Podcasts about Pappo

En este nuevo Showsazo, Sergio nos invita a viajar a una noche cargada de música y leyenda: el recital de PAPPO junto a músicos amigos, aquel 16 de JUNIO del 2000.Una celebración vibrante donde el Carpo dejó, una vez más, su marca eterna en el corazón del rock argentino.

Músico, poeta y cantante, fue una de las personalidades más destacadas de la música argentina y un pionero del rock, de la mano de Los Abuelos de la Nada, la banda que fundó a fines de los '60. Su nombre real era Miguel Ángel Peralta y nació el 21 de marzo de 1946 en Munro, provincia de Buenos Aires. El primer single de Los abuelos de la Nada fue Diana Divaga, en 1968; y, de ese tema, participó también Norberto Napolitano, más conocido como Pappo. El resto de la banda la integraban Eduardo Mayoneso Fanacoa (teclados), Alberto Lara (guitarra) y Héctor Pomo Lorenzo (batería). Por aquella temprana etapa del grupo también pasaron otros músicos como Kubero Díaz, Miguel Cantilo, Claudio Gabis y Jorge Pinchevsky. Sin embargo, Miguel Abuelo decidió seguir con su carrera de manera unilateral y se fue a probar suerte a Europa. Pasó por Inglaterra, España, Holanda y Bélgica con su arte, hasta que conoció a Cachorro López: un bajista argentino que tocaba en Jah Warriors, un grupo jamaiquino de reggae. Rearmaron la banda con Gustavo Bazterrica, Polo Corbella, Daniel Melingo y Andrés Calamaro. Charly García les produjo su primer álbum, titulado Los abuelos de la nada, y fue una de las bandas soporte en el show que dio el ex Serú Girán en Ferro en 1982. Su primer gran éxito, Sin gamulán, fue compuesto por Calamaro; luego llegaron Vasos y besos, Himno de mi corazón, No te enamores nunca de un marinero bengalí y Tristeza en la ciudad, entre otros. A fines de 1985 la banda se disolvió pero, al año siguiente, Miguel Abuelo le dio vida nuevamente, con una formación renovada y un nuevo álbum. Por aquellos años, su salud se deterioró rápidamente tras contraer el Síndrome de Inmuno Deficiencia Adquirida (SIDA) y falleció a los 42 años, el 26 de marzo de 1988. Recordamos esta fecha a partir de registros sonoros conservados en el Archivo Histórico de Radio Nacional.

Entrevista UPP / Manuel Criado - "Viejo Belisario" en noche Tributo a Pappo

brianturnershow.com, eastvillageradio.comMARINA SWINGERS - Little Swine - 7" (L.A.X., 1979)VAGUE FUGUE - Enya Gotti DeVito - ST EP CS (cs, Lavish Deathstyle, 2025)THE FEELIES - Forces At Work - V/A: Ork Records, New York, New York (Numero, 2015)THE SHIFTERS - Creggan Shops - 7" (It Takes Two, 2016)YOUNG HORMONES - Egg - V/A: Disk Musik: A DD. Records Compilation (Phantom Limb, 2025)MÚSICA DISPERSA - Cromo - Música Dispersa (Diábolo, 1970)MATT 'MV' VALENTINE - Wad - Grateful (BC, 2025)NOEL VON HARMONSON - Oscillator Solo - Comets On Fire/Jams (Sub Pop Promo, 2004)BRUCE RUSSELL - Sonata Number 4 for Electric Guitar - Dirtbox Sonatas: Kyoto and Elsewhere (cs, Un Poco Fría, 2025)MAMEHY - Je Mitsiko Ro Mokotse - V/A: Tsapiky! Modern Music From Southwest Madagascar (Sublime Frequencies, 2025)THE 3D'S - Sing Song (Peel Session) - The Peel & JJJ Sessions (Flying Nun, 2025)BRIAN JAMES - Neat Neat Neat (Isolated Track)HESTER VALENTINE - Lazarus - Valenta (Mimizu Izuru, 2024)Z-3 MC'S - Triple Threat - 12" (Beauty and the Beat, 1985)DOMESTIC ARAPAIMA - Live @ Venerdì Della Mannaia (26-01-2024) (Sonic Belligeranza, 2024)THE HAPPINESS BOYS - Meat Parade - 12" (Duotone, 1982)PIERRE ELITAIR -  Pierrot Croissant - Gedigitaliseerde Cassettes (Ultra Eczema, 2020)VALENTINA MAGALETTI & FANNY CHIARELLO - Pink Flamingo - Gym Douce (Permanent Draft, 2025)CHUCK ROTH - Twister - watergh0st Songs (Palilalia, 2025)AK'CHAMEL -  Mauled Compressed Twisted and Ruptured - Rawskulled (Akuphone, 2024)MORGEN - Begging Your Pardon (Miss Joan) - Morgen (Probe, 1969)PAPPO'S BLUES - El Brillo y el Tiempo - Vol. 3 (Music Hall, 1972)MUDHONEY - The Only Son of the Widow From Nain (live on my old WFMU show 5/12/13)ADAPAR - 4B3TXKӨ - 3: Öpik Transmission (Iluso, 2025)ORGANZA RAY - Even Uneven - Even Unever (Rayanza, 2025)IMMERSION VS. SUSS - In Between Us - Nanocluster Vol. 3 (Swim, 2024)MICHAEL SCOTT DAWSON - Summerette - Guitar, Solo (We Are Busy Bodies, 2025)YOGA NUGRAHA USMAD - Old Tress - Gurnida (Phantom Limb, 2025)

Programa variado el que te ofreceremos esta semana con, por ejemplo, las entrevistas a la banda vizcaína de stoner-rock BIG MUFF BRIGADE y a la guatemalteca de rock PUNTOS SUSPENSIVOS. Además, viajaremos a Argentina para presentar a RATONES PARANÓICOS, que el próximo lunes actuará en Bilbao, y para recordar a Norberto Napolitano, PAPPO, figura esencial del rock, el blues y el heavy metal latinoamericano en el 20º aniversario de su fallecimiento. También escucharemos el nuevo material de las bandas vizcaínas SUPERALFA, con su rock melódico, y KONORTE, en una onda más hardcore. Y, por si fuera poco, nos hacemos eco del nuevo trabajo del grupo mexicano de death metal BECOMING THE ENTITY, y de lo más reciente de la banda argentina de rock fusión ERUCA SATIVA. Pero comenzaremos con la histórica banda ondarrutarra TU-K que en 2024 cumplió 40 años y lo festejó con un doble vinilo que incluye sus dos maquetas, “Existentzia” (1987) y “Beltza” (1989) además de tres temas no publicados anteriormente. Todo esto y mucho más en apenas 120 minutos. ¿Quién da más?

En este programa especial homenajeamos a Pappo a 20 años de su partida, todo lo que tenés que saber del Guacha Fest que se va a realizar el 8 de Marzo en el Clvb 27, tendremos una entrevista con su organizadora Fefa ,además de todas las secciones ya clásicas del programa Emefemerides, Carnaval, Deportes y Deversiones con versiones de temas clásicos del rock, los esperamos!!!Nosotros somos:Salvador Castaño.Melina MNos escuchas por @radioelaguantaderohttps://radioelaguantadero.com.uy/

METAL 2.0 - 772 Veinte años sin PAPPO; aniversarios de BRUCE DICKINSON, ANTHRAX y LED ZEPPELIN; anticipo de BLACK LABEL SOCIETY; MEGADETH, noticias, shows y más…

Entrevista UPP / Cato Vaudagna -Lanzamiento solista y material de VIva Pappo

Quincalla es una banda madrileña que practica su rock clásico con influencias de la escena argentina y de los años 60. Está integrado por Manu (voz principal y guitarra), Zaka (guitarra y coros), Javi (bajo) y Parra (batería y coros). Entre sus principales influencias encontramos a The Beatles o Queens of the Stone Age, pero también podrían citar a Pappo's Blues, Television o Leño. Su proyecto está fuertemente vinculado a su barrio, Vallecas, y sus letras capturan las reflexiones e inquietudes cotidianas de la juventud. En noviembre de 2024 publican su primer disco, Morir Dormido, que ya han tenido ocasión de presentar en diversas salas de todo el país.Escuchar audio

Guitarrista, compositor y cantante, figura central del rock argentino desde los `70, nació en Buenos Aires el 5 de octubre de 1952. Tras una estancia en Estados Unidos, David Lebón regresó a Buenos Aires a fines de los `60 y en 1970 se integró como bajista en el grupo Pappo's Blues. Simultáneamente, y bajo el seudónimo de «Davies», participó - con Black Amaya - en la grabación del disco de La Pesada del Rock and Roll. En 1972 fue el bajista de Pescado Rabioso, grupo fundado por Luis Alberto Spinetta tras la experiencia Almendra. En 1973, David grabó su primer álbum solista; en 1974 formó Lila, su propia banda; luego participó de "La Biblia", el disco de Vox Dei y regresó a Pappo's Blues y La Pesada. Entre 1978 y 1982 se integró a Serú Giran, junto a Charly García, Pedro Aznar y Oscar Moro; aquí fue distinguido como "Mejor Guitarrista". Luego de la separación de la banda, editó "El tiempo es veloz" (1982), "Siempre Estaré" (1983); "Desnuque" (1984); "Y si de Algo Sirve" (1985) y "7 x 7" (1986). A fines de 1992 formó parte del regreso de Serú Girán; en 1999 publicó el disco "En vivo en el Teatro Coliseo"; en 2001 llegó el doble CD "Obras Cumbres" y en 2003 editó "Yo Lo Soñé". En 2007 grabó un show en vivo junto a Pedro Aznar y lo editó en un doble CD: "Aznar - Lebón/ND Ateneo". En 2009, regresó con su nuevo material "Déjá Vu"; un año después, grabó junto a Spinetta “Bandas Eternas” en el concierto multitudinario realizado en el estadio de Vélez Sarsfield y en 2016 editó “Encuentro supremo”, un álbum rockero con 12 canciones. El 8 de abril de 2017, Lebón abrió el show de Elton John y James Taylor en el Hipódromo de Palermo, en Buenos Aires. El 15 de febrero de 2019 lanzó, junto a Ricardo Mollo, una versión de su tema "Mundo Agradable", incluido en el álbum "Serú 92", de Serú Girán. Fue el primer adelanto de un nuevo álbum, con producción de Gabriel Pedernera, de Eruca Sativa. En mayo de 2019, estrenó un nuevo trabajo discográfico titulado “Lebon & Co.”, que contó con la participación de renombrados artistas de la escena nacional e internacional. En septiembre 2022 lanzó el álbum "Lebón & Co Vol.2" junto a la colaboración de grandes artistas y en 2023 lanzó el álbum "Herencia Lebón", disco por el cual obtuvo el Premio Gardel a "Mejor álbum artista de rock". En el día de su cumpleaños, compartimos una entrevista que periodistas de Nacional Rock y de varias emisoras de la radio pública de todo el país le realizaron en 2020 y que se conserva en el Archivo Histórico de Radio Nacional. Ficha técnica Música y testimonio Hombre de mala sangre (D Lebón – Cristina Lagarde) David Lebón [1973 del Álbum “David Lebón”] 2020-07-07 David Lebón (Músico, guitarrista) Entrevista Federal (LRA1) Tema de los devotos (D Lebón) Polifemo [1976 del Álbum “Polifemo”] Mundo agradable (D Lebón) David Lebón y Pedro Aznar [2007 del Álbum “Aznar Lebón”] Tema de Nayla (D Lebón) David Lebón con Hugo Fattoruso y Nayla Lebón [2022 del Álbum “Lebón & Co 2”] Casas de arañas (D Lebón) David Lebón y Lisandro Aristimuño [2019 del Álbum “Lebón & Co”] En la vereda del sol (D Lebón) David Lebón y Fabiana Cantilo [2022 del Álbum “Lebón & Co 2”] Mañana o pasado (D Lebón) Pescado Rabioso [1973 del Álbum “Pescado 2”] Parado en el medio de la vida (D Lebón) Serú Giran [1981 del Álbum “Peperina”] Parado en el medio de la vida (D Lebón) David Lebón y Andrés Calamaro [2019 del Álbum “Lebón & Co”] Dos edificios dorados (D Lebón – Cristina Lagarde) David Lebón con Eruca Sativa [2022 del Álbum “Lebón & Co 2”] Suéltate Rock and Roll (D Lebón) Polifemo [2022 del Álbum “Lebón & Co 2”] El tiempo es veloz (D Lebón) David Lebón y Pedro Aznar [2007 del Álbum “Aznar Lebón”]

Welcome to the Social-Engineer Podcast: The Doctor Is In Series – where we will discuss understandings and developments in the field of psychology.   In today's episode, Chris and Abbie are discussing Self-Sabotage. They will talk about the different ways people keep themselves from moving forward and how you can try to realign this misguided way of thinking. [Aug 5, 2024]   00:00 - Intro 00:17 - Dr. Abbie Maroño Intro 00:44 - Intro Links -          Social-Engineer.com - http://www.social-engineer.com/ -          Managed Voice Phishing - https://www.social-engineer.com/services/vishing-service/ -          Managed Email Phishing - https://www.social-engineer.com/services/se-phishing-service/ -          Adversarial Simulations - https://www.social-engineer.com/services/social-engineering-penetration-test/ -          Social-Engineer channel on SLACK - https://social-engineering-hq.slack.com/ssb -          CLUTCH - http://www.pro-rock.com/ -          innocentlivesfoundation.org - http://www.innocentlivesfoundation.org/                                 04:57 - The Topic of the Day: Self-Sabotage 05:35 - Definition & Types 09:09 - Fear of Failure 11:13 - Fear of Success 13:55 - Low Self-Esteem 17:11 - Fear of Scrutiny 19:22 - Avoidant Personalities 23:27 - Help! 26:21 - Fighting Back 30:13 - Write Away 33:55 - Wrap Up -          The Doctors Corner 35:18 - Next Month: Attachment Styles 35:44 - Outro                                                                     -          Work in Progress - Dr. Abbie Maroño -          www.social-engineer.com -          www.innocentlivesfoundation.org   Find us online: -          Twitter: @DrAbbieofficial -          LinkedIn: linkedin.com/in/dr-abbie-maroño-phd -          Instagram: @DoctorAbbieofficial -          Twitter: @humanhacker -          LinkedIn: linkedin.com/in/christopherhadnagy     References: Balkis, M., & Duru, E. (2018). Procrastination, self‐downing, self‐doubt, and rational beliefs: A moderated mediation model. Journal of Counseling & Development, 96(2), 187-196. Ferrari, J. R., & Díaz-Morales, J. F. (2007). Perceptions of self-concept and self-presentation by procrastinators: Further evidence. The Spanish journal of psychology, 10(1), 91-96. Martin, A. J., & Marsh, H. W. (2003). Fear of failure: Friend or foe?. Australian Psychologist, 38(1), 31-38. Pappo, M. (1983). Fear of success: The construction and validation of a measuring instrument. Journal of Personality Assessment, 47(1), 36-41. Peel, R. (2020). Relationship sabotage: an attachment and goal-orientation perspective on seeking love yet failing to maintain romantic relationships (Doctoral dissertation, James Cook University). Peel, R., & Caltabiano, N. (2021). The relationship sabotage scale: an evaluation of factor analyses and constructive validity. BMC psychology, 9, 1-17. Peel, R., McBain, K., Caltabiano, N., & Buckby, B. (2017, January). How is self-sabotage presented in romantic relationships?. In 16th Australian Psychological Society Psychology of Relationships Interest Group National Conference (APS-PORIG). University of Southern Queensland. Rippo, M. (2016). Minding the mind/body connection in moving beyond self-sabotage and resistance to change. Journal of Heart-Centered Therapies, 19(2), 39-62. Rosner, S., & Hermes, P. (2006). The self-sabotage cycle: Why we repeat behaviors that create hardships and ruin relationships. Bloomsbury Publishing USA. Rosner, S., & Hermes, P. (2006). The self-sabotage cycle: Why we repeat behaviors that create hardships and ruin relationships. Bloomsbury Publishing USA. Vennes, H. (2022). Overcoming Self-Sabotage: The Self-Sabotaging Behaviors that Impact the Career Development of Female Charter School Superintendent/CEOs (Doctoral dissertation, University of Massachusetts Global).

Todos los jueves Fernando Urban nos trae la historia de un disco de bandas y artistas de Argentina y el mundo.

Listen to ASCO's Journal of Clinical Oncology essay, “It Mattered Later: A Patient Turned Doctor's Perspective on Fertility Loss” by Dr. Margaret Cupit-Link, who will be a clinical oncologist at Cardinal Glennon Children's Hospital in St. Louis, MO. The essay is followed by an interview with Cupit-Link and host Dr. Lidia Schapira. Dr Cupit-Link shares her personal experience with childhood cancer and the importance of educating patients on the known and unknown consequences of their therapies so they can, when possible, participate in fertility preservation. TRANSCRIPT Narrator: It Mattered Later: A Patient-Turned-Doctor's Perspective on Fertility Loss, by Margaret Cupit-Link, MD   I was 19 years old when I had to make one of the most important decisions of my life. The problem was, at 19 years, it was not important to me—yet. With piercing clarity, I recall the very first time I heard the word sarcoma. My leg had been hurting, and I had just undergone magnetic resonance imaging. The doctor spoke of abnormal tissue. As a pre-med student, I blurted out the words, “it's cancer, isn't it,” and waited for him to reassure me. He did not—he could not—reassure me. The days and weeks that followed are still a blur. There was more diagnostic imaging, a biopsy of my tibia, and placement of a subcutaneous port in my chest. When we learned that the Ewing sarcoma growing in my leg was not metastatic, my family celebrated; meanwhile, I struggled to eat, sleep, and breathe, unable to accept the reality that I was no longer a healthy college student. I was a patient with cancer. Before my chemotherapy would begin, my mom and I had to give legal consent. Technically, I had to give consent—as if I would choose to say, “no thanks,” to the only treatment that could give me a fighting chance to keep living. With each potential side effect that was mentioned, I felt a piece of my morale slip away. Was I going to die? Maybe. Regardless, I would lose my hair, my appetite, my immune system, and my independence. Should I be lucky enough to live through it, I would be susceptible to a host of late effects from chemotherapy, one of which was infertility. Infertility, I felt, was the least of my worries; it paled in comparison with heart failure, secondary malignancies, and death. As a 19-year-old, I did not want children. My career goals were my priority, and I had yet to be in a serious romantic relationship. Starting a family was not on my agenda. So, on the worst day of my life, when all I cared about was staying alive, I was told I could choose to undergo ovarian stimulation to harvest follicles in a somewhat experimental process that would delay the start of my chemotherapy by several weeks. Without hesitation, I said no. At the time, I did not realize I was lucky to have had time for such a conversation. My diagnosis and presentation allowed for a small delay before treatment; I would later learn that many patients do not get that luxury. A little over a year after completing therapy and returning to college, I developed hot flashes, night sweats, and mood swings. On the basis of the levels of luteinizing hormone, follicular stimulating hormone, and anti-Mullerian hormone in my blood and an ultrasound showing ovaries without follicles, I was diagnosed with premature ovarian insufficiency and told it was unlikely my ovaries would recover. I was not heartbroken or even disappointed; I was still so thankful to be alive. I did worry, however, what this would mean for my boyfriend, the person I wanted to marry. To this day I am amazed that he, as a 20-year-old man, was completely accepting of me and my infertility and that never changed, even after he became my husband. Near the end of my pediatrics residency, I came to understand the term baby fever. My coresidents were getting pregnant, my sister was having a baby, and my husband and I were settled down in our very first home. I visited a reproductive endocrinologist. It had been 9 years since I had completed chemotherapy, and I learned my ovaries were not functioning at all. I was told to plan on adoption—of an embryo or a baby—as I was not a good candidate for fertility treatments. At first, I did not allow myself to react to this news. How could I mourn something like fertility when I was a 10-year survivor of childhood cancer, had exceeded my career goals, and was married to a wonderful person? Most of the time, and on the outside, I was unphased. I spoke about my desire to adopt with enthusiasm. I was honest about my ovarian failure and made jokes about being in menopause. I celebrated my friends' pregnancies and came to love my nephew as if he were my own.  I considered the many ways in which I could become a parent, each with its own barriers. Because I had not undergone oocyte or embryo cryopreservation before chemotherapy, having a genetic child was simply not an option for me. I could adopt a baby in need through the foster care system, which would not require monetary payment. However, I knew then and now that the goal of the foster care system is to eventually reunite children with their families; although I was strong, I could not risk falling in love with a child and losing them to reunification. Private adoption was another option. While it felt unethical to pay a large sum of money in exchange for someone else's baby, I would one day have the luxury of being able afford the price tag (at least $20K US dollars [USD] to $100K USD in the United States, depending on the state and organization). Then, there were the options offered by modern medicine—embryo adoption or in vitro fertilization using a donated oocyte and my husband's sperm. In these cases, even if my body was unable to sustain an embryo, I could use a gestational carrier (surrogate mother). While I knew that having a baby the old-fashioned way was not without its own costs and risks, it was undoubtedly easier than any of my options. I did not admit—until now—that it hurt to know I would never experience the miracle of pregnancy. It hurt to know that I would never have a child that was half of me and half of my husband. It hurt to know that, even now, my cancer had taken something from me that I could never get back. My experience with infertility has made me thoughtful about how infertility may affect my patients. As a pediatric oncologist, I am painfully aware that many of my patients who lose their fertility from the drugs I prescribe them will travel the same road of grief I have traveled. I am even more aware, however, that most of my teenage patients are not ready to make decisions about fertility—even when they are forced to do so. In my desire to counsel my patients on this topic, I have tried to imagine a scenario in which the advice of a doctor might have prompted me to prioritize fertility preservation. Perhaps I should have been told that delaying cancer-directed therapy by several weeks would be unlikely to affect my disease outcome. Perhaps I would have benefitted from knowing the complexities of the foster care and private adoption systems. Perhaps fertility preservation should not have been a choice at all, but a standard of care, as it is now.1 What I think I needed to hear, above all, was that I did not understand the gravity of my decision. I did not and could not understand the desire to become a parent that would one day overcome me. If I could go back in time and speak to my 19-year-old self, I would say, “it might not matter to you now, but it will matter to you later.” Just days before I originally planned to submit this article, after 12 years of menopause, I experienced the unexpected. Seven positive urine pregnancy tests later, my doctor sent me for an urgent ultrasound, and it was confirmed: I was 6 weeks pregnant. At first, I felt I was no longer worthy of writing this article: how could I speak up about infertility from cancer therapy after having miraculously conceived a child? However, I eventually realized my pregnancy was yet another reason I should write on this topic. Only now, as I hold my daughter in my arms, do I fully understand how much my fertility would come to matter to me. Dr. Lidia Schapira: Hello, and welcome to JCO's Cancer Stories: The Art of Oncology, which features essays and personal reflections from authors exploring their experience in the field of oncology. I'm your host, Dr. Lidia Schapira, Professor of Medicine at Stanford University. Today we are joined by Dr. Maggie Cupit-Link, a third year Pediatric Hematology Oncology Fellow at St. Jude Children's Research Hospital, Maggie will graduate from fellowship and receive her Master's in Clinical Investigations in June. She will then begin a position as a clinical oncologist at Cardinal Glennon Children's Hospital in St. Louis, Missouri.  In this episode, we'll be discussing her Art of Oncology article, “It Mattered Later: A Patient Turned Doctor's Perspective on Fertility Loss.” Our guest disclosures will be linked in the transcript.   Maggie, welcome to our podcast and thank you for joining us. Dr. Maggie Cupit-Link: Thank you so much for having me. It's an honor to be here. Dr. Lidia Schapira: It's lovely to have you. I'd love to start just by asking a little bit about your motivation to write and share this piece. It's such an important piece and you really have shown us what was deep in your heart. And then there's this sort of unexpected resolution. Tell us a little bit about what led you to finally finish the piece and share it with the world. Dr. Maggie Cupit-Link: So I've been writing for a lot of my life as a way to express myself and cope with emotions. And I had cancer when I was 19 and 20, Ewing sarcoma. And during my treatment, I found writing was very therapeutic for me and very healing. So that's when I got really into writing about my personal experience and actually published a book after I finished treatment. But then writing more recently, I was writing about my infertility, which I had from chemotherapy. And I would write about it and journal about it here and there because it was really challenging. And for a long time, I suppressed a lot of those emotions because I didn't think they were helpful. And I felt, I guess, ashamed and embarrassed to feel so upset about infertility as a cancer survivor who has so much in life. So many parts of my life are so normal and full and even more full than the average person so I felt like I wasn't really allowed to grieve my fertility.  And I started to write a piece because I'm part of a working group, a group of physicians working together to learn more about fertility and pediatric cancer survivors, particularly those who have received immunotherapy, because there are a lot of new agents that we don't know as much about when it comes to fertility. And as I was working with this group, I started writing this piece on my own. And then I was about to submit the piece just to the group to show them my personal reflection when I took a pregnancy test and it was positive. So then I took seven– Dr. Lidia Schapira: -other ones Dr. Maggie Cupit-Link: I was not, I didn't believe any of them. Then finally I called my sister, and she told me that I was not acting like a doctor, that it was very obvious I was pregnant. And so then I went to see my doctor, but I found out I was six weeks pregnant right at the time of finishing this piece. And at first I thought, “Well, I can't write this piece anymore.” But the more I thought about it, the more I thought, “Well, either way, it shows that us oncologists really need to learn more about fertility.” And I'm very blessed and lucky to have this ending in my story, but it shows that there's a lot of missing information out there. Dr. Lidia Schapira: That was an amazing answer, and I have about five different topics now that I want to discuss with you. But let's start with the end. And that is your baby. How old is your baby now? Dr. Maggie Cupit-Link: So her name is Lila Jude. Two days from now, she'll be seven months on June 12. Her name comes from the family name Carlisle. That's where we got Lila. And then Jude comes from the Patron Saint of Hopeless Causes, St. Jude, but also the hospital that treated me and where I've trained, St. Jude Children's Hospital. So that name was very significant for us. Dr. Lidia Schapira: So I'm getting goosebumps and teary just to hear you tell the story. Let's start a little bit with some of the themes that you touched on. The first is when you've said that you've always used writing as a way of processing emotionally complex situations as a patient, now, perhaps as an oncologist. Tell us a little bit about the book that you wrote about your experience. Dr. Maggie Cupit-Link: Sure. When I was in treatment, I wrote a lot of entries in my journal, and it was just a way for me to process things. I think sometimes, for me, I don't know exactly what I feel until I write it down and make myself reflect on it, because I'm a busy body. I'm constantly going and doing. And so during chemo, I couldn't really do it. I had a lot of time to sit, and so I needed to write. And my grandfather is a retired Professor of Christian Philosophy. And during my year of cancer therapy, he and I started writing letters to each other because I had a lot of questions, understandably, about God. So the title of the book is actually “Why God?: Suffering Through Cancer into Faith.” And it's a lot about doubt and my anger towards God and what I would see in the hospital around me, the children who were dying from cancer, who even had it worse than me. It felt very impactful to my faith.  But ultimately, through my conversations with my grandfather, he taught me a lot about another way to understand God, another way to understand faith in spite of horrible suffering, which I think is a thing for a lot of people because a lot of people in this world suffer. And so eventually we published a book. During medical school we published it, and it was a compilation of my journal entries intersected with his letters. And so part of it was really personal and raw and journal entry, and part of it was Christian philosophy. So it was an interesting combination. Dr. Lidia Schapira: Well, Maggie, I will definitely now have to get your book and it'll be on my list for summer reading. So you touch on some of the fundamental, sort of ethical, moral principles of our profession, which is suffering and how we deal with suffering. And you've had a lot of time to reflect and philosophize and also experience this, as well as loss. Can you tell us a little bit about how your experience of loss has evolved over the decade of survivorship?  Dr. Maggie Cupit-Link: I think initially, loss, for me, meant a lot of different things than it does now. I felt like I lost a lot when I was sick because I had to give up a year of college. I lost my tibia and knee bones. I have a prosthetic knee and tibia now, internal, and they function very well, but I don't have a real leg. I lost, of course, in chemo, you lose your hair. I lost a lot of tooth enamel. I lost a lot of friends because I was a teenager, and teenagers don't handle illness very well. People were afraid to talk to me. And then, of course, I lost my ovarian function. For a while, I think I focused on that a little bit more than what I had gained. But over time, it became very obvious to me that despite all the loss that I had during my year of cancer therapy, I gained a lot more. I gained a lot of perspective and a lot of emotional depth. And then ultimately, what directed me to my career decision. I knew I was wanting to be a doctor before I had cancer, but then after that year, I knew exactly what kind I would be if I got through the year.  But I think one thing I've had to learn apart from that is being able to feel loss, even when you have so much. Because I have a lot of gratitude and I have so many good things in my life now with my health and my husband and now my baby and this wonderful career. Even though I have all those wonderful things, I'm still allowed to feel loss sometimes because I will be susceptible to late effects and there will be things in my life that are not quite normal because of going through cancer therapy. And then, of course, the other layer of loss is the people that we lose along the way. If you see behind me in my office, there's a picture of a little boy on the shelf up there. He was my good friend when I was sick. His name is Odie, and he died from hepatocellular carcinoma. When we were sick, he was a good bit younger than me. He was like a little brother to me during therapy.  The loss of his life definitely propelled me forward to try to change more for other kids. And I think one thing I struggle with now as an oncologist and I'm still learning to do, is process the loss of my patients as it happens. I think I'm lucky that when I lose a patient, when a patient loses their life, I still see the beauty in what I was able to provide for them and their family. That's still a gift. I feel that it's important for me to grieve the loss of their lives, and I'm working on finding, like, the best way to do that for me over time.  Dr. Lidia Schapira: You will find a lot of reflections on this topic in the pages of Art of Oncology over the last 20 plus years. I think that is a very, very common theme. I'm really impressed with how well you just understand the importance of this, to stay emotionally healthy and resilient.  My next question addresses that a little bit, and it has to do with processing the early experience of being a cancer survivor. As a young medical student and as a young physician, what was that like for you?  Dr. Maggie Cupit-Link: I think early on, I had a lot of guilt when it came to being a survivor. This concept of survivor guilt, I think you can read about it as well, and I'm sure there are some articles in the Art of Oncology about it. But the idea that, like, ‘why me?' and when I encounter patients who go through similar diseases or experiences that won't have good outcomes, ‘why? Why me? Why did I get a good outcome and they didn't?' And so early on, I struggled with that more. I felt guilty about it. I think over time, I recognized that the guilt– I mean, I always knew it was illogical. That doesn't mean we don't feel it. I think over time, I've recognized the guilt as unproductive. And so I tried to empathize with myself about it and acknowledge that I feel guilty. But then instead, what can I do with this feeling that's helpful? So where can I put this? What can I do to make things better for somebody with it? And I think that I've been able to do that better as time has gone along.  I also think that early on in my survivorship, I thought that I had even more ability to understand patients' perspectives than I did. And I learned quickly that everybody's experience, even another 19-year-old with Ewing sarcoma who had to leave college, is so different. And so I've been humbled along the way in learning that just because I understand part of their experience does not mean I understand their experience all the way, and that I should never assume that I do. I should always listen and wait to try to understand more about what's different about their perspective.  Dr. Lidia Schapira: I'm surprised a little and maybe delighted to hear the wisdom in your words. You are so young and yet you know so much. Did you have any mentors during medical school and residency who helped you process this? And then playing it forward, how do you imagine now that you're going to be an attending, mentoring others who may be the young Maggie and come under your tutelage? Dr. Maggie Cupit-Link: I've had a lot of mentors, for sure, in life. I've been in therapy pretty much my whole life. I'm really lucky that my grandmother is a PhD psychologist and she's a clinical counselor. And so from the time I was a child, if there was ever a problem, I would go see a therapist. There was no exception to that, especially when I became sick. And then in the aftermath of that, I've frequently been seeing a therapist, and that really helps me gain wisdom. I think that's been one big source of mentorship.  But there have been other providers that have been big sources of mentorship for me for this. One was actually a good friend of mine. Her name is Beth. She's a physician, a clinical research physician scientist at St. Jude, and she was a fellow when I was a patient. And we became friends back then. And then when I went back to college afterwards and then medical school, I shadowed her a few times. I did an away rotation with her once at St. Jude while I was in medical school, and during that time, I remember meeting a boy with Ewing sarcoma. And I remember walking into the room thinking, “Oh, this is great. I totally get this. I'm going to be so helpful to his mom.” And I quickly learned that he had metastatic disease, which meant, really, we had a different disease entirely. And that when I told his mother about me, I almost felt like it made things worse because she knew that my outcome was different than her son's was going to be. And I remember Beth afterwards reflecting with me, saying like, “Yeah, it is true. Everyone will have a different story, even if you understand a lot.” I think she told me, “You don't always have to tell people your experience in order to use your experience.” And so that was one of the ways that I learned. I don't have to share everything upfront in order to still have so much empathy and compassion.  And then I've also had the honor to work with many doctors who have just role modeled, listening really well and really good bedside manner and compassion. The physician who treated me, Dr. Pappo, still works at St. Jude, and so I've gotten to work with him a little as well, and he role modeled wonderful bedside manner. And then my primary research mentor as well, Dr. Federico has taught me a lot. And just watching her with our shared patients and the way she tells family news and the way she explains things has been really helpful to me, too. So I would say a lot of mentors and a lot of therapy.   Dr. Lidia Schapira: I like that combination. Clearly, it's been very productive and useful for you. Tell us a little bit about choosing to work in this field after your personal experience. I mean, it sounds like you were headed to St. Jude's to a laboratory to do research even before the diagnosis, but one could easily imagine that you would have chosen to become a dermatologist after this, or somebody who was not totally immersed in this culture of cancer and also a lot of grief and suffering, as we've just said before. Tell us a little bit about your research passion and how these two themes in your life, your personal experience of cancer and survivorship and your research, have meshed. Dr. Maggie Cupit-Link: Well, I think I knew that I was going to do this career in some capacity when I was watching the kids around me during my treatment. And I think this is one of the reasons why it was so important for me to be treated at a pediatric institution. I know that the AYA population is sometimes treated with adults and sometimes children, and I would advocate that being treated with children is helpful because children are miraculous, resilient creatures. And I remember deciding that I was going to have to fix my attitude during chemo because I was very depressed and very angry and deciding that maybe it would help me if I could just play with the kids in the waiting room and try to distract them and make them have a better day. And so I decided I would try to do that for myself, but ultimately they distracted me and made me have a better day. And so the more I was around the kids, the more I knew that they just hold so much optimism and innocence and light that I feel that we lose as adults. And I wanted to be around it. So in a way it was selfish that I would choose this career because I just wanted to be with them, but also knew that if I was going to go through all this nonsense, I better use it. That was very motivating for me.  And I think it has been a gift from my experience and maybe my therapy and who knows what else that I'm able to take the bad and the grief that I experience personally and use it to feel differently about the grief that I feel as a doctor. I think I feel differently about loss than my colleagues. It's still hard when I see patients suffer, when patients lose their lives, it's still hard. But I think it's hard in a different way than it is for some of my colleagues. And for some reason, I think I feel more comfortable in that space. I think I feel comfortable around that. Dr. Lidia Schapira: Tell me a little bit more by what you mean by saying that it is hard, it has to be hard, but it's hard in a different way because of your lived experience. Tell me a little bit more. Dr. Maggie Cupit-Link: I think I'm not uncomfortable around suffering and death. I think I feel very comfortable around children who are suffering and children who are dying, doesn't scare me and doesn't make me feel like I need to turn away, because I feel it's familiar in a sense. And I think I also, having been the patient who received so much comfort and support and love from providers, should I have died, I still would have valued all of that support so much that allows me to value the support that I'm giving, even in the face of death. Dr. Lidia Schapira : Maggie, you're amazing. Tell us a little bit about your research and your plans now that you're going to be finishing your formal training? Where will we find Maggie in a few years? What will you be doing? What will we be reading? Dr. Maggie Cupit-Link: Well, I have really enjoyed doing clinical research. Back in college, after I finished therapy and went back to school, I did join a couple different St. Jude labs and did a variety of different things. But I was not a natural in bench research. I broke a lot of things. I'm very clumsy. It was not my area. I was not good at it. And that's okay. I've decided to come to terms with that. I love science itself and it's been really wonderful to get this Master's in Clinical Investigations throughout fellowship because I could directly apply a lot of those skills to my research in clinical research. And so I'm really passionate about writing and helping with trials, clinical trials, but specifically would like to help with trials that focus on acute and late effects of toxicities. One of my major research projects has been creating a prospective study to evaluate the early late effects in high risk neuroblastoma survivors. And I chose that population because they receive all the therapies that you can imagine, the kitchen sink, and some novel immunotherapies that we don't really understand fully yet in mechanism of action, and so things like that, as well as evaluating acute toxicities and interventions for those. I distinctly remember every inpatient chemo that I experienced turning to my mom and saying, “There has to be a better way,” because my burden of side effects was really high. And I just remember saying, “There has to be a better way.” And my mom would say, “Yes, there has to be. You can figure that out one day.” So I do, I hope I can make some small changes in the way we give conventional therapy and the way we handle side effects as well as prevention of late effects.  I am currently collaborating with  Children's Oncology Group on one of their projects in the late effects of neuroblastoma, and I hope to continue collaborating with that group as well as my career advances. I'll be an attending physician at Cardinal Glennon Children's Hospital, which is a part of St. Louis University. And I have family here in St. Louis. My husband is a dentist here with his dad. They have a practice together, so it was really important for us to be here. And this hospital is a charity hospital as well, which I really think is a wonderful thing. And that makes me feel a little bit tied to St. Jude, since it's a charity hospital as well. And so I hope to be able to continue some of the clinical projects and some collaborations with the COG as I take care of patients. And I do hope to continue writing other stuff as well.  Dr. Lidia Schapira: Maggie, I have to ask you one last question, and that is that in your piece you say you were 19 and fertility didn't matter to you then, and you couldn't have understood then or couldn't make space for the later. Now that you are where you are and you're dealing with young adults who may be your patients in similar situations, tell me a little bit about how you think about involving the parents perhaps in this conversation or sort of making space to attend to some of these very thorny issues that may have so many repercussions on future health. Dr. Maggie Cupit-Link: I think it depends on the patient of course. Because, as you know, some patients can't have a conversation about fertility based on medical acuity. But when a patient has the luxury of time, I think that that's just not a discussion I rush through. And I agree with you that using the parents perspective would be incredibly helpful. I think, I've had a few older patients that I discuss this with, and they're all different because I even had a 17-year-old patient who told me she wanted to be a mom for sure. And so she was different than me and that she already knew that was important to her. But when people think it's not important, I just encourage them to think about it more and talk to their parents about it and to remember that who they are today is not who they were 10 years ago, and who they're going to be 10 years ago is not who they were today. And that this is something you can't time travel with. This is your chance to make a decision. And really, the fertility preservation methods, generally, they're pretty safe and not traumatizing. And so it's sort of like, why not just go ahead and do it? Especially if the institution you're a part of is offering it. And I think there are a lot of ways to get funding for that, too. Dr. Lidia Schapira: Well, you are definitely a champion. Dr. Maggie Cupit-Link: Thank you.  Dr. Lidia Schapira : I know that our readers and our listeners are going to follow your career, and I thank you so much for your thoughtful essay and for agreeing to this conversation. It's been a real pleasure. Dr. Maggie Cupit-Link: Well, thank you. I have one more thing to tell you before we end. Dr. Lidia Schapira: Yes, tell me.  Dr. Maggie Cupit-Link: So after I had the baby, my doctor and I decided we would wait to get on birth control until we saw if I was going to go back into menopause or not. We waited, and then I got pregnant again. And so I am 16 weeks pregnant with a baby boy this time. And so I'll have my second child 12 months after the first. Dr. Lidia Schapira: Oh, my goodness. Dr. Maggie Cupit-Link: It is a blessing. But after that, I might have to consider birth control to space some- plan, space some people out a little bit. But we're very excited. Dr. Lidia Schapira: The gift of your survivorship is now in your 30s. You need to have that conversation about family planning that most people and couples have earlier on. So congratulations. Congratulations.   Dr. Maggie Cupit-Link: Thank you so much. Dr. Lidia Schapira: Beautiful way to end. And to our listeners, until next time. Thank you for listening to JCO's Cancer Stories: The Art of Oncology. Don't forget to give us a rating or review, and be sure to subscribe so you never miss an episode. You can find all of the ASCO shows at asco.org/podcasts.    The purpose of this podcast is to educate and to inform. This is not a substitute for professional medical care and is not intended for use in the diagnosis or treatment of individual conditions.   Guests on this podcast express their own opinions, experience and conclusions. Guest statements on the podcast do not express the opinions of ASCO. The mention of any product, service, organization, activity or therapy should not be construed as an ASCO endorsement.   Like, share and subscribe so you never miss an episode and leave a rating or review.   Guest Bio: Dr. Maggie Cupit-Link will be a clinical oncologist at Cardinal Glennon Children's Hospital in St. Louis, Missouri.   Additional Reading:Why, God?: Suffering Through Cancer into Faith, by Margaret Carlisle Cupit, et al        

Es cierto que a Marky le importa facturar? Es verdad que los Ramones nunca hicieron un mango? Dee Dee era miserable o un miserable? Cuánto costó el contrato de Attaque 77 en la previa a Dulce Navidad? Los Violadores se odiaban, realmente? Sabías que el público que seguía a Memphis era más pesado que el de Pappo? Cómo se hace para reactivar la carrera de un grupo como Arbol? El Tano Romano y Claudio O'Connor son fálices de manejar? Por qué Facu Soto de Guasones no da entrevistas? El difícil arte de ser mánager según la experiencia de un veterano de la industria: en QUP, Andrés Vignolo! Con Gustavo Olmedo.

Episodio 6.05 de Las Cosas Que Hay Que Escuchar, en el cual rompemos los huevos de Pascua junto a la música de The Waitresses, Death Valley Girls, Wall of Voodoo, Wild Billy Childish & CTMF, A. C. Newman, Socrates Drank The Conium, Pappo’s Blues, The Boswell Sisters, Suárez, Tuxedomoon, Einstürzende Neubauten, Auto!Automatic!, Lizzy Mercier Descloux, Son Rompe Pera. Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio Programa emitido originalmente el 31 de marzo de 2024 por FM La Tribu, 88.7, Buenos Aires, Argentina. Repite el 1 de abril de 2024 en Radio Asamblea FM 94.1, CABA, y el 2 y 7 de abril de 2024 en Radio de la Calle, FM 87.9, Bahía Blanca

Para unos el salvador de El Salvador, para otros las elecciones del hombre que hizo de un país su hacienda. Para otros, la trampa del tirano. ECDQEMSD podcast El Cyber Talk Show - episodio 5711 El Salvador Del Salvador Conducen: El Pirata y El Sr. Lagartija https://canaltrans.com Nayib Bukele no acomodó las elecciones para lograr la reelección. Nayib Bukele acomodó todo un país para lograr la reelección. Un largo camino que se fue activando sin reservas ni vergüenzas. Modificación por aquí, cambio por allá y un resultado esperado. Esperado hasta por la oposición, una izquierda escuálida, remanente del Frente Nacional Farabundo Martí, que en su resignación mostró a su candidato Manuel Flores, con apenas un digito de porcentaje de votos diciendo en la previa: - lo del domingo son elecciones, no es el fin del mundo. Lo cierto es que Nayid Bukele logró lo que nadie. Acumular tal poder en El Salvador que quedando al borde del partido único nadie se sorprendió de la victoria aplastante del joven presidente. Que revolución trajo Bukele para lograr cada cosa que se proponía? Noticias Del Mundo: Elecciones en El Salvador - El sueño de Bukele - Los incendios en Chile - Si no es Machado será otro - El año bisiesto, historia y lógica - Ajustemos la agenda. Historias Desintegradas: Canibalismo y moral - La Sociedad de la Nieve - La ley de la selva - El autobús que debía ir rápido - Sociedades que se devoran - Caníbal de Rotemburgo - El caucho y el Congo - Sopa para la Gioconda - Parálisis Celebrar - Hacer que puedan - Café con marraqueta - Musicología - Pappo y B.B. King - Pistaches en Las Vegas - Fondue de Chocolate en NY y La Constitución mexicana y más... https://www.canaltrans.com/ecdqemsd_podcast_2024/5711_el_salvador_del_salvador.html En Caso De Que El Mundo Se Desintegre - Podcast no tiene publicidad, sponsors ni organizaciones que aporten para mantenerlo al aire. Solo el sistema cooperativo de los que aportan a través de las suscripciones hacen posible que todo esto siga siendo una realidad. Gracias Dragones Dorados: https://www.canaltrans.com/radio/suscripciones.html

Comentem l'actualitat futbolística amb dos pericos de pro: Edu de Batlle i Conrad Consum. En Manel Vidal ha tingut accés al dietari secret de Xavi Hernández. Més creueristes que mai a Barcelona: l'Angelines n'és una enamorada.

Nico estuvo en el mismo escenario en el que tocaron y zaparon artistas como Slash, Billy Gibbons de ZZ Top, Chuck Leavell (Rolling Stones), Paul Rodgers de Free/ Bad Company/ The Firm/ Queen, Warren Haynes de Allman Brothers, LeAnn Rimes y los músicos de su actual banda: los Black Crowes!!! Bueno, Nico, a quien conocí por ser el hijo de Vitico e integrante de Viticus, pasó por QUP. Claro que hablamos de la relación con su padre, fundador de Riff junto a Pappo y Michel Peyronel. Cuenta como fue su audición para entrar a Black Crowes... Cómo es el papeleo para poder trabajar en EE.UU. y girar en micros de primera categoría y aviones privados... Sentirse colega de nombres famosos y asumir el rol que se ha ganado como uno de los poquísimos artistas argentinos que han logrado ingresar a las grandes ligas internacionales. También confiesa que su ingreso al grupo de los hermanos Robinson se llevó todo puesto en su vida, incluyendo una relación de pareja de casi 15 años. Es menester... que sea rock! Con Gustavo Olmedo.

Y las miradas ya no se sorprenden. Está bien. Es como es. Si solo hubiera una carretera de ingreso al mundo qué diría el letrero de bienvenida? Disimularía los defectos del lugar, mentiría, presentaría como normales situaciones aberrantes? Se autonombraría capital universal de alguna gracia menor? Muy posiblemente. Nadie nunca imaginaría un arco de entrada con leyendas del tipo: capital universal de la impunidad, centro colosal de la injusticia, paramo oficial de la decadencia, bienvenidos al punto cósmico de barbarie. ECDQEMSD podcast El Cyber Talk Show - episodio 5701 La Mirada Atónita  Conducen: El Pirata y El Sr. Lagartija  https://canaltrans.com Noticias Del Mundo:  El punto cósmico de la barbarie - Guerra, violencia e injusticia - Maipú Chile - Ex modelo y ex alcaldesa - La pena por robarse un municipio - Mejor que AMLO - El tren maya en autobús - Japón en el espacio. Historias Desintegradas: Una de las TaTu - Hablando inglés - Sobre una locomotora - Dragones para todos - Coleccionando todo - Star Wars - No Funkos - Corcholatas y sellos - Rumbo a la costa atlántica - Músicos y turistas - Pappo y su Harley - Acompañando la resistencia - Mudanza en Guatemala - Embajadores del Carnaval - Gualeguaychú, el carnaval del país - Vamos al Corsódromo - El Estado Plurinacional de Bolivia y más... https://www.canaltrans.com/ecdqemsd_podcast_2024/5701_la_mirada_atonita.html En Caso De Que El Mundo Se Desintegre - Podcast no tiene publicidad, sponsors ni organizaciones que aporten para mantenerlo al aire. Solo el sistema cooperativo de los que aportan a través de las suscripciones hacen posible que todo esto siga siendo una realidad. Gracias Dragones Dorados: https://www.canaltrans.com/radio/suscripciones.html

JP nos trae este disco fundamental del Carpo que cumple 50 años.

Con el lanzamento de Tiempos Metálicos, un box set de V8 que contiene los tres discos del grupo en vinilo más otros items varios, como excusa, el cantante de la primera banda de heavy metal en Argentina, Beto Zamarbide, vino a Buenos Aires (vive hace años en Miami) y nos cruzamos en esta hermosa charla. Es el testimonio de quien protagonizó el nacimiento de un género musical en nuestro país, alguien que fue testigo de una época en la que todo estaba por hacerse. La actitud, el mensaje, el discurso de un grupo que no ha perdido actualidad. La relación con Ricardo Iorio entonces y también ahora. El recuerdo del talento del guitarrista Osvaldo Civile, fallecido hace varios años ya. El apoyo de Pappo y la fuerza opositora de cuatro pibes que quisieron llevarse todo puesto, incluyendo a parte de aquel rock nacional, y al final la realidad (y las adicciones) se los llevó puestos a ellos que, sin embargo, siguieron en diversas aventuras junto al metal con su mensaje. Con Gustavo Olmedo.

¡Yabadabadu!. En Revista Beatles presentamos la segunda parte de la música de las series de los '60 y esta vez les toca el turno a los dibujos animados. Además, en (Ex) Beatles 1973, "Ringo", el LP mas exitoso de Richard Starkey. Un homenaje a Sinéad O'Connor; Pappo's Blues en el Abecedario del rock argentino de los '70; Beatles y el rescate de Las Voces Blancas en Grupos Corales Argentinos. Revista Beatles, ¿Que hay de nuevo viejo? - 10 años - Este sábado desde las 16.00 por FM Galena 94.5. www.radiogalena.com.ar. App https://bit.ly/2GBP0ST.

En un nuevo episodio de #ElPodcast, Alejandro Marín conversa con #SergioMarchi, periodista musical argentino. En esta oportunidad, Alejandro le pregunta al invitado por su basta experiencia en el medio, siendo uno de los periodistas más influyentes del Rock a nivel latinoaméricano. ¿Cómo es la labor de entrevistar a icónos de la talla de #GustavoCerati? ¿Cómo se consigue escribir las biografías de los máximos exponentes del Rock en Español como #CharlyGarcia, Luis Alberto #Spinetta o #Pappo? No te pierdas esta entrevista que guarda grandes anécdotas con leyendas del Rock. Cada lunes a las 10:00 p.m. un nuevo episodio por las pantallas de Canal Trece. #SergioMarchi #AlejandroMarin #Rock #Periodismo #GustavoCerati #CharlyGarcia #CanalTrece No te pierdas esta oportunidad única ¡Suscríbete a nuestro canal y activa las notificaciones para no perderte ninguna entrevista exclusiva! Nuevos episodios: https://canaltrece.com.co/audios/ Suscríbete al canal y activa la campana de notificaciones: http://bit.ly/CanalTreceYT Sigue a Canal Trece en: - Sitio Web: https://canaltrece.com.co/ - Facebook: https://www.facebook.com/CanalTreceCO/ - Twitter: https://twitter.com/CanalTreceCO - Instagram: https://www.instagram.com/canaltrececo/

Lunes de debut en Noches de Vinilo Los legendarios Vanilla Fudge dicen presente en el programa. A 50 años de la muerte del compañero presidente Salvador Allende dos grandes de la musica chilena lo homenajean; así que estarán con nosotros Violeta Parra y Victor Jara. Un virtuoso de la guitarra el gran Jeff Beck. Las voces inigualables de The Carpenters. Otro gran guitarrista cierra el programa Pappo. Las lecturas de Juan también recuerdan a Salvador Allende. Los esperamos siempre por El Aguantadero. Para escucharnos https://radioelaguantadero.com.uy

Gran charla con Astilla. Sus pruebas como arquero en Vélez y en Ferro, los equipos contrincantes. Pensamos el romance que diluye el apuro de internet. La humildad por sobre toda las cosas. Iorio, Pappo, un bebé que despierta emociones silentes. Un libro que se viene. Una charla de domingo que puede cambiar la historia. Una astilla que ya la veo brotar a la superficie. Pasen y vean.

Víctor Bereciartúa, Vitico, es un músico argentino con una historia a la altura de cualquier estrella de rock internacional. Con la edición de su libro El Canciller como excusa nos juntamos nuevamente para charlar y reír con seriedad. Al lado de Pappo se hizo enorme como bajista de Riff. Existe una expresión en inglés que lo describe a la perfección: Larger Than Life! Tiene más de 70 años y aún le queda mucho por hacer... Je. Con Gustavo Olmedo.

David Lebón se sumó a la mesa de Vuelta y Media para contar cómo vive su presente artístico, la elección de las canciones para sus shows y mucho más. Además, recordó anécdotas con colegas y dijo que Spinetta fue el único ídolo que tuvo. ¡No te pierdas esta nota llena de reflexiones! --- Send in a voice message: https://podcasters.spotify.com/pod/show/urbanaplayfm/message

Como músico tocó en Comando Suicida y otras bandas punk, pero fue a través de Radio Trípoli, el sello que fundó con Walter Kolm (hoy mánager de Maluma), que Chuchu se ganó un lugar en la historia del rock argentino. Además de lanzar el primer simple de Massacre Palestina y el compilado Invasión 88, en el que debutaron Attaque 77 y Flema, Trípoli editó los discos que pusieron a Hermética, Horcas, TTM, Memphis La Blusera y Los Decadentes en el mapa. En Trípoli Pappo grabó Blues local. Como sello independiente, vendieron millones de copias en Argentina. Un delirio hecho realidad. Con Gustavo Olmedo.

Tuti Efe recuerda al Carpo en otro anversario de su nacimiento y nos lleva a recorrer los renombres de algunas leyendas del instrumento.

Si querés ver la nota completa, suscribite a Quemar Un Patrullero: linktr.ee/olmedogus Víctor Bereciartúa, Vitico, es un músico argentino con una historia a la altura de cualquier estrella de rock internacional. Con la edición de su libro El Canciller como excusa nos juntamos nuevamente para charlar y reír con seriedad. Al lado de Pappo se hizo enorme como bajista de Riff. Existe una expresión en inglés que lo describe a la perfección: Larger Than Life! Tiene más de 70 años y aún le queda mucho por hacer... Je. Con Gustavo Olmedo

Se cumplió un nuevo aniversario del fallecimiento de una de las leyendas de nuestro rock, y nuestro conductor Andy Pallero, nos lleva a transitar el camino musical de “El Carpo” a través de historias y canciones.

Año 1973. El peronismo gana las elecciones y acompañamos ese hecho con el rock de la época. Con Piero - Contraluz - Color Humano - Raúl Porchetto - La Banda del Oeste - Billy Bond y La Pesada del Rock & Roll - Pescado Rabioso - Rockal & La Cría - Aquelarre - Vox Dei - Arco Iris - Jorge Pinchevsky - Cuero - David Lebón - Pappo's Blues - Kubero Diaz y La Pesada - Vivencia. Bloques siguientes en https://orejasaluniverso.com.ar/historia

Entrevista a Cato Vaudagna - Los días entre Viva Pappo y la Katsumi Oshiro

Temporada 05 | Episodio 06 de Mi Lado V | Radio Fecha de emisión: 07-feb-2023 Título: Pinos Protagonista: Leo Puppato Tema 'Vinventions': "Una Casa con 10 Pinos" by Pappo's Blues Tema 'Saint Felicien': "Cheers (Remastered)" by Charlie Parker #Wine #Jazz

Si querés ver la nota completa, suscribite a Quemar Un Patrullero: linktr.ee/olmedogus Como músico tocó en Comando Suicida y otras bandas punk, pero fue a través de Radio Trípoli, el sello que fundó con Walter Kolm (hoy mánager de Maluma), que Chuchu se ganó un lugar en la historia del rock argentino. Además de lanzar el primer simple de Massacre Palestina y el compilado Invasión 88, en el que debutaron Attaque 77 y Flema, Trípoli editó los discos que pusieron a Hermética, Horcas, TTM, Memphis La Blusera y Los Decadentes en el mapa. En Trípoli Pappo grabó Blues local. Como sello independiente, vendieron millones de copias. Un delirio hecho realidad. Con Gustavo Olmedo

Rėmėjais galite tapti paspaudę šią nuorodą: https://contribee.com/krepsinisnet 00:00 – nuvylęs „Žalgiris“ 07:36 – niekaip neįsibėgėjantis žalgiriečiai 20:00 – atvykstantys čempionai 30:24 – Panevėžyje – Italijos vidutiniokai 35:10 – įsibėgėjanti „Wolves“ Rėmėjų dalyje kalbėta šiomis temomis: 44:33 – savo vietoje ALBA 47:00 – nuviliantis N.De Colo 50:27 – nesuvokiamas „AX Armani“ nuopuolis 54:30 – serbų kvota Miunchene 59:53 – buksuojanti „Virtus“ 1:03:25 – kur serbų talentai? 1:19:15 – įspūdingas D.Ivanovičiaus atėjimas 1:11:51 – bręstančios permainos Valensijoje? 1:14:10 – ką sufleruoja N.Pappo įsigijimas 1:16:29 – neabejotinas trenerio keitimas 1:22:07 – pažymys „Žalgiriui“ 1:23:18 – didžiausias siurprizas 1:26:14 – reikia atakuojančio gynėjo 1:29:44 – funkcionuojantis „AS Monaco“ mechanizmas 1:31:51 – Šaro džiaugsmai 1:36:52 – įsibėgėjusi „Real“ 1:39:31 – D.Itoudžio nuveiktas darbas Stambule

Pablo Flores Espeche y un recorrido por la vida y obra de grandes artistas. En el capitulo de hoy desde España "Pato" Luka como lo bautizo Pappo, un pianista que supo compartir con los grandes! Repasamos su carrera solista y mas! Melomano se emite los lunes de 22 a 24 hs - www.fmlaplaza.ar --- Send in a voice message: https://anchor.fm/fm-la-plaza-949/message

"Me quedé dormido 30 minutos en el medio de un show". Juanse, el verdadero rockstar. Anécdotas con Maradona, Guns and Roses y Pappo. TREMENDA NOTA

QUE SE PUDRA! presenta un gran episodio ... NOTICIAS METALERAS...Sergio "el informe incompleto" repasando el disco THRASH el compilado histórico de 1991...nos adentramos en la oscuridad de ZUNZUN con una entrevista a Sergio alasino....historias de cementerio el nono nos trae un emotivo recuerdo a PAPPO...GUILLOTINA se nos presenta con toda su historia y su poder...y para finalizar, don Sergio y don yunque con los recomendados de la semana con DOKKEN y TRONADOR. seguinos en Facebook QUE SE PUDRA RADIO e instagram QSPRADIO y en twitter. TODOS LOS DOMINGOS 21HS POR LA 102.9 https://comunidadvirreydelpino.com/ PLATAFORMA STREAMING Y DESCARGATE APP. PARA TU TELEFONO.

Black Amaya es uno de los últimos mohicanos. Fue baterista de Pappo's Blues (grabó los discos 1, 2, 4, Blues local, Caso cerrado) y Pescado Rabioso (Desatormentándonos y Pescado 2). Además de haber tocado con Billy Bond, Blacanblus, Gardelitos y otros. Desde un pueblito en San Luis, donde vive hace años, comparte mil y una anécdotas sobre la fundación del rock argentino en su edad dorada, justo cuando "todo era nada y nada era el principio". Es con enorme placer que me doy el gusto de hablar con estos artistas que desde Argentina estuvieron a la altura de vacas sagradas como Zeppelin, Hendrix, Cream o Purple. Con Gustavo Olmedo.

Pelos batidos y pantalones nevados para todxs! Dj 80s nos deleitó con su seleccion de cauchos de Toto, Foreigner, Femme Fatale y Sammy Hagar. Precalentamos las visitas que se vienen con un clasico de Pixies en vinilo y festejamos los 50 del clasico Pappo's Blues 2. #anderdelasemana internacional con lo nuevo de Las Palabras en exclusiva desde Berlin. Pasen, orejas!

Lunes feriado pero NOCHES DE VINILO no descansa. Desde la vecina orilla nos acompañan : León Gieco con todo su compromiso militante. Además Pappo y su virtuosismo con la guitarra. Una banda que hizo historia : Aquelarre. Va nuestro homenaje a la los luchadores en la guerra civil de España. Por eso cantan con nosotros: Joan Manuel Serrat . Rolando Alarcón . Paco Ibañez. Juan aporta sus textos para acercarnos a la lucha del pueblo español. Siempre por El Aguantadero

Un episodio que trae un torbellino de recomendaciones, info y menciones. Partimos desde finales de los años 50, con el surgimiento del sound system jamaiquino y la aparición cada vez más frecuente de los djs en fiestas. Hablamos del “alma” de la música electrónica, y ahí nomás aprovecho para meter a Björk en el tema. Pasamos por el Moog, para luego detenernos en el disco más vendido de la década del 60´ realizado por Wendy Carlos (una compositora trans que revolucionó la historia de la música), y pasamos directo a Stanley Kubrick. Hablamos de la “experimentación” como elemento clave de la época y la definitiva incorporación de los sintetizadores, ya no sólo en la música electrónica específicamente, sino también en bandas y proyectos vinculados a otros géneros musicales en los 70´. Entendemos cómo el aspecto estético de la música grabada empieza a cobrar importancia, la figura del productor comienza a ser tan relevante como el artista, y el crecimiento de los estudios de grabación y las discográficas. Finalmente, charlamos sobre la aparición de tecnologías específicas para djs, sobre las discotecas y el nacimiento de la música disco.

Sergio Levin, Silvana Amato, Marcelo Guaita, Marcelo Moreno, Amelita Baltar, Aldo Proietto, Tano Pedercini y Pablo Marchetti, nos comparten sus textos elegidos. ¿Qué entendemos por “Literatura de Aventuras”? ¿Y por “Impresionismo Literario”? ¿Qué es un “Haiku”? ¿Qué significa el término “Glosario” Alejandra Pizarnik le envía una carta a Rafael Squirru contándole, entre otras cosas, lo que le provoca el arte de escribir poemas. ¿Cuál era una de las comidas preferidas de Jean Paul Sartre y qué pensaba el escritor sobre el Premio Nobel? ¿Qué relación existió entre Julio Cortázar y el boxeo? ¿Qué simpática anécdota generó Oscar Wilde en una de las fiestas a las cuales era invitado? ¿Cómo definía Jack Kerouac a los haikus y cuándo los utilizaba? ¿De qué forma las guerras atravesaron la obra de Ernest Heminway? Antonin Artaud, Wallada Munstafki, Fran Lebowitz, Romina Paula, Matsuo Basho, Gloria Fuertes y Augusto Monterroso nos comparten sus poemas y narrativa en las voces de nuestros locutores Nos detenemos a pensar las letras de las canciones de artistas como Laura Canoura, Pappo, Joey Ramone, Fabiana Cantilo, entre otros. Y como siempre, escuchamos las voces de nuestros oyentes quienes nos acercan sus propios textos o aquellos que escogieron de otros, para seguir creando este infinito collage sonoro de lecturas compartidas. POESIA 1110: Un espacio para pensar y resonar el acto poético en todas sus formas; la poesía de todas las cosas

Sumate vos también a este especial lleno de buena música, noticias raras...desopilantes...aniversario de Pappo y más...Historia del encapuchado mas famoso de los comics de DC. Curiosidades, cinematografía, historia y algunos datos mas...y re recomendamos series y películas para que disfrutes en tu finde.

Hace 72 años nacía Norberto Aníbal Napolitano, más conocido como Pappo.

Los acontecimientos bélicos en Ucrania –o la invasión rusa a dicho país- han abierto la Caja de Pandora y reavivado los peores fantasmas de Europa: xenofobia, machismo, caza a las brujas, rusofobia, cercenamiento de la libertad de expresión, macartismo cultural a un nivel nunca visto, racismo manifiesto, etc. También veremos algunas noticias relevantes de América Latina. Escucharemos los temas “Sucio y desprolijo” de Pappo, “Profugos” de Soda Stéreo y “Caparazón” de la banda Eruca Sativa. En las redes nos encuentran en: FACE: www.facebook.com/cafemercosur/ TWITTER: twitter.com/CafeMercosur YOUTUBE: http://bit.ly/CafeMer www.cafemercosur.com

Charly, Spinetta, Pappo, Soda, Los Redondos... y también los pioneros: Los Gatos, Vox Dei, Manal, Arco Iris.. Sí, se creó en Estados Unidos, Gran Bretaña lo perfeccionó, pero los argentinos creemos que el rock es más argentino que el dulce de leche. Bueno, parece que no es tan así… Al menos, leyendo este libro que se llama “Rock en Español”, que te lleva a abrir oídos, a sacarte el prejuicio. Hoy conversamos con su autor, Hernán Panessi, un obsesivo que dice haberse pasado un año entero investigando para editar este trabajo. Bienvenido a un nuevo episodio de Escuchando Libros, el podcast de Rock.com.ar. See acast.com/privacy for privacy and opt-out information.

Tripulantes: Los Rodríguez, La Derecha, Luis Alberto Spinetta, Soda Stereo, Pappo, Soraya, Miguel Abuelo, Los Fabulosos Cadillacs. Este es el legado que nos dejaron algunos músicos que ya fallecieron. Músicos pertenecientes a bandas de rock o pop de los años 80 y 90.

Luke's adventures in Puerto Rico give him the chance to answer the age old question: What happens to fake hair foam when it's drenched in a thunderstorm? He and Andrew also discuss a man who caught a grape in his mouth after it was dropped from the sky and a new dance video that Andrew probably should have ignored. Special thanks to Tina Williams and Deborah Anderson for supporting today's episode!