Podcasts about Aztec Camera

'When is a meal not a meal?'Stuart Moxham, Spike Milligan, Devo, The Upsetters, Paddy McAloon, The Delines, Lloyd Cole & Jill Sobule, Aztec Camera

Michele Catalano has posted prolifically about music on the internet for years. She's 62 years old and recently launched ihavethatonvinyl.com. We talk seeking out new music as we age, classic rock, new wave, 2015 was a bad music year for her, she bought her new website's domain in 2004 and forgot she had it, writing about her record collection, Songs for the Deaf, Brand New, Covid collecting, any regretful purges of records?, we're bullish on CDs, Aztec Camera, her favorite Beatles album, a diabolical record-organizing system, Kevin Devine, the best music years of our lives, The Doors, is Eric Clapton about to have a moment?, Yacht Rock, the Weezer discography, deactivating her Twitter, humans sharing music with humans, and what she has in store for the site: ihavethatonvinyl.com/--@ihavethatonvinyl.com@routinelayup.bsky.socialSUPPORT THIS SHOW, GET A ZINE: patreon.com/c/afterthedeluge

PART 2 of a 2-part BEST OF compilation of Karl Pilkington's ROCKBUSTERS (a cheap knockoff of Blockbusters) from the Xfm Ricky Gervais Show with Stephen Merchant. Not only was this one of Karl's longest running features (along with Monkey News), but it was also ⁠voted by fans as his greatest XFM feature of all time⁠. Karl Pilkington gives a cryptic clue (it's usually nonsense) and the initials of a famous band or artist (he sometimes gets the initials wrong), and listeners either call, or as the feature developed (unless they were experiencing technical difficulties), email in their answers. The winner gets an arbitrary assortment of tat, often including a pointless DVD seemingly chosen at random from the bargain bucket. This 2-part BEST OF ROCKBUSTERS Compilation is based on the comprehensive 6-part ROCKBUSTERS compilation of every Rockbuster segment from the Xfm Ricky Gervais Show (released previously). CHAPTERS: Cilla Black, Small Faces, New Order (0:00) Bryan Ferry, Del Amitri, Chris de Burgh (8:02) Tony Bennett, The Darkness, Adam Faith (17:25) Alex Parks, Aztec Camera, Phil Collins (24:45) Gareth Gates, Texas, Delta Goodrem (31:45) Nik Kershaw, Soft Cell, OutKast (36:14) The Divine Comedy, Electric Six, Erasure (42:50) Courtney Love, The Bravery, The Monkees (48:31) Donovan, Yoko Ono, McFly (56:16) Lisa Stansfield, The Buggles, Amy Winehouse (1:03:26)

ALL & EVERYTHING Så er der helt nyt tema i Sejrstimen igen, og dette kan nærmest ikke blive større, for det rummer "det hele". Et af de få temaer hvor jeg bruger 2 nært beslægtede ord der skiftevis optræder i titlerne, som er med: Associates, Aztec Camera, Kate Bush, Cigarettes After Sex, Divine Comedy, Genesis, Peter Hammill, Labrinth, Prefab Sprout, Jane Siberry, Ultravox + hele syv nordiske: Abba, Bjork, Miriam Bryant, Carpark North, Hymns From Nineveh, Krister Linder og Hannah Schneider.

**Kev White's White House Show Replay On traxfm.org. This Week Kev Gave Us Boogie, Dance & Pop Classics, (& Tunes You Have Not Heard In Years) From Bucks Fizz, Wet Wet Wet, Aztec Camera, Elton John, LaBelle, Frankie Miller, Deep Purple, Donna Summer, Anita Ward, Billy Joel, Barry Manilow, Leo sayer, Barry White, Linda Lewis, Elecetric Light Orchestra, The Emotions, Bill Lovelady & More #originalpirates #danceclassics #70smusic #80smusic #party #boogie #disco Catch Kev White's The White House Show Every Thursday From 7PM UK Time The Station: traxfm.org Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

The world lost Martin Phillips, the indie pop king of Dundie - he crafted the perfect ‘pop song' in the sense we think of pop - no label did it better than New Zelands' Flying Nun. In our own backyard - Merge Records is celebrating 30 years- Congrats to them! Also other lo-fi, indie pop, music without borders from around the world and loads more. Music; The Chills, William Tyler, Aztec Camera, The Bats, En Attendant Ana, The Clientele, The Umbrellas, The Velvet Underground, Tronco, Peace De Resistance, Primal Scream, et beaucoup plus…For more info and tracklisting, visit: https://thefaceradio.com/worldy/Tune into new broadcasts of Worldy with Matt and Dom, LIVE, Mondays from 10 AM - 12 Noon EST / 3- 5 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Paul Haig in conversation with David Eastaugh https://linktr.ee/paulhaig Together with Orange Juice, Aztec Camera and The Go-Betweens, Josef K were one of the Postcard label's million dollar quartets, recording five smart singles and an album, The Only Fun In Town. Touring the album during July and August of 1981, however, the band split after a final show in Glasgow. The exact reasons behind the split - principally the decision of frontman Paul Haig - remain obscure, although it would seem that a combination of too-great expectations, too-small financial returns, Haig's dislike of touring, and unspecified disagreements over future direction were to blame. Fancifully, Postcard boss Alan Horne pointed the finger of blame at the NME... Whatever the truth, one of the Great White Hopes of the post-punk had self-destructed after just one long player, thus fulfilling their own brash prophecy.

David Ruffy - Percussion Discussion - Episode 138 Joining me today is founding member and drummer of The Ruts (knowun as Ruts DC these days. Join Ruffy and myself as we pick through his amazing career starting with all the bands in Pre Ruts, this explains why they werent your everyday Punk band. We also talk about his work with some of the biggest artists in the 80's and 90's including Prefab Sprout, The Waterboys, Aztec Camera, Karl Wallinger, Kirsty MacColl and Sinead O'connor to name but a few, quite the list im sure you will agree. Ruffy tells us how he is still practicing and studying new styles every day at 72 years old! His enthusiasm for drums and music is as strong as it ever was as he talks about a new Ruts DC acoustic album and Tour this July. What a wonderful chap, Ruffy, thanks so much for giving up your time so generously! please check out the Ruts DC website for the forthcoming tour dates www.rutsdc.com

Recorded live on KX FM 104.7 in Laguna Beach, California, today's Keith's Music Box show features the Black Keys, Genesis, George Harrison, Oasis, David Bowie, Bruce Springsteen, the Rolling Stones, Creedence Clearwater Revival, the Fixx, Jefferson Starship, April Wine, Aztec Camera, Wilco, Cream, Bush, Crosby Stills & Nash, Rush, Queen, REO Speedwagon, U2, Judas Priest and INXS.

This week, we dig into the debut LP by the Scottish jangle pop band Aztec Camera , 1983's High Land, Hard Rain. The creative force behind the band was Roddy Frame, a fine singer, remarkable guitarist, and very gifted songwriter, who started his career at 15, and was 18 when this album was recorded.  Completed in just three weeks, the album is filled with wonderful pop songs that touch on jazz and soul, and often defy categorization. Upon its release it was a commercial success in the UK and received critical raves on both sides of the pond.High Land, Hard Rain is an inconceivably mature and complex album given the age of the songwriter.  And while the album suffers some from 1980's production issues (most notably the use of synth drums),  thankfully the strength of the songwriting transcends this weakness.   Visit us at www.tappingvinyl.com.

Kurtis Powers was back this week from a brand-new studio in Virginia Beach. We featured a lot of music from Ireland and Glasgow.We had new music from: Wrecked Lightship, bdrmm, Hazel English, and NewDad.Plus classics from: Teenage Fanclub, The Pogues, Belle & Sebastian, Aztec Camera, Pulp, The House of Love, The Smiths, and more.As promised, we're Making Mondays Happy Again!For more info and tracklisting, visit https://thefaceradio.com/side-effects.Tune into new broadcasts of Side Effects, LIVE, Monday from 2 - 4 PM EST / 7 - 9 PM GMT on The Face Radio.Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com.Facebook: https://www.facebook.com/sideeffectsbkInstagram: https://www.instagram.com/sideeffectsbkTwitter: https://www.twitter.com/sideeffectsbkEmail: kurtis@thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

This week FSQ show Host Chuck Da Fonk is on a road trip to Hollywood, Los Angeles, California to celebrate George Clinton of Parliament-Funkadelic (P-Funk) receiving his star on the Hollywood Walk of Fame. Plenty of references to Hollywood in the P-Funk songs presented in this episode, plus a bunch of new music including a 3 track stunner from Philippa, a hot single by Psymon Spine, and more Balearic fun from One Half of Bent. Chuck pontificates the ramifications of taking on too much contract work while distracting himself from his full plate with classic cuts by Chris Jasper of the Isley Brothers, Aztec Camera, Angelo Bond, and one of his new wave favs, Shriekback. After all, he signed up for this and you should too by listening to this fast paced 2 hour episode. Tune into new broadcasts of FSQ, Thursday from 3 - 5 PM EST / 8 - 10 PM GMT.For more info visit: https://thefaceradio.com/fsq///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

**Kev White's White House Show Replay On traxfm.org. This Week Kev Gave Us Boogie, Dance & Pop Classics, (& Tunes You Have Not Heard In Years) From Blancmange, Sananda Maitrya, Vicky D, The Speacials AKA, Aztec Camera, Tom Browne, ZZ Top, Art Garfunkel, Tymes, T-Connection, Michael Jackson, Osibisa, Joe Tex, The Spinners & More Catch Kev White's The White House Show Every Thursday From 7PM UK Time The Station: traxfm.org #traxfm #boogie #danceclassics #classics #retro #remixes Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

A pesar que el termino Indie no se comenzó a utilizar muchos años después. En los 80s un centenar de artistas hoy podrían ser considerados como o cercanos al Indie-Pop a pesar de que tuvieran singles de gran éxito mundial. Hoy son de gran influencia para todas las nuevas generaciones de artistas, los cuales mencionan en reportajes. Arrancamos con los maravillosos Talk Talk.” I Don't Believe in You”, single extraido de su tercer álbum “The Colour of Spring” de 1986. Aztec Camera, “How Men Are”. Single de su tercer álbum publicado en 1987, “Love” Everything but the Girl, “Cross My Heart”. Canción extraída de su álbum “Baby, The Stars Shine Bright” de 1986 pero no se publicó como single, a pesar de figurar en un par de recopilatorios de la banda. The Adventures, “Don't Tell Me”. Canción extraída de su álbum debut “Theodore And Friends“ editado en 1985. Deacon Blue, “When Will You (Make My Telephone Ring)”. Single editado en 1987, extraído del álbum debut del grupo escoces “Raintown”. Aquí escuchareis la versión de 12 pulgadas. The Blow Monkeys, “Out With Her”. Se lanzó como single solo en el Reino Unido y Alemania en 1987. Pertenece al tercer disco del proyecto de Dr. Robert, “She Was Only a Grocer's Daughter”. The Blue Nile, “Over The Hillside”. La canción abre el segundo álbum de la banda escocesa “Hats”, publicado en 1989. Roxy Music, “Avalon”. Single y título de su octavo y último álbum de estudio, publicado en 1982. Immaculate Fools, “Tragic Comedy”. Uno de sus singles más exitosos, extraído del disco “Dumb Poet” del año 87. Fra Lippo Lippi, “Everytime I See You”. Canción editada originalmente como single por el grupo noruego. Se incorporó en la edición europea de su disco “Songs” de 1986, aunque una versión diferente. Morrissey, “Everyday is Like Sunday”. Al año de la disolución de The Smiths, Morrissey publica en 1988 su primer álbum como solista. Su segundo single, el primero fue “Suedehead”, fue este “Everyday is Like Sunday”. Cock Robin, “The Promise You Made”. Single perteneciente al álbum debut de la banda americana, publicado en 1985. Tears for Fears, “Advice For The Young at Heart”. Extraído de su tercer álbum “The Seeds of Love” de 1989, el single se publicó en 1990. Prefab Sprout,”Goodbye Lucille #1”. Editado en 1985 bajo el nombre de “Johnny Johnny”, extraído del aclamadísimo segundo álbum del grupo “Steve McQueen”. China Crisis, “Wishful Thiunking”. Single extraído del segundo álbum de la banda de Liverpool, “Working With Fire & Steel (Possible Pop Song Vol.2)”, publicado en 1983. The Dream Academy, “The Love Parede”. Luego del exitoso primer single “Life in a Northem Town”, extraen un segundo sencillo de su álbum debut, en 1985.

A pesar que el termino Indie no se comenzó a utilizar muchos años después. En los 80s un centenar de artistas hoy podrían ser considerados como o cercanos al Indie-Pop a pesar de que tuvieran singles de gran éxito mundial. Hoy son de gran influencia para todas las nuevas generaciones de artistas, los cuales mencionan en reportajes. Arrancamos con los maravillosos Talk Talk.” I Don't Believe in You”, single extraido de su tercer álbum “The Colour of Spring” de 1986. Aztec Camera, “How Men Are”. Single de su tercer álbum publicado en 1987, “Love” Everything but the Girl, “Cross My Heart”. Canción extraída de su álbum “Baby, The Stars Shine Bright” de 1986 pero no se publicó como single, a pesar de figurar en un par de recopilatorios de la banda. The Adventures, “Don't Tell Me”. Canción extraída de su álbum debut “Theodore And Friends“ editado en 1985. Deacon Blue, “When Will You (Make My Telephone Ring)”. Single editado en 1987, extraído del álbum debut del grupo escoces “Raintown”. Aquí escuchareis la versión de 12 pulgadas. The Blow Monkeys, “Out With Her”. Se lanzó como single solo en el Reino Unido y Alemania en 1987. Pertenece al tercer disco del proyecto de Dr. Robert, “She Was Only a Grocer's Daughter”. The Blue Nile, “Over The Hillside”. La canción abre el segundo álbum de la banda escocesa “Hats”, publicado en 1989. Roxy Music, “Avalon”. Single y título de su octavo y último álbum de estudio, publicado en 1982. Immaculate Fools, “Tragic Comedy”. Uno de sus singles más exitosos, extraído del disco “Dumb Poet” del año 87. Fra Lippo Lippi, “Everytime I See You”. Canción editada originalmente como single por el grupo noruego. Se incorporó en la edición europea de su disco “Songs” de 1986, aunque una versión diferente. Morrissey, “Everyday is Like Sunday”. Al año de la disolución de The Smiths, Morrissey publica en 1988 su primer álbum como solista. Su segundo single, el primero fue “Suedehead”, fue este “Everyday is Like Sunday”. Cock Robin, “The Promise You Made”. Single perteneciente al álbum debut de la banda americana, publicado en 1985. Tears for Fears, “Advice For The Young at Heart”. Extraído de su tercer álbum “The Seeds of Love” de 1989, el single se publicó en 1990. Prefab Sprout,”Goodbye Lucille #1”. Editado en 1985 bajo el nombre de “Johnny Johnny”, extraído del aclamadísimo segundo álbum del grupo “Steve McQueen”. China Crisis, “Wishful Thiunking”. Single extraído del segundo álbum de la banda de Liverpool, “Working With Fire & Steel (Possible Pop Song Vol.2)”, publicado en 1983. The Dream Academy, “The Love Parede”. Luego del exitoso primer single “Life in a Northem Town”, extraen un segundo sencillo de su álbum debut, en 1985.

Heute bei Musikradio360: 1982 war nicht nur das Jahr der zweiten Punkwelle (siehe Sendung letzte Woche). Es ging auch als das Jahr des großen britischen Popsommers in die Geschichte ein. Musikradio360 präsentiert diese Woche Bands wie Aztec Camera, Soft Cell und ABC. 

"Summer of No Light" The Philadelphia-raised Kip Berman had a musical life before he was the Natvral and that life could be found in his band The Pains of Being Pure At Heart. The beloved New York outfit was around for a little over a decade, calling it a day in 2019 after four perfect albums of indie pop that brought to mind everyone from Aztec Camera to Belle and Sebastian. Berman's 2021 debut as The Natural was the scorching beauty of an album called Tethers, which, for those of you keeping score, was my favorite album of the year. His sophomore album Summer Of No Light is a straight-up killer. It's got all the howl of Basement Tapes era-Dylan and the raw pop smarts of early Dream Syndicate, and it's one of those records that grabs you from the beginning, leaving you mesmerized by its raw and tender power. I love this album. It's somehow feral and polished and it's filled with the most achingly lovely hooks you'll hear all year. www.thenatvral.bandcamp.com www.bombshellradio.com www.stereoembersmagazine.com www.embersarts.com Twitter: @emberseditor IG: @emberspodcast Email: editor@stereoembersmagazine.com

**VJ Gary & The Pac To The 80's Replay On traxfm.org. Live From 3PM UK Time Each & Every Sunday On traxfm.org. This Week Gary Featured The Mighty Year Of 1988 With U2, Jason Donovan, Inner City, Pasadenas, Alexander O'Neal, Bon Jovi, Hazell Dean, Commodores, Salt N pepa, Brother Beyond, Kim Wilde, Beatmasters Feat PP Arnold, Alphaville, Aztec Camera, Giorgio Moroder & Phil Oakey, Psycheledlic Furs, Whitney Houston & More. #traxfm #retro #pop #80s #danceclassics #soul #funk #cheese #inthemix #80sballads #exclusive #remixes #PacToThe80s #topofthepops Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/original103.3 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

The Jeremy Days war Ende der 80er eine sehr erfolgreiche Band, und auch in den 90ern gut unterwegs, um dann einfach mal 1996 komplett von der Bildfläche zu verschwinden. Seit dem letzten Jahr gibts ein Album von den Jeremy Days, und im Herbst sind sie auf Tour, kommen auch nach Leipzig, für den Sänger der Jeremy Days, Dirk Darmstädter, ein Tourtermin in einer Stadt, in der er Ende der 90er Jahre viel Zeit verbracht hat, als einer der Hauptdarsteller im Musical “Elixier” von Prinzen Mitglied Tobias Künzel. Dirk erzähltim aktuellen Podcast “Axel Trifft” über seinen Musicalausflug und warum es für ihn nur bei diesem einen Musical geblieben ist. Ausserdem verrät er die verrückte Art und Weise, wie “The Jeremy Days” zu ihrem Bandnamen gekommen sind, die Geschichte ihres größten Hits “Brand New Toy” und wie die Band nach ihrer jahrzehntelangen Pause wieder zusammen gefunden hat. “The Jeremy Days” spielen im Rahmen ihrer Deutschlandtour am 02.10.2023 in Leipzig im Naumann´s.

Love har lyssnat på "den felande länken mellan King Crimson och Madness", alias Cardiacs. Robert hakar i Loves tema från förra avsnittet och lyfter hjältemodigt fram två svenska 70-talskvinnor strax utanför musikrörelsen. Några nyss avlidna uppmärksammas: Shuhada' Sadaqat, Sixto Rodriquez, Robbie Robertson och den näst minst kände Smiths-medlemmen. Ett lyssnarbrev från "Svante" besvaras med stor intellektuell skärpa, spänst och espri. Robert har inte kunnat släppa pappers- och tryckmässan Drupa och har därför satt ihop ett kort potpurri av låtar på temat "Düsseldorf". Love har vistats i ett trångt utrymme med en gammal glamrockare och gjort en förstklassig M A Numminen-mashup. Dessutom ger han oss några mycket upptagna produktioner signerade The Squires of the Subterrain, Of Montreal och Bob Drake, vilket osökt leder över till den käre Esquivel. I Roberts last.fm-historik hör vi turkisk surfrock, tysk progfolk och norsk Ulver. Vidare förekommer Michael Bublé, Aztec Camera, Felt, Bruno Mars, Prefab Sprout och två exempel på fenomenet "svarslåtar", varav ett avgjort bisarrt. Och så har Love gjort ungefär 1,5 låtar. Gör oss sällskap på Discord: https://discord.gg/Cywtq7vaqZ Gilla, kommentera och recensera på The Facebook: https://facebook.com/musikensmaktpodcast/ Bidra till Loves fysiska överlevnad och få lite bonusmaterial: https://www.patreon.com/musikensmakt

Love har lyssnat på "den felande länken mellan King Crimson och Madness", alias Cardiacs. Robert hakar i Loves tema från förra avsnittet och lyfter hjältemodigt fram två svenska 70-talskvinnor strax utanför musikrörelsen. Några nyss avlidna uppmärksammas: Shuhada' Sadaqat, Sixto Rodriquez, Robbie Robertson och den näst minst kände Smiths-medlemmen. Ett lyssnarbrev från "Svante" besvaras med stor intellektuell skärpa, spänst och espri. Robert har inte kunnat släppa pappers- och tryckmässan Drupa och har därför satt ihop ett kort potpurri av låtar på temat "Düsseldorf". Love har vistats i ett trångt utrymme med en gammal glamrockare och gjort en förstklassig M A Numminen-mashup. Dessutom ger han oss några mycket upptagna produktioner signerade The Squires of the Subterrain, Of Montreal och Bob Drake, vilket osökt leder över till den käre Esquivel. I Roberts last.fm-historik hör vi turkisk surfrock, tysk progfolk och norsk Ulver. Vidare förekommer Michael Bublé, Aztec Camera, Felt, Bruno Mars, Prefab Sprout och två exempel på fenomenet "svarslåtar", varav ett avgjort bisarrt. Och så har Love gjort ungefär 1,5 låtar.

Entrando de sola no Tahiti, sem esquecer os 100 anos do Millor, nem os 80 do Robert De Niro, esse é o seu Boia moleque, Boia raiz, que chama a responsabilidade quando o jogo endurece (epa!). João Valente, Bruno Bocayuva e Júlio Adler recebem Marcelus Viana, sócio fundador dessa bagunça aqui, amigo de todas as horas e coroa power temido nos 7 mares pelo deslocamento de água. Tocamos o terror e 4 canções sem absolutamente nenhum vínculo entre elas, Surfin' Safari dos Beach Boys, Computer Games dos Neo zelandeses Mi-Sex, Dear Prudence tocada pelo Ramsey Lewis e Jump, pelos escoceses do Aztec Camera. “Chato... Indivíduo que tem mais interesse em nós do que nós temos nele” Millor Fernandes --- Send in a voice message: https://podcasters.spotify.com/pod/show/boia/message

During the height of his fame with Soft Cell, Marc Almond had a side project. An outlet for the less polished pop side of his persona. Dark, passionate, intense, diverse, and riveting. And that was just the musicians that were part of the collective known as Marc and the Mambas. As we publish this podcast episode in mid-August 2023, it's precisely 40 years since Marc and the Mambas released their 2nd LP 'Torment and Toreros'. We celebrate by looking at the key personnel involved, the recording process they went through, and the songs that were released on this 90 minute long double album. You'll hear about the real life torment that emerged after the release of the record and Marc's extreme reaction to less than favourable reviews. For balance, there's comments from the fans that adore the album and what it still means to them 40 years on, Kate included. From the same week of release, we enjoy a bumper hit of nostalgia. It was a great top 10 UK singles chart to wax lyrical about, featuring 80's gold from Depeche Mode, Wham, Spandau Ballet, Elton John, Paul Young, and The Style Council. The movies on at the box office were equally impressive, including some huge blockbusters and critically acclaimed films starring the likes of Michael Caine, Jennifer Beals, Harrison Ford, Roger Moore, Christopher Reeve, Julie Walters, and Matthew Broderick. The heat makes the headlines during the summer of 1983 in the UK, along with a new registration plate format for vehicles, and Kate gets rather excited about a couple of shows that aired for the first time in the UK on ITV. Our Top 3 picks this week, are our favourite double albums of all time. Spoiler alert, all Kate's are from the same artist. I wonder who that could be!? Singles of the week: Kate goes for the modern classic from Sheffield's Reverend & The Makers - 'A letter To My 21 Year old self': https://youtu.be/8IQJTCrDI5Q Rick sticks with 1983 and the pop gem from Aztec Camera that is 'Oblivious': https://youtu.be/2B2Sc2G_5ZA For those on Facebook, here's a link to a post we published in the private 'Marc Almond' group with some great comments about the record: https://www.facebook.com/groups/4258153798?multi_permalinks=10161469921478799 Two recent podcasts featuring Anni Hogan: https://open.spotify.com/episode/5RJuwSD4NZjuxb7TOZ05fz?si=rBhS5rPxRgu11khgisWd1Q https://open.spotify.com/episode/4kh3V42TjQBp3XlyaWAeVq?si=QWb-fyltSLaAR5aZ4EVKdA Please support our indie podcast by subscribing on your listening platform of choice, sharing with your friends and family, rating us on Spotify, and/or Apple Podcasts, following, liking, or commenting on our social media channels, OR you can make Memorabilia podcast history and be the first non-family member to send us an email - a mention on a future episode is guaranteed (yes, we're still waiting on this one!!!) Email ⁠memorabiliapodcast@gmail.com⁠ Twitter @Memorabiliapod (https://twitter.com/Memorabiliapod) Facebook @MemorabiliaPodcast (https://www.facebook.com/Memorabilia-Podcast-102585322133793 Thank you for listening and for your interest, Rick & Kate x p.s. the claim made at the start of the episode about us keeping the running time to 60 minutes moving forward, was clearly a blatant lie!

Welcome to the first bonus episode! These bonus episodes will feature special guests from the music industry.   UK Bassist Yolanda Charles MBE has been working as a session musician since 1990 starting her career playing for Jimmy Sommerville, Aztec Camera and Paul Weller.   During a career spanning the next 30 years, she worked with an eclectic mix of artists including, Robbie Williams, BB King, Eric Clapton, Roger Daltrey, Van Morrison, Mick Jagger, Anastasia, Sinead O'Connor, Daryl Hall, Musical Director for the Eurythmic's Dave Stewart and TV houseband work with Jonathan Ross, Ricky Wilson (Kaiser Chiefs) & Nicole Scherzinger (Pussy Cat Dolls).   Yolanda's more recent work includes performing live with composer Hans Zimmer and working on various film soundtracks including “A Knight's Tale” “Alfie” “Home” “Boss Baby” I & II and most recently Dune. In 2020 Yolanda was a recipient of an MBE for services to music.   Yolanda is the leader of funk/RnB band – PROJECT PH and in this very special bonus episode, we explore what it takes to start and run your own band.   In this episode you will learn: How to start your own band The skills required to be an effective bandleader How Yolanda found the exact time in the day when she is most creative How Yolanda ended up singing a lead vocal on Hans Zimmer's world tour Strategies to help you sing and play at the same time and lots, lots more!  

It's episode 100! And to celebrate this milestone, podcast hosts Stephen & Paul, along with their friend and frequent podcast guest Ross, decided to hit the road and travel around Scotland's North Coast 500 in an RV - https://www.northcoast500.com/. And at the end of each day, the boys sat down to share a favourite song by a Scottish act or an act featuring a Scottish musician. So, in day 1's pod recorded in Ardelve; look out for songs from Simple Minds, Aztec Camera and Gerry Rafferty. Hear tales about driving in the wrong gear, the size of Paul's suitcase and how three grown men can't use a lock! Coming very soon: More Scottish songs in Day 2. Like the podcast? Why not show your appreciation by buying Paul & Stephen a coffee ☕️ - https://www.buymeacoffee.com/trimmingthh / Podcast website - trimmingthemusicalfat.com / Email us - trimthemusicalfat@gmail.com / Tweet us - https://www.twitter.com/MusicalTrimming?s=20 / Join our Facebook group - https://www.facebook.com/groups/274805337346926 / Check out our YouTube channel - https://www.youtube.com/channel/UCm_P5WlRZ0i3tR3jEavD_5A / TikTok - @trimmingthemusica --- Send in a voice message: https://podcasters.spotify.com/pod/show/ttmf/message

1. The Eastern 2. boygenius 3. Everything But The Girl 4. Terrible Sons 5. Fran 6. The Byrds 7. The Tubs 8. Aztec Camera 9. Grant McLennan 10. Eilen Jewell 11. Tom Waits 12. Millie Small 13. Chris Staples 14. Ash Grunwald 15. Mutton Birds 16. The Murder Capital

18 abril 2023 - programa #169 Hoy martes 18/04/2023 de 20:00 a 21:00h en http://www.sputnikportal.com/ 105.4FM si estás en Mallorca Dedicaremos el programa al 40 aniversario de la publicación del disco de debut de Aztec Camera: el glorioso HIGH LAND, HARD RAIN (19/04/1983. Sello Rough Trade). El gran Roddy Frame apenas tenía 19 años cuando vió la luz esta obra maestra, cuya grabación contó por cierto con la participación en la batería de un viejo amigo de RUDY sessions: Dave Ruffy (Code Blue). Y dado que hoy es el aniversario del nacimiento de Alexander "Skip" Spence (18/4/46) y anteayer el de su fallecimiento (16/4/99), completaremos la emisión con algunos temas y versiones (OAR vs MORE OAR) del que fuera co-fundador de Moby Grape PLAYLIST #169: Books Of Moses / TOM WAITS Books Of Moses / ALEXANDER "SKIP" SPENCE Oblivious / AZTEC CAMERA The Boy Wonders / AZTEC CAMERA Walk Out To Winter / AZTEC CAMERA The Bugle Sounds Again / AZTEC CAMERA We Could Send Letters / AZTEC CAMERA Pillar To Post / AZTEC CAMERA Release / AZTEC CAMERA Lost Outside The Tunnel / AZTEC CAMERA Back On Board / AZTEC CAMERA Down The Dip / AZTEC CAMERA Queen's Tattoos / AZTEC CAMERA Haywire / AZTEC CAMERA Orchid Girl / AZTEC CAMERA Set The Killing Free / AZTEC CAMERA Desde la promotora musical RUDY SESSIONS hace algún tiempo estamos intentando activar la escena musical de la isla con nuestros conciertos de carácter internacional. Todos los martes de 20 a 21 horas les haremos partícipes de nuestro amor por la música con programas en los que varios de los socios pincharán sólo buena música de variados estilos (pop, rock, rhythm & blues, power pop, garaje, jazz, groove, folk, etc.

This week on The Metro, Warlock Jeff Ivins brings you the following bands for your time warp to the 1980s: Aztec Camera, Level 42, Orange Juice, The Stranglers, The Police, The B-52’s, Re-Flex, Cutting Crew, Cyndi Lauper, Bananarama, Wall Of Voodoo, The Tubes, Simply Red, Parachute Club, and finishing with Kajagoogoo.

What's your most loved and least favorite song on 91X-FM's 1983 Top 91 countdown?! For our third wildcard episode, we celebrated the San Diego station's 40th anniversary by talking about the songs from their very first year-end listener poll. The result is an EPIC three-hour dive into the station's history with a ton of childhood memories plus interviews with first year DJs Billy Bones and Pam Wolf. Learn how San Diego went new wave practically overnight to instantly become the coolest modern rock station in the country. Sorry/not sorry, KROQ.  From nerdy teen listeners to eventually working at the station and creating the station's 10th anniversary countdown, it's an incredible must-hear listen for any fan of early 80's music. Listen at WeWillRankYouPod.com, Apple, Spotify and your favorite Tijuana transmitter.  Follow us and weigh in with your favorites on Facebook, Instagram and Twitter @wewillrankyoupod . FILE UNDER/SPOILERS:91X, Adam Ant, Aztec Camera, B-52's, Big Audio Dynamite, Big Country, Billy Bones, border blaster, the Call, Elvis Costello & the Attraction , Stewart Copeland ,the Cure, Def Leppard, Depeche Mode, Devo, Duran Duran, Echo and the Bunnymen, English Beat, Peter Godwin, Haysi Fantayzee, Icicle Works, Billy Idol, INXS, Kajagoogoo, metal, Mexican Radio, Midnight Oil, Mighty 690, MTV, Nena, New Order, new wave, 91X, Public Image Limited, radio, Stan Ridgway, Rock of the 80s, San Diego, Thompson Twins, Toy Dolls, UB40, Van Halen, Violent Femmes, Wall of Voodoo, Pam Wolf, Yazoo US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.com http://www.facebook.com/WeWillRankYouPod http://www.instagram.com/WeWillRankYouPod http://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com (Sam's music page) http://www.YerDoinGreat.com (Adam's music page) https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

1. Boomtown Rats 2. Jerry Lee Lewis / Kid Rock 3. Elvis Costello 4. Etta James 5. Desmond Dekker 6. Aztec Camera 7. Joan Armatrading 8. McGuiness Flint 9. Mouth And MacNeil 10. Audience 11. Carol King 12. Deltones 13. Warren Zevon 14. The Beatles 15. The Newbeats 16. The Go-Betweens 17. The Cure

In our Season 3 finale, we spend another week outside of the normal O3L era to discuss our Top 5 Songs of 2022.  Not only that, but we have something really special for you, as our Third Lads this week are Sarah Cogan and Dylan Frankland from Toronto dream pop band Tallies.  Yes, that's right...the band behind the 2022 record Patina that Brett picked as his #1 album of the year last week. We cover a lot of the amazing songs that this year had to offer, from deep underground tracks to the tunes that had the whole world singing along, as well as a whole bunch of other totally 2022 topics: Condiments!  Kool-Aid!  Urban Outfitters!  Gothic Horror Clowns!  Politicians (isn't that kinda the same thing as gothic horror clowns??)!  Climate change!  Swifties!  Plus, Sarah & Dylan offer insights into their new album, their writing process, and Tallies' 2022 highlights.  If you are already a Tallies fan, you'll love this episode...if you're new to Tallies, be prepared to become a fan!   Happy New Year!  We can't wait for you to see what's in store for Season 4!   About Tallies: Tallies started in earnest when singer Sarah Cogan, guitarist Dylan Frankland, and drummer Cian O'Neill began collaborating in late 2017. A proto-version of the band began at Algonquin College, when Sarah met Dylan during a music engineering course that saw the two become lab partners. All throughout their career, they've dove into the bands that would influence their sound–the Sundays, the Smiths, Aztec Camera–all while adding their own signature elements; Sarah's airy-yet-arresting vocals, Dylan's stunning gossamer guitar work, Cian's astronomic drumming. They got down to business rather quickly, as in 2019, their debut self-titled album was released on Hand Drawn Dracula in Canada and Kanine Records in the United States. Solidifying the band's stature as Canada's leading dream pop scholars, its mix of upbeat pop hooks and heady, larger-than-life production won the band critical acclaim from the indie underground to the mainstream alike. They began work straight away on a second record, which would prove to be an even more life-affirming endeavor than their debut.  With their brand new sophomore album, Patina, Toronto-based indie pop band Tallies have found a way to expertly walk that razor-thin tightrope, nodding to their favorite bands of the past while transforming their sound into something tight, bright, and undeniably fresh.    

Elvis Costello, The Style Council, Aztec Camera, 3 versiones de "Everybody needs somebody to love", 3 versiones de "Romance anónimo", y grupos y solistas: los Gritos y Manolo Galván, los Buenos y Julián Granados, los Z-66 y Lorenzo Santamaría y los Botines y Camilo Sexto.

This episode features a conversation with Douglas MacIntyre, historian of Scottish indie and post punk, founder of the influential Creeping Bent label, and a musician of note via his own acts Article 58 and Port Sulphur. For an underground music nerd like myself, it really was quite the thrill. And Douglas is also the author of a new book, Hungry Beat: The Scottish Independent Pop Underground Movement (1977 – 1984), which tells an oral history of an extraordinary period of music history where the labels Fast Product, from Edinburgh, and Postcard Records, from Glasgow, ignited a DIY spirit that would later be seen in better known labels like Rough Trade and Factory, as well as birthing a clutch of records - The Human League, Scars, The Mekons, Fire Engines, Josef K, Aztec Camera, The Go-Betweens and The Bluebells – that sound as incredible now as they did all those years ago. The book is out now on the ever excellent White Rabbit Books, and I do hope you enjoy a conversation that I think is both inspiring and enlightening. Join the Substack?

I Sejrstimen har jeg for vane at spille kortere passager af de fleste sange. Dette er naturligvis ikke normalt eller optimalt og slet ikke respektfuldt mod musikerne. Men jeg gør det alligevel fordi mit ønske om at præsentere mange navne i hvert tema står øverst. Det gælder i den grad dagens program som er skotsk musik. Stolte Skotland kan levere en imponerende liste. De populære Midge Ure, Franz Ferdinand, Cocteau Twins, Snow Patrol, Associates. De alternative Aztec Camera, Big Country, Blue Nile, Deacon Blue, Waterboys og så naturligvis de store Runrig samt superstjernen Simple Minds. Sidstnævnte har stædigt og stolt holdt ved og kommet flot igen med markante albums de sidste 10 år. De har også altid været et stort koncert navn hvor det som mange skotske grupper kan står tydeligt frem: Hymne-sangen. Pop og rock med indbygget stort omkvæd der trækker på Skotlands folkemusik.

Det er usædvanlige og alligevel velkendte tider. Således også i dagens Sejrstime, hvor firserne igen sejrer og fylder hele programmet. Temaet er til gengæld "Ukendte 80'ere Vol. 2". Havde et tidligt program sidste år med en omgang ret så obskure grupper fra det spændende årti og det gælder sandelig også denne lørdag. Blandt de "mest kendte" er f.eks. Aztec Camera, Magazine, The Colourfield, A Certain Ratio, Modern English, The Misssion, Classix Nouveaux, Danse Society og The Chameleons. Så er stilen ligesom lagt

De famøse fantastiske firsere fylder i Sejrstimen. Men ikke nok med det. Jeg vælger oftest mindre kendte sange med de kendte navne. Eller endnu oftere, de generelt helt ukendte grupper og solister. De obskure og de skæve, hvor nogle af dem burde eller kunne være endt blandt de kendte hvis kortene og tilfældighederne var lagt anderledes. Årtiet benævnes tit som “fattigfirserne” men musikken var til gengæld rig på eksperimenter, udvikling og kompetente musikere samt dekadence og overdådighed i videoerne. Ikke mindst fra den britiske musikscene som var og er førende. Dagens program gør en dyd ud af emnet og dedikerer hele temaet til ‘de ukendte 80'ere' med bl.a. de gemte og glemte: Aztec Camera, The Chameleons, A Certain Ratio, Magazine, The Colourfield, King Crimson, The Adventures, The Mission, Classix Nouveaux, Modern English, Danse Society, Virgin Prunes, Paul Haig og den enlige kvinde Hazel O'Connor m.fl.

Part 2 of our 1983 music podcast. The full podcast including all songs chosen by musician & writer George Paterson can be heard on Spotify ( search Over Our Garden Wall). However, if you cant access Spotify - this is a copy of all the chat from the podcast. You can of course listen to George's songs on Apple Music too, just not on this Podcast ! Apologies for this, and hopefully one day we can publish in full on Apple as we do on Spotify. Part 2 of our 1983 music podcast chat with the writer and musician George Paterson. George gives us 5 more top notch tunes from the likes of Bowie, Aztec Camera & Malcolm McLaren, and of course we manage to cover a lot of ground on the chat - that includes George nailing a couple of karaoke covers, and also discussing how tight (and small) Charlie Burchill of Simple Minds is ( allegedly). McD is posted missing from most of part 2, which was a shame on the night, however has helped to keep the length of the podcast down! Really enjoyable to finally do a year from the 1980s, and George was the perfect guest. Enjoy and stay safe. BD & McD

Aztec Camera, Roddy Frame, and me.

“Stupid Like That” Before A Boy In Cords was a Boy In Cords, he was a boy in…Trousers. That's right. When I first met the Irish-born singer songwriter, he was crushing it in the indie clubs in the Bay Area with his band Trousers. What did they sound like? they were punchy, jangly land pretty much perfect—with kind of an Aztec Camera vibe. After Trousers folded, many years went by. A Boy In Cords headed back to Ireland eventually, got married and started a family. But something happened and that something is something i'll let him tell you, but before we get to the chat, I'll tell you this. The Aztec Camera vibe has matured into more of Prefab Sprout groove and the songs of A Boy in Cords are startlingly lovely pop wonders that are lush, rich and deeply textured. The songs he's got in his satchel are brilliant and they'll only yield more and more and more. And we'll all be luckier for it. IG: @aboyincords www.bombshellradio.com www.alexgreenonline.com Stereo Embers The Podcast www.stereoembersmagazine.com IG: @emberspodcast Twitter: @emberseditor

El Sophisti-Pop es un género que surgió en el Reino Unido a mediados de los 80s, como una especie de (más) sofisticación de New Romantic. Combinando Smooth Jazz, Soul y Pop. Sonando todo muy elegante y perfectamente producido. Pero además de describir su sonido se debe hablar de la estética que envolvía a todo el paquete del Sophisti-Pop: peinados con estilo, actitud de playboy, por lo general una mujer en la banda (ya sea en los coros, como instrumentista o en las voces principales), ropa de marca y elegancia pura. Además, las canciones preponderan el estilo de vida refinado. Mucha laca, mucho satén y mucho brilli-brilli. En aquellos años los equipos de sonido de alta fidelidad estaban a la última moda, (se comenzaba a hablar de CDs), se llevaban los colores neón, las corbatas y tomar un coctel de diseño en un bar yuppie escuchando a Sade era lo más cool. Consumismo y elegancia, dos de los factores principales que definieron la década. Pero de donde procede todo este refinamiento? Sin dudas las principales influencias fueron los Roxy Music que en los 70s, David Bowie en la etapa “The Thin White Duke” y el viejo Hollywood de los 20s y 30s. Hablemos de sus principales artistas, ya he mencionado a Sade, todo un icono generacional de la sofisticación y el glamour. Su estilo Jazzy tan elegante y exquisito vendió millones de copias en aquellos años. Que se puede decir a esta altura de Bryan Ferry, el padre del Sophisti-Rock, todo lo que el compone, canta, dice y toca es glamuroso y sofisticado. Matt Bianco, alguien dijo una vez que eran como los B-52's del Jazz... no estaba tan errado. Irrumpieron con su primer disco en el año '84 combinando Pop, Bossa, Jazz y ritmos latinos. Luego del éxito de su primer disco, la cantante Basia dejo el grupo para comenzar su carrera solista, siguiendo con el estilo de Matt Bianco pero algo más cercano al sonido refinado de Sade. Simply Red fueron y son la elegancia musical, a mitad de camino entre el Blue-Eyed Soul y el Sophisti-Pop, han sabido crear su (elegante) sonido propio. Everything But The Girl, desde sus comienzos más Indies siempre mostraron su fascinación por el Jazz, y sus últimos discos de la década son claramente de Sophisti-Pop The Style Council, formados por Paul Weller, que procedía del grupo Mod The Jam, y Mick Talbot fueron de los artistas pioneros en producir este género. ABC que venían del New Romantic han llevado su sofisticación mucho mas lejos coqueteando con el Soul y el Jazz. Aztec Camera y China Crisis son grupos procedentes de la New Wave de principio de década pero con los años también fueron refinando su sonido y actitud. Artistas como The Blow Monkeys, Scritti Polliti, Double, Swing Out Sister y Johnny Hates Jazz son representantes del género. Hay muchos mas artistas para hacer una segunda parte. En este podcast podréis escuchar parte de aquel sonido. TRACKLIST: 01 - Matt Bianco - More Than I Can Bear (Remix) 02 - The Style Council - You're The Best Thing 03 - Aztec Camera - Working In A Goldmine 04 - The Blow Monkeys - Out With Her 05 - China Crisis - Christian 06 - Scritti Politti - Oh Patti (Don't Feel Sorry For Loverboy) 07 - Simply Red - It's Only Love 08 - Everything But The Girl - Driving 09 - Double - The Captain Of Her Heart 10 - Sade - Smooth Operator 11 - Basia - Cruising for Bruising 12 - Johnny Hates Jazz - Shattered Dreams 13 - Swing Out Sister - Surrender 14 - Curiosity Killed The Cat - Misfit 15 - Bryan Ferry - Kiss And Tell 16 - ABC - When Smokey Sings

El Sophisti-Pop es un género que surgió en el Reino Unido a mediados de los 80s, como una especie de (más) sofisticación de New Romantic. Combinando Smooth Jazz, Soul y Pop. Sonando todo muy elegante y perfectamente producido. Pero además de describir su sonido se debe hablar de la estética que envolvía a todo el paquete del Sophisti-Pop: peinados con estilo, actitud de playboy, por lo general una mujer en la banda (ya sea en los coros, como instrumentista o en las voces principales), ropa de marca y elegancia pura. Además, las canciones preponderan el estilo de vida refinado. Mucha laca, mucho satén y mucho brilli-brilli. En aquellos años los equipos de sonido de alta fidelidad estaban a la última moda, (se comenzaba a hablar de CDs), se llevaban los colores neón, las corbatas y tomar un coctel de diseño en un bar yuppie escuchando a Sade era lo más cool. Consumismo y elegancia, dos de los factores principales que definieron la década. Pero de donde procede todo este refinamiento? Sin dudas las principales influencias fueron los Roxy Music que en los 70s, David Bowie en la etapa “The Thin White Duke” y el viejo Hollywood de los 20s y 30s. Hablemos de sus principales artistas, ya he mencionado a Sade, todo un icono generacional de la sofisticación y el glamour. Su estilo Jazzy tan elegante y exquisito vendió millones de copias en aquellos años. Que se puede decir a esta altura de Bryan Ferry, el padre del Sophisti-Rock, todo lo que el compone, canta, dice y toca es glamuroso y sofisticado. Matt Bianco, alguien dijo una vez que eran como los B-52’s del Jazz... no estaba tan errado. Irrumpieron con su primer disco en el año ’84 combinando Pop, Bossa, Jazz y ritmos latinos. Luego del éxito de su primer disco, la cantante Basia dejo el grupo para comenzar su carrera solista, siguiendo con el estilo de Matt Bianco pero algo más cercano al sonido refinado de Sade. Simply Red fueron y son la elegancia musical, a mitad de camino entre el Blue-Eyed Soul y el Sophisti-Pop, han sabido crear su (elegante) sonido propio. Everything But The Girl, desde sus comienzos más Indies siempre mostraron su fascinación por el Jazz, y sus últimos discos de la década son claramente de Sophisti-Pop The Style Council, formados por Paul Weller, que procedía del grupo Mod The Jam, y Mick Talbot fueron de los artistas pioneros en producir este género. ABC que venían del New Romantic han llevado su sofisticación mucho mas lejos coqueteando con el Soul y el Jazz. Aztec Camera y China Crisis son grupos procedentes de la New Wave de principio de década pero con los años también fueron refinando su sonido y actitud. Artistas como The Blow Monkeys, Scritti Polliti, Double, Swing Out Sister y Johnny Hates Jazz son representantes del género. Hay muchos mas artistas para hacer una segunda parte. En este podcast podréis escuchar parte de aquel sonido. TRACKLIST: 01 - Matt Bianco - More Than I Can Bear (Remix) 02 - The Style Council - You're The Best Thing 03 - Aztec Camera - Working In A Goldmine 04 - The Blow Monkeys - Out With Her 05 - China Crisis - Christian 06 - Scritti Politti - Oh Patti (Don't Feel Sorry For Loverboy) 07 - Simply Red - It's Only Love 08 - Everything But The Girl - Driving 09 - Double - The Captain Of Her Heart 10 - Sade - Smooth Operator 11 - Basia - Cruising for Bruising 12 - Johnny Hates Jazz - Shattered Dreams 13 - Swing Out Sister - Surrender 14 - Curiosity Killed The Cat - Misfit 15 - Bryan Ferry - Kiss And Tell 16 - ABC - When Smokey Sings

En pleno verano que mejor que una lista de canciones frescas, de buen rollo e ideales para escuchar en la piscina o en la playa? Cabe aclarar que no se trata de las típicas canciones de verano de los 80s, sino algo diferente. En este podcast podréis escuchar desde el synthpop ochentero de Orchestral Manoeuvres In The Dark al Indie Pop de artistas como The Smiths, The Housemartins, etc. Arrancamos con Everything But The Girl y su “When All's Well”, puro Indie Pop ochentero buenrollero, lo mismo ocurre con la siguiente “So Good Today” de los londinenses “The Woodentops”. Mención especial para The Housemartins que con solo dos discos revolucionaron el Indie mundial, hoy injustamente olvidados, aquí podemos escuchar su “Me & The Farmer”. Contemporáneos a The Smiths, los siguientes de la lista, aquí podemos escuchar uno de sus mayores éxitos “Ask”. A esta altura que mas se puede decir de los Smiths? Que fueron uno de los grupos MAS importantes de la década e incluso de la historia musical del Reino Unido, que marcaron a varias generaciones que crecimos con sus canciones… Llega el turno de The Go-Betweens, banda de New Wave procedentes de Australia, aquí podemos escuchar su gran éxito en el circuito de radios alternativas “Right Here”. Los siguientes Lloyd Cole And The Commotions, banda de Glasgow, mitad de camino entre el New Wave, el Indie Pop y hasta el Britpop. Aquí podéis escuchar su mayor éxito que fue “Lost Weekend”. Fairground Attraction, banda británica a mitad de camino entre el Folk y el Rock, solo tienen un álbum y un single que sonó en todas partes e incluso todo tipo de anuncios publicitarios, “Perfect”. The La's cuyo single “There She Goes” se publicó originalmente en el año 1988 pero luego fue lanzado nuevamente en el año '90 apoyando la publicación de su único álbum. Precursores de lo que luego se denominaría Britpop. The Cure y su majestuoso “Just Like Heaven” de 1987, tercer corte de su exitoso álbum Kiss Me Kiss Me Kiss Me. Seguimos con The The, el proyecto de Matt Johnson, en 1983 publico su aclamado álbum debut Soul Mining de donde procede el maravilloso single “This is The Day”. The Adventures y el remix de 1985 “Send My Heart” publicado como single en 1984 contando con un Extended Mix en el formato de 12 pulgadas, pero un año después se publica en Estados Unidos con la remezcla que podéis escuchar en este podcast. Aztec Camera y la versión 12 pulgadas de “Somewhere in My Heart” del año '88, esta versión tiene mucho mas fuerza que la versión de 7 pulgadas, lo mismo ocurre con “Sanctify Yourself (Extended Mix)” de Simple Minds. Seguimos con Echo & The Bunnymen y “The Game” del año 1987, una canción Pop sencilla y preciosa. Y llegamos al final con 3 exponentes del Synthpop británico, Orchestral Manouvres in The Dark con el Extended Mix de Secret de 1985 (a esta altura de la década el grupo había dejado su sonido más electrónico para adentrarse en el pop ochentero de sintetizador). Erasure con el primer corte de su segundo disco The Circus, “Sometimes” del año '86 con el que lograron el éxito no alcanzado con su primer álbum. Y por último, New Order con su éxito de 1987 “True Faith”, single que acompaño al lanzamiento del álbum de versiones extendidas Substance. Hasta aquí el listado de canciones de mi podcast veraniego, espero que disfrutéis al sol o en la piscina o tumbados en una playa. TRACKLIST: 01 - Everything But The Girl - When All's Well 02 - The Woodentops - So Good Today 03 - The Housemartins - Me And The Farmer 04 - The Smiths - Ask 05 - The Go Betweens - Right Here 06 - Lloyd Cole And The Commotions - Lost Weekend 07 - Fairground Attraction - Perfect 08 - The La's - There She Goes 09 - The Cure - Just Like Heaven 10 - The The - This Is the Day 11 - The Adventures - Send My Heart (Across The Sea Mix) 12 - Aztec Camera - Somewhere In My Heart (12" Remix) 13 - Simple Minds - Sanctify Yourself (Extended Mix) 14 - Echo & The Bunnymen - The Game 15 - Orchestral Manoeuvres In The Dark - Secret (Extended Mix) 16 - Erasure - Sometimes 17 - New Order - True Faith

En pleno verano que mejor que una lista de canciones frescas, de buen rollo e ideales para escuchar en la piscina o en la playa? Cabe aclarar que no se trata de las típicas canciones de verano de los 80s, sino algo diferente. En este podcast podréis escuchar desde el synthpop ochentero de Orchestral Manoeuvres In The Dark al Indie Pop de artistas como The Smiths, The Housemartins, etc. Arrancamos con Everything But The Girl y su “When All’s Well”, puro Indie Pop ochentero buenrollero, lo mismo ocurre con la siguiente “So Good Today” de los londinenses “The Woodentops”. Mención especial para The Housemartins que con solo dos discos revolucionaron el Indie mundial, hoy injustamente olvidados, aquí podemos escuchar su “Me & The Farmer”. Contemporáneos a The Smiths, los siguientes de la lista, aquí podemos escuchar uno de sus mayores éxitos “Ask”. A esta altura que mas se puede decir de los Smiths? Que fueron uno de los grupos MAS importantes de la década e incluso de la historia musical del Reino Unido, que marcaron a varias generaciones que crecimos con sus canciones… Llega el turno de The Go-Betweens, banda de New Wave procedentes de Australia, aquí podemos escuchar su gran éxito en el circuito de radios alternativas “Right Here”. Los siguientes Lloyd Cole And The Commotions, banda de Glasgow, mitad de camino entre el New Wave, el Indie Pop y hasta el Britpop. Aquí podéis escuchar su mayor éxito que fue “Lost Weekend”. Fairground Attraction, banda británica a mitad de camino entre el Folk y el Rock, solo tienen un álbum y un single que sonó en todas partes e incluso todo tipo de anuncios publicitarios, “Perfect”. The La’s cuyo single “There She Goes” se publicó originalmente en el año 1988 pero luego fue lanzado nuevamente en el año ’90 apoyando la publicación de su único álbum. Precursores de lo que luego se denominaría Britpop. The Cure y su majestuoso “Just Like Heaven” de 1987, tercer corte de su exitoso álbum Kiss Me Kiss Me Kiss Me. Seguimos con The The, el proyecto de Matt Johnson, en 1983 publico su aclamado álbum debut Soul Mining de donde procede el maravilloso single “This is The Day”. The Adventures y el remix de 1985 “Send My Heart” publicado como single en 1984 contando con un Extended Mix en el formato de 12 pulgadas, pero un año después se publica en Estados Unidos con la remezcla que podéis escuchar en este podcast. Aztec Camera y la versión 12 pulgadas de “Somewhere in My Heart” del año ’88, esta versión tiene mucho mas fuerza que la versión de 7 pulgadas, lo mismo ocurre con “Sanctify Yourself (Extended Mix)” de Simple Minds. Seguimos con Echo & The Bunnymen y “The Game” del año 1987, una canción Pop sencilla y preciosa. Y llegamos al final con 3 exponentes del Synthpop británico, Orchestral Manouvres in The Dark con el Extended Mix de Secret de 1985 (a esta altura de la década el grupo había dejado su sonido más electrónico para adentrarse en el pop ochentero de sintetizador). Erasure con el primer corte de su segundo disco The Circus, “Sometimes” del año ’86 con el que lograron el éxito no alcanzado con su primer álbum. Y por último, New Order con su éxito de 1987 “True Faith”, single que acompaño al lanzamiento del álbum de versiones extendidas Substance. Hasta aquí el listado de canciones de mi podcast veraniego, espero que disfrutéis al sol o en la piscina o tumbados en una playa. TRACKLIST: 01 - Everything But The Girl - When All's Well 02 - The Woodentops - So Good Today 03 - The Housemartins - Me And The Farmer 04 - The Smiths - Ask 05 - The Go Betweens - Right Here 06 - Lloyd Cole And The Commotions - Lost Weekend 07 - Fairground Attraction - Perfect 08 - The La's - There She Goes 09 - The Cure - Just Like Heaven 10 - The The - This Is the Day 11 - The Adventures - Send My Heart (Across The Sea Mix) 12 - Aztec Camera - Somewhere In My Heart (12" Remix) 13 - Simple Minds - Sanctify Yourself (Extended Mix) 14 - Echo & The Bunnymen - The Game 15 - Orchestral Manoeuvres In The Dark - Secret (Extended Mix) 16 - Erasure - Sometimes 17 - New Order - True Faith

This week on The Metro, Warlock Jeff Ivins brings you the following bands: Wham!, Aztec Camera, Greg Kihn, The J Geils Band, Robert Hazard, The B-52’s, Alphaville, Jane Wiedlin, Billy Ocean, Eurythmics, Suburban Lawns, Nick Heyward, Marilyn, Fischer-Z, and finishing up with some Duran Duran.

Twenty years of interviewing fabulous musicians is no mean feat and I thought it deserved some kind of celebration, or at least to be marked in history for posterity. So, I've recorded Cat o' Nine Tales; 9 special episodes of CATtales to look back on those early encounters where the recordings of the interviews no longer survive and the details only remain in written form. After introducing my guest, I'll give you a link address to read the interview and play some of their key hits for you to listen to whilst you enjoy it.  Thank you to you the listeners and my fabulous guests for your support over the years, I hope you enjoy these special 9 tales... Tale 4: Roddy Frame is an absolute delight.  It's rare for a performer armed only with an acoustic guitar to create a sound which could be mistaken for ten men and his charismatic stage-presence completely captivates any audience.  This style of performance is a long cry from Roddy's days with Aztec Camera who came to prominence in the early eighties and it's many years since he became an acclaimed solo artist performing acoustic tracks under his own name.  This tale dates back to July 31st 2003, visit CATtales.co.uk/117 for the one with Roddy Frame and sit back and enjoy these tunes. The tracks featured are: Good Morning Britain, Somewhere in my Heart, Oblivious, White Pony and all I Need Is Everything. Visit roddyframe.com for more information on Roddy and to listen to this again and to other tales, visit CATtales.co.uk.

CHINA CRISIS (S2 | LTNF LIVE) Not a lot of great music was happening for China Crisis prior to 1985. They punched out a couple of albums but were being overshadowed by the many many synthpop bands busting out of England at the time. Then their label, Virgin Records, made a suggestion. "How 'bout we bring in some out-of-town talent. Namely, Steely Dan's Walter Becker." And suddenly, this unremarkable band became... well... remarkable. China Crisis, Frazier Chorus, Naked Eyes, The Dream Academy, The Thompson Twins, The The, Aztec Camera, Kajagoogoo... this week on LTNF LIVE About China Crisis China Crisis are an English new wave and synth-pop band. They were formed in 1979 in Kirkby, near Liverpool, Merseyside with a core of vocalist/keyboardist Gary Daly and guitarist Eddie Lundon. China Crisis were part of a wave of new Liverpool acts in the late 1970s and early 1980s, led by OMD and also including Echo and the Bunnymen, The Teardrop Explodes, A Flock of Seagulls and Frankie Goes to Hollywood. Sharing an affection for Steely Dan, David Bowie, Brian Eno and Talking Heads, Gary Daly (born 5 May 1962, Kirkby, Knowsley, Merseyside) and Eddie Lundon (born 9 June 1962, Kirkby, Knowsley, Merseyside) played with various Knowsley post-punk groups. Daly then spent time tinkering with synthesizers and a drum machine. Along with Lundon, Daly began writing songs. The pair eventually asked drummer and percussionist Dave Reilly to join them, and in 1981 they released their debut single "African and White" as China Crisis on the independent record label, Inevitable. In March 1982 they recorded a four-song Peel session for the BBC. In June 1982, they backed Tom Verlaine at The Venue in London. The band were signed to Virgin Records and recorded their debut album, Difficult Shapes & Passive Rhythms, Some People Think It's Fun to Entertain, which was released in December 1982. A re-release of "African and White" reached No. 45 in the UK Singles Chart in August 1982. The follow-up single, "No More Blue Horizons", released in October 1982 had little success, but the single "Christian", made UK No. 12 in early 1983 and brought them to national prominence. By the time of this success, Reilly had left the band, but had remained with the band long enough to co-write and perform on "Christian", along with session musician Steve Levy playing oboe and saxophone. The album peaked at No. 21 in the UK Albums Chart] During this period the band toured supporting Simple Minds on their New Gold Dream tour. China Crisis https://youtu.be/5EYLrws2_s0 You lucky radio stations - for finding LTNF you get this fabulous show on your air! Well done!   Thank you thank you stations we love! WPVM 103.7FM WERB 107.5 FM KPOV 88.9 FM WHPW 93.7 FM KYGT 102.7 WBDY 99.5 FM KFOI 90.9 FM KUGS 89.3     Learn more about LTNF here. Their third album, Flaunt the Imperfection, was produced by Walter Becker of Steely Dan fame and reached No. 9 in the UK Albums Chart in May 1985.

Saxophonist Chris White played with Dire Straits for 10 years. He has also recorded and played with many other top artists including Sir Paul McCartney, Mick Jagger, Ray Charles, Joe Cocker, Aretha Franklin, Robbie Williams, Chris de Burgh, Aztec Camera, Haircut 100. More recently he has been managing and touring with his band ‘The Dire Straits Experience' and has a packed tour scheduled in multiple venues though-out Europe through to May next year. Chris talks about how hearing the saxophone played on television at the age of thirteen triggered his lifelong passion and career as a saxophonist, what it was like playing at The Live Aid and Nelson Mandela Concerts at Wembley Stadium and some of the extraordinary experiences he encountered along the way. Sign up to our newsletter and never miss a release! | Visit our website  Related Links: Romeo and Juliet Live at Nelson Mandela Concert Wembley '88 

This podcast is in a theme: Letter writing and sending mail…We start from Episode One with Wadsworth's letter to Barnabas Collins, the two discussing that, and go right on up into what has already been released. (Be a'skeered… be very a'skeered. Or not.)Stepping through each episode to reveal what is available in letter writing, my listeners shall see where this leads, including why episode four ventured issue with Seattle's Space Needle. *wink*Episodes: 5, 6, 7, and 8 explaining all the letter writing aspects of those. Continuing on with further episodes up into #12 and why the mail is important with the cheque for The Parapsychology Foundation for Reincarnation Research…As for Episode #14, it's almost ALL about the mail…A bit more about postal sendings in #15 then #17 between Willie Loomis and the Ghost of Sarah Collins. “That evil is wicked is well understood. The wicked are punished so you must be good.” Then #18, #19, and #21, what little we have for this theme…Updates for Osheen Nevoy's fanwork and my own… Special thanks to pen friends getting me out of the madness.Thanks to humanetech.com, etc.How hate has been manufactured for the 2012 ‘Dark Shadows' movie… and: for me. And then: How to deal with that. (I express in this podcast that the guilt is “preferable” for the sake, in this situation, you'd be' responsible' rather than ‘helplessly tricked'. Which is the better choice? Having no recourse or having been a little responsible?)For pen friends and friends, in touch, who still read books and old books: Listen. Long-Term-Narrative is far more important that we might have ever considered was important. ^_^ Ending with this Aztec Camera song, “We Could Send Letters”, dedicated to my pen friends, (please purchase it if you enjoy it.)

With all our systems – economic, political, healthcare, and more – crashing all around us, how do we even begin to imagine change? Where is the change? How do we think about it; talk about it; take part in it? Is there such a thing as systems change anymore? Or are we kidding ourselves with abstract formulas that cannot possibly keep up with the changes happening all around us?   Right now, everyone is trying to figure out how to live in a worldwide pandemic. We have been in pandemics before, but never in such a  radically interconnected world—with high-speed air travel and even faster electronic communication, rampant environmental pollution, nuclear weapons, and emerging autocracies, among other complicating factors. What have we learned? Do we know how to deal with uncertainty in a productive way? Or are we on a downward spiral due to humankind's inability to create balance among other humans and the more-than-human world? We all want to rebuild a more coherent and beautiful world. But we cannot move too fast. We must first learn to dance with trickster energies. It may be preemptive to propose replacement forms of order in the midst of such chaos – instead, we might need to learn a new language, a new mode of being in the world that is more creative and flexible. What stance and mindset will help us adapt to the rapid and radical changes of the present?   With our systems unraveling, this is our opportunity to go beyond symptoms to root causes that unite seemingly different events. What are the openings that Trickster is making known to us? What are the resources, stories, lessons, opportunities, and wisdom we can draw from uncertain times?  Join us as we delve into Dancing with Uncertainty.  Guest Bios Alfonso Montuori has been a long-time professor at the California Institute of Integral Studies. He has also been Distinguished Professor in the School of Fine Arts at Miami University, in Oxford Ohio and at the University of Rome, and in 1985-1986 he taught at the Central South University in Hunan, China. Alfonso was born in Holland, and lived in Lebanon, Greece, England, and China before coming to the United States in 1986. His father was Italian and his mother Dutch, and he grew up speaking several languages. An active musician and producer, Alfonso has performed with or recorded artists such Joe Henderson, Roy Hargrove, Aztec Camera and his wife, noted jazz singer Kitty Margolis. His research has focused on creativity, transdisciplinarity, complexity, leadership, education, and social change, and has been translated into Chinese, French, Italian, and Spanish.  Alfonso is also a consultant in the areas of creativity, innovation and leadership development whose clients have included Fortune 500 companies, non-profits, and artists. Nora Bateson, is an award-winning filmmaker, research designer, writer and educator, as well as President of the International Bateson Institute based in Sweden where she has put together a team that works on an innovative form of inquiry Nora calls Transcontextual research and a corresponding new form of information she calls “Warm Data.” An international lecturer, researcher and writer, Nora wrote, directed and produced the award-winning documentary, An Ecology of Mind, a portrait of her father, Gregory Bateson. Her work brings the fields of biology, cognition, art, anthropology, psychology, and information technology together into a study of the patterns in ecology of living systems. Recipient of the 2019 Neil Postman Award for Career Achievement in Public Intellectual Activity. Her book, Small Arcs of Larger Circles released by Triarchy Press, UK, 2016 is a revolutionary personal approach to the study of systems and complexity, and the core text of the Harvard University LILA program 2017-18. Her next book, Warm Data, also will be published by Triarchy Press with a publication date that is still to be determined.  The post Dancing With Uncertainty appeared first on WebTalkRadio.net.