Podcast appearances and mentions of Christopher Isherwood

A dramatic SundayFirst a look at this day in History.Then Suspense, originally broadcast April 13, 1944, 81 years ago, The Marvelous Barrastro starring Orson Welles.  A great story with Orson doing his usual magnificent job playing two roles in two different Italian dialects!Followed by The Radio Guild, originally broadcast April 13, 1940, 85 years ago, Ineffable Essence Of Nothing.  A Fantasy for Radio.   A man walks through an enchanted doorway into his own future.Then Freedom USA starring Tyrone Power, originally broadcast April 13, 1952, 73 years ago, The Man Who Committed Suicide.  There is possible fraud and collusion in the "defense effort." Senator Dean Edwards is heading a Senate investigating committee to look into the matter. Followed by The CBS Radio Workshop, originally broadcast April 13, 1956, 69 years ago, Jacobs Hands. A story about a farm hand who discovers he has the power to heal. Christopher Isherwood, the co-author with Aldous Huxley, narrates the play with Vic Perrin and Virginia Gregg starring.Finally Lum and Abner, originally broadcast April 13, 1942, 83 years ago, Prize for Best Suggestion.  The boys decide the prize for the best suggestion of what to do with the $10,000 should go to old man Quincy; let's build a toll bridge in Pine Ridge!Thanks to Sean for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html

Perhaps one of the most important and foundational lectures we've ever done, this talk features a broad overview of Tantrik non-duality in the beginning and then moves on to make a case for a Vedic lifestyle and basic devotion as important foundations for more dramatic, esoteric, non-dual and transgressive practices of Goddess-oriented tantra.We also study the Vedic (and pre-Vedic) roots of Tantra and look at a few of the early schools of our tradition such as the Mīmāmsa, Pāśupata, Lakulīśa, Nyāya & Vaiśeshika to derive from them some grounding ideas for practicing Tantra safely! This lecture was given just after Shiva Ratri and Sri Ramakrishna's birthday and so we attempt to map the historical progression of ideas in Shaivism unto the life of Sri Ramakrishna where we see all these ideas expressed! Books Referenced: 1. Gospel of Sri Ramakrishna by Swami Nikhilananda, a translation of the Kathamrita by M. 2. Sri Ramakrishna and his Divine Play by Swami Chetanananda, a translation of Lilaprasangha by Swami Saradananada3. Sri Ramakrishna and His Disciples by Sister Deva Mata4. Ramakrishna and His Disciples by Christopher Isherwood 5. Sri Ramakrishna: A Prophet For The New Age by Richard Schiffman(if you're new to the literature, I would start with 3., 4. and 5. before moving on to 1. and 2. from the list above) ^You'll find a complete playlist of introductory lectures on Tantra in both theory and practice here. 00:00:00 Meditation on Lord Shiva 00:02:00 Tantrik Non-Duality in a Nutshell 00:08:40 Other Flavors of Tantra and the Progression of the Tradition00:10:36 (a digression on exegesis vs eisegesis) and "doxographical hierarchy"00:13:15 finding the foundations for Tantrik practice & the avatāra (incarnation of God) 00:19:10 our project: mapping the history of Shaivism/Tantra unto the life of Sri Ramakrishna to make a case for finding the foundations for Tantrik practice!00:20:39 The importance of Texts and accountability in teachers00:51:51 Staying Grounded as a Foundation for Esoteric Tantrik Practices 00:55:58 Why this PSA is especially relevant after Shiva Ratri 00:51:12 The importance of Veda and Vedic living, the true foundation of Tantra 01:13:00 Rta, living according to the Rhythm of Nature & Fulfilling the 5 Debts to Rsis, Gods (Forces of Nature), Ancestors, Community and Animals/Plants. 01:14:15 An Aside on Why Swami Vivekananda is Not On My Altar... 01:15:45 Sri Ramakrishna's Adherence to the Veda and Brahminical Codes of Conduct 01:20:02 Shaiva Tantras in the Vedas and "before" the Vedas: the History of our Tradition 01:26:00 Nyāya and Vaiśeshika are early Shaiva Schools! 01:28:50 Why Logic and Thinking Clearly are So Important! (lessons from Nyāya) 01:30:19 The Transgressive Practices of Early Shaivas (Lakulīśa Shaivism) and the Cult of Bhairava as a way of moving beyond the Veda in the name of Devotion! 01:35:45 the Shaiva Siddhānta as the foundation for all Tantra & Puja as the foundational Tantrik Practice Lectures happen live every Monday at 7pm PST and Friday 10am PST and again Friday at 6pm PST.Use this link and I will see you there:https://www.zoom.us/j/7028380815For more videos, guided meditations and instruction and for access to our lecture library, visit me at:https://www.patreon.com/yogawithnishTo get in on the discussion and access various spiritual materials, join our Discord here: https://discord.gg/U8zKP8yMrMSupport the show

The programme for the tenth biennial Manchester International Festival for 2025 was announced on 11 March at Aviva Studios. BTG Editor David Chadderton spoke to John McGrath, Factory International's Chief Executive and Artistic Director, and Creative Director Low Kee Hong, as well as Jonathan Watkins, director and choreographer of A Single Man, and the writer, Ntombizodwa Nyoni, and director, Monique Touko, of Liberation. The 2025 Manchester International Festival runs from Thursday 3 to Sunday 20 July. A Single Man, produced with The Royal Ballet and created by Jonathan Watkins from Christopher Isherwood's 1964 novel with new music by Jasmin Kent Rodgman and John Grant, will be at Aviva Studios from 2 to 6 July. Liberation, written by Ntombizodwa Nyoni and directed by Monique Touko, will be at the Royal Exchange Theatre from 27 June to 26 July. For more information about all of the events in the festival, see the Factory International web site.

“My life was a bit like the plot of Auntie Mame,” says this actor, writer, and drag legend. He's got stories about Linda Lavin, Christopher Isherwood, Lily Tomlin, Angela Landsbury, Vivien Leigh, Marlene Dietrich. Plus, he sings. Accompanist: Jono Mainelli. Produced with 54 Below.

Sophie Thatcher is a multifaceted star on the rise. You may have seen her last year in Heretic, opposite Hugh Grant and Chloe East, or in the Disney+ miniseries The Book of Boba Fett. Sophie also plays “Natalie” in the delicious TV series Yellowjackets on SHOWTIME. Its third season premieres on Valentine's Day.Most recently, Sophie stars in Companion alongside Jack Quaid. It's a science fiction, robot thriller that you can see in theaters right now. Sophie joins Feeling Seen to discuss Companion, her love for karaoke, and the 1972 musical Cabaret! Sophie talks about the time she auditioned for the role of Sally Bowles and the time she performed Cabaret for a school talent show. Plus, we get into Sophie's 2024 EP, Pivot & Scrape and the 90s gem that is My So-Called Life.Then Jordan has one quick thing about Prime Video's upcoming political action film G20, starring EGOT title holder Viola Davis as an ass-kicking President of the United States. We can dream! Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun. Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

di Matteo B. Bianchi | Il vostro podcast preferito torna bello riposato dalle feste per consigliarvi nuovi libri da aggiungere alle vostre liste di lettura. Ci aiutano in questo arduo compito Cornelia Bonardi della libreria "Il Parnaso del Rosa", aperta da pochissimo a Macugnaga, e Silvia Granata, autrice e ghost writer, in uscita con un progetto di racconti dal carcere di Bollate. Chiude il cerchio la scrittrice Francesca Diotallevi con un suggerimento di lettura che, promette, vi farà davvero impazzire.  LIBRI CONSIGLIATI:  UNA NUOVA VITA di Lucia Berlin, Bollati Boringhieri INTERMEZZO di Sally Rooney, Einaudi CHRISTOPHER E QUELLI COME LUI di Christopher Isherwood, Adelphi IL PARNASO AMBULANTE di Christopher Morley, Sellerio CONTROSTORIA DELL'ALPINISMO di Andrea Zannini, Editori Laterza QUADERNO PROIBITO di Alba de Cespedes, Mondadori PERPENDICOLARE AL SOLE di Valentine Cuny-Le Callet, Coconino Press CASA DI FOGLIE di Mark Z. Danielewski, 66th and 2nd Learn more about your ad choices. Visit megaphone.fm/adchoices

Rejoignez Ombline Roche pour découvrir l'histoire fascinante de la « trilogie berlinoise » de David Bowie, une période charnière dans la carrière du légendaire artiste.

Peter Parker is an author and critic, perhaps best known known for his biographies of A E Housman and Christopher Isherwood. 2024 saw the publication of the second volume of Some Men in London, Queer Life 1060-1967. In this episode he discusses the moral panic in England post World War II, the Wolfenden Committee and the partial legalisation of homosexuality. You can find out more about Peter at www.peterparkerwriter.com and follow him on Instagram @prnparker If you want to follow Mok you can find him @mokokeeffe and Louisa can be found @louisascottsewing If you have a question, please do get in touch on lovehistorypodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

durée : 00:25:47 - "Cabaret", le film de bob Fosse - Cabaret est un film musical américain réalisé par Bob Fosse sorti en 1972, adapté de la comédie musicale du même titre, elle même tirée du court roman Adieu à Berlin (Goodbye to Berlin) de Christopher Isherwood, publié en 1939 au sein du recueil de nouvelles Berlin Stories.

Eric Newman and Kate Wolf speak with Katherine Bucknell about her new biography of Christpoher Isherwood, Christopher Isherwood Inside Out. The book moves along the horizons of Isherwood's many journeys as a pathbreaking British writer whose work excavated fascist terrors and queer pleasures alike: in plays, films, memoir, voluminous diaries, and celebrated novels such as Goodbye Berlin and A Single Man. Bucknell's biography examines the tectonic forces of the 20th century that shaped Isherwood's life and career, spanning two world wars, gay liberation, the AIDS crisis, and the spiritual awakening in America of the 1950s and '60s. It brings into intimate relief an enigmatic writer whose experience shuttled between the visceral physicality of erotic desire and the gossamer abstractions of ascetic life, often-conflicted, but always yearning for deeper understanding, and committing everything to the page.

Eric Newman and Kate Wolf speak with Katherine Bucknell about her new biography of Christpoher Isherwood, Christopher Isherwood Inside Out. The book moves along the horizons of Isherwood's many journeys as a pathbreaking British writer whose work excavated fascist terrors and queer pleasures alike: in plays, films, memoir, voluminous diaries, and celebrated novels such as Goodbye Berlin and A Single Man. Bucknell's biography examines the tectonic forces of the 20th century that shaped Isherwood's life and career, spanning two world wars, gay liberation, the AIDS crisis, and the spiritual awakening in America of the 1950s and '60s. It brings into intimate relief an enigmatic writer whose experience shuttled between the visceral physicality of erotic desire and the gossamer abstractions of ascetic life, often-conflicted, but always yearning for deeper understanding, and committing everything to the page.

Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: Excerpts from "A Reader's Manifesto", published by Arjun Panickssery on September 7, 2024 on LessWrong. "A Reader's Manifesto" is a July 2001 Atlantic piece by B.R. Myers that I've returned to many times. He complains about the inaccessible pretension of the highbrow literary fiction of his day. The article is mostly a long list of critiques of various quotes/passages from well-reviewed books by famous authors. It's hard to accuse him of cherry-picking since he only targets passages that reviewers singled out as unusually good. Some of his complaints are dumb but the general idea is useful: authors try to be "literary" by (1) avoiding a tightly-paced plot that could evoke "genre fiction" and (2) trying to shoot for individual standout sentences that reviewers can praise, using a shotgun approach where many of the sentences are banal or just don't make sense. Here are some excerpts of his complaints. Bolding is always mine. The "Writerly" Style He complains that critics now dismiss too much good literature as "genre" fiction. More than half a century ago popular storytellers like Christopher Isherwood and Somerset Maugham were ranked among the finest novelists of their time, and were considered no less literary, in their own way, than Virginia Woolf and James Joyce. Today any accessible, fast-moving story written in unaffected prose is deemed to be "genre fiction" - at best an excellent "read" or a "page turner," but never literature with a capital L. An author with a track record of blockbusters may find the publication of a new work treated like a pop-culture event, but most "genre" novels are lucky to get an inch in the back pages of The New York Times Book Review. The dualism of literary versus genre has all but routed the old trinity of highbrow, middlebrow, and lowbrow, which was always invoked tongue-in-cheek anyway. Writers who would once have been called middlebrow are now assigned, depending solely on their degree of verbal affectation, to either the literary or the genre camp. David Guterson is thus granted Serious Writer status for having buried a murder mystery under sonorous tautologies (Snow Falling on Cedars, 1994), while Stephen King, whose Bag of Bones (1998) is a more intellectual but less pretentious novel, is still considered to be just a very talented genre storyteller. Further, he complains that fiction is regarded as "literary" the more slow-paced, self-conscious, obscure, and "writerly" its style. The "literary" writer need not be an intellectual one. Jeering at status-conscious consumers, bandying about words like "ontological" and "nominalism," chanting Red River hokum as if it were from a lost book of the Old Testament: this is what passes for profundity in novels these days. Even the most obvious triteness is acceptable, provided it comes with a postmodern wink. What is not tolerated is a strong element of action - unless, of course, the idiom is obtrusive enough to keep suspense to a minimum. Conversely, a natural prose style can be pardoned if a novel's pace is slow enough, as was the case with Ha Jin's aptly titled Waiting, which won the National Book Award (1999) and the PEN/Faulkner Award (2000). If the new dispensation were to revive good "Mandarin" writing - to use the term coined by the British critic Cyril Connolly for the prose of writers like Virginia Woolf and James Joyce - then I would be the last to complain. But what we are getting today is a remarkably crude form of affectation: a prose so repetitive, so elementary in its syntax, and so numbing in its overuse of wordplay that it often demands less concentration than the average "genre" novel. 4 Types of Bad Prose Then he has five sections complaining about 4 different types of prose he doesn't like (in addition to the generic "literary" prose): "evocative" prose, "muscular"...

Link to original articleWelcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: Excerpts from "A Reader's Manifesto", published by Arjun Panickssery on September 7, 2024 on LessWrong. "A Reader's Manifesto" is a July 2001 Atlantic piece by B.R. Myers that I've returned to many times. He complains about the inaccessible pretension of the highbrow literary fiction of his day. The article is mostly a long list of critiques of various quotes/passages from well-reviewed books by famous authors. It's hard to accuse him of cherry-picking since he only targets passages that reviewers singled out as unusually good. Some of his complaints are dumb but the general idea is useful: authors try to be "literary" by (1) avoiding a tightly-paced plot that could evoke "genre fiction" and (2) trying to shoot for individual standout sentences that reviewers can praise, using a shotgun approach where many of the sentences are banal or just don't make sense. Here are some excerpts of his complaints. Bolding is always mine. The "Writerly" Style He complains that critics now dismiss too much good literature as "genre" fiction. More than half a century ago popular storytellers like Christopher Isherwood and Somerset Maugham were ranked among the finest novelists of their time, and were considered no less literary, in their own way, than Virginia Woolf and James Joyce. Today any accessible, fast-moving story written in unaffected prose is deemed to be "genre fiction" - at best an excellent "read" or a "page turner," but never literature with a capital L. An author with a track record of blockbusters may find the publication of a new work treated like a pop-culture event, but most "genre" novels are lucky to get an inch in the back pages of The New York Times Book Review. The dualism of literary versus genre has all but routed the old trinity of highbrow, middlebrow, and lowbrow, which was always invoked tongue-in-cheek anyway. Writers who would once have been called middlebrow are now assigned, depending solely on their degree of verbal affectation, to either the literary or the genre camp. David Guterson is thus granted Serious Writer status for having buried a murder mystery under sonorous tautologies (Snow Falling on Cedars, 1994), while Stephen King, whose Bag of Bones (1998) is a more intellectual but less pretentious novel, is still considered to be just a very talented genre storyteller. Further, he complains that fiction is regarded as "literary" the more slow-paced, self-conscious, obscure, and "writerly" its style. The "literary" writer need not be an intellectual one. Jeering at status-conscious consumers, bandying about words like "ontological" and "nominalism," chanting Red River hokum as if it were from a lost book of the Old Testament: this is what passes for profundity in novels these days. Even the most obvious triteness is acceptable, provided it comes with a postmodern wink. What is not tolerated is a strong element of action - unless, of course, the idiom is obtrusive enough to keep suspense to a minimum. Conversely, a natural prose style can be pardoned if a novel's pace is slow enough, as was the case with Ha Jin's aptly titled Waiting, which won the National Book Award (1999) and the PEN/Faulkner Award (2000). If the new dispensation were to revive good "Mandarin" writing - to use the term coined by the British critic Cyril Connolly for the prose of writers like Virginia Woolf and James Joyce - then I would be the last to complain. But what we are getting today is a remarkably crude form of affectation: a prose so repetitive, so elementary in its syntax, and so numbing in its overuse of wordplay that it often demands less concentration than the average "genre" novel. 4 Types of Bad Prose Then he has five sections complaining about 4 different types of prose he doesn't like (in addition to the generic "literary" prose): "evocative" prose, "muscular"...

En el capítulo 65 de Al Daily te conté que entre mis objetivos de lectura para este verano estaban estos libros:- Pasión Nails, Rosario Izquierdo- La canción de los soñadores, Eva Amuedo- Unaccustomed Earth, Jhumpa Lahiri- Pedro Padilla: Ctrl alt supr o Insulina- Las cosas que perdimos en el fuego, Mariana Enríquez o Mandíbula, Mónica Ojeda- Ana Maria Matute: Olvidado rey Gudú o la torre vigía- Agata Christie: Matar es fácil o El testigo mudo- Circe, Madeline Miller o Marcovaldo, Italo CalvinoA 4 de septiembre he terminado: Pasión Nails, La Canción de los soñadores, Brujas blancas, hadas negras (de Gemma Solsona, que compré en Celsius) y Olvidado Rey Gudú.También he “beteado” dos manuscritos para Jesús Relinque, algo que también te conté aquí, más concretamente en el capítulo 89.Los 3 clubes de lectura a los que asisto ya han anunciado su calendarios y ya tengo los primeros títulos: “Out of the silent planet”, C. S. Lewis (26 de septiembre); “La mano izquierda de la oscuridad”, Ursula K. Le Guin (7 de octubre) y “A single man”, Christopher Isherwood (10 de octubre). Como aún no tengo dos de estos tres libros, quiero terminar de leer los relatos de Jhumpa Lahiri y el libro “Cápsulas” de María Cortés, que puedes comprar en Apple Books: https://books.apple.com/es/book/ca-psulas-temporada-1/id6630388140Dime qué te ha parecido este capitulo y deja un comentario en ivoox o Spotify.Si lo prefieres, envíame un correo electrónico a la dirección de gmail almadailypodcast. En redes soy @almajefi y me encuentras en X / Twitter, Bluesky, Threads, Instagram y Telegram.

Today, we're joined by one of our favorite writers and thinkers, Vinson Cunningham, to discuss his excellent debut novel, Great Expectations, which tells the story of brilliant-but-unmoored young black man, David Hammond, who finds himself recruited — by fluke, folly, or fate — onto a historic presidential campaign for a certain charismatic Illinois senator. A staff writer at the New Yorker, Vinson also worked for Obama's 2008 campaign in his early twenties. (He bears at least some resemblance to his protagonist.) And his novel provides a wonderful jumping-off point for a deep discussion of political theater, the novel of ideas, race, faith,  the meaning of Barack Obama, and the meaning of Kamala Harris. Also discussed: Christopher Isherwood, Saul Bellow, Garry Wills, Ralph Ellison, Marilynne Robinson, Paul Pierce, and Kobe Bryant! If you can't get enough Vinson, check out his podcast with Naomi Fry and Alexandra Schwartz, Critics at Large.  Sources:Vinson Cunningham, Great Expectations: A Novel (2024)— "The Kamala Show," The New Yorker, Aug 19, 2024— "Searching for the Star of the N.B.A. Finals," The New Yorker, June 21, 2024— "Many and One," Commonweal, Dec 14, 2020.Saul Bellow, Ravelstein  (2001) Garry Wills, Lincoln at Gettysburg (1992)Ralph Ellison, Invisible Man (1952)— Shadow and Act (1964)David Haglund, "Leaving the Morman Church, After Reading a Poem," New Yorker Radio Hour, Mar 25, 2016. Phil Jackson, Sacred Hoops: Spiritual Lessons of a Hardwood Warrior (1995)Glenn Loury, Late Admissions: Confessions of a Black Conservative (2024)Matthew Sitman, "Saving Calvin from Clichés: An Interview with Marilynne Robinson," Commonweal, Oct 5, 2017...and don't forget to subscribe to Know Your Enemy on Patreon so you can listen to all of our premium episodes!

It's a double-up week here on Done and Dunne! In this first drop, we travel to the California home of Joanne Carson where Truman Capote spent his last days in August of 1984, forty years ago. Truman, infamous writer and collector of Swans, has some pretty epic stories in his last months, as told by his friends before his passing on August 25. Then, we drop in on Truman's first memorial service with mourners attached to Dominick Dunne in so any ways, including John Gregory Dunne, Joan Didion, Carol Marcus Matthau, Robert Blake, Artie Shaw and Christopher Isherwood. It's a whole hot mess, that leads into tomorrow's drop. There is always an investigation around this place.  All sources can be found at doneanddunne.com. Continue your investigation with ad-free and bonus episodes on Patreon! To advertise on Done & Dunne, please reach out to info@amplitudemediapartners.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The twentieth-century author Christopher Isherwood, made famous by his 1930s work in Berlin, approached his writing about queerness, politics and religion with frankness and wit. The writer repeatedly fictionalised himself and his friends in his novels. Katherine Bucknell, the editor of four volumes of Isherwood's diaries and letters, explains that it was his mother's own diaries that first introduce us to the character of Isherwood. Using a wealth of unpublished material, Bucknell reveals the drama and complexity of the author's inner world in an epic new biography. See omnystudio.com/listener for privacy information.

Katherine Bucknell discusses with Ivan six things which should be better known. Katherine Bucknell edited all four volumes of Christopher Isherwood's Diaries , a volume of letters between Christopher Isherwood and his partner Don Bachardy (The Animals), and W.H. Auden's Juvenilia: Poems 1922-1928. Co-editor of Auden Studies, a founder of The W. H. Auden Society, and director of the Christopher Isherwood Foundation, she is widely recognised as a leading authority on Isherwood, and her new biography Christopher Isherwood Inside Out is now available. She is also the author of five novels. She was born in Vietnam, raised in America, and lives in London. Christopher Isherwood's novel Prater Violet https://lonesomereader.com/blog/2024/1/30/prater-violet-by-christopher-isherwood DH Lawrence's novel The Lost Girl https://journals.openedition.org/lawrence/2328 The Nucleo Project https://www.thenucleoproject.org/ Marfa Stance https://www.marfastance.com/ How scallops move https://www.youtube.com/watch?v=PGdXxoHJaBA The value of memorising poetry https://theconversation.com/ode-to-the-poem-why-memorising-poetry-still-matters-for-human-connection-121622 This podcast is powered by ZenCast.fm

La autobiografía de juventud del renombrado creador británico Christopher Isherwood, que lleva por título Christopher y su gente (1976), es la lectura escogida por el poeta y escritor Ismael Ramos (Ligero, La parte fácil) para un nuevo episodio de Maricapáginas, el club de lectura marica en formato podcast de Enrique Aparicio. Agradecimientos a NUMAX, en cuyas oficinas en Santiago de Compostela se grabó este episodio.

Hans en Chrétien praten over het heengaan van de literaire reus Paul Auster, de onverwachtse populariteit van de boekwinkel, feiten en mythes over ontlezing en de cadeau-mok van het CPNB. Daarnaast duiken zij achtereenvolgens in de roman ‘Een man alleen' (Christopher Isherwood) en de geëngageerde dichtbundel ‘Ik heb een afgehakte hand voor je meegenomen' (Ghayath Almadhoun). Luister, like en abonneer.

Christopher Isherwood nació en Inglaterra en 1904 y murió en EEUU en 1986. Es el autor de 'Adiós a Berlín' (que llevó al cine Bob Fosse con el título de 'Cabaret'), 'El señor Norris cambia de tren' y 'La violeta del Prater'. 'Un hombre soltero' se publicó en 1964.

"Berlin 1930" ist ein literarisch-musikalisches Mosaik: Aus Ausschnitten von Werken von Alfred Döblin, Kurt Kersten, Christopher Isherwood und Irmgard Keun entwickelt sich ein akustisches Bild der pulsierenden Hauptstadt. Mit Songs aus der "Dreigroschenoper" und in populären Schlagern und Chansons aus jenen Tagen, tritt das Jahr 1930 aus den Schatten der Vergangenheit wieder hervor. Mit Helga Mietzner, Heinz Stoewer, Thomas Fabian, Rolf Becker Von Mogens Knudsen Regie: Herbert Brunar Produktion: HR 1960 www.hr2.de/programm

Este año conmemoramos el centenario de la muerte del escritor checo Franz Kafka y la editorial Páginas de Espuma ha facturado una espectacular edición de "Los cuentos completos" del autor entre los que se encuentra "La transformación" (antes "la metamorfosis"). En nombre de Franz Kafka han hablado en el programa su traductor Alberto Gordo y el escritor Andrés Neuman, prologuista de esta edición de lujo.  Ellos dos se han metido en la piel del escritor bohemio para decirnos dos libros que supuestamente Kafka donaría que han sido:  "David Coperfield" de Charles Dickens" (Alba y Austral)  y "El Golem" de Gustav Meyrink (Alianza) . Los libros que Antonio Martínez Asensio ha relacionado esta semana con la actualidad han sido "La reina del sur" de Arturo Pérez Reverte (Alfaguara) , "Ensayo sobre la lucidez" de José Saramago (DeBolsillo) , Número cero" Umberto Eco (Lumen) "El amo de la pista" de Luis Mateo Díez (Alfaguara). Las novedades nos las han traído Pepe Rubio y Sergio Castro y han sido  "Mileva Einstein, teoría de la tristeza" de Svalenka Drakulic (Galaxia Gutemberg)  "Al otro lado de la niebla" de Juan Luis Arsuaga (Destino)  "Pequeño hablante" de Andrés Neuman (Alfaguara) . Pascual Donate ha rescatado de la redacción el número 150 de la Revista Turia dedicado a Franz Kafka. El libro de "Un libro, un hora" ha sido "Un hombre soltero" de Christopher Isherwood (Acantilado) . Y por último, las donaciones de los oyentes que han sido: "El palacio azul de los ingenieros belgas" de Fulgencio Argüelles (Acantilado) y "Las uvas de la ira" de John Steinbeck (Tusquets) 

Charmian Kittredge London (1871-1955) may be best known as the wife of the famous American writer Jack London, but she was herself a literary trailblazer - and the epitome of a modern woman. In this episode, Jacke talks to biographer Iris Jamahl Dunkle (Charmian Kittredge London: Trailblazer, Author, Adventurer) about the intriguing life and inspirational career of an underappreciated literary figure. PLUS Mike Palindrome, President of the Literature Supporters Club, makes the case for the greatness of Christopher Isherwood, and Duncan Yoon (China in Twentieth- and Twenty-First Century African Literature) stops by to discuss his choice for the last book he will ever read. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Everyone's in the mood for love but nobody seems to be able to make a connection in this week's episode, “Dancing in the Dark,” with Angela longing for a kiss from Jordan, Patty hoping Graham will sweep her off her feet, and Brian hoping against hope to get some extra credit (and not just the academic kind). I'll be talking to the delightful Michael Hobbes (Maintenance Phase, If Books Could Kill, You're Wrong About), a first-time viewer whose opinion of the show is starting to change; and also the delightful Terrence Moss, who knows everything there is to know about television and has a few critiques of my fashion choices. And as always, James is here to share his insights — including a shocking comparison of My So-Called Life to the anime Neon Genesis Evangelion and the Christopher Isherwood novel on which Cabaret is based. I promise it'll all make sense.Join me on Patreon at patreon.com/mattbaume.Music by Caleb Martin - www.MartinMusicMedia.com

Der Einzelgänger ist ein Kabinettstück und eine der geistreichsten Gesellschaftskritiken, die auch mehr als 40 Jahre nach ihrem Erscheinen nichts von ihrer bitteren Wahrheit eingebüßt hat.

For ten months in 1938, Hankou in Wuhan was the center of China's Second United Front and defense against the Japanese invasion.Artistic expression, political parties and free speech all blossomed. Neither the KMT nor the Communist Party fully controlled the city and a variety of generals, thinkers and artists came together to defend against Japanese aggression. Wuhan was under the control of Generals Li Zongren and Bai Zhongxi, heroes of the Chinese victory at Taierzhuang. There was optimism that the Japanese could be stalled and stopped. Robert Capra came to Wuhan to film the heroic defence. Dr. Norman Bethune brought medical care to the Eighth Route Army. W. H. Auden and Christopher Isherwood visited and wrote a book about the war zone. General Han Fuju was executed for giving up Shandong without a fight.But the Chinese underestimated Japanese combined arms and amphibious attacks. The forts they built to defend against the Japanese Navy moving up the Yangzi River were vulnerable to land based attacks. The Chinese Nationalist Army during the Second Sino-Japanese War suffered similar defeats to the Qing defenders during the Opium War.With the fall of Hankou came an end to the freedom and optimism of Wuhan in 1938. Chiang Kaishek lost 80% of his officers and over a million soldiers dead or injured. The Japanese attackers also suffered their worst losses of the war and stopped their assault on the Yangzi River and instead turned their focus to north China.The internationalist wing of the Communist Party of China also had their final moment with the fall of Hankou. Soon, Mao Zedong's supremacy from rural Yanan would become dominant.Major sources:MacKinnon, Stephen. (1996). The Tragedy of Wuhan, 1938. Modern Asian Studies , Oct., 1996, Vol. 30, No. 4, Special Issue: War in Modern China (Oct., 1996), pp. 931-943. Cambridge University PressandWu, D. (2022). The cult of geography: Chinese riverine defence during the Battle of Wuhan, 1937-1938. War in History, 29(1), 185-204.Image: "Joris Ivens, John Fernhout en Robert Capa aan het werk in Hankow, China, RP-F-2012-139.jpg" by Rijksmuseum is marked with CC0 1.0. Hosted on Acast. See acast.com/privacy for more information.

Dodie Smith was a phenomenally prolific writer who experienced huge success in her lifetime but is now remembered mainly for her much-loved coming of age novel I Capture the Castle, and her bestselling The Hundred and One Dalmatians.  In this quarter's literary podcast, coinciding with the revival of her play Dear Octopus at the National Theatre, Dodie's biographer Valerie Grove joins the Slightly Foxed Editors and new presenter Rosie Goldsmith at the kitchen table to talk about the life and work of ‘little Dodie Smith', who started writing a journal at the age of 8 and continued every day until she was 90.  Dodie grew up among her mother's family – an experience she brilliantly recalled in Look Back with Love. Dodie's uncles loved the theatre and encouraged her passion for the stage, leading her to train as an actor, with limited success. After years of struggle she turned her hand to writing and soon sold her first play, Autumn Crocus, which launched her career. Success followed, along with fur coats, glittering friends, a Rolls-Royce and the arrival of Dodie's first Dalmatian. Then it was off to America where she and her husband spent the Second World War, joining a literary circle that included Christopher Isherwood and Aldous Huxley. Dodie was terribly homesick and longed to return to home, yet it was her exile that produced I Capture the Castle, a novel through which her nostalgia for England permeates. We end with a round-up of New Year reading recommendations, including a recent biography of the poet John Donne, Super-Infinite by Katherine Rundell, and The Last English King by Julian Rathbone, a historical novel set in the years before the Battle of Hastings.  For episode show notes, please see the Slightly Foxed website. Opening music: Preludio from Violin Partita No. 3 in E Major by Bach Hosted by Rosie Goldsmith Produced by Philippa Goodrich

Lee and Simon ensure they talk about something and end up deep in the land of world politics.A list of things they cover: Susan's concern about lack of content, fist bumps, clearing throat sounds in middle-aged men, slowing down, elderly neighbours, still being above ground, far right victory in the Netherlands, Christopher Isherwood's The Berlin Diaries, Lee singing, how and why something is important, requels, Scream 7 (and other horror movies), Melissa Barrera being fired, riots in Dublin, UK's Secretary of State calling a place in the north a shithole, things feeling febbrile, and not-so-long-ago anxiety about WWII.  Get in touch with Lee and Simon at info@midlifing.net. ---The Midlifing logo is adapted from an original image by H.L.I.T: https://www.flickr.com/photos/29311691@N05/8571921679 (CC BY 2.0)

Musical month continues with Indy's favourite, the 1972 film Cabaret! It's a long one, but a good one as we discuss; the performance of Liza Minnelli, thoughts of political apathy, the amazing songs, the insidious spread of fascism, disturbing visuals, and how it is the perfect version of a 1970s musical. Cabaret is a 1972 American musical period drama film directed by Bob Fosse from a screenplay by Jay Presson Allen, based on the stage musical of the same name by John Kander, Fred Ebb, and Joe Masteroff, which in turn was based on the 1951 play I Am a Camera by John Van Druten and the 1939 novel Goodbye to Berlin by Christopher Isherwood. It stars Liza Minnelli, Michael York, Helmut Griem, Marisa Berenson, Fritz Wepper, and Joel Grey. Multiple numbers from the stage score were used for the film, which also featured three other songs by Kander and Ebb, including two written for the adaptation.   Cabaret Trailer: https://www.youtube.com/watch?v=uhbq2WFctBM&ab_channel=EduardoBarauna

We are continuing musical month! Indy recommends the brutality of Metalocalypse, and the blacker than the blackest black times infinity music of Dethklok, Samantha loves the musical Wicked, and we preview next week's deep dive, Cabaret! Dethklok is a fictional melodic death metal band featured in the Adult Swim animated television series Metalocalypse, known for its satirical or parodic lyrical themes. The first official Dethklok album was released on September 25, 2007, entitled The Dethalbum. The album debuted at number 21 on Billboard magazine's Top 200 list. The band released Dethalbum II on September 29, 2009, and toured with Mastodon, High on Fire, and Converge. The band's third album, Dethalbum III, was released on October 16, 2012. The soundtrack to the special episode, Metalocalypse: The Doomstar Requiem was released on October 29, 2013. A real band was set up in order to perform the band's music in live shows. Both bands were created by Brendon Small and Tommy Blacha. The music heard on Metalocalypse is performed by Brendon Small, with others needed for live concerts and albums.    Metalocalypse is an American musical adult animated television series created by Brendon Small and Tommy Blacha for Adult Swim. It premiered on August 6, 2006. The television program centers on the larger-than-life melodic death metal band Dethklok, and often portrays dark and macabre content, including such subjects as violence, death, and the drawbacks of fame, with hyperbolic black comedy. The show was widely heralded as both a parody and a pastiche of heavy metal culture. Dethklok on Spotify: https://open.spotify.com/artist/7u12AuhJ5AaJIgZAZe0US8   Wicked is a musical with music and lyrics by Stephen Schwartz and book by Winnie Holzman. It is based on the 1995 Gregory Maguire novel Wicked: The Life and Times of the Wicked Witch of the West, in turn based on L. Frank Baum's 1900 novel The Wonderful Wizard of Oz and its 1939 Metro-Goldwyn-Mayer film adaptation.   Cabaret is a 1972 American musical period drama film directed by Bob Fosse from a screenplay by Jay Presson Allen, based on the stage musical of the same name by John Kander, Fred Ebb, and Joe Masteroff,[3] which in turn was based on the 1951 play I Am a Camera by John Van Druten and the 1939 novel Goodbye to Berlin by Christopher Isherwood. It stars Liza Minnelli, Michael York, Helmut Griem, Marisa Berenson, Fritz Wepper, and Joel Grey. Multiple numbers from the stage score were used for the film, which also featured three other songs by Kander and Ebb, including two written for the adaptation.   Cabaret Trailer: https://www.youtube.com/watch?v=uhbq2WFctBM&ab_channel=EduardoBarauna I Love This You Should Too is hosted by Samantha & Indy Randhawa

For their summer 2024 menswear collections, not one but two French designers have sought inspiration in literature. Louis-Gabriel Nouchi turned to Christopher Isherwood's "A Single Man", while Jeanne Friot dived into "The Little Mermaid", both books that explore the complexities and the often-repressed desires of the queer community. We also meet Mark Bryan, a robotics engineer who loves subverting the sartorial status quo by wearing skirts and heels in his daily life.

Stefanie Syman author of The Subtle Body: The Story of Yoga in America The stages of evolution | In 1898 it was crazy and scandalous for whites | Theos Bernard | Vivekananda | Indra Devi makes it more normal | Staying away from metaphysics | Making yoga palatable for the West | Differences in UK | Yoga in the 60s | Psychedelics | The Beatles | Gurus & ashrams | 1970s | Therapeutic yoga | Marshmallow yoga | Transition to Ashtanga & Bikram | Asana as a Trojan horse | What is next for yoga? (more about Stefanie below) Support Us  Subscribe, like, comment and share with your friends Donate: https://keenonyoga.com/donate/ Buy us a coffee: https://www.buymeacoffee.com/infoRf Become a Patron:  https://keenonyoga.com/membership/  Exclusive content, yoga & lifestyle tips, live Zoom meet-ups & more.  €10 per month, cancel at any time. Connect With Keen On Yoga Instagram Keen on Yoga: https://www.instagram.com/keen_on_yoga/ Instagram Adam Keen: https://www.instagram.com/adam_keen_ashtanga/ Website: https://keenonyoga.com/ Stefanie is an author and company builder. She's practised (mostly) Ashtanga Yoga for 25+ years. She is the author of The Subtle Body, The Story of Yoga in America Yoga's history in America is longer and richer than even its most devoted practitioners realize. It was present in Emerson's New England, and by the turn of the twentieth century, it was fashionable among the leisure class. And yet when Americans first learned about yoga, what they learned was that it was a dangerous, alien practice that would corrupt body and soul. A century later, you can find yoga in gyms, malls, and even hospitals, and the arrival of a yoga studio in a neighbourhood is a signal of cosmopolitanism. How did it happen? It did so, Stefanie Syman explains, through a succession of charismatic yoga teachers, who risked charges of charlatanism as they promoted yoga in America, and through generations of yoga students, who were deemed unbalanced or even insane for their efforts. "The Subtle Body," tells the stories of these people, including Henry David Thoreau, Pierre A. Bernard, Margaret Woodrow Wilson, Christopher Isherwood, Sally Kempton, and Indra Devi. From New England, the book moves to New York City and its new suburbs between the wars, to colonial India, to postwar Los Angeles, to Haight-Ashbury in its heyday, and back to New York City post-9/11. In vivid chapters, it takes in celebrities from Gloria Swanson and George Harrison to Christy Turlington and Madonna. And it offers a fresh view of American society, showing how a seemingly arcane and foreign practice is as deeply rooted here as baseball or ballet. This epic account of yoga's rise is absorbing and often inspiring - a major contribution to our understanding of our society.

Our guest is writer, educator, and theater maker Allison Vincent and we talk about the queer book that saved her life: the novella Goodbye to Berlin by Christopher Isherwood.Goodbye to Berlin is a Queer classic. Our hero moves to Berlin where he meets the incomparable Sally Bowles. They become roommates as he explores Berlin and his sexuality. The novella was adapted into the award-winning theatrical production and film Cabaret.For Allison, it not only saved her in writing her college thesis, but it also provided visibility to her as a Queer woman to see herself represented in history. We dive into all the queer meanings of the novella's most famous line: "I am a camera with a shutter open, quite passive, recording, not thinking" and threading together all of our different identities.Buy Goodbye to BerlinVisit thisqueerbook.com/bookshop to purchase Goodbye to Berlin and all the books we discuss on our podcasts.Connect with AllisonTwitter: @allisonrvincentFacebook: https://www.facebook.com/profile.php?id=13955074Transatlantic Love Affair:  https://www.transatlanticloveaffair.orgBecome an Associate Producer!Become an Associate Producer of our podcast through a $20/month sponsorship on Patreon! A professionally recognized credit, you can gain access to Associate Producer meetings to help guide our podcast into the future! Get started today: patreon.com/thisqueerbookCreditsHost/Founder: J.P. Der BoghossianExecutive Producer: Jim PoundsAssociate Producers: Archie Arnold, Natalie Cruz, Paul Kaefer, Nicole Olila, Joe Perazzo, Bill Shay, and Sean SmithPatreon Subscribers: Awen Briem, Stephen D., Thomas Michna, and Gary Nygaard.E-Lending LibraryQuatrefoil Library has created a curated lending library made up of the books featured on our podcast! If you can't buy these books, then borrow them! Link: https://libbyapp.com/library/quatrefoil/curated-1404336/page-1“We all have two lives. The second begins the moment we realize we have only one.” Laurel Morales hosts this podcasts featuring stories of people who have faced darkness and how those moments transformed them. 2 Lives has been featured on Apple Podcasts shows “WE LOVE,” ranked fourth in the personal journals category, and listed among “Spotify's Top Episodes of 2021.”Support the show

Kaffe Fassett's textiles are unmistakable: in bright cerise and crimson and cobalt, his stripes and flowers burst onto the scene back in the seventies, and he's been designing ever since. Brought up in a log cabin on the Californian coast, he's lived for fifty years in Kilburn, north-west London, a house where every surface is painted or mosaicked or embroidered – and stuffed full of antique textiles and pots. In fact, it's so full of stuff that his partner, Brandon, had to retreat to a white room of his own. But Kaffe would like us all to get sewing, or embroidering or knitting. He's the author of numerous books which share his designs, and currently has an exhibition of his quilts at the Fashion and Textile Museum that will soon travel around Scotland. In conversation with Michael Berkeley, Kaffe reveals that he first left California for Britain as a young man after a chance meeting with Christopher Isherwood, who so beguiled him that he was determined to see Europe for himself. He talks about growing up gay at a time when it was still illegal, and how he never felt he fitted in – he was the boy at school wearing bright orange corduroy. He reveals that he bought some wool and then begged a woman opposite him on the train home to teach him to knit. Since then, he's never looked back, and however busy he is, he makes time to knit and embroider, finding it a chance to meditate and recover. His music choices include Arvo Pärt, The Beatles and Schumann's “Scenes from Childhood”.

In 1983, ten years after W. H. Auden's death, the New York Institute for the Humanities organized a series of readings and discussions of his work. In this episode from the Vault, Edward Mendelson, Auden's literary executor, moderates a discussion between Christopher Isherwood and Stephen Spender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1983, ten years after W. H. Auden's death, the New York Institute for the Humanities organized a series of readings and discussions of his work. In this episode from the Vault, Edward Mendelson, Auden's literary executor, moderates a discussion between Christopher Isherwood and Stephen Spender. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1983, ten years after W. H. Auden's death, the New York Institute for the Humanities organized a series of readings and discussions of his work. In this episode from the Vault, Edward Mendelson, Auden's literary executor, moderates a discussion between Christopher Isherwood and Stephen Spender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1983, ten years after W. H. Auden's death, the New York Institute for the Humanities organized a series of readings and discussions of his work. In this episode from the Vault, Edward Mendelson, Auden's literary executor, moderates a discussion between Christopher Isherwood and Stephen Spender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In 1983, ten years after W. H. Auden's death, the New York Institute for the Humanities organized a series of readings and discussions of his work. In this episode from the Vault, Edward Mendelson, Auden's literary executor, moderates a discussion between Christopher Isherwood and Stephen Spender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In 1983, ten years after W. H. Auden's death, the New York Institute for the Humanities organized a series of readings and discussions of his work. In this episode from the Vault, Edward Mendelson, Auden's literary executor, moderates a discussion between Christopher Isherwood and Stephen Spender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Subscribe to Know Your Enemy on Patreon to listen to this bonus episode, and all of our bonus content: https://www.patreon.com/knowyourenemyMatt and Sam pick up where they left off in their recent mailbag episode and keep answering listener questions. Topics include: KYE merchandise, the existence of Hell, Francis Fukuyama, Mormonism, gun violence, and more. Sources:David Bentley Hart, That All Shall Be Saved (Yale University Press, 2019)John G. Turner, Brigham Young: Pioneer Prophet (Harvard University Press, 2012)Francis Fukuyama, "Still the End of History," Atlantic, October 17, 2022Francis Fukuyama, The End of History and the Last Man (Free Press, 1992)W.H. Auden, "In Memory of Sigmund Freud" (1940)Christopher Isherwood, Christopher and His Kind (Farrar, Straus & Giroux, 1976)Sohrab Ahmari, "Urban Jeremiah: Mike Davis, 1946-2022," Compact, October 26, 2022

The BBC has had a powerful influence on our musical taste, and in this BBC centenary year, Nicholas Kenyon, a former controller of Radio 3 and director of the Proms, delves into the archives to explore the BBC's role in reviving the centuries of early music from before the 18th century. In five programmes he looks at the rare repertory which the BBC broadcast, from its small beginnings in the 1920s to its acceptance in the mainstream during the 1970s. Drawing on entertaining and illuminating extracts from the BBC archives, with original music recordings, Kenyon shows the way in which early music and period-style performance gradually became part of our musical consciousness and an essential part of our listening. In his first essay, Kenyon explores how in the 1920s there was a new approach to performing the music of past, which tried to recreate the scale and sound of the music when it was written. Pioneers on the radio included Percy Warlock (pen-name of the composer Philip Heseltine) who broadcast ‘Old Ayres and Keyboard Music', and claimed that ‘there is no such thing as progress in music. A good work of 300 years ago is just as perfect now as it was on the day it was written'. The quirky Violet Gordon Woodhouse, who famously lived with four men, was the first to record and broadcast on the harpsichord. The violinist André Mangeot, who was fictionalised in a book by Christopher Isherwood, worked with Warlock to revive viol music of Henry Purcell from 1680. But there were internal BBC controversies as to whether this early music was of real interest to listeners. Presented by Nicholas Kenyon Produced by Melissa FitzGerald

The British spy novel was well established long before Ian Fleming's creation of James Bond in the 1950s. And while it came to be identified with the Cold War, thanks to Fleming and subsequent writers like John le Carré, thriller aficionados continued to look back to earlier authors for novels with a different set of stakes. In this episode, Jacke talks to scholar and journalist Juliette Bretan about the issues at work in the spy novels of the 1930s. With Europe in flux, what were the protagonist spies busy doing? And how did those reflect the passions and fears of their creators? Authors discussed include Graham Greene, Christopher Isherwood, Rex Warner (The Wild Goose Chase, The Professor), Eric Ambler (The Dark Frontier, Uncommon Danger, A Coffin for Dimitrios) and Geoffrey Household (Rogue Male). Additional listening suggestions: 114 Christopher Marlowe: What Happened and What If? 39 Graham Greene 380 Ian Fleming | PLUS The Black James Bond Help support the show at patreon.com/literature or historyofliterature.com/shop. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jean Ross (1911-1973) inspired the character Sally Bowles, the cabaret singer in Christopher Isherwood's novel, Goodbye to Berlin, as well as the musical adaptation, Cabaret. Where fictional Sally was untroubled and naive, her real-life counterpart was driven, politically-engaged, and curious. This month, we're talking about muses–women who were drivers of creativity and inspiration. Once again, we're proud to partner with Mercedes-Benz (whose famous namesake was inspired by a young muse named Mercedes). Tune in daily for stories of women whose lives inspired work that has shaped our culture.History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should.Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more.  Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Liz Smith, Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Ale Tejeda, Sara Schleede, and Alex Jhamb Burns. Special thanks to Shira Atkins. Original theme music composed by Miles Moran.We are offering free ad space on Wonder Media Network shows to organizations working towards social justice. For more information, please email Jenny at pod@wondermedianetwork.com.Follow Wonder Media Network:WebsiteInstagramTwitter

We're continuing our celebration of Pride Month with Christopher Isherwood, who not only contributed greatly to gay literature, but also served as a model for what an open and public queer relationship could look like. Join us to explore his plays, novels, short stories, screenplays, along with many delightful/wild/thrilling  facts and stories that made Isherwood a true ICON! 

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Wystan Hugh Auden was born in York, England, on February 21, 1907. He moved to Birmingham during childhood and was educated at Christ Church, Oxford. As a young man he was influenced by the poetry of Thomas Hardy and Robert Frost, as well as William Blake, Emily Dickinson, Gerard Manley Hopkins, and Old English verse. At Oxford his precocity as a poet was immediately apparent, and he formed lifelong friendships with two fellow writers, Stephen Spender and Christopher Isherwood. In 1928, his collection Poems was privately printed, but it wasn't until 1930, when another collection titled Poems (though its contents were different) was published, that Auden was established as the leading voice of a new generation.Ever since, he has been admired for his unsurpassed technical virtuosity and an ability to write poems in nearly every imaginable verse form; the incorporation in his work of popular culture, current events, and vernacular speech; and also for the vast range of his intellect, which drew easily from an extraordinary variety of literatures, art forms, social and political theories, and scientific and technical information. He had a remarkable wit, and often mimicked the writing styles of other poets such as Dickinson, W. B. Yeats, and Henry James. His poetry frequently recounts, literally or metaphorically, a journey or quest, and his travels provided rich material for his verse.He visited Germany, Iceland, and China, served in the Spanish Civil war, and in 1939 moved to the United States, where he met his lover, Chester Kallman, and became an American citizen. His own beliefs changed radically between his youthful career in England, when he was an ardent advocate of socialism and Freudian psychoanalysis, and his later phase in America, when his central preoccupation became Christianity and the theology of modern Protestant theologians. A prolific writer, Auden was also a noted playwright, librettist, editor, and essayist. Generally considered the greatest English poet of the twentieth century, his work has exerted a major influence on succeeding generations of poets on both sides of the Atlantic. W. H. Auden served as a chancellor of the Academy of American Poets from 1954 to 1973, and divided most of the second half of his life between residences in New York City and Austria. He died in Vienna on September 29, 1973.From https://poets.org/poet/w-h-auden.For more information about W. H. Auden:Previously on The Quarantine Tapes:Garnette Cadogan about Auden, at 16:48: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-101-garnette-cadoganRuha Benjamin about Auden, at 13:10: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-129-ruha-benjamin“W. H. Auden, The Art of Poetry No. 17”: https://www.theparisreview.org/interviews/3970/the-art-of-poetry-no-17-w-h-auden“W. H. Auden”: https://www.poetryfoundation.org/poets/w-h-auden“The Messy Genius of W. H. Auden”: https://www.neh.gov/humanities/2018/summer/feature/the-messy-genius-w-h-auden

Don Bachardy talks about the 33-years he spent with Christopher Isherwood (author of A Single Man and The Berlin Stories, which became the musical, Cabaret) and what it was like being an out gay couple in the 50s and 60s. Born in 1934, Don has gone on to become of the most respected portrait artists of our time.  This is part of our new LGBTQ+ Elders Project. Click here to listen to our recent interview with the 73-year-old titan of trans history, Jamison Green. LGBTQ&A is hosted by Jeffrey Masters and produced by The Advocate magazine, in partnership with GLAAD. A condensed transcript of each week's interview is posted on The Advocate's website. Follow us on Twitter: @lgbtqpod [This interview was originally recorded in January 2019.]

Opowiadam o filmie „Kabaret” (1972) Boba Fosse'ego. O kontekście międzywojennego Berlina opowiada prof. Iwona Luba (Uniwersytet Warszawski). 00:00:00-00:00:19 CZOŁÓWKA (kompozytor: Artur Guza) 00:00:19-00:11:19 POWITANIE 00:11:19-00:16:02 ROZDZIAŁ 1: Kilka słów o „Kabarecie” 00:16:02-00:29:45 ROZDZIAŁ 2: Kim był Christopher Isherwood? 00:29:45-01:01:00 ROZDZIAŁ 3: Berlin epoki Weimarskiej 01:01:00-01:22:05 ROZDZIAŁ 4: Kabaret Broadwayowski 01:22:05-01:30:25 ROZDZIAŁ 5: „Kabaret” filmowy - początki 01:30:25-01:42:52 ROZDZIAŁ 6: „Kabaret” filmowy - zdjęcia 01:42:52-01:50:20 ROZDZIAŁ 7: „Kabaret” filmowy - arcydzieło 01:50:20-02:02:00 ROZDZIAŁ 8: „Kabaret” filmowy - recepcja 02:02:00-02:08:09 ROZDZIAŁ 9: Drugie życie „Kabaretu”

Hey Reservos! This week we are discussing Tom Ford's directorial debut, A Single Man! Listen as we breakdown this impressive adaptation of Christopher Isherwood's novel from the incredible score to what the house and its architecture actually represent. Enjoy!