Podcasts about Darby Crash

Punk legends Alice Bag and Kid Congo Powers discuss their collaborative lounge project "Juanita and Juan", reflect on the diverse, inclusive LA punk scene, discussing moments like the first Germs show, the "Up in Smoke" filming, and the tight-knit community that reshaped music forever. Topics Include: Alice Bag and Kid Congo Powers introduce collaborative project Known each other for decades from LA punk scene Project started with mysterious Hollywood call for Latin song Characters Juanita and Juan have elaborate fictional backstory Sound described as "loud lounge, punk folk" style Uses electronic music, keyboards, minimal guitar, tropical beats Album titled "Jungle Cruise" released on In the Red Songs are autobiographical, including "Here Comes the Prez" Originally planned for book readings with musical interludes Both authors used music to ease reading nervousness LA punk scene was incredibly diverse and inclusive Lasted only 18 months but reshaped music forever Everyone contributed something to the tight-knit community Alice witnessed first chaotic Germs performance with groceries Both attended "Up in Smoke" Battle of Bands filming Kid visible in background of unreleased Germs footage Darby Crash's death discussed - overdose versus suicide debate Bags single "Survive" now worth $1000 to collectors Both still actively collecting and occasionally selling records Planning more Juanita and Juan material, considering Australia tour Order Juanita and Juan's "Jungle Cruise" vinyl here. Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Jeff & Steven McDonald join us to discuss the new documentary "Born Innocent - The Redd Kross Story", learnings from their lifelong musical partnership, memories of early punk days, David Bowie, Germs and more. Topics Include: Possible talk of touring Asia and the Pacific Rim Steven and Dale are road dogs Jeff more of a homebody than Steven Adjustment from touring back to home Steven and Mario seeing King Gizzard in early days Playing the L7 Fast & Frightening Festival Challenges of making the “Born Innocent” documentary Keeping the documentary to 90 minutes The dynamics of the brothers – getting under each other's skin Earlier attempts to tell the story of Redd Kross What parts of the Redd Kross story were under-represented? Leveraging “devices” to tell the story and manage viewer expectations What did you learn about yourselves watching the documentary? Ability to view the unique partnership of the brothers Taking away learnings from the movie – relatable learnings from the brothers Brothers within a band – comparisons with Oasis Are the brothers enjoying the current state of their band Grateful for the movie and the book – most proud of the REDD KROSS album How did David Bowie show up for their 1st club gig? Punk in LA in late 70s was a small community The bill was UXA, Black Flag and Redd Kross Memories and experiences with Darby Crash The impact of Darby Crash's death People who may misinterpret Germs Video of Germs performance for “Up In Smoke” The humour and comedy of punk Interview wrap-up Watch the "Born Innocent - The Redd Kross Story" Trailer here Check for a "Born Innocent" screening near you Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

"Pas grand-chose sur à peu près tout" de Bernard Dobbeleer : L'histoire tragique de Darby Crash et de son groupe punk The Germs. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...)

Unlocked!! This week we debut a special freebird episode where we watch the Darby Crash biopic classic "What We Do Is Secret"!    Free full video available here:  https://youtu.be/GUReU6F36fY?si=P5RGzBqi_yBJg4Ma Also available for free on our Patreon:  https://www.patreon.com/c/TheSkippables

This week, we talked to punk legend Jerry A Lang of Poison Idea, who discussed The Decline Of Western Civilization and the punk rock scene of that time. We talk about power of power of The Germs, Black Flag, Circle Jerks, the professionalism of X and Fear, how The Weirdos were supposed to have been in the film, how the audience in the movie theater started stage diving & smashing up the theater, the soundtrack LP, seeing Italy's Raw Power play in your basement, The Desperate Bicycles, Slash & Search And Destroy magazine, booking punk shows, rock star attitudes in early punk rock, Poison Idea being the opening band for the movie and the fight that happened when the crowd showed up, being scared by The Fall and the No Wave LP, the death of Darby Crash, Chris' time working at a pizza parlor with four members of Poison Idea, the economics of punk rock living, crossing the street from heavy metal dudes, dressing like James Chance, the impact the film has as a younger viewer vs. as an older viewer, seeing The Wipers' first show, kids putting on Pere Ubu Shows, soup kitchen rock stars, punk rockers scaring your home town residents, having being a treasurer in the early punk rock scene, why Social Distortion & Youth Brigade from the punk doc Another State Of Mind were not allowed to play in Portland, the short life span of 80s punk rock venues, is the film a Slash Records commercial, what bands would be in our dream version of Decline and so much more.So, let's innocently stage dive off the movie theater's stage for this week's Revolutions Per Movie!JERRY A LANG:https://americanleatherrecords.bigcartel.com/https://rarebirdlit.com/black-heart-fades-blue-signed-by-jerry-a-lang/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

If Riki Rachtman wrote a book it would  probably be something like this. Riki brings us on a journey from highschool into the LA Punk rock scene. His first punk rock show. Hanging with Darby Crash of the Germs. Riki promotes his first night club at the STARWOOD Going head first into metal and what influenced him to open the CATHOUSE . A slice of rock n roll history This show is pre Cathouse era the next few shows will be back to the stories from the club POWERED BY CATHOUSE COFFEE  use code CAT2   and get 10% off www.cathousecoffee.com Get your official Cathouse shirt at www.cathousehollywood.com  

LA's Germs were the stars of The Decline of Western Civilization, with front man Darby Crash frothing out his lyrics atop a sloppy punk stomp fueled by guitarist (and future Nirvana/Foo Fighters member) Pat Smear. John and Marc delve into their first 7-inch, 1977's "Forming" b/w "Sex Boy" (the latter recorded on the set of Cheech and Chong's Up in Smoke, for real) with the help of guest Joe Gross, supreme rock writer and author of Fugazi's In on the Kill Taker from Bloomsbury's 33.3 series. Dig in!Call us anytime at 1-877-WASTOIDS. More podcasts and videos at WASTOIDS.com | Follow us on Instagram and YouTube.

On this continuation with Alice Bag, Jello and Alice discuss her early teenage years and the forming of the BAGS, Darby Crash, the Canterbury Apartments, and bringin back cheap skunk weed. Hosted on Acast. See acast.com/privacy for more information.

We are unlocking this episode to give you a taste of what you're missing over on our Patreon. It's only $5 dollars a month and gets you bonus episodes, mixtapes, links to fun things we reference in our episodes that may be hard to find, and it helps us keep doing what we're doing. So, if you like what we do, help support it! Join our Patreon Army here.  This week we circle back to the debut record from The Killers, Hot Fuss. We discuss: Andrew ruins the intro, cumming at the opera, bad pods, Instagram live dating, papa's whips, we bask in the approval of others, meeting your idols (good), POZ breaks news, Fall Out Boy, Skate and Surf 2012(?) scene report, meme chats, Dupree Sister drama, Max Bemis (sucks), Andrew gets called a scumbag, Scottish pronouncing Hoot Foos, "the murder trilogy," generational hit Mr. Brightside, Ceremony (band), Darby Crash, festival plays, so many singles on this record, horrifically front loaded, Kind of Like Spitting, bad synths and bad drums, and so much more  // Follow us at @danbassini, @mysprocalledlife, and @runintotheground.  Listen to our RITG Mixtape Vol. 12 Best of 2022 here.

Meria Heller Roaring Decades The Jack Blood Show 360 2-16-2023 Meria HellerThe language on this show is not completely safe for work. The clash of political analysis isn't safe for anyone. Stop Trying this at home kiddies! Jack decided to bring Meria Heller to the 360 experience. A caller asked Meria if she supported infanticide. There were a few interesting questions from Chat. Jack tells Meria why he has Trump Forgiveness Syndrome and implies that his long-time friend has Trump Derangement Syndrome. Chuck piped in a few times to facilitate calls and switch things up a touch while doing what Jack asked him to do. It's a bit messy.Mr. Blood seems to have found some faith in magical things. Meria stuck around for the entire show. This podcast is less than two hours long because there was a lengthy live break that has been removed from the pod. Do you hear what I hear? Enjoy!Are you NOT entertained? I'm not Boomer Baby... So why don't you thrill me...By The Way, like a Mister Mxyzptlk and Beatlejuice hybrid, Trump can be sent back to The Filth Dimension which bares an uncanny resemblance to the slums of Queens New York where The Lord of Cult 45 blessed an orange-skinned-humanoid female with the seed of the Pale-skinned allegedly manish-kind on this rock with their personal savior and the imperfect divine instrument to Make Amerigo Great once more, and Brother Ali said onto the United Snakes there shall be no need for the auditions for the part of David. The Deep State looked upon its new and yet old mental plantation and said that it was good and bigly. Pledge your allegiance to the false flag of Divide snakes of Go Branden Go, and to the Republicans and Snitches Karen-ing the land, Bum nations asunder from God, easily divisible, with no liberty, but injustice for all. (Cut and Paste comments from Chat and Skype)Q: Did Jack go to school with The Germs' Darby Crash or Pat Smear? Q: Has Meria ever come into contact with Marla Maples?Is Jack Riding the Orange Idiot Train????Please tell Meria & Jack that they really need to resume their "Blood & Guts" show! Please & thanks.Is Maria a Demonocrat?! A DNC Disiple on Jack Blood?! She wants Creepy Joe Sniffin' her hair?!Please bring back Blood & Guts with Meria & Jack(End Cut and Paste Section)This is what can happen when a host leaves the show notes to Chuck.The Mouth That Roars, and does Hell & High Water with Chuck Twice per monthMeria Hellerhttp://meria.net/Jack Blood News:https://www.facebook.com/JackBloodNews/E-Mail and Paypaljackblood@hotmail.comYoutube Channelhttps://www.youtube.com/c/JackBloodIMDB:https://www.imdb.com/name/nm6910099/The Guy Producing this Pod.Chuck OchelliOchelli LinkTreehttps://linktr.ee/chuckochelliIf You Appreciate what Ochelli.com Radio Does:https://ochelli.com/donate/Ochelli Effect – Uncle – Age of Transitions – T-shirts and MORE:https://theageoftransitions.com/category/support-the-podcasts/PayPal & Contact for special arrangements:blindjfkresearcher@gmail.comOchelli Patreonhttps://www.patreon.com/ochelliDo you have a project, business, or message To PromoteBe Heard on The Ochelli Effect - The Jack Blood Show 360 - The Age of Transitions - Get M A D with Chris Graves - Uncle The Podcast or The whole Network. Rates Start at $50 per monthGet In TouchE-mailads@ochelli.com

Qu'on l'appelle célébrité, notoriété, gloire ou renommée, le phénomène qui consiste à être connu de ceux que l'on ne connaît pas n'est pas nouveau. Si ces 20 dernières années, il semble pousser à son paroxysme avec l'envol des réseaux sociaux, le besoin de reconnaissance de certaines et certains est une réalité qui a traversé les siècles. En témoigne Darby Crash, le chanteur de The Germs, qui en 1980 a mis toutes les chances de son côté pour s'assurer de devenir une légende. Il est d'ailleurs devenu si légendaire… que vous ne le connaissez pas. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

HIGHLIGHTS FROM EPISODE 4:Janet Fitch talks about seeing a three-hour concert with Leonard Cohen; Joni Mitchell; what she'd ask Patti Smith, Björk, Neil Young, and Leonard Cohen if she could; creating an “I will survive” music playlist; Amy Winehouse; Janis Joplin; X; Nico; Jackson Brown.Janet and I talk about some of the major themes of her novel ‘Paint it Black'; grief and the aftermath of suicide; the significance of the title of her novel; the freedom that punk rock gives fans and musicians alike; why ‘Paint it Black' is a punk rock novel as opposed to a more generalized rock novel; how each of the three main characters in ‘Paint it Black' has their own distinct soundtrack; classical music and early 20th century Americana music; L.A. punk, especially The Germs and The Cramps; the deaths of John Lennon and Darby Crash; the changing punk scene in L.A. in the early ‘80s; how the Ingmar Bergman film ‘Persona' influenced the creation of Janet's novel; Janet's experience as a student filmmaker in the ‘80s; the 1913 poem “Trans-Siberian Prose and Little Jeanne from France”; the movie adaptation of ‘Paint it Black'.Pleasant Gehman talks about the beginning of the L.A. punk scene and her involvement in it. She mentions various bands and iconic L.A. punk rock venues, becoming friends with Darby Crash and Pat Smear of The Germs before they were in The Germs and dating Pat Smear, smoking pot with Tony Curtis, rooming with Belinda Carlisle and smoking pot with Screamin' Jay Hawkins at Disgraceland, hanging out with Joan Jett.To hear more from Pleasant about her involvement with some of the hottest punk bands in L.A. in the early ‘80s, including The Cramps, The Weirdos, Blondie, The Damned, X, and Black Flag, and how the scene began to deteriorate, listen to the outtake from this episode in the Rock is Lit Vault.Nicole Panter shares her memories of being friends with and managing The Germs; Darby Crash's childhood; why Germs shows were a trainwreck; Darby's abuse of alcohol and drugs; the making of The Germs' album, including Joan Jett's involvement; ‘The Decline of Western Civilization' documentary, in which Nicole and The Germs are featured; why Nicole stopped managing the band; Darby's fascination with Adam Ant; how Nicole heard about Darby's death; Nicole's dislike of the biopic about Darby and The Germs, ‘What We Do Is Secret', and The Germs reunion tour with the actor who played Darby in the film, Shane West; the legacy of The Germs. CLIPS OF MUSIC PLAYED IN THE EPISODE IN ORDER OF APPEARANCE:"Paint it Black" by the Rolling Stones"Land" by Patti SmithBrahms Piano Concerto No. 2 in B-flat major Op. 82, played by Yuja Wang with the Munich Philharmonic, conducted by Valery Gergiev, Dec 1, 2018“West End Blues” by Louis Armstrong“What We Do Is Secret” by The Germs“Human Fly” by The CrampsErich Wolfgang Korngold: ‘Kings Row', Main Title, music for the 1941 film“Our Way” by The Germs“Media Blitz” by The Germs“American Leather” by The GermsTwo short clips from the 1981 documentary 'The Decline of Western Civilization', directed by Penelope Spheeris,  featuring Darby Crash and The Germs appear in the episode. CONTACTS: Janet Fitch's websiteJanet Fitch Twitter, @JanetFitch323Janet Fitch Instagram, @janetfitch323Pleasant Gehman's websitePleasant Gehman Twitter, @PleasantGehman1Pleasant Gehman Instagram, @princessofhollywoodThe Devil's Music With Pleasant Gehman podcastBelle, Book, and Candle, Instagram, @belle_book_and_candleNicole Panter Instagram, @poseypChristy Alexander Hallberg's websiteChristy Alexander Hallberg Instagram, @christyhallbergChristy Alexander Hallberg Twitter, @ChristyHallbergChristy Alexander Hallberg YouTubeRock is Lit Vault

HIGHLIGHTS:Pleasant Gehman is a Hollywood rock ‘n' roll icon. During the 1970s, she was one of the first punks in Los Angeles, documenting the scene she helped create in her fanzine ‘Lobotomy',which led to writing for many of the top mainstream rock publications. In this outtake from my interview with Pleasant for the Rock is Lit episode that features Janet Fitch's rock novel ‘Paint it Black', Pleasant talks about some of the hottest punk bands in L.A. in the early ‘80s, when ‘Paint it Black' is set, including The Cramps, The Weirdos, The Germs, Blondie, The Nerves, The Zeros, The Damned, and Black Flag; seeing X's very first show; working for a booking agency called Hollywood International Talent owned by Marshall Berle (nephew of Milton Berle) with Belinda Carlisle. We also talk about the decline of the L.A. punk scene in the very early ‘80s and how Janet Fitch's rock novel ‘Paint it Black' accurately depicts this shift.  SONGS PLAYED IN THIS EPISODE IN ORDER OF APPEARANCE:"A Life of Crime" by The Weirdos"Los Angeles" by X CONTACTS: Pleasant Gehman's websitePleasant Gehman Twitter, @PleasantGehman1Pleasant Gehman Instagram, @princessofhollywoodThe Devil's Music With Pleasant Gehman podcast Christy Alexander Hallberg's websiteChristy Alexander Hallberg Instagram, @christyhallbergChristy Alexander Hallberg Twitter, @ChristyHallbergChristy Alexander Hallberg YouTubeRock is Lit Vault

HIGHLIGHTS FROM EPISODE 4: Janet Fitch talks about seeing a three-hour concert with Leonard Cohen; Joni Mitchell; what she'd ask Patti Smith, Björk, Neil Young, and Leonard Cohen if she could; creating an “I will survive” music playlist; Amy Winehouse; Janis Joplin; X; Nico; Jackson Brown. Janet and I talk about some of the major themes of her novel ‘Paint it Black'; grief and the aftermath of suicide; the significance of the title of her novel; the freedom that punk rock gives fans and musicians alike; why ‘Paint it Black' is a punk rock novel as opposed to a more generalized rock novel; how each of the three main characters in ‘Paint it Black' has their own distinct soundtrack; classical music and early 20th century Americana music; L.A. punk, especially The Germs and The Cramps; the deaths of John Lennon and Darby Crash; the changing punk scene in L.A. in the early ‘80s; how the Ingmar Bergman film ‘Persona' influenced the creation of Janet's novel; Janet's experience as a student filmmaker in the ‘80s; the 1913 poem “Trans-Siberian Prose and Little Jeanne from France”; the movie adaptation of ‘Paint it Black'. Pleasant Gehman talks about the beginning of the L.A. punk scene and her involvement in it. She mentions various bands and iconic L.A. punk rock venues, becoming friends with Darby Crash and Pat Smear of The Germs before they were in The Germs and dating Pat Smear, smoking pot with Tony Curtis, rooming with Belinda Carlisle and smoking pot with Screamin' Jay Hawkins at Disgraceland, hanging out with Joan Jett. To hear more from Pleasant about her involvement with some of the hottest punk bands in L.A. in the early ‘80s, including The Cramps, The Weirdos, Blondie, The Damned, X, and Black Flag, and how the scene began to deteriorate, listen to the outtake from this episode in the Rock is Lit Vault. Nicole Panter shares her memories of being friends with and managing The Germs; Darby Crash's childhood; why Germs shows were a trainwreck; Darby's abuse of alcohol and drugs; the making of The Germs' album, including Joan Jett's involvement; ‘The Decline of Western Civilization' documentary, in which Nicole and The Germs are featured; why Nicole stopped managing the band; Darby's fascination with Adam Ant; how Nicole heard about Darby's death; Nicole's dislike of the biopic about Darby and The Germs, ‘What We Do Is Secret', and The Germs reunion tour with the actor who played Darby in the film, Shane West; the legacy of The Germs.   CLIPS OF MUSIC PLAYED IN THE EPISODE IN ORDER OF APPEARANCE: "Paint it Black" by the Rolling Stones "Land" by Patti Smith Brahms Piano Concerto No. 2 in B-flat major Op. 82, played by Yuja Wang with the Munich Philharmonic, conducted by Valery Gergiev, Dec 1, 2018 “West End Blues” by Louis Armstrong “What We Do Is Secret” by The Germs “Human Fly” by The Cramps Erich Wolfgang Korngold: ‘Kings Row', Main Title, music for the 1941 film “Our Way” by The Germs “Media Blitz” by The Germs “American Leather” by The Germs Two short clips from the 1981 documentary 'The Decline of Western Civilization', directed by Penelope Spheeris, featuring Darby Crash and The Germs appear in the episode.   CONTACTS:  Janet Fitch's website Janet Fitch Twitter, @JanetFitch323 Janet Fitch Instagram, @janetfitch323 Pleasant Gehman's website Pleasant Gehman Twitter, @PleasantGehman1 Pleasant Gehman Instagram, @princessofhollywood The Devil's Music With Pleasant Gehman podcast Belle, Book, and Candle, Instagram, @belle_book_and_candle Nicole Panter Instagram, @poseyp Christy Alexander Hallberg's website Christy Alexander Hallberg Instagram, @christyhallberg Christy Alexander Hallberg Twitter, @ChristyHallberg Christy Alexander Hallberg YouTube Rock is Lit Vault Learn more about your ad choices. Visit megaphone.fm/adchoices

"Her şey dairesel bir şekilde işler. Mesela bazen bir şeyler yaparsın ve bir yıl sonra aynı noktaya geri dönersin. Yani şu anda biz, birinci daireyi çiziyoruz ve bir gün muhtemelen ikinci daireyi de çizeceğiz."

We had the pleasure of interviewing Gus Englehorn over Zoom video! Montreal singer-songwriter Gus Englehorn announces his sophomore album Dungeon Master, the cutest, heaviest, strangest rock'n'roll record you will hear this year. Set for release on April 29 via Secret City Records, the news is accompanied with a new single + video directed by Englehorn and Estée Preda; the stomping, paranoid “Tarantula.” Englehorn says, “This song is about uninvited recurring irrational thoughts and fears. I decided to make a little fable where a tarantula is whispering bad things into your ear. Most of the time I have to use a lot of words to get my point across, so I was particularly pleased with this one because there's only 15 words in it.” The release follows previous lead single “The Gate,” a delirious, headbanging allegory about facing your own mortality. In March, Englehorn will also feature as an official artist at SXSW in Austin, Texas.Dungeon Master, Englehorn's Secret City Records debut, is an outsider opus that sparkles with Dada spirit — a playful juxtaposition of isolation, alienation and mildish OCD. Surprising, paranoid, and studded with synths and strings, Dungeon Master is deeper than a cellar and blunter than a club — a shivering introduction to an artist who's finally arrived. “I let my subconscious do the driving,” Gus admits, and as you listen to these 10 tunes, it's difficult not to do the same: to sit back like a dog with a two-legged daydream; like a fisherwoman with her net; like a snowboarder with a mouth full of powder. Before he made the record in a cabin in the woods, he lived in Salt Lake City, Utah, where he fell in love at first sight with a woman from Québec, a girl named Estée Preda, who plays drums like Moe Tucker on salvia. In those days, Gus was a professional snowboarder — crisscrossing the world as a weird and world-class talent, kick-flipping through videos, shredding the gnar, posing in corporate-sponsored sunglasses. Before that he lived in Hawaii — on a lava field off-grid, with his folks. And before that in Alaska — in a hamlet called Ninilchik, where his parents fished for salmon and he and his brothers ate moose and pizza, played Nintendo, and also pretended to be wizards. For almost all of Gus's life — from Big Island's sunsets to snowy Utah pistes — he dreamed of being a songwriter. If he couldn't be Dylan, maybe he'd be Daniel Johnston, or Frank Black and The Pixies, or maybe Darby Crash and The Germs. And when he finally emerged — first on 2020's Death & Transfiguration and now here on the 34-year-old's label debut — he had found a sound that was dark and delightful, fun and demented, packed with dynamics and the chug of a hysterical guitar.We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #GusEnglehorn #DungeonMaster #musicinterview #MusicPodcast #NewMusic #zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

In this episode, we are joined by Janie, a young poet operating in the realm of Substack and a young singer who recently started posting songs to a Soundcloud page. We discuss poetry here, mostly, everything from Robert Desnos to Ghostface Killah to John Asheberry to Darby Crash, and try and ponder a role for poetry in liquid modernity. Adam also expresses disgust over the politicization of the Kyle Rittenhouse trial, and can't believe the erosion of due process that has been leveled at an innocent young man who defended himself against violent assailants. SOUNDTRACK: Alvarius B "Dracula Frizzy" (https://music.apple.com/us/album/dracula-frizzi/553850357?i=553850367) The Germs "Lexicon Devil" (https://youtu.be/08MqYvU-yuM) US Maple "Letter To ZZ Top" (https://music.apple.com/us/album/letter-to-zz-top/1082950697?i=1082950707) Buttechno "Bbbase" (https://music.apple.com/us/album/bbbase/1483216773?i=1483216774) Masayuki Takayanagi "Mass Hysterism 1" (https://music.apple.com/us/album/mass-hysterism-1/200813560?i=200813616) Janie Diamond "Heart Burst" LINKS Janie's Twitter: https://twitter.com/ JanieDied Janie's Soundcloud: https://soundcloud.com/user-175981317

[This episode contains explicit content.] Artists from Kurt Cobain to Amy Winehouse command fascination not only for their work but also for their drug addictions and the manner of their death. Communions is an attempt to understand the role that opiates play in the artistic lives of those who are gripped by addiction. Channeling hallucinated versions of dead artists and junkies, these fragments access the uncanny allure of shared experience. Elements of speculative fiction, criticism and encrypted auto-biography merge to form a disconcerting portrait of the artist as addict. Neither denunciation nor valorization, Communions probes the haunting singularity of opiate addiction and its ineradicable influence on art and culture. Adam Lehrer speaks to Pierre d'Alancaisez about addiction and class, our fetish for the artist flirting with death, communing with his heroes, his experience of the opioid crisis, and the role for art criticism in unraveling these issues. Lehrer reads a chapter on Darby Crash from Communions. Adam Lehrer is a writer and art critic, but he's also a former heroin addict himself. He blogs at Safety Propaganda. A Statement On My Severed Relationship With The Quietus Art's Moral Fetish Darby Crash Frisk, film based on a novel by Dennis Cooper Dash Snow Beautiful Boy, film based on memoirs by David and Nic Sheff Zoë Tamerlis Lund Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

[This episode contains explicit content.] Artists from Kurt Cobain to Amy Winehouse command fascination not only for their work but also for their drug addictions and the manner of their death. Communions is an attempt to understand the role that opiates play in the artistic lives of those who are gripped by addiction. Channeling hallucinated versions of dead artists and junkies, these fragments access the uncanny allure of shared experience. Elements of speculative fiction, criticism and encrypted auto-biography merge to form a disconcerting portrait of the artist as addict. Neither denunciation nor valorization, Communions probes the haunting singularity of opiate addiction and its ineradicable influence on art and culture. Adam Lehrer speaks to Pierre d'Alancaisez about addiction and class, our fetish for the artist flirting with death, communing with his heroes, his experience of the opioid crisis, and the role for art criticism in unraveling these issues. Lehrer reads a chapter on Darby Crash from Communions. Adam Lehrer is a writer and art critic, but he's also a former heroin addict himself. He blogs at Safety Propaganda. A Statement On My Severed Relationship With The Quietus Art's Moral Fetish Darby Crash Frisk, film based on a novel by Dennis Cooper Dash Snow Beautiful Boy, film based on memoirs by David and Nic Sheff Zoë Tamerlis Lund Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/drugs-addiction-and-recovery

[This episode contains explicit content.] Artists from Kurt Cobain to Amy Winehouse command fascination not only for their work but also for their drug addictions and the manner of their death. Communions is an attempt to understand the role that opiates play in the artistic lives of those who are gripped by addiction. Channeling hallucinated versions of dead artists and junkies, these fragments access the uncanny allure of shared experience. Elements of speculative fiction, criticism and encrypted auto-biography merge to form a disconcerting portrait of the artist as addict. Neither denunciation nor valorization, Communions probes the haunting singularity of opiate addiction and its ineradicable influence on art and culture. Adam Lehrer speaks to Pierre d'Alancaisez about addiction and class, our fetish for the artist flirting with death, communing with his heroes, his experience of the opioid crisis, and the role for art criticism in unraveling these issues. Lehrer reads a chapter on Darby Crash from Communions. Adam Lehrer is a writer and art critic, but he's also a former heroin addict himself. He blogs at Safety Propaganda. A Statement On My Severed Relationship With The Quietus Art's Moral Fetish Darby Crash Frisk, film based on a novel by Dennis Cooper Dash Snow Beautiful Boy, film based on memoirs by David and Nic Sheff Zoë Tamerlis Lund Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

[This episode contains explicit content.] Artists from Kurt Cobain to Amy Winehouse command fascination not only for their work but also for their drug addictions and the manner of their death. Communions is an attempt to understand the role that opiates play in the artistic lives of those who are gripped by addiction. Channeling hallucinated versions of dead artists and junkies, these fragments access the uncanny allure of shared experience. Elements of speculative fiction, criticism and encrypted auto-biography merge to form a disconcerting portrait of the artist as addict. Neither denunciation nor valorization, Communions probes the haunting singularity of opiate addiction and its ineradicable influence on art and culture. Adam Lehrer speaks to Pierre d'Alancaisez about addiction and class, our fetish for the artist flirting with death, communing with his heroes, his experience of the opioid crisis, and the role for art criticism in unraveling these issues. Lehrer reads a chapter on Darby Crash from Communions. Adam Lehrer is a writer and art critic, but he's also a former heroin addict himself. He blogs at Safety Propaganda. A Statement On My Severed Relationship With The Quietus Art's Moral Fetish Darby Crash Frisk, film based on a novel by Dennis Cooper Dash Snow Beautiful Boy, film based on memoirs by David and Nic Sheff Zoë Tamerlis Lund Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

[This episode contains explicit content.] Artists from Kurt Cobain to Amy Winehouse command fascination not only for their work but also for their drug addictions and the manner of their death. Communions is an attempt to understand the role that opiates play in the artistic lives of those who are gripped by addiction. Channeling hallucinated versions of dead artists and junkies, these fragments access the uncanny allure of shared experience. Elements of speculative fiction, criticism and encrypted auto-biography merge to form a disconcerting portrait of the artist as addict. Neither denunciation nor valorization, Communions probes the haunting singularity of opiate addiction and its ineradicable influence on art and culture. Adam Lehrer speaks to Pierre d'Alancaisez about addiction and class, our fetish for the artist flirting with death, communing with his heroes, his experience of the opioid crisis, and the role for art criticism in unraveling these issues. Lehrer reads a chapter on Darby Crash from Communions. Adam Lehrer is a writer and art critic, but he's also a former heroin addict himself. He blogs at Safety Propaganda. A Statement On My Severed Relationship With The Quietus Art's Moral Fetish Darby Crash Frisk, film based on a novel by Dennis Cooper Dash Snow Beautiful Boy, film based on memoirs by David and Nic Sheff Zoë Tamerlis Lund Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

[This episode contains explicit content.] Artists from Kurt Cobain to Amy Winehouse command fascination not only for their work but also for their drug addictions and the manner of their death. Communions is an attempt to understand the role that opiates play in the artistic lives of those who are gripped by addiction. Channeling hallucinated versions of dead artists and junkies, these fragments access the uncanny allure of shared experience. Elements of speculative fiction, criticism and encrypted auto-biography merge to form a disconcerting portrait of the artist as addict. Neither denunciation nor valorization, Communions probes the haunting singularity of opiate addiction and its ineradicable influence on art and culture. Adam Lehrer speaks to Pierre d'Alancaisez about addiction and class, our fetish for the artist flirting with death, communing with his heroes, his experience of the opioid crisis, and the role for art criticism in unraveling these issues. Lehrer reads a chapter on Darby Crash from Communions. Adam Lehrer is a writer and art critic, but he's also a former heroin addict himself. He blogs at Safety Propaganda. A Statement On My Severed Relationship With The Quietus Art's Moral Fetish Darby Crash Frisk, film based on a novel by Dennis Cooper Dash Snow Beautiful Boy, film based on memoirs by David and Nic Sheff Zoë Tamerlis Lund Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

[This episode contains explicit content.] Artists from Kurt Cobain to Amy Winehouse command fascination not only for their work but also for their drug addictions and the manner of their death. Communions is an attempt to understand the role that opiates play in the artistic lives of those who are gripped by addiction. Channeling hallucinated versions of dead artists and junkies, these fragments access the uncanny allure of shared experience. Elements of speculative fiction, criticism and encrypted auto-biography merge to form a disconcerting portrait of the artist as addict. Neither denunciation nor valorization, Communions probes the haunting singularity of opiate addiction and its ineradicable influence on art and culture. Adam Lehrer speaks to Pierre d'Alancaisez about addiction and class, our fetish for the artist flirting with death, communing with his heroes, his experience of the opioid crisis, and the role for art criticism in unraveling these issues. Lehrer reads a chapter on Darby Crash from Communions. Adam Lehrer is a writer and art critic, but he's also a former heroin addict himself. He blogs at Safety Propaganda. A Statement On My Severed Relationship With The Quietus Art's Moral Fetish Darby Crash Frisk, film based on a novel by Dennis Cooper Dash Snow Beautiful Boy, film based on memoirs by David and Nic Sheff Zoë Tamerlis Lund Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Communions Adam Lehrer Published by Hyperidean Press, 2021 ISBN 9781916376755 Artists from Kurt Cobain to Amy Winehouse command fascination not only for their work but also for their drug addictions and the manner of their death. Communions is an attempt to understand the role that opiates play in the artistic lives of those who are gripped by addiction. Channeling hallucinated versions of dead artists and junkies, these fragments access the uncanny allure of shared experience. Elements of speculative fiction, criticism and encrypted auto-biography merge to form a disconcerting portrait of the artist as addict. Neither denunciation nor valorisation, Communions probes the haunting singularity of opiate addiction and its ineradicable influence on art and culture. Adam Lehrer speaks to Pierre d'Alancaisez about addiction and class, our fetish for the artist flirting with death, communing with his heroes, his experience of the opioid crisis, and the role for art criticism in unraveling all these issues. Lehrer reads a chapter on Darby Crash from Communions. Adam Lehrer is a writer and art critic, but he's also a former heroin addict himself. He blogs at Safety Propaganda. A Statement On My Severed Relationship With The Quietus Art's Moral Fetish Darby Crash Frisk, film based on a novel by Dennis Cooper Dash Snow Beautiful Boy, film based on memoirs by David and Nic Sheff Zoë Tamerlis Lund

“Her Favourite Hitchcock Films” A native of Northern California, Jerry Vessel was the bassist for the beloved San Francisco outfit Red House Painters. The band, who formed in 1989, put out four albums on 4AD and toured all over North America and Europe before calling it a day in 2001. Post-Painters, Vessel played drums for the Muons and bass for Six Eye Columbia and he also put out two solo albums under the moniker Heirlooms of August. Heirlooms' sophomore album Down at the 5-Star found one of the songs featured in the TV series Parenthood. Vessel's third effort is under his own name this time around and it really makes sense. A stripped down affair that's stark, spare, personal and unflinchingly honest, Her Favorite Hitchcock Films was written about his relationship with fashion designer Alexis O'Connell and it not only details their time together, it also confronts dealing with her sudden loss. Punctuated by piano violins, cellos, and atmospheric production courtesy of American Music Club's Bruce Kaphan, the compositions on Her Favorite Hitchcock Films are as poetic as they are conversational. Beautifully constructed, they're parenthetical, interstitial, referential and emotional. Name-checking Darby Crash, David Lynch, aluminum boats, Thelonious Monk, druid forts and Townes Van Zandt, the songs that make up this album are filled with lyrical intensity in that they conjure the world Vessel and O'Connell built and occupied together. When you're close with someone you construct universes that are made up of the things you mutually love and this is a stirring homage to those universes. Yes, there's darkness and of course, there's pain here, but every song is charged with love. It's vulnerable but in that vulnerability there's tremendous life-affirming strength. It's quite an album. And this is quite a conversation—Vessel talks to Alex about grief, his friendships with his former Red House Painters bandmates, Townes Van Zandt, Lynyrd Skynyrd, Jack London and why the piano was his go-to instrument this time around. www.jerryvesselmusic.bandcamp.com www.jerryvesselmusic.com www.bombshell radio.com www.alexgreenonline.com

It's a flashback to the old days — Kevin and Max are dealing with wedding preparations and moving preparations, so it's just Sean and Pierce. This week, they decided to revisit an old format and talk about something they just watched: Penelope Spheeris's 1981 documentary about the Los Angeles punk scene, The Decline of Western Civilization. They discuss Darby Crash, the aggression of young men, and Black Flag living in squalor.MUSIC: “Los Angeles” - XADDITIONAL MATERIAL: The 10 worst contracts in the NBA (Good Morning It's Basketball)

We're going for a drive, but not the after dinner kind! Join Damian as he goes for a ride with Bad Religion's GREG GRAFFIN Ph.D! Listen in as the two discuss: Darby Crash stealing french fries, summers away from punk in Wisconsin & "Becoming Keith Morris". So get in the sedan because this one is  NOT TO BE MISSED!!! & don't miss Bad Religion on tour this fall with War On Women & Alkaline Trio! Also Touched On: Lyrically intimidating  An article in Details Loving Todd Rundgren  “Darby was not someone to look up to” Hearing the Germs for the first time The Gears lp The importance of the abundance of studios to California hardcore The relationship with the Circle Jerks Red Kross and not fitting in with the LA punks Going to back to Wisconsin and having no interest in local punk Going to University with Milo but never talking Working with Noam Chomsky The “back to the known” show Not relating to the late 80's HC kids Becoming the “Keith Morris” In defence of “Into The Unknown” & SO MUCH MORE! BROUGHT TO YOU BY VANS

NICOLE PANTER DAILEY has lived one hell of a life so far! From managing the Germs, to starting an early LA punk label, to helping create The Pee Wee Herman Show & that's just the start! Join Damian as he sits down with Nicole for one of the most compelling episodes ever of this show to date. THIS IS NOT TO BE MISSED!!!Also Touched On:The importance of QueenFascinated by GlamThe Dogs“Radio Free Hollywood”: the first punk showThe South Bay taking over by force“The Adams Family” of weird kidsBackdoor Man zine The creepy scene at Rodney’sActing out trauma through punkBeing a true weirdoFirst day of teaching: “What’s Darby Crash like?”Adventure TimeMidsommarDonnie Rose and sexual abuse in the LA punk sceneThe new hippies helping Old Man SpahnThe Manson EffectThe Avengers“Not Real Punk”: Dealing with VOMBob Biggs El DuceRenouncing punk in 1980Slash RecordsThe story behind the Germs’ LP, logo, album and (GI)The Weirdos were the bestRIP Lorna DoomPsychedelics and therapy The ResidentsPee Wee: The luckiest man in showbizThe Rap/punk connection& SO MUCH MORE!!!BROUGHT TO YOU BY VANS

On the first video interview of The Electric Theater, clown welcomes the iconic frontman for a discussion that ranges from free love, to politics, to making the world a better place through art and music. 0:00 - Record Stores 5:16 – Creating lasting, impactful work of art 5:53 – ‘Nothing’s Shocking’ stemmed from Farrell's love affair 7:58 – True Love 10:10 – Self discovery. Following in the footsteps of legends like Jim Morrison and Darby Crash 11:48 – “God didn’t want me to die, he wanted me to testify” – Farrell recalls overdosing 14:58 – Political Line in the Sand & Joe Biden 17:24 – clown confides in Farrell that he looks up to the frontman. 19:02 – Being a good man, a good father, and a good partner 22:36 – Coming Together 28:24 - “Most of us should be ashamed of our fucking selves.” 32:33 – "We know enough now…you don’t need to have anymore wars.” Poor political leadership 34:24 – Poor political leadership 36:55 – The Pandemic 42:13 – “Wish I was ocean size”Subscribe to the podcast for the most up to date episodes 

Post Rhetoric contributor Gatekeeper from the Nightmare board game makes his PR debut, playing Stuntman Mike in a game of Lost Rhetoric trivia. Winner gets some kilos (or ki's) of cocaine to sell on the street. Who will win the title of world's biggest Rhet-Head? - Intro- JP explains that they've been off for 2 weeks negotiating a deal with Spotify like Joe Rogan- Stuntman Mike vs. Gatekeeper in Lost Rhetoric trivia- Lost Rhetoric 034 and 035 review- Top 5 things we've been listening to- Top 5 locations that listen to us- Chicken in a Biskit and Patreon spot- Outro

Today is the 40 year anniversary of the death of Germs frontman Darby Crash. We travel to Hollywood, CA to visit the guest house where Darby spent his last moments of life, his gravesite, and the former location of The Starwood concert venue.  # PunkRock Decline of the Western Civilization 85 Grave Horror Show & Podcast Season 2 Episode 4. Episode 9 overall. 85 Grave Show with hosts Bobby Blood & Lauren Blood. Please follow us on Instagram/Twitter/Facebook/YouTube @85Grave 

Ep: 66: On the 40th anniversary of the death of John Lennon, we talk about December 8, 1980 as well as the other rock and roll tragedies that have marked early December…the Rolling Stones Altamont Speedway concert, the stampede in Cincinnati before a concert by The Who, and the deaths of Dimebag Darrell and Darby Crash. We also discuss the $300 million transaction between Bob Dylan and Universal on the purchase of Dylan’s musical catalog and the artist selling away the rights to his own songs. Mike Derrico and Pat Ivanitski are your hosts. https://derricountitled.com/ http://rockunderfire.com/ https://www.facebook.com/njcardsharks/ https://twitter.com/Mike__Derrico Order Mike's book... AUTUMN AND EVERYTHING AFTER: The Murder of John Lennon, Evolution of Bruce Springsteen & the Birth of the Reagan Era https://www.amazon.com/Autumn-Everyth...   "Bad News" is written and performed by Live Animals of NJ

My guest this week is the legendary Bob Forrest! Thelonious Monster is back with their first record in 14 years, ‘Oh This Monster, which dropped on Election Day 2020. This year has also seen the reissue of The Bicycle Thief’s 1999 album ‘You Come and Go Like a Pop Song”. Over the course of our 2 hour + conversation, Bob and I chat about a wide range of topics including the Lakers, getting Thelonious Monster back together, the idea of living in the now and not the past, revisiting VH1’s Celebrity Rehab, twitter dumping, Bob’s years rocking the vote with MTV, rivaling Roseann as the worst National Anthem singer of all time, cancel culture and BLM, addiction in America, politics, and I share my story behind being Ivanka Trump’s body double on Celebrity Apprentice. Bob shares some intimate stories about Darby Crash, Magic Johnson, George W, and Leonard Cohen, and we get explore that infamous Pink Pop Festival ’93 performance. Bob Forrest is a many of many hats. He is the Co-Founder of AloHouse treatment center in Malibu and an addictions specialist notable for his work alongside Dr. Drew Pinsky and Celebrity Rehab. He is the frontman of Thelonious Monster and The Bicycle Thief, he has authored a memoir ‘Running with Monsters’, and has a documentary about his life titled ‘Bob and the Monster’. He currently hosts the Don’t Die Podcast and Thelonious Monster is set to tour Europe in 2021. Social media: @TheloniousMonster @thebicyclethief_ @immediatefamily_ @alorecovery @bobforrestsdontdiepodcast @TheHitchcockBrunette @UmamiRadioShow

In the late 1970s, two friends got straight-As in fruit-eating and crystal meth.  Luckily for the trajectory of punk rock, they turned their talents to music, gave up their real names for punk alter egos, and began wreaking havoc on stages across Los Angeles.  Cast your mind back to a time when The Germs weren't just responsible for a global pandemic...   Leigh's song pick:: Lexicon Devil by The Germshttps://open.spotify.com/track/0Hl2Vuhhhh8buesoxUk1DW   Peter's song pick:: TV Party by Black Flaghttps://open.spotify.com/track/4DA95pyBe6QORPGvTEuMWQ   If you like what you hear, please subscribe and leave a review!Also, tell your friends!Tell your enemies too, we're not picky.   Become a patron, get exclusive content, help us make more disasters!www.patreon.com/thisdisasterpod   SHIRTS!  Pre-order for the next run is open now until October 16th!  Visit https://shop.thisdisasterpod.com and backorder your shirt!!   Instagram/Twitter/Facebook: @thisdisasterpod www.thisdisasterpod.com   Theme song by Blank Sun: https://blanksun.bandcamp.com

Punk singer Darby Crash dreamed of immortality. The single full-length Germs album was to become a holy grail of music history, and his passing might’ve made him a legend, but Darby Crash died on December 7th, 1980. By the time the news of his death began to circulate, it was well into December 8th, the day John Lennon was shot by Mark David Chapman. As radio stations in Los Angeles began to start their marathon of Germs songs, John Lennon lay dying in New York, at the doorway to his apartment. Eventually news and radio stations broke away to deliver what must have seemed like a larger, more urgent heartbreak.

La Mano del Destino creator J. Gonzo joins us this week to talk about the 1979 album GI by LA hardcore legends, the Germs.Help fun the La Mano del Destino Kickstarter: https://www.kickstarter.com/projects/jgonzodesigns/la-mano-del-destino-bilingual-flipbookhttp://jgonzodesigns.com/index.htmlhttps://www.instagram.com/jgonzoart/?hl=enCall our voicemail line: 202-688-PUNKLeave us a review and rating.All episodes available on iTunes, Spotify, and Stitcherhttps://www.instagram.com/punklottopodhttps://punklottopod.simplecast.com/https://twitter.com/punklottopodhttps://www.facebook.com/punklottopodSongs featured on this episode:Jawbox - Jackpot PlusThe Clash - London CallingTalking Heads - Life During WartimeJoy Division - DisorderStiff Little Fingers - Suspect DeviceThe Damned - Smash It Up (Pt. 2)Germs - Manimal  Germs - Richie Dagger's CrimeGerms - Lexicon DevilGerms - Media Blitz

After recently watching all 3 Decline of Western Civilization films as well as the H.R documentary, I thought what a better subject for this one than some old school punk rock and the youth culture of the 80's that Penelope Spheeris captured so well. Check out the Power Chord Hour radio show every Friday night at 10 est on 107.9 WRFA in Jamestown, NY, stream the station online at wrfalp.com/streaming/ or listen on the WRFA mobile appRate & review the podcast - send us a screenshot for a free PCH shirt!email me for FREE Power Chord Hour guitar picks - powerchordhour@gmail.comFacebook - www.facebook.com/powerchordhourInstagram - www.instagram.com/powerchordhour/Twitter - www.twitter.com/powerchordhour/Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgGofundme for original Bad Brains vocalist Sidney McCray burial assistance https://gf.me/u/yx59xb

John Doe is a living rock'n'roll legend. Along with co-founding X, the driving force of the early LA punk scene, he's had an incredible solo career as a musician and actor. With co-author Tom De Savia and friends, his books 'Under The Big Black Sun' and 'More Fun In The New World' are definitive first-person accounts of the Los Angeles Music scene from the late 1970s- early 1980's. In this episode, John and hostess Pleasant Gehman discuss X's new album Alphabetland, as well as diving into wild stories from their four decades of friendship...including how crazy the early LA scene really was. They tell tales of X's first gig-in a living room, after-hours speakeasy The Zero, The Masque, drunken trips to Tijuana, Darby Crash and Top Jimmy, the namesake of The Van Halen song.More from Pleasant Gehmanwww.pleasantgehman.comInstagram: @princessofhollywoodwww.facebook.com/pleasant.gehmanwww.twitter.com/PleasantGehman1This show is part of Pantheon Podcasts

John Doe is a living rock’n’roll legend. Along with co-founding X, the driving force of the early LA punk scene, he’s had an incredible solo career as a musician and actor. With co-author Tom De Savia and friends, his books 'Under The Big Black Sun' and 'More Fun In The New World' are definitive first-person accounts of the Los Angeles Music scene from the late 1970s- early 1980’s. In this episode, John and hostess Pleasant Gehman discuss X’s new album Alphabetland, as well as diving into wild stories from their four decades of friendship...including how crazy the early LA scene really was. They tell tales of X’s first gig-in a living room, after-hours speakeasy The Zero, The Masque, drunken trips to Tijuana, Darby Crash and Top Jimmy, the namesake of The Van Halen song. More from Pleasant Gehman www.pleasantgehman.com Instagram: @princessofhollywood www.facebook.com/pleasant.gehman www.twitter.com/PleasantGehman1 This show is part of Pantheon Podcasts

John Doe is a living rock'n'roll legend. Along with co-founding X, the driving force of the early LA punk scene, he's had an incredible solo career as a musician and actor. With co-author Tom De Savia and friends, his books 'Under The Big Black Sun' and 'More Fun In The New World' are definitive first-person accounts of the Los Angeles Music scene from the late 1970s- early 1980's. In this episode, John and hostess Pleasant Gehman discuss X's new album Alphabetland, as well as diving into wild stories from their four decades of friendship...including how crazy the early LA scene really was. They tell tales of X's first gig-in a living room, after-hours speakeasy The Zero, The Masque, drunken trips to Tijuana, Darby Crash and Top Jimmy, the namesake of The Van Halen song. More from Pleasant Gehman www.pleasantgehman.com Instagram: @princessofhollywood www.facebook.com/pleasant.gehman www.twitter.com/PleasantGehman1 This show is part of Pantheon Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

John Doe is a living rock'n'roll legend. Along with co-founding X, the driving force of the early LA punk scene, he's had an incredible solo career as a musician and actor. With co-author Tom De Savia and friends, his books 'Under The Big Black Sun' and 'More Fun In The New World' are definitive first-person accounts of the Los Angeles Music scene from the late 1970s- early 1980's. In this episode, John and hostess Pleasant Gehman discuss X's new album Alphabetland, as well as diving into wild stories from their four decades of friendship...including how crazy the early LA scene really was. They tell tales of X's first gig-in a living room, after-hours speakeasy The Zero, The Masque, drunken trips to Tijuana, Darby Crash and Top Jimmy, the namesake of The Van Halen song.More from Pleasant Gehmanwww.pleasantgehman.comInstagram: @princessofhollywoodwww.facebook.com/pleasant.gehmanwww.twitter.com/PleasantGehman1This show is part of Pantheon Podcasts

En un nuevo Expedientes NSH, Sergio se encarga de contarnos la historia de este personaje de la música 

Darby Crash - La soluzione finale del leader dei Germs e Ritchie Edwards - Dov'è finito il chitarrista dei Manic Street Prechers?

Darby Crash - La soluzione finale del leader dei Germs e Ritchie Edwards - Dov'è finito il chitarrista dei Manic Street Prechers?

Darby Crash - La soluzione finale del leader dei Germs e Ritchie Edwards - Dov'è finito il chitarrista dei Manic Street Prechers?

What do MTV, WCW & Darby Crash have in common? This week’s guest is RIKI  RACHTMAN!!! Join Damian as he sits down with the former WCW/Headbanger’s Ball & current Cathouse Hollywood Podcast host to talk about The Germs, Black Flag & the Adolescents: OH MY! Not to be missed!!! Also Touched On: The greatest Canadians Wearing Germs shirts on Headbangers Ball Blink 182 is old school now? Devo’s first record as gateway Rodney on ROQ Bloodstains Keith Morris rocking a Spiderman costume fronting the Black Flag Fear Not getting the Germs… at first X plays every show Meeting Darby The Adolescents Blue Album is one of the great albums EVER Rob and Darby Knowing more about Black Flag than Black Sabbath Going to Universal Studios with an Adam And The Ants superfan Auditions for the Angry Samoans Forming a hardcore band  “Hey Devo!” “Hey Meatloaf!” Meeting Lee Ving in the current day Metallica meets the Plimsouls   Battery Club could have been Green Day Trying to record and hang with Pantera WCW  On the road with Scott Steiner & MUCH, MUCH MORE!!!!!  BROUGHT TO YOU BY VANS

seconda parte della Prima puntata dello show dei carlini nick e aranc, oggi si parla di Simo Hayha, Darby Crash e Elisa Lam

Oggi i carlini Aranc e Nick vi raccontano le incredibili storie di Darby Crash, Elisa Lam e Simo Hayha!

Darby Crash, lead singer of 70s LA punk band the Germs, purposely overdosed on heroin the day before John Lennon died. Dave and Hampton discuss that, and the Germs, and punk rock at large.  Learn more about your ad choices. Visit megaphone.fm/adchoices

THIS WEEK WE HAVE JOHN DOE!!! X came through Toronto recently & Damian ran down to the show to have a quick, but amazing chat with John. The two go over everything from Darby Crash to Dick Clark. It's a fun one, so hope you guys enjoy it as much as we did recording it. Also Touched On: Punk Through John Waters Films In Baltimore, MA Punk Is Not A Sound, It's An Ethos Seeing The Patti Smith Group, The Damned, The Ramones, Blondie & Television In A Short Period Of Time The Whiskey Bertha's In Baltimore Moving To LA In 76' Zolar X Living In The Same Building As Exene Seeing The Motels, The Pop, The Dogs DIY Ethic Madame Wong's West vs. Hong Kong Cafe The Mask At The Whiskey Sex Pistols Helped & Hurt DICK CLARK WAS A FAN! Danger House / Slash Records Under The Big Black Sun: A Personal History Of LA Punk Bands Broadly Labelled With The "Punk" Moniker Jack Grisham Darby Crash "No New York" What Makes A Scene? Under Appreciated LA Bands Recording 2 Singles In 1 Day The Randoms & Black Randy & The Metrosquad A Reason To Leave Baltimore & Much, Much More!!! BROUGHT TO YOU BY VANS

After the extreme high of June 1981, brace yourself for the very strange month that followed. You want Albert Finney fighting semi-werewolves? You want drunk Dudley Moore? You want to see Mary Poppins with her boobs out? You want to see Bo Derek have sex with an orangutan? Why? What's wrong with you? Brooke Shields, ground zero for the '80s 3D craze, Darby Crash, Carrie Fisher and a bunch of little people, and Pele versus WWII... all part of the insane landscape that made up July 1981.

Nelson & I talk about our love for the Valley, getting into punk, first time watching Porkeria, Reinforce / Ingrate 2014 weekender & other things. - NARB release show recap - Joining & starting both bands - The Germs influence - Nothing beats playing here - Shout out to Taco P - Having an understanding workplace - Darby Crash on Nelsons Punk Mount Rushmore - Shout out to John Morales - Current Ingrate status - Ingrate intro the GOAT - RIP Switchfoot Skateshop - The house that should not be named - Porkeria: the soundtrack to the apocalypse - Trying to keep it an inclusive scene - Learn every instrument and start a new band - Sudden Attack love - Reinforce / Ingrate 2014 weekender - Snakeway rules - Treatment / The Sentenced SA show - Pat the Bunny in Corpus - It's hard to document everything that's happened in the Valley - The amount of local bands has increased - The SuddenNarbDeathGrateAttackCult Group Chat - Dr. Roldy - Finding friends in this subculture - "3 favorite locals" twitter convo - Check out: Exotica (exoticapunk.bandcamp.com) Ladron (ladron.bandcamp.com) Cadenaxo (cadenaxo.bandcamp.com) Narb (narb956.bandcamp.com) Ingrate (ingratetx.bandcamp.com)

On today's episode, Paco and George discuss the early days of LA's punk rock scene with tech podcaster/writer/founder Peter Rojas. We discuss the influence of college radio to the cult of personality around Darby Crash and pre YouTube digging for clues to the origins of punk.The Decline Movies were a Rosetta stone for many a suburban teen looking for alternatives of expression. Often referred to as a Rock ‘n Roll anthropologist, Penelope Spheeris worked as a waitress at Denny’s and IHOP to put herself through film school. A holder of a UCLA Master of Fine Arts degree in Theater Arts, she worked as a film editor and a cinematographer before forming her own company in 1974. She produced, directed, and edited videos for major bands through the Seventies and Eighties, concluding her music video work with the Grammy nominated, Bohemian Rhapsody video for WAYNE’S WORLD. Spheeris’ feature film debut was the 1979 documentary on the Los Angeles punk scene, THE DECLINE OF WESTERN CIVILIZATION which received stunning and unanimous critical praise. The LAPD shut down Hollywood Boulevard and Chief of Police, Daryl Gates wrote a letter demanding the film not be shown again in L.A. Still fascinated with the subject of punk rock, she wrote and directed SURBURBIA, her first narrative film in 1983. It is a disturbing and somewhat prophetic story of rebellious, homeless kids squatting in abandoned houses, trying to make new families, and protecting one another. SUBURBIA won first place at the Chicago Film Festival. Almost 25 years later her documentary, THE DECLINE OF WESTERN CIVILIZATION, PART III would eerily mirror the events she scripted in SUBURBIA. All three DECLINE movies plus a disc of extra footage were released as a DVD box set by Shout Factory! in 2015. https://www.shoutfactory.com/film/documentary/the-decline-of-western-civilization-collectionPeter Rojas created a few different sites, including Gizmodo (now part of Gawker Media), Engadget (now part of AOL), Joystiq (now part of AOL), RCRD LBL (joint venture with Downtown Music), and gdgt (now part of AOL). After all that he was VP of Strategy at AOL & Co-Director of AOL Alpha, the company's experimental product group. He also hosts the MVP podcast with Ryan Block.**Sup Doc has created a Patreon page for those that can help out. We will also be providing unique Sup Doc content for our contributors. If now is not good for you we always appreciate you listening and spreading the word about Sup Doc! http://www.patreon.com/supdocpodcast Special Thanks to our SUP DOC Patreon supporters, Angi Brzycki, Jaan Shenberger, and Veronica Belmont!Follow Peter Rojas on:Twitter: @peterrojasFollow us on:Twitter: @supdocpdocastInstagram: @supdocpodcastFacebook: @supdocpodcastsign up for our mailing listAnd you can show your support to Sup Doc by donating on Patreon.

Don Bolles Played drums w The Germs, Grave 45, a slew of others and most recently Ariel Pink. He authored Lexicon Devil, the fast times and short life Darby Crash and the Germs..He is a fucking tasmanian devil when he performs.As well as a consummate weirdo and it shows here on this insane chat w Jaybo recorded at Hollow Earth Studios August 2015. Enjoy!

Darby Crash killed himself in 1980 and left behind some amazing songs. The Germs, Fear, TSOL, Angry Samoans... Here's to LA. Fuck the Dodgers. –Jake Phelps Thrasher Radio Ep.40 Track List: The Germs - “Round and Round” TSOL - “Superficial Love” Black Flag - “Spray Paint” Adolescents - “Kids of the Black hole” Fear- "Let's Have a War" The Germs - “Richie Dagger's Crime” Angry Samoans - “Gas Chamber” Van Halen - "Intruder/Pretty Woman" RATT - "Way Cool Jr." The Germs - "Shut Down (Annihilation Man)"

Gordie and Paul cover 1980. BON SCOTT, GEORDIE, DIO, IAN CURTIS, ERIC CARR, SOLID GOLD, JOHN BONHAM, DARBY CRASH,  JOHN LENNON, IRON MAIDEN, ALICE COOPER, PETE TOWNSHEND, SCORPIONS, JUDAS PRIEST, X, KISS, QUEEN, DEVO, JOY DIVISION, DAVID BOWIE, MICHAEL NESMITH, OZZY, PRINCE, JOE JACKSON, THE RESIDENTS, RAY MANZEREK, REO SPEEDWAGON, JOURNEY, PEARL HARBOUR & THE EXPLOSIONS, J GEILS, SQUEEZE, CHRISTOPHER CROSS, GERRY RAFFERTY, DEF LEPPARD, VAN HALEN, ADAM & THE ANTS, PETER SELLERS, MARIO BAVA, TEX AVERY, STEVE MCQUEEN, and COL. SANDERS.

In a mescaline fueled haze, something was born...something far too beautiful to be seen, so it is only heard...THE PRYANT AND BAT: PODCAST OWERN! This episode has it all, people. I'm tellin' ya, we got permanent guests, English major jokes, Percy Shelley, Snidely Whiplash, Dudley Do Right, Owern's Webcam, Arrowsmith(?), Varsity Stroke, Pandora's Box, improve jazz, reverse punk bands, Zappos, Metallica(?), Jason Newsted, MOTED, selling out, brass tax, Van Gogh, Goya, Picasso, Dali, Warhol, Wagner, Hitler, patronage, Anal Cunt, GG Allin, LIGHTNING ROUND, Lisa Bonet, Bjork, Helena Bonham Carter, Tori Amos, Three's Company, Indian Caste Systems, bodhisattvas, feminism, big binkers, MFK, Selma Hayek, Penelope Cruz, Christina Hendrix, Danzig, Jello Biafra, Henry Rollins, The Ramones, FIONA APPLE IS PERCECT, Soulja Boy, Lil Wayne, Lil Jon, the word "literally", Animaniacs, Tommy Dreamer, The Sandman, Little Spike Dudley, D-Von Dudley, Bubba Ray Dudley, Big Dick Dudley, Ava Devine, Andy San Dimas, Lisa Ann, Spielberg, Val Venis, Hulk Hogan sex tape, LISTENER LETTERS, Dweezil Zappa, Tom Brokaw, Al Sharpton, Stun Runner, Dusty Rhodes (again), Mother Teresa, Larry Flynt, Pokemon, Jarod from Subway, John Belushi, Alex Jones, Whoopi Goldberg, Rosey O'Donnell, Elvira, Watermelon, Rambo III, Mike Patton, TERENCE CALACSAN, Jack White, Neil Young, luddites, lambskins, Iran, Darby Crash, Freddy Mercury, PC Engine, Lengendary Axe, and Keith Courage. THIS IS SMOOTH, HOMIES. WE ARE JAZZ MUSICIANS. WE ARE PO-MO. ARGH JOO DUAH? PLEASE SUBSCRIBE!!! AND... LIKE US ON FACEBOOK!!! http://www.facebook.com/PryantAndBat SUBSCRIBE ON iTUNES!!! http://itunes.apple.com/us/podcast/pryant-and-bat-prodcast-hourn/id564592572?mt=2 SUBSCRIBE ON YOUTUBE!!! http://www.youtube.com/user/pryantandbat Updated weekly, every Monday PST.

I saw “The Decline of Western Civilization,” Penelope Spheeris's film documenting the late seventies punk scene in Los Angeles, when it was first released in 1981/82. Performances by the “popular” bands like Black Flag, the Circle Jerks, X, and Fear were instantly memorable. I've seen the movie many times since, I've even shown it in some of the classes I teach. For me one of its more salient moments is the performance of “Gluttony,” by the Bags (called “The Alice Bag Band” in the movie), an homage to food over-indulgence. In Violence Girl: East L.A. Rage to Hollywood Stage, A Chicana Punk Story (Feral House, 2011), the singer of the Bags, Alice Bag, recounts her involvement in the very beginnings of punk rock in Los Angeles. Alicia (“Alice Douche Bag” is her punk name) tells of her upbringing in East L.A., growing up Chicana with an abusive father, and her obsessions with Elton John, Cosmo, and the academic study of philosophy. Most importantly for our purposes, however, she details the formation of the Bags and their career within an important moment in the history of rock music. Along the way she outlines her relationships with and involvement in a number of important people and places in that nascent scene: Darby Crash, Belinda Carlisle, the Masque, the Canterbury, the infamous Elks Lodge Riot, her brief encounter with Sid Vicious, and, of course, The Decline of Western Civilization all get ample space. Alicia is gratifyingly open and honest in Violence Girl, which is what makes it work as a significant contribution to our understanding of punk rock generally, and punk rock in Los Angeles specifically. Alicia Velasquez now lives in Sedona, Arizona, which is where I reached her for this interview. Learn more about your ad choices. Visit megaphone.fm/adchoices

I saw “The Decline of Western Civilization,” Penelope Spheeris’s film documenting the late seventies punk scene in Los Angeles, when it was first released in 1981/82. Performances by the “popular” bands like Black Flag, the Circle Jerks, X, and Fear were instantly memorable. I’ve seen the movie many times since, I’ve even shown it in some of the classes I teach. For me one of its more salient moments is the performance of “Gluttony,” by the Bags (called “The Alice Bag Band” in the movie), an homage to food over-indulgence. In Violence Girl: East L.A. Rage to Hollywood Stage, A Chicana Punk Story (Feral House, 2011), the singer of the Bags, Alice Bag, recounts her involvement in the very beginnings of punk rock in Los Angeles. Alicia (“Alice Douche Bag” is her punk name) tells of her upbringing in East L.A., growing up Chicana with an abusive father, and her obsessions with Elton John, Cosmo, and the academic study of philosophy. Most importantly for our purposes, however, she details the formation of the Bags and their career within an important moment in the history of rock music. Along the way she outlines her relationships with and involvement in a number of important people and places in that nascent scene: Darby Crash, Belinda Carlisle, the Masque, the Canterbury, the infamous Elks Lodge Riot, her brief encounter with Sid Vicious, and, of course, The Decline of Western Civilization all get ample space. Alicia is gratifyingly open and honest in Violence Girl, which is what makes it work as a significant contribution to our understanding of punk rock generally, and punk rock in Los Angeles specifically. Alicia Velasquez now lives in Sedona, Arizona, which is where I reached her for this interview. Learn more about your ad choices. Visit megaphone.fm/adchoices

I saw “The Decline of Western Civilization,” Penelope Spheeris’s film documenting the late seventies punk scene in Los Angeles, when it was first released in 1981/82. Performances by the “popular” bands like Black Flag, the Circle Jerks, X, and Fear were instantly memorable. I’ve seen the movie many times since, I’ve even shown it in some of the classes I teach. For me one of its more salient moments is the performance of “Gluttony,” by the Bags (called “The Alice Bag Band” in the movie), an homage to food over-indulgence. In Violence Girl: East L.A. Rage to Hollywood Stage, A Chicana Punk Story (Feral House, 2011), the singer of the Bags, Alice Bag, recounts her involvement in the very beginnings of punk rock in Los Angeles. Alicia (“Alice Douche Bag” is her punk name) tells of her upbringing in East L.A., growing up Chicana with an abusive father, and her obsessions with Elton John, Cosmo, and the academic study of philosophy. Most importantly for our purposes, however, she details the formation of the Bags and their career within an important moment in the history of rock music. Along the way she outlines her relationships with and involvement in a number of important people and places in that nascent scene: Darby Crash, Belinda Carlisle, the Masque, the Canterbury, the infamous Elks Lodge Riot, her brief encounter with Sid Vicious, and, of course, The Decline of Western Civilization all get ample space. Alicia is gratifyingly open and honest in Violence Girl, which is what makes it work as a significant contribution to our understanding of punk rock generally, and punk rock in Los Angeles specifically. Alicia Velasquez now lives in Sedona, Arizona, which is where I reached her for this interview. Learn more about your ad choices. Visit megaphone.fm/adchoices

I saw “The Decline of Western Civilization,” Penelope Spheeris’s film documenting the late seventies punk scene in Los Angeles, when it was first released in 1981/82. Performances by the “popular” bands like Black Flag, the Circle Jerks, X, and Fear were instantly memorable. I’ve seen the movie many times since, I’ve even shown it in some of the classes I teach. For me one of its more salient moments is the performance of “Gluttony,” by the Bags (called “The Alice Bag Band” in the movie), an homage to food over-indulgence. In Violence Girl: East L.A. Rage to Hollywood Stage, A Chicana Punk Story (Feral House, 2011), the singer of the Bags, Alice Bag, recounts her involvement in the very beginnings of punk rock in Los Angeles. Alicia (“Alice Douche Bag” is her punk name) tells of her upbringing in East L.A., growing up Chicana with an abusive father, and her obsessions with Elton John, Cosmo, and the academic study of philosophy. Most importantly for our purposes, however, she details the formation of the Bags and their career within an important moment in the history of rock music. Along the way she outlines her relationships with and involvement in a number of important people and places in that nascent scene: Darby Crash, Belinda Carlisle, the Masque, the Canterbury, the infamous Elks Lodge Riot, her brief encounter with Sid Vicious, and, of course, The Decline of Western Civilization all get ample space. Alicia is gratifyingly open and honest in Violence Girl, which is what makes it work as a significant contribution to our understanding of punk rock generally, and punk rock in Los Angeles specifically. Alicia Velasquez now lives in Sedona, Arizona, which is where I reached her for this interview. Learn more about your ad choices. Visit megaphone.fm/adchoices

I saw “The Decline of Western Civilization,” Penelope Spheeris’s film documenting the late seventies punk scene in Los Angeles, when it was first released in 1981/82. Performances by the “popular” bands like Black Flag, the Circle Jerks, X, and Fear were instantly memorable. I’ve seen the movie many times since, I’ve even shown it in some of the classes I teach. For me one of its more salient moments is the performance of “Gluttony,” by the Bags (called “The Alice Bag Band” in the movie), an homage to food over-indulgence. In Violence Girl: East L.A. Rage to Hollywood Stage, A Chicana Punk Story (Feral House, 2011), the singer of the Bags, Alice Bag, recounts her involvement in the very beginnings of punk rock in Los Angeles. Alicia (“Alice Douche Bag” is her punk name) tells of her upbringing in East L.A., growing up Chicana with an abusive father, and her obsessions with Elton John, Cosmo, and the academic study of philosophy. Most importantly for our purposes, however, she details the formation of the Bags and their career within an important moment in the history of rock music. Along the way she outlines her relationships with and involvement in a number of important people and places in that nascent scene: Darby Crash, Belinda Carlisle, the Masque, the Canterbury, the infamous Elks Lodge Riot, her brief encounter with Sid Vicious, and, of course, The Decline of Western Civilization all get ample space. Alicia is gratifyingly open and honest in Violence Girl, which is what makes it work as a significant contribution to our understanding of punk rock generally, and punk rock in Los Angeles specifically. Alicia Velasquez now lives in Sedona, Arizona, which is where I reached her for this interview. Learn more about your ad choices. Visit megaphone.fm/adchoices