Podcast appearances and mentions of Dana Carvey

Happy Cage-Giving, friends. 'Tis the season for a Cage-y trip down the horrid holiday lane. The first movie of our holiday bunch we subjected our sanity to was St. Nic's 1994 "Trapped in Paradise" -- a Christmas movie so hard to watch it's like being trapped with John Travolta in Hell. Hear us riff on the movie that also stars John Lovitz and Dana Carvey and ask questions about the meaning of life. Why, Nic Cage, why? Was this a "Mandy" prequel? Krampus origin story? The world will never know. But it doesn't matter, because Earth is just one small planet in the vast, infinite Cageverse. 

Rosalynn Carter passes away, a major loss for comedian Dana Carvey, a church exodus, and the most expensive bottle of whiskey ever sold. Plus, Bill's Message of the Day, how the government fails to protect its people Learn more about your ad choices. Visit megaphone.fm/adchoices

There's No Business Like... Warner Bros. Discovery boss David Zaslav now admits that striking writers were correct in their demands for sweeping changes in how creatives are compensated in Hollywood. Dana Carvey, a comedian and actor best known for his time as a cast member on “Saturday Night Live,” has announced that he will be taking a break from work and social media after the death of his son. Dex Carvey died of an accidental drug overdose at his L.A. County home on Wednesday, his family confirmed to People Magazine. He was 32 years old. Anti-Social Media. A score of Jewish celebrities are criticizing TikTok following a surge of antisemitic rhetoric going viral on the social media app following Hamas‘ Oct. 7 terror attack on Israel, which has culminated in some young people supporting 9/11 terror leader Osama bin Laden. Over the past few years, we've borne witness to a series of pivotal global events, from the COVID pandemic to Russia's invasion of Ukraine, as well as many natural disasters. Just when it seemed that things could not get worse, Hamas launched an attack on Israel. With so many tragedies following so closely after one another, some of us may be finding that as much as we want to engage with what's going on, we have no more sympathy left to give and would rather switch off from what's going on around us. If you've been feeling this way, just know it doesn't mean you lack sympathy for others. Rather, it may be a sign that you have “compassion fatigue”.

Meet the hysterically funny Aaron Krebs. I can't remember laughing this much in a podcast since-well never! Among his many accomplishments he and his college buddies created the enormously successful improv show, Mission Improvable which continues to wow college audience. On April 1st, 2009 Mission IMPROVable bought Mi's Westside Comedy Theater. They embraced the stand-up and improv community, started a training center. Some oil the many great comedians who've performed at Westside include: Dave Chappelle, Adam Sandler, Dana Carvey, Judd Apatow, Zach Galifianakis, Tig Notaro, Demetri Marin, , Bobcat Goldthwait, Lorraine Newman. So where is Aaron Krebs going next? Who knows? But wherever he is, laughter and great fellowship will be there! #Westsidetheatre #inkwelltavern Visit my website where I speak to today's leading innovators of improv. My guests are improvisers and therapists from all over the world who share their stories and offer insight into the unique ways they use improv. margotescott.com/podcast/

It's National Unfriend Day, Dana Carvey's eldest son has accidentally overdosed, P Diddy is being accused of rape, Snoop Dogg gave up smoke, a radio station in Philly is taking a stand against Taylor Swift, PG&E rates are going up by 13 percent, the top 20 cities engaging in adulterous behavior, and some nerd news!

Top Stories - Houston driver who helped an officer to safety under a hail of gunfire, Dave Reichert polling favorably with WA voters, Dana Carvey's son passes at 32.//Guest: Kate Stone with a Pac-12 update.//Increase in people applying for home loans & Tori Spelling divorces Dean McDermott, who wasn't a fan of her free-range pet collection.

An F1 race disaster in Las Vegas, a sports reporter brings big drama, the restaurant of your dreams, Dana Carvey vs TMZ, fighting for Thanksgiving, Diddy's weird Freak Nights fetish revealed, sailors fight in the Animal Uprising, Rage Room sex and so much more!

Politics, Drug Decriminalization, Lethal Loneliness, State Immigration Laws, IBM Ad Proximity, Reuters Propaganda, Jonathan Greenblatt, ADL, TikToc Propaganda, President Biden, President Xi, Tony Blinken, Election Integrity Poll, Tom Fitton, Georgia Voting Machines, Stanford Internet Observatory, Rep. Thomas Massie, Speaker Mike Johnson, Gavin Newsom, Governor Level Hoax, Dana Carvey's Son, Fentanyl, Scott Adams ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ If you would like to enjoy this same content plus bonus content from Scott Adams, including micro-lessons on lots of useful topics to build your talent stack, please see scottadams.locals.com for full access to that secret treasure. --- Support this podcast: https://podcasters.spotify.com/pod/show/scott-adams00/support

Hop on the couch this week and join us as we reminisce about Saturday Night Live favorite eras of the past. We also discuss photos we'd retrieve if we could only save two, what to do with imaginary acreage if we had it, and which kid shows we would watch even if we didn't have kids. A special shout out is also given to the world of demolition derby. Show notes:       Connect with us on Instagram @thevictorycouch, Facebook, victorycouchpodcast@gmail.com, or www.thevictorycouch.com Want a new Victory Couch sticker for your water bottle, laptop, guitar case, etc.? Send us a quick screenshot of your review and your mailing address and we'll get you one! Reviews welcome https://podcasts.apple.com/us/podcast/the-victory-couch/id1628820081   SUBSCRIBE to The Victory Couch e-mail list by visiting https://www.thevictorycouch.com/ and click SUBSCRIBE at the top of your screen. Leave us a voice message through Spotify for Podcasters: https://podcasters.spotify.com/pod/show/thevictorycouch/message   What do you remember and what were the funniest skits from Saturday Night Live? Spartans Cheerleaders https://youtu.be/SErOdLSlpkE TGI Fridays skit with Scott Wolf https://www.youtube.com/watch?v=wsmy3tspZdQ *Correction they did call it TGI Fridays, PJ McWhiskers came from the Will Ferrell line “Maybe that BS flies over at PJ McWhiskes….”   Party of Five https://www.imdb.com/title/tt0108894/ Tower Records https://towerrecords.com/pages/about?currency=USD Starbucks https://www.starbucks.com/ Mad TV https://www.imdb.com/title/tt0112056/ Chippendales skit on SNL with Chris Farley https://youtu.be/stqG2ihMvP0 Church lady with Dana Carvey https://youtu.be/puwoUKhZQbg Harry Caray/ Will Ferrell https://youtu.be/OMNaTApbo8E Down by the river skit with Chris Farley https://www.youtube.com/watch?v=Xv2VIEY9-A8 More cowbell with Will Ferrell and Christopher Walken https://youtu.be/cVsQLlk-T0s   Have there been any programs that you loved watching with our kids that you would watch even if you didn't have kids?   The Lego Batman Movie https://www.imdb.com/title/tt4116284/ Megamind https://www.imdb.com/title/tt1001526/?ref_=nv_sr_srsg_0_tt_6_nm_2_q_megamind Lego Masters https://www.imdb.com/title/tt9615014/?ref_=fn_al_tt_1 Survivor https://www.imdb.com/title/tt0239195/?ref_=fn_al_tt_1 Bluey https://www.imdb.com/title/tt7678620/?ref_=fn_al_tt_1 Secrets of Sulphur Springs https://www.imdb.com/title/tt10329642/?ref_=fn_al_tt_1 Just Add Magic on Amazon https://www.imdb.com/title/tt3952746/?ref_=fn_al_tt_1 Cindy Callaghan books (Author of Just Add Magic) https://cindycallaghan.com/books/ Big City Greens https://www.imdb.com/title/tt7165904/   If you were given a thousand acres of land, what would you do on the acreage?   Olive Garden https://www.olivegarden.com/home Chick-fil-A https://www.chick-fil-a.com/   If you could only grab two photos from your house which ones would you choose? Couch crumbs: poured out and exhausted, waiting on others to finish projects/tasks Prop your feet up: get to spend time with best friend, demolition derby first timer     --- Send in a voice message: https://podcasters.spotify.com/pod/show/thevictorycouch/message

This week Jeremy interviews musician and TikTok comedy star Petey.  On this episode Jeremy and Petey talk throwing the first pitch at a Chicago Cubs game, Manchester Orchestra, rollerblading, Everclear, compact discs, R.E.M., playing drums, Motion City Soundtrack, playing in the band Young Jesus, Dana Carvey, creating videos with Fred Durst, snorkeling, songwriting sessions, playing Bonnaroo, his new album "USA" and so much more! SUBSCRIBE TO THE PATREON to hear a bonus episode where Petey answered questions that were submitted by subscribers! Follow the show on INSTAGRAM and TWITTER Want some First Ever Podcast merch? Click here!

The stage is set, the mic is on, and the cue is yours. In this episode, stand-up comic and voice actor Tom Sawyer shares his golden nuggets for aspiring voice talents hoping to benefit from the power of comedy. From the importance of having fun in the booth to taking a well-deserved break, and the power of belief in oneself, Tom is a reservoir of invaluable insights. We talk about standing out in a sea of talents, catching the ears of the right casting person, and the art of continuous learning. But remember, feedback is the breakfast of champions, and as Tom says, it's all about enhancing your performance. Get ready, it's showtime! About Tom   Tom Sawyer ran lengendary San Francisco comedy club, Cobb's for over 30 years. After stepping away from the comedy business, Tom was encouraged to explore voice acting by after famed comedian and voice actor Carlos Alazraqui (Rocco's Modern World, the Taco Bell Chihuahua) who knew Tom was an excellent celebrity impersonator. Tom signed with JE Talent in San Francisco and Aperture Talent in Los Angeles in 2017, and the rest is history. https://kitcaster.com/tom-sawyer/ 0:00:01 - Announcer It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a V-O boss. Now let's welcome your host, Ann Gangusa.  0:00:20 - Anne Hey everyone, welcome to the V-O Boss podcast. I'm your host, Anne Ganguzza and today I am super excited to be here with very special guest actor, comedian, entrepreneur oh my God, the list goes on Tom Sawyer. Tom ran the legendary San Francisco Comedy Club Cubs for over 30 years booking legendary greats, and this list just goes on and on, but I'll give you just a few of them Jerry Seinfeld, dana Carvey, Bob Saget, Jim Carrey, Rita Rudner, Joe Rogan, Sarah Silverman and the list just goes on. He stayed on as a booker until 2012 and then ultimately stepped away from the comedy business. After that, he was encouraged to explore voice acting by famed comedian and voice actor Carlos Ellsrocki, a good friend of his. He signed on with JE Talent in San Francisco and Aperture Talent in LA in 2017, and the rest, they say, is history.  But boy, we've got a lot of history I'd like to talk to you about, tom. Thank you so much for joining us and welcome. Thank you for having me. Oh, it's my pleasure. So, gosh, there's so many things I want to start with. I mean the first tell. You have such a large history of comedy, so, of course, I'm sure a very common question you get asked is were you a funny kid, or have you always loved comedy? What is it that drew you to comedy?  0:01:44 - Tom Well, yeah, I was the kid in the back of the class making all the other kids laugh, so that was where I started and I always did impressions. So when I was a kid I was doing Don Adams from Get Smart and Ed Sullivan and Richard Nixon and you know, it's probably a little weird seeing an eight-year-old doing Richard Nixon but that's what I was doing. When I was very young I realized I could do voices and never stopped and that's what kind of led me to voiceover when I got out of the comedy club business.  0:02:15 - Anne But boy, there was a long history of being in the comedy business. I label you as entrepreneur 20 times over because I think just following that passion of yours and then ultimately opening up a club that literally was just famed and just housing some of the comedy greats. Tell me a little bit about that history. I mean, that is just so, so fun and impressive.  0:02:36 - Tom Yeah, actually, I went to San Francisco to become a stand-up comic and there were all these clubs, the Punchline and the Holy City Zoo and the other cafe. They were very packed all the time and getting stage time there was next to impossible. Or you'd get on at one o'clock in the morning in front of a very tired, very small, very drunk audience. And then there was this little.  0:02:55 - Anne Sometimes that helps, I'm not sure Mostly doesn't, oh okay.  0:03:00 - Tom But there was this little club in the Marina District in San Francisco called Cobb's Pub and they were trying to do comedy there and there was no audience, but there was stage time. You could get on stage there. In fact, sometimes you couldn't get off stage because there was no one there to take over, so you had to stretch, stretch and that was terrifying sometimes. Especially if you're the third or fourth comic going, hey, where are you from? And the audience goes we all know where we're from, so stop asking.  0:03:29 - Anne That's so funny. I just wanted to say that a lot of my actor friends I feel like being on that comedy stage is like a rite of passage almost, and it's probably I would think one of the toughest things to do is to stand on stage like that and try to make people laugh. I mean, that's just to me it's comedy without a net. Yeah, exactly.  0:03:48 - Tom And the thing is it's like you're stuck there, literally. You have an allotted time that you have to perform and they give you 10 minutes. You have to do 10 minutes, doesn't matter if it's horrible right from the word jump, you're on stage for those 10 minutes. That's the time you have to do and that's one of the things you learn right away is like if you get on stage early.  you're not going to get back on stage. So you have to go through the rite of passage of bombing, and I've seen comics bomb from Paula Poundstone, kevin Meany, kevin Nealon, the list goes on and on. Every comic has bombed. But even later on you get in front of an audience that just doesn't dig you.  0:04:27 - Anne And again, nowhere to go. You can't run off the stage.  0:04:31 - Tom You're mean, I get that.  0:04:38 - Anne And it's funny because I literally I just went to a comedy club a couple of weeks ago and I was thinking about that, like what do you do? I mean, they are there until the next comedian is called on stage. And it feels interesting as being a part of the audience, because a lot of times I think, as the audience, you are part of maybe not part of the act, but it's very interactive, it's very back and forth and engaging because, of course, you're trying to make us laugh.  0:05:02 - Tom Yeah, you have to communicate to the audience without really engaging the audience, because you're the boss on stage, you're kind of like the crowd master and you're crowd control and entertainment at the same time. And because comedy, some people feel like, oh, I'm going to be as funny as the comic.  0:05:22 - Anne And that's when things get really sideways.  0:05:24 - Tom You're there to be entertained. Sit back, relax and leave the talking or the driving to the person with the microphone.  So you got some stage time on Cobbs and and then I realized that I just kept seeing these shows that weren't very good. The guy who was booking the club at the time wasn't doing a great job, and I was a big fan of stand up as well. So I started thinking about what I would do instead, and then I started telling the owner at the time first owner of Cobbs. I was telling him you know, here's what I would do differently, and then I could tell him at the beginning of the show how the show was going to fail. And then he was started realizing that everything I was saying was happening and he went what do I get to lose? We're doing horrible business. And so he gave me the job of booking and from there I started getting the people I really, really like to perform and it started going great and we went from being like about 20% capacity to 90% capacity in about a year.  0:06:23 - Anne So let me ask you a question that, to me, is very interesting how do you get, at the time, the talents that you booked? I mean, they were big names. Were they big names then? And how did you get them to book? I mean, that's a skill, right? It's something that we do in our businesses every day, right? We've got to try to get clients to like us and to work with us. So how did you do that? Did you have a secret?  0:06:42 - Tom Yeah, my secret was I paid really well.  0:06:45 - Anne Okay, okay, that's a good piece.  0:06:48 - Tom My biggest competition, which was twice the size of our club. We were out paying that Because we decided that the most important thing was getting butts in the chairs and the only way to do that was having acts that actually brought an audience. So the only way to do that was to offer these guys more of an opportunity to make more money. So we would give them a percentage of the door and say, hey, the more people come to see you, the more you're gonna make. And because of that we had people that would call up and go, hey, I'm gonna be on the Tonight Show in six weeks with Johnny Carson, do you have anything open? And I would move stuff around and get them in there and then I would get a Tonight Show plug or a Letterman plug or Arsenio Hall. At the time and that was kind of my thing was I'm gonna pay everybody. Really well, so everybody could. Percentage of the door.  In the early days before all the big agencies came in, sure, and remember this was at a time where there were just like a couple agencies doing personal appearances for comedians. Comedians were pretty much on their own. They were doing their business themselves. So if I wanted Bob Sagan, I'd call Bob Sagan, so I get his number from another comic and everybody was kind of looking for each other and I would bring one comic in. They'd go, hey, you should book these guys. And I go, okay, great, and call them up. And they'd go, right, when can you give them me a date? And I'd give them a date. Plus, we flew people up and we put them up in the hotels. So we didn't personally make a ton of money. That wasn't my thing. My thing was having the best shows I could possibly have and making a name right.  And making a name for the club?  0:08:24 - Anne Absolutely, and that's interesting because, again, I like to talk about the entrepreneurial business side of what we do as creatives and freelancers, and there's a lot of thinking outside the box and also recognizing the value of the talent, that if you wanna put out great work, then you wanna hire a talent that's amazing and great and pay them fairly and absolutely. And so talk to me a little bit about the networking aspect. I mean, the cash is a good draw, but you also had to communicate effectively, I would say, to really book these talent.  0:08:58 - Tom Well, the thing that separated me from everybody else, besides being generous with the money that was brought in, was that I knew what they were going through, no matter what it was going on on stage. If they were dealing with a heckler, I'd gone through that as a comedian. If they were bombing, I knew that pain, so I could empathize with them, I could be their counselor, I could give them advice. I looked at it like I wasn't really a good comedian, and mainly that was because I wasn't true to who I am personally. So my mantra after that was be yourself.  0:09:32 - Anne I love that.  0:09:33 - Tom Yeah, that's who I wasn't. I was trying to fit in and have everybody like me and that really affected the quality of my stand up because I wasn't being true to me. So that was my mantra to everybody be yourself. Because nobody can take that away from you.  0:09:49 - Anne That's so interesting because I never ventured into comedy myself. However, I find that people find me the most funny when I am being my dorky self and I'm making mistakes and I'm just being oops, sorry, and I think in voiceover as well. I wanna talk more about that. I think it's all about being authentic and being yourself and that's really, I think, what connects you to people and engages you to people and endears you to people.  0:10:14 - Tom Yeah, I think it's really important when you get a job, and especially if it's somebody you want to get more bookings from play around, have fun. I mean, I booked a video game and the first thing we did we went through several of the lines I had to do and then we went through all those and I just did just the lines, basically no acting or anything like that and they went. Yep, that's about it. I went great, thank you.  0:10:33 - Anne Love it, love it, bye, bye.  0:10:35 - Tom So everybody started laughing. It loosens everybody up and that's really it's just. Don't be a pain on the ass. Realize that you're always learning. They're always learning. Everybody's a professional too, and so be courteous and nice and smart and be entertaining. You are the talent, so show some talent as a professional as well.  0:10:53 - Anne Show some talent. I love that. So talk about in the transition while booking talent. So you did that for a very long time, I mean 30 years, and so, wow, I mean, was there a point? I mean, were you just so busy for 30 years Did you think about voiceover? Was that a thought in your head or something that you would do, or you just were completely. You loved running the club and booking talent.  0:11:18 - Tom Prior to moving to San Francisco, I lived in Florida, lived in Sarasota, Florida, and I did a lot of theater there.  That's why, I fell in love with theater and acting. You know, I always thought like, oh, stand up might be a good gateway to getting into acting, but then I got into the business end of it. So I didn't really think about it until I got out and I didn't know what I was gonna do. And I was talking to Carlos and he said dude, you do so many voices and stuff. You'd be great at voice acting.  Cause I've always done impressions, never stopped doing impressions. In fact I would teach other people like Kevin Pollack or something, if they had an oppression and they couldn't figure it quite out. They were doing it but they weren't quite right. We'd kind of jam and help them get there, or they would help me get there and we'd all do our really weird outside the box impersonations. You'd have to spend five minutes explaining who that guy is Right right right.  0:12:07 - Anne So you can't do that one.  0:12:09 - Tom But for comics, we love doing those, especially impersonators, impressionists, we love doing those for other impersonators. It was kind of like our jazz moment, you know, where you get to jam behind the scenes with another musician.  0:12:20 - Anne Absolutely.  0:12:21 - Tom So Frank Calliendo, I had the club, and Dana Carvey, of course, was the master of the not perfect impression, but getting the perfect funny it didn't matter, that's what his genius is. Bye, you know, is finding the perfect funny to any voice. And then Tom Kenny played. The club started at Cobbs as well Again, the guy who did so many crazy voices. It was another inspiration for me to move there, and every once in a while I talked to him, cause I'll get a audition for something that I know is directing or in, so I go heads up and he's going dude.  I have nothing to do with casting, you know sometimes they cast people and I'm scratching my head. So yeah, but I'll put in a good word for you.  0:12:58 - Anne So Well, hey again, networking totally helps. Now comedy skill. I think comedy is a skill and art form. What are your thoughts on that?  0:13:07 - Tom I mean cause, oh, absolutely.  0:13:08 - Anne Yeah, it's not something that I can go on a stage and execute.  0:13:11 - Tom Yeah, it's like anything else I personally believe.  my philosophy is we all have a gift somewhere along the line. We might not be in a position ever to know what that gift is, but we all have a gift and sometimes there are people out there have more than a couple fair, but there's also people who just don't ever find theirs. And I think that the idea is you know to try to discover who you are and your strengths, weaknesses. Stay away from those weaknesses and hurdle towards your strengths, you know, and don't get locked up into one thing to always be on the road to discovery.  0:13:42 - Anne I guess I want to ask you first of all about once you got into voice acting and then was it like you were always wanting to book a certain genre because you've had lots of characters inside of you that wanted to come out? Or did you find any of the genres outside of character Interesting, because I'm a believer that you're a character in just about everything you do, even if you're doing e-learning.  0:14:05 - Tom Yeah, I always try to find a person, even when it's just one of those hey, you're a dad, or hey, you're a regular guy. Or I just had an audition yesterday where you're just a regular father, you know it's regular. But the line said something else, you know. So I gave one as what they were saying and then one. That's what I felt the lines were doing. It was a subtle difference, but it was a difference that maybe whoever put this together wants to see. If somebody figured it out, or they didn't know that's where they were going and they don't know. Sometimes they don't even know until they hear it.  So give them what you think they want, and then give them what they say they want.  0:14:39 - Anne So interesting. I guess I would talk to you then about writing right, especially now that you've transitioned in voice acting and you're given a script right, or you're given an audition and finding the humor. Sometimes there's subtleties in that humor, sometimes it's obvious. Are there telltale signs to look out for? And then, once you do see it, is there a specific way that you feel it should be performed? Should it be performed in the obvious way? Or maybe, if you wanna capture the ear of the casting director, you do something different?  0:15:08 - Tom Well, I think you know what you do with a couple takes is you do the one that's on the page and then you do the one that where you think they go or where you can go with it to show what you can bring to the party. I always like to find the humor in something, especially if it says it's humorous, you know, and then play around with it and add a little bit, do a little improv with it, find a little spontaneity into there, or sometimes I'll even rewrite a line, cause I think it's kind of like flat, so I'll make it a little funnier. A punchier.  0:15:36 - Anne Okay, now that gives me a segue into a question In terms of with the script, in terms of improv right For an audition, are you improving in the audition and or improving the line, and at what point do you feel that people may go too far if you're completely rewriting, or do you think that's offensive maybe?  0:15:54 - Tom I think you have to be pretty subtle in rewriting. I think you do run the risk of people going why do I bother sending you a script? Cause you're adding all this stuff to it. So you pick and choose your moments. You know I've done that before, I've added jokes. But I'll listen to it again and go okay, that's a little too much. Plus, I want to have them. I don't want the person thinking after the third one, is he gonna go back to the script or what you know. So I wanna pick and choose my moments and make sure that I think of the funniest, the ones that have the most oomph. You want them to land, and so era on the side of too few than too many.  0:16:33 - Anne Let's talk about character development for you, especially because you're an impressionist. So how can you take, let's say, and you don't necessarily wanna have a character that's just after a particular person, but you wanna develop it into your own character. Is there a formula or a process for that, in terms of developing new characters?  0:16:51 - Tom Well, I have a book of all the impersonations I do, well, a book with the impersonations I do. And then I have like one that's like the ones I do pretty right on, and the ones I do that are just kind of soft. I don't really have it down, but that's great because it's a character.  0:17:07 - Anne Do you have a number for that? Somebody wants to have how many characters in their arsenal, how many to build off of.  0:17:13 - Tom Every day that I can figure out how to do a different celebrity or something like that. I write it down in the book Cause it comes to you sometimes. I mean, when I figured out how to do Robin Williams, it just was an accident. It's one of those things where you find a word and all of a sudden. Then you find a place in your throat and you're doing it and you can't stop.  0:17:32 - Anne It's crazy so it just never stops. I love it, I love it.  0:17:37 - Tom So one day I did Robin for Robin and that didn't go so well, apparently I didn't know he doesn't like his voice, apparently being impersonated. You didn't like that. No, it's really a very awkward Cause. I thought it'd be a lot of fun.  0:17:50 - Anne Yeah, and that's interesting because I'm curious about that. You know, celebrities like their voices impersonated, or now we've got a whole another, a whole another digital thing to be thinking about, when voices might be impersonated or turned into right With synthetic voices. But that might be another podcast.  0:18:10 - Tom That's a little scary.  0:18:11 - Anne That's a scary one, absolutely.  0:18:13 - Tom The thing about it is is like the flaws, like, let's say, go back to Dana Carvey, cause again there aren't many that he does right on, he'll leave me be the first to admit it. He's not like somebody like Frank Caliendo, who's just like amazing. He's verbatim, you can hear the voice. He's somebody who can do a sound alike. Dana could never do a sound alike, but he gets people's caricature down. That's the thing is it's like, and that's kind of what makes it funny is the imperfections is going up, finding those words.  I just, you know, I used to do Bruce Stern and a lot of people kind of forgot who he was, and then one day I just was doing it for somebody to just start laughing Cause they didn't even remember who that Bruce Stern was. But it's just his voice is funny, you know, cause he has a kind of voice like that and it's very inquisitive either. Everything goes up at the end Doesn't make a darn gosh darn bit of difference, and not sometimes he gets crazy. But and so you find those little imperfections actually make a character and make it really funny. That's what I like to do. You know, I did a animation pilot and it was like a hippie character and I was going through a bunch of voices with a writer cause they booked me and they didn't feel like they wanted to do something different with it. They said what can you do? And I was going through my book and I started doing Nick Nolte and they loved it and then you ended up going with that over what they originally had, with me doing it.  0:19:37 - Anne So I love how you have a book with everything written down. Now, do you also have audio files that go along with that, so that you can help yourself get into words?  0:19:45 - Tom Yeah, I have one where it's all my impressions, so that way I can go back. And how do I do that? One Cause I don't practice them all the time. Cause.  0:19:54 - Anne I have life.  0:19:55 - Tom So, and I don't want to be walking around talking to myself, of course, of course. Man, it's got so many voices.  0:20:00 - Anne So are you writing down then the name and then you write down the qualities of the characteristics or how you get into it. Is it a kick phrase? Maybe that gets you into the character.  0:20:10 - Tom Well, there's certain words, for example, you know, I came up with for Christopher Walk and I came up with the word pantaloon being the perfect Christopher Walken word. I'm thinking cowbell but that's yeah, cause. Well, that's, this is before cowbell yeah, before cowbell.  0:20:26 - Anne But pantaloon automatically gets me there. I love it. I love it Cause I say it.  0:20:33 - Tom I can't help but do more. Christopher Walken, who doesn't like a nice pair of pantaloons?  0:20:43 - Anne I love it. I love it.  0:20:44 - Tom Cause you want your calves exposed. So yeah, and then with Kurt Douglas, it was horse, oh Horse, okay, I'm going to read my horse. If I say horse, I go into Kurt Douglas Well.  0:21:01 - Anne I think there's something always so obviously so entertaining, but something that just draws people to comedy. What are your thoughts about this crazy, chaotic world that we live in today, and where does comedy sit now, I mean, in terms of how important is it?  0:21:17 - Tom I think comedy is as important as it ever was. And it's in a weird place right now, cause I think a lot of people are reacting to people saying words and there's a lot of people getting offended easily and comedy is not for those folks that have thin skin, both sides of it.  I find it funny that I think a lot of comics right now have thin skin as far as getting some criticism back, cause it's also about growth. What was funny in 1970, if you listened to comedy in 1970 or the 80s, it's not as funny now. In some of it's just not funny at all. We grow, we expand, we move on, and to me, that's what's great about comedy is it's about adapting. You're always adapting. You're always growing, as you should be as a person. So to me, if you're moving the ball forward constantly in your life, you're gonna be a better person than you were 10 years ago. So why not take that to comedy? Absolutely, the things that were funny like 15, 20 years ago are real cringy right now, and it's not because they weren't funny back then. They were. It's the same reason I get upset with people who go back like 20 years and go. I can't believe you said that back then.  0:22:28 - Anne Well, back then that wasn't offensive.  0:22:30 - Tom Exactly, we didn't find that offensive back then. Now we've all grown up and we've all moved on a bit and we understand that's not the same. But don't punish me for something that was okay Back then. Mark Twain, who wrote a famous book about a guy named Tom Sawyer, had a lot of cringy stuff in his books. There's still masterworks of literature, but those were the times. We have to accept. That's where those books came and there were a reflection of those times. Same way we would stand up. So to me it's just about. Everybody just needs to grow up. Everybody needs to understand where everybody was back then and where they are now and be better for them.  0:23:06 - Anne Yeah, yeah. Do you find that you miss owning a comedy club or booking talent or having that in your life?  0:23:12 - Tom I miss working with young comics. That's the thing I miss the most and it was actually when I started. The last version of Cubs when it exists now, because it's a 400-seat room has really amazing acts, but they're much bigger acts and they generally bring their own acts with them, and comedians who can bring their own acts generally don't bring really really great acts because they don't want to have to work as hard. I would make comics work hard because I would have really good acts going on before them.  Sure, so they have to try to continually stand tall, so they had to keep their game. My thing was like Interesting strategy. I like that yeah yeah, absolutely Nobody could coast. And then later on it was comics they would bring in.  I didn't think they were as talented as some of the people I could book with these guys, and so I wasn't really working with the comics anymore as much as I used to, and so that's one of the things about smaller room is you can get to work with younger comics and you get to tell them the dos and the don'ts and hopefully guide them to a path where they can be their best selves on stage. Sure, that part I miss.  0:24:14 - Anne And actually, speaking of that, what sort of advice would you give to voice talent out there that want to continually up their game and stay on top of the voiceover game, because, boy, it's competitive out there, super competitive.  0:24:27 - Tom It's crazy, it's crazy.  0:24:29 - Anne Like just as I'm sure it was in comedy and being in the club. It's such a mental game a lot of the times too.  0:24:34 - Tom Yeah, the nice thing about voiceover having been a stage actor very early in my life is you don't see the person who you're auditioning for, so you don't see that look, as soon as you hit the stage, that you've already lost your audition. You're not the person they're looking for, and that's so disheartening sometimes so at least you go into every audition with this could?  0:24:56 - Anne be the one.  0:24:57 - Tom And I love auditioning, so I love going into another character or finding something I haven't found before, or even sometimes there's a couple of characters I do that I think, oh man, this one is definitely gonna find a home someplace. It's just a matter of getting in front of the right casting person hearing it. So I'll bring out those guys every now and then, when it's the right opportunity for those characters, cause they're like they're my buddies. I want them to succeed. Yeah, I think just have fun in the booth is the main thing, and if you need to take a break, tell your agent I need to take a break. I mean, I talked to other voice actors and it gets a little depressing. Everybody came in this business thinking that everybody always said I should be in voice acting and everybody always said this is what I should be doing and I did it and nothing's happening.  0:25:43 - Anne Yeah, what's your advice for that? Because that becomes like a mind game. It becomes like oh my God, I've done all this work, what else can I do? I mean, what would you suggest in terms of getting work? It seems like the question I get most often as a coach is like so all right, I've got this great demo now and had this great coaching, and so now, where's the work? How do I get the work? Or how do I stand out?  0:26:04 - Tom I think the thing about it is acting as a lottery. You're buying a lottery ticket is what you're doing. I mean, carlos Alice Rocky was a comic Lucky, had a job, state entertainment state creative, but it was getting the Taco Bell, chihuahua and all those people you auditioned from and he hit it, hit the lottery, you know so, and from there he's done so many other things. But when I say who Carlos Alice Rocky is, when I bring him up, I always go the Taco Bell, chihuahua guy and they go oh, I love that. So it's the same thing where you just go, my lottery ticket is gonna come and you're gonna believe in yourself.  When you believe in your talent and talk to other people in the business too. Just do classes I think it's still a good idea to do, just as even a workout session. Plus, you get some inspiration from other people who have a different style, maybe that you see something in yourself or you bring out something in yourself you didn't know was there. So I would say, take a class every now and then network with other people who just to have support, just so, hey, I'm here for you when you're down on yourself, in the same way that if I need somebody to talk to and say, hey, I'm really kind of wondering what the hell I'm doing here.  And they can talk you down from being sad or lift your spirits up and let you know you're really a talented person. That's why you got into this whole thing in the first place.  0:27:16 - Anne Yeah, I think that self-sabotage can happen to the best of us even.  0:27:20 - Tom And then sometimes you'll hear it in the reads. I mean, again, I'll go into a class and you can tell the person who's been beat down on pretty bad by themselves, mostly Cause do you have an agent? Yeah, do you have a demo? Yeah, well, you're doing all the right things and I think it's good to have an agent or two that are giving you good feedback or giving you feedback.  0:27:40 - Anne I was with an agency that way too many people.  0:27:43 - Tom The poop sticks agency you have 400 people that they represent and you just go. That's too many. I don't feel special when you're just going okay.  You got a demo, you're in. So I think, being with a smaller agency, that's a little more hands-on. Both my agents give me feedback every time, even if it's just a nice job. Yeah, and because of that I feel like I'm better for it, because I already know if I see a script, I know exactly what kind of read in the ballpark I need to be, so that's what I'm gonna get back. I'm at the point now where I really get back oh, you need to do this, this is too much, and something like that. So it's always I recognize what I'm working with right away. I do it, get it out, get the feedback, forget about it.  0:28:26 - Anne That's what you gotta do. I think a lot of people really crave feedback in this industry because we are just in our studios, kind of just talking into our little four padded walls, and so a lot of times it's hard when you don't get feedback and it's interesting.  0:28:40 - Tom Yeah, especially if you don't have a partner in a relationship, you know where you can at least go hey, honey, what do you think of this?  0:28:47 - Anne Yeah, you can bounce it off.  0:28:48 - Tom I don't bother my wife with everything, but every once in a while, you know, I go. You know, what do you think of this? Or she'll hear me and she'll go. I need to hear the whole thing. She'll hear me in my booth screaming, you know. And then now she has to hear all the stuff I did in that character.  0:29:04 - Anne I love what you said about well, at least when you're in front of a stage, I can, you can get that reaction from the audience. You know that, if you've bombed or not already, and the fact that when you're in your studio you actually use the fact that you're not in front of an audience as a creative kind of positive outlook, that you can be creative and not have to face that which is so interesting from, let's say, somebody that doesn't necessarily or hasn't started from being on stage. They might've worked a corporate job and now all of a sudden they're getting into character acting, and so they don't have that perspective. So I really like that perspective of taking the challenge and I think the creativity has to be in your brain, your imagination. You have to imagine that character in that scene, which is so difficult for some people. Do you have any tips on how to really create a scene realistically while you're sitting here in your studio?  0:29:53 - Tom Yeah, I think the most important thing, especially when you get those video games where it's like one line, one line, one line, one line, five, one lines and they're like hey, don't touch that rock and you're going. How are these people going to book somebody based on five lines that are no more than 10 words for the longest one?  and you're going, how am I gonna stand out in front of anybody? So you gotta kind of create a scene around those and those. I generally will write a bigger scene for the line and then because I'll have the line in there and I'll make sure that it doesn't bleed into the other words that I'm saying, but that gives me a little bit more emotional pop for that line.  0:30:35 - Anne Are you developing the characters that you're interacting with as well?  0:30:38 - Tom I know who I'm talking to. Yeah, so I might not have the character fully developed, but I know who I'm talking to.  0:30:44 - Anne Right, and what's happening in that scene? And what's happening, yeah, and you actually write that down.  0:30:48 - Tom I'll go on Word, I'll cut and paste the lines and then I'll put words around the line and highlight the line that is actually in it. So I have all the other words and a highlighted line to make sure I hit that one. But I know what's going on and I try to create more around it.  0:31:05 - Anne So how long would you say do you spend, let's say, analyzing and doing all that work? How long would you say you take for an audition to kind of do that creating the scene and writing that down before you go in and record?  0:31:17 - Tom It depends on my schedule and what I have to do and also how much I think something is really in my wheelhouse. I mean there's things you get where it's like I knock it out in 10 minutes because I really have a solid idea of what I'm gonna do with it and I go and do it and I listen to. It sounds good. With characters, though, with video games and animation, I really like to do as much as I possibly can. I remember I did this video game audition where the character was cockney. I called my dialect coach and we went through the whole thing together.  It was like a class for me. I thought this was a good opportunity to have a little class on doing a cockney accent and I said can I book our session with you? And we just worked on the script I was auditioning for because I really I loved it and I really wanted to nail it and, regardless, I got a class out of it. So it did two things for me helped me learn, and I put that learning to immediate use.  0:32:11 - Anne Absolutely absolutely.  0:32:13 - Tom And again, that's a really good thing to do is have a network of people, find a good dialect coach, find people that are teachers or coaches that you can work with, that you can go to and use them when you need, when you're stuck or when you just need something. Had a Pixar audition that I did and the character was obviously somebody from Eastern Europe and I had a friend who's from Ukraine and we went through the script and she helped me with some of the pronunciations and I didn't book it but I really felt confident sending it in.  0:32:45 - Anne I really felt like I nailed it Exactly. I love that because you've gotten the worth out of it, whether you booked it or not. So that's the other thing. So when you really are excited about something and you do all that work and you feel like you nailed the audition, but then you didn't book it, thoughts on how to stop that from getting you all upset and, oh my God, that's it.  0:33:03 - Tom Well, it's sort of like you still have to go. This is out of my control. I have no idea what the other person at the other end is going through what they've got in front of them. If they end up going with somebody that they've already booked for something and they can give them another character because union rules and it's like you did a really good job, maybe even better than that person but they're already booked and they don't have to pay another person to do that voice. They can do up to three voices and not get a penny more. So they go. Let's just give them that, so you don't know all the little things that transpire for somebody to get that part over you.  0:33:35 - Anne Yeah, and I think it's important for people to understand that it doesn't necessarily reflect on a poor performance or a poor audition.  0:33:42 - Tom No, my agent is a very funny woman and my auditions who I'm getting in front of have escalated. I'm doing more Disney Pixar auditions and stuff like that and she just goes. You're feeling upwardly.  0:33:53 - Anne There you go. I love that.  0:33:56 - Tom Which I thought was hilarious, because we always think we're failing. We're not. We're all doing the best we can and we're all doing great auditions. But because I'm doing so well in my auditions, other casting people are getting interested, so I am getting in front of people that I didn't get in front of, like four or five years ago.  0:34:12 - Anne Awesome, that's awesome. So even if you don't book the job, you could be making an impression on someone that can get you maybe the next job or the job after that.  0:34:21 - Tom That's the idea. They go well.  I really like that because you don't know, when I was booking COBS I would get DVDs and before that VHSs of comedians from around the country. We were very well known so I would get them from New York, boston, other parts of the country and they'd just pile up on my desk because it was excruciating for me at some times. So then at one point, when they were ready to fall over, I would just start watching them. In the beginning I would watch two or three minutes of somebody. Then it came down to just 30 seconds to a minute, because you know right away and that's how I'm sure it is for casting people.  0:34:56 - Anne You know right away if there's talent or if they were gonna be bookable absolutely or if they're right or wrong.  0:35:01 - Tom You might like them and you might wanna listen to the whole thing and you would go ah, they're just not quite right. I need a little bit of a younger voice. This is obviously somebody who's an older voice and I think it's really. I mean, I try to do what I can and have as much fun as I can, because there's gonna be probably 10 years down the road where this voice isn't gonna sound the same and I'll be doing grandpas and wizards.  0:35:22 - Anne So yeah, our voices do change as they age. I have experienced that myself. I certainly sound a whole lot different than I did 10 years ago. Well, well, this has been an amazing discussion, Tom. I so appreciate you taking the time and just dropping all these wonderful tips and tricks and words of wisdom for the boss listeners out there.  0:35:45 - Tom Yeah, yeah, have fun kids. That's the message.  0:35:47 - Anne There you go. I love that. So, bosses, I want you to take a moment and imagine a world full of passionate and powered, diverse individuals giving collectively and intentionally to create the world that they wanna see. You can make a difference. Find out more at 100voiceshoocareorg. And a big shout out to our sponsor, ipdtl. You, too, can network and connect with amazing people like Tom. Find out more at IPDTLcom. You guys have an amazing week and we'll see you next week. Bye.  0:36:18 - Outro Join us next week for another edition of VO Boss with your host, Ann Gangusa, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.  Transcribed by https://podium.page  

Really fun short bit of standup comedy by Dana Carvey back in 1983 when he was a "Featured Act". You will hear a young Host (me) and Dana as we entertain the club audience. He references smoking as it was still allowed in those days. We did have a  Non-smoking section; but really... did it matter, ha!Very funny and loose as usual, Dana is great at engaging the audience.Support the showWrite a Review: in-depth walk through for leaving a review.On Your Apple & Android Phones, Visit New APP: Standup Comedy Podcast Network and website .com

Zuko may be alone, but luckily Nick and Brendan have each other! Together they unpack one of the big episodes in ATLA history, covering every topic you'd expect: Uncrustables, many species of pigs, and Dana Carvey's 2002 hit "The Master of Disguise." 00:00:00 - Intro 00:09:29 - Episode recap 01:51:05 - Final thoughts Special thanks to Jake Lester for our theme song. Brendan does our artwork- find him on Instagram. Follow us: Twitter, Facebook, Instagram Have a question or comment about the show? Email us at gottarecap@gmail.com and we may read your message on a future episode. This week's music credits: Encanto - We Don't Talk About Bruno (Karaoke Version) (All Parts) - Sing King on YouTube

High-net-worth individuals often have many objectives, ranging from wealth preservation and growth to estate planning and philanthropy. Each objective has its own intricacies, requiring careful consideration and customization to meet each client's unique needs.  In this episode, Rusty and Robyn talk with Vern Montross, Western Division Managing Director at City National Rochdale. In his role, Vern is responsible for cultivating and developing relationships with financial professionals, including financial advisors, CPAs and attorneys, and their high-net-worth clients in Texas. He works in concert with these professional advisors and City National Rochdale portfolio managers to develop long-term, risk-managed investment strategies. Working in close partnership with each client's trusted advisor to develop an insightful personal benchmark, Vern talks about the complexity of managing high-net-worth portfolios, what it takes to serve high-net-worth clients, and what intelligent personalization is all about.  Key Takeaways [03:30] - How Vern transitioned from biology to finance. [05:13] - The role of CNR in the investment management industry. [07:51] - What makes CNR different from other investment firms that manage high-net-worth investors? [11:15] - What it is like to work with CNR's portfolio managers and investment consultants. [12:54] - How CNR works with high-net-worth investors. [16:22] - What intelligent personalization means. [19:08] - Vern's outlook for the stock market, inflation, interest rates, and the bond market. [24:37] - How CNR applies its market outlook to client portfolios. [27:59] - Vern's thoughts on artificial intelligence's impact on investing. [31:07] - One of Vern's favorite investment ideas. [33:35] - How Vern maintains his physical and mental energy to perform at a high level. [34:54] - The people Vern is thankful for professionally. [37:18] - Vern's recommendations for content. Quotes [06:04] - "We're a collection of problem solvers, very much like scientists and engineers. We want to study what a potential solution looks like, stress test it, and make sure it works and is appropriate." ~ Vern Montross [06:31] - "We don't pre-manufacture our solutions. We don't have inventory on the shelf, and we don't pre-manufacture products. We work with every single client based on their unique situation." ~ Vern Montross [16:50] - "Just because something is different or specific doesn't mean it's also optimal. So, I think of intelligent personalization as customization with intelligent awareness." ~ Vern Montross Links  Vern Montross on LinkedIn City National Rochdale Mr. Brightside by the Killers The Fabric of Reality Fly on the Wall with Dana Carvey and David Spade Connect with our hosts Rusty Vanneman Robyn Murray Subscribe and stay in touch Apple Podcasts Spotify Google Podcasts 1592-OPS-6/12/2023

"It's Friday, it's 11:30, and it's time to party with your excellent host Wayne Campbell. With him as always is Garth! Party on Wayne, and party on Garth!" Take a ride in the Mirth Mobile with the quintessential power couple of the 90's, Wayne and Garth, and their late-night community access cable show. Wayne's World is arguably the film that started the trend of spin-offs from SNL skits, and was a major box-office hit and cultural phenomenon. Come dip about the whole kit n' kaboodle including Mike Meyers, Dana Carvey, Penelope Speeris and Tia Carrere. Featuring: memories, potential Halloween costumes, psycho-hose-beasts, definitions, and MORE! "Wayne's World is brought to you by Noah's Arcade. Party on, Wayne!"

A brief summary of the rather popular skit Hans and Franz (on the sketch show Saturday Night Live) on our Arnold Schwarzenegger themed week occurs followed by a summary of the must-listen audio drama by Conan O'Brien and Robert Smiegel (SNL, Triumph the Insult Comic Dog) occurs.   Did the unmade movie still work rather well as an audio drama or is the whole premise still too ambitious even by '90s movie standards? Would you had seen it had it been made? All that and more highlights of the witty Dana Carvey & Kevin Nealon led sketches!                                     MAIN LINKS:  LinkTree: https://linktr.ee/JURSPodcast Facebook Page: https://www.facebook.com/JackedUpReviewShow/ Facebook Group: https://www.facebook.com/groups/2452329545040913 Twitter: https://twitter.com/JackedUpReview  Instagram: https://www.instagram.com/jacked_up_podcast/          SHOW LINKS: YouTube: https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ   iHeartRadio: https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/   Podbean: https://jackedupreviewshow.podbean.com   Spotify: https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M   Apple Podcasts: https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218   RadioPublic: https://radiopublic.com/the-jacked-up-review-show-We4VjE   Overcast: https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast   Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz   Anchor:  https://anchor.fm/s/a46297c/podcast/rss   PocketCasts: https://pca.st/0ncd5qp4   CastBox:  https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222        

"It's Friday, it's 11:30, and it's time to party with your excellent host Wayne Campbell. With him as always is Garth! Party on Wayne, and party on Garth!" Take a ride in the Mirth Mobile with the quintessential power couple of the 90's, Wayne and Garth, and their late-night community access cable show. Wayne's World is arguably the film that started the trend of spin-offs from SNL skits, and was a major box-office hit and cultural phenomenon. Come dip about the whole kit n' kaboodle including Mike Meyers, Dana Carvey, Penelope Speeris and Tia Carrere. Featuring: memories, potential Halloween costumes, psycho-hose-beasts, definitions, and MORE! "Wayne's World is brought to you by Noah's Arcade. Party on, Wayne!"

WTOP Entertainment Reporter Jason Fraley interviews comedy genius Dana Carvey, who performs live at the Hollywood Casino at Charles Town Races in West Virginia this Saturday night. They discuss his most famous “Saturday Night Live” sketches from "The Church Lady" to “Wayne's World,” not to mention his iconic impersonation of George H.W. Bush and his latest takes on Donald Trump, Barack Obama and Joe Biden. (Theme Music: Scott Buckley's "Clarion") Learn more about your ad choices. Visit megaphone.fm/adchoices

Kevin Jin (SBS Video Podcast The Parasocial Social Club) is like Dana Carvey, a Master of Disguise. Ross unveils his new character Rodney Horny.  In Sydney? See Kevin's Sydney Fringe show Comedy Duo from September 21st to 24th. In Melbourne? See Ross MC Shrub Comedy on September 20th. 

This week, our guest is a seasoned entrepreneur with an intriguing journey spanning across various industries—the man behind the laugh, Scott Edwards. We talked about how he started his journey at the age of 17 with a small construction company. And, later transitioned to entertainment as a DJ and opened the 12th full-time comedy club in America by age 24. Listen as we dive into the art form of stand-up comedy, which reveals fascinating insights about creativity, determination, and adaptability. From honing material to understanding audience responses, these aspects are not just crucial in comedy but translate well into many professional scenarios. His story serves as a reminder that resilience in the face of ups and downs is integral to entrepreneurial success.Tune in to hear more of his story about how success doesn't require wealth but hard work, focus, and passion for excellent customer service.In this Episode: The Journey BeginsEmbracing EntrepreneurshipRiding the Waves of BusinessCustomer Service – The Key to SuccessStarting Small, Dreaming BigFrom Alabama to CaliforniaRecognizing Progress Over PrejudicesComedy Club Chronicles  Lessons from LaughterAbout Scott:Scott Edwards has established more than a dozen companies during his remarkable career journey. His ventures have spanned diverse industries, ranging from a humble construction company to ownership of unique establishments like a Submarine & Beach Shack, and even a foray into the world of Disco production. With an enduring passion for comedy, Scott channeled his enthusiasm into producing a wide array of entertainment, including Live Comedy Shows, TV Series, and Concerts. It wasn't long before he ventured into the realm of comedy club ownership, ultimately founding his inaugural club, Laughs Unlimited. Through unwavering dedication and ingenuity, he successfully transformed Laughs Unlimited into a thriving chain of comedy clubs that stands as a testament to his entrepreneurial acumen.Scott's extensive career has afforded him the privilege of collaborating with some of the most iconic figures in the comedy world, including luminaries such as Jay Leno, Jerry Seinfeld, Bob Saget, and Dana Carvey. His wealth of experience and industry connections continue to shape his enduring legacy in the realm of entertainment.You can find him here:https://www.linkedin.com/in/sactotalent/Scott's Website:https://scottscomedystuff.com/Scott's Podcast:https://standupcomedyyourhostandmc.com/podcast-show-playerwww.GaryScottThomas.com

As movie lovers, we love the good, the bad, and the really bad. This week, we are discussing one of the worst movies of all time (and our guilty pleasure film), Master of Disguise. Topics discussed include, Dana Carvey's career, the Adam Sandler renaissance, box office flops, addressing the 9/11 turtle club rumors, the Mariah Carey vs Jennifer Lopez debate, Dana Carvey's impressions, Addison Rae's new single, and more!   Listen to us on Apple: https://podcasts.apple.com/us/podcast/late-to-the-party-with-nikki-bri/id1593848890 Listen to us on Spotify: https://open.spotify.com/show/6Uk6XEk4IZIV34CiqvGQUa Listen to us on Google: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy83MjBjMzM1OC9wb2RjYXN0L3Jzcw   Find us on Tik Tok https://www.tiktok.com/@thelatetothepartypod Find us on Twitter https://twitter.com/lttppod?s=11&t=N2TE0731pImO1eOG4T_wCQ Find us on Instagram https://instagram.com/thelatetothepartypod?igshid=NTc4MTIwNjQ2YQ==   A Hurrdat Media Production. Hurrdat Media is a digital media and commercial video production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network and learn more about our other services today on HurrdatMedia.com.

Many of the big screen's most successful comedians got their start on the small screen, and no TV series has launched more comedy all-stars than Saturday Night Live. In 1995, the long-running weekend staple experienced a major shakeup with the exit of many of its most popular cast members, including Adam Sandler, Chris Farley, and Mike Myers - all of whom followed up their successful stints on SNL with feature comedies. In the first of three episodes focusing on the film careers of these SNL funnymen, we set our sights on Mike Myers, who kicked off the sketch-to-film trend of the 90s by bringing Saturday Night Live's Wayne Campbell from public access television in Aurora, Illinois to nation-wide box office smash in 1991's WAYNE'S WORLD. The irreverent comedy co-stars SNL's Dana Carvey as sidekick Garth and boasts more catchphrases than you could count in a lifetime, but do these wacky slackers have what it takes to party on into the 21st century, or… NOT? Next up, we thaw out 1997's AUSTIN POWERS: INTERNATIONAL MAN OF MYSTERY, the outrageous spy spoof starring Myers as a time-hopping 60s swinger who must fight off both his outmoded sexual politics and his maniacal hairless doppelganger, Dr. Evil. The Austin Powers franchise cemented Myers' status as a major box office drawn and 90s comedy legend, and spawned even more inescapable catchphrases, but is it still groovy, shagadelic, and totally switched on? Or does it make us want to say, “No, baby?" And in case that isn't enough to get you all verklempt, our discussion also touches on some of Myers' beloved SNL characters who didn't make the transition to the big screen, including Simon, Dieter, and Linda Richman, as well as the Wayne's World and Austin Powers sequels. Join us on Mike Myers' epic journey from schwing! to swinger in Part One of our Saturday Night Leavers - Celluloid Man-Children Of 90s Cinema miniseries! Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to wwwyshow@gmail.com. Don't forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show! Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Access WG+ episodes available only on Apple Podcasts -- Similar podcasts: Your Own Backyard,Your Mom's House with Christina P. and Tom Segura,Witnessed: Friendly Fire,We Can Do Hard Things with Glennon Doyle,Vigilante,Up First,Up and Vanished,True Crime with Kendall Rae,True Crime Garage,This Is Actually Happening,This American Life,The Seduction,The Ryen Russillo Podcast,The Ramsey Show,The Rachel Maddow Show,The NPR Politics Podcast,The Moth,The Morning Toast,The Mindset Mentor,The Michael Knowles Show,The Megyn Kelly Show,The Matt Walsh Show,The Know For Sure Pod,The Journal.,The Jordan Harbinger Show,The Glenn Beck Program,The Ezra Klein Show,THE ED MYLETT SHOW,The Draymond Green Show,The Deck,The Dan Le Batard Show with Stugotz,The Dan Bongino Show,The Daily,The Charlie Kirk Show,The Breakfast Club,The Bill Simmons Podcast,The Bible in a Year (with Fr. Mike Schmitz),The Ben Shapiro Show,Stuff You Should Know,Something Was Wrong,SmartLess,Small Town Murder,Slow Burn,Serious Trouble,Serial,Radiolab,Pod Save America,Planet Money,Persona: The French Deception,Park Predators,Pardon My Take,On Purpose with Jay Shetty,Ologies with Alie Ward,Office Ladies,NPR News Now,My Favorite Murder with Karen Kilgariff and Georgia Hardstark,Murder, Mystery & Makeup,Murder With My Husband,Murdaugh Murders Podcast,MrBallen Podcast: Strange, Dark & Mysterious Stories,Mother Country Radicals,Morning Wire,Morbid: A True Crime Podcast,Money Rehab with Nicole Lapin,Marketplace,Louder with Crowder,Listening In,Last Podcast On The Left,Kuper Island,Juicy Scoop with Heather McDonald,Jocko Podcast,Huberman Lab,History is US,Hidden Brain,FULL SEND PODCAST,Fringe Network: Alien State,Fresh Air,Freakonomics Radio,Fly on the Wall with Dana Carvey and David Spade,Father Wants Us Dead,Dispatches From Myrtle Beach,Dead End: A New Jersey Political Murder Mystery,Dateline NBC,Cum Town,Crime Junkie,CounterClock,Conan O'Brien Needs A Friend,Caresha Please,Betrayal,Bannon's War Room,Anything Goes with Emma Chamberlain,Andrew Schulz's Flagrant with Akaash Singh,Anatomy of Murder,American Scandal,American History Tellers,Against The Odds,Adulting with Michelle Buteau and Jordan Carlos,Adam Carolla Show,20/20,2 Bears, 1 Cave with Tom Segura & Bert Kreischer,Chris Lambert,YMH Studios,Campside Media,Glennon Doyle & Cadence13,Kast Media,NPR,Tenderfoot TV,Audioboom Studios & Mile Higher Media,TRUE CRIME GARAGE,Wondery,This American Life,NBC News,The Ringer,Ramsey Network,Rachel Maddow, MSNBC,The Moth,Toast News Network,Rob Dial and Kast Media,The Daily Wire,SiriusXM,B. Simone & Megan Brooks,The Wall Street Journal & Gimlet,Jordan Harbinger,Blaze Podcast Network,New York Times Opinion,Ed Mylett,iHeartPodcasts and The Volume,audiochuck,Dan Le Batard, Stugotz,Cumulus Podcast Network | Dan Bongino,The New York Times,Charlie Kirk,iHeartPodcasts,Ascension Catholic Faith Formation,Something Was Wrong | Wondery,Jason Bateman, Sean Hayes, Will Arnett,James Pietragallo, Jimmie Whisman,Slate Podcasts,Josh Barro and Ken White,Serial Productions,WNYC Studios,Crooked Media,Wondery | Pineapple Street Studios,Barstool Sports,Jay Shetty,Alie Ward,Earwolf & Jenna Fischer and Angela Kinsey,Exactly Right,Audioboom Studios,Cloud10 and iHeartPodcasts,Mandy Matney,MrBallen,Morbid Network | Wondery,Marketplace,QCODE,The Last Podcast Network,CBC Podcasts,Heather McDonald / Midroll,Jocko DEFCOR Network,Scicomm Media,C13Originals | Shining City Audio,Hidden Brain,Full Send,Somethin' Else,Freakonomics Radio + Stitcher,Cadence13,NJ.com,Mythical & Ramble,WNYC,Nick Mullen,Team Coco & Earwolf,REVOLT,iHeartPodcasts and Glass Podcasts,WarRoom.org,Emma Chamberlain and Ramble,Andrew Schulz's Flagrant with Akaash,PodcastOne / Carolla Digital,ABC News

Access WG+ episodes available only on Apple Podcasts -- Similar podcasts: Your Own Backyard,Your Mom's House with Christina P. and Tom Segura,Witnessed: Friendly Fire,We Can Do Hard Things with Glennon Doyle,Vigilante,Up First,Up and Vanished,True Crime with Kendall Rae,True Crime Garage,This Is Actually Happening,This American Life,The Seduction,The Ryen Russillo Podcast,The Ramsey Show,The Rachel Maddow Show,The NPR Politics Podcast,The Moth,The Morning Toast,The Mindset Mentor,The Michael Knowles Show,The Megyn Kelly Show,The Matt Walsh Show,The Know For Sure Pod,The Journal.,The Jordan Harbinger Show,The Glenn Beck Program,The Ezra Klein Show,THE ED MYLETT SHOW,The Draymond Green Show,The Deck,The Dan Le Batard Show with Stugotz,The Dan Bongino Show,The Daily,The Charlie Kirk Show,The Breakfast Club,The Bill Simmons Podcast,The Bible in a Year (with Fr. Mike Schmitz),The Ben Shapiro Show,Stuff You Should Know,Something Was Wrong,SmartLess,Small Town Murder,Slow Burn,Serious Trouble,Serial,Radiolab,Pod Save America,Planet Money,Persona: The French Deception,Park Predators,Pardon My Take,On Purpose with Jay Shetty,Ologies with Alie Ward,Office Ladies,NPR News Now,My Favorite Murder with Karen Kilgariff and Georgia Hardstark,Murder, Mystery & Makeup,Murder With My Husband,Murdaugh Murders Podcast,MrBallen Podcast: Strange, Dark & Mysterious Stories,Mother Country Radicals,Morning Wire,Morbid: A True Crime Podcast,Money Rehab with Nicole Lapin,Marketplace,Louder with Crowder,Listening In,Last Podcast On The Left,Kuper Island,Juicy Scoop with Heather McDonald,Jocko Podcast,Huberman Lab,History is US,Hidden Brain,FULL SEND PODCAST,Fringe Network: Alien State,Fresh Air,Freakonomics Radio,Fly on the Wall with Dana Carvey and David Spade,Father Wants Us Dead,Dispatches From Myrtle Beach,Dead End: A New Jersey Political Murder Mystery,Dateline NBC,Cum Town,Crime Junkie,CounterClock,Conan O'Brien Needs A Friend,Caresha Please,Betrayal,Bannon's War Room,Anything Goes with Emma Chamberlain,Andrew Schulz's Flagrant with Akaash Singh,Anatomy of Murder,American Scandal,American History Tellers,Against The Odds,Adulting with Michelle Buteau and Jordan Carlos,Adam Carolla Show,20/20,2 Bears, 1 Cave with Tom Segura & Bert Kreischer,Chris Lambert,YMH Studios,Campside Media,Glennon Doyle & Cadence13,Kast Media,NPR,Tenderfoot TV,Audioboom Studios & Mile Higher Media,TRUE CRIME GARAGE,Wondery,This American Life,NBC News,The Ringer,Ramsey Network,Rachel Maddow, MSNBC,The Moth,Toast News Network,Rob Dial and Kast Media,The Daily Wire,SiriusXM,B. Simone & Megan Brooks,The Wall Street Journal & Gimlet,Jordan Harbinger,Blaze Podcast Network,New York Times Opinion,Ed Mylett,iHeartPodcasts and The Volume,audiochuck,Dan Le Batard, Stugotz,Cumulus Podcast Network | Dan Bongino,The New York Times,Charlie Kirk,iHeartPodcasts,Ascension Catholic Faith Formation,Something Was Wrong | Wondery,Jason Bateman, Sean Hayes, Will Arnett,James Pietragallo, Jimmie Whisman,Slate Podcasts,Josh Barro and Ken White,Serial Productions,WNYC Studios,Crooked Media,Wondery | Pineapple Street Studios,Barstool Sports,Jay Shetty,Alie Ward,Earwolf & Jenna Fischer and Angela Kinsey,Exactly Right,Audioboom Studios,Cloud10 and iHeartPodcasts,Mandy Matney,MrBallen,Morbid Network | Wondery,Marketplace,QCODE,The Last Podcast Network,CBC Podcasts,Heather McDonald / Midroll,Jocko DEFCOR Network,Scicomm Media,C13Originals | Shining City Audio,Hidden Brain,Full Send,Somethin' Else,Freakonomics Radio + Stitcher,Cadence13,NJ.com,Mythical & Ramble,WNYC,Nick Mullen,Team Coco & Earwolf,REVOLT,iHeartPodcasts and Glass Podcasts,WarRoom.org,Emma Chamberlain and Ramble,Andrew Schulz's Flagrant with Akaash,PodcastOne / Carolla Digital,ABC News

Access WG+ episodes available only on Apple Podcasts -- Similar podcasts: Your Own Backyard,Your Mom's House with Christina P. and Tom Segura,Witnessed: Friendly Fire,We Can Do Hard Things with Glennon Doyle,Vigilante,Up First,Up and Vanished,True Crime with Kendall Rae,True Crime Garage,This Is Actually Happening,This American Life,The Seduction,The Ryen Russillo Podcast,The Ramsey Show,The Rachel Maddow Show,The NPR Politics Podcast,The Moth,The Morning Toast,The Mindset Mentor,The Michael Knowles Show,The Megyn Kelly Show,The Matt Walsh Show,The Know For Sure Pod,The Journal.,The Jordan Harbinger Show,The Glenn Beck Program,The Ezra Klein Show,THE ED MYLETT SHOW,The Draymond Green Show,The Deck,The Dan Le Batard Show with Stugotz,The Dan Bongino Show,The Daily,The Charlie Kirk Show,The Breakfast Club,The Bill Simmons Podcast,The Bible in a Year (with Fr. Mike Schmitz),The Ben Shapiro Show,Stuff You Should Know,Something Was Wrong,SmartLess,Small Town Murder,Slow Burn,Serious Trouble,Serial,Radiolab,Pod Save America,Planet Money,Persona: The French Deception,Park Predators,Pardon My Take,On Purpose with Jay Shetty,Ologies with Alie Ward,Office Ladies,NPR News Now,My Favorite Murder with Karen Kilgariff and Georgia Hardstark,Murder, Mystery & Makeup,Murder With My Husband,Murdaugh Murders Podcast,MrBallen Podcast: Strange, Dark & Mysterious Stories,Mother Country Radicals,Morning Wire,Morbid: A True Crime Podcast,Money Rehab with Nicole Lapin,Marketplace,Louder with Crowder,Listening In,Last Podcast On The Left,Kuper Island,Juicy Scoop with Heather McDonald,Jocko Podcast,Huberman Lab,History is US,Hidden Brain,FULL SEND PODCAST,Fringe Network: Alien State,Fresh Air,Freakonomics Radio,Fly on the Wall with Dana Carvey and David Spade,Father Wants Us Dead,Dispatches From Myrtle Beach,Dead End: A New Jersey Political Murder Mystery,Dateline NBC,Cum Town,Crime Junkie,CounterClock,Conan O'Brien Needs A Friend,Caresha Please,Betrayal,Bannon's War Room,Anything Goes with Emma Chamberlain,Andrew Schulz's Flagrant with Akaash Singh,Anatomy of Murder,American Scandal,American History Tellers,Against The Odds,Adulting with Michelle Buteau and Jordan Carlos,Adam Carolla Show,20/20,2 Bears, 1 Cave with Tom Segura & Bert Kreischer,Chris Lambert,YMH Studios,Campside Media,Glennon Doyle & Cadence13,Kast Media,NPR,Tenderfoot TV,Audioboom Studios & Mile Higher Media,TRUE CRIME GARAGE,Wondery,This American Life,NBC News,The Ringer,Ramsey Network,Rachel Maddow, MSNBC,The Moth,Toast News Network,Rob Dial and Kast Media,The Daily Wire,SiriusXM,B. Simone & Megan Brooks,The Wall Street Journal & Gimlet,Jordan Harbinger,Blaze Podcast Network,New York Times Opinion,Ed Mylett,iHeartPodcasts and The Volume,audiochuck,Dan Le Batard, Stugotz,Cumulus Podcast Network | Dan Bongino,The New York Times,Charlie Kirk,iHeartPodcasts,Ascension Catholic Faith Formation,Something Was Wrong | Wondery,Jason Bateman, Sean Hayes, Will Arnett,James Pietragallo, Jimmie Whisman,Slate Podcasts,Josh Barro and Ken White,Serial Productions,WNYC Studios,Crooked Media,Wondery | Pineapple Street Studios,Barstool Sports,Jay Shetty,Alie Ward,Earwolf & Jenna Fischer and Angela Kinsey,Exactly Right,Audioboom Studios,Cloud10 and iHeartPodcasts,Mandy Matney,MrBallen,Morbid Network | Wondery,Marketplace,QCODE,The Last Podcast Network,CBC Podcasts,Heather McDonald / Midroll,Jocko DEFCOR Network,Scicomm Media,C13Originals | Shining City Audio,Hidden Brain,Full Send,Somethin' Else,Freakonomics Radio + Stitcher,Cadence13,NJ.com,Mythical & Ramble,WNYC,Nick Mullen,Team Coco & Earwolf,REVOLT,iHeartPodcasts and Glass Podcasts,WarRoom.org,Emma Chamberlain and Ramble,Andrew Schulz's Flagrant with Akaash,PodcastOne / Carolla Digital,ABC News

Access WG+ episodes available only on Apple Podcasts -- Similar podcasts: Your Own Backyard,Your Mom's House with Christina P. and Tom Segura,Witnessed: Friendly Fire,We Can Do Hard Things with Glennon Doyle,Vigilante,Up First,Up and Vanished,True Crime with Kendall Rae,True Crime Garage,This Is Actually Happening,This American Life,The Seduction,The Ryen Russillo Podcast,The Ramsey Show,The Rachel Maddow Show,The NPR Politics Podcast,The Moth,The Morning Toast,The Mindset Mentor,The Michael Knowles Show,The Megyn Kelly Show,The Matt Walsh Show,The Know For Sure Pod,The Journal.,The Jordan Harbinger Show,The Glenn Beck Program,The Ezra Klein Show,THE ED MYLETT SHOW,The Draymond Green Show,The Deck,The Dan Le Batard Show with Stugotz,The Dan Bongino Show,The Daily,The Charlie Kirk Show,The Breakfast Club,The Bill Simmons Podcast,The Bible in a Year (with Fr. Mike Schmitz),The Ben Shapiro Show,Stuff You Should Know,Something Was Wrong,SmartLess,Small Town Murder,Slow Burn,Serious Trouble,Serial,Radiolab,Pod Save America,Planet Money,Persona: The French Deception,Park Predators,Pardon My Take,On Purpose with Jay Shetty,Ologies with Alie Ward,Office Ladies,NPR News Now,My Favorite Murder with Karen Kilgariff and Georgia Hardstark,Murder, Mystery & Makeup,Murder With My Husband,Murdaugh Murders Podcast,MrBallen Podcast: Strange, Dark & Mysterious Stories,Mother Country Radicals,Morning Wire,Morbid: A True Crime Podcast,Money Rehab with Nicole Lapin,Marketplace,Louder with Crowder,Listening In,Last Podcast On The Left,Kuper Island,Juicy Scoop with Heather McDonald,Jocko Podcast,Huberman Lab,History is US,Hidden Brain,FULL SEND PODCAST,Fringe Network: Alien State,Fresh Air,Freakonomics Radio,Fly on the Wall with Dana Carvey and David Spade,Father Wants Us Dead,Dispatches From Myrtle Beach,Dead End: A New Jersey Political Murder Mystery,Dateline NBC,Cum Town,Crime Junkie,CounterClock,Conan O'Brien Needs A Friend,Caresha Please,Betrayal,Bannon's War Room,Anything Goes with Emma Chamberlain,Andrew Schulz's Flagrant with Akaash Singh,Anatomy of Murder,American Scandal,American History Tellers,Against The Odds,Adulting with Michelle Buteau and Jordan Carlos,Adam Carolla Show,20/20,2 Bears, 1 Cave with Tom Segura & Bert Kreischer,Chris Lambert,YMH Studios,Campside Media,Glennon Doyle & Cadence13,Kast Media,NPR,Tenderfoot TV,Audioboom Studios & Mile Higher Media,TRUE CRIME GARAGE,Wondery,This American Life,NBC News,The Ringer,Ramsey Network,Rachel Maddow, MSNBC,The Moth,Toast News Network,Rob Dial and Kast Media,The Daily Wire,SiriusXM,B. Simone & Megan Brooks,The Wall Street Journal & Gimlet,Jordan Harbinger,Blaze Podcast Network,New York Times Opinion,Ed Mylett,iHeartPodcasts and The Volume,audiochuck,Dan Le Batard, Stugotz,Cumulus Podcast Network | Dan Bongino,The New York Times,Charlie Kirk,iHeartPodcasts,Ascension Catholic Faith Formation,Something Was Wrong | Wondery,Jason Bateman, Sean Hayes, Will Arnett,James Pietragallo, Jimmie Whisman,Slate Podcasts,Josh Barro and Ken White,Serial Productions,WNYC Studios,Crooked Media,Wondery | Pineapple Street Studios,Barstool Sports,Jay Shetty,Alie Ward,Earwolf & Jenna Fischer and Angela Kinsey,Exactly Right,Audioboom Studios,Cloud10 and iHeartPodcasts,Mandy Matney,MrBallen,Morbid Network | Wondery,Marketplace,QCODE,The Last Podcast Network,CBC Podcasts,Heather McDonald / Midroll,Jocko DEFCOR Network,Scicomm Media,C13Originals | Shining City Audio,Hidden Brain,Full Send,Somethin' Else,Freakonomics Radio + Stitcher,Cadence13,NJ.com,Mythical & Ramble,WNYC,Nick Mullen,Team Coco & Earwolf,REVOLT,iHeartPodcasts and Glass Podcasts,WarRoom.org,Emma Chamberlain and Ramble,Andrew Schulz's Flagrant with Akaash,PodcastOne / Carolla Digital,ABC News

Today on the Podcast we discuss the fifth and final Indiana Jones Movie, The Dial Of Destiny.  FEATURE REVIEW: INDIANA JONES & THE DIAL OF DESTINY SPOILERS AHEAD!!! (14:10)   RANT & RAVE Ron  (23:40) - I Think You Should Leave With Tom Robinson (Netflix) / The Fly On The Wall Podcast with Dana Carvey and David Spade.  Darren  (29:30) - The Lost Hans & Franz Movie (Conan O'Brian Needs A Friend Podcast) / I'm Your Man  

You jerks don't deserve this one! I'm sorry I can't stay mad at you. On the show today Santino sits down with one of the funniest people on the planet and a living legend. I mean COMEON MAN it's DANA FRIGGIN CARVEY! This one was an absolute blast! Sit back relax and pour yourself one for this very special Whiskey Ginger. #danacarvey #whiskeyginger #andrewsantino #podcasts ====================== SUPPORT OUR SPONSORS SQUARESPACE Get that site up and running now! 10% off your order https://squarespace.com/whiskey RABBIT HOLE $5 OFF with Promo Code: WHISKEY https://rabbitholedistillery.com/drizly GOODR Use PROMO CODE: WHISKEY For FREE SHIPPING https://goodr.com/whiskey RAYCON For 15% OFF YOUR ORDER https://buyraycon.com/whiskey ========================================= Follow Andrew Santino: https://www.instagram.com/cheetosantino/ https://twitter.com/CheetoSantino Follow Whiskey Ginger: https://www.instagram.com/whiskeyging... https://twitter.com/whiskeyginger_ Produced and edited by Joe Faria IG: @itsjoefaria Learn more about your ad choices. Visit megaphone.fm/adchoices

(0:00) - The boys open the show with a quick call back to their Dana Carvey discussion, “The Diet, Dimes in The Dozen presents…” - (5:13) - Sammy shares a small piece of news about the UPS Teamster strike - (6:51) - The boys discuss how they will not be discussing the recent UFO hearings in congress - (10:50) - Daryl shares some life updates, “This ain't nothin' but a wobbly wheel” - (14:20) - The boys have a moment of solidarity as they share news of their respective father's recent stints in the hospital (27:42) - The boys discuss the NBC Universal tree trimming scandal, “Not even chump change, it's gutter money” - (30:09) - Daryl says the City of LA has set a dangerous precedent - (32:03) - Daryl shares a thrilling personal anecdote about a time he got lost in the mountains, “You could ride a unicycle and go broke!” - (36:45) - Daryl has a new game plan for the protestors outside NBC Universal and shares one final anecdote about the importance of making fines hurt (41:48) - The boys discuss the recent explosion inside a Seattle homeless encampment, “This says more about VA mental health care, then it does about the homeless situation in Seattle” - (43:27) - Whoever made and placed the bombs most likely has military training, and we paid for it - (47:50) - The boys agree that Washington authorities are revenue drivers that care more about tickets and fines then they do the safety of the public - (50:54) - Sammy breaks down the necessary cost of having law enforcement officers come from the communities they police - (53:17) - Daryl discuses the concept of “siloing” and how relegating police to very specific types of law enforcement might improve policing in America - (56:23) - The boys give their thoughts on Seattle's delayed response to the explosion, “It feels like a Fallout side quest” - (58:13) - The boys discuss what they believe is really fueling the opioid crisis, “And that is not a failure of the person, that is a failure of our system” (1:05:09) - The boys react to Peter Santenello's YouTube documentaries on Appalachia, “Poorest Region of America/What it really looks like,” and “Inside Forgotten America/5th Gen Coal Miners” - (1:08:12) - Daryl explains why we should be investing in the people of Appalachia, “It's not their fault that they're a coal mining town” - (1:11:51) - The boys discuss some of the beauty and culture of Appalachia, “You got paid in Monopoly money, you lived on Monopoly land, and you had to shop at the Monopoly store” - (1:14:21) - Sammy shares some thoughts about the feeling of “birthright” the people of Appalachia have over coal mining - (1:20:57) - The boys discuss some of the younger adults featured in the video series and note what was hopeful, bullshit, and possibly a twink, “You can't look at this video and be like, ‘Oh yeah, that's totally just a group of heterosexual men'” - (1:27:37) - The boys wrap the show up with their thoughts and hopes for the coal miners of Appalachia, “If you go into the Earth … and dig sh*t out … to burn it … so America has electricity … You should never have to worry about your health”

Deborah Paulmann joined me to discuss starting work in the makeup industry; not liking working in a salon; trying to get in the union; Bert Ruff; how the rules are different now; make-up is a dying art on the internet; SFX Youtubers; microblading; starting free lancing for Barbara Armstrong in 1978 and working exclusively at NBC for five years (1984 - 1989); going to As the World Turns, One Life to Live, then Another World, came back to NBC in 2000 and stayed to 2010; first regular job at NBC was Phil Donahue; sees a mother / mother-in-law feud in the makeup chair; Live at 5 allows her to makeup Bette Davis; memorable working moments with Steven Tyler, Seth Green, Anthony Michael Hall and Robert Downey, Jr.; Chuck Scarborough; starting SNL at the end of the '84-'85 season; doing makeup for extras in the original era; crawling on the ground on air to retrieve a prop for Nora Dunn; Kevin Meaney and her getting locked in the makeup closet and missing his cue; working with Louis Zakarian on SNL and Conan; working with Pamela Stephenson as Joan Collins, Cindy Lauper, Madonna, and Billy Idol; various hosts; young stars brought their makeup teams who couldn't do prosthetics; some favorite people Jon Bon Jovi, Richard Gere, Sir Anthony Hopkins, Rosie O'Donnell, Martha Stewart, Paget Brewster; memories of working with Norm MacDonald, Jimmy Fallon, Will Ferrell, and Darrell Hammond; meeting the SNL host on Thursday's Conan; Jennifer Lopez white towels; working with SNL cast members Will Forte, Fred Armisen. Tiny Fey, Victoria Jackson, Dana Carvey, Phil Hartman, and Kevin Nealon; dealing with showbusiness legends Mel Brooks, Carl Reiner, Bob Newhart, George Burns, and handsy Milton Berle; doing the makeup nightly for Conan O'Brien, Andy Richter, and Max Weinberg; going to HD; Gwyneth Paltrow seeing her legs on HD for the first time; Conan going on TV on the road not done up by her and it going bad; getting paid by Conan for the year NBC wouldn't let him work and the writer's strike; David Letterman unleashes the monkey cam on Live at 5.

“The grass ain't tall, you just actin small” - The boys kick the show off with some random conversations and life updates - The show opens with Daryl sharing the strange juxtapose The Dana Carvey show created on 90s prime time television  - This reminds Sammy of some thoughts he has about adult contemporary music from his childhood, specifically Tracy Chapman's “Fast Car” - Daryl spent his weekend celebrating a friends birthday where he found himself on a very awakening mushroom trip and ended up reconnecting with his brother - This leads the boys into a discussion about the moment when people recognize the positive changes you've made in your life and how sometimes hearing that can be a tough pill to swallow - Sammy had a long Saturday night getting geeked up and playing Top Golf in between chauffeuring his girlfriend to the Taylor Swift concert - Sparking a conversation about hangover food, curry dishes, and the best Asian food spots in the area “It's in the middle of the f*ckin mountains, but they're there, making these slapping burgers” - The boys end up on a huge tangent discussing the best burger spots - Sammy's lived in Washington his whole life and last month finally went to Dick's Burgers for the first time - Daryl thinks a Dick's burger doesn't beat a BBQ burger - Every region in the United States has their food specialty, is Washington's burgers? - Daryl describes the perfect burger assembly which Sammy refers to as, “top tier ratio” “Were you thinking about God? Or were you thinking about freedom?” - The boys discuss conservative groups planning to expand executive powers for the next conservative president - The immediate problem is the media putting the creation of this policy solely on Trump when in reality the media needs to be targeting the lobbying groups that actually conceive these policies, like the Heritage Society - Daryl's pride as an American is diminishing and it's because American people are allowing this to happen right underneath their noses - This leads the boys into a conversation about what influences conservative voters - Conservatives control their base through the fear of “them, they, those,” especially in small towns where the biggest value is “getting by” - God has become detrimental to the ideals of both the small town and religion - These conservative organizations steep themselves in religion and tradition to build their base then they use that momentum to create “God on Earth,” and that's exactly what they're going to do that with the next conservative president - The façade of the values their trying to portray are put under the guise of religion, family, and community, but the values of what family? The values of what community? The values of what God? - “Do not f*ck around and think these motherf*ckers aren't crafty … That they're not, not smart … They're just pushing dumb ideas” “X, gon give it to ya” - The boys react to Elon Musk suing the lawyers who forced him to buy Twitter - Daryl thinks if he had  even the slightest chance to get 80 Million back, he'd do it - When you get up to that level lawsuits become stupid and frivolous because at that point your talking about Monopoly money - Elon is basically giving Zuckerberg the “W” with the way he's running Twitter into the ground - Censorship on Twitter was not the travesty of our generation, it was a problem that did not need solving - “Fix the build quality on Tesla's, you c*nt” “We're just a bottle inside a bottle, inside a bottle, inside a bottle” - The boys discuss the current state of deep fakes with help from a YouTube video by Johnny Harris - Could we use deep fake technology to hold more companies and billionaires accountable? - Daryl has an idea that utilizes QR codes to essentially act as watermarks for the user to tell whether the content they're viewing is real or a deep fake - There's most likely going to be an explosion of companies who specialize in deep fake authentication - “Dude, I'm ready for transcendence dawg … I'm going Johnny Depp on these motherf*ckers”

We are sitting down with Kendra, and she is doing his 104 SNL Characters tournament. Check out this episode for who she thinks is the best SNL Character. If you want to do your tournament, please contact us, and we will set it up. Sarah Silverman (1993-1994) Bobby Moynihan (2008-Now) George Coe (1975-1976) Gary Kroeger (1982-1985) Brian Doyle-Murray (1979-1982) John Belushi (1975-1979) Chris Kattan (1996-2003) Eddie Murphy (1980 -1984) Cheri Oteri (1995-2000) Tina Fey (2000-2006) Joan Cusack (1985-1986) Mike Myers (1989-1995) Melissa Villaseñor (2016-present) Dan Aykroyd (1975-1979) Alex Moffat (2016-present) Bill Murray (1977-1980) Mikey Day (2016-present) Phil Hartman (1986-1994) Jon Rudnitsky (2015-2016) Amy Poehler (2001 - 2008) Aidy Bryant (2012-present) Gilda Radner (1975 - 1980) Pete Davidson (2014-present) Chevy Chase (1975-1977) Sasheer Zamata (2014-present) Dana Carvey (1986-1993) John Milhiser (2013-2014) Will Ferrell (1995-2002) Colin Jost (2014-present) Bill Hader (2005-2013) Leslie Jones (2014-present) Kristen Wiig (2005-2012) Kyle Mooney (2013-present) Chris Farley (1990 - 1995) Mike O'Brien (2013-2014) Rachel Dratch (1999-2006) Michael Che (2014-present) Adam Sandler (1990-1995) Tim Robinson (2012-2013) Maya Rudolph (2000-2007) Beck Bennett (2013-present) Jon Lovitz (1985-1990) Noël Wells (2013-2014) Al Franken (1975-1995) Abby Elliott (2008-2012) Chris Rock (1990-1993) A. Whitney Brown (1986-1991) Andy Samberg (2005-2012) Harry Shearer (1979 - 1985) Fred Armisen (2002-2013) Michael McKean (1994-1995) Laraine Newman (1975-1980) Julia Sweeney (1990 - 1994 Jason Sudeikis (2005-2013) Jenny Slate (2009-2010) Jan Hooks (1986-1991) Gail Matthius (1980 - 1981) David Spade (1990-1996) Brooks Wheelan (2013-2014) Seth Meyers (2001-2014) Jim Belushi (1983-1985) Martin Short (1984-1985) Casey Wilson (2008-2009) Billy Crystal (1984-1985) Rich Hall (1984-1985) Christopher Guest (1984-1985) Ellen Cleghorne (1991-1995) Tim Kazurinsky (1981-1984) Michaela Watkins (2008-2009) Ana Gasteyer (1996-2002) Brad Hall (1982-1984) Dennis Miller ( 1985-1991) Joe Piscopo (1980-1984) Chris Parnell (1998-2006) Mary Gross (1981-1985) Jimmy Fallon (1998 - 2004) Terry Sweeney (1985-1986) Kate McKinnon (2012-2021) Tom Davis (1977-1980) Don Pardo (1975-2014) Beth Cahill (1991-1992) Cecily Strong (2012-2021) Garrett Morris (1975-1980) Molly Shannon (1995-2001) Nora Dunn (1985-1990) Taran Killam (2010-Now) Kevin Nealon (1986-1995) Don Novello (1978-1986) Horatio Sanz (1998-2006) Vanessa Bayer (2010 - Now) Denny Dillon (1980-1981) Rob Schneider ( 1990 - 1994) Paul Shaffer (1975-1980) Julia Louis-Dreyfus (1982 - 1985) Jay Pharoah (2010 - Now) Kenan Thompson (2003-now) Lorne Michaels (1975-now) Jane Curtin (1975-1980) Tracy Morgan (1996-2003) Tim Meadows (1991-2000) Will Forte (2002 - 2010) Darrell Hammond (1995-2009) Pamela Stephenson (1984-1985) Nasim Pedrad (2009-2014) --- Send in a voice message: https://podcasters.spotify.com/pod/show/mass-debaters/message Support this podcast: https://podcasters.spotify.com/pod/show/mass-debaters/support

When these two comedy legends sat down to reminisce about the good old days at The Dana Carvey Show, there was way too much footage to make air. Here is the full unedited interview, enjoy! (Original Air Date: March 28th, 2018) Learn more about your ad choices. Visit megaphone.fm/adchoices

To start the episode, Ali and Asif discuss the controversy surrounding country singer Miranda Lambert chastising concertgoers for taking selfies (0:48). Then, after a brief digression on Dana Carvey's Joe Biden impression, Asif asks Ali about the surprise hit TV show ‘Jury Duty' (10:32). They discuss the background of the show and how it is a combination of ‘The Office' and ‘The Joe Schmo Show'. They then discuss how the show did not make much of a splash when it first debuted, but then gained buzz via TikTok. Ali and Asif then discuss the show's reception and  their thoughts on the show. They then discuss the Emmy nominations the show has received, including James Marsden for best supporting actor…for playing himself. Then the guys RE-discuss artificial sweeteners because of a new press-release issued by the WHO on the possible carcinogenic effects of aspartame (37:45). Asif explains how it was a joint press release, highlighting findings about   aspartame are released today by the International Agency for Research on Cancer (IARC) and the World Health Organization (WHO) and the Food and Agriculture Organization (FAO) Joint Expert Committee on Food Additives (JECFA). Overall, Asif explains how the IARC found “limited evidence” for carcinogenicity in humans aand classified aspartame as possibly carcinogenic to humans. He then explains that JECFA reaffirmed the acceptable daily intake of 40 mg/kg body weight (ie an adult weighing 70kg would need to consume more than 9–14 cans per day to exceed the acceptable daily intake). Asif clarifies how  the agencies' statements are "complementary" in that the two groups work differently, and have a different aim: while IARC flags a potential hazard based on even limited evidence, JECFA assesses the real-life risk.   A reminder that the pod will be taking a month off in August. Look for new episodes coming your way on Sept 8, 2023!   The opinions expressed are those of the hosts, and do not reflect those of any other organizations. This podcast and website represents the opinions of the hosts. The content here should not be taken as medical advice. The content here is for entertainment and informational purposes only, and because each person is so unique, please consult your healthcare professional for any medical questions.    Music courtesy of Wataboi and 8er41 from Pixabay   Contact us at doctorvcomedian@gmail.com   Follow us on Social media: Twitter: @doctorvcomedian Instagram: doctorvcomedian   Show notes: Miranda Lambert has a point: https://www.avclub.com/miranda-lambert-scolds-fans-at-show-backlash-1850651000 How Jury Duty Orchestrated the Trial of a Lifetime: https://www.vulture.com/article/jury-duty-interview.html How 'Jury Duty' completely faked a trial in real courtroom with a narcissistic James Marsden: https://www.usatoday.com/story/entertainment/tv/2023/04/08/jury-duty-feevee-series-fakes-civil-trial-james-marsden/11610571002/ Their Show Flew Under the Radar. TikTok Blew It Up: https://www.nytimes.com/2023/06/08/arts/television/jury-duty-freevee.html How Jury Duty became the surprise comedy breakout of the year: https://www.theguardian.com/tv-and-radio/2023/jul/17/show-jury-duty-amazon-freevee-tiktok What is aspartame and what do the new WHO rulings mean? https://www.reuters.com/business/healthcare-pharmaceuticals/what-is-aspartame-what-do-new-who-rulings-cancer-consumption-mean-2023-07-13/ Opinion: What the WHO aspartame findings mean for your diet: https://www.cnn.com/2023/07/21/opinions/aspartame-sweetener-diet-world-health-organization-branca/index.html Does Aspartame Cause Cancer or Is It Safe to Consume? The Latest Evidence About the Artificial Sweetener: https://time.com/6294701/aspartame-cancer-sweetener-studies/ Ninety-sixth meeting - Joint FAO/WHO Expert Committee on Food Additives (JECFA): https://www.who.int/publications/m/item/ninety-sixth-meeting-joint-fao-who-expert-committee-on-food-additives-(jecfa) IARC Monographs Hazard Classification: https://www.iarc.who.int/wp-content/uploads/2023/06/IARC_MONO_classification_2023_updated.png Carcinogenicity of aspartame, methyleugenol, and isoeugenol: https://www.thelancet.com/journals/lanonc/article/PIIS1470-2045(23)00341-8/fulltext Summary of findings of the evaluation of aspartame at the International Agency for Research on Cancer (IARC) Monographs Programme's 134th Meeting, and the Joint FAO/WHO Expert Committee on Food Additives (JECFA) 96th meeting: https://www.who.int/publications/m/item/summary-of-findings-of-the-evaluation-of-aspartame-at-the-international-agency-for-research-on-cancer-(iarc)-monographs-programme-s-134th-meeting--and-the-joint-fao-who-expert-committee-on-food-additives-(jecfa)-96th-meeting

The Podcast About The Podcasts About Television: What is going to happen to all of these TV actor rewatch podcasts now that they are on strike!? Try That In A Small Town: Jason Aldean coming for that "White Boy Summer" crown with his new small town BOP that might be a dog whistle?! Sassy Trucker: Sassy Trucker gets arrrested in Dubai for screaming at a man in public, gotta be smart when travelling overseas. FUCK YOU, WATCH THIS!, THE BEAR!, NOTORIOUS BIG!, PUFF DADDY!, P. DIDDY!, VICTORY!, BUSTA RHYMES!, IMAGINE!, STRIKE!, WRITERS!, ACTORS!, B.I.G. MEANING!, BUSINESS INSTEAD OF GAME!, BULLET IN THE GUT!, 2PAC!, NEW PODCASTS!, THE PODCAST ABOUT THE PODCASTS ABOUT TELEVISION!, JAKOB BURROWS!, THE OC REWATCH!, WELCOME TO THE OC BITCHES!, CRITICS!, INFLUENCERS!, SCABS!, IT'S ALWAYS SUNNY!, OFFICE LADIES!, ONE TREE HILL!, HOT POD INSIDER!, DRAMA QUEENS!, FLY ON THE WALL!, DAVID SPADE!, DANA CARVEY!, ZACK TO THE FUTURE!, LADY ON THE BOARD!, FRIDAY NIGHT LIGHTS!, SARACEN!, ANNE!, ROB LOWE!, PARKS AND RECOLLECTIONS!, LITERALLY!, JERRY!, BONES!, DAVID BOREANAZ!, MASTURBATION!, SCRUBS!, FAKE DOCTORS REAL FRIENDS!, ABC!, DISNEY+!, MS MARVEL!, CHASING AMY!, KEVIN SMITH!, CHASING CHASING AMY!, JASON ALDEAN!, TRY THAT IN A SMALL TOWN!, THE CHAZ!, F SLUR!, FUCKING LEET!, RIOTS!, KOREANS!, BLACK KOREA!, ICE CUBE!, SOUTHERN ACCENT!, IRISH ACCENTS!, BRITISH ACCENTS!, LADS!, DRAG QUEEN STORY TIME!, JUDY BLUME DOCUMENTARY!, PUSSY!, GAY PORN FROM THE LIBRARY!, SASSY TRUCKER!, DUBAI!, SCREAMING!, RENTAL CAR!, TANTRUM!, PUBLIC FREAKOUT!, SAUDI PRINCE!, BASED DEPARTMENT!, RIGHT WING!, INFLUENCERS!, REDPILLED!, PASSPORTS!, AMERICANS!, SCARED!, ARRESTED IN ANOTHER COUNTRY!, RESPECT LAWS!, DUBAI PRISON!, OTTO WAMBIER!, SINGAPORE!, CANING!, VANDALISM!, CORPORAL PUNISHMENT!, SIMPSONS!, 1994!, SPRAY PAINTING!, RATTAN CANE!, STOLEN ROAD SIGNS!, SNATCH!  You can find the videos from this episode at our Discord RIGHT HERE!