Podcasts about bad movies

Hosts Will Alimonos and Zach Bishop kick off this July 31, 2026 episode of Little Column A, Little Column B with a victory lap from the Celtics' championship parade before diving into a full listener mailbag packed with sports debates, pop culture, and everyday hot takes. The duo tackles the streaming wars by debating binge releases versus weekly episodes, questions whether controversial officiating is becoming part of the entertainment product, and breaks down the latest WNBA headlines and the Caitlin Clark media circus. They also discuss breweries becoming family hangouts, whether sports gambling is changing the way fans watch games, and if concert crowds should sing along—or leave it to the artist. Later, Will and Zach revisit movies that deserved a second chance (Tenet, Shutter Island), reveal their favorite "so-bad-they're-good" films, debate ESPN's decision to fire Paul Pierce, and wrap up with listener questions about life's peak moments and the need for speed. It's a laid-back Friday night episode full of laughs, nostalgia, sports, and spirited debates. Chapters: (00:24) Championship Victory Lap (02:37) Weekly vs Binge Releases (09:38) Officiating and Gambling (19:32) WNBA Drama Debate (26:52) Breweries and Kids (30:12) Rewatching Great Movies (35:01) Concert Singing Etiquette (37:21) Gambling and Sports Fans (40:49) Going Fast on Hobbies (42:44) Favorite Bad Movie (49:15) Paul Pierce Firing (51:58) Peak Life Moments        

Brad Slager and Paul Young return to the Disasters in the Making bad-movie Mount Rushmore with Tommy Wiseau's legendary cult disaster, The Room. From the unforgettable “Oh, hi” greetings and the infamous flower-shop scene to the bizarre football tosses, mystery roof confrontations, awkward love scenes, random breast-cancer subplot, and dialogue that sounds like it was translated through six different soap operas, Brad and Paul break down why The Room remains one of the most searchable, quotable, and baffling bad movies ever made.The episode digs into Wiseau's vanity-project filmmaking, the strange San Francisco setting, the mystery of the movie's budget, the making-of lore behind The Disaster Artist, the infamous billboard campaign, and the scenes that have made The Room a midnight-movie classic. Whether you are looking for a funny The Room review, a Tommy Wiseau podcast discussion, a bad movie breakdown, or a cult cinema deep dive, this episode covers why The Room is not just bad, but magnificently, historically, irresistibly bad.

Way back in the winter we stopped by SF Sketchfest to discuss the film that gave us the mental image of Dana Carvey in a turtle suit, solemnly remembering the victims of 9/11 -- THE MASTER OF DISGUISE. Join us as we discuss the astounding/sometimes racist adventures of Pistachio Disguisey! And thank you to the wonderful folks at Cobb's Comedy Club for hosting us yet again! Paste https://feeds.simplecast.com/EOAFriME into iTunes (or your favorite podcatching software) to have new episodes of The Flop House delivered to you directly, as they're released. Wikipedia page for Master of Disguise Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinflop

We're hitting Hollywood Boulevard with the stunt double for Tom Mix, as we watch 1980s cult hit, Angel. Join us as we discuss how much this movie resembles Maxxxine, the cast of characters, and that egg drinking scene. Find us on Bluesky, Instagram, and Threads @TCTAMPod and on TikTok @theycalledthisamovie.Our theme music was written and performed by Dave Katusa. He can be found on Instagram @dkat_productions.

Cat Month begins here! Ok it's more like Cat Two Weeks but still, we are here with Gonzoriffic's Andrew Shearer to discuss another movie with a Batman villain but no Batman. We've got a French director, we've got too much CGI, we've got Academy Award winner Halle Berry, we've got whips, we've got evil cosmetics, we've got an evil Sharon Stone, we've got... a lot of things. #42 on the bad list was definitely fun to watch and fun to talk about.Support us at our podcasting network, Podcastio Podcastius at https://www.patreon.com/podcastiopodcastius.  You'll get early episodes of this and out other podcasts, along with a live chat here and there.Speaking of our other podcasts - seriously, you could only listen to various other configurations of us:Luke Loves Pokemon: https://lukelovespkmn.transistor.fm/Time Enough Podcast (Twilight Zone): https://timeenoughpodcast.transistor.fm/Game Game Show (a game show gaming games): https://gamegameshow.transistor.fm/Occult Disney: https://occultdisney.transistor.fm/Podcast: 1999 (where Mark and Matt rap about 70's tv sci-fi): https://podcast1999.transistor.fm/And Matt makes music here:https://rovingsagemedia.bandcamp.com/Coming Soon: The Lion KingSanta Claus Conquers the MartiansThe Usual Suspects

Contains minor spoilers for The Odyssey.Oscar and Carl chat about the 2010 remake of Clash of the Titans, starring Sam Worthington and Liam Neeson. Together, they discuss the terrible lighting, the acting, and the film's many odd creative choices. They also ask whether this is the worst Ralph Fiennes has ever been, along with the ultimate question: Who would watch this?If you have any questions or requests, send them to askwwwtpodcast@gmail.comFind us through:YouTube: https://www.youtube.com/@whowouldwatchthisInstagram: https://www.instagram.com/whowouldwatchthis/TikTok: @podcastwhowouldwatchthisLetterboxd:Carl: https://letterboxd.com/carlllllllllll1/Oscar: https://letterboxd.com/oscarfart/More links: https://linktr.ee/whowouldwatchthis  

Obsession di Curry Barker: tra tutte le chiavi di lettura che si possono dare a Obsession, quella del feel bad movie è la più adatta ad analizzarlo in ogni sua componente.Episodi menzionati:17 – HELLRAISER, una storia d'amore di Clive Barker34 – MIDSOMMAR di Ari Aster e l'elevated horror38 – L'ABIEZIONE FEMMINILE: da Amber Heard a Medusa39 – BARBIE: mistica della femminilità e abiezione45 – SPREE e DEADSTREAM: la diretta streaming come artificio narrativo47 – TALK TO ME e i suoi riti di passaggio75 – BRING HER BACK e il cinema del traumaCommento Letterboxd di Paul Thomas che ha innescato la riflessione: https://letterboxd.com/pchibbard/film/obsession-2025/1/

In this episode the crew sat down to discuss Intersteller (2014)!Show Notes:Your Geekmasters:Mike "The Birdman" - https://bsky.app/profile/birdmanguelph.bsky.socialAlex "The Producer" - https://bsky.app/profile/dethphasetwig.bsky.socialKen Reels - https://bsky.app/profile/kenreels.comAaron PollyeaFeedback for the show?:Email: feedback@thisweekingeek.netTwitter: https://twitter.com/thisweekingeekBluesky: https://bsky.app/profile/thisweekingeek.netSubscribe to our feed: https://www.spreaker.com/show/3571037/episodes/feediTunes: https://podcasts.apple.com/us/podcast/this-week-in-geek/id215643675Spotify: https://open.spotify.com/show/3Lit2bzebJXMTIv7j7fkqqCastbox: https://castbox.fm/channel/id2162049Website: https://www.thisweekingeek.netJuly 22, 2026

Cannon Summer is on, grab your icepop and M16! This podcast does not have the movie, we have another one with the movie Missing in Action | 1984 Colonel James Braddock (Chuck Norris) survives a brutal stint in a Vietnamese POW camp, but he believes that even after the war ends enemy forces are still secretly holding American men captive. Eventually, he is tapped by the president to go overseas and search for U.S. soldiers who went missing years ago. Once in Saigon, Braddock learns that his suspicions are correct, so he teams up with reckless fellow veteran Tuck (M. Emmet Walsh) and stages a violent rescue mission in the jungle. https://www.imdb.com/title/tt0087727/ Want More or Less? Click Here: Simplistic.Reviews/links Site: www.Simplistic.Reviews Podcasts: https://simplistic.media/podcasts Spotify: https://goo.gl/pcBg5V Twitter: https://twitter.com/simpletweeters Facebook: http://facebook.com/SimplisticReviews Instagram: https://www.instagram.com/simplygramming Apple: https://goo.gl/orhsR4 #MovieCommentary #WatchAlong #80s #BadMovies #missinginaction #mia #commentary #podcast #action

Cannon Summer is on, grab your icepop and M16! This podcast does not have the movie, we have another one with the movie Missing in Action | 1984 Colonel James Braddock (Chuck Norris) survives a brutal stint in a Vietnamese POW camp, but he believes that even after the war ends enemy forces are still secretly holding American men captive. Eventually, he is tapped by the president to go overseas and search for U.S. soldiers who went missing years ago. Once in Saigon, Braddock learns that his suspicions are correct, so he teams up with reckless fellow veteran Tuck (M. Emmet Walsh) and stages a violent rescue mission in the jungle. https://www.imdb.com/title/tt0087727/ Want More or Less? Click Here: Simplistic.Reviews/links Site: www.Simplistic.Reviews Podcasts: https://simplistic.media/podcasts Spotify: https://goo.gl/pcBg5V Twitter: https://twitter.com/simpletweeters Facebook: http://facebook.com/SimplisticReviews Instagram: https://www.instagram.com/simplygramming Apple: https://goo.gl/orhsR4 #MovieCommentary #WatchAlong #80s #BadMovies #missinginaction #mia #commentary #podcast #action

This week starts off with us discussing Actors that refused to return for movie sequels which transitions nicely into our list of our favorite movie sequels. In reviews we talk about the 1974 Elton John album Caribou and the 1986 Rick Moranis classic, Little Shop of Horrors.

Brad and Paul continue the Disasters in the Making bad-movie Mount Rushmore with the glorious cult chaos of Miami Connection. It has everything a certain kind of '80s action disaster needs: motorcycle ninjas, drug dealers, martial arts, rock-band sincerity, questionable acting, and the unstoppable power of friendship. The guys dig into the strange magic of Y.K. Kim's dream project, the Dragon Sound phenomenon, the Orlando-that-thinks-it's-Miami geography, and the baffling creative choices that somehow make the movie more lovable instead of less. It is part karate movie, part rock musical, part after-school special, and all beautiful cinematic wreckage.

Brad and Paul return to the bad-movie Mount Rushmore with one of the all-time direct-to-video disasters: Samurai Cop. The guys dig into the film's bargain-bin action glory, from its confused buddy-cop setup and wildly inconsistent wig work to the awkward ADR, questionable fight choreography, exploding vans, fake gunfire, and a hero who barely does anything samurai-related until the movie is almost over. Along the way, they celebrate the strange magic of early '90s B-movies, the lost art of video-store roulette, and the difference between a bad movie that fails and a bad movie that becomes legendary. It is cheap, weird, awkward, unintentionally hilarious, and somehow exactly the kind of cinematic wreckage Disasters in the Making was built to honor.

In this episode I discuss the time you give a movie before deciding it's a yes or no to continue watching. Great conversation around your approach to life's goal setting, focus and work ethic.

Sweet 16 of Bad Movie Tropes with Skip Weber!- h4 full 1486 Mon, 13 Jul 2026 21:53:52 +0000 3QvAiG1M8ArF59fE1squ6pGHIYyUAuXw comedy,religion & spirituality,society & culture,news,government The Dave Glover Show comedy,religion & spirituality,society & culture,news,government Sweet 16 of Bad Movie Tropes with Skip Weber!- h4 The Dave Glover Show has been driving St. Louis home for over 20 years. Unafraid to discuss virtually any topic, you'll hear Dave and crew's unique perspective on current events, news and politics, and anything and everything in between. © 2025 Audacy, Inc. Comedy Religion & Spirituality Society & Culture News Government https://player.amperwavepodcasting.com?feed-l

The only way that the plot can work is if the entire movie didn't actually happen. Monster A-Go-Go, anyone? Riding the Bullet isn't so much a movie as it is an argument against outlining your screenplay. The only way any of this can possibly make sense is if Alan climbed into his bathtub at the beginning of the film, took enough PCP to tranquilize a rhinoceros, hallucinated the next ninety minutes, eventually sobered up, got a job, lived an aggressively ordinary life, and then, decades later, turned to the camera for a Forrest Gump-style epilogue. That's the only version of events that even remotely holds together. Otherwise, you're left trying to connect scenes that appear to have been shuffled like a deck of cards before filming. The movie lurches from supernatural horror to psychological drama to roadside ghost story without ever committing to what it's actually about. Characters drift in and out, bizarre encounters pile up without consequence, and every revelation somehow raises more questions than it answers. Rather than building mystery, it simply abandons the idea that events should have causes or effects. Watching Riding the Bullet feels less like unraveling a puzzle and more like trying to remember a dream someone else had after taking expired cold medicine. Then comes the finale, which somehow manages to make everything even worse. Alan spends years living a completely mundane life before asking the audience, "When it's your time, will you ride the bullet?" That's... not a philosophical question. It's literally asking whether, when it's time for you to die, you'll die. Well... yes. We all will. It's not an optional side quest. The film spends nearly two hours building toward what it thinks is a profound meditation on mortality, only to land on the cinematic equivalent of asking, "When you get hungry, will you eat food?" That may actually make Riding the Bullet unique. It's the rare rhetorical movie. Not a movie that asks rhetorical questions—a movie whose entire existence is rhetorical. It's constructed as though it's supposed to provoke an emotional response, but not one you're actually capable of having because none of it means anything. The plot doesn't exist, the message doesn't exist, and by the time the credits roll, you're left wondering if you imagined the whole thing. Frankly, that breaks my cardinal rule of movie - if you made me watch your 90+ minute boreathon and then tell me it didn't actually happen, you get 0 stars because you're not a movie. BOO!!!

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Oftentimes on The Flop House we wind up watching Hollywood movies that are just kind of dull or mediocre or unimaginative. The Bride!... is not one of those. For all its flaws, it's at least a bona fide personal vision that also happens to be a fiasco. And you know what? That's kind of heartwarming. We're joined by Kenice Mobley to dissect (ha) the many parts that make up The Bride! And if you like Kenice, check out The Hot Guy Draft in August! Stay updated on all things Flop House, plus a little extra, with our NEWSLETTER, “Flop Secrets! Wikipedia page for The Bride! Recommended in this episode: Dan: Close Encounters of the Third Kind (1977) Stu: Exit 8 (2025) Elliott: The Straight Story (1999) Kenice: Lisa Frankenstein (2024) Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinflop

In this filmmaker in focus episode, I was joined by Eric Jacobus, the writer/director, actor, and stuntman extraordinaire, nehind films like Contour, Death Grip, and the Rope a Dope series, and sat down with me to talk about his experience as in indie filmmaker and how he distilled that into a practical blueprint for making movies in his newest book, Badass on a Budget: A Timeless Guide for Zero-Budget Action Filmmakers.Eric Jacobus is the founder of The Stunt People, and you can learn more about him and his various works in film, print, video games, and podcasting at his website EricJacobus.com. His book, Badass on a Budget, is available on Kindle and in paperback at Amazon, and check out his filmmaking on his YouTube channel @ericjacobusofficialClick here to Support the Show: Join the Resistance: Frontlines for just $5 a month and get access to members' exclusive episodes, an invite to the Discord server, automatic entry into all giveaways, and new members get a welcome gift.While you're here, don't be shy. Check out the entire Sheist Podcast Network, and please take a moment to fill out the Listener Survey.I hope you enjoyed the show! Please help grow the show by leaving a rating, a review, and by telling a friend about it. I'd love to hear from you, so if you have a bad movie you love and/or maybe would like to be a guest on the show, you can contact me at BadMoviesWeLove@thesheist.com or find the show on Twitter and Instagram.

Shaq is back for #43 on the bad list for Kazaam! No, Shazaam featuring Sinbad isn't real, but Shaq's rap career is, and it takes up a lot of this film when you aren't watching a snarky kid try and reconcile with his sleazy dad and something something wishes magic comedy candy bars. We didn't exactly hate this one and one of us liked it better than Steel, and it may only be on the bad list because of flawed human memory and internet jokes. For whatever reason this ep is more NSFW than usual so don't bring the kids.Support us at our podcasting network, Podcastio Podcastius at https://www.patreon.com/podcastiopodcastius.  You'll get early episodes of this and out other podcasts, along with a live chat here and there.Speaking of our other podcasts - seriously, you could only listen to various other configurations of us:Luke Loves Pokemon: https://lukelovespkmn.transistor.fm/Time Enough Podcast (Twilight Zone): https://timeenoughpodcast.transistor.fm/Game Game Show (a game show gaming games): https://gamegameshow.transistor.fm/Occult Disney: https://occultdisney.transistor.fm/Podcast: 1999 (where Mark and Matt rap about 70's tv sci-fi): https://podcast1999.transistor.fm/And Matt makes music here:https://rovingsagemedia.bandcamp.com/Coming Soon: American History XCatwomanThe Lion King

Don't worry, we're back with another career killer. LXG, as the kids call it, is on deck this month and it sure fits this year's theme. What it lacks in a compelling story, it makes up for in pure boredom. Oh well, come check out the best Sean Connery impressions you'll hear this year I'm sure.

So does the Little League team fire back up next year or are they suited up for the game this weekend? Maximum Overdrive is one of those movies that feels like two completely different films stitched together. Half the time it's practically a comedy, gleefully embracing the absurdity of its premise as every machine on Earth suddenly decides humans have to go. An angry arcade cabinet zapping Giancarlo Esposito, a Little League kid getting flattened by a steamroller, and the gloriously smug Green Goblin-faced truck all suggest everyone involved knows how ridiculous this is and is having a blast. Then the movie abruptly shifts gears and tries to become a slow-burn, Romero-esque siege horror. The survivors barricade themselves inside a truck stop while the machines patiently surround them, waiting for starvation to do the work. It's a respectable idea on paper, but the film never earns the tension because the premise is simply too goofy to sustain that level of seriousness. Every attempt at suspense is undercut by the fact that the villains are semi-trucks and lawnmowers. That tonal tug-of-war is what ultimately holds Maximum Overdrive back. When it's leaning into its B-movie insanity, it's a delight filled with memorable kills, quotable dialogue, and AC/DC blasting over every chase scene. When it tries to elevate itself into genuine horror, the pacing slows to a crawl and the cracks in the screenplay become impossible to ignore. Emilio Estevez and the cast do what they can, but they're trapped between parody and earnest horror. Even so, there's an undeniable charm to the whole experience. Stephen King's only directing effort is messy, overlong, and often nonsensical, but it's rarely boring. The practical effects, explosive action, and commitment to such a ludicrous concept make it an easy recommendation for fans of cheesy creature features and killer-object movies. It just never quite figures out what kind of movie it wants to be.

K&C HR 3

After a short break, Unqualified Game Chat is back with Episode 139, and Spencer Legacy joins me to catch up on everything that happened while we were buried under Summer Game Fest coverage, Anime Expo planning, reviews, and the usual Noisy Pixel chaos.This episode starts with a detour into movies, including our thoughts on the new Scary Movie, why some comedy already feels dated by the time it hits theaters, and how legacy sequels can fall into the trap of chasing nostalgia without earning it. We also talk about recent theatrical releases, Weapons, Naked Gun, Austin Powers, and whether some comedy franchises can survive being dragged into 2026.From there, we get into Summer Game Fest, including the games that stood out the most to us. Spencer talks about Tomb Raider and Star Wars Galactic Racer, while I explain why Phantom Blade Zero ended up becoming my game of the show. We also discuss how some action games still struggle with basic combat feel, why Resonance: A Plague Tale Legacy left me concerned, and why games like Banishers and Immortals of Aveum deserve more attention.Spencer also shares early thoughts on The Adventures of Elliot: The Millennium Tales, including its HD-2D style, its fairy companion Faye, and why new IP adventures still feel special. We somehow end up talking about Star Fox, Toy Story, Pixar's sequel problem, and why nostalgia can make some games or movies harder to judge honestly.To close things out, I talk about reviewing Dead or Alive 5 Last Round, why the lack of rollback netcode is frustrating, and my plans for Noisy Pixel's upcoming after-hours show as we continue the road to 100,000 subscribers. Episode 139 is available to everyone, but starting with Episode 140, new episodes will return to Patreon first before going public.

Making our way downtown...talking fast...about this movie..that is trash!!!!You have to sing it like Vanessa Carlton...come on people!!!Today, the guys are getting together for another entry into their "Bad Movie" series, with the 2004 cult classic...White Chicks! Many jokes that can now be seen as a bit controversial in 2026! In 2004? Was a pretty normal comedy! Written and starring two of the legendary Wayans Brothers, Shawn and Marlon. They play two black detectives that go undercover as two very white rich girls from Beverly Hills. They are trying to uncover a plot to kidnap the two girls and that's when the yuck yucks start!Do the guys find it offensive at all? Where does it fall on their "Bad Movie" list? And why is Terry Crews' tongue so damn big??? Find out all of that and more, right here!Click here to send us a message! Support the showIf you would please go follow us on all the socials? We would love you all forever...in a friend way...don't be weird!!!Please go rate and review us anywhere you get your podcastsPatreon: https://www.patreon.com/CultureShockedPodcastTwitter/X: https://www.twitter.com/cspodcast21TikTok: https://www.tiktok.com/@cspodcast21?lang=enFacebook: https://www.facebook.com/cultureshockedpodInstagram: https://www.instagram.com/cultureshocked21YouTube: https://www.youtube.com/cultureshocked21Website: https://cultureshocked.buzzsprout.com/

ThisWeekInGeek's Loose Cannon is our all around movies podcast covering the weird, wild, or sometimes nostalgic world of films. This time, the crew sat down to discuss Strippers Vs Werewolves (2012)!Please Be Kind and Don't Forget to Rewind before returning your videos to the shelves.Show Notes:Your Geekmasters:Mike "The Birdman" - https://bsky.app/profile/birdmanguelph.bsky.socialAlex "The Producer" - https://bsky.app/profile/dethphasetwig.bsky.socialKen Reels - https://bsky.app/profile/kenreels.comAaron PollyeaFeedback for the show?:Email: feedback@thisweekingeek.netTwitter: https://twitter.com/thisweekingeekBluesky: https://bsky.app/profile/thisweekingeek.netSubscribe to our feed: https://www.spreaker.com/show/3571037/episodes/feediTunes: https://podcasts.apple.com/us/podcast/this-week-in-geek/id215643675Spotify: https://open.spotify.com/show/3Lit2bzebJXMTIv7j7fkqqCastbox: https://castbox.fm/channel/id2162049Website: https://www.thisweekingeek.netJune 22, 2026

#44 on the bad list is a creepy internet cash-in, no not Backrooms, that film is actually good. We discuss Slender Man (2018, we have to specify because there are several)  and how bad it is, and if it had any chance of being good, and also what a creepypasta is and how it doesn't make a good film and how maybe you shouldn't make a movie about a real killing and then cut a bunch out of itSupport us at our podcasting network, Podcastio Podcastius at https://www.patreon.com/podcastiopodcastius.  You'll get early episodes of this and out other podcasts, along with a live chat here and there.Speaking of our other podcasts - seriously, you could only listen to various other configurations of us:Luke Loves Pokemon: https://lukelovespkmn.transistor.fm/Time Enough Podcast (Twilight Zone): https://timeenoughpodcast.transistor.fm/Game Game Show (a game show gaming games): https://gamegameshow.transistor.fm/Occult Disney: https://occultdisney.transistor.fm/Podcast: 1999 (where Mark and Matt rap about 70's tv sci-fi): https://podcast1999.transistor.fm/And Matt makes music here:https://rovingsagemedia.bandcamp.com/Coming Soon: The PianistAmerican History XKazaam

A long time ago back in 2006, someone had the idea to reboot Superman to let's just say dissapointing results. This week we review Superman Returns, celebrating its 20th anniversary. Brandon Routh stars as Christopher Reeve lookalike Superman who returns to Earth after 5 years to stop Lex Luthor from making crystal light or something. Special guest Nick from the Jason Dick & Friends podcast joins us as we give our hot takes. Twitter - @podcastBADMOVIE Insta - @badmoviepodcast Email - badmoviereviewpodcast@gmail.com Romero @ RomeroinATX Zach - @ZachfromNB Nick - @Nickmouth

In the new Filmmaker in Focus episode, I sat down with Gui Agustini, who you may have seen on Elsbeth, or The Time Traveler's Wife, and he's the voice of Roberto da Costa on X-Men '97, but what you may not know is that he's a very talented and accomplished filmmaker too!In this interview, we talked about his journey in filmmaking, some of his inspirations, his future in front of and behind the camera, and, of course, a little bit of X-Men '97.You can find Gui doing all kinds of things from music to acting reels to appearances on Instagram, and you can check out some of his short films on YouTube.And if you want to check out our first interview on X-Friends, talking about X-Men '97 season one, you can find that here.Click here to Support the Show: Join the Resistance: Frontlines for just $5 a month and get access to members' exclusive episodes, an invite to the Discord server, automatic entry into all giveaways, and new members get a welcome gift.While you're here, don't be shy. Check out the entire Sheist Podcast Network, and please take a moment to fill out the Listener Survey.I hope you enjoyed the show! Please help grow the show by leaving a rating, a review, and by telling a friend about it. I'd love to hear from you, so if you have a bad movie you love and/or maybe would like to be a guest on the show, you can contact me at BadMoviesWeLove@thesheist.com or find the show on Twitter and Instagram.

The Brothers discuss which demographic is Supergirl trying to appeal to. Will Supergirl be a success? Can Hollywood still make movies for everyone? We talk about these questions and more. Enjoy Two ordinary brothers discussing extraordinary ideas... and some random shit. Email- thebrothersrandomv@gmail.com Check us out on YouTube- https://www.youtube.com/@thebrothersrandom  

It's a rare "Flop House in the Aisles," as we took to the theater to see the tepidly-received (though still wildly successful) latest Star Wars thing, THE MANDALORIAN AND GROGU. It's got a li'l green guy in it! How bad could it be? And for a very special episode, we needed a special guest -- the talented actor and improvisor Will Hines, returning to the show after a seventeen year absence! See you in another 17 Will! (JK, why would we do that?) Stay updated on all things Flop House, plus a little extra, with our NEWSLETTER, “Flop Secrets! Wikipedia page for The Mandalorian and Grogu Recommended in this episode: Dan: The Sheep Detectives (2026) Stu: The Devil Wears Prada 2 (2026) Elliott: The Mysterious Castle in the Carpathians (1981) Will Hines: 28 Years Later: The Bone Temple (2025) Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinflop

Death Run (1987) / Mutant City (1987) is the kind of movie that makes you wonder if everyone involved had a completely different copy of the script. It's a post-apocalyptic adventure assembled from spare parts, pocket change, and what appears to be an unlimited supply of confidence. Somehow, despite operating on a budget that probably wouldn't cover catering on most productions, the film often looks surprisingly respectable. The costumes are passable, the locations work, and the camera operators generally manage to point the lens in the right direction. That's already several steps ahead of many direct-to-video wasteland adventures from the era. Unfortunately, once the plot starts moving, all bets are off. The story lurches from event to event with a remarkable disregard for cause and effect. Characters make decisions that seem specifically designed to sabotage their own survival. Entire scenes feel as though critical pages of exposition were lost on the drive to set. The result is a movie where you stop asking "Why are they doing that?" and instead begin admiring the sheer audacity required to keep marching forward without answers. Every new development feels less like storytelling and more like a random encounter table being rolled in real time. What truly elevates Death Run into so-bad-it's-good territory, however, is its action. The stunt choreography is breathtakingly awful. Fights frequently resemble people attempting to remember moves they learned fifteen minutes earlier. Punches miss by feet, combatants patiently wait their turn to fall down, and chases unfold with all the urgency of a Sunday stroll. There are moments where you can practically see performers negotiating who is supposed to lose the fight while the cameras are rolling. It's not merely bad action—it's action that seems to reject the basic concept of physical momentum. Yet that's exactly why the movie works as cult entertainment. There's an undeniable earnestness behind every scene. Nobody involved appears to be phoning it in. The filmmakers clearly wanted to create an exciting post-apocalyptic epic and, against all odds, they assembled something watchable from almost nothing. The competence of the production values constantly clashes with the baffling storytelling and hilariously inept action, creating a perfect storm of unintentional comedy. Death Run may not be a good movie by any conventional measure, but for fans of cinematic train wrecks, it's a fascinating and frequently hilarious journey through a wasteland where logic was the first casualty.

The Mandalorian & Grogu is not a good movie. It has a James Bond cold open that made both hosts genuinely excited, and then it spends two hours systematically destroying that goodwill with flat performances, cartoon-level writing, and a villain nobody asked for. MonteCristo and DoA break down how Dave Filoni turned Mandalorian Season 4 into a feature film that's 45 minutes too long, wastes its entire cast, and accidentally commits genocide. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, we're committing bank fraud all in the name of 90's nostalgia, as we watch Blank Check. Join us as we discuss the kid fantasy of buying anything you can dream of, a solid supporting cast of character actors, and that infamous kiss between a supermodel and a 10-year old boy. Find us on Bluesky, Instagram, and Threads @TCTAMPod and on TikTok @theycalledthisamovie.Our theme music was written and performed by Dave Katusa. He can be found on Instagram @dkat_productions.

'Slang' and 'Creepy Joe' and 'Random Things' oh my......It's no secret, that before you record anything, you need to warm up. So that's exactly what the guys do! But we figured...why are we wasting those precious moments? Why aren't we sharing them with all of you? So here it is...man, we are dumb!!!Click here to send us a message! Support the showIf you would please go follow us on all the socials? We would love you all forever...in a friend way...don't be weird!!!Please go rate and review us anywhere you get your podcastsPatreon: https://www.patreon.com/CultureShockedPodcastTwitter/X: https://www.twitter.com/cspodcast21TikTok: https://www.tiktok.com/@cspodcast21?lang=enFacebook: https://www.facebook.com/cultureshockedpodInstagram: https://www.instagram.com/cultureshocked21YouTube: https://www.youtube.com/cultureshocked21Website: https://cultureshocked.buzzsprout.com/

ThisWeekInGeek's Loose Cannon is our all around movies podcast covering the weird, wild, or sometimes nostalgic world of films. This time, Mike, Ken, David and Adam are going into their backlogs. We each pulled movies that are considered must-watches for cinefiles that we just never have gotten around to. Some of our picks will surprise you and some even surprised us.It's time to resolve a cinematic missing link on TWIG Loose Cannon. Please Be Kind and Don't Forget to Rewind before returning your videos to the shelves.Show Notes:Your Geekmasters:Mike "The Birdman" - https://bsky.app/profile/birdmanguelph.bsky.socialAlex "The Producer" - https://bsky.app/profile/dethphasetwig.bsky.socialKen Reels - https://bsky.app/profile/kenreels.comAaron PollyeaFeedback for the show?:Email: feedback@thisweekingeek.netTwitter: https://twitter.com/thisweekingeekBluesky: https://bsky.app/profile/thisweekingeek.netSubscribe to our feed: https://www.spreaker.com/show/3571037/episodes/feediTunes: https://podcasts.apple.com/us/podcast/this-week-in-geek/id215643675Spotify: https://open.spotify.com/show/3Lit2bzebJXMTIv7j7fkqqCastbox: https://castbox.fm/channel/id2162049Website: https://www.thisweekingeek.netJune 5, 2026

#45 on the bad list is pretty bad. I'm not gonna sugarcoat it, none of us liked it, it made us feel pretty bad, we were all pretty angry, we were all cranky poop emojis about it and not in a Patrick Stewart way. At least one of us thought it was the worst movie they ever saw. But did this result in a good podcast? Yes. Support us at our podcasting network, Podcastio Podcastius at https://www.patreon.com/podcastiopodcastius.  You'll get early episodes of this and out other podcasts, along with a live chat here and there.Speaking of our other podcasts - seriously, you could only listen to various other configurations of us:Luke Loves Pokemon: https://lukelovespkmn.transistor.fm/Time Enough Podcast (Twilight Zone): https://timeenoughpodcast.transistor.fm/Game Game Show (a game show gaming games): https://gamegameshow.transistor.fm/Occult Disney: https://occultdisney.transistor.fm/Podcast: 1999 (where Mark and Matt rap about 70's tv sci-fi): https://podcast1999.transistor.fm/And Matt makes music here:https://rovingsagemedia.bandcamp.com/Coming Soon: The IntouchablesSlender ManThe Pianist

Keith Murphy and Andy Fales discuss Milan Momcilovic's stunning $6 million move to Kentucky, the Indiana Fever's latest public relations disaster, and Victor Wembanyama's arrival on the NBA's biggest stage.

The sequel with almost an entirely new cast, new director, and somehow has special effects worse than the first film. What else can I say about this other than this movie is horrible? However, that means listening to us make fun of it is all the better. Join us for our review of 1997 film Mortal Kombat Annihilation. Twitter - @podcastBADMOVIE Insta - @badmoviepodcast Email - badmoviereviewpodcast@gmail.com Gil - @WR_Gil Romero - @RomeroinATX Zach - @ZachfromNB

Back in 2009 a movie trailer set the internet aflame. Not because it was for some long-awaited adaptation or giant blockbuster, but because it was so odd people assumed it had to be a prank. Now in 2026, we welcome the wonderful J.D. Amato to discuss this oddball (?)thriller(?) AFTER LAST SEASON! In addition to be a respected TV showrunner/comedy writer, J.D. has written a new graphic novel for young readers, THE ENDLESS GAME, about a game of capture the flag that's been going on for 80 years. Consider picking one up for the young reader or comics enthusiast in your life! Stay updated on all things Flop House, plus a little extra, with our NEWSLETTER, “Flop Secrets! Paste https://feeds.simplecast.com/EOAFriME into iTunes (or your favorite podcatching software) to have new episodes of The Flop House delivered to you directly, as they're released. Wikipedia page for After Last Season Recommended in this episode: Dan: Thief (1981) Stu: Faces of Death (2026) Elliott: Adela Has Not Had Supper Yet (1979) J.D. Amato: Mon Oncle (1958) Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinflop

We've got a lot of Star Wars on this week's Moviecast. The Mandalorian and Grogu is number one at the box office, but it is really worth watching? Do we want Cal Kestis in a live action Star Wars production? There's another Masters of the Universe reboot coming in June. Cyberpunk: Edgerunners 2 is set to be officially revealed. In other news, IMAX may be sold. #starwars #themandalorianandgrogu #mastersoftheuniverse #netflix #imax #cyberpunkedgerunners  #marvel #streaming #tv #podcast #movies #allyoucangeek #aycg

Radical Jack might be connected to the events of 9/11...might be. A friend of a friend heard there was a tragic event that happen the year before. Billy Ray, never forget.    Radical Jack | 2000 Since his wife died on a failed mission, CIA agent and former Navy SEAL Jack Reynolds (Billy Ray Cyrus) has lost interest in just about everything. He's lured back to work, however, when given the chance to go undercover in small-town Vermont to shut down a ring of gun smugglers. Jack rolls into town, finds work and romance at the local bar, and starts busting heads -- but gun runners Lloyd (George "Buck" Flower) and Rolland (Noah Blake) aren't going down without a fight. https://www.imdb.com/title/tt0212458/   Want More or Less? Click Here: Simplistic.Reviews/links   Site: www.Simplistic.Reviews Podcasts: https://simplistic.media/podcasts Spotify: https://goo.gl/pcBg5V Twitter: https://twitter.com/simpletweeters Facebook: http://facebook.com/SimplisticReviews Instagram: https://www.instagram.com/simplygramming Apple: https://goo.gl/orhsR4     #billyray #MovieCommentary #WatchAlong #2000s #BadMovies #radicaljack #commentary #podcast #action

This week we are reading all your comments, reviews, and posts about Godzilla vs Ultraman with guest debater Nick Sheist joining us!Who Would Win Masters is all about the community, and we want to hear from YOU! So comment on our show posts on the Facebook Group, Instagram, Threads, and also our Patreon! TikTok too? YES!Ray and Sam are back to wrap up the community thoughts and talk a little bit about what they've been enjoying lately, maybe your next favorite thing is about to get a recommendation?If YOU think you've got what it takes, email a one minute demo to WhoWouldWinMasters@Gmail.com and let's see if you're ready to face the challenge...Check out Nick on the Bad Movies we Luv Podcast! Ray just went on there to talk about 2025's Bone Lake!You can now support us on Patreon at Patreon.com/WhoWouldWinMastersCheck out the Who Would Win YouTube Channel!https://www.youtube.com/@WhoWouldWinMastersFollow us on Tiktok, IG, and Everywhere Else: @WhoWouldWinMasters @AlmightyRay316 @SamProofCheck out the Who Would Win Merch Store:WhoWouldWinStore.com#WhoWouldWin#VersusPodcast#FictionalFights#BattleDebate#UltimateShowdown#KaijuBattle#EpicClash#GeekDebate#NerdShowdown#MonsterBattle#Ultraman#UltramanSeries#Tokusatsu#UltraHeroes#SpeciumRay#UltramanFans#JapaneseHeroes#ClassicToku#UltraWarrior#KaijuHunter#Godzilla#KingOfTheMonsters#Kaiju#Toho#GodzillaFans#MonsterVerse#AtomicBreath#TitanBattle#Gojira#KaijuKing#KaijuVsHero#TokusatsuVsKaiju#GiantMonsterBattle#PopCultureDebate#GeekCulture#NerdCulture#FanDebate#CrossoverBattle#IconVsIcon#MonsterShowdownAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In 2003, legendary director Lawrence Kasdan teamed with legendary screenwriter William Goldman, for a big-budget adaptation of a novel by legendary horror novelist Stephen King. And the result was... also legendary. But for different reasons than they might have hoped. On this episode, legendary (at least to us!) comics artist and writer Evan Dorkin joins us to discuss one of the most inexplicable flops of the 2000's -- DREAMCATCHER! If you've never checked out Evan's work, he's just released an omnibus of his humor comix under the name NERD INFERNO, a FH-endorsed way to spend your nerd bucks! Stay updated on all things Flop House, plus a little extra, with our NEWSLETTER, “Flop Secrets! Wikipedia page for Dreamcatcher Recommended in this episode: Dan: The Movie Orgy (1968) Stu: Song Sung Blue (2025) Elliott: Apocalypse Pooh (1987), November (1917) Evan Dorkin: One Cut of the Dead (2017) Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinflop

Max Fun Drive 2026 is over, and normally we'd be back to our "one full ep one mini" schedule, but we had too many good guests lined up, so you're getting another maxi this week AND next. That's why they call us Peaches. (Editor's note: there's no particularly good reason we're called The Peaches.) First up, our pal/amazing movie director/special effects wizard Steven Kostanski joins us to discuss a movie he kinda liked: RETURN TO SILENT HILL. Will the rest of us agree? Stay updated on all things Flop House, plus a little extra, with our NEWSLETTER, “Flop Secrets! Wikipedia page for Return to Silent Hill Recommended in this episode: Dan: Body Double (1984) Stu: Cure (1997) Elliott: House of the Devil (2009) Steve Kostanski: The Last Detail (1973) Thanks to everyone who participated in this year's MaxFunDrive! Still want to get in on the action? Follow this link to support this show (and get in on our limited-time keychain sale to benefit the Center for Constitutional Rights): https://maximumfun.org/joinflop

We close out Max Fun Drive 2026 with some true pain. Stuart's proclaimed "least favorite movie," 40 DAYS AND 40 NIGHTS, a supposed "sexy romcom" that's actually a melange of unfunny shenanigans, poisonous attitudes, nothing that resembles actual human behavior, and (trigger warning) some unacknowledged sexual assault. It's... a lot. But at least it led to a funny episode -- like a flower, blooming from a pile of shit. One last time for 2026 -- the Max Fun Drive is literally what keeps this show going. If you love listening and want to support creators, please consider becoming a member (or upgrading/boosting) at maximumfun.org/join! Stay updated on all things Flop House, plus a little extra, with our NEWSLETTER, “Flop Secrets! Wikipedia page for 40 Days and 40 Nights Recommended in this episode: Dan: Strange Brew (1983) Stu: Primate (2025) Elliott: Losing Ground (1982) Thanks to everyone who participated in this year's MaxFunDrive! Still want to get in on the action? Follow this link to support this show (and get in on our limited-time keychain sale to benefit the Center for Constitutional Rights): https://maximumfun.org/joinflop

Brandon Sanderson and Dan Wells review one of the best films from 2025,  and definitely don't get distracted reviewing delicious garbage from 2024.Want to send me something to open?Dragonsteel EntertainmentATTN: AdamP.O Box 698American Fork, UT 84003Get your Wheel of Time updates here with the Bound and Woven newsletter: https://mailchi.mp/brandonsanderson/eye-of-the-world-campaignStay up to date by following my newsletter: https://brandonsanderson.us10.list-manage.com/subscribe?u=7d056bb7596a3e617f82004b2&id=fa68f14db0Interested in signed books and swag? Check here: https://www.dragonsteelbooks.com/You can also follow me on:Tiktok: https://www.tiktok.com/@authorbrandonsandersonFacebook: https://www.facebook.com/BrandSandersonTwitter: https://twitter.com/BrandSandersonInstagram: https://www.instagram.com/brandsanderson/?hl=enTwitch: https://www.twitch.tv/mistbornbrandonFrequently asked questions: https://faq.brandonsanderson.com

We're in the swing of Max Fun Drive 2026, and for "Dan's pick" of our 3 special MFD episodes, he's taking us back to 2002 when the internet felt new and we were all logging on to FEARDOTCOM, or -- more accurately -- feardotcom.com (just listen to the episode). Join us as we surf the fear-web! MAX FUN DRIVE literally keeps this show going. If you love listening and think it's worth supporting creators, please consider becoming a sustaining member (or upgrading/boosting) at maximumfun.org/join! Stay updated on all things Flop House, plus a little extra, with our NEWSLETTER, “Flop Secrets! Wikipedia page for Feardotcom Recommended in this episode: Dan: Gumby: the Movie (1995) Stu: Mother Mary (2026) Elliott: The Ghost Goes West (1935) Happy MaxFunDrive! Right now is the best time to start a membership to support your favorite shows. Learn more and join at https://maximumfun.org/joinflop

For Max Fun Drive 2026 (starting this Monday 4/20)the Peaches issued a fiendish challenge to one another -- we each get ONE pick to bedevil the others with, and Stuart starts us off with a doozy: 1994's EXIT TO EDEN. It started out as an erotic BDSM novel by Anne Rice, so clearly the best person to bring the heat was Garry Marshall, known for such previous Flop House faves as Valentine's Day and Mother's Day. So climb on board the sex boat and take a ride with us to sex island as we dissect this wild misfire. MAX FUN DRIVE is how the Flop House keeps going. If you've enjoyed these shows and think creator-owned media is a good thing to support, then please consider becoming a sustaining member at maximumfun.org/join (or, for folks who only listen to The Flop House, use a streamlined checkout at maximumfun.org/joinflop)! Stay updated on all things Flop House, plus a little extra, with our NEWSLETTER, “Flop Secrets! Wikipedia page for Exit to Eden Recommended in this episode: Dan: Pajama Party (1964) Stu: Swordfish (2001) Elliott: Naked Gun (2025) Happy MaxFunDrive! Right now is the best time to start a membership to support your favorite shows. Learn more and join at https://maximumfun.org/joinflop

AI is bad, except maybe it's not, maybe AI will help you solve the murder of your wife before it executes you for the murder of its wife... wtf is Mercy saying, anyway? Maybe it's saying if you put your hero in a chair for 100 minutes your movie will feel inert. Especially if Chris Pratt is that hero? Hard to say, but we do our best to untangle one of the silliest flops of the year. Stay updated on all things Flop House, plus a little extra, with our NEWSLETTER, “Flop Secrets! Wikipedia page for Mercy Recommended in this episode: Dan: Mike & Nick & Nick & Alice (2026) Stu: Saw X (2023) Elliott: Lemonade Joe (1964)