone / Adam Schroeder, baritone saxophone / Francisco Torres, lead trombone / Ido Meshulam, trombone / Lemar Guillary, trombone / Dan Fornero, lead trumpet / James Ford, trumpet / Aaron Janik, trumpet / Edwin Livingston, bass / Peter Erskine, drums --- Send in a voice message: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/message Support this podcast: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/support

“So many people view conducting as a reflection of the music, and if that works for them, that's great. I view conducting as a reflection of the movement. Undergrads aren't always predisposed to musical language, but they are already predisposed to the language that Laban uses: time, space, weight, flow. Instead of saying 'that's not marcato enough,' you could instead say 'that's not heavy enough' or ‘direct enough.' That's language that we're already familiar with as people.”Dr. Eric Rubinstein is Director of Choral Activities and Assistant Professor of Music at Nazareth University, where he directs the Chamber Singers and Treble Choir and teaches additional coursework in conducting and music education. Prior to his appointment at Nazareth, Dr. Rubinstein served as Assistant Professor of Choral Music Education at the Aaron Copland School of Music, Queens College (CUNY).Ensembles under his direction have been recognized across New York and New England for performances of the highest artistic caliber. Program highlights with the Nazareth Chamber Singers include a performance tour of Poland, a year-long partnership with Nazareth's Department of Theatre and Dance, and an invited performance at the 2023 NYSSMA Winter Conference. Dr. Rubinstein led the Queens College Treble Choir to invited performances at the 2022 ACDA Eastern Division Conference in Boston, MA and as the demonstration choir for the 2019 NYSSMA Winter Conference conducting masterclass. The Treble Choir was also honored in 2022 by The American Prize.As a secondary school choral director, Dr. Rubinstein amassed a decade of high school teaching in Monticello and Westhampton Beach, NY, where he concurrently served on the music education faculty at CUNY Brooklyn College. Under his direction, the choirs were honored to perform at Carnegie Hall, Chautauqua Institute, and abroad, and were featured at the 2015 NY-ACDA Conference at the Eastman School of Music. Dr. Rubinstein has also served on the artistic faculty for the New York State Summer School of the Arts, and remains active as a guest conductor, clinician, and adjudicator for various choral festivals and conferences.Dr. Rubinstein is a member of NAfME and ACDA, where he also serves as a New York- ACDA Repertoire & Resources co-chair for LGBTQIA+ Choral Music. He holds Choral Conducting and Music Education degrees from Louisiana State University (D.M.A), Michigan State University (M.M.), and SUNY Fredonia (B.M.).To get in touch with Eric, you can email him at erubins6@naz.edu or find him on Facebook: https://facebook.com/erubinstein .Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

In this podcast episode, Harrison Fox, Head of Strategic Partnerships at Ohlogy in Amsterdam, shares insights into the world of brand and artist partnerships in the music industry. He emphasizes the importance of authenticity and the need for collaborations to make sense for both parties. Harrison discusses the complexities of negotiating partnerships, the role of music in brand strategy, and the nuanced nature of measuring return on investment. The conversation explores how emerging and underground talent can benefit from brand collaborations and highlights a real-life example showcasing Ohlogy's strength in identifying talent early in their careers. Overall, the episode provides valuable perspectives on navigating the dynamic landscape of music, branding, and partnerships. Timestamps (00:00) Harrison Fox (02:00) Inspiration for Choosing Music Partnerships (04:00) Journey from Music Enthusiast to Commercial Music (06:00) Navigating the Intersection of Music, Art, and Commerce (09:00) Benefits of Brand-Artist Collaborations (14:00) Navigating Brand-Artist Collaborations (25:00) Long-Term Strategic Investment (28:00) Criteria for Brand-Artist Partnerships (29:00) Importance of Authenticity and Overlap --- Send in a voice message: https://podcasters.spotify.com/pod/show/mountain-collective/message

Trombonist/composer Michael Davis has enjoyed a diverse and acclaimed career over the past 40 years. Widely known as the trombonist for five world tours with the Rolling Stones, he toured and recorded extensively with Frank Sinatra, has released 14 CDs as a solo artist, composed over 150 works, authored a dozen books for brass players of all levels and appeared on over 500 CDs, television themes and motion picture soundtracks. He is the founder, creator and president of Hip-Bone Music, Inc. In 2011, the S.E. Shires Company released the Michael Davis signature model trombone and followed that in 2014 with the release of the Michael Davis+ trombone. Born to a musical family in San Francisco, CA on August 13th, 1961, Michael's early musical studies included the piano, drums, tuba, baritone horn and electric bass. Settling on the trombone in high school, he quickly found his stride and received principal chairs in many all-state honor groups. His collegiate career commenced at the Eastman School of Music in the fall of 1979. In the spring of 1983, Davis received the break he had hoped for when the Buddy Rich Band called and asked him to sign on. His two-year stint with the band forged musical and personal friendships that continue to this day and presented him with “the best graduate degree anyone could possibly hope for.” Michael's freelance career in New York City began in earnest in 1986 and before long he was one of the top trombonists around. As testimony to his versatility and wide regard, the list of jazz and pop luminaries he has worked with includes: James Taylor, Michael Jackson, Bob Dylan, Aerosmith, Tony Bennett, Jay Z, Sarah Vaughan, Sting, Beck, Branford Marsalis, Peter Gabriel, Sheryl Crow, Lyle Lovett, Bob Mintzer, Paul Simon, David Sanborn, Terence Blanchard and scores of others. In the field of music education, Davis has served as a guest artist and clinician around the world, while also authoring a number of highly esteemed instructional books and arrangements for musicians of all ages and abilities. A multiple recipient of awards from the National Endowment for the Arts, he maintains his own jazz groups and projects through Hip-Bone Music. He has documented his efforts on 14 CDs as a leader, including his latest, Open City with the Hip-Bone Big Band featuring a star studded line-up of New York jazz and studio luminaries. Open City showcases a unique family alliance with Michael's oldest son Cole penning three of the compositions, co-producing the entire project, and playing bass while his younger son Zaq brings his talents to the trumpet section. Currently, Davis continues his busy schedule as an in demand New York freelance musician with a steady diet of Broadway shows, studio recording work and live concerts. He travels extensively as a solo artist guesting with professional, college and high school bands around the world, while also continuing to build his publishing company into one of the preeminent purveyors of the highest quality music for brass.

Trumpeter/composer/arranger/bandleader/educator Tony Kadleck is one of the most sought-after trumpet players on the New York City scene, and has been for some time. He moved to NYC in 1986, following his studies at the New England Conservatory–and a stint in the trumpet section of The Buddy Rich Big Band–and his phone has been ringing ever since. For good reason; at every turn, Kadleck puts the music first, and more than takes care of business. He graduated from the Manhattan School of Music in 1989 and quickly hit the road with the likes of Frank Sinatra, Barbara Streisand, Blood Sweat & Tears, and others. Eventually, Kadleck was in such high demand locally, for studio and stage work, that touring took a back seat. He played on countless jingles, scores for TV and film, and worked with the cream of the crop, including Luther Vandross, Michael Jackson, Elton John, Celine Dion, Stevie Wonder, Ella Fitzgerald, Issac Hayes, and most recently Steely Dan, Tony Bennett/Lady Gaga, Santana, Weezer, Steve Tyrell, and many, many others. In addition to an on-going abundance of freelance sideman work with NYC's A-list artists, Kadleck is currently a member of many organizations, including the New York Pops, John Pizzarelli's “Swing Seven”, the Maria Schneider Orchestra, John Fedchock's NY Big Band, and can currently be heard on Broadway in the band for “MJ”.     To say that Kadleck is a rare bird is a major understatement. Possessing the expertise, musical acumen, phrasing, range, chops, and the desire to handle gigs as diverse as the New York Pops and The Who (for example) with straight-ahead professionalism and excellence is not common. His prowess now bears fruit on his own project, Sides (to be released on Marshall Gilkes' Alternate Side Records on February 10, 2023), which follows up his previous big band album, Around The Horn, and his debut as a leader, Extended Outlook. 

Join us for a rollicking conversation with Swamp Dogg, hard-working soul and R&B singer, who has been performing since the 50s and is still going strong. We chat about his long career, his friendship with John Prine, ambitious projects in the works, including yet another album (!) and an associated movie, along with some wacky tangents into parties with coffins, writing songs while drinking, cremation promo calls, and his intimidating keyboard player. Those who know Swamp Dogg, love him, and you'll see why in this episode. We also get to share Good Better Best, his song about women. With Bill Aho.Swamp Dogg's website:https://www.theswampdogg.com/The YouTube Concert for Sorry You Couldn't Make It:https://www.youtube.com/watch?v=43eGIdXipJ8Thoughts? Comments? Potshots? Contact the show at:https://www.discreetguide.com/podcast-books-shows-tunes-mad-acts/Follow or like us on podomatic.com (it raises our visibility :)https://www.podomatic.com/podcasts/books-shows-tunes-mad-actsSupport us on Patreon:https://www.patreon.com/discreetguideJennifer on Post.News:@JenCrittendenJennifer on Twitter:@DiscreetGuideJennifer on LinkedIn:https://www.linkedin.com/in/jenniferkcrittenden/Discreet Guide Training:https://training.discreetguide.com/

Trombonist, composer, arranger James Burton III has lent his sound to multiple Grammy Award-winning albums and Tony Award-winning Broadway productions. Born in Queens, now a resident of Harlem, Burton III is a Summa Cum Laude graduate of the Jackie McLean Institute at the Hartt School of Music. While earning his Master's Degree and Artist Diploma from the Juilliard School, Burton held both the Morse and Gluck Fellowships and received the Schuman Prize, an award named for Juilliard's founding president and given to one graduating Masters Degree candidate annually. Burton got his professional start playing with many of the great large ensembles; the Illinois Jacquet Big Band, the Dizzy Gillespie All Stars, the Lincoln Center and Vanguard Jazz Orchestras etc. Additionally, the opportunity to perform/record with legends Jimmy Heath, Slide Hampton, Ron Carter and Christian McBride inspired Burton to co-found a 10-piece ensemble called the Uptown Jazz Tentet, which celebrated the release of a second album in late 2020, to much critical acclaim. Currently, Burton's playing and original compositions can be heard alongside band mates Jeremy Pelt and Wayne Escoffery in a dynamic new ensemble; Black Art Jazz Collective. BAJC has released three albums since its inception, the latest two reaching the #1 position on the JazzWeek Charts for  international radio play. In the model of jazz education pioneer Jackie McLean, Burton is an avid educator and has been a full time associate professor at both the Juilliard School and Manhattan School of Music as well as Director of Jazz Education at New Jersey Performing Arts Center. Burton continues to pass on the legacy of the music via master classes, ensemble coachings and workshops for arts education institutions across the globe. View the show notes and a transcript for this episode at: https://bobreeves.com/blog/james-burton-trombone-interview/ The Trombone Corner Podcast is brought to you by The Brass Ark (brassark.com) and Bob Reeves Brass (bobreeves.com).  

Here you'll meet music creator and producer James Goodlett…but don't expect to dance or sing along to his creations…  He produces commercial music for film, podcasts, video bloggers, radio and TV Commercials and it's some of the best original music out there. And, yes, we'll offer a sample of his work in this interview. Also James is now teaching others how to expand their creative library. Here is that link.   James Goodlett from Jam Good Productions...and his story. Thanks for listening! The award winning Insight on Business the News Hour with Michael Libbie is the only weekday business news podcast in the Midwest. The national, regional and some local business news along with long-form business interviews can be heard Monday - Friday. You can subscribe on PlayerFM, Podbean, iTunes, Spotify, Stitcher or TuneIn Radio. And you can catch The Business News Hour Week in Review each Sunday Noon on News/Talk 1540 KXEL. The Business News Hour is a production of Insight Advertising, Marketing & Communications. You can follow us on Twitter @IoB_NewsHour. 

Follow Love and Murder on iHeartRadio - https://ihr.fm/3GRCvoIFollow on Apple Podcasts - apple.co/3jVBuCRFollow everywhere else - http://bit.ly/3CxKoN8This case is one of a set of parents whose despicableness should have made the judicial system design a special place in prison - just for people like them.This is the case of Kimberly Maurer and Scott Fremont Schollenberger JrRight now on Love and MurderWant to hear us talk about a specific true crime story? Email us at noconductradio@gmail.comJoin us, hosts Ky & Rick, every Sunday for new episodes.YouTube: https://bit.ly/LoveMurderYouTubeBonus episodes: www.patreon.com/loveandmurderFan page: https://www.facebook.com/groups/landmfanpageMerch: https://murderandlove.com/our-shop/Follow us:http://www.facebook.com/relationshipcrimeinstagram.com/loveandmurderpodcastGo to our website www.murderandlove.comIntro music by:Shalash by Alexander NakaradaLink: https://filmmusic.io/song/4899-shalashLicense: http://creativecommons.org/licenses/by/4.0/Commercial Music:Hammock Fight Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/~~~~~~~~~~~Indie Drop-InAll content legally licensed from the original creator. Thank you to Love and Murder for the great episode. You can find Indie Drop-In at https://indiedropin.comHelp Indie Drop-In support indie creators by buying us a coffee!https://buymeacoffee.com/indiedropinBrands can advertise on Indie Drop-In using Patreonhttps://patreon.com/indiedropinTwitter: https://twitter.com/indiedropinInstagram: https://instagram.com/indiedropinFacebook: https://facebook.com/indiedropinAny advertising found in this episode is inserted by Indie Drop-In and not endorsed by the Creator.If you would like to have your show featured go to http://indiedropin.com/creators~~~~~~~~~~~

Follow Love and Murder on iHeartRadio - https://ihr.fm/3GRCvoIFollow on Apple Podcasts - apple.co/3jVBuCRFollow everywhere else - http://bit.ly/3CxKoN8This case is one of a set of parents whose despicableness should have made the judicial system design a special place in prison - just for people like them.This is the case of Kimberly Maurer and Scott Fremont Schollenberger JrRight now on Love and MurderWant to hear us talk about a specific true crime story? Email us at noconductradio@gmail.comJoin us, hosts Ky & Rick, every Sunday for new episodes.YouTube: https://bit.ly/LoveMurderYouTubeBonus episodes: www.patreon.com/loveandmurderFan page: https://www.facebook.com/groups/landmfanpageMerch: https://murderandlove.com/our-shop/Follow us:http://www.facebook.com/relationshipcrimeinstagram.com/loveandmurderpodcastGo to our website www.murderandlove.comIntro music by:Shalash by Alexander NakaradaLink: https://filmmusic.io/song/4899-shalashLicense: http://creativecommons.org/licenses/by/4.0/Commercial Music:Hammock Fight Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/~~~~~~~~~~~Indie Drop-InAll content legally licensed from the original creator. Thank you to Love and Murder for the great episode. You can find Indie Drop-In at https://indiedropin.comHelp Indie Drop-In support indie creators by buying us a coffee!https://buymeacoffee.com/indiedropinBrands can advertise on Indie Drop-In using Patreonhttps://patreon.com/indiedropinTwitter: https://twitter.com/indiedropinInstagram: https://instagram.com/indiedropinFacebook: https://facebook.com/indiedropinAny advertising found in this episode is inserted by Indie Drop-In and not endorsed by the Creator.If you would like to have your show featured go to http://indiedropin.com/creators~~~~~~~~~~~

On December 3, 1967, Dr. Christiaan Barnard completed the first human heart transplant. At the time, it seemed incredible—and it is—but today, we hardly bat an eye at a heart transplant because of how rapidly the healthcare and biotech fields are coming out with innovative surgeries, technologies, and therapies. What does the biotech industry look like today and what are some of the new therapeutic options under development?On today's episode of Highway to Health, Host David Kemp speaks with Tilat Imran, CEO of Rani Therapeutics, to discuss the current and future state of the biotech industry and how Rani's new “injection” pill works and what are its potential applications. Imran discussed how although biotech developments seem to develop slowly, we are in a golden age. The global biotechnology market is anticipated to grow at a compound annual growth rate (CAGR) of 13.9 percent between 2022 and 2030, according to Grand View Research.“I want to challenge that perception that things are taking too long…I think we live in a golden age of healthcare and biotech. I think we'll look back 50, 70 years from now and many of us will be alive because of technologies and innovations that are happening right now. And looking at this time and saying, ‘Wow, the pace of innovation, the rate of change went up so dramatically,'” stated Imran.Kemp and Imran also discussed…1. The challenges Rani Therapeutics anticipates and where they are in their journey2. The dissolvable injectable pain-free capsule Rani Therapeutics has developed and current health afflictions it can address3. What may be available in 5 to 10 years for treatment of chronic diseases in the biotech marketImran provided examples of all the applications of the Rani capsule. “There's so many places you can take this. Cardiometabolic disease, diabetes, as you mentioned. All the immunology, autoimmune diseases because biologics are being used everywhere now. So, psoriasis, rheumatoid arthritis, Crohn's disease, osteoporosis…eventually, we want to do work in oncology. There's a real potential there, we think, to use Rani pills with more frequent dosing to perhaps get better efficacy out of the same drugs that are being given more infrequently now.” Imran is CEO of Rani Therapeutics and has previously worked for VentureHealth, InCube Labs, Venture Web Partners, The Angels' Forum, and Talat Imran Consulting. Imran studied Commercial Music and Computer Science at Foothill College as well as Computer Science at the University of California, Santa Cruz. He is a skilled healthcare-focused executive.

On December 3, 1967, Dr. Christiaan Barnard completed the first human heart transplant. At the time, it seemed incredible—and it is—but today, we hardly bat an eye at a heart transplant because of how rapidly the healthcare and biotech fields are coming out with innovative surgeries, technologies, and therapies. What does the biotech industry look like today and what are some of the new therapeutic options under development?On today's episode of Highway to Health, Host David Kemp speaks with Tilat Imran, CEO of Rani Therapeutics, to discuss the current and future state of the biotech industry and how Rani's new “injection” pill works and what are its potential applications. Imran discussed how although biotech developments seem to develop slowly, we are in a golden age. The global biotechnology market is anticipated to grow at a compound annual growth rate (CAGR) of 13.9 percent between 2022 and 2030, according to Grand View Research.“I want to challenge that perception that things are taking too long…I think we live in a golden age of healthcare and biotech. I think we'll look back 50, 70 years from now and many of us will be alive because of technologies and innovations that are happening right now. And looking at this time and saying, ‘Wow, the pace of innovation, the rate of change went up so dramatically,'” stated Imran.Kemp and Imran also discussed…1. The challenges Rani Therapeutics anticipates and where they are in their journey2. The dissolvable injectable pain-free capsule Rani Therapeutics has developed and current health afflictions it can address3. What may be available in 5 to 10 years for treatment of chronic diseases in the biotech marketImran provided examples of all the applications of the Rani capsule. “There's so many places you can take this. Cardiometabolic disease, diabetes, as you mentioned. All the immunology, autoimmune diseases because biologics are being used everywhere now. So, psoriasis, rheumatoid arthritis, Crohn's disease, osteoporosis…eventually, we want to do work in oncology. There's a real potential there, we think, to use Rani pills with more frequent dosing to perhaps get better efficacy out of the same drugs that are being given more infrequently now.” Imran is CEO of Rani Therapeutics and has previously worked for VentureHealth, InCube Labs, Venture Web Partners, The Angels' Forum, and Talat Imran Consulting. Imran studied Commercial Music and Computer Science at Foothill College as well as Computer Science at the University of California, Santa Cruz. He is a skilled healthcare-focused executive.

In this episode, you'll learn all about commercial music including a definition, where to find the music, why to program the music, and so much more! Meet composer, arranger, educator and presenter, Garrett Breeze. Together, we talk about the need for commercial music education and how educators with classical backgrounds can incorporate it into their classroom in a way that supports what they're already doing. We also explore the “scariness” of copyrights and ultimately what Mr. Breeze calls the "Canon vs the Career.” Learn more about Mr. Breeze and his resources: garrettbreeze.com; Teaching Arranging in the Choral Classroom (FREE course) https://garrettbreeze.com/teaching-arranging-in-the-choral-classroom/; Selling Sheet Music Podcast: https://anchor.fm/garrett-breeze. Watch this episode on YouTube: https://youtu.be/ArMlb5D1FDQ. Order your copy of Dr. Burch's book, “The Business of Choir”: https://www.giamusic.com/store/resource/the-business-of-choir-book-g10713. Join us over at Patreon.com/MusicEdMatters for monthly meet-ups, monthly bonus episodes, special content and more!Support the companies that make The Music (ed) Matters Podcast possible: —Kaleidoscope Adventures - find your adventure today, kaleidoscopeadventures.com/.  Including the June 2023 Festival and PD Weekend in Myrtle Beach with Alex & Emmy and their choirs!— The Kinnison Choral Company - check out their quality resources - or get your tracks made today - at KinnisonChoralCo.com. **Show music originally written by Mr. Todd Monsell**Show photography provided by Dr. Dan Biggerstaff

Soundscape is part of the Arts Program at Briarcrest Christian School and today in studio we had Hannah Hall and Houston Kelly, two students, and Michael Parsons, the Director of Instrumental and Commercial Music. They tell us about their studio, what they do and why it's important for them.See omnystudio.com/listener for privacy information.

Hosts Miles Bloxson and Elizabeth McQueen talk to UT Professor Charles Carson about why American commercial music doesn't get financial support outside of the capitalist market. They break down the idea that the best music comes from struggle. They also talk about what the city of Austin owes the music scene, and how the city might better support the for-profit music sector.

In this episode, Princess breaks down how to apply personal branding to your film, TV, commercial, and music video production whether you have a low-budget or high-budget. Visit Princess Mbanuzue's website to learn more about her business. Connect with Princess Mbanuzue's Instagram today. Resources: Schedule a strategy meeting with me today and let's get your marketing plan started correctly at your earliest convenience. Click here for more information ℹ️ AD Break: Grab the plots for sale and read the AMG Realtors blog from AMG Realtors today: https://amgrealtors.com/ Resources: Listen to We Don't PLAY podcast on wedontplaypodcast.com Learn how to use Pinterest for business with Pinterest SEO Marketing strategies. ✅ Grab your free Pinterest marketing course here! Read this article to learn how to use Pinterest marketing strategies in 2022! Visit http://playinc.online/pinterest to start using Pinterest.com as a business today. Connect with Favour Obasi-ike here: https://znap.link/flaevbeatz Join the Pinterest & SEO Marketing club on Clubhouse today using this link here. Join the Pinterest & SEO Marketing Facebook Group to join the LIVE! sessions here. Listen to Favour Obasi-ike on the Wisdom App Rate this Podcast: https://ratethispodcast.com/wedontplay --- Send in a voice message: https://anchor.fm/wedontplay/message Support this podcast: https://anchor.fm/wedontplay/support

Nashville violinist Kyle Pudenz brings a unique sound and style to each musical project he pursues. Whether in the studio, on stage, or in composition, arranging, and songwriting, Pudenz's diverse array of experiences and training in both popular and classical styles, as well as the experience of building his own instruments, have enabled him to formulate a musical idiom that is entirely his own. Kyle regularly performs on fiddle, mandolin, guitar, and most notably, his own line of custom-built 7-string electric violins. He holds a bachelor's degree in Commercial Music from Belmont University, and his professional ventures have taken him from nationally recognized venues such as Dallas Cowboys' AT&T Stadium, Carnegie Hall, and the Grand Ole Opry to legendary Nashville musical centers like Ocean Way Nashville, Blackbird Studios and RCA Studio B. Kyle currently tours with Nashville recording artist Jared Blake, performing on violin, mandolin, guitar, and backing vocals. He also performs select dates in Nashville and around the United States with a variety of independent artists. Kyle proudly plays and endorses equipment from Harper Guitars, Kepma Guitars, Glasser NY, Creation Audio Labs, Yamaha, Empire Ears, Access Bags & Cases, Triad-Orbit Advanced Stand Systems, and Mercury Magnetics.... --- Support this podcast: https://anchor.fm/musicrowhideout/support

EPISODE 27 - EXTERNAL Version for Non-Spotify Listeners! Today we welcome a great guest! Moxy Anne is here to talk about her musical career and the great things yet to come! Moxy Anne's newly released acoustic cover of Def Leppard - Hysteria and a song written for her sister Bella! About Moxy Anne Moxy Anne is a 25-year-old musician from Southern California who sings her heart out with passion, energy, and excellence. Born in Newport Beach, CA, Moxy was a member of several local children's singing groups and performed and recorded behind talent like Jackie Evancho, Aerosmith, Josh Groban, and Meryl Streep. Venues like the Microsoft Theater, Carnegie Hall, the LA Forum, Disneyland, the Walt Disney Concert Hall, and the House of Blues have all allowed Moxy to use her voice differently. She trained with renowned artist Gina Saputo, and began to venture into the musical world. As her experiences cultivated passion, she started her own band, Moxy and The Influence. MXI garnered thousands of international fans, released EPs Alive and The Best Revenge, as well as 3 music videos, and toured internationally. During college she studied privately with Sara Leib, Teryn Ré, and Bill Cantos. She was a member of the world-renowned APU Chamber Singers, touring China/Hong Kong. In early 2019, she completed her Bachelor of Music in Commercial Music at Azusa Pacific University and graduated with honors. Moxy is now a member of the choral group, The Sterling Ensemble, and took part in a choral tour of Italy in early 2020. Singing regularly in a multitude of styles (rock, jazz, pop, R&B, electronic, country, reggae, folk, classical, choral, acoustic and acapella music), she enjoys any experience where she can collaborate with talented musicians and reach others with the power and influence of music. She works frequently with groups and artists like Sydney Ellen, Vinnie Corbo, and Moses Sun at music venues, churches, and public/private events throughout California. She is also a lead vocalist for professional corporate cover bands Pop Gun Rerun (80's rock) and Boogie Agenda. (Top 40s.) LOS ANGELES, CALIF – Hard rock singer and songwriter Moxy Anne announces new single, “Hysteria”, out on August 19th, 2022. The slowed down love song was arranged by Moxy Anne in collaboration with Jeremy Valentyne and Brandon Wolfe (Wolfe Studios) as a first dance surprise for her husband on their wedding day. Among over a dozen streaming platforms, the single will be available for download on Spotify, Apple Music, and iTunes. Alongside the new song, Moxy Anne will also be releasing a music video for “Hysteria.” Moxy will give her fans an exclusive look into her wedding ceremony and reception, as the never-before released video will be made from videos shot at her wedding in 2021. “This song has an incredibly special meaning to both myself and my husband, and as soon as I heard the first arrangement of this track, I knew it was something special that had the power to touch many people. My husband was blown away when he heard this song, and I know that die-hard Def Leppard fans and lovers alike will feel the same way upon hearing this stunning acoustic orchestral piece. Working with Jeremy and Brandon is unparalleled; Hysteria showcases all the best parts of music made for an epic love story. I can't wait for everyone to hear it.” http://moxyanne.com/

We have 'em, you love 'em, so here's another batch of commercials back-to-back-to-back-to-back to drive you mad! Various: Zach Sinclair Various: Andy Ransom Various: Addison Houle And guests! Commercial Music by Lucindo Teixeira    Listen to The Birthday Girls on your favorite streaming service! Sponsor: HyperMegaUltra.com    New shirts every week!  

Dollaz Da Barba - Bragging RightsJames Joyce the Squatch - Hubert CumberdaleThundizzle - Slave To The PaperMurs & Rob Viktum - Breaking GlassAl-J & Kane Major - Going Blak To CaliTana Chantal - Fall 4 UChuck Brown feat. Dirt Vonnegut - 6 UpZemora Amour - Fool 4 UArichussettes & Jim OG feat. DJ Slipwax - No ChanceRicardo Rawal feat. Hytz, Parko, CompreHend & Yazzy B - Play Bout ItJay Ramsay - Can't EscapeAnayo - By Force or By FireK'Ners - Bar TotingMcGyver - This Is Not A TestXL The Beast feat. Ill Bill & Nickel Plated - Murder PigZaneita feat. Kiddo 93 - Bonnie & ClydeNavihon - DiamondsJonie D feat. Sire - GiantsAyo2oonz! - Southside ShortyMelissa J - Don't Miss MeWhichcraft feat. DJ Evi Denz - Heart SparksBilly NoJokes & MadScience Beats - MeditateJason Famous Beats feat. Daytona Pro - Move BackGroundbreaker Enterprises feat. The Real Shay Rosa - Friday ChillTeddy Trillion - Special OneNikz & Booda (916) - MotionYoung Athena - Run (Cover)

This week we spoke with Kelli Slade. We discuss her whole journey within the music industry from education to her current role where she oversees the Commercial Music and Creative Licensing EMEA team at TikTok/ ByteDance.Day to day she collaborates with marketing, creative and third-party brands who advertise on the platform. The team leads on sync, partnerships, strategy and music activations as well as working with publishers, labels and bespoke music companies along the way.It was wonderful speaking with Kelli and we really hope that you enjoy this episode!Please do subscribe and leave a rating as it really does help!Connect with Kelli:TikTok: @kelliiisladeInstagram: @kelli.sladeLinkedIn: Kelli SladeOr if you'd like to share your music with Kelli, you do so via DISCO Like all of our episodes, this was recorded remotely. Hosted on Acast. See acast.com/privacy for more information.

This week's guest is Kim Chandler, a renowned contemporary vocal coach and session singer who teaches professional singers from her studio in Marbella. Her career as a performer has seen her provide vocals for TV and film and she often presents workshops for teachers of voice. Kim has also created the Funky'n'Fun vocal exercise series and a curriculum poster used by fellow contemporary voice teachers in their studios. Kim joins Alexa on Singing Teachers Talk all the way from sunny Spain.    KEY TAKEAWAYS Kim didn't actually intend on being a vocalist, it was a case of being asked to do more and more singing work until she found that it was her full-time profession. Some people still only know her as their old French teacher.  As a session singer you need to be able to be quite gymnastic vocally. Your voice technique needs to be on form and you need stamina. Kim has had to sing for six or seven hours at a time going from the top to the bottom of her range.  A session singer should also be quite generic sounding. If you have a signature sound you should be an artist. A session singer needs to blend into everything that's happening around them and not be too distinctive.  Having great ears is the number one thing for a session singer. That's for tuning, harmonising, timing, and double and triple tracks.    BEST MOMENTS ‘The more you do it, the better you get, the more exposure you get'  ‘I like the challenge of not knowing what I need to do next' ‘We're like the decathletes of the singing world as session singers'   EPISODE RESOURCES  BAST Training    Guest Website: www.kimchandler.com www.virtualvocals.com www.funkynfun.com   Social Media:  (Twitter) @KimChandlerVox (Instagram) @KimChandlerSinger   Relevant Links & Mentions:  Michael McDonald Top of the Pops: YouTube.com/watch?v=DapM2CSVdUg Humidiflyer: https://humidiflyer.com/ Curriculum Poster: www.comptonpublishing.co.uk/the-chandler-curriculum-for-training-pop-s.php The Ultimate Vocal Voyage by Daniel Zangger Borch  Funky Fundamentals Online Course: www.musicgurus.com/courses/funky-fundamentals-for-pop-singing  Training Contemporary Commercial Singers by Elizabeth Ann Benson  (YouTube) Breaking Down the Riffs by Natalie Weiss. Fun Vocal Exercises for Improvisation by John Fluker ABOUT THE GUEST  Kim Chandler is a renowned contemporary vocal coach/session singer. She runs a busy studio in Marbella, Spain, coaching arena-level band singers, charting artists & professional vocalists. Kim also helps singers rebuild their voices after surgery & rehabilitation and has worked with HMUK for years in this capacity. Kim has decades of high-end performing experience. Her voice is heard on TV series, films, albums, cruise ship shows, thousands of jingles worldwide and has backed & supported many international artists. Kim has performed at some of London's most iconic locations such as the Royal Albert Hall and Buckingham Palace. Kim is regularly invited to lead workshops, teacher training events and present at voice conferences. She spent more than a decade in leadership positions for the British Voice Association, as President & Director and Head of Communications, and as a Principal/Senior Lecturer at Leeds Conservatoire & London College of Music. Her pedagogical output features in academic compendiums such as "Training Contemporary Commercial Singers" and "Teaching Singing in the 21st Century". Kim is the creator of the popular "Funky 'n Fun" vocal exercise series used by singers, teachers and institutions alike and a new curriculum poster for CCM teaching studios.   ABOUT THE PODCAST BAST Training is here to help singers gain the knowledge, skills and understanding required to be a great singing teacher. We can help you whether you are getting started or just have some knowledge gaps to fill through our courses and educational events. Website: basttraining.com Get updates to your inbox: Click here for updates from BAST Training Link to presenter's bios: basttraining.com/singing-teachers-talk-podcast-biosSee omnystudio.com/listener for privacy information.

Originally from Syracuse, New York, Nate Felty is an experienced live/session drummer and educator who enjoys performing a wide range of musical styles. Nate has been living and working in Nashville, Tennessee since 2012 and earned his Masters in Commercial Music at Belmont University in 2014. Nate is the drummer for Nashville-based, nationally touring country/roots artist, Kelsey Waldon. With Waldon, he has shared the stage on tour with Grammy Award-winning artists such as Ricky Skaggs & Kentucky Thunder, Marty Stuart and His Fabulous Superlatives, and John Prine. Since his arrival in Nashville, Nate has performed and recorded with notable touring bands from Nashville. Among these are The Amanda Broadway Band, Abby Anderson, Devon Gilfillian, Dan Smalley, Marquee Mayfield, and a 9-piece funk/fusion group Dynamo. While with Dynamo, the group earned Nashville Industry Music Awards (NIMA's) in 2015 for "Best Funk/Fusion Band" and "Album of the Year" for their 2015 release, Find Your Way. When not on tour, Nate is an adjunct professor of drum set at Sewanee University of the South. Nate continues to make his imprint on Nashville's local music community, performing with notable musicians such Roy Agee (Prince), Jeff Coffin (Dave Matthews Band), Micah Hulscher (Margo Price), Jay White (Amos Lee, Cory Henry), Mike Hicks (Rascal Flatts), David Rodgers (Keb Mo), De Marco Johnson (Marc Broussard) and Paul Horton (Alabama Shakes). In this episode, Nate talks about:    Being yourself on the session or gig while paying reverence to the genre/style    His early influence and exposure to jazz    Following his “North Star” and seeking out new music and experiences     Playing in the house band for “The Pitch Meeting”    Understanding musical references when creating parts    His award winning band Dynamo    Teaching and learning    Recovering after snapping a tendon in his left hand

April Fools! You were expecting that yesterday, but not today so I'm confident this prank worked.  You listen and you love commercials so are you ready for comMOREcials?! We've clipped together the commercials from Season 2, Episode 1 to Episode 12. Enjoy! Commercial Music by Lucindo Teixeira    Listen to The Birthday Girls on your favorite streaming service! Sponsor: HyperMegaUltra.com    New shirts every week!

Can you use commercial music in your podcast?  Or movie clips?  Or other snippets that are commercially licensed?No.  You can't, and you shouldn't.This is a question I'm  frequently asked by clients and potential clients.  And I've heard every excuse in the book.  Oh, it's only a few seconds, so it falls under "fair use."   Oh come on, are Guns N Roses really gonna sue me?  Well, remember when Metallica did sue Napster back in the day.?So let's dive a little deeper.   The bottom line is, when it comes to podcasting, the law hasn't caught up to the technology.  I think there's a day coming when you'll be able to pay a small fee to use a big artist's music in your show.  But that day isn't here yet.  Do I know people who have pulled it off? Sure. But I don't think it's a risk you want to take.  We'll start with music.Music artists, to me, fall into three categories.  Big names, smaller names that have a record label deal, and independent artists.  The first group, the big name A-listers,  have the money, lawyers, and resources to come after you.  You might think, "oh, well only a few people listen to my show."  Well, it only takes one listener, or one episode to go viral. Then you have a target on your back.   Now, the second group, signed to a label, but not quite A-list.  The music industry has radically changed over the last 20 years. They aren't making money from CD sales anymore.  And if you spend a buck for their song on iTunes, how many pennies do they get?  Touring has been non-existent since the pandemic, so it's not easy to make money.  And using their music on your show, without their permission, is essentially stealing. Also, even if they love the idea of you using their song on your show, they no longer own 100% of it. You need to get sign-off from ALL the stakeholders.  And that can be a legal nightmare.The final group, independent musicians - COULD be your answer.  If they are unsigned to a label, and own 100% of the rights to their music, you can use their music - but you better get their permission, in writing, before you do.     And if you don't personally know an aspiring aritst to work with, there are services for royalty free music on the web - a simple Google search will get you there.What about movies?  Kind of the same thing as A-list artists.  They  may not find you, but if they do, they have deep pockets and very expensive lawyers.   I'm actually told Disney is diving headfirst into this crackdown.   So you better think twice before using that "We don't talk about Bruno" clip in your show.  In other words, we don't talk about Bruno in your podcast.Look, I don't want to be a total downer here.  But Spotify, Apple, and others have AI built in that can find copyrighted content and immediately yank your show if you're in violation - the same way YouTube does.   Do people get away with it? Yes.  Do you want to take the chance of having your show removed, being sued, or even getting  a cease and desist letter with very fancy letterhead on it?  I don't think so.There will be a time you can use this stuff on your show - it's coming.  It's just not here yet.Until next time, stay healthy and stay safe. Lata!

Originally aired 3/2/2017 After ten months of doing this show, I finally managed to get my husband, Darien Shulman, on the podcast! Darien is a composer who started his musical career as a concert music composer, and has made the transition to writing for TV and film. He also wrote the MPP & CGDB theme music, and does the MPP voiceover. In this week's episode, we talk about different philosophies of music education, writing for commercials, and what it takes to kill your darlings. Download the episode here » Links: Darien Shulman Darien on Twitter Storefront Music Brooklyn Music Factory

Find DSP: https://www.deadsetpodcasting.com (https://www.deadsetpodcasting.com) Support DSP: https://buymeacoffee.com/deadpod (https://buymeacoffee.com/deadpod) "If Podcasters spent less time trying to find workarounds to play Commercial Music, and spent more time on their actual shows, their Podcasts might actually get better". ~ Josh Liston (and many other smarter people). Socials: @joshuacliston on Twitter, Instagram and Facebook.  Email: hello@deadsetpodcasting.com Hire Us To Edit Your Show(s): https://www.deadsetpodcasting.com/services (https://www.deadsetpodcasting.com/services) Support this podcast

I invite guests to share personal stories about acts of leadership that help shape their lives. In Episode 102, Gareth Shaw explains how quotations by Gary Player and Peter Drucker have helped him with his career. He then shares a story about when he transitioned from being an individual contributor to being a manager. Next, Gareth advises how we can strengthen our leadership capabilities. Prologue Gareth Shaw is passionate about building and optimizing performance, whether with businesses, teams, processes, or bicycles. He is the President, UK & Europe of Doceree, an organization that enables programmatic marketing to physicians. Gareth has worked at PulsePoint, Yahoo, and Experian. He lives in Buckinghamshire, England, which is about fifty miles outside of London. 01:21 Part 1: Work, Luck, and Truths about Organizations Gareth shares two quotations, one from Gary Player and the other from Peter Drucker, that have shaped how Gareth works. 07:57 Part 2: Leadership Lifelines In this story, Gareth shares how he transitioned from an individual contributor to a manager. He describes what happens to help him develop his leadership capabilities and how he continues to strengthen how he leads. 22:12 Part 3: Embrace Growth Gareth advises us on how we can strengthen our leadership capabilities. He describes what he calls radical candor. _________________________________ How You Can Support the Show Unlabeled Leadership is a free service for people to learn about leadership. If you want to support the show, you can make a $0.99 donation. Your support reduces production expenses. https://anchor.fm/unlabeled-leadership/support No transcript available (future enhancement) Episode links Gareth's LinkedIn Profile Company's website, LinkedIn company page, Facebook, Twitter, YouTube My Shot: Gary Player Article, A Short Explanation about Fixed and Growth Mindsets Jim Collins, Good to Great Episode 22: Lisa Wicker Meets You Where You Are Episode 87: Ed Gash on Gratitude for Feedback Episode 93: Ty Bennett Distinguishes Motivation from Removing Inhibitors Gary DePaul's website Background Music You can find all the musical tracks at Envato Elements. 00:00 Theme music: Uplift Corporate Inspire by OlexandrIgnatov 01:03 Corporate by fatbunny 07:38 Tantalizingly Swing Jazz by EasyTunes 21:53 Commercial Music by SersalStudio 25:04 Fun and Flirtyby BrownHouseMedia Lead on! --- Send in a voice message: https://anchor.fm/unlabeled-leadership/message Support this podcast: https://anchor.fm/unlabeled-leadership/support

CRAIG LAURITSEN is this weeks 'Engine Room' Guest. A few of Craig's performance highlights include: Brian Ferry support at the Adelaide Festival Theatre in 1988. Supporting artist for Kate Ceberano and Wilbur Wilde at the Club Foote in 1989, 3 months, 70 plus performances in New Delhi, India in 1994, 10 months, 80 plus performances with various Blues and Jazz bands in USA in 1994 -1995, the inaugural Singapore Blues Festival in 1996, and performing the soundtrack to 'The Tracker' (film by internationally renowned film maker Rolf de Heer) live with Archie Roach at the Adelaide Festival and the Melbourne Film Festival in 2002. EDUCATION: Cert. in Commercial Music at Kingston TAFE in 1986. Diploma in performing Arts (Jazz) at Adelaide University 1987 - 1989. Studied with Pandit Debashish Chakraborty in New Delhi in 1994. Studied with Bob Moses in Boston 1994 -1995. Individual lessons with Victor Lewis, Jim Pease, Grant Collins, Mike Clark. DRUM EDUCATOR: Private drum tutor from 1983 to present, and has taught at Gordon Lasalle Music, Boston USA; Rock Music, Adelaide; AIMMS, Adelaide, as well as various college's in SA. CYMBALSMITHING: Began modifying cymbals in 2005, Importer of Turkish cymbals since 2006, and Worldwide exporter of Craig Lauritsen Custom Cymbals since 2007. Travelled to Italy to meet master cymbal smith Roberto Spizzichino in March 2008, and during that same trip met cymbal smiths Michael Paiste in Switzerland, Steve Hubback in London and Matt Nolan in Bath (UK). Has made cymbals for drummers all over the world including, Jack DeJohnette, Gregory Hutchinson, Luke Flowers, Jochen Rueckert, Adam Cruz, Hamish Stuart, Darryn Farrugia, Michael Iveson, and many more. AUTHOR: has written 8 instructional drum method books which are published and internationally distributed by LTP Publications. Titles include Drum Method, Drum Grooves, 1000000 Drum Grooves, Rhythm Section Method for Bass and Drums, Rhythm Section Grooves for Bass and Drums, Blues Drumming, Country Drumming, Complete Learn to Play Drums Manual. Recording Highlights: 'The Eureka Suite' (1999) featuring Eric Bogle and John Schumann, Peter Gelling's ARIA nominated (2000) CD 'Bluestime', 'The Tracker' soundtrack which won the following awards: ARIA nomination for best soundtrack album (2002). IFM award for best soundtrack (2002). Film Critics Circle award for best soundtrack (2002), and 2 APRA/AGSC awards for best song in a cinema feature. Peter Gelling's Musicoz Blues Award winning (2003) CD 'Fortune', Eric Bogle's ‘Other People's Children' (2005), and Kubrick self-titled album (2006). Kubrick ‘Think' (2007). Music: "Band It About" theme song, written and recorded by Catherine Lambert & Michael Bryant. Outro: “Cultural Fatigue” from Craig's album “Monachopsis”, released April 29, 2016: https://craiglauritsen.bandcamp.com/album/monachopsis Craig's links: http://www.cymbalutopia.com/ https://www.youtube.com/c/CraigLauritsen https://www.instagram.com/cymbalutopia/?hl=en To support this independent podcast: https://paypal.me/banditabout?locale.x=en_AU If you enjoyed listening please share the link with your friends. Contact Band It About: banditabout17@gmail.com Follow on Facebook: https://www.facebook.com/BAND-It-ABOUT-Podcast-Series-103410885324059/ Review: https://www.podchaser.com/podcasts/band-it-about-podcast-series-985443/reviews/63027 #drummers --- Send in a voice message: https://anchor.fm/dianne-spillane/message

In this, the final English language episode of Season One, we meet Adam Galchus, currently studying for a  Master's Degree in Special Education.  Prior to commencing these studies, he obtained a Bachelor of Science in Music, with a concentration in Jazz and Commercial Music.  He is also the composer of Aging Wisely: The Podcast theme music.  Adam was born with a disability. Notwithstanding that, he and his parents found his gifts in the arts, specifically music. From the age of eight, his gift was cultivated and he began his journey to musicianship when he took up the drums and, later, the trombone (and some piano).  Due to his own life experiences and interactions with disabled children, he decided to pursue a degree in Special Education. He hopes to incorporate his musical training and education, in the work he does with high school students.  He's also hoping to continue and pursue a career as a musician, composer and producer.  Adam is an example of not only perseverance and recognizing your talent, but also of how the support of a "village" can impact and change the trajectory of a child's life.  If you'd like to learn more or connect with Adam, please go to:  https://www.linkedin.com/in/adam-galchus-808492112/  

Filmmaker Nicholas Lam directs award-winning spots, music videos and films. He's helmed international campaigns for Google, Samsung, Disney, P&G and Nestle, works closely with top agencies like BBDO, Ogilvy & Mather and Iris Worldwide. In the music world, Nicholas is an MTV VMA nominated director having shot videos for Nick Jonas, Blink-182, Sara Bareilles, Bastille, Jess Glynne, Monsta X and more. This is one chat you'll be glad you dove into. Be sure and read this Little Black Book article on Nicholas here. Shout out to Caio Shindo and Bootcamp Alumni Ben Blair, Jake's newest patron! Join Jake and I for our patron-only VIP "Ask Us Anything" via zoom April 6th at 5pm pacific. Tomorrow! Join show editor Jake Brady on his new Patreon! A mere $2/month gets you BONUS content not heard in the show!! Get a $75 discount on Masterclass, free T-shirt and consultation calls w me, go to  https://www.patreon.com/respecttheprocess and show your love for the show. Join! Commercial Directing Bootcamp is SOLD OUT for May 22, 2021 in LA. Next is August 28th, in LA and seats are now open. Check out the new Commercial Filmmaker Mega Bundle for serious mentoring and career growth. My online Commercial Directing Masterclass has helped over 750 filmmakers globally and has received 100% 5 star reviews. Did I mention the free filmmaker consultation call upon completion? Thanks, Jordan This episode is 1 hour and 17 minutes and sponsored by Oso Delicious Hot Sauce, the hot sauce made by bears. Flavorseeker Fun Pak's ship Friday's at 3pm. My cult classic mockumentary, "Dill Scallion" is online so I'm giving 100% of the money to St. Jude Children's Hospital.

(0:00-13:45) 2020 BET Awards Predictions. What is the method of their nominees? (13:58-20:42) Where are we ranking Lebron James All Time. At this point he HAS to be Top 5. (21:00-26:50) 21 Savage “Savage Mode 2” Review. Overhyped in our opinion. (26:53-32:12) Westside Gunn's “Who Made The Sunshine” Review. Whats different from his last projects? Commercial Music by WaverLee West song titled NLM and outro music by $mn b.ob ( self made nigga) song titled Payrow freestyleFacebook: Phillip RobertsInstagram: @philroberts12, @thefillwithphil, @corporatelike Twitter: @Corporate_Like, @FillWithPhilPodSnapChat: corporatelikeTikTok: @thefillwithphilTumblr: corporatelikeWebsite: Corporatelike.comReddit: CorporateLikeDiscord: CorporateLike

Co-hosts Dan and Lauren introduce the "why" behind The Leadership Educator podcast. This podcast is supported by the Association of Leadership Educators and James M. Cox Jr. Institute for Journalism Innovation, Management, and Leadership within the Grady College of Journalism and Mass Communication at the University of Georgia.   Theme music written and composed by Dr. Matthew White, Associate Professor of Trumpet, Coordinator of Jazz and Commercial Music, and Director of Ensembles at Coastal Carolina University.

Keeping the Folk Alive with Erin Mae Lewis === As this month's featured School of Bravery student, Erin MaeLewis is with us this week! We talk about folk music -- mountain dulcimer, specifically -- and some of her previous "Seasons of Bravery." (i.e. surviving cancer at 20 years old and being a full-time modern folk musician! She also tells us about her current season of bravery and what she's got her sights set on these days! If you like folk music and finding common ground with people (Lord, knows we need it today!), then you'll enjoy this convo with Erin Mae Lewis, my friend, student and fellow musician! [Insert Audio Block Here] About The School of Bravery --- The School of Bravery is a business learning lab for creative visionaries. Through monthly masterclasses, guest experts, weekly coaching office hours and so much more, you'll explore what it *really* means to "put yourself out there" and how bravery does not have to feel like a panic attack. Visit http://schoolofbravery.com for more info! Keep in Touch with Erin Mae Lewis ----- Erin Mae Lewis is a mountain dulcimer virtuosa who has taken an obscure American folk instrument, and with it has developed a high level of technical proficiency and musical expression. Erin has been playing for over twenty years and in that time has developed a unique and progressive style. Erin Mae received her first mountain dulcimer at the age of seven. Ten years later, in 2004, she won the prestigious National Mountain Dulcimer Championship; making her youngest winner of the award at the time. Erin went on to study classical piano at Sterling College in Sterling, KS before pursuing a degree in Commercial Music, with an emphasis in bluegrass and acoustic jazz, through South Plains College in Levelland, TX. She graduated in 2010, becoming the first mountain dulcimer player to complete the program; and began touring full-time as part of the duo Scenic Roots. Erin has participated as an instructor at children's music camps; as well as various festivals, and providing private lessons. Erin Mae is a cancer survivor -- and played her mountain dulcimer through every chemotherapy treatment. She firmly believes that her music and faith were paramount to her healing. Erin strives to let her music and story act as a beacon of light for those going through difficult times. You can hear that passion as Erin Mae culls from her instrument music which lifts the spirit and heals the soul. https://www.erinmaemusic.com/ https://www.instagram.com/erinmaemusic/ https://www.facebook.com/erinmaemusic https://twitter.com/ErinMaeMusic Keep in Touch with Emily Ann Peterson ---- Emily Ann Peterson is a singer/songwriter and bestselling author of "Bare Naked Bravery: How to Be Creatively Courageous." She also founded The School of Bravery where she teaches bravery skills to creative visionaries. Her audience is found in Fortune500 companies, concert venues, bookstores, and living rooms around the world. http://emilyannpeterson.com http://instagram.com/emilyannpete http://facebook.com/emilyannpeterson http://twitter.com/emilyapeterson

Susan Palyo has been working for Voicetrax West since 1990 and has been the resident demo producer since 1996. Susan grew up in Springfield, Illinois. Her passion for music led her to believe that pursuing a degree in Commercial Music from Millikin University in Decatur, IL would be a great idea since she wanted a job where she didn't have to wear a dress. Shortly after graduating, Susan packed up her car and drove to Los Angeles to pursue a career in recording. Susan landed at the famed Cherokee music studios as an assistant engineer. She got to meet lots of cool celebrities, and she didn't have to wear a dress. But, the pay didn't measure up. So, she looked around and landed the position of head engineer at Voice Trax West. After engineering loads of commercial sessions and assisting in demo production under Thom Pinto and Cindy Akers, Susan became the full-time demo producer. Since then she has produced hundreds of demos for many aspiring and successful VO actors including Grey Delisle, Debi Derryberry, Robert Clotworthy, and Stew Herrera. Her demos are respected by all of the top VO agencies in town for their quality and contemporary style. Susan also has a great reputation as an instructor and director and teaches workshops and private studies in commercial and animation voiceover. Susan lives in the San Fernando Valley with her husband, daughter, 3 dogs, 3 cats, and 2 hamsters. She even wears a skirt once in a while.

Rocky Kuner is a 20 year old singer songwriter from Orange County. She graduated from the Orange County School of the Arts in Santa Ana and studied Commercial Music and Music & Theater. She plays mulitiple instruments including guitar, dulcimer, bass, drums, cajón and piano. She is currently in a Rush Tribute band called YYNOT as the lead vocalist and has already traveled to play in Florida with them. They play originals and covers and their online fans are so kind and supportive. She plays her own music locally throughout OC and LA including The Troubador, The Mint, OC Fair's Hangar stage, The Gaslamp, and many others. She plans to keep writing and recording and tour with YYNOT this year.Sounds + Stories is an eclectic music series featuring live performances and entertaining discussions with emerging and established artists. Produced in collaboration with Brew Sessions Live. Special episodes are filmed and edited into a short documentary compilation with the audio from each episode recorded and archived for podcast.Guest: Rocky KunerProduced by Past Forward in partnership with Brew Sessions Live.

Welcome to the Up2Me Magazine Show with Host Gabby G and Special Guest Tamica Harris, Singer & Songwriter. Episode Topic:  "Singing the National Anthem with Tamica Harris" In this Episode Gabby G and Tamica will talk about Tamica's story and journey and how it has led her to where she is currently in her young life.  Tamica will share her participation in the Nashville Predators Anthem Contest and how she is now one of the national anthem singers for the Nashville's Predators Hockey League. Meet Tamica:  Singer, songwriter, social media's #MoonChildMusing, vocalist Tamica Harris is becoming nationally known for her vocal talents as one of the anthem singers for the Nashville Predators Hockey League.  As a native of Nashville, TN, Tamica was immersed in music at a young age. She fell in love with singing, at the age of 5, after hearing Whitney Houston. Her parents were very supportive in developing her musical abilities.  Tamica was a student at the W.O. Smith Community Music School which afforded her many opportunities such as performing with Aaron Neville, Shania Twain, and Dolly Parton. She attended Tennessee State University receiving a Bachelor of Science degree in Commercial Music, and then went on to Middle Tennessee State University earning her Master of Arts degree in Vocal Performance. The opinions expressed during this broadcast are for inspiration, information, entertainment and motivational purposes. This show is a production of Up2Me Radio and to learn more about out network, shows, show host and guests please visit us atwww.up2meradio.com Enjoy the Show!  You can like us on Facebook at Up2Me Radio and follow us on Twitter @Up2Meradio

Kacie Swierk will be joining Hadley Kennary on Saturday September 30th at the CAU Goose and Fox House Concert Series. Kacie worked with CAU as an intern inbetween high school and beginning Indiana University where she is now in her junior year persuing a degree in Commercial Music. As you will hear in this Podcast and when you atttend the House Concert, Kacie has become a very polished singer/songwriter.