Podcasts about bad movies

You may be cool, but are you Chad McQueen cool?! Actually, you probably are after watching 1991's Martial Law. Derek from Bad Movies, Worse People joins us to talk Karate cops looking to take down a gang of high end car thieves led by David Carradine! There's a BRIEF cameo from Professor TORU TANAKA!!!!...and a lovely helping of the always wonderful Cynthia Rothrock! That sounds like a lot of badass, right?! Yeah…anyway, gotta go, pizzas here! Don't just watch Action, B-Action!!!!

Chuck, we can't understand the plot because we can't understand your inner monologue. Just kick people in the face! There's a version of this movie that exists somewhere in the fog of its own whispery voiceovers—a lean, paranoid ninja thriller starring a prime-era Chuck Norris. Unfortunately, what we actually get is something bafflingly stupid and surprisingly hard to follow. Dialogue drifts in and out like it's being transmitted through a malfunctioning shortwave radio. Exposition arrives in murmured internal monologues that feel less like insight and more like someone forgot to turn off the narration mic. To be fair, the ninjas are fine. They look the part. They flip, stab, and smoke-bomb on cue. The action sequences are… fine. Competently staged, occasionally energetic, and punctuated by the sort of sternum-crushing kicks you expect from Norris. When fists are flying, the movie briefly wakes up. There's even a sense that someone involved cared about presenting ninjas with a degree of mystique rather than just costumed stuntmen in pajamas. But those moments are islands in a sea of inertia. For long stretches, the film is painfully boring. Scenes drag. Characters speak in hushed tones about vague conspiracies, yet none of it ever quite coheres into something gripping. The supposed menace of the terrorist-ninja training compound never translates into tension. Instead of escalating stakes, we get a parade of bland set-pieces and conversations that feel both overwrought and underwritten at the same time. In the end, The Octagon isn't disastrously bad—it's just inert. The ingredients are there: Norris in his stoic prime, a ninja cult, a secret training fortress. But the muddled dialogue and lifeless pacing sap the energy out of what should have been pulpy gold. If you're a completist for early American ninja cinema, it's worth a look. Just don't expect the kind of delirious nonsense that turns mediocrity into magic.

Okay, we know none of you have watch this. Here is the Wikipedia link: https://en.wikipedia.org/wiki/The_Million_Dollar_DuckAnd just google it to see what it's like! A Duck shits golden eggs and Carl really liked it as a kid!But we still got to figure out who would watch this. If you have any questions or requests, send them to askwwwtpodcast@gmail.com Find us through: YouTube: https://www.youtube.com/@whowouldwatchthis Instagram: https://www.instagram.com/whowouldwatchthis/ TikTok: @podcastwhowouldwatchthis Letterboxd: Carl: https://letterboxd.com/carlllllllllll1/Oscar: https://letterboxd.com/oscarfart/ More links: https://linktr.ee/whowouldwatchthis

Is The Phantom (1996) a secretly GREAT bad superhero movie, or just purple-spandex pulp trash? In this episode, we dive deep into Billy Zane's cult classic, The Phantom, and ask if it actually holds up in 2026.​ We break down the film's weird production history, its roots in classic pulp comics, and why Treat Williams' gloriously over-the-top Xander Drax performance might be one of the last great campy '90s villains.​ In this episode of Cinema Psychos Show, Brian and John cover:​ The Phantom as one of the earliest costumed superheroes and pulp icons How a Joe Dante spoof script morphed into a straight-faced '90s studio superhero movie Billy Zane's committed himbo-hero turn in purple spandex and that infamous skull cave "dead dad" dynamic Treat Williams chewing the scenery as Xander Drax, murder microscopes, magic skull lasers, and all The Phantom's place alongside Batman '89, The Shadow, The Rocketeer, and Batman & Robin in the '90s superhero boom Why this once-maligned flop now plays like cozy, Saturday-afternoon cult comfort cinema   CHAPTERS:  Introduction and Show Open [00:00] Why The Phantom Now? 30 Years Later [01:17] Movie Synopsis and Xander Drax Impressions [02:25] Personal Memories: Seeing It in Theaters [06:01] History of The Phantom and Development Drama [10:30] Plot Breakdown: Origin and Skull Cave [14:00] Introducing Diana Palmer and New York Intrigue [19:00] Plane Hijacking and Femme Fatale Fight [29:30] Skulls Unite: Museum Heist and Chase [35:00] Pirate Island Showdown and Skull Powers [43:00] Climax Explosions and Finale [49:00] Audience Reviews and Reactions [59:00] Final Thoughts and Plugs [01:18:00] Follow The Cinema Psychos Show on Socials ❤️‍

In this Filmmaker in Focus episode, I had the pleasure of sitting down with writer/director Wes Clark to talk about his beginnings in filmmaking, artistic inspirations, controlling your own distribution, and how that all applies to his new film: How to Start a Cult in 5-Easy Steps.Join the Resistance: Members Only for just $5 a month and get access to members' exclusive episodes, an invite to the Discord server, automatic entry into all giveaways, and new members get a welcome gift. While you're here, don't be shy. Check out the entire Sheist Podcast Network, and please take a moment to fill out the Listener Survey.Not Actual Cult Resources: Find Wes on Instagram and rent his film directly here https://www.howtostartacultin5-easysteps.com/ I hope you enjoyed the show! Please help grow the show by leaving a rating, a review, and by telling a friend about it. I'd love to hear from you, so if you have a bad movie you love and/or maybe would like to be a guest on the show, you can contact me at BadMoviesWeLove@thesheist.com or find the show on Twitter and Instagram.

Send a textAngelo, Rhea, and Jay are back to discuss Rose Byrne's phenomenal performance in the otherwise pretty terrible If I Had Legs I Would Kick You, and discuss the long legacy of great actors giving great performances in lousy movies.THEN, Bill Lawrence has a new show coming out called Rooster, and the internet seems divided between excitement for a new show from the creator of Shrinking and Ted Lasso, and frustration that it looks like another show filled with his signature breezy schmaltz.  The gang talks about show creators who have an identifiable style and whether or not those styles can get grating.ALL THAT PLUS: shows like Heated Rivalry that we just can't seem to get people to watch, How to Get to Heaven from Belfast, whether or not Michael Corleone was hot, and much, MUCH more!MAKE SURE TO VISIT OUR SPONSOR: Steven Singer Jewelers!The TV Show is a weekly podcast hosted by Jay Black, with regular guests Angelo Cataldi and Rhea Hughes. Each week, we dive into the new Golden Age of Television, with a discussion of the latest shows and news. 

Did you pack your Ninja Springs, honey? There are ninja movies… and then there is Super Ninja (1984)—a film so aggressively committed to every ridiculous shinobi trope ever conceived that it loops right past parody and into accidental genius. If you've ever wanted to see color-coded assassins deploy zip-lines, burrow through the earth like caffeinated gophers, and—yes—water-ski in full ninja regalia, this is your holy text. And just when you think the well has run dry, it introduces portable ninja trampolines as a legitimate method of tactical traversal. Cinema peaked here. The plot? Oh, it exists. Somewhere. It requires light excavation. Characters explain things in stilted, echo-chamber-dubbed dialogue that sounds like it was recorded inside a soup can. The villains concoct plans so catastrophically self-defeating that the entire narrative collapses into what can only be described as an “idiot plot.” If any antagonist paused for even a single reflective breath, they'd realize their schemes only accelerate their own doom. In fact, the most logical strategy available to them would be to do absolutely nothing and let events unfold naturally. But no—when you've invested in a team of color-coded ninja knockoffs, you're obligated to deploy them in increasingly absurd ways. And yet, that's precisely why Super Ninja works. The dreadful dubbing, the hilariously wooden line readings, the narrative leaps that feel like missing reels—all of it enhances the experience. It's chaotic, earnest, and completely unselfaware. There's a strange purity to its excess. This isn't a film winking at you; it believes every trampoline-assisted midair flip matters. For bad movie enthusiasts hunting that electric “so-bad-it's-good” high, this is prime territory. It's messy. It's nonsensical. It's spectacularly misguided. And it is absolutely glorious.

ThisWeekInGeek's Loose Cannon is our all around movies podcast covering the weird, wild, or sometimes nostalgic world of films.This time, our crew of Ken and Adam dive back into the Disney Vault to pull from “The Dark Days of Disney”. First is what many consider to be THE darkest Disney film of all time, The Black Cauldron, and the second is another highly troubled production for Disney, The Sword in the Stone.Both have fans and one of them has a 4k restoration for some weird reason. It's another TWIG Loose Cannon. Please Be Kind and Don't Forget to Rewind before returning your videos to the shelves. Yesterworld Entertainment's Documentary on the Production History of The Black Cauldron: https://youtu.be/mIuK4OZCWbU?si=o9fTng2_OmqH856BShow Notes:Your Geekmasters:Mike "The Birdman" - https://bsky.app/profile/birdmanguelph.bsky.socialAlex "The Producer" - https://bsky.app/profile/dethphasetwig.bsky.socialKen Reels - https://bsky.app/profile/kenreels.comAaron PollyeaFeedback for the show?:Email: feedback@thisweekingeek.netTwitter: https://twitter.com/thisweekingeekBluesky: https://bsky.app/profile/thisweekingeek.netSubscribe to our feed: https://www.spreaker.com/show/3571037/episodes/feediTunes: https://podcasts.apple.com/us/podcast/this-week-in-geek/id215643675Spotify: https://open.spotify.com/show/3Lit2bzebJXMTIv7j7fkqqCastbox: https://castbox.fm/channel/id2162049Website: https://www.thisweekingeek.netFebruary 16, 2026

This week, to honor what Bill has been making us endure, we start the show by talking about the 15 best horror movies of the 1980's. Our top 5 list this week is bad movies that we love. In revies, we review another Bill suggestion, Super Fuzz ( or Super Snooper) and the debut album from 12 Stones as suggested by one of Jim's co workers, Geroge.

Yes, we never heard of it either. But trust us when we say that High Rollers (sequel to the equally nonexistent movie Cash Out) makes for a helluva S-tier Flop House episode, especially when it features longtime friend of the show Jordan Morris as our guest. Is Travolta the new Nic Cage? Well, if you're watching Face/Off, yes, definitely. But in terms of FH movie greatness? Yeah, maybe!Stay updated on all things Flop House, plus a little extra, with our NEWSLETTER, “Flop Secrets!Download the MP3 directly, HEREPaste https://feeds.simplecast.com/EOAFriME into iTunes (or your favorite podcatching software) to have new episodes of The Flop House delivered to you directly, as they're released.Wikipedia page for High RollersRecommended in this episode:Dan: Send Help (2026)Stu: Reflection in a Dead Diamond (2025)Elliott: The Saragossa Manuscript (1965)Jordan Morris: 28 Years Later: Bone Temple (2026)

It's the end of an era this week, as we close the book on our Valentine's Day tradition. We say goodbye to Bella, Edward, and Jacob, as we watch The Twilight Saga: Breaking Dawn Part 2. Join us as we discuss how little Dan retains of these films, the crazy CGI decisions made for Renesmee, and talk about the wild ending. We close out the episode by with a Blind Ranking of classic Rom Coms, just in time for Valentine's Day. Find us on Bluesky, Instagram, and Threads @TCTAMPod and on TikTok @theycalledthisamovie.Our theme music was written and performed by Dave Katusa. He can be found on Instagram @dkat_productions.

What more do you need to know about this movie other than it stars Gary Busey and has a title that once you say it you can't stop saying it?

The Magnetic Monster (1953) Review. They call it a masterpiece of 1950s science fiction, but we're not so sure. After spending a few days trying to get through this thriller, the verdict is in: it's corny, low-budget, and definitely a product of its time. We're talking pseudoscience, 1950s special effects, and why it took us multiple sittings to finish this one.

Send us a textOn this episode of Movies Worth Seeing, we take on One Battle After Another — and fair warning, this one did not survive the review.We went in open-minded, ready to meet the film where it was… but what we got was a bloated, self-serious experience that mistakes noise for meaning and ambition for depth. Instead of tension, momentum, or emotional payoff, the film delivers repetition, confusion, and a whole lot of wheel-spinning.In this episode, we break down:Why the movie feels exhausting rather than grippingHow “important” themes are hinted at but never exploredThe lack of payoff after all that buildupWhere the storytelling completely loses the audienceAnd why ambition alone doesn't make a movie worth your timeThis isn't a hate-watch for the sake of it — it's an honest conversation about why some films just don't work, no matter how hard they try to look meaningful.

Well, this one isn't terrible...but don't worry, it's also not good by any measure. This one is a grossly miscast epic adventure with uneven tone and pacing. If you like explosions though this one may be for you. So hoist the sails and come along for the pirating escapades with us! Song: The World's Most Epic Sea Shanty Composer: Alexander Nakarada Website: https://creatorchords.com/ License: Creative Commons (BY 3.0) https://creativecommons.org/licenses/by/3.0/ Music powered by BreakingCopyright: https://breakingcopyright.com

"He's great on Myspace." JuJu gives a couple of members of the show a chance to take back some odd takes from last week before delivering his Top 5 Bad Movies of 2025. Learn more about your ad choices. Visit podcastchoices.com/adchoices

But what of the VULGAR auteurs? We check in with Paul W.S. "The Other Paul Anderson" Anderson's latest "boy do I love my wife, Milla Jovavich" project, In the Lost Lands, based on some short stories by (checks notes) George R.R. Martin. Hmn. Wonder if Stu's ever heard of this guy.Check out Flop TV (tix here), and stay updated on Flop House events and side projects, plus a little extra, with our NEWSLETTER, “Flop Secrets!Wikipedia page for In the Lost LandsRecommended in this episode:Dan: Elvis: That's the Way it Is (1970)Stu: Sorry, Baby (2025)Elliott: Bugonia (2025), Save the Green Planet (2003)

Jarred Taylor from Black Rifle Coffee is the second guest to sit down in the new studio, and we kicked this one off by talking about branding—what it actually takes to build something real, why most brands fail, and how hard it is to grow without losing the core of what made it work in the first place. From there, things went where they usually do. We broke down movies and TV through a tactical lens, talked about what Hollywood consistently gets wrong, and then spent some time on the "Wet Boys"—Jarred's online aviation squadron that flies simulated demos, builds digital airshows, and uses their downtime to antagonize the Air Force Thunderbirds on social media. Today's Sponsors: Hollow Socks: Hollow Socks is having a Buy 2, Get 2 Free Sale, head to https://www.Hollowsocks.com today to check it out. AG1: Get a free AG1 Flavor Sampler and AGZ Sampler to try all the flavors, plus free Vitamin D3+K2 and AG1 Welcome Kit with your first AG1 subscription order at https://ww.DRINKAG1.com/CLEAREDHOT  

It's time for our January Movie of the Month, as voted by the members of our Patreon. This month, we're taking a look a dystopian societies, for no reason whatsoever, and our subscribers chose to look at this trope through the eyes of Stuart Gordon. It's Fortress on this week's episode of They Called This a Movie. Join us as we discuss Kurtwood Smith being a simp, Christopher Lambert's voice, and an ending that chickens out. Find us on Bluesky, Instagram, and Threads @TCTAMPod and on TikTok @theycalledthisamovie.Our theme music was written and performed by Dave Katusa. He can be found on Instagram @dkat_productions.

For this Spotlight Session episode, broadcaster, musician, actress, multimedia artist, and director Sook-Yin Lee is our Filmmaker in Focus. We talk about working with John Cameron Mitchell, free love, unconventional approaches to filmmaking, and the process of developing her ex-boyfriend's graphic novel on sex work into her latest feature film, Paying for It. Paying for It lands in the US at The Quad in New York, starting January 30th, and Los Angeles, at Laemmle Theaters, starting February 3rd.Join The Resistance: Frontlines for just $5 a month and get access to members' exclusive episodes, an invite to the Discord server, automatic entry into all giveaways, and new members get a welcome gift. While you're here, don't be shy. Check out the entire Sheist Podcast Network, and please take a moment to fill out the Listener Survey.I hope you enjoyed the show! Please help grow the show by leaving a rating, a review, and by telling a friend about it. I'd love to hear from you, so if you have a bad movie you love and/or maybe would like to be a guest on the show, you can contact me at BadMoviesWeLove@thesheist.com or find the show on Twitter and Instagram.

The guys are back with more nonsense! Dave offers up another jazz playlist, has an update to his "best sandwich" award, and shares a Greek-inspired chicken recipe. Kyle prepares for international travel and gives a scathing review of the movie "Is This Thing On?" The Boogie Monster wants to hear from YOU! Call or text anytime at 323-364-1541 with questions, comments, concerns, or proclamations! BOOGIE MONSTER JAZZ #2 available on Spotify and YouTube Music 1: Wes Montgomery & Wynton Kelly Trio - No Blues (Live at The Half Note, 1965) 2: Bobby Hutcherson - Una Muy Bonita (Stick Up, 1968) 3: Freddie Hubbard - Far Away (Breaking Point, 1964) 4: Donald Byrd - Ghana (Byrd In Flight, 1960) 5: Grant Green - Sookie Sookie (Alive!, 1970) Learn more about your ad choices. Visit megaphone.fm/adchoices

New year, new Nicolas Cage movie released for free! We all watched 2019's Color Out Of Space, a sci-fi body horror film about grief or something.Tune in next week when our movie will be... Rock-a-Doodle.-----Visit Emily's ETSY store FlemGemsJordan went on Maximum Film to talk about the new 28 Days Later movie.Click this link to get a signed copy of PREDATOR Bloodshed #1-5! https://bit.ly/coolfightGet a signed copy of Web Of Venom #1 https://bit.ly/coolgoopAlso Jordan is doing some dates with the Doughboys. You can get your tickets at BirdFuck.com

Chaz offered his review of "Bugonia," a best picture nominee for the Oscars this year. He started with a big spoiler warning, then launched into a little review/rant after the movie was suggested to him by both Ruth and Phil. Plus, Mike S. does the Top 10 snowy movies. (0:00)  In Bad Idea Island, Ruth dug up the 1991 movie starring Vanilla Ice that killed his acting career for quite a long time. (15:44)  In Dumb Ass News, a man stole a full-sized harp, took off his clothes, and jumped into a river. (23:20) Which heroes went overlooked during the winter storm? Chaz and AJ played a clip from their buddy Jimmy Cash, and then took some calls from the Tribe. (30:50) During Stump the Chumps, Chaz and AJ took a few strange calls from Long Island (42:59) 

Does reading the book first spoil the movie? Does watching the movie spoil the book? Or, maybe, do you just not care about spoilers? Find out in this almost spoiler-free daily dose of Interview Style! Learn more about your ad choices. Visit megaphone.fm/adchoices

The Final Destination is the point where a once-clever horror concept finally admits it has nothing left to say. By the fourth entry, the franchise's core gimmick—cheating Death via a premonition—has gone from macabre novelty to rote obligation. The film feels less like a continuation and more like a contractual requirement, dutifully shuffling through the motions with no real interest in escalating ideas or tension. The most obvious sign of creative exhaustion is the desperate embrace of 3D. Objects fly at the camera with all the subtlety of a carnival ride, and none of it integrates meaningfully into the storytelling. Instead, scenes pause so a tire iron, lawn mower blade, or random shard of debris can be hurled directly at the audience, reminding you that the movie exists primarily to justify its ticket surcharge. It's not immersive; it's intrusive, and it dates the film almost immediately. Worse, the kills themselves lack the elaborate Rube Goldberg flair that once defined the series. The chain reactions are shorter, sloppier, and often telegraphed so clearly that suspense evaporates well before the payoff. Characters are thin sketches whose sole narrative function is to stand near something dangerous until the script decides it's time for gravity or combustion to intervene. There is, however, one scene that almost feels like effort was expended: a cartoonishly vile Nazi who can't read addresses and somehow gets blackout drunk on three beers. His demise is abrupt, mean-spirited, and oddly satisfying—less because it's clever than because the film briefly aligns audience morality with Death's bookkeeping. He dies, and that's good. Unfortunately, that single moment of grim amusement isn't enough to rescue a sequel that mistakes louder, closer, and more gimmicky for fresh.

This Week in Geek's Loose Cannon is our all around movies podcast covering the weird, wild, or sometimes nostalgic world of films.This time, Ken, Adam and David continue our long digesting Lord of the Rings Retrospective. Some of us are book readers and some of us are revisiting these features for the first time as adults.It's a winter spirited TWIG Loose Cannon. Please Be Kind and Don't Forget to Rewind before returning your videos to the shelves.Show Notes:Your Geekmasters:Mike "The Birdman" - https://bsky.app/profile/birdmanguelph.bsky.socialAlex "The Producer" - https://bsky.app/profile/dethphasetwig.bsky.socialKen Reels - https://bsky.app/profile/kenreels.comAaron PollyeaFeedback for the show?:Email: feedback@thisweekingeek.netTwitter: https://twitter.com/thisweekingeekBluesky: https://bsky.app/profile/thisweekingeek.netSubscribe to our feed: https://www.spreaker.com/show/3571037/episodes/feediTunes: https://podcasts.apple.com/us/podcast/this-week-in-geek/id215643675Spotify: https://open.spotify.com/show/3Lit2bzebJXMTIv7j7fkqqCastbox: https://castbox.fm/channel/id2162049Website: https://www.thisweekingeek.netJanuary 25, 2026

With neighbors like these, who needs enemies? This week's movie is a forgotten comedy starring John Belushi and Dan Aykroyd as neighbors at odds in the aptly titled Neighbors from 1981. Join us as we discuss the swapped lead roles, the vague references to the Third Reich, and how the characters interact with each other. Find us on Bluesky, Instagram, and Threads @TCTAMPod and on TikTok @theycalledthisamovie.Our theme music was written and performed by Dave Katusa. He can be found on Instagram @dkat_productions.

Iris FTW in this almost spoiler-free discussion of movie titles. Can you guess the winner? Hintm it's a good movie which has suffered three bad titles! Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textA ghost's-eye horror should feel like slipping between walls, time, and truth. Instead, Presence hands us a floating wide-angle lens that wanders rooms, hides in closets, and forgets why it's haunting anyone. We dive straight into why the concept is intriguing and how the execution leaves story, character, and suspense on the cutting room floor.We unpack the core craft problems: a viewpoint with no rules, cuts to black that read like scene avoidance, and power limits that shift for convenience. If the ghost is the brother, anchor that early with behavior, guilt, and visual logic. Give us tether rules, a cost to interference, and a clear cue for time distortion—mirror refractions, low-frequency rumble, corridor stretch—so the audience can navigate the supernatural rather than guess the edit. We also press on performance and plot: a family subplot about money that never matters, grief that doesn't register, and a villain who monologues without psychology. Horror lives on specificity. Here, vagueness blunts every scare.Then we build the better movie. We outline how a few smart choices—consistent ghost mechanics, meaningful object work, escalating interventions, and a climax that pays off the setup—could transform the same premise into a tense, character-driven thriller. The final twist still works if it's earned: a brother bound by guilt who learns to spend himself to save his sister, dissolving only when he breaks the loop he created. Along the way we trade war stories about clumsy props, burrito-ordering sins, and why a single practical effect can sink a tone.Hit play to hear the full breakdown, our proposed fixes, and a spirited debate about form versus story in modern horror. If this kind of deep-dive makes your movie brain happy, follow the show, share with a friend, and drop your take on whether the ghost rules should be strict or strange—we'll read our favorites on the next episode.Be our friend!Dan: @shakybaconTony: @tonydczechAnd follow the podcast on IG: @hatewatchingDAT

We did it! We recorded 100 episodes of this stupid podcast and to celebrate this feat we finally decided to watch one of the most requested movies, a goth musical called Repo! The Genetic Opera. Also, we have a bonus Best-Of compilation at the very end of the episode. Thank you to all the redditors for helping identify your favorite moments from 100 episodes of podding.Tune in next week when our movie will be... Color Out Of Space.-----Tune in to our 100th episode celebration LIVE STREAM tonight 1/20/26 at 7pm PT!Visit Emily's ETSY store FlemGemsSee Matt do stand up at the Ice House Comedy Club in Pasadena on January 24th at 7PM. Buy tickets NOW!Jordan will be at the Pasadena ComicCon on January 25th! Get your tickets now!Click this link to get a signed copy of PREDATOR Bloodshed #1-5! https://bit.ly/coolfightFinally, Jordan has another link! Get a signed copy of Web Of Venom #1 https://bit.ly/coolgoop

You know the old adage -- dying is easy, briding is hard. Something like that. And if you're looking for a comedy that feels like dying, Bride Hard certainly fits the bill. There are plenty of talented, funny folks who were involved in this film, so we try hard to find some joy. Did we succeed? Take a listen.We're coming back to San Francisco Sketchfest on January 25! Get tickets now! We'll be discussing THE MASTER OF DISGUISE! OR, if you prefer to watch us from the comfort of your own home, check out Flop TV (tix here)!Stay updated on Flop House events and side projects, plus a little extra, with our NEWSLETTER, “Flop Secrets!Wikipedia page for Bride HardRecommended in this episode:Dan: Marty Supreme (2025)Stu: No Other Choice (2025)Elliott: The Palm Beach Story (1942)

It's January and is there a better way to celebrate the bitter cold months than to watch Norm of the North on its tenth anniversary? Yes, but we did it anyway. Join us as we discuss how the animation compares to its contemporaries, how Rob Schneider's voice sounds for a polar bear, and the idiocy of characters that we're suppose to empathize with. Find us on Bluesky, Instagram, and Threads @TCTAMPod and on TikTok @theycalledthisamovie.Our theme music was written and performed by Dave Katusa. He can be found on Instagram @dkat_productions.

1992's Winterbeast is a VHS rental store dream of a horror film. Join Juliet and Theresa to talk about this super fun indie movie and its best actor, the various creatures and why lovingly crafted practical effects shine despite a low budget.CW/TW: none for this episode Buy us a coffee!Become a Patron!Theme music: "Book of Shadows" by Houseghost (Rad Girlfriend Records) Hosted on Acast. See acast.com/privacy for more information.

It shouldn't be possible but we've cracked the code and found the movies villain to be....NEDSTRADAMUS! Demons is the kind of movie that feels less like it was written and more like it escaped from a nightmare after being fed too much cocaine and heavy metal. Set almost entirely inside a movie theater where watching a cursed film literally turns the audience into demons, it's pure mid-'80s Italian horror excess—loud, bloody, and unapologetically stupid. It's also the kind of film where logic checks out early, clocks out halfway through, and never returns. To be fair, Demons can be tedious and repetitive. The structure settles into a loop of people getting infected, screaming, transforming, and being hacked apart, over and over again. Characters are thin to nonexistent, dialogue exists mostly to scream exposition, and the film often feels like it's killing time until the next gore effect or shrieking synth cue. There are stretches where you can practically feel the movie spinning its wheels, daring you to lose patience. But here's the thing: the story is so profoundly nonsensical that it becomes hypnotic. Plot threads appear and vanish without explanation. Rules are implied and then immediately ignored. Geography inside the theater makes no sense whatsoever. And then there's the final 15 minutes—an escalation so baffling, so disconnected from reality, that it crosses the line from dumb to glorious. Motorcycles, katanas, helicopters, demon slime—everything is thrown at the screen with reckless confidence, as if the filmmakers themselves stopped asking questions and decided to go all in. That commitment is what makes Demons a worthwhile “Bad Movie Sunday” experience. It's not accidentally funny so much as aggressively insane, a film that believes in its own chaos with absolute sincerity. Yes, it drags. Yes, it repeats itself. But by the time the credits roll, you're not thinking about the dull patches—you're laughing, confused, and strangely satisfied. Demons may not be good, but it is unforgettable, and sometimes that's the highest compliment a cult horror film can earn.

In this episode the crew sat down to discuss Star Trek The Motion Picture (1979) & Star Trek II The Wrath of Khan (1982)!Show Notes:Your Geekmasters:Mike "The Birdman" - https://bsky.app/profile/birdmanguelph.bsky.socialAlex "The Producer" - https://bsky.app/profile/dethphasetwig.bsky.socialKen Reels - https://bsky.app/profile/kenreels.comAaron PollyeaFeedback for the show?:Email: feedback@thisweekingeek.netTwitter: https://twitter.com/thisweekingeekBluesky: https://bsky.app/profile/thisweekingeek.netSubscribe to our feed: https://www.spreaker.com/show/3571037/episodes/feediTunes: https://podcasts.apple.com/us/podcast/this-week-in-geek/id215643675Spotify: https://open.spotify.com/show/3Lit2bzebJXMTIv7j7fkqqCastbox: https://castbox.fm/channel/id2162049Website: https://www.thisweekingeek.netJanuary 12, 2025

Happy 2026, nerds! The theme this year is....CAREER KILLERS. We dive right in with a truly awful Bruce Willis film that is completely nonsensical and devoid of any joy. At least there was Frank Stallone? Anyway, buckle up, folks, it's going to be an interesting year!

An alien trying to escape from NASA is befriended by a wheelchair-bound boy.Send us a textSupport the showPlease subscribe, rate, and review! Thank you for listening! Hope you enjoy!Instagram: http://instagram.com/moviestheyreprettygoodFacebook: https://www.facebook.com/profile.php?id=100087938154530Twitter: https://twitter.com/moviesgoodpodYouTube: https://www.youtube.com/channel/UC8iGT7riyJ_K2DFLwfbTemg

This Week in Geek's Loose Cannon is our all around movies podcast covering the weird, wild, or sometimes nostalgic world of films.This time, our full crew of Birdman, Ken, David and Adam discuss two underrated movies in the Disney Animation catalog. First is the Swashbuckling Science Fiction twist on Robert Lewis Stevenson's Treasure Island, Treasure Planet, and the second is the classic adventure feature using the designs of comic book artist Mike Mignola, Atlantis the Lost Empire. Some of us have never seen both or one of these and for some of us they've become staples of both our childhoods and adulthoods.It's another TWIG Loose Cannon. Please Be Kind and Don't Forget to Rewind before returning your videos to the shelves. Show Notes:Your Geekmasters:Mike "The Birdman" - https://bsky.app/profile/birdmanguelph.bsky.socialAlex "The Producer" - https://bsky.app/profile/dethphasetwig.bsky.socialKen Reels - https://bsky.app/profile/kenreels.comAaron PollyeaFeedback for the show?:Email: feedback@thisweekingeek.netTwitter: https://twitter.com/thisweekingeekBluesky: https://bsky.app/profile/thisweekingeek.netSubscribe to our feed: https://www.spreaker.com/show/3571037/episodes/feediTunes: https://podcasts.apple.com/us/podcast/this-week-in-geek/id215643675Spotify: https://open.spotify.com/show/3Lit2bzebJXMTIv7j7fkqqCastbox: https://castbox.fm/channel/id2162049Website: https://www.thisweekingeek.netJanuary 7, 2026

Seventh time's the charm right? We discuss the commercial hit, but critical punching bag Jurassic World: Rebirth, the movie that presents a society that's bored of dinosaurs, and then makes a pretty good argument in favor of that boredom.We're coming back to San Francisco Sketchfest on January 25! Get tickets now! We'll be discussing THE MASTER OF DISGUISE!OR, if you prefer to watch us from the comfort of your own home! TONIGHT on the day of release, 1/3, we'll be doing a new episode of Flop TV (tix here)! Tonight episode is on the 1967 mega-bomb DOCTOR DOLITTLE!Stay updated on Flop House events and side projects, plus a little extra, with our NEWSLETTER, “Flop Secrets!Paste https://feeds.simplecast.com/EOAFriME into iTunes (or your favorite podcatching software) to have new episodes of The Flop House delivered to you directly, as they're released.Wikipedia page for Jurassic World: RebirthRecommended in this episode:Dan: Wake Up Dead Man (2025)Stu: Now You See Me: Now You Don't (2025)Elliott: Being There (1979)

On the eve of 2026 come hang with the Erotic Thriller Club as the ball gag drops! We're ringing in the new year right with the Madonna/Willem Dafoe classic Body of Evidence. Finally we will know the answer to “is it illegal to bang a man to death?”

Looks like we missed the turn to go to Nilbog, kids. Let's just keep going to Norway. Troll 2 is the kind of sequel that knows exactly what it is and leans into it with reckless enthusiasm. This is a big, loud, gloriously dumb monster movie that wears its influences proudly on its sleeve—Roland Emmerich disaster excess, Indiana Jones-style pulp adventure, Jurassic Park escalation, and Godzilla-scale city-smashing spectacle. It doesn't apologize for any of it. Instead, it barrels forward with the confidence of a film that understands the assignment: entertain first, think later. The plot is predictably ridiculous, but that's part of the charm. Ancient threats awaken, governments panic, scientists shout exposition, and ordinary people find themselves running very fast from things that absolutely should not exist. The film gleefully stitches together familiar blockbuster tropes, but does so with enough sincerity that it never feels cynical. It's corny, yes—but it's fun corny, the kind that invites you to laugh with the movie rather than at it. Where Troll 2 really shines is in its scale and energy. The action sequences are big, messy, and frequently absurd, but they're staged with surprising clarity and enthusiasm. The trolls themselves are impressively realized, blending creature-feature menace with just enough mythic weirdness to give the film a distinct Norwegian flavor. The movie may be chasing Hollywood spectacle, but it never completely loses its regional identity, and that grounding helps the madness go down easy.   In the end, Troll 2 is a celebration of blockbuster stupidity done right. It's not trying to reinvent the genre or inject faux prestige into monster mayhem. It just wants to smash landmarks, crank the music, and keep the audience grinning for two hours—and it succeeds. If you enjoy over-the-top disaster movies, pulpy adventure throwbacks, and unapologetically silly spectacle, this sequel delivers exactly what it promises, and does so with a big, dumb smile on its face.

We're taking a short holiday break, but that doesn't mean YOU have to survive without a new episode! It means that we're giving you this live show, recorded at the lovely Sleeping Village in Chicago, IL, where we discuss the Jim Belushi-and-a-dog cop comedy(?) K-9! Everyone wins!We're coming back to San Francisco Sketchfest on January 25! Get tickets now! We'll be discussing THE MASTER OF DISGUISE! Or if you prefer to watch us from the comfort of your own home: Flop TV Season 3 tix are ON SALE! The next episode is on DOCTOR DOLITTLE!Stay updated on Flop House events and side projects, plus a little extra, with our NEWSLETTER, “Flop Secrets!Wikipedia page for K-9

This week we're checking in on Stephen Baldwin's podcast about bad movies. Well, it's supposed to be about bad movies, but it's actually just an awkward conversation with Hollywood celebrities who are at the point in their career where they have enough free time to talk to Stephen Baldwin.  Doug from Good Times Great Movies is appalled that Michael Madsen spent over ten minutes waiting for Stephen to show up. Jamarmalaid has a new Christmas song that is no Granny's House. Howard Stern talks retirement with fake callers and embarrassing phony prank phone calls. Opie does his FU Friday show with both Ron the Waiter and Tony P. Ron does the wrong homework assignment and Tony does the homework assignment wrong. Stuttering John performed a stand-up show in the midwest and comes to the sad realization that more Dabbleverse fans come out to see him than anyone else. We finish up with Net News hosted by Lucy Tightbox and your voicemails. Doug's YouTube channel - https://www.youtube.com/@GoodTimesGreatMovies Support us, get bonus episodes, and watch live every Saturday and Wednesday: ⁠http://bit.ly/watp-patreon⁠ ⁠https://watp.supercast.tech/⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

It's the most wonderful time of the year. Some might go so far as to call it the hap-happiest season of all. Why? Because we're rejoined by Alonso Duralde, one of the warmest most delightful film critics and podcasters in the world, for our annual bad holiday movie! That said, goddamn you Alonso for suggesting we watch The Christmas Martian. This... this... thing... oof. Just listen to the show.We're coming back to San Francisco Sketchfest on January 25! Get tickets now! And: BREAKING NEWS -- we'll be discussing THE MASTER OF DISGUISE!OR, if you prefer to watch us from the comfort of your own home: Flop TV Season 3 tix are ON SALE! Tonight (12/6)'s episode is on the oft-referenced ZARDOZ!Stay updated on Flop House events and side projects, plus a little extra, with our NEWSLETTER, “Flop Secrets!Wikipedia page for The Christmas MartianRecommended in this episode:Dan: PTU (2003)Stu: Sentimental Value (2025), Sirāt (2025)Elliott: The Baron of Arizona (1950)Alonso Duralde: Rebuilding (2025), Train Dreams (2025)

Our friend Chris Weitz knocked politely and requested to be allowed into the lion's den, becoming the first director to come on a full episode to discuss his OWN work. That's right, on this Flop House we discuss AfrAId, a movie written and directed by (checks notes) Chris Weitz. And surprisingly (?) it's one of our most joyful episodes. God bless you, brave sir.We're coming back to San Francisco Sketchfest on January 25! Get tickets now! OR, if you prefer to watch us from the comfort of your own home: Flop TV Season 3 tix are ON SALE!Stay updated on Flop House events and side projects, plus a little extra, with our NEWSLETTER, “Flop Secrets!Wikipedia page for AfraidRecommended in this episode:Dan: Predator: Badlands (2025)Stu: Die My Love (2025)Elliott: Stiller & Meara: Nothing Is Lost (2025)Chris Weitz: Eddington (2025)

"The One with Michael Shanks?" What is this, a FRIENDS episode?!? (Thank you, producer Alex, for that joke.) No -- in this episode we welcome writer/director/FX artist/actor/man with impeccable taste in podcasts, Michael Shanks, all the way from his home in Australia, to discuss his nostalgia pick, 2001's The One, starring Jet Li!We're coming back to San Francisco Sketchfest on January 25! Get tickets now! OR, if you prefer to watch us from the comfort of your own home: Flop TV Season 3 tix are ON SALE!Stay updated on Flop House events and side projects, plus a little extra, with our NEWSLETTER, “Flop Secrets!Wikipedia page for The OneRecommended in this episode:Dan: The Fog (1980)Stu: Den of Thieves: Pantera (2025)Elliott: Gremlins 2: The New Batch (1990)Michael Shanks: Nirvanna the Band the Show the Movie (2025)

We welcome the man who brought us to the Maximum Fun network, Mr. Jesse Thorn, to the show this week. And how did we repay him? We made him watch Smurfs. We never said life is fair. Anyway, of all the Smurfs movies in the world, this will definitely go down as "the one with Rihanna and James Corden."Come see us live in Chicago, THIS SUNDAY, 11/16, discussing K-9! OR, if you prefer to watch us from the comfort of your own home: Flop TV Season 3 tix are ON SALE!Stay updated on Flop House events and side projects, plus a little extra, with our NEWSLETTER, “Flop Secrets!Wikipedia page for SmurfsRecommended in this episode:Dan: Batman (1966)Stu: Roofman (2025)Elliott: Flow (2024)Jesse Thorn: A Thousand Clowns (1965)

The hilarious Chris Franjola is here. We discuss the fallout of Kristen Bell's post. Jen Aniston claims that she turned down being a cast member on SNL. Suzanne Somers' husband has made an AI wife of her. Why do some movies fail so badly? Nepo babies have it harder than you think. How hard was it to coparent with Britney Spears? So funny so juicy enjoy. -For a limited time, get a HUGE discount on the iRESTORE Elite + Illumina Face Mask Bundle with code JUICY at ⁠https://iRestore.com⁠  -Treat yourself to the most comfortable and innovative bras on earth and save 20% Off sitewide at ⁠https://honeylove.com/JUICY⁠  -Sign up for your one-dollar-per-month trial and start selling today at ⁠https://SHOPIFY.COM/JUICYSCOOP⁠  Subscribe to my new show Juicy Crimes!: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/juicycrimes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Stand Up Tickets and info: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://heathermcdonald.net⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Subscribe to Juicy Scoop with Heather McDonald and get extra juice on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/JuicyScoopPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/juicyscoop ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Watch the Juicy Scoop On YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@JuicyScoop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shop Juicy Scoop Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://juicyscoopshop.com ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Me on Social Media: Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/heathermcdonald ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@heathermcdonald⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@HeatherMcDonaldOfficial⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices