Podcasts about art business

Welcome to the Wednesday Weekly Win, our business breakthrough story series. Each week, we sit down with real entrepreneurs from our Business By Design community who are building digital businesses and creating results that once felt impossible. Today, Jenni is live in the studio with none other than the Next Level "Breakthrough of the Year" winner, Chanelle Jefferson. Every year at Business by Design Live, a handful of finalists take the stage to share their massive transformations in a five-minute, TED-Talk-style presentation. The live audience votes, and Chanelle took home the top honor along with a $20,000 cash prize. Why? Because she completely revolutionized how artists sell their work, choosing to step off the exhausting, traditional hamster wheel of hoping and praying at gallery shows to build an incredibly intentional, highly profitable digital machine.  Chanelle opens up about her raw journey from running a chaotic, all-consuming $300k service business with zero profit, zero structure, and a team member she had to babysit, to finding true alignment. She reveals how she looked her numbers in the eye, restructured her entire business model using the core principles of Business by Design, and built a sustainable, multiple six-figure ecosystem with a consistent 40% to 50% profit margin - plus so much more!  This is another real story of clarity, momentum, and the breakthroughs that happen when you finally stop guessing and start following a proven path. From first digital products to 6-figure launches, to building audiences and scaling systems, every conversation reveals the mechanics of what actually creates growth in a digital business. Because when you see someone just a few steps ahead of what you're doing, something powerful happens. James's biggest free training of the year is right around the corner… The Business Breakthrough Experience - and the first live training kicks off TOMORROW, June 11th.  And leading up to it, we're creating even more opportunities for you to get the coaching, clarity, and momentum your business truly deserves. We've been hosting a special series of live panels featuring incredible Digital CEOs—like Chanelle—who are in it, doing it, and ready to share what's actually working right now. These aren't just sit-back-and-watch sessions… You'll be able to join us live on Zoom, ask your questions, and get real-time coaching from experts who have been exactly where you are. And the best way to make sure you don't miss a single one? Register for The Business Breakthrough Experience. You'll be the first to know about every panel, every opportunity to get coached, and every new Wednesday Weekly Win episode—so you can stay inspired, take action, and keep moving forward.

Artists are carrying a lot right now. Burnout. Pressure. Perfectionism. The feeling that you have to do business a certain way in order to succeed online.In this episode of the Made Remarkable podcast, I sit down with artist, teacher, and Create to Breathe founder, Tish Reed, for a deeply honest conversation about creativity, motherhood, mental health, community, teaching art online, and building a business that actually fits your life.Tish shares how she walked away from art for years after becoming a mother, the depression and creative disconnection that followed, and the powerful moment that brought her back to painting. What started as quietly writing painful thoughts onto a canvas became the foundation for the work she teaches today.We also talk about: • Why creative play matters more than perfection • The difference between selling art and teaching art • How artists lose themselves trying to create for buyers • Building a slower, more sustainable teaching business • Why YouTube is becoming a powerful platform for artists • The pressure of Instagram and content burnout • ADHD, motherhood, nervous systems, and creative energy • Letting your business grow at the pace that works for your real life • Why Build It Remarkable is more mentorship than “course”This conversation is for artists, teaching artists, and creative educators who want to build something meaningful without becoming another exhausted content machine online.You can find Tish Reed at Create to Breathe, on YouTube at Tish Reed Art, and through her beautiful Play-ing Cards designed to help artists reconnect with creative play and presence. For transcripts, more links mentioned in the episode, and for the full episode show notes

This week on Paige's Pod, I'm joined by artist and entrepreneur Forrest Elliot for a deeply real conversation about creativity, reinvention, and building a life that actually feels aligned. We talk about everything from art school and career pivots to treating art like a business, trusting your gut, and learning how to become a friend to yourself. Forrest shares his journey from photography to painting, launching multiple creative ventures, and creating intentional spaces - like his upcoming retreat that help people reconnect with themselves and their creativity. If you've ever felt stuck, boxed in, or unsure what's next…this one's for you. We get into:Creative pivots + starting overArt as a business (without losing the soul)Confidence, healing, and identityCommunity + connectionTaking risks and trusting your intuitionMain takeaway:Burn the box. Do the thing.https://www.forrestelliott.comhttps://www.instagram.com/forrestkelliottRead Paige's substack article HERE

There's a town in Texas called Round Top. Population eighty-seven. One square mile. And in that town, an artist named John Lowry sold a single painting for $141,500. (We toured his gallery on YouTube — link's right there in his name. Watch it before or after this episode.) That's the headline. Here's the part nobody tells you: he then sold roughly $60,000 more in reproductions of that same image. Same painting. Different mediums, different sizes, different price points. One image, two hundred grand. That is not luck. That is not a once-in-a-lifetime fluke. That is a system. And the same system is what Gray Malin uses to run a 4,156-SKU catalog with 221 variants of certain images. The same system is what Wyland — yes, that Wyland — uses to sell 972 products across 45 different mediums, raising prices roughly 10% a year for the last sixteen years. This episode deconstructs the engine that makes all of that possible. Print on Demand and the sample ladder aren't two ideas. They're one engine. The artists at the top of this business have figured that out. Most artists haven't. We're going to fix that today. But first — a quick rant about what gets in the way. In this episode: The $141,500 painting in a town of 87 people — and why the second sale is the lesson The knife salesman pivot: why Print on Demand is a sample tool first, a profit tool second Hobbyist or business? The honest question every artist has to answer The Drain — four ideas clogging up most art businesses (you can't run a business / you can't run sales or marketing campaigns / you can't be perceived a certain way / never discount your work) — and why every pro you admire threw all four of them out Why we study the masters: you studied Van Gogh and Ansel Adams in art school. Time to study the people doing it best in the business of art. Gray Malin, deconstructed: 4,156 SKUs, 16-year escalator, 221 variants of single images. What an artist with a real engine looks like under the hood. Wyland, deconstructed: 972 products across 45 mediums. The 10%-a-year price escalator that compounds for decades. The catalog as a museum gift shop. The Range Unlock: your catalog isn't N images. It's N images × M mediums × P price points. Most artists are sitting on 100x more inventory than they think. Same image. Every price point. Why this is the single most important sentence in your art business. The bottom rung IS the sample: a $20 mug isn't a giveaway, it's a customer-acquisition machine wearing a price tag The Buc-ee's flex: how the cheap stuff at the front door funds the expensive stuff at the back wall John Lowry, the customer mirror: an Art Storefronts customer in a one-square-mile Texas town doing exactly what Malin and Wyland do — at his scale. Proof this isn't a billionaire-only game. (Watch the full studio tour on YouTube.) "You don't sell JPEGs" — the Brooks rant about why a digital file is not a product, and what the pros actually sell How the Six Basics from The Long Game show up — receipt by receipt — in all three of these businesses The artichoke storage room (you'll know what this means by the end) This week's homework: audit your own catalog the way we just audited Malin and Wyland. Take your top 5 best-selling images. Count how many mediums you currently offer them in. Count how many price points. Now ask: could I responsibly add three more variants of each, this week, with Print on Demand? If the answer is yes — and it almost always is — you just found revenue you already earned but haven't collected yet. Resources mentioned: John Lowry of Humble Donkey Studio — the full video tour on YouTube (the original 2024 interview referenced throughout this episode) Humble Donkey Studio — John Lowry's website Humble Donkey on Instagram Gray Malin — the catalog we deconstruct Wyland — the other catalog we deconstruct Art Storefronts — the website + storefront engine built for working artists Related episodes: Why Your Website Will Still Be Working in 2055 — The Long Game (the parent episode this one builds on) Humble Donkey Studio — the original John Lowry interview, July 2024 All Oars In — The Anatomy of a Sale Nothing New Under the Sun — The Rules That Actually Sell Art So: which 78-year-old version of yourself wins? The one still asking what to post on social media, or the one running a real engine — same image, every price point, compounding every year? You don't have to be in a billionaire's neighborhood to do this. You can be in Round Top, Texas. Population 87. The engine doesn't care where you live. It cares whether you build it.

In Episode 315 of The Rainmaking Podcast, Scott Love shares seven powerful business development lessons learned from building his art business—and how those same principles apply to law, recruiting, consulting, and high-level B2B sales. From niching deeply and creating true distinction to forming strategic alliances and leveraging charitable relationships, Scott explains how success in one domain can translate directly into another. The core message: the fundamentals of rainmaking are universal—you just need to apply them intentionally. Scott also dives into advanced concepts like storytelling, relationship-driven marketing (instead of constant pitching), and continuous learning as a competitive advantage. Whether you're a law firm partner, investment banker, or professional services provider, this episode delivers a practical framework for building visibility, attracting opportunities, and creating long-term client relationships. If you want to grow your book of business in a more strategic and sustainable way, this is a must-listen episode. Visit: https://therainmakingpodcast.com/ YouTube: https://youtu.be/F2Bt3wI4YrI ----------------------------------------

How do I attract aligned clients to my art business?In this one question channeling session, Jacqueline Philip asks what she is required to be and do to expand her art business and receive more aligned and ready clients.What unfolds is not a traditional answer about marketing or strategy, but a transmission that reframes her work entirely — from creating art to facilitating experiences, activation, and leadership through creativity.What This Episode Explores• attracting aligned clients through alignment, not effort • art as energetic transmission, not just visual expression • expanding a creative business beyond traditional models • stepping into visibility, leadership, and facilitationInside the TransmissionThis session introduces a deeper perspective on Jacqueline's work as an artist whose paintings carry energetic transmission — something that can be received even without physical contact.The guidance moves beyond “how to get clients” and instead points toward:creating immersive experiences and retreatsworking with environments like the Northern Lights as part of the creative processstepping into leadership within both creative and corporate spaceshelping others reconnect with creativity, energy, and inspirationRather than scaling in a conventional way, the transmission suggests expanding the way the work is experienced.This Episode Is For You Ifyou are an artist or creative whose work feels deeper than just skillyou want aligned clients but don't resonate with traditional marketingyou feel your work carries energy, meaning, or transmissionyou are exploring how to expand your business without losing alignmentAbout Season 20Season 20 features real One Question Channeling Sessions.Each episode includes one guest, one question, and one direct transmission — shared exactly as it happened.Links

Oil Perfume Workshop : https://partiful.com/e/Kofb2T5O9t89OEvKa2nt Business Channel : https://www.youtube.com/channel/UC0Cx0NJE8BrkdTo4QVb4New Atelier channel : https://www.youtube.com/@lorenthestoryteller In this episode we are discussing branding and positioning as an artist especially if you are multi-passionate. Website : https://www.lorenajoamayala.com/ Please do not use the music in my podcast as I make it myself. IG : @studiomayala IG : @tellemloren

Ever wonder how your favorite illustrators design their workspaces? Jake Parker, Sam Cotterill, and Lee White take you into their studios, past, present, and future. Plus, discover the accessories they can't live without! 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Can you hold your own against all the other illustrators in the world? In this minisode, Jake Parker and Anthony Wheeler reframe how you think about success and competition. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Your art business needs a spring cleaning — and not the kind where you reorganize your studio. If the only thing you sell is wall art at $500+, you're leaving most of your potential customers on the table. This episode breaks down how to restructure your product lineup, why low-ticket items are your secret weapon, and why RIGHT NOW is the moment to act. In this episode: Why a $2,000 Facebook ad campaign got zero purchases (and what it teaches you about your lineup) The price ladder framework: three tiers every artist needs How selling a $40 phone case leads to a $5,000 original sale Americans check their phones 186 times a day — why that's your biggest marketing opportunity The 5-step spring cleaning action plan you can start this week Key stats from this episode: Average tax refund: ~$3,100 (that's a painting) 186 phone checks per day — Reviews.org, 2026 $26 billion US phone case market 84.6% of people check their phone within 10 minutes of waking up Related episodes: Get Buyers to Act Fast: Tips for Setting Up Your Art for Impulse Purchases Staggering Art Economic Trends, the Spring Selling Season Merchandising 101 The Importance of Print on Demand How Many Times a Day Do You Pick Up Your Cell Phone? Your homework: Audit your lineup today. Write down everything you sell and its price. If you don't have something under $50, add one this week. Easter, Mother's Day, and Father's Day are coming — the wind is at your back.

Margo is joined by artist and illustrator Madison Phipps, the creative force behind Madison Phipps Studio. Known for her feminine, timeless botanical artwork rooted in nostalgia and storytelling, Madison shares how she's built a growing art business while balancing motherhood and a full-time job. From painting in the quiet margins of her day to landing dream collaborations and launching collections, this conversation is a refreshing and honest look at what it really takes to pursue creativity in the "messy middle." Margo and Madison explore the mindset shifts, practical strategies, and courageous decisions that helped her turn a personal creative practice into a thriving business, without waiting until everything felt "ready." Margo and Madison discuss: Using the question "what's the best that could happen?" as a roadmap for growth and decision-making How sharing her journey on TikTok helped her grow a community and gain visibility Pitching yourself before you feel ready—and how cold outreach led to major opportunities The inspiration behind her nostalgic, botanical artwork rooted in childhood memories Launching and sustaining a snail mail print club as a recurring revenue stream Lessons from collaborations, including her botanical collection with Paloma & Co Balancing ambition, creativity, and family life without burning out Connect with Madison Madison Phipps Studio: https://www.madisonphippsstudio.com/ Instagram: https://www.instagram.com/madison.phipps.studio/ TikTok: https://www.tiktok.com/@madisonphippsstudio Connect with Margo: Website: www.windowsillchats.com Instagram: @windowsillchats www.patreon.com/inthewindowsill https://www.yourtantaustudio.com/thefoundry

Should you let trends drive your creativity? How concerned should you be about saturated markets? Sam Cotterill, Lee White, and Jake Parker discuss the state of the publishing industry and how to navigate it successfully in 2026. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

The daily work of running an art business always feels urgent. The strategic work doesn't. So it waits. But postponing that deeper evaluation isn't okay. In this solo episode, host Alyson Stanfield names five specific costs that accumulate when the strategic work keeps getting pushed to next month, next quarter, next year. In this episode: Why tactical delays and strategic delays are two different problems The question Alyson asks every client when a deadline feels far away What it means to leave money on the table, and why it's such an easy cost to ignore How unresolved strategic questions become a constant tax on your attention Why execution without direction is just activity What happens psychologically every day you don't begin the work you've been putting off Resources & links Stop Being Busy. Start Being Strategic. (258) Do You Have the Art Business You Actually Want? (259) The Art Business Self-Assessment Every Artist Should Do (260) Read more in depth, get links, and see featured artists Email me to discuss strategic consulting for your long-term career goals. Think you'd make a good guest on The Art Biz? Read This The Art Biz is recorded on the traditional land of the Cheyenne, Arapaho and Ute tribes.  

Want the key to original storytelling that resonates with audiences? Jake Parker, Sam Cotterill, and Lee White teach the principles of making meaningful art (even if you're short on new ideas).  3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

After years as an art critic writing about art, art consultant Michael Reid decided to take the plunge into the business side of the market and become a gallerist. He had his university degrees, but Michael Reid knew his strongest foundation actually came from his time spent honing expertise and his business sense inside Christie’s, the massive global art world juggernaut. Based in London, Michael discovered that exposure to art and auctions and the business of art on the international stage was the best qualification he could possibly have. This self described boy from country NSW, who describes himself as super ambitious, who is building and growing his “world” as he calls it, who has built physical galleries, online platforms, food destinations, a current pop-up gallery in Los Angeles with plans for a permanent exhibition space there, who loves to drop names and sells to some of the finest collectors in Australia, operates his global business from his quiet, peaceful home in a tiny town, yes … back in country NSW. And he’s not finished yet.See omnystudio.com/listener for privacy information.

Emily Jeffords is back on The Create! Podcast and this one is for every artist who is quietly wondering if there is a better way to do this. Emily is a painter, educator, and founder of the Making Art Work program - and she brings a level of honesty to this conversation that is genuinely rare. We talk about what it looks like to be in an "incubation year," the bravery it takes to begin again after you've already mastered something, and why the sale starts long before anyone opens their wallet - it starts when you fall back in love with your own work. She shares the real story behind her commission journey, from charging 5% of what she charges now to intentionally opening just three spots for large-scale work and selling them all. We get into how she structures commissions entirely on her own terms, the nervous system collapse that was her 2021 burnout, and why she chose to scale her business down from seven figures - and has never looked back. This episode is honest, practical, and genuinely grounding. I hope it gives you the permission slip you didn't know you needed. In this episode: What an "incubation year" actually looks like in your creative business The bravery of beginning again after you've already mastered something How Emily structures commissions so she stays creatively in charge Selling older work - three tips for falling back in love with your inventory Why she walked away from a seven-figure business and what she built instead Burnout as a nervous system issue, not a productivity problem The 1% a day mantra inside Making Art Work What profitability really means for artists beyond money Links mentioned: Emily's free 4-day Share Your Work Challenge - starts March 24   Emily's Making Art Work 9-week program  Submit to Create! Magazine: - createmagazine.co/call-for-art

Send us Fan MailIf you've ever Googled "how to price my art" or "how to grow a creative business" hoping someone would just hand you the right answer — this episode is for you. Rebecca digs into why making confident business decisions as an artist or maker isn't about finding the perfect formula. It's about treating your art business like a science experiment: forming a hypothesis, testing it, analyzing what actually happens, and adjusting from there. Whether you're a full-time maker relying on your craft sales to pay the bills, or a side-hustle artist still holding onto that day job, this episode will help you stop waiting for permission and start making decisions that actually move your creative business forward.Come find me at NCECA to get your free Maker's Playbook sticker!Love this podcast? Support an episode! Click here to learn more. Follow The Maker's Playbook on Instagram @themakersplaybookHave questions about the show or want to say Hi? Email us at: podcast (at) makers-playbook (dot) com

My Art Business Assessment — Used with Every Client 50% In this solo episode of The Art Biz, host Alyson Stanfield introduces the 3-zone framework she uses with every private client to assess where an art business actually stands. It's the same structure at the heart of the Art Business Reset workshop, and this episode is your chance to walk through it on your own. Alyson covers: The question she asks before any strategy conversation The 3 zones that account for everything you do to build your art business outside of making the work: Outreach, Presence, and Systems The breakdown of what each zone covers and questions to ask for your assessment Why you can't neglect in-person networking and follow-up Mentioned Do You Have the Art Business You Actually Want? (259) Stop Being Busy, Start Being Strategic (258) Art Business Reset on March 31, 2026 Read more, get mentioned resources, and see featured artists Email Alyson to discuss strategic consulting for your long-term career goals. Think you'd make a good guest on The Art Biz? Read This The Art Biz is recorded on the traditional land of the Cheyenne, Arapaho and Ute tribes.

Ever wondered if your business idea is viable? If there's a market for your product? If you can succeed in this chaotic climate? Dusty Droz of Dux Somnium Games joins Jake Parker and Samantha Cotterill to share how you can create a thriving business from the most niche ideas in 2026 and beyond. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

If you want to sell more art, stop tracking likes and start tracking the leading indicators that actually create consistent sales. In this episode, I'm breaking down the most important concept artists miss when it comes to growing income: sales are a lagging indicator.  Sales are the harvest. The smoke. The result. So if you want consistent sales, you have to track the leading indicators, the seeds you're planting that create those results later. We'll cover metrics across five areas: Creativity metrics Visibility metrics Email metrics Relationship metrics Mindset metrics And then we'll land on the one metric that matters most: consistency. Because better art, better marketing, and better sales won't happen without it.  If you've been feeling powerless when sales slow down, this episode will give you your agency back, plus a simple tracking framework that helps you adjust without spiraling. Make sure to subscribe to this podcast so you don't miss a thing! And don't forget to come hang with me on Instagram @jodie_king_. Interested in being a guest on a future episode of Honest Art®? Email me at amy@jodieking.com! Resources mentioned: Join me for an in-person workshop: https://jodieking.com/workshop  Looking for an artist community? Join us in the Honest Art® Society: https://www.jodiekingart.com/has  Jodie's FAVORITE business tool. Does Instagram feel overwhelming? Learn how to attract collectors on IG Need to learn how to use email marketing? This episode is for you! Active Campaign: www.activecampaign.com  Flo Desk: www.flodesk.com   Mailchimp: www.mailchimp.com Stop playing small and start creating with courage with the Honest Art® Society Elevate Your Art, Business, and Community inside the Studio Elite Mastermind Join Jodie for one of her upcoming workshops Worthy by Jamie Kern Lima: https://amzn.to/47x68bA  Have a question for Jodie? Ask it here: https://forms.gle/hxrVu4oL4PVCKwZm6  How are you liking the Honest Art® Podcast? Leave us a review on your favorite podcast platform and let us know!     Watch this full episode on my YouTube channel: https://www.youtube.com/playlist?list=PLMquJfuMsSg0fr46BRdia1cWd-81GThzF For a full list of show notes and links, check out my blog: www.jodieking.com/podcast   DISCLAIMER: Links included in this description might be affiliate links. If you purchase a product or service with the links that I provide I may receive a small commission at no additional charge on your end. Thank you for supporting my channel!

Most artists didn't design their art business — they drifted into it. In this solo episode, Art Biz host Alyson Stanfield invites you to slow down long enough to ask a question most artists never take time to ask: if you were starting fresh today, would you build it this way? In this episode, Alyson covers: Why most artists are running a business they drifted into rather than designed — and why that matters What a business model actually is (and why you already have one whether you designed it or not) The difference between examining your business and evaluating it, and why the order matters The foundational question she asks every new private client before anything else The six areas to examine when you're ready to take honest stock of what you've built Read more, get links, and see featured artists Mentioned Stop Being Busy, Start Being Strategic (258) When You Want to Sell More Original Art (257) Beyond Information: Why Artists Need Frameworks (251) Email me to discuss strategic consulting for your long-term art career goals. Think you'd make a good guest on The Art Biz? Read This The Art Biz is recorded on the traditional land of the Cheyenne, Arapaho and Ute tribes.

Why does fostering community matter? Jake Parker, Sam Cotterill, and Lee White share the benefits of a solid creative network (with a bonus discussion about what makes a best-seller!). 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Award-winning illustrator Raissa Figeuroa joins Sam Cotterill and Lee White to share her path from making art part-time to becoming the illustrator of over 25 books in 5 years.  3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

In this episode, I'm joined by printmaker and teacher Ruth Ander, an artist who proves you don't need a press, a studio, or a “proper setup” to make stunning work.We talk about how Ruth found printmaking, why she chose the path that felt right even when teachers told her not to, and how making at home gave her creative freedom.Ruth breaks down her process in a way that makes you want to clear off your kitchen table and start. Roll out a little paint. Pull a print. See what happens.But we also talk about what shifts when you decide your art is more than a side project. When you're willing to invest time, energy, and resources into building something sustainable. When you move from hoping it works to treating it like it matters.Ruth shares what changed when she stopped holding back and started building her art course business with intention.Her free event Make Your Mark begins February 27, Register HERE and Hand Printing Happiness opens next week, WAITLIST!Say Hi to Ruth on InstagramFREE Download: "Steal My Ideas: 100 ways to build a Profitable creative educator Business IN 2025" Grab it HERE New mini masterclass: The Profitable Course Creator is an instant access workshop to help Creatives, Artists and Makers discover how to achieve financial success as a course creator without sacrificing their passion. Learn More HEREFor transcripts, more links mentioned in the episode, and for the full episode show notes

Should you choose a niche and settle in, or follow the winds of inspiration? Jake Parker, Sam Cotterill, and Lee White teach how to pick the path that aligns with your values in this live-recorded Q&A.  3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

This week's episode of the Artist Academy Podcast, I'm giving you the honest talk I wish someone had given me earlier. We're covering the habits that quietly hold artists back—like hiding behind tools, blaming the algorithm, or constantly switching directions before giving anything a real shot.I break down why obsessing over your weak spots can keep you from becoming known for your strengths, why marketing isn't optional if you want paid opportunities, and why someone less talented might be earning more simply because they show up consistently. We'll also talk about the discomfort of being seen online, the discipline it takes to stick with something long enough to see real progress, and how investing in quality—whether that's materials, education, or mentorship—can fast-track your growth.This episode might sting a little, but if you're ready to stop spinning your wheels and start building traction, it's exactly what you need.

Are you marketing your art all wrong? Jake Parker, Lee White, and Anthony Wheeler discuss how to turn followers into customers (without cheap gimmicks). 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

This episode highlights our top moments discussing productivity for illustrators. Tune in for advice about designing your daily routine, deep work, accountability, and more. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Back from the SCBWI conference in New York, Sam Cotterill and Lee White recap the trip, from funny stories to biggest takeaways (plus tips on how to make the most of conferences like these).  3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

I want to hear your thoughts about the show and this episode. Text us here...In this episode of Casa De Confidence, Julie DeLucca-Collins sits down with acclaimed wildlife artist and gallery owner James Corwin for a powerful conversation about creativity, confidence, and building a sustainable business as an artist.James shares how growing up immersed in nature shaped his artistic voice, why discovering painting later in life changed everything, and how a single rhino painting sparked a breakthrough that transformed his career. Together, Julie and James explore the emotional power of storytelling through art, the importance of conservation, and how creativity can move people deeply, sometimes even to tears.This episode also dives into the realities of entrepreneurship for creatives. James opens up about the pressures of scaling too fast, the stress of running a second gallery, and the hard lessons he learned about focus, boundaries, and staying in his lane. His honesty about burnout, anxiety, and redefining success will resonate with anyone navigating growth while protecting their well-being.You'll also hear how travel fuels James' inspiration, from Africa to Costa Rica to underwater worlds discovered through scuba diving, and how he uses his art to support conservation efforts like Yellowstone Forever.Whether you're an artist, entrepreneur, or simply someone craving a more intentional, meaningful life, this conversation is a reminder that success doesn't have to come at the cost of your health or joy.In this episode, you'll learn:Why storytelling and emotion are at the heart of meaningful art The mindset shift creatives need to build profitable businesses Lessons learned from closing a high-stress gallery locationHow art can support conservation and environmental awareness Learn more about James' work, original paintings, prints, and commissions: https://www.jamescorwin.com https://corwingalleries.com Instagram Support the showOther helpful resources for you: For more about me and what I do, check out my website. Are you ready to get some help with:Podcast launch/re-launchPodcast growth, to increase your authority and position yourself as the thought leader you are. Or Leveraging your podcast to build your online biz and get more clientsSign up for a FREE 30 minute Confident Podcast Potential Discovery Call In this session I will: Identify the pain point that is holding you back. Suggest a next step strategy for solving the pain point.https://calendly.com/goconfidentlycoaching/30-minutes-free-coaching-sessioin Then we will talk about working together to accelerate the process. Do you want a podcast audit? Check out this link If you're looking for support to grow your business faster, be positioned as an authority in your industry, and impact the masses, schedule a call to explore if you'd be a good fit for one of my coaching programs. ...

Jake Parker and Samantha Cotterill interview Claudia Rueda, a Colombian author and illustrator whose Smushkin characters connect with young readers in unexpected ways. Learn about Claudia's path to illustration, the role of luck in an illustrator's journey, how to appreciate the small child's world, and more. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Jake, Sam, and Lee discuss Lee's untimely death, Jake's rules for 2026, and how to find work when you're in between jobs. Reflect, laugh, and gain inspiration for the new year with us. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Welcome to 2026! Hosts Quynh Nguyen, Sara Kim, and Jessie Chui reflect on the highlights of 2025 and share how they're approaching the new year with renewed purpose. From their favorite podcast moments to candid conversations about burnout, community, and social media, this episode offers a genuine look at what it means to balance artistry with entrepreneurship. Quynh opens up about personal challenges with her dog Butter's health and how she's navigating creative burnout. Sara and Jessie share thoughtful perspectives on how to reconnect with creativity through simple joys, honest reflection, and community support. Together, they explore the evolving world of social media, the importance of defining purpose across platforms, and the grounding power of real connection. “You don't always have to produce something to feel worthy. Sometimes doing nothing is what you need most.” - Jessie If you've ever struggled to find your creative spark again, this episode will remind you that you're not alone. Here's what you'll hear in this episode: Reflections on our favorite 2025 episodes and lessons we learned How we handle burnout and reconnect with creativity Defining the balance between artist and entrepreneur The evolution of social media and how we use it intentionally Upcoming details on the Paper Talk Mastermind (March 2026 cohort)

Want to avoid burnout, increase productivity, and have more fun in 2026? Jake Parker shares how seasonal living feeds the soul and how you can implement it into your creative practice. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Overwhelmed with ideas? Join Jake Parker, Samantha Cotterill, and Lee White to learn how to evaluate potential projects and make the best selection. Plus, get an insider preview at the projects our pros are working on in 2026. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Can you build an art career without social media? How helpful is AI, actually? Jake Parker, Lee White, and Anthony Wheeler discuss why human connections still outweigh algorithms and how you can use them to your advantage. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

If you've ever looked at your creative business and thought, “Everything feels important… so where do I start?” — this episode is for you. Today I'm breaking down a simple, coaching-backed framework to help artists decide what to focus on, reduce overwhelm, and get clear on the priorities that actually move your business forward. We'll talk about: How to identify your core revenue drivers The visibility platforms that truly grow your art business The systems that make everything easier A decision-making test you can use before choosing any task How to create clarity going into 2026 If you're ready to walk into the new year with more structure, more confidence, and a clearer plan for your creative business, this episode will give you the tools to simplify and refocus. And because this episode drops right before my Plan Your Most Profitable Creative Year Yet workshop, I'm sharing an exclusive listener-only discount code at the end. It's your last chance to join us and map out your most aligned and profitable 2026. Sign up here.  Perfect for artists, creative entrepreneurs, and anyone building an online or studio-based art business. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

host: Alyson Stanfield In 2020, Dawn Trimble was laid off from her interior design job during the pandemic while navigating a divorce—and she felt relief. That moment became a turning point. Within months of painting full-time, she launched her first collection, which sold out in days and matched her corporate paycheck. Dawn talks about the practical steps she took to build momentum, what she brought from her design background into her art business, how she thinks about creativity as service rather than self-expression, and why she believes the most important thing any artist can do is simply start. HIGHLIGHTS 01:40 Dawn describes her serene watercolor paintings 03:00 The relief of being laid off during the pandemic 05:40 Creating her first collection and selling out in days 08:00 The three-legged stool business approach 26:00 Wall covering licensing partnerships that surprised her with the size of the first checks 29:00 How she structures her week 32:00 Marketing through storytelling and connection 39:00 The "Memories" collection and her father's dementia 44:00 Her faith, viewing herself as conduit, not source 47:20 Her advice to other artists: just do it DAWN'S ACTION FOR YOU Dawn reminds us that everyone has insecurities and everyone is afraid. But you have to start anyway. As she mentioned, inspiration has to find us working. You can't sit around wishing—it has to be an action. So this week, get into your studio and make something. Let inspiration find you working. To read more, see images, find resources mentioned, and leave a comment, visit https://artbizsuccess.com/trimble-revenue Connect with Dawn and see more of her art: https://dawnmtrimbleart.com

Are celebrities worthy authors for our children? Is there still a place for highly detailed illustrations? Anthony Wheeler, Lee White, and Jake Parker discuss recent trends in indie kidlit, the evolution of the illustration industry, and more in this episode. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Today's episode is a powerful and honest conversation with artist Emma Katherine, whose Western-inspired paintings have exploded in popularity over the past year. We talk about what it's really like to grow a creative business while balancing motherhood, staying connected to your audience, and navigating the overwhelming parts of success that no one prepares artists for. Emma opens up about:• How her art business has evolved since she was last on the podcast• Balancing life as a new mom and full-time artist• The emotional and logistical side of rapid business growth• How she handles copycats, stolen artwork, and copyright issues• What she's learned from consulting with trademark and copyright attorneys• Why protecting your creative work matters at every stage• The mindset shifts that help her stay grounded and keep creating• Exciting new partnerships, collections, and events she's working on Whether you've dealt with copying in your own creative career or want to protect your work as your business grows, this episode is full of candid advice, real stories, and inspiration to help you move forward with clarity and confidence. Emma's work, growth, and perspective offer so much insight into what it looks like to build a meaningful brand as an artist today — and how to stay true to yourself in the process. Follow Emma: @emma_katherineartWebsite: emmakatherineart.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Can you succeed in illustration with a chronic illness? Samantha Cotterill shares her experience as an artist with rheumatoid arthritis with Jake Parker and Lee White. Discover how to rest without guilt and pace yourself for a long, vibrant career. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Why is in-person connection so important? Jake Parker and Lee White discuss the value of learning from and uplifting other artists in real life as Jake reflects on his takeaways from New York Comic Con.  3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

What's the best schedule for illustrators? How do you choose your materials? What keeps you motivated? Anthony Wheeler, Samantha Cotterill, and Lee White tackle their most commonly asked questions and pepper in time-tested advice. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

In this Write Big Session, Jennie and KJ dive into what it really means to “write big” when you're deep in the messy middle of a novel. KJ shares how she's tackling her new book by working backward from the ending—mapping out the emotional and plot arcs for each character to keep herself focused and out of the coffee-chat scenes she loves to write. Jennie cheers her on, unpacking how this kind of clarity, self-awareness, and trust in the reader is what turns a good book into a great one.TRANSCRIPT BELOW!THINGS MENTIONED IN THIS PODCAST* The Correspondent* KJ's Review of The CorrespondentSPONSORSHIP MESSAGEHey, this is Jennie Nash, and I wanted to invite you to check out my Substack newsletter, The Art & Business of Book Coaching. It's totally free unless you choose to support me, and it's secretly really great for writers. The reason is that book coaches are in the business of helping writers do their best work. So I'm always talking about writer mindset and things like helping a writer find their structure or find an agent or find their position in the marketplace. If you're considering investing in having somebody help you, it's a great way to get prepared to know who you might want to pick and what you might want to ask of them. You'll get an inside peek at the way that the people who are in the business of helping writers think about writers, and so in that way, it can help you become a better writer just by tuning in. I have a lot of writers following me over there, so if you're interested, come check it out you can find it at substack.com/@JennieNash. That's substack.com/@JennieNash, and it's J-E-N-N-I-E.EPISODE TRANSCRIPTJennie NashHi, I'm Jennie Nash, and you're listening to the Hashtag AmWriting Podcast. This is a Write Big Session, where I'm bringing you short episodes about the mindset shifts that help you stop playing small and write like it matters. Today I'm talking to KJ, and we're going to be doing recurring episodes where we talk about her efforts to play big and write big in her new novel. Hi, KJ.KJ Dell'AntoniaHi! This is going to be so fun. Okay, so I'll tell you what—yeah, I'll tell you what I've been working on. What I'm thinking—like, my theory here is sort of avoid the muddly middle by writing the end, or kind of outlining to the end. So I have about 30,000 words. I've really established things. The main events have really started to happen, and I know kind of where they're going, but I kind of hit a point where I wasn't sure, like, what should happen next, in what order. And I know myself—I am very prone, at this point, to just flaking off into people having coffee and talking.Jennie NashYes, you are! You are really good at that.KJ Dell'AntoniaExactly. And they would be very entertaining and enjoyable scenes of people having coffee and—or doing whatever. But there is—I mean, I have five point-of-view characters, one main one, but—and all of them have lots of stuff going on in their lives, some of which has to do with this, and some of which doesn't. Well, all of it does, but you don't—it's not all the core, either the core emotional plot or the core actual plot. So what I did was to start sketching out the stuff that happens next, and then I kind of have jumped ahead, and what I'm working on now—and I'd love your sort of feedback on this as an idea—is I wrote out, like, okay, here's the emotional end for each of these characters. Here's where they need to end up, and then here's the plot end for each of these characters in, like, the happy ending, if there was an epilogue—which this is not really that kind of book kind of way—just so I know, like, this is where… And now I am focused on, okay, what should, like, the last scene of this be? I know what happens, but I'm trying to figure out, like, what would be the—what would be the last thing? And I may get this in the wrong order, but anyway, that's where I am, and I'm going to build those backwards until I catch up to my middle, and I'm thinking that will keep me—keep my eye on the ball. What do you think?Jennie NashWell, I could not love this more for you. I really couldn't, because I know what you're trying to do, and I feel like you're doing it, and we're getting at this idea of what does it mean to write big, and you're trying to solve for something that you just identified for us—that you have it, you tend to fall into—and you're trying to not do that. And you're trying to write a bigger, better book because of it, and it's so interesting because it's a super nuanced thing you're talking about, but it's also where the difference—that's how you get from good to great—and you're trying to get to great. So I just love this so much. And what I hear is that you've outlined this book, which I know is hard for you, and now you're kind of using that outline to scaffold yourself to write an emotionally satisfying story. So I just—I love it as a tactic for writing big.KJ Dell'AntoniaBecause even if I go back to that outline, like, there are some things happening in these people's personal lives that are deeply important to them—and, I think, important to the reader—but not in the sense that I need pages and pages of either discussion or introspection about them. It's more that those are—that they really need to stay back, not background exactly, but in this intense moment of these people's lives, those things are still in their heads. Like, they're still going, you know, Wait, what just happened means that I am never going to get a resolution to this thing that I'm deeply worried about—but also I have to deal with this, with this death and this crisis. And so I was thinking that doing this would keep me focused on the emotionality of the crisis.Jennie NashYeah, because you're really good at plot. You're really good at plot, and the other component that—underlying what is—the emotion of this person is something you've had to work harder at. And what I love about that is that this is how you get really fully fleshed-out characters. Because, like, I have a friend who is going through a heartbreak, and every single thing she does right now is done through the lens of that heartbreak. So even if she says, “Hey, do you want to go on a whale-watching trip out to the islands this weekend?” it's not just about let's go on a whale-watching trip, right? It's about—KJ Dell'AntoniaRight.Jennie NashBut she's not going to say that when she asks me to go on the whale-watching trip. She's not going to say, “Because, you know, I'm lonely and sad,” you know? So what you're doing is giving your characters these rich lives. But that's not the story.KJ Dell'AntoniaAnd also, I think it will help me to trust the readers—to pay attention to what matters about the rich lives. So, you know, to trust the reader to keep in their head that if someone has a passing, fleeting thought about one of those emotional—you know, one of those pieces of emotional background—that they will still either be wondering about it, if I haven't revealed it yet, or, you know, recognize it for what it is. And I suspect that I'm going to forget some of them. As I go back through my outline, I'm like, Oh yeah, totally forgot she had this particular problem, and this is how this is going to be resolved. And that may mean that some of them don't stay, although I think they will. I think it just means that I got—that, you know, ninety thousand words' worth of story is a lot to keep in your head.Jennie NashSo when you sit down to write, how are you doing it differently? I mean, we know that you're very good at productivity—doing the stickers, sitting down, doing the work—but how are you making yourself think in this different way this time?KJ Dell'AntoniaI am not drafting. I am staring. And I have two—oh, I have a Google Doc of about forty-six files at this point. Then—actually, no, I think it's twenty-eight. So I have an outline that you are sometimes looking at, which has everything that I've written so far, and then a chunk of things that I know are coming up, where I could write those pretty quickly. The problem is… I would hit a wall at the end of them. So I want to come back and make sure that they're what I want to—or at least what I think I want to—write. So I'm going into a sort of a secondary outline, and I'm writing things like—because a lot of what's happening now is also that I am figuring out things that are happening now in the story that the reader won't know till the end, because a lot of people did a lot of stuff—Jennie NashYeah.KJ Dell'Antonia—in this twenty-four-hour period, and some of it you may never know, but I need to know how and why—Jennie NashYeah.KJ Dell'Antonia…they did those things. So I'm kind of writing like, “What if he did this?” and, “Oh, you know, but—but wait, why? Why would he show up there at this moment?” and, like, resolving that and kind of coming up with all of that, even though that isn't going to go in those pages. So I did—I worked on that this morning, and then I worked on—I wrote out the emotional ends for everyone. And now I'm just trying to—I'm thinking what I'll kind of do is I'll plot-outline backwards, and then I'll emotion-outline backwards-forwards from there.Jennie NashYeah. Yeah.KJ Dell'AntoniaNo, no—well, backwards, I think, maybe because I know where they're going to end. I don't know whether—or I'll sketch, I'll sketch in the emotional bit. So what you—when you were looking at this, you could see that there's a section of about seven lines that are pure plot.Jennie NashYeah. Yeah.KJ Dell'AntoniaBecause… that's just me. I think, at this point, because this is a thriller and it's complicated, I need to figure out—and then you and I—we had this great moment where, in one of those, I was like, I don't know whose point of view the scene was from, and you said something very useful to me, which is, “Whose story would seeing this affect most?” And I knew—and I immediately knew the answer to that. So—Jennie NashI… I thought that you might.KJ Dell'AntoniaThat was a great way to deal with that.Jennie NashYeah.KJ Dell'AntoniaYeah. I thought that you might. So I know we're talking vaguely, but it's this idea that when you have something that happens in the story, and there's choices about what is the result of that action in the story—that different things could happen, different people could show up, different things could be said, different, you know, directions could go from this plot point. And right—the quest—you were saying, I'm not sure who's going to be part of this action?Jennie NashWho's going to find it?KJ Dell'AntoniaRight?Jennie NashYeah, who's going to find this one character having this—I don't—I know—I don't want it to be from that character's point of view. Somebody needs to come upon a character, you know, who's just made a really crushing emotional discovery. And the question of who would—seeing that—whose emotional story would that alter the most? Because the plot at that point is going to be rolling. Like, I almost don't have just the facts of what's happening here; like, the plots are basically almost a one-line thing. So, like, the plot goes… yeah…Jennie NashThat's what we're getting at here. This is what it means to write big—it's what you're thinking about. We know what the plot is. It's really quite simple. I mean, it's straightforward, I should say—how you present it is not simple. And the emotional part—that's what's going to give us the emotional punch—is not simple. And so the decisions about every—at every plot point—what's going to give the most emotional resonance here—that's what writing big is. And you said something that I want to point back to, which is, you're holding all of this in your head. I have always said that I think the primary skill of a really skillful novelist is holding multiple things in their head at one time, right?KJ Dell'AntoniaIt's all in there. It's like a big—it's like a big sack of Jell-O.Jennie NashYeah? But the ability to—I mean, it's funny you use that metaphor—but it's more, it's more like, I think of it as threads. And you're like, “Okay, got this thread, and I got this thread, I'm holding these threads, and I'm weaving them together, and I have a grasp of all the threads.” That's what you're doing, and it's that—it's that skill. You have to have self-awareness, you have to have story awareness, you have to have confidence and authority—like, there are so many things that you have to have to pull that off, and I see that that's what you're trying to do here. And it's so cool to watch. I love it.KJ Dell'AntoniaAnd I don't feel like I have those things. And I do think, you know, as I'm thinking about listeners out there going, I don't have those things, I mean, I get that. I don't feel like I have them either. I think when we, as readers, are also seeing ourselves as a writer, like, a really common thing that we think as a reader is, Oh, I know how a story works because I've read so many of them. And then I personally had to learn from Jennie quite a few years ago now that that did not actually teach me how to do this—structure the spot—but the holding the whole mess in your head, I think that may be what you get from a lifetime of reading—is this ability to have a big, loose grasp and, you know, keep enough notes to know that you've put a—you know, a pin in some section to come back to it, and that kind of thing. I feel like that might be the thing that we do have within us.Jennie NashAbsolutely. I'm looking—I'm trying to find—I just started reading a book based on your recommendation, and I can't, I can't find it, but you're going to know what it is. It's the novel in letters, the—uh…KJ Dell'AntoniaOh, The Correspondent.Jennie NashThe Correspondent, thank you. I mean, I—KJ Dell'AntoniaThat's a first novel, but from a very adult human being. You know, it's not a first-first novel by a twenty-two-year-old. It's a first novel from probably somebody who's probably written a few.Jennie NashBut the reason that I—well, I always love the way that you talk about books. Your sense as a reader, I just really appreciate. But you said something about it—that this book really trusts the reader to fill in the blanks, to figure out what's happening. They're not spoon-feeding you. And you mentioned how that felt unusual these days. And I thought, Oh, I want that experience as a reader. And also, I love that experience as a person who studies how books are made, and that trying to build that experience for the reader—that's what you're trying to do. By holding all those things in your head and deciding how and when to share them, or whose hands to put them in in a particular scene, or that sort of thing—that's how you build that. And it's hard. It's really hard. So I applaud you for—you're in there, it's messy, you're doing it, you're doing it. It's so exciting.KJ Dell'AntoniaAnd one of the other things that we've talked about is how, like, every time many of us write, we're trying to write bigger. Like, this—it's not an insult to our past work; it's just we're trying to do bigger and do more. And so I'm thinking about—so when I was writing my earliest books, I remember that one of the things I was focusing on in books that I was reading was how people began things, and where, you know, where the turning points were—kind of where the Save the Cat!, moments were, absolutely, in terms of… but not just where those were, but sort of how they were done—like how people regret, and how they demonstrated who the protagonists were. And then I remember moving on to a question of how little does someone put in a book about a secondary character, or someone who really mattered to the protagonist's life, that tells me what I need to know as a reader but doesn't take up a lot of pages.Jennie NashYeah.KJ Dell'AntoniaAnd I would literally go in and count—like, okay, how many times did we see this mother that I fully understand how important they were to the protagonist? And it'll be, like, twice and a couple of references. So I remember doing that. And now I feel like what I'm really paying attention to is how little does a book that I really enjoy—the process of sort of working my way through—how little does it give people, and how much does it demand that you figure out?Jennie NashYeah.KJ Dell'AntoniaHow little information are you given so that you can do—because that's the good work of a reader. Sometimes you don't want to do that, you know? Sometimes you kind of want it all served up, or you kind of want something where the tropes are simple enough that you can—but sometimes you really want something where you have to do some figuring out. And it doesn't—The Correspondent is not a thriller.Jennie NashRight.KJ Dell'AntoniaBut you really have to figure out, like, who is this person, and why do they do this, and why are they able to do this, and why—how are they making mistakes by doing—and by “do this,” I mean, she's a letter writer. She's the correspondent. She writes letters instead of, as it turns out, really, instead of talking to people. But it's really good, so I do recommend it.Jennie NashSo I like to end these short episodes with a reflection that the listener can do, or something that they can take away to think about based on what we've talked about. Is there something that comes to your mind that you would recommend?KJ Dell'AntoniaWell, it's a little dependent on where you are in your manuscript, but I think—so what I'm really going to recommend is, come at what you're doing from a different angle within the book. Start from something you know happens, and either work backwards up to it or forwards or backwards from it, instead of working chronologically—not necessarily in terms of drafting, but just in terms of figuring out what are the very most important things that have to show up on the page.Jennie NashI love that. Well, until next time, for everyone listening—stop playing small and write like it matters.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work.#AmWriting: A Groupstack is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

What do travel, recording technology, and illustration have in common? Lee White, Samantha Cotterill, and Anthony Wheeler explore how new (and sometimes uncomfortable) experiences expand your skills and feed your creative bank account. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Jake Parker is back from tabling at New York Comic Con; was it worth it? Crunch the numbers, hear the stories, and learn more about the experience alongside Samantha Cotterill and Anthony Wheeler. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Our best portfolio tips, all in one place! Tune in to hear Jake Parker, Lee White, and multiple guests share how to build a portfolio that stands out and lands the jobs you want. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Jake Parker, Anthony Wheeler, and Lee White update us on their latest projects, wins and losses, and the lessons they're learning. Tune in for some illustrator's insider baseball.  3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Caldecott medalist Jason Chin joins Jake Parker and Lee White to discuss life as an award-winning illustrator, the mentorship that shaped his journey, and his dedication to making art that matters to kids and himself. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

Are your amateur habits blocking your progress? Jake Parker, Sam Cotterill, and Lee White divulge the secrets professional illustrators know that will advance your career to the next level. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.