Podcasts about United Farm Workers

The Trump administration's troop deployments to California are in defense of surging ICE raids against farm workers and immigrant communities across the state--a straightforward project of white supremacy meant to discipline the entire American labor force. But Antonio De Loera--communications director for the legendary United Farm Workers (UFW) union--also sees this as a larger war on American identity, America's claim to global primacy, and even America's humanity. Van and Antonio talk about how the United Auto Workers union helped birth UFW, working on the Julian Castro for president campaign in 2019, serving as a special assistant to Secretary of State Antony Blinken during the Biden administration, the foreign policy implications of ICE raids, and why he ultimately fell out of love with the "Lockheed Left." Antonio's Twitter: https://x.com/AntonioDeLoeraB Subscribe to the Un-Diplomatic Newsletter: https://www.un-diplomatic.com/ Watch Un-Diplomatic Podcast on YouTube: https://www.youtube.com/@un-diplomaticpodcast Catch Un-Diplomatic on Twitch: https://www.twitch.tv/undiplomaticpodcast Disclaimer: The views expressed are those of the individuals and not of any institutions.

Aux États-Unis, les manifestations parties de Californie contre la politique anti-immigratoire de Donald Trump s'étendent à d'autres États. Pendant ce temps, la police de l'immigration continue d'intensifier ses opérations. Los Angeles a passé la nuit sous couvre-feu, décision de la maire après des jours de manifestations contre la politique anti-immigration brutale de Donald Trump. Le président américain a choisi la force et envoyé l'armée contre les protestataires, une décision toujours très critiquée par le gouverneur de Californie et la maire de la ville. Pendant que le monde se concentre sur la réponse militaire, qualifiée d'autoritaire par les responsables démocrates, la presse rappelle que la police de l'immigration ICE poursuit ses arrestations massives et amplifie même ses opérations. Le Los Angeles Times nous fait sortir de la grande ville californienne pour se rendre dans les zones agricoles, grande richesse de l'État. Dans ces exploitations agricoles, beaucoup travaillent et vivent depuis des dizaines d'années sans papier en règle. Ils n'avaient, pour l'instant, pas été la cible du renforcement des opérations anti-migratoires. «Aujourd'hui, tout le monde est paniqué», témoigne la vice-présidente du syndicat United Farm Workers. Les opérations se multiplient depuis quelques jours. Au moins la moitié de 255 700 travailleurs agricoles de Californie seraient sans papiers. Si les propriétaires des exploitations agricoles refusent d'ouvrir ses portes, la police contourne l'interdiction et tente d'entrer sans mandat,  affirme la vice-présidente de l'association agricole Ventura County Farm Bureau. Le Washington Post révèle, lui, que l'administration Trump se prépare à commencer le transfert de milliers d'étrangers illégaux vers Guantanamo Bay. Guantanamo, base militaire située sur la pointe sud de Cuba et symbole de torture commise par les États-Unis sur des prisonniers. Elle était destinée à la lutte contre le terrorisme aujourd'hui, selon le Washington Post, les ressortissants de nombreux pays pourraient s'y voir envoyés. Français, Britanniques, Italiens, Polonais, Turcs, Haïtiens. Le sujet est considéré comme sensible, les sources du journal s'expriment sous couvert d'anonymat. 9 000 personnes seraient d'ores et déjà concernées. Elles doivent être soumises à un examen médical afin de savoir si leur santé leur permet d'être transférées à Guantanamo. Des centaines de migrants ont déjà été déplacés à Guantanamo cette année, mais il s'agirait là d'une augmentation massive. Donald Trump a promis en janvier 2026 d'envoyer 30 000 migrants à Guantanamo.     Haïti : la police dénonce le manque de soutien de l'État En Haïti, la police dénonce le manque de soutien de l'État face à la crise sécuritaire. Le syndicat SPNH-17 regrette aussi la décision de faire appel à un groupe de mercenaires étrangers Blackwater pour lutter contre les gangs. Gary Jean-Baptiste est le coordinateur général du syndicat : « Nous dénonçons cette démarche. Les mercenaires de Blackwater ne peuvent pas résoudre le problème de l'insécurité. Chaque pays confronté à une situation d'insécurité a sa propre manière de l'aborder. On ne peut pas résoudre l'insécurité en Haïti avec des forces étrangères, ni avec des mercenaires. Les fonds que l'État haïtien ou la communauté internationale dépensent, que ce soit pour la mission multinationale ou pour le recrutement de mercenaires, pourraient être utilisés pour construire une véritable force de sécurité, afin de renforcer et moderniser la Police nationale et les Forces armées d'Haïti. C'est dans cette direction seulement que le pays pourrait amorcer une sortie de la crise sécuritaire actuelle. »   Cuba : une mobilisation inédite depuis la révolution castriste de 1959 L'augmentation par l'État des tarifs de l'internet mobile a déclenché des manifestations inédites depuis la révolution castriste de 1959. La mobilisation a commencé, il y a une dizaine de jours. Aujourd'hui, les étudiants accusent le régime cubain d'infiltrer les universités pour étouffer le mouvement. Sur les réseaux sociaux, les vidéos tournées dans les universités se succèdent, rapporte le site d'information 14 y medio. Depuis deux jours, de nombreux étudiants ont été convoqués, les dortoirs fouillés. Certains groupes étudiants ont disparu des réseaux sociaux, d'autres ont publié des communiqués d'excuse pour éviter des sanctions plus graves. Mais 14 y medio note un réel changement à travers ce nouveau mouvement. La solidarité avec les manifestants est même venue de la gauche internationale qui, jusqu'à récemment, défendait le gouvernement cubain, note 14 y medio. Certains parlent même de «printemps des données». Le nom fait référence à l'étincelle du mouvement : l'augmentation du tarif de l'internet mobile décidée par l'État. Une augmentation telle que l'accès internet est aujourd'hui inabordable pour la majorité de la population. Le journaliste Rafael Rojas d'El Pais nous propose son analyse sur cette mesure. Le régime parle de nécessité économique, la venue notamment de devises étrangères via des recharges payées par des proches à l'étranger. Mais pour les étudiants, il s'agit d'une nouvelle augmentation des inégalités. La jeunesse cubaine est aussi très connectée aux réseaux numériques mondiaux. Le journal conclut sur le manque d'intérêt de la communauté internationale face à ces manifestations inédites.   Aux États-Unis, Atlanta tente d'être prête pour la Coupe du monde de foot dans un an La Coupe du monde de football se tiendra dans un an jour pour jour. La compétition aura lieu dans 16 villes entre les États-Unis, le Mexique et le Canada. Parmi ces villes, Atlanta où nous emmène notre correspondant Edward Maille, dans la course aux préparatifs.

Dolores Huerta (1930-present) is one of the most influential labor activists of the 20th century and a leader of the Chicano civil rights movement. She helped found the organization now known as United Farm Workers and helped organize the Delano grape strike in 1965. She is credited for coming up with the rallying cry “Sí, se puede,” which means “yes, we can” in Spanish. For Further Reading: Dolores Huerta, renowned American labor leader and civil rights activist who co-founded the United Farm Workers union alongside Cesar Chavez. Dolores Huerta: The Civil Rights Icon Who Showed Farmworkers 'Sí Se Puede' : The Salt : NPR Dolores Huerta’s Story: Community Organizing, the Chicano Movement and Challenging Gender Norms | Reckoning With Our Racial Past UFW Chronology This month, we’re talking about Word Weavers — people who coined terms, popularized words, and even created entirely new languages. These activists, writers, artists, and scholars used language to shape ideas and give voice to experiences that once had no name. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn’t help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we’ll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones, Abbey Delk, Adrien Behn, Alyia Yates, Vanessa Handy, Melia Agudelo, and Joia Putnoi. Special thanks to Shira Atkins. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

Ugens gæst hos Rune Lykkeberg er intet mindre end en amerikansk legende inden for organisering, kampagner og bevægelsesbygning. Marshall Ganz er født i 1943 i USA og blev tidligt engageret i den amerikanske borgerrettighedsbevægelse. I 1964 drog han til Mississippi for at hjælpe de sorte med at registrere til valget samme år og kom her til en by stærkt skæmmet af, at tre sorte mænd netop var forsvundet. Det var dén historie, som senere blev fortalt i filmen Mississippi Burning. Marshall Ganz blev siden engageret i Bobby Kennedys præsidentkampagne, som endte brat, da han i 1968 undergik samme skæbne som sin bror, John F. Kennedy, og blev skudt og dræbt. Marshall Ganz fandt herefter sammen med den legendariske mexikanske fagforeningsleder, Cesar Chavez, og blev de næste 16 år en del af hans bevægelse, United Farm Workers. Her lærte han teknikker og praksisser til, hvordan man forvandler folkeligt engagement til magtfulde bevægelser og går fra mobilisering til institutionalisering. Siden var Marshall Ganz stærkt involveret i Barack Obamas præsidentkampagne (2007-2008) og opbyggede hele den græsrodsbevægelse, som var med til at bære USA's første afroamerikanske præsident frem til Det Hvide Hus. I mere end seks årtier har Marshall Ganz altså organiseret politiske bevægelser, og han er netop nu aktuel med en ny bog med titlen: People, Power, Change – Organizing for Democratic Renewal (2024). I denne uges udgave af Langsomme samtaler fortæller Marshall Ganz om, hvor han mener, at bevægelserne står i dag, hvad det kræver at opbygge en holdbar, folkelig modmagt og – måske mere overraskende – hvad venstrefløjen kan lære af Donald Trump. Afsnittet er en særudgave optaget live på Nørrebro Teater, hvor Marshall Ganz var inviteret af Mellemfolkeligt Samvirke. 

Hank Podcasts, America Listens — ICE agents targeting United Farm Workers union organizers got me thinking about the connection between fascists, union-busters, dignity, cooperation, how stress is the source of wealth, what the purpose of society should be, competing models of power and how it all connects to the themes I'm developing for "Tell The Truth, Cenk." Full Episode HPAL-3 on YouTube: Support links here:  

In January – just one day after Trump was certified as the next president by Congress, a massive Border Patrol raid took place in Bakersfiled, California. Seventy-eight migrant workers were detained under the guise of a crack down on criminals, but when the dust settled the data revealed that only one out of the 78 people detained had any criminal record. Joining us to discuss are Bree Bernwanger, a senior staff attorney with the ACLU of Northern California and lead attorney on United Farm Workers v. Noem, a lawsuit which claims the Border Patrol violated the plaintiffs' Fourth Amendment right against unreasonable searches and seizures, as well as their Fifth Amendment right to due process, and other federal laws, during the raids described above. We're also joined by Sergio Olmos, an investigative reporter for CalMatters, whose latest reporting, along with our next guest, focuses on the same Border Patrol actions in Bakersfield that are being challenged in the lawsuit that I previously mentioned. And we're additionally joined by Wendy Fry, a multimedia investigative journalist who reports on poverty and inequality for the California Divide team at CalMatters, who has been collaborating with Sergio in covering the Border Patrol Bakersfield raids. Check out the CalMatters coverage of this story here: https://calmatters.org/justice/2025/04/border-patrol-to-retrain-hundreds-of-california-agents-on-how-to-comply-with-the-constitution/ Learn more about the lawsuit UFW v. Noem: https://www.aclunc.org/our-work/legal-docket/united-farm-workers-v-noem — Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/   The post Border Patrol Sued Over Violating Bakersfield Immigrant Rights w/ Bree Bernwanger, Sergio Olmos & Wendy Fry appeared first on KPFA.

What if the 2028 Olympics didn't just bring medals, but a housing revolution? In this episode of Future of Work, Dr. Salvatrice Cummo sits down with Kurt Peterson, Co-President of Unite Here Local 11, to explore the mounting pressures facing hospitality workers in Los Angeles, and the explosive opportunity that the 2028 Olympics might represent. Peterson doesn't mince words. From natural disasters like wildfires to economic disruptions like COVID-19, hospitality workers have repeatedly borne the brunt of crisis after crisis. And while tourism is rebounding, the industry's recovery has largely left workers behind. Peterson argues that the real crisis now isn't just wages, it's housing. As the world turns its eyes toward LA in 2028, Peterson makes one thing clear: if the Olympics can afford luxury, it can and must afford dignity, equity, and a place for workers to call home. You'll learn:  What mega-events like the Olympics could mean for Labor Rights. How employers use crises to cut labor and what unions are doing about it. How housing became the central fight for LA workers. Why the decommissioned Santa Monica Airport could be LA's housing lifeline. Learn why Unite Here Local 11 is prepared to stage an unprecedented strike during the 2028 Olympics.   About the Guest: Kurt Petersen is Co-President of UNITE HERE Local 11, representing over 35,000 hotel and food service workers across Southern California and Arizona. A Notre Dame alum with studies in theology and philosophy, Kurt nearly joined the Jesuits before earning his law degree from Yale and organizing with the United Farm Workers, where he helped secure Washington State's first farm worker union contract. Since 1995, he has led efforts that brought over 25,000 workers into UNITE HERE and helped transform Local 11 into a major political and labor force. He's currently leading the largest hotel strike in U.S. history, with over 10,000 workers striking 175 times at 54 hotels. The resulting contracts include historic wage increases and are set to expire just before the 2028 LA Olympics. Kurt was recently named to the Los Angeles Times 2024 LA Influential list alongside Co-Presidents Ada Briceño and Susan Minato. Engage with us: LinkedIn, Instagram & Facebook: @PasadenaCityCollegeEWD Join our newsletter for more on this topic: ewdpulse.com Visit: PCC EWD website   More from Kurt Petersen & UNITE HERE Local 11 Websites: https://unitehere.org/ Facebook, Twitter/X, Instagram: @UNITEHERE YouTube: @uniteherevideos   Partner with us! Contact our host Salvatrice Cummo directly: scummo@pasadena.edu Want to be a guest on the show? Click HERE to inquire about booking    Find the transcript of this episode here   Please rate us and leave us your thoughts and comments on Apple Podcasts; we'd love to hear from you!  

Send us a text UFW President Teresa Romero speaks out on the need to support farm workers in a time of mass deportations and political upheaval. Romero has been the United Farm Workers President since 2018. She is the first woman to hold the UFW's top post and the first immigrant woman in the United States to head a national labor union. In 2024, President Joe Biden honored her with the Presidential Medal of Freedom. Read: https://www.24thstreet.org/blog/2025/1/17/letting-go Read:https://www.amazon.com/Harbingers-January-Charlottesville-American-Democracy/dp/1586424017 Read: https://www.mapresearch.org/2024-dei-report "Dismantling DEI: A Coordinated Attack on American Values"https://www.forbes.com/sites/conormurray/2025/01/07/these-companies-have-rolled-back-dei-policies-mcdonalds-is-latest-to-abandon-diversity-standards/https://www.chronicle.com/package/the-assault-on-dei Chronicle of Higher Education https://www.courts.wa.gov/appellate_trial_courts/supreme/bios/?fa=scbios.display_file&fileID=gonzalezRead: https://www.seattletimes.com/seattle-news/obituaries/chinatown-international-district-activist-matt-chan-dead-at-71/Hear Rick Shenkman on the BBC Radio Program Sideways:https://www.bbc.co.uk/programmes/m001xdg0Read: https://www.thedailybeast.com/i-stuck-with-nixon-heres-why-science-said-i-did-itRead: https://www.washcog.org/in-the-news/your-right-to-knowRead: https://www.seattletimes.com/opinion/the-legislatures-sunshine-committee-has-fallen-into-darkness/Read: https://www.cascadiadaily.com/2024/feb/29/weakening-of-state-public-records-act-affects-your-right-to-know-every-day/Read: https://www.futuromediagroup.org/suave-pulitzer-prize/Read: https://pulitzercenter.org/people/maria-hinojosaRead: https://murrow.wsu.edu/symposium...

Subscribe to Stories of Resistance podcast hereToday, March 31, is Cesar Chavez Day. The day, celebrating the birth and life of the great U.S. farmworker labor leader. In 1962, Cesar Chavez co-founded the United Farm Workers, alongside Dolores Huerta. The organization would go on to wage strikes and boycotts, winning tremendous victories for workers picking the crops in the fields of California and elsewhere in the United States. In 1969, he was featured on the cover of Time Magazine. In 1970, Chavez and the UFW won higher wages for grape pickers, after a 5-year-long California grape strike.Chavez's legacy lives on.But that legacy is also complicated. Cesar Chavez and the UFW fought for immigration reform, but also fought undocumented immigration (and pushed for deportations), under the pretext that undocumented migrants were used to drive down wages and break UFW strikes. This is our special Cesar Chavez Day bonus episode of Stories of Resistance — a podcast co-produced by The Real News and Global Exchange. Each week, we'll bring you stories of resistance like this. Inspiration for dark times.Below are the links mentioned in the close of this episode:United Farm Workers of America website: https://ufw.org/Coalition of Immokalee Workers: https://ciw-online.org/2014 Cesar Chavez Biopic:https://www.imdb.com/title/tt1621046/Footage of United Farm Workers grape strike https://www.youtube.com/watch?v=azbxTAGgs2EWritten and produced by Michael Fox.If you like what you hear, please subscribe, like, share, comment, or leave a review. You can also follow Michael's reporting, and support at www.patreon.com/mfox.Subscribe to Stories of Resistance podcast hereHelp TRNN continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Sign up for our newsletterFollow us on BlueskyLike us on FacebookFollow us on TwitterDonate to support this podcast

In today's newscast, Second Harvest of Santa Cruz County has learned that it is losing more than $350,000 in federal support. And, members of United Farm Workers and other unions in this area plan to join a Cesar Chavez Day march today in the Central Valley.

It's an EmMajority Report Thursday! She speaks with Erik Baker, professor of the history of science & labor at Harvard University, to discuss his recent book Make Your Own Job: How the Entrepreneurial Work Ethic Exhausted America. Then, she speaks with Teresa Romero, president of the United Farm Workers (UFW), to discuss the Trump administrations's immigration executive orders and directives, and their impact on UFW workers. First, Emma runs through updates on a major plane crash out of DC in the wake of Trump's FAA hiring freeze and gutting of the aviation safety committee, the passage of the Laken Riley Act, Trump's new immigrant detention camp in Gitmo, Trump's myriad anti-migrant EOs, the confirmation hearings of Tulsi Gabbard and Kash Patel, Meta's $25m gift to Trump, Bob Menendez's prison sentence, and Israel's ongoing assault on Palestinians, before expanding on the context for the major crash outside of Reagan Airport in DC yesterday. Professor Erik Baker then joins, diving right into the history of America's particular work ethic strain of entrepreneurialism, unpacking its rise in the early 20th Century's major job shortage, with unemployment reaching nearly a quarter of the country by the peak of the Great Depression, shifting the dominant ethos from one of hard work to one of creating your own work, and birthing the entrepreneurial spirit that dominates the post-industrialized neoliberal gig-economy of today. Expanding on the evolution of American entrepreneurialism, Professor Baker explores how the rise of this ethos was met with industries eager to exploit it, from the rise of “self-help” and the gig economy to the rise of cryptocurrencies and sports gambling, all encouraging the exploration of alternative, often precarious lines of “work,” wrapping up the interview with a deep dive into how entrepreneurship sees this precarity, and the failures that often result from it, as a validation of the successes, allowing for the spirit to continuously reinvent itself through crisis, personal or economic. Teresa Romero then joins, as she and Emma dive right into the recent threats mailed to various United Farm Workers locations over Trump's incoming wave of deportations, exploring how, over less than two weeks, immigrants – regardless of citizenship – have been overtaken by an environment of fear and insecurity over their (and their family's and community's) safety, with no institution – from school to church to work – safe from ICE's indiscriminate raids. Expanding on this, Romero unpacks the central role undocumented people play in the US farming industry, and the overwhelming exploitation and abuse they face without institutional backing from unions (or, in theory, the government), with growers and employers – despite their obvious reliance on the labor of undocumented folks – eager to take advantage of the increasing insecurity as Trump's reforms come into practice, before they wrap up the free half by unpacking the need to create a genuine path to citizenship for farm workers whose presence is so important to our country. And in the Fun Half: Emma is joined by Brandon Sutton and Matt Binder as they unpack Pete Hegseth and Jesse Watters' gleeful discussion of Trump's new 30k capacity migrant detention camp at Guantanamo, and watch RFK's myriad hypocrisies put on display at his confirmation hearing. Dmitri from Germany unpacks the dearth of non-Zionist perspectives on Gaza in Russian media, and Bob Menendez starts his Eric Adams-esque appeal to Trump, plus the MR Crew unpacks the ridiculousness of “MAHA,” and their experience with the inefficiency (and absurdity) of modern policing, plus, your calls and IMs! Follow Erik on Twitter here: https://x.com/erikmbaker Check out Erik's book here: https://www.hup.harvard.edu/books/9780674293601 Follow Teresa on Twitter here: https://x.com/ufwpresident Find out more about the UFW here: https://ufw.org/ Become a member at JoinTheMajorityReport.com: https://fans.fm/majority/join Follow us on TikTok here!: https://www.tiktok.com/@majorityreportfm Check us out on Twitch here!: https://www.twitch.tv/themajorityreport Find our Rumble stream here!: https://rumble.com/user/majorityreport Check out our alt YouTube channel here!: https://www.youtube.com/majorityreportlive Gift a Majority Report subscription here: https://fans.fm/majority/gift Subscribe to the ESVN YouTube channel here: https://www.youtube.com/esvnshow Subscribe to the AMQuickie newsletter here: https://am-quickie.ghost.io/ Join the Majority Report Discord! https://majoritydiscord.com/ Get all your MR merch at our store: https://shop.majorityreportradio.com/ Get the free Majority Report App!: https://majority.fm/app Go to https://JustCoffee.coop and use coupon code majority to get 10% off your purchase! 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Today on show: Electronic Intifada co-host Nora Barrows Friedman responds to the alleged ceasefire between Israel and the Palestinians, meanwhile Palestinians still being murdered daily, by the dozens. Also, the United Farm Workers on the alert for raids by the border patrol in Kern County and elsewhere, even as the So-Cal fires continue to burn out of control. And More violence in Haiti as a result of long time US destabilization policies in the region The post Responding To The Alleged Ceasefire Between Israel and Palestine appeared first on KPFA.

Today on the News Cycle we focus on Unions in and around Davis. We look into how they help their members, and the ways they shape the world around us. Sam Ochsner-Hembrow interviews Faith Bennett, a PHD candidate at UC Davis, about her role in the UAW 4811 bargaining convention. Tyler Price spoke to members of the Davis Teachers Association about how they work for the teachers of Davis. Carlos Chavez Anaya talks with the communications director for the United Farm Workers about how labor unions can protect the most vulnerable in society. Hosted and produced by Sam Ochsner-Hembrow. Music by Daniel Ruiz Jiminez. Packages by Tyler Price and Carlos Chavez Anaya.

Longtime farmworker union and activist labor organization United Farm Workers wants to change Washington state laws to expand here, but the farming community in its home territory is sounding the alarm. Dan Gerawan, former major California fruit farmer, joins Dillon to share the truth about UFW and how it has been treating farmworkers and farms in the Golden State.

Marshall Ganz joins The Great Battlefield podcast to talk about his career in politics and academia, starting in the civil rights movement, then with The United Farm Workers and at Harvard. His new book is "People, Power, Change: Organizing for Democratic Renewal".

Farmworker rights activist Jesse Rojas is exposing the ugly truth about United Farm Workers in California that's forcing the dwindling union to look to Washington state. He joins Dillon to share the famous labor organization's true track record with workers, and explain why UFW isn't the average labor union.

We're back with one more episode at César E. Chávez National Monument! Park Superintendent, Erin Gates, sat down to chat with us about how the National Park Service protects more than just beautiful natural places like the national parks. The NPS tells stories that allow us to interact with and learn key pieces of American history, like the story of César E. Chávez and the United Farm Workers movement. The full episode is also available on YouTube! Special thanks to Erin Gates, the National Park Service and everyone involved at César E. Chávez National Monument. I had such a special time during my visit at La Paz!___Follow us on social!Instagram: https://www.instagram.com/safetravelspodTikTok: https://www.tiktok.com/@safetravelspodYouTube: youtube.com/@safetravelspodSafetravelspod.com  

Cesar was a civil rights, Latino, farm worker, and labor leader; a religious and spiritual figure; a community servant and social entrepreneur; a crusader for nonviolent social change; and an environmentalist and consumer advocate. In 1968, Chavez gained attention as leader of a nationwide boycott of California table grapes in a drive to achieve labor contracts. He fasted for 25 days in 1968 to affirm his own personal commitment and that of the farm labor movement to non-violence. He fasted again for 25 days in 1972, and in 1988, at the age of 61, he endured a 36-day "Fast for Life" to highlight the harmful impact of pesticides on farm workers and their children. Cesar's life as a community organizer began in 1952 when he joined the Community Service Organization (CSO), a prominent Latino civil rights group. While with the CSO, Cesar coordinated voter registration drives and conducted campaigns against racial and economic discrimination primarily in urban areas. In the late 1950s and early 1960s, Cesar served as CSO's national director. Cesar's dream, however, was to create an organization to protect and serve farm workers, whose poverty and disenfranchisement he had shared. In 1962, Cesar resigned from the CSO to found the National Farm Workers Association, which later became the United Farm Workers of America. For more than three decades Cesar led the first successful farm workers union in American history, achieving dignity, respect, fair wages, medical coverage, pension benefits, and humane living conditions, as well as countless other rights and protections for hundreds of thousands of farm workers. Against previously insurmountable odds, he led successful strikes and boycotts that resulted in the first industry-wide labor contracts in the history of American agriculture. His union's efforts brought about the passage of the groundbreaking 1975 California Agricultural Labor Relations Act to protect farm workers. Today, it remains the only law in the nation that protects the farm workers' right to unionize. The significance and impact of Cesar's life transcends any one cause or struggle. He was a unique and humble leader, in addition to being a great humanitarian and communicator who influenced and inspired millions of Americans to seek social justice and civil rights for the poor and disenfranchised in our society. Cesar forged a diverse and extraordinary national coalition of students, middle class consumers, trade unionists, religious groups, and minorities. His motto in life – "Sí Se Puede!" (it can be done!) – embodies the uncommon and invaluable legacy he left for the world's benefit. Source: FreedomArchives.org; audio samples

0:08 — Khaled Elgindy is a senior fellow at the Middle East Institute where he also directs MEI's Program on Palestine and Israeli-Palestinian Affairs. 0:33 — Nina Lakhani is Senior climate justice reporter for the Guardian US. 0:48 — Antonio De Loera-Brust is Director of Communications at United Farm Workers. The post Gaza Ceasefire Potential After the Assassination of Ismail Haniyeh; Plus, Workers Across the Country Fight Against Inadequate Heat Protection Laws appeared first on KPFA.

Today's West Coast Cookbook & Speakeasy Podcast for our especially special Daily Special, Blue Moon Spirits Fridays, is now available on the Spreaker Player!​​​​​Starting off in the Bistro Cafe, the Jack Smith appeal could go faster than expected.Then, on the rest of the menu, in response to an appeals court blocking Biden's student loan repayment plan, the administration will put the 8 million borrowers' loans in the Save program in interest-free forbearance; a county judge in California “ignored 89 years of labor law precedent” and granted an injunction for billionaires Stewart and Lynda Resnick to stop the United Farm Workers from unionizing their agricultural employees; and, a MAGA judge in Colorado rejected claims that a group of Trump supporters intimidated voters when they went armed, door-to-door, searching for fraud following the 2020 election.After the break, we move to the Chef's Table where France's divided National Assembly kept a centrist member of President Emmanuel Macron's party as speaker; and, Ursula von der Leyen has been reelected to a second 5-year term as European Commission president.All that and more, on West Coast Cookbook & Speakeasy with Chef de Cuisine Justice Putnam.Bon Appétit!The Netroots Radio Live Player​Keep Your Resistance Radio Beaming 24/7/365!“Structural linguistics is a bitterly divided and unhappy profession, and a large number of its practitioners spend many nights drowning their sorrows in Ouisghian Zodahs.”― Douglas Adams"The Restaurant at the End of the Universe"Become a supporter of this podcast: https://www.spreaker.com/podcast/west-coast-cookbook-speakeasy--2802999/support.

Ever wonder what's happening with the United Farm Workers union? I did, so I interviewed the UFW Communications Director Antonio De Loera-Brust. It turns that there's a lot happening, actually. 

For many students, college internships are a rite of passage, an opportunity to experience different workplaces and enhance their resumes. They are even more meaningful when the interns are first-generation Latino college students whose immigrant parents are America's farmworkers. In this episode of Power Station, I continue a tradition that I cherish, interviewing exceptional young people whose life trajectories are flourishing through their connections to the National Migrant and Seasonal Head Start Association. Isaac Ramon Peña and Berenice Verdugo talk about the migrant Head Start programs that impacted their lives, providing a safe space while their parents worked the fields, starting at 4am, as well as educational enrichment that made them kindergarten ready. They recognize that NMSHSA is a vital support system for Migrant Head Start Centers and a singular resource for their parents, from bringing the USDA Farmworker Relief Program to life to promoting well-being through the Vaccine Project. Isaac and Berenice are thrilled to be learning about policymaking and advocacy through their placements with the United Farm Workers and UnidosUS. And they shout out NMSHSA's incredible team, for helping them navigate their first time to Washington, DC, including, of course, the incomparable Cleofas Rodriguez. IYKYK.  

(Airdate 5/6/24) You can always count on us to give you the ‘Good, Bad, & Ugly Headlines' in your national news round up (4:00) And you know we got you covered when we go ‘Digging Deeper Into the Headlines' (16:00) and hear from Father Greg Boyle (36:00). Teacher and activist Opal Lee says the ‘Quiet Part Out Loud' (47:00). Last, but not least, ‘Let Me Finish' with an interview with Pres. of United Farm Workers, Teresa Romero (53:00).

Dolores Huerta is a legendary labor rights activist who co-founded the United Farm Workers union with Cesar Chavez. At 94 years old, she's still raising her voice for the voiceless and teaching communities how to wield their power. This week, she joins the show to share what she's learned about fighting for marginalized communities, the importance of the ballot box and how we can claim the future we want. Follow Dolores Huerta on Instagram @doloreshuerta, and support her foundation at doloreshuerta.org. Follow The 19th on Instagram, Facebook, X and via our newsletters. Follow Errin Haines on Instagram @emarvelous and X @errinhaines.Follow Wonder Media Network on Instagram @wmn.media, X @wmnmedia, and Facebook. Hosted on Acast. See acast.com/privacy for more information.

This week we are joined by veteran labor attorney and all around based guy Anthony Raimondo to detail the history of an organization he frequently locked horns with in his line of work: The United Farm Workers Union. This group started in the 1960s and developed into a cult of personality oriented around its ruthless leader Cesar Chavez and ended up snaking its way through typical History Homos territory with connections to the CIA linked cult Synanon and a bevy of ultra liberal lawyers with mixed intentions. Follow Anthony on twitter @Apraimondo and join his substack at anthonyraimondo.substack.com Don't forget to join our Telegram channel at T.me/historyhomos and to join our group chat at T.me/historyhomoschat The video version of the show is available on Youtube, bitchute, odysee. For weekly premium episodes or to contribute to the show subscribe to our channel at www.rokfin.com/historyhomos Any questions comments concerns or T-shirt/sticker requests can be leveled at historyhomos@gmail.com Later homos --- Support this podcast: https://podcasters.spotify.com/pod/show/historyhomos/support

Email Us:dbahnsen@thebahnsengroup.comwill@calpolicycenter.orgFollow Us:@DavidBahnsen@WillSwaim@TheRadioFreeCAShow NotesThieves snatch Rep. Adam Schiff's luggage in S.F. He gives dinner speech without a suitNew charges for protester charged with threatening Bakersfield council members, staffUTLA May Day CelebrationNewsom celebrates storage milestone but confirms blackouts are not over yetIn killing this bill, California Democrats proved they're lap dogs for Gov. Newsom Planned Parenthood Northern California workers unionize with SEIU Local 1021Wonderful Nurseries workers hit UFW with charges detailing fraudulent union campaign, illegal discriminationPrima Wawona collapse shines harsh light on private-equity ownerHow a migrant farmworker built generational wealth, penny by pennyPacific Legal Foundation's Jack Brown on reparationsNew lawsuit filed in San Diego over race-based housing programCalifornia occupational licensing bill picks winners and losers based on their race

This recording is from the 2024 National Association of Chicana/Chicano Studies held in April 2024 in San Francisco. The three presenters are Brinley Carrillo, Demi Garcia and Violette Valencia. I have broken their presentation in to three separate podcasts to make it easier to listen. The abstract for the presentation is below. Three years after the passing of Cesar Chavez in 1994, the United Farm workers under the direction of their new president Arturo Rodriguez began organizing Strawberry Workers in Watsonville. The Watsonville Strawberry Campaign followed the same organizing model the UFW had implemented during the grape campaigns of the 1960s-1980s. Taking on the Watsonville grower establishment through worker strikes and demonstrations This panel will talk about the power dynamic between the growers, the UFW and the national community. Strikers and union members were treated poorly simply protesting and demanding their collective bargaining rights. The workers fighting in this campaign were known to be some of the most socially and economically exploited in the country. Workers in Watsonville were fighting for a wage of $4.25 an hour and basic human necessities such as drinking water and clean toilets in the fields. This campaign was the biggest one for the UFW since the 1970s when it came to organizing farm labor. In addition, strawberry workers endured workplace conditions that made them even more susceptible to injuries, including no health insurance, which is especially serious when considering the amount of pesticides the workers were exposed to, and the health issues that arose from exposure. Through interviews with public action organizers from several different states working for the United Farm Workers on the Strawberry Campaign as well as the President of the UFW at the time Arturo Rodriguez we will explore the perspective of those who were directly involved in the community organizing campaign and the reasoning behind their participation. What they saw as organizers across the country and what contributions they believe the Strawberry Campaign made to bettering conditions for workers in Watsonville.

This recording is from the 2024 National Association of Chicana/Chicano Studies held in April 2024 in San Francisco. The three presenters are Brinley Carrillo, Demi Garcia and Violette Valencia. I have broken their presentation in to three separate podcasts to make it easier to listen. The abstract for the presentation is below. Three years after the passing of Cesar Chavez in 1994, the United Farm workers under the direction of their new president Arturo Rodriguez began organizing Strawberry Workers in Watsonville. The Watsonville Strawberry Campaign followed the same organizing model the UFW had implemented during the grape campaigns of the 1960s-1980s. Taking on the Watsonville grower establishment through worker strikes and demonstrations This panel will talk about the power dynamic between the growers, the UFW and the national community. Strikers and union members were treated poorly simply protesting and demanding their collective bargaining rights. The workers fighting in this campaign were known to be some of the most socially and economically exploited in the country. Workers in Watsonville were fighting for a wage of $4.25 an hour and basic human necessities such as drinking water and clean toilets in the fields. This campaign was the biggest one for the UFW since the 1970s when it came to organizing farm labor. In addition, strawberry workers endured workplace conditions that made them even more susceptible to injuries, including no health insurance, which is especially serious when considering the amount of pesticides the workers were exposed to, and the health issues that arose from exposure. Through interviews with public action organizers from several different states working for the United Farm Workers on the Strawberry Campaign as well as the President of the UFW at the time Arturo Rodriguez we will explore the perspective of those who were directly involved in the community organizing campaign and the reasoning behind their participation. What they saw as organizers across the country and what contributions they believe the Strawberry Campaign made to bettering conditions for workers in Watsonville.

This recording is from the 2024 National Association of Chicana/Chicano Studies held in April 2024 in San Francisco. The three presenters are Brinley Carrillo, Demi Garcia and Violette Valencia. I have broken their presentation in to three separate podcasts to make it easier to listen. The abstract for the presentation is below. Three years after the passing of Cesar Chavez in 1994, the United Farm workers under the direction of their new president Arturo Rodriguez began organizing Strawberry Workers in Watsonville. The Watsonville Strawberry Campaign followed the same organizing model the UFW had implemented during the grape campaigns of the 1960s-1980s. Taking on the Watsonville grower establishment through worker strikes and demonstrations This panel will talk about the power dynamic between the growers, the UFW and the national community. Strikers and union members were treated poorly simply protesting and demanding their collective bargaining rights. The workers fighting in this campaign were known to be some of the most socially and economically exploited in the country. Workers in Watsonville were fighting for a wage of $4.25 an hour and basic human necessities such as drinking water and clean toilets in the fields. This campaign was the biggest one for the UFW since the 1970s when it came to organizing farm labor. In addition, strawberry workers endured workplace conditions that made them even more susceptible to injuries, including no health insurance, which is especially serious when considering the amount of pesticides the workers were exposed to, and the health issues that arose from exposure. Through interviews with public action organizers from several different states working for the United Farm Workers on the Strawberry Campaign as well as the President of the UFW at the time Arturo Rodriguez we will explore the perspective of those who were directly involved in the community organizing campaign and the reasoning behind their participation. What they saw as organizers across the country and what contributions they believe the Strawberry Campaign made to bettering conditions for workers in Watsonville.

Join our journey through the captivating world of art and its profound influence on societal transformation with Ken Grossinger, a strategist and documentary producer with a wealth of experience. This episode promises to reveal the often underestimated power of art to incite and sustain meaningful change. We reminisce about the civil rights movement and the United Farm Workers, where anthems and theatrical performances weren't just acts of expression but were essential to the courage and unity of those fighting for justice. Ken provides insights into how these artistic endeavors have left an indelible mark on our society.Our conversation takes an exciting turn into the realm of cinema, where we unpack the extraordinary impact of films like "The China Syndrome" and "Nine to Five" and "Chasing Ice" on public awareness and activism. These cultural landmarks demonstrate the unique ability of movies to inform and mobilize, creating ripples of change that extend far beyond the silver screen. We also discuss the evolution of environmental activism's artistic expression. From silent landscapes to resonant songs in the campaign against Alaska's Pebble Mine, we see how art has become an integral voice in the chorus for environmental preservation.The episode rounds off with a look at the transformative role of museums and foundations in community activism and social justice. Museums are stepping out of the shadows to become beacons of progress, taking an active stance on pressing issues by engaging with the stories and struggles of the communities they represent. Through the lens of initiatives like the Art for Justice Fund and the JPB Foundation's integrated funding approach, we uncover how strategic collaborations between artists, philanthropists, and activists are crafting a new narrative for social change, proving that the brush, the lens, and the pen are mightier than ever before.If you enjoyed this show, please leave a positive review and share with your friends. Thank you! Osha

Some of today's top storiesFarm workers protested outside the Marriott Hotel in downtown Bakersfield yesterday morning, as a hearing got underway in the case of Wonderful Nurseries versus United Farm Workers.     The workers claim they were tricked into unionizing with the U-F-W and they want out. The workers allege the U-F-W approached them... offering $600 in COVID-19 relief funds... as part of a federal program for farm and food workers.     They say they were told signing what they did not know was a union authorization card... was part of the process. U-F-W Vice President Erika Navarrette told 17 News the claims are "a complete lie," and says the workers are being manipulated by Wonderful Nurseries.        The hearing has been adjourned until Thursday.         For more on the case... as well as past allegations against the UFW... you can visit our website, k-g-e-t dot com.Bakersfield police now say street racing was the cause of a crash in southwest Bakersfield that sent four people to the hospital, including a child.    The crash happened Monday night on Old River Road near White Lane just before 7 p.m.    Investigators say two Chevy Camaros were racing when the white camaro hit several vehicles stopped at a light at the intersection.    The driver of the black camaro drove over the center median and left the scene.    Three adults and one juvenile, who were not part of the illegal street race, were taken to the hospital with minor injuries.    BPD says the driver of the white camaro, 19-year-old Meylin Rosi Barrera, was also taken to the hospital.{banner}    Anyone with information on the crash is asked to call police at the number on your screen.We have new information this morning on a fire that destroyed a Rosamond home Monday night.      It happened around 7:15 on Cold Creek Avenue.      The Kern County Fire Department has confirmed that one person died in that fire.      Officials say firefighters tried to force their way into the home, but collapsing ceilings kept them from getting inside.      The person who died has not yet been identified.      The cause of the fire is still under investigation. We have new details on the arrest of four teens following a high-speed pursuit in Northeast Bakersfield. That pursuit happened Sunday morning in the area of Bernard and Sacramento Streets.     It came to an end when the driver of the stolen car crashed into a street sign and a telephone poll in front of Studio B Salon.     We are learning all four teens have been charged with resisting arrest.     The driver was also charged with felony evading and possession of stolen propertyThis morning.. we are learning prosecutors have requested futher investigation into a shooting that left a woman dead in East Bakersfield. That shooting happened around 10:45 Friday night on Pearl Street near Robinson Street.     38-year-old Margarita Lopez was killed.     Deputies arrested 36-year-old Paul Magallanes on suspicion of murder.    Magallanes was scheduled to be arraigned yesterday, but no charges were filed.     The case will now be sent back to the to the sheriff's office for further review. 

Empowering Leadership with Dr. Derrick Noble   Episode # 137   In today's episode we're thrilled to have a very special guest joining us, Dr. Derrick Noble. Dr. Noble is  widely recognized for his profound expertise in leadership—a subject he approaches with humility, acknowledging that true leadership is something you earn, not seek. From overcoming the adversity of a challenging childhood marked by a stutter, a lisp, bullying, and the passing of his mother, to finding a beacon of hope in his 5th-grade principal, Mr. Lionel Ward, in Little Rock, Arkansas, Dr. Noble's remarkable path is a testament to the power of supportive figures and transformation through personal trials. Today, he shares invaluable insights on the vital roles of ownership, agency, and curiosity in navigating change, and the significant impact of surrounding oneself with challenging, yet empowering, leaders. We'll also tackle practical advice for new leaders on listening, delegating, and driving organizational change with finesse.   Get the book: Leadership Launch: Essential Skill For New Leaders Nick Demos Media receives an affiliate commission with your purchase of this book   Instagram   Facebook   Website   LinkedIn         You'll Learn:   **Listening Leads to Leadership**: The number one reason for workplace dissatisfaction is feeling unheard. New leaders need to conduct listening sessions – a simple yet powerful strategy to connect, understand, and propel a team towards improvement.   **Empowerment Over Delegation**: The differentiation between delegating tasks and dumping responsibilities is crucial. It's about empowering the 'superstars' - those who excel and embody positivity.    **Change Must Make Sense**: For change to be effective, it must be communicated clearly. Answer the why, what, and consequences to ensure people are not just aware of the change but are enrolled in the vision and excited about the transformation.   Take the Creative Visionary Quiz and find out your type to learn how to understand and utilize your energy to create abundance in your life and business.  www.creativevisionaryquiz.com     Dr. Derrick Noble, “America's Leadership Authority”, has been helping business leaders take their leadership and communication skills to the next level of excellence for two decades. He equips people from all walks of life to become more influential leaders and more confident communicators.  His clients throughout the years have included The United States Air Force, The United States Navy, The FBI, United Farm Workers, the City of Los Angeles, and many more.   Nick Demos is a Tony and Olivier Award winning Broadway producer, documentary filmmaker, conscious business coach and manifestation expert. With over 15 years of teaching pranayama (breath work), yoga and creativity as well as thirty years in the entertainment industry, he has travelled from the Tony Awards to ashrams and run a multi-million dollar business in between. Nick helps you clear blocks and tap into your creative intuition so you can tell your stories and manifest the business and life of your dreams creating wealth and impact.    

The United Farm Workers of America became a target of FBI surveillance during the communist scare of the 1960s and '70s. Arturo Rodriguez spent over 50 years with the UFW. He talks about working alongside civil rights leader Cesar Chávez and about government surveillance of their movement.

Two repeats on this Cesar Chavez day: 00:08 Bruce Neuburger, longtime radical activist who spent most of the 1970s working in California's vegetable fields during the heyday of the United Farm Workers. His book is called Lettuce Wars: Ten Years of Work and Struggle in the Fields of California [interview originally aired in 2014] 00:33 Kathryn S. Olmsted, history professor at UC Davis, discussing her book Right out of California: the 1930s and the Big Business Roots of Modern Conservatism. [interview originally aired in 2015] Because of the holiday, our regular lineup of Ukraine and COVID coverage will air Tuesday. Send questions for Dr. Swartzberg to coronacalls@kpfa.org      The post Labor, Capital, and the fields of California appeared first on KPFA.

Today on the Show: Celebrating Cesar Chaves and the continuing mission of the United Farm Workers. Also, confronting the state department with the truth. Flashpoints D.C. contributor, Sam Husseni  trying to hold the state department accountable on genocide and the US's responsibility under the UN general assembly's anti-genocide mandate, uniting for peace.  And the Block Report returns with a frontline interview on on punishing US sanctions against Cuba and Zimbawe The post Flashpoints – March 29, 2024 appeared first on KPFA.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Living Legacies: LARRY THE MUSICAL x MISTER REY TRIBUTE Host Aisa Villarosa covers “Larry the Musical” a new theatrical production based on the book “Journey for Justice: The Life of Larry Itliong” written by Gayle Romasanta and the late Dr. Dawn Mabalon. Nomi aka Power Struggle and Aisa also honor an anchor and leader of the Bay Area Filipinx and civil rights community –  Mister REY. Links to Episode Features: Larry The Musical website: https://www.larrythemusical.com/   Allyson Tintiangco-Cubales: https://www.instagram.com/pinayism/?hl=en Billy Bustamante: https://www.billybustamante.com/ Mister REY Memorial GoFundMe https://misterrey.bandcamp.com/album/wonders-mysticisms-beat-tape Power Struggle https://soundcloud.com/mario-de-mira Show Transcripts Living Legacies: Larry the Musical x Mister REY tribute Opening: [00:00:00] Apex Express Asian Pacific expression. Community And cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board The Apex Express Aisa Villarosa: [00:00:28] You're listening to Apex Express on 94.1 KPFA Berkeley, 89.3 KPFB Berkeley, 88.1 KFC at Fresno and online at KPFA. org. Welcome, welcome, welcome. I am your host, Aisa Villarosa. I'm an artist, attorney, ethnic studies advocate, general rabble rouser, and lifetime fan of the Apex Express crew. Shout out to my homie Miko. Get comfy, get cozy. We have a wonderful show for you tonight. It's a show about a show, that is Larry The Musical, which is based on the book Journey for Justice: The Life of Larry Itliong, written by Gayle Romasanta, and the wondrous late great Dr. Dawn Mabolon. The story and songs are influenced by and honor our ancestors, and the musical debuts at San Francisco's very own Brava Theater running March 16th through April 14th, 2024. That means, seats are limited. So, in addition to checking out the show we have for you tonight, visit www.larrythemusical.com to get your tickets today, learn about this cast and crew. Now for our show. First up we'll hear about Larry Itliong's legacy of organizing, resistance, and community power building from Dr. Allyson Tintiangco-Cubales. Next, Larry The Musical director Billy Bustamante, previews the heart, soul, and talent behind this production. And, because we're pretty big of a deal here [laughs] we'll also hear a sneak peek of two songs from Larry The Musical. Finally, the artist Power Struggle will help me wrap up this episode by honoring an anchor and leader of the Bay Area Filipinx and civil rights community and our friend, Mister REY. Rest in power. All right, that's the show. Let's dig in. I'm here with Dr. Allyson Tintiangco-Cubales, one of the country's leading Ethnic Studies and Filipinx studies scholars and professors, co-founder and director of Community Responsive Education, and the educational consultant for Larry The Musical. Allyson, it's so wonderful to have you here. Allyson Tintiangco-Cubales: [00:02:34] My gosh, thank you so much for having me. I really appreciate this show and all the work that you've been doing for many years. Thank you so much. Aisa Villarosa: [00:02:41] For our dedicated Apex Express listeners who may not be familiar with the wonderful Larry Itliong. Can you talk a little bit about who he is and who he is to this particular Civil Rights Movement? Allyson Tintiangco-Cubales: [00:02:57] Larry Itliong. He was born in the Philippines, in San Nicolas Pangasinan. He came here at 15 years old. Imagine coming here at 15 years old. He only had a sixth grade education. And he came here, actually in order to pursue his studies and he moved to the United States in 1929. As you probably know, because of the Great Depression, it was difficult to find jobs. He was forced to work in the railroads and then eventually became a migrant farm worker. And he traveled all the way from like Montana, South Dakota, Washington, and finally landed here in California. So during that time, Larry Itliong learned of the plight suffered by Filipinos and other immigrants working in the fields. Larry Itliong was a prominent leader in one of the most important social justice movements in the US, and we call that the Farm Worker Movement. A lot of Filipinos involved along with Mexicanos. He organized a group of 1500 Filipinos to strike against the grape growers in Delano, California. Some people call that the great Delano Grape strike of 1965. Basically they were trying to fight for workers' rights. They had this strike for eight days. And there was tons of violence by the growers, hired hands, and even the sheriff department, and they were thrown out of the labor camp. Larry Itliong. He was strong and he remained tenacious and resilient. And he called upon someone very famous that many of us know Cesar Chavez, and Cesar Chavez' community, to join forces with the Filipinos and they striked again. Because of Larry Itliong, the two groups combined and they ended up becoming the United Farm Workers. And a lot of us know the United Farm Workers and a lot of it is attributed to Cesar Chavez, but really Larry Itliong really pushed that ability to create a coalition. To create a connection to really fight for collective liberation. So this unification between the farmworkers of all different ethnicities, not just Filipino and Mexicano was really unprecedented. And really set an example for many of us—many of us meaning workers and organizers—many of us learned from that movement, how to really create alignment, how to really create a coalition, how to really fight alongside each other. And that movement was very successful. You may or may not know this, but Larry Itliong also was the president of the Filipino American Political Association, the first national political Filipino American organization. And it was very crucial, between Filipino professionals and laborers, that grew out of the Delano Grape strike. Larry Itliong was instrumental in founding lots of things including the Pablo Agbayani Village, a Retirement Home built by volunteers for retired Filipino Manos, who no longer had families and needed a place to call home. I recently visited Agbayani Village with my family. Even in my own family, my husband, his father was one of the farm workers, and it means a great deal to actually be there at Agbayani Village, quite literally, you feel the spirits. And having, having brought my daughter there and she got to, you know, see, where our ancestors lived. Larry Itliong, he passed away in 1977 at the age of sixty-three, very young. He left behind his wife and seven children. But his accomplishments and his legacy, continues to live and we really reap the benefits from all the work that he did. Aisa Villarosa: [00:06:41] I got shivers at several points when you shared Allyson. Thank you. And I am told that as part of your work as educational consultant for Larry The Musical, that one of your unique roles is helping the cast see history in this moment and see what Larry's struggle and Larry's story is to them and their families. So I love that sort of full circle practice. It also means that for a musical to take on you know you've named some, some pretty heavy things, right? You're naming organizing struggle, you're naming the struggle against white supremacy. Can you talk a little bit about what makes this musical special and, and even to be able to do right by Larry and his story, how did you all bring this to life? Allyson Tintiangco-Cubales: [00:07:33] Whoa. That's a really important set of questions and I really appreciate the connections between what's happening on the stage and what's happening in our classrooms and, you know, what's really happening in our communities. It is a really important show. I think a lot of shows have said, “Oh, we're a hundred percent this, we're a hundred percent that.” But when I go into working with the cast, I really see a hundred percent Filipino, Filipina, Filipinx Americans who are really telling a story that is important. Larry's story is not glamorous, [laughs] you know, and I say that because I've seen a lot of Broadway shows. You know, I have a child who's a performer and I spend a lot of time in New York, and I really do love watching musicals. And so this genre is like happy times for me, right? I go in and I get, I mean, they start singing and I, I just want to cry right away [laughs]. But there's something so powerful, yes, about a hundred percent Filipino cast, but also telling a story about struggle, and about labor, about someone who's working class, who really has changed our lives. I think sometimes when I go to musicals, I try to find myself, you know, like on stage I'm like, which character am I? You know? And in this musical I really feel like I'm all the characters. And you will see this, you know, because there's Larry, of course, this, it's a story about Larry Itliong, but you will see characters, and the creative team has wonderfully weaved characters from different parts of that era, and then also maybe even parts of their own lives and their own families, and they land on stage. They are telling this story alongside Larry, and it's beautiful and I'm really, really excited for people to see it. I'm not going to, I'm not gonna give too much away. Aisa Villarosa: [00:09:39] [Laughs] People gotta buy tickets. Yes. Allyson Tintiangco-Cubales: [00:09:41] Buy your tickets and bring your tissue [laughs]. Because I really feel like people are going to not only see Larry on stage, but they're gonna see themselves, their families, their parents, their community, their ancestors, all of them there. I will say that, I had the fortune of working with the cast, specifically on a project called Tatlong Bagsak Talambuhay and what I said to the cast was, this work has to be different. This work cannot just be about telling one man's story. And so it's really important for them to understand their own story, their own family's legacy, and why they're doing this work. And so at the beginning of each of the rehearsals, there's one cast member who tells their story. Talambuhay, you know, telling their life story. So that every person is allowed to share their story on the stage, quite literally. And also to be able to make the connections to why they're there on that stage. I had one cast member come up to me last week and say, “I've never been part of a [laughs] a show like this. You know, like where I was seen.” And that's the power of Larry The Musical. It, it's definitely about Larry and how he has inspired us, but it is so much more. And so I'm really excited for people to be able to experience that. Aisa Villarosa: [00:11:18] I was lucky enough to attend the community preview y'all had put on in the fall. It was smashing and I could feel Dawn Mabalon's love and spirit in the room because so much of what you're saying is how are we creating a living archive, right? And there's so many stories that make up history that ultimately is intentionally not told or kept away from people. So it sounds like this is hopefully one of many opportunities for folks to either learn that history for the first time, or to learn it in a really freeing way. I want to talk a little bit about women. If we look at various movements across labor, thinking about the figures of labor, you know, you have Larry, you have Philip Vera Cruz. I am sure there are some strong, strong women in Larry. And as a Filipina we also see that the value of care work, of women really it's often invisibilized by history. Talk to us a little bit about, you know, what can we expect to see from the women in Larry? Are there any toxic narratives that are reversed or addressed by the musical? Allyson Tintiangco-Cubales: [00:12:32] I feel like you saw the script. [Laughs]. Aisa Villarosa: [00:12:34] I didn't. I did not. [Laughs]. Allyson Tintiangco-Cubales: [00:12:36] Oh, okay. Okay. I can't give up too much. It'd be really unfair, but I'll say that this begins with the strong women who did the research and who wrote the play, the musical, the book, the script. And I'll start with, a lot of the work is rooted in Dr. Dawn Bohulano's research. I mean, she really was going to tell Larry Itliong's story in an academic book. And before she passed, she was able to write Journey for Justice with Gayle Romasanta. It was, it quite literally went to press the day that she passed. Dr. Dawn Bohulano Mabalon had a dream to really tell Larry's story, but I know deep inside it wasn't just about Larry's story, it was a story about her family. It was a story about her ancestors, including the women. And so I think how beautiful it is to have quite literally the voice and research of Dr. Dawn Bohulano Mabalon in the script that Gayle Romasanta really was able to bring forth. So we have writers like Gayle Romasanta, Kevin Camia, and then writing the music we have Brian Pangilinan, and then you'll hear the sounds of course of Sean Kana. But when we talk and think about the women, the voices quite literally, the singing voices of the women are so powerful. I think sometimes people imagine women during that movement as being behind the men. In this show, that's not the case. I think of the work of Stacey Salinas, Dr. Stacey Salinas, who writes about Filipina farmworkers in the movement. She has some beautiful archives of Filipina women during that time. And you literally see them on the stage and you see them challenging men and you see them saying yes, we are part of this struggle. And so, although it's called Larry The Musical, Larry definitely isn't the main character by himself. Aisa Villarosa: [00:14:40] I love that. And what you shared also reminds me of thinking about the people power movement and the phrase makibaka huwag matakot, where there is power in struggle, right? If, if we can come together collectively. Turning to the musical, it's going to premiere soon. We hope that folks visit the Apex Express website [kpfa.org] where y'all can buy tickets. Please support this incredible work. What is your greatest hope for this musical? Allyson Tintiangco-Cubales: [00:15:11] Ooh, that's a good question. It caught me off guard. I secretly hope that this musical goes beyond the Bay Area, potentially travels, potentially goes to Broadway, maybe the Philippines. You know, I want people to know how wonderful our story is, our story. And you will really see our story in this. So yeah, I hope it makes it big. [Laughs] I, I really do. We deserve it. Aisa Villarosa: [00:15:41] Well, it's not a secret anymore. You, you manifested it, so now it's gotta happen, right? [Laughs]. Allyson Tintiangco-Cubales: [00:15:47] Yeah, I really do. I mean, I hope, I hope for all of that. And to be honest, I don't think the Pinnacle is Broadway in my mind. It might've been when we first started the project, but really, I, I feel like most importantly is for people to know the stories of our people. And Larry The Musical can really bring that out. And I hope people can see themselves on stage. I mean, that is a big goal for them to be able to see themselves on stage. Aisa Villarosa: [00:16:13] Allyson, it's been so wonderful talking with you. Before we head out, is there anything else you'd like to share with the listeners? Allyson Tintiangco-Cubales: [00:16:21] There's so many struggles going on right now in the world, whether that be, like the manifestation of colonialism and imperialism everywhere, to what's happening in our classrooms. I feel like really key that Larry The Musical is ethnic studies. I think [it's] important that people know that the goal of ethnic studies is collective liberation and we do that by centering the voices of people of color in the first person, ultimately to eliminate and eradicate racism and white supremacy. I mean, like it's all of that. Aisa Villarosa: [00:16:50] Yeah. Allyson Tintiangco-Cubales: [00:16:51] But I want people to know that Larry is that, and I think sometimes we get stuck on wanting representation, like, oh, I wanna see a Filipino on stage. And so we vote for people on those shows and we get so excited. Aisa Villarosa: [00:17:05] Or that becomes the ceiling, right? Allyson Tintiangco-Cubales: [00:17:08] Exactly. It becomes the ceiling. We have made it because we've seen ourselves on TV or we've seen ourselves on a stage on Broadway, but I think it's not enough. Because those stories oftentimes are not the stories of our own people. We often play characters who are not ourselves, and we oftentimes have to compromise our integrity to actually become famous. And so for me, when I think about Larry The Musical, it does not compromise. It does not compromise. And it really is about our stories and us telling our stories in the first person. I'll leave it at that. Aisa Villarosa: [00:17:44] I love that. It's such a great way to send us off. And as someone who used to work in the arts and has been shushed at primarily white events, I love the decolonization of the arts as well. It's arts and ethnic studies. So many folks in our work do this work because of a really important moment in ethnic studies that came to them. Unfortunately, because of the forces that are out there trying to stop ethnic studies, for many that revelation comes kind of late in life or sometimes doesn't come at all. So, please let us have more Larry, more stories like Larry and more ways for folks to access this sort of awakening. Thank you so much, Allyson. It has been a pleasure. Allyson Tintiangco-Cubales: [00:18:31] Thank you. Thank you. Thank you for all the work that you do. Aisa Villarosa: [00:18:34] As Allyson shared, Larry The Musical is a lesson in living civil rights history, a chronicle of the racial violence faced by Filipinx organizers and how they mobilize to overcome it. This plays out in the musical's track, “Watsonville,” which we're about to preview. In the 1930s, violence against Filipinos was a daily occurrence. It was not out of the ordinary for Filipinos to get shot at, be beaten, or have their campos bombed. Two major events happened in January 1930, the Watsonville Riots and the bombing of the Filipino Federation of American Building in Stockton California. The Watsonville riots saw hundreds of Filipinos beaten and Fermin Tobera killed over four days of mob violence. White mobs beat and shot Filipinos, and in the end, no one was arrested. “Watsonville” follows our characters as these historic events unfold. It was written by Gayle Romasanta and Kevin Camia, music composed by Bryan Pangilinan and Sean Kana. Let's take a listen. SONG Aisa Villarosa: [00:19:39] You're listening to Apex Express on KPFA Radio with me, Aisa Villarosa. That was a special preview of “Watsonville” from Larry The Musical. I'm here with acclaimed New York City-based theater artist, director, performer teacher, and community-driven artivist Billy Bustamante, director of Larry The Musical. We are so honored to have you join us, Billy. Billy Bustamante: [00:21:02] Hi there. Thank you so much for having me. I'm so thrilled to be here. Aisa Villarosa: [00:21:06] Awesome. Well, we are going to dive into Larry The Musical. And a few months ago I had the honor of catching the community preview at the Brava Theater in San Francisco and it blew my socks off as a mentee of the great ate Dawn Mabalon, a hero and mentor gone too soon, it was beautiful to see her archiving come alive in song. For those who are new to Larry The Musical, can you tell us a little bit about what audiences can expect? Billy Bustamante: [00:21:38] Sure. When you come to the Brava Theater this spring, you will see a story about our shared Filipino American history, but even greater our shared American history brought to life on stage. You will see a story that centers Filipino Americans in the telling of that history. It is a musical that will make you laugh, will make you cry, will make you dance in your seat, and will hopefully make you step back out into the world as you leave the theater with a little more power in your hands. Aisa Villarosa: [00:22:06] Those all sound so incredible. Billy, can you share more, as someone who has been in the arts world for so long, why is this project near and dear to your heart? Billy Bustamante: [00:22:18] Larry means so much to me for so many reasons. I've been making theater now for a little over 20 years professionally. And throughout that time I have kind of had to hold two sides of myself in various capacities, right? I have my American-ness, and I have my Filipino-ness. As a born and raised Filipino American here in the States, I have always had to examine unconsciously how much of myself I can bring into an artistic space just because those spaces have predominantly been white led. Now that we are in a space that is created for by and about Filipino people telling a story that is for by and about Filipino people that really centers not just Filipino story, but the Filipino identity, not just in the product but in the process, that is a feeling I have literally never had before in my 42 years on this planet. And every time I step into this space, I am amazed at how much more myself I feel, and I can see that sensation flashing in every single person in the room. And it's on one side beautiful. It's like a beautiful thing to witness us all kind of come alive a bit more, expand into the space, be more of ourselves. And it's also a bit infuriating to know that it's taken me 42 years to get to this moment. This feeling of true belonging is something that I have grown more and more addicted to and that I continue to chase in any other experience that I have. Aisa Villarosa: [00:23:46] Wow. I'm getting a little goosebumps over here. I am hearing that it's, it's almost like coming home to yourself, that often, and I too have a Filipino family, grew up here I'm second generation, and often the dominant culture's understanding of Filipinos is limited to very simplistic notions, whether that's our food, even if food is very political. Billy Bustamante: [00:24:11] Yes. Aisa Villarosa: [00:24:11] There's often sort of a niceness, and the arts and culture world is no exception. So thank you for sharing. And in thinking about the cast of the musical, can you share what makes this cast special and unique? Billy Bustamante: [00:24:29] I am a firm believer that theater artists of any background are some of the most exhilarating people in the world [laughs]. As a theater artist, specifically as a musical theater artist, there is so much skill you must be able to access in order to do your job. It's not just one thing at a time, it is all things at a time. So we are making a show that sings, acts and dances all the time [laughs], and within that there's that triple threat of skill while also incorporating this fourth ingredient of identity and shared history. So each of the actors that we have brought into this cast has really shown up with not just those first three skills in brilliant capacity, but also a hunger and an enthusiasm to be generous about how they bring this fourth ingredient into the process. Again, another thing none of us have been able to do in an artistic space before. For so many of us, it's our first time bringing ourselves to the work in this way. Because none of us have had a chance to do it. So many of us have never played Filipino on stage before, let alone Filipino Americans specifically. I know I've been lucky to have played Filipinos on stage and have been telling Filipino stories, but none of those have been led by Filipinos or written by Filipinos. So there's a level of not just authenticity, but integrity to the work and the story we're telling that allows each of these cast members to be greater like artistic citizens and contributors to the work. Aisa Villarosa: [00:25:58] I love that. There's in Filipino culture, the word kapwa, right? Which is collective identity. And I was reading a quote from you and you said, “My favorite thing about Filipinx culture is creating community. If you've shared a meal with a Filipinx family, you're family.” And it sounds like here you're talking about a meal but this theater experience and all the prep that y'all did, there's a family feeling to that, and can you share some of the behind the scenes love and care and intentionality that went into creating Larry? Billy Bustamante: [00:26:33] Yes. Yes. I, I love that you found that quote. I can't remember when I said it, but I know I say it a lot. [Laughs]. Aisa Villarosa: [00:26:39] I was creeping on the internet. [Laughs]. Billy Bustamante: [00:26:40] I love it. I, and I do firmly believe, like that's one of my favorite things about Filipino culture. Yeah. If you sit at my table, you leave as a family member, right? And I do think that's the environment we wanna create for the audience as well. This piece of art that we are creating is what I hope will be a fully nourishing seven course meal of artistry that again, audience members come into the theater as guests and they leave as family. That is my hope. How we get there is, has been a thrilling experiment, again, as a theater maker for like 20 plus years, the pandemic, this pandemic pause that was forced upon us as artists, really forced me to examine, but I think forced the greater industry to examine the dysfunction in how we do what we do. And now that we have started creating theater again, I've personally been on this, you know, mission to honor the science experiment that we're all on in terms of a, how to be in a room together and then how to create art together and hopefully a healthier more empowering way across the board. So knowing that's been a mission I've been on with any theater project I take on, for this one specifically there is so much more importance laid onto that particular ingredient, right? How do we make a healthier room? How do we make a more restorative healing process for everyone? Recognizing that the story we are telling impacts the actors and their bodies in a way that no other story does, right? There is an additional toll and cost to reckoning with your own history on stage. And it's, it's a privilege to get to do that, but that does mean we need to reexamine what supportive systems and structures we are creating in the room. Again, this is all an experiment [laughs] and it's going well so far, but some steps we have taken or to gather our company. Our company, on the first full day of rehearsal when we got all the actors together. One thing I was excited about our first day of rehearsal was that we took a good amount of time to sit in a circle and create what we called community commitments. Like a set of shared agreements that we all were participatory in creating that gave us all a guideline of how we treat each other in this space. So now it's thrilling, it's freeing to have this social contract in place that we have all agreed to, that not just allows for the pursuit of an ideal space, but also a way to kind of move through conflict as we pursue that space. So to me that feels really helpful. Another thing we just did in rehearsal yesterday, was we brought Allyson in to lead a facilitation of how we bring our personal individual stories to this greater story that we are telling. We are telling a history and we are living history in this moment. So it was amazing to hear Allyson give us a technique for how we share our individual stories as humans to the rest of the company, which is a practice we will start incorporating at the beginning of every rehearsal. And I can only wait to see how much that impacts the art that we make on stage, knowing that everyone will know more and be more invested with each other as humans. Aisa Villarosa: [00:29:32] And you're talking about living history, right? And as you were sharing, I wrote down safety to create. It's rare that we as folks of color as Filipinos can be in these safe liberatory spaces. Taking it a little personal, has your family seen Larry yet? Billy Bustamante: [00:29:50] Well, I mean, no one really has, [laughs] you know, our world premiere in March will be a world premiere. No one will, even if people have seen every workshop, this is a version of the musical in its fullest form that no one will have ever seen before. So in that way, I'm very excited. With that said, my parents have been keeping up with all the filmed workshops and the interviews, and that's all been amazing. Both of my parents are on the east coast. They're in the DC area, which is where I'm from. So they're keeping up with it virtually. But I am so excited for them to fly out here, to catch opening weekend. I'm getting a little emotional talking about it right now, but my parents are incredibly supportive as is the rest of my family. And they do a great job at coming to see and support whatever I do. And this one, having them in the room to watch this one, I think will be a really special experience. Aisa Villarosa: [00:30:43] I, I can feel love and as a huge fan, a mentee of folks like Dr. Allyson and Dawn Mabalon there's a moment where a lot of Filipinos, Filipino organizations are trying to archive the struggle, the triumphs of the past, and it's incredible that through theater y'all are doing that in a way that will be fresh for new generations. And speaking of theater, you are always creating, you wear so many hats. Tell us what is coming down the road for you in addition to Larry, would love to hear more. Billy Bustamante: [00:31:26] Yeah. I'm gonna put this into the ether here. I, my hope is that this world premiere of Larry will be the first of many steps for this musical. So what I hope is that the next few years includes more productions of Larry at a bigger and wider scale. With that said, there are a few other projects that I'm really excited about. I am a theater leader, but also an educator. So I'm on teaching faculty at Circle in the Square Theater School, which is the only theater training ground attached to a Broadway theater. So, in that way I feel really excited about the work I get to do with young artists there. We are developing a new musical called The Rosetta Project, which I hope everyone checks out. It's gonna be amazing. I'll be directing that. From there I have a couple of, you know, other pots on the stove. I'll be directing, choreographing a new off-Broadway show called Straight Forward in spring of 2025, which I'm very excited about. There are a couple of other things that I cannot release at this moment, but if you want to keep up with the [laughs] shenanigans I am up to, please check out billybustamante.com because I'll be sure to be shouting from the rooftops with excitement once I can. Aisa Villarosa: [00:32:36] Beautiful. And we will include links to your website, Billy, as well as links for folks to get tickets for Larry at the Brava Theatre. And folks can check that out on the Apex Express website [kpfa.org]. And Billy, before we go, is there anything else you want to share? Billy Bustamante: [00:32:55] I think there is one thing. I'm usually not a person who really is enthusiastic about promoting my projects [laughs]. I've always kind of felt some sense of ickiness around that. Some sense of like transactionality around that [laughs]. But Larry is so special to me and there's a spirit that we are creating in this piece that I think everyone needs to experience and be a part of. And I also recognize that, you know, where audience members choose to spend their money is a big investment and a big decision and I hope that everyone who is excited by anything I've said today or anything we've talked about today finds a way to grab a ticket and join us at the theater. This time will be fleeting and it's gonna be over before we know it, and I really hope everyone gets to be a part of it because I think it's gonna be really special so get those tickets if you can. Aisa Villarosa: [00:33:49] Adding a plus one to that. And Billy, you earlier mentioned the impact of these covid pandemic years and yeah, that was the longest period of theater closures, right? Since World War II. As someone who used to work in the arts I also recall that often there's sort of an elite nature to the arts and one of my favorite things when I go to the Larry website is there are so many people who gave all sorts of amounts to make this happen, right? There's folks who gave like 50 bucks. It's such a welcoming site, so I too hope that this is only the beginning. Billy Bustamante: [00:34:28] Awesome. Thank you so much and thanks to everyone who supported us so far. I'm so grateful. Aisa Villarosa: [00:34:32] Our final track from Larry The Musical is called “Train,” which is about Filipinos jumping trains throughout the western United States, traveling from town to town in search of work in the 1920s and 1930s. Train was written by Gayle Romasanta and Kevin Camia, music composed by Brian Pangilinan and Sean Kana. They wanted to create a broad picture of how the thousands of Filipinos must have met each other, built friendships, planned labor meetings, and all while traveling. Here is the exclusive preview. SONG Aisa Villarosa: [00:35:03] You're listening to Apex Express on KPFA Radio, and I'm your host, Aisa Villarosa. That was a preview of “Train” from Larry The Musical. You just heard Dr. Allyson Tintiangco-Cubales and Billy Bustamante talk about what makes the world premiere of Larry The Musical so special. Larry debuts at the Brava Theatre in San Francisco March 16th through April 14th, 2024. Seats are limited, so visit www.larrythemusical.com to buy tickets today. Finally, tonight's episode of Apex Express is dedicated to the life and legacy of Reynaldo Timosa Novicio Jr. a father, son, friend, and prolific sound producer, artist and guiding light of the Filipinx American and Bay Area Music and Civil Rights community. Rey passed away on February 2nd, 2024. I'm joined right now by a friend, a colleague, an incredible artist, activist dad, and a martial arts practitioner, Nomi, AKA Power Struggle. Nomi, it's so great to have you on the show today. Nomi (Power Struggle): [00:37:12] Hey Aisa, thank you for having me. Thank you to the KPFA and the Apex Express listeners. What's up Bay Area? Aisa Villarosa: [00:37:19] Nomi, you rep the Bay Area hard. I think a good way to start our conversation is given all the hats you wear, all the ways that you're making change: What does it mean to be Filipinx American in the Bay Area right now? Nomi (Power Struggle): [00:37:34] I think right now it is a really important moment to, there's been so much happening in this particular moment around the liberation of Palestine and the end of the genocide in Gaza, and I think that a lot of folks in our community have been really seeing this moment as a way to express their solidarity and mobilize and take action against what's happening to the Palestinians. And I think that is just reflective of the bigger, historical context that a lot of Filipino, Filipinx, Americans, immigrants, have experienced and live under, right? So I believe like a lot of folks are just seeing those connections between colonization, the colonization of the Philippines from various different occupation nations and armies, to what's happening in Palestine. And they make those connections and they even are not that far removed, maybe like two generations removed from the experiences of their grandparents that went through the Japanese occupation during World War II and lived through some of those horrors and they remember that stuff and the stories that they were told and I think that informs a large amount of our community to, to mobilize and take action. I'm not saying that, we don't have more conservative folks in our broad community across the Bay Area, but I believe for a lot of young folks, a lot of folks that have taken time to be part of other movements, whether it be the movement for Black Lives, or Indigenous movements, or even for liberation movements in the Philippines, they kind of understand all these connections, and are building bridges and building solidarity with folks. Aisa Villarosa: [00:39:16] Yeah, it's the young and it's the young at heart, right? I think folks who can be ever curious, and, you know, we have made some headway in ethnic studies where folks are connecting the dots, right, between those shared histories, those living histories of struggle. Tonight's episode started off with a tour of Larry Itliong, the new musical coming out. And it's quite clear that to be Filipino in so many ways means to resist. And as it relates to Larry The Musical, resistance through music is such a powerful form of political organizing. Nomi, you're here today because this episode is also a tribute to our friend who passed away, the wonderful Mister Rey, who you have collaborated with, you have made music with. Can you start by just sharing a little bit about who Rey was to you and maybe talk a little bit about what made your musical collaboration so special? Nomi (Power Struggle): [00:40:27] I'm really thankful for this opportunity to just share the story of Mister REY with the entire Bay Area with the country. Mister REY, Reynaldo Novicio, and I worked on one of our first records together. It was called Remittances. And I met Rey back in around 2009. I can't remember specifically where we met. It just happens in life, especially in the art community, you start talking with people and collaborating, and he would invite me to a spot in Daly City, where he was living at the time with his family, and every Saturday morning we would session. I would go over there with Dennis and Kane, Drew, Vi, and we would just, he would just play beats that he had made, and we would write. And after a few months of that, we slowly started to create this body of work that was starting to be more cohesive that would be like the material for the album, Remittances. A couple months after that, we decided to move in, him and his partner, and their family were moving into a spot in the Excelsior District and they had an extra room. I think I was going through a displacement. I think I was going through an eviction in the mission. And so it all kind of worked out and I ended up moving in with them. And that really was just a great opportunity to live together and continue this process of working on this album, which is to me my favorite piece of work. It's so meaningful. The title Remittances. You know, is a remittance obviously, when you send money to your family back home or abroad, was just such a symbol of the immigrant experience, especially for our community and the Filipino community. And so the title was like an offering of culture and love, for our community through music. And that's why we chose that title Remittances and that offering and love transcends beyond just this neighborhood, but also across the seas to our homelands and throughout our diaspora. That project was just really important. For all the artists out there, when you go through a creative process you're partnering with someone and you live with them it's just like a deeper level of connection and struggle [laughs] as well, right? Because, you live together so and Rey has two twin daughters he has one more now. But at the time, and so, you know, you're just really immersed with the family. And for me, it was also such a beautiful experience because Mister REY was a bridge builder. He really was a tulay. He immigrated from the Philippines at a pretty young age, I think late elementary school or middle school, still very much had the identity of the migrant community you know, Tagalog was his first language a lot of his folks, his homies were a lot of recent immigrant hip hop heads and folks from that community. But he was also able to just because there, there is this kind of conception that there's a divide often between immigrant communities and first or second generation Filipino Americans. And it is true to an extent. I've seen it manifest in high schools and on the streets and things like that. But Rey was really able to bridge these differences and connect folks. And so for me, especially someone that grew up in the Midwest, that didn't really grow up around Filipinos, getting to experience living with Mister Rey and his family and living in the Excelsior District, which has the highest concentration of Filipinos in San Francisco, was just such an immersive and beautiful thing and a reconnection to our culture, on so many levels, and I'm already in my, late 20s at the time, and so to go through this experience was really powerful and eye opening. I think it also related to just like what we're fighting for in San Francisco. You know what I mean in the sense of upholding this identity of being a city of multiple languages, a city of multiple classes and incomes. And, and this is what, like, that experience really upheld. At the time I was also doing a lot of work with the Filipino Community Center as a worker's advocate. I was doing some organizing with Migrante, which is a migrant workers organization. And, for all of these kind of different things, from like the organizing work, to my day job, to living with Mister Rey, and being with the Filipino community in the Excelsior, coming together was like one of my favorite periods of my life where I was really understanding more about our culture, our history, our positionality in society and on a local level, on a national level, and on a global level to really understand how politics and history have brought us to America and to really experience it, right? All of these things were super impactful, and I feel like they helped inform and mold what that album, Remittances, was about. And Mister REY was such a huge part of that, right? He was, you know, he wasn't like this crazy political scientist but through his lived experience and his own way of analyzing his life and things he had been through was very sharp and also informing the kind of political influences of this record. So yeah, it was just such a really important time. I don't think I can ever come close to doing something like that again. I just thank him for that year or two that we lived together, embracing me and letting me come into their family life and just being in community with them. His work in terms of, if you visit his catalog of albums, which I highly recommend folks to check out his bandcamp. And it's just Mister REY, M-I-S-T-E-R R-E-Y, check that out and you can hear all of his work. So much like high level art, beat production wise is really sophisticated. He still embraces most of all of his writing and his rapping is in Tagalog. He sprinkles a lot of English in it too but it's just a really beautiful body of work where people in our diaspora can really identify with and just get a lot of nourishment from. So I really suggest folks go check out his catalog. It's really accessible on Bandcamp. Aisa Villarosa: [00:46:40] Nomi, thank you for opening your heart and sharing about what sounded like a really intimate process, right? To make music with someone. And I know the last time I was at Rey's place, he loves his kitchen so I feel like y'all also broke bread, right? Not just making the beats. I was also struck by Rey was such a multi-dimensional advocate, right? Whether it was mental health, whether it was youth issues, right? All of the sort of organizing he did to challenge juvenile curfew laws, for example. You've today brought a track that you worked on with Rey. It's titled “ArtOfficial Freedom” and I'd love for you to cue up the track and just share a little bit about the music. Nomi (Power Struggle): [00:47:31] This was a signature single on the album. It was produced by Mister REY and it also features Mister REY singing the chorus, where he just does a pretty basic refrain where he says, “round and round.” This was like, I feel like for me at least, or many hip hop artists, I think they have that one single on every album that represents the whole album, and I think this is the one. Like I mentioned earlier, around like all the different things that I was doing at the time in terms of community organizing and workers organizing and all the stuff that he was doing, at that time, he was really focusing on mentoring a lot of Tagalog hip hop rappers in the community. And so all these young cats would be at the apartment all the time [laughs], recording in the kitchen. And it was really a lesson for me in Tagalog where I had to like try to learn as much as possible. For all these things to come together, I think are reflected in the song. This song, “ArtOfficial Freedom” is just a great representation of the album. And the title itself is just like a play on words. It spelled art official freedom, to mean that like through art, we can try to aim towards some sense of freedom, some, you know, towards the goal of freedom using art, but then a play of words of artificial freedom that what we are currently existing in and under is an artificial form of freedom. Through this, capitalistic, imperialistic, racist society [laughs]. So that's kind of the play on words, artificial freedom. That was a long time ago. That was like 10 years, no, 14 years ago that we dropped that album. It's great to, I'm glad you're bringing it back on the airwaves. And I just want to give a shout out to also Fatgums, who was the number three part of this record. Lives in LA and is also the CEO of Beatrock Music and Beatrock Art Collective but he was just also a big part of this record. So shout out to Fatgums. Aisa Villarosa: [00:49:25] Here is ArtOfficial Freedom from Mister REY and Power Struggle SONG Aisa Villarosa: [00:53:29] Nomi before we go, is there anything else you'd like to share with the listeners tonight? Nomi (Power Struggle): [00:53:34] When our people leave us in the physical world, there's so many ways that we can continue for them to live on and their legacy to live on, especially through art, and especially through the technologies that exist now. Like I said before, please, check out Mister REY's catalog on Bandcamp, it's just Mister REY, M-I-S-T-E-R R-E-Y and look up his music. He also has a project with MrRey and Aristyles called America is in the Dark. That's a beautiful EP. Please check those things out and promote and propagate them, share them with your friends, download them. It's great music. If I could also please plug, to support his family, Mister Rey leaves behind two twin girls and a young son of the age of nine and their mother. And so if you could please donate to the GoFundMe, if you just look up Reynaldo Novicio, his name will pop up, and any donation is greatly appreciated. Lastly, on March 15th Fifth Elements and Hummingbird Farm is going to be organizing a life celebration, for Mister REY, his creative life and his legacy. It's going to be at Hummingbird Farm, which is in the Excelsior District right by Crocker Park, behind the soccer fields. Check that out on March 15th, 4 to 8 pm. The program is still being crafted, but I guarantee it's going to be a really special time. I think there's going to be some films, there's going to be performances, music, and the space in general, Hummingbird Farm, is a really dope community space that is really people power driven. So please check those things out. And again, just really appreciate this time to share about Mister REY and our work together. Aisa Villarosa: [00:55:14] Thank you, Nomi. And Rey would talk about how the Guitar Center in SoMa was a hub for him early on, and he would just meet people, and you have called Rey a bridge builder. So thank you for being with us here tonight and paying it forward with love. Please check out our website kpfa.org to find out more about Larry The Musical, Mister REY, Power Struggle, and the guests we spoke to. We thank you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is produced by Aisa Villarosa, Anuj Vaidya, Ayame Keane-Lee, Cheryl Truong, Hien Nguyen, Jalena Keane-Lee, Miko Lee, Nate Tan, Preti Mangala-Shekar, and Swati Rayasam. Tonight's show was produced by Aisa Villarosa and edited by Ayame Keane-Lee. Have a great night. Mga kababayan. Makibaka, huwag matakot. The post APEX Express – 3.14.24 – Living Legacies Larry the Musical appeared first on KPFA.

Who will represent South Los Angeles in the California State Assembly? That's a big question facing voters of the 57th Assembly District,  which includes  South Los Angeles, Southeast Los Angeles, West Adams, University Park, Florence, Watts, Downtown Los Angeles and Skid Row.Greg "Baba" Akili is a longtime community, civil rights,  and labor organizer and a well-respected leader in Black Lives Matter movement in Los Angeles.  Akili, as he likes to be known, is a senior advisor to the Black Worker Center at UCLA and one of the leaders of Black Lives Matter Los Angeles. He has worked for the United Farm Workers, the Obama presidential campaign, and campaigns to protect voting rights and social security. I first met him in 2008 when he was training people –including me – to be organizers for the Obama campaign.He has the endorsements of:Sen. Lola Smallwood CuevasAssembly Member Buffy WicksLA City Controller Kenneth MejiaHon. Herb Wesson, Jr., 65th Speaker of the State AssemblyDr. Daniel Lee, Mayor of Culver City, retiredDolores Huerta, American Civil Rights leaderDanny Glover, American Actor, Film Producer and ActivistDr. Cornel West, American philosopher and political activistCarl Douglas, Civil Rights AttorneyDr. Melina Abdullah, Civil Rights leader, BLMLA & BLM GrassrootsYou can learn more about him at: https://akili4thepeople.com/

Robert F. Kennedy Jr.'s career began in 1985 as an attorney for the environmental nonprofit RiverKeeper. He became one of the most influential environmentalists in the United States, receiving TIME Magazine's "Hero of the Planet” and the Sartisky Peace Award.Son of Senator Robert F. Kennedy and the nephew of President John F. Kennedy, Bobby Jr. was a lifelong Democrat but became increasingly estranged from the party in the 2010s as it drifted away from its traditional values. He made his final break on October 9, 2023, when he announced his candidacy as an independent for President of the United States. Bobby has spent nearly 40 years fighting corrupt corporations and government agencies. During his tenure at RiverKeeper, he successfully sued dozens of municipalities to force compliance with the Clean Water Act. He won cases against corporate giants too, including a suit against General Electric for toxic runoff from its corporate jet hangar and a court order against ExxonMobil mandating they clean up tens of millions of gallons of spilled oil in Brooklyn, NY. Building on the success of the local Riverkeeper model, Bobby co-founded the WaterKeeper Alliance and served as its President for 21 years. Under his direction, it became the world's largest nonprofit devoted to clean water and now protects 2.7 million miles of waterways with over a million volunteers in the United States and 46 other countries. Bobby's work has emphasized protection of local communities in their battle against corporate and government polluters. Some of his most noteworthy victories include: Beginning in 1985, Kennedy helped the Natural Resources Defense Council (NRDC) establish an international program for environmental, energy and human rights. On behalf of this program he assisted indigenous people in Canada and Latin America protecting their homelands and wilderness areas from unwanted large-scale extractive energy projects. Bobby Kennedy was an early and vocal critic of President Bush's decision to invade Iraq and the US enhanced interrogation program at Guantanamo Bay and around the world. He has also been a devoted supporter of union rights, going on hunger strike with United Farm Workers and serving as a pall-bearer during the funeral of Cesar Chavez. Bobby has consistently argued that those who work hard in the United States should be able to afford a good life. Bobby's activism around toxic pollution led him to lobby successfully for the removal of mercury from most childhood vaccinations in the United States. The pharmaceutical megacorporations are by far the most heavily fined and criminally prosecuted companies in America, yet also some of the most powerful. His nonprofit, Children's Health Defense, has long been a key crusader against the corruption of this industry and its influence in government. Bobby is an avid outdoorsman, master falconer and white water kayaker. He has authored a dozen books on subjects ranging from environmental protection to American history and public life, including children's books on the lives of St Francis of Asisi and Robert Smalls. In October 2011, Bobby founded EcoWatch, a leading environmental news site, and was an editor of Indian Country Today, North America's largest Indigenous newspaper. Bobby is the proud father of seven children and grandpa to two grandkids.

Whether trying to influence involvement in foreign wars, fight for social justice, or win an election, effective organizing is crucial. Here's my 2012 conversation with MARSHALL GANZ, who dropped out of Harvard in 1964 to participate in Freedom Summer, worked for years as one of the lead organizers for United Farm Workers, and helped devise the grass-roots model for Obama's 2008 campaign. Now a lecturer in public policy at Harvard, I can say without reservation, we need to learn from him. You can find more at marshallganz.com

On this Fortnightly FREQout mini-episode, Kat is reflecting on what good can come from Thanksgiving with a documentary recommendation and support for United Farm Workers, as well as an overview of some media she saw over the holiday break, including Taika Waititi's Next Goal Wins.Links Mentioned:“Harvest of Shame” documentary: https://www.youtube.com/watch?v=yJTVF_dya7EDonate to United Farm Workers: https://ufw.org/sparechange/Trek Marry Kill podcast: https://podcasts.apple.com/us/podcast/voy-death-wish-s2e18-with-kat-spada-feminist-frequency/id1652275008?i=1000636757467Find Kat:twitter.com/kat_ex_machinaFind Feminist Frequency:Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramtwitch.tv/femfreq

Born in Yuma, Arizona, César Chávez began his working life as a manual laborer. After serving in the U.S. Navy, Chávez moved to California to join an organization that helped laborers register to vote. This week's guest is historian Miriam Pawl. He later began organizing strikes among farm workers, calling for better pay and working conditions. Chávez eventually co-founded the labor union that became known as United Farm Workers. In this first published anthology, from 2002, the editors of The Words of César Chávez reveal how the labor leader presented his calls to action and sought to inspire his audiences. Learn more about your ad choices. Visit megaphone.fm/adchoices

Born in Yuma, Arizona, César Chávez began his working life as a manual laborer. After serving in the U.S. Navy, Chávez moved to California to join an organization that helped laborers register to vote. This week's guest is historian Miriam Pawl. He later began organizing strikes among farm workers, calling for better pay and working conditions. Chávez eventually co-founded the labor union that became known as United Farm Workers. In this first published anthology, from 2002, the editors of The Words of César Chávez reveal how the labor leader presented his calls to action and sought to inspire his audiences. Learn more about your ad choices. Visit megaphone.fm/adchoices

Throughout decades of protecting workers and their rights, the United Farm Workers union has been a significant nexus for artists and activists. In this episode, listen to three artists who have been instrumental in illustrating and activating the labor advocacy of the UFW, as Barbara Carrasco, Carlos Almaraz, and Ester Hernandez recount the importance of collective action and working alongside Cesar Chavez and Dolores Huerta. Show Notes and Transcript available at www.aaa.si.edu/articulated

Co-founder of the United Farm Workers Association, Dolores Clara Fernandez Huerta is one of the most influential labor activists of the 20th century and a leader of the Chicano civil rights movement.  Born on April 10, 1930 in Dawson, New Mexico, Huerta was the second of three children of Alicia and Juan Fernandez, a farm worker and miner who became a state legislator in 1938. Her parents divorced when Huerta was three years old, and her mother moved to Stockton, California with her children. In 1955 Huerta began her career as an activist when she co-founded the Stockton chapter of the Community Service Organization (CSO), which led voter registration drives and fought for economic improvements for Hispanics. She also founded the Agricultural Workers Association. Through a CSO associate, Huerta met activist César Chávez, with whom she shared an interest in organizing farm workers. In 1962, Huerta and Chávez founded the National Farm Workers Association (NFWA), the predecessor of the United Farm Workers' Union (UFW), which formed three year later. Huerta served as UFW vice president until 1999.Throughout her work with the UFW, Huerta organized workers, negotiated contracts, and advocated for safer working conditions including the elimination of harmful pesticides. She also fought for unemployment and healthcare benefits for agricultural workers. Huerta was the driving force behind the nationwide table grape boycotts in the late 1960s that led to a successful union contract by 1970.The recipient of many honors, Huerta received the Eleanor Roosevelt Human Rights Award in 1998 and the Presidential Medal of Freedom in 2012. As of 2015, she was a board member of the Feminist Majority Foundation, the Secretary-Treasurer Emeritus of the United Farm Workers of America, and the President of the Dolores Huerta Foundation.https://www.doloreshuerta.org/ You will find the full transcript at https://interspanish.buzzsprout.comAs always, I really appreciate your thoughts and feedback about the show. You can reach out to me :Email me episode suggestions to: InterSpanishPodcast@gmail.comYouTube:https://www.youtube.com/@interspanishpodcastFacebook: https://www.facebook.com/interspanishPodcast/about/?ref=page_internalInstagram: https://www.instagram.com/interspanish/Listen: https://interspanish.buzzsprout.com/shareTwitter: https://twitter.com/InterSpanishPod

We're back from Labor Day weekend and talking about a group of laborers that's in short supply these days: farmworkers. The people who pick the food we eat are considered the backbone of the agricultural industry. So why are they treated differently than other workers and often go without the same labor protections like overtime and the right to unionize? On the show today, Mary Hoopes, associate law professor at the Pepperdine Caruso School of Law, explains why agricultural workers were left out of the New Deal’s labor protections, what's changed since then and the exploitative nature of temporary visa programs used to fill ongoing farm labor shortages. Where do Big Ag and American consumers fit in all of this? And will the massive 2023 Farm Bill help? Then, we’ll get into how a drop-off in funding for many federal aid programs could impact low-income families. And projections from Bloomberg Economics show that China will probably not surpass the U.S. as the world's largest economy by 2030, as many economists had predicted. If not 2030, when? Later, a listener tells us about why it’s difficult to avoid single-use plastics in the health care industry. And evolutionary biologist Jonathan Losos was wrong about why cats meow. Here’s everything we talked about today: “Regulating Marginalized Labor” from the Hastings Law Journal “The Food and Farm Bill Can Do a Lot for Workers” from the Union of Concerned Scientists “Can the United Farm Workers of California Rise Again?” from The New York Times “As these farmworkers’ children seek a different future, farms look for workers abroad” from NPR “Farm Workers Exposed to Climate Change Effects Are Demanding Protections” from PBS The incredible American retreat on government aid from The Washington Post “A D.C. grocery store is removing Tide, Colgate and Advil to deter theft” from The Washington Post “China Slowdown Means It May Never Overtake US Economy, Forecast Shows” from Bloomberg “Opinion | Single-use plastics are everywhere in health care. That must change.” from The Washington Post We want to hear your answer to the Make Me Smart question. You can reach us at makemesmart@marketplace.org or leave us a voicemail at 508-U-B-SMART.

We're back from Labor Day weekend and talking about a group of laborers that's in short supply these days: farmworkers. The people who pick the food we eat are considered the backbone of the agricultural industry. So why are they treated differently than other workers and often go without the same labor protections like overtime and the right to unionize? On the show today, Mary Hoopes, associate law professor at the Pepperdine Caruso School of Law, explains why agricultural workers were left out of the New Deal’s labor protections, what's changed since then and the exploitative nature of temporary visa programs used to fill ongoing farm labor shortages. Where do Big Ag and American consumers fit in all of this? And will the massive 2023 Farm Bill help? Then, we’ll get into how a drop-off in funding for many federal aid programs could impact low-income families. And projections from Bloomberg Economics show that China will probably not surpass the U.S. as the world's largest economy by 2030, as many economists had predicted. If not 2030, when? Later, a listener tells us about why it’s difficult to avoid single-use plastics in the health care industry. And evolutionary biologist Jonathan Losos was wrong about why cats meow. Here’s everything we talked about today: “Regulating Marginalized Labor” from the Hastings Law Journal “The Food and Farm Bill Can Do a Lot for Workers” from the Union of Concerned Scientists “Can the United Farm Workers of California Rise Again?” from The New York Times “As these farmworkers’ children seek a different future, farms look for workers abroad” from NPR “Farm Workers Exposed to Climate Change Effects Are Demanding Protections” from PBS The incredible American retreat on government aid from The Washington Post “A D.C. grocery store is removing Tide, Colgate and Advil to deter theft” from The Washington Post “China Slowdown Means It May Never Overtake US Economy, Forecast Shows” from Bloomberg “Opinion | Single-use plastics are everywhere in health care. That must change.” from The Washington Post We want to hear your answer to the Make Me Smart question. You can reach us at makemesmart@marketplace.org or leave us a voicemail at 508-U-B-SMART.

In this month's bonus episode, Liza is joined by Marc Grossman who was speechwriter, press secretary, and personal aide to Cesar Chavez for 24 years. Marc shares his unique insight into the marriage of Cesar and Helen Chavez, and how Helen was a powerful force in her own right and became the mother of the United Farm Workers' movement. We're working hard on Season 2! Until then we will be releasing special bonus episodes from time to time. Want to support the show? Rate and review wherever you listen to your podcasts, and keep sending suggestions of Significant Others you'd like to hear about our way at significantpod@gmail.com!

By the early 1970s the United Farm Workers had won a series of successes in California and were attempting to extend their reach into other states. But soon, conservative politicians began to push back and the losses started mounting. Cesar Chavez began criticizing and alienating friends and fellow union leaders as he struggled to maintain control of the movement he had worked so hard to build. Soon he would find that his dream to empower farm workers was unraveling.Listen ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App. https://wondery.app.link/historytellersSupport us by supporting our sponsors!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In 1964, the United States finally ended the controversial Bracero Program, which had flooded American farms with millions of low-paid guest workers from Mexico who competed for jobs with resident laborers. Soon after, the two largest farm worker unions in California united and launched a daring strike against the state's wealthiest grape growers. Under the charismatic leadership of Cesar Chavez, the United Farm Workers of America coalesced into a powerful movement that drew national attention and forced growers to the bargaining table.Listen ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App. https://wondery.app.link/historytellersSupport us by supporting our sponsors!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the 1940s and ‘50s, farm laborers in California, many of them Mexican and Filipino, faced low wages and brutal working conditions. Their demands for change were often met with harsh tactics from the powerful growers. Soon, a plainspoken but magnetic labor organizer named Cesar Chavez stepped forward to rally workers in California's San Joaquin Valley. Chavez and his allies joined forces to call an unprecedented strike, giving birth to the United Farm Workers of America.Listen ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App. https://wondery.app.link/historytellersSupport us by supporting our sponsors!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.