Podcasts about aii

Join us as we continue our deep dive into the critical topic of spiritual warfare. Today, we're take a bird's eye view of the current landscape across the country, shining a light on the battles we face against the enemy's lies that attempt to normalize the darkness in our lives. Each discussion focuses on a specific article, unpacking the truths that empower us to combat these false narratives. Pray and ask God to break your heart for what breaks his, then be ready to step out in faith being the hands and feet of Jesus. “You can't be everything to everybody but you can be something to somebody.” - Pastor Duane ****SHOW NOTES**** RFK: During Biden Administration, HHS Became A Collaborator In Child Trafficking https://www.realclearpolitics.com/video/2025/04/30/rfk_during_biden_administration_hhs_became_a_collaborator_in_child_trafficking.html Woman Claims Police Chief Dad was Member of Satanic Cult
https://www.infowars.com/posts/woman-claims-police-chief-dad-was-member-of-satanic-cult-they-burned-trafficked-children-and-innocent-animals Meta's AII will ‘Engage in Graphic Sex Talk' with Kids Using Disney Voices https://www.infowars.com/posts/metas-ai-will-engage-in-graphic-sex-talk-with-kids-using-disney-voices Episode 300. | Spiritual Warfare in the Church with Special Guest Craig Sawyer https://youtu.be/64USrK_slqU?si=n7UViSqwQek2zRCi My Pal Satan https://youtu.be/rekZMxlYVcM?si=H_LinRuom7c7xxm2 The Silent Problem of Pornography Use Among Pastors https://www.barna.com/research/pastors-pornography-use/ Micah Beckwith For Indiana post (pedophilia) https://www.facebook.com/share/p/1L2hjEiJXZ/ Pastor Duane's message Be Generous: The Opportunities of Generosity https://www.youtube.com/live/FzPYOOrt41E?si=cVIYB0-81SU0y_Q5&t=1388 ****ALL THINGS FEARLESS**** Support the Podcast —> https://donorbox.org/support_the_podcast Fearless Films —> www.fearlessfeatures.org Get Email Updates! —> https://lp.constantcontactpages.com/su/GAOXeqD/fearlessfeatures

Be sure to subscribe to the STE Podcast & turn on bell notifications for any and all uploads. Try SpeedyCardLister for free with our 100 free scans: https://speedycardlister.aiI also discuss how some have turned everything into a conspiracy, and frankly I don't blame them. Follow us on social media!Kai: https://www.instagram.com/kp2cards/David: https://www.instagram.com/extraordinary_cards/The Shared STE Podcast IG: https://www.instagram.com/soldtooearlypodcast/

AI is transforming how real estate professionals market their business, save time, and boost efficiency. In this special episode, I'm trying something new—bringing you two of my latest YouTube videos, back-to-back, all about ChatGPT, Canva, and AI for real estate!You'll learn: ✅ How to use ChatGPT for listing descriptions, social media, and client follow-up ✅ Canva's AI-powered tools for stunning real estate marketing ✅ AI video editing tools that make content creation a breeze ✅ The power of bulk content creation with Canva's AII also share insights on content repurposing - why putting your content in multiple places (without just spraying it everywhere) is a smart strategy for reaching more people.

Send us a textI opened my email and Mike had sent me an email with a link. The first line of the email said“Here's a first draft of a GM's AI assistant particularly geared to a) Pulp Cthulhu, and b) Masks of Nyarlathotep.”The email went on to explain how to sign up for it and how Mike had already uploaded a ton of information to the AII tentatively followed the links and set up the AI program. I asked it a few game related questions and was impressed by how quickly it came back with the answers.I started by having the program open in the background while running my Masks of Nyarlathotep campaign. Anytime there was a rule question I would type it into the program instead of trying to look it up in the book. I would later go back after the game and confirm what I had done was correct.It was pretty helpful.As I became more comfortable with it I would ask it questions about the specific plot of the game when I found myself struggling with answering a question. It seemed to handle those very well.I even used it to write a descriptive scene for the game when I was struggling to post an after-game report to the group.I had to make some tweaks, but overall it was pretty cool.Fast forward almost a year and I have changed my mind when it comes to AI. You have heard me argue against AI time and time again on this podcast I am back to eat crow.I like it.I use it.It's very helpful.And Mike is giggling right now hearing me say that.On this episode we are going to talk about AI tools, how to use them, what they are good for, and why I was wrong this entire time.Ok Mike, get it over with, tell me you told me so.[Kick to Mike]Almost forgot! Links:Anthropic's Claude 3.5 Sonnet (a better writer than ChatGPT): https://claude.ai/newHugging Face (a place for super nerds to get their own AI models to run locally): https://huggingface.co/CivitAI (a place for super nerds to get their own stable diffusion models for making AI art locally - NSFW Alert!!!): https://civitai.com/·       https://www.artbreeder.com/

Catch the latest episode of the Connect This! Show, with co-hosts Christopher Mitchell (ILSR) and Travis Carter (USI Fiber) joined by regular guests Kim McKinley (TAK Broadband) and Doug Dawson (CCG Consulting) along with special guest Paul Dickinson (Dura-line, Fiber Optic Sensing Association, and Aii) to talk about the future of fiber optic sensing to […]

“Attention is a precious resource…Smart marketers make it easy for those they seek to work with, by helping position the offering in a way that resonates and is memorable.” —Seth Godin, This Is Marketing     As an online course creator, the greatest tool you have to sell your program is copy—and to Seth's point, you want it to resonate, and be memorable.     It's up to us as experts to deliver that copy—and avoid mistakes that will turn our audience off.      Enter master copywriter and my dear friend Megan O'Leary, who has written for Tony Robbins, Bo Eason, Ryan Levesque, and many more, to discuss the most common (and shocking) copywriting mistakes she has seen over the years.      In this episode, you'll learn: ✔️ The biggest copy mistakes to avoid (and how to fix them); ✔️ What makes copy truly resonate with your audience; and ✔️ How to become an indispensable part of any marketing team.   Plus: We're talking about AI's role in copywriting and how to use it without losing your human touch.     This Episode Is Brought to You By Our New Live Course The Conversion Copywriting Playbook, a 30-day live experience to AI-proof yourself and become a persuasive powerhouse of email copywriting.      For you online course creators out there—this course will teach you how to really speak to potential buyers, and give you a leg up on your marketing for 2025.    Megan and I are taking a small group for this founding class. Save your spot on the waitlist HERE (https://coursecreationboutique.com/copywaitlist)!

Tired of creating content that disappears into the the dreaded content graveyard? In today's episode, I'm diving deep into a game-changing perspective on the 80/20 rule of AI content creation - and why most experts are getting it completely wrong in the age of AI. I'm sharing my proven Content to Cash Machine Framework that's helped countless entrepreneurs, including therapist Todd Creager, transform their content from forgotten to flourishing.Here's what you'll discover in this episode of the Profitable Content Creator:The three critical components your AI-generated content needs to actually convert (hint: it's not just about the prompts!)How one therapist's decade-old content is still generating thousands of views monthly using my frameworkThe exact process for turning one piece of quality content into 12 high-performing assets in just 30 minutes using AII'll walk you through a real-life case study of how Todd went from struggling to maintain his practice to building a multiple six-figure income with a waiting list - all while spending less time creating content.Plus, I'll reveal the "secret sauce" that keeps content alive and engaging for years to come.Ready to stop creating content that dies in the digital graveyard?Whether you're a business coach, life coach, healer, or course creator, this episode will show you exactly how to create content that connects, converts, and compounds over time. Tune in now to discover how to make the 80/20 rule work for you in the age of AI!Want to learn more about implementing the Content to Cash Machine framework and AI Content Automations in your business? Learn more and register my next AI Amplifier Masterclass using this link: https://www.kristenpoborskytraining.com/content-amplifier-register  

Aii... een verkoudheid neemt me over. Dat betekent vaak dat het lichaam op de rem trapt... Hmm... ik merk juist dat mijn hoofd het druk heeft: 'Wanneer ga ik werk opbouwen?' 'Wanneer komt mijn wens in vervulling?' 'Hoe gaat het echt met Hyun?' En ik blik terug op hoe het was toen Chloé overleed in vergelijking tot nu... Liefs, Gina Holistisch therapeut Samen met Hyun Moeder van Noé en Tenzin en vier sterrenkindjes Het Be Gentle Mama Miskraam Selfcare Pakket is te bestellen op mijn ⁠website. ⁠ Be Gentle Mama is er voor alle vrouwen die een miskraam of zwangerschapsverlies hebben meegemaakt. Voor wanneer je voelt dat je wat extra steun kunt gebruiken bij je verlies, op zowel fysiek, emotioneel, energetisch als spiritueel niveau. En maak je geen zorgen als je nog geen ervaring hebt met cacao, meditatie, yoni steam of palo santo – ik lood je er met liefde doorheen. Waarom een miskraam selfcare pakket bestellen? Dit miskraam selfcare pakket van Be Gentle Mama is perfect voor vrouwen die bewust in het leven staan en graag wat extra willen doen om met hun verdriet om te gaan. Voel je dat je niet alleen fysiek wil herstellen, maar ook op een diepere laag wil verwerken, loslaten en helen? Dan is dit pakket echt wat voor jou! Het biedt je extra steun en licht in deze verdrietige tijd, en helpt je om een moment van rust te vinden temidden van de storm. Het pakketje, vol liefde, helpt je om bewust bezig te zijn met je herstel, zodat je weer lekker in je vel kunt komen zitten – op je eigen tijd, en op je eigen plek. Gun jezelf dit moment van selfcare en heling.   Voel jij je ook verdrietig en wil je graag bij iemand langskomen? Je kan een afspraak met me maken door me een berichtje te sturen hallo@ginaspierenburg.nl of een gratis kennismaking boeken via mijn ⁠website⁠.

TranscriptThis morning I downloaded and logged into InstagramSomething I haven't done in a month or twoI mostly got off of the platform because I don't really think it's doing good things for humanityThe problem is so many people use itTheir communication and time is used up on itAnd many people have a picture of their reality from itAnd so to not participate is somehow to not exist as a creative personThis is something I've been ruminating on for yearsBut this is just such a short note because what I saw on there this morning, after I made a post about possibly selling some prints to support my schooling, was the two of the most extreme directions that humanity participates in, which are death and birthDeath and birthAnd I saw them in extremely gross expressionsI saw an explosion on a roadwayI saw a giant fireball engulfing cars in a place that I have no idea if I've ever been to or will ever go to or know any of the people or even if it's realBecause it very well and even likely could have been something that an application generatedI don't even like to use the word, but artificial intelligenceIt was probably thatIt probably wasn't even realAnother thing I saw was a video of someone getting slapped so hard that they passed outBut it wasn't only thatIt was an AI-generated image that showed his face collapsing in an unbelievable wayBut it wasn't realBut if someone's just scrolling and they're not paying attention and they see these things, they think, oh, this is realThat just happenedSomething I thought could never happen just happened in front of my very eyesAnd so that's deathThat's actually the death of the human spiritThat is complete collapse and destructivenessBasically to be creating fear through falsehoodAnd then on the other side, I saw a picture of a woman in a dressCould have been AII don't knowI don't know the contextI didn't click on the imageBut she was standing in a shimmery dressAnd so these images..I guess I should add that the dress was very tight-fittingSo basically what I saw was extreme violence and pornographyThat's what is being shown in the algorithmic feed on Instagram that people in general are just being subjected toSo what do we do with that? Well, I reported every single post that I sawIt's not going to change anythingIt's not going to do anythingBut it made me feel better to at least do somethingIn fact, it might make it worseIt only took me about five seconds to do these thingsBut I think it was worth itThe point of this, though, isn't to blame the Instagram platform and the creators for being evil, even though they areEven though the platform is destructive and horrific and terrible and uselessIt's also useful and creative and profound and abundantThe fact is, everything in the world ends up being related to these thingsTo skate along on the surface and believe that these experiences won't touch us is impossibleBut by interacting with the world through a screen, it seems like we can have some distance from the realitiesAnd we can just entertain ourselves by watching them instead of engaging with our livesAnd I think that this is extremely dangerous, and actually more dangerous than being shown violenceI think what's more dangerous is complacency and lack of connection and engagement with life, which is what these platforms really wantThey want you to just feel fear, feel lust, and then not do anything about itJust to consume more fear and more lustThat's the goalBut there's something profound beneath all of this, which is that the reality of fear and desire is inescapable in lifeBut the fact is, we have to be in control of our fears and desiresAnd it doesn't matter what the world shows us or serves us, what the algorithm displays, if we can't keep a center, there's no hopeRight now, it's election day, and the political stratum is basically birth and deathNot a positive form of birth and death, but the most deranged formsIs one better than another? I don't knowIt's all part of a cycleThe cycle doesn't want to endSo, we have to be the endI don't really know what that means, but I'm going to keep engaging with my internal world, with my internal workStaying true to what I know is important and what mattersI'm going to keep focusing on what is beautiful, and what seems powerful to meAnd I won't let my center be swayed by violence and lustThank you for listening. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.walkaround.run

James Adams is the founder of Recdeck.net, the trusted b2b review platform for recruitment. James has worked as an agency recruiter and in start-ups as a People Director and brings tons of insights to this episode:(00:35) intro to James and shifts in the recruitment market(06:30) the purpose of Recdeck, finding trusted recruiters(11:00) how buyers choose a recruitment partner(18:40) establishing standards in recruitment(25:40) growing a b2b review platform and the influence of AII hope you enjoy this episode! Hosted on Acast. See acast.com/privacy for more information.

Pierwszą techniką relaksacyjną, którą się zajmiemy jest lasoterapia! Wybór mocno nieoczywisty, ale dający do myślenia :) Nasz kontakt z naturą jest bardzo ważnym elementem zdrowia zarówno psychicznego jak i fizycznego, który bardzo bagatelizujemy i stanowczo za często zaniedbujemy. Dlaczego jest on tak ważny? Posłuchajcie.  Serdecznie zapraszamy Wojciech Cechowski, Anita Ryszewska- Krakowiak i Fundacja Przywiązanie!Przykładowe badania nad lasoterapią:1. Capaldi, C. A., Dopko, R. L., i Zelenski, J. M. (2014). The relationship between nature connectedness and happiness: A meta-analysis. Frontiers in psychology, 976. 2. Cervinka, R., Röderer, K., i Hefler, E. (2012). Are nature lovers happy? On various indicators of well-being and connectedness with nature. Journal of health psychology, 17(3), 379–388. 3. Chen, H.-T., Yu, C.-P., & Lee, H.-Y. (2018). The effects of forest bathing on stress recovery: Evidence from middle-aged females of Taiwan. Forests, 9(7), 403. 4. Chojecka, A. (2014). Znaczenie terenów zielonych w przestrzeni publicznej oraz ich wpływ na jakość życia miejskiego. Rynek–Społeczeństwo–Kultura, 1(9), 48–54 5. Hassan, A., Tao, J., Li, G., Jiang, M., Aii, L., Zhihui, J., Zongfang, L., i Qibing, C. (2018). Effects of walking in bamboo forest and city environments on brainwave activity in young adults. Evidence-Based Complementary and Alternative Medicine, 2018. 6. Kotera, Y., Lyons, M., Vione, K. C., i Norton, B. (2021). Effect of nature walks on depression and anxiety: A systematic review. Sustainability, 13(7), 4015.Zapraszamy także na nasze social media:Wojtek:https://www.facebook.com/PanodStres/https://www.instagram.com/pan_od_stresu/Anita:https://www.instagram.com/las.timee/https://www.tiktok.com/@anita.ryszewskaFundacja Przywiązanie:https://www.fundacjaprzywiazanie.plhttps://www.facebook.com/FundacjaPrzywiazanieJingiel rozpoczynający - Setuniman - Home time 1N40 na licencji CC - https://freesound.org/s/338377/   

Horror! Medo! Desespero! Pânico! Olha a cobra! Aii! No episódio desta semana comemoramos mais um aniversário do Podcast! E nada melhor que JOÃO CARPINTEIRO como tema base e sua distopia principal: Fuga de Nova Iorque! Aumentem seus iPods porque a décima quinta temporada começa agora! Duração: 99 minutosMédia TD1P: 5 ELENCOAlmightyBruno GunterDemétrius SantosDouglas FrickeShin KoheoEdson […]

In this episode, LiveKit CEO Russ d'Sa explores the critical role of real-time communication infrastructure in the AI revolution. From building voice demos to powering OpenAI's ChatGPT,  he shares insights on technical challenges around building multimodal AI on the web and what new possibilities are opening up.00:00 - Introduction and Background01:34 - The Evolution of AI and Lessons for Founders05:20 - Timelines and Technological Progress10:32 - Overview of LiveKit and Its Impact on AI Development13:39 - Why LiveKit Matters for AI Developers19:08 - Partnership with OpenAI21:25 - Challenges in Streaming and Real-Time Data Transmission30:07 - Building a global network for AI communication37:21 - Real-world applications of LiveKit in AI systems40:55 - Future of AI and the Concept of Abundance43:38 - The Irony of Wealth in an Age of AII hope you enjoy the conversation and if you do, please subscribe!--------------------------------------------------------------------------------------------------------------------------------------------------Humanloop is an Integrated Development Environment for Large Language Models. It enables product teams to develop LLM-based applications that are reliable and scalable. To find out more go to humanloop.com

Unfortunately, most of the media stories about AI are negative, and if that's all somebody sees, it's not surprising they might be hesitant, reluctant, or even scared of using AI at work. And that's a problem for you if you're a leader who wants to use AI effectively in your teams. There's one key thing you can do to overcome this fear - and it doesn't take much.https://swiy.co/go-overcoming-fear-of-aiI've noticed a change in the last year in the attitude of leaders to AI. A year ago, many leaders were yet to be convinced about the value of AI. They were saying things like:“I'll wait and see.”“I'm not quite sure what value it brings.”“I've got too many other things on my plate now.”It wasn't true of everyone, of course. Many leaders and managers saw its potential and were keen to use it - but many didn't. In fact, some of their team members were more excited and enthusiastic about it, and were trying to drag the rest of the team, including their boss, along into this AI future.But now I've noticed most leaders are convinced of the value of AI. Now it's about using AI effectively so it generates value - in improving productivity, enhancing the customer experience, and helping you and your team make better decisions.But are there still people on your team who are dragging their feet? They're not yet convinced, they don't see its value, and they might even be scared by it.If everything they hear about AI is what they hear through the media, unfortunately, most of that is negative. They hear stories about how AI will destroy jobs, how it will disrupt whole industries, and how it will slash wages because people aren't going to be as valuable in the future. And if that's all they hear, it's not surprising they're scared!Unless you engage their minds - and hearts - your AI efforts will fail.So how do you get them on board?There's one key thing that will help you bring people on the AI journey. I'll explain ...You might be convinced of its value. But some people are fearful. To bridge that gap, a simple thing you can do is to help people actually use AI themselves.Many people have still never actually used AI, even though ChatGPT has been available (free!) for almost two years. So they have no practical experience with using it to create real value.Fortunately, this is easy to fix: Give them the basic skills to start using AI themselves - to get quick wins.Even if this is only in their personal life - like writing a wedding speech, planning a holiday to Italy, or generating ideas for a child's birthday party - it doesn't take much for people to start seeing AI in a more positive light.The more they see examples of AI creating value - for them - the less they're likely to be influenced by all the negative stories.So, if you want to create value from AI and bring your people on the journey, educate them - by showing them how to get value from it themselves.For more, join my coming presentation about people-powered AI. It's free and open to all, so register and share it with other leaders in your team and network.Register for the virtual masterclass:https://swiy.co/go-overcoming-fear-of-ai Hosted on Acast. See acast.com/privacy for more information.

Some people are surprised when AI tools like ChatGPT fabricate facts and information. But the problem isn't that AI can "make up" stuff; it's that people don't realise that's possible. When you understand this, you can blend human intelligence and machine creativity to get better results.https://swiy.co/go-creative-aiI was running an AI workshop last week with a business, demonstrating how to use ChatGPT and other AI tools.Some people in the room were surprised (shocked, even!) to discover that ChatGPT sometimes completely makes up information. I explained that's why you always need to double-check and triple-check its facts.But some people think that's a fault in the AI. Surely (they said) if it doesn't know the answer, it's better to say that rather than giving a false answer!That might be true, but there are some times when you want AI to "make things up". For example, if you're:- an author asking AI to help you continue the action in a chapter- a screenwriter writing a screenplay asking AI to help with stage directions- an artists asking AI to crete an image that's never been created beforeBut it's not only in the creative industries.In any organisation, sometimes you want to be more creative, and AI can help. For example:- You're sending an email newsletter to your clients, and you want a creative subject line that encourages people to open the email.- You're creating a new product, and you want a creative name for the product.- You're doing your strategic planning, and you ask AI to act like a time traveller from 2040 looking back at now and describing the future.The problem isn't that AI "makes things up". The problem is that people don't realise it!Sometimes you want it to be completely fact-based, sometimes you want it to be creative, and sometimes it's somewhere in the middle.These AI tools like ChatGPT and Microsoft Copilot and Perplexity are just tools. And like other tools, we use them for a particular purpose, but always with our human intelligence.That's why education is such an important part of building your AI capability.It's about humans and machines working together, which means people need a basic understanding of what AI tools can do. Again, just like any other tool, if you don't know how to use it, you'll use it badly!If you're a leader or a manager, come along to my next online presentation, which is all about putting AI into action. I'll talk about the three levels of building your AI capability - and the first of these is giving your people this basic understanding of the potential of AI.Register for the virtual masterclass:https://swiy.co/go-creative-ai Hosted on Acast. See acast.com/privacy for more information.

Ep.199 Luke Agada is a Nigerian artist living and working in Chicago. His practice examines themes of globalization, migration and cultural dislocation within the framework of a postcolonial world, as he reflects on the African diaspora and its impact on neo-cultural evolution. He obtained an MFA in Painting and drawing at the School of the Art Institute of Chicago in 2023. In recent years, Agada has participated in shows in Lagos, New York, Chicago, Beijing, Accra, Berlin, Casablanca. His work has been featured in several publications including Newcity Magazine, Culture type, The Pinch Journal publication at the University of Memphis, Tennessee, Nigeria Art archives, Juxtapoz, Whitewall. He has also been a recipient of various awards and fellowship including the Global warming international art prize, AII, New Yorkin 2020, Janet and Russell Doubleday Award at The Art Students league of New York in 2022, The Helen Frankenthaler Award in 2022 and The James Nelson Raymond Fellowship Award in 2023. Agada was Resident Fellow at the Massachusetts Museum of Contemporary Art in 2023. He was recently named a 2024 Breakout Artist by NewCity Magazine and is currently a Teaching Fellow at the Painting and Drawing Department at the School of the Art Institute of Chicago, IL.  Photo: Courtesy The Artist and moniquemeloche Chicago, IL.   Artist https://lukeagada.com/ moniquemeloche https://www.moniquemeloche.com/artists/208-luke-agada/biography/ Newcity 2024 https://art.newcity.com/2024/04/02/breakout-artists-2024-chicagos-next-generation-of-image-makers/ Newcity 2023 https://www.newcity.com/2023/10/04/today-in-culture-october-4-2023-report-says-arts-sector-not-so-healthy-equity-jeffs-love-goodman-chicago-is-still-the-best-says-conde-nast-traveler/ School of The Art Institute of Chicago https://sites.saic.edu/gradshow2023/artists/luke-agada/ Culture Type https://www.culturetype.com/2023/10/12/latest-news-in-black-art-luke-agada-joined-monique-meloche-gallery-new-atlanta-art-fair-black-studies-x-art-history-more/ La voce di New York https://lavocedinewyork.com/en/new-york/2023/09/16/luke-agada-arms-feet-and-fitful-dreams-at-monique-meloche-gallery/  Artsy https://www.artsy.net/article/artsy-editorial-6-rising-artists-discovered-galleries-summer-group The Artists Feature https://theartistsfeature.com/features/luke-agada

ไลฟ์#72 : สรุปเล็คเชอร์ The Evolving Narrative of HDL-C หลังจากความล้มเหลวของงานวิจัยยา CSL112 ของบริษัท biotech CSL Behring ซึ่งเป็น Human Apolipoprotein A1 (apolipoprotein สำคัญบน HDL Particle) CSL112 ทำหน้าที่ผลักคอเลสเตอรอลออกจาก macrophage ของ plaque หลอดเลือด (Cholesterol Efflux Enhancer) และส่งเสริมเอ็นไซม์ LCAT ซึ่งหน้าที่สำคัญนี้ของ ApolipoproteinA1 บนผนัง HDL เป็นหน้าที่ที่นักวิจัยให้ความสนใจเป็นอย่างมาก และเป็นความหวังสำคัญในการสร้างกลยุทธ์เพื่อลดความเสี่ยง/รักษาโรคหลอดเลือดหัวใจอุดตันให้ดียิ่งขึ้น งานวิจัยสำคัญที่ล้มเหลวนี้ทำให้ความเข้าใจบทบาทของ HDL เหมือนกลับไปตั้งต้นใหม่ เพราะงานวิจัยสารพัดในอดีตที่ทดสอบการเพิ่มปริมาณคอเลสเตอรอลที่อยู่ใน HDL และทดสอบหน้าที่ของ HDL (functionality of HDL) ต่อการลดความเสี่ยงของโรคหลอดเลือดหัวใจดูเหมือนจะล้มเหลวไปหมด ไม่ว่าจะเป็น Niacin, Fibrate, Gemfibrozil, Hormone Replacement และ CETP inhibitors พี่ปุ๋มโชคดีที่ได้มีโอกาสฟังเล็กเชอร์เรื่อง The Evolving Narrative of HDL-C: Contemporary Insights on Quality vs Quantity for Targeting Cardio Protection เมื่อวันที่ 2 มิ.ย. 2566 จัดโดย National Lipid Association เป็นเล็คเชอร์ที่ดีมาก (กอไก่ล้านตัว) โดยศาสตราจารย์ผู้ทรงคุณวุฒิในด้านโรคหลอดเลือดหัวใจและ Lipidology 3 ท่าน หัวข้อเป็นดังนี้ค่ะ 1. Rethink the HDL Hypothesis: Then and Now โดย Professor Vera A. Bittner MD, MNLA University of Alabama 2. More than a Number: Functional Role of HDL for Atheroprotection โดย Professor Robert S. Rosenson MD, FNLA, Mount Sinai New York 3. Restoring confidence in HDL: Does CEC hold a promising as a potential therapeutic target? โดย Professor Christie M. Ballantyne MD, Baylor College of Medicine, Houston Texas (คนนี้เป็น Editor texbook สำคัญ Clinical Lipidology) แม้เนื้อหามันจะยาก แต่มันก็ท้าทายพี่ในการจะนำมาสรุปเป็นไลฟ์ #72 โพสต์นี้ไฮไลท์ประเด็นสำคัญจากเล็คเชอร์ HDL ที่พี่ได้ฟัง ให้อ่านเป็นน้ำจิ้มกันก่อน 1. HDL Nomenclature: HDL =/= HDL-C แต่เกี่ยวข้องกับขนาดของ particle ความหนาแน่น รูปร่าง ประจุ จำนวน ที่สำคัญมากคือ ประเภทของ Apolipoprotein (AI, AII, CIII, E) โปรตีน มากกว่า 300 ชนิด ไขมัน มากกว่า 300 ชนิด micro RNA ที่อยู่บน HDL Particle ส่งผลต่อหน้าที่ของ HDL ที่แตกต่างกันในคนแต่ละคน (wow!!) 2. ดังนั้น ความเชื่อฝังหัวที่มาจาก Classic Epidemiological Study อย่าง Framingham Study ว่า HDL เป็น good cholesterol การมีระดับ HDL-Cholesterol ที่สูง จะลดความเสี่ยงของโรคหลอดเลือดหัวใจนั้น เราควรจะลืมมันไปได้แล้ว 3. Low HDL-C predicts poor outcomes, high HDL-C is not protective for ASCVD (Atherosclerotic Cardiovascular Disease) 4. เราควรจะมุ่งความสนใจไปที่หน้าที่ของ proteins และ Lipid ที่อยู่บน HDL ซึ่งส่งผลให้ทำหน้าที่แตกต่างกัน ไม่ใช่สนใจปริมาณคอเลสเตอรอลที่อยู่ใน HDL พี่หวังว่าไลฟ์นี้ จะทำให้น้องๆที่มีความเชื่อว่า ไม่ต้องสนใจระดับ LDL-Cholesterol ที่สูง ตราบใดที่ระดับไตรกลีเซอไรด์ต่ำ และระดับ HDL-Cholesterol สูง เพราะ LDL particle จะมีขนาดใหญ่ ไม่เป็นอันตรายต่อหลอดเลือดหัวใจ และ HDL-C ที่สูงจะช่วยปกป้องหัวใจ จะได้เข้าใจเสียใหม่ว่า HDL-C ที่สูงไม่ได้มีฤทธิ์ในการปกป้องหัวใจแต่อย่างใด และ LDL particle size ก็ไม่ได้สำคัญมากไปกว่าจำนวน LDL particle #หาคำตอบสุขภาพจากงานวิจัยไม่ใช่จากเรื่องเล่า#FatOutHealthspans#ApoBgirl

2023年金融市場豐收、內需熱絡，但出口不振影響薪資增長。Yahoo TV風向龍鳳配主持人陳鳳馨指出，2024年的兩大變數：一是美國經濟意外表現，另一個則是中國內需受制於房地產。

Hâdis-i şerîflerde şöyle buyrulmuştur: “Meşru işlerin hangisi olursa olsun, Besmele-i Şerife ile başlanmazsa hayrına ve tamâmına nail olunamaz; o iş bereketsiz kalır.” (Ebû Davûd) “Besmeleyle yenen yemek bereketli olur.” (İbn-i Mace) “Eve girerken Besmele çekilirse, şeytan, “Bu eve girmeme imkân yok” der, dönüp gider.” (Tibyan) “Besmele ile işe başlayanın günâhları af olur.” (İ. Rafii) “Sıkıntıya düşen, “Bismillahirrahmanirrahim ve lâ havle ve lâ kuvvete illâ billahil aliyyil azîm” derse, her türlü sıkıntıdan kurtulur.” (Deylemi) “Besmeleyle yazı yazanın haceti kolaylaşır, Allâhü Teâlâ da razı olur.” (Deylemi) Resûlullâh (s.a.v.): “Bir kimse, üzerinde Besmele yazılmış bulunan bir kâğıdı yerde basılmasın diye Allâhü Teâlâ'ya ta'zim ederek yerden kaldırsa, o kimse Allâhü Teâlâ katında sıddıklardan yazılır. Annesi babası; müşrik olsalar da, azâbları hafifler” (Buhari) buyurmuşlardır. Hz. AIi (r.a.), Besmele indiği zaman Resûlullâh (s.a.v.)'in: “Bu âyet-i kerîme en önce Âdem (a.s.)'a indi. O anda Âdem (a.s.): “Benim ümmetim bunu okumaya devam ettikleri müddetçe azâbdan emindirler” dedi. Sonra Besmele âyeti kaldırılıp İbrahim (a.s.)'a indirildi. İbrahim (a.s.) mancınıkta iken onu okuduğundan Allâhü Teâlâ ateşi ona soğuk ve selâmet üzere kıldı. Sonra yine kaldırılıp Süleyman (a.s.)'a indirildiğinde, melekler: “Ey Allâhü Teâlâ'nın Peygamberi! Allâhü Teâlâ'ya yemin ederiz ki, işte şimdi mülk ve saltanat tamam ve mükemmel oldu” dediler. Sonra yine kaldırılıp, şu anda Allâhü Teâlâ (Besmele'yi) bana indirdi. Kıyâmet Günü'nde ümmetim gelir. Onlar Besmele'yi okur bulunurlar. Amelleri teraziye konulduğu zaman sevâb ve iyilikleri günâhlarından ağır gelir” buyurduklarını bildirmiştir. Resûlullâh (s.a.v): “Siz Besmele'yi kitâblarınıza yazınız, onu yazdığınız zaman dil ile de söyleyiniz” (Buhari) buyurmuşlardır. (Gavs-ı A'zâm Abdülkâdir Geylânî (k.s.), Gunyetü't-Tâlibîn, s.165

Detoxing & Shadow Work with Sabina Kurz | Episode 256 of Witchy Wellness Radio Podcast In this illuminating episode, we delve into the transformative journey of Sabina Kurz, a Radiant Health Specialist. Discover the power of water fasting, juicing, and mono cleansing to heal the mind, body, and soul. Explore the depths of shadow work, emotional mastery, and the path to embodied power and purpose. Sabina shares the profound truth about health that often goes unnoticed and discusses her raw living foods lifestyle. Join us on this enlightening conversation as we embark on the return to wholeness and unlock the keys to radiant health and empowerment. ◽️◽️◽️◽️◽️◽️ This episode will cover: ✅ Water Fasting, Juicing & Mono Cleansing to heal mind, body & soul ✅ Shadow Work & Emotional Mastery ✅ Embodied Power & Purpose ✅ Why true healing is the Return to Wholeness ✅ The no. 1 Truth about Health that most are unaware of ✅ Raw living foods lifestyle & fruits…and so much more! ◽️◽️◽️◽️◽️◽️ MORE ABOUT OUR GUEST: Sabina Kurz been devoted to the path of Radiant Health since the age of 19 after healing herseIf from myriad health issues with natural methods. This path has not just been her passion but a lifestyle. Over the past 6 years Sabina has fasted on water only for about 300 days and guided hundreds through a water fast or juice cleanse. She aIso works with private clients in her mentorship mastery on releasing aII the blocks that are in the way of Radiant Health & Embodied Power so they can experience supreme weIIbeing, wiId freedom and abundance in aII areas. Sabina has studied with the greatest leaders in the fields of Natural HeaIing & Nutrition, Fasting & Detoxing, Raw Living Foods & Fruitarianism, Herbalism, Energy Healing, Earth Wisdom, Divine Feminine Embodiment, Mindset techniques, Conscious Communication, and Self-Empowerment. Sabina is a Radiant Health Specialist & Certified Nutrition Coach. She trusts in the body's innate seIf heaIing mechanism and is supporting others facilItating their own healing and to unlocking the authentic powers within. ◽️◽️◽️◽️◽️◽️ Guest's Links Mentioned: Sabina's WEBSITE: https:/www.sabinakurz.com  Sabina's LINKS: https://www.sabina360.com  Detoxing Guide - prepare for cleanse: https://www.sabina360.com  ◽️◽️◽️◽️◽️◽️ Listen to Witchy Wellness Radio Podcast: YouTube | https://www.youtube.com/@lorencellentani  iTunes | https://tinyurl.com/2e4nec5z  Spotify | https://tinyurl.com/a4wxrfyb  Stitcher | https://tinyurl.com/5n7nvnyp  IHeartRadio | https://tinyurl.com/yc53c5rh  Google Podcasts | https://tinyurl.com/3ycceamw  ◽️◽️◽️◽️◽️◽️ ⬇️ More stuff you should check out ⬇️ **FREE EBOOK: GET CALM & GAIN CLARITY** https://tinyurl.com/gcgcebook  **20% OFF MY TRUSTED CBD BRAND WITH CODE “WITCHY”** https://evohemp.com/  **FREE QUIZ TO USE YOUR ANXIETY TO MANIFEST YOUR DREAMS!** https://www.anxiousquiz.com/  ◽️◽️◽️◽️◽️◽️ SAY HI ON SOCIAL: Website: https://lorencellentani.com/  Loren's Instagram: https://www.instagram.com/lorencellentani/  Witchy Wellness Instagram: https://www.instagram.com/witchywellnessradio  YouTube: https://www.youtube.com/@lorencellentani 

Danno and Kito are back for an engaging chat with two Java Champions, who are co-authors of the Visual Recognition Machine Learning API for Java (JSR #318): Frank Grecko (consultant, enterprise architect, NYJavaSIG chairman), and Zoran Sevarac (AI researcher, creator of Neurograph and CEO and Co-founder of Deep Netts). They dive deep into all things AI with the creation of JSR 318, using Java for machine learning, DeepNets, LLMs, Stack Overflow's OverflowAI, JetBrains' AI Coding Assistant, Stable Diffusion, ChatGPT, OpenJDK Panama Project, Llma 2, Prompt Engineering, Stable Diffusion, Apache Zeppelin, Tensorboard, H2O.aiI, Spark, Deep Java Library. They also touch on JavaOne's resident band, the NullPointers, as well as the evolution of the NYJavaSIG, and much more! We Thank DataDog for sponsoring this podcast! https://www.pubhouse.net/datadog Server Side Java  - Netflix Conductor (https://conductor.netflix.com/) Tools  - AI Coding Assistant - IntelliJ IDEs Plugin | Marketplace (https://plugins.jetbrains.com/plugin/20724-ai-coding-assistant)  - Announcing OverflowAI - Stack Overflow Blog (https://stackoverflow.blog/2023/07/27/announcing-overflowai/) AI/ML  - JSR 381: Visual Recognition (VisRec) Specification (https://www.jcp.org/en/jsr/detail?id=381)  - JavaVisRec · GitHub (https://github.com/JavaVisRec)  - Deep Netts (https://www.deepnetts.com/)    - Community Edition (https://github.com/deepnetts/deepnetts-communityedition)  - Neuroph (https://neuroph.sourceforge.net/) Daniel Hinojosa's (https://github.com/dhinojosa/machine-learning-data-pipelines)  - Jcuda.org: Java bindings for NVIDIA CUDA (http://www.jcuda.org/)   - OpenJDK Panama Project (https://foojay.io/today/project-panama-for-newbies-part-1/)  - Llama 2 - Meta AI (https://ai.meta.com/llama/)  - Prompt Engineering (https://en.wikipedia.org/wiki/Prompt_engineering)  - Stable Diffusion (https://stability.ai/blog/stable-diffusion-public-release)  - Open AI (https://openai.com/)  - Apache Zeppelin (https://zeppelin.apache.org/)  - Tensorboard (https://www.tensorflow.org/tensorboard)  - H2O.ai (https://h2o.ai/)  - Spark (https://spark.apache.org/)  - Deep Java Library (https://djl.ai/)  - Comedian Sarah Silverman sues OpenAI and Meta over copyright infringement (https://nypost.com/2023/07/10/sarah-silverman-sues-openai-and-meta-for-copyright-infringement/) Java Platform  - JDK 21 LTS (https://www.oracle.com/java/technologies/javase/21-relnote-issues.html)    - Record Patterns, Virtual Threads, Pattern matching for switch Picks   - Antora (Kito) (https://antora.org/)  - GitHub - TheoKanning/openai-java: OpenAI API Client in Java (Frank) (https://github.com/TheoKanning/openai-java)  - Apache Groovy (Zoran) (https://groovy-lang.org)  - Worldle - Danno (https://worldle.teuteuf.fr/)  - Java Almanac (Danno) (https://javaalmanac.io/)    - Similar: (https://foojay.io/java-20/)  - Add carets to end of each line in IntelliJ (Danno) (https://www.jetbrains.com/help/idea/multicursor.html#add-carets-to-the-end-of-each-line-in-the-selected-region) Other Pubhouse Network podcasts   - Breaking into Open Source (https://www.pubhouse.net/breaking-into-open-source)  - OffHeap (https://www.javaoffheap.com/)  - Java Pubhouse (https://www.javapubhouse.com/) Events  - NYJavaSIG (https://www.javasig.com/)  - JAX London - Oct 2-5, 2023, London, UK (https://jaxlondon.com/)  - Devoxx Belgium - Oct 2-6, 2023, Antwerp, Belgium (https://devoxx.be/)  - Central Ohio Software Symposium - Sep 29 - Oct 1, 2023 Columbus, OH, USA (https://nofluffjuststuff.com/columbus)  - Northern Virginia Software Symposium - Oct 13-14, 2023, Reston, VA, USA (https://nofluffjuststuff.com/reston)  - Twin Cities Software Symposium - Oct 20-21, Minneapolis, MN, USA  (https://nofluffjuststuff.com/minneapolis) Salt Lake Software Symposium - Nov 3-4, 2023, Salt Lake City, Utah, USA (https://nofluffjuststuff.com/saltlakecity) DevOps Vision December  - Dec 4-6, 2023, Clearwater, FL, USA (https://devopsvision.io/) TechLeader Summit - Dec 6-8, 2023, Clearwater, FL, USA (https://techleadersummit.io/) DevRel Experience - Dec 6-8, 2023, Clearwater, FL, USA (https://devrelexperience.io/) ArchConf December - Dec 11-14, 2023, Clearwater, FL, USA (https://archconf.com/)    

In this episode, Kaitlyn Allen converses with Kurt Kipka, Chief Impact Officer of Apparel Impact Institute (Aii). Kurt manages the growth and longevity of global programs, including Clean by Design – a proven platform for improving the resource efficiency of textile mills in collaboration with multinational brands.  Before joining Aii, he spent three years at the environmental non-profit Natural Resources Defense Council, focusing on developing programs and tools to measure and improve the environmental performance of leading brands and retailers. Additionally, Kurt spent ten years in retail sourcing and has served as chair and active member of several retail industry councils and steering teams.  Join Kaitlyn and Kurt as they explore sustainability in the apparel industry and delve into the associated environmental concerns. Kurt walks us through the science-based approaches that allow Aii to zero in on environmental issues in apparel production, long-term road maps for process efficiencies, the work of the Fashion Climate Fund, and his unique path to a career in sustainability. Unlock the world of sustainability and join the ESG Decoded Podcast community! Make sure to subscribe to be notified of new episodes on your favorite streaming platforms, YouTube, and our social channels (linked below). Get ready for thrilling new episodes that will ignite your passion for positive change. Tune in, engage, and let's decode ESG together! Episode Resource Links Kurt's Linkedin: https://www.linkedin.com/in/kurt-kipka-3551b917/ Aii 2022 Impact Report: https://www.apparelimpactreport.org/ Fashion Climate Fund: https://apparelimpact.org/fashion-climate-fund/ Climate Solutions Portfolio: https://apparelimpact.org/climate-solutions-portfolio/  The Updated Roadmap to Net Zero: https://apparelimpact.org/taking-stock-of-progress-report/

It seems like everyone is suddenly talking about AI, both as a new tool and a threat to humanity (or at least creatives). I have dabbled in ChatGPT and watched a few Photoshop Beta tutorials and see where both can be helpful in my world. This is why I was so excited to have a conversation with two soulful artists, who happen to be photographers, about how we can both use artificial intelligence in photography businesses and rise above any “competition” from the robots.I am so happy to bring you a conversation today with one of my very favorite humans in the whole world, and his equally talented sidekick. My friend, Arthur Rainville has been creating stunning photographs wrapped in intrigue, atmosphere, and romanticism for over 50 years. He's been displayed in museums on 3 continents and has earned the title of “the poet laureate of photography.”Arthur's sidekick is the lovely Toni Marie. She's had a photography business in Iowa since 1982 - the same year I started my business too! Toni Marie is a fine art photographer who also does volume photography. She is a PPA Master Craftsman, and master Artist, has earned way too many awards to list, and loves to share her passion for photography and art with fellow artists.Give this insightful episode of The Profitable Photographer Podcast a listen as Arthur, Toni, and I discuss: - if artificial intelligence has a role in a photography business-the impact AI could have on your photography business-the importance of authentic connections with your clients-the one thing AII will never be able to replaceInterested in learning more from Arthur and Toni Marie? You're in luck! They're hosting an Epiphany Retreat Workshops across the country, starting with one in Atlanta and on Zoom from August 12-14! Next up is Southern California Sept 9 and 10. To register, visit this link: Epiphanyphotoretreat.com You can also connect with Arthur by email at rainfoto@aol.com, and with Toni Marie at phototmj@aol.com.Photography Business Coach Luci Dumas' Programs and Contact Info:lucidumascoaching.comluci@lucidumas.comhttps://www.instagram.com/theprofitablephotographer_pod/https://www.facebook.com/LuciDumasCoachinghttps://www.youtube.com/channel/UCut3Qk6t6Z2DUJYEYGSCfKA

In this Allergy, Immunology, and Inflammation Assembly podcast, we share a recording of the webinar entitled “The New Longitudinal Knowledge Assessment (LKA): ABIM updates for Physicians Certified in Pulmonary Disease, Critical Care Medicine, and Sleep Medicine” that was moderated by Dr. Michelle Manni. During this webinar, Florence Mickens, JD, who serves as the Program Operations Manager for the American Board of Internal Medicine, discusses the LKA and ways to maintain certification for pulmonary disease, critical care medicine, sleep medicine and internal medicine as well as accommodations that have been made during the Covid pandemic. Drs. Laura Evans, Lynn Tanoue, and Jose Gomez-Villalobos join the conversation as discussants. 

Il 95% degli utenti di IRL erano fake. La chiusura di Stitcher. Il GameBoy di guerra. Aziende europee contro AI act. Gli LLM senza censure. Reddit il giorno dopo. Queste e molte altre le notizie tech commentate nella puntata d questa settimana.Dallo studio distribuito di digitalia: Franco Solerio, Michele Di MaioProduttori esecutivi:Andrea Scarpellini, Giuseppe Benedetti, Nicola Bisceglie, Andrea Malesani, Danny Manzini, Riccardo Peruzzini, Paolo Boschetti, Diego Venturin, Roberto Esposito, Michele Olivieri, Matteo Faccio, Davide Fogliarini, Mario Cervai, Antonio Turdo (Thingyy), Christian Fabiani, Alex Ordiner, Elisa Emaldi - Marco Crosa, Marcello Piliego, Marco Mandia, Adriano Guarino, Ivan Vannicelli, Mirto Tondini, Stefano Augusto Innocenti, Roberto Tarzia, Matteo Molinari, Michele Coiro, Christian A Marca, Zambianchi Marco Francesco Mauro, Yoandi Herrera, Yoandi Herrera, Maurizio Galluzzo, ---, Diego Donati, Davide Tinti, Manuel Zavatta, Nicola Gabriele D., Capitan Harlock, Nicola Fort, daxda, Fiorenzo PillaSponsor:Squarespace.com - utilizzate il codice coupon "DIGITALIA" per avere il 10% di sconto sul costo dell'abbonamento.Links:Apple's market cap hits $3 trillion once againUncensored Chatbots Provoke a Fracas Over Free SpeechTwitter is DDOSing itselfLa sfida Musk-Zuckerberg dentro il Colosseo? : Se fanno beneficenza...Linda Yaccarino's vision for Twitter 2.0 emergesAI-Generated Books of Nonsense Are All Over Amazon's Bestseller ListsEuropean companies: "AI Act could jeopardise technological sovereignty"At least one big third-party Reddit iOS app will live onWho killed Google Reader?Reddit protest plunges user engagement, site activityHumans may be more likely to believe disinformation generated by AII consider myself a patient person, but 'The Password Game' might break meValve is reportedly banning games featuring AI generated contentThe iconic Gulf War Nintendo Game Boy is heading into retirementIt looks like Google might be giving Waze the Nest treatmentThe case for a digital euroPicks up where he left off with RPG he started almost 40 years ago on a C=64ChatGPT si fa imbrogliare e regala codici Windows 11 ProNASA is creating a ChatGPT-like assistant for astronautsSTITCHER FAREWELL — Stitcher Help CenterLet's welcome Meta, not block themRabbit Hole, quando la serie tv diventa un bagno di realtàSocial app IRL to shut down after admitting 95% of its users were fakeGingilli del giorno: Rate Your MusicThe Deep SeaSupporta Digitalia, diventa produttore esecutivo.

10am-11am AII call on Minister Carroll McNeill to make good on her promise of savings for policy holders  Connacht Tribune Headlines  Tributes paid as Margaret McDonagh, key New Labour figure, dies aged 61  Athenry Cancer Care celebrate 20 years in existence on Saturday  ‘Galway Talks with Keith Finnegan' broadcasts every weekday morning from 9am on Galway Bay FM

Emily Cutler is a writer/producer known for Community, A.P. Bio, Fresh off the Boat, and The Michael J. Fox Show. Join Michael Jamin and Emily Cutler as they dive into her history as a stand-up comedian, improv actor, writer, and Co-Executive Producer.Show NotesEmily Cutler on IMDB - https://www.imdb.com/name/nm0193915/Emily Cutler on Twitter - https://twitter.com/cutleremilyFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAutomated TranscriptsEmily Cutler (00:00:00):You have to start from a place of, I'm really passionate about this. You know, a lot of times before a season when you go to sell something, you'll say, what are they looking for? Well, this network is looking for family, and this one wants workplace, and this one wants, you know, and so you try to go, okay, well, what do I ha? But you still have to come from some seed of something that makes you giggle or something that inspires you, or it's just gonna be flat, it's not gonna be good or original.Michael Jamin (00:00:25):You're listening to Screenwriters. Need to Hear This with Michael Jamin.Michael Jamin (00:00:33):Hello everyone, it's Michael Jamin. Welcome to another episode of Screenwriters. Need to hear this. I got another fantastic guest today. I'm starting to think that my listeners don't deserve me because I have so many great people on this podcast. And my next guest is no exception. Emily Cutler, all Bribery. Welcome. So let me go through your,Emily Cutler (00:00:52):Hello,Michael Jamin (00:00:53):Let me go through you from your credit so people know who you are. Just to refresh their me my memory. Okay. As well as you know, the people listening. So Emily has written for, I'm gonna just blow through some of your credits. They're really pretty impressive. Zoe. we we're gonna start with the start with the beginning. Zoe Duncan, Jack and Jane. Rude Awakening. Good Girls. Don't, I don't know how you got that one. Less than Perfect. That's a pretty good, pretty good show. Love Inc. Blue Collar tv, far Poolers, community Free Agents, atory, how to Live with Your Parents. The Michael J. Fox Show growing up, Fisher The Odd Couple. This is the one with Jack Klugman. No, not that one.Emily Cutler (00:01:35):? No. Tony Randall. It was, yeah. Yes, it wasMichael Jamin (00:01:39):AP Bio Bio and Fresh Off the Boat. You have a lot of, do you take your jobs based on the location of, you have a lot of jobs at with locations in them?Emily Cutler (00:01:49):No. And Oh, I thought you meant the location of where you're actually doing the writing in thatMichael Jamin (00:01:54):Case. Oh, no, we all do that. Emily Cutler (00:01:56):Closer to my house. Yeah.Michael Jamin (00:01:58):Yeah. Close to your house. So, man, thank you so much, Emily. Let's just start at the beginning, because you started as actually as an actor and you were, you were a local celebrity in la That's when I first found out about you. You were the host of Nine LineEmily Cutler (00:02:12):.Michael Jamin (00:02:13):You were started as aEmily Cutler (00:02:14):Comic Nine Line, which was a, a tiny ridiculous little show, interstitial show that came on between the Mory PO Show and the Jerry Springer show. I popped in and did a little terrible comedy,Michael Jamin (00:02:25):But we all knew about you. And you, so you started as a standup, right?Emily Cutler (00:02:29):A little bit. I was a very, I dated a lot of standups, so I did a tiny bit of standup, but I spent a lot of time in the clubs watching standups. Yes.Michael Jamin (00:02:38):But then how would you,Emily Cutler (00:02:39):About myself,Michael Jamin (00:02:40):So that, what was your goal then? Like when you moved out to la what was your goal? Did be a writer, an actor, or what? Standup No,Emily Cutler (00:02:46):Acting. Acting. I was an actor. I was on a, you may have seen me as the driving instructor on Beverly Hills. 9 0 2 10, the firstMichael Jamin (00:02:54):One. Now I, now I know the first one of those. The first one, . And then what made you decide to transition to, to writing?Emily Cutler (00:03:02):Well, it was really one of those things where I've, I've written all my life, I've written little books and songs and movies, just constantly writing. And so I decided I'll just write in my downtime from acting mm-hmm. . And as you know, you have an enormous amount of downtime from acting. So it, it, the writing just sort of took off and the acting was kind of, you know, it was not as fun. So I kept with the writing. Oh,Michael Jamin (00:03:26):Because the, the acting wasn't as fun in terms of waiting to get a job, you mean, or no. Did you Yes. What was notEmily Cutler (00:03:32):Fun? Going years without a job? Yes.Michael Jamin (00:03:34):Or, or was it just like being, like, is, was the acting not fun or like, the process of getting jobs not fun?Emily Cutler (00:03:41):The process of getting jobs. Right. The acting is great. I mean, it's just the, the business of acting is, you know, not for the faint of heart. And I was writing and it seemed to be taking off, and I enjoyed it so much. I figured why not do that? And then I don't have to lose, you know, 30 pounds and go to auditions in horrible heat andMichael Jamin (00:04:03):All that kinda stuff. Yeah. Came the ass. And then how did you, so how did you transition to getting your first gig? Like how did that work?Emily Cutler (00:04:09):I was doing a show, an improv show called The Dysfunctional Show at a little theater in Hollywood. AndMichael Jamin (00:04:17):Producers with aEmily Cutler (00:04:17):Comedy show and asked me and one other person Yeah. Okay. In, in in Hollywood and, and produced a lot of people came to see it. It was a very funny show. And they, they said, would you and one other guy who was the friend of mine in the show, like to write a pilot Oh, wow. For Brandon Tartikoff. Years and years ago, it was a, a funny pilot spoofing spoofing. It, it's about a, a network news host that, like a, a Ted Bull who falls on hard times and winds up getting a job in a small town. It's the only job he can get. And so and, and the lead in that actually was Matthew Perry's father, John Bennett Perry.Michael Jamin (00:04:59):Wait, so a little bit, I'm sorry. So they actually produced thisEmily Cutler (00:05:01):Pilot? Yeah, they made the pilot. It was a lot of comedians. It was very it wasn't like a, like a, it was more, it was a comedy sketch sort of show. It wasn't a sitcom or anything like that. And then from there, I wrote a movie for Jason Alexander, who I had met in the Dysfunctional show, which didn't end up getting made, but I got an agent from that. So it was a lot of sort of acting moments. This is pretty impressive. That led me into,Michael Jamin (00:05:34):So even, how did you get these industry types to sh I think so to show up to your, to your, you know, show your little, what was like a, it was like a 99 se seaEmily Cutler (00:05:41):Theater. It was a, it was a really tiny show, but all the people in it, it was Improvd, it was basically on a huge show. But Improvd and we were making fun of talk shows. And so a lot of comedians who were in the clubs would just stop by because it's, you know, for an hour and play a character on a panel. And you know, let's see. It was Bob Odenkirk, David Cross, Warren Hutcherson, Brian Regan. I mean, there was a, just a ton of comics who showed up to do this. Wow. And I think Jason Alexander knew someone in the show, and he was, he was a guest in the show. It was different every week cuz it was like a talk show. So different subject every week. And then you'd kind of get a character and then it was just improvd from there.Michael Jamin (00:06:22):See, you just made a really good case.Emily Cutler (00:06:24):It was just good exposure.Michael Jamin (00:06:26):It's because people ask me all the time, all, and I mean this, I know it sounds like I'm saying this, but like, like, do I have to move to Hollywood to make it in Hollywood? And like, you just made a really good case for like Yeah. Because this is where it is. You know, you have to put yourself out there. Or do you disagree now?Emily Cutler (00:06:42):And I think that as a, as a writer, no, I completely agree. I think you have to be, it doesn't mean if you're a film writer and you wanna write a film in some other part of the country, eventually you will have to come here to have meetings or, I mean, now with Zoom, maybe it's not as difficult, but you just wanna be around people. You wanna meet people that can either help you or advise you or influence you in some positive way. And so I would say if you're really serious about writing for TV and film, you should think about coming to LA for a while. Maybe not forever, but for a while.Michael Jamin (00:07:15):Right. For sure. And yeah. And you, now you, so you've been here, you've been here, what, when you right after college, you moved, you moved here, right? Or did you do something before?Emily Cutler (00:07:22):Oh my God, I, no, I went to New York first. I went to New York cuz I was gonna be a serious theater actress. Really? And then I quickly gave that up and, and came toMichael Jamin (00:07:30):LA Yeah. But why, what was that like?Emily Cutler (00:07:32):Well, I came to act, I was kind of like theaters, tons of people in LA and I wound up getting an agent, a musical agent. I had to sting for them. And they said, come out to la we need funny women. Yeah. And so I came out and then just never left.Michael Jamin (00:07:50):And funny women are in demand. I'mEmily Cutler (00:07:51):Contemplating leaving there, there are funny women. I heard there weren't any Yes.Michael Jamin (00:07:57):No, but I'm saying they're, they're in demand. Sar I mean, like, if you're a funny woman, you'll work, you'll, you know, show yourself.Emily Cutler (00:08:03):There are a lot of fu funny women. There are a lot of funny women who don't work. They're funny women who do work, but they're an enormous amount of funny women. Yes.Michael Jamin (00:08:11):Yeah. And so, wait, did you, at some point, were you joking? Did you want to turn around and and leave LAEmily Cutler (00:08:16):No, I'm, I'm thinking about that now because A, we have a strike coming and b I wanna live in an enormous house with just a staff of people to wait on me hand in foot. So I figure I'll go to a small town and just buy a small town. AndMichael Jamin (00:08:31):Where would you go, how that goes? I know you're, I know you're, I know you're being facetious, but where, I don'tEmily Cutler (00:08:36):Know. That's why I never go anywhere. I, you don't, I do, I think, you know, after my kids to college, where could I settle down that wouldn't be as, you know, wouldn't be a big city. And I'd have my neighbors and I would be close friends and we'd all get together at barbecue and walk down to a beach and there'd be no crime and all of this. And then I realized there isn't that place. Or if there is, I don't know what it is.Michael Jamin (00:09:03):So that's lazy. You're not going any further than that. You're not really isEmily Cutler (00:09:06):Too lazy. Cause then I'd have to move. I'd have to call people.Michael Jamin (00:09:09):I'm, I'm trying to figure out. No,Emily Cutler (00:09:11):I, I I, I, I, I don't need, I don't think I'm leaving my house. Oh, okay. No, I'm not serious. I, I, I could leave Uhhuh , but it would require paperwork and phone calls and faxing and, you know, does your husband,Michael Jamin (00:09:25):Does your husband feel the sameEmily Cutler (00:09:26):Way talking to others? And I just can't do any of that.Michael Jamin (00:09:29):Does your husband feel the same way? MyEmily Cutler (00:09:30):Husband was born and Ray will never, never leave.Michael Jamin (00:09:35):He'll never leave forever. Right. So he loves it here. Okay. Okay. Now, but you're in Angelo now you're saying I,Emily Cutler (00:09:40):I'm seriously doubting itMichael Jamin (00:09:42):Now. I wanna know I guess of all your credits, maybe the, maybe the highest, you've had some high profile shows, but maybe the most beloved one is community. What do you think is that the one people wanna know about?Emily Cutler (00:09:52):Probably tell us. People are obsessed with that show and they're still obsessed much. I mean, I know it's airing now. It was on Netflix for a while. I wonder if it's still on Netflix. I and it's on the planes. It's on people are, are very we have great fans for community. Yeah. AndMichael Jamin (00:10:09):What was it like working on that show? Because it seems really hard. So it's a hard show to write for. It seems.Emily Cutler (00:10:14):It was a wonderful and nightmarish pool of madness and joy. It was Why the best of times and the worst of times. Well, the show creatively was absolutely wonderful. There was a lot of freedom. The characters were great, the actors were great. The writers were great. Dan Harmon, who was running the show was incredibly brilliant and interesting and strange. The hours were insane. And I had two young, young children at the time, and I was often there overnight. You know, I had my toothbrush and blankets in an office. So that wasn't ideal. if you're a parent or if you have a, a life outside of the show.Michael Jamin (00:10:58):But why was it, what, what was, was he taught? Who was someone tossing on scripts? Were they, what was, why was it so late?Emily Cutler (00:11:05):Have you been on, have you not been on a show where you've had hours like that?Michael Jamin (00:11:09):It's notEmily Cutler (00:11:10):YourMichael Jamin (00:11:11):Not real, like just shoot me. We would work. We had a couple nights where we worked till four in the morning. But that's only cuz like, there was something blew up. There was a script was, you know, thrown out. Right? OfEmily Cutler (00:11:19):Course. OfMichael Jamin (00:11:20):Course. But it wasn't a regular day and it'sEmily Cutler (00:11:21):Normal to stay late sometimes. This was, I think that not all artists are good at running a show are good at time management and managing. I think that's a different skillset. And Dan Harmon was really brilliant at writing and creating and everything except time management and not overthinking things and really understanding to respect other people's time. I think you would say that as well. Yes. SeeMichael Jamin (00:11:55):That's the thing.Emily Cutler (00:11:56):You're kinda in his mind. You're in the showrunner's mind when you're on a show. And if it's really messy in there and disorganized Yeah. The show will be too.Michael Jamin (00:12:05):People don't realize that is that no one becomes a, a commentator cuz they want go into management. They become comment commenters so they don't have to go into management. Yes. Then they get a job where they're running, they're managing people and it's a different skillset. AndEmily Cutler (00:12:18):Yes. And a lot of people, I have talked to writers when I say, do you want your own show? They say, I wanna write my own show and I wanna see it happen. But the thought of having to do that massive amount of work mm-hmm. in meetings and executives and storyboards. It's just, it's can be really overwhelming. It's not the writing part that you signed up for. It's a whole different thing.Michael Jamin (00:12:39):Even the writing part is a i people say I wanna be a show winner. You're saying that only cuz you don't know what a show winner does. Right. You know? Yeah. It's it's funny, I had Steven Kel on a while ago. He kind of said the same thing. He was like, you know, it's, you're, it's tankless comes the show. It's, and yeah. Yeah. I we were, same thing when we were running shows before we started running shows. It's like, I could do this and then you do it like, oh my god, what did I sign up for?Emily Cutler (00:13:04):And why do I want to do this? The fun part is being in the writer's room and creating things. And I don't wanna be, you knowMichael Jamin (00:13:10):Yeah. FiguringEmily Cutler (00:13:10):Out what type of ice cube you're gonna use in this scene. I mean, there's, you know, some people love that, but it is a different, I wouldn't say that writers necessarily naturally have that skillset.Michael Jamin (00:13:22):Yeah. And, and so, okay. So that's a good enough reason to be, that's bad for morale too. Yes. Especially when you got two kids. You wanna be home, you don't wanna live there.Emily Cutler (00:13:32):But also, if it's a show I created, I'm much more likely to wanna get into the minutiae of things and do that job. I, I never understand what a showrunner takes over a show that they didn't create. Mm-Hmm. , maybe they don't even love the show, but they take the job and just do such a massive amount of work for something that's not reallyMichael Jamin (00:13:50):Yeah.Emily Cutler (00:13:51):Giving them the joy or satisfaction of their own creation.Michael Jamin (00:13:55):And then what then was like maybe your favorite show that you just loved every second of being on and often it's not the most often, it's not the show, the people we even heard of.Emily Cutler (00:14:05):No, I I had a phenomenal time writing for Blue Collar tv, which was a sketch comedy show for Jeff Foxworthy and Bill Engal and Larry the cable guy. Right. all whose politics I do not agree with. However writing for it, it was just hilarious. I mean, it's wonderful if you, if you enjoy writing sketches, greatest group of people. We were all starting out and never done anything before. And we, we got to go down to Atlanta and produce it and see what people responded to and what they didn't. Different kinds of comedy. And it was just fun and silly. It was silly. We got to be silly, you know, all day.Michael Jamin (00:14:44):But then tell me about writing than sketches because you need a whole separate packet you didn't make. Yes. It's a whole different skillset. Like,Emily Cutler (00:14:51):It's completely different. But I came up doing that as an actor with friends. We did a lot of sketch comedy and we wrote for sketch comedy groups. So that was in my wheelhouse. And also, it's not as, it's not as daunting. It's not 30 pages, it's not 50 pages. It's like, Hey, I just have to write three funny pages that have a beginning, middle, and an end. I can do that. You know, but it's,Michael Jamin (00:15:13):When you're, it's all premise. You have to come up with a premise that's funny on its own. The, the one liner has to be, and, and then you have to establish these characters in 30, not even, whatever, 15 seconds and then go, you know. And alsoEmily Cutler (00:15:26):I'm kind of picky. Like, I don't like sketches that just ramble. Like when you have a funny character that has some kind of catchphrase mm-hmm. , it's not enough of a sketch for me to just have that funny character say that catchphrase over and over and everyone like, like I really do believe in building a little story and having it end in a satisfying way. So that, that is challenging. DoMichael Jamin (00:15:45):You do any sketch writing still?Emily Cutler (00:15:48):Oh God, I haven't done it in years.Michael Jamin (00:15:50):No, I haven't done it in years. So what is, is it your main Yeah. Narrative sitcoms. Are you, are you doing dramas as well? What are you doing?Emily Cutler (00:15:57):No, mostly sitcoms. A lot of single camera half hours. Mm-Hmm. .Michael Jamin (00:16:03):Do you prefer that for any reason?Emily Cutler (00:16:06):I always multi camera. I, I always prefer the one. I'm not doing . Yes. Whichever one I'm doing. I say, well, it's just cuz I'm doing this kind. I should go back to multi cams cuz I love them. And then I work on Multicam and go, why am I doing this? I should be writing a single cam.Michael Jamin (00:16:18):Yeah. Yeah. I think it's so funny. I mean, I feel the same exact way and I think we all do. I think it's like, eh, you know, when I, same thing with animation, I'd rather do live action. Whatever you're not doing is what you .Emily Cutler (00:16:29):I've never done animation though. I'm almost scared of it because it's so you can do so much. There's no, not as much structure. You can kind of just think outside the box, which I think is wonderful. But I'm also terrified.Michael Jamin (00:16:41):Take comfort knowing that it's not Writer's Guild. So , it's never covered by the Writer's Guild. So you'll make less money.Emily Cutler (00:16:48):So, so Simpsons and Family Guy, those shows must be, wellMichael Jamin (00:16:52):Simpsons and King of the Hill are, but the King of Hill didn't start as an writer's guild. But now whenever you sign, we've sold a bunch of animated shows and it's never writer. They, it's like it's a deal breaker. Nope. It's Aii. And so that'sEmily Cutler (00:17:07):So crazy because it's so much writing and so much work mm-hmm. Michael Jamin (00:17:10):Because,Emily Cutler (00:17:11):And so much thought goes into itMichael Jamin (00:17:12):Seems illegal to me because they can, the studios get to choose which guild, which you can be covered by Aii or Writers Guild. And you always choose writers guild, but they say II cuz you, they can pay you left. It's like, well how is that legal? I don't understand what,Emily Cutler (00:17:24):That doesn't seem fair. Yeah. You know what we should do Michael? We should go on strike.Michael Jamin (00:17:28):When, how about May 1st? What when you are you, I guess you're doing a lot of development now. Is that what you're, is that what your focus is on? What are you Yes. What are you up to? Yeah,Emily Cutler (00:17:37):I'm doing a some pilots. I have a pilot that I wrote with another person that's floating around. I have a pilot I just finished that's floating around. I have a pilot I'm supposed to do for that I haven't even pitched yet. And we're supposed to go on strike soon, soMichael Jamin (00:17:53):Sit backwards. Really. But when you say floating around, you mean you've written the script first and you're trying to sell it or what?Emily Cutler (00:17:58):Yes.Michael Jamin (00:17:59):Yes. And you like, you like doing that because usually we don'tEmily Cutler (00:18:01):Do that. Oh, the two that are floating around, then I have some that I'm supervising. No, I don't like doing that. It depends on if I have a, an idea that I feel I need to execute for someone to really get what it is, then I'll write it myself. But I'd much rather gee, I don't know, be paid to write it.Michael Jamin (00:18:20):So write to pitch it. Yes. And then you're supervis cuz even supervising. I'm not crazy about doing, but you're doing. ItEmily Cutler (00:18:25):Depends. I only supervise if it's a project that comes to me that I really, really love and can't say no to. Other than that I don't, I get offered a lot of jobs of, well you supervise this show about a young, you know, Chinese woman who has a dumpling factory and whatever crazy thing I get. Unless it's something that I go, that's hilarious, I wanna be a part of it. I just don't do it.Michael Jamin (00:18:51):And who, how are these coming to you through your agent?Emily Cutler (00:18:54):Random ways. Yeah. They kind of float to me through my agent or, or a writer will call me and say, I'm working on something. Would you be willing to supervise? You know, stuff like that.Michael Jamin (00:19:02):Oh, like a writer that you've, a young writer you've worked with in the past, you mean? Mm-Hmm. . Yeah. Interesting, interesting. Yeah, because yeah, that's the thing. Go taking an idea out rather take the idea out than than, yeah. It's hard. It's hard out there.Emily Cutler (00:19:17):It is hard. And the thing is, and I it's, it's hard for writers who are, you know, a a lot are very introverted, is you have to sell something in a room to people mm-hmm. , which means you have to kind of come out of your shell a little bit and do a performance, a stale. And again, that's another skillset that I imagine as a lot of writers have to learn, you know. ButMichael Jamin (00:19:43):I imagine as an actor, that part probably comes easy to you.Emily Cutler (00:19:45):That is easy to me. And it's fun. I I like doing it. I don't mind doing it. Even when you get a very bad audience of people just not laughing and staring at you as if you've offended them and they hate you. Uhhuh I don't mind doing that. But there are a lot of writers who just, it's terrifying and they don't like it. And it's a whole new skill they have to learn, you know? Yeah. And be be warned before you move out to LA that if you wanna sell ideas to people, you will become a, a bit of a salesman and have to do a sales pitch. Mm-Hmm. .Michael Jamin (00:20:16):Now I'm skipping around here a little bit cause I have a lot of questions when I ask you, but when you, when you did the odd couple, you were briefing, is that the right word? A a show that's been on, there's been multiple variations of that show. Yes. And so what was that like? You know, actually he worked with yeah. What was that? Gary Marshall with Gary Marshall. He was in the room a lot, a little,Emily Cutler (00:20:36):He came to every taping. He came to the room for a while and then, I mean, he would just show up whenever he felt like it. But I think he came to every taping. He was wonderful. It was fascinating to sit with him and, and hear about his experiences because he's, well, so he would sit Hollywood, he would sitMichael Jamin (00:20:53):In the writer'sEmily Cutler (00:20:53):Room. Yeah. Yeah. And every time I saw him I would give him a kiss on the cheek. But I gave him a kiss every time I felt it was something I had to do.Michael Jamin (00:21:01):I mean, we grew up with all those shows. I mean, yes. I mean, was that, I mean, that's just such an honor, but did he give notes or was he just like, ah, holding courtEmily Cutler (00:21:10):A little bit of giving? No, he took it seriously. He wasn't there just for the hell of it. He, he took it seriously and he listened to all the jokes and he commented on things. But he didn't he didn't get in the way of anything. He wasn't in the writer's room that much. But he would send in jokes sometimes for scripts that he'd read, he'd sendMichael Jamin (00:21:29):In his pictures. Oh, really? Yeah. What's, what kind of story do you remember? Like what kind of stories? What was it like when he was in the room?Emily Cutler (00:21:36):His stories were a little more broad. They were of a different time. Sometimes it would be like a monkey gets loose in the apartment and both guys have to go and find who's gonna take the monkey. And you're like, well, maybe not that.Michael Jamin (00:21:49):But how do you say no to him? How do you say no to Gary Marshall? When did he,Emily Cutler (00:21:52):I don't think you do. I think you just say That's interesting. Yeah. We were thinking about this and he was very collaborative. Uhhuh . I mean, he didn't, there was no ego there that I saw. He was just happy to be there and be around writers and have the odd couple coming alive yet again.Michael Jamin (00:22:07):But, but I actually, what I really meant was like, did he, he must have told stories from his past, like, you know, working with I dunno, the Fonz or whatever.Emily Cutler (00:22:15):. Yes. And he also gave, this was a lesson I took from him that I will never forget. He said, don't make your work your life. Have a life uhhuh and work. And don't just work. Don't just, did you read,Michael Jamin (00:22:29):Did you read his book? Wake Me When It's funny.Emily Cutler (00:22:32):I remember. No, I never did. I never did. Oh,Michael Jamin (00:22:34):I remember reading that just before I was breaking into the business and it was just so, it was like, ah, I wanna work in that business. Like, it makes you wanna work in Hollywood. So, so it's like lovely. Yeah. But he tells a story, I think it was on the, the odd couple. They couldn't make a scene funny. Like he was like, it is missing something. So like, they give, like, I think the solution I'm getting, I'm sure I'm getting this, the character wrong, but it was like they, they gave Felix a big spoon or something, . He was like, give him a big spoon. And then it was funny.Emily Cutler (00:23:01):And, and also well yes, I think he told that story in the room too. give someone a prop. And often I think we did maybe give Matthew Perry a prop here and there to Uhhuh give him something to do. , didMichael Jamin (00:23:13):You guys watch, I mean we all saw the odd couple, but did you go back through old episodes and go, you know what, we can,Emily Cutler (00:23:19):We can do this again. I'd seen a lot of them. I'd seen a lot of them. I mean the premise is really about the two guys. About two mis mismatched roommates and how they get along in the world. So yeah, you can do that a variety of different ways. I was surprised, you know, when Matthew Perry wanted to play Oscar because I had sort of seen him in ay way. Yeah. But he wanted to playMichael Jamin (00:23:40):Oscar. Maybe that's why. And so what was it like working with him off of friends when he was at this biggest star in the, in the world?Emily Cutler (00:23:46):No, he wasn't right off of friends. Many, many years had gone by.Michael Jamin (00:23:50):Oh, was it?Emily Cutler (00:23:51):It was a learning experience. Oh. you know I've also worked with Chevy Chase. Yes. And these wereMichael Jamin (00:24:03):Difficult to have actors, , what were the subjects?Emily Cutler (00:24:07):These are guys who have super, super talented, amazing comic timing. Mm-Hmm. But maybe have not taken the best care of themselves so they're not able to do what they once were able to do. So that is always sad when you see that happen. And it was just challenging to work with Matthew cuz he was not in the best at his best. He, I mean at hisMichael Jamin (00:24:30):Best he would probably, he's probably come out and said that a million times over since then. He saidEmily Cutler (00:24:34):That in his book. He apologized to the odd couple writers in his book.Michael Jamin (00:24:37):Oh, did he? HeEmily Cutler (00:24:38):Did interest. Wow. Because it was kind of, it was a little bit weekend at Bernie's.Michael Jamin (00:24:42):Yeah.Emily Cutler (00:24:43):So .Michael Jamin (00:24:44):Oh wow. JustEmily Cutler (00:24:45):Keeping him, him going.Michael Jamin (00:24:47):And he was an executive producer on the show.Emily Cutler (00:24:49):He was.Michael Jamin (00:24:50):Yes. A lot of people don't understand and that, and I, and I think you can count me as one of them. Like what more control, when an actor is an executive producer, they have more control, but to be honest, they have the same amount of control. Even when they're not, you can't force them to say something.Emily Cutler (00:25:05):Right.Michael Jamin (00:25:07):So you, you explain it to me.Emily Cutler (00:25:09):I also don't, when a, when an actor is an executive producer, it means they can see the cuts. Right. And they can say, cut, cut this joke or put this in and Right. Again, I don't know. That's that their strongest skillset. Right. Their, so I never think it's super helpful. There are some that are very smart and that mm-hmm. But I generally would leave that to the people who know more about that and leave the acting to the actors. Yeah. Generally would be my preference.Michael Jamin (00:25:35):Have you done, have you directed or have you, do you aspire to direct at all?Emily Cutler (00:25:39):Not at all. It's the strangest thing. Cuz I think I'm a bossy person. Uhhuh. . And I do, when I'm on set, know exactly what I want, but I'm not I don't think I'm visual enough to know exactly what a shot should look like. And then this, I just like the acting. I like working with the actors. That's what I like to do. So camera stuff is not myMichael Jamin (00:26:01):So you do that a lot. Are you often the writer on set?Emily Cutler (00:26:04):Yes. I enjoy being the writer on set. I feel like I can speak the language of an actor. So it's yes, and it's fun. And there's just a great sense of camaraderie and it's nice to get out of the writer's room and be on a set.Michael Jamin (00:26:18):But are you doing that for shows that that, are you doing that for shows that even that you don't write, you know, you're not the, the writer of that show? Or are you usually assigned? No,Emily Cutler (00:26:26):No, no. I have been assigned to set and I have mentored younger writers who've never been on a set before mm-hmm. . which is a really good thing to do because you don't wanna throw a younger writer on a set when they have no idea what they're doing. But you also wanna make sure that that younger writer is on a set so that they are learning and can move up the ladder really knowing what they'reMichael Jamin (00:26:44):Doing. And that brings us to the writer's strike, because that's not really happening. It's from where I'm sitting, it's not really happening anymore because these ri young writers for the mo well, I don't know, I haven't done a network show in so long, but on, on these cable, these low budget shows that I'm on, often you're just working on pre-production and then you, you're done. And so the writers aren't coming to set at all. There's, you know, no one's.Emily Cutler (00:27:06):And what's happening is writers are moving up. In my day you had to be a staff writer for a very long time. Mm-Hmm. before you got bumped up. I don't know if people know, but on a staff there are different levels. And each level has different job requirements. And what's happening is a staff writer will come in and write for a season and then move up so quickly. Mm-Hmm. maybe bump up a few levels to a producer, and then they're put on a set without having any idea what to do or what each person on the set does or what their role is. Yeah. and it's really important to teach people at the early stages every aspect of a television show. And no, that is not happening very often.Michael Jamin (00:27:50):Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.Michael Jamin (00:28:14):I see that as being really bad. Maybe you'll feel, I wonder how you feel for, for like, I don't know if there'll be multi-camera shows in the future because you, there's so much learning that you have to do and like, who, who's gonna be, there's no, you know, who, how are they learning this? There are no multi-camera shows anymore. Where, where's the, the pool of talent, you know? Yeah.Emily Cutler (00:28:35):I, I don't, I mean, I do a lot of mentoring through the Guild. You might do that too, where you work with writers. It's a good thing to do. You should do it. Yeah. you mentor younger writers who are new in the Guild, maybe they've had their first job, but that's about it. And you, they can ask you questions. Like, when I started, I didn't have anybody really to ask, what does this mean? Should, what, what does this person do on set? Where am I supposed to be? What, you know, what is the blow to a scene? I didn't know any of that stuff. Yeah. So I, I I kind of help them and give them a safe place to ask these questions, which is a, a it's great. It reminds me of all this stuff. Yeah. And and I get to be around fresh young hopefuls. So it's, it's a great thing to do. You know,Michael Jamin (00:29:21):You know, I remember one of the first times on set, you know, they give you the big director chair to sit and your name's in it. And then I remember like dragging it to the next shot and I got such dirty looks. Yes. Like, you don't touch that chair. That's a union job. . Yes. Like, that's a, all you do isEmily Cutler (00:29:36):To think, you feel like I don't belong here. What am I doing? I don't understand anything. You just nod lot and hope that no one will ask anything of you. But yeah, it's much kinder to send people to set feeling prepared and feeling like they have something to contribute instead of them just being terrified the entire time.Michael Jamin (00:29:52):So you may have already answered this question then. Like, how do you see the, how has the industry changed from your point of view since you've been in it?Emily Cutler (00:30:02):Well, it's changed a lot in, I mean, we're striking for certain reasons. Rooms are getting much smaller mm-hmm. it seems like there's more product out there, but for some reason jobs are hard to get mm-hmm. and there are sort of mandates on shows and mm-hmm. and there are fewer writers and there's shorter production time. Writers move up faster. That is something that happens. You don't have to be a staff writer for a long time before you move up the ladder. And I think that's, butMichael Jamin (00:30:33):I don't think that's a good thing, to be honest.Emily Cutler (00:30:34):I don't think that's a good thing. Okay. I, I don't, I don't know that you ha I don't believe in staff writers not getting paid for a script. Right. I think that's silly because they are writing and creating a product. They should be paid for it. Mm-Hmm. . But I do think that before you're bumped up another level, you should really have a lot of experience and know what's gonna be required at that second level and be able to deliver that.Michael Jamin (00:30:56):I actually think that that writers, I believe that was the guild's idea to protect young writers. And I think it failed actually. Like, I think the intention was if you don't have to pay 'em that way, that way they get to write a script and they learn. You know what I'm saying? Yeah. And soEmily Cutler (00:31:11):That was, but they are still writing and some staff writers are just fantastic and write a perfectly terrific script and don't get paid for it. And I always found that. Yeah.Michael Jamin (00:31:19):Odd. Yeah. I I think that was like one of those things that backfired well meaning I could be wrong about that, but anyway, but, so yeah. That's how it's, that's how it's changed. What about selling shows, do you think? How's that changed for you?Emily Cutler (00:31:31):Well now they have, and I've never used one pitch decks where you're doing a whole visual presentation with your pitch. And I don't, I, I don't feel that's necessary. But a lot of studios like that mm-hmm. , it gives them an image in, in their mind of what you're going for. That's not,Michael Jamin (00:31:51):I always felt that was more for drama than spend comedy.Emily Cutler (00:31:56):I I think nowadays people will do it. They'll do it for comedy, they'll do it for drama. They'll, you know, show pictures of actors that they think would be good in the roles. And I don't find it necessary. But,Michael Jamin (00:32:10):And certainly whatever works, working with pods is probably a bigger thing now. Do you than it was like, there was a time you as a writer, you could just sell a TV show. You didn't have to have all these people attached to it to sell a show.Emily Cutler (00:32:22):Yes. And a lot of times when you do that, you, you get a lot of cooks in the kitchen. Mm-Hmm. . So the work that you start out with just starts to morph into something completely different than when you started. And I like, you know, for better or worse, I like a clear vision to a show. Mm-Hmm. where, you know, and I'm sure you've been working a lot in streaming and stuff like that, where it's someone's voice like a Mark Marinn or something, and it actually comes through onto the screen. You don't have to like it. Maybe it's terrible, but it's a clear perspective. And what happens when you have so many cooks in the kitchen is the perspective starts to get watered down. That's one thing that Dan Harmon simply didn't allow on community. He was very ballsy and was just like, this is what we're going to do. And the studio would say, no, no, you can't do that. And he would be like, yeah, okay. This is what we're going to do. So like it or hate it, it made it onto the screen as a singular vision of what that show shouldMichael Jamin (00:33:13):Be. And it shows. But that's so ballsy because there's two things. I think you kind of have to be kind of like a genius level to pull that off,Emily Cutler (00:33:22):Which I think Yes. Which he, which he is,Michael Jamin (00:33:23):He was, but also you have to have this no fucks given. Like, I I, I don't know many writers who would do that. YouEmily Cutler (00:33:29):Have to be a little crazy. Yeah. And he's a lot crazy. So it worked out well for him. He must also kind of, you know, felt like he was smarter than everyone in the room and probably was. Right. Which there are, there are many who think that, who aren't. And he just would talk them in circles and finally they just couldn't take talking anymore. So they let him do his thing. Then they fired him . Right. And they brought him back, which was absolutely insane. I've rarely heard of that happening. Yeah. And, and he just really held firm because he knew what the show was and said, this is what we wanna do, and if you don't wanna do it, let's just not do it. But this is how it's gonna go. And he just doubled down and did it.Michael Jamin (00:34:12):Where did he, what would you, you must know, what was his first job in the business that he, where did he learn from?Emily Cutler (00:34:18):He did a streaming, I think he had a channel, I can't remember what it, what it's called. Oh, people will know. Like Channel 24 or channel something that did a lot of a lot of internet stuff. And then I think his first job was on the Sarah Silverman show back when she, I think it was Comedy Central. I could be more about allMichael Jamin (00:34:37):Of this. Yeah. Sam Sterling did that.Emily Cutler (00:34:39):And they had, they did not get along. I don't think they were the right fit.Michael Jamin (00:34:43):Oh my God.Emily Cutler (00:34:44):And then I, he, I don't know, I think he went, actually went to community college and that community was based on his experienceMichael Jamin (00:34:52):Because I, I think that showrunners kind of, they, they learn how they're gonna do this kind of, they, from the first job they take, their first showrunner is the kind of the person they emulate, you know, and mm-hmm. , that's kinda the school you come out of. And if your first boss was organized, you'll be organized. And, you know,Emily Cutler (00:35:09):Not for me, my first real boss on a sitcom was absolutely out of his mind. And an just, just a, a, a monster human who did everything. I, I just sat there going, this can't be right. This can't be Hollywood. All writers cannot be doing what we were doing, which is sitting on the floor and being screamed out about paint colors for his bathroom. And he was just insane. So I was like, this can't, if this is how everything is run Hollywood, it was on a show called Movie Stars, which was Harry Hamlin's comedic opus and,Michael Jamin (00:35:47):And Wait, do you wanna say who the, who the writer is?Emily Cutler (00:35:49):Yes, I do. His name was We, Wayne Lemon, which already sounds kind of like a serial killer name. It's like a great character name Wayne Lemon. And he, I think he was the son of a Baptist preacher and had no sense of humor and told us that on the first day. He's like, I'm not funny. That's not what I do. I'm not funny. I was like, well, it's great that you're running a comedy then. Oh my God. And we, there were only two writers. He, he didn't want a staff, he wanted two baby writers. We and another writer named Bick Scahill, we had never done it before. And so we sat on the floor and we listened to him fight with his wife. He was really abusive. It was, it was a hilariously weird experience. But I remember thinking, this can't be how every show in Hollywood is run. So I did not learn how to run a show from him. I learned very much what I don't wanna do, which you can also learn from your showrunner.Michael Jamin (00:36:38):But I would've, I'm not joking, I probably would've thought this must be Hollywood. Like, I, I, I, I probably would've felt differently from you. Like, that might've scared me from ever working in Hollywood continuing. Well,Emily Cutler (00:36:49):I was terrified to say anything or ask anyone because you're always afraid when you start out that you're gonna be either discovered as a phony and fired. Yeah. Or you're, you just don't make waves. You don't stand up for yourself at all. Cuz you're like, if I say anything, I'll never work again. So we just sucked it up. But it wasn't until later when I got on a normal staff where people were saying that, I went, oh, okay. . That was not a normal experience.Michael Jamin (00:37:18):At what point, and I really mean this, like at what point in your career did you finally feel like, all right, I know how to do this job because it's not on day one. It's not.Emily Cutler (00:37:28):I'm not, I'm not sure. I I'm not sure I feel that way now. It it, it depends. There are shows that I go in and I feel like I got this. I know exactly what I'm doing. I'm fantastic. And then on the very next show, I feel the complete opposite. Why am I doing this? There's no point. I have no talent I should give up. I think all creative people maybe ride that rollercoaster a little bit of feeling like I've got something to offer. I have nothing to offer really. I mean, I, I bounce back. It depends on the show and it depends on if I really think I can capture the voice of something and do it justice. Like if I went to write on succession tomorrow, I'd probably be a little nervous. I'd be excited to do it. But I might go, God, I hope I live up to this thing. Or I hope I can get into the voices of these characters. And then there are some that it's just natural toMichael Jamin (00:38:18):You, but even in terms of like knowing how to break a story or when you go off on script and you look at that blank page, like, or you're turning in your writing your outline. Like there, there must have been a moment where you're like, okay, I think I know how to do this. Right. I mean, cuz like in the, honestly, it took me, it took years and years for me to have, okay, I think I know how to do that.Emily Cutler (00:38:37): Yes. I, I think it took years and years and I think I knew certain things. Well, I can craft a joke, but I don't know, can I, am I really good at story? You know, in meetings people always ask and people ask your agents, are you good at story? Right. Or are you good at jokes and you seem to have to be in one camp or the other. Right. I think is absolutely stupid. But I go back and forth. I mean, I still look at a blank page and, and feel a sense of, you know, excitement and fear at the same time. And am I gonna do this? Am I gonna blow this? And I do a little of both. Right. I've written some scripts and I'm like, wow, this really, I crapped the bed on this one. And Right. Some that I'm like, all right, this is pretty good.Michael Jamin (00:39:21):Do you do any writing that is not for for sale? Like just for yourself or a book or something on the side or anything?Emily Cutler (00:39:28):I draw a lot. So I do that on the side. I used to write songs. I've written some poems. Uhhuh . I'm trying to think of what else I've written. You know, I have a friend who does game shows and I, I help him with game shows a lot cuz that's super fun. And I have no, it's not my job so I don't have to panic and interesting worry about it. Right. Because that's a whole other that's a whole other, you know, crazy world. But that's really fun to doMichael Jamin (00:39:58):Because the minute you put, the minute you're doing it, it's your profession. Things change, you know, likeEmily Cutler (00:40:04):Absolutely.Michael Jamin (00:40:05):Right. Well what's your take on that?Emily Cutler (00:40:06):Well, I mean that's why I write some pilots myself that I'm not gonna sell is cuz I come up with an idea that brings me some level of joy or that I feel I have a handle on. Mm-Hmm. and have that feeling like you're talking about I can do this. Well if I can really do this, I should sit down and do it. And you know, it, it turns out well or it doesn't. But I do that for myself. Yes. Do I hope I'll sell it. Sure. Why, why wouldn't I? But I just get it out of myself. Right. Because it's a, an idea in my head. Just get it on paper if youMichael Jamin (00:40:36):Can, just to remind yourself why you like writing.Emily Cutler (00:40:40):Yes.Michael Jamin (00:40:40):Right. Have you saw Adam? Don't, I'm trying to remember. We've, we've written a, a handful of pilots on spec. I don't think we've sold any. I think the ones we've sold are always saw on pitches. Are you able to sell specs or are they just writing samples?Emily Cutler (00:40:55):No, it's always, it's always been really pitches. I can't think of a script I've sold, I sold a movie but never never on spec. On spec. Yeah.Michael Jamin (00:41:06):Sold them. How'd that go? What was that?Emily Cutler (00:41:09):, it was called Suddenly Yours. It was a test to see if I could write a romantic, a cheesy romantic comedy back when they made them like those great kind of formulaic mm-hmm romantic comedies that you see, you know, two of a year. And it got bought and then just nothing happened to it. It died because then Jennifer Lopez had a movie called Maiden Manhattan that was basically the same thing. And so, so funny that got made.Michael Jamin (00:41:32):That's so, cuz we did, we sold a movie on spec though. It was called Only Child. And then that got killed because they had a movie in development called Middle Child . And I dunnoEmily Cutler (00:41:43):If they had anything, that's all it changed. OfMichael Jamin (00:41:44):Course not. Other than the word child.Emily Cutler (00:41:46):Yes. My god. It's a, another movie with child in the title. We must only have one.Michael Jamin (00:41:51):But you must have had to do some rewrites on, but after you sold it, they probably wanted rewrites from you now.Emily Cutler (00:41:56):Yes. And I got rewritten by another writer too, Uhhuh, who changed it into something totally different. It was, it was like a fascinating thing to see. It became this different creature, this completely different entity with like little bits of my script in it.Michael Jamin (00:42:10):But because sometimes I hear more often than that people are like, I wanna, I wanna write movies. I'm like, what you YouTube superhero movies? Yeah. What what? Yeah. TvEmily Cutler (00:42:19):TV is movies now. There are no more movies for the most part. It's, you know, big blockbuster superhero movies. There are few little ones and a few ones like, you know, maybe a Matt Damon movie that will squeeze in, but really television's where it, where it's at. Right. With streaming and everything.Michael Jamin (00:42:36):Did you, but did you even, did you even enjoy the process of writing movies?Emily Cutler (00:42:41):I did.Michael Jamin (00:42:42):You did? I did. I did.Emily Cutler (00:42:43):But I was, I was younger and didn't know anything. It's great when you don't know anything and when you don't know what, how the business is structured and you just come from a creative place and put something on paper that brings you joy. Right. That's great. And as soon as you start getting paid for it and other people get involved, you can still have joy but it's a different kind. It's, it's not pure, you know, it's,Michael Jamin (00:43:08):Well the reason why I see it, cuz like when you, when you get a note on a TV script, all right. Even if it's a giant rewrite, it's still, it's, it's 30 minutes of television or whatever. 22 minutes of television. Yeah. If you could do a note on a, on a movie and maybe it's a free rewrite that you have to do, talk about 90 minute movie. That's a, like that that's a lot ofEmily Cutler (00:43:25):Work. Yes. That's a lot. And a string will, a string will get pulled. That seems like nothing to the person giving the note. But that to you completely unravels theMichael Jamin (00:43:33):Entire thing. Everything right? Yes. I was like, I don't know why, I don't know. I dunno why people wanna write movies so badly. I think it like be just an ego thing.Emily Cutler (00:43:41):Yes. There are a lot of pages to a movie so it is daunting. But again, if you have an idea inside of you and you can see where it's going and it just sort of comes out of you, it doesn't feel like work. It just feels great.Michael Jamin (00:43:54):No, obviously you mentor people, writers and the writers, young writers in the guild. So that means they've already sold something. They've already steered a a hurdle. Yeah.Emily Cutler (00:44:02):Some of them are doing much better than I am. .Michael Jamin (00:44:04):Oh really? They'reEmily Cutler (00:44:06):Skyrocketing. I'm like, I hope you gimme a job.Michael Jamin (00:44:08):Wow. but so what advice do you have for people who haven't even done gotten into the guild yet?Emily Cutler (00:44:15):Just keep, keep writing and keep, have an original voice and put stuff on paper.Michael Jamin (00:44:20):And where are you getting, where are you looking for your ideas? Where are you getting your ideas from?Emily Cutler (00:44:24):I try and get my ideas from my life or you know, a great way to get ideas. If you have a funny group of friends or a group of friends you hang out with and you're just sitting and shooting the shit with them and making each other laugh. A lot of ideas, great ideas come out of that. A lot of ideas come outta my marriage. I get a lot of ideas from my marriage, from my kids. I never wrote family shows. I was never interested in that kind of stuff. And now that I have a family that sort of inspires me. So look to your life. Look to your extended family. Look to your friends. I have a friend, my current pilot is about an open marriage cuz I have friends who are having an open marriage and I think it's just so hilarious and, and mortifying and ridiculous. And so I'm, I wrote a pilot about it,Michael Jamin (00:45:08):But no, but selling it, they always want to hear like, how are you the only writer who can write this? And so I see that's why I understand you're stealing from your family, but from your friends with the open marriage, even though it'd be fi are you at the mean, are you, are you prepared to answer that question? How are youEmily Cutler (00:45:23):Gonna answer? Yes, I am. How? Well I think you do have to personalize it because I think them having the open marriage caused my husband and I to have a discussion about could we ever, what would it look like? Were this just, you know, middle-aged suburban couple, like what is that gonna look like? So that pilot became about this really unlikely like coupled to do this kind of thing and what transpires because they choose to do it. So it would kind of be like, my husband and I made this decision to do this thing. Here's what happened and how it went wrong.Michael Jamin (00:45:56):Where, so that's interesting because you're prepared. So that's, you're smart. Cuz you knew going into a meeting, that's the question they're gonna ans ask you. And so Yeah. Yes.Emily Cutler (00:46:04):They want something from your personal experience. And the truth is, you can make it from your personal experience however you like. You can, it doesn't have to be, this is exactly my experience. I lived it, it can be, this is how watching somebody else experience else's experience affected me and made me think of this. And I, you can kind of weave your own tail.Michael Jamin (00:46:30):But are you, are you going into, when you come up with your ideas to pitch, are you, is your target to sell it? Are you always thinking like, well what are they buying? What's, what's my version? Or are you just like, this is what I got in the tank.Emily Cutler (00:46:41):I used to be, that's why I wrote that romantic comedy. I wanted to see if I can just, you know, churn out a pile of crap for someone who says we want a pile of crap. Right. And I could, but nothing great comes out of that. And I, I do do that because I panic about money and go, I have to sell this. And they wanna show about a, a flying dog, so I'll stick a flying dog in there. You do sometimes compromise, but nothing great is ever gonna come out of that. You have to start from a place of, I'm really passionate about this. You know, a lot of times before a season when you go to sell something, you'll say, what are they looking for? Mm-Hmm. , well, this network is looking for family and this one wants workplace, and this one wants, you know, and so you try to go, okay, well, what do I ha? But you still have to come from some seed of something that makes you giggle or something that inspires you, or it's just gonna be flat. It's gonna be good or original, IMichael Jamin (00:47:31):Think. And, and how much, when you're not on staff of a show, how, what is your, what does your writing schedule look like?Emily Cutler (00:47:37):Oh, you said writing schedule? Yeah. that, that implies that I'm an organizedMichael Jamin (00:47:43):Or So you don't have one healthyEmily Cutler (00:47:44):Human? No, I'm the worst I'm supposed to be writing. You'll always know when I'm supposed to be writing. My house will be clean. Yeah. I'll be cook cooking something. Maybe I learned to bake bread, you know, I buy a new mascara and I put it like, I just procrastinate. Yeah. Forever. I'm the least organized writer. Again. That is another skillset. Like my friends who went to really tough colleges who are writers, learned how to study, and in learning how to study, they also know how to write and budget their time. I think you're one of them. Didn't you go to some didn't. I went to some fancy some. You went to a fancy school. Okay. Well, I assume if you go to a fancy school like that, or, or grow up learning those skills from your parents or something, you know, how to manage time. I'm the worst at it, so don't be me. Right. Learn how to give yourself a schedule. Be the kind of person who does that. You know, I guess it's like going to the gym. I'm also the person who's like, what's your schedule for working out? Well, sometimes I go for a walk. Sometimes I sit on my ass. I just don't, I'm not as disciplined as I should be.Michael Jamin (00:48:50):Well, it's, I mean, it's easier for me. I have a writing partner, so it's like, we agree, you know? All right. We're, we're agreeing to meet today at 10 o'clock, but, so, andEmily Cutler (00:48:57):You and one pushes the other and goes, come on, we gotta, yeah. No, that would be great. I need to get, I need to get me one of those.Michael Jamin (00:49:04):Well have you written, but you've written projects with people. You have one right now? IEmily Cutler (00:49:06):Have. I've written, yes. And the one that I wrote the right now, one, she was great. She was super disciplined and would let me kind of, you know, I could just be funny and amusing and she'd be the workhorse. Mm-Hmm. . But then I had a partner we wrote some movies together where he was more dysfunctional than I was. Uhhuh . So we just, I'd say, let's not work. Let's go to Starbucks and get lattes instead. And he'd go, great. , . Instead of saying, no, we need to work. We need to, yeah. We were, we were not a good influence.Michael Jamin (00:49:36):And do you have a, what, what's your spot? Do you have a spot that you like to work in? Or are you wherever you take your laptop, wherever.Emily Cutler (00:49:43):It's much better. It's great. When I'm staffed on a show, when I'm staffed on a show, when I'm in the mindset, I like to work in my office there. Even if it's on something else. Cuz it just gets me in the mindset. My house where I have two children who are now teenagers, is like a war zone. It's really hard. I have an open house. There's, it's almost lofty in a way. So there's nowhere to go to hide. Oh. Or, or to work. So I really try and go out or I wait till they're at school and, you know, sneak in a room somewhere. But it's, it's, again, it's not, it's not orderly. I'm not in one place. I'm moving around andMichael Jamin (00:50:20):Interesting.Emily Cutler (00:50:21):Yes. Discipline. Discipline. Disciplined. Get some discipline.Michael Jamin (00:50:26):Then let me ask you one final question. I don't know if, I don't know if you can have an answer to this, but like, what gets you outta bed then? What, what is makes you excited to, for your, I don't know, toEmily Cutler (00:50:35):Run career or in life? Well,Michael Jamin (00:50:37):Let's, let's do both. Let's do both.Emily Cutler (00:50:41):What gets me outta my bed is my children. Mm-Hmm. , because they need to be taken places andMichael Jamin (00:50:48):You're the Uber driver.Emily Cutler (00:50:50):What makes me excited to write again is, and I mean this might just be me because I know a lot of writers like to sit alone in a cabin and write a book. To me that's deathly. For comedy, it's to be around people. Like even just talking to you now, it will spark something and, or make me feel like, you know, it's why people go to the gym because you're surrounded by other people doing the thing that you're supposed to be doing. Mm-Hmm. . And it helps you. So when I'm not on a staff, which is a very collaborative thing where you're in a room with a lot of funny people and I'm on my own, it's not as much fun. It's much harder to get out of bed and motivate. So talking to you is helpful. My husband's really funny, so I'll run ideas around with him. I'll call friends. For me, it helps me to be around other people who are doing what I'm doing, who are funny people. That's what helps me.Michael Jamin (00:51:44):DidEmily Cutler (00:51:44):That get inspired?Michael Jamin (00:51:45):So now that you mentioned it, did, did you find that intimidating in the, in your beginning of your c

Are you aware of how investor sentiment can impact the stock market? Join us for an enlightening conversation with Charles Rotblut, Vice President of the American Association of Individual Investors (AII) and editor of their monthly magazine, as we dive into the fascinating world of the AII sentiment survey and its implications for investment strategies.In this captivating discussion, we examine the intriguing correlation between extreme bear and bull sentiment and market movements. Charles shares his valuable insights on how understanding these extremes can help inform your investment decisions, especially when considering the broader market context and the influence of daily headlines and news on short-term sentiment. Listen in and discover the potential benefits of using sentiment data as a contrarian indicator to optimize your financial endeavors.But that's not all - we also explore the importance of process-driven investment approaches and how they can help you make smarter choices in the ever-changing world of finance. Charles emphasizes the significance of checklists or rules-based processes to minimize the risks of emotional decision-making and highlights the role of the prism wealth-building process in enhancing investment outcomes. Don't miss out on this opportunity to learn from a true expert in finance and investment strategy!ANTICIPATE STOCK MARKET CRASHES, CORRECTIONS, AND BEAR MARKETS WITH AWARD WINNING RESEARCH. Sign up for The Lead-Lag Report at www.leadlagreport.com and use promo code PODCAST30 for 2 weeks free and 30% off.Don't forget to like, share, and subscribe!Twitter: https://twitter.com/leadlagreport​​​​​Facebook: https://www.facebook.com/leadlagreport​​Instagram: https://instagram.com/leadlagreport​​​Check out Lead-Lag Live on all your favorite podcast platforms.Nothing on this channel should be considered as personalized financial advice or a solicitation to buy or sell any securities. The content in this program is for informational purposes only. You should not construe any information or other material as investment, financial, tax, or other advice. The views expressed by the participants are solely their own. A participant may have taken or recommended any investment position discussed, but may close such position or alter its recommendation at any time without notice. Nothing contained in this program constitutes a solicitation, recommendation, endorsement, or offer to buy or sell any securities or other financial instruments in any jurisdiction. Please consult your own investment or financial advisor for advice related to all investment decisions.See disclosures for The Lead-Lag Report here: https://www.leadlagreport.com/static/termsandconditionsThe Physician Syndicate: Angel Investing | Venture Capital | Startups | Personal FinanceThe Physician Syndicate Podcast: A podcast for physicians to jump into the startup world. Listen on: Apple Podcasts SpotifyFoodies unite…with HowUdish!It's social media with a secret sauce: FOOD! The world's first network for food enthusiasts. HowUdish connects foodies across the world!Share kitchen tips and recipe hacks. Discover hidden gem food joints and street food. Find foodies like you, connect, chat and organize meet-ups!HowUdish makes it simple to connect through food anywhere in the world.So, how do YOU dish? Download HowUdish on the Apple App Store today:

KubeCon, back to businessAhead of the event I arranged some interviews with companies that piqued my interest and don't all fit under the headings in my write up that you can read here - https://chinchillasqueaks.substack.com/p/9c266812-78f0-4985-a719-2b745ff7053cSLIM.AII previously covered the slim toolkit from Slim.ai and in the interview I am joined by Nnenna Ndukwe, developer advocate at the company, to discuss their new vulnerability scanning and hardening features.MINIOAnother company I covered previously, I speak with Daniel Valdivia, MinIO's Kubernetes expert to cover how their S3 compatible API helps users streamline object storage.INCIDENT.IOI speak with Christopher and Stephen about their new(ish) companythat attempts to solve the human side of incident management. The company also had some awesome T-Shirts that channeled their english roots with “Don't Panic” emblazoned across them.HIVEMQDominik Obermaier joins me to explain why message queues may not be new, but there are still many niche use cases where companies like HiveMQ can excel, and for them it's IoT end edge computing. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit chinchillasqueaks.substack.com

Disruptors for GOOD is presented by: One Tree PlantedPlant a Tree with One Tree Planted - Learn More---> Check out the Causeartist Partners here.---> Subscribe to the Causeartist Newsletter here.In episode 175 of the Disruptors for GOOD podcast, I speak with Lewis Perkins, President of the Apparel Impact Institute, on raising a $250M Climate Fund and scaling proven systems and ideas to transform the textile industry towards a sustainable future.The Apparel Impact Institute (aii) is a nonprofit organization that is working to address these environmental issues by identifying, funding, scaling, and measuring proven environmental impact solutions in the apparel and footwear industry.About LewisA passionate advocate for “doing the right thing,” Lewis Perkins has recently been appointed President of the Apparel Impact Institute (Aii), an organization launched by leading brands and apparel sector industry associations to select, fund, and scale programs to drive positive impact in the fashion sector.Previous to this Perkins was President of the Cradle to Cradle Products Innovation Institute (C2CPII) where he led the Institute's Fashion Positive initiative, which engages designers, manufacturers, brands and influencers in creating Cradle to Cradle Certified TM materials and products with the circular economy in mind.Prior to joining the C2CPII, Perkins consulted with corporations and organizations on the social and environmental program development. He also served as Director of Sustainable Strategies for The Mohawk Group, a leading carpet manufacturer and the commercial division of Mohawk Industries.About The Apparel Impact InstituteAii's mission is to create a more sustainable and environmentally friendly apparel and footwear industry by identifying, funding, scaling, and measuring proven environmental impact solutions. Their vision is to transform the fashion industry into a force for good, ensuring that all apparel and footwear are made in a way that is safe for the environment, workers, and communities.Aii focuses on a few key areas: energy, water, and chemistry. These areas are critical for the fashion industry because they have a significant impact on the environment. The organization works with its partner brands, manufacturers, and philanthropic donors to identify and implement solutions that reduce the industry's impact on the environment.Energy: aii is working to reduce the fashion industry's reliance on fossil fuels by identifying and implementing energy-efficient solutions. This includes using renewable energy sources such as solar, wind, and hydro power.Water: The apparel industry is a significant consumer of water, and it is responsible for a significant amount of water pollution. Aii is working to reduce the industry's water consumption and improve the quality of the water it uses.Chemistry: The fashion industry uses a variety of chemicals in the production of apparel and footwear, and many of these chemicals are harmful to the environment and human health. Aii is working to identify safer alternatives and to reduce the use of harmful chemicals in the industry.Aii recently launched a $250 million Climate Fund, which is aimed at supporting the apparel industry's transition to a more sustainable and environmentally friendly future. The fund is designed to provide financial support to brands and manufacturers that are committed to reducing their environmental impact. The Climate Fund is also used to support research and development of new sustainable materials and processes. ---> Check out the Causeartist Partners here.---> Subscribe to the Causeartist Newsletter here.

This week, Secondhand September takes us all the way to the top of the fashion resale market: ultra-luxury. And we have questions. Is it a sustainability play? Is it an investment market akin to fine art? How do you police fraud?  We talk with Sarah Davis, founder and president of Fashionphile, a re-commerce platform for high-end accessories to get her take. With more than 20 years in the luxury resale business, Sarah helps us understand what's working and what's needed to keep this market thriving and sustainable.  And, of course, Christina has stories from Milan Fashion Week! Have a question for Christina, Rachel and Shilla? Give us a call at (508) 622-5361.‬ We might feature your voicemail on an upcoming episode of the show. Resources:   Fashionphile Sourcing Journal on PVH Corporation joining Aii's fashion climate fund The Guardian on Lululemon's dirty supply chain WWD on Balenciaga's new resale market, with Reflaunt Hot Buttons is a production of Post Script Media. The show is hosted by Christina Binkley, Rachel Kibbe, and Shilla Kim-Parker. Follow the show on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey ARMY! I am so sorry for not posting or uploading when I usually do. I have been busy with school and life etc. Since I have been busy with school and have things going on, I have decided to take a break from this podcast for a little while. I also have lots of tests and exams and will be busy studying etc. I am so sorry that I do this but I think it's better for me so I don't feel the need to be uploading on a constant schedule. I hope that I will be back in a few weeks but I really don't know for sure! So, please know that if I don't upload when aII supposed to, I am probably busy with other things. I hope you all understand! Thank you so much for listening, I hope you have a great day and week ahead. See you soon! Thanks, Dangsin-eul Saranghaeyeo ~ Em

It seems like everyone is suddenly talking about AI, both as a new tool and a threat to humanity (or at least creatives). I have dabbled in ChatGPT and watched a few Photoshop Beta tutorials and see where both can be helpful in my world. This is why I was so excited to have a conversation with two soulful artists, who happen to be photographers, about how we can both use artificial intelligence in photography businesses and rise above any “competition” from the robots.I am so happy to bring you a conversation today with one of my very favorite humans in the whole world, and his equally talented sidekick. My friend, Arthur Rainville has been creating stunning photographs wrapped in intrigue, atmosphere, and romanticism for over 50 years. He's been displayed in museums on 3 continents and has earned the title of “the poet laureate of photography.”Arthur's sidekick is the lovely Toni Marie. She's had a photography business in Iowa since 1982 - the same year I started my business too! Toni Marie is a fine art photographer who also does volume photography. She is a PPA Master Craftsman, and master Artist, has earned way too many awards to list, and loves to share her passion for photography and art with fellow artists.Give this insightful episode of The Profitable Photographer Podcast a listen as Arthur, Toni, and I discuss: - if artificial intelligence has a role in a photography business-the impact AI could have on your photography business-the importance of authentic connections with your clients-the one thing AII will never be able to replaceInterested in learning more from Arthur and Toni Marie? You're in luck! They're hosting an Epiphany Retreat Workshops across the country, starting with one in Atlanta and on Zoom from August 12-14! Next up is Southern California Sept 9 and 10. To register, visit this link: Epiphanyphotoretreat.com You can also connect with Arthur by email at rainfoto@aol.com, and with Toni Marie at phototmj@aol.com.Photography Business Coach Luci Dumas' Programs and Contact Info:lucidumascoaching.comluci@lucidumas.comhttps://www.instagram.com/theprofitablephotographer_pod/https://www.facebook.com/LuciDumasCoachinghttps://www.youtube.com/channel/UCut3Qk6t6Z2DUJYEYGSCfKA

DON'T LOSE YOUR MIND – JULY 04, 2022   “Finally, brothers and sisters, whatever is true, whatever is noble, whatever is right, whatever is pure, whatever is lovely, whatever is admirable - if anything is excellent or praiseworthy-think about such things.”                                 - Philippians 4:8 Good Monday, everyone! It's a brand new month and 2 Empower U has lined up several interesting and insightful episodes for everyone wishing to learn, be empowered, and grow.    On today's episode, Pastor Thomas A. DeLoach will be talking to you about the power of your thoughts. What are your thoughts telling you? Where do your thoughts come from? What does it mean to think pure or noble, right or true, lovely or admirable? Pastor Thomas A. DeLoach will share with you his insights and experienced on determining what your thoughts are trying to say, as well as how to interpret what your thoughts are telling you.    "What a wee little part of a person's life are his acts and his words! His real life is led in his head, and is known to none but himself. All day long, the mill of his brain is grinding, and his thoughts, not those other things, are his history."                                 - Mark Twain   Positive Thinking, Negative Thinking, and Discernment   These are three different things and Pastor Thomas A. DeLoach will help you understand each one. What is positive thinking and how is this different from the kind of thinking that God wants you to do? What does it to think negatively?    Pastor Thomas will talk to you about discernment. How can you “judge well”? When do you practice discernment?   “The source of thought comes from God's word.”                                 - Pastor Thomas A. DeLoach   The good pastor will also discuss with you God's word and how it is related to your thoughts – to what you are thinking and what you are supposed to be thinking.    Finally, Pastor Thomas will share with you how your thoughts can become the basis of your actions and words. “AII these evil things proceed from within and defile the man….No one commits these outward sins without first having committed them in his mind.”                             - Mark 7:20-23/Pastor Thomas A. DeLoach   -------   Let Pastor Thomas DeLoach know how this message has inspired you.  Connect with him by sending him an email at info@thomasadeloach.com   You can also interact with him by visiting and liking his Instagram page, https://www.instagram.com/thomasadeloach/    The pastor also has a website, https://www.thomasadeloach.com/ where you'll find more information about ministry and advocacy; where you'll learn about how he can help to empower you.

Oleg Rogynskyy is the Founder and CEO of People.aiI was introduced to Oleg by Robin Matlock, who has also appeared on this podcast! Oleg is an incredibly thoughtful and intentional leader in how he builds his company. In our conversation, we talk about specifics for board management,  why he hires people that are "way out of his league," and his strategy to maintain and grow his extensive network.To stay up to date on future episodes and learn more from Alisa, sign up for her newsletter!If you like what you hear, please subscribe to the podcast!Learn more about People.aiFor more stories and advice on founders and CEOs, head to alisacohn.com

In Episode 268 of District of Conservation, Gabriella speaks with fellow Young Voices contributor Roy Mathews. Roy also serves as a Public Policy Associate at the Alliance for Innovation and Infrastructure (Aii) in Washington D.C. Here's Roy's biography: Roy Mathews is a recent graduate of Bates College where he majored in History and Politics. He is currently a Public Policy Associate at the Alliance for Innovation and Infrastructure (Aii) in Washington D.C. He has previously interned at The Heritage Foundation, The Charles Koch Institute, the American Enterprise Institute, and received the Bastiat Scholarship from the Cato Institute. Additionally, Roy interned for Senator Tim Scott (R-SC) and was a member of Senator Susan Collins' (R-ME) successful re-election campaign. When not writing about policy, Roy enjoys reading, exercising, and practicing his ballroom dancing. SHOW NOTES Young Voices: Roy Mathews RealClearEnergy: More Mining at Home Is a Win-Win for Environment and Defense RealClearEnergy: From Reek to Remedy, an Economical Energy and Climate Solution Connect with Roy on Twitter and follow Aii on Twitter. --- Support this podcast: https://anchor.fm/district-of-conservation/support

Now that climate action has rapidly moved to the top of the apparel industry's agenda, it is crucial that the industry moves from intention to action - and fast. The latest analysis indicates what we need to do, but the 1 trillion dollar question is how much capital will be required to do it. Enter the Apparel Impact Institute (AII) and Fashion for Good (FFG), who have now weighed in regarding how much financial outlay is needed. You've probably already guessed it: they arrived at 1 trillion US Dollars needed over the next 30 years. During this interview, Michael speaks with Ryan Gaines, Finance Director at AII, and Rogier van Mazijk, Investment Director at FFG who co-authored this new report, "Unlocking the Trillion Dollar Opportunity". We quickly get into the weeds and discuss what needs investment, how much, and who needs to do it. We talk about the roadblocks, and we even hear how finance people view legislation and industry growth. So if you are committed to helping the apparel and textiles industry meet its climate targets, and want to know if and how we are going to get there, then this podcast for you.

To absolutely no one's surprise, we're still on that You're My Sky agenda. The series wrapped up last week, but we still have so much to say about Thorn & Fah, Saen & Aii, and of course Dome & Vee. Things get even more chaotic this week because our friends Kris & Porsche (*the* Dome & Vee) make their comeback appearance on LTBL for some shenanigans and to share their thoughts about the show. We talk about why this is the first and only series that could make a sports-forward concept work, whether or not Dome is a villain, and all of the script's snappiest one-liners. Grab merch now at http://shop.letstalkbl.com Like & subscribe on YouTube FOLLOW US FOR MORE PETE: IG: @letstalkBL Twitter: @letstalkBL TikTok: @letstalkBL

Frank Wesley, was a prolific and influential artist from Azamgarh who later worked in Mussoorie, India. He became known for pushing boundaries in religious art forms and he won various accolades. His art work had broad appeal, with his work featuring in a Vatican display, on the first UNICEF Christmas card and, perhaps most notably, on the urn for the ashes of Mahatma Gandhi, the father of the nation. In this podcast Professor Nathan Grills from the Aii, who has a personal connection to Frank's artwork through his work and research in Mussoorie, speaks to Frank's son Michael Wesley, Deputy Vice Chancellor International at the University of Melbourne, as they explore Frank's journey as part of the Indian diaspora in Australia. 50 years later, as part of University of Melbourne delegation to India, Michael and Nathan will visit Mussoorie in April to further develop research and educational linkages.

On 03 December the National Australia Indonesia Language Awards (NAILA) presentation ceremony was held on-line.  At the same event the Australia Indonesia Institute (AII) announced the winners of the inaugural AII Awards.   - Pada tanggal 03 Desember upacara presentasi National Australia Indonesia Language Awards (NAILA) diselenggarakan secara online. Pada acara yang sama, Institut Australia Indonesia (AII) mengumumkan pemenang penghargaan AII perdana.

Aii bet so y'all know I don't get too political on this show, but it's getting harder and harder to steer away from this topic. I invited my friend Matthew (Marty) Dark to converse and we ended up pretty much talking about American society and how COVID is affecting us all. Might ruffle some feathers but I think it's still worth the listen. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/justjivin/message Support this podcast: https://anchor.fm/justjivin/support

COVID-19 is the virus that shut down the world. High vaccination rates have the potential to unlock global travel, however both India and Australia have a long way to go to vaccinate their populations. What can India and Australia learn from each other's experiences in rolling out COVID-19 vaccines? And what role does, or could, the media play towards a successful vaccine rollout in India and Australia? Speakers: Professor Joy Mammen, Associate Director of Christian Medical College and Hospital, Head of vaccine rollout A/Prof Margie Danchin, Consultant Paediatrician, Royal Children's Hospital, and A/Prof at the University of Melbourne and Murdoch Children's Research Institute Dinesh Malhotra, Editor and Founder of the Bharat Times Moderated by Professor Nathan Grills, Senior Research Advisor at the AII and Public Health Physician at the Nossal Institute for Global Health

In this episode of the Secret MENS Business podcast we speak to Hannes Bend about his depression and anxiety, how he turned it around, his introduction to Wim Hof, and his new AI breathing app.Hannes Bend and team have been creating breathing.ai to develop unique patent-based adaptive interfaces for screen experiences.The interfaces use machine learning to customise screens for calmer and deeper breaths with every technological interaction.  The studies of Bend's team from The Institute of Neuroscience and Quantum Physics Alemàn Lab at the University of Oregon won “Best Presentation Award in the panel “Wellbeing Computing: AI meets Health and Happiness Science” at the Association for Advancement of Artificial Intelligence Spring Symposia 2016 at Stanford University. Research and Augmented and Virtual Reality projects were also developed and/or presented at MIT Media Lab, Harvard University, Frost Museum of Science among others.Hannes has been working with 50+ scientists, psychologists, developers, and artists from renowned universities and created multiple continents for VR/AR biofeedback projects, also for Wim “The Iceman” Hof. Hannes has also been guiding meditation and breathing at renowned places and museums such as The Rubin Museum of Art, WeWork HQ, The Assemblage among many others. Founder Breathing.AII have been creating personalised calming technologies (screen/audio/olfactory) with patent, prototypes in AR/VR/MR with biofeedback, researched and creating art.Projects in conjunction with research universities University of Oregon (UO), University of Miami and University of Michigan with initiated EEG and FMRI studies conducted at The Institute of Neuroscience (UO), and published papers. Our team won the award in the panel "Well-Being Computing: AI meets Health and Happiness Science" at Association for the Advancement of Artificial Intelligence SS16 at Stanford University 2016.I'm also teaching meditation, yoga and breathing practices and have trained with Wim Hof for years. I work with private clients, in corporate offices, schools, international conferences, museums and workshops. For 15 years, I have also been exhibiting as an artist in museums (e.g. Pérez Art Museum, Bronx Museum NY) and galleries internationally.Hannes' Profile:Linkedin:linkedin.com/in/hannesbendWebsites:www.hannesbend.com/#main/homewww.breathing.ai  (Company Website)www.webreathions.com  (Meditation guidance)www.seaingbreath.com  (Ocean advocacy VR project)Wim Hof:www.wimhofmethod.com------------------------------------------------------------------------------------------The Secret MENS Business website:https://thesecretmensbusiness.podomatic.netThe Secret MENS Business podcast:SpotifyiTunesGoogle ManagerAmazon MusicPodomatic -https://thesecretmensbusiness.podomatic.comThe Secret MENS Business Facebook group (MEN Only):https://www.facebook.com/groups/secretmensbusiness01Secret MENS Business Podcast Facebook page :https://www.facebook.com/projectselfacceptanceInstagram:secretmensbusiness_smb

As coronavirus continues to ravage India, students from India find themselves torn between family responsibilities at home and their studies in Australia. Monash University PhD candidate Shaheen Ahmed is in Melbourne and unable to be with her family in India. While Dr Akash Aaron is using his medical skills to support a charitable hospital in India, but his situation is hindering his studies at the University of Melbourne. In this podcast, hosted by AII’s Acting Director Professor Ashok Muthupandian and Delhi Project Manager Parul Nadar, both students share how their lives have been impacted by COVID-19. The Australia India Institute has been contributing to the knowledge of India in Australia and the building of the bilateral relationship for over 10 years. The current COVID-19 crisis in India is devastating because it directly touches many of our families, friends, colleagues and associates. We learn daily of people within our networks suffering or succumbing to this terrible illness. As this crisis continues, it is important that we offer our support and strengthen our engagement with India even further.

In this podcast, the Australia India Institute’s Professor Ashok Muthupandian, Professor Nathan Grills and Dr Haripriya (Priya) Rangan discuss the current COVID-19 crisis devastating India and how the Institute and University of Melbourne are lending support. Professor Ashok Muthupandian is the AII’s Acting Director and the Assistant Deputy Vice-Chancellor International at the University of Melbourne. Professor Nathan Grills is an AII Senior Researcher Adviser and Global Health Professor at the School of Population and Global Health, University of Melbourne. Dr Haripriya Rangan is an AII Academic Fellow and Principal Fellow of the School of Geography at the University of Melbourne. Frontline charitable organisations that University of Melbourne partners with: • CMC Vellore: 500 Covid19 beds. Requesting support for vaccines, COVID19 tests, oxygen concentrators. • Emmanuel Hospital Association : 20 hospitals in rural India serving the poor. Requesting support for PPE, medications, oxygen cylinders/concentrators. • The Catholic Health Association of India : responding to Covid19 across 3500 health facilities. Melbourne University is conducting training to equip their response to Covid19.

Martin Boulay, président directeur général, nous explique comment Le Groupe Ohmega inc. a décidé de scinder son département d'automatisation et d'informatique industrielle (AII) du reste de l'entreprise afin de former une nouvelle entité autonome nommée Ganex.

Através de uma pesquisa minuciosa em sites e blogs que falam sobre música, nossa Podcaster encontrou curiosidades mega interessantes sobre artistas famosos que ninguém imaginaria! Aii que deliciiiaaaa!!

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2020.05.17.100982v1?rss=1 Authors: McLaughlin, A. J., Percival, K. A., Gayet-Primo, J., Puthussery, T. Abstract: Adapting between scotopic and photopic illumination involves switching the routing of retinal signals between rod and cone-dominated circuits. In the daytime, cone signals pass through parallel On and Off cone bipolar cells, that are sensitive to increments and decrements in luminance, respectively. At night, rod signals are routed into these cone-pathways via a key glycinergic interneuron, the AII amacrine cell (AII-AC). In primates, it is not known whether AII-ACs contact all Off-bipolar cell types indiscriminately, or whether their outputs are biased towards specific Off-bipolar cell types. Here, we show that the rod-driven glycinergic output of AII-ACs is strongly biased towards a subset of macaque Off-cone bipolar cells. The Off-bipolar types that receive this glycinergic input have sustained physiological properties and include the Off-midget bipolar cells, which provide excitatory input to the Off-midget ganglion cells (parvocellular pathway). The kinetics of the glycinergic events are consistent with the involvement of the 1 glycine receptor subunit. Taken together with results in mouse retina, our findings point towards a conserved motif whereby rod signals are preferentially routed into sustained Off signaling pathways. Copy rights belong to original authors. Visit the link for more info

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2020.05.16.100008v1?rss=1 Authors: Young, B. K., Ramakrishnan, C., Ganjawala, T., Li, Y., Kim, S., Wang, P., Chen, R., Deisseroth, K., Tian, N. Abstract: Neurons in the CNS are distinguished from each other by their morphology, the types of the neurotransmitter they release, their synaptic connections, and their genetic profiles. While attempting to characterize the retinal bipolar cell (BC) input to retinal ganglion cells (RGCs), we discovered a previously undescribed type of interneuron in mice and primates. This interneuron shares some morphological, physiological, and molecular features with traditional BCs, such as having dendrites that ramify in the outer plexiform layer (OPL) and axons that ramify in the inner plexiform layer (IPL) to relay visual signals from photoreceptors to inner retinal neurons. It also shares some features with amacrine cells, particularly Aii amacrine cells, such as their axonal morphology and possibly the release of the inhibitory neurotransmitter glycine, along with the expression of some amacrine cell specific markers. Thus, we unveil an unrecognized type of interneuron, which may play unique roles in vision. Copy rights belong to original authors. Visit the link for more info

Day444–All you have to do is …你所要做的是……·I can't stand them up.I can't stand them up. I must go我不能放他们鸽子。我必须去。2.  They are waiting for me. I can't stand them up.他们在等我。我不能放他们鸽子。You asked me to break the appointment? No. I can't stand them up.你要我爽约？不行，我不能放他们鸽子。·No worries.No worries. I can manage it.别担心。我可以处理它。No worries. I can help you.别担心。我可以帮助你。No worries. Trust yourself.别担心。相信你自己。·All you have to do is…All you have to do is take a good rest.你所要做的就是好好休息。All you have to do is calm down.你所要做的就是冷静下来。AII you have to do is study hard.你所要做的就是努力学习。 情景模仿1-答疑Professor： So, boys and girls, any questions about the final exam？教授：同学们，对于期末考试还有什么疑问吗·?Students： Professor, how can we pass the exam？学生：教授，我们怎样才能通过考试呢？Professor： Well, all you have to do is go over every chapter and every unit.教授：哦，你们所要做的就是复习每一个章节以及每一个单元Students： (in a ]ow voice ) Mission impossible.学生：(小声地)不可能完成的任务。 情景模仿2-改约Wife：Dear, would you please go shopping with me？ I need to buy a new pair of shoes.妻子：亲爱的，你可以和我一起去逛街吗？我需要买一双新鞋子。Husband：Oh, darling. I would like to. But shall we go tomorrow? I promised my colleagues to go fishing today. I can't stand them up.丈夫；哦，亲爱的。我非常愿意。但是我们可以明天去吗?我答应同事今天去钓鱼的。我不能放他们鸽子啊。Wife：How about this evening? I can't wait till tomorrow.妻子：那晚上怎么样我等不到明天了。Husband：All right. You are a shopaholic.丈夫；好吧。你真是个购物狂。

关注微信公众号：为你读英语美文，获得更完整的原文，音乐资料主播：雄叔绘本：AnAdventure for Robo-dog 机器狗历险记作者：PatThomsonhapter5NightRescue An enormous owl sat on a branch above them.It stared down at them with huge eyes.Teddy saw its hooked beak.Worst of all were its feet.One set of sharp talons held on to thebranch.The other clutched Jilly.Her eyes were shut.Rob whirred. He did not say, "No problem.""Go away!" shouted TeddyThe owl lifted its big wings and hissed.It glared at Teddy.Then it blinked and turned its head.Teddy looked at Rob's light.The owl did not seem to like the brightness.It was then that Teddy had his best idea.He whispered to Rob.Rob nodded and started to talk."Hi there. Good evening. I think youmay have made a mistake."The owl did not move."I expect you think you have a mouse there,"Rob went on."Now, I have to tell you something.Mice do not wear sparkly dresses. No, sir!"As Rob talked, Teddy got hold of a branch.He started to climb. So that was what hisclaws were for!He moved very quietly. He climbed higherand higher.Soon, he was just under the owl's branch.Poor Jilly hung down from the owl's talons.Teddy saw her open one eye.She let one hand drop towards him.She gave a tiny nod."Now!" shouted Teddy, and heroared a grizzly bear roar.He almost frightened himselfRob turned his light straight into the owl'seyes.Teddy grabbed Jilly's hand and pulled.Jilly kicked hard.The owl raised its big wings.Then it flapped away.Jilly and Teddy tumbled down through theleaves.They sat on the ground.AII three had a big hug until they feltbetter."You see?" said Rob. "Noproblem."The sky looked lighter."Time to go home," said Teddy'I've had an adventure at last," said Jilly."You were brave, Teddy.""Me?" said Teddy. He was amazed.They trudged slowly across the lawn"I shall never get through that catflap again," sighed Teddy.Rob pointed to an open window."You're a great climber, Teddy. Go throughthat window. You'll miss out the stairs, too."When Ben woke, the toys were back in thetoy box.He went straight to find Rob.He did not notice Jilly, but he did notice Teddy."Yuk! Teddy," he said."You're all damp."He sat him on the radiator"Come on, Rob." He randownstairs.'I'm just going to have a snooze," saidTeddy.It was lovely and warm on the radiator."Adventures do wear you out, don'tthey?""They do," said Jilly. "Willyou be all right, up there?""No problem," said Teddy,sleepily. 学习秘诀：①：闭眼听完，理解故事，遇生词先甭管，继续往后听；②：快速阅读，验证你听到和看到的剧情是否不搭嘎；③：对照文字再次听故事，这次要注意细节，生词。帅的人都能通过情节和配图猜出生词，先大胆猜，再去问度娘确认。④：反复听音频听到吐，并尝试跟读。⑤：脱离音频，自行朗读。想装逼就背诵全文。整个过程可以在葛优躺的沙发上、在公交地铁里、在洗手间内...可以在ANYWHERE完成！但多数人就是宁可懒死也不肯开金口说英语，这就是为啥成功者只有那么一小撮~主播介绍雄叔：坐标上海，配音，播音重度爱好者，从事互联网教育工作的他经营者自己的微信公众号：熊孩子聚集地策划，主播：雄叔，制作: 永清节目使用的文章，音乐，图片均用于非商业信息传递，版权归作者或版权方所有。如作品存在不当使用的情况，请作者或版权方联系我们协商授权事宜。微信公众号：为你读英语美文官方新浪微博：@为你读英语美文

关注微信公众号：为你读英语美文，获得更完整的原文，音乐资料主播：雄叔绘本：AnAdventure for Robo-dog 机器狗历险记作者：PatThomsonhapter5NightRescue An enormous owl sat on a branch above them.It stared down at them with huge eyes.Teddy saw its hooked beak.Worst of all were its feet.One set of sharp talons held on to thebranch.The other clutched Jilly.Her eyes were shut.Rob whirred. He did not say, "No problem.""Go away!" shouted TeddyThe owl lifted its big wings and hissed.It glared at Teddy.Then it blinked and turned its head.Teddy looked at Rob's light.The owl did not seem to like the brightness.It was then that Teddy had his best idea.He whispered to Rob.Rob nodded and started to talk."Hi there. Good evening. I think youmay have made a mistake."The owl did not move."I expect you think you have a mouse there,"Rob went on."Now, I have to tell you something.Mice do not wear sparkly dresses. No, sir!"As Rob talked, Teddy got hold of a branch.He started to climb. So that was what hisclaws were for!He moved very quietly. He climbed higherand higher.Soon, he was just under the owl's branch.Poor Jilly hung down from the owl's talons.Teddy saw her open one eye.She let one hand drop towards him.She gave a tiny nod."Now!" shouted Teddy, and heroared a grizzly bear roar.He almost frightened himselfRob turned his light straight into the owl'seyes.Teddy grabbed Jilly's hand and pulled.Jilly kicked hard.The owl raised its big wings.Then it flapped away.Jilly and Teddy tumbled down through theleaves.They sat on the ground.AII three had a big hug until they feltbetter."You see?" said Rob. "Noproblem."The sky looked lighter."Time to go home," said Teddy'I've had an adventure at last," said Jilly."You were brave, Teddy.""Me?" said Teddy. He was amazed.They trudged slowly across the lawn"I shall never get through that catflap again," sighed Teddy.Rob pointed to an open window."You're a great climber, Teddy. Go throughthat window. You'll miss out the stairs, too."When Ben woke, the toys were back in thetoy box.He went straight to find Rob.He did not notice Jilly, but he did notice Teddy."Yuk! Teddy," he said."You're all damp."He sat him on the radiator"Come on, Rob." He randownstairs.'I'm just going to have a snooze," saidTeddy.It was lovely and warm on the radiator."Adventures do wear you out, don'tthey?""They do," said Jilly. "Willyou be all right, up there?""No problem," said Teddy,sleepily. 学习秘诀：①：闭眼听完，理解故事，遇生词先甭管，继续往后听；②：快速阅读，验证你听到和看到的剧情是否不搭嘎；③：对照文字再次听故事，这次要注意细节，生词。帅的人都能通过情节和配图猜出生词，先大胆猜，再去问度娘确认。④：反复听音频听到吐，并尝试跟读。⑤：脱离音频，自行朗读。想装逼就背诵全文。整个过程可以在葛优躺的沙发上、在公交地铁里、在洗手间内...可以在ANYWHERE完成！但多数人就是宁可懒死也不肯开金口说英语，这就是为啥成功者只有那么一小撮~主播介绍雄叔：坐标上海，配音，播音重度爱好者，从事互联网教育工作的他经营者自己的微信公众号：熊孩子聚集地策划，主播：雄叔，制作: 永清节目使用的文章，音乐，图片均用于非商业信息传递，版权归作者或版权方所有。如作品存在不当使用的情况，请作者或版权方联系我们协商授权事宜。微信公众号：为你读英语美文官方新浪微博：@为你读英语美文

关注微信公众号：为你读英语美文，获得更完整的原文，音乐资料 主播：雄叔绘本：AnAdventure for Robo-dog 机器狗历险记作者：PatThomson Chapter2Downthe Stairs 'Tm bored," said a voice. It was astrange voice.It sounded like a computer."Let's go, go, go.”It was the robot dog."Who are you?" asked a do l."Hi there! I'm Rob, "said thedog.He wagged his metal tail"Well, mind my dress," said thedoll."The sparkly bits come off veryeasily.""No problem," answered Rob.'Tm Jilly," the doll added.“I belong to Sarah. That's Teddy."A furry teddy bear in the bottom of the boxsat up. He rubbed his eyes with his paws. He looked half asleep. “So come on. Let's go and see the nightlife," said Rob.Jilly and Teddy stared at him."What? Go downstairs?" saidJilly."We never go anywhere. We stayput.""Time for a change then," saidRob, cheerfully."Let's go, go, go." Jillygiggled."AII right," she said. "Letme take off my high heeled shoes first."Then she climbed out of the box.She was good at climbing. "Coming, Teddy?"Rob began to move smoothly.He was whirring gently."It's very dark," said Teddy."No problem," answered Rob.A light, set in his head, switched on.It made a bright, narrow path in front ofRob."That's good," said Jilly."1 want an adventure.” "Don't leave me," squeaked Teddy.He scrambled out of the box.He did not feel very happy. He did not wantan adventure.Adventures were dangerous.He sighed and hurried after them. 学习秘诀：①：闭眼听完，理解故事，遇生词先甭管，继续往后听；②：快速阅读，验证你听到和看到的剧情是否不搭嘎；③：对照文字再次听故事，这次要注意细节，生词。帅的人都能通过情节和配图猜出生词，先大胆猜，再去问度娘确认。④：反复听音频听到吐，并尝试跟读。⑤：脱离音频，自行朗读。想装逼就背诵全文。整个过程可以在葛优躺的沙发上、在公交地铁里、在洗手间内...可以在ANYWHERE完成！但多数人就是宁可懒死也不肯开金口说英语，这就是为啥成功者只有那么一小撮~ 主播介绍雄叔：坐标上海，配音，播音重度爱好者，从事互联网教育工作的他经营者自己的微信公众号：熊孩子聚集地 策划，主播：雄叔，制作: 永清 节目使用的文章，音乐，图片均用于非商业信息传递，版权归作者或版权方所有。如作品存在不当使用的情况，请作者或版权方联系我们协商授权事宜。 微信公众号：为你读英语美文官方新浪微博：@为你读英语美文

关注微信公众号：为你读英语美文，获得更完整的原文，音乐资料 主播：雄叔绘本：AnAdventure for Robo-dog 机器狗历险记作者：PatThomson Chapter2Downthe Stairs 'Tm bored," said a voice. It was astrange voice.It sounded like a computer."Let's go, go, go.”It was the robot dog."Who are you?" asked a do l."Hi there! I'm Rob, "said thedog.He wagged his metal tail"Well, mind my dress," said thedoll."The sparkly bits come off veryeasily.""No problem," answered Rob.'Tm Jilly," the doll added.“I belong to Sarah. That's Teddy."A furry teddy bear in the bottom of the boxsat up. He rubbed his eyes with his paws. He looked half asleep. “So come on. Let's go and see the nightlife," said Rob.Jilly and Teddy stared at him."What? Go downstairs?" saidJilly."We never go anywhere. We stayput.""Time for a change then," saidRob, cheerfully."Let's go, go, go." Jillygiggled."AII right," she said. "Letme take off my high heeled shoes first."Then she climbed out of the box.She was good at climbing. "Coming, Teddy?"Rob began to move smoothly.He was whirring gently."It's very dark," said Teddy."No problem," answered Rob.A light, set in his head, switched on.It made a bright, narrow path in front ofRob."That's good," said Jilly."1 want an adventure.” "Don't leave me," squeaked Teddy.He scrambled out of the box.He did not feel very happy. He did not wantan adventure.Adventures were dangerous.He sighed and hurried after them. 学习秘诀：①：闭眼听完，理解故事，遇生词先甭管，继续往后听；②：快速阅读，验证你听到和看到的剧情是否不搭嘎；③：对照文字再次听故事，这次要注意细节，生词。帅的人都能通过情节和配图猜出生词，先大胆猜，再去问度娘确认。④：反复听音频听到吐，并尝试跟读。⑤：脱离音频，自行朗读。想装逼就背诵全文。整个过程可以在葛优躺的沙发上、在公交地铁里、在洗手间内...可以在ANYWHERE完成！但多数人就是宁可懒死也不肯开金口说英语，这就是为啥成功者只有那么一小撮~ 主播介绍雄叔：坐标上海，配音，播音重度爱好者，从事互联网教育工作的他经营者自己的微信公众号：熊孩子聚集地 策划，主播：雄叔，制作: 永清 节目使用的文章，音乐，图片均用于非商业信息传递，版权归作者或版权方所有。如作品存在不当使用的情况，请作者或版权方联系我们协商授权事宜。 微信公众号：为你读英语美文官方新浪微博：@为你读英语美文