Podcasts about she don

Hello Basementeers......We came back, after a lot of a few months of drama, heath issues, work schedules ect, we broke away to post a new show, and about time.......We have great vintage songs from HOLLAND   60's/70'sThis is our series of music around the world, but we have listeners in Holland, so it's local songs to you.Let's begin and dig the out the old records or songs from Holland  (Holland Rock).Intro: Anonymous-Focus 1. Rattler-The Shocking Blue2. Friday Night-Vandenberg3. For Your Love-The Typhoons 4. Your One and Only Friend-Cees Veerman5. Everybody's Nobody-Eddy Owens6. There Will Be Another Tomorrow-Golden Earing7. Please Don't Listen-The Bingtangs8. If You Do Believe In Love-The Tea Set9. Wasted Words-The Motions 10. Black Buty-Focus11. Little Girl-The Black Nights 12. Being In Love-The Sandy Coast13. Get Off My Life Woman-Ginger Ale14. Wang Dang Doodle-The Living Blues15. It's Alright-The Painting House 16. I'm Drifting-The Lazy Bones17. Pretty Little Dreamer-George Baker Selection18. How Can We Hang Onto A Dream-Rudy Bennett 19. Touch-The Outsiders20. Out Of My Mind-The Marks21. Comedy Is Over Now-The Freddy's22. Windows Of My Eyes-Cubby & The Blizzards23. Alligator Man-The Alligator Man24. Easy Here-The Jug Sessions25. Air-Ekseption26. She Don't Care About Time-The World27. Don't Cry For A Girl-The Shoes28. I'll Be Free-The In Crowd29. I Feel So Good-The Oscar Benton Blues Band30. I Don't Care-The Beat Buddies31. Wishful Thinking- Indiscrimination32. Between Alpha & Omega-The Brain Box33. Maybe Someday-B.Z.M.34. Different Town, Different Sweetheart-Sam Dice35. Piece Of Man-Airport36. Easy Livin'-Flavium37. Blue Steel 44-Amsterdam38. Celestial  Empire-Dragonfly39. Let's Dance-The Tykes40. Diamond Ring-The Rolling ThundersOutro: Holland-Hans Brinker Symphony 

Counting Crows frontman Adam Duritz explains how his songwriting process has changed over the years, and offers insights into some of his songs, from early classics to recent compositions. PART ONE:Paul and Scott discuss judging a book by its cover and their possible status as idiots. PART TWO:Our in-depth conversation with Adam DuritzABOUT ADAM DURITZ:Songwriter Adam Duritz is best known as the lead singer of Counting Crows, which formed in 1991 in the San Francisco Bay area. Their 1993 debut album, August and Everything After, which was produced by T. Bone Burnett, attracted attention for songs such as “Mr. Jones,” “Round Here,” and “Rain King.” The album earned the group two Grammy nominations and was certified seven-times platinum. The double platinum follow-up album, Recovering the Satellites, reached number one and produced the top 10 pop single “A Long December.” Subsequent #1 singles on Billboard's AAA chart include “American Girls” with Sheryl Crow, “She Don't Want Nobody Near,” “Accidentally in Love” from Shrek 2 (which earned them an Academy Award nomination), and “You Can't Count on Me” and “Come Around” from the band's fifth album, Saturday Nights & Sunday Mornings. In 2021 Counting Crows reached #2 on the AAA chart with “Elevator Boots” from their EP Butter Miracle, Suite One. Their eighth studio album, Butter Miracle, The Complete Sweets!, will be released this Friday, May 9. You'll hear clips of some of the new songs during our conversation, but to hear others Adam discusses, such as “With Love, From A-Z” and “Boxcars,” you'll have to wait a few days for the new album. In all, the band has sold over 20 million albums and established themselves as vibrant live performers who often put a fresh spin on the recorded versions of their classic songs.  

Brand new single, "She Don't" is out now!See omnystudio.com/listener for privacy information.

For our 400th episode (!!!) we're joined by musician Jonathan Hischke (Hella, Dot Hacker, E V Kain), who brought us a record that got under his skin when he first heard it in 1999 - Rob's too! - and continues to astound: The Flaming Lips' beautifully trippy kinda-masterpiece 'The Soft Bulletin'. "Will the fight for our sanity Be the fight of our lives?" Songs discussed in this episode: Race For The Prize (Feat. The Colorado Symphony & Andre De Ridder, live at Red Rocks) - The Flaming Lips; Eye Opener - Dot Hacker; Striking Out - E V Kain; Infektion - The Flying Luttenbachers; She Lives in an Airport - Guided By Voices; She Don't Use Jelly, Christmas At The Zoo - The Flaming Lips; Easter Theatre - XTC; Race For The Prize, A Spoonful Weighs A Ton, The Spark That Bled, The Spiderbite Song, Buggin', What Is The Light, The Observer, Waitin' For A Superman, Suddenly Everything Has Changed, The Gash, The Gash (Feat. The Colorado Symphony & Andre De Ridder, live at Red Rocks), Feeling Yourself Disintegrate, Sleeping On The Roof - The Flaming Lips; Waitin' For A Superman (The Flaming Lips cover) - Iron & Wine

Send us a textCurtis and Aaron Vaughn came up with the idea for this podcast. The concept for this podcast is to give information and opinions about ten songs each month that may fly under the radar for most listeners of music. Also, we will play a snippet of each song and ask the listener to comment to us through one of our social media outlets so we can get different opinions on what you think about these songs and what they mean to you. The opinions of the music selected are only the opinions of Aaron and Curtis and may not reflect what the artist had in mind. They believe that is the beauty of music. It can mean so many different things to so many different people.  In short, Curtis came up with this quote to describe the show: “Sharing the joy of music in hopes of bringing back old memories or helping listeners discover unfamiliar artists, bands, or songs that they might want to look further into. At the same time, helping out Veterans and their families with donations along the way."Songs for this month are:1. White Sparrows - Billy Talent2. Pepper - Butthole Surfers3. She Don't Use Jelly - The Flaming Lips4. Promise - Matchbook Romance5. Watch the Children Pray - Metal Church6. Grey Cell Green - Ned's Atomic Dustbin7.  Patches - Clarence Carter8. Waiting Room - Fugazi9. In the Summertime (Rerecorded)10. Clint Eastwood - Gorillaz11. Heat of the Night - Mad InvasionOur email is cvs10tocheckout@gmail.comSupport the show

Nothing like a timely reference to bring the kids onboard. This week's location: Pho 400 The post Ep. 760 – She Don't Use Lulo Jelly first appeared on Fancy Pants Gangsters.

Nothing like a timely reference to bring the kids onboard. This week's location: Pho 400 The post Ep. 760 – She Don't Use Lulo Jelly first appeared on Fancy Pants Gangsters.

We were visited by Darren Robertson, aka the Dawg of Port City Junk. We talk about his mission, why he turned to music and how it drives him on his current path. The Tunes You'll Hear: Home Grown Way, No Complaints, Roast Michelle, She Don't know It's A Good Day If you enjoy what you hear you can track Port City Junk on Facebook, Instagram and Bandcamp. Also, wherever you stream music. Find us wherever you get your podcasts and follow us on ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠. Special thanks to Frank James and Dave Maz for the closing Shoutout. Intro track: "Coldsnap" by ⁠⁠⁠⁠⁠Well Well Well⁠

*************************** ALBUM FOCUS: Cultural Crossroads, from Putumayo World Music www.putumayo.com Experience the magic of international artistic collaborations with Cultural Crossroads. The album weaves a rich tapestry of global sounds, proving music's ability to travel and unite people of different backgrounds and traditions. Sousou & Maher Cissoko (Senegal/Sweden) - "Wula" (Putumayo Version) SSLH Collective[Safeguard Sudan's Living Heritage (Sudan)]" "Rajeen Tany (We'll Return Again)" Ryan Tennis with El Caribefunk & Bakithi Kumalo (USA/Colombia/South Africa) "Morena" ************************* These artists are appearing in the upcoming Light Of Day series of concerts in NJ www.lightofday.org Jo Wymer "The Shoebox" - SLG www.jowymer.com Pete Mancini "She Don't Care" - Silent Troubadour: The Songs Of Gene Clark www.petemancini.com SONiA disappear fear "Broken Film" - Broken Film www.soniadisappearfear.com Deni Bonet "Primal Dream" - Bright Shiny Objects www.denibonet.com *********************** Sugar Bones "Leave The Light On" - s/t www.sugarbonesband.com Denise La Grassa "The Door" - Sundown Rising www.deniselagrassa.com Professor Louie & The Crowmatix "Fall Back On Me" - Strike Up The Band www.professorlouie.com Ed Alstrom "Slow Blues" - Flee Though None Pursue www.edalstrom.com The Pinkerton Raid "Holocene" - Jagged Vacance: Winter Songs By Other People, Volume 1 www.pinkertonraid.com Goldpine "About Tomorrow" - Two www.goldpinemusic.com Gasoline Lollipops "Freedom Don't Come Easy" www.gasolinelollipops.com March To August "Perfect Son" - Songs Inspired By Witness www.marchtoaugust.com Karan Casey "Nine Apples Of Gold" - Nine Apples Of Gold www.karancasey.com Peggy Seeger "How I Long For Peace" - First Farewell www.peggyseeger.com *************************** The Necks "Imprinting" - The Necks www.thenecks.com Tragedy Ann "Velveteen" - Heirlooms www.tragedyannmusic.com Julian Taylor "100 Proof" - Live At TD Music Hall www.juliantaylormusic.ca Doug Alan Wilcox "Walkin In The Dark" www.dawilcox.com John McCutcheon "At The End Of The Day" = Field Of Stars www.folkmusic.com Johnsmith "Where's The World Goin' To" - Backroads www.johnsmithmusic.com Closing: Geoffrey armes "Vrikshashana (The Tree)" - Spirit Dwelling www.geoffreyarmes.com Running time: 5 hours 13 minutes I hold deed to this audio's usage, which is free to share with specific attribution, non-commercial and non-derivation rules. https://creativecommons.org/licenses/by-nc-nd/4.0/

Sintonía: "Hello Africa" - The Matt Harding Project"Lovin´ In My Baby´s Eyes", "Hey Baby", "Early Morning Rain Song", "Where Do I Go?", "Lovely Lady", "Shine" y "Baby, Baby", extraídas del primer álbum de The Matt Harding Project, titulado "Lovely Lady" (Soularium, 2000)"She Don´t Know (What She Wants)", "There Must Be Love", "Ain´t Nothin´ Better", "Let Love Do The Rest", "C.C. Rider", "I Will" y "Waitin´ For The Plane", extraídas del 2º (y último) LP, titulado "Hello Africa" (Mamusik, 2007) Todas las músicas compuestas e interpretadas (voz/guitarra) por The Matt Harding ProjectBonus tracks: "Listen" y "October" de Matt Harding (aunque se llame igual, es otro músico que no tiene nada que ver con el de The Matt Harding ProjectEscuchar audio

She Don't Love Me No More (Prod by Def Street) by TheMDMALifestyleWAVE LLC.

Comienza la nueva temporada de Radio 3 y lo celebramos compartiendo en este podcast las novedades de Fontaines D.C., Sen Senra, Pixies, Hinds, The Killers, Natalia Lacunza, Bruce Springsteen, Karavana, Sam Smith, Yaeji... FONTAINES D.C.- Here's The ThingMASTER PEACE - Save MePIXIES - Oyester Beds NATALIA LACUNZA - LaplataSEN SENRA - Ye YeTHE BLESSED MADONNA, KILYE MINOGUE - Edge of Saturday NightTHE KILLERS - Bright LightsBRUCE SPRINGSTEEN - She Don't Love Me Now (Jesse Malin's Cover)BLEACHERS - Modern GirlHINDS - The Bed, The Room, The Rain and YouKARAVANA - PastillasMAGNOLIA PARK - The VoidROYAL BLOOD - Figure It Out (Live From T In The Park)SAM SMITH - Stay With Me (feat. Hikaru Utada)HOZIER - Nobody's SoldierYAEJI - boobooLOVE OF LESBIAN ft ZAHARA - TesisEscuchar audio

The final episode of FOOFO...? --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

The return of Hammertime. --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

Iddris & Gabe talk Austria (if old Max is back), rally racing, Indycar, and state of the pod stuff. --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

Send us a Text Message.Welcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:1 point: get the year correct within 10 years (e.g., you guess 1975 and it is between 1965-1985)4 points: get the year correct within 5 years (e.g., you guess 2004 and it is between 1999-2009)7 points: get the year correct within 2 years (e.g., you guess 1993 and it is between 1991-1995)10 points: get the year dead on!Guesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes.I will read your scores out on the following episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Right Thurr by Chingy (2003)Song 1: I Love You So by The Walters (2014)Song 2: She Don't Know She's Beautiful by Sammy Kershaw (1993)Song 3: Everlong by Foo Fighters (1997)Song 4: Forever by Noah Kahan (2024)Song 5: Happy Trails by Roy Rogers & Dale Evans (1952)Song 6: I Wanna Be Sedated by Ramones (1978)Song 7: Are We Still Friends? by Tyler, The Creator (2019)Song 8: Superstar by Rainbow Kitten Surprise (2024)Song 9: Ghost by Justin Bieber (2021)Song 10: Shut Up My Moms Calling by Hotel Ugly (2020)

Aaaand we back! Gabe & Iddris finally have synced schedules so they can talk about the vroom vrooms. In this episode, the boys catch up, talk about reheated rice syndrome, and the Spanish GP. --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

No Gabe this week y'all! Moving and what not takes up a lots of time, so Iddris is flying solo for another lofi-inspired race review. This week we talk about the Canadian GP and why qualifying Saturday is for the nerds. --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong Background Music: SuperLoFi World (No Copyright Music Playlist - 1 Hour Lofi Hip Hop Mix on YouTube) --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

The crown jewel of the F1 calendar, the month of May in Indycar, and Frisco Melts. Everyone else saw that Steak ' n Shake had a sponsor ad at the Monaco GP, right? We talk about the F1 and Indycar races from this in this jam-packed weekend. --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

On this week's episode, we talk about Imola!.. sort of. After a fairly snoozer of a GP, Iddrisu and Gabe take the opportunity to talk about some Indy Car, silly season, and this F1 season generally. Listen up and enjoy! --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

This week it's a quick episode, but this time with ya freshly turned 32 year old host Gabe! Get ready for a hot plate of sizzling, fajita takes on the rumored Chicago GP, Gunther and Haas legal feud, Silly season, Abbi Pulling's historic win, and a dash of IndyCar! Like, Subscribe, Comment, Rage tweet, Shout into the void, whatever you can do to reach us. Trust, we hear you fam! --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong Background Music: LoFi Girl playlist: https://www.youtube.com/watch?v=jfKfPfyJRdk&list=PL6NdkXsPL07Il2hEQGcLI4dg_LTg7xA2L&index=1 --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

Sheeeeeeesh! LAAAAANNDDDOOOOOOOOOOO NORRIS WITH HIS MAIDEN FORMULA 1 WIN! You love to see it! Gabe was off enjoying his birthday weekend so Iddris is flying it solo for this one. Tune in for some F1 opinions over a dope lofi track - no beef on this beat. Side question: You think Kendrick is a Red Bull or McLaren fan? --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong Background Music: SuperLoFi World (No Copyright Music Playlist - 1 Hour Lofi Hip Hop Mix on YouTube) --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

This last week has been super juicy with all the news across the motorsports world. Designer Newey wanting to drop Red Bull like a hot potato, Mercedes throwing the absolute bag at Verstappen to get him, and Josef Newgarden telling Indycar "I'm sorry officer, I didn't know I couldn't use push-to-pass". IYKYK. We discuss this and more in this week's news drop. --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

GEORGIA RADIO - GRAMMY® award-winning singer/songwriter John Berry is celebrating a career milestone with the 30th Anniversary of his #1 hit, “Your Love Amazes Me.” Penned by Amanda Hunt-Taylor and Chuck Jones, Berry recorded the single and released it in January 1994 as the third single from his album "John Berry." The song went #1 on May 21, 1994, and ultimately solidified itself as Berry's “signature song” throughout his career!“Your Love Amazes Me was inspired by true love and written from the heart, which is why it continues to move so many. John Berry was the perfect match for this song. His heartfelt performance is absolutely magical.” - Amanda Hunt Taylor -Berry also recently re-released three albums in partnership with StarVista Music, including Thomas Road, Christmas, Hits, I Give My Heart, and What I Love The Most. All five albums, an instant “go to” at Berry's live shows, offer fans music from throughout his career. Thomas Road includes the original version of “The Richest Man,” while Christmas includes “You Raise Me Up,” “Blue Christmas,” “O' Holy Night” and more. What I Love The Most contains ten tracks, including “You're My Sunshine,” “What A Woman Wants,” “She Don't Need Me,” “I've Seen It All,” and more. I Give My Heart includes eleven tunes in all, including“Time In A Bottle,” “Faithfully,” “I Give My Heart,” “Let's Stay Together,” “Lady,” and more. Hits contains twelve of Berry's biggest hits, including “Kiss Me In The Car,” “Your Love Amazes Me,” “A Mind Of Her Own,” “Change My Mind,” and “Standing On The Edge Of Goodbye,” just to name a few.Remaining 2024 Tour Schedule With More Dates Added Soon!MAY 02 - Americanaville / Livingston, Tenn.MAY 04 - Private Event / Cedartown, Ga.MAY 11 - Private Event / Statham, Ga.MAY 31 - 48 West / Wedowee, Ala.JUN 01 - June Jam XVIII / Fort Payne, Ala.JUN 04 - Moore & Moore Fan Club Party at Nashville Nightlife Theater / Nashville, Tenn. JUN 05 - Country For A Cause / 3rd & Lindsley / Nashville, Tenn.JUN 07 - Private Event / Seminole, Fla.JUN 09 - CMA Fest Fan Fair X / Nashville, Tenn.JUN 09 - 42nd Annual Sunday Morning Country / Nashville, Tenn.JUN 21 - Leather & Lace Coffee & Company / Braselton, Ga.JUL 04 - 4th of July Celebration / Demorest, Ga.JUL 20 - 20 Front Street / Lake Orion, Mich.JUL 21 - The Ark / Ann Arbor, Mich. JUL 24 - Rams Head On Stage / Annapolis, Md. JUL 27 - The Arts Pace of Stokes / Danbury, N.C.JUL 28 - Jettie Baker Center / Clintwood, Va.AUG 02 - The Franklin Theatre / Franklin, Tenn.AUG 03 - Princess Theatre Center for the Performing Arts / Decatur, Ala.AUG 10 - Keepin' It Country Farm / Waynesville, OhioAUG 17 - Orange Blossom Opry / Weirsdale, Fla.SEP 06 - McLeansboro Fall Festival / McLeansboro, Ill.OCT 19 - Peanut Fest / Sylvester, Ga. NOV 24 - Paramount Center for the Arts / St. Cloud, Minn. Support this podcast at — https://redcircle.com/georgia-radio/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Shanghai International Circuit was absolutely giving best race weekend of the year. Fire Nation showed up, Max went full Avatar state, Zhou got a dope cheer from his home country crowd, and Norris bet against himself? We go through some of the highs, lows, and Strolls of the return of the Chinese GP after 5 long years. --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. On today's episode, Steve Riddle is watching “She Don't Know Me” by Bon Jovi from 1984. The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=omLgJe9cnCw

Ohhhhhh snaaaap! Look who dropped in on FOOFO to chat about NASCAR! Skrrt skrrt, THE Alanis King y'all! Iddris & Gabe had a wonderful time talking to Alanis about her love of NASCAR, her dope career thus far (more dope stuff to come), and how she got to be a spotter at a recent NASCAR event! --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

Opening music: Bettie Serveert "Cybor*D" - Lamprey www.bettieserveert.com Kristin Hersh "LAX" POssible Dust Clouds' - www.kristinhersh.com Karyn Oliver "Jenny" - Cherchez La Femme www.karynoliver.com Teresa Storch "Best Of Both Worlds" - Open Your Heart www.teresastorch.com Dominic Gaudious "Dance Reilly" "The Clearing" - The Clearing www.dominicgaudious.com ******************** Emily Triggs "Flower Skirt Pretty" - The Great Escape www.emilytriggs.com Annie Moscow "Open Dreams" - Land Of Dreams www.anniemoscow.com Ellis Paul "Gold In California" - 55 www.ellispaul.com Beth Bombara "Lonely Walls"- It All Goes Up www.bethbombara.com Trae Sheehan "I Can't See Spring" - Songs For Spring www.traesheehan.com Domenic Cicala "Just so You Know" - Bitter Blues www.domeniccicala.com Jeff Plankenhorn "Juggling Sand" - Alone At Sea www.jeffplankenhorn.com ********************** ALBUM FOCUS: Christian Parker - Change Is Now: A Tribute To The Byrds www.christianparker.com "Change Is Now" "She Don't Care About Time" "Here Without You" "The World Turns All Around Her" *********************** Grievous Angels "Friday Night" - Last Call For Cinderella Sue Decker "Pretty Words And Flowers" - Keeping Time www.suedecker.com The Denim Daddies "Brushstrokes" - Northern Goods www.thedenimdaddies.com Cowbois Rhos Botwnnog "Adenydd" - ‘Mynd â'r tŷ am dro' www.crhb.net CLKWRK "Hold On" https://www.facebook.com/clkwrkband/ Deadroot Revival "People Zoo" - The Controller's Exam www.deadrootrevival.ca ********************** --- Send in a voice message: https://podcasters.spotify.com/pod/show/radiocblue/message Support this podcast: https://podcasters.spotify.com/pod/show/radiocblue/support

Nani!?!? Is that Tsunoda scoring points at his home grand prix? Is that the Aston Martin of Lance Stroll with an "unbelievably slow car"? *anime glasses sound effect* AND IS THAT RED BULL WITH A 1-2 FINISH!?! We discuss all this and more in review of the 2024 Japanese grand prix! --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

Don't know about you all but we feel like we're struggling to survive watching Drive to Survive. What's going on? We discuss this and our thoughts on the latest season of DTS and discuss some ways Netflix could spice up the show. (Ay, Netflix - get at us!) --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

Welcome to the upside down where things go topsy turvy! No Max? No Logan? No perfect Sauber pit stop? We discuss all this and more in our Australian 2024 GP review, brought to you by the smoooooth operator. --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

The Kings' singer/bassist David Diamond, guitarist Mister Zero, keyboardist Sonny Keyes, and drummer Todd Reynolds are happy to announce the release of their 7th album, “The Longest Story Ever Told". Opener “Always Off The Deep End” is a power pop gem about that friend who never does anything halfway, and people are getting up and dancing to “I Know So", an up-tempo romp with a rockin' sax section. Both songs come with super fun videos as well.      Americana Highways' writer John Apice, who requested an album before the U.S. campaign, raves over the whole album, calling out “A Rose For Your Stone” for its “Spanish-flavored horns.” Inspired by Spaghetti Westerns, the song is a story where the main character is anything but a hero. Apice writes, "lead singer David Diamond's voice is still as powerful as when he sang “This Beat Goes On/Switchin' To Glide” on the group's first album ‘The Kings Are Here'." Apice went on to praise Dave has having “one of the greatest R&R voices ever recorded….Diamond's vocals are as authoritative as Jim Morrison, Mick Jagger, Ray Davies,” and the band. “They sound like a nuclear reactor started up again. I know rock bands that can't stand toe to toe with them today. Just listen to the significance they display, the intonation & phrasing – rock n' roll at its best.”In true fashion for The Kings, there are epic-length rockers with hooks, like the title track “The Longest Story Ever Told”, where Diamond gives his take on the history of the band, and another two-song segue “Circle of Friends/Man That I Am", that reminds us of the value of friendship.  The album has range, including the heavy sounding "Nowhere to Go But Gone”, which states "There is no trip like a road trip". "When Dreams Come True" is a gorgeous wedding ballad that tells the story of the power of new beginnings. The album closes with three big rockers, “Clean Shot”, retro-rocker "She Don't Fool Around" and “Triangle Blues” which concerns, as Diamond says, “the third wheel that might be getting a bit too close for comfort".   "The Longest Story Ever Told" is The Kings' 7th studio album following the release of “Because of You”. A musical triumph, the new 10-track album features a lineup of iconic music industry veterans handling the mixing console, including Bob Ezrin (Pink Floyd, Alice Cooper, Deep Purple), Terry Brown (RUSH), Garth Richardson (Rage Against The Machine) and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Man what a race for the British teen, Ollie Bearman! We talk about his STELLAR performance, his dad's facial expressions being one of the best part of the race weekend, and the continuing saga that is Hornergate. Oh yeah, we also talk about the rest of the race when they weren't focusing on Max just curbstomping everyone. :D --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

F1 is back and we kick things off this 2024 race season with Bahrain. Seemed like someone just ctrl-c'd/ctrl-v'd this race from last season though right? Even though that's true, Gabe and Iddris chat about a lot of the interesting things to talk about from the race weekend. --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

That's it for the 2024 pre-season test weekend and there's a lot to talk about with it. Why are the commentators calling VCARB RB and confusing everyone? Why can't we just call them VCARBonaro pasta? That would make everyone happy, right? We've got a jam-packed episode full of our analysis on all things pre-season. --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

2024 LIVERY REVIEW BABY. Gabe & Iddris talk about why VCARB is in this year, and why Alpine is out. ... and a Hornergate conversation unfortunately. --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

The motorsport world is big and FOOFO is here to give you some insight on another pillar in the world of cars that go fast down some straights and bends; Indycar. To dive deep on the history of Indycar and how things are looking for the upcoming 2024 season, we brought on a friend of the pod, Reagan of the Race Roadie Podcast, who shared her insights and thoughts - buckle up for a fun/funny one! --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Follow Reagan at @raceroadie on Spotify and Instagram! Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

Man the DRAAAAMA of this off-season just continues. I don't know if we've seen a sillier off-season than this in a loong time? Anyone think there's been a crazier time? Let us know. In today's episode, we talk about the failed Andretti-Cadillac bid, good ol' Louie Hammy moving taking his talents to Maranello, and Haas just letting people know not to expect anything from this season. Oh, and a little Bachelor for our fans of Bach-naysh! --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

Well rested, since the nerve ablation, the all-night leg cramps are over.  Sleep…how I've missed you!  Now, if I can only start waking up again when the alarm goes off.  I've been sleeping right through it!   The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/   The Music Authority Podcast!  Special Recorded Network Shows, too!  Different than my daily show! *Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT!  *The Sole Of Indie  https://soleofindie.rocks/  Monday Through Friday 6-7PM EST!February 6, 2024, Tuesday, set one…Orbis 2.0 - TMA SHOW OPEN THEMEThe Galileo 7 - Seen Somehow [You, Me and Reality] (Damaged Goods Records)Lorne Behrman - 04-Blue Eyes Gone Green [Blue Love] (Spaghetty Town Records)On The Runway - 09 - Stuck On You [Tell Yourself It's Pretty] (koolkatmusik.com)The Real Numbers - 08 You, Me, and the Sunshine [Thank You!]@Drew Davies - 05 - Bad Girl [Holloway Nights]@Langan, Frost & Wane - Everyday Phoenix [Goldstar Sampler 2021] (Goldstar Recordings)West Coast Music Club - 9. Turning In Circles [Out Of Reach]@TELL - 2_Sweet Life [Life In Reverse]Monoscopes - 06 It's a Shame About You [Endcyclopedia]Tony Marsico - 04 Guilty Of That [Sleepwalker] (Rum Bar Records)Groovy Uncle - 07 Too Tired To Do Stuff [Searching For The Grown Ups]Jittery Jack with Amy Griffin on Guitar - 02 She's Alright [Tonight's The Night] (Rum Bar Records)@The Kings - 09_She Don't Fool Around [The Longest Story Ever Told]@All Over The Shop - 05 Bad Enough [Every Ounce Of Energy]

So if you've been picking up on some nuggets we've dropped during our episodes, you'll notice we reference Harry Potter a loooooot. Because this is the off-season, we wanted to give y'all some excellent content because we know the Venn diagram of Harry Potter and @f1 fans is a circle. Also shout-out to our excellent guest Reagan (@raceroadie) for joining us for a ridiculously fun recording! We've got more collabs in store so stay tuned to our socials! In the meantime, she's got you covered for Indycar and all types of motorsports content. Follow her on Spotify for her dope conversations and make sure to check out the episode on her feed, too! --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

With all the news with these wild team names, Iddris & Gabe sit down and talk about the long history of brands, sponsors, and marketing within Formula 1, and why it's here to stay. --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

For those who haven't heard the announcement I just posted , songs from this point on will sometimes be split among multiple episodes, so this is the first part of a multi-episode look at the Byrds in 1966-69 and the birth of country rock. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode on "My World Fell Down" by Sagittarius. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources No Mixcloud at this time as there are too many Byrds songs in this chunk, but I will try to put together a multi-part Mixcloud when all the episodes for this song are up. My main source for the Byrds is Timeless Flight Revisited by Johnny Rogan, I also used Chris Hillman's autobiography, the 331/3 books on The Notorious Byrd Brothers and The Gilded Palace of Sin, For future parts of this multi-episode story I used Barney Hoskyns' Hotel California and John Einarson's Desperadoes as general background on Californian country-rock, Calling Me Hone, Gram Parsons and the Roots of Country Rock by Bob Kealing for information on Parsons, and Requiem For The Timeless Vol 2 by Johnny Rogan for information about the post-Byrds careers of many members. Information on Gary Usher comes from The California Sound by Stephen McParland. And this three-CD set is a reasonable way of getting most of the Byrds' important recordings. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript When we left the Byrds at the end of the episode on "Eight Miles High", they had just released that single, which combined folk-rock with their new influences from John Coltrane and Ravi Shankar, and which was a group composition but mostly written by the group's lead singer, Gene Clark. And also, as we mentioned right at the end of the episode, Clark had left the group. There had been many, many factors leading to Clark's departure. Clark was writing *far* more material than the other band members, of whom only Roger McGuinn had been a writer when the group started, and as a result was making far more money than them, especially with songs like "She Don't Care About Time", which had been the B-side to their number one single "Turn! Turn! Turn!" [Excerpt: The Byrds, "She Don't Care About Time"] Clark's extra income was making the rest of the group jealous, and they also didn't think his songs were particularly good, though many of his songs on the early Byrds albums are now considered classics. Jim Dickson, the group's co-manager, said "Gene would write fifteen to twenty songs a week and you had to find a good one whenever it came along because there were lots of them that you couldn't make head or tail of.  They didn't mean anything. We all knew that. Gene would write a good one at a rate of just about one per girlfriend." Chris Hillman meanwhile later said more simply "Gene didn't really add that much." That is, frankly, hard to square with the facts. There are ten original songs on the group's first two albums, plus one original non-album B-side. Of those eleven songs, Clark wrote seven on his own and co-wrote two with McGuinn. But as the other band members were starting to realise that they had the possibility of extra royalties -- and at least to some extent were starting to get artistic ambitions as far as writing goes -- they were starting to disparage Clark's work as a result, calling it immature. Clark had, of course, been the principal writer for "Eight Miles High", the group's most experimental record to date: [Excerpt: The Byrds, "Eight Miles High"] But there he'd shared co-writing credit with David Crosby and Roger McGuinn, in part because that was the only way he could be sure they would agree to release it as a single. There were also internal rivalries within the band unrelated to songwriting -- as we've touched on, Crosby had already essentially bullied Clark off the guitar and into just playing tambourine (and McGuinn would be dismissive even of Clark's tambourine abilities). Crosby's inability to get on with any other member of any band he was in would later become legendary, but at this point Clark was the major victim of his bullying. According to Dickson "David understood when Gene left that ninety-five percent of why Gene left could be brought back to him." The other five percent, though, came from Clark's fear of flying. Clark had apparently witnessed a plane crash in his youth and been traumatised by it, and he had a general terror of flying and planes -- something McGuinn would mock him for a little, as McGuinn was an aviation buff. Eventually, Clark had a near-breakdown boarding a plane from California to New York for a promotional appearance with Murray the K, and ended up getting off the plane. McGuinn and Michael Clarke almost did the same, but in the end they decided to stay on, and the other four Byrds did the press conference without Gene. When asked where Gene was, they said he'd "broken a wing". He was also increasingly having mental health and substance abuse problems, which were exacerbated by his fear, and in the end he decided he just couldn't be a Byrd any more. Oddly, of all the band members, it was David Crosby who was most concerned about Clark's departure, and who did the most to try to persuade him to stay, but he still didn't do much, and the group decided to carry on as a four-piece and not even make a proper announcement of Clark's departure -- they just started putting out photos with four people instead of five. The main change as far as the group were concerned was that Hillman was now covering Clark's old vocal parts, and so Crosby moved to Clark's old centre mic while Hillman moved from his position at the back of the stage with Michael Clarke to take over Crosby's mic. The group now had three singer-instrumentalists in front, two of whom, Crosby and McGuinn, now thought of themselves as songwriters. So despite the loss of their singer/songwriter/frontman, they moved on to their new single, the guaranteed hit follow-up to "Eight Miles High": [Excerpt: The Byrds, "5D (Fifth Dimension)"] "5D" was written by McGuinn, inspired by a book of cartoons called 1-2-3-4 More More More More by Don Landis, which I haven't been able to track down a copy of, but which seems to have been an attempt to explain the mathematical concept of higher dimensions in cartoon form. McGuinn was inspired by this and by Einstein's theory of relativity -- or at least by his understanding of relativity, which does not seem to have been the most informed take on the topic. McGuinn has said in the past that the single should really have come with a copy of Landis' booklet, so people could understand it. Sadly, without the benefit of the booklet we only have the lyrics plus McGuinn's interviews to go on to try to figure out what he means. As far as I'm able to understand, McGuinn believed -- completely erroneously -- that Einstein had proved that along with the four dimensions of spacetime there is also a fifth dimension which McGuinn refers to as a "mesh", and that "the reason for the speed of light being what it is is because of that mesh." McGuinn then went on to identify this mesh with his own conception of God, influenced by his belief in Subud, and with a Bergsonian idea of a life force. He would talk about how most people are stuck in a materialist scientific paradigm which only admits to  the existence of three dimensions, and how there are people out there advocating for a five-dimensional view of the world. To go along with this mystic view of the universe, McGuinn wanted some music inspired by the greatest composer of sacred music, and he asked Van Dyke Parks, who was brought in to add keyboards on the session, to play something influenced by Bach -- and Parks obliged, having been thinking along the same lines himself: [Excerpt: The Byrds, "5D (Fifth Dimension)"] Unfortunately for the group, McGuinn's lyrical intention wasn't clear enough and the song was assumed to be about drugs, and was banned by many radio stations. That plus the track's basically uncommercial nature meant that it reached no higher than number forty-four in the charts. Jim Dickson, the group's co-manager, pointed to a simpler factor in the record's failure, saying that if the organ outro to the track had instead been the intro, to set a mood for the track rather than starting with a cold vocal open, it would have had more success. The single was followed by an album, called Fifth Dimension, which was not particularly successful. Of the album's eleven songs, two were traditional folk songs, one was an instrumental -- a jam called "Captain Soul" which was a version of Lee Dorsey's "Get Out My Life Woman" credited to the four remaining Byrds, though Gene Clark is very audible on it playing harmonica -- and one more was a jam whose only lyrics were "gonna ride a Lear jet, baby", repeated over and over. There was also "Eight Miles High" and the group's inept and slightly-too-late take on "Hey Joe". It also included a third single, a country track titled "Mr. Spaceman": [Excerpt: The Byrds, "Mr. Spaceman"] McGuinn and, particularly, Hillman, had some country music background, and both were starting to think about incorporating country sounds into the group's style, as after Clark's departure from the group they were moving away from the style that had characterised their first two albums. But the interest in "Mr. Spaceman" was less about the musical style than about the lyrics. McGuinn had written the song in the hopes of contacting extraterrestrial life -- sending them a message in his lyrics so that any aliens listening to Earth radio would come and visit, though he was later disappointed to realise that the inverse-square law means that the signals would be too faint to make out after a relatively short distance: [Excerpt: The Byrds, "Mr. Spaceman"] "Mr. Spaceman" did better on the charts than its predecessor, scraping the lower reaches of the top forty, but it hardly set the world alight, and neither did the album -- a typical review was the one by Jon Landau, which said in part "This album then cannot be considered up to the standards set by the Byrds' first two and basically demonstrates that they should be thinking in terms of replacing Gene Clark, instead of just carrying on without him." Fifth Dimension would be the only album that Allen Stanton would produce for the Byrds, and his replacement had actually just produced an album that was a Byrds record by any other name: [Excerpt: Gene Clark, "So You Say You've Lost Your Baby"] We've looked at Gary Usher before, but not for some time, and not in much detail. Usher was one of several people who were involved in the scene loosely centred on the Beach Boys and Jan and Dean, though he never had much time for Jan Berry and he had got his own start in the music business slightly before the Beach Boys. As a songwriter, his first big successes had come with his collaborations with Brian Wilson -- he had co-written "409" for the Beach Boys, and had also collaborated with Wilson on some of his earliest more introspective songs, like "The Lonely Sea" and "In My Room", for which Usher had written the lyrics: [Excerpt: The Beach Boys, "In My Room"] Usher had built a career as a producer and writer for hire, often in collaboration with Roger Christian, who also wrote with Brian Wilson and Jan Berry. Usher, usually with Christian, and very occasionally Wilson wrote the songs for several of American International Pictures' Beach Party films: [Excerpt: Donna Loren, "Muscle Bustle"] And Usher and Christian had also had bit parts in some of the films, like Bikini Beach, and Usher had produced records for Annette Funicello, the star of the films, often with the Honeys (a group consisting of Brian Wilson's future wife Marilyn plus her sister and cousin) on backing vocals. He had also produced records for the Surfaris, as well as a whole host of studio-only groups like the Four Speeds, the Super Stocks, and Mr. Gasser and the Weirdoes, most of whom were Usher and the same small group of vocalist friends along with various selections of Wrecking Crew musicians making quick themed albums. One of these studio groups, the Hondells, went on to be a real group of sorts, after Usher and the Beach Boys worked together on a film, The Girls on the Beach. Usher liked a song that Wilson and Mike Love had written for the Beach Boys to perform in the film, "Little Honda", and after discovering that the Beach Boys weren't going to release their version as a single, he put together a group to record a soundalike version: [Excerpt: The Hondells, "Little Honda"] "Little Honda" made the top ten, and Usher produced two albums for the Hondells, who had one other minor hit with a cover version of the Lovin' Spoonful's "Younger Girl". Oddly, Usher's friend Terry Melcher, who would shortly produce the Byrds' first few hits, had also latched on to "Little Honda", and produced his own version of the track, sung by Pat Boone of all people, with future Beach Boy Bruce Johnston on backing vocals: [Excerpt: Pat Boone, "Little Honda"] But when Usher had got his version out first, Boone's was relegated to a B-side. When the Byrds had hit, and folk-rock had started to take over from surf rock, Usher had gone with the flow and produced records like the Surfaris' album It Ain't Me Babe, with Usher and his usual gang of backing vocalists augmenting the Surfaris as they covered hits by Dylan, the Turtles, the Beach Boys and the Byrds: [Excerpt: The Surfaris, "All I Really Want to Do"] Usher was also responsible for the Surfaris being the first group to release a version of "Hey Joe" on a major label, as we heard in the episode on that song: [Excerpt: The Surfaris, "Hey Joe"] After moving between Capitol, Mercury, and Decca Records, Usher had left Decca after a round of corporate restructuring and been recommended for a job at Columbia by his friend Melcher, who at that point was producing Paul Revere and the Raiders and the Rip Chords and had just finished his time as the Byrds' producer. Usher's first work at Columbia was actually to prepare new stereo mixes of some Byrds tracks that had up to that point only been issued in mono, but his first interaction with the Byrds themselves came via Gene Clark: [Excerpt: Gene Clark, "So You Say You've Lost Your Baby"] On leaving the Byrds, Clark had briefly tried to make a success of himself as a songwriter-for-hire in much the same mould as Usher, attempting to write and produce a single for two Byrds fans using the group name The Cookie Fairies, while spending much of his time romancing Michelle Phillips, as we talked about in the episode on "San Francisco". When the Cookie Fairies single didn't get picked up by a label, Clark had put together a group with Bill Rinehart from the Leaves, Chip Douglas of the Modern Folk Quartet, and Joel Larson of the Grass Roots. Just called Gene Clark & The Group, they'd played around the clubs in LA and cut about half an album's worth of demos produced by Jim Dickson and Ed Tickner, the Byrds' management team, before Clark had fired first Douglas and then the rest of the group. Clark's association with Douglas did go on to benefit him though -- Douglas went on, as we've seen in other episodes, to produce hits for the Turtles and the Monkees, and he later remembered an old song by Clark and McGuinn that the Byrds had demoed but never released, "You Showed Me", and produced a top ten hit version of it for the Turtles: [Excerpt: The Turtles, "You Showed Me"] Clark had instead started working with two country singers, Vern and Rex Gosdin, who had previously been with Chris Hillman in the country band The Hillmen. When that band had split up, the Gosdin Brothers had started to perform together as a duo, and in 1967 they would have a major country hit with "Hangin' On": [Excerpt: The Gosdin Brothers, "Hangin' On"] At this point though, they were just Gene Clark's backing vocalists, on an album that had been started with producer Larry Marks, who left Columbia half way through the sessions, at which point Usher took over. The album, titled Gene Clark with the Gosdin Brothers, featured a mix of musicians from different backgrounds. There were Larson and Rinehart from Gene Clark and the Group, there were country musicians -- a guitarist named Clarence White and the banjo player Doug Dillard. Hillman and Michael Clarke, the Byrds' rhythm section, played on much of the album as a way of keeping a united front, Glen Campbell, Jerry Cole, Leon Russell and Jim Gordon of the Wrecking Crew contributed, and Van Dyke Parks played most of the keyboards. The lead-off single for Gene Clark with the Gosdin Brothers, "Echoes", is one of the tracks produced by Marks, but in truth the real producer of that track is Leon Russell, who wrote the orchestral arrangement that turned Clark's rough demo into a baroque pop masterpiece: [Excerpt: Gene Clark, "Echoes"] Despite Clark having quit the band, relations between him and the rest were still good enough that in September 1966 he temporarily rejoined the band after Crosby lost his voice, though he was gone again as soon as Crosby was well. But that didn't stop the next Byrds album, which Usher went on to produce straight after finishing work on Clark's record, coming out almost simultaneously with Clark's and, according to Clark, killing its commercial potential. Upon starting to work with the group, Usher quickly came to the conclusion that Chris Hillman was in many ways the most important member of the band. According to Usher "There was also quite a divisive element within the band at that stage which often prevented them working well together. Sometimes everything would go smoothly, but other times it was a hard road. McGuinn and Hillman were often more together on musical ideas. This left Crosby to fend for himself, which I might add he did very well." Usher also said "I quickly came to understand that Hillman was a good stabilising force within the Byrds (when he wanted to be). It was around the time that I began working with them that Chris also became more involved in the songwriting. I think part of that was the fact that he realised how much more money was involved if you actually wrote the songs yourself. And he was a good songwriter." The first single to be released from the new sessions was one that was largely Hillman's work. Hillman and Crosby had been invited by the great South African jazz trumpeter Hugh Masekela to play on some demos for another South African jazzer, singer Letta Mbulu. Details are sparse, but one presumes this was for what became her 1967 album Letta Mbulu Sings, produced by David Axelrod: [Excerpt: Letta Mbulu, "Zola (MRA)"] According to Hillman, that session was an epiphany for him, and he went home and started writing his own songs for the first time. He took one of the riffs he came up with to McGuinn, who came up with a bridge inspired by a song by yet another South African musician, Miriam Makeba, who at the time was married to Masekela, and the two wrote a lyric inspired by what they saw as the cynical manipulation of the music industry in creating manufactured bands like the Monkees -- though they have both been very eager to say that they were criticising the industry, not the Monkees themselves, with whom they were friendly. As Hillman says in his autobiography, "Some people interpreted it as a jab at The Monkees. In reality, we had immense respect for all of them as singers and musicians. We weren't skewering the members of the Monkees, but we were taking a shot at the cynical nature of the entertainment business that will try to manufacture a group like The Monkees as a marketing strategy. For us, it was all about the music, and we were commenting on the pitfalls of the industry rather than on any of our fellow musicians." [Excerpt: The Byrds, "So You Want to be a Rock 'n' Roll Star?"] The track continued the experimentation with sound effects that they had started with the Lear jet song on the previous album. That had featured recordings of a Lear jet, and "So You Want to be a Rock 'n' Roll Star?" featured recordings of audience screams. Those screams were, according to most sources, recorded by Derek Taylor at a Byrds gig in Bournemouth in 1965, but given reports of the tepid response the group got on that tour, that doesn't seem to make sense. Other sources say they're recordings of a *Beatles* audience in Bournemouth in *1963*, the shows that had been shown in the first US broadcast of Beatles footage, and the author of a book on links between the Beatles and Bournemouth says on his blog "In the course of researching Yeah Yeah Yeah: The Beatles & Bournemouth I spoke to two people who saw The Byrds at the Gaumont that August and neither recalled any screaming at all, let alone the wall of noise that can be heard on So You Want To Be A Rock 'n' Roll Star." So it seems likely that screaming isn't for the Byrds, but of course Taylor had also worked for the Beatles. According to Usher "The crowd sound effects were from a live concert that Derek Taylor had taped with a little tape recorder in London. It was some outrageous crowd, something like 20,000 to 30,000 people. He brought the tape in, ran it off onto a big tape, re- EQ'd it, echoed it, cleaned it up and looped it." So my guess is that the audience screams in the Byrds song about the Monkees are for the Beatles, but we'll probably never know for sure: [Excerpt: The Byrds, "So You Want to be a Rock 'n' Roll Star?"] The track also featured an appearance by Hugh Masekela, the jazz trumpeter whose invitation to take part in a session had inspired the song: [Excerpt: The Byrds, "So You Want to be a Rock 'n' Roll Star?"] While Hillman was starting to lean more towards folk and country music -- he had always been the member of the band least interested in rock music -- and McGuinn was most interested in exploring electronic sounds, Crosby was still pushing the band more in the direction of the jazz experimentation they'd tried on "Eight Miles High", and one of the tracks they started working on soon after "So You Want to be a Rock 'n' Roll Star?" was inspired by another jazz trumpet great. Miles Davis had been partly responsible for getting the Byrds signed to Columbia, as we talked about in the episode on "Mr. Tambourine Man", and so the group wanted to pay him tribute, and they started working on a version of his classic instrumental "Milestones": [Excerpt: Miles Davis, "Milestones"] Sadly, while the group worked on their version for several days -- spurred on primarily by Crosby -- they eventually chose to drop the track, and it has never seen release or even been bootlegged, though there is a tiny clip of it that was used in a contemporaneous documentary, with a commentator talking over it: [Excerpt: The Byrds, "Milestones (TV)"] It was apparently Crosby who decided to stop work on the track, just as working on it was also apparently his idea. Indeed, while the biggest change on the album that would become Younger Than Yesterday was that for the first time Chris Hillman was writing songs and taking lead vocals, Crosby was also writing more than before. Hillman wrote four of the songs on the album, plus his co-write with McGuinn on "So You Want to be a Rock 'n' Roll Star?", but Crosby also supplied two new solo compositions, plus a cowrite with McGuinn, and Crosby and McGuinn's "Why?", the B-side to "Eight Miles High", was also dug up and rerecorded for the album. Indeed, Gary Usher would later say "The album was probably 60% Crosby. McGuinn was not that involved, nor was Chris; at least as far as performing was concerned." McGuinn's only composition on the album other than the co-writes with Crosby and Hillman was another song about contacting aliens, "CTA-102", a song about a quasar which at the time some people were speculating might have been evidence of alien life. That song sounds to my ears like it's had some influence from Joe Meek's similar records, though I've never seen McGuinn mention Meek as an influence: [Excerpt: The Byrds, "CTA-102"] Crosby's growing dominance in the studio was starting to rankle with the other members. In particular two tracks were the cause of conflict. One was Crosby's song "Mind Gardens", an example of his increasing experimentation, a freeform song that ignores conventional song structure, and which he insisted on including on the album despite the rest of the group's objections: [Excerpt: The Byrds, "Mind Gardens"] The other was the track that directly followed "Mind Gardens" on the album. "My Back Pages" was a song from Dylan's album Another Side of Bob Dylan, a song many have seen as Dylan announcing his break with the folk-song and protest movements he'd been associated with up to that point, and his intention to move on in a new direction: [Excerpt: Bob Dylan, "My Back Pages"] Jim Dickson, the Byrds' co-manager, was no longer on speaking terms with the band and wasn't involved in their day-to-day recording as he had been, but he'd encountered McGuinn on the street and rolled down his car window and suggested that the group do the song. Crosby was aghast. They'd already recorded several songs from Another Side of Bob Dylan, and Fifth Dimension had been their first album not to include any Dylan covers. Doing a jangly cover of a Dylan song with a McGuinn lead vocal was something they'd moved on from, and he didn't want to go back to 1964 at the end of 1966. He was overruled, and the group recorded their version, a track that signified something very different for the Byrds than the original had for Dylan: [Excerpt: The Byrds, "My Back Pages"] It was released as the second single from the album, and made number thirty. It was the last Byrds single to make the top forty. While he was working with the Byrds, Usher continued his work in the pop field, though as chart pop moved on so did Usher, who was now making records in a psychedelic sunshine pop style with acts like the Peanut Butter Conspiracy: [Excerpt: The Peanut Butter Conspiracy, "It's a Happening Thing"] and he produced Chad and Jeremy's massive concept album Of Cabbages and Kings, which included a five-song "Progress Suite" illustrating history from the start of creation until the end of the world: [Excerpt: Chad and Jeremy, "Editorial"] But one of the oddest projects he was involved in was indirectly inspired by Roger McGuinn. According to Usher "McGuinn and I had a lot in common. Roger would always say that he was "out of his head," which he thought was good, because he felt you had to go out of your head before you could really find your head! That sums up McGuinn perfectly! He was also one of the first people to introduce me to metaphysics, and from that point on I started reading everything I could get my hands on. His viewpoints on metaphysics were interesting, and, at the time, useful. He was also into Marshall McLuhan; very much into the effects of electronics and the electronic transformation. He was into certain metaphysical concepts before I was, but I was able to turn him onto some abstract concepts as well" These metaphysical discussions led to Usher producing an album titled The Astrology Album, with discussions of the meaning of different star signs over musical backing: [Excerpt: Gary Usher, "Leo"] And with interviews with various of the artists he was working with talking about astrology. He apparently interviewed Art Garfunkel -- Usher was doing some uncredited production work on Simon and Garfunkel's Bookends album at the time -- but Garfunkel declined permission for the interview to be used. But he did get both Chad and Jeremy to talk, along with John Merrill of the Peanut Butter Conspiracy -- and David Crosby: [Excerpt: Gary Usher, "Leo"] One of the tracks from that album, "Libra", became the B-side of a single by a group of studio musicians Usher put together, with Glen Campbell on lead vocals and featuring Bruce Johnston of the Beach Boys prominently on backing vocals. "My World Fell Down" was credited to Sagittarius, again a sign of Usher's current interest in astrology, and featured some experimental sound effects that are very similar to the things that McGuinn had been doing on recent Byrds albums: [Excerpt: Sagittarius, "My World Fell Down"] While Usher was continuing with his studio experimentation, the Byrds were back playing live -- and they were not going down well at all. They did a UK tour where they refused to play most of their old hits and went down as poorly as on their previous tour, and they were no longer the kings of LA. In large part this was down to David Crosby, whose ego was by this point known to *everybody*, and who was becoming hugely unpopular on the LA scene even as he was starting to dominate the band. Crosby was now the de facto lead vocalist on stage, with McGuinn being relegated to one or two songs per set, and he was the one who would insist that they not play their older hit singles live. He was dominating the stage, leading to sarcastic comments from the normally placid Hillman like "Ladies and gentlemen, the David Crosby show!", and he was known to do things like start playing a song then stop part way through a verse to spend five minutes tuning up before restarting. After a residency at the Whisky A-Go-Go where the group were blown off the stage by their support act, the Doors, their publicist Derek Taylor quit, and he was soon followed by the group's co-managers Jim Dickson and Eddie Tickner, who were replaced by Crosby's friend Larry Spector, who had no experience in rock management but did represent Peter Fonda and Dennis Hopper, two young film stars Crosby was hanging round with. The group were particularly annoyed by Crosby when they played the Monterey Pop Festival. Crosby took most lead vocals in that set, and the group didn't go down well, though instrumentally the worst performer was Michael Clarke, who unlike the rest of the band had never become particularly proficient on his instrument: [Excerpt: The Byrds, "So You Want to be a Rock 'n' Roll Star (live at Monterey)"] But Crosby also insisted on making announcements from the stage advocating LSD use and describing conspiracy theories about the Kennedy assassination: [Excerpt: David Crosby on the Warren Commission, from the end of "Hey Joe" Monterey] But even though Crosby was trying to be the Byrds' leader on stage, he was also starting to think that they maybe didn't deserve to have him as their leader. He'd recently been spending a lot of time hanging out with Stephen Stills of the Buffalo Springfield, and McGuinn talks about one occasion where Crosby and Stills were jamming together, Stills played a blues lick and said to McGuinn "Can you play that?" and when McGuinn, who was not a blues musician, said he couldn't, Stills looked at him with contempt. McGuinn was sure that Stills was trying to poach Crosby, and Crosby apparently wanted to be poached. The group had rehearsed intensely for Monterey, aware that they'd been performing poorly and not wanting to show themselves up in front of the new San Francisco bands, but Crosby had told them during rehearsals that they weren't good enough to play with him. McGuinn's suspicions about Stills wanting to poach Crosby seemed to be confirmed during Monterey when Crosby joined Buffalo Springfield on stage, filling in for Neil Young during the period when Young had temporarily quit the group, and performing a song he'd helped Stills write about Grace Slick: [Excerpt: Buffalo Springfield, "Rock 'n' Roll Woman (live at Monterey)"] Crosby was getting tired not only of the Byrds but of the LA scene in general. He saw the new San Francisco bands as being infinitely cooler than the Hollywood plastic scene that was LA -- even though Crosby was possibly the single most Hollywood person on that scene, being the son of an Oscar-winning cinematographer and someone who hung out with film stars. At Monterey, the group had debuted their next single, the first one with an A-side written by Crosby, "Lady Friend": [Excerpt: The Byrds, "Lady Friend"] Crosby had thought of that as a masterpiece, but when it was released as a single, it flopped badly, and the rest of the group weren't even keen on the track being included on the next album. To add insult to injury as far as Crosby was concerned, at the same time as the single was released, a new album came out -- the Byrds' Greatest Hits, full of all those singles he was refusing to play live, and it made the top ten, becoming far and away the group's most successful album. But despite all this, the biggest conflict between band members when they came to start sessions for their next album wasn't over Crosby, but over Michael Clarke. Clarke had never been a particularly good drummer, and while that had been OK at the start of the Byrds' career, when none of them had been very proficient on their instruments, he was barely any better at a time when both McGuinn and Hillman were being regarded as unique stylists, while Crosby was writing metrically and harmonically interesting material. Many Byrds fans appreciate Clarke's drumming nonetheless, saying he was an inventive and distinctive player in much the same way as the similarly unskilled Micky Dolenz, but on any measure of technical ability he was far behind his bandmates. Clarke didn't like the new material and wasn't capable of playing it the way his bandmates wanted. He was popular with the rest of the band as a person, but simply wasn't playing well, and it led to a massive row in the first session: [Excerpt: The Byrds, "Universal Mind Decoder (alternate backing track)"] At one point they joke that they'll bring in Hal Blaine instead -- a reference to the recording of "Mr. Tambourine Man", when Clarke and Hillman had been replaced by Blaine and Larry Knechtel -- and Clarke says "Do it. I don't mind, I really don't." And so that ended up happening. Clarke was still a member of the band -- and he would end up playing on half the album's tracks -- but for the next few sessions the group brought in session drummers Hal Blaine and Jim Gordon to play the parts they actually wanted. But that wasn't going to stop the bigger problem in the group, and that problem was David Crosby's relationship with the rest of the band. Crosby was still at this point thinking of himself as having a future in the group, even as he was increasingly convinced that the group themselves were bad, and embarrassed by their live sound. He even, in a show of unity, decided to ask McGuinn and Hillman to collaborate on a couple of songs with him so they would share the royalties equally. But there were two flash-points in the studio. The first was Crosby's song "Triad", a song about what we would now call polyamory, partly inspired by Robert Heinlein's counterculture science fiction novel Stranger in a Strange Land. The song was meant to portray a progressive, utopian, view of free love, but has dated very badly -- the idea that the *only* reason a woman might be unhappy with her partner sleeping with another woman is because of her mother's disapproval possibly reveals more about the mindset of hippie idealists than was intended. The group recorded Crosby's song, but refused to allow it to be released, and Crosby instead gave it to his friends Jefferson Airplane, whose version, by having Grace Slick sing it, at least reverses the dynamics of the relationship: [Excerpt: Jefferson Airplane, "Triad"] The other was a song that Gary Usher had brought to the group and suggested they record, a Goffin and King song released the previous year by Dusty Springfield: [Excerpt: Dusty Springfield, "Goin' Back"] Crosby was incandescent. The group wanted to do this Brill Building pap?! Hell, Gary Usher had originally thought that *Chad and Jeremy* should do it, before deciding to get the Byrds to do it instead. Did they really want to be doing Chad and Jeremy cast-offs when they could be doing his brilliant science-fiction inspired songs about alternative relationship structures? *Really*? They did, and after a first session, where Crosby reluctantly joined in, when they came to recut the track Crosby flat-out refused to take part, leading to a furious row with McGuinn. Since they were already replacing Michael Clarke with session drummers, that meant the only Byrds on "Goin' Back", the group's next single, were McGuinn and Hillman: [Excerpt: The Byrds, "Goin' Back"] That came out in late October 1967, and shortly before it came out, McGuinn and Hillman had driven to Crosby's home. They told him they'd had enough. He was out of the band. They were buying him out of his contract. Despite everything, Crosby was astonished. They were a *group*. They fought, but only the way brothers fight. But McGuinn and Hillman were adamant. Crosby ended up begging them, saying "We could make great music together." Their response was just "And we can make great music without you." We'll find out whether they could or not in two weeks' time.

Ring in the new year with the FOOFO boys because we back baby! We give some life updates, talk about some big F1 news, the hurdles we had to deal with to watch Formula E, and a new direction for the podcast given our love of Married at First Sight. --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

*Sorry For The Delay...It's Holiday Time and Tomorrow is ELDREDGE G Day!!

Well, here we are folks - at the end of the calendar year. The season has wrapped up and Iddris & Gabe are taking a break before coming out swinging in 2024. The boys give their thoughts on the journey the first season of the pod, their favorite moments while recording, and their favorite moments of the season. Also, you get some hints and ideas of what's to come in 2024 :D Thanks for all your support in this first season and here's to many more! --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

It's here FOOFO fam - we've promised you some data, and we've got it. We go over some really interesting datasets including what-if scenarios and regular season stats. Before we dive into data, we discuss all the drama that the FIA investigation stirred up. --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

Well the season is over and it was done Max's way. No way we see another dominant season like this again, right? Kudos to Max and the Red Bull team for giving us such glorious jokes and content for the year. In today's episode, the boys give their thoughts on the 2023 season and give some predictions on 2024. Flynt Flossy voice: 2023 season recap baby! --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

And there you have it folks; that's it - le fin. The end of the absolutely competition crushing domination of Red Bull 2023 season is over. Just like us, I'm sure everyone is MAXED OUT. Gabe & Iddris give their thoughts on all things Abu Dhabi and whether or not Alpha Tauri's new team name should really be Red Bull Zero or Red Bull Sugar-Free. --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

Okay so that race weekend was a LOOOOOOOT. Who knew that Max "this track sucks" Verstappen, would the the man of the people with the heat he was throwing towards the organizers! Didn't get a chance to follow everything that happened in Vegas? Well man, the FOOFO boys have got the hole thing covered for you :D --- Intro/Outro Song: "She Don't Care" by Marcus Smith (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.marcussmithmusic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Produced by: Marcus Smith Deep Cuts Background Music | Produced by: Jean Kong --- Follow us on Instagram, Twitter, TikTok & YouTube @F1orFOff. Check out our LinkTree to stay up to date on all things FOOFO! (⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/f1orfoff⁠⁠⁠⁠⁠⁠⁠⁠) Check out or Spotify playlist of relevant FOOFO songs! (⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/337kz6x5⁠⁠⁠⁠⁠⁠⁠⁠) Feedback? Hit us up at f1orfoffpodcast@gmail.com. Share this with a buddy and leave us a 5-star review wherever you listen - it really helps the pod out!

July 7, 2023The Daily Mojo is 2 hours of news, commentary, comedy, and auditory deliciousness.The Daily MoJo LIVE!"She Don't Like Cocaine"There's a lot of crazy online - and we brought the receipts. Did Threads somehow cancel Twitter phone notifications? Tucker makes a great point and we wanna be Napolean! Indiana Jones is sad, very sad...oh, and a HUGE loser! Yellowstone & Aliens - both in the news, so maybe it's about that time... Kal's Podcast of the Week is really crappy...we made a funny.Link:Who Shat On The Floor At My Wedding?Here's the official Daily Mojo Shirt of the WeekOur affiliate partners:We've partnered with The Wellness Company – a based, dedicated group of medical pros – including Dr. Peter McCullough – to bring you a single trustworthy source for your health.www.GetWellMojo.comPromo Code: Mojo50Dave and his crew were roasting historically great coffee before some of these newcomers even thought about creating a coffee brand. He's still the best, in our eyes! www.AmericanPrideRoasters.comCustom Engraving & Design:www.MoJoLaserPros.comWe love to support Mike Lindell and his company. He's a real patriot and an American success story!https://www.mypillow.com/radiospecials Promo code: Mojo50Be ready for anything from a hurricane to man-created stupidity (toilet paper shortage, anyone?). The tools and food storage you need to weather the storm.www.PrepareWithMojo50.com WATCH The Daily Mojo LIVE 7-9a CT: www.TheDailyMojo.com (RECOMMEDED)RumbleFacebookMojo 5-0 TVFreedomsquareOr just LISTEN:www.Mojo50.com