Podcast appearances and mentions of Todd Reynolds

Disasters happen. Communities come together to recover and rebuild. Governments and NGOs help however they know how.  Will Heegaard sees every disaster as a chance to build back greener. His non-profit provides power and water from nature. · power from the sun - instead of gas generators· water from the air - instead of plastic water bottlesHe helped with disaster relief from hurricanes in Florida, North Carolina, and Puerto Rico.He helped in West Africa, in the Philippines, and with the Maui Fires.He's helping with the LA Fires.And he taught himself to create power and water from nature while serving as a paramedic in Black Rock City.These are stories about truths, ideas, and levity in learning. FootprintProject.orgBurnersWithoutBorders.orgBurning Man Project: Philosophical Center LIVE.BURNINGMAN.ORG

8.10.24 - David Marcello, Todd Reynolds, Scott Howard & Joseph O. Evans III by Crosstown Conversations

Listen to WKWC and Theatre Workshop of Owensboro's presentation of “Rushmore Revisited.” This documentary tells the story of Mount Rushmore and the faces of four men - George Washington, Thomas Jefferson, Abraham Lincoln, and Theodore Roosevelt. This production was adapted for radio by Brett A Mills and Derik Hancock from a script written and arranged by Brett A. Mills. Directed and produced by Derik Hancock. Special thanks to Theatre Workshop of Owensboro, Todd Reynolds, Kentucky Wesleyan College, and the entire cast for participating. The cast features and ensemble KWC students, faculty and staff along with two community members: Intro/outro narrator – Todd Reynolds Narrator 1 – Brett A. Mills Narrator 2 - Meredith Goff George Washington – Nate Gross Narrator 3 – John Payment Thomas Jefferson – Andrew Bolin Narrator 4 – Becca McQueen Abraham Lincoln – John Barker Narrator 5 – Brayden Jennings Theodore Roosevelt – Dylan Yates

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Hello everyone and welcome to another edition of Interviewing the Legends I'm your host Ray Shasho. The Kings, originally formed in Vancouver, British Columbia, and Oakville, Ontario, are a Canadian rock band formed in 1977.  They gained prominence with their 1980 hit song “This Beat Goes On/Switchin' To Glide,” which resonated in both the United States and Canada. The original lineup was David Diamond (lead vocals, bass, songwriter), Sonny Keyes (vocals, keyboards, songwriter), Max Styles (currently Todd Reynolds) (drums), and Mister Zero (guitar, songwriter). The Kings toured extensively with artists like Bob Seger, Jeff Beck, The Beach Boys, and Eric Clapton. They appeared on Dick Clark's American Bandstand and headlined the major Heatwave festival in August. Despite challenges in the late 1980s, The Kings experienced a revival when “This Beat Goes On” and “Switchin' To Glide” became radio hits in Chicago once again and received substantial play. The band continued touring throughout Canada and the U.S. during the remainder of the decade. The Kings most recent album is entitled ‘The Longest Story Ever Told' and now in 2024, The Kings, with their history of hits, over 2000 North American shows, and a devoted fan base, remain a hungry band with something to prove. "The Longest Story Ever Told" reaffirms their status as a rock band with songwriting depth. When asked, “Is there a theme for the album?", guitarist Mister Zero replied, “I don't think there is one other than trying to get 10 really good songs together”. PLEASE WELCOME Mister Zero, Dave Diamond, and Sonny Keyes of Canadian rock legends THE KINGS to Interviewing the Legends …   PURCHASE THE KINGS LATEST ALBUM The Longest Story Ever Told Available at amazon.com   FOR MORE INFORMATION ABOUT THE KINGS VISIT https://thekingsarehere.com/ Official website https://www.facebook.com/people/The-Kings-Are-Here/100063548021148/ Facebook https://twitter.com/TheKingsRHere Twitter https://www.youtube.com/channel/UCaNjWtQvNPEsieBFbde-fnA YouTube https://www.instagram.com/thekingsrhere/ Instagram https://www.tiktok.com/@thekingsrhere Tiktok   THE KINGS Discography The Kings Are Here album (Elektra, 1980) US #74 Amazon Beach album (Elektra, 1981) US #170 R.S.V.P [4-Song EP] (Dizzy, 1982) Party Live '85 live album (Dizzy, 1985) Parting Of The Ways single (1991) Unstoppable CD (Dizzy, 1993) Unstoppable [with "This Beat Goes On" and "Switchin' To Glide" added] CD (Griffin, 1995) The Kings Are Here..and More CD (Warner, 2000) The Kings Are Here/Amazon Beach (2 on 1 CD, Wounded Bird, 2003) Because Of You CD (2003) Anthology One CD (2006) The Longest Story Ever Told CD (Dizzy, 2023)     UPCOMING SHOWS Apr. 27, 2024, Casio Rama Resort, Rama, Ontario GLASS TIGER With Special Guest THE KINGS Support us on PayPal!

The Kings' singer/bassist David Diamond, guitarist Mister Zero, keyboardist Sonny Keyes, and drummer Todd Reynolds are happy to announce the release of their 7th album, “The Longest Story Ever Told". Opener “Always Off The Deep End” is a power pop gem about that friend who never does anything halfway, and people are getting up and dancing to “I Know So", an up-tempo romp with a rockin' sax section. Both songs come with super fun videos as well.      Americana Highways' writer John Apice, who requested an album before the U.S. campaign, raves over the whole album, calling out “A Rose For Your Stone” for its “Spanish-flavored horns.” Inspired by Spaghetti Westerns, the song is a story where the main character is anything but a hero. Apice writes, "lead singer David Diamond's voice is still as powerful as when he sang “This Beat Goes On/Switchin' To Glide” on the group's first album ‘The Kings Are Here'." Apice went on to praise Dave has having “one of the greatest R&R voices ever recorded….Diamond's vocals are as authoritative as Jim Morrison, Mick Jagger, Ray Davies,” and the band. “They sound like a nuclear reactor started up again. I know rock bands that can't stand toe to toe with them today. Just listen to the significance they display, the intonation & phrasing – rock n' roll at its best.”In true fashion for The Kings, there are epic-length rockers with hooks, like the title track “The Longest Story Ever Told”, where Diamond gives his take on the history of the band, and another two-song segue “Circle of Friends/Man That I Am", that reminds us of the value of friendship.  The album has range, including the heavy sounding "Nowhere to Go But Gone”, which states "There is no trip like a road trip". "When Dreams Come True" is a gorgeous wedding ballad that tells the story of the power of new beginnings. The album closes with three big rockers, “Clean Shot”, retro-rocker "She Don't Fool Around" and “Triangle Blues” which concerns, as Diamond says, “the third wheel that might be getting a bit too close for comfort".   "The Longest Story Ever Told" is The Kings' 7th studio album following the release of “Because of You”. A musical triumph, the new 10-track album features a lineup of iconic music industry veterans handling the mixing console, including Bob Ezrin (Pink Floyd, Alice Cooper, Deep Purple), Terry Brown (RUSH), Garth Richardson (Rage Against The Machine) and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

History professor and hometown Jackson product Dr. Todd Reynolds has written a book that combines two elements on which he is highly qualified to write about - World War II, and how it played out on the home front and his family in Jackson.

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VIOLINIST and COMPOSER Todd Reynolds talks about his 1 Track - his album OUTERBOROUGH

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https://youtu.be/msb7PDDmX84Sandy discusses the value of partnerships with Todd Reynolds and Rami Diaz (New Orleans, LA) both with Groundworks New Orleans.--Beat the Big GuysHost and creator: Sandy RosenthalExecutive Producer: Landry BohnVideo version is here: https://youtu.be/msb7PDDmX84Be sure to Like, Subscribe and Rate on your favorite platforms!

ÖVERSÄTTNING: Azar Mahloujian UPPLÄSNING: Stina Ekblad Lyssna på alla avsnitt i Sveriges Radio Play. DIKT: ”En annan årstid” av Ahmad ShamlooDIKTSAMLING: Allomfattande kärlek (Arash förlag 1994)MUSIK: Meredith Monk: Autumn variationEXEKUTÖR: Bohdan Hilash, basklarinett, Courtney Orlando, violin, Todd Reynolds, violin, Nadia Sirota, viola, Ha-Yang Kim, cello och John Hollenbeck, slagverk.

If you missed WKWC and Theatre Workshop of Owensboro's presentation of War of the Worlds, now's your chance to listen in podcast form! War of the Worlds is adapted for radio by Howard Koch for CBS Radio from the original story by H.G. Wells. Directed by Todd Reynolds and produced by Derik Hancock and Mason Leech at WKWC Radio.   Cast: Joe Berry as Dr. Clayton Forrester Melissa Goodall as Sylvia Van Buren Wes Bartlett as General Mann Joseph Acquisto as the Sheriff David Roark as Colonel Heffner Bea Westerfield as Professor Lucille Duprez Reed Roberts as Professor Bilderbeck …and featuring the vocal talents of: Tom Pope Jim Parr Derek Van Tuyl Joshua Orion Alex Vanover Eric Huskisson P.J. Starks Brett Mills Shelby Christensen Mike Quig Todd Reynolds

Continuing our conversations with candidates for Laramie County No. 1 Board of Trustees, Pastor Galen sits down with Dr. Todd Reynolds, running for the Central Triad area. This important local election occurs Nov. 8, 2022. IMPORTANT: Cheyenne Hills Church does not officially endorse any candidates. These interviews are meant to inform the voters in our audience. Multiple candidates were invited to participate.

On this episode Todd Reynolds Sean and Shane to talk about how investing during the good times in the industry will set up success during the tough times. Todd also talks about the importance of long-term relationships and being a good business partner. 1:30 Todd's baseball card2:55 Advice for younger LOs5:25 Not sleeping on the relationships10:15 Making investments in your business14:00 Thrive and survive19:25 Being a business partnerQuotes:“It took me 8 or 9 years to get to the corp office and 2 years to get out of it.”“Last year proved that if you had the database systems in place, you didn't lose touch of your relationships.”“The things you need when times are good ,are the same things that will get you through when times are tough.”“We made a decision to shift from being just another good mortgage company to being a great business partner.”Key Takeaways:On a top 5 list, relationships are numbers 1-5. Relationships are key. You will move around in your career and you don't want to have to start over every 3 years. Don't make the mistake of regretting not making investments in your business. When you take strategic control of your business, you won't fall into the blame game. The tools that help you thrive in good markets, will help you survive in tough markets. Links:Next Level Loan Officers - www.BecomeNL.comLoan Officer Events - loanofficerevents.comNext Level Coaching Call - https://nl.nextlevello.com/schedule-consultationebk1Ea8h Social Media:Facebook - https://www.facebook.com/NextLevelLoanOfficers/YouTube - https://www.youtube.com/channel/UCwSyHzkvBri1YWJSH7df1CQLinkedIn - https://www.linkedin.com/company/next-level-loan-officers/about/Text the word: nextlevel to 36260 to download our app

This week on Yes Guy, Jim and Perry are joined by Agent for Envision Sports and Entertainment, Brian Levine, Agent for Uptown Hockey Incorporated, Todd Reynolds, and CFL Official Brian Chrupalo!

In this episode, Pastor Todd Reynolds, of our North Richland Hills Campus, leads us in a conversation about the importance of community and discipleship in our lives. If you would like to stay connected to our ministry, you can follow us on Facebook, Instagram, or. text "MEN" to 71010.

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Episode 43 A Conversation with Pamela Z Music in the Time of Pandemic   Playlist TIMES3 (TIMES X TIMES X TIMES), commissioned by The Prototype Project (2021). Composer Pamela Z and theatre artist Geoff Sobelle collaborate on a site-specific sonic journey through Times Square – past, present and imagined… What was this place? Composed by Pamela Z; written by Geoff Sobelle; instrumentalists, Tom Dambly, Crystal Pascucci, Todd Reynolds; vocals, Pamela Z; voices sampled from Eric Sanderson, Alan Weisman, Robyn Orlin, Lisa McGinn, Stefanie Sobelle, Craig Dykers, Erick Gregory, Colleen Jennings-Roggensack, Jack Tchen, Adrienne Brown, Pamela Z, and Geoff Sobelle. Background music used during this episode (exceprts): Pamela Z, "Quatre Couches" in a solo concert as part of VoxLab Vårfest at Vega Scene in Oslo, Norway, on April 11, 2019. Pamela Z, electronics and voice processing using MAX MSP gesture-controlled MIDI instruments. Pamela Z, “Three Vertical Kilns (Carbon Song Cycle)” Live at BAM/PFA (April 12, 2013). Excerpt from the complete performance of Carbon Song Cycle, a work for chamber ensemble and expanded cinema by composer Pamela Z and video artist Christina McPhee. Ink: commissioned and presented by VOLTI (2021); artistic director Robert Geary; executive producer Barbara Heroux; performed by VOLTI. Music and video by Pamela Z. TIMES3 (TIMES X TIMES X TIMES), commissioned by The Prototype Project (2021). Composer Pamela Z and theatre artist Geoff Sobelle collaborate on a site-specific sonic journey through Times Square – past, present and imagined… What was this place? Pamela Z, “Badagada”from A Delay Is Better (2004 Starkland). Composed by, recorded by, performer, producer, liner notes, Pamela Z. Additional works and links for Pamela Z: Website for Pamela Z TIMES3 (TIMES X TIMES X TIMES), commissioned by The Prototype Project (2021). Composer Pamela Z and theatre artist Geoff Sobelle collaborate on a site-specific sonic journey through Times Square – past, present and imagined… What was this place? Ink: commissioned and presented by VOLTI (2021); artistic director Robert Geary; executive producer Barbara Heroux; performed by VOLTI. Music and video by Pamela Z. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations.  

Shady Grove Info Click here for more https://www.shadygrove.net/events FaceBook https://www.facebook.com/ShadyGroveWesleyanChurch

Shady Grove Info Click here for more https://www.shadygrove.net/events FaceBook https://www.facebook.com/ShadyGroveWesleyanChurch

My guest today is Digital Fiddler, Global Netizen, Reinvention Coach and Cultural Devotee, Todd Reynolds. How's that for an into title! What can I say about this episode…Todd is the ultimate storyteller, both through his music and his words. While you're going to get some seriously technical information during this interview, it's also like, “story time with friends”. Todd's going to give you a straight up masterclass on how broadcast quality microphones work, you're going to hear his awesome Jascha Heifetz impression…your welcome. And if you're afraid of improvising on your instrument, he's going to give you an awesome hack use can use today, right now, in your practice room. And if you're like me and dislike the term “classical music” Todd is going to explain what HE likes to call, "present music”, and how successful performance is directly related to mindfulness, and even meditation. Oh, and one more thing…I've got a brand new training coming up in two weeks, so you'll want to listen all the way to the end. OK…Let's dig in to my conversation with Todd Reynolds. About Todd I, Todd Reynolds, am a solo classical violinist gone horribly wrong. I started on a violin made of a standard elementary school ruler taped onto a Grape Nuts box and grew up playing all the sonatas and concertos that all the other kids did. I played in church by my father's side for what seemed like an eternal adolescence, and by some stroke of good fortune, found myself in one of the last classes of the great Jascha Heifetz where he counseled me to sell insurance for the sake of my own happiness. In college, I became completely enamored with playing the music of living composers - it got me completely hooked on non-historic ways of thinking about music, stretching me beyond my planned trajectory. But then I won an audition and completely dropped out of school. In my third year of playing Principal Second Violin in the Rochester Philharmonic, I broke. Since the very moment I quit my job, I've reinvented myself four times, at least. First as Broadway musician, then as the creator of a new kind of amplified string quartet, then as a ‘composer in the woods' recording artist, and finally, refocusing as an educator - not that that's anywhere near the end of things. Now, and for the past 25 years, I've called myself a hybrid musician. I play with some of my long time idols - singer/songwriters, global musicians, minimalists, electronica artists, rock stars, New Music heroes, classical music heroes - I count them all my friends, colleagues and collaborators. I record, teach, and perform with my studio onstage and off, study Indian music, jazz, music programming, psychology, and mindfulness to varying degrees as disciplines. I'm as much a student as a teacher. That will never change. If you ever find the opposite? Run. Four years ago, I felt the industry changing yet again. CDs - gone, Broadway jobs - gone, commercial work - gone. My health was starting to go as well. My partner, Isabelle, and I moved to a beautiful place in the country, to pull it all together and build a community for teaching and supporting those seeking to do the same - to develop the tools for reinvention and expansion, and to look deeper into what it all means to be a musician today. You see, we musicians, we're not our instrument, we're not the music we studied, we are creators through and through, whatever form that expression takes. It is with the questions that we slay the dragon, not with our virtuosity. The Hero's Journey exists for us as it does for anyone else, and we need only to walk forward with eyes open and a backpack full of good questions (and great gear), and we'll find our next dragon. I've created this program, the inaugural one for my new(ish) online academy, for fellow musicians who feel that same nagging suspicion that ‘the box' they currently inhabit is too small to contain them, that the times we're living in are calling them forth to something larger, that they too want to think of themselves as creators, as storytellers, as activists, and agents of change. Todd's Links http://www.toddreynolds.com http://facebook.com/toddreynoldsmusic http://instagram.com/digifiddler  http://twitch.tv/digifiddler todd@toddreynolds.com Todd's gear: https://kit.co/digifiddler Other Links Drone Practice App “Droneo” Honesty Pill Links The Online Business Accelerator-6 Month Group Coaching Program Free Resource Library Facebook Group Mailing List

067: George CrottyGood morning! This is Play It Like It’s Music. I’m Trevor, thanks for listening.On Wednesday, December 9th of 2020 Music is not content, it’s connection.I’m glad to be talking with you today, over this amazing little pop-up radio thingy we call podcasting. There are a million shows, so thanks for tuning into this one. It’s about music. Could you tell?Folks have no idea what music is, least of all the people who make it and listen to it. We care about it, but no two people will define Music in the same way. It’s just this thing that we either can’t turn away from for love or money, or the thing we have to get away from at any cost. Depends on the moment of course, and the band.I’m pleased to announce that I got a big chunk of work done on my studio, so stay tuned for some videos and some streaming coming up very soon. Keep an eye out there. On the topic of personal media development, someone who’s given me quite a bit of guidance over the years is a previous guest on the show, Todd Reynolds (@digifiddler). He’s a dear friend who happens to be one of the biggest gearheads on earth (at least as far as string players go). He’s been helping a lot of people get their stuff in gear for recording, improvising with electronics, video streaming. I’m gonna plug his online workshop this weekend, it’s totally free and just the ticket if you’re curious about getting your rig tight.If that’s you, click the link!Register for Level Up Your Virtual Presence with Todd Reynolds, a free 2-day online workshop, Dec 12 & 13.[Photo by Shjaane Glover]Canadian cellist George Crotty follows the path of many diverse cello forebears, filtering an inquisitive eclecticism through a vibrant sonic imagination. His approach introduces nimble fiddle-derived chording and ornamentation, agile one-finger gestures from Indian classical music, electric guitar-esque manoeuvres, and good old standup jazz bass. He sounds pretty damn decent if you ask me.He leads a trio as a vehicle for his unique vocabulary on the cello and his compositional sensibility. Their music has a dynamism and conversational interplay that makes you listen. [Photo by Shjaane Glover]George and I go back a bit, I’ve checked out his bands live and had some good hangs at certain music festivals. He’s got a lot to say about the world he’s navigating as a young graduate of the Berklee School of Music, working on the road and then off of it too, because covid…He’s got a new single being released this week on his Bandcamp page, check out Prayer Dance as our segue music. It’s a Brooklyn Raga Massive commission.Quick ask: if you believe this show deserves a wider audience, please tell a friend:Without further ado, here’s George Crotty.It’s an honor to have him on the show.Press PLAY above to hear my conversation with George Crotty.Or subscribe in your podcast app: Apple Podcasts - Spotify- Stitcher - TuneIn - Overcast - PocketcastThanks for listening to Play It Like It’s Music. Thanks so much to George Crotty for spending some very generous time with us. You can find him at George Crotty dot com. Go buy his music at Bandcamp and follow him on IG @georgeqrious.(Mentioned in this episode: “Don't play the butter notes!”)I can’t believe we’ve gotten to 67 shows! If you believe this show deserves a wider audience, please tell a friend:Follow me on twitter @trevorexter and talk to me on there if you have thoughts about the show.We're all contending with a mutating professional landscape, jacked revenue streams, a catastrophic global pandemic and plenty of other noise out here.But you gotta keep playing:We don't draw any lines here between scenes or styles.As always, thank you for listening and remember to play it like its music.You can check out my music on bandcamp and other places. It’s all at my website, trevorexter.com. Sign the mailing list on substack to get this show sent right to you the very moment it comes out. Music is a beautiful thing and it makes the world go round.Big love to your ears.Trevor(Did you press play yet?)...Do you like this stuff? Please help it grow by sharing it!Subscribe to the show directly in your podcast app: Apple Podcasts - Spotify - Stitcher - TuneIn - Overcast - PocketcastHear all of our guests in rotation on “Playlist It Like It’s Music” (Apple/Spotify)Hear my songs: the “Trevor Exter Playlist” (Apple/Spotify)Vibe out, here are 200 songs I like: (updated regularly on Spotify)Sign the mailing list!Take lessons with me online!Hire me to produce your podcast.Follow me on IG TW FBMore @trevorexter.compsst… sign up for emails: This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit playitlikeitsmusic.substack.com

Todd Reynolds is a violinist, educator, and music technologist. He's worked with Steve Reich, Yo-Yo Ma, Bruce Springsteen, and many more household names. His album Outerborough was Amazon Music's classical album of the year. Todd teaches at the Manhattan School of Music. He is pushing the boundaries of music technology, and recently, he has begun teaching artists how to create an online presence. Todd and I had a long-overdue, excellent conversation about topics like live streaming, performance anxiety, and imposter syndrome. We discussed the pressures of classical music studies, and some general philosophies about creativity. We cover a lot of ground and Todd's pleasant and warm personality shines through it all.  Listen on iTunes or Stitcher or Google Play or Spotify; watch on YouTube Show Notes: Todd's Official Site: http://www.toddreynolds.com Level Up Your Virtual Presence Course: https://www.eventbrite.com/e/amplify-this-solution-series-level-up-your-virtual-presence-tickets-130908156821 Todd on Twitch, streaming every day in December 2020: https://www.twitch.tv/digifiddler Todd's YouTube: https://www.youtube.com/toddreynolds Todd's Instagram: https://www.instagram.com/digifiddler/ Todd on Facebook: https://www.facebook.com/toddreynolds Todd's Music - http://www.toddreynolds.com/media#outerborough Dazed and Confused by Jake Homes: https://www.youtube.com/watch?v=pTsvs-pAGDc Weather by Michael Gordon: https://www.youtube.com/watch?v=i-dWgXyEHGo Underground Producer's Alliance: https://upa.nyc Andre Cholmondeley: https://www.guitartour.net ---- The Music Production Club - Monthly subscription service. https//:brianfunk.com/mpc Save 25% on Ableton Live Packs at My Store with the code: PODCAST ------ Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don’t forget to visit my site BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk

Ask The Zamboni Experts Podcast EP#037: Todd ReynoldsHost:Marty ElliottSales Account RepresentativeZamboni CompanyBraden BoltonSupply Chain SupervisorZamboni CompanyGuest:Todd ReynoldsPresidentUptown Hockey Inc.Player Management---Please contact your local Zamboni Authorized Distributor for additional information about Zamboni products or visit zamboni.com/distributor-locator.ZAMBONI and the configuration of the Zamboni® ice resurfacing machine are registered trademarks of Frank J. Zamboni & Co., Inc. © Zamboni 2020Visit us at zamboni.com

FinTech can dramatically streamline the process of onboarding new clients and serving existing ones. It can shrink the wait time between first contact and delivery of actionable advice. It can even enable richer client interactions. But it won’t do any of that unless you and your clients actually use it. Today’s guest on Elementality is Todd Reynolds, the User Experience (UX) Designer for the Elements app. He joins Reese Harper for a behind-the-scenes peek into the art and science going into creating a user experience that advisors and clients will love to use. He shares his experiences getting up to speed with everything that goes into financial planning, distilling that into concepts clients can understand, and turning it into a frictionless solution. It’s this careful attention to design that permits Elements users -- you and your clients -- to efficiently gather, organize, and analyze your clients’ data, so you can more effectively help them complete their functional and emotional financial jobs.

In this episode, Todd Reynolds from our North Richland Hills Campus takes over the podcast to encourage us to run our race with purpose. If you want to stay connected with everything we are doing as a ministry, you can follow us on Facebook, Instagram, or visit menssummit.com

He's got major cred: he actually studied with Jascha Heifetz, at age 20 he played principal second violin for the Rochester Philharmonic, then went on to work with Steve Reich, Meredith Monk, Joe Jackson, Todd Rundgren, the Mahavishnu Project... he founded a string quartet you might have heard of called Ethel. Whether he's on Broadway or in Bang On A Can he kills it every time, I went to his house in Massachusetts.

Composer Jono Hill was given a unique task: to compose the score for a film about a classical musician. The movie As Far as the Eye Can See (directed by David Franklin and written by Paden Fallis) follows Jack Ridge, a now 40-year-old former Van Cliburn Competition winner who is more or less hiding out on his family's land in Texas. In this episode of Classical Classroom, Hill talks about the unique process of composing for film, and about the special challenges of composing for a movie with classical music at its center. Music in this episode: Tubaluba presents "Tubaluba Tidal Wave" featuring Janet Schwab Brahms Six Piano Pieces, Op. 118 Intermezzo in A Minor Murray Perahia, piano Special Thanks to Todd Reynolds for his music, Taskforce: Farmlab from Outerbourough.  

Anne Midgette, chief classical music critic at the Washington Post, recently wrote an article that caught our attention called, "A beginner’s guide to enjoying classical music. No snobs allowed." We figured that she must have been listening to Classical Classroom, so we invited her on to chat. In this episode, Midgette discusses the pointers in her article (gems such as, "Classical music can do things no other music can"), talks about her own circuitous path to classical music critic stardom, and recommends some pieces of music to get you on your way to learning to love classical music more. Music in this episode:   Special Thanks to Todd Reynolds for his music, Taskforce: Farmlab from Outerbourough.    

Thousands of "Preppers" are amassing food, water, tools, batteries, and other essentials in their basements and bunkers. But for what? Alli and Jen speak with Todd Reynolds, AKA The Dynamic Prepper, about survivalist culture, YouTube, knives, aliens, and why a "Go Bag" is a smart idea, whether you think the apocalypse is coming or not. Learn more about your ad choices. Visit megaphone.fm/adchoices

Topics discussed as follows Guest mikey stack Agony kings/ false gods Sams hates recording Mikes fear of flying Commando movie plot James gunn /Trent haaga/Troma alumni People getting offended again and outrage mobs Jones beach debacle Consequence of sound Halloweenies David Gordon greens resume Halloween trailer talk Do trailers give away too much Maniac cop 2 / cobra connection The voices with ryan Reynolds Action movies from the 80s Cannon/ michael dudikoff Roger cormans fantastic 4 doc The cursed Don Quixote movie Disgraceland Podcast episode with mayhem the band Immortal album Spotify gushing (again) Gunship/synthwave John carpenter live set Suspiria/giallo talk Leviathan/hellraiser doc Consequence of sound top horror sequels of all time Slayer farwell talk Todd Reynolds asked our last topic: "Why does Slipknot not get more respect than tney should being that they are so huge and talented"?

Today – that is April 18th 2016 – much of our fair city of Houston is underwater. There was a big scary flood, the power’s out, the roads are lakes, and we, the Classical Classroom team, literally can’t get to the station to access the files we need to post our new episode. We tried to cobble together an ark, but it turns out that’s a whole thing. However! Through sheer grit, determination and the power of the human spirit to use computers, we have unearthed this episode with Todd Reynolds, which we think – nay! – we know you will enjoy. Also, on a serious note, our city is in bad shape and a lot of folks are going to need some help after the floodwaters subside. If you can help, visit the Texas Red Cross Gulf Coast Region website and make a donation. That’s also a good place to go if you are in need of help.   What do we mean when we say “classical music”? Sure, sure: it refers to a period of music, like “Baroque” or “Romantic”. But we largely use the word as a sort of generic brand-name for a specific variety of sound. In this episode of Classical Classroom, genre-ignoring violinist Todd Reynolds attempts to define classical music. Does he succeed? Does he give up and just start talking about Prince instead? Maybe and maybe! Listen to this episode to find out. Audio production by Todd “Timbalander” Hulslander with at least 3 really good suggestions from Dacia Clay. Music in this episode: Third Construction by John Cage Composition for Four Instruments by Milton Babbitt “Pulses” from Music for 18 Musicians by Steve Reich Symphony No. 41 (the “Jupiter Symphony”), Molto Allegro by Wolfgang Amadeus Mozart “Happy” from G I R L by Pharrell Williams “Let’s Go Crazy” from Purple Rain by Prince and the Revolution “Crossroads” and “Taskforce: Farmlab” from Outerborough by Todd Reynolds Fantasia in G Major, BWV 571 by Johann Sebastian Bach Todd Reynolds was a special guest of the Cynthia Woods Mitchell Center for the Arts. ABOUT THE MITCHELL CENTER The Cynthia Woods Mitchell Center for the Arts is dedicated to interdisciplinary collaboration across the performing, visual, and literary arts. Based at the University of Houston, the Mitchell Center commissions and produces new works, presents public performances and exhibitions, offers curriculum and scholarships, and hosts residencies with renowned visiting artists from throughout the world. The Center is home to the Mitchell Artist Lecture, an annual event featuring a pioneer in contemporary art-making, as well as CounterCurrent, an annual spring festival of new performance. The Mitchell Center forms an alliance among five departments at UH: the School of Art, Moores School of Music, School of Theatre & Dance, Creative Writing Program, and Blaffer Art Museum. For more information visit www.mitchellcenterforarts.org. For more about Todd Reynolds check out his blog: www.toddreynolds.wordpress.com

Music * We start off with Wien, by Labradford. * The guys head out to the work site to Piano 3, from Jon Brion's score to Synecdoche, New York. * Then we hear a bit of Metamorphosis by Vladamir Ussachevsky before being bombarded with bits of Fast Pasture by Todd Reynolds. * There's a long stretch of Fog Tropes by Ingram Marshall * Followed by Fragment I by Library Tapes * Before ending on Berceuse, by Alexandra Sileski. Notes * This is a story I've been wanting to do forever. In fact, falling in love with the story of the Brooklyn Bridge was one of the things that sent me on a path to doing The Memory Palace at all. So, most of this stuff I just kind of already knew. But it was a particular pleasure to go back and read David McCullough's masterful, lovely The Great Bridge. And to read a ton of contemporary accounts of its construction, particularly the New York Time's piece where the reporter heads down into the Brooklyn Caisson.

I'll have to admit something: I'm a big fan of the double bass. It's an instrument that is as much about physicality as it is technique (although technique is incredibly important). But mostly, its presence in a room - or in a recording - is huge. So when Todd Reynolds opened the door for me to talk with bassist/composer Florent Ghys, I jumped at the chance. What I found was a person that is comfortable in almost as many skins as there are in the media arts. He's obviously an accomplished bassist, and has done compositions for many serious New York-based groups. But his solo work reveals his interests in programming (primarily with Max) - but in a way that is inclusive of his audience. He's also starting to branch out into video art, and talks about that effort as well. I had a wonderful time talking to Florent - twice - due to recording problems. So you get to hear the second, but perhaps more personal, chat between us. It is an interesting insight into the mind of a versatile artist. Enjoy!

When Frank Music Company, the last store in New York City dedicated to selling classical sheet music, closed its doors last Friday, there was much dismay about its significance: yet another brick-and-mortar store was bowing to the pressure of online competition. So without a shop where one can browse and get advice, what digital options are there for the classical musician? On this week's episode we put this question to two digital sheet music converts: Todd Reynolds, a violinist and composer in New York who performs almost exclusively using digital formats; and Ron Regev, a pianist and head of Tonara, an "interactive" sheet music app for iPads. Segment Highlights: Sheet music is now accessible in a variety of digital ways, including through retail websites and online apps or free catalogs like the Internet Music Score Library Project. Downloads are instantaneous, which means touring artists are no longer forced to stuff their suitcases with fraying scores – their entire library fits onto a hard drive or the cloud. Turning pages isn't a problem when performing from an iPad either. Some programs involve foot pedals; Tonara can detect your position on the page via the microphone on your tablet, and flip the page automatically at the right moment. At the same time, traditional music publishers face a host of piracy concerns as scores can be downloaded and easily shared among musicians. "The question of ownership is changing," said Reynolds. "We don't have the infrastructure in place now to really serve composers and performers well enough in terms of protecting and having the music paid for." Regev agreed, adding: "There are a few publishers that understand the problem and are adjusting in the way that recording companies adjusted to the MP3 revolution. The problem is that many of them are trying to cling to their old models as they see their income dwindling. This is a tragedy because no one will produce this high-quality type of musical research that their editions will produce." Listen to the full segment above and tell us in the comments box below: Are you sad to see traditional sheet music stores disappear? What is lost or gained with digital formats?

Q2 Music celebrated the launch of its inaugural podcast, Meet the Composer, on Tuesday, June 24 at 7 pm with a music party and live video webcast in The Greene Space at WQXR.  Hosted by Nadia Sirota, the evening included interviews with all five members of Season One of Meet the Composer, including the two most recent Pulitzer Prize winners, John Luther Adams (2014) and Caroline Shaw (2013), as well as fellow innovators Andrew Norman, Marcos Balter, and Donnacha Dennehy. The concert featured a star-studded array of dynamic, award-winning performers: flutist and International Contemporary Ensemble artistic director Claire Chase performs Balter's Pessoa; Hotel Elefant performs Adams's Red Arc/Blue Veil; Attacca String Quartet performs excerpts from Norman's Peculiar Strokes; Cellist Hannah Collins performs Shaw's in manus tuas; and Bang on a Can All-Star pianist Vicky Chow, cellist Ashley Bathgate and violinist Todd Reynolds perform Dennehy's Bulb. Watch video of the entire show: Q2 Music’s Meet the Composer pays homage to the landmark show of the same name hosted by Tim Page for WNYC in the mid to late '80s. Thanks to New Music USA for their flexibility with the use of the “Meet The Composer” name, which became famous though their legacy organization founded by composer John Duffy.

I couldn't believe it. I got an email message from Todd Reynolds that he was coming to Denver and wanted to get together. I asked him if he'd be up for a podcast-chat, and he agreed enthusiastically. I met up with him and a friend for breakfast, then we retired to the work space at DU to have a chat. I've been wanting to corner him on some of his processes - as well as his background - and came away having completely enjoyed the morning. I don't want to give away too much, but if you don't already know Todd's work, you should spend a little time tracking it down. It bridges the gaps between classical, experimental and electronic music, and is as influenced by world music as by Shostakovich. Todd is one of the best musicians I've ever seen play, and I consider it an honor to know him as a friend. I hope you enjoy this talk as much as I enjoyed having it!

What do we mean when we say “classical music”? Sure, sure: it refers to a period of music, like “Baroque” or “Romantic”. But we largely use the word as a sort of generic brand-name for a specific variety of sound. In this episode of Classical Classroom, genre-ignoring violinist Todd Reynolds attempts to define classical music. Does he succeed? Does he give up and just start talking about Prince instead? Maybe and maybe! Listen to this episode to find out. Audio production by Todd “Timbalander” Hulslander with at least 3 really good suggestions from Dacia Clay. Music in this episode: – Third Construction by John Cage – Composition for Four Instruments by Milton Babbitt – “Pulses” from Music for 18 Musicians by Steve Reich – Symphony No. 41 (the “Jupiter Symphony”), Molto Allegro by Wolfgang Amadeus Mozart – “Happy” from G I R L by Pharrell Williams – “Let’s Go Crazy” from Purple Rain by Prince and the Revolution – “Crossroads” and “Taskforce: Farmlab” from Outerborough by Todd Reynolds – Fantasia in G Major, BWV 571 by Johann Sebastian Bach Todd Reynolds was a special guest of the Cynthia Woods Mitchell Center for the Arts. ABOUT THE MITCHELL CENTER The Cynthia Woods Mitchell Center for the Arts is dedicated to interdisciplinary collaboration across the performing, visual, and literary arts. Based at the University of Houston, the Mitchell Center commissions and produces new works, presents public performances and exhibitions, offers curriculum and scholarships, and hosts residencies with renowned visiting artists from throughout the world. The Center is home to the Mitchell Artist Lecture, an annual event featuring a pioneer in contemporary art-making, as well as CounterCurrent, an annual spring festival of new performance. The Mitchell Center forms an alliance among five departments at UH: the School of Art, Moores School of Music, School of Theatre & Dance, Creative Writing Program, and Blaffer Art Museum. For more information visit www.mitchellcenterforarts.org. For more about Todd Reynolds check out his blog: www.toddreynolds.wordpress.com

The pianist and composer Conrad Tao seemed remarkably relaxed when he sat down at the Yamaha to perform his Café Concert at WQXR. The calm demeanor might seem at odds with the heavy load Tao has been carrying. Having recently given a recital to a packed house at Le Poisson Rouge, on Tuesday, he inaugurates the Unplay Festival, a three-day event that he is organizing at Powerhouse Arena, a bookstore and art space in Dumbo, Brooklyn. Also on Tuesday, Tao releases "Voyages," his full-length debut album on EMI, a collection of his own music as well as pieces by Rachmaninoff, Ravel and Meredith Monk. By no coincidence, he also turns 19 that day. Tao is the first to acknowledge the “incestuous cross-promotion” in the way events came together. “It happens,” he said, with a wry smile. “I must acknowledge that.” But after several years on the concerto-and-recital circuit – and now a student in the Juilliard-Columbia double-degree program – Tao is also at a point where he wants to explore bigger ideas around classical music and its place in society. Tao has had a considerable past decade. A native of Champagne, Illinois, he gave his first recital at age four. At nine, he and his parents moved to New York and he began studying piano in Juilliard’s pre-college division with Yoheved Kaplinsky. Around the same time, he began composition lessons with Christopher Theofanidis, an in-demand composer who now teaches at Yale. Tao signed with professional management and, by age 16, orchestras were calling, including the Philadelphia Orchestra, the San Francisco Symphony and Detroit Symphony. Awards also poured in, including eight Ascap Morton Gould Young Composer Awards; a 2012 Gilmore Foundation Young Artist Award; and a U.S. Presidential Scholar in the Arts recognition. Tao has studied the violin, has written pop songs and is currently working on a commission for the Dallas Symphony Orchestra, about the 50th anniversary of JFK's assassination, slated to premiere in November. Yet Tao clearly isn’t content with the post-prodigy treadmill and admits to a restless, oppositional streak. The Unplay Festival he said “is about what does music and do musicians occupy. I was interested in how I could find performers who are engaging in this act of ‘unplaying’ insofar as they’re dismantling certain basic traditional ideas of what it means to be a classical performer.” Those performers will include Sideband (an ensemble using laptops and speakers), the violinist Todd Reynolds, the Face the Music Ensemble, Iktus Percussion and ThingNY, a multimedia ensemble. Programs will explore ideas of genre-blurring and the use of technology in performance (Tao himself has written music for piano and iPad). "Since so much of the intellectual process of music is unlearning what you take for granted to be true a lot of this is about applying this to my own practice of being a performer," Tao said of the festival's title. Planning the festival has taken Tao some 18 months, during which time he's had to juggle his studies at Columbia, where he is pursuing a concentration in ethnicity and race studies. “It’s a lot,” he said. “Sometimes it’s easy to justify because I really love everything I’m doing and sometimes it’s harder. It is ultimately about galvanizing all these different things.” Video: Amy Pearl; Audio: George Wellington; Text & Production: Brian Wise

Docket for 5/11: A NBA & NHL retrospective to this point. Where we've been, where we are and where we're going on the path to crowning Champions. Rulings on Todd Reynolds' critical remarks towards New York Ranger Sean Avery regarding his support of equal rights, the NCAA's recent decree of violator crackdowns, new evidence in the Albert Haynesworth saga and stiffening the terms of Andrew Bynum's 5-game ban & 25K fine, with the usual rumor & hearsay of the week. Call in and plead a case OR join the Maj in prosecuting sports offenders, no athlete, coach, team or program is safe! 917.889.9592 Follow the Major Gray on Twitter

Date / Time: 10/10/2007 7:30 PM Special guest Todd Reynolds Todd Reynolds was in the band Ethel when they toured with Todd Rundgren and Joe Jackson. He is currently doing solo work and you can find out more at www.ToddReynolds.com.