Podcasts about Musker

Jon Arretxe Bizkaitar idazleak « Musker amarruak » liburua aurkezten dauku. Honetan, Touré, bere azken eleberrietako pertsonai famatuak, Kanariar uharteetako bidea hartu du.   Liburu honen trama Las Palmaseko kirol apustuen negozio ilunetan zergaitik kokatu duen salatzen dauku Jon Arretxek.   Jatorria : Radiokultura

Jon Arretxe Bizkaitar idazleak « Musker amarruak » liburua aurkezten dauku. Honetan, Touré, bere azken eleberrietako pertsonai famatuak, Kanariar uharteetako bidea hartu du.   Liburu honen trama Las Palmaseko kirol apustuen negozio ilunetan zergaitik kokatu duen salatzen dauku Jon Arretxek.   Jatorria : Radiokultura

This audio is brought to you by Endress and Hauser, a leading supplier of products, solutions and services for industrial process measurement and automation. With the National Transmission Company South Africa (NTCSA) currently scheduled to be operationalised in July and efforts under way to ensure that the Electricity Regulation Act (ERA) Amendment Bill is passed by the current Parliament, work is now advancing on the market code for the future multimarket architecture that will progressively replace the vertically integrated structure that has prevailed for over a century. Eskom transmission MD Segomoco Scheppers will lead the NTCSA once it begins trade after addressing the remaining Companies Act requirements, having already met the key conditions of board independence, licensing and lender consent. He reported that, barring any surprises, the wholly owned Eskom subsidiary would transition towards being the transmission system operator (TSO) envisaged in the amended ERA, which by South African standards had advanced relatively speedily through the Parliamentary process. The ERA is currently being consider by the National Council of Provinces, having been endorsed by the National Assembly, and, if approved, will then be sent to President Cyril Ramaphosa, who has previously expressed an eagerness for the legislation to be promulgated as a matter of urgency. Scheppers admitted during a workshop on the draft market code that would govern the transition to a competitive industry, that he was continuously monitoring his emails for any sign of a legal challenge, following the recent issuance of creditor notices, which stipulated that any objection be lodged within 15 days of issuance and take the form of a legal challenge. However, he expressed cautious optimism that, absent any objections, the July timeframe could be met. This, after Eskom failed to meet the April 1 target date, which would have coincided with the start of the 2024/25 financial year. NEXT CHAPTER That said, he also stressed that the start of trade represented but one major milestone in a larger transformation effort, with the "next chapter" to begin once the ERA came into force and the NTCSA began integrating the TSO roles envisaged in the Act, which provides five years for such an evolution. Initially, the role of the NTCSA would be a "plug and play" version of the one performed hitherto by the transmission division. The amended ERA, however, also stipulates the following: The establishment of an independent TSO to manage the national grid, as well as system and market operations; The creation of a competitive electricity market, enabling multiple generators to compete on a level playing field; Ensure that regulation and tariffs are transparent, effective and clearly defined in scope; and Provide certainty to all market participants of their respective roles and responsibility. Speaking from the same platform as Scheppers, the Presidency's Saul Musker also highlighted that the ERA stipulated that a clear process be followed for the development by NTCSA of a market code, outlining qualifying criteria for power market participants, and for that code to be approved by the National Energy Regulator of South Africa (Nersa). The first draft of such a market code was published on April 19, following initial consultations pursued through the structure of the National Energy Crisis Committee (Necom), which was set up by Ramaphosa in July 2022 in response to the country's intensifying loadshedding crisis. Besides setting short- and medium-term goals to reduce the severity of, and eventually end, loadshedding, Necom was also instructed by Ramaphosa to "fundamentally transform the electricity sector to achieve long-term energy security". Musker said that besides the unbundling of Eskom in line with international trends and establishing the NTCSA, the key next steps related to developing a Nersa-approved market code, setting up a market operator within the NTCSA and imple...

This audio is brought to you by Endress and Hauser, a leading supplier of products, solutions and services for industrial process measurement and automation. With the National Transmission Company South Africa (NTCSA) currently scheduled to be operationalised in July and efforts under way to ensure that the Electricity Regulation Act (ERA) Amendment Bill is passed by the current Parliament, work is now advancing on the market code for the future multimarket architecture that will progressively replace the vertically integrated structure that has prevailed for over a century. Eskom transmission MD Segomoco Scheppers will lead the NTCSA once it begins trade after addressing the remaining Companies Act requirements, having already met the key conditions of board independence, licensing and lender consent. He reported that, barring any surprises, the wholly owned Eskom subsidiary would transition towards being the transmission system operator (TSO) envisaged in the amended ERA, which by South African standards had advanced relatively speedily through the Parliamentary process. The ERA is currently being consider by the National Council of Provinces, having been endorsed by the National Assembly, and, if approved, will then be sent to President Cyril Ramaphosa, who has previously expressed an eagerness for the legislation to be promulgated as a matter of urgency. Scheppers admitted during a workshop on the draft market code that would govern the transition to a competitive industry, that he was continuously monitoring his emails for any sign of a legal challenge, following the recent issuance of creditor notices, which stipulated that any objection be lodged within 15 days of issuance and take the form of a legal challenge. However, he expressed cautious optimism that, absent any objections, the July timeframe could be met. This, after Eskom failed to meet the April 1 target date, which would have coincided with the start of the 2024/25 financial year. NEXT CHAPTER That said, he also stressed that the start of trade represented but one major milestone in a larger transformation effort, with the "next chapter" to begin once the ERA came into force and the NTCSA began integrating the TSO roles envisaged in the Act, which provides five years for such an evolution. Initially, the role of the NTCSA would be a "plug and play" version of the one performed hitherto by the transmission division. The amended ERA, however, also stipulates the following: The establishment of an independent TSO to manage the national grid, as well as system and market operations; The creation of a competitive electricity market, enabling multiple generators to compete on a level playing field; Ensure that regulation and tariffs are transparent, effective and clearly defined in scope; and Provide certainty to all market participants of their respective roles and responsibility. Speaking from the same platform as Scheppers, the Presidency's Saul Musker also highlighted that the ERA stipulated that a clear process be followed for the development by NTCSA of a market code, outlining qualifying criteria for power market participants, and for that code to be approved by the National Energy Regulator of South Africa (Nersa). The first draft of such a market code was published on April 19, following initial consultations pursued through the structure of the National Energy Crisis Committee (Necom), which was set up by Ramaphosa in July 2022 in response to the country's intensifying loadshedding crisis. Besides setting short- and medium-term goals to reduce the severity of, and eventually end, loadshedding, Necom was also instructed by Ramaphosa to "fundamentally transform the electricity sector to achieve long-term energy security". Musker said that besides the unbundling of Eskom in line with international trends and establishing the NTCSA, the key next steps related to developing a Nersa-approved market code, setting up a market operator within the NTCSA and imple...

Are we being invaded by aliens? Jo thought so when she saw a massive string of bright lights jet across the night sky. But alas, it wasn't aliens — it was Elon Musk. The Musker has been releasing satellites by the dozen and if you don't know what you are looking at they are downright terrifying. Here to explain this latest venture from the infamous billionaire is guest host Nick Aster, aka Jo's husband, who knows much more about space things than we do. Email us! toomuchmoneypodcast@gmail.com.Too Much Money is hosted and produced by Jo Piazza and Doree Shafrir. Music is by Lisa Brenner. Our network partner is Acast. Hosted on Acast. See acast.com/privacy for more information.

'Musker amarruak' es el título del décimo libro de la saga de Toure escrito por Jon Arretxe. En los días previos al estreno de la seria 'Detective Toure', basado en el primer libro de la saga, en la plataforma Primeran hemos invitado a Arretxe a Kultura.eus...

Kanarietara bidali du Jon Arretxek bere pertsonaiarik kuttunena, Toure, 'Musker amarruak' eleberrian. Toure protagonista duen saileko hamargarrena....

Kanarietara bidali du Jon Arretxek bere pertsonaiarik kuttunena, Toure, 'Musker amarruak' eleberrian. Toure protagonista duen saileko hamargarrena....

In this episode of the South Africa Growth Though Inclusion series, Tim O'Brien, Senior Manager of Applied Research at the Growth Lab, speaks with Nomvuyo Guma, Chief Director of Microeconomic Policy at the National Treasury and Saul Musker, Director of Strategy and Delivery Support of the private office of the President of South Africa. The discussion centers on Operation Vulindela - a joint initiative of the presidency and the National Treasury. Operation Vulindela has been at work for about three years, focusing on many areas that the Growth Lab has found are most critical to growth and inclusion in South Africa: electricity, water, transport, digital communications and the visa regime.

The Little Mermaid is a literary fairy tale written by the Danish author Hans Christian Andersen, first published in 1837 as part of a collection of fairy tales for children. The story follows the journey of a young mermaid who is willing to give up her life in the sea as a mermaid to gain a human soul.   The original story has been a subject of multiple analyses by scholars such as Jacob Bøggild and Pernille Heegaard, as well as the folklorist Maria Tatar. These analyses cover various aspects of the story, from interpreting the themes to discussing why Andersen chose to write a tragic story with a happy ending. It has been adapted to various media, including musical theatre, anime, ballet, opera, and film. There is also a statue portraying the mermaid in Copenhagen, Denmark, where the story was written and first published.   The Little Mermaid is a 1989 American animated musical fantasy film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The 28th Disney animated feature film, it is loosely based on the 1837 Danish fairy tale of the same name by Hans Christian Andersen. The film was written and directed by John Musker and Ron Clements and produced by Musker and Howard Ashman, who also wrote the film's songs with Alan Menken. Menken also composed the film's score. Featuring the voices of Jodi Benson, Christopher Daniel Barnes, Pat Carroll, Samuel E. Wright, Jason Marin, Kenneth Mars, and Buddy Hackett, The Little Mermaid tells the story of a teenage mermaid princess named Ariel, who dreams of becoming human and falls in love with a human prince named Eric, which leads her to make a magic deal with the sea witch, Ursula, to become human and be with him.   The Little Mermaid was released to theaters on November 17, 1989, to critical acclaim, earning praise for the animation, music, and characters. It was also a commercial success, garnering $84 million at the domestic box office during its initial release, and $235 million in total lifetime gross worldwide. Along with the major success of both Disney's 1986 animated film The Great Mouse Detective  and the 1988 Disney/Amblin live-action/animated film Who Framed Roger Rabbit, The Little Mermaid is given credit for breathing life back into the art of Disney animated feature films after some films produced by Disney were struggling. It also marked the start of the era known as the Disney Renaissance. The film won two Academy Awards for Best Original Score and Best Original Song ("Under the Sea").   Opening Credits; Introduction (1.19); Background History (14.13); The Little Mermaid Plot Synopsis (15.17); Book Thoughts (21.47); Introducing a Film (58.50); The Little Mermaid (1989) Film Trailer (1:02.28); Lights, Camera, Action (1:03.49); How Many Stars (1:50.42); End Credits (1:52.10); Closing Credits (1:53.48)   Opening Credits– Epidemic Sound – Copyright . All rights reserved   Closing Credits:  In Harmony by Jodi Benson.  Taken from the Little Mermaid Television Soundtrack.  Copyright 1992 Disney Records.  Kiss The Girl by Ashley Tidsdale.  Taken from The Little Mermaid Soundtrack  Copyright 2006 Disney Records. ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.    All rights reserved.  Used by Kind Permission.   All songs available through Amazon Music.  

We're covering the Disney seafaring animated classic(?) Moana, its themes of ancestry, forgiveness, and restorative justice, where it ranks among other classics when it comes to songs, sidekicks, and more, and discovering that we, too, are Moana.   Moana (also known as Vaiana or Oceania in some markets) is a 2016 American computer-animated musical fantasy action-adventure film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. The 56th Disney animated feature film, it was directed by John Musker and Ron Clements, co-directed by Chris Williams and Don Hall, and produced by Osnat Shurer, from a screenplay written by Jared Bush, and a story by Clements, Musker, Williams, Hall, Pamela Ribon, and the writing team of Aaron and Jordan Kandell. The film introduces Auliʻi Cravalho as the voice of Moana and also features the ensemble voices of Dwayne Johnson, Rachel House, Temuera Morrison, Jemaine Clement, Nicole Scherzinger, and Alan Tudyk. It features original songs written by Lin-Manuel Miranda, Opetaia Foa'i, and Mark Mancina, and an orchestral score also composed by Mancina. Set in ancient Polynesia, the film tells the story of Moana, the strong-willed daughter of a chief of a coastal village, who is chosen by the ocean itself to reunite a mystical relic with the goddess Te Fiti. When a blight strikes her island, Moana sets sail in search of Maui, a legendary demigod, in the hope of returning the relic to Te Fiti and saving her people. The plot is original, but takes inspiration from Polynesian myths.

Oops all bombs! We're back already as we continue Disney's dismay dis May! We're rolling on with the box office bomb, Treasure Planet! Where the book girls at? Does ACAB include Jim? Will Disney ever push the envelope again? #greenlightTP2!If you like the show, don't forget to rate, review, and subscribe. Follow our Instagram and Twitter @cartoonbookclub, and follow our hosts @thebrookesmith and @ryanwithcheese on Twitter&brookeerinsmith.comryangstevens.comBIG THANKS TO:Jacob Menke for our themeFollow them @menkemaster&Urvashi Lele for our art Learn more about Urvashi Lele's animations by visiting http://www.sirpeagreenstudios.com and follow their endeavors on instagram at @sirpeagreen and @maisonaudmi& a very special thanks of the week to:Musker & Clements for taking us to a far away place to hang out with a space boy and his pirate dad Also thanks to the cast and crew that helped make Treasure Planet one of our favorites!The State of Animation is Science-Fiction!Films we mentioned:Treasure PlanetReal World Recs:Brooke's Gamer Corner/Books UPDATE!Brooke: The Priory of the Orange Tree by Samantha ShannonRyan: WGA Writer's Strike! SUPPORT THE WRITERS!This podcast is a part of Audio Mint. If you want to follow us, check us out on Instagram(@audiomintchi) or on Facebook, at Audio Mint. If you wanna support us even more, check out our Patreon by searching Audio Mint on the app or the website!

Get drenched in the funk as DJ Hunnicutt slangs choice cuts from 80s icons and modern day wizards Mndsgn, Temu, Midnight Star, Carol Williams and Cheryl Lynn. Plus a Chaka Khan original inspiration by Bugatti & Musker, sweet boogie heat from Raymun, a late-nite burner from Emotional Oranges and Mike Blankenship's whirlwind ode to the greats of black music. View the full playlist for this show at https://www.wefunkradio.com/show/1156 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/

A Herkules című rajzfilm a Disney reneszánszának fontos állomása volt: a hatalmas várakozásokkal övezett film minden eddiginél merészebben ötvözte a 2D-s, hagyományos animációs technikákat a 3D-s digitális megoldásokkal. A mozipénztáraknál azonban alulteljesített fiú mozinézőket is megcélzó hősmítosz: Rácz Viktóriával beszélgettünk a filmről, és megpróbáltuk megfejteni, mi lehetett az oka a sikertelenségének. Kicsoda Ron Musker és John Clements, akiknek a neve egybeforrt a Disney stúdió 90-es évekbeli reneszánszával? Miért készített a rajzfilmgyár egy kimondottan komikus, kevésbé komoly történetet a fajsúlyosabb alkotások (Az oroszlánkirály, Pocahontas, A Notre Dame-i toronyőr) után? Beszélünk arról is, milyen technikákat alkalmaztak a rendezők a film elkészítése során, amelyek kiemelték a Herkulest a kortársai közül. Alaposan végignézzük a szereplőgárdát: együgyü himbo lenne a főhős, vagy árnyaltabb figura ennél? Mi teszi a szerelmét, Megarát, komplexebb karakterré a szokásosnál? Hogyan lett a James Woods által alakított Hádész az egyik legegyedibb Disney-gonosztevő? Miért egyedi a Herkules hősmítosza? A Herkules humoráról, anakronizmusairól is beszélünk: működtek a popkulturális kikacsintások, vagy túlságosan megelőzte a korát a mindenből gúnyt űző szuperhősmese? Beszélünk a magyar szinkronról is, na és persze az elkerülhetetlen élőszereplős változaton is köszörüljük a nyelvünket. Ha tetszett az adásunk, támogass bennünket a Patreonon! Csatlakozz a Facebook-csoportunkhoz is! További linkek Viki cikkei a Filmtekercsen, a Filmtetten, a Telexen A Vakfolt podcast Facebook oldala A Vakfolt podcast a Twitteren Vakfolt címke a Letterboxdon A Vakfolt podcast a YouTube-on A Vakfolt podcast a Spotify-on A Vakfolt podcast a Google podcasts oldalán A Vakfolt az Apple podcasts oldalán A főcímzenéért köszönet az Artur zenekarnak Viktória a Twitteren: @viktoria_racz András a Twitteren: @gaines_ Péter a Twitteren: @freevo Emailen is elértek bennünket: feedback@vakfoltpodcast.hu

Episode SummaryUnlike its eponymous protagonist, Hercules (1997) is more “zero” than “hero.” Erin and Rachel discuss the film's rampant misogyny and obnoxious product placement. Compelling vocal performances and soaring musical numbers–the last of Alan Menken's contributions during the Disney Renaissance–can't rescue this box office disappointment from the River of Death. Much like Achilles, it just doesn't go the distance. Episode BibliographyCallaway, T. (2012, August 1). Susan Egan: Belle, Meg, Glamour and Goop - Part 2. The Mouse Castle. Retrieved October 9, 2022, from http://www.themousecastle.com/2012/08/susan-egan-belle-meg-glamour-and-goop.htmlClements, R., & Musker, J. (Directors). (1997). Hercules  [Film]. Walt Disney Pictures.Crouch, L. (1997, February 13). Disney Promotional Tour A Herculean Undertaking. Sun Sentinel. Retrieved October 11, 2022, from https://web.archive.org/web/20160304063452/http://articles.sun-sentinel.com/1997-02-13/news/9702120413_1_hera-movie-animatorDiSessa, K. J. (2020, November 24). The Illusion of Empowerment: A Feminist Analysis of Disney's "Hercules". Inquiries Journal. Retrieved October 22, 2022, from http://www.inquiriesjournal.com/articles/1842/the-illusion-of-empowerment-a-feminist-analysis-of-disneys-herculesDiuguid, C. (1997, June 16). Herculean block party. Variety. Retrieved October 13, 2022, from https://variety.com/1997/scene/vpage/herculean-block-party-1116679409/Dreher, R. (1997, June 22). 'Hercules' Is A Bit Hipper This Time Out. Orlando Sentinel. Retrieved October 11, 2022, from https://web.archive.org/web/20160304130239/http://articles.orlandosentinel.com/1997-06-22/entertainment/9706201020_1_hercules-john-musker-scarfeGillespie, S. A. (2012, May 7). John Musker Question Countdown #3 — Howard Ashman. Howard Ashman. Retrieved October 16, 2022, from https://www.howardashman.com/blog/john-musker-question-countdown-3/The Great Greek Hero. (1997, November 9). The Sunday Times On The Web - Mirror Magazine. Retrieved October 11, 2022, from https://www.sundaytimes.lk/971109/mirror2.htmlHartl, J. (1997, June 22). Disney's `Hercules' Plays Up The Comic Side Of An Epic Tale -- Missing From The Disney Treatment Of The Hercules Story Will Be Some Darker Details Of His Life, Including His Illegitimate Birth. The Seattle Times. Retrieved October 9, 2022, from https://archive.seattletimes.com/archive/?date=19970622&slug=2545749Hercules (1997 film). (n.d.). Wikipedia. Retrieved October 9, 2022, from https://en.wikipedia.org/wiki/Hercules_(1997_film)Hill, J. (2001, April 5). Part Four: Who the hell do we get to play Hades? Laughing Place. Retrieved October 9, 2022, from https://www.laughingplace.com/w/leg/?legacyasppage=w/News-PID115030-115034.aspHill, J. (2012, October 19). Disney favorite Susan Egan to perform this Sunday afternoon at LBCC's Music Scholarship Gala Concert. Jim Hill Media. Retrieved October 9, 2022, from https://jimhillmedia.com/disney-favorite-susan-egan-to-perform-this-sunday-afternoon-at-lbccs-music-scholarship-gala-concert/Howe, D. (1997, June 27). Disney's Myth Conception. The Washington Post. Retrieved October 16, 2022, from https://www.washingtonpost.com/wp-srv/style/longterm/movies/review97/herculeshowe.htmJohnson, T. (1997, February 5). ‘Hercules' hangs out at the malls. Variety. Retrieved October 11, 2022, from https://variety.com/1997/scene/vpage/hercules-hangs-out-at-the-malls-1117435863/Kempley, R. (1997, June 27). Disney's 'Hercules': Myth for the Masses. The Washington Post. Retrieved October 16, 2022, from https://www.washingtonpost.com/wp-srv/style/longterm/movies/review97/herculeskemp.htmKlady, L. (1997, June 16). Hercules. Variety. Retrieved October 16, 2022, from https://variety.com/1997/film/reviews/hercules-2-1200450181/Maslin, J. (1997, June 13). Oh, Heavens! What a Hero! The New York Times. Retrieved October 13, 2022, from https://www.nytimes.com/1997/06/13/movies/oh-heavens-what-a-hero.htmlNess, M. (2016, March 17). I Can Go the Merchandising Route: Disney's Hercules. Tor.com. Retrieved October 16, 2022, from https://www.tor.com/2016/03/17/i-can-go-the-merchandising-route-disneys-hercules/Primo, C. (2018, November 16). Balancing Gender and Power: How Disney's Hercules Fails to Go the Distance. MDPI. Retrieved October 22, 2022, from https://www.mdpi.com/2076-0760/7/11/240/htmRanieri, N. (2015, May 9). We Don't Know Jack. Ghost archive. Retrieved October 23, 2022, from https://ghostarchive.org/iarchive/facebook/448057295246344/982460605139341Ranieri, N. (2015, May 23). In Search of Hades. Ghost archive. Retrieved October 23, 2022, from https://ghostarchive.org/iarchive/facebook/448057295246344/988317501220318Rickey, C. (1997, June 22). Hercules, The Original Superhero He's A Myth Who's Hard To Miss, Starring On Tv And In A New Film. The Latter, By Disney, Cleans Up His Story Considerably. Philly.com. Retrieved October 9, 2022, from https://web.archive.org/web/20160304071845/http://articles.philly.com/1997-06-22/entertainment/25525365_1_zeus-alcmene-hercsRizzo, F. (1997, June 16). HERCULES GETS A MAKEOVER – Hartford Courant. Hartford Courant. Retrieved October 9, 2022, from https://www.courant.com/news/connecticut/hc-xpm-1997-06-17-9706170026-story.htmlScherer, R. (1997, June 13). Disney's Herculean Feat: Stopping New York Traffic For Movie Premiere Parade. Christian Science Monitor. Retrieved October 13, 2022, from https://www.csmonitor.com/1997/0613/061397.us.us.5.htmlSiskel, G. (1997, June 19). NO. 4 `BATMAN' STRIKES OUT – Chicago Tribune. Chicago Tribune. Retrieved October 13, 2022, from https://www.chicagotribune.com/news/ct-xpm-1997-06-20-9706200276-story.htmlSmith, J. L., & Byrne, C. (1997, October 9). Greeks put Disney's 'Hercules' on trial. The Nation, C1.Smith, S. (1997, June 26). The Soul of 'Hercules'. Los Angeles Times. Retrieved October 11, 2022, from https://www.latimes.com/archives/la-xpm-1997-06-26-ca-6922-story.htmlTuran, K. (1997, June 25). 'Hercules' is not your professor's version of the tale, but it is another triumph from Disney animation and quip masters. : Didja Ever Hear the Myth About. . . ? Los Angeles Times. Retrieved October 16, 2022, from https://www.latimes.com/archives/la-xpm-1997-06-25-ca-6546-story.htmlVHS BTS. (2019, February 8). Zero to Hero: the Making of Hercules. YouTube. Retrieved October 16, 2022, from https://www.youtube.com/watch?v=MP2d-gKAyGU

Dopo squali, piranha e feste più o meno riuscite, approdiamo nel regno dei regni, la Disney! Si parte col classico del '89 La sirenetta e che la magia sia con tutti noi.

Author James Musker discusses his book The New World Religion and the Beliefs of the Elite. (2018) https://www.amazon.com/NEW-WORLD-RELIGION-BELIEFS-ELITE/dp/1980791252/ref=sr_1_1?dchild=1&keywords=james+musker&qid=1616429053&sr=8-1 Learn more about your ad choices. Visit megaphone.fm/adchoices

The Presidency's Operation Vulindlela (OV) has made markable process on accelerating implementation of priority structural reforms since its establishment in October 2020. Presidency project management office head Rudi Dicks addressed delegates during the Manufacturing Indaba, held in Sandton on June 21, highlighting that much of the constraints mentioned by the private sector within the manufacturing sector, including load-shedding and freight issues, are within the focus areas of OV. “Although the manufacturing sector led economic growth figures in the first quarter of the year, it was from a low base, with unreliable electricity supply and freight transport remaining binding constraints on industrial growth and manufacturing output,” Dicks acknowledged. OV aims to get strategic sectors working again and is a major driver of the Economic Recovery and Reconstruction Plan. It follows a government-wide approach, and does not encompass one single entity performing structural reforms, but rather departments working together to effect restructuring, continuously. Presidency private office director Saul Musker explained during the conference that the five desired outcomes of OV comprise stabilised electricity supply, sustainable water supply to meet demand, a visa regime that attracts skills and grows tourism, competitive and efficient freight transportation and increased quality of digital communications. To achieve the desired outcomes, OV has penned 26 specific interventions, of which a number have been completed. These are raising the licencing threshold for embedded generation projects, enabling municipalities to procure power from independent power producers, completing the spectrum action, corporatising Transnet National Ports Authority, finalising the White Paper on National Rail Policy, implementing an e-visa system in 14 countries and publishing a revised Critical Skills list. Musker pointed out that the process of reform is complex and often involves difficult policy and regulatory changes, as well as the establishment of new institutions, or implementing fundamental changes to existing institutions. Five of OV's structural reform interventions are experiencing challenges with implementation, including improving the efficiency of ports, addressing institutional inefficiencies in municipal water distribution and addressing institutional inefficiencies in municipal electricity distribution. This while two interventions are experiencing “critical challenges”, namely the implementation of the Risk Mitigation Independent Power Producer Procurement Programme and improving Eskom's energy availability factor to more than 70%. Other reform interventions that are in progress and on track with envisioned timelines are procuring new energy generation capacity in terms of the Integrated Resource Plan 2019, the restructuring of Eskom, improved water-use licence approvals, establishing an independent economic regulator for water and a National Water Resource Infrastructure Agency (NWRIA) and implementation of third-party access to the freight rail network. Musker highlighted the key reforms to reach fruition in the remainder of the year are completing the analogue switch-off and enabling spectrum in the 700 MHz and 800 MHz frequencies to be used for mobile telecommunications; the amendment of the Electricity Regulation Act and the Electricity Pricing Policy to enable the emergence of a modern and competitive electricity market; enabling third-party access to the freight rail network, allowing 16 slots for private sector to operate the rail network for the very first time; issuing requests for proposals for private sector investment in container port terminals to enable upgrading and expansion of infrastructure; and establishing the NWRIA. The OV team within the Presidency monitor's progress on all interventions and engages, seeks consensus and determines what needs to be done and by whom, when required to do so. The team also offers...

It's The Princess and the Frog and we welcome Sandee Moore back from her previous appearance and Kitt is now back as a regular princess contributor. Musker and Clements are at it again, and Lotsa Huggin Bear Jon Lasseter is making it even worse. The cult of Oprah? Depictions of vodou in mainstream media. Neil Gaiman. RANDY NEWMAN. Zydeco. Andy does the LONGEST studio note ever with a complete rewrite. We're very sorry. Go to Sandee's Instagram, follow her, like her posts, and send her money to buy one of these Tiana dresses! --- Send in a voice message: https://anchor.fm/kissyourfranchisegoodbye/message

Episode SummaryErin and Rachel travel to the (problematically) imaginary land of Agrabah to discuss Aladdin (1992), debating whether this film can overcome its staggering orientalism to be the diamond in the rough we'd all like it to be. Highlights include Robin Williams, Howard Ashman, and Ottoman Empire fashion. Episode BibliographyAddison, E. (1993). Saving other women from other men: Disney's Aladdin. Camera Obscura: Feminism, Culture, and Media Studies, 11(31), 4–25.Aladdin. (n.d.). Wikipedia. Retrieved April 9, 2022, from https://en.wikipedia.org/wiki/AladdinAladdin (1992 Disney film). (n.d.). Wikipedia. Retrieved April 9, 2022, from https://en.wikipedia.org/wiki/Aladdin_(1992_Disney_film)Ant, C. (2015, October 23). The Definitive Guide to Aladdin's Genie Impressions. Laser Time. Retrieved April 11, 2022, from http://www.lasertimepodcast.com/2015/10/23/the-definitive-guide-to-aladdins-genie-impressions/Artz, L. (2004). The righteousness of self-centered royals: The world according to Disney animation. Critical Arts, 18(1), 116-146. doi: 10.1080/02560240485310071BBC. (2019, October 25). Iran cuts off man's fingers for theft. https://www.bbc.com/news/world-middle-east-50179741Bell, E. (1995). From mouse to mermaid: The politics of film, gender, and culture. Indiana University Press. Bourenane, A. (2020).  Authenticity and discourses in Aladdin (1992). Journal of Arab & Muslim Media Research, 13(2), 235–250. doi: https://doi.org/10.1386/jammr_00021_1Bowen, S. (2017, November 13). Yes, Aladdin is still racist. Refinery29. https://www.refinery29.com/en-us/2017/11/180902/aladdin-racist-disney-movieBrockington, A. (2019, May 24). Aladdin's Agrabah is based on many places, & that's kind of the issue. Refinery29. https://www.refinery29.com/en-us/2019/05/233405/where-does-aladdin-take-place-agrabah-real-locationBuchanan, R. T. (2015, October 17). Peddler at beginning of Aladdin is the Genie, directors finally confirm. The Independent. Retrieved April 9, 2022, from https://www.independent.co.uk/arts-entertainment/films/news/peddler-at-beginning-of-aladdin-is-the-genie-directors-finally-confirm-a6697826.htmlClements, R., & Musker, J. (Directors). (1992). Aladdin. Walt Disney Pictures.Daly, S. (1992, December 4). Disney's Got a Brand-New Baghdad. EW.com. Retrieved April 10, 2022, from https://web.archive.org/web/20121019090423/http://www.ew.com/ew/article/0,,312562,00.htmlDavis, A. M. (2007). Good girls and wicked witches: Women in Disney's feature animation. John Libbey & Company.Davis, A. M. (2014). Handsome heroes and vile villains: Men in Disney's feature animation. John Libbey & Company, Limited. Dudley, S. (2018, March 9). A Diamond in the Rough: The Making of Aladdin (Full Documentary). YouTube. Retrieved April 10, 2022, from https://www.youtube.com/watch?v=afqrFqn7PJgEbert, R. (1992, November 25). Aladdin movie review & film summary (1992). Roger Ebert. Retrieved April 11, 2022, from https://www.rogerebert.com/reviews/aladdin-1992Feminism and Media — is aladdin as racist as the gerudos? (2019, April 11). Feminism and Media by feminismandmedia. Retrieved April 15, 2022, from https://feminismandmedia.tumblr.com/post/184122748699/is-aladdin-as-racist-as-the-gerudosFisher, M. (2012, April 25). The real roots of sexism in the Middle East (it's not Islam, race, or ‘hate'). The Atlantic. https://www.theatlantic.com/international/archive/2012/04/the-real-roots-of-sexism-in-the-middle-east-its-not-islam-race-or-hate/256362/Fox, D. J. (1993, April 21). 'Aladdin' Becomes a $200-Million Genie for Disney : Movies: Studio's all-time top-grosser is the first animated feature to reach the box office milestone. And in its 23rd week of release, there still is no end in sight. Los Angeles Times. Retrieved April 11, 2022, from https://www.latimes.com/archives/la-xpm-1993-04-21-ca-25327-story.htmlGamm, N. (2014, June 28). Crime and punishment: The Ottoman legal system. Hürriyet Daily News. https://www.hurriyetdailynews.com/crime-and-punishment-the-ottoman-legal-system-68371Gillespie, S. A. (2012, February 21). John Musker Question Countdown - Number 9 — Howard Ashman. Howard Ashman. Retrieved April 12, 2022, from https://www.howardashman.com/blog/john-musker-question-countdown-number-9/Glamour. (2019, December 10). Historian fact checks Aladdin's wardrobe [Video]. Youtube. https://www.youtube.com/watch?v=4CUg424lmG4Infidel Definition & Meaning. (n.d.). Merriam-Webster. Retrieved April 29, 2022, from https://www.merriam-webster.com/dictionary/infidelIran cuts off man's fingers for theft. (2019, October 25). BBC. Retrieved April 29, 2022, from https://www.bbc.com/news/world-middle-east-50179741Johnson, Z. (2015, October 15). Disney Myths Debunked by Ron Clements and John Musker, Directors of The Little Mermaid, Aladdin and Hercules. E! Online. Retrieved April 12, 2022, from https://www.eonline.com/news/706200/disney-myths-debunked-by-ron-clements-and-john-musker-directors-of-the-little-mermaid-aladdin-and-herculesKerboua, S. (2016). From Orientalism to neo-Orientalism: Early and contemporary constructions of Islam and the Muslim world. Intellectual Discourse, 24(1), 7-34.Marielle, A. (2018, September 28). It's a Small and Historically Inaccurate World – The Daily Utah Chronicle. The Daily Utah Chronicle. Retrieved April 14, 2022, from https://dailyutahchronicle.com/2018/09/28/disney-films-are-an-introduction-to-culture-not-a-history-lesson/Meslow, S. (2011, October 28). How Celebrities Took Over Cartoon Voice Acting. The Atlantic. Retrieved April 11, 2022, from https://www.theatlantic.com/entertainment/archive/2011/10/how-celebrities-took-over-cartoon-voice-acting/247481/Mikkelson, D. (2000, April 24). Did Aladdin Ask Teenagers to Take Off Their Clothes? Snopes. Retrieved April 11, 2022, from https://www.snopes.com/fact-check/take-off-your-clothes/Ness, M. (2016, January 21). Fairy Tale and the Other Realm as Social Commentary: “Aladdin and the Wonderful Lamp”. Tor.com. Retrieved April 29, 2022, from https://www.tor.com/2016/01/21/fairy-tale-and-the-other-realm-as-social-commentary-aladdin-and-the-wonderful-lamp/Ness, M. (2016, January 28). I Could Show You the World, But I Won't: Disney's Aladdin. Tor.com. Retrieved April 12, 2022, from https://www.tor.com/2016/01/28/i-could-show-you-the-world-but-i-wont-disneys-aladdin/One Thousand and One Nights. (n.d.). Wikipedia. Retrieved April 9, 2022, from https://en.wikipedia.org/wiki/One_Thousand_and_One_NightsPeirce, L. P. (1994). The imperial harem: Women and sovereignty in the Ottoman Empire. Oxford University Press.Petsko, E. (2019, February 22). The Reason Why the Genie From Aladdin Is Blue. Mental Floss. Retrieved April 9, 2022, from https://www.mentalfloss.com/article/574852/why-aladdin-genie-is-blueRahayu, M., Abdullah, I., & Udasmoro, W. (2015). ‘Aladdin' from Arabian Nights to Disney: The change of discourse and ideology. Lingua, 17(1), 24–34.Roberge, C. (1993, January 6). Aladdin animator used subtlety to design strong villain - The Tech. The Tech (MIT). Retrieved April 12, 2022, from http://tech.mit.edu/V112/N64/aladdin.64a.htmlSaid, E. W. (1979). Orientalism. Vintage.Shaheen, J. (1993). Aladdin Animated Racism. Cinéaste, 20(1), 49. https://www.jstor.org/stable/41687300Travers, P. (2000, December 8). Aladdin. Rolling Stone. Retrieved April 11, 2022, from https://web.archive.org/web/20080618163432/http://www.rollingstone.com/reviews/movie/5947957/review/5947958/aladdinWeisman, A. (2014, November 19). Robin Williams Disney Feud Led to Picasso Gift. Business Insider. Retrieved April 10, 2022, from https://www.businessinsider.com/robin-williams-disney-feud-picasso-gift-2014-11Wiggin, K. D., & Smith, N. A. (2018). The Arabian nights: Their best-known tales. Lerner Publishing Group. Wingfield, M., & Karaman, B. (1995, March). Arab Stereotypes and American Educators. ADC.org. Retrieved April 12, 2022, from https://www.adc.org/arab-stereotypes-and-american-educators/Yelenosky, J. (2016, April 15). Aladdin Informed Persuasion. faithrhetoric1030006. Retrieved April 12, 2022, from https://faithrhetoric1030006.wordpress.com/2016/04/15/aladdin-informed-persuasion/Ziebarth, C. (2005, April 23). Aladdin: Crew Reunion – Animated Views. Animated Views. Retrieved April 29, 2022, from https://animatedviews.com/2005/aladdin-crew-reunion/

Check out this weeks KICK ASS PODCAST with ya boy QPC and special guest Todd the I.T. GOD ... It's more fun than Elon Musk purchasing Netscape Navigator, I PROMISE !!! LOL !!! Topics discussed: Elon buys Twitter, Space x news, The Metaverse, Bigfoot, The Batman, Johnny Depp vs Amber Turd, Toxic Femininity and soooooooo much more ... You're gonna LOVE THIS SHOW !!! CHECK IT !!!  

Bij ons in de buurt woonde vroeger een baron, die eenmaal per jaar zijn tuin openstelde voor het hele dorp. Dan mocht het plebs rondlopen in het park vol mooie bomen en een vijver. Een soort mix van publieke en private ruimte, eigenlijk, net als Disneyland of Plopsaland. Aan dat rijtje mogen we voortaan ook Twitter toevoegen, want Ome Elon besloot het virtuele dorpsplein op te kopen. Met 280 klinkers kan je alvast een stukje van de straat leggen! Die laat hij niet in kruiwagens, maar met drones leveren. Kan allemaal, als je geld genoeg hebt. Welkom in Computer Club, een podcast door Frederik 'Freddy' De Bosschere & Thomas 'Smollie' Smolders. Met dank aan Sebastiaan Van den Branden & Toon De Pauw voor de technische hulp. Wekelijks bespreken we de actualiteit op vlak van technologie en gaan we op zoek naar interessante feiten en innovaties. Af en toe nodigen we zelfs een gast uit. Er zijn ook jingles. Word Vriend van de Show: https://vrienden.computerclub.online Nieuwsbrief: https://nieuwsbrief.computerclub.online Merchandise: https://computerclub.shop

In this episode, they've come for your kids.  What are you doing about it?  Twitter is now Musker.  Sarah Palin vs. the Alaska GOP establishment AGAIN.  Biden's New World Disorder. I identify as a traditionalist. 

Hang out and listen as Tony K hangs out with James Musker, who talks about unpacking all the Lies and Exposing the Shocking WEF Agenda!

395- James Musker – Unpacking the Lies and Exposing the Shocking WEF Agenda! Right click to Download  

Welcome to space! Will Miko survive drinking every time someone says 'Jim'? Join us as we talk about directors Clements and Musker's project that they wanted to make for decades. What went good? What went wrong? We Drink. Support the show (https://streamlabs.com/rossandmiko/tip)

Welcome to the Renaissance! It's 1986 and Musker and Clements are on a roll. Beginning with 1986's The Great Mouse Detective. Recovering from the disaster that was 'The Black Cauldron' (1985), the movie proves to be a delightful rodent-filled interpretation of the great adventures of Sherlock Holmes. Will makes a very English cocktail, Staccas reaches for a glass of water to cleanse her palate and off we go!

Episode SummaryJoin Erin and Rachel under the sea for the first princess film in 30 years! The Little Mermaid (1989) marked the beginning of the Disney Renaissance, a period of renewed investment in animation at the Disney Corporation. With musical numbers from Broadway dynamos Howard Ashman and Alan Menken, the film smashed the box office, but did Princess Ariel smash the patriarchy?Episode BibliographyAndersen, H.C. (1836). The little mermaid. Retrieved December 21, 2021 from http://hca.gilead.org.il/li_merma.htmlBarnd, N. B. (2013). White man's best friend: Race and privilege in Oliver and Company. In J. Cheu (Ed.), Diversity in Disney films: Critical essays on race, ethnicity, gender, sexuality and disability (pp. 67-82). McFarland.Bell, E. (1995). Somatexts at the Disney shop: Constructing pentimentos of women's animated bodies. In E. Bell, L. Haas, & L. Sells (Eds.). From mouse to mermaid: The politics of film, gender, and culture (pp. 107-124). Indiana University Press. Clements, R., & Musker, J. (Directors). (1989). The Little Mermaid [Film]. Walt Disney Pictures.Cohen, C. (2013, September 24). Interview with Actor Samuel E. Wright: Little Mermaid, The Lion King, Dinosaur and more. YouTube. Retrieved November 20, 2021, from https://www.youtube.com/watch?v=Y06cu-PCI_ADavis, A. M. (2007). Good girls and wicked witches: Women in Disney's feature animation. John Libbey & Company.Ebert, R. (1989, November 17). The Little Mermaid. RogerEbert.com. Retrieved November 7, 2021, from https://www.rogerebert.com/reviews/the-little-mermaid-1989Hahn, D. (Director). (2010). Waking Sleeping Beauty [Film; Disney+]. Buena Vista Home Entertainment.Howard Ashman. (n.d.). Wikipedia. Retrieved November 14, 2021, from https://en.wikipedia.org/wiki/Howard_AshmanThe Little Mermaid (1989 Film). (n.d.). Wikipedia. Retrieved November 7, 2021, from https://en.wikipedia.org/wiki/The_Little_Mermaid_(1989_film)#cite_ref-WDFAtimeline_21-2MacKisack, M. (2021, June 26). How Disney artist Glen Keane draws when he has aphantasia. Fast Company. Retrieved November 18, 2021, from https://www.fastcompany.com/90649913/the-unusual-creative-process-of-the-artist-behind-the-little-mermaid-and-beauty-and-the-beastMaking The Little Mermaid. (2020). 80s Movies Rewind. Retrieved November 7, 2021, from https://www.fast-rewind.com/making_littlemermaid.htmMaslin, J. (1989, November 15). Review/Film; Andersen's 'Mermaid,' by Way of Disney. The New York Times. Retrieved November 7, 2021, from https://www.nytimes.com/1989/11/15/movies/review-film-andersen-s-mermaid-by-way-of-disney.htmlMcIntosh, N. (2018, July 17). The Making of the Little Mermaid 1989 - Treasures Untold - Retro N8. YouTube. Retrieved November 14, 2021, from https://www.youtube.com/watch?v=XdMMg6OSn1QMikkelson, D. (1996, August 2). Does the Minister in ‘Little Mermaid' Get an Erection? Snopes. Retrieved November 7, 2021, from https://www.snopes.com/fact-check/the-aroused-minister/Mikkelson, D. (1998, November 30). Was a Phallus Purposely Added to the Artwork for ‘The Little Mermaid' VHS Cover? Snopes. Retrieved November 7, 2021, from https://www.snopes.com/fact-check/phallus-purposely-added-artwork-little-mermaid-vhs-cover/Murphy, P. D. (1995). "The whole wide world was scrubbed clean": The androcentric animation of denatured Disney.  In E. Bell, L. Haas, & L. Sells (Eds.). From mouse to mermaid: The politics of film, gender, and culture (pp. 125-136). Indiana University Press. Ness, M. (2015, December 10). Disney's Renaissance: The Little Mermaid. Tor.com. Retrieved November 14, 2021, from https://www.tor.com/2015/12/10/disneys-renaissance-the-little-mermaid/Neuwirth, A. (2003). Makin' Toons: Inside the Most Popular Animated TV Shows and Movies. Allworth Press. https://archive.org/details/makintoonsinside0000neuw/page/46/mode/2upOriginal Walt Disney Storyboard Drawing From The Little Mermaid featuring Ariel and the Shark. (n.d.). Animation Sensations. Retrieved November 18, 2021, from https://www.animationsensations.com/original-disney-production-drawing-ariel-wdpclm06-4Sells, L. (1995). "Where do the mermaids stand?" Voice and body in The Little Mermaid. In E. Bell, L. Haas, & L. Sells (Eds.). From mouse to mermaid: The politics of film, gender, and culture (pp. 175-192). Indiana University Press. Siskel, G. (1989, November 17). 'Steel Magnolias' Uneven Version of Popular Play. Chicago Tribune. Retrieved November 7, 2021, from https://www.chicagotribune.com/news/ct-xpm-1989-11-17-8903100378-story.htmlTattoli, C. (2014, May 2). Disney's animated zombies: How classic stories are lost in reinvention. Salon. Retrieved November 7, 2021, from https://www.salon.com/2014/05/02/disneys_animated_zombies_how_classic_stories_are_lost_in_reinvention/Trites, R. (1991). Disney's sub/version of The Little Mermaid. Journal of Popular Television and Film, 18(4), 14-5-59.Variety Staff. (1988, December 31). The Little Mermaid. Variety. Retrieved November 7, 2021, from https://variety.com/1988/film/reviews/the-little-mermaid-1200427784/Wright, S. (2018, September 19). Disney's Fascination with The Little Mermaid. WDW Info. Retrieved November 18, 2021, from https://www.wdwinfo.com/disneylandcalifornia/disneys-fascination-with-the-little-mermaid/

In this episode of The Seek One Podcast, with the help of the Elon Musker of deer, Bill Thompson, we solve many of the worlds most inextricable issues. Like what is the best gun in 007 Goldeneye? Are aliens real? Could you beat a 3'3" Connor Mcgregor in a fight? And what exactly makes a deer move?

Avast! With Episode 106, we're finally bringing you a look at something we've wanted to do for a long time: the pirate classic Treasure Island! In this episode we discuss: Robert Louis Stevenson's original 1883 novel Treasure Island (the 1934 movie), directed by Victor Fleming, written by John Lee Mahin and John Howard Lawson, and starring Wallace Beery, Jackie Cooper, and Lionel Barrymore Treasure Island (the 1950 live-action Disney movie), directed by Byron Haskin, written by Lawrence Edward Watkin, and starring Robert Newton and Bobby Driscoll The DuPont Show of the Month Season 3 Episode 7: Treasure Island (1960), directed by Daniel Petrie, written by Michael Dyne, and starring Hugh Griffith, Richard O'Sullivan, Michael Gough, and George Rose Treasure Island (the 1987 anime movie, edited down from the 1978–79 series), directed by Osamu Dezaki and Yoshio Takeuchi, and written by Haruya Yamazaki and Yoshimi Shinozaki Treasure Island (the 1990 TV movie), written and directed by Fraser Clarke Heston, and starring Charlton Heston, Christian Bale, Julian Glover, and Oliver Reed Muppet Treasure Island (1996), directed by Brian Henson, written by Jerry Juhl, Kirk R. Thatcher, and James V. Hart, and starring Tim Curry, Billy Connolly, and Kevin Bishop Treasure Island (the 1999 movie), written and directed by Peter Rowe, and starring Jack Palance and Kevin Zegers Treasure Planet (2002), directed by Ron Clements and John Musker, written by Clements, Musker, Ted Elliott, Terry Rossio, and Rob Edwards, and starring Joseph Gordon-Levitt, Brian Murray, David Hyde Pierce, and Emma Thompson Treasure Island (the 2012 miniseries), directed by Steve Barron, written by Stewart Harcourt, and starring Eddie Izzard, Toby Regbo, Elijah Wood, and Donald Sutherland Footnotes: Stan Rogers performs his song "Barrett's Privateers" "Captain Kidd" performed by Great Big Sea The Clancy Brothers and Tommy Makem George Rose performing "I Am the Very Model of a Modern Major-General" from The Pirates of Penzance Black Sails (2014–2017) You can follow Adapt or Perish on Twitter, Instagram, and Facebook, and you can find us and all of our show notes online at adaptorperishcast.com. We're also on Patreon! You can find us at patreon.com/adaptcast. We have multiple reward levels, which include access to a patron-only community and a patron-only, biweekly bonus show! We hope to see you there. If you want to send us a question or comment, you can always email us at adaptorperishcast@gmail.com.

And I believe this will be something that has endless possiblities for it. Comments are Welcomed Like The Video VENMO: @Brian-Walmer-2 #TheMetalMen #DCComics #WarnerAnimationGroup #WarnerBros #WAG #TheHollywoodReporter From The HR: "Animation legends Ron Clements and John Musker, the acclaimed team that spent decades at Disney making movies such as The Little Mermaid, Aladdin and The Princess and the Frog, are heading to DC. The duo have teamed up with Celeste Ballard, a writer who worked on Space Jam: A New Legacy, to tackle animated feature The Metal Men. Warner Animation Group is the home of the project, which is based on the longtime DC property. Clements and Musker are producing and have written the treatment for the film, which they are eyeing to direct. Craig Peck is executive producing. Allison Abbate, the former producer (The Iron Giant, The Corpse Bride) and now head of WAG, is shepherding the project for the studio. Based on DC Comics heroes created by Robert Kanigher and Ross Andru in 1962, the concept revolves around a brilliant scientist, William Magnus, and his creations: six highly advanced robots who have powers and personalities associated with their respective metals — gold, iron, lead, tin, mercury and platinum. The group had its own title in the 1960s and then made frequent appearances throughout the DC Universe in the ensuing decades. The stories have vacillated in tone from comedic to somber, with the group at times being on the run from government agents or even being robot assassins. The group sometimes incorporated a whole periodic table's worth of metal elements as new characters. The heroes made appearances in various animated series in the 1990s and 2000s, with Warners in the aughts trying to develop live-action takes that involved, at various points, X-Men producer Lauren Shuler Donner, writer and executive Geoff Johns, and Men in Black filmmaker Barry Sonnenfeld. Details of the new take were not revealed, but the medium of animation and Ballard's work on Space Jam may point to a direction. Ballard — repped by WME, Kaplan/Perrone Entertainment and Hansen Jacobson — also worked on the TBS comedy Wrecked and MTV's Sweet Vicious, with both featuring whip-snap and irreverent humor. Clements and Musker's vast CVs have seen them act as writers, directors and producers on some of the biggest and most influential Disney movies of all time, some featuring now-iconic princesses and song numbers, including the back-to-back hit of 1989's Little Mermaid and 1992's Aladdin, movies that led to the great Disney comeback in the 1990s. They were also behind 1997's Hercules, 2002's Treasure Planet, 2009's The Princess and the Frog and 2016's Moana. The involvement of the longtime pros is a coup for WAG, which is still in the fledgling stage of its animation output. The Warners unit will be leaning more heavily on the DC brand as it grows and next up has DC League of Super Pets hitting theaters in May 2022." --- Support this podcast: https://anchor.fm/bwrosas/support

Greenlit during the middle of a regime change as a low-budget excuse to keep the animators busy, The Great Mouse Detective turned out to be one of the best films of the Bronze Era. Mom and Isaac discuss how Musker and Clements managed to sneak this thrilling, charming little adventure movie past Eisner and Katzenberg and what it means to them. Me, Mom & The Mouse is a podcast about the joy of watching cartoons with your family. If you like this episode, please subscribe and join us each Friday as we watch every film in the Disney Animated Canon and talk about how it was made, what it means, and why we love it (or don't.) Music: The Show Must Be Go by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4509-the-show-must-be-go License: http://creativecommons.org/licenses/by/4.0/

Ahoy, Matey! Welcome back to another exciting episode of Not a Bomb podcast. On this episode, the gang is once again discussing a sci-fi/animated film, this time in the form of space pirates - Treasure Planet. The film would mark the third time Disney adapted the Robert Louis Stevenson novel, Treasure Island ,and is known as one of the biggest bombs in the mouse's history. With a colossal budget of $140,000,000, Treasure Planet is the most expensive hand-drawn animated film of all time. Treasure Planet was created by the powerhouse team of Musker and Clements, who created such films as The Little Mermaid, Aladdin, and Hercules. Of course, all of those films were major successes for Disney. However, when Treasure Planet was released, there was stiff competition from a boy wizard, a British spy, and Tim Allen in a fat suit. Treasure Planet is directed by Ron Clements and John Musker and stars Joseph Gordon-Levitt, Brian Murray, Emma Thompson, David Hype Pierce, Michael Wincott, Laurie Metcalf, Martin Short, Roscoe Lee Browne, and Patrick McGoohan. If you want to leave feedback or suggest a movie bomb, please drop us a line at NotABombPod@gmail.com. Also, if you like what you hear, leave a review on Apple Podcast.Cast: Brad, Troy

You can find James on twitter here - @New_World_Rel You can buy his book here - https://www.amazon.com/NEW-WORLD-RELIGION-BELIEFS-ELITE/dp/1980791252/ref=sr_1_1?dchild=1&keywords=James+Musker&qid=1626039360&sr=8-1Please check out our friends over at Tricombe for some great products here - https://www.tricombeco.com/?lightbox=dataItem-kdpbarac

We're back!! Farfisa Dave is an incredible guest and such a good sport; we are so excited about this one! Dave was the keyboard/piano player on the TVP's dark classic LP The Painted Word, as well as hired hand on basically all of the early Creation singles. Dave also did sound in Alan McGee's early club, The Living Room, and he apparently was doing sound for the first Jesus & Mary Chain show in London. (And yes, the clanky sound you hear during the interview is his teacup hitting the saucer.) Links to the songs in question are included below, and we highly recommend you check out the Biff Bang Pow! compilations available on CD and on streaming services. —————————— LINKS: Songs: BBP! “Fifty Years of Fun” : https://www.youtube.com/watch?v=EpjZqKEhNXI BBP! “Then When I Scream”: https://www.youtube.com/watch?v=gWIKLZ_iNbI Jackie Edwards “Keep On Running”: https://www.youtube.com/watch?v=WdJGyf-iJE4 Spencer Davis Group “Keep On Running”: https://www.youtube.com/watch?v=YrxHcSZBU38 Teenage Filmstars: https://www.youtube.com/watch?v=PsJGl-LZF5U —————————— BBP & TVPs streaming links: BBP's The Singles As and Bs: https://open.spotify.com/album/4ZvKQzPNI2k5ti1JGp4Gfd?si=AhiDXsT3TxmBfLc0kffsHw BBP's Waterbomb (best of collection): https://open.spotify.com/album/7aseYjnUQdpUYAwxtoLf9c?si=WQ14W6xkTjusYdQXv0aiZA TVPs' The Painted Word: https://open.spotify.com/album/5tHPUWkWOYLbwDArQB7X8U?si=lQIQIgmGTz601holul3L9w —————————— Infamous Euro tour photos: https://indiethroughthelookingglass.com/2020/09/26/creation-records-package-tour-europe-1984/ —————————— Stuff that comes up: Creation Records Laughing Apple Spencer Davis Group Jackie Edwards Dan Treacy Jowe Head Biff Bang Pow! The Living Room Television Personalities Revolving Paint Dream The Electric Prunes Alan McGee Joe Foster Fire Engines Orange Juice Slumberland Records Jesus and Mary Chain Jasmine Minks The Byrds Teenage Filmstars Ed Ball Andrew Innes Primal Scream The Doors The X-Men The Legend! Everett True Dick Green -------------------------------- Special thanks to The Reds, Pinks & Purples for our theme music.

Dreams do come true in New Orleans, or at least they do for Kaela, David and Seid in this beloved 2009 return to traditional 2D animation. Topics include Clements and Musker's trip to the Crescent City, small moments that acknowledge systemic racism, a rare character arc for a prince and villain showboating at its finest.

Ibon Alkortak (Altzueta) esan digu hori, eta Ekainaren 18an Gipuzkoako Sagardorik onenaren saria jaso dute Gipuzkoako Diputazioaren eskutik. "Musker" alkohol gutxiko sagar edaria sortu dute orain. ...

Author James Musker discusses his book The New World Religion and the Beliefs of the Elite. https://www.amazon.com/NEW-WORLD-RELIGION-BELIEFS-ELITE/dp/1980791252/ref=sr_1_1?dchild=1&keywords=james+musker&qid=1616429053&sr=8-1

Ken and Gar are setting sail for adventure once again this week as they look to restore the heart of Te Fiti by reviewing Disney's 56th animated feature, Moana, released in late 2016. The brothers weigh the most recent effort by legendary Disney animators, Clements and Musker against their other classic movies and discuss the pros and cons of the choice to cast Dwayne "The Rock" Johnson as the demi-god, Maui. Featuring a magnificent Moana musical medley by Nicole McDonagh. We hereby declare that we do not own the rights to this music/song(s). All rights belong to the owner. No copyright infringement intended.Follow Nicole @NicoleMcD_PR on Twitter and @n.mcdonagh on Instagram for more magical musical contentWatch along on Disney Plus and join the conversation on social media:Facebook: https://www.facebook.com/MagicByDesignPodTwitter: @MagicDesignPodInstagram: @magicbydesignpod

James Musker talks about transhumanism and other fringe topics. A Minute to Midnight is one of our favorite shows. The top of Johnny's personal play list. We LOVE Tony K!

Author James Musker discusses his book The New World Religion and the Beliefs of the Elite. (2018) https://www.amazon.com/NEW-WORLD-RELIGION-BELIEFS-ELITE/dp/1980791252/ref=sr_1_1?dchild=1&keywords=james+musker&qid=1616429053&sr=8-1

Author James Musker discusses his book The New World Religion and the Beliefs of the Elite. (2018) https://www.amazon.com/NEW-WORLD-RELIGION-BELIEFS-ELITE/dp/1980791252/ref=sr_1_1?dchild=1&keywords=james+musker&qid=1616429053&sr=8-1

Griffin and David are finally doing it! They are CONSIDERING THE COCONUT! In addition to the coconut they also have an in-depth conversation about Musker and Clements’ final (and best?) film together, 2016's Moana. A departure from their typical 2D animation style, and a shift from Disney’s typical Princess / Prince structure, their first fully CG film delves into a Polynesian mythology AND makes everyone cry. They are joined this week by Lenika Cruz (The Atlantic) and discuss heavy topics like parental relationships and leaving home, as well as topics on the lighter side such as; what is the best use of The Rock, and will we be over Lin Manuel Miranda again this coming year. This episode is sponsored by:Noom - noom.com/check Mack Weldon - (CODE: CHECK) 3CHI -  (CODE: BC2021)Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram!Buy some real nerdy merch at shopblankcheckpod.myshopify.com

Just when they thought they were out, Musker & Clements are called back in to helm 2009's The Princess and the Frog. After 7 years in directorial semi-retirement, John and Ron bring Disney animated films back to its musical roots in this historic fairytale starring Disney's first Black princess. James III (Black Men Can’t Jump In Hollywood (https://twitter.com/blackmenpodcast) ) joins this week to discuss the missteps, Keith David’s body of work, how cool Louis the jazz loving alligator is and more! This episode is sponsored by: Brooklinen (http://www.brooklinen.com/) - (CODE: BLANKCHECK)  Bombas - https://bombas.com/check Ritual - https://ritual.com/blankcheck Join our Patreon at https://www.patreon.com/blankcheck Follow us @blankcheckpod on Twitter (https://twitter.com/blankcheckpod) and Instagram (https://www.instagram.com/blankcheckpod/) ! Buy some real nerdy merch at shopblankcheckpod.myshopify.com (https://shopblankcheckpod.myshopify.com/)

This week on Revenge of the 80s Radio, Frank Musker talks about the supergroup World Goes Round, whose 1989 album was never released -- until now. In the band are Musker, Elizabeth Lamers, Jeff Hull and Marty Walsh – four good friends who were well-respected songwriters, singers and musicians working in the LA music scene with artists ranging from Queen to Bucks Fizz to Jennifer Rush to Linda Ronstadt. Producer Tony Vacari (Billy Idol, Prince among many others), sowed the idea of putting out the self-titled album this year, over 30 years after its creation.Musker discusses how the project came together, the lineup, working on the music, the lyrics and putting it out today with a retro sound made for the recent resurgence of vinyl's popularity.

Happy Tuesday, folks! Today Riina and Mari dive into the wonderful world of Treasure Planet (2002) dir. Clements & Musker. We would like to remind you all that we are an ANTI-DISNEY PODCAST despite what you may hear on today's episode.

Frank Musker is one of the most internationally successful and established British songwriter/lyricists in music. His musical versatility has allowed him to collaborate with some of the world’s most important artists which include: Queen, Air Supply, Gypsy Kings, Chaka Khan, Eric Clapton, Carly Simon, John Denver, Roger Daltry, and more. Some of the songs he is credited with writing includes Queen's "Too Much Love Will Kill You" and Air Supply's "Every Woman in the World." In 1989, Frank, along with other four other singer, songwriters and musicians formed the band World Goes Round, who got to record an album that never saw the light of day, until now, the album is available on all digital formats, and on vinyl, via Viper Records. Their single from the album, “Put It On The Line,” is dedicated to all of the devoted service people around the world during the current Covid-19 climate. Follow World Goes Round on Facebook and Instagram. Listen to the album on Spotify.

Welcome back to the bayou for Part 2 of our conversation with Regina Renée Russell about Disney's failed foray into cultural diversity, The Princess and the Frog. On the docket this week: what Hollywood gets wrong about voodoo, Charlotte LaBoeuf and the troublesome trope of Good White People, the long history of Black characters as animals, and more.  SPONSORS:Click here for your free 30-day trial with Audible! We are live on the Internet - come be our friend!Facebook: @CringeBenefitsTwitter: @CringeBenefitsInstagram: @cringebenefits Guest: Regina Renée RussellTwitter: @reginarenee594Instagram: @reggirenee Host/Producer: Abby WildeTwitter: @AbbyWildeInstagram: @AbbyWilde

This week we are thrilled to welcome back friend of the pod Regina Reneé Russell for a deep dive into Disney's last hand-drawn movie musical The Princess and the Frog, and let us just warn you: it is worse than you remember it. This week we'll cover the empty spaces in the Disney Princess Cinematic Universe, the many missteps in the journey to the first Black Disney Princess, and the many crimes against Tiana and the girls who would idolize her. There is not enough time for all of it, but don't worry: we'll be back next week with more.  SPONSORS:Click here for your free 30-day trial with Audible! We are live on the Internet - come be our friend!Facebook: @CringeBenefitsTwitter: @CringeBenefitsInstagram: @cringebenefits Guest: Regina Renée RussellTwitter: @reginarenee594Instagram: @reggirenee Host/Producer: Abby WildeTwitter: @AbbyWildeInstagram: @AbbyWilde

Facebook: Faith Trust and Pixie Dust - Podcast Twitter: @FTPD_PodcastPersonal Twitters: @Sparkle_Fists @SpilledXWater @deanna790You can find all of our episodes as well as our brother podcast 1Geek 4:11 on iTunes, Stitcher, Google Podcasts, and Spotify and on our Website www.1geek411.com“Feature Film” – Treasure PlanetThe legendary "loot of a thousand worlds" inspires an intergalactic treasure hunt when 15-year-old Jim Hawkins stumbles upon a map to the greatest pirate trove in the universe, "Treasure Planet." Based on one of the greatest adventure stories ever told - Robert Louis Stevenson's "Treasure Island" - this film follows Jim's fantastic journey across a parallel universe as a cabin boy aboard a glittering space galleon. TriviaThe name of the ship, "R.L.S. Legacy", is a reference to the book's ("Treasure Island") author, Robert Louis Stevenson.B.E.N. sings a few bars from "Pirates of the Carribean", a pirate-themed attraction at the Disney's Magic Kingdom.As of 2011, this was Disney's biggest financial loss. Total cost: $180 million (including $40 million for advertising). Total worldwide gross: $101 million. Total loss: $79 million.This movie was pitched to Disney by John Musker and Ron Clements several times: (1) In 1985, during production on The Black Cauldron (1985), but they ended up assigned to direct The Great Mouse Detective (1986). (2) After directing The Little Mermaid (1989), but they ended up assigned to direct Aladdin (1992). (3) After directing Aladdin (1992), but the studio wanted them to direct Hercules (1997). Musker and Clements agreed to direct that movie only if they were allowed to make this movie right after it.The animators visited a Benihana restaurant to take notes for the scene where John Silver chops shrimp.Amelia, in the original design, was going to have tentacles for hair that would move and hold objects.Jim's clothes become lighter as this movie progresses, symbolizing his transformation from "bad boy" to "hero". Near the beginning, he wears a black t-shirt. During his adventure towards and on Treasure Planet, he wears a tan shirt. In the final scene, he wears a white military uniform.A planned sequel was cancelled due to this movie's failure at the box office, and when John Lasseter was appointed CEO of Walt Disney Animation Studios, his first task was to cancel all sequels and television shows. In the proposed treatment, Jim Hawkins and Kate, his love interest and classmate at the Royal Interstellar Academy, must team with Long John Silver to stop the villainous Ironbeard from freeing the inmates of Botany Bay Prison Asteroid. Willem Dafoe was set to voice Ironbeard.To enhance his "bad boy" reputation, the producers added a dark "mask" over Jim's eyes and gave him a black jacket, which he wears in most scenes for the first half of this movie. However, in the second half, he is no longer seen wearing the jacket and by the final scene, the "mask' is gone.On the planet in B.E.N.'s cave, Dr. Doppler says the phrase "Dangit Jim, I'm not a doctor. I mean I am, but it's a doctorate, it's not the same thing." This is a reference to Star Trek (1966), where Dr. Leonard H. "Bones" McCoy, always said "Damnit Jim, I'm a doctor, not a ____!" to Captain James T. Kirk.Segment: News/Announcements “The Newsies Banner”Splash Mountain is getting rebranded for Princess and the FrogDelayed Disneyland Opening - But other places are still openingSegment: Miscellaneous “whosits and whatsits galore”Trivia !Segment: Top 4 Ranking “Let’s get down to business” 1. Guy Like You2. Les Poissons3. One Last Hope4. Trashing the CampTease Next Episode Feature Film: The Muppet MovieTop 4: TBD - Something MuppetsMusic Credit: OurMusicBox (Jay Man) Track Name: "Flights Of Fantasy" Music By: Jay Man @ https://ourmusicbox.com/ Official "OurMusicBox" YouTube Channel: http://www.youtube.com/c/ourmusicbox License for commercial use: Creative Commons Attribution 4.0 International (CC BY 4.0) https://creativecommons.org/licenses/... Music promoted by NCM https://goo.gl/fh3rEJ

Musker e Clements ancor prima di Aladdin e di Hercules avevano proposto tre volte di realizzare il Pianeta del Tesoro: ce la fecero, alla fine, nel 2002, ottenendo uno dei più grandi flop della storia del cinema.

Frank Musker joins Nancy to discuss his journey from early boy band days to international hitmaker as a musician, composer and lyricist, and World Goes Round’s recently discovered music recorded decades ago including lead single “Big House” (1:26) and its environmental and societal relevance today. Watch the music video for “Big House”. Plus, Nancy offers up a suggestion for generating a little laughter during your next conversation (53:11). Like and follow Entertaining Insights Facebook Page. Learn about segment sponsor the Finding Brave podcast (1:06,52:55). Visit Nancy’s website.

311- James Musker – Gain of Function. Covid, the Elite Cryptocracy & Global Control Right click to Download  

After five weeks off the grid at the start of the COVID-19 pandemic, host Julia Werth RD is back. Today on the podcast, Julia is joined by Julia Musker LMFT of Walk it Out Therapy. From experiencing an eating disorder first hand to finding healing through a career serving others with eating disorders, Julia and Julia discuss it all as well as how that care has changed during the age of stay-at-home orders. If you have any questions, comments, concerns or topics you'd like discussed on the show reach out to Julia at werthyourwhilenutrition@gmail.com or follow her on instagram @werthyourwhile. Article of the week: https://www.outsideonline.com/2411103/kai-lightner-climber-eating-disorder

We are back with another episode of Disney Rewind, this time looking at the Princess and the Frog. Will we like it? Will we hate it? Other topics discussed are whether or not they would be vegans, the star studded battle royal for the right to play Tiana, and more rambling about films we aren't reviewing. Plus, we reveal the next film we are reviewing.  Ratings: Ash 8.5, Max 8, Ben 6, Mom 5, Dad 6. Avg: 6.7/10 (New high score)  Sources:  Zipes, Jack. (2016). The Original Folk and Fairy Tales of the Brothers Grimm: The complete first edition. Princeton: Princeton University Press. p. 479. Grimm 001: The Frog King or Iron Heinrich "Disney Goes Traditional For "Princess"". Dark Horizons. July 27, 2006. Archived from the original on December 16, 2012. Retrieved July 29, 2006. "Comic-Con Sees Stars, 2D Officially Back at Disney". AWN Headline News. July 23, 2006. Retrieved July 29, 2006. "Magic in the Bayou", The Princess and the Frog Blu-ray. Walt Disney Home Entertainment. Misick, Bobbi (November 30, 2009). "Controversy Over The Princess and the Frog". Essence.com. Retrieved May 17, 2010. Musker, John; Clements, Ron; and del Vecho, Peter (2010). DVD/Blu-ray Disc audio commentary for The Princess and the Frog. Walt Disney Home Entertainment. Gilchrist, Todd (October 23, 2009). "Interview: 'Princess and the Frog' Directors Ron Clements and John Musker". Moviefone. AOL Inc. Retrieved December 18, 2012. Yagoda, Maria. "The 40 Most Important Restaurants of the Past 40 Years". Food & Wine. Retrieved February 9, 2019. "Alicia Keys into Next Movie Role". E! Planet Gossip Blog. February 5, 2007. Retrieved March 9, 2007. "Disney Crowns Its Frog Princess". E! Online. April 19, 2007. Retrieved April 20, 2007. "Princess Anika and the Frog". E! Online. April 20, 2007. Retrieved June 1, 2007. Todd Gilchrist (October 23, 2009). "Interview: 'Princess and the Frog' Directors Ron Clements and John Musker". Cinematical.com. Archived from the original on September 21, 2013. Retrieved October 30, 2009. "Magic in the Bayou", The Princess and the Frog Blu-ray. Walt Disney Home Entertainment. Wickham, Rhett (June 23, 2006). "It's Baaack!". LaughingPlace.com. Archived from the original on July 2, 2006. Retrieved August 10, 2006. "Ne-Yo's "Never Knew I Needed" To Be Featured Song in the New Walt Disney Pictures Animated Film "The Princess And The Frog"". YearOfTheGentleman.com. October 14, 2009. Archived from the original on January 3, 2010. Retrieved May 8, 2010. Rhone, Nedra (October 30, 2009). "Princess Tiana 'already sold out'". Atlanta Journal-Constitution. Retrieved November 1, 2009. MacDonald, Brady (November 5, 2009). "First look: 'Tiana's Showboat Jubilee' opens at Disneyland for a limited run". Los Angeles Times. Archived from the original on December 9, 2009. Retrieved February 17, 2018 "Disney seeks to crown revival with 'Frozen' Oscar gold". National Media. Retrieved June 22, 2014. Rodman, Sarah (December 6, 2009). "Wearing the crown". The Boston Globe. HRC "Best Places to Work 2018", Human Rights Campaign, 2018. Retrieved February 29, 2020. "Bruno Campos, Associate". Morgan, Lewis and Bockius, LLP. 2018.  

296- James Musker – Agenda 21, Depopulation & Climate Change – Truth vs Convenient Lies! Right click to Download  

♪ We know you all are keen-ah ♫ To listen to this week’s ep ♪ It is The Little Mermaid A film that was no misstep ♫ Jarrod and Kayla are here ♫ So is the show's host Brose We chat Ariel and Prince Eric And Ursula (ooh she’s gross) ♪ Yes! We chat The Little Mermaid, the little mermaid that made Disney great again. Clements and Musker, along with Jodi Benson, Christopher Daniel Barnes, Pat Carroll and Police Academy 5: Assignment Miami Beach's own Rene Auberjonois!  

274- James Musker – Everything you Need to Know about BREXIT and the Hidden Hand of the NWO Right click to Download  

Brownie nació con la intención de disolver la frontera entre la música mainstream y el gusto por las músicas negras y del mundo. Así, ocupa un espacio ahora libre dentro de la industria radiofónica y el podcasting: Músicas especializadas tratadas para todos los públicos y, aun así, salpicadas por la dinámica realidad de estos tiempos. Dirigido por Andrés Ayala (@winitwo). Tracklist: Allen Stone - Taste of You ft. Jamie Lidell Louis Cole - When You’re Ugly Ze? Roberto - Lotus 72D Llamada Piyama: Juan Luis Guerra - Má Pa' Lante Vive Gente Mental Abstrato - For You ft Erica Dee Disclosure - Where Angels Fear To Tread (Kashmere Stage Band - Ain't No Sunshine [J Rocc Remix]) Bugatti & Musker - Thank You For The Party

James Musker on New World Religion and the Beliefs of the Elite. https://www.amazon.com/NEW-WORLD-RELIGION-BELIEFS-ELITE-ebook/dp/B07C27T4P1/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=1530985292&sr=8-2

Contender # 7 - Mermaids This time, on Counting Cryptids: Connor goes off into the deep end as we discuss one of the most surprisingly dense topics we've yet to look into, Mermaids. From our earliest introduction to these creatures as sweet, singing gingers, to modern footage of seemingly malevolent monsters there may actually be more here than anthropomorphic crabs and singing seagulls. AKA Fish dudes Links: White Kangaroo Body Found on Beach Social:Be sure to follow us on social media to answer this weeks poll, and to stay connected!Click here to visit our Facebook pageClick here to follow us on Twitter Click here to subscribe on SpotifyMake sure you subscribe and rate our podcast! Intro quote: Musker, J., Clements, R., Ashman, H., Menken, A., Auberjonois, R., Barnes, C. D., Benson, J., ... Buena Vista Home Entertainment (Firm). (2006). The little mermaid. Burbank, CA: Walt Disney Co.

In Episode 48 of The Cinescope Podcast, Chad and Chris Lyndon (Disney Chris) talk about one of their favorite movies, Disney's Hercules! The Cinescope Podcast on iTunes   Show Notes Hercules: Zero to Hero Live-Action/Storyboard Side by Side - YouTube Video of the Disneyland Hercules Parade mentioned Video of the Hercules Electrical Light Parade at the film's premiere Hercules on iTunes Hercules soundtrack on iTunes   Stats Released June 27, 1997 Dir. Jon Musker and Ron Clements (The Great Mouse Detective, The Little Mermaid, Aladdin, Treasure Planet, The Princess and the Frog, Moana) Written by Clements and Musker, Donald McEnery, Bob Shaw, Irene Mecchi Music by Alan Menken (The Little Shop of Horrors, The Little Mermaid, Beauty and the Beast (1991 and 2017), Newsies, Aladdin, Pocahontas, The Hunchback of Notre Dame, Enchanted, Tangled); Lyrics by David Zippel (lyrics for Mulan w/ music by Matthew Wilder, lyrics for “Star-Spangled Man” from Captain America: The First Avenger w/ music by Menken); Starring Tate Donovan, Danny DeVito, James Woods, Susan Egan, Bobcat Goldthwait, Matt Frewer, Rip Torn, Samantha Eggar, Lillias White, Cheryl Freeman, LaChanze, Roz Ryan, Vanéese Y. Thomas, Josh Keaton, Roger Bart, Frank Welker, Jim Cummings, Charlton Heston Contact Chris Lyndon Twitter Facebook DisneyChris.com Jiminy Crickets! Podcast Sideshow Sound Theatre - Mouse Music Youtube Channel Chad Twitter Facebook Letterboxd Cinescope Facebook Twitter Website Email thecinescopepodcast@gmail.com Note: The iTunes links provided are affiliate links, meaning that when you click on them you help to support The Cinescope Podcast by earning it a bit of money. Thank you for your support! Special Guest: Chris Lyndon.

Their legendary careers have included the animated classics The Little Mermaid, Aladdin, The Princess and the Frog – and this year’s Oscar nominated Moana. Directors Ron Clements, John Musker and producer Osnat Shurer of Moana join us this week live in Stockholm to share their excitement of being nominated and journey they have taken to bring the story to the screen. Musker and Clements started their partnership early and their collective CV is like a map of our Disney movie childhood – starting with The Great Mouse Detective. When Disney merged with Pixar it ushered in a new era and Shurer shares with us how the culture shifted for both companies. Moana, or Vaiana, as it is named in many European countries, is already a huge box office success in the US for its incredible visuals and inspiring female protagonist who sets out on a mythical adventure across a series of islands in the South Pacific to find the shape shifting Demi-god Maui. Another reason the film is so popular? It’s wonderful soundtrack! One of it’s composers is Lin-Manuel Miranda started working with the film nearly three years ago before his rise to total stardom with Hamilton. Now he is Oscar nominated for ‘How Far I’ll Go’, which is one of the films hits. On this episode we hear how all three were involved in the research for the film, including their travels through the South Pacific, the challenges of creating their first CG feature film together and the excitement of being Oscar nominated!

Vicky, Nolan and Jill emerged from their podcast cave this week to watch the latest Disney offering in theatres. With the generally steadfast team of Musker and Clements (Treasure Planet aside) handling directing and current musical darling Lin-Manuel Miranda making his Disney debut as a composer, the hype was high for Disney's return to an animated South Pacific among our hosts. Listen to our spoiler-free first half of the episode to hear our thoughts, and keep listening for a more spoiler-laden discussion of MOANA's swole characters, stupid sidekicks, and sailing songs.

Fastener events take center stage as the spring meeting and show season begins in full force. Brighton-Best sales VP, Steve Andrasik (53:08), incoming NFDA president, Matt Ulrich (34:51), and North Coast Fastener Association president, Kelly Hommel (26:28), join hosts Brian Musker and Eric Dudas to discuss their events and invite industry participation. Mike McNulty’s Fastener News Report features a summary of industry developments, and includes thoughts on the disasters in Japan, and also the disastrous Chevy Volt (14:31). Mr. Musker reports on fastener distribution “down under”, while avoiding screeching kookaburra and fruit bats. Meanwhile, Eric tries to keep things moving along with mixed success. Run time: 01:18:48

Interview with Ron Clements and John Musker, directors of The Great Mouse Detective, The Little Mermaid, Aladdin, Hercules and Treasure Planet. In part two they describe their writing process as well as developing The Little Mermaid and Aladdin.

Interview with Ron Clements and John Musker, directors of The Great Mouse Detective, The Little Mermaid, Aladdin, Hercules and Treasure Planet. In part two they detail their transition from animators to story artists to directors.

Interview with Ron Clements and John Musker, directors of The Great Mouse Detective, The Little Mermaid, Aladdin, Hercules and Treasure Planet. They talk about getting to Disney in the seventies and training under Frank Thomas and Cliff Nordberg.