Podcasts about morisseau

durée : 00:01:59 - Le poitevin Brice Morisseau court le marathon en 2h16 !

Jean-François Morisseau va voir sa vie basculer du jour au lendemain. Enlevé à l'aube par des inconnus en blouse blanche, il se retrouve enfermé dans un établissement mystérieux. Qui sont ces hommes ? Pourquoi Morisseau est-il la cible de cet enlèvement ? Entre suspense et rebondissements, chaque détail compte dans cette histoire ! Des meurtres qui défient la raison, des enquêtes impossibles, ou encore des assassins imprenables : abonnez-vous pour ne rater aucun nouveau récit passionnant de Pierre Bellemare, pour qui l'art de conter n'avait aucun secret.

"Maus Exemplos" é o programa de autor de Pedro Saavedra e Rui Miguel, com entrevistas “a quem já falhou”.

In playwright Dominique Morisseau's "Bad Kreyòl," a first-generation Haitian-American travels to Haiti to reconnect with a relative, exploring the relationships between the characters and the countries they reside in. Morisseau discusses the show, which is running through December 1 in a world premiere at the Signature Theatre.

In mid-July, severe storm season reaches its peak on the Canadian prairies. Already, hundreds of hail-related crop insurance claims have been filed, and several tornadoes have touched down across the prairies.  For a farmer, a single storm could wipe out weeks or months of hard work.   Cochrane, Alberta-based storm chaser Braydon Morisseau has seen firsthand the damage severe weather can cause.   In an interview with Rural Roots Canada,  Morisseau said there are things we can do to keep ourselves and our properties as safe as possible.

Unlock the secrets of healing and self-discovery with Claire Morisseau, an alternative therapist and intuitive coach. Broadcasting from her serene location just outside Paris, Claire reveals how she helps individuals release trapped emotions and overcome trauma using innovative techniques like the emotion code and the completion process. Through her clairaudient channeling abilities, Claire provides clarity and guidance from spiritual guides and angels, offering a transformative path to personal growth.Ever wondered how being in the flow state can transform your life? Claire shares her wisdom on the importance of expressing one's true self and how blocked emotions can impact physical health. Learn how the emotion code can help release these trapped emotions, guiding you to shine your light and realize your dreams effortlessly.Healing childhood trauma takes center stage as we unravel the intricacies of the Completion Process, an 18-step journey designed to address early traumas. Claire's insights shed light on the significance of early education and intuition in understanding human psychology and improving relationships. With a focus on personalized care and commitment, this episode offers valuable tools for those on their healing journey. Connect with Claire and discover more about her transformative work on her Facebook page, Claire's Healing Work http://www.facebook.com/claireshealingwork Support the Show.Seed Cycle Blend Take charge of your hormone health. Use the code SELFCARESEEDS for your discount https://seedcycleblend-au.com

Dans ce neuvième épisode, Xavier reçoit Florence Morisseau, kiné du sport. Ensemble, ils explorent les enjeux et défis spécifiques auxquels les femmes sont confrontées dans le monde du sport, notamment la performance, la résistance aux ultras et les meilleures pratiques pour préserver la santé. Florence partage son expertise et ses conseils précieux pour aider les athlètes à exceller tout en minimisant les risques. Ils discutent également de l'importance d'adapter l'entraînement aux particularités du corps féminin et des recommandations pour une pratique sportive saine et durable.

REDIFFUSION ✨ On finit cette #Europeanweekofsport avec le portrait d'une sportive que vous avez l'habitude dorénavant d'écouter de l'autre côté du micro maddie, @fmorisseauFlo, comme on l'appelle chez Maddie, est tombée dans la course à pieds il y a plusieurs années. Ultra-traileuse forcenée, elle est kiné depuis plus de 20 ans, enseignante formatrice Mackenzie et La Clinique du Coureur.Cette interview raconte son histoire, de son parcours de kiné à sa rencontre avec l'Institut Mackenzie et @lacliniqueducoureur mais aussi son amour de la course et ses conseils sur la prise en charge des blessures du coureur, sa façon de le bilanter, le soigner et le coacher.En filigrane vous entendrez peut-être les prémices d'une belle complicité car cet enregistrement est notre première rencontre qui a depuis donné lieu à de nombreux projets portés ensemble, dont l'intégration de Florence à l'équipe Maddie (2 ans déjà !).Alors vive le sport, la course, le dépassement de soi et l'effort collectif et belle (ré-)écoute (nous on ne s'en lasse pas !). --- Send in a voice message: https://podcasters.spotify.com/pod/show/maddie-kine/message

Dominique Morisseau joins Windham-Campbell Prizes director Michael Kelleher to talk about the still-resonant power of Pearl Cleage's What Looks Like Crazy on an Ordinary Day, representing Black men on the page and onstage, the AIDS epidemic and COVID, and why the writers of Family Guy seem to hate Meg. Reading List: Idlewild, Michigan for colored girls... by Ntozake Shange The Color Purple by Alice Walker Family Guy (1999-present) Flyin' West and Other Plays by Pearl Cleage For a full episode transcript, click here. Dominique Morisseau has established herself as not only one of America's preeminent dramatists but as a visionary force in the field of theater across the globe. Her body of work, including the hugely ambitious and critically acclaimed three-play cycle The Detroit Project (Skeleton Crew [2016], Paradise Blue [2015], and Detroit '67 [2013]), is both deeply poetic and sharply philosophical, drawing upon the rich histories of Black American literature, music, and activism to create unflinching—and wildly entertaining—dramatic experiences. In the Detroit Project plays, as well as in standalone works like Confederates (2022), Pipeline (2017), and Blood at the Root (2014), Morisseau dramatizes the entanglement of art and politics with care, sophistication, and a fervent conviction. Morisseau also has made an impact as a leader in her artistic communities. Countless young writers name Morisseau as a key influence, and her perspectives on community-building, inclusion, and transparency have changed the culture of theater-making for the better. Her many accolades include, most recently, a Drama Desk Award (2019), a MacArthur Fellowship (2018), two Obie Awards (2018, 2016), and a Steinberg Playwright Award (2015). She lives in Los Angeles with her husband and son.

Na linha do horizonte, uma música. E, a partir dela, um convidado, músico ou melómano, é desafiado a escolher uma selecção de temas musicais, de vários géneros, e a falar sobre eles e sobre a sua actividade recente.

Na linha do horizonte, uma música. E, a partir dela, um convidado, músico ou melómano, é desafiado a escolher uma selecção de temas musicais, de vários géneros, e a falar sobre eles e sobre a sua actividade recente.

Na linha do horizonte, uma música. E, a partir dela, um convidado, músico ou melómano, é desafiado a escolher uma selecção de temas musicais, de vários géneros, e a falar sobre eles e sobre a sua actividade recente.

See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

Margaux Morisseau, Deputy Director, RI Coalition to End Homelessness, joins Dan to discuss homeless camps around the state, where they are and why there may be a disconnect between state officials and advocates. See omnystudio.com/listener for privacy information.

Salut à vous, Voilà un nouvel épisode spécial, enregistré en public dans le cadre du Festival Sturmfrei le samedi 26 novembre 2022 à La Fab. Le Festival Sturmfrei interroge les "écritures en présence", les liens entre l'oralité, la performance, la scène et l'écriture, publiée ou non. Mes trois invités sont Marc Alexandre Oho Bambe, Albert Morisseau Leroy et Ange Alexandre Oho Bambe. Tous trois naviguent entre rap, slam et poésie, et ne font pas de différences majeures entre leurs pratiques artistiques. Nous y évoquons leurs origines camerounaises et haïtiennes, le pouvoir de la transmission orale, le partage et la solitude. Marc Alexandre Oho Bambe vient de publier La Vie Poème chez Mémoire d'encrier. Vous pouvez les retrouver notamment en suivant l'activité des Belles Personnes. Bonne écoute ! Retrouvez tous les épisodes de Mort à La Poésie sur : https://addict-culture.com/mort-a-la-poesie/

See omnystudio.com/listener for privacy information.

Margaux Morisseau, Deputy Director, RI Coalition to End Homelessness joins Dan to discuss the crisis of the unhoused and the specifics of a State House protest this week that called for Governor McKee to immediately expand shelter opportunities. See omnystudio.com/listener for privacy information.

Jordan Ealey and Leticia Ridley of Daughters of Lorraine, a black feminist theatre podcast, interview award-winning and acclaimed playwright Dominique Morisseau on her recent Broadway productions of Ain't Too Proud and Skeleton Crew, the future of Detroit theatre and performance, and reckoning with American history. Ealey and Ridley discuss Morisseau's own practice of reparative creativity and the ability for theatre to serve as a rehearsal for true change.

Jordan Ealey and Leticia Ridley interview award-winning and acclaimed playwright Dominique Morisseau about her recent Broadway productions of Ain't Too Proud: The Life and Times of The Temptations and Skeleton Crew; the future of Detroit theatre and performance; and reckoning with American history. Ealey and Ridley discuss Morisseau's practice of reparative creativity and the ability for theatre to serve as a rehearsal for true change.

Shelby Morisseau lives and grew up in the small town Cochrane, Alberta with a big family! In this conversation we start with Shelby's childhood and she explains everything that has happened has shaped who she is today! Being the only girl out of 4 kids there were some challenges but her family means everything to her! Shelby has been a competitive dancer since she was very young. Dance became her whole life and a huge part of her identity. She used dance as a way to express herself as she struggled with talking about her mental health. We talk about the demands and lessons she learnt from her dancing career. One of those lessons was listening to your body and after 20 years of dancing she had to stop because of an injury. After this she had to face a lot of her mental health issues as they became very consuming over her everyday life. She used multiple things as an outlet but one was sharing her truth on Instagram! Since then she started creating content because she is such a CREATIVE person! Now she is living the life she always wanted and enjoys all the ups and downs!  Topics Discussed: Topics Discussed: • Small town living and Family Influence • Gratitude for family and Relationships • Communication with others• Dancing and Mindset as a dancer• Team work and Becoming a team player• Dance being a safe space and an outlet • Neck injury • Listening to what your body needs• Feeling lost because she has always done dance• Dance became her only identity • Wanting to be known for more than just dance • Highlights of dancing career• Learning how to take constructive criticism • MENTAL HEALTH • Made a video and posted it on Instagram about her struggles (She felt like she had so much to share and did want to keep it in anymore)• Feeling NOT GOOD ENOUGH• Letting others get inside her head • Comparison • Being vulnerable on social media • Not glamorizing the lifestyle • Being real and raw on social media • Things to do to make your social media less toxic • Being an emotional and highly sensitive person • Limiting beliefs • Content creator • How she became a content creator • Breaking point - Therapy • Depression• Shift in mindset • Manifesting and owning what she wanted • SELF SABOTAGE• Acknowledging what is going on • Support system • Perks of being your own boss• Steps to get started as a Content Creator • Healing and Putting yourself out there• Managing emotions and checking in with yourself • Gratitude for all experiences  Check out Shelbys Instagram, TikTok, and Facebook!!!Connect with me on Instagram, Facebook, TIK TOK, and now YOUTUBE!!! You can now watch all the interviews on my youtube channel! If you have a story you would like to share with the world, reach out to me!Sending love and joy your way!Selina Novello

SITE INTERNET : https://www.proprietes-privees.com/

SITE INTERNET : https://www.proprietes-privees.com/ Radio Immo, première webradio d'information immobilière

Au service des professionnels du monde agricole et horticole, Le Groupe La Source Bretagne est basé à Plouénan dans le Finistère.  L'entreprise familiale développe et commercialise des fournitures dans les secteurs de la grande culture, horticulture, pépinière et espaces verts et dans les combustibles. Fondée en 1983, elle compte aujourd'hui 140 collaborateurs en Bretagne et en Pays de la Loire. 

It's time again for a visit with Midday theater critic J. Wynn Rousuck, who joins Tom each week with her reviews of the regional stage. Today, she spotlights two new community theater productions. The first is A Doll's House, Part 2,playwright Lucas Hnath's modern-day, 2017 sequel to Henrik Ibsen's iconic 1879 play about a married woman's quest for self-fulfillment in a male-dominated world, on stage at Fells Point Corner Theatre now through April 10. Steven Goldklang directs the production, which stars Holly Pasciullo and Tom Piccin as Nora and Torvald Helmer. The second play is Sunset Baby,a 2013 work by the Tony Award-winning playwright Dominique Morisseau, now in a new production at Baltimore's Arena Players, the oldest continuously operating African American theater in the nation. Morisseau's powerful play about an aging Black revolutionary and his wayward daughter is directed by Mari Andrea Travis, and stars Curtis McNeil and Jha'Neal Blue. Sunset Baby runs through April 3. Follow the theater links above for more information and ticketing. See omnystudio.com/listener for privacy information.

Bienvenue sur le podcast Future of Work with WO.MEN, le podcast de WO.MEN by NEOMA Alumni qui vous emmène explorer le futur du travail au travers des Alumni engagés pour faire évoluer notre rapport au travail. Dans ce premier épisode nous accueillons Perrine Morisseau, une étudiante de NEOMA Rouen ambitieuse et investie au quotidien pour faire du monde de demain un monde engagé ! Perrine rejoint NEOMA en 2020 à distance. Pendant sa première année elle prend la présidence des NATS : la NEOMA Alumni Team Support afin d'entretenir les relations entre les étudiants et les Alumnis de notre école, en parallèle et depuis 6 ans elle est engagée en tant que Conseillère Municipale à la mairie de Basse Goulaine. Perrine vient de rejoindre les équipes de Ferrero à Mont Saint Aignan pour un stage de 6 mois, un premier pas dans le monde du travail où les valeurs de transparence et de responsabilité comptent pour elle. Dans cet épisode nous découvrirons :

In the second episode of Season 8, Jackson and Jacob revisit Dominique Morisseau. As one of America's most impressive contemporary playwrights, Morisseau's work tracks pressing issues in our society. Her play Pipeline examines the American education system and its impact on one family. Listen in as J&J dive in to this moving piece.  ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Our theme song is “Upbeat Soda Pop” by Purple Planet Music. Credit as follows: Music: http://www.purple-planet.com ------------------------------ Thanks so much for listening! We'll see you next week.

Dans ce nouvel épisode du podcast l'instant outdoor, je reçois pour la seconde fois Florence Morisseau, Kiné et formatrice pour la clinique du coureur.Qui n'a jamais eu mal au dos ? On dit que c'est l'un des pires problème de santé du siècle... La sédentarité et les idées reçues que l'on peut avoir sur l'entraînement en sont parfois les causes.Florence revient sur ce qu'est une lombalgie, comment l'éviter et comment s'en débarrasser !Comme d'habitude l'échange se veut accessible à tous pour que vous puissiez appliquer les recommandations dès la fin du podcast.Très bonne écoute ;-) Obtenez des bonus en faisant parti des patreonsSoutenez ce podcast http://supporter.acast.com/instant-outdoor. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Braydon Morisseau is a Canadian Storm Chaser and Ex Tour guide for Extreme Tornado Tours, Braydon has been chasing severe weather across Canada and The USA for 13 years. 

This week on No Script, Jacob is joined by special guest K Edmonds to discuss Dominique Morisseau's play Detroit '67. Edmonds directed the play for Albion College in fall of 2020. Listen in as Jacob and Edmonds discuss the way Morisseau has layered her incredible characters and complex worldview into this funny, poignant play about the long hot summer in Detroit.  ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Our theme song is “Upbeat Soda Pop” by Purple Planet Music. Credit as follows: Music: http://www.purple-planet.com ------------------------------ Thanks so much for listening! We’ll see you next week.

POUR CEUX QUE J'AIME, texte d'Anthony Phelps lu par Jonel Juste. Anthony Phelps est l'un des plus grands poètes de la littérature haïtienne mais il n'est pas qu'une plume, il est aussi une voix. C'est l'un des diseurs les plus connus de la poésie haïtienne. Il a publié son premier CD de poèmes "Mon Pays Que Voici" en 1966. Il publiera le recueil éponyme en 1968. Il mettra sa voix sur bien d'autres poèmes par la suite, que ce soit les siens ou ceux d'autres poètes comme Davertige, Serge Legagneur, René Philoctète, Raymond Chassagne, Georges Castera... Poète, romancier et diseur, est né en Haïti en 1928. Après ses études secondaires, il séjourne aux États-Unis et au Canada pour des études de chimie, de céramique et de photographie. De retour en Haïti en 1953, il se consacre surtout à la littérature. Collabore à divers journaux et revues. En 1960 il fonde – avec les poètes Davertige, Legagneur, Morisseau, Philoctète et Thénor – le groupe Haïti-littéraire et la revue Semences. Il met sur pied et anime la troupe de comédiens, Prisme, et réalise des émissions hebdomadaires de poésie et de théâtre à Radio Cacique. Il publie trois recueils de poèmes. Après un séjour dans les prisons de François, il est contraint de s'exiler. Établi à Montréal en 1964, il y fait du théâtre – scène, radio et télé – puis du journalisme. Il participe à la narration de plusieurs films. Réalise et produit une dizaine de disques de poésie de poètes haïtiens et québécois. Plusieurs fois boursier du Conseil des Arts du Canada, (bourse de création libre), il a obtenu, deux fois, le Prix de Poésie Casa de las Américas, Cuba. Il a été notamment fait Chevalier de l'ordre des Arts et des Lettres (France) en 2014. En 2017 il a reçu le Grand Prix de Poésie de l'Académie française, pour l'ensemble de son oeuvre poétique.

Morisseau’s “Skeleton Crew” Will Come To Broadway, Hunter’s “The Whale” Will Come To The Big Screen “Today on Broadway” is a daily, Monday through Friday, podcast hitting the top theatre headlines of the day. Any and all feedback is appreciated:  Ashley Steves ashley@broadwayradio.com | @NoThisIsAshleyGrace Aki grace@broadwayradio.com | @GraceAkichanJames Marino read more

THIRD GRADE continues Playing on Air’s yearlong celebration of MacArthur ‘Genius Grant’ winner Dominique Morisseau (The Detroit Project, Pipeline, Ain't Too Proud — The Life and Times of the Temptations). Elementary school teacher Kai is dedicated to helping her students thrive. But when one of her third-graders is brutally bullied, Kai must unexpectedly go to battle with the boy’s father over how best to protect his son. J. Alphonse Nicholson (Starz’s “P-Valley”, A Soldier’s Play) stars alongside playwright-performer Morisseau. Directed by Stori Ayers ("The Last O.G.," Chautauqua Theater Company), THIRD GRADE is a searing look at the impossible choices that parents and public school educators are making to protect America’s kids. Later in the episode, the artists join host Claudia Catania to discuss their own third grade experiences and the need to ”go deep.”

In this episode, Autumn and Kelly Morisseau chat about sharing expertise with consumers and creating well-informed clients. For more info on KBDRadio and Kitchen & Bath Design News, visit https://my.captivate.fm/%22https://my.captivate.fm/kitchenbathdesign.com/%22 (our website) or say hi on social media! https://my.captivate.fm/%22https://twitter.com/KBDN/%22 (@KBDN)/https://my.captivate.fm/%22https://www.instagram.com/kbdn_sola/?hl=en%22 (@kbdn_sola) -- Kelly Morisseau has specialized in kitchens and baths for over 28 years and is the author of several books and a blog on the subject (https://www.kellymorisseau.com/).

Upfront September 30, 2020 Guest Margaux Morisseau

Inspired by Dominique Morisseau’s play Pipeline, today’s episode delves into issues tied to the national crisis of the school-to-prison pipeline. The play follows, Omari, a Black high school student at a predominantly white prep school and his single mother, Nya, who teaches at the district public school. When Omari attacks his teacher in class, Nya’s fears for her son and his future push her to the edge and force audiences to question who is truly at fault.  How and why did the school-to-prison pipeline begin? What problems does education inequity and inequality cause? How do we make education more equitable—across public and private institutions? How do we train teachers of all races to relate to students of all races? What is “culturally responsive education” and how can it improve our education crisis? How does this connect to Black Lives Matter, George Floyd, Michael Brown, Tamir Rice, Trayvon Martin, Breonna Taylor, and too many more? Listen to this fascinating and urgent discussion with playwright Morisseau and education experts Tyree Booker and Matt Gonzales. Purchase the play here. Referred to in this episode Watch Pipeline now on BroadwayHD. (Option for free trial for new users.) Michael Brown’s murder in Ferguson, MO (Read up until “The Law” section, which sources speculative opinions) The New Jim Crow by Michelle Alexander ACLU: “School-to-Prison Pipeline” Metropolitan Center for Research on Equity & the Transformation of Schools, where Gonzales works on education research and policy Camelot Education, where Booker serves as an Executive Director Morisseau’s op-ed “Why I Almost Slapped a Fellow Theatre Patron, and What That Says About Our Theatres” What is “Culturally Responsive Education”? Native Son by Richard Wright - Buy it from your local Black-owned independent bookstore; find stores here or here. Hear poet Gwendolyn Brooks read her “We Real Cool”  Key and Peele’s “If We Treated Teachers Like Pro Athletes” U.S. Department of Education School Discipline Snapshot 2017-2018 School Survey on Crime and Safey “Racial Disparity in School Discipline” Infographic Create the change Stand up for Black lives Find one-page education reform resources at the EJ-ROC Policy Hub Read  Just Mercy by Bryan Stevenson; Fierce Conversations by Susan Scott; Who Moved My Cheese? By Spencer Johnson; The Miseducation of the Negro by Carter G. Woodson (Buy from a Black-owned independent bookstore; find stores here or here.) Follow @integratenyc @CEJNYC @TeensTakeCharge @AQE_NY @CACF Read i3’s (Integration and Innovation Initiative) plan to integrate NYC schools, take their cues to adapt the policies for your school district Learn what “defund the police” means Elect Board of Education reps who:  Support universal early childhood education Advocate for culturally responsive-sustaining education Will divest from school policing Will decriminalize student behavior Will develop “sanctuary school” models to make school a space safe from police and ICE agents Provide a model for family engagement in education Opt for counseling and progressive discipline Reach out to and collaborate with the Anti-Racist Initiatve at NYU’s Metro Center   Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales.  Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.   Connect with Ruthie! RuthieFierberg.com Instagram: @ruthiefierceberg Twitter: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices

A live recording of our behind the scenes event for SKELETON CREW by Dominique Morisseau at American Stage. A deeper dive into the characters, artistry and themes of the script and our production.  The conversation features select members of the cast, Enoch King* and Dee Selmore*, and the director L. Peter Callender.  Special Guest Host: Wedeline Casimir Produced by: Sadie Lockhart  *Member of Actors' Equity Association

Dominique Morisseau is a prominent force in the American theater scene whose work is bringing the richness and complexity of the African American experience into the spotlight. Morisseau got her start as a performance poet in her hometown of Detroit, and began writing while she was studying acting at the University of Michigan. Her writing career flourished after moving to New York City, and she is now one of America’s most-produced playwrights with a rapidly expanding list of prestigious awards, honors, and fellowships to her name. Morisseau is Co-Producer for the hit Showtime series, Shameless, and has written a substantial body of plays, including her award-winning trilogy, “The Detroit Project.” The first play, Detroit ‘67 takes place during the riots and rebellion of 1967; the second, Paradise Blue, explores the city’s jazz community in 1949. The third play, Skeleton Crew, focuses on a group of auto plant workers during the Great Recession of 2008. Theater Corner is honored to welcome the exceptionally talented and accomplished Dominique Morisseau to talk about art, activism, and the power of community. New episodes every Thursday! #TheatreCornerThursday Website: www.theatre-corner.com Facebook: www.facebook.com/theatrecorner YouTube: www.youtube.com/theatrecorner Instagram: www.instagram.com/theatrecorner

Dominique Morisseau is an award-winning playwright whose works portray the lives of individuals and communities grappling with economic and social changes, both current and historical. One of the most widely produced writers in the United States and a 2018 MacArthur Fellow, Morisseau is a powerful storyteller whose examination of character and circumstance is a call for audiences to consider the actions and responsibilities of society more broadly. Through the lens of her topical and timely works of art, Morisseau sits down with Daniel Gray-Kontar to discuss the importance and impact of art as a tool for social change.

This episode of "Tell Me More" is BroadwayRadio's fourth annual Tony Omnibus Episode. In the 2019 edition, Matt Tamanini spoke with six individuals; four 2019 Tony nominees and two of our favorite theatre journalists.The four nominees that Matt spoke with come from four different disciplines within the Broadway community. First he speaks with the Tony-winning star of "The Prom," Beth Leavel. Then he spoke with theatre and entertainment writer Ashley Steves. The pair discussed the importance and impact of "What the Constitution Means to Me."Next, Matt talked to David Korins, Tony-winning scenic designer behind the spectacularly unique set for "Beetlejuice." Then, Matt talked to the Tony-nominated, McArthur Genius winning book writer of "Ain’t Too Proud: The Life and Times of the Temptations," Dominique Morisseau.Following that is a chat between Matt and American Theatre's senior editor Diep Tran about her recent article advocating for the Tony Awards to include work from outside of Broadway's 41 theaters. Finally, the episode concludes with Tony-winning choreographer of "Kiss Me Kate," Warren Carlyle.Intro: 00:00:10Beth Leavel: 00:02:35Ashley Steves: 00:24:22David Korins: 00:38:08Dominique Morisseau: 00:59:23Diep Tran: 01:23:10Warren Carlyle: 01:40:02Contact Beth Leavel:https://theprommusical.comContact Ashley Steves:https://ashleysteves.comTwitter: @NoThisIsAshleyInstagram: @nothisisashleyContact David Korins:http://www.davidkorinsdesign.comhttps://beetlejuicebroadway.comTwitter: @DavidKorinsInstagram: @davidkorinsFacebook: Click HereContact Dominique Morisseau:http://dominiquemorisseau.comhttps://www.ainttooproudmusical.comTwitter: @domorisseauInstagram: @domorisseauFacebook: Click HereContact Diep Tran:https://dieptran.comhttps://www.americantheatre.org/byline/diep-tranhttps://www.americantheatre.org/2019/05/06/why-the-tony-awards-should-recognize-off-broadway/Twitter: @diepthoughtInstagram: @dieptimesContact Warren Carlyle:https://www.roundabouttheatre.org/get-tickets/2018-2019-season/kiss-me-kate/Twitter: @carlylewarrenInstagram: @warrencarlyleContact Matt: matt@broadwayradio.comTwitter: @BWWMattInstagram: @BWWMattTheme music provided by www.bensound.comMusic in episode:"The Lady's Improving" from "The Prom" Original Cast Album"It's Not About Me" from "The Prom" Original Cast AlbumHighlights from “What the Constitution Means to Me” at New York Theatre Workshop"Dead Mom" from “Beetlejuice” Original Cast Album“My Girl” from “Ain’t Too Proud” Original Cast Album"100 Years of Subterranean Blues" from the "Rags Parkland Sings the Songs of the Future" Off-Broadway Premiere“Too Darn Hot” from the “Kiss Me Kate” 2019 Broadway Revival See acast.com/privacy for privacy and opt-out information.

Episode 119: Today, Carole Morisseau returns to the show to talk about the Healing Wall installation as well as her recent trip to Brazil. The post Carole Morisseau, Detroit Mixed-Media Artist appeared first on Let's Talk Art With Brooke.

Dominique Morisseau has authored over nine plays, including The Detroit Project (A 3-Play Cycle), which includes the following plays: Skeleton Crew, Paradise Blue, and Detroit '67. Additional plays include Pipeline, Sunset Baby, Blood at the Roo, and Follow Me To Nellie's. She most recently served as co-producer on the Showtime series Shameless. She wrote the book for the jukebox musical Ain't Too Proud—The Life and Times of the Temptations. This marked Morisseau's Broadway debut, and she received a Tony Award for Best Book of a Musical nomination, the first Black woman to do so. She is a recipient of the MacArthur Foundation "Genius Grant" for 2018.   Dominique and I have been trying to have this podcast convo for a while now, and boy was it worth the wait.  In a quick thirty minutes, we talked about: How getting a great quantity of her work out in the world as she was coming up helped her improve her skills and get noticed. Why not understanding the word “No” was an essential part of her becoming a writer in the first place. Why she’s cautiously optimistic about where we are right now and where we’re headed with diversity in the arts. . . and what still makes her nervous. She doesn’t read reviews.  Ever. Listen why. How long she had to be an “emerging artist” and whether or not emerging = young.     This episode of The Producer’s Perspective Podcast is sponsored by Magnolia Bakery. Visit Magnolia Bakery for freshly-baked, classic American desserts, including cupcakes, banana pudding, cakes, cheesecakes, icebox bars, and cookies. For more information, visit magnoliabakery.com or follow them @magnoliabakery.   Keep up with me: @KenDavenportBway www.theproducersperspective.com Learn more about your ad choices. Visit megaphone.fm/adchoices

A Macarthur Genius Grant fellow in 2018 Morisseau has written a 3 play cycle, titled The Detroit Projects which includes: Detroit '67, Paradise Blue, and Skeleton Crew. In television, she served as a story editor for the television series Shameless and she wrote the book for the jukebox musical Ain't Too Proud—The Life and Times of the Temptations which is slated to open on Broadway in March 2019. “It was so transformative to see how many people responded to seeing something new, to hearing from my voice and my perspective and I realized “Oh, this is what happens when you fill a void” and that was the bug that bit me.”

Welcome to the pilot episode of SPOTLIGHT: The American Stage Podcast where we hold a community conversation inspired by the play PIPELINE by Dominique Morisseau.  First, we will join in a post-show conversation with high school students and then have a discussion about solutions for the school to prison pipeline phenomena with community leaders Winnie Foster, Reverend Kenny Irby, and Chief Luke Williams.  Music: Jeremy Douglass Theme Song: Definitely Not Murderers (American Stage Musical Improv team)  

Center Theatre Group’s Artistic Director Michael Ritchie hosts “30 to Curtain,” a podcast featuring 30-minute interviews with some of the theatre artists creating work across the stages of the Ahmanson Theatre, Mark Taper Forum, and Kirk Douglas Theatre in Los Angeles. Perfect for the drive to the show—or really any time—“30 to Curtain” allows audiences to hear from some of the leading theatre artists of our time and discover how their work made it to Center Theatre Group's stages.  The first guest on “30 to Curtain” is playwright Dominique Morisseau. Morisseau—the acclaimed, award-winning playwright best known for her three-play cycle The Detroit Project and hot off a stint writing for the Showtime series Shameless—wrote the book for “Ain’t Too Proud—The Life and Times of The Temptations,” onstage at the Ahmanson Theatre August 21 – September 30, 2018.  For more on Center Theatre Group, its programs and upcoming productions, visit CenterTheatreGroup.org.

While Detroit is in the headlines for the 50th anniversary of its darkest days, we focus on one of its brightest new storytellers, playwright Dominique Morisseau. Pure Nonfiction host (and Detroit native) Thom Powers talks to Morisseau about her breakthrough play “Detroit ’67,” her new work “Pipeline” at Lincoln Center, writing for Showtime’s “Shameless” and […] The post PN 52: Playwright Dominique Morisseau on “Detroit ’67,” “Pipeline,” “Shameless” & more appeared first on Pure Nonfiction.