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durée : 00:14:40 - Disques de légende du mardi 29 avril 2025 - Peter Philips fonde Les Tallis Scholars en 1973, avec la ferme intention de rendre hommage au compositeur dont il emprunte le nom.
durée : 00:14:40 - Disques de légende du mardi 29 avril 2025 - Peter Philips fonde Les Tallis Scholars en 1973, avec la ferme intention de rendre hommage au compositeur dont il emprunte le nom.
Matt Crawford speaks with author Peter Philips about his book, Titans of Capital: How Concentrated Wealth Threatens Humanity. In Titans of Capital, Peter Phillips, a political sociologist, poses three key research questions: To what extent do the wealthy influence—or even dominate—decision making that affects all of us in society? Who are the most powerful people? And how does the accumulation of capital work? 117 people are in charge of asset management companies that control 50 trillion dollars. Those investments shape the world, and when that capital shores up practices detrimental to society and the health of the planet we should all have something to say about it.
Get Peter's book here: https://a.co/d/hAtLLq0 In Titans of Capital, Peter Phillips, a political sociologist, poses three key research questions: To what extent do the wealthy influence—or even dominate—decision making that affects all of us in society? Who are the most powerful people? And how does the accumulation of capital work? Networks of wealthy individuals have evolved since the COVID-19 pandemic, and Titans of Capital shows how the financial investments of transnational elites threaten human rights and the future of the planet. Private capital investments serve as the primary operating funds for international arms sales, private prisons, and other socially negative activities. These investments fuel the continued use of carbon-based energy leading to amplified global warming and climate change. Military spending is a critical component of continued wealth concentration and political power in the world. Spending on arms and intelligence is a required aspect of maintaining global power and control. Dealing with Russia, China, Iran and other “rogue” states is a continuing agenda for agents of the world power elites. Propaganda machines in Western capitalist governments serve to protect elite wealth by promoting military conflicts to open new regions for economic investment. Phillips warns that while continued concentration of global capital increases the profits enjoyed by the global economy's “Titans,”, it also increases global inequality, starvation, and civil unrest, threatening the lives of the hundreds of millions of people living in extreme poverty. It is imperative to ask how we can reverse the concentration of Titan wealth and revitalize grassroots democracy unbridled by extreme wealth. Identifying 117 global Titans by name and exposing the networks and interests that unite them provides readers opposed to militarism and committed to economic equality with crucial tools to directly engage the power elite who endanger life on earth. Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH! Become a patron now https://www.patreon.com/join/BitterLakePresents? Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!) THANKS Y'ALL YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/ Pascal Robert's Black Agenda Report: https://www.blackagendareport.com/author/Pascal%20Robert
Introduction: Minutes 0 to 6:00 I met our Celebitchy Zoom group in person! I talk about my friend's tiny dog. Chandra had an encounter with a Great Dane. Royals: Minutes 6:00 to 24:00 Our last episode, #171, was two weeks ago. We had just seen the video of Princess Kate revealing that she had cancer and was undergoing chemotherapy. We were hit with over a hundred comments from new accounts all saying variations of the same thing right after that video was released. Christopher Bouzy has called out the bots on Twitter. The NY Times published an article in early 2020 about the then-Cambridges buying Instagram bot followers. In podcast #170 we talked about the Mother's Day frankenphoto. Major photo and news agencies issued a kill order for that photo. In light of that, and the very bizarre and obviously not Kate market video released by the Sun and TMZ, some people have questioned the video of Kate announcing her cancer. We wonder what's happening and Chandra has no theories. The video was filmed by BBC studios and we haven't heard many details about it. There were thinkpieces in the Washington Post and the NYT about the conspiracies. Getty images put editor's notes on the photo and video and refused to comment further about it. Last week one of the biggest royal stories was about how the Middletons are so broke they didn't even pay the insolvency firm that restructured their business, Party Pieces, when they sold it and went into bankruptcy. It's clear that the press has been given the go-ahead to go after the Middletons. There were multiple stories about this. Uncle Gary's appearance on Celebrity Big Brother underlined that the Middletons are broke. The British press always invents some new thing the Sussexes have to go to. There's a ceremony for Invictus's anniversary in May in London. England also wants to host Invictus in 2027, but hopefully Harry will not fall for that. Charles is also said to have invited the Sussexes to Balmoral this summer. Other major stories are about how the monarchy is now way too slimmed-down and how Beatrice and Eugenie need to be working royals to pick up the slack. We're also hearing BS about how Meghan supposedly got between Kate and Harry because they were so close before Meghan came around, which sounds like royal fan fiction. Harry wrote in Spare that he barely saw William and Kate. Harry has a wife whom he adores and this storyline is offensive. I like what Chandra wrote about the press in her piece about Peter Philips being unlucky in love. The palace comms departments are quiet and the royal rota has been left to make up storylines. We also heard that William was seen at a pub in Norfolk with Carole Middleton! Comments of the Week: Minutes 24:00 to end Chandra's COTW is from Brassy Rebel on the post about Beatrice and Eugenie covering Hello. My COTW is from Samuel Whiskers on the post about loofahs harboring bacteria. Thanks for listening bitches!
Renowned photographer of the Antwerp Six, Willy Vanderperre is a Belgian-born image-maker best known for his campaigns for Prada, Dior, and Jil Sander, as well as publications like i-D, Another, or W. Longstanding creative collaborations with fashion icons like Raf Simons, Olivier Rizzo, and Peter Philips have informed his creative output over the decades and renewed his lasting interest in what youth cultures have to continually offer the older generations. Vanderperre has made himself an industry staple over the past twenty-plus years through his illustrious photography, which includes his project Naked Heartland and a book series that cleverly connects analog publishing to the new forms of media consumption. But his experience doesn't make him feel old. In fact, he continues to tap in—in his life and in the contemporary conversation—into the energy that youthful voices bring to fashion in a creative and lifelong practice that mirrors how he approaches long-term industry collaborations and pervades his images: with a sense of renewal, expression, and movement. Episode Highlights: “A rather difficult place to be”: Growing up gay in Belgium to a hardworking family (and a father who was a butcher), Vanderperre felt the “smallness of the country” and says he was saved by art school and the sensitive people he came into contact with there. Aspirational: Because of his upbringing, Vanderperre quickly found a drive to escape his origins. An introverted country: Vanderperre sees Belgium's history and small geography as drivers of the country's production of artists and designers. Looking differently at a garment: Vanderperre's photographic work stands out among fashion images because of his preoccupation with and sensibility for capturing movement. Normalcy: While a big-city feeling feeds a feeling of glamor, Vanderperre celebrates a sense of rootedness in his origins and having peers outside of the fashion realm, a situation of social solitude that he likens to COVID quarantining. Contemporary publishing: Translating ephemeral social media into the “analog product” of a book, Vanderperre put his book together quickly, almost instantly, much like an Instagram post. “The right thing to do”: His book on Instagram was driven by his love of youth culture—its accessibility, efficiency, and unpretentiousness. Vanderperre's obsessions with youth, isolation, and the redemptive power of pop culture can be summed up by how impressed he is by outspoken young people disconnected and connected by expressive forms like music and movies in the internet age. Never growing up: Vanderperre is one of the first modern generations to see themselves as having a different aging and cultural trajectory from their parents, and more able to choose whether they wanted to become “adults.” Contemporary politics: Youth have positively shaped the world, particularly in the past five years, but Vanderperre has partnered with the Trevor Project to support LGBTQ+ rights. Long-term relationships: Close collaborations with Raf Simons, Olivier Rizzo, and Peter Philips have been challenging, presenting opportunities for growth. Fluidity: While the industry has changed in the past 20 or 30 years, it doesn't feel all that different to Vanderperre; he approaches it with new energy and different emotions and enjoys the influx of new voices. What's contemporary now: “This conversation.”
In deze aflevering van Kalm met Klassiek hoor je renaissancemuziek voor de luit, maar dan uitgevoerd op haar opvolger, de moderne klassieke gitaar. Gitarist Göran Söllscher stak de Chromatische pavane van componist Peter Philips in een nieuw jasje. Zou deze muziek eind zestiende eeuw ook al bedoeld zijn om bij tot rust te komen? Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7).
Sadly Nick was unable to join for this episode of The Liturgical Looking Glass but he left Tim with a stellar selection of music, as always. Here is what we heard on the Feast of St Leo the Great, and anticipating the 32nd Sunday in OT: A New Song by Sir James McMillan and sung by The Sixteen. Iste Confessor by Domenico Scarlatt sung by The Sixteen Da Pacem Domine, the introit from the Mass for Peace sung by the choir of Saint-Martin de Ligugé on the album - The Glory of Gregorian Lacrimosa from Mozart's Requiem Mass in D minor, arranged for voice quartet and piano accompaniment with Daniela Santos Rising, from the Franciscan Friars of the Renewal Intret oratio mea in conspectu tuo, the introit for Sunday from the Neumz project Leonard Bernstein's Chichester Psalms: II. Psalm 23 "Adonai ro-i, lo e?sar" - Psalm 2:1-4 "Lamah rag'shu goyim" conducted by Leonard Bernstein Sub Tuum Praesidium by Joel and Joy Clarkson from their album “Prayers for the Time of Trial” Ave Regina Caelorum, ave Domina angelorum by Peter Philips and sung by Choir of Trinity College Cambridge directed by Richard Marlow
All through Easter, the second reading has been drawn from 1 Peter reminding us of God's call to each of us. The First Letter of Peter 3, "Beloved: Sanctify Christ as Lord in your hearts. Always be ready to give an explanation to anyone who asks you for a reason for your hope..." What it means to dwell in God, this week on OVC. Readings: https://bible.usccb.org/bible/readings/051423.cfm Music: 1 - Ave Regina Cælorum – Peter Philips (1560-1628) by St. Mark Choir under One License Annual License w/Podcasting, A-726294
In 2023 we mark the 400th anniversary of the deaths of two composers who wrote beautiful music, and who lived in extraordinary times. William Byrd (c.1540-1623) lived through a remarkably turbulent period of history, under no fewer than six monarchs. He wrote a huge amount of exquisite choral works, including Catholic masses which – depending who was on the throne – would only have been performed under conditions of secrecy. Thomas Weelkes (1576-1623) was an organist and composer, best-known for his brilliant and vivid madrigals (as well as for his somewhat chaotic lifestyle). Music Opening and ending: ‘Kyrie' and ‘Agnus Dei' from Byrd's Mass for Four Voices. Performed by the Marian Consort, conducted by Rory McCleery from the album Singing in Secret (Delphian, 2020).During the podcast: Byrd's ‘Ave verum corpus'. Performed by the Choir of Merton College, Oxford conducted by Peter Philips from the album Viri Galilaei: Favourite Anthems from Merton (Delphian, 2016).With grateful thanks to Delphian for giving us permission to use these recordings.
The Annual TedFest, which celebrates all things Father Ted, takes place from March 2nd this year. Apart from the usual events such as the Lovely Girls Competition and the Priests Vs Nuns soccer match, this year will see the festival hosting its first funeral, celebrating the life of one of the festival's most enthusiastic contributors, Belfast musician Norman Coates. Tom Dunne was joined by Peter Philips, Founder of TedFest to discuss...
The Annual TedFest, which celebrates all things Father Ted, takes place from March 2nd this year. Apart from the usual events such as the Lovely Girls Competition and the Priests Vs Nuns soccer match, this year will see the festival hosting its first funeral, celebrating the life of one of the festival's most enthusiastic contributors, Belfast musician Norman Coates. Tom Dunne was joined by Peter Philips, Founder of TedFest to discuss...
In his first podcast interview ever, Belgian makeup artist Peter Philips reveals what goes on behind the scenes at Dior, where he serves as the creative and image director for Christian Dior Makeup. He tells us how to baby-step out of our makeup comfort zones and have more fun with color this year. He also shares the secrets to his creative process and stories behind some of the iconic fashion images he's helped create. All that, plus Flemish lessons, gummi bears, and the one product models are always stealing from his kit.Sponsor links & discount codes: shopmy.us/collections/31511Episode recaps with links: fatmascara.com/blogProducts mentioned on Ep. 468: shopmy.us/collections/embed/105419Private Facebook Group: Fat Mascara Raising a WandSocial media: @fatmascara, @jessicamatlin, @jenn_editSubmit a "Raise A Wand" product recommendation and be featured on the show: email info@fatmascara.com or leave a voicemail at 646-481-8182 Become a member at https://plus.acast.com/s/fatmascara. Hosted on Acast. See acast.com/privacy for more information.
Life as an Alternative Education Provider Join Christopher Schoenwald of the podcast LIFE AS A.. as he chats with Peter Philips of the Bali, Indonesia based Open Flow Learning Centre. The conversation presents a number of insightful ideas and discussion points concerning current educational philosophies and whether they are truly structured to deliver the skills and knowledge young and developing minds require to thrive in modern society. This episode covers a lot of ground and will be a talk worth listening to for: *Anyone interested in the field of teaching *Alternative education *Business & Entrepreneurship *Children's education Listeners will gain new insights pertaining to: + The criticality within the 21st century of paying more attention to the development of children's soft skills + What it's like operating an alternative education based learning centre in a place like Bali, Indonesia + How his school integrates many non-traditional educational philosophies into their curriculum ranging from the likes of Rudolph Steiner, Maria Montessori and others + His thoughts on current and mainstream educational practice and what he feels it's lacking + How the Open Flow Learning Centre physically differentiates itself from a traditional classroom setting + How and why nature is invited into their learning spaces and why that element is so utterly important + What biomimicry is and how they leverage this type of learning approach + What opportunities and challenges there are teaching within an alternative education based program + Peter's take on the future of alternative education learning programs and how technology via decentralization and blockchain may play a role moving forward + Much more! To learn more about Peter and his work, you can check out the following links: LinkedIn Website Instagram FRIENDLY REMINDERS: And hey! Why don't you subscribe on YouTube! As you'll see, our subscriber numbers are in need of a little boost! If you haven't done so already, help the program out by giving it some love. *Hit the subscribe button on YouTube PLEASE. :) I'd highly appreciate it! -Christopher *You can follow LIFE AS A.. on your favourite social platforms via these links: Youtube Instagram: Linkedin: Twitter: Facebook: To learn more about the program, visit the website www.life-as-a.com or https://linktr.ee/life_as_a_podcast
The BBC has had a powerful influence on our musical taste, and in this BBC centenary year, Nicholas Kenyon, a former controller of Radio 3 and director of the Proms, delves into the archives to explore the BBC's role in reviving the centuries of early music from before the 18th century. In five programmes he looks at the rare repertory which the BBC broadcast, from its small beginnings in the 1920s to its acceptance in the mainstream during the 1970s. Drawing on entertaining and illuminating extracts from the BBC archives, with original music recordings, Kenyon shows the way in which early music and period-style performance gradually became part of our musical consciousness and an essential part of our listening. In his second essay, Kenyon explores how by the 1930s the BBC had become a powerful influence on national taste and there were strong voices urging it to do more for British music. In 1934 it broadcast a 13-week series of English music ‘From plainsong to Purcell' curated by the scholar, conductor and editor Sir Richard Terry. He argued for ancient music on the grounds that ‘our forefathers were human beings like ourselves. Music which held human appeal for them cannot be devoid of interest for us.' Terry edited music for broadcast which had never been broadcast before, and some of which, like the sixty secular madrigals of Peter Philips, had never been heard in modern times. Early music came to form a part of national ceremonial like the Coronation of George VI in 1937, with the BBC leading the way in its celebratory concerts. Presented by Nicholas Kenyon Produced by Melissa FitzGerald
Episode 85- This week we are excited to interview the talented makeup artist Grace Ahn. Born and raised in Los Angeles, California, Grace Ahn started her freelance makeup career behind the counter. Following a move to New York in 2010, Grace immersed herself into her craft, assisting legendary artists Tom Pecheux, Peter Philips, and Diane Kendal on fashion shows and photoshoots. Since branching out on her own, Grace has led teaching workshops for beauty brands like NARS and YSL and worked on multiple campaigns for SEPHORA, Pattern Beauty, Estée Lauder, Oribe, and more; while regularly collaborating with talents like Lizzo, Katy Perry, Zoe Kravitz, and Tracee Ellis Ross. Grace Ahn's work is frequently seen in Allure, GQ, Harper's Bazaar, WSJ, and VOGUE.Support us by purchasing We Speak Beauty MERCHCheck out our new website!Visit The Image Clinic for beautiful photo retouching: Mention We Speak Beauty for 30% off your first project.FOLLOW Grace:InstagramJulian Watson AgencySmall But Mighty Agency A podcast that uncovers how to go from solopreneur to seven figure agency with ease.Listen on: Apple Podcasts Spotify Small Business PRGet your small business seen and valued without ads, agencies, or connections necessary.Listen on: Apple Podcasts Spotify Capers Business Ventures CONNECT w/Mel CapersCapers Business Ventures CONNECT highlights small businesses, entrepreneurs, authors...Listen on: Apple Podcasts Spotify
Een feestelijke opener van deze uitzending is het gregoriaanse Introïtus; “Viri Galilaei” uit de Mis voor O.H.Hemelvaart. Daarna volgt een polyfoon Hemelvaartslied; “Ascendit Deus”. Wij richten ook onze aandacht op de 4 disciplines van de Koningin Elisabethwedstrijd te Brussel, in volgorde van ontstaan: viool, piano, zang en cello, verweven in het programma. Ook vereren wij, in 2 gezangen, de Koningin der Hemelen, evenals in 2 Ave Maria's. Componisten vandaag zijn: Peter Philips, Paolo Buonvino, Antonio Vivaldi, Johannes Brahms, Johann Sebastian Bach, Wolfgang Amadeus Mozart en Franz Schubert.
Introduction: Minutes 0 to 7:00 I went skydiving! I got through it by focusing on the things I was supposed to do. I've been watching The Last Kingdom and Yellowstone and Chandra watched a movie called Shiva Baby. Royals: Minutes 7:00 to 29:00 This past week we had the Invictus Games in The Hague. Before that, Prince Harry and Meghan went to Windsor palace to visit the Queen and we didn't hear about it until afterwards. Ahead of the games we were hearing that they needed a win with Invictus and that they were getting VIP security in the Netherlands. Chandra says that the UK press was trying to toxify the games. This was such a contrast to the beautiful pictures and videos we saw of Invictus. The fact that they were done visiting the Queen before anyone knew means that the Royal Rota had no idea what they were doing! That may be because William and Kate were on vacation on a ski holiday in France with Kate's family. Charles was also leaking to the press and was clearly playing catch up. We heard that the Sussexes had to meet with Charles for fifteen minutes before seeing the Queen. Charles is supposedly open to letting them be part-time royals. Meghan and Harry were adorable at the games, they just are so connected and in love with each other and it shows. Meghan was at the first few days of the games and was there for the diplomatic events. We also loved Meghan's outfits, which were contemporary and classic looking at the same time. She has such a clean, unique style. On Easter Sunday, as the world was captivated with Harry and Meghan, we saw the royals at Easter service. They just looked so stuffy and outdated in comparison. William and Kate and The Wessexes were there along with Peter Philips. (Note that we called him Mark, his name is Peter. ) There's been so much speculation and hand-wringing about whether Harry and Meghan will go to the Jubilee in early June, if they will be on balcony if they go, if it will be rude if they don't go or pulling focus if they do. We heard that the Queen asked Harry to come, but in his interview on Today he said that he wasn't sure about it. Chandra doesn't think he'll go. In that interview Harry said he wanted to make sure his grandmother has “the right people around her.” So much was made of that by the royal rota. The fact that the Queen got covid suggest that Harry was right to be concerned. Charles is said to be mad about Harry's interview. I play a segment from Zoom where we talk about the royals. Chandra thinks that the meeting between Harry and Charles was perfunctory, especially because Harry didn't mention it to Hoda. She thinks that Eugenie, the Queen and Harry organized the meeting with the Queen and that no one knew about it until right beforehand. A royal commentator named Eamonn Holmes called Harry and Meghan sneaky for visiting the Queen privately. There's also a clip of him saying “why don't you just throw them over the balcony?” This is a direct threat to Harry and Meghan. I play a segment from Zoom where we complimented Chandra's photo selections and writing. She prides herself on her photo choices and has her favorite bad photos of people, particularly the royals. Comments of the Week: Minutes 29:00 to 33:30 Chandra's comment of the week is from Lola on the post about the Queen being moved to Sandringham. My comment of the week is from CC on the post about Trump and Piers Morgan fighting. Thanks for listening bitches!
15th-20th CenturiesThis week we hear works by Philippe Verdelot, Gasparo Alberti, Peter Philips, Juan Hidalgo, Jean-Philippe Rameau, Luigi Cherubini, Józef Wieniawski, John Foulds, and Howard Blake.138 Minutes – Weeks of September 27 and October 04, 2021
Today we announce the launch of The Sound of Ages Approach, Sound of Ages' educational outreach program designed to help choral ensembles build musicianship through early music. We also discuss the life and music of British renaissance composer Peter Philips. Audio courtesy of BYU Singers conducted by Dr. Andrew Crane: https://www.youtube.com/watch?v=Mkvfe8SgpGohttps://singers.byu.edu/www.soundofageschoir.com
Le Pouvoir du Rouge est le troisième épisode de la saga Dior Untold, cette fois imprégné des teintes révolutionnaires qui auront porté les femmes dans leur quête d'émancipation. Christian Dior remet de la couleur dans la vie de tous, celle de la passion, celle qu'il appelle sa « couleur bénéfique », celle qui vient mêler le monde de la mode à celui de la beauté. Du tissu jusqu'au bout des lèvres, le rouge habille les femmes. Après le New Look, c'est du Rouge Dior que s'empare Hollywood, sublimant le 7ème art et ses plus grandes actrices qui vouent à Christian Dior une passion aussi intense que son rouge : No Dior, No Dietrich. Peter Philips nous confie alors en quoi le rouge porté par les femmes sur le bout de leurs lèvres est l'arme qui amplifie la portée de leur voix, et bien au-delà, leur permet d'embrasser le pouvoir. Christian Dior vient ainsi déposer son empreinte, comme celle des lèvres de ses admiratrices sur ses joues les jours de défilé. À chaque teinte, sa nuance. À chaque grain, son caractère.
The power of red is the third episode of the Dior Untold saga, this time imbued with the revolutionary hues that have guided women towards their quest for empowerment. Christian Dior brings color back into everyone's life, the one of passion, the one he calls his "beneficial color," the one that merges the world of fashion with that of beauty. From the cloth to the tip of the lips, the red color dresses women. After the New Look, it was Rouge Dior that Hollywood took hold of, sublimating the 7th art and its greatest actresses who dedicated to Christian Dior a passion as intense as his red: No Dior, No Dietrich. Peter Philips tells us how the red worn by women on the tip of their lips is the weapon that amplifies the scope of their voice, and beyond that, allows them to embrace power. Christian Dior thus comes to leave his mark, like that of his admirers' lips on his cheeks on fashion show days. To each shade, its nuance. To each grain, its character.
Peter Philips is the author of "Humanity Dick: Animal Rights Pioneer and Feared Duellist" and he joined Oliver on the line to make a case for Richard Martin to be acclaimed as the greatest ever Irishman for his pioneering work in animal welfare.
I've loved fashion, art and BE-YOUTY ever since I was young, and I knew right away that I wanted to combine these passions and pursue makeup artistry. I've nurtured my keen eye for detail training with well-known celebrity makeup artists including, Francois Nars, Uzo, Trish McEvoy, Peter Philips and Lucia Pica, and my love of makeup artistry has taken me all over the world. I've spent the last 16 years traversing the U.S., Canada and Europe, and traveling is another passion that I plan to pursue more. My goal is to connect with all types of creative individuals from all over the world as I build on my extensive portfolio. I also specialize in One on One consultations, Red Carpet Glam and the list can go on and on. Now I live in the Big Apple, NYC. I love helping people feel BE-YOUTIFUL and showcase their inner BE-YOUTY through makeup. I know there are a plethora of talented makeup artist out there. However, what makes me different is my attention to detail, my precise application techniques on how -to enhance features on the face & of course my expertise in finding the right look that is perfect for you. (everyone can do make up, but is it perfect?) Let's connect! I can't wait to work with you. "If you were born without wings, do nothing to prevent them from growing.” -Gabrielle Chanel --- Send in a voice message: https://anchor.fm/skincareanarchy/message
Introduction: Minutes 0 to 10:15 We both got the shot last Friday and are still recovering. Chandra tried CBD and it helped her sleep. We have the Oscars coming out Sunday night (our podcast is released Sunday mornings). We’re not looking forward to the Oscars ceremony as it will still be super long and boring. They’re telling attendees not to wear masks on camera, which is ridiculous. They’re also not allowing people to Zoom in. They will have “hubs” in Europe, but the way this will work is unclear. We think the Oscars will be a little boring and depressing. We talk about some of the best picture nominees. We both have a hard time seeing the way masks are portrayed on shows set in the last year. Royals: Minutes 10:15 to 27 Prince Philip’s funeral was held last Saturday morning. There were a lot of military there and most everyone was maskless outside, especially the family. As we heard would happen, Prince William and Prince Harry did not walk side by side in the funeral procession to the church. Peter Philips was sort-of in between them, although he hung back so that photographers got shots of Harry and William next to each other. We heard that this was William’s idea for Peter to act as a buffer, which Chandra suspected. When leaving the church they did talk and walk next to each other. First Harry talked to Kate, then Kate hung back and Harry talked to William. For this, Kate is being touted as the peacemaker. Before the funeral we heard that Kate would make peace between the brothers, and then when this happened she was this amazing rock that kept the monarchy together by wearing The Queen’s jewelry and never putting a foot out of line. Kate made the funeral all about herself. I play a segment from Zoom where Karen, Courtney, Susan and Zakia talk about this. We wonder what point William was trying to make by not standing next to Harry during the procession. Chandra was surprised when Harry and William’s feud reached national news. William hasn’t “forgiven” Harry for his Oprah interview. He’s also mad that Harry told Gayle King that talks weren’t productive. There were a ton of stories in the British press about whether Harry spoke to Charles and William, what they said, and that Harry supposedly sent Charles a heartfelt letter. However Omid Scobie cleared all that up with a very to-the-point article in Harper’s Bazaar. Charles left for Wales about a day after the funeral. The Cambridges also went to London. People also reported that Meghan spoke with The Queen both before and after Philip’s funeral. Meghan said in a press statement that she was watching the funeral from home as her doctor had not cleared her to travel. She also said that they sent a wreath for Prince Philip with a handwritten note. We think she should have waited to issue that statement. We continue to get these embiggening pieces about Kate and it’s hard to tell what’s sarcastic. Everyone was laughing about the quotes from a royal reporter named Phil Dampier who spoke to The Daily Mail. He said Kate “really came of age” at Philip’s funeral and that she “is maturing rapidly.” They’re giving her credit for very little and making it sound like she’s queen now. Chandra wonders how this would look if Camila was bragging how she was a queen-in-waiting like Kate is. I mention the piece from Camila Tominey in The Telegraph. I posted the story about Kate finding Meghan “intimidating” to Twitter and that got ratioed in a good way. Demi Lovato: Minutes 27:00 to 30:30 Demi Lovato went to a frozen yogurt shop in LA and complained on Instagram about “diet culture” surrounding their food and display items, which included messaging like “guilt free” and “sugar free.” The shop was independently owned and when they countered that they have options for diabetic customers and customers who have celiac disease, Demi told them they should change the labeling to reflect that. She posted her DMs with the spokesperson and it was over the top. I explain why I hate frozen yogurt and gelato. Chandra really likes frozen yogurt and there’s a nice shop near her. Comments of the Week: Minutes 30:30 to 35:00 Chandra’s comments of the week are from Awesome Beloved on Twitter about Duchess Kate’s buttons and from Mads on the post about the Vanity Fair cover story on the state of the monarchy. My comment of the week is from Marty on the post about Sharon Osbourne’s appearance on Bill Maher’s show. Thanks for listening bitches!
On the show today… Buckingham Palace have released new details about Prince Philip's funeral to be held this Saturday and it appears that Princes Harry and William will be physically separated. And Jennifer Lopez and Alex Rodriguez have officially called it quits, but in the hours leading up to the official breakup, A-Rod went and did arguably the weirdest breakup thing ever. Plus it's Weekend Watch, the best new TV shows and movies to watch this weekend. The Spill is Mamamia's daily entertainment podcast that catches you up on everything in entertainment and pop culture. It's perfect for your commute home. LINKS Sharon Johal's statement: https://www.sharonjohal.com/post/statement Made For Love - Stan: https://www.stan.com.au/watch/made-for-love Line Of Duty seasons 1-5 - Stan: https://www.stan.com.au/watch/line-of-duty Line Of Duty all seasons - Britbox: https://www.britbox.com/au/show/Line_of_Duty_p00yzlr0 CREDITS Hosts: Kee Reece & Keryn Donnelly Executive Producer: Elissa Ratliff Audio Producer: Madeline Joannou WANT MORE? Join us in our Facebook group to discuss everything pop culture... https://www.facebook.com/groups/2524018781153963/ Read all the latest entertainment news on Mamamia... https://mamamia.com.au/entertainment/ Follow us on Instagram @mamamiaentertainment https://www.instagram.com/mamamiaentertainment/ Subscribe to The Spill Newsletter... https://mamamia.com.au/newsletter Join our Facebook page... https://www.facebook.com/mamamiaentertainment/ GET IN TOUCH Call us on the pod phone 02 8999 9386. Email us at thespill@mamamia.com.au Want to hear more Mamamia podcasts? You'll find them here... https://mamamia.com.au/podcasts Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present and extend that respect to all Aboriginal and Torres Strait Islander cultures. See omnystudio.com/listener for privacy information.
We're all looking for a bit of craic at the moment and there's nowhere on earth that's as much craic as TedFest. The annual celebration of all things Father Ted has been postponed until October but organisers want to mark the weekend that sees the anniversary of both Dermot Morgan and Frank Kelly in a most unique way. Tedfest organiser, Peter Philips, joined Dermot and Dave to explain all about the #TedFestCostumeChallenge. Click on the play button below to hear the full chat! [audio mp3="https://media.radiocms.net/uploads/2021/02/23140718/PETER-FROM-TEDFEST-230221.mp3"][/audio]
Dr Nicolene du Preez and Peter Philips are on a joint venture to re-imagine education. With COVID-19 as the catalyst for change, in just 3 months a local Balinese community came together to build the Open Flow Learning Centre after many years of ideation and vision between these two educators. Located in the centre of Bali, Indonesia the local and global connections are undeniable with everyday bringing fresh experiences to the international and local children that attend. The Open Flow Learning Centre's foundations are rooted in a place-based approach to Agile Learning, Design Thinking and Well-being. The anatomy of our learning program is delivered through the basis of Inquiry, STEAM and Project-based learning. We value the interconnectedness we draw upon from other education philosophies and approaches to learning with children at the centre utilizing true self-directed learning. Between them, Nicolene and Peter share a decade's worth of experience teaching across a diverse range of educational philosophies throughout Australia, South Africa and Indonesia but have found home nestled in this naturally majestic and culturally rich Indonesian community. Contact them for more info at info@openflowlearningcentre Produced & Edited by Ben Tulloh.
Graduates Alec Vaughn, Cornelia Johnson, Hillary Santiago Alos, and Thomas Batson deliver the annual "This I Believe" meditations on what their faith has meant to them while studying at Boston University. The remainder of the recording is a re-broadcast from previous services. The Marsh Chapel Choir sings "Ascendit Deus" by Peter Philips and "God is seen" arr. by Alice Parker along with service music and hymns.
Graduates Alec Vaughn, Cornelia Johnson, Hillary Santiago Alos, and Thomas Batson deliver the annual "This I Believe" meditations on what their faith has meant to them while studying at Boston University. The remainder of the recording is a re-broadcast from previous services. The Marsh Chapel Choir sings "Ascendit Deus" by Peter Philips and "God is seen" arr. by Alice Parker along with service music and hymns.
Secrets of The Gap (now relaunched as The Empathy for Breakfast Show)
We have an empathy deficit in the world, so should we be teaching empathy more widely into schools and organisations? This is a widely asked question today and one Peter and I started to unpack. This podcast joins my home in Dubai all the way with the island of Bali, where Peter is a teacher at the Green School. It was the most fascinating discussion around collective communities, humanity and connectivity, and how the opportunity to give people a "disruption from their day to day" can interrupt the traditional principle's of every day corporate life to create an opportunity to see things differently. What can we learn from the Indonesians, our elderly generations, and from a deep cultural understanding of those we grow up around? Tune in to find out! A highlight of my week last week, enjoy! Check out the inspiring and unique philosophy of The Green School at https://www.greenschool.org/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/mimi-nicklin/message
Donald Macleod introduces six composers who flourished under the rule of Elizabeth I. The composers of 16th century England flourished under the rule of Elizabeth I, rapidly developing a diverse musical culture unparalleled anywhere on the continent, a truly Golden Age for English music. In this week of programmes Donald Macleod explores six composers who were key to this ascent - Thomas Morley, John Bull, Peter Philips, Thomas Weelkes, Orlando Gibbons and Thomas Tomkins. These composers were all active at around the same time as the “Father of British Musick” William Byrd and John Dowland, and all either studied or worked with Byrd, but they don’t often receive the same attention as those more famous names. Music featured: Morley: It was a Lover and his lass / Hard by a Crystal Fountain / Now is the month of maying; Sing we and chant it; On a fair morning / Cruel, Wilt Thou Persever / Magnificat and Nunc Dimitis from First Service / Tomkins: Fantasia a 6 no. 18 / Too Much I Once Lamented (for Byrd) / Oft did I marle (c.1622) / Know You Not / Cloris When As I Woo / O Let Me Live for True Love / Be Strong and of good courage / Offertory / Thou Art My King / Pavan “for these distracted times” / The Lady Folliot’s Galliard / Burial Sentences Bull: Chromatic Pavan and Galliard MB 87a/b / Pavan No 2 (from Parthenia) / Almighty God, Which by the leading of a Star / Fantasia on a fugue of Sweelinck / Coranto – Alarm / Pavan & Galliard “St Thomas Wake” Philips: Hodie beata Virgo Maria; Surgens Jesus; Ave Verum Corpus / Pavan & Galliard (arr. Philips based on Morley’s originals) / Lasso, non e morir / Amarilli (after G. Caccini) / Gaude Maria virgo / Salve Regina / Pavan & Galliard in memory of Lord Paget / Pavan and Galliard Dolorosa Gibbons: Prelude in D minor / See, See the World is Incarnate / The Silver Swan (c.1611) / Fantasia No 5 in G minor / O Clap your hands / Lord Salisbury’s Pavan and Galliard from Parthenia / Nay Let me weep (Part 1) / O Lord in thy Wrath, Rebuke me Not Weelkes: As Vesta was from Latmos Hill Descending / O Lord, Grand the King a Long Life / O Care Thou Wilt Dispatch Me (Parts 1 and 2) / Come, Sirrah Jack, ho! / Thule, the period of cosmology – The Andalusian merchant / Death hath deprived me of my dearest friend Alfonso Ferrabosco the Elder: Questi ch'indizio fan del mio tormento Presented by Donald Macleod Produced by Sam Phillips for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for England’s Golden Age https://www.bbc.co.uk/programmes/m0005nly And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
In this episode I interview Peter Philips of Abbey England about his family business based in Walsall - the heart of the saddlery industry. Peter gives some great insights, not just into the leather and saddlery industry, but into the UK manufacturing and supply industry in general. There's no other company quite like Abbey England. Originally set-up to supply the equestrian industry they have diversified over the years by taking on manufacturing businesses, who may otherwise have ceased trading or moved offshore; including a foundry, rubber moulding plant and leather finishers. Abbey England are now a one-stop shop for all things involved in leather goods, supplying a diverse range of markets from fashion to the marine industry. In this interview Peter discusses: Being a family business The manufacturing businesses they have taken on to retain skills in the UK How they've diversified to serve a variety of industries and extend their customer base How craftsmanship and processes are used to produce high quality products The strength of the leather and saddlery industry in Walsall More about Abbey England Abbey England have exhibiting Make it British Live! since its inception, and this year is no exception. Meet them there on 29 & 30 May at Business Design Centre, London. Shownotes for this episode: www.makeitbritish.co.uk/054 Our Trade Show Business Design Centre, London N1 makeitbritishlive.com Want to find out how your business can benefit from being at the show? Apply here Subscribe to this podcast – and support UK manufacturing More Make it British Website: makeitbritish.co.uk Linkedin: linkedin.com/in/katehills Instagram: @makeitbritish Twitter: @makeitbritish
Special Pledge drive show featuring a talk by Project Censored Co-founder Peter Philips. The post Special Winter Pledge Drive appeared first on KPFA.
Ralph asks scholar, Richard Falk, about how and why international law seems to not work for peace and security issues. And author, Peter Philips reveals the handful of people who control the world’s wealth.
Peter Philips and Jay Reilly are joined by none other than ex British Athlete and Record Breakers legend, Kriss Akabusi who is a massive Hammers fan, to discuss the upcoming game this weekend.
Graduates Robin Masi, Anne Marie Kelley, Evan Armacost, Nickholas Rodriguez, and Maritt Nowak deliver the annual "This I Believe" meditations on what their faith has meant to them while studying at Boston University. The Marsh Chapel Choir sings "Ascendit Deus" by Peter Philips and "God is seen" arranged by Alice Parker along with service music and hymns.
Graduates Robin Masi, Anne Marie Kelley, Evan Armacost, Nickholas Rodriguez, and Maritt Nowak deliver the annual "This I Believe" meditations on what their faith has meant to them while studying at Boston University. The Marsh Chapel Choir sings "Ascendit Deus" by Peter Philips and "God is seen" arranged by Alice Parker along with service music and hymns.
Go backstage at Fendi Spring 2018 by Karl Lagerfeld. Model of the moment Kaia Gerber opens the fashion show that has a modern, furturistic edge. Hair by Sam McKnight, Makeup by Peter Philips.
Get a rare, exclusive backstage pass at Alexander McQueen's Spring 2008 Collection 'La Dame Bleue', a tribute to the late Isabella Blow, the woman who discovered him, famously propelled his career from a student rack to a couture house, and faithfully wore his clothes—and Philip Treacy's hats—in their most extreme manifestatio. Featuring interviews with Chanel Iman, Raquel Zimmerman, makeup artist Peter Philips and hairstylist Eugene Souleiman. Executive Producer and Director Karen Morrison.
Följ med till 8:e arrondissementet i Paris och träffa Peter Philips. En man som, bokstavligen, har satt ny färg på två av världens största modehus Chanel och Dior. Peter Philips har titeln "creative and image director of Dior make up". För det är över det modehusets skönhetsavdelning som Peter Philips chefar, och det är ingen liten del av Dior. För skönhetsprodukter och parfym genererar enorma inkomster för modehus, rent generellt. Det gäller med andra ord för modemärken att inte bara satsa på rätt designer för märkets kläder, utan även skaffa sig rätt person som ansvarar för dess skönhetsprodukter och looks och se till att de ligger i linje med märket och dess historia, men också sätter snurr på både samtida snack, och stålar. Det även bra om personen ifråga har fingertoppskänsla för trender och konstnärlig talang, gärna utöver det vanliga. Det är, kort sagt, inte ett helt lätt jobb. På Dior har man inte haft många på posten, bara två faktiskt sedan 1968. Sedan 2014 är det Peter Philips som har ansvaret för all skönhet på modehuset Dior. Även om namnet är okänt för många utanför modevärlden, finns det en hel som har burit hans skapelser utan att veta om det. Tidigare var nämligen Peter Philips "global creative director of Chanel cosmetics". Där gjorde han sig ett stort namn i branschen, bland annat genom att skapa nagellack i guld, grönt och "particulière" en grålilabrunbeige nagellacksfärg färg som påminner om otvättade potatisar, eller tassarna på en mullvad. Storsäljare blev de allihop.
Rev. Dr. Robert Allan Hill preaches a sermon entitled "Resolution". The Marsh Chapel Choir sings "Reges Tharsis et insulae a 4" by William Byrd, "O beatum et sacrosanctum diem" by Peter Philips, and "Ach, Herr, du Schoepfer aller Ding" by Heinrich Schuetz along with service music and hymns.
Rev. Dr. Robert Allan Hill preaches a sermon entitled "Resolution". The Marsh Chapel Choir sings "Reges Tharsis et insulae a 4" by William Byrd, "O beatum et sacrosanctum diem" by Peter Philips, and "Ach, Herr, du Schoepfer aller Ding" by Heinrich Schuetz along with service music and hymns.
On July 7th, 2016 Fendi will celebrate it's 90th anniversary with a Couture show in Rome. Karl Lagerfeld has been Creative Director of Fendi for over 50 years and in our exclusive interview Karl Lagerfeld talks Fendi, his love of iPads and fashion in the digital age. Featuring interviews with Silvia Fendi and top models Natasha Poly, Magdelena Frackowiak, makeup artist Peter Philips and hair stylist Sam McKnight. Interviews by Karen Morrison Executive Producer and Director.
Lucie Skeaping marks the 450th anniversary of the Portuguese Renaissance composer, Duarte Lobo. She is joined by scholar and performer Professor Owen Rees of Queen's College, Oxford, who has edited, performed and recorded music by Duarte Lobo. Duarte Lobo was among the foremost Portuguese composers of the early 17th century. He spent most of his life in Lisbon where he became a renowned teacher. He became maestro de capilla at the Hospital Real, Lisbon, and from about 1591 until at least 1639 and was maestro de capilla at Lisbon Cathedral. He was also director of the Seminário de S Bartolomeu, Lisbon. Most Lisbon repertory was destroyed during the great earthquake of 1755, but Duarte Lobo's work survived because four collections of his works were issued by Plantin, one of the prestigious music publishing houses in Antwerp. One of the collections, Liber missarum, made its way to the Bodleian Library in Oxford in 1659, and so works by Duarte Lobo were performed by English enthusiasts of "ancient" music during the 18th and 19th centuries in London. Today's programme will feature recordings by the Choir of Queen's College Oxford directed by Owen Rees, The Sixteen directed by Harry Christophers, and The Tallis Scholars directed by Peter Philips.
Rev. Dr. Robert Allan Hill preaches a sermon entitled "Whence Benevolence?". The Marsh Chapel Choir sings "Ecce vicit Leo" by Peter Philips and "Ye choirs of new Jerusalem" by C.V. Stanford, along with service music and hymns.
Rev. Dr. Robert Allan Hill preaches a sermon entitled "Whence Benevolence?". The Marsh Chapel Choir sings "Ecce vicit Leo" by Peter Philips and "Ye choirs of new Jerusalem" by C.V. Stanford, along with service music and hymns.
1 - Sunrise in Cappadocia (Murat Coskun). Murat Coskun, percussao/ percussion. Michel Godard, tuba. 2 - Spem In Alium (Thomas Tallis). The Tallis Scholars. Peter Philips, regente/conductor. 3 - Canto de rouxinol usado na obra para órgão de Messiaen/ Birdsong used in Messiaen's Organ Music - Nightingale 4 - Good For Goodie - Symphonique No.6 (Moondog). Britten Sinfonia. Fancy my sets? So please click LIKE and also FOLLOW. You can subscribe with iTunes. :: Gostou? Então clique em LIKE e também em FOLLOW. Ou se inscreva pelo iTunes para receber atualizações. www.facebook.com/heloisafischer helofischer@gmail.com
Cara Delevingne and Karlie Kloss takes us backstage at Fendi Fall 2013 with designer Karl Lagerfeld, hair sylist Sam McKnight and makeup artist Peter Philips. Executive Produced and Directed by Karen Morrison.
Get an inside look at the Chanel Fall 2013 Collection with designer Karl Lagerfeld. Globalization was the theme of Karl Lagerfeld's Chanel Fall 2013 show, one of the most exciting fashion shows of Paris Fashion Week. Everything about this Chanel collection was stunning - from the gorgeous glitter dusted eye makeup by Peter Philips to the ultra-cool rock-meets-goth inspired clothes and silver accessories. Featuring interviews with Jessica Chastain, Vanessa Paradis, Ines de la Fressange, Miroslava Duma and Godfrey Deeny.
Go backstage at Fendi with designer Karl Lagerfeld, top model Cara Delevingne, makeup artist Peter Philips, and hair stylist Sam McKnight. Karl Lagerfeld always puts on a great show and his Fendi collections are always so modern, fresh and young. The inspiration for Fendi Spring 2013 was Memphis - the huge furniture movement of the 1980's.
Watch our exclusive Alexander McQueen Fall 2012 backstage beauty video with makeup artist Peter Philips, hair stylist Guido Palau. Executive Produced and Directed by Karen Morrison.
Upon his death, the great English composer William Byrd was acclaimed as the "father of Musick". But what was his musical legacy? Catherine Bott explores the lives and music of some of the great composer's students, featuring music from Thomas Tomkins, Peter Philips, Thomas Morley and John Bull.
Go backstage at Fendi Spring 2012 with designer Karl Lagerfeld, Amanda Harlech, makeup artist Peter Philips and top models Arizona Muse and Abbey Lee Kershaw.
In 1593 one of the great Tudor composers of keyboard music and vocal polyphony, Peter Philips found himself imprisoned in the Hague under allegations of being involved in a plot to kill Queen Elizabeth. In the composer's 450th anniversary year, Lucie Skeaping explores his life and work, and speculates on the allegations against him.
Go backstage at Fendi Fall 2011 in Milan with designer Karl Lagerfeld, makeup artist Peter Philips, hairstylist Sam McKnight and top models Daphne Groeneveld, Contstance Jablonski and Bianca Balti.
Go backstage at Sarah Burton's stunning collection for Alexander McQueen Fall 2011 in Paris with hairstylist Guido, makeup artist Peter Philips and top models Suri Tolerod, Kasia Struss and photographer Robert Fairer.
Go backstage at Alexander McQueen's final show in Paris for Spring 2010 called Plato's Atlantis. The 40 year old award-winning British designer was a visionary who liked to blow people's minds staging the most epic, cinematic fashion shows in the world. Alexander McQueen died tragically on Thursday, February 11, 2010. The world of fashion will never be the same without him.