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Pandemic Politics in Central Asia: Authoritarian Contagion (Routledge, 2026) examines how the authoritarian regimes of Kazakhstan, Turkmenistan, and Uzbekistan exploited the Covid-19 pandemic to consolidate their political control over Central Asia. Through restrictive policies and strategic manipulation, these governments reshaped the region's politics and societies during 2020-2022. This volume offers readers an insight into three key areas where Central Asia's pandemic power grab was most visible: mobility control, whereby restrictive legislation limited freedom of movement and suppressed dissent; authoritarian information flows, whereby COVID-19-related measures aligned media and digital information to government messaging, further curtailing freedom of expression; and the international politics of the pandemic, whereby the regimes capitalised on global instability to strengthen their kleptocratic hold over Central Asia's politics and society. This book provides a detailed analysis of these strategies, offering a compelling exploration of how crises can be used to entrench authoritarianism. It is ideal for scholars, students, and professionals in political science, international relations, and Central Asian Studies. The book is also valuable to readers interested in understanding the intersection between public health crises and authoritarian governance. The Open Access version of this book, available here has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license. Adam Quinn is a Glasgow-based researcher whose work focuses on activism, social movements and state-society relations in the Post-Soviet space. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Pandemic Politics in Central Asia: Authoritarian Contagion (Routledge, 2026) examines how the authoritarian regimes of Kazakhstan, Turkmenistan, and Uzbekistan exploited the Covid-19 pandemic to consolidate their political control over Central Asia. Through restrictive policies and strategic manipulation, these governments reshaped the region's politics and societies during 2020-2022. This volume offers readers an insight into three key areas where Central Asia's pandemic power grab was most visible: mobility control, whereby restrictive legislation limited freedom of movement and suppressed dissent; authoritarian information flows, whereby COVID-19-related measures aligned media and digital information to government messaging, further curtailing freedom of expression; and the international politics of the pandemic, whereby the regimes capitalised on global instability to strengthen their kleptocratic hold over Central Asia's politics and society. This book provides a detailed analysis of these strategies, offering a compelling exploration of how crises can be used to entrench authoritarianism. It is ideal for scholars, students, and professionals in political science, international relations, and Central Asian Studies. The book is also valuable to readers interested in understanding the intersection between public health crises and authoritarian governance. The Open Access version of this book, available here has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license. Adam Quinn is a Glasgow-based researcher whose work focuses on activism, social movements and state-society relations in the Post-Soviet space. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
Pandemic Politics in Central Asia: Authoritarian Contagion (Routledge, 2026) examines how the authoritarian regimes of Kazakhstan, Turkmenistan, and Uzbekistan exploited the Covid-19 pandemic to consolidate their political control over Central Asia. Through restrictive policies and strategic manipulation, these governments reshaped the region's politics and societies during 2020-2022. This volume offers readers an insight into three key areas where Central Asia's pandemic power grab was most visible: mobility control, whereby restrictive legislation limited freedom of movement and suppressed dissent; authoritarian information flows, whereby COVID-19-related measures aligned media and digital information to government messaging, further curtailing freedom of expression; and the international politics of the pandemic, whereby the regimes capitalised on global instability to strengthen their kleptocratic hold over Central Asia's politics and society. This book provides a detailed analysis of these strategies, offering a compelling exploration of how crises can be used to entrench authoritarianism. It is ideal for scholars, students, and professionals in political science, international relations, and Central Asian Studies. The book is also valuable to readers interested in understanding the intersection between public health crises and authoritarian governance. The Open Access version of this book, available here has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license. Adam Quinn is a Glasgow-based researcher whose work focuses on activism, social movements and state-society relations in the Post-Soviet space. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/central-asian-studies
Pandemic Politics in Central Asia: Authoritarian Contagion (Routledge, 2026) examines how the authoritarian regimes of Kazakhstan, Turkmenistan, and Uzbekistan exploited the Covid-19 pandemic to consolidate their political control over Central Asia. Through restrictive policies and strategic manipulation, these governments reshaped the region's politics and societies during 2020-2022. This volume offers readers an insight into three key areas where Central Asia's pandemic power grab was most visible: mobility control, whereby restrictive legislation limited freedom of movement and suppressed dissent; authoritarian information flows, whereby COVID-19-related measures aligned media and digital information to government messaging, further curtailing freedom of expression; and the international politics of the pandemic, whereby the regimes capitalised on global instability to strengthen their kleptocratic hold over Central Asia's politics and society. This book provides a detailed analysis of these strategies, offering a compelling exploration of how crises can be used to entrench authoritarianism. It is ideal for scholars, students, and professionals in political science, international relations, and Central Asian Studies. The book is also valuable to readers interested in understanding the intersection between public health crises and authoritarian governance. The Open Access version of this book, available here has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license. Adam Quinn is a Glasgow-based researcher whose work focuses on activism, social movements and state-society relations in the Post-Soviet space. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies
Pandemic Politics in Central Asia: Authoritarian Contagion (Routledge, 2026) examines how the authoritarian regimes of Kazakhstan, Turkmenistan, and Uzbekistan exploited the Covid-19 pandemic to consolidate their political control over Central Asia. Through restrictive policies and strategic manipulation, these governments reshaped the region's politics and societies during 2020-2022. This volume offers readers an insight into three key areas where Central Asia's pandemic power grab was most visible: mobility control, whereby restrictive legislation limited freedom of movement and suppressed dissent; authoritarian information flows, whereby COVID-19-related measures aligned media and digital information to government messaging, further curtailing freedom of expression; and the international politics of the pandemic, whereby the regimes capitalised on global instability to strengthen their kleptocratic hold over Central Asia's politics and society. This book provides a detailed analysis of these strategies, offering a compelling exploration of how crises can be used to entrench authoritarianism. It is ideal for scholars, students, and professionals in political science, international relations, and Central Asian Studies. The book is also valuable to readers interested in understanding the intersection between public health crises and authoritarian governance. The Open Access version of this book, available here has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license. Adam Quinn is a Glasgow-based researcher whose work focuses on activism, social movements and state-society relations in the Post-Soviet space. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
Nine post-Soviet states now sell residency to foreign investors, and Belarus could soon become the first in the former USSR to sell citizenship outright. IMI covers all nine, from the EU passport routes in the Baltics to an underperforming program in Moscow to newer golden visa options in Central Asia.Read the full analysis here.Access a suite of powerful tools and the world's #1 private investor community as an IMI Sovereign. Use code SOV10 for 10% off your first month.
Alena Ledeneva is Professor of Politics and Society at the University College London and a founder of the Global Informality Project. Her research focuses on informal practices, and she has written several Russia-focused books, including Russia's Economy of Favours, How Russia Really Works and Can Russia Modernise. The Global Informality has also published 3 volumes of its Global Encyclopaedia of Informality. Alena is here today to talk about her new book Russian Pendulum: Paradoxes, Practices and Patterns (UCL Press, 2026), which has been shortlisted for the 2026 Pushkin House Book Prize. Adam Quinn is a Glasgow-based researcher whose work focuses on activism, social movements and state-society relations in the Post-Soviet space. Alena's new book: art, music, text in a new UCL Press book in open access: Russian Pendulum: here The accompanying music: Delphian Records classical album The System Made Me Do It composed by Benjamin Woodgates: here And a brilliant review of the music: here Plus, a nice mention in the BBC sounds for dark: here Enjoy the podcast! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Alena Ledeneva is Professor of Politics and Society at the University College London and a founder of the Global Informality Project. Her research focuses on informal practices, and she has written several Russia-focused books, including Russia's Economy of Favours, How Russia Really Works and Can Russia Modernise. The Global Informality has also published 3 volumes of its Global Encyclopaedia of Informality. Alena is here today to talk about her new book Russian Pendulum: Paradoxes, Practices and Patterns (UCL Press, 2026), which has been shortlisted for the 2026 Pushkin House Book Prize. Adam Quinn is a Glasgow-based researcher whose work focuses on activism, social movements and state-society relations in the Post-Soviet space. Alena's new book: art, music, text in a new UCL Press book in open access: Russian Pendulum: here The accompanying music: Delphian Records classical album The System Made Me Do It composed by Benjamin Woodgates: here And a brilliant review of the music: here Plus, a nice mention in the BBC sounds for dark: here Enjoy the podcast! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
Alena Ledeneva is Professor of Politics and Society at the University College London and a founder of the Global Informality Project. Her research focuses on informal practices, and she has written several Russia-focused books, including Russia's Economy of Favours, How Russia Really Works and Can Russia Modernise. The Global Informality has also published 3 volumes of its Global Encyclopaedia of Informality. Alena is here today to talk about her new book Russian Pendulum: Paradoxes, Practices and Patterns (UCL Press, 2026), which has been shortlisted for the 2026 Pushkin House Book Prize. Adam Quinn is a Glasgow-based researcher whose work focuses on activism, social movements and state-society relations in the Post-Soviet space. Alena's new book: art, music, text in a new UCL Press book in open access: Russian Pendulum: here The accompanying music: Delphian Records classical album The System Made Me Do It composed by Benjamin Woodgates: here And a brilliant review of the music: here Plus, a nice mention in the BBC sounds for dark: here Enjoy the podcast! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs
Alena Ledeneva is Professor of Politics and Society at the University College London and a founder of the Global Informality Project. Her research focuses on informal practices, and she has written several Russia-focused books, including Russia's Economy of Favours, How Russia Really Works and Can Russia Modernise. The Global Informality has also published 3 volumes of its Global Encyclopaedia of Informality. Alena is here today to talk about her new book Russian Pendulum: Paradoxes, Practices and Patterns (UCL Press, 2026), which has been shortlisted for the 2026 Pushkin House Book Prize. Adam Quinn is a Glasgow-based researcher whose work focuses on activism, social movements and state-society relations in the Post-Soviet space. Alena's new book: art, music, text in a new UCL Press book in open access: Russian Pendulum: here The accompanying music: Delphian Records classical album The System Made Me Do It composed by Benjamin Woodgates: here And a brilliant review of the music: here Plus, a nice mention in the BBC sounds for dark: here Enjoy the podcast! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies
Alena Ledeneva is Professor of Politics and Society at the University College London and a founder of the Global Informality Project. Her research focuses on informal practices, and she has written several Russia-focused books, including Russia's Economy of Favours, How Russia Really Works and Can Russia Modernise. The Global Informality has also published 3 volumes of its Global Encyclopaedia of Informality. Alena is here today to talk about her new book Russian Pendulum: Paradoxes, Practices and Patterns (UCL Press, 2026), which has been shortlisted for the 2026 Pushkin House Book Prize. Adam Quinn is a Glasgow-based researcher whose work focuses on activism, social movements and state-society relations in the Post-Soviet space. Alena's new book: art, music, text in a new UCL Press book in open access: Russian Pendulum: here The accompanying music: Delphian Records classical album The System Made Me Do It composed by Benjamin Woodgates: here And a brilliant review of the music: here Plus, a nice mention in the BBC sounds for dark: here Enjoy the podcast! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology
The Eurasian Knot hasn't featured many philosophers. So, when Ukrainian political philosopher, Mikhail Minakov, came to the University of Pittsburgh to give a talk, I eagerly pulled him into a studio. The result was a wide-ranging conversation on the collapse of communism, the post-Soviet human, Kantian philosophy, our current global political conjecture, and the crisis of liberalism. What is a post-Soviet human and how does s/he differ from their Soviet counterpart? What are the seeds and expressions of our political discontent? And to what extent does liberalism need a revival to meet the political creativity of the global illiberal right? Minakov has some fascinating insights. He gave me so much to chew on. I have no doubt you will too after listening to this conversation.Guest:Mikhail Minakov is a political philosopher residing in Kyiv and Milan. His primary philosophical inquiries focus on human experience, social knowledge, political systems, historical consciousness, and multiple modernities. His most recent book is The Post-Soviet Human: Philosophical Reflections on Social History after the End of Communism published by ibidem Press. Hosted on Acast. See acast.com/privacy for more information.
International Conference “Jewish Immigration from Eastern Europe to Israel and Germany in the Light of the War in Ukraine (1991-2025). Narratives, Memory and Identity Formation” December 2025 in Munich. The Russian full-scale invasion of Ukraine in 2022 has triggered one of the largest refugee crises in recent European history. Over 1.2 million Ukrainian citizens have received temporary protection in Germany, while a significant number of refugees—Jewish or of Jewish origin—have also sought refuge in Israel and received citizenship under the Law of Return. The experiences of Ukrainian Jews in the wake of the war offer an important lens through which to examine broader patterns of Jewish migration from Eastern Europe over the past four decades. This two-day interdisciplinary conference, organized by the Leonid Nevzlin Research Center for Russian and East European Jewry at the Hebrew University of Jerusalem, the Leibnitz Center for Contemporary History Potsdam and the Center for Israel Studies at Ludwig-Maximilians-Universität in Munich, aims to juxtapose two pivotal periods of Jewish migration to Israel and Germany—the post-Soviet 1990s and the post-2022 Ukrainian crisis. By bringing together scholars from the humanities and social sciences, the conference seeks to enrich our understanding of the shifting meanings of Jewish belonging, displacement, and diaspora in the 21st century. Through historical, sociological, and cultural analyses, we aim to build a comparative framework for analyzing Jewish migration in the context of political rupture, memory politics, and transnational identity formation.
International Conference “Jewish Immigration from Eastern Europe to Israel and Germany in the Light of the War in Ukraine (1991-2025). Narratives, Memory and Identity Formation” December 2025 in Munich. The Russian full-scale invasion of Ukraine in 2022 has triggered one of the largest refugee crises in recent European history. Over 1.2 million Ukrainian citizens have received temporary protection in Germany, while a significant number of refugees—Jewish or of Jewish origin—have also sought refuge in Israel and received citizenship under the Law of Return. The experiences of Ukrainian Jews in the wake of the war offer an important lens through which to examine broader patterns of Jewish migration from Eastern Europe over the past four decades. This two-day interdisciplinary conference, organized by the Leonid Nevzlin Research Center for Russian and East European Jewry at the Hebrew University of Jerusalem, the Leibnitz Center for Contemporary History Potsdam and the Center for Israel Studies at Ludwig-Maximilians-Universität in Munich, aims to juxtapose two pivotal periods of Jewish migration to Israel and Germany—the post-Soviet 1990s and the post-2022 Ukrainian crisis. By bringing together scholars from the humanities and social sciences, the conference seeks to enrich our understanding of the shifting meanings of Jewish belonging, displacement, and diaspora in the 21st century. Through historical, sociological, and cultural analyses, we aim to build a comparative framework for analyzing Jewish migration in the context of political rupture, memory politics, and transnational identity formation.
Industrial workers in Ukraine have a complex political lifeworld because their political action aimed at bringing radical social change coexists with a demobilizing stance that condemns all political participation as corrupt. This contradictory attitude to politics defines the character of populist mass mobilizations that shook Ukraine in 2004 and 2014, as well as the electoral overhaul of 2019 and the popular response to the Russian invasion in 2022. Based on three years of fieldwork in the city of Kryvyi Rih, the book focuses on the moral economy that constitutes the working-class and structures its relations with other social groups. The Making and Unmaking of the Ukrainian Working Class is written by Denys Gorbach, published in 2024 by Berghan Books. Denys Gorbach is a teaching and research adjunct at the University of Versailles-Saint-Quentin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Industrial workers in Ukraine have a complex political lifeworld because their political action aimed at bringing radical social change coexists with a demobilizing stance that condemns all political participation as corrupt. This contradictory attitude to politics defines the character of populist mass mobilizations that shook Ukraine in 2004 and 2014, as well as the electoral overhaul of 2019 and the popular response to the Russian invasion in 2022. Based on three years of fieldwork in the city of Kryvyi Rih, the book focuses on the moral economy that constitutes the working-class and structures its relations with other social groups. The Making and Unmaking of the Ukrainian Working Class is written by Denys Gorbach, published in 2024 by Berghan Books. Denys Gorbach is a teaching and research adjunct at the University of Versailles-Saint-Quentin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Industrial workers in Ukraine have a complex political lifeworld because their political action aimed at bringing radical social change coexists with a demobilizing stance that condemns all political participation as corrupt. This contradictory attitude to politics defines the character of populist mass mobilizations that shook Ukraine in 2004 and 2014, as well as the electoral overhaul of 2019 and the popular response to the Russian invasion in 2022. Based on three years of fieldwork in the city of Kryvyi Rih, the book focuses on the moral economy that constitutes the working-class and structures its relations with other social groups. The Making and Unmaking of the Ukrainian Working Class is written by Denys Gorbach, published in 2024 by Berghan Books. Denys Gorbach is a teaching and research adjunct at the University of Versailles-Saint-Quentin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies
Industrial workers in Ukraine have a complex political lifeworld because their political action aimed at bringing radical social change coexists with a demobilizing stance that condemns all political participation as corrupt. This contradictory attitude to politics defines the character of populist mass mobilizations that shook Ukraine in 2004 and 2014, as well as the electoral overhaul of 2019 and the popular response to the Russian invasion in 2022. Based on three years of fieldwork in the city of Kryvyi Rih, the book focuses on the moral economy that constitutes the working-class and structures its relations with other social groups. The Making and Unmaking of the Ukrainian Working Class is written by Denys Gorbach, published in 2024 by Berghan Books. Denys Gorbach is a teaching and research adjunct at the University of Versailles-Saint-Quentin. Learn more about your ad choices. Visit megaphone.fm/adchoices
Industrial workers in Ukraine have a complex political lifeworld because their political action aimed at bringing radical social change coexists with a demobilizing stance that condemns all political participation as corrupt. This contradictory attitude to politics defines the character of populist mass mobilizations that shook Ukraine in 2004 and 2014, as well as the electoral overhaul of 2019 and the popular response to the Russian invasion in 2022. Based on three years of fieldwork in the city of Kryvyi Rih, the book focuses on the moral economy that constitutes the working-class and structures its relations with other social groups. The Making and Unmaking of the Ukrainian Working Class is written by Denys Gorbach, published in 2024 by Berghan Books. Denys Gorbach is a teaching and research adjunct at the University of Versailles-Saint-Quentin. Learn more about your ad choices. Visit megaphone.fm/adchoices
Industrial workers in Ukraine have a complex political lifeworld because their political action aimed at bringing radical social change coexists with a demobilizing stance that condemns all political participation as corrupt. This contradictory attitude to politics defines the character of populist mass mobilizations that shook Ukraine in 2004 and 2014, as well as the electoral overhaul of 2019 and the popular response to the Russian invasion in 2022. Based on three years of fieldwork in the city of Kryvyi Rih, the book focuses on the moral economy that constitutes the working-class and structures its relations with other social groups. The Making and Unmaking of the Ukrainian Working Class is written by Denys Gorbach, published in 2024 by Berghan Books. Denys Gorbach is a teaching and research adjunct at the University of Versailles-Saint-Quentin. Learn more about your ad choices. Visit megaphone.fm/adchoices
Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies
Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology
Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies
Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
In this episode of History Speaks, Dr. Roshan Iqbal is joined by Dr. Akif Tahieev to explore a topic that rarely appears in mainstream scholarship: Shia Muslim communities in post-Soviet Eastern Europe. Together, they discuss who these communities are, how they live and practice their faith, and why their stories have been overlooked in both Islamic studies and European studies. From questions of identity and conversion to the impact of recent conflicts, this conversation opens a window onto a world many listeners may not know exists.
Conversations on Groong - January 16, 2026TopicsUnrest in IranRussia-Iran PartnershipSolovyov's StatementsTrump's “TRIPP Wire” in the CaucasusRelease of Armenian hostagesGuestPietro ShakarianHostsHovik ManucharyanAsbed BedrossianEpisode 506 | Recorded: January 14, 2026SHOW NOTES: https://podcasts.groong.org/506VIDEO: https://youtu.be/P5u4ppL9qK8#IranIsraelWar #IsraelIranConflict #Iran #Israel #IsraelConflict #Armenia #USForeignPolicy #Geopolitics #MiddleEastCrisisSubscribe and follow us everywhere you are: linktr.ee/groong
I love street art. And I don't care in what form. Beautifully crafted murals. Spraypainted gang tags. Scrawls on bathroom stalls. Even guerilla sticker mosaics on streetlights. I especially like how street art alters the narrative of a space. So, I was excited when I received a copy of Alexis Lerner's book, Post-Soviet Graffiti. Post-Soviet street art has gotten little scholarly attention making the topic ripe for exploration and discussion. Post-Soviet graffiti shares a lot with its global counterparts–similar aesthetics, themes, culture, and political edginess. It also shares attempts at its co-optation by governments and corporations. But what makes political street art different in authoritarian countries like Russia? Is its power to circumvent media censorship and political control? What is street art, anyway? Who are the artists? And does graffiti have a political impact? The Eurasian Knot spoke to Alexis to get her thoughts and discuss the content and form of some of the graffiti she's encountered over the last decade.Guest:Alexis Lerner is an Assistant Professor of Political Science at the United States Naval Academy. She's the author of Post-Soviet Graffiti: Free Speech in Authoritarian States, published by University of Toronto Press. You can see the Alexis' gallery of graffiti at https://postsovietgraffiti.com/ Hosted on Acast. See acast.com/privacy for more information.
Volodymyr Ishchenko, currently at the Institute for East European Studies, Freie Universität Berlin, discusses his latest book, Towards the Abyss: Ukraine from Maidan to War (Verso, 2024) and forthcoming paper “Post-Soviet vicious circle: revolution as a reproduction of a crisis of hegemony” (co-authored with Oleg Zhuravlev). Historicising how post-Soviet revolutions in Ukraine have functioned, Ishchenko considers how the 2014 Euromaidan revolution produced a weaker state whose fate, instead of being decided by Moscow, has been directed by Washington or Brussels. Delineating how the 2022 war is, in part, the culmination of Ukraine's history in relationship to Russia, where cross-national capital allied itself with the local professional middle classes and where anti-nationalist arguments clashed with the tendency to understand the war within the context of Ukraine's perceived colonial struggle, Ishchenko observes how these primordial, ethno-nationalist readings lend themselves to a larger teleology. Detailing how the war in 2022 becomes the culmination of this story, a sort of parable of the struggling, emerging nation, Ishchenko explores how the narrative construction of Ukrainian nationhood mirrors the creation of the nation-state, like many countries from the 19th century onward. He also interrogates the various theories that proffer origins of the war as being rooted in the Russia-NATO conflict, as maintained by Jeffrey Sachs and John Mearsheimer. Instead, Ishchenko considers an alternative reading of this history, positing that the war in Ukraine has little to do with the inclusion of Ukraine within NATO, nor is it about NATO's inclusion of neighbouring countries. Instead, Ishchenko contends that the 2022 war is a culmination of Russia's exclusion from the process and dialogues by and around NATO. Get full access to Savage Minds at savageminds.substack.com/subscribe
Izabella Tabarovsky and Prof. Khinvraj Jangid, fellows at the Elizabeth and Tony Comper Center for the Study of Antisemitism and Racism at the University of Haifa, discuss the landscape of antisemitism in two non-Western environments: the Post-Soviet and the Indian. This series is made possible by the Elizabeth and Tony Comper Center for the Study of Antisemitism and Racismat the University of Haifa.
Fluid Russia: Between the Global and the National in the Post-Soviet Era (Cornell UP, 2021) offers a new framework for understanding Russian national identity by focusing on the impact of globalization on its formation, something which has been largely overlooked. This approach sheds new light on the Russian case, revealing a dynamic Russian identity that is developing along the lines of other countries exposed to globalization. Vera Michlin-Shapir shows how along with the freedoms afforded when Russia joined the globalizing world in the 1990s came globalization's disruptions. Michlin-Shapir describes Putin's rise to power and his project to reaffirm a stronger identity not as a uniquely Russian diversion from liberal democracy, but as part of a broader phenomenon of challenges to globalization. She underlines the limits of Putin's regime to shape Russian politics and society, which is still very much impacted by global trends. As well, Michlin-Shapir questions a prevalent approach in Russia studies that views Russia's experience with national identity as abnormal or defective, either being too weak or too aggressive. What is offered is a novel explanation for the so-called Russian identity crisis. As the liberal postwar order faces growing challenges, Russia's experience can be an instructive example of how these processes unfold. This study ties Russia's authoritarian politics and nationalist rallying to the shortcomings of globalization and neoliberal economics, potentially making Russia "patient zero" of the anti-globalist populist wave and rise of neo-authoritarian regimes. In this way, Fluid Russia contributes to the broader understanding of national identity in the current age and the complexities of identity formation in the global world. Guest: Vera Michlin-Shapir (she/her), is a Visiting Research Fellow at King's Russia Institute, King's College London. Host: Jenna Pittman (she/her) is a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke here Linktree here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Fluid Russia: Between the Global and the National in the Post-Soviet Era (Cornell UP, 2021) offers a new framework for understanding Russian national identity by focusing on the impact of globalization on its formation, something which has been largely overlooked. This approach sheds new light on the Russian case, revealing a dynamic Russian identity that is developing along the lines of other countries exposed to globalization. Vera Michlin-Shapir shows how along with the freedoms afforded when Russia joined the globalizing world in the 1990s came globalization's disruptions. Michlin-Shapir describes Putin's rise to power and his project to reaffirm a stronger identity not as a uniquely Russian diversion from liberal democracy, but as part of a broader phenomenon of challenges to globalization. She underlines the limits of Putin's regime to shape Russian politics and society, which is still very much impacted by global trends. As well, Michlin-Shapir questions a prevalent approach in Russia studies that views Russia's experience with national identity as abnormal or defective, either being too weak or too aggressive. What is offered is a novel explanation for the so-called Russian identity crisis. As the liberal postwar order faces growing challenges, Russia's experience can be an instructive example of how these processes unfold. This study ties Russia's authoritarian politics and nationalist rallying to the shortcomings of globalization and neoliberal economics, potentially making Russia "patient zero" of the anti-globalist populist wave and rise of neo-authoritarian regimes. In this way, Fluid Russia contributes to the broader understanding of national identity in the current age and the complexities of identity formation in the global world. Guest: Vera Michlin-Shapir (she/her), is a Visiting Research Fellow at King's Russia Institute, King's College London. Host: Jenna Pittman (she/her) is a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke here Linktree here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
Fluid Russia: Between the Global and the National in the Post-Soviet Era (Cornell UP, 2021) offers a new framework for understanding Russian national identity by focusing on the impact of globalization on its formation, something which has been largely overlooked. This approach sheds new light on the Russian case, revealing a dynamic Russian identity that is developing along the lines of other countries exposed to globalization. Vera Michlin-Shapir shows how along with the freedoms afforded when Russia joined the globalizing world in the 1990s came globalization's disruptions. Michlin-Shapir describes Putin's rise to power and his project to reaffirm a stronger identity not as a uniquely Russian diversion from liberal democracy, but as part of a broader phenomenon of challenges to globalization. She underlines the limits of Putin's regime to shape Russian politics and society, which is still very much impacted by global trends. As well, Michlin-Shapir questions a prevalent approach in Russia studies that views Russia's experience with national identity as abnormal or defective, either being too weak or too aggressive. What is offered is a novel explanation for the so-called Russian identity crisis. As the liberal postwar order faces growing challenges, Russia's experience can be an instructive example of how these processes unfold. This study ties Russia's authoritarian politics and nationalist rallying to the shortcomings of globalization and neoliberal economics, potentially making Russia "patient zero" of the anti-globalist populist wave and rise of neo-authoritarian regimes. In this way, Fluid Russia contributes to the broader understanding of national identity in the current age and the complexities of identity formation in the global world. Guest: Vera Michlin-Shapir (she/her), is a Visiting Research Fellow at King's Russia Institute, King's College London. Host: Jenna Pittman (she/her) is a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke here Linktree here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs
Fluid Russia: Between the Global and the National in the Post-Soviet Era (Cornell UP, 2021) offers a new framework for understanding Russian national identity by focusing on the impact of globalization on its formation, something which has been largely overlooked. This approach sheds new light on the Russian case, revealing a dynamic Russian identity that is developing along the lines of other countries exposed to globalization. Vera Michlin-Shapir shows how along with the freedoms afforded when Russia joined the globalizing world in the 1990s came globalization's disruptions. Michlin-Shapir describes Putin's rise to power and his project to reaffirm a stronger identity not as a uniquely Russian diversion from liberal democracy, but as part of a broader phenomenon of challenges to globalization. She underlines the limits of Putin's regime to shape Russian politics and society, which is still very much impacted by global trends. As well, Michlin-Shapir questions a prevalent approach in Russia studies that views Russia's experience with national identity as abnormal or defective, either being too weak or too aggressive. What is offered is a novel explanation for the so-called Russian identity crisis. As the liberal postwar order faces growing challenges, Russia's experience can be an instructive example of how these processes unfold. This study ties Russia's authoritarian politics and nationalist rallying to the shortcomings of globalization and neoliberal economics, potentially making Russia "patient zero" of the anti-globalist populist wave and rise of neo-authoritarian regimes. In this way, Fluid Russia contributes to the broader understanding of national identity in the current age and the complexities of identity formation in the global world. Guest: Vera Michlin-Shapir (she/her), is a Visiting Research Fellow at King's Russia Institute, King's College London. Host: Jenna Pittman (she/her) is a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke here Linktree here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies
Fluid Russia: Between the Global and the National in the Post-Soviet Era (Cornell UP, 2021) offers a new framework for understanding Russian national identity by focusing on the impact of globalization on its formation, something which has been largely overlooked. This approach sheds new light on the Russian case, revealing a dynamic Russian identity that is developing along the lines of other countries exposed to globalization. Vera Michlin-Shapir shows how along with the freedoms afforded when Russia joined the globalizing world in the 1990s came globalization's disruptions. Michlin-Shapir describes Putin's rise to power and his project to reaffirm a stronger identity not as a uniquely Russian diversion from liberal democracy, but as part of a broader phenomenon of challenges to globalization. She underlines the limits of Putin's regime to shape Russian politics and society, which is still very much impacted by global trends. As well, Michlin-Shapir questions a prevalent approach in Russia studies that views Russia's experience with national identity as abnormal or defective, either being too weak or too aggressive. What is offered is a novel explanation for the so-called Russian identity crisis. As the liberal postwar order faces growing challenges, Russia's experience can be an instructive example of how these processes unfold. This study ties Russia's authoritarian politics and nationalist rallying to the shortcomings of globalization and neoliberal economics, potentially making Russia "patient zero" of the anti-globalist populist wave and rise of neo-authoritarian regimes. In this way, Fluid Russia contributes to the broader understanding of national identity in the current age and the complexities of identity formation in the global world. Guest: Vera Michlin-Shapir (she/her), is a Visiting Research Fellow at King's Russia Institute, King's College London. Host: Jenna Pittman (she/her) is a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Scholars@Duke here Linktree here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies
In this SPICe seminar Professor Luke March, Personal Chair of Post-Soviet and Comparative Politics at the University of Edinburgh and Professor Peter Jackson, Chair in Global Security at the University of Glasgow explore the current geopolitical situation in relation to Ukraine. We look to explain: Russia's approach to Ukraine and what that might also mean for countries in Eastern Europe; The international response to the crisis including the change of approach by the United States under President Trump; and Given the change of position in Washington, what Europe and NATO's response should be and how the UK fits into the approach. We hope you enjoy this discussion!
Maria was joined by Tinatin Japaridze and Volodymyr Dubovyk to discuss how post-Soviet countries, particularly Ukraine and the states of the South Caucasus, are reckoning with the Trump administration's positions on the war in Ukraine. This conversation was recorded on Friday, March 7, 2025.
Kate Adie presents stories from Ukraine, the United States, The Gambia and Uzbekistan. Its three years since Russia began its full-scale invasion of Ukraine, during which time hundreds of thousands of people have been killed or injured - though others have simply disappeared without trace. Sarah Rainsford travelled to Ukraine, where she met one woman trying to find out what happened to her parents after they were detained during Russia's occupation of her home town. US President Donald Trump has pledged to curb government waste by cutting spending. Under review are the billions of dollars set aside for research grants, intended for universities and scientific institutions. At the annual gathering of one of the country's oldest scientific societies, which took place in Boston last week, Sandra Kanthal found a decidedly dampened mood. Each year thousands of people leave sub-Saharan Africa in hope of reaching Europe and forging a better life. It's a dangerous and potentially deadly journey - and for some the challenge is just too much. So what happens after they return home? Alex Last went to The Gambia to find out. The city of Bukhara in Uzbekistan is located on the route of the legendary Silk Road, and in the Middle Ages it became a major intellectual hub of the Islamic world. It's also home to a centuries-old Jewish community, which over generations blended culture with the Muslim community. Post-Soviet emigration means it's now much smaller than it used to be, but Monica Whitlock met one man who is still happy to call Bukhara home.
Glenn Diesen & Arman Grigoryan - The Incoming Multipolar World | Ep 411, Feb 9, 2025Conversations on Groong - February 9, 2025TopicsThe Ongoing conflicts: Gaza, Syria, UkraineShifting Global Power and AlliancesSmall Countries in a Multipolar WorldGuestGlenn DiesenArman GrigoryanHostsHovik ManucharyanAsbed BedrossianEpisode 411 | Recorded: February 6, 2025Subscribe and follow us everywhere you are: linktr.ee/groong
In this episode of Guerrilla History, we bring on Georgian labor union leader and writer Sopo Japaridze to run through post-Soviet Georgia's history to help us understand the events that are unfolding today! This is a critical discussion that hopefully will be of use to many of you who find yourself not knowing as much about Georgia as you wish you did, and will allow you to understand the ongoing events much better. We certainly found quite a bit of value in this episode, and look forward to bringing Sopo back to discuss the history of Soviet Georgia in the future! Sopo Japaridze is a Georgian labor union leader and writer. You can follow her on twitter @sopjap, and keep up to date with many of her writings on her Substack. Also subscribe to her podcast Reimagining Soviet Georgia wherever you get your pods, and follow the show on twitter @ReimaginingG Help support the show by signing up to our patreon, where you also will get bonus content: https://www.patreon.com/guerrillahistory Also subscribe to our Substack (free!) to keep up to date with what we are doing. guerrillahistory.substack.com
The fall of the Soviet wall and the opening of the iron curtain presented ample space for hope, optimism and opportunity for westerners eager to share culture, creativity, business and democracy concepts with the citizens of the former Soviet Union. David Junk leapt at the chance to work for Polygram/Universal Records in a country hungry for music and freedom. David's 15 years in Russia were a unique window of time between Gorbachov's Glasnost and Putin's re-consolidation of power. David stepped into a landscape that he called “the wild, wild, east,” teaming with gangsters and corruption and also talented, enterprising Russians, eager to explore new possibilities. David's journey is documented in his book, Rockin' The Kremlin which gives readers an inside look at boots-on-the-ground life and work in Russia from the perspective of a Russian speaking, idealistic American. David and his co-writer Fred Bronson join us for a fascinating dive into David's adventures… Contract negations with Polygram which included kidnapping insurance, Russian kids' obsession with hip hop, discovering and exporting Russian talent including two young girls called t.A.T.u. who kissed on The Tonight Show, wearing “F*** War” tee-shirts which they got past everyone because the words were written in Russian. David says that those tee-shirts are now being worn by kids in Ukraine. This window in time introduced a generation to a complex intersection of culture and politics which was ultimately snuffed by Putin's coalition with the Russian Orthodox Church and a renewed, vehement opposition to LGBTQ rights and individual expression. Ultimately, it was David's deep disappointment in colleagues' support for the invasion of Ukraine and concerns for his family's safety which brought him back to the states. But still, so much was learned and exchanged.All this, plus Fritz and Weezy are recommending The English Teacher on FX (streaming on Hulu) and the making of The Sopranos doc, Wiseguy on HBO Max.Path Points of Interest:Rocking The Kremlin: My Incredible, True Story Of Gangsters, Oligarchs, And Pop Stars In Putin's Russia by David Junk with Fred BronsonDavid Junk on FacebookDavid Junk on InstagramFred Bronson on TwitterArt During Wartime PodcastGift of Democracy The English Teacher FX and Huluhttps://www.fxnetworks.com/shows/english-teacherWiseguy - HBOhttps://www.hbo.com/movies/wise-guy-david-chase-and-the-sopranos
RUSSIA: Shoigu in Tehran and why? John Hardie serves as deputy director of FDD's Russia Program. His research focuses on Russian foreign and security policy, U.S. policy toward Russia and the post-Soviet space, and transatlantic relations. Malcolm Hoenlein @Conf_of_pres @mhoenlein1 1930 MOSCOW
It's Thursday, August 8th, A.D. 2024. This is The Worldview in 5 Minutes and heard at www.TheWorldview.com. I'm Adam McManus (Adam@TheWorldview.com) By Jonathan Clark Rwanda closes over 4,000 churches Rwanda, Africa has shut down over 4,000 churches in the last month in a so-called safety crackdown. Many churches have allegedly broken health and safety regulations such as not having enough soundproofing. Pastors must also hold a degree in religious studies to open a church. The central African country introduced legislation to regulate churches back in 2018 which led to thousands of closures. The crackdowns primarily affect small Protestant churches. When that law passed, one senior pastor told Religious News Service, “Thousands of faithful are now secretly praying in their houses for fear of government crackdown.” French authorities arrest Christian activists Officials in France arrested six Christian activists with CitizenGO on Monday. The activists were riding around Paris in a bus with the message: “STOP ATTACKS ON CHRISTIANS.” The bus also featured a link to a CitizenGO petition, calling on the International Olympic Committee to apologize for its blasphemous opening ceremony where drag queens were re-enacting the Last Supper. Commenting on its bus campaign, CitizenGO said, “There is nothing illegal or wrong about this. This is clearly anti-Christian persecution from French authorities.” U.S. and Russia prisoner swap The United States and Russia exchanged prisoners last Thursday in the largest swap in Post-Soviet history. The 24-person exchange included several American citizens who are now back in the U.S. Among them are Wall Street Journal reporter Evan Gershkovich and Marine veteran Paul Whelan. Russia also received back several of its citizens being held in U.S. prisons. As part of the deal, Russia released a dozen political dissidents to Germany. U.S. President Joe Biden said, “I am grateful to our Allies who stood with us throughout tough, complex negotiations to achieve this outcome— including Germany, Poland, Slovenia, Norway, and Turkey.” Abortions increased after Supreme Court overturned Roe v. Wade The pro-abortion group Society of Family Planning released a new study on abortions yesterday. The report found the murder of unborn babies increased during the first three months of this year compared to 2022 before the Supreme Court overturned Roe v. Wade. Reported abortions fell significantly in states with abortion bans while abortions increased in states without such bans. Abortions are also rising as abortionists use telemedicine to prescribe abortion kill pills for women in states with abortion bans. Isaiah 59:6-7 says, “Their works are works of iniquity, and the act of violence is in their hands. Their feet run to evil, and they make haste to shed innocent blood.” Biden admin lets in illegal immigrants on terrorist watchlist The U.S. House Judiciary Committee released a report on Monday entitled “Terror at the Border.” The report found Border Patrol encountered 250 illegal aliens at the southwest border on the terrorist watchlist between 2021 and 2023. The Biden administration allowed 99 of those individuals into our country. The report noted, “Releasing terrorists into the United States has become almost routine for the Biden-Harris Administration.” Household debt doubled in 10 years The New York Federal Reserve Bank reports U.S. household debt rose by $109 billion to reach $17.8 trillion during the second quarter of this year. The bank noted, “Mortgage balances were up $77 billion to reach $12.52 trillion, while auto loans increased by $10 billion to reach $1.63 trillion and credit card balances increased by $27 billion to reach $1.14 trillion.” Overall, household debt is now double what it was 10 years ago. Tennessee Senator: "Jesus Christ is Lord" And finally, Christians gathered in Nashville, Tennessee last Wednesday for a time of prayer. This capped off a month in which state lawmakers called for prayer, fasting, and repentance. A Tennessee House resolution stated, “We as public servants in the Tennessee General Assembly, seek God's mercy upon our land and beseech Him to not withdraw His hand of blessing from us.” Republican State Senator Mark Pody spoke to CBN News about the effort. PODY: “We want to invite God back to Tennessee. We want to be as public as we can to say Jesus Christ is Lord. We even wrote it in the resolution.” 2 Chronicles 7:14 says, “If My people who are called by My name will humble themselves, and pray and seek My face, and turn from their wicked ways, then I will hear from Heaven, and will forgive their sin and heal their land.” Close And that's The Worldview in 5 Minutes on this Thursday, August 8th, in the year of our Lord 2024. Subscribe by iTunes or email to our unique Christian newscast at www.TheWorldview.com. Or get the Generations app through Google Play or The App Store. I'm Adam McManus (Adam@TheWorldview.com). Seize the day for Jesus Christ.
On this episode, Nick speaks with Susanna Weygandt a scholar studying performance theories of Russian and East European theater. She discusses the work of Anatoly Vasiliev, famed Russian theater director for the Moscow School of Dramatic Arts. Thanks for listening! ABOUT THE GUEST: Elena Susanna Weygandt analyzes and documents performance theories indigenous to Russia and East Europe that have not yet been documented. She draws on methods of interview and ethnography as well as digital display in her research on contemporary topics. In her soon-to-be published book with the University of Wisconsin Press, From Metaphor to Direct Speech: Drama and Performance Theory in Contemporary Russia, she identifies the main writers and performance theories of the vibrant movement, Novaia Drama, and situates this pioneering literature in the contemporary Russian literary canon, the Performance Studies field, and within Post-Soviet studies. The New Dramatists assert that it is precisely in the theatre, with its inherent form of critique and reflection provided by the stage, where the contemporary moment of the present can be held at arm's length away, which creates enough of a distance from the present for a historical perspective about it to emerge. This research has shaped her into a scholar and teacher of visual language, the body, feminist art, gender, exhibition on digital platforms, and all genres of documentary and realism in Russian and East European literature. Her publications on these topics of cultural history in Russia and East Europe from 1953 to the present appear in The Russian Review, Studies in Russian and Soviet Cinema, TDR: The Drama Review, Apparatus: Film, Media, and Digital Cultures in Central and Eastern Europe, and in a co-edited anthology published by Columbia UP. She received her training in Slavic Languages and Literatures from Princeton (PhD 2015; Graduate Certificate in History of Science 2015). At Sewanee: The University of the South she teaches all levels of Russian in the Russian Department and her joint affiliation in the Humanities Program. https://new.sewanee.edu/programs-of-study/russian/faculty-staff/susanna-weygandt/ If you have questions, comments, or would like to be a guest on the show, please email slavxradio@utexas.edu and we will be in touch! PRODUCTION CREDITSAssistant EP: Misha Simanovskyy (@MSimanovskyy)Associate Producer: Cullan Bendig (@cullanwithana)Associate Producer: Eliza FisherAssistant Producer: Taylor HelmcampAssistant Producer/Videographer: Basil FedunSocial Media Manager: Faith VanVleetHost/Supervising Producer: Nicholas Pierce Main Theme by Charlie Harper and additional background music by Beat Mekanik, Crowander, Dlay) Executive Producer & Creator: Michelle Daniel (@M_S_Daniel) www.msdaniel.com
1/2: #Russia: #Migration: The migrants of the Post-Soviet era come to Moscow. Ekaterina Zolotova, @GPFutures https://geopoliticalfutures.com/russia-walks-a-demographic-tightrope/ UNDATED EURASIA NOMADS
2/2: #Russia: #Migration: The migrants of the Post-Soviet era come to Moscow. Ekaterina Zolotova, @GPFutures https://geopoliticalfutures.com/russia-walks-a-demographic-tightrope/ 1917 TASHKENT
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