Podcasts about Wikisource

Mes chers camarades, bien le bonjour ! Dans la liste des morts absurdes mais célèbres, notre prochaine victime est probablement l'un des plus courageux roi d'Écosse, un homme qui a grandi et régné dans un environnement mortel, et qui a toujours triomphé. Enfin… ça l'a pas empêché de partir en fumée à la fin !Bonne écoute !

ÜBERRASCHUNG! Eine kleine Zusatzfolge Pia liest für euch, ganz außer der Reihe: Heute gibt's das erste Kapitel von Alice's Abenteuer im Wunderland von Lewis Carroll, besser bekannt unter Alice im Wunderland. Diejenigen, die dem Podcast schon länger folgen, wundern sich jetzt vielleicht, denn ich habe schon vor Jahren mal angefangen diese tolle Geschichte zu vertonen. Aber Menschen entwickeln sich - und so auch ich und meine Fähigkeiten, weshalb ich euch heute gern eine Upgrade-Version bieten möchte. Die weiteren Kapitel werden folgen, in welchem Abstand, weiß ich noch nicht ganz. Außerdem kommt heute noch meine Hörerin Nicole zu Wort. Sie hat eine Art Gedicht zu Ehren ihres verstorbenen sowie ihres aktuellen Hundes eingeschickt. Text von Alice im Wunderland entnommen aus: Alice's Abenteuer im Wunderland, Lewis Carroll, Macmillan und Comp., London, 1869, exportiert aus Wikisource am 15.04.2012, Übersetzung ins Deutsche von Antonie Zimmermann. Musik von Myuu, freesound.org und Min. 3:39 Fuzzball Parade Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Min. 5:03 Ascending the Vale Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Min. 9:05 Kool Kats Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Min. 14:49 One Sly Move Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Geräusche von freesound.org Ich wünsche euch ganz viel Freude beim Hören

I folksagokalendern 2024 bjuder Folksagopodden på en ny berättelsetyp varje dag fram till jul. Det blir sagor, myter, legender från både förr och nu. Bakom lucka 22 hittar vi konstsagan - en form av berättelse som lånar form och innehåll av den klassiska folksagan men som till skillnad från den har en författare och är nedskriven från början. Kända konstsagoförfattare är till exempel H.C Andersen och Elsa Beskow. I folksagopodden har det gått att höra flera konstsagor som till exempel Flickan med svavelstickorna och Flickan som mötte Huldran. De avsnitten heter just Konstsagopodden. Saga i detta avsnitt Del 4 och 5 av en julsaga av Charles Dickens. Översättningen är från Wikisource https://sv.wikisource.org/wiki/En_juls%C3%A5ng_p%C3%A5_prosa_(Wikisource-%C3%B6vers%C3%A4ttning)

I folksagokalendern 2024 bjuder Folksagopodden på en ny berättelsetyp varje dag fram till jul. Det blir sagor, myter, legender från både förr och nu. Bakom lucka 22 hittar vi konstsagan - en form av berättelse som lånar form och innehåll av den klassiska folksagan men som till skillnad från den har en författare och är nedskriven från början. Kända konstsagoförfattare är till exempel H.C Andersen och Elsa Beskow. I folksagopodden har det gått att höra flera konstsagor som till exempel Flickan med svavelstickorna och Flickan som mötte Huldran. De avsnitten heter just Konstsagopodden. Saga i detta avsnitt Del 4 och 5 av en julsaga av Charles Dickens återberättad av mig. Översättningen är från Wikisource https://sv.wikisource.org/wiki/En_juls%C3%A5ng_p%C3%A5_prosa_(Wikisource-%C3%B6vers%C3%A4ttning)

I folksagokalendern 2024 bjuder Folksagopodden på en ny berättelsetyp varje dag fram till jul. Det blir sagor, myter, legender från både förr och nu. Bakom lucka 15 hittar vi återigen konstsagan - en form av berättelse som lånar form och innehåll av den klassiska folksagan men som till skillnad från den har en författare och är nedskriven från början. Kända konstsagoförfattare är till exempel H.C Andersen och Elsa Beskow. I folksagopodden har det gått att höra flera konstsagor som till exempel Flickan med svavelstickorna och Flickan som mötte Huldran. De avsnitten heter just Konstsagopodden. Sagan är gammal och därför ganska krångligt skriven - så därför släpps den både i uppläst form (lite krångligare) och återberättad form (lättare). Detta är den återberättade versionen. Saga i detta avsnitt Del 3 av en julsaga av Charles Dickens. Översättningen från Wikisource https://sv.wikisource.org/wiki/En_juls%C3%A5ng_p%C3%A5_prosa_(Wikisource-%C3%B6vers%C3%A4ttning)

I folksagokalendern 2024 bjuder Folksagopodden på en ny berättelsetyp varje dag fram till jul. Det blir sagor, myter, legender från både förr och nu. Bakom lucka 15 hittar vi återigen konstsagan - en form av berättelse som lånar form och innehåll av den klassiska folksagan men som till skillnad från den har en författare och är nedskriven från början. Kända konstsagoförfattare är till exempel H.C Andersen och Elsa Beskow. I folksagopodden har det gått att höra flera konstsagor som till exempel Flickan med svavelstickorna och Flickan som mötte Huldran. De avsnitten heter just Konstsagopodden. Sagan är gammal och därför ganska krångligt skriven - så därför släpps den både i uppläst form (lite krångligare) och återberättad form (lättare). Detta är den upplästa versionen. Saga i detta avsnitt Del 3 av en julsaga av Charles Dickens. Översättningen från Wikisource https://sv.wikisource.org/wiki/En_juls%C3%A5ng_p%C3%A5_prosa_(Wikisource-%C3%B6vers%C3%A4ttning)

Czechoslovak Gothic drama film directed by Juraj Herz, based on a novel by Alexander Grin, Jessie and Morgiana (1929, Wikisource: Джесси и Моргиана).[1] The story is about two sisters, Klara and Viktoria, and the jealousy that overcomes Viktoria when her sister inherits most of their father's property. When Klara becomes involved with a man that her sister loves, Viktoria begins to plot her murder .The roles of both sisters are played by the actress Iva Janžurová.[2]”Also discussed: CEO shootings, following up on John Carpenter and The Eyes of Laura Mars, Peter Greenaway and Drowning by Numbers, Ghost Stories for Christmas on Shudder, Christmas is goth, Salem Horror Fest, Kier-la Janisse, the Czech new wave, and more.  NEXT WEEK: Under the Skin (2013) Follow them across the internet:Bloodhaus: https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/https://bsky.app/profile/joshuaconkel.bsky.social 

I folksagokalendern 2024 bjuder Folksagopodden på en ny berättelsetyp varje dag fram till jul. Det blir sagor, myter, legender från både förr och nu. Bakom lucka 8 hittar vi återigen konstsagan - en form av berättelse som lånar form och innehåll av den klassiska folksagan men som till skillnad från den har en författare och är nedskriven från början. Kända konstsagoförfattare är till exempel H.C Andersen och Elsa Beskow. I folksagopodden har det gått att höra flera konstsagor som till exempel Flickan med svavelstickorna och Flickan som mötte Huldran. De avsnitten heter just Konstsagopodden. Sagan är gammal och därför ganska krångligt skriven - så därför släpps den både i uppläst form (lite krångligare) och återberättad form (lättare). Detta är den återberättade versionen. Saga i detta avsnitt Del 2 av en julsaga av Charles Dickens. Översättningen från Wikisource https://sv.wikisource.org/wiki/En_juls%C3%A5ng_p%C3%A5_prosa_(Wikisource-%C3%B6vers%C3%A4ttning)

I folksagokalendern 2024 bjuder Folksagopodden på en ny berättelsetyp varje dag fram till jul. Det blir sagor, myter, legender från både förr och nu. Bakom lucka 8 hittar vi återigen konstsagan - en form av berättelse som lånar form och innehåll av den klassiska folksagan men som till skillnad från den har en författare och är nedskriven från början. Kända konstsagoförfattare är till exempel H.C Andersen och Elsa Beskow. I folksagopodden har det gått att höra flera konstsagor som till exempel Flickan med svavelstickorna och Flickan som mötte Huldran. De avsnitten heter just Konstsagopodden. Sagan är gammal och därför ganska krångligt skriven - så därför släpps den både i uppläst form (lite krångligare) och återberättad form (lättare). Detta är den återberättade versionen. Saga i detta avsnitt Del 2 av en julsaga av Charles Dickens. Återberättad fritt från minnet av mig, baserat på Översättningen från Wikisource https://sv.wikisource.org/wiki/En_juls%C3%A5ng_p%C3%A5_prosa_(Wikisource-%C3%B6vers%C3%A4ttning)

I folksagokalendern 2024 bjuder Folksagopodden på en ny berättelsetyp varje dag fram till jul. Det blir sagor, myter, legender från både förr och nu. Bakom lucka 1 hittar vi konstsagan - en form av berättelse som lånar form och innehåll av den klassiska folksagan men som till skillnad från den har en författare och är nedskriven från början. Kända konstsagoförfattare är till exempel H.C Andersen och Elsa Beskow. I folksagopodden har det gått att höra flera konstsagor som till exempel Flickan med svavelstickorna och Flickan som mötte Huldran. De avsnitten heter just Konstsagopodden. Sagan är gammal och därför ganska krångligt skriven - så därför släpps den både i uppläst form (lite krångligare) och återberättad form (lättare). Detta är den återberättade versionen. Saga i detta avsnitt Del 1 av en julsaga av Charles Dickens. Återberättad fritt från minnet av mig, baserat på Översättningen från Wikisource https://sv.wikisource.org/wiki/En_juls%C3%A5ng_p%C3%A5_prosa_(Wikisource-%C3%B6vers%C3%A4ttning)

I folksagokalendern 2024 bjuder Folksagopodden på en ny berättelsetyp varje dag fram till jul. Det blir sagor, myter, legender från både förr och nu. Bakom lucka 1 hittar vi konstsagan - en form av berättelse som lånar form och innehåll av den klassiska folksagan men som till skillnad från den har en författare och är nedskriven från början. Kända konstsagoförfattare är till exempel H.C Andersen och Elsa Beskow. I folksagopodden har det gått att höra flera konstsagor som till exempel Flickan med svavelstickorna och Flickan som mötte Huldran. De avsnitten heter just Konstsagopodden. Saga i detta avsnitt Del 1 av en julsaga av Charles Dickens. Översättningen är från Wikisource https://sv.wikisource.org/wiki/En_juls%C3%A5ng_p%C3%A5_prosa_(Wikisource-%C3%B6vers%C3%A4ttning)

Publiée en français sous le titre “La Verte Prairie”, The Green Meadow a la particularité d'être la toute première “collaboration” de HPL.Contrairement à certains de ses futurs travaux de ghostwriting, Lovecraft est ici parfaitement crédité, bien que la nouvelle soit, théoriquement écrite à 4 mains. On va voir que c'est un peu plus compliqué que ça.Un épisode enregistré sous le cagnard du mois d'août, avec un Frédéric toujours plus prompt aux digressions intempestives. Promis, on rentrera dans le droit chemin pour le prochain épisode, qui sera consacré à Beyond The Wall of Sleep, plus connu sous le nom de “Par-delà le mur du sommeil”.Pendant l'enregistrement, nous avons oublié de préciser que la version définitive de The Green meadow est éditée dans la remarquable édition Variorum de S.T. Joshi (détails dans les sources bibliographiques ci-dessous). Néanmoins, la nouvelle est également disponible sur https://hplovecraft.com/writings/texts/fiction/gm.aspx0:00 Digressions introductives11:33 L'inspiration derrière The Green Meadow29:45 L'hospitalisation de Sarah Susan Lovecraft55:36 Avis et analyse de la Verte PrairieCo-host : Audrey PatryMusique : Empty Shell AxiomSources : I Am Providence, The Life and Times of H.P. Lovecraft (vol 1) de S.T. Joshi, édité par Hippocampus Press (édition révisée de 2013)Collected Fiction Volume 4 (Revisions and Collaborations): A Variorum Edition, édité par S.T. Joshi chez Hippocampus PressL'horreur dans le musée et autres révisions, chez PocketCollected Fiction Volume 4 (Revisions and Collaborations): A Variorum Edition, édité par S.T. Joshi chez Hippocampus PressOn “The Green Meadow” by H.P. Lovecraft and Winifred V. Jackson, Taskerland, https://tasker.land/2022/02/22/on-the-green-meadow-by-h-p-lovecraft/ Finality, de Winnifred Virginai Jackson est disponible sur Wikisource   

Don't swim for at least 30 minutes after a banquet… Around 2150 BCE, so the story goes, the Queen-King Nitocris sought vengeance on those who had wronged her. This tale comes from Herodotos, and in 1928 a young Tennessee Williams published his own version of the gothic stroy. In this bonus episode, I read Williams' work for a bit of spooky storytelling… Herodotos, Histories, Book II, via Perseus. Tennessee Williams ‘The Vengeance of Nitocris' at Wikipedia and Wikisource. The Vengeance of Nitocris by Rejected Princesses. Music by Kevin Manthei, from Vampire: The Masquerade: Redemption (2000). I played this a lot as a child, and it seemed to fit the tone. Outro music, “Killer Queen – Medieval Rock Cover” by Medieval Rock. Less tonally consistent, but when the Queen gives an order... The History of Egypt Podcast: Website: www.egyptianhistorypodcast.com. Support the show via Patreon www.patreon.com/egyptpodcast. Make a one-time donation via PayPal payments. Music and interludes by Keith Zizza www.keithzizza.net. Music and interludes by Luke Chaos www.chaosmusick.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever had a friend or someone you know recommend a movie that you've never heard of, and they “swear it's unbelievable”, and it really is terrific?  What if someone told you that the coolest person that ever lived, passed away before America even became a country?  Many would say, “no chance”, but they may not have heard the story of John Law.  Law was like a 17-century gambler and economist who pretty much invented the idea of centralized banking and at one point may have been the richest man in the world.  How do you think this guy was cool? What caused his downfall?  If this guy is so cool, how come I've never heard of him? We'll dive into these questions and more in this episode of AHC Podcast.         Intro Music Credits: Future [No Copyright Sound] [ FREE USE MUSIC ] - Leonell Cassio - A Magical Journey Through Space YouTube:  https://www.youtube.com/watch?v=HPzI18H-Nl4 License: https://creativecommons.org/licenses/by-sa/3.0/ Download:  https://soundcloud.com/leonellcassio/amjts     Citations: Dictionary of national biography, 1885-1900/law, John (1671-1729). (2010, March 13). Wikisource.org; Wikimedia Foundation, Inc. https://en.wikisource.org/wiki/Dictionary_of_National_Biography,_1885-1900/Law,_John_(1671-1729)  Gleeson, J. (2021). Millionaire: The philanderer, gambler, and duelist who invented modern finance.  Goldstein, J., & Childs, M. (2020, September 4). The murderer, the boy king, and the invention of modern finance. NPR. https://www.npr.org/2020/09/04/909876702/the-murderer-the-boy-king-and-the-invention-of-modern-finance  Hughes-Hallett, L. (2018, August 29). John Law: the 18th-century Scot who became richer than the king of France. New Statesman. https://www.newstatesman.com/culture/2018/08/john-law-18th-century-scot-who-became-richer-king-france  Murphy, A. E. (1997). John law: Economic theorist and policy-maker. Oxford University Press. Wikipedia contributors. (2023, March 15). Livre tournois. Wikipedia, The Free Encyclopedia. https://en.wikipedia.org/w/index.php?title=Livre_tournois&oldid=1144676475  Wikipedia contributors. (2024a, February 28). Goldsmith. Wikipedia, The Free Encyclopedia. https://en.wikipedia.org/w/index.php?title=Goldsmith&oldid=1210871992  Wikipedia contributors. (2024b, March 6). John Law (economist). Wikipedia, The Free Encyclopedia. https://en.wikipedia.org/w/index.php?title=John_Law_(economist)&oldid=1212170722  (N.d.). Owlcation.com. Retrieved March 9, 2024, from https://owlcation.com/humanities/John-Law-an-Economist-Who-Was-Far-from-Dull 

Nous continuons à explorer la biographie de Lovecraft pour comprendre son œuvre, et nous entrons enfin dans le Mythe de Cthulhu, ou presque, puisque l'œuvre du jour est Dagon, écrit en juillet 1917.Certains critiques vous diront que Dagon ne fait pas partie du Mythe : ils ont raison mais ils ont tort. En effet, à l'époque où HPL écrit Dagon, le Mythe n'existe pas. Mais à partir du moment où The Shadow Over Innsmouth ajoute l'Ordre Esotérique de Dagon au Mythe, on peut considérer que Dagon a été rétroactivement ajouté au Mythe par Lovecraft. De plus, il est évident que Dagon, influencé par Fishhead, préfigure la création du Mythe. Change my mind ! Au programme : britannisme, monstres marins et tentations militaires, le tout assaisonné de la légendaire thalassophobie de Lovecraft, ainsi que de celle d'Audrey. 00:00 Lovecraft et la Première Guerre mondiale16:15 Dagon35:00 Aux origines de la thalassophobie52:55 Les influences derrière DagonErratum : le journal amateur édité par HPL s'appelait The Conservative.Co-host : Audrey PatryMusique : Empty Shell AxiomSources : I Am Providence, The Life and Times of H.P. Lovecraft (vol 1) de S.T. Joshi, édité par Hippocampus Press (édition révisée de 2013)H.P. Lovecraft The Complete Fiction, édité par Barnes & Noble (2011)Dagon, édité chez J'ai Lu, traduction du recueil Dagon and Other Macabre Tales originellement édité par Arkham HouseFishhead, de Irvin S. Cobb (1911), disponible sur Wikisource : https://en.wikisource.org/wiki/Fishhead Un immense merci à tous pour votre soutien

An episode almost literally four years in the making, the birb of mythical proportions and size: Dwayne Johnson.   Merch: https://www.etsy.com/shop/cryptopediamerch Discord: https://discord.gg/AWpen8aYQG Patreon: https://www.patreon.com/user?u=14015340 YouTube (Videos have [questionable] captions!): http://youtube.cryptopediacast.com/ --- The Quarterly Journal Of The Mythic Society : THE BIRD AND SERPENT MYTH Kalipada Mitra Handbook of Hindu Mythology - George M. Williams Garuda - Wikipedia 'Roc': An Eastern Prodigy in a Dutch Engraving | Journal of the Warburg Institute: Vol 1, No 3 Aeon the Terrible | Christmas Specials Wiki | Fandom The Travels of Marco Polo the Venetian Marco Polo - Wikipedia Golden Eagle | The Peregrine Fund Harpy Eagle | The Peregrine Fund The Ultimate Utility Helicopter Comparison - Skycore Aviation Sinbad the Sailor - Wikipedia Fairy tales from the Arabian nights - Wikisource, the free online library Nāga - Wikipedia

A tale of terror and tombs. In 1924, Weird Tales magazine published "Imprisoned with the Pharaohs" (aka "Under the Pyramids"). A short story in which Harry Houdini, world-famous escape-artist, illusionist, and advocate of rationalism, came face-to-face with horrors beyond his comprehension. The tale is work of horror, ghost-written by H.P. Lovecraft. It is a fun story, worthy of the genre. Logo image: The statue of Khafra / Khephren in Cairo's old museum (Photo Dominic Perry). Timecodes: Story Part One: 00:01:40. Story Part Two: 00:38:39. Commentary: 01:18:50. Sources: H.P. Lovecraft, “Imprisoned with the Pharaohs,” Weird Tales magazine at WikiSource. R. Emrys and A. M. Pillsworth, ‘Harry Houdini Versus Cosmic Horror: “Under the Pyramids”', TOR.com, accessed 12.27.2023. D. Harms, Cthulu Mythos Encyclopedia: A Guide to the Horrors Created and Inspired by H.P. Lovecraft (3rd edn, Chelsea, 2012). S. T. Joshi and D. E. Schultz, An H. P. Lovecraft Encyclopedia (2001). H. P. (Howard P. Lovecraft, The New Annotated H.P. Lovecraft (2014). D. Norris, ‘Lovecraft and Egypt: A Closer Examination', Lovecraft Annual (2016), 3–45. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to 2023's Christmas special/2024's Epiphany special. (Come on, what podcast doesn't have an Epiphany special?) It's all just a chance to turn episode 80 into a re-enactment of this remarkable untold tale of Britain's first religious broadcast. Contrary to what some records say, it wasn't the BBC who began religious broadcasting in Britain - it was lone Peckham pioneer preacher Dr James Ebenezer Boon, on 30 July 1922. Thankfully he wrote everything down - from the words of his sermon to the gramophone record hymns he played, to the feedback received from listeners, to his thoughts on the opportunities of future religious broadcasting. We'll also tell you about America's first religious broadcast (1921) and the first non-radio religious broadcasts - via the Electrophone (in the 1890s!). And we'll propel forward to look at the BBC's first church service on 6th January 1924 (and why it wasn't quite the first after all), with its centenary round about now-ish. We discover too the BBC's first Muslim, Jewish, Hindu and Buddhist broadcasters. Have a guess now roughly when each debuted on air? Then find out in this episode. (It was surprisingly early...) Whether your religion is religion or radio, I'm sure you'll enjoy this episode. It's different to others we've done, as at its centre is a full re-enactment, so expect a 15min sermon, and hymns - sung along to by the live audience (including several religious broadcasters of note) at Christ Church Evangelical, McDermott Road, Peckham. This was Dr Boon's church, that he wired up back in summer 1922, then left to broadcast INTO it from five miles away - but reaching Coventry and the east coast (who offered to send in a collection, bless 'em). Huge thanks to Christ Church Evangelical, especially Adrian Holloway, for allowing us access (I even went to see the roof, where Dr Boon put his aerial!) for that rare thing - recreating a landmark broadcast where it occurred. Thanks too to Dr Jim Harris and Andy Mabbett for their help in bringing the story to life. Branden Braganza and Riley King recorded it (a video will appear on Youtube soon - details here when that happens). Will Farmer composed the original music. Oh and we're nothing to do with the BBC. Make sure you've also heard our other episode spinning through a century of 'God on the air' - episode 60: A History of Religious Broadcasting. And if you'd like to read along to the sermon, or read Boon's full notes, you can, on Wikisource. (Thanks Andy Mabbett) Thanks for listening. More info on this project at paulkerensa.com/oldradio, and find me on tour with An Evening of (Very) Old Radio at paulkerensa.com/tour. Or book it for your place? Support the show on patreon.com/paulkerensa - where videos and writings await for you £5/mth (cancel whenever, I'll never know). It all helps support the podcast. Or support it for free by sharing on your social medias, or with your pals and acquaintances. Bless you for listening.   NEXT TIME: Season 6 begins! With the BBC leaving Marconi House for Savoy Hill. More re-enactments are coming...  

Been on my mind for a bit, for two reasons: First, the movies in the sequel trilogy were released in December, so events around them are showing up as anniversaries in various social media. Second,  someone I know recently was doing a school assignment on George Lucas. So here it is again. Yes, I know, there's a cricket in there. I keep meaning to re-record it, but haven't gotten to it yet.  --------------------------------------------------------------------------------- This is just for fun, with no real generational connection except that both Abraham Lincoln and George Lucas are from Prophet generations. (Boom for Lucas, Transcendental for Lincoln.) And, as such, it's not surprising that a similar arrangement works for both of them.  If you like Star Wars and Aaron Copland, you may enjoy it. Fun fact: George Lucas' birthday is May 14, 1944, which was the two-year anniversary of the premiere of Lincoln Portrait.   Here's where I found the quotations: The first two are from different sections of a look back at The Phantom Menace: https://www.starwars.com/news/star-wars-episode-i-the-phantom-menace-oral-history) The "barbarians" quote is from testimony before the Senate in March 1988 - here's the text I used, from Wikisource: https://en.wikisource.org/wiki/1988_George_Lucas_testimony_before_United_States_Senate It's not clear that Lucas every actually said the thing about the sledgehammer, but it turns out the fourth section in Lincoln Portrait isn't well sourced either. And in both cases, it's certainly something they might have said. I originally found the last bit here: https://www.biography.com/news/george-lucas-star-wars-facts But it turns out it was from a New York Times interview of George Lucas while he was FILMING Star Wars in 1976.  https://www.nytimes.com/1976/09/12/archives/from-american-graffiti-to-outer-space.html It's well worth the read.

En 1908, H. P. Lovecraft fait ses premiers pas dans la littérature gothique. Pour mieux apprécier sa nouvelle L'alchimiste, nous analysons la biographie de Lovecraft sur la période 1905 - 1908, l'œuvre fondatrice du mouvement gothique (Le château d'Otrante) et l'impact de Poe sur le génie de Providence. Au programme : philosophie cosmiciste, châteaux délabrés et exposition drop, le tout assaisonné de nos digressions non-euclidiennes.Notez qu'après le point biographique, on a fait pas mal d'aller-retour entre L'alchimiste et le mouvement gothique, donc les timecodes sont uniquement là à titre indicatif :0:00 Crise de nerf tranquille : le fil biographique33:52 Le château d'Otrante et le mouvement gothique51:40 L'ombre de la Maison Usher Co-host : Audrey PatryMusique : Empty Shell AxiomSources : I Am Providence, The Life and Times of H.P. Lovecraft (vol 1) de S.T. Joshi, édité par Hippocampus Press (édition révisée de 2013)H.P. Lovecraft The Complete Fiction, édité par Barnes & Noble (2011)Le château d'Otrante (dispo sur Wikisource https://fr.wikisource.org/wiki/Le_Ch%C3%A2teau_d%E2%80%99Otrante) La chute de la maison Usher (dispo sur Wikisource : https://fr.wikisource.org/wiki/Nouvelles_Histoires_extraordinaires/La_Chute_de_la_maison_Usher) L'anthropomorphisme en Afrique https://www.researchgate.net/publication/348214429_Une_maison_n%27est_pas_seulement_un_abri_une_maison_est_aussi_un_humain   Dagon, édité chez J'ai Lu, traduit du recueil Dagon and Other Macabre Tales originellement édité par Arkham HouseIntégrale H. P. Lovecraft Tome 5 : Récits horrifiques, édité par Mnémos (2022)

Bonus content: All about ozone. Sources: A Killer of a Cure | Science History Institute, The Great American Fraud/Chapter 3 - Wikisource, the free online library, The History of Ozone (illinois.edu), Nasa Ozone Watch: Ozone facts. Hosted on Acast. See acast.com/privacy for more information.

Arsenio Lupin: Ladrón-Caballero es el primer libro de la serie “Las Aventuras Extraordinarias de Arsenio Lupin” escrita por Maurice Leblanc. Este libro electrónico está basado en la edición publicada por Pierre Lafitte & Cie en París en 1907. El texto ha sido generosamente publicado, como obra de dominio público, por Gutenberg.org y Wikisource, bajo licencia de atribución, para compartir en las mismas condiciones (CC BY-SA 4.0). Esta edición ha sido traducida por Félix Riaño y se comparte con esa misma licencia (CC BY-SA 4.0).La traducción que vamos a escuchar en el audiolibro, narrado por Félix Riaño, ha sido realizada con especial atención y cuidado para preservar el tono, el estilo y el contenido del original en francés. Nuestro principal objetivo ha sido garantizar que la esencia y las sutilezas del texto se transmitan de manera clara y coherente en español. Es importante señalar que, durante el proceso de traducción, se han tomado ciertas libertades creativas para adaptar frases, expresiones o palabras que no tienen un equivalente directo en español o cuya traducción literal podría resultar confusa. Estas adaptaciones buscan, ante todo, ofrecer una experiencia auditiva fluida y comprensible para hispanohablantes. Esperamos que disfrutes de este audiolibro y que la traducción te permita sumergirte en la historia y sus matices. La historia que estás a punto de escuchar fue escrita en una época de profundos cambios y transformaciones, especialmente en Francia. A principios del siglo XX, Europa estaba en la encrucijada de una era industrial floreciente y las tensiones políticas que darían lugar a la Primera Guerra Mundial. El avance tecnológico, desde los primeros automóviles hasta las líneas telefónicas, coexistía con una rica vida cultural, dando lugar a movimientos como el impresionismo y el art nouveau. En este contexto, el mundo del crimen y el detectivismo experimentó un resurgimiento en la literatura popular, reflejando las fascinaciones de la época. Los personajes astutos, ingeniosos y a menudo ambiguos moralmente, como Arsène Lupin, a quien en nuestra versión en español llamaremos Arsenio, capturaron la imaginación del público, como espejo de una sociedad que se debatía entre la tradición y la modernidad. Las tensiones entre las clases, la rápida urbanización y los cambios en la percepción del bien y el mal son temas recurrentes en estas historias. Al sumergirnos en esta narración, queremos a transportarnos a esa época dorada, con sus sombreros de copa, sus carruajes y sus intrigas en las sombras de las grandes ciudades europeas. Que esta traducción sirva como puente hacia ese pasado vibrante y complejo.Todas las músicas en esta grabación están bajo licencia Audiio.comConviértete en un seguidor de este podcast: https://www.spreaker.com/podcast/lecturas-misteriosas-audiolibros--5821641/support.

Pamiętasz jak pierwszy raz skorzystałeś z Wikipedii? A może korzystanie z Wiki jest już tak naturalne, że nawet nie zastanawiasz się nad tym, skąd biorą się hasła w tym projekcie? W tym odcinku podcastu gościmy CEO Wikimedia Polska. Natalia wespół z ogromem zaangażowanych ludzi buduje największy projekt społeczny w historii ludzkości. Stowarzyszenie Wikimedia Polska działa na rzecz powszechnego dostępu do wiedzy. Wspiera i promuje Wikipedię i jej projekty siostrzane (projekty Wikimedia). Jest niezależnym partnerem Wikimedia Foundation. Projekt z Wiki w nazwie to coś więcej niż pierwsze hasło w wyszukiwarce. Porozmawiamy o wolontariuszach, czyli wikipedystach, oraz szerokiej współpracy na rzecz edukacji. Uniwersytety, szkoły, firmy, startupy, galerie i biblioteki. Oraz każdy, kto chciałby współtworzyć Wikipedię i upowszechniać edukację. Wikipedia wyznacza trendy, buduje zasób edukacyjny dzięki zapleczu technologicznemu i energii ludzi. Dzięki temu Wikipedia to trzeci największy dostawca informacji w Unii Europejskiej, bez reklam, bez potrzeby komercjalizowania, utrzymujący się wyłącznie z darowizn, od ludzi, którzy chcą wspierać dostęp do wolnej wiedzy, nieustannie się rozrastający, I to w gigantycznym tempie, istniejący w ponad 300 wersjach językowych I coraz bardziej wewnętrznie ze sobą połączony, skoordynowany. Jak wygląda Wikipedia od kuchni? Czy AI jest już w Wikipedii oraz jak naprawiać wandalizmy w Wikipedii? Przesłuchaj podcast i sprawdź, o czym mówimy w tym odcinku. Logo dźwiękowe Wikipedii https://commons.m.wikimedia.org/wiki/File:Wikimedia_Sonic_Logo_-_4-seconds.wav Patronite https://patronite.pl/Wikipedia.   Projekt Wikiszkoła https://wikiszkola.pl   Wikimedia Commons   https://commons.m.wikimedia.org/wiki/Strona_główna    Wikimedia Foundation to amerykańska organizacja non-profit założona w celu rozwoju Wikipedii i jej projektów siostrzanych (takich jak Wikimedia Commons, Wikidata, Wikisource, Wiktionary itd). Utrzymuje m.in. serwery, na których znajdują się wszystkie światowe wersje Wikipedii.  Wikipedia jest największym i najbardziej rozpoznawalnym projektem prowadzonym przez WMF.  WMF wspiera również rozwój innych językowych Wikipedii i projektów siostrzanych na całym świecie.  Wikimedia Polska jest niezależnym partnerem Wikimedia Foundation, mającym wyłączne prawo na terenie Polski do używania marki Wikipedia.  Wikimedia Polska wspiera rozwój polskiej Wikipedii i jej projektów siostrzanych (np. Wikisłownik, Wikiźrodła, Wikicytaty, Wikidane, Wikimedia Commons i inne).    1 - Intro (00:01:10) 2 - O gościni (00:01:31) 3 - Wikipedia i Wikimedia (00:03:39) 4 - Jak pracują wikipedyści (00:05:56) 5 - Czym jest dziś Wikipedia (00:12:38) 6 - Praca w NBP (00:20:49) 7 - Wikipedia wyznacza trendy (00:23:51) 8 - Dobór treści w Wikipedii (00:25:44) 9 - Wikipedia na mobile (00:28:58) 10 - Dostępność (00:32:21) 11 - Współpraca z dostawcami technologii (00:34:40) 12 - AI i Wikipedia (00:37:49) 13 - Wandalizmy na Wikipedii (00:41:49) 14 - Przyszłość Wikipedii (00:46:53) 15 - Outro (00:50:22)   Muzyka: Kevin MacLeod Werq Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License/mix by Jedrzej Paulus https://creativecommons.org/licenses/by/4.0/ Oceń nasz podcast na Apple Podcasts: https://bit.ly/EscolaMobileIT

Crookedjaw and Willlowbreeze make it official (and we get her name right), Mapleshade introduces her associates, and Tangletongue reads a poem. Book: Super Edition: Crookedstar's Promise Support us on Ko-fi! WCWITCast Ko-fi Follow us on Twitter! WCWITCast (@WCWITCast)  Follow us on Instagram! WCWITCast  What We Are Reading (Not Sponsored): Laura Dean Keeps Breaking Up with Me by Mariko Tamaki Cat Fact Sources: Pangur Bán - Wikipedia Pangur Bán - Wikisource, the free online library Reichenau Primer - Wikipedia Pangur Bán by Anonymous | Poetry Magazine Pangur Bán | Irish Archaeology The White Cat and the Monk – Pangur Bán, a 9th C. Old Irish Poem Music: The following music was used for this media project: Happy Boy Theme by Kevin MacLeod  Link: https://incompetech.filmmusic.io/song/3855-happy-boy-theme License: http://creativecommons.org/licenses/by/4.0/

Elpis Israel - An Exposition of the Kingdom of God (commonly called Elpis Israel (English transliteration of Greek for "the hope of Israel", taken from Acts 28:20)) is a theological book written by John Thomas, founder of the Christadelphians, in 1848-1849 and published in 1849. Wikisource has original text related to this article: Elpis Israel The book was based on a series of lectures given by Thomas in 1848 and is written in three parts, The Rudiments Of The World, The Things Of The Kingdom Of God And Of Jesus Christ and The Kingdoms Of The World In Their Relation To The Kingdom Of God.[1][2] Thomas did not see, nor do the Christadelphians see, the book as inspired by God, but rather a deep and accurate study of The Bible.[3][4] It is nevertheless widely read amongst Christadelphian believers and whilst not being the foundation for, does contains some of their core beliefs. There have been fifteen editions of the book, although most were revisions. Four editions were published during the lifetime of Thomas: in 2000 by The Christadelphian Magazine & Publishing Association Ltd.; a reprinting by Logos Publications in January 2000; a reprint in April 2009 of the Fourth Edition--the latter was the last edited by John Thomas just prior to his death.

Elpis Israel - An Exposition of the Kingdom of God (commonly called Elpis Israel (English transliteration of Greek for "the hope of Israel", taken from Acts 28:20)) is a theological book written by John Thomas, founder of the Christadelphians, in 1848-1849 and published in 1849. Wikisource has original text related to this article: Elpis Israel The book was based on a series of lectures given by Thomas in 1848 and is written in three parts, The Rudiments Of The World, The Things Of The Kingdom Of God And Of Jesus Christ and The Kingdoms Of The World In Their Relation To The Kingdom Of God.[1][2] Thomas did not see, nor do the Christadelphians see, the book as inspired by God, but rather a deep and accurate study of The Bible.[3][4] It is nevertheless widely read amongst Christadelphian believers and whilst not being the foundation for, does contains some of their core beliefs. There have been fifteen editions of the book, although most were revisions. Four editions were published during the lifetime of Thomas: in 2000 by The Christadelphian Magazine & Publishing Association Ltd.; a reprinting by Logos Publications in January 2000; a reprint in April 2009 of the Fourth Edition--the latter was the last edited by John Thomas just prior to his death.

Elpis Israel - An Exposition of the Kingdom of God (commonly called Elpis Israel (English transliteration of Greek for "the hope of Israel", taken from Acts 28:20)) is a theological book written by John Thomas, founder of the Christadelphians, in 1848-1849 and published in 1849. Wikisource has original text related to this article: Elpis Israel The book was based on a series of lectures given by Thomas in 1848 and is written in three parts, The Rudiments Of The World, The Things Of The Kingdom Of God And Of Jesus Christ and The Kingdoms Of The World In Their Relation To The Kingdom Of God.[1][2] Thomas did not see, nor do the Christadelphians see, the book as inspired by God, but rather a deep and accurate study of The Bible.[3][4] It is nevertheless widely read amongst Christadelphian believers and whilst not being the foundation for, does contains some of their core beliefs. There have been fifteen editions of the book, although most were revisions. Four editions were published during the lifetime of Thomas: in 2000 by The Christadelphian Magazine & Publishing Association Ltd.; a reprinting by Logos Publications in January 2000; a reprint in April 2009 of the Fourth Edition--the latter was the last edited by John Thomas just prior to his death.

Elpis Israel - An Exposition of the Kingdom of God (commonly called Elpis Israel (English transliteration of Greek for "the hope of Israel", taken from Acts 28:20)) is a theological book written by John Thomas, founder of the Christadelphians, in 1848-1849 and published in 1849. Wikisource has original text related to this article: Elpis Israel The book was based on a series of lectures given by Thomas in 1848 and is written in three parts, The Rudiments Of The World, The Things Of The Kingdom Of God And Of Jesus Christ and The Kingdoms Of The World In Their Relation To The Kingdom Of God.[1][2] Thomas did not see, nor do the Christadelphians see, the book as inspired by God, but rather a deep and accurate study of The Bible.[3][4] It is nevertheless widely read amongst Christadelphian believers and whilst not being the foundation for it, does contain some of their core beliefs. There have been fifteen editions of the book, although most were revisions. Four editions were published during the lifetime of Thomas: in 2000 by The Christadelphian Magazine & Publishing Association Ltd.; a reprinting by Logos Publications in January 2000; a reprint in April 2009 of the Fourth Edition--the latter was the last edited by John Thomas just prior to his death.

Elpis Israel - An Exposition of the Kingdom of God (commonly called Elpis Israel (English transliteration of Greek for "the hope of Israel", taken from Acts 28:20)) is a theological book written by John Thomas, founder of the Christadelphians, in 1848-1849 and published in 1849. Wikisource has original text related to this article: Elpis Israel The book was based on a series of lectures given by Thomas in 1848 and is written in three parts, The Rudiments Of The World, The Things Of The Kingdom Of God And Of Jesus Christ and The Kingdoms Of The World In Their Relation To The Kingdom Of God.[1][2] Thomas did not see, nor do the Christadelphians see, the book as inspired by God, but rather a deep and accurate study of The Bible.[3][4] It is nevertheless widely read amongst Christadelphian believers and whilst not being the foundation for it, does contain some of their core beliefs. There have been fifteen editions of the book, although most were revisions. Four editions were published during the lifetime of Thomas: in 2000 by The Christadelphian Magazine & Publishing Association Ltd.; a reprinting by Logos Publications in January 2000; a reprint in April 2009 of the Fourth Edition--the latter was the last edited by John Thomas just prior to his death.

Elpis Israel - An Exposition of the Kingdom of God (commonly called Elpis Israel (English transliteration of Greek for "the hope of Israel", taken from Acts 28:20)) is a theological book written by John Thomas, founder of the Christadelphians, in 1848-1849 and published in 1849. Wikisource has original text related to this article: Elpis Israel The book was based on a series of lectures given by Thomas in 1848 and is written in three parts, The Rudiments Of The World, The Things Of The Kingdom Of God And Of Jesus Christ and The Kingdoms Of The World In Their Relation To The Kingdom Of God.[1][2] Thomas did not see, nor do the Christadelphians see, the book as inspired by God, but rather a deep and accurate study of The Bible.[3][4] It is nevertheless widely read amongst Christadelphian believers and whilst not being the foundation for it, does contain some of their core beliefs. There have been fifteen editions of the book, although most were revisions. Four editions were published during the lifetime of Thomas: in 2000 by The Christadelphian Magazine & Publishing Association Ltd.; a reprinting by Logos Publications in January 2000; a reprint in April 2009 of the Fourth Edition--the latter was the last edited by John Thomas just prior to his death.

Elpis Israel - An Exposition of the Kingdom of God (commonly called Elpis Israel (English transliteration of Greek for "the hope of Israel", taken from Acts 28:20)) is a theological book written by John Thomas, founder of the Christadelphians, in 1848-1849 and published in 1849. Wikisource has original text related to this article: Elpis Israel The book was based on a series of lectures given by Thomas in 1848 and is written in three parts, The Rudiments Of The World, The Things Of The Kingdom Of God And Of Jesus Christ and The Kingdoms Of The World In Their Relation To The Kingdom Of God.[1][2] Thomas did not see, nor do the Christadelphians see, the book as inspired by God, but rather a deep and accurate study of The Bible.[3][4] It is nevertheless widely read amongst Christadelphian believers and whilst not being the foundation for it, does contain some of their core beliefs. There have been fifteen editions of the book, although most were revisions. Four editions were published during the lifetime of Thomas: in 2000 by The Christadelphian Magazine & Publishing Association Ltd.; a reprinting by Logos Publications in January 2000; a reprint in April 2009 of the Fourth Edition--the latter was the last edited by John Thomas just prior to his death.

Elpis Israel - An Exposition of the Kingdom of God (commonly called Elpis Israel (English transliteration of Greek for "the hope of Israel", taken from Acts 28:20)) is a theological book written by John Thomas, founder of the Christadelphians, in 1848-1849 and published in 1849. Wikisource has original text related to this article: Elpis Israel The book was based on a series of lectures given by Thomas in 1848 and is written in three parts, The Rudiments Of The World, The Things Of The Kingdom Of God And Of Jesus Christ and The Kingdoms Of The World In Their Relation To The Kingdom Of God.[1][2] Thomas did not see, nor do the Christadelphians see, the book as inspired by God, but rather a deep and accurate study of The Bible.[3][4] It is nevertheless widely read amongst Christadelphian believers and whilst not being the foundation for it, does contain some of their core beliefs. There have been fifteen editions of the book, although most were revisions. Four editions were published during the lifetime of Thomas: in 2000 by The Christadelphian Magazine & Publishing Association Ltd.; a reprinting by Logos Publications in January 2000; a reprint in April 2009 of the Fourth Edition--the latter was the last edited by John Thomas just prior to his death.

Elpis Israel - An Exposition of the Kingdom of God (commonly called Elpis Israel (English transliteration of Greek for "the hope of Israel", taken from Acts 28:20)) is a theological book written by John Thomas, founder of the Christadelphians, in 1848-1849 and published in 1849. Wikisource has original text related to this article: Elpis Israel The book was based on a series of lectures given by Thomas in 1848 and is written in three parts, The Rudiments Of The World, The Things Of The Kingdom Of God And Of Jesus Christ and The Kingdoms Of The World In Their Relation To The Kingdom Of God.[1][2] Thomas did not see, nor do the Christadelphians see, the book as inspired by God, but rather a deep and accurate study of The Bible.[3][4] It is nevertheless widely read amongst Christadelphian believers and whilst not being the foundation for it, does contain some of their core beliefs. There have been fifteen editions of the book, although most were revisions. Four editions were published during the lifetime of Thomas: in 2000 by The Christadelphian Magazine & Publishing Association Ltd.; a reprinting by Logos Publications in January 2000; a reprint in April 2009 of the Fourth Edition--the latter was the last edited by John Thomas just prior to his death.

Elpis Israel - An Exposition of the Kingdom of God (commonly called Elpis Israel (English transliteration of Greek for "the hope of Israel", taken from Acts 28:20)) is a theological book written by John Thomas, founder of the Christadelphians, in 1848-1849 and published in 1849. Wikisource has original text related to this article: Elpis Israel The book was based on a series of lectures given by Thomas in 1848 and is written in three parts, The Rudiments Of The World, The Things Of The Kingdom Of God And Of Jesus Christ and The Kingdoms Of The World In Their Relation To The Kingdom Of God.[1][2] Thomas did not see, nor do the Christadelphians see, the book as inspired by God, but rather a deep and accurate study of The Bible.[3][4] It is nevertheless widely read amongst Christadelphian believers and whilst not being the foundation for it, does contain some of their core beliefs. There have been fifteen editions of the book, although most were revisions. Four editions were published during the lifetime of Thomas: in 2000 by The Christadelphian Magazine & Publishing Association Ltd.; a reprinting by Logos Publications in January 2000; a reprint in April 2009 of the Fourth Edition--the latter was the last edited by John Thomas just prior to his death.

Elpis Israel - An Exposition of the Kingdom of God (commonly called Elpis Israel (English transliteration of Greek for "the hope of Israel", taken from Acts 28:20)) is a theological book written by John Thomas, founder of the Christadelphians, in 1848-1849 and published in 1849. Wikisource has original text related to this article: Elpis Israel The book was based on a series of lectures given by Thomas in 1848 and is written in three parts, The Rudiments Of The World, The Things Of The Kingdom Of God And Of Jesus Christ and The Kingdoms Of The World In Their Relation To The Kingdom Of God.[1][2] Thomas did not see, nor do the Christadelphians see, the book as inspired by God, but rather a deep and accurate study of The Bible.[3][4] It is nevertheless widely read amongst Christadelphian believers and whilst not being the foundation for, does contains some of their core beliefs. There have been fifteen editions of the book, although most were revisions. Four editions were published during the lifetime of Thomas: in 2000 by The Christadelphian Magazine & Publishing Association Ltd.; a reprinting by Logos Publications in January 2000; a reprint in April 2009 of the Fourth Edition--the latter was the last edited by John Thomas just prior to his death.

Elpis Israel - An Exposition of the Kingdom of God (commonly called Elpis Israel (English transliteration of Greek for "the hope of Israel", taken from Acts 28:20)) is a theological book written by John Thomas, founder of the Christadelphians, in 1848-1849 and published in 1849. Wikisource has original text related to this article: Elpis Israel The book was based on a series of lectures given by Thomas in 1848 and is written in three parts, The Rudiments Of The World, The Things Of The Kingdom Of God And Of Jesus Christ and The Kingdoms Of The World In Their Relation To The Kingdom Of God.[1][2] Thomas did not see, nor do the Christadelphians see, the book as inspired by God, but rather a deep and accurate study of The Bible.[3][4] It is nevertheless widely read amongst Christadelphian believers and whilst not being the foundation for, does contain some of their core beliefs. There have been fifteen editions of the book, although most were revisions. Four editions were published during the lifetime of Thomas: in 2000 by The Christadelphian Magazine & Publishing Association Ltd.; a reprinting by Logos Publications in January 2000; a reprint in April 2009 of the Fourth Edition--the latter was the last edited by John Thomas just prior to his death.

Elpis Israel - An Exposition of the Kingdom of God (commonly called Elpis Israel (English transliteration of Greek for "the hope of Israel", taken from Acts 28:20)) is a theological book written by John Thomas, founder of the Christadelphians, in 1848-1849 and published in 1849. Wikisource has original text related to this article: Elpis Israel The book was based on a series of lectures given by Thomas in 1848 and is written in three parts, The Rudiments Of The World, The Things Of The Kingdom Of God And Of Jesus Christ and The Kingdoms Of The World In Their Relation To The Kingdom Of God.[1][2] Thomas did not see, nor do the Christadelphians see, the book as inspired by God, but rather a deep and accurate study of The Bible.[3][4] It is nevertheless widely read amongst Christadelphian believers and whilst not being the foundation for, does contain some of their core beliefs. There have been fifteen editions of the book, although most were revisions. Four editions were published during the lifetime of Thomas: in 2000 by The Christadelphian Magazine & Publishing Association Ltd.; a reprinting by Logos Publications in January 2000; a reprint in April 2009 of the Fourth Edition--the latter was the last edited by John Thomas just prior to his death.

Elpis Israel - An Exposition of the Kingdom of God (commonly called Elpis Israel (English transliteration of Greek for "the hope of Israel", taken from Acts 28:20)) is a theological book written by John Thomas, founder of the Christadelphians, in 1848-1849 and published in 1849. Wikisource has original text related to this article: Elpis Israel The book was based on a series of lectures given by Thomas in 1848 and is written in three parts, The Rudiments Of The World, The Things Of The Kingdom Of God And Of Jesus Christ and The Kingdoms Of The World In Their Relation To The Kingdom Of God.[1][2] Thomas did not see, nor do the Christadelphians see, the book as inspired by God, but rather a deep and accurate study of The Bible.[3][4] It is nevertheless widely read amongst Christadelphian believers and whilst not being the foundation for, does contains some of their core beliefs. There have been fifteen editions of the book, although most were revisions. Four editions were published during the lifetime of Thomas: in 2000 by The Christadelphian Magazine & Publishing Association Ltd.; a reprinting by Logos Publications in January 2000; a reprint in April 2009 of the Fourth Edition--the latter was the last edited by John Thomas just prior to his death.

Elpis Israel - An Exposition of the Kingdom of God (commonly called Elpis Israel (English transliteration of Greek for "the hope of Israel", taken from Acts 28:20)) is a theological book written by John Thomas, founder of the Christadelphians, in 1848-1849 and published in 1849. Wikisource has original text related to this article: Elpis Israel The book was based on a series of lectures given by Thomas in 1848 and is written in three parts, The Rudiments Of The World, The Things Of The Kingdom Of God And Of Jesus Christ and The Kingdoms Of The World In Their Relation To The Kingdom Of God.[1][2] Thomas did not see, nor do the Christadelphians see, the book as inspired by God, but rather a deep and accurate study of The Bible.[3][4] It is nevertheless widely read amongst Christadelphian believers and whilst not being the foundation for, does contains some of their core beliefs. There have been fifteen editions of the book, although most were revisions. Four editions were published during the lifetime of Thomas: in 2000 by The Christadelphian Magazine & Publishing Association Ltd.; a reprinting by Logos Publications in January 2000; a reprint in April 2009 of the Fourth Edition--the latter was the last edited by John Thomas just prior to his death.

Elpis Israel - An Exposition of the Kingdom of God (commonly called Elpis Israel (English transliteration of Greek for "the hope of Israel", taken from Acts 28:20)) is a theological book written by John Thomas, founder of the Christadelphians, in 1848-1849 and published in 1849. Wikisource has original text related to this article: Elpis Israel The book was based on a series of lectures given by Thomas in 1848 and is written in three parts, The Rudiments Of The World, The Things Of The Kingdom Of God And Of Jesus Christ and The Kingdoms Of The World In Their Relation To The Kingdom Of God.[1][2] Thomas did not see, nor do the Christadelphians see, the book as inspired by God, but rather a deep and accurate study of The Bible.[3][4] It is nevertheless widely read amongst Christadelphian believers and whilst not being the foundation for, does contains some of their core beliefs. There have been fifteen editions of the book, although most were revisions. Four editions were published during the lifetime of Thomas: in 2000 by The Christadelphian Magazine & Publishing Association Ltd.; a reprinting by Logos Publications in January 2000; a reprint in April 2009 of the Fourth Edition--the latter was the last edited by John Thomas just prior to his death.

Elpis Israel - An Exposition of the Kingdom of God (commonly called Elpis Israel (English transliteration of Greek for "the hope of Israel", taken from Acts 28:20)) is a theological book written by John Thomas, founder of the Christadelphians, in 1848-1849 and published in 1849. Wikisource has original text related to this article: Elpis Israel The book was based on a series of lectures given by Thomas in 1848 and is written in three parts, The Rudiments Of The World, The Things Of The Kingdom Of God And Of Jesus Christ and The Kingdoms Of The World In Their Relation To The Kingdom Of God.[1][2] Thomas did not see, nor do the Christadelphians see, the book as inspired by God, but rather a deep and accurate study of The Bible.[3][4] It is nevertheless widely read amongst Christadelphian believers and whilst not being the foundation for, does contains some of their core beliefs. There have been fifteen editions of the book, although most were revisions. Four editions were published during the lifetime of Thomas: in 2000 by The Christadelphian Magazine & Publishing Association Ltd.; a reprinting by Logos Publications in January 2000; a reprint in April 2009 of the Fourth Edition--the latter was the last edited by John Thomas just prior to his death.

Elpis Israel - An Exposition of the Kingdom of God (commonly called Elpis Israel (English transliteration of Greek for "the hope of Israel", taken from Acts 28:20)) is a theological book written by John Thomas, founder of the Christadelphians, in 1848-1849 and published in 1849. Wikisource has original text related to this article: Elpis Israel The book was based on a series of lectures given by Thomas in 1848 and is written in three parts, The Rudiments Of The World, The Things Of The Kingdom Of God And Of Jesus Christ and The Kingdoms Of The World In Their Relation To The Kingdom Of God.[1][2] Thomas did not see, nor do the Christadelphians see, the book as inspired by God, but rather a deep and accurate study of The Bible.[3][4] It is nevertheless widely read amongst Christadelphian believers and whilst not being the foundation for, does contains some of their core beliefs. There have been fifteen editions of the book, although most were revisions. Four editions were published during the lifetime of Thomas: in 2000 by The Christadelphian Magazine & Publishing Association Ltd.; a reprinting by Logos Publications in January 2000; a reprint in April 2009 of the Fourth Edition--the latter was the last edited by John Thomas just prior to his death.

Reports of an American woman slain in Italy's scenic Lake Como circulated across the globe in the summer of 1910. The murdered woman was Mary Scott: socialite, actress, and woman with a past so scandalous that the press blamed her for her own murder. This episode is about the life and death of Mary Scott. Sources:Adams,  J. Barfield. "The Crime of Porter Charlton [II Delitto di Porter Charlton].(Il Manicomio, April, 1916.) Valtorta, Dr. Dario." Journal of Clinical Neurology and Psychiatry. October, 1917. p. 600-602. https://www.cambridge.org/core/services/aop-cambridge-core/content/view/889FAF3371DD3716AD9C2CA50F748C1D/S0368315X00180211a.pdf/the-crime-of-porter-charlton-il-delitto-di-porter-charlton-il-manicomio-april-1916-valtorta-dr-dario-the-crime-of-porter-charlton-il-delitto-di-porter-charlton-il-manicomio-april-1916-valtorta-dr-dari.pdf"Charlton V. Kelly." United States Supreme Court. 229 U.S. 447.  CHARLTON  v.  KELLY. Argued: April 18, 1913. Decided: June 10, 1913. Wikisource. https://en.wikisource.org/wiki/Charlton_v._KellyColnaghi, Beniamino. "Moltrasio, 1910: un baule sospetto 'pescato' nel lago di Como" Storia e storie di donne e uomini. February 22, 2015. http://colnaghistoriaestorie.blogspot.com/2015/02/moltrasio-1910-un-baule-sospettopescato.htmlDuke, Thomas Samuel. Celebrated Criminal Cases of America. (San Francisco:The James H. Barry Company, 1910)."Extradition of Porter Charlton, an American citizen, from the United States to Italy." PAPERS RELATING TO THE FOREIGN RELATIONS OF THE UNITED STATES, WITH THE ANNUAL MESSAGE OF THE PRESIDENT TRANSMITTED TO CONGRESS DECEMBER 6, 1910. https://history.state.gov/historicaldocuments/frus1910/ch69  Harding, John W. "The Sealed Trunk: How a Sex Scandal Shaped an American Icon." The Designated Virgin. 2019. http://thedesignatedvirgin.com/the-sealed-trunk/"Griffith's Secret Scandal." John W. Harding Author. August 2, 2017. https://www.johnwharding.com/griffiths-secret-scandal-part-3/"Il delitto di Moltrasio (1910)" Bibliotopia. February 16, 2010. https://bibliotopia.forumfree.it/?t=46239137"Lake Como's Moltrasio Trunk Murder." The Como Companion. November 7, 2019. https://comocompanion.com/2019/11/07/lake-comos-moltrasio-trunk-murder/"Mary Scott Crittenden Castle Charlton." Find a Grave. https://www.findagrave.com/memorial/228163753/mary-crittenden-charltonNewspapers (1897-1901, 1905, 1909, 1910-1913, 1915):The Chico RecordThe Colusa Daily SunThe Enterprise (Riverside)The Humboldt PressThe Minneapolis PressThe Los Angeles HeraldThe Press DemocratThe Morning PressThe New York TimesThe New York TribuneThe New York WorldThe Sacramento Daily UnionThe San Diego Union & Daily BeeThe San Francisco CallThe San Jose HeraldThe San Jose Mercury NewsThe Stockton IndependentMusic: Dellasera by Shane Ivers - https://www.silvermansound.comFor more information, visit www.oldbloodpodcast.com

Another week, another episode in our series of Octobrish delights... this time, we are returning to our bookshelves to pull some inspirational fiction for the more uncanny, eerie, and unsettling side of Changeling: the Dreaming. We're going through 10(-ish) books and story collections that keep us up at night, and seeing how we can translate that into the themes and moods of the game. (This was also kind of an unexpected topic, so we had very little time to prepare, and it shows—apologies!) Some links to our presences elsewhere in the digital realm: Discord: https://discord.gg/SAryjXGm5j Email: podcast@changelingthepodcast.com Facebook: https://www.facebook.com/profile.php?id=100082973960699 Patreon: https://www.patreon.com/changelingthepodcast Twitter: https://twitter.com/changelingcast ... the list (this time) Angela Carter, The Bloody Chamber — One of the earlier collections that adapt and modernize fairy tales, Carter's work takes a decidedly feminist approach. Her work was influential on many of the fantasy authors who followed her, and being a literary theorist, she knew what she was about when it came to crafting a darkly fantastic story.Mark Z. Danielewski, House of Leaves — It's a piecemeal text drawing on numerous traditions and formats and histories. It's a retelling of the myth of the Labyrinth and the Minotaur. It's an experiment in surrealist writing. It's a horror story about a house and the family whose children disappear within it. Danielewski's work is always challenging, but the elegant precision of this novel is matched only by the madness lurking under the surface. There is a whole community of die-hard fans who discuss every little connection, hint, and reference (and there are thousands), if you feel like vanishing into an abyss of your own. Neil Gaiman, Coraline — We could have easily gone with The Ocean at the End of the Lane or Mr. Punch or any number of other Gaiman yarns, but this one seemed the Right One to talk about at the intersection of Changeling and creepy-style horror. It's a bit more Lost than Dreaming, maybe, but a pitch-perfect dark faerie tale for modern times. Check out the publisher's page for more information (or go watch the trailer for the film) (or find more about the musical, or the opera, or...)E.T.A. Hoffmann, "The Sandman" and other stories — Hoffmann is a landmark figure in the history of the German Romantic movement, known for his creepy and unsettling literary fairy tales. Freud discussed this tale at length in his essay on the "uncanny," which opens our episode; the text of that essay is freely available here from MIT.Marlon James, Black Leopard, Red Wolf — The most recent entry on this list is also the most epic, perhaps. It's set against the backdrop of African folklore, features a party of misfits in search of a missing boy, and has some of the most nightmarish tableaux ever set to paper in a fantasy novel. It's delightfully queer, shamelessly vulgar, and occasionally shockingly gory... so it fits our brief perfectly for this episode. Read Gautam Bhatia's excellent review in Strange Horizons for more.Stephen King, Misery — This novel fits more into the Autumn People and/or Ravaging and/or Autumn Sidhe Frailty realm of horror, since there are few overt supernatural elements in it. But it's definitely a good example of how even the mundane can become horrific without warning. Again, we could have chosen any number of King writings... except that neither of us has read enough to really make a thorough study of his bibliography, so this one will have to do.China Miéville, King Rat — One part Neverwhere, one part American Gods (though before it was written); one part Changeling, one part Ratkin. Miéville's debut novel explores the gritty underground of London and what one finds there, through the lens of a protagonist that discovers his connection to a pantheon of vermin-gods. It's very 90s with its aesthetics, and centers on solving a murder, and what could be more classic White Wolf than that?Edgar Allen Poe, "The Telltale Heart" and other stories — Not long after Hoffmann's heyday, Poe "invented" the American horror story with his elaborate Gothic treatments of madness, crimes of passion, guilt, and uncertain realities. His work is public domain at this point, so you can read any and all of it through Wikisource, if you've a mind to.William Shakespeare, Macbeth — Who doesn't know a thing or two at this point about the Scottish play? Besides being an epic story that combines political intrigue, high drama, and classical tragedy, the supernatural lurks on the fringes of the narrative as a force of chaos. The tale's mutability is demonstrated by the wide range of adaptations out there—including the recent one starring Denzel Washington—but Pooka would officially like to recommend the clunky madcap offering that is Scotland, PA, where the action is transposed to a suburban fast food joint in the 70s.Patrick Süskind, Perfume — A modern classic that doesn't get much attention on this side of the Atlantic, this "story of a murderer" begins with a simple conceit: a protagonist with a superhuman sense of smell, yet no scent of his own. He becomes a master perfumer, and cultivates an obsession with creating the perfect perfume for himself out of the most beautiful aroma he's encountered—that of teenage virgins. It's a lurid and gruesome work, more clinical than gratuitous, set against the backdrop of pre-revolutionary France. Check out the trailer of the so-so film for an idea of that adaptation; apparently there was a Netflix adaptation recently too? Either way, it's good material for a particularly nasty bogie. Honorable mentions go to Clive Barker and H.P. Lovecraft, but we didn't really have the space to get deeply into them. Another time, perhaps...! ... your hosts Josh Hillerup (any pronoun) has never danced with the devil in the pale moonlight, but once patty-caked with a psychopomp in the murky dusk, which is almost the same thing? Pooka G (any pronoun/they) doesn't miss nightmares about velociraptors and whatnot, but by the same token could do without these anxiety dreams about being awkward at garden parties. 'I recognize terror as the finest emotion and so I will try to terrorize the reader. But if I find that I cannot terrify, I will try to horrify, and if I find that I cannot horrify, I'll go for the gross-out. I'm not proud." —Stephen King

The man from a small Greek island responsible for conquering half the known world during is era also was also quite the orator. He delivers a speech to his war weary and even mutinous men. Strider dives into the beginning of the final chapter of Alexander's 12 year, "anabasis." Don't Wait. Check your rate today at UPSTART.COM/DANK Pateron.com/striderwilson Sources: Brittanica.com , Wikisource.org ‘The Anabasis of Alexander: The History of The Wars and Conquest of Alexander the Great' by Aarian Translator Edward James Chinnock 1884, Worldhistory.org, Jstor.org ‘The Cultural Context of Alexander's Speech at Opis' by D. Brendan Nagle, Livescience.com, Greecehighdefinition.com ‘Alexander the Great Speech: Opis Mutiny, The Greatest Speech In History(Video)' See omnystudio.com/listener for privacy information.

In this episode we talk to Gavin Willshaw about using WikiSource in the Library of Scotland. Rebecca explains the Pokemon test and the hero of the Episode are the organisers behind the Arctic Knot conference. Logo design by Trish O'Flaherty: https://www.trishoflahertydesign.com/ Twitter: https://twitter.com/world_wikipedia Website: https://www.headstuff.org/the-world-according-to-wikipedia/ This show is part of the HeadStuff Podcast Network. For more, go to HeadStuffPodcasts.com, where you can also become a member of HeadStuff+ and get exclusive access to bonus material and lots more.

Epirus- a small kingdom around what is now Albania- has been mentioned a few times on the show, but has always been on the political fringes. As such, It's been covered in nowhere near as much detail. So, join me on the third of our divergence episodes as we delve into the chaotic and complex history of Epirus. To those of you who have enjoyed hearing about the wars, infighting and shifting alliances of the Diadochoi, you've come to the right place... Sources for this episode: 1) The Editors, Encyclopaedia Britannica (2020), Pyrrhus (online) [Accessed 21/02/2021]. 2) Author unknown (1911), 1911 Encyclopaedia Britannica Volume 19, Neoptolemus. Available at: Wikisource (online) [Accessed 21/02/2021]. 3) Author unknown, Wikipedia (date unknown), Aeacidae (online) [Accessed 23/02/2021]. 4) Author unknown, Wikipedia (date unknown), Alcetas I of Epirus (online) [Accessed 23/02/2021]. 5) Author unknown, Wikipedia (date unknown), Alcetas II of Epirus (online) [Accessed 23/02/2021]. 6) Author unknown, Wikipedia (date unknown), Alexander I of Epirus (online) [Accessed 23/02/2021]. 7) Author unknown, Wikipedia (date unknown), Antigonus II Gonatas (online) [Accessed 23/02/2021]. 8) Author unknown, Wikipedia (date unknown), Deidamia I of Epirus (online) [Accessed 23/02/2021]. 9) Author unknown, Wikipedia (date unknown), Molossians (online) [Accessed 23/02/2021]. 10) Author unknown, Wikipedia (date unknown), Molossus (son of Neoptolemus) (online) [Accessed 23/02/2021]. 11) Author unknown, Wikipedia (date unknown), Neoptolemus (online) [Accessed 23/02/2021]. 12) Author unknown, Wikipedia (date unknown), Neoptolemus I of Epirus (online) [Accessed 23/02/2021]. 13) Author unknown, Wikipedia (date unknown), Neoptolemus II of Epirus (online) [Accessed 23/02/2021]. 14) Author unknown, Wikipedia (date unknown), Olympias (online) [Accessed 23/02/2021]. 15) Author unknown, Wikipedia (date unknown), Pyrrhus of Epirus (online) [Accessed 23/02/2021]. NOTE: I mention at one point that Neoptolemus' death is natural, but what I should have said is that my sources haven't indicated how he died. Also, I think I pronounced Aeacus wrong; I believe it should be said more like 'a-AA-kuss' or similar. The same then probably goes for Aeacides... Also, In case I didn't make it clear, Olympias was the daughter of Neoptolemus I.

Para este episodio contamos con la compañía de Rubén Ojeda, coordinador de proyectos en Wikimedia España, la asociación sin ánimo de lucro que promueve el conocimiento libre y los proyectos Wikimedia, siendo Wikipedia el más conocido de todos. Pero Wikimedia es mucho más que la Wikipedia, y en este episodio Rubén nos contará todo el trabajo que se realiza desde la asociación y cómo favorecen un mejor acceso a la cultura y el conocimiento libre. Wikimedia está detrás de proyectos de difusión tan interesantes como Wikidata, Wikimedia Commons, Wikiquote o Wikisource, pero también de otros muchos que constituyen un formidable repositorio de información compartida y libre. Con Rubén Ojeda hablamos mucho sobre Wikipedia pero también de varias cuestiones sobre Wikimedia y sus proyectos: ¿Qué es la Asociación Wikimedia España y cómo se constituye aquí? En qué consiste una wiki y cómo se organiza a nivel editorial. ¿Cómo pueden participar los ciudadanos de los proyectos Wikimedia? ¿Conoce el sector público y las instituciones culturales cómo compartir conocimiento a través de vuestros proyectos? ¿Cuáles son las mayores amenazas al conocimiento libre en la era digital? ¿Cómo pueden ayudar los proyectos Wikimedia a combatir la desinformación? En definitiva una conversación muy completa para conocer la labor de Wikimedia, aspectos sobre derechos digitales, contenidos libres y conocer cómo poder colaborar en los proyectos.

Welcome to the History of Computing Podcast, where we explore the history of information technology. Because understanding the past prepares us for the innovations of the future! Todays episode is on the history of Wikipedia. The very idea of a single location that could store all the known information in the world began with Ptolemy I, founder of the Greek dynasty that ruled Egypt following the death of Alexander the great. He and his son amassed 100s of thousands of scrolls in the Library and Alexandria from 331 BC and on. The Library was part of a great campus of the Musaeum where they also supported great minds starting with Ptolemy I's patronage of Euclid, the father of geometry, and later including Archimedes, the father of engineering, Hipparchus, the founder of trigonometry, Her, the father of math, and Herophilus, who gave us the scientific method and countless other great hellenistic thinkers. The Library entered into a slow decline that began with the expulsion of intellectuals from Alexandria in 145BC. Ptolemy VIII was responsible for that. Always be weary of people who attack those that they can't win over especially when they start blaming the intellectual elite for the problems of the world. This began a slow decline of the library until it burned, first with a small fire accidentally set by Caesar in 48BC and then for good in the 270s AD. In the centuries since there have been attempts here and there to gather great amounts of information. The first known encyclopedia was the Naturalis Historiae by Pliny the Elder, never completed because he was killed in the eruption of Vesuvius. One of the better known being the Encyclopedia Britannica, starting off in 1768. Mass production of these was aided by the printing press but given that there's a cost to producing those materials and a margin to be made in the sale of those materials that encouraged a somewhat succinct exploration of certain topics. The advent of the computer era of course led to encyclopedias on CD and then to online encyclopedias. Encyclopedias at the time employed experts in certain fields and paid them for compiling and editing articles for volumes that would then be sold. As we say these days, this was a business model just waiting to be disrupted. Jimmy Wales was moderating an online discussion board on Objectivism and happened across Larry Sanger in the early 90s. They debated and became friends. Wales started Nupedia, which was supposed to be a free encyclopedia, funded by advertising revenue. As it was to be free, they were to recruit thousands of volunteer editors. People of the caliber that had been previously hired to research and write articles for encyclopedias. Sanger, who was pursuing a PhD in philosophy from Ohio State University, was hired on as editor-in-chief. This was a twist on the old model of compiling an encyclopedia and a twist that didn't work out as intended. Volunteers were slow to sign up, but Nupedia went online in 2000. Later in the year there had only been two articles that made it through the review process. When Sanger told Ben Kovitz about this, he recommended looking at the emerging wiki culture. This had been started with WikiWikiWeb, developed by Ward Cunningham in 1994, named after a shuttle bus that ran between airport terminals at the Honolulu airport. WikiWikiWeb had been inspired by Hypercard but needed to be multi-user so people could collaborate on web pages, quickly producing content on new patterns in programming. He wanted to make non-writers feel ok about writing. Sanger proposed using a wiki to be able to accept submissions for articles and edits from anyone but still having a complicated review process to accept changes. The reviewers weren't into that, so they started a side project they called Wikipedia in 2001 with a user-generated model for content, or article, generation. The plan was to generate articles on Wikipedia and then move or copy them into Nupedia once they were ready. But Wikipedia got mentioned on Slashdot. In 2001 there were nearly 30 million websites but half a billion people using the web. Back then a mention on the influential Slashdot could make a site. And it certainly helped. They grew and more and more people started to contribute. They hit 1,000 articles in March of 2001 and that increased by 10 fold by September, By And another 4 fold the next year. It started working independent of Nupedia. The dot-com bubble burst in 2000 and by 2002 Nupedia had to lay Sanger off and he left both projects. Nupedia slowly died and was finally shut down in 2003. Eventually the Wikimedia Foundation was built to help unlock the world's knowledge, which now owns and operates Wikipedia. Wikimedia also includes Commons for media, Wikibooks that includes free textbooks and manuals, Wikiquote for quotations, Wikiversity for free learning materials, MediaWiki the source code for the site, Wikidata for pulling large amounts of data from Wikimedia properties using APIs, Wikisource, a library of free content, Wikivoyage, a free travel guide, Wikinews, free news, Wikispecies, a directory containing over 687,000 species. Many of the properties have very specific ways of organizing data, making it easier to work with en masse. The properties have grown because people like to be helpful and Wales allowed self-governance of articles. To this day he rarely gets involved in the day-to-day affairs of the wikipedia site, other than the occasional puppy dog looks in banners asking for donations. You should donate. He does have 8 principles the site is run by: 1. Wikipedia's success to date is entirely a function of our open community. 2. Newcomers are always to be welcomed. 3. “You can edit this page right now” is a core guiding check on everything that we do. 4. Any changes to the software must be gradual and reversible. 5. The open and viral nature of the GNU Free Documentation License and the Create Commons Attribution/Share-Alike License is fundamental to the long-term success of the site. 6. Wikipedia is an encyclopedia. 7. Anyone with a complaint should be treated with the utmost respect and dignity. 8. Diplomacy consists of combining honesty and politeness. This culminates in 5 pillars wikipedia is built on: 1. Wikipedia is an encyclopedia. 2. Wikipedia is written from a neutral point of view. 3. Wikipedia is free content that anyone can use, edit, and distribute. 4. Wikipedia's editors should treat each other with respect and civility. 5. Wikipedia has no firm rules. Sanger went on to found Citizendium, which uses real names instead of handles, thinking maybe people will contribute better content if their name is attached to something. The web is global. Throughout history there have been encyclopedias produced around the world, with the Four Great Books of Song coming out of 11th century China, the Encyclopedia of the Brethren of Purity coming out of 10th century Persia. When Wikipedia launched, it was in English. Wikipedia launched a German version using the deutsche.wikipedia.com subdomain. It now lives at de.wikipedia.com and Wikipedia has gone from being 90% English to being almost 90 % non-English, meaning that Wikipedia is able to pull in even more of the world's knowledge. Wikipedia picked up nearly 20,000 English articles in 2001, over 75,000 new articles in 2002, and that number has steadily climbed wreaching over 3,000,000 by 2010, and we're closing in on 6 Million today. The English version is 10 terabytes of data uncompressed. If you wanted to buy a printed copy of wikipedia today, it would be over 2500 books. By 2009 Microsoft Encarta shut down. By 2010 Encyclopedia Britannica stopped printing their massive set of books and went online. You can still buy encyclopedias from specialty makers, such as the World Book. Ironically, Encyclopedia Britannica does now put real names of people on articles they produce on their website, in an ad-driven model. There are a lot of ads. And the content isn't linked to as many places nor as thorough. Creating a single location that could store all the known information in the world seems like a pretty daunting task. Compiling the non-copywritten works of the world is now the mission of Wikipedia. The site receives the fifth most views per month and is read by nearly half a billion people a month with over 15 billion page views per month. Anyone who has gone down the rabbit hole of learning about Ptolemy I's involvement in developing the Library of Alexandria and then read up on his children and how his dynasty lasted until Cleopatra and how… well, you get the point… can understand how they get so much traffic. Today there are over 48,000,000 articles and over 37,000,000 registered users who have contributed articles meaning if we set 160 Great Libraries of Alexandria side-by-side we would have about the same amount of information Wikipedia has amassed. And it's done so because of the contributions of so many dedicated people. People who spend hours researching and building pages, undergoing the need to provide references to cite the data in the articles (btw wikipedia is not supposed to represent original research), more people to patrol and look for content contributed by people on a soapbox or with an agenda, rather than just reporting the facts. Another team looking for articles that need more information. And they do these things for free. While you can occasionally see frustrations from contributors, it is truly one of the best things humanity has done. This allows us to rediscover our own history, effectively compiling all the facts that make up the world we live in, often linked to the opinions that shape them in the reference materials, which include the over 200 million works housed at the US Library of Congress, and over 25 million books scanned into Google Books (out of about 130 million). As with the Great Library of Alexandria, we do have to keep those who seek to throw out the intellectuals of the world away and keep the great works being compiled from falling to waste due to inactivity. Wikipedia keeps a history of pages, to avoid revisionist history. The servers need to be maintained, but the database can be downloaded and is routinely downloaded by plenty of people. I think the idea of providing an encyclopedia for free that was sponsored by ads was sound. Pivoting the business model to make it open was revolutionary. With the availability of the data for machine learning and the ability to enrich it with other sources like genealogical research, actual books, maps, scientific data, and anything else you can manage, I suspect we'll see contributions we haven't even begun to think about! And thanks to all of this, we now have a real compendium of the worlds knowledge, getting more and more accurate and holistic by the day. Thank you to everyone involved, from Jimbo and Larry, to the moderators, to the staff, and of course to the millions of people who contribute pages about all the history that makes up the world as we know it today. And thanks to you for listening to yet another episode of the History of Computing Podcast. We're lucky to have you. Have a great day! Note: This work was produced in large part due to the compilation of historical facts available at https://en.wikipedia.org/wiki/History_of_Wikipedia