Podcasts about Geer

From The BG AD Group Studio, Welcome to the Gwinnett Daily Post Podcast. Today is Tuesday, July 1st and Happy Birthday to Richard Lewis I’m Peyton Spurlock and here are your top stories presented by KIA Mall of Georgia Gwinnett DA's Office Child Fatality Review Committee named best in Georgia Piedmont Eastside Continues Lunch & Learn Series with Focus on Cardiac Emergencies Arrests made in fatal shooting at Norcross area hotel All of this and more is coming up on the Gwinnett Daily Post podcast, and if you are looking for community news, we encourage you to listen and subscribe! STORY 1: Gwinnett DA's Office Child Fatality Review Committee named best in Georgia State law enforcement officials are praising Gwinnett County's Child Fatality Review Committee for its outstanding work in improving child safety policies. The Georgia Bureau of Investigation named the committee, part of the Gwinnett District Attorney’s Office, as the 2025 CFR Committee of the Year. The team, which includes law enforcement, healthcare, educators, and social services, reviews child fatality cases to identify patterns and enhance safety measures. Gwinnett DA Patsy Austin-Gatson expressed gratitude for the collaborative efforts that led to this recognition. The GBI highlighted the committee’s excellence in multidisciplinary work and accountability, setting a statewide standard for child safety initiatives. STORY 2: Piedmont Eastside Continues Lunch & Learn Series with Focus on Cardiac Emergencies Piedmont Eastside recently hosted a Lunch and Learn event for Gwinnett County Fire and Emergency Services first responders, focusing on emergency cardiac care. Held at Fire Station No. 12 in Snellville, the session featured a lecture by Cardiac Interventionalist Dr. David Casey, followed by a Q&A with Piedmont Eastside’s ED leadership. Attendees enjoyed a taco and fajita bar and participated in a Jeopardy-style game with fun facts about Piedmont Healthcare, with winners receiving T-shirts. The event is part of an ongoing series aimed at enhancing EMS education and collaboration with Piedmont physicians. STORY 3: Arrests made in fatal shooting at Norcross area hotel The Gwinnett County Police Department announced the arrests of two men in connection with a June 17 shooting at the Hilton Inn and Suites in Norcross that left Andre Jones, 29, dead and another person injured. Dametris Bush, 33, was arrested Wednesday in DeKalb County, and Jaharri Foster, 28, was arrested Thursday in Stockbridge. Both face charges including malice murder and aggravated assault. Police are still investigating the motive and encourage anyone with information to contact detectives or Crime Stoppers, where tips can remain anonymous and may lead to a cash reward. We have opportunities for sponsors to get great engagement on these shows. Call 770.874.3200 for more info. We’ll be right back STORY 4: Children’s Museum of Atlanta To Host Annual Pajama Party The Children’s Museum of Atlanta will host its annual Pajama Jam Party on Saturday, July 19, from 5:30 to 7:30 p.m., offering a fun-filled evening for kids and families. Activities include a bath bomb station at the Science Bar, a glow-in-the-dark chalk art area, a dance party with instruments, and free snacks to keep the energy up. Tickets are $10 for members and $25 for non-members, with prices potentially increasing closer to the event. The museum is located at 275 Centennial Olympic Park Drive, NW. STORY 5: Americus man pleads guilty to shooting girlfriend, murdering her son Terrance Alonzo Washington, 44, has been sentenced to life in prison without parole, plus 20 years, after pleading guilty to the November 2023 murder of 19-year-old Deqwayvious Kleckley and the shooting of his mother, Deyawnday Kleckley, in Lawrenceville. The incident began when Washington, intoxicated and armed, refused to leave their home and threatened police. As the mother and son tried to leave, Washington shot them in the driveway, killing Deqwayvious and injuring Deyawnday. He fled in the victim’s truck but was arrested shortly after. Prosecutors presented surveillance footage of the crime, leading Washington to plead guilty mid-trial. STORY 6: Ivy League Bound: North Gwinnett's Victoria Na Commits to Cornell North Gwinnett's Victoria Na, a standout softball player and 2024 Daily Post Super Six selection, has committed to play college softball at Cornell University in the Ivy League. Despite missing 24 games last season due to injury, Na showcased her talent as a sophomore, going 20-4 with a 1.23 ERA and 198 strikeouts in 126 innings. She also excelled offensively, hitting .429 with 21 RBIs, 36 runs, and 24 stolen bases, earning her the title of Region 7-AAAAAAA Player of the Year. STORY 7: MURPHY: Craft beer and kindness: Officer's compassion sparks grassroots homeless aid A grassroots effort in Lawrenceville, Gwinnett County, brought together a police officer, a Realtor, a craft beer brewer, and a charitable organization to support the homeless. Officer Mason Geer, known for his compassionate work with the homeless, often used his own funds to provide essentials. Realtor Linda Campbell, inspired by his dedication, collaborated with Truck and Tap restaurant for a fundraiser. The event raised $6,000, with funds funneled through StreetWise Georgia to legally support Geer’s efforts. This community-driven initiative highlights the power of collaboration in addressing homelessness and mental health needs locally. Signoff – Thanks again for hanging out with us on today’s Gwinnett Daily Post Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at www.gwinnettdailypost.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network Show Sponsors: www.ingles-markets.com  www.kiamallofga.com #NewsPodcast #CurrentEvents #TopHeadlines #BreakingNews #PodcastDiscussion #PodcastNews #InDepthAnalysis #NewsAnalysis #PodcastTrending #WorldNews #LocalNews #GlobalNews #PodcastInsights #NewsBrief #PodcastUpdate #NewsRoundup #WeeklyNews #DailyNews #PodcastInterviews #HotTopics #PodcastOpinions #InvestigativeJournalism #BehindTheHeadlines #PodcastMedia #NewsStories #PodcastReports #JournalismMatters #PodcastPerspectives #NewsCommentary #PodcastListeners #NewsPodcastCommunity #NewsSource #PodcastCuration #WorldAffairs #PodcastUpdates #AudioNews #PodcastJournalism #EmergingStories #NewsFlash #PodcastConversations See omnystudio.com/listener for privacy information.

For those who haven't heard the announcement I posted, songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “Who Knows Where The Time Goes?” by Fairport Convention, and the intertwining careers of Joe Boyd, Sandy Denny, and Richard Thompson. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-one-minute bonus episode available, on Judy Collins’ version of this song. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum For about an hour this was uploaded with the wrong Elton John clip in place of “Saturday Sun”. This has now been fixed. Resources Because of the increasing problems with Mixcloud’s restrictions, I have decided to start sharing streaming playlists of the songs used in episodes instead of Mixcloud ones. This Tunemymusic link will let you listen to the playlist I created on your streaming platform of choice — however please note that not all the songs excerpted are currently available on streaming. The songs missing from the Tidal version are “Shanten Bells” by the Ian Campbell Folk Group, “Tom’s Gone to Hilo” by A.L. Lloyd, two by Paul McNeill and Linda Peters, three by Elton John & Linda Peters, “What Will I Do With Tomorrow” by Sandy Denny and “You Never Know” by Charlie Drake, but the other fifty-nine are there. Other songs may be missing from other services. The main books I used on Fairport Convention as a whole were Patrick Humphries' Meet On The Ledge, Clinton Heylin's What We Did Instead of Holidays, and Kevan Furbank's Fairport Convention on Track. Rob Young's Electric Eden is the most important book on the British folk-rock movement. Information on Richard Thompson comes from Patrick Humphries' Richard Thompson: Strange Affair and Thompson's own autobiography Beeswing.  Information on Sandy Denny comes from Clinton Heylin's No More Sad Refrains and Mick Houghton's I've Always Kept a Unicorn. I also used Joe Boyd's autobiography White Bicycles and Chris Blackwell's The Islander.  And this three-CD set is the best introduction to Fairport's music currently in print. Transcript Before we begin, this episode contains reference to alcohol and cocaine abuse and medical neglect leading to death. It also starts with some discussion of the fatal car accident that ended last episode. There’s also some mention of child neglect and spousal violence. If that’s likely to upset you, you might want to skip this episode or read the transcript. One of the inspirations for this podcast when I started it back in 2018 was a project by Richard Thompson, which appears (like many things in Thompson’s life) to have started out of sheer bloody-mindedness. In 1999 Playboy magazine asked various people to list their “songs of the Millennium”, and most of them, understanding the brief, chose a handful of songs from the latter half of the twentieth century. But Thompson determined that he was going to list his favourite songs *of the millennium*. He didn’t quite manage that, but he did cover seven hundred and forty years, and when Playboy chose not to publish it, he decided to turn it into a touring show, in which he covered all his favourite songs from “Sumer Is Icumen In” from 1260: [Excerpt: Richard Thompson, “Sumer is Icumen In”] Through numerous traditional folk songs, union songs like “Blackleg Miner”, pieces by early-modern composers, Victorian and Edwardian music hall songs, and songs by the Beatles, the Ink Spots, the Kinks, and the Who, all the way to “Oops! I Did It Again”: [Excerpt: Richard Thompson, “Oops! I Did it Again”] And to finish the show, and to show how all this music actually ties together, he would play what he described as a “medieval tune from Brittany”, “Marry, Ageyn Hic Hev Donne Yt”: [Excerpt: Richard Thompson, “Marry, Ageyn Hic Hev Donne Yt”] We have said many times in this podcast that there is no first anything, but there’s a reason that Liege and Lief, Fairport Convention’s third album of 1969, and the album other than Unhalfbricking on which their reputation largely rests, was advertised with the slogan “The first (literally) British folk rock album ever”. Folk-rock, as the term had come to be known, and as it is still usually used today, had very little to do with traditional folk music. Rather, the records of bands like The Byrds or Simon and Garfunkel were essentially taking the sounds of British beat groups of the early sixties, particularly the Searchers, and applying those sounds to material by contemporary singer-songwriters. People like Paul Simon and Bob Dylan had come up through folk clubs, and their songs were called folk music because of that, but they weren’t what folk music had meant up to that point — songs that had been collected after being handed down through the folk process, changed by each individual singer, with no single identifiable author. They were authored songs by very idiosyncratic writers. But over their last few albums, Fairport Convention had done one or two tracks per album that weren’t like that, that were instead recordings of traditional folk songs, but arranged with rock instrumentation. They were not necessarily the first band to try traditional folk music with electric instruments — around the same time that Fairport started experimenting with the idea, so did an Irish band named Sweeney’s Men, who brought in a young electric guitarist named Henry McCullough briefly. But they do seem to have been the first to have fully embraced the idea. They had done so to an extent with “A Sailor’s Life” on Unhalfbricking, but now they were going to go much further: [Excerpt: Fairport Convention, “Matty Groves” (from about 4:30)] There had been some doubt as to whether Fairport Convention would even continue to exist — by the time Unhalfbricking, their second album of the year, was released, they had been through the terrible car accident that had killed Martin Lamble, the band’s drummer, and Jeannie Franklyn, Richard Thompson’s girlfriend. Most of the rest of the band had been seriously injured, and they had made a conscious decision not to discuss the future of the band until they were all out of hospital. Ashley Hutchings was hospitalised the longest, and Simon Nicol, Richard Thompson, and Sandy Denny, the other three surviving members of the band, flew over to LA with their producer and manager, Joe Boyd, to recuperate there and get to know the American music scene. When they came back, the group all met up in the flat belonging to Denny’s boyfriend Trevor Lucas, and decided that they were going to continue the band. They made a few decisions then — they needed a new drummer, and as well as a drummer they wanted to get in Dave Swarbrick. Swarbrick had played violin on several tracks on Unhalfbricking as a session player, and they had all been thrilled to work with him. Swarbrick was one of the most experienced musicians on the British folk circuit. He had started out in the fifties playing guitar with Beryl Marriott’s Ceilidh Band before switching to fiddle, and in 1963, long before Fairport had formed, he had already appeared on TV with the Ian Campbell Folk Group, led by Ian Campbell, the father of Ali and Robin Campbell, later of UB40: [Excerpt: The Ian Campbell Folk Group, “Shanten Bells (medley on Hullaballoo!)”] He’d sung with Ewan MacColl and A.L. Lloyd: [Excerpt: A.L. Lloyd, “Tom’s Gone to Hilo” ] And he’d formed his hugely successful duo with Martin Carthy, releasing records like “Byker Hill” which are often considered among the best British folk music of all time: [Excerpt: Martin Carthy and Dave Swarbrick, “Byker Hill”] By the time Fairport had invited him to play on Unhalfbricking, Swarbrick had already performed on twenty albums as a core band member, plus dozens more EPs, singles, and odd tracks on compilations. They had no reason to think they could actually get him to join their band. But they had three advantages. The first was that Swarbrick was sick of the traditional folk scene at the time, saying later “I didn’t like seven-eighths of the people involved in it, and it was extremely opportune to leave. I was suddenly presented with the possibilities of exploring the dramatic content of the songs to the full.” The second was that he was hugely excited to be playing with Richard Thompson, who was one of the most innovative guitarists of his generation, and Martin Carthy remembers him raving about Thompson after their initial sessions. (Carthy himself was and is no slouch on the guitar of course, and there was even talk of getting him to join the band at this point, though they decided against it — much to the relief of rhythm guitarist Simon Nicol, who is a perfectly fine player himself but didn’t want to be outclassed by *two* of the best guitarists in Britain at the same time). And the third was that Joe Boyd told him that Fairport were doing so well — they had a single just about to hit the charts with “Si Tu Dois Partir” — that he would only have to play a dozen gigs with Fairport in order to retire. As it turned out, Swarbrick would play with the group for a decade, and would never retire — I saw him on his last tour in 2015, only eight months before he died. The drummer the group picked was also a far more experienced musician than any of the rest, though in a very different genre. Dave Mattacks had no knowledge at all of the kind of music they played, having previously been a player in dance bands. When asked by Hutchings if he wanted to join the band, Mattacks’ response was “I don’t know anything about the music. I don’t understand it… I can’t tell one tune from another, they all sound the same… but if you want me to join the group, fine, because I really like it. I’m enjoying myself musically.” Mattacks brought a new level of professionalism to the band, thanks to his different background. Nicol said of him later “He was dilligent, clean, used to taking three white shirts to a gig… The application he could bring to his playing was amazing. With us, you only played well when you were feeling well.” This distinction applied to his playing as well. Nicol would later describe the difference between Mattacks’ drumming and Lamble’s by saying “Martin’s strength was as an imaginative drummer. DM came in with a strongly developed sense of rhythm, through keeping a big band of drunken saxophone players in order. A great time-keeper.” With this new line-up and a new sense of purpose, the group did as many of their contemporaries were doing and “got their heads together in the country”. Joe Boyd rented the group a mansion, Farley House, in Farley Chamberlayne, Hampshire, and they stayed there together for three months. At the start, the group seem to have thought that they were going to make another record like Unhalfbricking, with some originals, some songs by American songwriters, and a few traditional songs. Even after their stay in Farley Chamberlayne, in fact, they recorded a few of the American songs they’d rehearsed at the start of the process, Richard Farina’s “Quiet Joys of Brotherhood” and Bob Dylan and Roger McGuinn’s “Ballad of Easy Rider”: [Excerpt: Fairport Convention, “Ballad of Easy Rider”] Indeed, the whole idea of “getting our heads together in the country” (as the cliche quickly became in the late sixties as half of the bands in Britain went through much the same kind of process as Fairport were doing — but usually for reasons more to do with drug burnout or trend following than recovering from serious life-changing trauma) seems to have been inspired by Bob Dylan and the Band getting together in Big Pink. But very quickly they decided to follow the lead of Ashley Hutchings, who had had something of a Damascene conversion to the cause of traditional English folk music. They were listening mostly to Music From Big Pink by the Band, and to the first album by Sweeney’s Men: [Excerpt: Sweeney’s Men, “The Handsome Cabin Boy”] And they decided that they were going to make something that was as English as those records were North American and Irish (though in the event there were also a few Scottish songs included on the record). Hutchings in particular was becoming something of a scholar of traditional music, regularly visiting Cecil Sharp House and having long conversations with A.L. Lloyd, discovering versions of different traditional songs he’d never encountered before. This was both amusing and bemusing Sandy Denny, who had joined a rock group in part to get away from traditional music; but she was comfortable singing the material, and knew a lot of it and could make a lot of suggestions herself. Swarbrick obviously knew the repertoire intimately, and Nicol was amenable, while Mattacks was utterly clueless about the folk tradition at this point but knew this was the music he wanted to make. Thompson knew very little about traditional music, and of all the band members except Denny he was the one who has shown the least interest in the genre in his subsequent career — but as we heard at the beginning, showing the least interest in the genre is a relative thing, and while Thompson was not hugely familiar with the genre, he *was* able to work with it, and was also more than capable of writing songs that fit in with the genre. Of the eleven songs on the album, which was titled Liege and Lief (which means, roughly, Lord and Loyalty), there were no cover versions of singer-songwriters. Eight were traditional songs, and three were originals, all written in the style of traditional songs. The album opened with “Come All Ye”, an introduction written by Denny and Hutchings (the only time the two would ever write together): [Excerpt: Fairport Convention, “Come All Ye”] The other two originals were songs where Thompson had written new lyrics to traditional melodies. On “Crazy Man Michael”, Swarbrick had said to Thompson that the tune to which he had set his new words was weaker than the lyrics, to which Thompson had replied that if Swarbrick felt that way he should feel free to write a new melody. He did, and it became the first of the small number of Thompson/Swarbrick collaborations: [Excerpt: Fairport Convention, “Crazy Man Michael”] Thompson and Swarbrick would become a brief songwriting team, but as much as anything else it was down to proximity — the two respected each other as musicians, but never got on very well. In 1981 Swarbrick would say “Richard and I never got on in the early days of FC… we thought we did, but we never did. We composed some bloody good songs together, but it was purely on a basis of “you write that and I’ll write this, and we’ll put it together.” But we never sat down and had real good chats.” The third original on the album, and by far the most affecting, is another song where Thompson put lyrics to a traditional tune. In this case he thought he was putting the lyrics to the tune of “Willie O'Winsbury”, but he was basing it on a recording by Sweeney’s Men. The problem was that Sweeney’s Men had accidentally sung the lyrics of “Willie O'Winsbury'” to the tune of a totally different song, “Fause Foodrage”: [Excerpt: Sweeney’s Men, “Willie O’Winsbury”] Thompson took that melody, and set to it lyrics about loss and separation. Thompson has never been one to discuss the meanings of his lyrics in any great detail, and in the case of this one has said “I really don't know what it means. This song came out of a dream, and I pretty much wrote it as I dreamt it (it was the sixties), and didn't spend very long analyzing it. So interpret as you wish – or replace with your own lines.” But in the context of the traffic accident that had killed his tailor girlfriend and a bandmate, and injured most of his other bandmates, the lyrics about lonely travellers, the winding road, bruised and beaten sons, saying goodbye, and never cutting cloth, seem fairly self-explanatory: [Excerpt: Fairport Convention, “Farewell, Farewell”] The rest of the album, though, was taken up by traditional tunes. There was a long medley of four different fiddle reels; a version of “Reynardine” (a song about a seductive man — or is he a fox? Or perhaps both — which had been recorded by Swarbrick and Carthy on their most recent album); a 19th century song about a deserter saved from the firing squad by Prince Albert; and a long take on “Tam Lin”, one of the most famous pieces in the Scottish folk music canon, a song that has been adapted in different ways by everyone from the experimental noise band Current 93 to the dub poet Benjamin Zephaniah to the comics writer Grant Morrison: [Excerpt: Fairport Convention, “Tam Lin”] And “Matty Groves”, a song about a man killing his cheating wife and her lover, which actually has a surprisingly similar story to that of “1921” from another great concept album from that year, the Who’s Tommy. “Matty Groves” became an excuse for long solos and shows of instrumental virtuosity: [Excerpt: Fairport Convention, “Matty Groves”] The album was recorded in September 1969, after their return from their break in the country and a triumphal performance at the Royal Festival Hall, headlining over fellow Witchseason artists John and Beverly Martyn and Nick Drake. It became a classic of the traditional folk genre — arguably *the* classic of the traditional folk genre. In 2007 BBC Radio 2’s Folk Music Awards gave it an award for most influential folk album of all time, and while such things are hard to measure, I doubt there’s anyone with even the most cursory knowledge of British folk and folk-rock music who would not at least consider that a reasonable claim. But once again, by the time the album came out in November, the band had changed lineups yet again. There was a fundamental split in the band – on one side were Sandy Denny and Richard Thompson, whose stance was, roughly, that Liege and Lief was a great experiment and a fun thing to do once, but really the band had two first-rate songwriters in themselves, and that they should be concentrating on their own new material, not doing these old songs, good as they were. They wanted to take the form of the traditional songs and use that form for new material — they wanted to make British folk-rock, but with the emphasis on the rock side of things. Hutchings, on the other hand, was equally sure that he wanted to make traditional music and go further down the rabbit hole of antiquity. With the zeal of the convert he had gone in a couple of years from being the leader of a band who were labelled “the British Jefferson Airplane” to becoming a serious scholar of traditional folk music. Denny was tired of touring, as well — she wanted to spend more time at home with Trevor Lucas, who was sleeping with other women when she was away and making her insecure. When the time came for the group to go on a tour of Denmark, Denny decided she couldn’t make it, and Hutchings was jubilant — he decided he was going to get A.L. Lloyd into the band in her place and become a *real* folk group. Then Denny reconsidered, and Hutchings was crushed. He realised that while he had always been the leader, he wasn’t going to be able to lead the band any further in the traditionalist direction, and quit the group — but not before he was delegated by the other band members to fire Denny. Until the publication of Richard Thompson’s autobiography in 2022, every book on the group or its members said that Denny quit the band again, which was presumably a polite fiction that the band agreed, but according to Thompson “Before we flew home, we decided to fire Sandy. I don't remember who asked her to leave – it was probably Ashley, who usually did the dirty work. She was reportedly shocked that we would take that step. She may have been fragile beneath the confident facade, but she still knew her worth.” Thompson goes on to explain that the reasons for kicking her out were that “I suppose we felt that in her mind she had already left” and that “We were probably suffering from post-traumatic stress disorder, though there wasn't a name for it back then.” They had considered inviting Trevor Lucas to join the band to make Denny more comfortable, but came to the (probably correct) conclusion that while he was someone they got on well with personally, he would be another big ego in a band that already had several, and that being around Denny and Lucas’ volatile relationship would, in Thompson’s phrasing, “have not always given one a feeling of peace and stability.” Hutchings originally decided he was going to join Sweeney’s Men, but that group were falling apart, and their first rehearsal with Hutchings would also be their last as a group, with only Hutchings and guitarist and mandolin player Terry Woods left in the band. They added Woods’ wife Gay, and another couple, Tim Hart and Maddy Prior, and formed a group called Steeleye Span, a name given them by Martin Carthy. That group, like Fairport, went to “get their heads together in the country” for three months and recorded an album of electric versions of traditional songs, Hark the Village Wait, on which Mattacks and another drummer, Gerry Conway, guested as Steeleye Span didn’t at the time have their own drummer: [Excerpt: Steeleye Span, “Blackleg Miner”] Steeleye Span would go on to have a moderately successful chart career in the seventies, but by that time most of the original lineup, including Hutchings, had left — Hutchings stayed with them for a few albums, then went on to form the first of a series of bands, all called the Albion Band or variations on that name, which continue to this day. And this is something that needs to be pointed out at this point — it is impossible to follow every single individual in this narrative as they move between bands. There is enough material in the history of the British folk-rock scene that someone could do a 500 Songs-style podcast just on that, and every time someone left Fairport, or Steeleye Span, or the Albion Band, or Matthews’ Southern Comfort, or any of the other bands we have mentioned or will mention, they would go off and form another band which would then fission, and some of its members would often join one of those other bands. There was a point in the mid-1970s where the Albion Band had two original members of Fairport Convention while Fairport Convention had none. So just in order to keep the narrative anything like wieldy, I’m going to keep the narrative concentrated on the two figures from Fairport — Sandy Denny and Richard Thompson — whose work outside the group has had the most influence on the wider world of rock music more broadly, and only deal with the other members when, as they often did, their careers intersected with those two. That doesn’t mean the other members are not themselves hugely important musicians, just that their importance has been primarily to the folk side of the folk-rock genre, and so somewhat outside the scope of this podcast. While Hutchings decided to form a band that would allow him to go deeper and deeper into traditional folk music, Sandy Denny’s next venture was rather different. For a long time she had been writing far more songs than she had ever played for her bandmates, like “Nothing More”, a song that many have suggested is about Thompson: [Excerpt: Fotheringay, “Nothing More”] When Joe Boyd heard that Denny was leaving Fairport Convention, he was at first elated. Fairport’s records were being distributed by A&M in the US at that point, but Island Records was in the process of opening up a new US subsidiary which would then release all future Fairport product — *but*, as far as A&M were concerned, Sandy Denny *was* Fairport Convention. They were only interested in her. Boyd, on the other hand, loved Denny’s work intensely, but from his point of view *Richard Thompson* was Fairport Convention. If he could get Denny signed directly to A&M as a solo artist before Island started its US operations, Witchseason could get a huge advance on her first solo record, while Fairport could continue making records for Island — he’d have two lucrative acts, on different labels. Boyd went over and spoke to A&M and got an agreement in principle that they would give Denny a forty-thousand-dollar advance on her first solo album — twice what they were paying for Fairport albums. The problem was that Denny didn’t want to be a solo act. She wanted to be the lead singer of a band. She gave many reasons for this — the one she gave to many journalists was that she had seen a Judy Collins show and been impressed, but noticed that Collins’ band were definitely a “backing group”, and as she put it “But that's all they were – a backing group. I suddenly thought, If you're playing together on a stage you might as well be TOGETHER.” Most other people in her life, though, say that the main reason for her wanting to be in a band was her desire to be with her boyfriend, Trevor Lucas. Partly this was due to a genuine desire to spend more time with someone with whom she was very much in love, partly it was a fear that he would cheat on her if she was away from him for long periods of time, and part of it seems to have been Lucas’ dislike of being *too* overshadowed by his talented girlfriend — he didn’t mind acknowledging that she was a major talent, but he wanted to be thought of as at least a minor one. So instead of going solo, Denny formed Fotheringay, named after the song she had written for Fairport. This new band consisted at first of Denny on vocals and occasional piano, Lucas on vocals and rhythm guitar, and Lucas’ old Eclection bandmate Gerry Conway on drums. For a lead guitarist, they asked Richard Thompson who the best guitarist in Britain was, and he told them Albert Lee. Lee in turn brought in bass player Pat Donaldson, but this lineup of the band barely survived a fortnight. Lee *was* arguably the best guitarist in Britain, certainly a reasonable candidate if you could ever have a singular best (as indeed was Thompson himself), but he was the best *country* guitarist in Britain, and his style simply didn’t fit with Fotheringay’s folk-influenced songs. He was replaced by American guitarist Jerry Donahue, who was not anything like as proficient as Lee, but who was still very good, and fit the band’s style much better. The new group rehearsed together for a few weeks, did a quick tour, and then went into the recording studio to record their debut, self-titled, album. Joe Boyd produced the album, but admitted himself that he only paid attention to those songs he considered worthwhile — the album contained one song by Lucas, “The Ballad of Ned Kelly”, and two cover versions of American singer-songwriter material with Lucas singing lead. But everyone knew that the songs that actually *mattered* were Sandy Denny’s, and Boyd was far more interested in them, particularly the songs “The Sea” and “The Pond and the Stream”: [Excerpt: Fotheringay, “The Pond and the Stream”] Fotheringay almost immediately hit financial problems, though. While other Witchseason acts were used to touring on the cheap, all packed together in the back of a Transit van with inexpensive equipment, Trevor Lucas had ambitions of being a rock star and wanted to put together a touring production to match, with expensive transport and equipment, including a speaker system that got nicknamed “Stonehenge” — but at the same time, Denny was unhappy being on the road, and didn’t play many gigs. As well as the band itself, the Fotheringay album also featured backing vocals from a couple of other people, including Denny’s friend Linda Peters. Peters was another singer from the folk clubs, and a good one, though less well-known than Denny — at this point she had only released a couple of singles, and those singles seemed to have been as much as anything else released as a novelty. The first of those, a version of Dylan’s “You Ain’t Goin’ Nowhere” had been released as by “Paul McNeill and Linda Peters”: [Excerpt: Paul McNeill and Linda Peters, “You Ain’t Goin’ Nowhere”] But their second single, a version of John D. Loudermilk’s “You’re Taking My Bag”, was released on the tiny Page One label, owned by Larry Page, and was released under the name “Paul and Linda”, clearly with the intent of confusing particularly gullible members of the record-buying public into thinking this was the McCartneys: [Excerpt: Paul and Linda, “You’re Taking My Bag”] Peters was though more financially successful than almost anyone else in this story, as she was making a great deal of money as a session singer. She actually did another session involving most of Fotheringay around this time. Witchseason had a number of excellent songwriters on its roster, and had had some success getting covers by people like Judy Collins, but Joe Boyd thought that they might possibly do better at getting cover versions if they were performed in less idiosyncratic arrangements. Donahue, Donaldson, and Conway went into the studio to record backing tracks, and vocals were added by Peters and another session singer, who according to some sources also provided piano. They cut songs by Mike Heron of the Incredible String Band: [Excerpt: Linda Peters, “You Get Brighter”] Ed Carter, formerly of The New Nadir but by this time firmly ensconced in the Beach Boys’ touring band where he would remain for the next quarter-century: [Excerpt: Linda Peters, “I Don’t Mind”] John and Beverly Martyn, and Nick Drake: [Excerpt: Elton John, “Saturday Sun”] There are different lineups of musicians credited for those sessions in different sources, but I tend to believe that it’s mostly Fotheringay for the simple reason that Donahue says it was him, Donaldson and Conway who talked Lucas and Denny into the mistake that destroyed Fotheringay because of these sessions. Fotheringay were in financial trouble already, spending far more money than they were bringing in, but their album made the top twenty and they were getting respect both from critics and from the public — in September, Sandy Denny was voted best British female singer by the readers of Melody Maker in their annual poll, which led to shocked headlines in the tabloids about how this “unknown” could have beaten such big names as Dusty Springfield and Cilla Black. Only a couple of weeks after that, they were due to headline at the Albert Hall. It should have been a triumph. But Donahue, Donaldson, and Conway had asked that singing pianist to be their support act. As Donahue said later “That was a terrible miscast. It was our fault. He asked if [he] could do it. Actually Pat, Gerry and I had to talk Sandy and Trevor into [it]… We'd done these demos and the way he was playing – he was a wonderful piano player – he was sensitive enough. We knew very little about his stage-show. We thought he'd be a really good opener for us.” Unfortunately, Elton John was rather *too* good. As Donahue continued “we had no idea what he had in mind, that he was going to do the most incredible rock & roll show ever. He pretty much blew us off the stage before we even got on the stage.” To make matters worse, Fotheringay’s set, which was mostly comprised of new material, was underrehearsed and sloppy, and from that point on no matter what they did people were counting the hours until the band split up. They struggled along for a while though, and started working on a second record, with Boyd again producing, though as Boyd later said “I probably shouldn't have been producing the record. My lack of respect for the group was clear, and couldn't have helped the atmosphere. We'd put out a record that had sold disappointingly, A&M was unhappy. Sandy's tracks on the first record are among the best things she ever did – the rest of it, who cares? And the artwork, Trevor's sister, was terrible. It would have been one thing if I'd been unhappy with it and it sold, and the group was working all the time, making money, but that wasn't the case … I knew what Sandy was capable of, and it was very upsetting to me.” The record would not be released for thirty-eight years: [Excerpt: Fotheringay, “Wild Mountain Thyme”] Witchseason was going badly into debt. Given all the fissioning of bands that we’ve already been talking about, Boyd had been stretched thin — he produced sixteen albums in 1970, and almost all of them lost money for the company. And he was getting more and more disillusioned with the people he was producing. He loved Beverly Martyn’s work, but had little time for her abusive husband John, who was dominating her recording and life more and more and would soon become a solo artist while making her stay at home (and stealing her ideas without giving her songwriting credit). The Incredible String Band were great, but they had recently converted to Scientology, which Boyd found annoying, and while he was working with all sorts of exciting artists like Vashti Bunyan and Nico, he was finding himself less and less important to the artists he mentored. Fairport Convention were a good example of this. After Denny and Hutchings had left the group, they’d decided to carry on as an electric folk group, performing an equal mix of originals by the Swarbrick and Thompson songwriting team and arrangements of traditional songs. The group were now far enough away from the “British Jefferson Airplane” label that they decided they didn’t need a female vocalist — and more realistically, while they’d been able to replace Judy Dyble, nobody was going to replace Sandy Denny. Though it’s rather surprising when one considers Thompson’s subsequent career that nobody seems to have thought of bringing in Denny’s friend Linda Peters, who was dating Joe Boyd at the time (as Denny had been before she met Lucas) as Denny’s replacement. Instead, they decided that Swarbrick and Thompson were going to share the vocals between them. They did, though, need a bass player to replace Hutchings. Swarbrick wanted to bring in Dave Pegg, with whom he had played in the Ian Campbell Folk Group, but the other band members initially thought the idea was a bad one. At the time, while they respected Swarbrick as a musician, they didn’t think he fully understood rock and roll yet, and they thought the idea of getting in a folkie who had played double bass rather than an electric rock bassist ridiculous. But they auditioned him to mollify Swarbrick, and found that he was exactly what they needed. As Joe Boyd later said “All those bass lines were great, Ashley invented them all, but he never could play them that well. He thought of them, but he was technically not a terrific bass player. He was a very inventive, melodic, bass player, but not a very powerful one technically. But having had the part explained to him once, Pegg was playing it better than Ashley had ever played it… In some rock bands, I think, ultimately, the bands that sound great, you can generally trace it to the bass player… it was at that point they became a great band, when they had Pegg.” The new lineup of Fairport decided to move in together, and found a former pub called the Angel, into which all the band members moved, along with their partners and children (Thompson was the only one who was single at this point) and their roadies. The group lived together quite happily, and one gets the impression that this was the period when they were most comfortable with each other, even though by this point they were a disparate group with disparate tastes, in music as in everything else. Several people have said that the only music all the band members could agree they liked at this point was the first two albums by The Band. With the departure of Hutchings from the band, Swarbrick and Thompson, as the strongest personalities and soloists, became in effect the joint leaders of the group, and they became collaborators as songwriters, trying to write new songs that were inspired by traditional music. Thompson described the process as “let’s take one line of this reel and slow it down and move it up a minor third and see what that does to it; let’s take one line of this ballad and make a whole song out of it. Chopping up the tradition to find new things to do… like a collage.” Generally speaking, Swarbrick and Thompson would sit by the fire and Swarbrick would play a melody he’d been working on, the two would work on it for a while, and Thompson would then go away and write the lyrics. This is how the two came up with songs like the nine-minute “Sloth”, a highlight of the next album, Full House, and one that would remain in Fairport’s live set for much of their career: [Excerpt: Fairport Convention, “Sloth”] “Sloth” was titled that way because Thompson and Swarbrick were working on two tunes, a slow one and a fast one, and they jokingly named them “Sloth” and “Fasth”, but the latter got renamed to “Walk Awhile”, while “Sloth” kept its working title. But by this point, Boyd and Thompson were having a lot of conflict in the studio. Boyd was never the most technical of producers — he was one of those producers whose job is to gently guide the artists in the studio and create a space for the music to flourish, rather than the Joe Meek type with an intimate technical knowledge of the studio — and as the artists he was working with gained confidence in their own work they felt they had less and less need of him. During the making of the Full House album, Thompson and Boyd, according to Boyd, clashed on everything — every time Boyd thought Thompson had done a good solo, Thompson would say to erase it and let him have another go, while every time Boyd thought Thompson could do better, Thompson would say that was the take to keep. One of their biggest clashes was over Thompson’s song “Poor Will and the Jolly Hangman”, which was originally intended for release on the album, and is included in current reissues of it: [Excerpt: Fairport Convention, “Poor Will and the Jolly Hangman”] Thompson had written that song inspired by what he thought was the unjust treatment of Alex Bramham, the driver in Fairport’s fatal car crash, by the courts — Bramham had been given a prison sentence of a few months for dangerous driving, while the group members thought he had not been at fault. Boyd thought it was one of the best things recorded for the album, but Thompson wasn’t happy with his vocal — there was one note at the top of the melody that he couldn’t quite hit — and insisted it be kept off the record, even though that meant it would be a shorter album than normal. He did this at such a late stage that early copies of the album actually had the title printed on the sleeve, but then blacked out. He now says in his autobiography “I could have persevered, double-tracked the voice, warmed up for longer – anything. It was a good track, and the record was lacking without it. When the album was re-released, the track was restored with a more confident vocal, and it has stayed there ever since.” During the sessions for Full House the group also recorded one non-album single, Thompson and Swarbrick’s “Now Be Thankful”: [Excerpt, Fairport Convention, “Now Be Thankful”] The B-side to that was a medley of two traditional tunes plus a Swarbrick original, but was given the deliberately ridiculous title “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”: [Excerpt: Fairport Convention, “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”] The B. McKenzie in the title was a reference to the comic-strip character Barry McKenzie, a stereotype drunk Australian created for Private Eye magazine by the comedian Barry Humphries (later to become better known for his Dame Edna Everage character) but the title was chosen for one reason only — to get into the Guinness Book of Records for the song with the longest title. Which they did, though they were later displaced by the industrial band Test Dept, and their song “Long Live British Democracy Which Flourishes and Is Constantly Perfected Under the Immaculate Guidance of the Great, Honourable, Generous and Correct Margaret Hilda Thatcher. She Is the Blue Sky in the Hearts of All Nations. Our People Pay Homage and Bow in Deep Respect and Gratitude to Her. The Milk of Human Kindness”. Full House got excellent reviews in the music press, with Rolling Stone saying “The music shows that England has finally gotten her own equivalent to The Band… By calling Fairport an English equivalent of the Band, I meant that they have soaked up enough of the tradition of their countryfolk that it begins to show all over, while they maintain their roots in rock.” Off the back of this, the group went on their first US tour, culminating in a series of shows at the Troubadour in LA, on the same bill as Rick Nelson, which were recorded and later released as a live album: [Excerpt: Fairport Convention, “Sloth (live)”] The Troubadour was one of the hippest venues at the time, and over their residency there the group got seen by many celebrities, some of whom joined them on stage. The first was Linda Ronstadt, who initially demurred, saying she didn’t know any of their songs. On being told they knew all of hers, she joined in with a rendition of “Silver Threads and Golden Needles”. Thompson was later asked to join Ronstadt’s backing band, who would go on to become the Eagles, but he said later of this offer “I would have hated it. I’d have hated being on the road with four or five miserable Americans — they always seem miserable. And if you see them now, they still look miserable on stage — like they don’t want to be there and they don’t like each other.” The group were also joined on stage at the Troubadour on one memorable night by some former bandmates of Pegg’s. Before joining the Ian Campbell Folk Group, Pegg had played around the Birmingham beat scene, and had been in bands with John Bonham and Robert Plant, who turned up to the Troubadour with their Led Zeppelin bandmate Jimmy Page (reports differ on whether the fourth member of Zeppelin, John Paul Jones, also came along). They all got up on stage together and jammed on songs like “Hey Joe”, “Louie Louie”, and various old Elvis tunes. The show was recorded, and the tapes are apparently still in the possession of Joe Boyd, who has said he refuses to release them in case he is murdered by the ghost of Peter Grant. According to Thompson, that night ended in a three-way drinking contest between Pegg, Bonham, and Janis Joplin, and it’s testament to how strong the drinking culture is around Fairport and the British folk scene in general that Pegg outdrank both of them. According to Thompson, Bonham was found naked by a swimming pool two days later, having missed two gigs. For all their hard rock image, Led Zeppelin were admirers of a lot of the British folk and folk-rock scene, and a few months later Sandy Denny would become the only outside vocalist ever to appear on a Led Zeppelin record when she duetted with Plant on “The Battle of Evermore” on the group’s fourth album: [Excerpt: Led Zeppelin, “The Battle of Evermore”] Denny would never actually get paid for her appearance on one of the best-selling albums of all time. That was, incidentally, not the only session that Denny was involved in around this time — she also sang on the soundtrack to a soft porn film titled Swedish Fly Girls, whose soundtrack was produced by Manfred Mann: [Excerpt: Sandy Denny, “What Will I Do With Tomorrow?”] Shortly after Fairport’s trip to America, Joe Boyd decided he was giving up on Witchseason. The company was now losing money, and he was finding himself having to produce work for more and more acts as the various bands fissioned. The only ones he really cared about were Richard Thompson, who he was finding it more and more difficult to work with, Nick Drake, who wanted to do his next album with just an acoustic guitar anyway, Sandy Denny, who he felt was wasting her talents in Fotheringay, and Mike Heron of the Incredible String Band, who was more distant since his conversion to Scientology. Boyd did make some attempts to keep the company going. On a trip to Sweden, he negotiated an agreement with the manager and publisher of a Swedish band whose songs he’d found intriguing, the Hep Stars. Boyd was going to publish their songs in the UK, and in return that publisher, Stig Anderson, would get the rights to Witchseason’s catalogue in Scandinavia — a straight swap, with no money changing hands. But before Boyd could get round to signing the paperwork, he got a better offer from Mo Ostin of Warners — Ostin wanted Boyd to come over to LA and head up Warners’ new film music department. Boyd sold Witchseason to Island Records and moved to LA with his fiancee Linda Peters, spending the next few years working on music for films like Deliverance and A Clockwork Orange, as well as making his own documentary about Jimi Hendrix, and thus missed out on getting the UK publishing rights for ABBA, and all the income that would have brought him, for no money. And it was that decision that led to the breakup of Fotheringay. Just before Christmas 1970, Fotheringay were having a difficult session, recording the track “John the Gun”: [Excerpt: Fotheringay, “John the Gun”] Boyd got frustrated and kicked everyone out of the session, and went for a meal and several drinks with Denny. He kept insisting that she should dump the band and just go solo, and then something happened that the two of them would always describe differently. She asked him if he would continue to produce her records if she went solo, and he said he would. According to Boyd’s recollection of the events, he meant that he would fly back from California at some point to produce her records. According to Denny, he told her that if she went solo he would stay in Britain and not take the job in LA. This miscommunication was only discovered after Denny told the rest of Fotheringay after the Christmas break that she was splitting the band. Jerry Donahue has described that as the worst moment of his life, and Denny felt very guilty about breaking up a band with some of her closest friends in — and then when Boyd went over to the US anyway she felt a profound betrayal. Two days before Fotheringay’s final concert, in January 1971, Sandy Denny signed a solo deal with Island records, but her first solo album would not end up produced by Joe Boyd. Instead, The North Star Grassman and the Ravens was co-produced by Denny, John Wood — the engineer who had worked with Boyd on pretty much everything he’d produced, and Richard Thompson, who had just quit Fairport Convention, though he continued living with them at the Angel, at least until a truck crashed into the building in February 1971, destroying its entire front wall and forcing them to relocate. The songs chosen for The North Star Grassman and the Ravens reflected the kind of choices Denny would make on her future albums, and her eclectic taste in music. There was, of course, the obligatory Dylan cover, and the traditional folk ballad “Blackwaterside”, but there was also a cover version of Brenda Lee’s “Let’s Jump the Broomstick”: [Excerpt: Sandy Denny, “Let’s Jump the Broomstick”] Most of the album, though, was made up of originals about various people in Denny’s life, like “Next Time Around”, about her ex-boyfriend Jackson C Frank: [Excerpt: Sandy Denny, “Next Time Around”] The album made the top forty in the UK — Denny’s only solo album to do so — and led to her once again winning the “best female singer” award in Melody Maker’s readers’ poll that year — the male singer award was won by Rod Stewart. Both Stewart and Denny appeared the next year on the London Symphony Orchestra’s all-star version of The Who’s Tommy, which had originally been intended as a vehicle for Stewart before Roger Daltrey got involved. Stewart’s role was reduced to a single song, “Pinball Wizard”, while Denny sang on “It’s a Boy”: [Excerpt: Sandy Denny, “It’s a Boy”] While Fotheringay had split up, all the band members play on The North Star Grassman and the Ravens. Guitarists Donahue and Lucas only play on a couple of the tracks, with Richard Thompson playing most of the guitar on the record. But Fotheringay’s rhythm section of Pat Donaldson and Gerry Conway play on almost every track. Another musician on the album, Ian Whiteman, would possibly have a profound effect on the future direction of Richard Thompson’s career and life. Whiteman was the former keyboard player for the mod band The Action, having joined them just before they became the blues-rock band Mighty Baby. But Mighty Baby had split up when all of the band except the lead singer had converted to Islam. Richard Thompson was on his own spiritual journey at this point, and became a Sufi – the same branch of Islam as Whiteman – soon after the session, though Thompson has said that his conversion was independent of Whiteman’s. The two did become very close and work together a lot in the mid-seventies though. Thompson had supposedly left Fairport because he was writing material that wasn’t suited to the band, but he spent more than a year after quitting the group working on sessions rather than doing anything with his own material, and these sessions tended to involve the same core group of musicians. One of the more unusual was a folk-rock supergroup called The Bunch, put together by Trevor Lucas. Richard Branson had recently bought a recording studio, and wanted a band to test it out before opening it up for commercial customers, so with this free studio time Lucas decided to record a set of fifties rock and roll covers. He gathered together Thompson, Denny, Whiteman, Ashley Hutchings, Dave Mattacks, Pat Donaldson, Gerry Conway, pianist Tony Cox, the horn section that would later form the core of the Average White Band, and Linda Peters, who had now split up with Joe Boyd and returned to the UK, and who had started dating Thompson. They recorded an album of covers of songs by Jerry Lee Lewis, the Everly Brothers, Johnny Otis and others: [Excerpt: The Bunch, “Willie and the Hand Jive”] The early seventies was a hugely productive time for this group of musicians, as they all continued playing on each other’s projects. One notable album was No Roses by Shirley Collins, which featured Thompson, Mattacks, Whiteman, Simon Nicol, Lal and Mike Waterson, and Ashley Hutchings, who was at that point married to Collins, as well as some more unusual musicians like the free jazz saxophonist Lol Coxhill: [Excerpt: Shirley Collins and the Albion Country Band, “Claudy Banks”] Collins was at the time the most respected female singer in British traditional music, and already had a substantial career including a series of important records made with her sister Dolly, work with guitarists like Davey Graham, and time spent in the 1950s collecting folk songs in the Southern US with her then partner Alan Lomax – according to Collins she did much of the actual work, but Lomax only mentioned her in a single sentence in his book on this work. Some of the same group of musicians went on to work on an album of traditional Morris dancing tunes, titled Morris On, credited to “Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield”, with Collins singing lead on two tracks: [Excerpt: Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield with Shirley Collins, “The Willow Tree”] Thompson thought that that album was the best of the various side projects he was involved in at the time, comparing it favourably to Rock On, which he thought was rather slight, saying later “Conceptually, Fairport, Ashley and myself and Sandy were developing a more fragile style of music that nobody else was particularly interested in, a British Folk Rock idea that had a logical development to it, although we all presented it our own way. Morris On was rather more true to what we were doing. Rock On was rather a retro step. I'm not sure it was lasting enough as a record but Sandy did sing really well on the Buddy Holly songs.” Hutchings used the musicians on No Roses and Morris On as the basis for his band the Albion Band, which continues to this day. Simon Nicol and Dave Mattacks both quit Fairport to join the Albion Band, though Mattacks soon returned. Nicol would not return to Fairport for several years, though, and for a long period in the mid-seventies Fairport Convention had no original members. Unfortunately, while Collins was involved in the Albion Band early on, she and Hutchings ended up divorcing, and the stress from the divorce led to Collins developing spasmodic dysphonia, a stress-related illness which makes it impossible for the sufferer to sing. She did eventually regain her vocal ability, but between 1978 and 2016 she was unable to perform at all, and lost decades of her career. Richard Thompson occasionally performed with the Albion Band early on, but he was getting stretched a little thin with all these sessions. Linda Peters said later of him “When I came back from America, he was working in Sandy’s band, and doing sessions by the score. Always with Pat Donaldson and Dave Mattacks. Richard would turn up with his guitar, one day he went along to do a session with one of those folkie lady singers — and there were Pat and DM. They all cracked. Richard smashed his amp and said “Right! No more sessions!” In 1972 he got round to releasing his first solo album, Henry the Human Fly, which featured guest appearances by Linda Peters and Sandy Denny among others: [Excerpt: Richard Thompson, “The Angels Took My Racehorse Away”] Unfortunately, while that album has later become regarded as one of the classics of its genre, at the time it was absolutely slated by the music press. The review in Melody Maker, for example, read in part “Some of Richard Thompson’s ideas sound great – which is really the saving grace of this album, because most of the music doesn’t. The tragedy is that Thompson’s “British rock music” is such an unconvincing concoction… Even the songs that do integrate rock and traditional styles of electric guitar rhythms and accordion and fiddle decoration – and also include explicit, meaningful lyrics are marred by bottle-up vocals, uninspiring guitar phrases and a general lack of conviction in performance.” Henry the Human Fly was released in the US by Warners, who had a reciprocal licensing deal with Island (and for whom Joe Boyd was working at the time, which may have had something to do with that) but according to Thompson it became the lowest-selling record that Warners ever put out (though I’ve also seen that claim made about Van Dyke Parks’ Song Cycle, another album that has later been rediscovered). Thompson was hugely depressed by this reaction, and blamed his own singing. Happily, though, by this point he and Linda had become a couple — they would marry in 1972 — and they started playing folk clubs as a duo, or sometimes in a trio with Simon Nicol. Thompson was also playing with Sandy Denny’s backing band at this point, and played on every track on her second solo album, Sandy. This album was meant to be her big commercial breakthrough, with a glamorous cover photo by David Bailey, and with a more American sound, including steel guitar by Sneaky Pete Kleinow of the Flying Burrito Brothers (whose overdubs were supervised in LA by Joe Boyd): [Excerpt: Sandy Denny, “Tomorrow is a Long Time”] The album was given a big marketing push by Island, and “Listen, Listen” was made single of the week on the Radio 1 Breakfast show: [Excerpt: Sandy Denny, “Listen, Listen”] But it did even worse than the previous album, sending her into something of a depression. Linda Thompson (as the former Linda Peters now was) said of this period “After the Sandy album, it got her down that her popularity didn't suddenly increase in leaps and bounds, and that was the start of her really fretting about the way her career was going. Things only escalated after that. People like me or Martin Carthy or Norma Waterson would think, ‘What are you on about? This is folk music.'” After Sandy’s release, Denny realised she could no longer afford to tour with a band, and so went back to performing just acoustically or on piano. The only new music to be released by either of these ex-members of Fairport Convention in 1973 was, oddly, on an album by the band they were no longer members of. After Thompson had left Fairport, the group had managed to release two whole albums with the same lineup — Swarbrick, Nicol, Pegg, and Mattacks. But then Nicol and Mattacks had both quit the band to join the Albion Band with their former bandmate Ashley Hutchings, leading to a situation where the Albion Band had two original members of Fairport plus their longtime drummer while Fairport Convention itself had no original members and was down to just Swarbrick and Pegg. Needing to fulfil their contracts, they then recruited three former members of Fotheringay — Lucas on vocals and rhythm guitar, Donahue on lead guitar, and Conway on drums. Conway was only a session player at the time, and Mattacks soon returned to the band, but Lucas and Donahue became full-time members. This new lineup of Fairport Convention released two albums in 1973, widely regarded as the group’s most inconsistent records, and on the title track of the first, “Rosie”, Richard Thompson guested on guitar, with Sandy Denny and Linda Thompson on backing vocals: [Excerpt: Fairport Convention, “Rosie”] Neither Sandy Denny nor Richard Thompson released a record themselves in 1973, but in neither case was this through the artists’ choice. The record industry was changing in the early 1970s, as we’ll see in later episodes, and was less inclined to throw good money after bad in the pursuit of art. Island Records prided itself on being a home for great artists, but it was still a business, and needed to make money. We’ll talk about the OPEC oil crisis and its effect on the music industry much more when the podcast gets to 1973, but in brief, the production of oil by the US peaked in 1970 and started to decrease, leading to them importing more and more oil from the Middle East. As a result of this, oil prices rose slowly between 1971 and 1973, then very quickly towards the end of 1973 as a result of the Arab-Israeli conflict that year. As vinyl is made of oil, suddenly producing records became much more expensive, and in this period a lot of labels decided not to release already-completed albums, until what they hoped would be a brief period of shortages passed. Both Denny and Thompson recorded albums at this point that got put to one side by Island. In the case of Thompson, it was the first album by Richard and Linda as a duo, I Want to See the Bright Lights Tonight: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Today, I Want to See the Bright Lights Tonight is widely regarded as one of the greatest albums of all time, and as one of the two masterpieces that bookended Richard and Linda’s career as a duo and their marriage. But when they recorded the album, full of Richard’s dark songs, it was the opposite of commercial. Even a song that’s more or less a boy-girl song, like “Has He Got a Friend for Me?” has lyrics like “He wouldn’t notice me passing by/I could be in the gutter, or dangling down from a tree” [Excerpt: Richard and Linda Thompson, “Has He got a Friend For Me?”] While something like “The Calvary Cross” is oblique and haunted, and seems to cast a pall over the entire album: [Excerpt: Richard and Linda Thompson, “The Calvary Cross”] The album itself had been cheap to make — it had been recorded in only a week, with Thompson bringing in musicians he knew well and had worked with a lot previously to cut the tracks as-live in only a handful of takes — but Island didn’t think it was worth releasing. The record stayed on the shelf for nearly a year after recording, until Island got a new head of A&R, Richard Williams. Williams said of the album’s release “Muff Winwood had been doing A&R, but he was more interested in production… I had a conversation with Muff as soon as I got there, and he said there are a few hangovers, some outstanding problems. And one of them was Richard Thompson. He said there’s this album we gave him the money to make — which was I Want to See the Bright Lights Tonight — and nobody’s very interested in it. Henry the Human Fly had been a bit of a commercial disappointment, and although Island was altruistic and independent and known for only recording good stuff, success was important… Either a record had to do well or somebody had to believe in it a lot. And it seemed as if neither of those things were true at that point of Richard.” Williams, though, was hugely impressed when he listened to the album. He compared Richard Thompson’s guitar playing to John Coltrane’s sax, and called Thompson “the folk poet of the rainy streets”, but also said “Linda brightened it, made it more commercial. and I thought that “Bright Lights” itself seemed a really commercial song.” The rest of the management at Island got caught up in Williams’ enthusiasm, and even decided to release the title track as a single: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Neither single nor album charted — indeed it would not be until 1991 that Richard Thompson would make a record that made the top forty in the UK — but the album got enough critical respect that Richard and Linda released two albums the year after. The first of these, Hokey Pokey, is a much more upbeat record than their previous one — Richard Thompson has called it “quite a music-hall influenced record” and cited the influence of George Formby and Harry Lauder. For once, the claim of music hall influence is audible in the music. Usually when a British musician is claimed to have a music ha

Today's episode dives into the vital topic of yoga during pregnancy and beyond. Host Rachel connects with Allie Geer, a Yoga Medicine Therapeutic Specialist and Biodynamic Cranial Sacral Therapist whose specialties include pre- and post-natal yoga. In this episode, we discuss what it looks like to create space for both mother and baby in yoga classes, plus the impact of changes in circulation, centre of gravity, and soft tissue laxity. Listen in to learn what to keep in mind when practicing yoga during and after pregnancy, the vital importance of community, and how teachers can help pregnant and postpartum students feel welcome and supported in class. — Show Notes: Practicing group yoga classes while pregnant [3:50] A key question: is this creating space for me and baby? [5:22] How to recruit extra support from props, walls, or teacher [6:47] Heated & fast-moving flows [8:25] Centre of gravity changes and standing balance [10:45] Relaxin and increased ligamentous flexibility [11:27] Lying on your back; implications for the vena cava [16:01] The importance of community [21:06] Breath work, bandhas, and upper body strength [24:51] Yoga postpartum [29:56] Planning a dedicated postpartum class [34:42] Practicing group classes postpartum [40:04] Working with diastasis recti; favorite deep core practices [42:17] Final takeaways and resources [47:30] — Links Mentioned: Watch this episode on YouTube Prenatal Myofascial Release Online Course For relevant Yoga Medicine® Online classes, use the search categories “Prenatal” or “Postnatal” Connect with Allie Geer: Instagram | Allie Geer Flow | Yoga Medicine® Online Guest Teacher You can learn more about this episode, and see the full show notes at YogaMedicine.com/podcast-138. And you can find out more about insider tips, online classes or information on our teacher trainings at YogaMedicine.com. To support our work, please leave us a 5 star review with your feedback on iTunes/Apple Podcasts.

Morgan Geer who goes by the name Drunken Prayer has a new album out on Dial Back Sound. The album sounds fantastic and explores some fascinating themes. Matt Patton who plays bass for Drive By Truckers and Laura Jane Grace is releasing the album on his label Dial Back Sound and he joined us for the conversation as well! I hope you dig it! 

Living in Ashville, NC, Morgan Geer has been making and performing music under the moniker 'Drunken Prayer'. I wrote to invite Morgan to an interview and he responded with in 5 minutes and then 2 hours later, we had a date and time locked in for the interview. We had a LOT of fun in our chat. Morgan's music is a ton of fun. We feature two songs off of his latest release "Thy Burdens" and they are both really solid cuts. Follow these links to keep up to date with Drunken Prayer:Drunken Prayer | Morgan GeerDrunken Prayer | FacebookDrunken Prayer (@drunken_prayer) • Instagram photos and videoshttp://www.youtube.com/@DrunkenPrayerDrunken Prayer | Spotify Musical Intro: Cam PierceMusical Outtro: Rascal MartinezFollow these links to support the Welcome to the Woodshed Podcast sponsors:https://www.radneck.cohttps://www.mellelo.comFOLLOW MY SUBSTACK!Travis John | Substack

Specializing in geotechnical engineering and coastal science, Nina Stark studies soil mechanics and soil responses to coastal and riverine stresses -- like hurricanes and related flooding. During hurricane season, you will find her in the field, collecting perishable data with NSF-supported extreme events reconnaissance teams. Today, she talks about recon missions, the importance of good datasets, and the types of data EER teams collect, including erosion, scour and sediment deposition, and water levels. 

Niet alleen Married at first sight, maar ook het meer ‘brave’ Boer Zoekt Vrouw kunnen in deze podcast rekenen op zowel lof als stevige kritiek. Er is meer leed dan liefde, stelt bijvoorbeeld mediaverslaggever Dennis Jansen: ‘De makers van Boer Zoekt Vrouw hadden écht moeten ingrijpen!’ Worden de deelnemers van deze datingprogramma’s überhaupt wel voldoende tegen zichzelf in bescherming genomen? Een nieuw seizoen van De Verraders ging recent van start op RTL 4. Vooral enkele plotwendingen en Lale Gül maken de tongen los. Deze deelnemer lijkt het spel slim aan te vliegen, maar hoe lang houdt ze het vol in dit wespennest? Ook buigt het podcastpanel zich over de komst van Yvonne Coldeweijer naar Net 5 en over vraag of Hazes en Hoogkamer: tot uw dienst de Ali Express-versie is van Geer & Goor? Het trio discussieert verder over het opmerkelijke optreden van Anouk in Vandaag Inside en de manier waarop de publieke omroepen momenteel bezuinigen op hun eigen programmering. Zet het inkorten van titels als First Dates en De keuringsdienst van waarde wel voldoende zoden aan de dijk? Gudo Tienhooven krijgt één minuut de tijd om iedereen te enthousiasmeren voor de ziekenhuisserie Dag & Nacht. En wat is er toch aan de hand met voetbalcommentator Sierd de Vos? Luisteren dus! Naar de wekelijkse AD Media Podcast, waarin mediaverslaggever Gudo Tienhooven en Dennis Jansen alle hoofd-, rand-, en bijzaken bespreken op het gebied van media. De presentatie is in handen Manuel Venderbos. Vind al onze podcasts op ad.nl/podcasts.Support the show: https://krant.nl/See omnystudio.com/listener for privacy information.

Midden in de Tweede Wereldoorlog brengt de toen 18-jarige Diet een joodse kleuter achter op haar fiets vanuit Dordrecht naar haar oom en tante in Wormerveer. Noorddijk 37 wordt het onderduikadres van Mirjam, die in Wormerveer Marjan wordt genoemd. Dit is een van de verhalen die op 3 mei worden verteld tijdens de Open Joodse Huizendag. Sinds 2017 laat de werkgroep Open Joodse Huizen van het 4 en 5 mei comité Zaanstad Open Joodse Huizen | Huizen van Verzet in woonkamers en keukens in de Zaanstreek zien wat er zich in de Tweede Wereldoorlog afspeelde. Dick van de Geer is een van de mensen die de verhalen achter de muren van de huizen tot leven brengt. In deze podcast vertelt hij over hoe het Mirjam in Wormerveer is vergaan.

We share insights on how to live the resurrection in everyday life. We go deep into the importance of our thoughts and what Jesus says about his resurrection in A Course in Miracles.It is such a beautiful recognition of the power of choice.Let us be at home together!!!!!

Bro. Geer preaches the word of God in our PM service.

Bro. Geer preaches in the AM church service

Paul Geer "The Music Man" was convicted by a federal jury after a two-week-long trial on two counts of coercing and enticing two separate children to travel across state lines to engage in unlawful sexual activity and two counts of transporting the children across state lines with the intent to engage in criminal sexual activity with those children.  The jury failed to reach a unanimous verdict on two additional counts. "The evidence at trial proved that, while Geer was a teacher at the Family Foundation School in Hancock, New York, he imposed various disciplinary sanctions on students that were tantamount to torture. The sanctions Geer imposed on students included depriving children of food or forcing children to eat food that had been regurgitated, binding children in rugs and leaving them in isolated rooms for extended periods of time and forcing children to perform forced physical labor. "Read the full Press Release from the US Attorney's Officer HERE.3/5/25 News 12 with Erin Lawlor: https://www.wbng.com/2025/03/05/watch-family-foundation-school-alumni-share-their-story-following-arrest-paul-geer/Listen to "Meet the Music Man" HERE. Read Liz Ianelli's memoir about The Family School "I See You Survivor" HEREWatch Jon Martin Crawford testify to Congress about FFS HERERead the Catskills Reporter's ongoing series about FFS HEREGet ready to hear all about the trial once Paul's 2 week period to try and overturn the conviction has passed. Until then please help us protect this case.THANK YOU to all of you, without whom this would never have been possible. And as always, to all Survivors out there, #ISeeYouSurvivor

Gordon bij Andy in de auto!  Cornelis Willem Heuckeroth. Zanger, presentator, columnist, schrijver en ondernemer. Één van de bekendste TV-persoonlijkheden van Nederland. Heeft ontelbare progamma's gepresenteerd waaronder Geer & Goor, Nederland veroverd met de Toppers en doet het fantastisch in de horeca met Blushing. Een echte icoon en mooi om deze Topper in de auto te hebben!

Ik krijg regelmatig de vraag Geer, Hoe vraag je nu hulp aan je engelen en gidsen? Hoe doe jij dit nou? Aan de hand van enkele persoonlijke voorbeelden deel ik met je hoe ik dit zelf aan pak. Er zijn natuurlijk meerdere wegen naar Rome maar wellicht brengt het jou op ideën!

Tara Geer, Program Director of Commonweal's Visual Thinking Strategies program in conversation with host Susan Grelock Yusem Around the world, people understand life and each other in vastly different ways. In "What Do We Know?," we will delve into profound ways of knowing often dismissed by Western thought, including intuition, artistic expression, empathy, and the wisdom of dreams. We will explore diverse, non-Western approaches to knowledge formation including interconnection, collective well-being, intuition, and other ways of knowing. Join us live for three 60-minute conversations followed by 1/2-hour shared community inquiry that could include breakout groups, writing prompts and sharing, demonstrations, or other processes. Hosted by Commonweal Narrative Director Susan Grelock Yusem.

Amandine Pekel, jeune diplomate, a grandi dans une ferme en Ardenne avant de bourlinguer de Barcelone à Hong-Kong et de jeter l'ancre à Stockholm où, avec l'AWEX et WBI, elle tisse des liens entre Wallonie et Scandinavie. Et la patrie d'Alfred Nobel dynamite bien des préjugés sur l'image des wallons. Saviez-vous qu'en 1624, un certain Louis de Geer est venu développer l'industrie sidérurgique en Suède ? Dans son sillage, près de 5000 ouvriers wallons ont débarqué pour travailler dans ses forges. Pour attirer et accueillir ces forgerons, considérés comme des héros de la nation, Louis de Geer 1er, a mis en place les fameux bruks, ancêtres des coopératives qui auraient inspiré le modèle social suédois. Il reste aujourd'hui 27 bruks comme autant d'écomusées vivants et de vitrines suédoises de l'inventivité et du savoir-faire belge. A découvrir dans Les Belges du bout du monde, avec Adrien Joveneau, à 9h sur La Première et sur La Une télé Suède - 29/12/24 Merci pour votre écoute Les Belges du bout du Monde, c'est également en direct tous les samedis de 9h à 10h sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes des Belges du bout du Monde sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/432 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Yes, Canada bombed the Aurora Borealis. But can you actually scatter that northernmost light with explosives? Why would you even try? And explosive boom aside, can you, on a cold clear quiet night, hear the northern lights? What is the sound of the Aurora Borealis?Nicolas Lachapelle and Eloise Demers Pinard, trekked to Churchill Manitoba, and beyond, to try and answer these questions.And that's about as newsy and informational as things are gonna get. Because as you will hear, today's episode sounds a little bit different. It's a bit more poetic than our regularly scheduled programming.Or as our reporters will tell you, “…this is a story about that forgotten need to probe the sky and an epic journey through time and space on the edge of northern Canada.”Happy Holidays. Host: Jesse BrownCredits: Produced, recorded and directed by Éloïse Demers Pinard and Nicolas Lachapelle.In dialogue with the composer Welcome John.Inspired by the visionary works of Tom Demers and Peter Mettler.With the voices of Jeremy Allen, George Alexander St-Clair, Harry Tutuk, James Wells, Roland Sawatsky and Chris Campbell.Narration by Jacqueline Van de Geer.Field research by Alain James Rioux Dubé.Archival research by Emma Brunet.Sound design and mix by Antonin Wyss.Linguistic revision by Maureen Roberge.Graphic design by Max Rhéault and the Criterium Design bureau.The archives are from the Canadian Broadcasting Corporation and the Library and Archives Canada.Bruce Thorson (Senior Producer) Additional audio assistance: Caleb ThompsonJesse Brown (Editor and Publisher)Sponsors:CAMH: CAMH is building better mental health care for everyone to ensure no one is left behind. Visit camh.ca/canadaland to make a donation.Article is offering our listeners $50 off your first purchase of $100 or moreTo claim, visit article.com/backbench and the discount will be automatically applied at checkout.oxio: Head over to canadaland.oxio.ca and use code CANADALAND for your first month free! Be part of the solution to Canada's journalism crisis. Go to https://canadaland.com/join to become a Canadaland Supporter today.You can listen ad-free on Amazon Music—included with Prime. Hosted on Acast. See acast.com/privacy for more information.

Let us know what you think of this episode with a text!Chris and Scott are joined by DEA Special Agent Chris Gear to discuss his tenure with the DEA Chicago Field Office, US drug policy, trends in narcotics trafficking and enforcement and his thoughts on how the border wall may impact America's narcotics issues. Email: 3copstalk@gmail.comWebsite: https://www.3copstalk.comYoutube: https://youtube.com/channel/UCFWKMerhChCE6_s5yFqc4awFacebook: 3 Cops Talk | FacebookInstagram: https://instagram.com/3copstalk?igshid=YmMyMTA2M2Y=

Send us a textJulia Geer is a seasoned yoga therapist and Ayurvedic health counselor with a strong background in holistic health practices. She began her yoga journey in 1997 and has since become a certified yoga therapist recognized by the International Association of Yoga Therapists (IAYT). Julia is also trained by renowned mindfulness teachers Jack Kornfield and Tara Brach. Beyond her expertise in yoga and Ayurveda, Julia has an undergrad degree in management and technology and brings unique insights to how artificial intelligence intersects with health and wellness. Her professional journey spans over 18 years in tech and healthcare, focusing on integrating AI technologies.Visit her on her website: https://www.thegeershift.com/Key Takeaways:Julia Geer's transition from yoga enthusiast to a certified yoga therapist with a focus on holistic and integrative health.The distinctions between yoga, yoga therapeutics, and yoga therapy, and how these practices integrate into Western healthcare.The role of AI in healthcare and how yoga and Ayurveda can support practitioners in this transformative time.Practical applications of yoga therapy, such as aiding clients with chronic conditions like COPD.Thanks for listening to this episode. Check out:

ETP Red River Valley Today - Paris Pickleball with Josh Geer and Bret Ables - Eric talks to Bret and Josh about the new Paris pickleball courts, their inaugural pickleball tourney that raised money for the Children's Advocacy Center and just exactly what pickleball is and how you play!

Na Tijls opvallende observatie van Tijl over de overeenkomsten tussen Geer & Goor en beide Rubens, heeft hij een lijstje met de grootste duo's (zowel nationaal als internationaal) aller tijden. Met de koudere avonden en we langzaam aftellen naar het einde van het jaar presenteert Ruben van der Meer zijn eigen writersblog. Hij geeft jullie 5 films waar hij en zijn vrouw graag naar kijken, genoeg reden om het lijstje af te werken samen met je geliefde onder een dekentje! De documentaire Will & Harper gaf Ruben Nicolai kippenvel. De documentaire vertelt de vriendschap meester acteur Will Ferrell en diens schrijver Andrew Steele. Jaren trokken ze in het werkveld met elkaar op, totdat Andrew zijn hart bij Will moest luchten. In de roadtrip die volgt wordt duidelijk wat echte vriendschap is.✈️ Luister de LVNL podcast ‘De kracht achter luchtvaart' voor meer informatie over werken bij Luchtverkeersleiding Nederland of kijk op www.komwerkenbijlvnl.nl voor meer informatie over de openstaande vacatures.

Kritiek op RTL en waarom ze daar beter mee om moeten gaan | 8m15 Mysterie: wie moest zendtijd inleveren vanwege de Televizier-Ring? | 13m30 Slachtofferadvocaat Sébas Diekstra werd zwartgemaakt | 16m15 Wie moet coach worden bij The Voice | 20m10 De perfect geregisseerde rechtbankshow van Khadija Arib | 34m40 Geer & Goor | 36m55 Hoe Linda de Mol psychische aandoeningen verheerlijkt | 48m00 Vraag over reclameSteun de podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.decommunicados.nl⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Heb jij een vraag, idee of tip? Mail ons op ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vraaghetvicenlars@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Adverteren in deze podcast? Neem contact op met Dag en Nacht Media via adverteren@dagennacht.nl

CTL Script/ Top Stories of October 12th Publish Date: October 12th   From the Ingles Studio Welcome to the Award-Winning Cherokee Tribune Ledger Podcast    Today is Saturday, October 12th and Happy heavenly Birthday to Sam Moore. ***10.12.24 – BIRTHDAY – SAM MOORE*** I'm Keith Ippolito and here are the stories Cherokee is talking about, presented by Credit Union of Georgia.  1.  Cherokee County Farm Bureau Hosting Legislative Breakfast 2. Gary Farris' Son Testifies in Cherokee County Murder Trial 3. Hot Dog Luncheon Raises Nearly $1,000 For Cherokee County Seniors   We'll have all this and more coming up on the Cherokee Tribune-Ledger Podcast, and if you're looking for Community news, we encourage you to listen and subscribe!    Commercial: CU of GA (06.26.24 CU OF GA FREE CHECKING_REV_FINAL) STORY 1:  Cherokee County Farm Bureau Hosting Legislative Breakfast The Cherokee County Farm Bureau is hosting its annual Legislative Breakfast on Oct. 18 from 8-11 a.m. at Trinity Presbyterian Church near Canton. The event, featuring Georgia Farm Bureau's Tom McCall and other local officials, is free but requires an RSVP. Attendees will enjoy a Chick-fil-A breakfast and can tour the House of Hope and Cox Arboretum and Garden afterward. RSVP by Oct. 17 via email at dbforward@gfbco.org or call 770-479-1481. STORY 2:  Gary Farris' Son Testifies in Cherokee County Murder Trial Chris and Scott Farris discovered their father's remains on a burn pile on July 5, 2018. Melody Walker Farris is accused of murdering her husband, Gary Farris, and burning his body. She faces multiple charges but has pleaded not guilty. Chris testified about his parents' marital issues, including suspicions of an affair and financial disputes. He also mentioned his father's belief that Melody was poisoning him. Witnesses included a neighbor who knew of Melody's affair and a police officer who found no struggle signs at the crime scene. The trial, which began Monday, is expected to last three to four weeks. STORY 3:  Hot Dog Luncheon Raises Nearly $1,000 For Cherokee County Seniors Cherokee County Senior Services and Stand Up For Seniors raised $995 for local seniors at their hot dog fundraising luncheon on Oct. 3, rescheduled due to Hurricane Helene. The event, held at the Cherokee County Senior Center, exceeded expectations with around 200 attendees. Funds will be used to purchase heaters for seniors before winter. The luncheon supported the Last Stop Program, aiding seniors with rent, utilities, and medical expenses. Tim Morris, Senior Services Director, praised the community's dedication. Stand Up For Seniors partners with donors and businesses to assist low-income seniors and veterans. More info is available on their websites. We have opportunities for sponsors to get great engagement on these shows. Call 770.874.3200 for more info.   Back in a moment  Break: DRAKE (Drake Realty (Cherokee County) – The Mill (09.26.24 THE MILL ON ETOWAH REV 2 30_FINAL) STORY 4:  CCSD Police Department Renews Accreditation and Earns State Award The Cherokee County School District Police Department has renewed its status as a certified agency by Georgia's Law Enforcement Certification Program, earning a Silver Award for 15 years of accreditation. Led by Chief Buster Cushing, it's one of only five school police departments in Georgia to achieve this status. The certification, requiring recertification every three years, ensures high professionalism and effective law enforcement. The process involves a comprehensive onsite assessment by state assessors. Key contributors to the reaccreditation were Mary Henson and Capt. Richie Rich. The department will be honored at the October school board meeting. STORY 5:  Julia Roberts and Stacey Abrams Rally for Harris in Canton Julia Roberts and Stacey Abrams visited downtown Canton to support Vice President Kamala Harris' presidential campaign. They emphasized the importance of voting for Harris and her running mate, Tim Walz, and advocated for abortion rights. Abrams highlighted Georgia's role in shaping the future and defending rights, while Roberts encouraged unity and dialogue among voters. Lisa Brooks and Debra Shigley also spoke, urging support for Harris against Donald Trump's policies. The event coincided with the opening of the Harris-Walz campaign office in Canton, marking a significant push for voter engagement in Georgia. Commercial: Ingles Markets (Nutrition Questions) 5 STORY 6:  Cherokee County Students Selected for All-State Theatre Program Four Cherokee County School District students have been selected for the All-State Theatre Program. Cherokee High seniors Kayleigh Coda and Samantha Geer, along with Sequoyah High seniors Noah Popp and Ava Grace Roberts, will perform at the 2025 Georgia Thespian Conference. Coda, Geer, and Roberts were cast for the opening and closing performances, with Roberts and Popp being selected for the second consecutive year. Popp will design and operate the event's lighting. Theatre directors Jodi Burn and Cindy Humphlett will guide the students, who will be recognized at an upcoming school board meeting. STORY 7:  R.M. Moore Elementary Earns Cafeteria of Excellence Award R.M. Moore Elementary has been honored with the Cafeteria of Excellence Award. This recognition highlights the school's commitment to providing outstanding food service and maintaining high standards in their cafeteria operations. The award celebrates the efforts of the cafeteria staff in ensuring nutritious and appealing meals for students. This achievement underscores the school's dedication to fostering a healthy and supportive dining environment for its students.   We'll have closing comments after this.    COMMERCIAL: 01.02.24 HELLER LAW 4 GENERIC_FINAL   SIGN OFF –   Thanks again for hanging out with us on today's Cherokee Tribune Ledger Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at www.tribuneledgernews.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network   Show Sponsors: ·         www.ingles-markets.com  ·         www.drakerealty.com ·         cuofga.org ·         www.jeffhellerlaw.com ·         www.etowahmill.com   #NewsPodcast #CurrentEvents #TopHeadlines #BreakingNews #PodcastDiscussion #PodcastNews #InDepthAnalysis #NewsAnalysis #PodcastTrending #WorldNews #LocalNews #GlobalNews #PodcastInsights #NewsBrief #PodcastUpdate #NewsRoundup #WeeklyNews #DailyNews #PodcastInterviews #HotTopics #PodcastOpinions #InvestigativeJournalism #BehindTheHeadlines #PodcastMedia #NewsStories #PodcastReports #JournalismMatters #PodcastPerspectives #NewsCommentary #PodcastListeners #NewsPodcastCommunity #NewsSource #PodcastCuration #WorldAffairs #PodcastUpdates #AudioNews #PodcastJournalism #EmergingStories #NewsFlash #PodcastConversationsSee omnystudio.com/listener for privacy information.

CTL Script/ Top Stories of October 12th Publish Date: October 12th   From the Ingles Studio Welcome to the Award-Winning Cherokee Tribune Ledger Podcast    Today is Saturday, October 12th and Happy heavenly Birthday to Sam Moore. ***10.12.24 – BIRTHDAY – SAM MOORE*** I'm Keith Ippolito and here are the stories Cherokee is talking about, presented by Credit Union of Georgia.  1.  Cherokee County Farm Bureau Hosting Legislative Breakfast 2. Gary Farris' Son Testifies in Cherokee County Murder Trial 3. Hot Dog Luncheon Raises Nearly $1,000 For Cherokee County Seniors   We'll have all this and more coming up on the Cherokee Tribune-Ledger Podcast, and if you're looking for Community news, we encourage you to listen and subscribe!    Commercial: CU of GA (06.26.24 CU OF GA FREE CHECKING_REV_FINAL) STORY 1:  Cherokee County Farm Bureau Hosting Legislative Breakfast The Cherokee County Farm Bureau is hosting its annual Legislative Breakfast on Oct. 18 from 8-11 a.m. at Trinity Presbyterian Church near Canton. The event, featuring Georgia Farm Bureau's Tom McCall and other local officials, is free but requires an RSVP. Attendees will enjoy a Chick-fil-A breakfast and can tour the House of Hope and Cox Arboretum and Garden afterward. RSVP by Oct. 17 via email at dbforward@gfbco.org or call 770-479-1481. STORY 2:  Gary Farris' Son Testifies in Cherokee County Murder Trial Chris and Scott Farris discovered their father's remains on a burn pile on July 5, 2018. Melody Walker Farris is accused of murdering her husband, Gary Farris, and burning his body. She faces multiple charges but has pleaded not guilty. Chris testified about his parents' marital issues, including suspicions of an affair and financial disputes. He also mentioned his father's belief that Melody was poisoning him. Witnesses included a neighbor who knew of Melody's affair and a police officer who found no struggle signs at the crime scene. The trial, which began Monday, is expected to last three to four weeks. STORY 3:  Hot Dog Luncheon Raises Nearly $1,000 For Cherokee County Seniors Cherokee County Senior Services and Stand Up For Seniors raised $995 for local seniors at their hot dog fundraising luncheon on Oct. 3, rescheduled due to Hurricane Helene. The event, held at the Cherokee County Senior Center, exceeded expectations with around 200 attendees. Funds will be used to purchase heaters for seniors before winter. The luncheon supported the Last Stop Program, aiding seniors with rent, utilities, and medical expenses. Tim Morris, Senior Services Director, praised the community's dedication. Stand Up For Seniors partners with donors and businesses to assist low-income seniors and veterans. More info is available on their websites. We have opportunities for sponsors to get great engagement on these shows. Call 770.874.3200 for more info.   Back in a moment  Break: DRAKE (Drake Realty (Cherokee County) – The Mill (09.26.24 THE MILL ON ETOWAH REV 2 30_FINAL) STORY 4:  CCSD Police Department Renews Accreditation and Earns State Award The Cherokee County School District Police Department has renewed its status as a certified agency by Georgia's Law Enforcement Certification Program, earning a Silver Award for 15 years of accreditation. Led by Chief Buster Cushing, it's one of only five school police departments in Georgia to achieve this status. The certification, requiring recertification every three years, ensures high professionalism and effective law enforcement. The process involves a comprehensive onsite assessment by state assessors. Key contributors to the reaccreditation were Mary Henson and Capt. Richie Rich. The department will be honored at the October school board meeting. STORY 5:  Julia Roberts and Stacey Abrams Rally for Harris in Canton Julia Roberts and Stacey Abrams visited downtown Canton to support Vice President Kamala Harris' presidential campaign. They emphasized the importance of voting for Harris and her running mate, Tim Walz, and advocated for abortion rights. Abrams highlighted Georgia's role in shaping the future and defending rights, while Roberts encouraged unity and dialogue among voters. Lisa Brooks and Debra Shigley also spoke, urging support for Harris against Donald Trump's policies. The event coincided with the opening of the Harris-Walz campaign office in Canton, marking a significant push for voter engagement in Georgia. Commercial: Ingles Markets (Nutrition Questions) 5 STORY 6:  Cherokee County Students Selected for All-State Theatre Program Four Cherokee County School District students have been selected for the All-State Theatre Program. Cherokee High seniors Kayleigh Coda and Samantha Geer, along with Sequoyah High seniors Noah Popp and Ava Grace Roberts, will perform at the 2025 Georgia Thespian Conference. Coda, Geer, and Roberts were cast for the opening and closing performances, with Roberts and Popp being selected for the second consecutive year. Popp will design and operate the event's lighting. Theatre directors Jodi Burn and Cindy Humphlett will guide the students, who will be recognized at an upcoming school board meeting. STORY 7:  R.M. Moore Elementary Earns Cafeteria of Excellence Award R.M. Moore Elementary has been honored with the Cafeteria of Excellence Award. This recognition highlights the school's commitment to providing outstanding food service and maintaining high standards in their cafeteria operations. The award celebrates the efforts of the cafeteria staff in ensuring nutritious and appealing meals for students. This achievement underscores the school's dedication to fostering a healthy and supportive dining environment for its students.   We'll have closing comments after this.    COMMERCIAL: 01.02.24 HELLER LAW 4 GENERIC_FINAL   SIGN OFF –   Thanks again for hanging out with us on today's Cherokee Tribune Ledger Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at www.tribuneledgernews.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network   Show Sponsors: ·         www.ingles-markets.com  ·         www.drakerealty.com ·         cuofga.org ·         www.jeffhellerlaw.com ·         www.etowahmill.com   #NewsPodcast #CurrentEvents #TopHeadlines #BreakingNews #PodcastDiscussion #PodcastNews #InDepthAnalysis #NewsAnalysis #PodcastTrending #WorldNews #LocalNews #GlobalNews #PodcastInsights #NewsBrief #PodcastUpdate #NewsRoundup #WeeklyNews #DailyNews #PodcastInterviews #HotTopics #PodcastOpinions #InvestigativeJournalism #BehindTheHeadlines #PodcastMedia #NewsStories #PodcastReports #JournalismMatters #PodcastPerspectives #NewsCommentary #PodcastListeners #NewsPodcastCommunity #NewsSource #PodcastCuration #WorldAffairs #PodcastUpdates #AudioNews #PodcastJournalism #EmergingStories #NewsFlash #PodcastConversationsSee omnystudio.com/listener for privacy information.

2003 FM Riar Geer 6 - 3 2020 by MBC Grand, Inc.

I am delighted to have Julia Geer joining me on the podcast today.Julia is my AI teacher. We met when she was a student at one of the Ayurveda schools where I teach, and now she offers a program to help solopreneurs like me, especially those in the wellness space, automate their businesses using AI.As the founder of The Gear Shift, Julia blends cutting-edge AI with ancient wellness practices shaped by her 20 years of experience in healthcare, where she helped commercialize the first FDA-approved AI technology for clinical use. She is also a certified yoga therapist, Ayurvedic health counselor, and mindfulness meditation teacher.With her holistic approach to business and personal growth, Julia makes the journey into AI surprisingly relevant to everyday tasks like cooking. In this episode, she explains how to use tools like ChatGPT and other AI engines to simplify meal planning. She even teaches us how to Ayurveda-size meals and tailor recipes to fit the season or your body type. While we also touch on AI ethics, we focus on practical and hands-on tips. This episode is full of surprises, and I know you will love it! Links and Resources:Ayurvedic Living Community MembershipAmplify with AIMentioned in this episode:Discover Practices and Perspectives to Reduce Your Stress!Join us to explore effective techniques and insights for managing stress and finding balance in your daily life. Take the first step towards a more relaxed and centered you!Women and Stress Workshop

Send us a Text Message.Actor, director, producer, playwright, and artistic director since 1978 of the famous Will Geer Theatricum Botanicum, Ellen Geer stopped by to talk about the history of the Theatricum, growing up in a blacklisted family, and how playwriting helps heal societal wounds. Ellen shares her transition into playwriting, her approach to revising Shakespeare to the female characters' point of view and how it changes the story, the learning curve of a self-taught playwright, and the importance of ending a days work of writing on a high note. She also delves into the important lessons of playwriting, the use of technology, struggles and confidence, and her view of "gatekeepers" and staging your own work, especially when it could be considered a controversial piece. It's a charming conversation and the second episode where my camera shut down in the middle of the interview, so I apologize for the brief interruption. In the end, it was a pleasure to sit and share with an important and prominent influence in the Los Angeles theatrical community. Enjoy!For tickets to the current running production of Wendy's Peter Pan at the Theatricum Botanicum, visit - https://www.todaytix.com/los-angeles/shows/41175-wendys-peter-panEllen Geer is a playwright, actress, producer, and director and has been the artistic director of Will Geer's Theatricum Botanicum since 1978, where she helped the theater develop from a Sunday afternoon workshop performing Shakespeare to a professional repertory theater company with a negotiated Actors Equity Contract. She has produced and directed well over 100 Theatricum productions, including plays by Shakespeare, Tennessee Williams, Chekhov and Thornton Wilder and many of her own plays and adaptations have been performed at Theatricum as well, including this season's Wendy's Peter Pan and last season's Queen Margaret's Version of Shakespeare's War of the Roses; Trouble the Water; An Enemy of the People; TOM (adapted from the novel “Uncle Tom's Cabin”); Merlin: The Untold Story; Dracula; A Dark Cloud Came; and Dory, A Musical Portrait. To watch the video format of this episode, visit -https://youtu.be/F5nDOG__jr4Website and Socials for Ellen Geer and Theatricum Botanicum -Will Geer Theatricum Botanicum -https://theatricum.comTheatricum's Socials -Facebook - https://www.facebook.com/TheatricumIG - https://www.instagram.com/theatricum_botanicum/X - @theatricumEllen Geer Facebook - https://www.facebook.com/ellen.geer.3Websites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the Show.

·       Kristen Van de Geer was living in Alaska, where her husband was stationed in the Coast Guard, and was experiencing stomach pains. As a teenager, she was diagnosed with irritable bowel syndrome or IBS, but with a family history of colon cancer and her mother's passing in 2017 from gallbladder cancer, she wanted to be sure that nothing else was wrong. For 5 years, she was given different reasons for her stomach pains but never referred for the colonoscopy.  Eventually, Kristin got her gallbladder removed. ·       In 2022 a doctor agreed to perform a colonoscopy too. A single “wonky polyp” was discovered which led to a rectal cancer diagnosis in early 2023. ·       Now living in Massachusetts, Kristen followed a chemotherapy treatment plan and had two surgeries: one to remove the polyp and one for a resection. Kristen's focus on seeking and embracing joy during treatment helped her through the most difficult times. She is grateful for the unwavering support of her husband, her sisters, and extended friends and family who showed up for her - and still show up - in the most beautiful ways.·       For the past 8 months, she has been out of treatment and feeling better. Kristen's diagnosis encouraged her three sisters to seek screenings as well. One sister was able to catch an advanced polyp that doctors estimated was within months of turning cancerous. Through genetic testing, which her sister Juliette received first, it was discovered that three of them have a genetic mutation that makes them more likely to be diagnosed with colon cancer. Kristen feels grateful for the genetic testing options provided at Dana-Farber, both to her and her sisters. Kristen loves crocheting stuffed animals, like highland cows and mermaids and advocates for screening awareness to anyone who will listen 

During this hour you hear from Ryan Leavitt, 25, sarcoma: Desmoplastic Small Round Cell Tumor (DSRCT), Rockland, with Vinayak Venkataraman, MD, Dana-Farber Kristen van De Geer, 43, colorectal cancer, Hanscom Airforce Base, with Juliette Van de Geer (sister) and Veronika Buckley Nick Pivetta Sarah Laffey, 27, neuroblastoma, Charlestown

Sport-bike racer, track & field All-American, multi-patent holder, biometric lab creator, The Wall Street Journal's Marketers That Matter Visionaries, and Adweek's 50 most important people are just a few of Walter Geer's self-earned epithets.  Currently the Chief Creative Officer of Innovation at VML, he has developed commercials, ad experiences, products and implemented creative strategies for brands including Progressive, Advil, and Google.  In his conversation with Ryan, Walter shares his surreal and harrowing experience of surviving a stroke, the life-saving decision to take an experimental drug, and the pivotal role his wife played in his survival. They two also explore his groundbreaking work as a founder of Blackweek, an inclusive conference and economic forum driving opportunities for diverse businesses and professionals. Tune in to this episode to discover Walter's insights on the evolving role of creative leadership and the fearless approach required to make meaningful change.

The tensions in the Middle East can be confusing for some. Who's right? Who's wrong? How do we avoid World War 3? Herbby Geer spent the last 36 years living in Israel working with Christian ministries, and he joins us this week to break the conflict down into simple terms. Supporting Israel is not just biblical, it's logical. Find out why Hamas must not be allowed to remain in power for the sake of Israel and the entire world on this episode of "Rick & Bubba University." Learn more about your ad choices. Visit megaphone.fm/adchoices

The DMD is here on THIRSTY THURSDAY! And we talk about Sara hitting a little person's burlesque show! 

We had the beautiful Hannah on today's episode, talking about her journey over the last few years. When we say we were SHOCKED with what she had to say, we meant it. Han has navigated some of the hardest years of her life which blossomed into the best, as they say when one door closes another one opens. We go into depth about her divorce when she was only 24 years old then how she quit her job, packed up her life and moved from the US to Australia within the matter of a few months. One of our biggest questions is how to navigate moving out of your home town and this episode is full of valuable insight on how to take the leap and lean into the unknown to start a new chapter. We were so grateful to have this conversation with her and know you guys will love it too. Thank you for listening, don't forgot to share with your besties & tag us in your stories.Find Hannah:@hannahgeer_ Instagram & tiktok https://www.tiktok.com/@hannahgeer_?_t=8oO4tFl4bFl&_r=1 https://www.instagram.com/hannahgeer_?igsh=YnBmdnE2bWtjcTB3Find us below:@rawreality.podcast https://www.instagram.com/rawreality.podcast/?hl=en (https://www.instagram.com/rawreality.podcast/?hl=en)@ttorisstory https://www.instagram.com/ttorisstory/ (https://www.instagram.com/ttorisstory/)@fitwithlilyy https://www.instagram.com/fitwithlilyy/ (https://www.instagram.com/fitwithlilyy/)Community Facebook group https://www.facebook.com/share/v3sbEonnywyvp1h7/ (https://www.facebook.com/share/v3sbEonnywyvp1h7/)Recording Studio @thenestburleigh https://www.instagram.com/thenestburleigh?igsh=MWs3endkcDlhNTFqaA== (https://www.instagram.com/thenestburleigh?igsh=MWs3endkcDlhNTFqaA==) Hosted on Acast. See acast.com/privacy for more information.

Emily chats with her husband, Preston, about how things have been going in his life as an actor and father. Enjoy this Mom and Dad catch up! Acting career updates @ 0:00 Preston discusses his recent acting work, including booking a lead role in a feature film before joining SAG, as well as recurring roles on Young Sheldon and the upcoming show Bookie. He reflects on the pros and cons of joining the union, noting the increased opportunities but also the loss of some non-union work. Parenting challenges and joys @ 7:00 The conversation shifts to parenting, with Preston and Emily discussing their daughter May breaking her arm and the emotional and practical challenges they faced. They emphasize the importance of being present as parents and the flexibility their careers allow. They also explore the evolving relationship between parents and their children as the kids get older. Coping mechanisms and self-care @ 39:32 Preston and Emily share the things that have been helping them cope during this time, including the Moana soundtrack, binge-watching certain TV shows, and a homemade tea concoction for vocal health and stress relief. They acknowledge the difficulties of parenting but encourage other entertainment industry parents that they are not alone. Recap and well-wishes @ 44:00 The meeting concludes with a recap of May's recovery progress and well-wishes for other parents in the entertainment industry who are navigating the challenges of their careers and family life.

The Attack on Trump -- Political & Christian perspectives from Michael Geer - 7/18/2024 As part of the Family Life News continuing coverage of the attempt on Donald Trump's life on July 13,  we continue to seek out reactions and perspectives from the Family Life listening area. Michael Geer is the founding president of the Pennsylvania Family Institute. (He had been a resident of that area north of the Pittsburgh metro area.) Family Life news producer Greg Gillispie asked Geer to comment on the likely political fallout in Pennsylvania. Winning a majority of Keystone State voters is seen by both major political parties as a key to who will win the presidency this fall. Geer says the assassination attempt, plus the former president's actions in the immediate aftermath, are likely to influence a number of uncommitted and independent voters. Geer also offers a faith-based perspective on how, moving forward, this near-death experience is likely to affect the 45th president --- and many people for whom this event can be a significant turning point.

Na een spannend verhaal over Jitse van Securail op een wc van Centraal Station start Ruben Nicolai met internationaal nieuws. Het is namelijk weer hommeles tussen Noord- en Zuid-Korea. Niemand minder dan Gerard Joling blijkt hierin een centrale rol te spelen. Ruben van der Meer bijt vervolgens het spits af en vertelt in geuren en kleuren over Jury Duty, een serie die de kijker doet denken aan The Truman Show. Tijl deelt een podcasttip: Fout. In deze innemende podcast wordt licht geschenen op kinderen van ouders die fout waren in de oorlog. Zeker het luisteren waard. Tot slot horen we van Ruben Nicolai waarom het Milgram-experiment één groot fabeltje is.

A conversation with Dave Geer, Principal Engineer for Amphenol Advanced Sensors. Dave is based in St. Marys, PA, and has been with the company for 45 years. We talk about his focus on temperature sensors, their intricacies, and the growing number of applications where these are being designed. We talk about the evolution of the sensor business in St. Marys, the many changes that have occurred, and the great position they're in now as part of Amphenol for the last ten years. We talk about his place within the sensor organization of being a mentor to many of the young engineers just beginning their careers. We talk about growing up outside St. Mary's, enjoying the outdoors, and building his own forge to make knives in his free time. We talk about enjoying every inch of life and we discuss his desert island album, book, and movie. This is The Interface. Hosted by Chris Cappello. Music by Square Seed. For The Interface podcast guest inquiries and suggestions, send a LinkedIn message to https://www.linkedin.com/in/cjcappello.

Hi Friends,   It's Nina's Note #80!In honor of this milestone, I have something new for you today, a debut interview for the Nina's Notes Podcast. On this inaugural episode, I am thrilled to welcome Michael Geer, a visionary determined to redefine our approach to aging.

Author Stephen Watts (pen name S.R. Watts) and actor and narrator Preston Geer discuss their audio book collaboration for Stephen's new novel, The Celestial Flame. This is book one in the Divine Saga, a 5-part sweeping epic that combines both fantasy and science fiction and is filled with familial dynasties, political drama and intergalactic war. Stephen wrote this novel hoping it help people find some relief from anxiety, depression and trauma, much like his favorite fantasy books (such as LOTR) did for him when he was young. And Preston Geer worked hard to bring The Celestial Flame to life in audiobook format. 

The AICPA & CIMA CFO Conference begins April 24 in Charleston, S.C. Sandy Sloyer, CPA, CGMA, and Misty Geer, CPA, CGMA are long-time members of the conference planning committee, and they joined the JofA podcast to discuss how priorities have changes for finance leaders over the past few years — and how the conference agenda has been adapted as a result. Here's a link to the list of conference sessions. What you'll learn from this episode: ·         Attendance options for the April conference. ·         How the conference planning committee adapted to the pandemic era. ·         Key issues facing CFOs and the finance function these days. ·         Agenda highlights, along with some of Geer's favorite speakers from previous years. ·         Sloyer's feeling every year when the conference ends. ·         Why the event is for current CFOs and aspiring ones.

De prijzen van koopwoningen gaan de komende twee jaar met meer dan zes procent stijgen, voorspelt de Rabobank vandaag. Een behoorlijk en geschikt huis vinden, binnen het budget, is voor veel woningzoekenden erg lastig. En hoe aantrekkelijk is dan dat koopje, dat leuke huis voor die betaalbare prijs, waar nog wel … alles nog aan moet gebeuren: het klushuis. Ook bouwmaterialen zijn de afgelopen twee jaar veel duurder geworden en aannemers blijken de hoofdprijs te vragen. Maar dat verbouwen, dat denken veel mensen ook zelf te kunnen. Social media staan vol met enthousiaste zelfklussers.   Fleur van der Geer kocht onlangs een opknaphuis en zit nu tussen het puin in Koog aan de Zaan. Eén muurtje slopen kostte d'r afgelopen weekend 8 uur en de offerte van de aannemer die ze onlangs ontving bleek toch even slikken te zijn. In de podcast vertelt ze hoe haar verbouwing verloopt. Lokke van der Wal is van het Instagram account Droom te Koop, een verzameling unieke opknaphuizen die ze op Funda spot. Ze kent veel verhalen van zelf-klussers. Succesverhalen en mislukkingen. En huizenmarkt-econoom Stefan Groot van de Rabobank legt uit waarom zo'n klushuis de moeite waard kan zijn. Deze aanpak gaat de woningcrisis niet oplossen, maar alle beetjes helpen. reageren? Mail dedag@nos.nl presentatie en montage: Mattijs van de Wiel redactie: Rosa Juffer

This episode picks up the conversation from a previous episode that told the backstory behind the purchase and distribution of robotics solutions across K-12 schools in Nebraska. On the pod, Dr. Josh Snyder and Mr. Erik Emerson of Wahoo Public Schools share the story of the devices their district received and how they are introducing products such as Bee-Bots, Tello EDU drones, and the Tetrix Prime robot to students in Wahoo schools. We are also joined once again by Pitsco's regional representative, Preston Fraizer, whose outstanding support both in-person and online has ensured easy onboarding for educators and implementation success statewide. For more on the ESUCC+Pitsco Robotics purchase and related resources, visit https://resources.pitsco.com/ne-geer-up-program

As VMLY&R's chief creative officer of Innovation for North America, Walter T Geer III has a strong pulse on culture. His beginnings go back to the early digital media days, where he is behind the patents of multiple ad units marketers might remember adding to media plans in the early 2000s.But today, Geer is going beyond digital banners to revolutionize the ad industry. In fact, he is dedicating a week to it in the form of an economic forum and marketing conference focused on unlocking the economic potential of Black and diverse consumers, otherwise known as Blackweek.On the latest episode of Yeah, That's Probably An Ad, community editor Luz Corona and Europe brand editor Rebecca Stewart sit down for a candid chat with Geer. The CCO reflects on what he wishes he knew in his early career, who he thinks are the next up-and-coming talent in the marketing industry and the objectives behind his collaborations with other Black creative leaders on the Black Madison Ave documentary and Blackweek.Join us at Commerceweek! Use code AWCOMMERCEWEEK20 at checkout to save 20%!Follow Luz Corona on LinkedInFollow Rebecca Stewart on LinkedInFollow Walter T Geer III on LinkedIn Hosted on Acast. See acast.com/privacy for more information.

Justin Quill discusses the new allegations against Joel Smith from Sports Integrity Australia. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, I discuss the life and career of Will Geer. He is best-known role was his last, Zebulon Walton, grandpa in the long-running television series The Waltons. Doug Hess is the host!

On Episode #276 of Wesam's World, we are once again joined by comedian Monty Geer! You won't wanna miss one of the most hilarious episodes of Wesam's World yet! Topics range from the comedy scene in L.A., all the way to the end of the world! The post Monty Geer appeared first on idobi.

Ohio adopted a package of laws in 2021 to strengthen supports for students with dyslexia through early screening and interventions and professional development to help educator help students with dyslexia thrive. But, as Ohio's dyslexia policy rollout continues in the 2023-2024 school year, some educators are expressing frustration. Delaware City Education Association member Natalie Geer, a ONE Member Ambassador, has been on a listening tour to better understand how the rollout has been going in different districts around the state. Plus, OEA CFO Kristy Spires shares the details about the Diversity, Innovation, Whisper, and Make-A-Wish grants available now from the OEA Educational Foundation, along with stories of how some of this grant money has been used in the past.  SHARE YOUR THOUGHTS | Natalie Geer and her fellow Ohio's New Educators (ONE) Member Ambassadors are continuing to collect stories and feedback from educators across the state about how the dyslexia policy rollout has been going in their district, which they hope to use to push for an Educator Voice Academy about the issue in the future. They are also looking into how ESSR funded positions, many of which will lose funding after this school year, are supporting the rollout of the dyslexia policy. If you'd like to share your thoughts or experiences, please email geern@oeaone.orgLEARN MORE ABOUT OEA'S EDUCATIONAL FOUNDATION GRANTS | Click here for details about the four grants available from the OEA Educational Foundation now. The application deadline for the Diversity Grants and the Innovation Grants is February 10, 2024, while the Whisper Grants for Students in Need and the Make-A-Wish grants are open year-round. SUBSCRIBE | Click here to subscribe to Public Education Matters on Apple Podcasts or click here to subscribe on Google podcasts so you don't miss a thing. And don't forget you can listen to all of the previous episodes anytime on your favorite podcast platform, or by clicking here.Featured Public Education Matters guests: Natalie Geer, Delaware City Education Association memberNatalie Geer is part of Ohio's New Educators (ONE) as a Member Ambassador. She teaches in Delaware City Schools and is part of the Central district. Geer is a Learning Support Teacher, a position created with ESSER funds. She lives in Delaware with her fiancé, two step kids, and bulldog. Kristy Spires, OEA Chief Financial Officer and Assistant Exec. Director of Business ServicesKristy is a graduate of The Ohio State University Fisher College of Business and holds a CPA in the state of Ohio, CAE, CGMA Certification and has earned the IOM designation. She has worked as an accountant and analyst in the public and private sectors in varied disciplines, including banking, international manufacturing, retail, real estate development, non-profit membership, and charities. She currently holds the position of CFO/Assistant Executive Director of Business Services for the Ohio Education Association, responsible for Financial, Membership, Human Resources, Facilities Operations, and IT Divisions. She serves on the executive management team and sits on and/or advises boards and committees. Formerly, Kristy served as the Chief Financial Officer for an international non-profit organization, The Fraternal Order of Eagles and its charitable affiliates, The Fraternal Order of Eagles Charity Foundation, Eagle Village Inc. and the Eagles Memorial Foundation. Kristy was on the Strategic Planning Committee and the Diabetes Research Center Steering Committee for the organization. The Fraternal Order of Eagles is a membership organization that unites fraternally for charitable purposes. The most recent endeavor is the building of The FOE Diabetes Research Center, a $25,000,000 fundraising project that is unprecedented in history, as the contributions are being raised through grass roots efforts of the membership. Kristy believes that volunteerism is the heart of our society and contributes time and professional services. The focus of much of her volunteerism is centered around issues of poverty, homelessness, and assisting women in underserved communities to obtain improved economic conditions for themselves and their families. Kristy is a member of the Ohio Society of CPAs, the AICPA, The American Society of Association Executives (ASAE), OSAE, and a lifetime Ohio State University Alumni member and an Alumni of Alpha Kappa Psi fraternity.Connect with OEA:Email educationmatters@ohea.org with your feedback or ideas for future Public Education Matters topicsLike OEA on FacebookFollow OEA on TwitterFollow OEA on InstagramGet the latest news and statements from OEA hereLearn more about where OEA stands on the issues Keep up to date on the legislation affecting Ohio public schools and educators with OEA's Legislative WatchAbout us:The Ohio Education Association represents about 120,000 teachers, faculty members and support professionals who work in Ohio's schools, colleges, and universities to help improve public education and the lives of Ohio's children. OEA members provide professional services to benefit students, schools, and the public in virtually every position needed to run Ohio's schools.Public Education Matters host Katie Olmsted serves as Media Relations Consultant for the Ohio Education Association. She joined OEA in May 2020, after a ten-year career as an Emmy Award winning television reporter, anchor, and producer. Katie comes from a family of educators and is passionate about telling educators' stories and advocating for Ohio's students. She lives in Central Ohio with her husband and two young children.This episode was recorded on November 28 and December 12, 2023.

Traditional Variety has been a lifelong fascination for poet and playwright Amanda Dalton. She grew up in a family that included several amateur and professional entertainers and from an early age the world of Variety Theatre was ‘in her blood'... During WW2, her dad organised and performed in a night of entertainment at King Farouk's palace in Cairo, She recalls her mum tap dancing in the kitchen as the dinner burnt. One of her most precious and prized possessions is a poster, retrieved from her uncle's home, for a variety show at the New Hippodrome, Darlington in 1938 - acts including Waldini's Famous Gypsy Band, Billy Brown Upside Down and his wonderful dog Lady and her uncle himself, Barry Phelps. With Idina Scott Gatty, Entertainer. As a child, Amanda never missed Sunday Night at the London Palladium or the Good Old Days on TV. Variety shows were her parents' favourites - her obsession with them is perhaps not surprising.The acts that have always most fascinated her are those ‘speciality' acts that disturb even as they entertain, designed to bamboozle the audience and mess with the mind. These essays will explore Amanda's relationship with the different kinds of acts that thrived as UK Variety emerged from the embers of Music Hall (1930s – 1950s). Listeners are introduced to some of the key performers, a fascinating collection of unusual and striking characters with extraordinary skills and showmanship. Essay 2: Gokkle o' Geer: Ventriloquists and their DummiesFascinated by the ‘speciality' acts that disturb even as they entertain, in this second essay of the series Amanda turns her attention to ventriloquism. Rooted in Amanda's personal experience, she considers ventriloquism's extraordinary relationship with the human gut and traces its origins to the ancient belly prophets – or gastromancers. What might the anarchic truth-speaking of the ventriloquist's doll have to tell us about both our physiology and our minds?Writer and reader, Amanda Dalton Producer, Polly Thomas Exec Producer, Eloise WhitmoreA Naked Production for BBC Radio 3.Biog Amanda Dalton is poet, playwright and essayist based in West Yorkshire. She has written extensively for BBC Radio 4 and 3 and for theatres including Manchester's Royal Exchange, Sheffield Theatres, and Theatre By The Lake, Keswick who are premiering her radical adaptation of Francis Hodgson Burnett's A Little Princess during Winter 2023-4. Her poetry collections are published by Bloodaxe Books and she has pamphlets with Smith|Doorstop and ARC. A new collection – Fantastic Voyage – is forthcoming from Bloodaxe in May 2024 and includes some poems about magic!

Why does the term "mom guilt" exist, but we've never heard of dad guilt? Let's talk about the differences and (surprising) similarities of being a mom versus a dad in the entertainment industry and life in general. And who better to chat with then my own husband and the father to our daughter - Actor, Writer, and Dad - Preston Geer