Podcasts about Morvern Callar

Award-winning writer Alan Warner takes questions from Radio 4's Bookclub audience about his first-person, pacey novel, Morvern Callar, which was written in 1995 when Warner was in his late twenties. Morvern is a twenty-one year old foster-child whose life takes an irreversible turn when she discovers her boyfriend's dead body. The book was later turned into a critically-acclaimed film, of the same name, in 2002.

This week, Millie and Danielle discuss MONSTER (2003) and MORVERN CALLAR (2002), Danielle's history of moshing in the pit, Patty Jenkins' connection to Aileen Wuornos, and the greatness of Charlize Theron. To see a full ISWYD movie list, check out our Letterboxd here: https://letterboxd.com/isawwhatyoudid/films/diary/ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this unlocked episode of Mama Needs a Movie's Patreon spinoff podcast, ATTENTION MUST BE PAID (patreon.com/MNAM), Anne and Ryan look back at Lynne Ramsay's MORVERN CALLAR, a 2002 Scottish drama anchored by a haunting performance from Samantha Morton that is worthy of far more attention. Traumatized by the suicide of her novelist boyfriend on Christmas morning, Morvern Callar (Morton), submits his last manuscript as her own, then sets out on a trip to Spain with her best friend Lana (Kathleen McDermont). Following Ramsay's acclaimed debut feature, RATCATCHER, and preceding her more widely-recognized WE NEED TO TALK ABOUT KEVIN and YOU WERE NEVER REALLY HERE, MORVERN CALLAR is at turns moving, meditative, unsettling, and essential to understanding Ramsay's one-of-a-kind directorial approach. MORVERN CALLAR is available to stream for free on Kanopy or Freevee (with ads), or with subscription to The Criterion Channel or Prime Video.

You know that feeling when you're watching a movie or TV show and the perfect song hits at the perfect moment? Think Lost in Translation when ‘Alone in Kyoto' by Air comes in, or the visceral scenes from The Bear soundtracked by Refused's ‘New Noise'.You don't just see films, you hear them.Such is the power and responsibility of the music supervisor who carefully selects the right song for the right scene and has it hit at just the right moment. It's Jemma Burns' job to make that magic.From the new series of Heartbreak High to Boy Swallows Universe, Top of the Lake to Okja, it's Jemma's brilliant music brain behind those perfect song selections.The theme for this Take 5 is synchronicity songs. Not the all-time greatest soundtrack moments, but stories from Jemma's own experience and relationship with film and sound.'Forbidden Colours' by Ryuichi Sakamoto from Merry Christmas, Mr. Lawrence (1983), directed by Nagisa Ōshima'The Rhythm Of The Night' by Corona from Beau Travail (1999), directed by Claire Denis    'Goon Gumpas' by Aphex Twin from Morvern Callar (2002), directed by Lynne Ramsay'Silly Games' by Janet Kay from Lover's Rock (2020), directed by Steve McQueen'Coming' by David Motion, Sally Potter & Jimmy Somerville from Orlando (1993), directed by Sally Potter

Neste episódio vamos nos debruçar sobre Lynne Ramsay, a realizadora de origem escocesa, responsável por dramas e thrillers, quase sempre trágicos, focados frequentemente em crianças ou pessoas jovens (ou com um piscar de olho à infância), em situações extremas e que lidam com o sofrimento, a culpa e a morte. Os filmes que vamos discutir são as suas quatro longas metragens: Ratcatcher (1999), Morvern Callar (2002), We Need to Talk About Kevin (2011) e You Were Never Really Here (2017). Mais episódios em universosparalelos.net.

Riffing on Kim Gordon's curation, we get into Lynne Ramsay's atmospheric Morvern Callar (2002), a mixtape of a film whose cursed vacation vibes echo something of Barbara Loden's Wanda and foreshadow Charlotte Wells' Aftersun. Shout outs to Georgia Humphreys' terrific essay “Another Girl, Another Planet” and The Mamas and the Papas' unlikely club banger, “Dedicated to the One I Love.” The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands. Our theme music is composed by Chad. This episode is sponsored by Galerie, a new kind of film club. BW/DR listeners can sign up for two months of free access via this link. --- Support this podcast: https://podcasters.spotify.com/pod/show/bright-wall-dark-room/support

Macon and Ebba talk about Lynne Ramsay's underseen gem, "Morvern Callar", for the second time, but this time in front a freshly overwhelmed crowd. You can hear what else the Projector Pod team had to say about the film the first time around here. The next Projector Pod Live will take place at Husets Biograf on May 20th when we will be showing Richard Linklater's rotoscoped adaptation of Philip K. Dick's paranoid sci-fi classic,  "A Scanner Darkly". If you think Projector Pod is the kind of thing you'd like to support you can find out Patreon here too. 

"Non cercare di cambiare le cose per gli altri. Non cercare di farti convincere dai produttori e dalle persone a cambiare la tua visione. Se rimani fedele alla tua visione e sei fedele a te stesso, in un certo senso funziona. Sai, se inizi a venderne piccole parti, diventi niente e nessuno, e non ti rimane più alcuna visione" E' il turno di una breve ma intensa e sofferente filmografia. Quella della regista Lynne Ramsay, autrice di film interessati a trattare tutte le forme possibili di disagio. Non un disagio gratuito ma comunque crudo eppure necessario per comprendere meglio una parte di questo mondo bieco assai che noi chiamiamo casa. Dopo il racconto di formazione, Lynne Ramsay parla dell'elaborazione del lutto ma alla sua maniera. Ed ecco quindi "Morvern Callar" e la sua protagonista alla ricerca di se stessa in un mondo troppo grande e complicato. --- Send in a voice message: https://podcasters.spotify.com/pod/show/madmike3/message

This time on Projector Pod Ebba and Macon dive into the libidinal economy of violence and the images that animate it while talking about Alex Garland's latest and perhaps last directorial venture "Civil War". And speaking of the aestheticisation of violence, they also spend a minute talking about the latest instalment in the "Dune" saga. On Thursday, May 9th Projector Pod presents, Lynne Ramsey's criminally underseen incredible film, "Morvern Callar", at Husets Biograf. If you think Projector Pod is the kind of thing you'd like to support you can find out Patreon here too. 

Ebba and Macon have been hard at work at the CPH DOX festival soaking as much of it in as they could. Here, they present their picks of the films they found the most engaging presented here in spoiler-free discussions.Including:*"Balomania" dir. Sissel Morell Dargis"Youth (Spring)" dir. Wang Bing"Do Not Expect Too Much from the End of the World" dir. Radu Jude*"Kix" dir. Bálint Révész & Dávid Milkulán*"Daughter of Genghis" dir. Kristoffer Juel Poulsen, Christian Als & Knud Brix"Ibelin" dir. Benjamin Ree"Soundtrack to a Coup d'Etat" dir. Johan Grimonprezand more...*Available on PARADOX On Thursday, April 4th Projector Pod presents, Lynne Ramsey's criminally underseen incredible film, "Morvern Callar", at Husets Biograf. Get your tickets to the screening and live podcast here. If you think Projector Pod is the kind of thing you'd like to support you can find out Patreon here too. 

Oh boy, a huge catchup for films seen in late January and February. Only 18 films! Sorry, I said 19 on the podcast in error. What movies are they? Miller's Girl, The Portrait of a Lady, Meet Me in the Bathroom, The Zone of Interest, The Ward, How to Blow Up a Pipeline, Joan Didion: The Center Will Not Hold, Morvern Callar, Surviving Desire, All Dirt Roads Taste of Salt, Love Jones, Freejack, Lisa Frankenstein, The Rainbow, The Eternal Memory, Nyad, Maestro (2003), and The Taste of Things

Welcome to Bad Dad Rad Dad, where Kylie and Elliott talk about the movies they watch each week while searching for better cinematic dads. Along the way, they see the most toxic versions of themselves on film, reflect on the subtlety of a masterpiece, discover a Charlotte Wells inspiration, lament misleading trailers, and hop aboard the disappointing nostalgia train. This week's movies are: Phantom Thread (2017), Sound of Metal (2019), Morvern Callar (2002), American Fiction (2023), Good Grief (2023), and Bring It On (2000).Watch Amy Poehler and Seth Meyers hypothesis about Daniel Day-Lewis being done with chips. Follow along onInstagram: @baddad.raddadLetterboxd: kylieburton Letterboxd: ElliottKuss Hosted on Acast. See acast.com/privacy for more information.

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision-making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 15 of the Director Watch Podcast, the boys discuss the next film in their Lynne Ramsay series, Morvern Callar (2002). Three years after making her feature film debut, Lynne Ramsay returned with another fascinating character study in Morvern Callar, which follows a young woman whose life completely changes for better and worse following the suicide of her boyfriend. Based on the novel by Alan Warner, Ramsay and her co-writer Liana Dognini took the experimental nature of the book and expanded the scope of who this protagonist is and created a fascinating look into the life of someone who is making things up as they go in order to run away from their grief. Led by an extraordinary performance from Samantha Morton, Ryan and Jay discuss the vibrant direction by Ramsay, Morvern's decision making process and how it fits within the rules of the film, the unsettled feeling they both had watching the film, and how this was their first experience using Freevee to watch a movie with commercials. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h22m. The guys will be back next week to continue their series covering the films of Lynn Ramsay with a review of her third feature film, We Need to Talk About Kevin. You can stream We Need to Talk About Kevin on Amazon Prime Video, as well as rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro)

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 14 of the Director Watch Podcast, the boys discuss the first film in their Lynne Ramsay series, 1999's Ratcatcher. Gaining notice throughout the 1990s for her short films, director Lynne Ramsay became a name cemented in the fabric of modern cinema as someone who was able to distinctly exam human relationships at such a raw yet honest perspective. After winning the 1996 Cannes Prix de Jury for her graduation short film, "Small Deaths," she spent some time working on various short films, all with critical success, leading her to develop one of the most personal debuts of the last 25 years, Ratcatcher. In telling the story of a young boy trying to move on in his life after a tragedy to one of his best friends, Ramsay showcases what happens when the innocence of childhood is taken too soon before you are ready to grow up, and announces herself as one of the best visual storytellers of her generation. Led by a cast of mostly unknown actors and shot impeccably by cinematographer Alwin H. Küchler, Ryan and Jay breakdown down Ramsay's debut and where it ranks as some of the best debuts of the 90s, the child performances in the film, the open ending for the film, and the film year that was 1999. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h19m. The guys will be back next week to continue their series covering the films of Lynn Ramsay with a review of her second feature film, Morvern Callar. You can stream Morvern Callar on Max, as well as rent it via iTunes or Amazon Prime Video in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

In the absence of good kino in the cinemas, Ebba and Macon explore another classic, Lynne Ramsay's criminally underseen exploration of grief and freedom, "Morvern Callar" starring Samantha Morton. Track this movie down, watch it and then listen to the pod. We need to get the word out about this neglected gem!

Ellen and Mark explore Brits abroad in the movies, taking a look at everything from 1972's Carry on Abroad to 2023's Cannes prize-winner How To Have Sex. Mark talks to Steve Chibnall, Professor of British Cinema at De Montfort University, about some of the most notable examples of Brits on holiday in 20th century cinema. They discuss the mid-century travelogue trend, what British holiday films can tell us about national identity and class, and how 1989's Shirley Valentine stands apart from other films in the genre. Ellen looks at two more recent examples of the British holiday film, speaking first to director Molly Manning Walker about her debut feature How To Have Sex. Molly reveals how the resort of Malia proved the perfect setting for the film, which follows three teenage girls navigating the complexities of sex and consent on a rite of passage clubbing holiday. And Ellen then speaks to actor Samantha Morton about her starring role in director Lynne Ramsay's 2002 cult classic Morvern Callar. They discuss Samantha's own experiences as a Brit abroad, her close working relationship with Ramsay, and why Morvern Callar remains so influential two decades on from its first release. Producer: Jane Long A Prospect Street production for BBC Radio 4

Movie of the Year: 2002The Finale, Pt. 1It is time to start picking 2002's Movie of the Year in our 2002 Finale Part One!It seems like just yesterday we started the 2002 season, but as they say: time flies when your castin' pods. This year we embraced just how many movies there are in any given year. Because there are so many, we opened up our brackets (and our hearts) to 16 movies.I know what you are thinking, you must have just opened up the floodgates and invited all the stinkeroos to the party along with the usual eight brilliant movies. However that is not what happened; seven great movies (and just one stinkeroo) made their way into the sweet sixteen. And now it is time to take that number DOWN.Maybe Battle Royale will slay the competition and move on to the next round. Perhaps Spider-Man (yeah just the one, kinda weird) will web-sling his way on. Personally, I could see Morvern Callar slicing up the competition. And it's not just the movies that can win and lose because we are giving out our podcast-famous Mooty awards as well, celebrating the best in performance and artistry.All this AND the stuff that I forgot to mention!Visit our websiteUse our Amazon page!Join our Patreon team! (to get the show early and hear bonus segments!)Like us!Follow us!While Americans overwhelmingly support the right of an individual to make their own decisions about abortion, unfortunately, that right is no longer protected everywhere in the U.S.The Supreme Court overturned Roe versus Wade on June 24th.Abortion is a basic healthcare need for the millions of people who can become pregnant. Everyone should have the freedom to decide what's best for themselves and their families, including when it comes to ending a pregnancy. This decision has dire consequences for individual health and safety, and could have harsh repercussions for other landmark decisions.Restricting access to comprehensive reproductive care, including abortion, threatens the health and independence of all Americans. Even if you live in a state where abortion rights are upheld, access to safe medical procedures shouldn't be determined by location, and it shouldn't be the privilege of a small few.You can help by donating to local abortion funds. To find out where to donate for each state, visit donations4abortion.com.If you or someone you know needs help, or if you want to get more involved, here are 5 resources:1. Shout Your Abortion is a campaign to normalize abortion.2. Don't Ban Equality is a campaign for companies to take a stand against abortion restrictions.3. Abortion.cafe has information about where to find clinics.4.

Movie of the Year: 2002Morvern CallarIs Morvern Callar too obvious a choice to become 2002 Movie of the Year?Stop any yahoo on the street and ask them to bleat out a movie from 2002 and the first one that is going to spring into 90% of their brains is Morvern Callar. MorvernMania was everywhere is 2002, and if you don't remember that, don't let on because it's deeply strange and it might indicate that you are secretly a weirdo.In this episode we really get into what makes the titular Movern tick, probably more than any other episode we have done (so far). Why does she make the choices she makes, and what are we to think of her behavior? Probably it's fine, to be honest. You gotta let women hack up the bodies they're gonna hack up. If they have to explain every little thing to you, none of the parts of this body are going to get buried in the woods.And how about director-writer Lynne Ramsay? We discuss what she brings to this meticulously paced experience. Also, we look at how the movie tackles issues of class, gender, and truth. That's just one segment where we tackle those, and I promise, they stay tackled by the time we're done.All this AND the stuff that I forgot to mention!Visit our websiteUse our Amazon page!Join our Patreon team! (to get the show early and hear bonus segments!)Like us!Follow us!While Americans overwhelmingly support the right of an individual to make their own decisions about abortion, unfortunately, that right is no longer protected everywhere in the U.S.The Supreme Court overturned Roe versus Wade on June 24th.Abortion is a basic healthcare need for the millions of people who can become pregnant. Everyone should have the freedom to decide what's best for themselves and their families, including when it comes to ending a pregnancy. This decision has dire consequences for individual health and safety, and could have harsh repercussions for other landmark decisions.Restricting access to comprehensive reproductive care, including abortion, threatens the health and independence of all Americans. Even if you live in a state where abortion rights are upheld, access to safe medical procedures shouldn't be determined by location, and it shouldn't be the privilege of a small few.You can help by donating to local abortion funds. To find out where to donate for each state, visit donations4abortion.com.If you or someone you know needs help, or if you want to get more involved, here are 5 resources:1. Shout Your Abortion is a campaign to normalize abortion.2. Don't Ban Equality is a campaign for companies to take a stand against abortion restrictions.3. Abortion.cafe has...

Happy Pride Month, folks! On this episode, writer and director Georgia Oakley joins Gemma and Ella to discuss her debut feature Blue Jean, now in theaters across the US. We unspool the past and present queer–and unintentionally political–histories in the UK via Oakley's film, while also celebrating four more striking female performances in her four favorites: Three Colors: Blue, Safe, A Woman Under the Influence and Morvern Callar. Topics include: coming out as a daily thing, Juliette Binoche's unpredictable behavior, the greatest performance by any actor ever, lessons from low-budget theater, Cate Blanchett doing things, the hostility of pastel colors, the unknowability of good actors, queer-coded kids films, missing your tube station to process your post-movie thoughts, the one movie that made Ella change her own Four Faves, and the one scene that makes Georgia want to get up in the morning. Chapters: Opening credits (00:00:00) Pride Month plans (00:01:12) Blue Jean political context (00:06:10) Three Colours: Blue (00:09:52) Blue Jean needle drops (00:22:00) Safe (00:25:25) Tomboy (00:38:40) A Woman Under the Influence (00:41:01) Morvern Callar (00:50:50) Blue Jean and club scenes (00:55:45) Closing credits (01:01:35) Credits: Recorded in Auckland NZ, Los Angeles CA and London UK. Edited by Slim. Theme music: “Vampiros Danceoteque” by Moniker. Editorial producer: Brian Formo. Production manager: Sophie Shin. The Letterboxd Show and Weekend Watchlist are TAPEDECK productions. Lists & Links: List of movies mentioned Ella's interview with Georgia on Journal “What will I do with this life?” by C “Movies that you (initially) thought were “okay” but hit you so damn hard when they ended” by Hungkat “The Feminine Grotesque” by Angelica Jade Bastién Reviews mentioned: Hari Nef's Safe review Issy's Blue Jean review Filipe's A Woman Under the Influence review

In RATCATCHER, everything is someone's fault, but not everyone suffers for it. “Ratcatcher: Death, Garbage, and Glimpses of Beauty in 1970s Glasgow” by Dan Howard for Perisphere, the Trylon blog: https://www.perisphere.org/2023/03/26/ratcatcher-death-garbage-and-glimpses-of-beauty-in-1970s-glasgow/ “The Eyes of Morton Are Upon You: Morvern Callar and the Art of Expression” by Natalie Marlin for Perisphere, the Trylon blog: https://www.perisphere.org/2023/03/24/the-eyes-of-morton-are-upon-you-morvern-callar-and-the-art-of-expression/ Check out our episode partially about Lynne Ramsay's MORVERN CALLAR with Fun City Editions founder Jonathan Hertzberg: https://podcasts.apple.com/us/podcast/episode-155-building-a-boutique-film-label-with/id1449848155?i=1000547883839 Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: Gassenhauer by Carl Orff. Timestamps 0:00 - Episode 221: RATCATCHER (1999) 4:37 - The episode actually starts 7:20 - Ramsay's style 17:29 - Humanizing, sympathizing, and wallowing in our own filth 31:38 - Snowball going to the moon 45:31 - Power hierarchies and targeted neglect 49:27 - The ending 54:59 - The Junk Drawer 1:00:14 - Good Grief, Give Me a GIF! 1:05:57 - Cody's Noteys: Ratlove (rat-themed movie trivia)

Happy holidays! For our second Christmas Special, Dean showed Ciara that timeless seasonal classic, Lynne Ramsay's 2002 suicide drama Morvern Callar. They talked about how funny it is, whether the main character is a psychopath and if it's even a Christmas film. Visit The Sundae: https://thesundae.net/ Follow us on Twitter: https://twitter.com/sundaeblog/ Ciara on Ms .45 in Crooked Marquee: https://crookedmarquee.com/a-woman-waging-war-ms-45-at-40/ I Miss You More Than I Did Yesterday: https://thesundae.net/2019/05/20/i-miss-you-more-than-i-did-yesterday/ Episode 11, It's a Wonderful Life: https://thesundae.net/2021/12/23/its-a-wonderful-life-the-sundae-presents-episode-11/

Happy holidays! For our second Christmas Special, Dean showed Ciara that timeless seasonal classic, Lynne Ramsay's 2002 suicide drama Morvern Callar. They talked about how funny it is, whether the main character is a psychopath and if it's even a Christmas film. Visit The Sundae: https://thesundae.net/ Follow us on Twitter: https://twitter.com/sundaeblog/ Ciara on Ms .45 in Crooked Marquee: https://crookedmarquee.com/a-woman-waging-war-ms-45-at-40/ I Miss You More Than I Did Yesterday: https://thesundae.net/2019/05/20/i-miss-you-more-than-i-did-yesterday/ Episode 11, It's a Wonderful Life: https://thesundae.net/2021/12/23/its-a-wonderful-life-the-sundae-presents-episode-11/

Aftersun, la ópera prima de Charlotte Wells, está conquistando almas. Más allá de haber ganado el French Torch Price de la Semana de la Crítica en el Festival Internacional de Cine de Cannes, los aplausos de quienes la hemos visto llegan por varias razones. ¿Será que hemos encontrado una estupenda heredera del tacto poderoso de Lynne Ramsay que nos ha regalado películas como Morvern Callar, Tenemos que hablar de Kevin y Nunca estarás a salvo? Para hablar de esta película invitamos a este podcast a Antón Goenechea, guionista de proyectos como Paraíso perdido, Camino a Marte, Perdida y Luis Miguel: La serie.

Ep. 146: Fun City with Margaret Barton-Fumo and Jonathan Hertzberg, from Morvern Callar to Heartbreakers Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. Critic and ol' pal Margaret Barton-Fumo clued me in on the Fun City Editions label, founded and run by Jonathan Hertzberg. It's a Blu-ray and music imprint with a particular penchant for 1980s movies that have fallen through the cracks over the years—such as Heartbreakers, starring Peter Coyote, or Cutter's Way, with Jeff Bridges and John Heard—as well as other fine films such as Lynne Ramsay's Morvern Callar (which by coincidence I recently introduced at the Roxy Cinema). We talk about all of these titles, plus others, and at the end, Jonathan and Margaret (who hosts the show No Pussyfooting on kpiss.fm) have some cool recent viewing to share. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

The Scottish novelist Douglas Stuart is a master of writing about tender souls in tough spaces. He is a tender soul himself, having grown up gay in working class Glasgow with an alcoholic mother (she  died when he was 16), an experience that informs both his debut novel, Shuggie Bain, which won the Booker Prize, and his 2022 follow-up, Young Mungo. In both books, Stuart has created indelible portraits of complicated mothers and their conflicted sons trying to navigate a hostile and soul-sapping world. “I'm always writing about loneliness and belonging and love,” he has said. “That's what keeps me coming back to the page.” Loneliness and belonging and love might also be what draws Stuart to the defiant heroine of Alan Warner's 1995 novel, Morvern Callar, and the tempestuous and violent world of 17th century soldiers in Cromwell's New Model Army in Maria McCann's As Meat Loves Salt, the two books he has chosen to talk about in this episode of Shelf Life.

I watched Morvern Callar which was recently released by Fun City Editions. I am trying out the video podcasts feature which can be seen on Spotify. This video is also available on Youtube on my channel: BuyTheThings! Jonathan --- Send in a voice message: https://anchor.fm/filmtasting/message

On this week's archive edition our focus turns once again to the cinema as we relisten to an honest and engaging conversation with director Lynne Ramsay.For over two decades director Lynne Ramsay has blazed a path in her films from her debut 1999's Ratcatcher to the subject of this interview, 2017's dark and intense You Were Never Really Here.‘You know there's no money, time's running out, there's always this crazy energy and I think sometimes that's just brings out the best ideas for me….I don't think I've ever not walked on to a film slight y terrified and I think you should be slightly terrified'. – Lynne Ramsey.The director has worked with and brought out outstanding performances from the likes of Tilda Swinton in We Need to Talk About Kevin, Samantha Morton in Morvern Callar and more recently Joaquin Phoenix as an intense hitman in You Were Never Really Here.From the Archive sees us dig into our extensive contemporary and classical music and cinema podcast archive as we rediscover interviews and discussions with artists, with our long-standing producer and presenter, Ben Eshmade. Subscribe to Nothing Concrete on Acast, Spotify, iTunes or wherever you find your podcasts. See acast.com/privacy for privacy and opt-out information.

Full transparency: all Blu-rays reviewed were provided by Criterion, Kino Lorber, 88 Films US and Fun City Editions On this months PMISDIJSF, Criterion Collection, Kino Lorber, 88 Film US, and Fun City Editions join us with some stellar titles. Millers Crossing, 12 Angry Men (1997), Man on The Moon, The Flag of Iron, Legendary Weapons of the Shaolin, Bilitis and my "pick of the month" Morvern Callar all get the spotlight in a month full of both physicality and melancholy.

Rebellious women come in all forms. Sometimes horror, sometimes romance, sometimes poetry. This episode we discuss the great poet of cinema Lynne Ramsay, and one of her earlier films: Morvern Callar - starring the incomparable Samantha Morton. This movie has everything: mix tapes, Scottish + Spanish landscapes, and the dismembering of your lover so you can go in search of yourself. We also promised a secret link to our own films. Some of our work is presently on the indie film festival circuit (Berlin Independent Art Film Festival - check out Season 1 Episode 4 to learn more). Here is a smattering of our film oeuvre from the last 15+ years. Currently we are in post-production for the very first Zero Waste Feature Film, Citywide, which is due out in the spring! Only 16 ounces of garbage was made over the course of almost 3 years while producing Citywide. Watch the trailer here! We believe that movies should not come at the expense of the planet and so, since 2016, we have been making all of our films without generating any garbage. It is not easy, but it is essential. Demand sustainable art! + + + + + + Movie streaming algorithms suck. This podcast takes you back to the days of wandering through the video store, looking to be inspired for your next movie night. Independent filmmakers Austin Elston + Emily Gallagher, of Fishtown Films, will help you stumble upon movies you've never heard of, or rediscover ones you've long forgotten. Any film you can dream of, eventually these two indie filmmakers will discuss with joy and reverence for the fine art of cinema. Grab some popcorn and stumble upon a new movie. + + + + + + Follow us on instagram + twitter @fishtownfilms to see what film we will be discussing next, drop a note for any requests, and if you are an indie filmmaker as well - slide into our DMs and share with us your work. Make Art. Not Trash. Original Music by Black Cactus, you can listen to more of her incredible work on instagram here. Stumble Upon Movies is produced by Fishtown Films. --- Support this podcast: https://podcasters.spotify.com/pod/show/fishtownfilms/support

We are delighted to share this very special episode with you. The first one of 2022 and it feels good, so brace your ears because we're not talking about 1 but 7 films as we took a thematic approach. We discuss Ari Aster's 2019 MIDSOMMAR, Laura & Kate Mulleavy's 2017 WOODSHOCK, Marielle Heller's 2015 DIARY OF A TEENAGE GIRL, Dario Argento's 1977 SUSPIRIA, Luca Guadagnino's 2018 SUSPIRIA, Lynne Ramsay's 2003 MORVERN CALLAR and Lars von Trier's 2011 MELANCHOLIA. The idea for Wild Women in Cinema was birthed from the depths of our 7 day isolation spent together, during this time we were drawn to stories told about women who dare to embrace their wild and free nature. So, douse your face in a flower, dig your toes in the sand, rub your body in some mud and let's get wild and free together. Enjoy the episode! Much love always, The Coen Sisters x

Here's a special bonus episode for y'all – a wonderfully frank discussion with Jonathan Hertzberg, founder of boutique repertory film label Fun City Editions (and its self-proclaimed one-man-show). Two of the films he helped re-release were screened at the Trylon in January 2022: WALKING THE EDGE (1983) and RADIO ON (1979). With Jonathan, we dive into the freedom of running his own label after working in Kino Lorber's theatrical distribution, what it takes to sell a movie nobody's ever heard of, and the comfort of knowing there's always an audience for something. - Pre-order Fun City Editions's January 2022 release, a 2K Blu-ray restoration of Lynn Ramsay's MORVERN CALLAR (2002), here: https://vinegarsyndrome.com/collections/frontpage-partner-labels/products/morvern-callar-fun-city-editions - Learn more about Fun City Editions and browse the catalog on their website: https://www.funcityeditions.com/ - Shop Fun City Editions releases and merch through Vinegar Syndrome: https://vinegarsyndrome.com/collections/fun-city-editions - Follow Fun City Editions on Twitter at https://twitter.com/FunCityEdition Special thanks to John Moret, film programmer at the Trylon Cinema, for connecting us with Jonathan. Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "Opening Credits Music” from the WALKING THE EDGE soundtrack by Jay Chattaway. Timestamps 0:00 - Episode 155: Building a Boutique Film Label with Jonathan Hertzberg of Fun City Editions 4:56 - Fun City's connections to the Trylon 6:20 - The learning curve from Kino to one-man show 8:53 - How you build film distribution relationships 11:10 - Bringing MORVERN CALLAR (2002) back to life 16:54 - The freedom of having your own niche 20:08 - How do you know a Fun City Editions film? 26:34 - Fun City's white whale 31:50 - The right pace of releases for Fun City 35:53 - Finding an audience for older, lesser-known films 41:13 - Building branding & loyalty 47:48 - Sourcing new art for disc packaging 51:10 - How to reach younger audiences 57:46 - A little bit about WALKING THE EDGE (1985) 1:00:35 - Plugs & goodbyes

Cinematic-sex sleuth, Kate Hagen (director of community for The Black List) discusses her four favorites—Near Dark; Baby It's You; Wild at Heart; and Morvern Callar—with hosts Gemma (Letterboxd editor-in-chief) and Slim (of 70mm podcast). Also: the genius of how Bigelow stages action; Verhoeven's kink for unisex shower scenes; the unacceptable decline of sex scenes in American movies; an awkward conversation about David Lynch's films; the worst movies with the best sex scenes; Oscar Isaac thirst; the rarity of male frontal nudity; why you should get a region-free Blu-ray player. And, Kate unpacks Hollywood's “cult of perfection” and what that means for fat actresses on and off screen (her essay for Letterboxd is publishing soon). Links: The Letterboxd list of films mentioned in this episode; The Black List; Kate's long-form sex essay for Playboy; Shudder on Letterboxd; Brendan's review of Morvern Callar; Kate's lists of Essential Erotic Thrillers; 365 Sex Scenes; three eggplant emojis (a companion to Slim's man-ass list); and the Cinematic Canon for Fat Grrls; NWorbb's list of Films in the Splatter-Cannibal She-Devil Vein. Credits: This episode was recorded in Los Angeles, Pennsylvania and Auckland, and edited by Slim. Facts by Jack. Booker: Linda Moulton. Theme: ‘Vampiros Dancoteque' by Moniker. Transcripts by Sophie Shin.

Durante el cuarto programa hablaremos sobre las películas que componen la filmografía de la directora escocesa Lynne Ramsay. Nos centraremos especialmente en Morvern Callar, Tenemos que hablar de Kevin y En realidad, nunca estuviste aquí, pero también haremos un breve comentario sobre Ratcatcher. Podéis leernos y escucharnos también en: Twitter: https://twitter.com/palomitasdulce3 Instagram: https://www.instagram.com/palomitasdu... Spotify: https://open.spotify.com/show/28wWAnL... Youtube: https://www.youtube.com/channel/UC54bRDjZzE9k7xz1Xpst1Fg

For this episode, Lillian Crawford chats to fellow Little White Lies writer Hannah Strong about Morvern Callar and all things Lynne Ramsay.

We felt we needed to shout out our favorite lady director after doing Lars, and cleanse our palettes some good movies. In this episode we cover Lynne Ramsay and her films Morvern Callar, We Need to Talk About Kevin, and You Were Never Really Here.

Drea Clark -- indie producer, festival programmer, and Alonso's co-host on the Who Shot Ya? podcast -- joins Dan and Alonso to connect Chantal Akerman's feminist classic JEANNE DIELMAN (1975) to Kitty Green's #MeToo drama THE ASSISTANT, which has made its way to several "Top 10 of 2020" lists. Follow us @filmandmoviepod on Twitter, Instagram, and Facebook, and please leave us a five-star review on Apple Podcasts or wherever you get your episodes.Follow Drea on Twitter: http://twitter.com/thedreaclarkTHE ASSISTANT is streaming on Hulu: https://www.hulu.com/movie/the-assistant-94c3d0f4-b5d2-4252-aa12-b959e3f5c6f3JEANNE DIELMAN is streaming on The Criterion Channel: https://www.criterionchannel.com/jeanne-dielman-23-quai-du-commerce-1080-bruxellesDrea recommends EVERYTHING BEAUTIFUL IS FAR AWAY https://www.amazon.com/gp/video/detail/B07CXH5BLH/?tag=alonsoduralde-20 and MORVERN CALLAR https://kanopy.com/video/morvern-callar-0Alonso recommends SAFE (1995): https://www.amazon.com/gp/video/detail/B01MR0X15Y/?tag=alonsoduralde-20

Mum gets all arthouse this week, with a review of the winner of the 2018 Palme d'Or, Hirokazu Kore-eda's Shoplifters. She's also seen Lynne Ramsay's 2002 classic, Morvern Callar, starring Samantha Morton.

Did ya honestly think we'd let a virus get in our way? We're fully equipped with latex gloves this week folks! Join us for a trip to the movies [before they close that is...] for Peter Strickland's latest horror flick, IN FABRIC (2018); the highly anticipated feature film debut from Melina Matsoukas, QUEEN & SLIM (2019) as well as our first retro pick of the year, Lynne Ramsay's MORVERN CALLAR (2002)!

The first of a two-part series. Mario and Tom engage in a discussion about what they think are the best 20 films of the century, so far. This week they discuss films 20 through 11. Mario: 20. Edge of Tomorrow (6:59), 19. In the Loop (16:28), 18. Spider-man: Into the Spiderverse (32:29), 17. White Material (36:03), 16. City of God (49:43), 15. Phantom Thread (52:43), 14. A History of Violence (1:06:40), 13. Closer (1:12:34), 12. 12 Years a Slave (1:20:45), 11. Mystic River (1:38:30). Tom: 20. 35 Shots of Rum (11:23), 24 Frames (21:34), 18. Inside Llewyn Davis (28:19), 17. Faces Places (38:46), 16. The Master (44:44), 15. Spider-man: Into the Spiderverse (55:23), 14. Morvern Callar (1:00:03), 13. Widows (1:18:29), 12. Ladybird (1:25:40), 11. Waltz With Bashir (1:33:05). On Tap! Something slightly lighter the next two weeks. From Still Hill Brewing in Rocky Hill, CT: The Nut on the Hill, a brown ale (1:31:25) https://www.stillhillbrewery.com/items/still-hill-the-nut-on-the-hill Music Credits: “Her Eyes Play Tricks on the Camera” – Robert Pollard (arranged and performed by Tom Nolan), “Ghost” – Neutral Milk Hotel.

The Public + Fast and Furious presents Hobbs and Shaw. We mark the point where straight to cinema means the same as what straight to DVD used to. Kim Kardashian West is making a two hour documentary on the prison industrial complex for a true crime channel, the pioneer of Direct Cinema who paved the way for reality TV D.A. Pennebaker has passed away and Oscar season begins with the release of the Queen and Slim trailer - the Bonnie and Clyde adaptation by Lena Waithe and Melina Matsoukas. Gillian Armstrong is speaking about Little Women at Palace Verona this week and the Merrily we go to hell, celebrating women in cinema series is still going strong this week with Lynne Ramsay's iconic Morvern Callar.

Welcome to the latest episode of The Pick of the Flicks Podcast from Flickering Myth, in which a different guest stops by each week to chat about their favourite movie.This week, Sacha Polak discusses her English language directorial debut Dirty God, which hits UK cinemas this weekend. She also reveals her favourite film – Lynne Ramsay's Morvern Callar, in which Samantha Morton plays a woman dealing with the sudden suicide of her boyfriend. It's a bizarre, sparse story that stands as one of Ramsay's most idiosyncratic films.If you enjoy the podcast, please subscribe on iTunes, Stitcher, Spotify and Player FM and leave us a comment, rating or review. For more entertainment news, reviews and interviews, head over to FlickeringMyth.com.

We return from one tragic snowbound death to another as we sit for a while with the quiet and drifting Morvern Callar. We talk about what counts as praxis when it comes to body disposal, the reality of getting away from your problems, the foibles of book deals, and the Americans on the cast wonder just what is a Scottish accent, really? All this and more during this, our second episode, on the film Movern Callar.Send us any email questions and comments about the movies we cover or movies in general to podcast@abnormalmapping.com! Also, we're a patreon supported show, please go to patreon.com/abnormalmapping to see our many shows and support us.Next Month's MovieAll The President’s Men (1976)

Episode #41 has arrived, and we have some pretty cool themes with our film choices this time around! For Tim’s recommendations, he has two films by directors that Kyle has recommended in the past, but he never went with! For Kyle’s recommendations, he has two films where sound really plays a role as a main character!Tim’s Picks: - “Morvern Callar” (2003) // Directed By Lynne Ramsay // Available to WATCH NOW with Amazon Prime subscription.. - “Trouble Every Day” (2001) // Directed By Claire Denis // Available to WATCH NOW with Amazon Prime subscription.Kyle’s Picks:- "First Man” (2018) // Directed By Damien Chazelle // Available to rent for $5.99 on Amazon Prime.- “A Quiet Place” (2018) // Directed By John Krasinski // Available to WATCH NOW with Amazon Prime subscription.KEEP ON KEEPING IT REEL WITH #REELDADS

Episode #41 has arrived, and we have some pretty cool themes with our film choices this time around! For Tim’s recommendations, he has two films by directors that Kyle has recommended in the past, but he never went with! For Kyle’s recommendations, he has two films where sound really plays a role as a main character!Tim’s Picks: - “Morvern Callar” (2003) // Directed By Lynne Ramsay // Available to WATCH NOW with Amazon Prime subscription.. - “Trouble Every Day” (2001) // Directed By Claire Denis // Available to WATCH NOW with Amazon Prime subscription.Kyle’s Picks:- "First Man” (2018) // Directed By Damien Chazelle // Available to rent for $5.99 on Amazon Prime.- “A Quiet Place” (2018) // Directed By John Krasinski // Available to WATCH NOW with Amazon Prime subscription.KEEP ON KEEPING IT REEL WITH #REELDADS

In this series of podcasts we celebrate the work of particular female directors as part of our F-Word month of films directed by women. In this podcast we discuss the work of Lynne Ramsay, including Ratcatcher, Morvern Callar, We Need To Talk About Kevin and You Were Never Really Here.

In this episode, I talk about the intense personal connection I feel to Lynne Ramsay's 2002 film, "Morvern Callar," starring Samantha Morton. I discuss how the film represents grief, death, and sensuality, and I situate Morvern within something I call a Cinema of the Unruly Woman. Consider making this podcast sustainable by supporting it on Patreon. Subscribe to the Her Head in Films Newsletter. Follow me on Facebook, Twitter, Instagram, and Tumblr. Original artwork by Dhiyanah Hassan Full show notes: Morvern Callar by Alan Warner My episode on a Cinema of the Unruly Woman My Spotify playlist of songs from the film, Morvern Callar

Siblo and Whalen trade their summer blues for the grey skies of Glasgow in their first foray into the work of Scottish auteur Lynne Ramsay, covering her youth squalor debut Ratcatcher (37:15) and her impeccably soundtracked grief essay Morvern Callar (1:03:10). But first, your Carpeteers punch their Rad Ticket to discuss the new Ant Man film, the unexpected Sicario sequel, the "once in a lifetime bad" Gotti, and more (4:15) before shaking out the Rad Carpet mailbag for some Carpetspondance regarding moms, dads, and John Waters and further, pizza-themed explorations of the biopic (27:20).

Why didn't Lynne Ramsay's Morvern Callar get the attention it deserved?

Welcome to the return of the DoSomeDamage podcast, brought to you by your friends at DoSomeDamage.com, the crime fiction blog. In each episode, Steve Weddle hosts seven-minute chats with three amazing authors -- Holly West on TV, Chris F. Holm on music, and Jedidiah Ayres on movies. West: http://hollywest.com/ Holm: https://chrisfholm.com/ Ayres: http://spaceythompson.blogspot.com/ Chris Holm suggests some music: Neko Case - "Sleep All Summer" https://www.youtube.com/watch?v=wibo237d1OY Crooked Fingers - Your Apocalypse https://www.youtube.com/watch?v=KJ_eesRpy8M ZEAL & ARDOR - Gravedigger's Chant (Official Video) https://www.youtube.com/watch?v=ARM8cD8Xyno I'M WITH HER (Tiny Desk) https://www.youtube.com/watch?v=7WNmrsbu-hc&feature=youtu.be Aesop Rock - Blood Sandwich (Official Video) https://www.youtube.com/watch?v=_q5zNHNIewg&feature=youtu.be BONUS HOLM TRACKS: Niklas Paschburg - Spark https://www.youtube.com/watch?v=6p_YD68O5ho Rival Dealer - Burial https://www.youtube.com/watch?v=Uuwc6MzbB9w DJ Shadow - Midnight In A Perfect World https://www.youtube.com/watch?v=InFbBlpDTfQ ****************** Holly West chats about Riverdale on the CW http://www.cwtv.com/shows/riverdale/ and Westworld on HBO https://www.hbo.com/westworld/. ******************* And Jedidiah Ayres talks about David Schwimmer, You Were Never Really Here, Mikey and Nicky, and Morvern Callar. ******************** All music in the episode: Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Sponsors for this episode: PayTheWriter.com and OnShortRest.com

Our second episode of Ranked covers the filmography of director Lynne Ramsey We recommend watching the movies along with us before listening.... Wait for our Ranking of all Ramsey Films at the end of this episode. The films discussed in this episode are: Ratcatcher (1999) Morvern Callar (2002) We Need To Talk About Kevin (2011) You Where Never Really Here (2017) Our introduction and outro features music from You Where Never Really Here (2017) by Jonny Greenwood. "Some Velvet Morning" by Nancy Sinatra and Lee Hazelwood is also included from the Morvern Callar (2002) soundtrack.

With you Were Never Really Here just out of U.K. cinemas, we though we'd take the opportunity to look at our countrywoman's career. Join us as we also discuss Ratcatcher, Morvern Callar, We Need to Talk About Kevin, and also her short films. Listen in! That's certainly a thing you could do. Full show notes at http://www.fudsonfilm.com/lynne-ramsay/

In episode twenty-nine of movies imo., Ben, Brandon, and Daniel yell over each other about Lynne Ramsay, Queen of Scots's blunt force thriller YOU WERE NEVER REALLY HERE before pummeling themselves with her previous three features WE NEED TO TALK ABOUT KEVIN, MORVERN CALLAR, and RATCATCHER. Ben wonders whether we should discuss her latest film in conversation with the Safdies's GOOD TIME, Daniel turns out to be the missing child from the RATCATCHER council estate, and Brandon brings the hammer in stanning Ezra Miller. See acast.com/privacy for privacy and opt-out information.

Sarah Kolasky, star of the new drama Great Great Great — which she co-wrote and co-produced with director Adam Garnet Jones, and which opens this Friday after Wednesday night screenings at Landmark theaters across Canada — digs into the emotional puzzle box that is Lynne Ramsay’s Morvern Callar. Your genial host Norm Wilner has his Walkman at … Continue reading Sarah Kolasky on Morvern Callar →

Új blokkunkban három indie rendezőnő munkájával fogunk megismerkedni, köztük elsőnek Lynne Ramsay 2002-es, Morvern Callar című kultfilmjével. A Morvern Callar alapjául Alan Warner 1995-ös, azonos című regénye szolgált, így rögtön fel is próbáljuk fedezni a skót irodalom röppályáját Iain Banks elborult A darázsgyárától Irvine Welsh forradalmi Trainspottingján keresztül a Morvern Callarig, egyúttal arra is választ keresve, hogy mi fogta meg Lynne Ramsay-t a regényben. A címszereplőt, Morvern Callart játszó Samantha Morton karrierjén elmerengve megállapítjuk, miért van szükség több földönkívülire a filmekben, és mi teszi egyedivé az enigmatikus alakítását. Végezetül az Aphex Twin nevével fémjelzett soundtracken legalább olyan nehen találunk fogást, mint Ramsay képi megoldásain. A kitekintőben Samantha Mortonnal rokonságot mutató, az emberi faj jellemvonásait maguk mögött hagyó földöntúli színészeket sorolunk fel, akikről itt olvashattok. Linkek Az Every Frame a Painting videóesszéje Lynne Ramsay-ről Matt Zoller Seitz esszéje az érzéki észleléssel dolgozó rendezőkről. A Vakfolt podcast facebook oldala Vakfolt címke a Letterboxdon András a Twitteren: @gaines_ Péter a Twitteren: @freevo Emailen is elértek bennünket: feedback@vakfoltpodcast.hu A főcímzenénket az Artúr zenekar szerezte, akiket megtaláltok a Facebookon és a Twitteren is.  

Canciones del Programa: Al Green - Simply Beautiful Fred Neil - The Dolphins (De Los Sopranos) El Mapazhe - Heterosexual Canción de BoJack Horseman Sorcerer (1977) El Exorcista (1973) Star Wars (1977) The Deer Hunter (1978) Heaven's Gate (1980) The French Connection (1971) To Live and Die in LA (1985) Robo a la Italiana (2002) Power Rangers Lost (2004) Mi Gran Noche (2015) Tiburón (1975) Harry El Sucio Potter Silicon Valley (2014) El Hombre Bicenterio (1999) Louie (2010) El Planeta de los Simios (1968) El Planeta de los Simios (2001) El Origen Del Planeta de los Simios (2011) El Amanecer del Planeta de los Simios (2014) MacBeth (1971) MacBeth (2015) The Revenant (2015) Dead Man (1995) Tin-Tin IT (2017) True Detective (2014) Trono de Sangre (1957) Ran (1985) Pampa Ilusión (2001) Seven Samurai (1954) La Fortaleza Escondida (1958) Parade (1974) El Norte (1984) Playtime (1967) The Sopranos (1999) Historia de un Oso (2014) Ratcatcher (1999) Morvern Callar (2002) Tenemos que hablar de Kevin (2011) Small Deaths (1996) Kill the Day (1996) Gasman (1998) Swimmer (2012) Prisoners (2013) Enemy (2013) Sicario (2015) Incendies (2010) High-Rise (2015) Orange (2015) Mob Psycho 100 (2016) One-Punch Man (2015) Detective Conan Tenjou Tenge (2004) Gantz (2005) Perfect Blue (2002) Paprika (2006) Millenium Actress (2001) Black Swan (2010) Requiem por un Sueño (2000) Breaking Bad (2008) Gangsta. (2015) X-Men ?kami Sh?jo to Kuro ?ji (2014) Sailor Moon Condorito Ogú y Mampato en Rapa Nui (2002) Taboo Tattoo (2016) Mulholland Drive (2001) Taste of Cherry (1997) Stranger Things (2016) Kill Bill (2003) Vinyl (2016) American Crime Story (2011) It's Always Sunny in Philadelphia (2005) American Horror Story (2016) Mad Men (2007) Midnight Special (2016) It Follows (2014) BoJack Horseman (2014)

On the seventy-eighth episode of THE THIRD ACT PODCAST, the crew shuns the multiplexes to dig into some older films from a great director. For our third round of Auteurography we discuss the films of Lynne Ramsay. Since she only has 3 feature films we decided to discuss all of them on one episode since there aren't many 2016 films we want to review. First up is her 1999 debut film, the period piece RATCATCHER. Then we discuss the Samantha Morton meandering vehicle MORVERN CALLAR. Finally, we discuss the psychological drama WE NEED TO TALK ABOUT KEVIN. We also try to get Batman v. Superman soundbites, forget the name "Kevin" and discuss angry masturbation faces. Enjoy! Keep in touch with us on Facebook: www.facebook.com/TheThirdActPodcast and Twitter: @TheThirdActPod and email us anytime at: TheThirdActPodcast@gmail.com

Barnaby's earlier highlights in foley include: Morvern Callar, I Capture the Castle, and Mirrormask.Barnaby has worked on documentaries like Joe Strummer: The Future Is Unwritten and Senna and animated films like Free Jimmy and Arthur Christmas. He has worked on several award winning period pieces like Brick Lane, Downton Abbey, Jane Eyre, Anna Karenina and thrillers like We Need to Talk About Kevin, Tinker Tailor Soldier Spy, Under the Skin, and The Double.Barnaby's more recent projects include: Testament of Youth, Pan, Suffragette, and the upcoming A Hundred Streets and Ali and Nino.

An immensely welcome visit in 2007 from one of Scotland's most dizzingly talented and original writers, now living in Spain. Listen as Alan Warner, author of Morvern Callar and The Worms Can Carry Me to Heaven, discusses the scope and ambition of his work. Chaired by Janice Forsyth of BBC Scotland's The Radio Cafe.