Podcasts about Dean Cundey

Send a textA misfit group of unwitting podcasters stumble upon a cursed ancient Aztec Death Whistle. They discover that placing their lips on the whistle will summon strange new feelings deep inside them. On Episode 711 of Trick or Treat Radio our feature film discussion is the horror flick Whistle from director Corin Hardy! We also talk about 90s teen horror, films with great soundtracks, and react to trailers for the films; Hokum and The Serpent's Skin! So grab your favorite ancient cursed artifact, avoid taking drugs from the local youth pastor, and strap on for the world's most dangerous podcast!Stuff we talk about: Shudder, Joe Bob Briggs, good sized libraries, old school horror hosts, The Last Drive In, upset horror fans, Fangoria Chainsaw Awards, Manny Ramirez, Drew Peacock, Friday the 13th, Happy Jason Day, The Andromeda Strain, Godzilla, Monarch, Apple TV+, Kurt Russell, Parasite, Demi Moore, Superstition, The Slumber Party Massacre, Evil Dead II, Demonic Toys, The Rage: Carrie 2, Wishmaster II, The Lost Skeleton of Cadavra, Secret Window, Suicide Girls Must Die, Unaware, The Innkeepers, Ti West, Evidence, Big Ass Spider, The Ranger, Snatchers, Jeremy Holm, Incarnate, The Wicker Man, Slaughter of the Innocents, Monkeyshines, Ron Jeremy, Terror Firmer, Poultrygeist, Svengoolie, Caren Kaye, Dean Cundey, The Fog, Megatron, Scooby-Doo, Frank Welker, Peter Cullen, Corey Burton, Dan Gilvezan, Scream and Scream Again, Donald Webster, Robert Painter, Over the Top, Hokum, Adam Scott, Oddity, Caveat, The Zombie Grrlz, More Deadly Podcast, The Serpent's Skin, Alice Maio Mackay, Charmed, Buffy the Vampire Slayer, RIP Jennifer Runyon, Carnosaur, The Crow, Whistle, Corin Hardy, The Crow, Jason Mamoa, The Hallow, The Nun, Glenn Fabry, Nick Frost, Sophie Nelisse, Dafne Keen, Donnie Darko, My Bloody Valentine, The Breakfast Club, Nightmare on Elm St: Dream Master, Wes Craven, Paul Verhoven, The Ruins, Jena Malone, Aztec Death Whistles, “The Hellraiser Rubik's Cube”, The Faculty, The Guest, Blade II, Fouls Balls, Sirat, One Battle After Another, Buckfast, Michael Jackson Biopic, Django Unchained, Drum, Drum, Hokum if you got em, vegan Aztec death whistle, Wrap It Slap It and Put Your Lips Around It, and The Patreon Pimp.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

This is a short bonus episode with a very specific purpose. Patrick Tyndall and I are in the middle of a GoFundMe campaign to get us back to Los Angeles to finish filming Not Your Average Joe, our documentary about legendary production designer Joe Alves. This episode is me explaining where the project is at, what we've already achieved, and why this upcoming LA trip feels so important. We'll be in Los Angeles from 22–28 February 2026, filming interviews and B-roll that cover some key chapters of Joe's life and career, including:Joe's short but intense motor racing career, including racing alongside Dickie SmothersThe story of Joe introducing a major Hollywood actor to racing, setting them on a path to a serious motorsport careerAn interview with Alec Gillis the effects artist who built the articulated sharks for Jaws 3A conversation with Ann Dusenberry, who worked closely with Joe on Jaws 2An interview with Dean Cundey, cinematographer on Escape from New YorkOngoing efforts to involve Steven Spielberg in the projectThe documentary has only been shot over a relatively small number of days so far, all fitted around regular jobs and family life, but the material we've captured already has been incredible. This next trip is about joining the dots and getting the remaining pieces that will allow us to bring Joe's story properly over the finish line. At the time of recording, the GoFundMe is sitting at around $1,000, and we need roughly $3,000 to make the trip work. Any contribution helps, but just as importantly, sharing the campaign on social media genuinely makes a difference. If you've ever enjoyed the podcast, the articles, or the behind-the-scenes conversations, this is me asking for a bit of help to make sure this story gets told. Donate here!This podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links

In this episode, we welcome Ben Leonberg. Ben wrote, produced and directed Good Boy, the new horror film now playing in theaters nationwide. In our chat, he shares about the inspiration and making of this unique supernatural thriller, what it was like working with his dog as the lead actor, and the technologies used to capture this story. Ben also provides insights into the film's path to distribution, and offers practical advice for independent filmmakers everywhere. “The Making Of” is presented by AJA:UDC-4K: More than just an average 12G-SDI and HDMI up/down/cross converterAJA's newest Mini-Converter boasts powerful 12G-SDI and HDMI 2.0 I/O, 4K/UltraHD/2K/HD scaling, frame sync, frame rate conversion, and more. Unlocking an expansive range of conversion possibilities, UDC-4K enables teams to get disparate sources into a common format and timing reference. Explore how UDC-4K solves some of the most common production and post challenges.The Making Of “Halloween”: An Exclusive Evening with Dean Cundey, ASC, CSCWednesday, Oct. 29 | Los AngelesJoin us in-person for a conversation with legendary cinematographer Dean Cundey, ASC, CSC as he discusses his work on this landmark horror film!ZEISS Cinema Showroom | 5:00 - 8:00pm PDTFree tickets hereNext-Gen DIY Storage, UnleashedThe OWC Express 1M2 80G delivers over 6000 MB/s real-world performance using the latest USB4 v2 (80 Gb/s) interface, with Thunderbolt 5 compatibility for next-gen workflows. Choose a ready-to-run or DIY enclosure—upgradeable to 8 TB using NVMe M.2 SSDs. Its passive heatsink design ensures silent, consistent speeds, all in a bus-powered, palm-sized form factor. Explore hereVimeo Chicago Event:Wednesday, Oct. 29 | Siskel Film CenterA night of inspiring Vimeo Staff Picks + live filmmaker commentary!6:30pm Doors7:30-9pm Films + commentary 9-10:30pm Reception (complimentary drinks + bites)Free tickets hereIntroducing Ninja TX:Introducing Ninja TX, the all-new addition to the Ninja family. It's equipped with 12G-SDI and HDMI, so now you can monitor & record from any pro camera to ultra-fast CFexpress media or external USB-C storage. You also get built in Wi-Fi for C2C workflows and AirGluTM timecode for multicam projects, all in a lightweight, compact 5-inch form factor. Atomos Ninja TX is available for pre-order for only $999 at Videoguys.com. Learn more herePodcast Rewind:Oct. 2025 - Ep. 101…Advertise in “The Making Of” and reach 250K filmmakers, TV production pros, & content creators each week. For more info, email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

In this episode, we welcome two-time Oscar-nominated cinematographer Jeff Cronenweth, ASC. Jeff has shot films including Fight Club, One Hour Photo, The Social Network, The Girl with the Dragon Tattoo, Hitchcock, Gone Girl, Being the Ricardos, and Tron: Ares. In our chat, Jeff shares his origin story, experiences working with David Fincher — and all about his latest movie, Tron: Ares. He also offers extensive insights and recommendations for today's cinematographers and filmmakers.“The Making Of” is presented by AJA:UDC-4K: More than just an average 12G-SDI and HDMI up/down/cross converterAJA's newest Mini-Converter boasts powerful 12G-SDI and HDMI 2.0 I/O, 4K/UltraHD/2K/HD scaling, frame sync, frame rate conversion, and more. Unlocking an expansive range of conversion possibilities, UDC-4K enables teams to get disparate sources into a common format and timing reference. Explore how UDC-4K solves some of the most common production and post challenges.TMO Presents…The Making Of “Halloween”: An Exclusive Evening with Dean Cundey, ASC, CSCWed., Oct. 29 | Los AngelesJoin us in-person for a conversation with legendary cinematographer Dean Cundey, ASC, CSC as he discusses his work on this landmark horror film!ZEISS Cinema Showroom | 5:00 - 8:00pm PDTFree Tickets hereNext-Gen DIY Storage, UnleashedThe OWC Express 1M2 80G delivers over 6000 MB/s real-world performance using the latest USB4 v2 (80 Gb/s) interface, with Thunderbolt 5 compatibility for next-gen workflows. Choose a ready-to-run or DIY enclosure—upgradeable to 8 TB using NVMe M.2 SSDs. Its passive heatsink design ensures silent, consistent speeds, all in a bus-powered, palm-sized form factor. Explore hereVimeo Chicago Event:Wed., Oct. 29 • Siskel Film CenterA night of inspiring Vimeo Staff Picks + live filmmaker commentary!6:30pm Doors7:30-9pm Films + commentary 9-10:30pm Reception (complimentary drinks + bites)Free tickets hereIntroducing Ninja TX:Introducing Ninja TX, the all-new addition to the Ninja family. It's equipped with 12G-SDI and HDMI, so now you can monitor & record from any pro camera to ultra-fast CFexpress media or external USB-C storage. You also get built in Wi-Fi for C2C workflows and AirGluTM timecode for multicam projects, all in a lightweight, compact 5-inch form factor. Atomos Ninja TX is available for pre-order for only $999 at Videoguys.com. Learn more herePodcast Rewind:Oct. 2025 - Ep. 100…Advertise in “The Making Of” and reach 250,000 filmmakers, TV production pros, and content creators every week. For more info, email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

In this 100th episode, we welcome two-time Oscar nominated cinematographer Seamus McGarvey, ASC, BSC. Seamus has shot films including High Fidelity, The Hours, Atonement, The Soloist, We Need to Talk About Kevin, The Avengers, Anna Karenina, Fifty Shades of Grey, Nocturnal Animals, The Accountant, The Greatest Showman, and Die My Love. In our chat, Seamus shares his origin story, about his longtime collaboration with Lynne Ramsay, insights into shooting on 35mm, and about the making of Die My Love. He also offers recommendations for the next generation of creators.“The Making Of” is presented by AJA:UDC-4K: More than just an average 12G-SDI and HDMI up/down/cross converterAJA's newest Mini-Converter boasts powerful 12G-SDI and HDMI 2.0 I/O, 4K/UltraHD/2K/HD scaling, frame sync, frame rate conversion, and more. Unlocking an expansive range of conversion possibilities, UDC-4K enables teams to get disparate sources into a common format and timing reference. Explore how UDC-4K solves some of the most common production and post challenges.TMO Presents…The Making Of “Halloween”: An Exclusive Evening with Dean Cundey, ASC, CSCWednesday, Oct. 29 | Los Angeles Join us in-person for a conversation with legendary cinematographer Dean Cundey, ASC, CSC as he discusses his work on the landmark horror film!ZEISS Cinema Showroom | 5:00 - 8:00pm PDTFree tickets available hereNext-Gen DIY Storage, UnleashedThe OWC Express 1M2 80G delivers over 6000 MB/s real-world performance using the latest USB4 v2 (80 Gb/s) interface, with Thunderbolt 5 compatibility for next-gen workflows. Choose a ready-to-run or DIY enclosure—upgradeable to 8 TB using NVMe M.2 SSDs. Its passive heatsink design ensures silent, consistent speeds, all in a bus-powered, palm-sized form factor. Explore hereIntroducing Ninja TX:Introducing Ninja TX, the all-new addition to the Ninja family. It's equipped with 12G-SDI and HDMI, so now you can monitor & record from any pro camera to ultra-fast CFexpress media or external USB-C storage. You also get built in Wi-Fi for C2C workflows and AirGluTM timecode for multicam projects, all in a lightweight, compact 5-inch form factor. Atomos Ninja TX is available for pre-order for only $999 at Videoguys.com. Learn more hereVimeo NYC Event:Thursday, Oct. 23 | Florence Gould TheaterA night of inspiring Vimeo Staff Picks + live filmmaker commentary!6:30pm Doors7:30 - 9pm Films + commentary 9:00 - 11pm Reception - free drinks + bites!Free Passes herePost|Production World NY 2025:We're proud to support Post|Production World NY 2025, October 22–23 at NAB Show New York. Join editors, filmmakers, and creators for two days of expert-led sessions in color grading, cinematography, workflows, and creative AI. Save 15% with code FMCP15. Get your pass herePodcast Rewind:Oct 2025 - Ep. 99…Advertise in “The Making Of” and reach 250K filmmakers, TV production pros, and content creators each week. For more info, email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Episode 136: A Martha's Vineyard special report on the Joe Alves Documentary shoot. This week's episode is a little different. It is a behind the scenes update on our ongoing feature documentary about production designer and director Joe Alves (Jaws, Close Encounters, Escape from New York, Jaws 2, Jaws 3D). I take you through our trip to Martha's Vineyard in June 2024 to capture Joe's return to the island for the 50th anniversary of Jaws. Thanks to your generosity, we raised over £7,000 to cover the travel, ferry, car hire, and accommodation. Every penny went into the shoot. In this episode, I share:The challenges and triumphs of making the trip possibleShooting new interviews with Joe Alves, Marty Milner, Charles de Lauzirika, and Richard DreyfussFilming at iconic Jaws locations including Menemsha and the 4th July beach.The overwhelming warmth of the Jaws community and the atmosphere of the anniversary celebrationsHow the project has evolved from a short film idea into a full feature documentaryYour support is still needed!We still have more to do, including chasing interviews with Dean Cundey, John Carpenter, Lea Thompson, and Steven Spielberg. If you would like to support the film, visit the GoFundMe link in the show notes. Thanks again for helping us push this project forward. We could not do it without you. Support the documentary GoFundMeThis podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links

Dan and Brian wrap Maxi-Month and Mini-Month with the series that got Brian on the big-small kick as a kid in the first place. They review all three movies in the Honey I Shrunk the Kids trilogy, plus the spinoff TV show. Join as Dan and Brian discuss other possible Maxi-Month and Mini-Month selections, the strange history and astounding production of the original film, the bizarre family dynamics, the casting of Rick Moranis, the upsetting aspects of the giant baby, the unlikely illicit party, late-series character additions and casting changes, and the wild and wonderful filmography of Dean Cundey. Dan's movie reviews: http://thegoodsreviews.com/ Subscribe, join the Discord, and find us on Letterboxd: http://thegoodsfilmpodcast.com/

The late 1970s/early 80s were a fabulous time for escapism.  Whether it was to Witch Mountain, from Alcatraz, or from the band Journey.  Or whether you were just escaping "the greasies" with Agree.  Eric & Ser hope you agree that this movie is the true Great Escape.  Send us a text

After diving into some of my classic movies I found myself completely astounded by how much "The Parent Trap" holds up after all these years. It's the perfect blend of family entertainment, cinematic presentation with great writing. Dean Cundey has an INSANE resume and people often overlook the greatness of his work that includes The Parent Trap.

Dana and Tom with special guests, Alex Doffek and Thomas Baches, redo their episode of Back to the Future from Season 1. Back to the Future (1985): written and directed by Robert Zemeckis with Bob Gale, cinematography by Dean Cundey, music by Alan Silvestri, starring Michael J. Fox, Christopher Lloyd, Lea Thompson, and Crispin Glover.Plot Summary: In 1985, Marty McFly, an average teenager, finds himself accidentally embarking on the most extraordinary adventure of his life. Through a twist of fate, he ends up transported back to the year 1955 in a time-traveling DeLorean. As he navigates the charming yet unfamiliar world of the 1950s, Marty must ensure his parents still fall in love, overcoming the odds of high school drama and the villainous Biff Tannen.With the clock ticking, Marty races against time, seeking Doc Brown's help to harness the power of a lightning strike to fuel the DeLorean and propel him back to the future. Through humor, heart, and a pulse-pounding sense of adventure, "Back to the Future" weaves a timeless story of self-discovery, love, and the extraordinary impact one person can have on the course of history.Guests:Alex Doffek - Thomas' UncleThomas Baches - Alex's Best FriendChapters:00:00 Introduction and Welcome Back Alex and Thomas03:14 Cast and Background for Back to the Future06:43 Relationship(s) with Back to the Future10:46 What is Back to the Future About?14:12 Whom Does Dana Understand Better?15:36 How is Back to the Future Remembered?19:26 Plot Summary for Back to the Future20:34 Did You Know?22:09 First Break22:54 Best Performance(s)33:09 Best Scene(s)44:43 Second Break45:25 In Memoriam47:49 Best/Funniest Lines51:22 The Stanley Rubric - Legacy58:16 The Stanley Rubric - Impact/Significance01:03:08 The Stanley Rubric - Novelty01:12:01 The Stanley Rubric - Classicness01:21:12 The Stanley Rubric - Rewatchability01:24:53 The Stanley Rubric - Audience Score and Final Total01:26:33 Remaining Questions for Back to the Future01:43:57 Thank You to Alex and Thomas01:45:40 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/back-to-the-future-1985-redux-ft-alex-doffek-and-thomas-bachesFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:Back to the Future, character analysis, cultural impact, time travel, film legacy, storytelling, performances, movie discussion, film analysis, performance, Hollywood, iconic scenes, character dynamics, political commentary, legacy, originality, cinematography, voyeurism, timelessness, favorite scenes, indelible moments, rewatchability, Michael J Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, Robert Zemeckis, Bob Gale, Marty McFly, Doc Brown, BiffRonny Duncan Studios

The terrifying story of a middle aged man going into a scary, dank house full off terror and fear. But enough about Chris' garage, we're here to have a nice old chat about the sequel to one of the most famous 'terror films' of all time.  No, not Leprechaun.  It's 1983's PSYCHO II.END CREDITS- Presented by Robert Johnson and Christopher Webb- Produced/edited by Christopher Webb- "Still Any Good?" logo designed by Graham Wood & Robert Johnson- Crap poster mock-up by Christopher Webb- Theme music ("The Slide Of Time") by The Sonic Jewels, used with kind permission(c) 2025 Tiger Feet ProductionsFind us:Twitter @stillanygoodpodInstagram @stillanygoodpodBluesky @stillanygood.bsky.socialEmail stillanygood@gmail.comSupport the show

This week, Drusilla and Josh discuss the exploitation video nasty classic, The Witch Who Came from the Sea (1976). From wiki: “The Witch Who Came from the Sea is a 1976 American psychological horror film produced and directed by Matt Cimber and starring Millie Perkins, Lonny Chapman, Vanessa Brown, Peggy Feury, Rick Jason, George Buck Flower, and Roberta Collins. The film centers on an emotionally scarred woman who goes on a killing spree after taking a job as a waitress in a seaside bar. Its title refers to The Birth of Venus, which figures in the film. Dean Cundey served as associate photographer on the film.Also discussed: Luis Bunuel's Mexican films, El in particular, Pink Narcissus, Alison's Birthday (1981), Identikit (1974), GLOW, video nasties, Jayne Mansfield, and more.  Next Week: Blood and Black Lace (1964)Follow them across the internet:Bloodhaus: https://www.bloodhauspod.com/https://twitter.com/BloodhausPodhttps://www.instagram.com/bloodhauspod/ Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/ Joshua Conkelhttps://www.joshuaconkel.com/https://bsky.app/profile/joshuaconkel.bsky.socialhttps://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

Belated sequels to monumental, genre-defining classics always walk on a knife edge! They can be a worthwhile elaboration upon the original, recontextualised for a new era, or they can be cynical cashgrabs forever consigned as a footnote to cinema history. Australian director Richard Franklin's Psycho II (1983) benefits from returning cast members Vera Miles and, of course, Anthony Perkins, a twisty turny psychological mystery script from Fright Night's Tom Holland, a disturbing score from Jerry Goldsmith and cinematography from John Carpenter regular Dean Cundey. But is it just a pretender in a classic movie's clothes? Or should it be released from custody to set up a new franchise? Find out! Support us on Patreon to nominate future films, vote on whether films should be released or thrown back, and access exclusive bonus content! Follow us on Tiktok, Facebook, Instagram and Bluesky.

This week we take a look at Bryan's favorite movie of all time, John Carpenter's tough guy action dystopia that definitely shook the Disney off of Kurt Russell and reintroduced him as a premier action movie star for the 1980's. We track the entire trajectory of this movie's production, we'll tell you why everyone thinks Snake Plissken is dead, you'll find out about all the other guys that the production company wanted over Kurt Russell, how director of photography, Dean Cundey engineered an entirely new anamorphic lens just to see the movie at night without sacrificing all the awesome lighting. It's a once-in-a-lifetime action movie that set the pace for the decade and inspired everyone to try their hand (and mostly fail) at making their own version of the movie.Carpenter had access to more money than he'd work with before and still had to stretch a dollar to make the movie and he managed to knock it out of the park on every front. The cast is stacked. The production design is second-to-none, and the soundtrack is just perfect. Listen in and learn all about it.Support Bring Me The Axe on Patreon!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠

Soutenez nous sur Patreon Forfait 3€ épisode en accès anticipé sans pub Forfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs Considéré comme le maître de l'horreur ou l'Anti-Spielberg, il a mis en scène forcément l'un de vos films préférés Halloween, The Thing, Escape from New York, They Live, The Fog, Assault, Prince des Ténèbres, Vampires ,L'antre de la folie et même Big Trouble in China pour les fous du bus. Pourtant méprisé par les institutions intellectuelles et les producteurs des majors, John Carpenter a littéralement fait le cinéma, le cinéma d'horreur et la popculture des années 80's/90's en mettant en scène le mal à l'état pur, la peur métaphysique, la peur des autres qui a terrorisé plusieurs générations d'ados et ayant influencé quasiment tous les artistes contemporains que ce soit au cinéma, à la musique ou les jeux vidéos. Un réalisateur iconique qui était aussi entouré d'une équipe qui l'était tout autant notamment son chef-op Dean Cundey qui aura lui aussi fait les plus grands films de Spielberg et Zemeckis. Passé le début des années 90's, Carpenter enchaîne les bides, non pas au box-office où il n'a jamais été un cheval de guerre, mais même ses plus grands fans ont du mal à défendre ses productions comme Escape from LA ou Vampires, mais le film qui va définitivement finir sa carrière sera en 2001 avec Ghosts of MarsUn ratage tel qu'il sera dégouté de la réalisation et préféra la NBA, le synthé, la Playstation et la thune des fans en convention prêt à payer le prix fort pour faire des photos avec lui jusqu'à la fin de sa chienne de vie.Enregistré en live sur notre chaîne twitch ABONNEZ-VOUS ! Rattrapez le live sur notre chaine youtubeChroniqueur.e.es : Marvin MONTES, Mathieu BONTEMPS et présenté par Luc LE GONIDECHost : Luc LE GONIDECMusique Jean Baptise BLAIS Montage et mixage son : Luc LE GONIDEC Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Today, my guest is a prolific cinematographer, accomplished photographer, and member of the American Society of Cinematographers, Dean Cundey A.S.C.Dean rose to fame for extraordinary cinematography in the 1980s and 1990s. His early start was working on the set of Halloween.  Dean is credited as director of photography on five Back To The Future films and Jurassic Park.The Halloween slasher franchise consisted of eleven films and was initially released in 1978. The films primarily focus on Michael Myers, who was committed to a sanitarium as a child for the murder of his sister, Judith Myers. Fifteen years later, he escapes to stalk and kill the people of the fictional town of Haddonfield, Illinois. Michael's killings occur on the holiday of Halloween, on which all of the films primarily take place.The second film, one of which Cundey served as director of photography, was based on Marty McFly, who had only just gotten back from the past when he is once again picked up by Dr. Emmett Brown and sent through time to the future. Marty's job in the future is to pose as his son to prevent him from being thrown in prison. Unfortunately, things get worse when the future changes the present.The three Back To The Future films Dean worked on grossed $388.8, $336, and $243 million globally, becoming all-time hits on budgets of $19, $40, and $40 million.Cundey is cited as being amongst some of the best directors of photography. In addition to his lighting skills, particularly in the famous hallway scene where the hidden face of Michael Myers, played by writer/director Nick Castle, is slowly revealed by way of a blue light next to the mask, he was among the first cinematographers to make use of a recent invention called the Steadicam, or paraglide.Some other shows and movies he's worked on include, Who Framed Roger Rabbit, Tales of the Unexpected, Romancing the Stone, Invitation To Hell, Big Trouble in Little China, etc.Who Framed Roger Rabbit; A toon-hating detective is a cartoon rabbit's only hoping to prove his innocence when he is accused of murder. Basically, 'Toon star Roger is worried that his wife Jessica is playing pattycake with someone else, so the studio hires detective Eddie Valiant to snoop on her. But the stakes are quickly raised when Marvin Acme is found dead, and Roger is the prime suspect. Groundbreaking interaction between the live and animated characters, and lots of references to classic animation.Dean grew up an avid reader of the American Cinematographer magazines he would buy after school from a local camera shop close by. That was how his inspiration to pursue filmmaking came about. He shifted his focus to theater history while still taking some architectural design classes at California State University before he ultimately enrolled at the University of California Los Angeles film school.In 1993 Jurassic Park, Dean made a minor appearance as a boat crew member (Mate) while also staffed as director of photography. The film follows a pragmatic paleontologist visiting an almost complete theme park tasked with protecting a couple of kids after a power failure causes the park's cloned dinosaurs to run loose. Huge advancements in scientific technology have enabled a mogul to create an island full of living dinosaurs.A park employee attempts to steal dinosaur embryos, critical security systems are shut down, and it now becomes a race for survival with dinosaurs roaming freely over the island.Cundey holds over one hundred and fifty cinematography & photography credits for movies, television, and short films. That is no small feat in this business. The man has stayed busy and booked since graduation from film school. That kind of consistency in Hollywood is only doable by having extreme persistence and excellence. One of the many things he did to stay prepared and on top of his craft was investing into building himself a ‘super van' or one couple call it a cinematographer's heaven that contained every equipment (cameras, editing's tools, etc.) required to help him get work get and do work easily.We talk more about Dean joining The Book of Boba Fett and The Mandalorian crew as well. Check it all out in our chat.Enjoy my conversation with Dean Cundey.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Nouvelle saison et déjà nouvelle embrouille puisque pour ce premier podcast de la saison 4 de Shitlist, nous avons décidé de ne pas nous échauffer, et aller directement dans le tas et de parler ensemble du film doudou générationnel qui a bercé l'enfance de bons nombres de cinéphiles et d'adorateur de la POPCULTURE Produit avec un budget de 70 millions de dollars coproduit entre Amblin et Sony via sa société Tristar Pictures. Idée du film à la base de Nick Castle, l'acteur qui interprète Michael Myers dans Halloween de Carpenter.Script écrit par Jim V.Hart et Malia Scotch Marmo.Réalisé par Steven Spielberg et accompagné à la photo de Dean Cundey, un des plus éminents chef op des années 80 puisqu'il est derrière la lumière de la trilogie Retour vers le futur, The Thing, Escape from New York, Halloween, qui veut la peau de Roger Rabbit et entre autre le film Road House Le temps a passé et Peter Pan incarné par Robin Williams a vieilli et oublié le Pays imaginaire. Il a épousé Moira, la petite-fille de Wendy, avec qui il a eu deux enfants, et est devenu Peter Banning, un avocat d'affaires obsédé par son travail. Mais le capitaine Crochet sous les traits de Dustin Hoffman, qu'il croyait mort, fait enlever ses enfants. Soutenez nous sur PatreonForfait 3€ épisode en accès anticipé sans pubForfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs La liste de la Shitlist sur Senscritiquehttps://www.senscritique.com/liste/la_shitlist/3657768? La liste de la Shitlist sur Letterboxd par WongKarWaifu https://boxd.it/pQN3e Soutenez nous sur PatreonForfait 3€ épisode en accès anticipé sans pubForfait 5 € épisode en accès anticipé sans Pub + Accès aux Podcasts Exclusifs Si vous souhaitez soutenir ou aider notre Podcast Shitlist gratuitementNous vous demandons simplement de mettre des commentaires 5 étoiles avec un joli commentaire sur Apple Podcasts, Itunes ou Podcast Addict en vous remerciant par avance. Par ailleurs vous avez toujours la possibilité de nous envoyer vos suggestions de sujet pour qu'on en parle dans l'émission à l'adresse suivante shitlistpodcast@gmail.com Enregistré en live sur notre chaîne twitch ABONNEZ-VOUS ! Rattrapez le live sur notre chaine youtube Ne ratez aucun numéro, suivez-nous sur Twitter et Instagram Chroniqueur.e.es : Marvin MONTES, Manu.e PEUDON, Karim BERRADIA et présenté par Luc LE GONIDEC Host : Luc LE GONIDECMusique Jean Baptise BLAISMontage et mixage son : Luc LE GONIDEC

Steve & Izzy continue Squatchtember, where they celebrate movies about everybody's favorite cryptid, as they are joined by Jeff of the Suns & Shadows Podcast to discuss 1976's "Creature from Black Lake" starring Jack Elam, a bunch of guys from other westerns& more!!! Did that say Dean Cundey? What kind of a name is Pahoo? Do the tents in this movie have Tardis technology? What does Jimmy Carter have to do with this episode?!? Let's find out!!! So kick back, grab a few brews, get that degree in cryptozoology, and enjoy!!! This episode is proudly sponsored by Untidy Venus, your one-stop shop for incredible art & gift ideas at UntidyVenus.Etsy.com and be sure to follow her on Twitter, Facebook, Instagram & Patreon at @UntidyVenus for all of her awesomeness!!! Try it today!!! Twitter - www.twitter.com/eilfmovies Facebook - www.facebook.com/eilfmovies Etsy - www.untidyvenus.etsy.com TeePublic - www.teepublic.com/user/untidyvenus Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we take a giant leap to the classic Ron Howard historical space drama from 1995 Apollo 13. We leapt here with cinematographer Dean Cundey. We hope you enjoy our review!

The Fog & Death Becomes Her. This week, we're watching two of our favorites from the Dean of Darkness, cinematographer Dean Cundey! Hosted on Acast. See acast.com/privacy for more information.

AJ, Mike, and Chris travel back to 1994 when Professor Wayne Szalinski had to admit to his wife, "Honey, I Shrunk the Audience!" Join us as we explore the birth of the Imagination Institute and Eric Idle's portrait of Dr. Nigel Channing. We explore insights into the complex effects of this 4D film from its director, Radal Kleiser, and describe how each of the ground breaking in-theater effects were achieved. So grab your safety googles, pick your feet up off the ground, and watch out for Gigabyte! Early History"Honey, I Shrunk the Kids" released in 1989 to great success, followed by a moderately successful sequel, "Honey, I Blew Up the Kid" in 1992. "Honey, I Shrunk the Kids: Movie Set Adventure" opened in 1990 at the then new MGM Studios park. A new attraction themed around "Honey, I Shrunk the Kids" was announced in November 1993, originally named "Honey, I Shrunk the Theater" and later changed to "Honey, I Shrunk the Audience." Kodak sponsored the attraction. ProductionThe film was directed by Randal Kleiser, known for "Grease" and "Flight of the Navigator," and written by Bill Prady and Steve Spiegel. Cinematography was handled by Dean Cundey, with effects by Kleiser-Walczak Construction Company. The score was composed by Bruce Boughton. The set was designed by Les Dilley, and the cast included Rick Moranis, Marcia Strassman, Robert Oliveri, Eric Idle, and others. PreshowThe preshow included a presentation by Kodak and a segment featuring Dr. Nigel Channing on WNN-TV. In 2003, the preshow was changed to include a short film replacing "True Colors" and altered dialogues. Technical Details and Run of the ShowThe film was presented as the stage of a live award show, with technical details ensuring the appearance of a live event. Ten significant 3D moments were incorporated into the show, each carefully choreographed to enhance audience immersion. Other Parks ChangesThe attraction underwent changes in various Disney parks, including Tokyo Disneyland, Disneyland, and Disneyland Paris. Closure and LegacyAfter Michael Jackson's death, there was a resurgence of interest in "Captain EO." As a result, "Honey, I Shrunk the Audience" was temporarily closed in several parks for the "Captain EO Tribute" but never reopened. The attraction left a lasting legacy, with elements incorporated into other Disney experiences. Our MemoriesPersonal reflections on the attraction. OutroSend questions and comments to 90sdisneypodcast@gmail.com Links Allears.net - Extinct Epcot: The Big History of Honey, I Shrunk the Audience Disney Fandom - Honey, I Shrunk the Audience Wikipedia - Honey, I Shrunk the Audience! YouTube - Honey, I Shrunk the Audience Promo YouTube - Honey, I Shrunk the Audience Ride-Through YouTube - Honey, I Shrunk the Audience Full Show YouTube - True Colors Preshow Magic and Imagination Archive - Honey, I Shrunk the Audience --- Send in a voice message: https://podcasters.spotify.com/pod/show/90sdisney/message Support this podcast: https://podcasters.spotify.com/pod/show/90sdisney/support

Director Nancy Meyers, co-writer Charles Shyer and director of photography Dean Cundey

Horror host and two-time Rondo-nominee STAN THE MECHANIC joins to discuss the 1992 queer staple of camp horror humor, DEATH BECOMES HER. We also talk the horrors of society's obsession with youth, Dean Cundey's oeuvre of sinister cinematography, and the utter perfection that is this film's cast. LET'S GO RICK OR TREATING!PODCAST:www.RickOrTreat.comINSTA: @RickOrTreatPodTIKTOK: @RickOrTreatPodYOUTUBE: /RickOrTreatVENMO: @RickOrTreatX: @RickOrTreatPodSTAN THE MECHANIC:www.stanthemechanic.comSOCIALS: @stanthemechanicYOUTUBE: @stanthemechanicRICKY J. DUARTE (Host):www.RickOrTreat.comINSTA: @rickrtreatMY WRITING:www.Rue-Morgue.comwww.SpoilerFreeReviews.comVENMO: @rickortreatPAYPAL: @rickrtreatSTANLEY MARTIN (Social Media Manager)INSTA: @stanleymartinthethirdLESTAT VON MONDLICHT (Music by):YOUTUBE:https://www.youtube.com/@lestatvonmondlichtCRIMSON SOUL:Insta: @crimsonsoulofficialhttps://www.facebook.com/crimsonsoulofficialAFTER DARK (Band):https://www.facebook.com/afterdarkofficialuyhttps://www.instagram.com/afterdarkuyhttps://www.youtube.com/@afterdarkuyDROP BEAT EMPIRE (Electrogoth project):https://linktr.ee/dropbeatempireuyEVELYN DEVERE (Website Design)www.evelyndevere.com/PHILIP ROMANO (Logo Design)www.philip-romano.com

New month, new theme! All April long will be One Night Only - a celebration of films that (mostly) take place in just one night. First up is our latest look at a John Carpenter classic - Escape from New York! Ben and Anthony discuss the debut of Kurt Russell's most iconic character, Snake Plissken, the bizarre-yet-cool tone created by Carpenter (and cinematographer Dean Cundey), and the free production value of shooting this movie in St. Louis... which just kind of looked like that at the time. Co-written, co-scored and directed by John Carpenter, and starring Kurt Russell, Lee Van Cleef, Ernest Borgnine, Donald Pleasence, Isaac Hayes, Adrienne Barbeau, and Harry Dean Stanton.

It's the final episode of our February Love Stories line up, and we hope you're ready to go on a treasure hunt! Join Henrique & David in Colombia as a romance novelist finds herself sucked into one of her own adventure novels when her sister is kidnapped by thugs who are hunting priceless treasure. With the help of a handsome treasure hunter, the two are on race against time and bounty hunters to rescue her sister plus find the jewel while falling in love along the way in the 1984 Classic "Romancing the Stone" !Directed by Robert Zemeckis and starring Michael Douglas, Kathleen Turner, & Danny DeVito. Hear about Henrique's first time watching one of Dave's favorite childhood films, plus another hilarious break up story involving DIE HARD, and just how many films as Dean Cundey masterfully shot? Visit our website: DoYouEvenMovie.com Email us: doyouevenmoviepod@gmail.com LIKE us on Facebook: Do You Even Movie? - PodcastFollow Us on Instagram: @DoYouEvenMoviePod Twitter: https://x.com/dyempodTik Tok: @doyouevenmoviepod Get your own copy of ROMANCING THE STONE on DVD:https://a.co/d/ehNRbCE

It's the 100th episode of Gartbage Film! To celebrate we had to cover one of our very favourite movies from one of our very favourite directors including one of our very favourite dogs: it's John Carpenter's THE THING from 1982!We're covering it all: how Carpenter set out to create a different type of horror movie than Halloween, Dean Cundey's approach to lighting and framing, Ennio Morricone's 3 soundtracks, our theories of who gets Thing'd and when, and most importantly, Jed the wolfdog. We also discuss how this is a prime example of how to express ambiguity without losing focus in your movie and why it works so well.Plus, another edition of Hooray for Hollywood to chart the bizarre route THE THING took from getting made to the fallout after it was released. Also, Dick Warlock lore!

We review Honey, We Shrunk Ourselves (1997) on The Atomic Cinema Experiment. This is a sci fi movie podcast. The Honey, I Shrunk the Kids sequel is directed by Dean Cundey and stars Rick Moranis, Eve Gordon, Bug Hall, Robin Bartlett patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/ScreamsMidnight discord: https://discord.gg/8fbyCehMTy TWITCH: https://www.twitch.tv/mildfuzztv Email: mftvquestions@gmail.com Audio version: https://the-ace-atomic-cinema-experime.pinecast.co

Happy Halloween! If you want to hear the rest of our episode on this masterpiece, plus more than 20 bonus episodes, visit Patreon.com/DissectingThe80s to learn more!   We're celebrating this holiday with one of our absolute favorites: John Carpenter's masterpiece Halloween! Tripp nominates this to the American film canon, we look for the non-union leaves, why is Tommy carrying this giant ass pumpkin? How great is Dean Cundey?   All this and more!   “NewsSting, Ouroboros” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/

"It's time! It's time!" Screenwriter and board member of the NYC Horror Film Festival Brian W. Smith guest hosts to discuss all things HALLOWEEN III: SEASON OF THE WITCH. We also talk writing horror for the screen, 80's synth scores, and the John Carpenter-esque "every-man" character trope. LET'S GO RICK OR TREATING!PODCAST:www.RickOrTreat.comINSTA: @RickOrTreatPodTIKTOK: @RickOrTreatPodYOUTUBE: /RickOrTreatBRIAN W. SMITH (Guest Host)www.briansmithhorror.comINSTA: briansmithnycwww.nychorrorfest.comRICKY (Host):INSTA: @rickrtreatMY WRITING:www.Rue-Morgue.comwww.SpoilerFreeReviews.comLESTAT VON MONDLICHT (Music by):YOUTUBE:https://www.youtube.com/@lestatvonmondlichtCRIMSON SOUL:Insta: @crimsonsoulofficialhttps://www.facebook.com/crimsonsoulofficialAFTER DARK (Band):https://www.facebook.com/afterdarkofficialuyhttps://www.instagram.com/afterdarkuyhttps://www.youtube.com/@afterdarkuyDROP BEAT EMPIRE (Electrogoth project):https://linktr.ee/dropbeatempireuySTANLEY MARTIN (Social Media Manager)INSTA: @stanleymartinthethirdEVELYN DEVERE (Website Design)www.evelyndevere.com/PHILIP ROMANO ( Logo Design)www.philip-romano.com

We're back for part 2 of our Halloween series and the first conclusion of John Carpenter's 1978 classic. We walk through the film that stole our hearts and all of our favorite things about it! Check back in next week for our deep dive into Halloween 2 and 3: Season of the Witch!

It's Week #2 of Patreon Request Month 2023, and the randomizer is going all the way back to 1997 to pick Andrew Weiss's request for Disney's very first live-action direct-to-video sequel, continuing the wacky adventures of Wayne Szalinski, the genius inventor played by easily one of the six or seven funniest people from SCTV (that's not an insult, they were just all really great and it's really hard to rank them) who miraculously invented a shrink ray that could solve world hunger and revolutionize practically every industry known to man, but instead was mostly used to shrink kids, shrink parents, shrink audiences and briefly turn a toddler into a kaiju. This third movie had the lowest budget of the three, and hoo boy does it show. Join Tony Goldmark, Anarkee, Mat Brunet and Garrett Snook as they disguise themselves as bees and invade a beehive for some of that precious HONEY, WE SHRUNK OURSELVES! Check out my guests' stuff! ANARKEE Instagram: https://www.instagram.com/anarkee TikTok: https://www.tiktok.com/@itsanarkee Twitter: https://twitter.com/itsanarkee  MAT BRUNET Livestream: https://www.youtube.com/c/AniMatsCrazyCartoonCast  Twitter: https://twitter.com/AniMat505 YouTube: https://www.youtube.com/user/ElectricDragon505    GARRETT SNOOK Twitter:  https://twitter.com/ilneigeYT YouTube: https://www.youtube.com/IlNeige And check out this show on social media! Twitter: https://twitter.com/efvdpodcast Host's Twitter: https://twitter.com/tonygoldmark Facebook Group: https://www.facebook.com/groups/972385353152531 YouTube: https://www.youtube.com/tonygoldmark Hear new episodes a day early by supporting this show on Patreon: https://www.patreon.com/tonygoldmark

Great Scott! We watched Back to the Future from 1985 as requested by our listeners and guess what? We have thoughts. Thoughts like, why is Seth so concerned with Doc Brown's toilet habits? Will Michelle ever pass up an opportunity to talk about a theme park ride? How does time travel work? Would Seth stop JFK's assassination? All of these questions and more are answered, yes, even the time travel one. Listen now, butthead!  We want to be your Movie Friends! connect with us on Twitter @moviefriendspod Instagram @MovieFriendsPodcast Youtube Youtube.com/MovieFriendsPodcast or send us an E-mail at MovieFriendsPodcast@Gmail.com tell us what you think and it may end up on the show! Wouldn't that be cool? Head over to our website at MovieFriendsPodcast.com and consider supporting our Patreon. Come on, you don't need that $5, but you do need our undying love and friendship!

Released in 1985, "Back to the Future" directed by Robert Zemeckis, is a timeless science-fiction adventure that has captivated audiences for decades. Combining humour, thrilling action, and a clever time-traveling concept, this film has become a beloved classic. With its unforgettable characters, iconic moments, and seamless storytelling, "Back to the Future" has solidified its place in cinematic history."Back to the Future" follows the journey of Marty McFly (Michael J. Fox), a teenager who accidentally travels back in time from 1985 to 1955 in a DeLorean time machine invented by the eccentric Dr. Emmett Brown (Christopher Lloyd). Marty must find a way to ensure his parents' meeting and subsequent relationship to save his own existence. However, he faces numerous obstacles, including dealing with the younger versions of his parents and avoiding the dangerous Biff Tannen (Thomas F. Wilson). The film's time-traveling concept is brilliantly executed, exploring the potential consequences of altering the past and the importance of embracing one's own destiny.The characters in "Back to the Future" are one of its greatest strengths. Michael J. Fox delivers a charismatic performance as Marty McFly, bringing both vulnerability and a rebellious spirit to the role. Christopher Lloyd shines as the eccentric Dr. Emmett Brown, with his wild hair and infectious energy. The chemistry between Fox and Lloyd is palpable, making their partnership on screen a joy to watch.Lea Thompson and Crispin Glover portray Marty's parents, Lorraine and George, respectively. Thompson portrays Lorraine with a mix of innocence and comedic timing, while Glover perfectly captures George's awkwardness and transformation into a more confident individual. Thomas F. Wilson's portrayal of the antagonist, Biff Tannen, is memorable, creating a character that is equal parts menacing and comical.Robert Zemeckis's direction in "Back to the Future" is masterful. The film seamlessly transitions between the 1950s and the 1980s, creating a believable world in both eras. The pacing is impeccable, keeping the audience engaged throughout the entire runtime. Zemeckis expertly balances the film's various tones, effortlessly blending comedy, action, and heartfelt moments.The cinematography by Dean Cundey beautifully captures the film's different time periods. From the vibrant colors of the 1980s to the nostalgic sepia tones of the 1950s, each frame is visually striking. The dynamic camerawork enhances the film's excitement and adds to the overall sense of adventure.Beyond its entertaining plot and memorable characters, "Back to the Future" explores several meaningful themes. The film emphasizes the significance of family, friendship, and embracing one's true self. It also examines the consequences of altering the past, emphasizing the importance of personal responsibility and accepting one's own history. "Back to the Future" encourages viewers to appreciate the present while acknowledging the influence of the past on shaping their future.The legacy of "Back to the Future" is undeniable. It has spawned two successful sequels, becoming a beloved trilogy. The film's cultural impact is evident in its iconic imagery, memorable quotes, and references that continue to resonate with audiences even after several decades."Back to the Future" remains an extraordinary achievement in filmmaking, providing audiences with an engaging story, memorable characters, and a sense of adventure that transcends time. Its perfect blend of humour, action, and heart make it a classic that continues to captivate new generations. With its enduring popularity and timeless appeal, "Back to the Future" is a film that will always hold a special place in the hearts of moviegoers around the world.Please follow the Podcast and join our community at https://linktr.ee/borntowatchpodcast If you are looking to start a podcast and want a host or get guests to pipe in remotely, look no further than Riverside.fmClick the link below https://riverside.fm/?utm_campaign=campaign_1&utm_medium=affiliate&utm_source=rewardful&via=matthew

En este episodio conversamos sobre la película del año 1993, “Jurassic Park” del director Steven Spielberg, protagonizada por Sam Neill, Laura Dern, Jeff Goldblum y Richard Attenborough.

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 94 Sam is joined by returning pod-guest Joe Cornish, writer and director of Attack The Block, The Kid Who Would Be King and the new Netflix series Lockwood & Co.  Joe has chosen Halloween (90 mins). John Carpenter's classic horror movie from 1978 stars Donald Pleasance, and introduced the world to Jamie Lee Curtis and the iconic villain, Michael Myers.  Sam and Joe discuss bringing a ghost to life on screen, Dean Cundey's ground-breaking camera work in Halloween and the minimalist nature of the film.  Listen to Joe's earlier appearance on the podcast, discussing Evil Dead II.  Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  You can also show your support for the podcast by buying us a coffee at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Tweet: @90MinFilmFest  Instagram: @90MinFilmFest  We are a proud member of the Stripped Media Network. Hosted and produced by @sam_clements. Edited and produced by Louise Owen. Guest stars Joe Cornish. Additional editing and sound mixing by @lukemakestweets. Music by @martinaustwick. Artwork by @samgilbey. BONUS LINK: Watch Adam & Joe's Song For Bob Hoskins 

This week, Sarah and MJ are joined by one of MJ's co-hosts on Reel Perspective, Missy Lonsinger! They close out Spielberg Season 1 with a beloved childhood favorite of many, Hook! They discuss whether or not it is a film that is looked at favorably because of nostalgia blinders, the Oscars it was and was not nominated for, cinematographer Dean Cundey's background shooting horror films, and Sarah and MJ come clean about their dislike of the film for the whole internet to hear.

Today, my guest is a prolific cinematographer, accomplished photographer, and member of the American Society of Cinematographers, Dean Cundey.Dean rose to fame for extraordinary cinematography in the 1980s and 1990s. His early start was working on the set of Halloween.  Dean is credited as director of photography on five Back To The Future films and Jurassic Park.The Halloween slasher franchise consisted of eleven films and was initially released in 1978. The films primarily focus on Michael Myers, who was committed to a sanitarium as a child for the murder of his sister, Judith Myers. Fifteen years later, he escapes to stalk and kill the people of the fictional town of Haddonfield, Illinois. Michael's killings occur on the holiday of Halloween, on which all of the films primarily take place. The second film, one of which Cundey served as director of photography, was based on Marty McFly, who had only just gotten back from the past when he is once again picked up by Dr. Emmett Brown and sent through time to the future. Marty's job in the future is to pose as his son to prevent him from being thrown in prison. Unfortunately, things get worse when the future changes the present.The three Back To The Future films Dean worked on grossed $388.8, $336, and $243 million globally, becoming all-time hits on budgets of $19, $40, and $40 million.Cundey is cited as being amongst some of the best directors of photography. In addition to his lighting skills, particularly in the famous hallway scene where the hidden face of Michael Myers is slowly revealed by way of a blue light next to the mask, he was among the first cinematographers to make use of a recent invention called the Steadicam, or paraglide.Some other shows and movies he's worked on include, Who Framed Roger Rabbit, Tales of the Unexpected, Romancing the Stone, Invitation To Hell, Big Trouble in Little China, etc.Who Framed Roger Rabbit; A toon-hating detective is a cartoon rabbit's only hoping to prove his innocence when he is accused of murder. Basically, 'Toon star Roger is worried that his wife Jessica is playing pattycake with someone else, so the studio hires detective Eddie Valiant to snoop on her. But the stakes are quickly raised when Marvin Acme is found dead, and Roger is the prime suspect. Groundbreaking interaction between the live and animated characters, and lots of references to classic animation.Dean grew up an avid reader of the American Cinematographer magazines he would buy after school from a local camera shop close by. That was how his inspiration to pursue filmmaking came about. He shifted his focus to theater history while still taking some architectural design classes at California State University before he ultimately enrolled at the University of California Los Angeles film school.In 1993 Jurassic Park, Dean made a minor appearance as a boat crew member (Mate) while also staffed as director of photography. The film follows a pragmatic paleontologist visiting an almost complete theme park tasked with protecting a couple of kids after a power failure causes the park's cloned dinosaurs to run loose. Huge advancements in scientific technology have enabled a mogul to create an island full of living dinosaurs. A park employee attempts to steal dinosaur embryos, critical security systems are shut down, and it now becomes a race for survival with dinosaurs roaming freely over the island.Cundey holds over one hundred and fifty cinematography & photography credits for movies, television, and short films. That is no small feat in this business. The man has stayed busy and booked since graduation from film school. That kind of consistency in Hollywood is only doable by having extreme persistence and excellence.One of the many things he did to stay prepared and on top of his craft was investing into building himself a ‘super van' or one couple call it a cinematographer's heaven that contained every equipment (cameras, editings tools, etc.) required to help him get work get and do work easily. We talk more about this in our chat.Enjoy my conversation with Dean Cundey.

“IT'LL FIGHT IF IT HAS TO, BUT IT'S VULNERABLE OUT IN THE OPEN.“On this Halloween episode of Retro Grade Podcast, we cover one of the best movies from one of the best horror filmmakers of all time, 1982's The Thing, directed by John Carpenter. Although the film is referred to as a remake of the 1951 RKO Pictures production, The Thing from Another World, the film is actually more of a reinterpretation of the original novella from 1938, Who Goes There. If it's hard to believe that this movie has just celebrated it's 40th anniversary, it may be even harder to believe that it was a box office bomb and despised by critics of the time. However, the film has lasted the test of time, being remade, turned into a video game, and then inspiring the popular pandemic game, Among Us!On our episode, we talk about how the film also doubles as a “whodunit” and a graphic body horror film. We talk about how the film tricks you in your first viewing, and inspires multiple viewings, each one giving you a new thing to appreciate about it. We discuss our theories on the timelines, trying to track down when The Thing assimilates and imitates the doomed US Outpost 31 Team, with the help of the John Carpenter approved fansite. When do the crew members get infected, or rather, why did it imitate who it imitates? We have a lot of fun exchanging theories on this section of the episode.We talk about the nihilistic themes of the movie, and how innate it is in human nature to distrust each other, especially when you are on a job with people you might not necessarily like. The film's characters were (unfairly) criticized for being ‘stereotypes,' but we talk about how realistic they actually are, and their significance to the story and theme. We talk about the amazing special effects done by a then 21 year old Rob Buttin, working with the highest budget Universal had ever spent on creature effects. We talk about the score from the legendary Italian composer Ennio Morricone, and how the early versions of the score were used in a more recent western film. And yet, despite the amount of talent from the actors, (especially the arguably best dog actor in a film ever,) Carpenter's vision, Morricone's score, Buttin's effects, Dean Cundey's cinematography, the film was disregarded as “instant trash.“ We get into why we think the summer audience of 1982 might not have appreciated the film, but why we do now.We hope you enjoy this episode, and have a Happy Halloween!Music is from Triune Digital and audio clips pulled from movies we will be reviewing in other episodes.Artwork by @jannelle_o

It's week two of our John Carpenter horror movies month, and since we're also hitting the big 5-0 in our episode count, we decided to do a double feature! We talk about Halloween and The Fog, two Carpenter classics that are very different but share some strong common bonds too. We discuss both films' Hitchcock roots, the many contributions of the brilliant writer/producer Debra Hill, Dean Cundey's stellar cinematography, babysitters in peril, keeping your pants on for safety, what Michael Myers did on the drive to Haddonfield, and the fine art of revenge negotiations. Sharpen your knives and join us!

School's out for summer, but Mark rewinds to '80s Antarctica with cinephile and camera expert Joe Brady for the 40th anniversary of John Carpenter's chilling film The Thing! It was released in theaters on June 25, 1982 to harsh criticism, but those critics were obviously possessed by aliens. Joe and Mark rave about Rob Bottin's insane practical special effects, Dean Cundey's cinematography, the memorable and creative title sequence, and the connection to Alien. Save us, Kurt Russell!

Forty years ago, this sci-fi horror thriller was released as director Carpenter's follow-up to Escape From New York and Halloween, both of which were quite popular and pretty groundbreaking for the time.  It was a remake of the horror classic The Thing From Another World directed by the late great Howard Hawks – it has a top-flight cast of veteran actors lead by Kurt Russell including Keith David, Wilford Brimley, Richard Masur, Donald Moffett, and Alan Dysart among others.  It also featured state-of-the-art special effects from modern master Rob Bottin, a hummable score from the legendary Ennio Morricone, and crisp visuals from one of the best cinematographers of this era, Dean Cundey.  Everything about this film was top-of-the-line…..so WHY was it so disliked when it first came out? :o Reviews were relatively bad as was the box office – however over time, this film has become a genuinely beloved cult classic now considered among John Carpenter's best films.  Let's go back to that isolated scientific facility to find out why....Host: Geoff Gershon  Editors: Geoff and Ella GershonProducer: Marlene Gershonhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

“Nobody... nobody trusts anybody now, and we're all very tired.” In this episode, we discuss John Carpenter's horror classic: The Thing! as well as briefly reviewing the films we logged on our Letterboxd dairies in the past week. — TIME CODES: 00:00 - INTRO 01:34 - BASIC FACTS 03:33 - THE MEAT 37:03 - WHAT WE WATCHED — The Thing (1982) MAN IS THE WARMEST PLACE TO HIDE. “In remote Antarctica, a group of American research scientists are disturbed at their base camp by a helicopter shooting at a sled dog. When they take in the dog, it brutally attacks both human beings and canines in the camp and they discover that the beast can assume the shape of its victims. A resourceful helicopter pilot and the camp doctor lead the camp crew in a desperate, gory battle against the vicious creature before it picks them all off, one by one.” Directed by John Carpenter and starring Kurt Russell, Keith David, Wilford Brimley, T.K. Carter, David Clennon, Richard Dysart, Charles Hallahan, Peter Maloney, Richard Masur, Donald Moffat, Joel Polis, and Thomas G. Waites. Scored by Ennio Morricone, John Carpenter, and Alan Howarth, shot by Dean Cundey, and produced by David Foster, Wilbur Stark, and Lawrence Turman. Find where to stream it here: https://www.justwatch.com/us/movie/thing-the — OUR LINKS: Recently Logged Main Webpage: https://anchor.fm/recentlylogged Micah's Stuff YouTube: https://youtube.com/channel/UCqan1ouaFGl1XMt_6VrIzFg Letterboxd: https://boxd.it/AkCn Twitter: https://twitter.com/micah_grawey Instagram: https://www.instagram.com/m_grawey_films/ Robbie's Stuff Website: https://robbiegrawey.com — EPISODE CREDITS: Recently Logged Podcast creators - Micah and Robert Grawey Hosts - Micah and Robert Grawey Songs used in episode - Foreign Land (Sting) by Jingle Punks Editor - Robert Grawey Episode art designer - Micah Grawey Episode description - Robert Grawey --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/recentlylogged/support

Matt and Brian celebrate the 100th episode of The Post Credits Podcast with a discussion about the John Carpenter classic The Fog! The hosts also talk about "the movie that shall not be named" and how they will not name it no matter what, the era of Tom Atkins are we seeing is this movie, regrets of John Carpenter, if there could be a Thing sequel that now is the time to do it, how the 80s thought of Tom Akins as a sex symbol, how awesome Dean Cundey is, along with so much more! Cheers! To 100 more!

Producer Scott is taking us on an action-filled comedic romp through the jungles of Columbia. You'll want to hop a flight to Cartegena immediately following a viewing of Romancing the Stone! And it's another film from our good friend Dean Cundey...go Dean! #supportukraine Forgotten Felines https://www.forgottenfelines.com/support/donate/ukraine/ Nova Ukraine http://novaukraine.org Razom for Ukraine https://razomforukraine.org/razom-emergency-response/ World Central Kitchen https://wck.org Global Giving https://www.globalgiving.org/projects/ukraine-crisis-relief-fund/ VISIT OUR STORE! www.thecultshow.com/store AKA The CULT SHOW Check out the video version of this podcast on Youtube at https://youtu.be/AM87k9R7qb0 Our awesome theme song was written and performed by Quinten T Cohen https://quintentcohen.bandcamp.com Check us out on social: Instagram @thecultshowrocks Twitter @thecultshow_ Facebook @thecultshow Send us an email info@thecultshow.com or catch us online thecultshow.com Stay safe, get Vaxxed! (Maybe throw a subscription our way if you're really bored)

On today's episode, our dutiful hosts watch 1982's John Carpenter's The THING with the commentary featuring the film's Cinematographer, Dean Cundey. It's the first time rewatching the movie in over 2 days! What in the heck!?

Horror Movie Reviews ~ We may be in quarantine but we are taking you with us! This week we have the esteemed honor to invade renowned Cinematographer Dean Cundey's privacy and see what he's been up to during the pandemic. That's right, our Lockdown Look-In segment checks in on Dean and asks the hard questions, "what 'cha been watching?" Who knows, maybe we'll even ask a question about his illustrious career. Then we'll continue the Cundey chat and list off our fav films from Dean's resume. Its not going to be easy considering the plethora of classic titles. We are live on lockdown! Coming at you every Friday until they let us out! AKA The CULT SHOW Check out the video version of this podcast on Youtube at https://youtu.be/zEz-LKcmpOM Our awesome theme song was written and performed by Quinten T Cohen https://quintentcohen.bandcamp.com Check us out on social: Instagram @thecultshowrocks  Twitter @thecultshow_   Facebook @thecultshow Send us an email info@thecultshow.com or catch us online thecultshow.com Thanks for watching us go mad LIVE on lockdown! Check out our in-studio shows where we are not fighting with internet connection speeds... Stay inside and wash your hands! (Maybe throw a subscription our way if you're really bored)

No, this is not an episode on 2016's The Thing on the Doorstep. But let's not focus on what it isn't and instead focus on what it is: an early Christmas gift and/or the podcast's first discussion of a spiritual adaptation of Lovecraft's work! Scheduling and life stuff meant we couldn't do justice to the film that we promised last episode, so we instead geeked out over the John Carpenter classic that features shades of "The Color Out of Space," "The Case of Charles Dexter Ward," and "At the Mountains of Madness." Come for the gushing over Rob Bottin's still amazing practical effects and stay for the speculation over what happened to Dean Cundey's career!  Also, what do YOU think - is Childs the thing at the end or not? Also also, The Thing on the Doorstep will be coming next week.

Initially lambasted by critics, John Carpenter's The Thing (1982) was a brilliant adaptation of John W. Campbell's novella Who Goes There?. The film tells the story of a dozen men in Antarctica who are infiltrated by an alien shapeshifter.Interviews include authors John Kenneth Muir (The Films of John Carpenter), Jez Conolly (Devil's Advocates: The Thing), actors Joel Polis (Fuchs), Thomas G. Waites (Windows), and cinematographer Dean Cundey.Patrick Bromley of the F This Movie podcast and El Goro of the Talk Without Rhythm podcast join Mike on this very special episode.Learn more about your ad choices. Visit megaphone.fm/adchoices

We continue our discussion with Dean Cundey about some of the movies he worked on; Jurassic Park, Who Framed Roger Rabbit, Back to the Future (1, 2 and 3!)and The Thing. Listen in to get some insight into how he approached each film and their accompanying challenges. Check it out!

Join us for part one of our two part Dean Cundey series. You'll hear Dean talk with us about how he became interested in film, about what exactly a cinematographer does, and how his journey lead him to some well known directors. Make sure you give this one a listen!