Podcasts about baritones

Video Podcast and Timestamps: https://ukuleleunderground.com/2024/05/chord-substitutions-tuup117/ If you find a song “Boring”, use Chord Substitutions to spice them up. Kahai Challenges Aldrine to demonstrate a couple of ways you can change a song by “Replacing” one or two chords. Aldrine starts by adding notes to the base chord to make new Substitutions. On the next Level, Aldrine shows how you can use Relative Chords as Substitutions, and how you can combine both techniques to make a song your own. The guys also discuss how knowing some Music Theory is a good shortcut to find new Substitutions, but if you want to jump in, it can be as easy as Adding or Subtracting fingers from a Chord. The team shares some of their favorite examples of Musicians who didn't know Music Theory, but still made great Music. Viewers ask about Baritones as Starter Ukes, and what Amp Settings should be used for Ukuleles before the guys open a gift box from UU Member, Rux.

[@ 4 min] It's the East and West regions of the Best School of Music bracket. Who will join IU and UNT in the Final Four? [@ 25 min] We go 'Inside the Huddle' with baritone Reginald Smith Jr. with the 2021 Cardiff Singer of the World contestant wrapping up his MVP season at Lyric Opera of Chicago as star of Terence Blanchard's "Champion" and Amonasro in "Aida"... [@ 52 min] In the ‘Two Minute Drill'… Voice majors feel seen by Beyoncé... GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

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Mark W. Travis is a Director, Writer, Actor & Consultant at the Travis International Film Institute and the author of Directing Feature Films and The Film Director's Bag of Tricks. Filmmakers around the world regard Mark W. Travis as the most outstanding teacher and consultant on the art of film directing. Fueled by the desire to generate organic and authentic performances in an instant, Mark developed a director-centered approach called The Travis Technique, which earned him the nickname, “the director's director.” The Travis Technique is not limited to filmmakers; it has also proven to be an essential set of tools for writers and actors and all who wish to tell compelling stories.Productions directed by Mark W. Travis have garnered over 30 major awards, including an Emmy, Drama-Logue, L.A. Weekly, Drama Critics' Circle, A.D.A, and Ovation awards. His film and television directing credits include The Facts of Life, Family Ties, Capitol, Hillers, and the Emmy Award-winning PBS dramatic special, Blind Tom: The Thomas Bethune Story. Also the feature films Going Under (for Warner Bros. starring Bill Pullman and Ned Beatty), Earlet (documentary), The Baritones, and The 636. On-stage, over the past 20 years, Mark has directed over 60 theatre productions in Los Angeles and New York, including: A Bronx Tale, Verdigris, The Lion in Winter, Mornings At Seven, Equus, Café 50s, And A Nightingale Sang, Wings, Linke vs. Redfield, The Coming of Stork and others.Find Mark at https://tifi.us/, or you can just email him for a conversation at markwtravis@gmail.com!Subscribe to the Playful Humans podcast in your favorite podcast app: https://podfollow.com/playfulhumans/ or follow us on YouTube at: https://youtube.com/playfulhumans/feed?sub_confirmation=1Support the showJoin the Playful Humans community: Subscribe to the YouTube channel Subscribe to the Podcast Join the culture club! Book a playshop for your team Support our sponsors

Mark W. Travis acclaimed as "the director's director", Mark W. Travis is regarded by many Hollywood and International professionals as one of the world's leading authorities in the art and craft of film directing. Drawing from his impressive background in design, writing, acting, and his wide range of experience directing theater, film and television, Mark is able to bring new insights and exceptional clarity to the complex task of directing the feature film.Mark W. Travis earned a B.A. degree in Theatre at Antioch College and did his graduate training in Directing in the MFA program at the Yale School of Drama. Mark is a creative consultant to film directors Mark Rydell, George Tillman, Cyrus Nowrasteh and many other notable writers and directors.Mark's television directing credits include The Facts of Life, Family Ties, Capitol and the Emmy Award-winning PBS dramatic special, Blind Tom: The Thomas Bethune Story. In 1998 he directed the pilot for LifeStories.In 1990 he completed his first film, Going Under, for Warner Bros., starring Bill Pullman and Ned Beatty. In 2001 he wrote and directed The Baritones (parody of The Sopranos) as well as the short documentary, Earlet. In 2006 he co-directed the documentary, Ancient Light.Mark's unique approach to working with actors and characters (The Travis Technique) has gained the attention of directors, writers and actors worldwide and is becoming a standard approach for stimulating powerful performances.Since 1992 Mark has been sharing his techniques on writing, acting and directing worldwide.USA: The Directors Guild, American Film Institute, Pixar Animations Studios, UCLA Extension, Taos Talking Pictures Film Festival, Denver Film Festival, Hollywood Actor's Workshop, Hollywood Film Institute.JAPAN: Film & Media Lab and Vantan Film School.GERMANY: UW Filmseminares, ActionConcept, IFS, and HFF, the Munich Film School.POLAND: The Film Farm in Kotla.ENGLAND: Raindance, Paradigm Film Productions, Hurtwood House, Metropolitan Film School, National Film and Television School, London Film School, Lionhead Studios, London Film Academy.FRANCE: The Cannes Film Festival,NETHERLANDS: The Maurits Binger Institute.UKRAINE: HSU in Kiev, OIFF in Odessa;RUSSIA: International Film Actors Workshop,IRELAND: FAS Screen Training Ireland,NORWAY: The Norwegian Film School,DENMARK: The National Film School ofDenmark,SPAIN: afilm International Film Workshops,CZECH REPUBLIC: FAMU Academy of Film and Television.Mark has served as a Creative Consultant on several feature films including: Here's Herbie; Notorious; Not Forgotten; The Stoning of Soraya M,; Black Irish; Men of Honor; Barbershop; Barbershop 2; The Day Reagan Was Shot; Norma Jean, Jack and Me and television episodes of: Lois and Clark; The Pretender; Picket Fences, 90210, Melrose Place; Strong Medicine; NYPD Blue; The Practice and Ally MacBeal.Mark is the author of the Number-One Best Seller (L.A. Times), THE DIRECTOR'S JOURNEY: the Creative Collaboration between Directors, Writers and Actors. His second book on directing, DIRECTING FEATURE FILMS (published in April of 2002) is currently used as required text in film schools worldwide. His next book, THE FILM DIRECTOR'S BAG OF TRICKS will be published in September 2011.

Brilliant Manhattan comedian and actor Mary Beth Barone joins the Hogs for another super fun Edinburgh Fringe episode as we truly settle in to the chaos of the festival... Follow Mary Beth: @MaryBethBarone *SEE US IN EDINBURGH* Thank you so much for listening! Support us at https://www.patreon.com/TrustyHogs for exclusive bonus content, merch, and more! Trust us with your own problems and questions... TrustyHogs@gmail.com Please give us a follow @TrustyHogs on all socials Be sure to subscribe and rate us (unless you don't like these little piggies - 5 Stars only!) Thank you to our Patreon supporters... EXECUTIVE PRODUCERS: Simon Moores / Guy Goodman / Janinna Bautista / Mary Fox / Annie Tonner / Sarah Jarque-Deakin / Oliver Jago PRODUCERS: Richard Bicknell / Elle / Richard Bald / Neil Redmond / Victoria Hutchison / Emma Walton / Karen & David Bull / Harald van Dijk / Kierah Leach / Tim & Dom / David Walker / Rachel R / Anthony Conway / Sadie Cashmore / Claire Owen-Jones / Jess & Nick / Zoë / Jo Holmes / Sarah & Molly / Alex Pugh / Josie W / Amy / Cordelia Lean / Raia Fink With Helen Bauer (Daddy Look at Me, Live at the Apollo) & Catherine Bohart (Roast Battle, Mock the Week, 8 Out of 10 Cats) FOLLOW HELEN, CATHERINE & ANDREW... @HelenBaBauer @CatherineBohart @StandUpAndrew

Video Podcast, Show Notes and Links: https://ukuleleunderground.com/2022/06/with-great-power-chords-tuup53/ After almost a whole year, Magic Mike has made his triumphant return to teach us with Great Power Chords comes Great Responsibility (or something like that). Before we dive into Power Chords (what they are, how you use them, and how they can help with key changes), Mike tells us about real podcast listeners who visited him, and answers if they carry Baritones at the Music Store. The guys also discuss whether there is enough Koa Wood, and explain alternatives to endangered or hard to get wood. Tonal Quality, Music Recommendations, and even some tangents on DDR and Charisma points are all examined and reviewed on this week's podcast.

Was Elizabeth Holmes a victim of sexism—or did she use sexism to her advantage in her massive Silicon Valley scam? Today we dive into all the ways sexism played a role in the rise and fall of Theranos.

POPeracast host Jennifer Miller catches up with Andrew Allen Hiers, E. Scott Levin, and Joel Balzun while visiting an *exclusive* salon for POP donors and volunteers.  Sign up to support POP and you could be there with us next time! Catch these barihunks® ONE NIGHT ONLY Friday August 27, 2021 at the Ford in La cenerentola, Rossini's Bel Canto version of the Cinderella story. pacificoperaproject.com for more details

[@ 3 min] In ‘Chalk Talk'… Novak Djokovic won this year's men's Wimbledon finals, giving him a total of twenty Grand Slam titles, tying both Roger Federer and Rafael Nadal in big wins. We take a look at three baritones who are tied in greatness, but bring very different qualities to their game... [@ 37 min] In the ‘Two Minute Drill'… The Black Opera Alliance hands out a red card to Tulsa Opera, and we hand one out to Opera Australia... operaboxscore.com dallasopera.org/tdo_network_show/opera-box-score facebook.com/obschi1 @operaboxscore IG operaboxscore

[@ 3 min] In ‘Chalk Talk'… Novak Djokovic won this year's men's Wimbledon final, giving him a total of twenty Grand Slam titles, tying both Roger Federer and Rafael Nadal in big wins. We take a look at three baritones who are tied in greatness, but bring very different qualities to their game… [@ 37 min] In the ‘Two Minute Drill'… The Black Opera Alliance hands out a red card to Tulsa Opera, and we hand one out to Opera Australia... operaboxscore.com dallasopera.org/tdo_network_show/opera-box-score facebook.com/obschi1 @operaboxscore IG operaboxscore

Today I present to you two Black baritones who made their mark in Europe and the United States over the course of several decades. Leslie Scott (ca. 1920-1969), who appeared on the State Department-sponsored tour of Porgy and Bess in the 1950s, and who played Jake in the now-obscure 1959 film version of the piece, began his career as a big-band singer. About his fellow singer, bass-baritone Owen Williams, I have been unable to discover much of anything, in spite of the fact that, like his compatriot Kenneth Spencer, he was featured in German film and television in the 1950s and 1960s and also recorded extensively in the 1960s, in his case, for Philips Records. Both Williams and Scott display undeniable vocal and interpretive gifts that are sometimes obscured by other factors, such as the tackiness of the arrangements and the pervasive and unchecked plantation nostalgia of the period, especially in Germany. Close examination of the recorded legacies of both Williams and Scott provides a partial glimpse into their lives and careers, even if too much of it today remains hidden in obscurity. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody's core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At Countermelody's core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content including artist photos and episode setlists. And please head to my Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available.

To help me and all my American friends celebrate the Fourth of July, I bring you a gorgeous bevy of great low-voiced singers performing songs by that emblematic US-American composer Charles Ives. I offer thirty of his songs which display a wide range of compositional, musical, and literary styles. Some of the greatest Ives interpreters are on display here, including Thomas Stewart, Samuel Ramey, Donald Gramm, Sanford Sylvan, Kurt Ollmann, Gerald Finley, William Sharp, and William Parker, accompanied by Alan Mandel, Dalton Baldwin, Alan Feinberg, Warren Jones, Steven Blier, Craig Rutenberg, and others. I finish the program with late Jerry Hadley performing that most celebratory of Ives's songs, “The Circus Band.” Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody's core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At Countermelody's core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content including artist photos and episode setlists. And please head to my Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available.

Learn about six of the most talented and versatile baritones in the world. From opera, concert, new works and standards, these baritones bring stability and excitement! Featuring Jorell Williams, Justin Austin, Will Liverman, Nmon Ford, Lester Lynch and Norman Garrett. Hosted by Grammy-winning baritone, Kenneth Overton. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/blackopera/support

Stand-Up comedian, opera singer, and world-class Liza Minelli impersonator Matteo Lane stops by for a Slumber Party! Tim and Matteo chat about the Wicked/Devil Wears Prada Musical mash-up show where they met. They also dive into the world of gays doing comedy and all of them being so beautifully different and of course how fun it is to harmonize. Plus Barbra Streisand-themed slumber party games!  @matteoLane @TMurray06 To support this podcast and watch bonus interviews: http://www.patreon.com/TMurray06

Tenors and baritones singing the other's arias. Featuring the artistry of three tenors, Enrico Caruso, Franco Corelli, Mario del Monaco and three baritones, Cesare Siepi, Joseph Shore and Leonard Warren.

I recently rediscovered the great Ukranian-American baritone Igor Gorin (1904-1982) and was bowled over by the sheer beauty of his voice. In fact, I am tempted to call his the most beautiful baritone voice I have ever heard. His is a fascinating life story, beginning in pre-Soviet Ukraine and moving back and forth from Vienna to the United States until finally, with forged documents, he emigrated to the US and became a naturalized citizen. Through a series of happy circumstances, he became one of the top US radio stars of the 1930s and 1940s and eventually appeared as well on early television broadcasts. A career in regional opera resulted, including starring roles at Lyric Opera of Chicago and one single appearance at the Metropolitan Opera at the age of 59. This episode features live, radio, and studio performances by Gorin in opera, operetta, Broadway, and folk and art songs over a period of nearly 40 years, including exceptional a live late career performance of Ernest Bloch’s Avodath Hakodesh, in which he returned to his cantorial roots. If you do not (or do) already know this artist, you are in for a treat. A bonus episode on Igor Gorin for my Patreon subscribers includes complete performances of two constrasting song cycles by Modest Mussorgsky, The Nursery and the Songs and Dances of Death. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content including artist photos and episode setlists. And please head to my Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available.

This is the first of two episodes I have planned in honor of the great Finnish baritone Jorma Hynninen, who turns 80 in 2021. The focus today is on his work in opera. His stylistic range was unusually large: during the years in which he appeared internationally he triumphed in roles ranging from Mozart to Verdi to the title role in Eugene Onegin in opera houses around the world. What is perhaps less well-remembered is that he also was a phenomenal Pelléas and also a distinguished Wagnerian, singing Wolfram, Amfortas, and Kurwenal, among other parts. All of these are featured in today’s episode, as well as arias and scenes from operas by Strauss, Dallapiccola, and Hindemith. Jorma Hynninen made his greatest contribution to the field, however, in his legendary creations in the world of Finnish opera. The second portion of the program features excerpts of his performances in works by pioneers Leevi Madetoja and Aarre Merikanto and continues with roles he created in operas by Aulis Sallinen and Einojuhani Rautavaara. Though he retired from opera in 2012, he continues to concertize in Finland; in the fall of 2019 he embarked on a brief concert tour with a voice nearly untouched by the years. Mirella Freni, Hildegard Behrens, and Victoria de los Ángeles are also featured in the episode. Join me in an exploration of the operatic career of this extraordinary singer. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content. And please head to our Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available, including a new extra episode further exploring today’s topic.

Get to know more about the bari/euphs! The bari/euphs are known for their section traditions and close bonds. We discuss some of our favorite traditions, moments, and pieces of music we've performed. We also bring in our first alums to the podcast! Featuring Sarah, Callum, Jessica, and Joaquin.

This is a collaboration video with Jeff Rolka. I'm just doing the intro and outro. The main part of the video is Jeff. We need to pre-edit the video that will go up on his channel, which he will do an intro for and then edit. The files I need to be pre-edited for him so I can send the video to him are in Dropbox: "Collab with Jeff". He will send me his video so we can put my intro/outro in there. Let me know if you need me to clarify something. Get my book "MASTER YOUR VOICE: My Personal Approach To More Skill & Depth In Singing - Beyond Perfect Technique": https://amzn.to/2TyjXP1 Get the audiobook: https://www.masteryourvoice.tv/book Check out my YouTube channel: https://www.youtube.com/freyacaseymusic Join my free Facebook group "Master Your Voice": https://www.facebook.com/groups/masteryourvoice Listen to my music on Spotify: https://open.spotify.com/artist/5vklGnfenj1QAGUB3zDgDA

Enoch Augustus Scott is an actor, singer, dancer, and comedian who has been working in Las Vegas for almost two decade. He graduated from Duke University with a degree in Theatre and Women’s Studies and since then has had a wide and varied career. He starred in the Los Angeles and Las Vegas productions of Tony N Tina’s wedding, created the role of Tony Whitcomb in the original Las Vegas cast of Shear Madness, and redefined the role of Swan in the now infamous final cast of Cannibal: the Musical. Most recently, he created the starring role of Zenoch in the Las Vegas cult classic, Zombie Burlesque, which he starred in for 6 and a half years. He has been both Dr. Frank n Furter in the Rocky Horror Live! and Hedwig in Hedwig and the Angry Inch at the House of Blues at Mandalay Bay. He is the author of several plays and one man shows... as well as the producer, editor and star of PGW, Pro Gay Wrestling, Season 1 of which can be seen on Amazon TV. He is the co-creator and star of the musical Baritones of Love. He is a practicing Buddhist and loves his cats, Ahab and Kiara. IG: @therobotbuddhaTwitter: @theRobotBuddhaYouTube  SFX by Zapsplat

Amy Gledhill, Chris Cantrill, Sean Morley, Tom Burgess, Jain Edwards, Nicola Redman and Natasha Hodgson join in for this episode in which we catch up with Yvonne Sampson, mother of Talbot the megababy. Stock media provided by Setuniman/Pond5.com and Soundrangers/Pond5.com

Come down to the bassment and enjoy the deep sound of the bass and bass-baritone voices with Seattle Opera Dramaturg Jonathan Dean. Basses play dads, priests, kings, old bearded guys, God, and the Devil; they get to be evil, they get to be funny, and they always sing with great authority. Includes a 4-pack bass sampler from BORIS GODUNOV, a taste test of Hagens from GÖTTERDÄMMERUNG, and a buffo bass patter race. Musical examples feature favorite Seattle Opera basses and bass-baritones including Kevin Langan, Richard Best, Peter Rose, Ante Jerkunica, John Relyea, Gabor Andrasy, Nicolas Cavallier, Alexander Anisimov, Arthur Woodley, Eduardo Chama, Shenyang, Ashraf Sewailam, Greer Grimsley, Vladimir Ognovienko, baritone Marius Kwiecien, Alfred Walker, William Wildermann, John Macurdy, Simon Estes, John Del Carlo, Monte Pederson, Kevin Short, and Stephen Milling.

Seattle Opera Dramaturg Jonathan Dean introduces the baritone voice, a sound which celebrates the beauty and power of masculinity. In opera, baritones play clowns and kings, urban sophisticates and unlettered innocents; good, bad, and every shade of grey. They win our hearts, melt our hearts, and break our hearts. Featuring musical examples with sweet lyric baritones, proud heroic baritones, snarly dramatic baritones, and many other varieties, including Seattle Opera favorites John Moore, Dale Duesing, Alfonso Antoniozzi, Mariusz Kwiecien, Gordon Hawkins, Richard Stilwell, Will Liverman, David Adam Moore, Vladimir Chernov, Morgan Smith, Christopher Maltman, Julian Patrick, Malcolm Rivers, Andrew Garland, Richard Paul Fink, and Brett Polegato.

Hosted by Raymond McCullough, in Downpatrick, Co. Down, Northern Ireland  with music from:     Dust Rhinos (Manitoba, Canada) 'Until the Evening Ends’ (The Day After The Night Before)   W. Ed Harris (Arizona, USA) 'Morrison's’ (Ye Banks and Braes)   Searson (Ontario, Canada) 'Friday Night’ (Live)     Kickin Grass Band (Missouri, USA) ‘Cloverleaf’ (On the Short Rows)   Donna Hughes (Florida, USA) 'Losin' You’ (Hellos, Goodbyes and Butterflies)   Eden Burning (England, UK) ‘Jigs’ (The Hatchery) Phil Circle (Chicago, USA) 'One More Man' (Baritones 61.7)   Andy Rogers (Northern Ireland, UK) 'Sophia Sing To Me’ (Single)   Sammy Horner (Northern Ireland, UK) 'Lonesome Boatman' (Celtic Praise Box Set)   Catherine Duc (Adelaide, Australia) 'Inishowen Dawn’ (Voyager)     Produced by Precious Oil Productions Ltd for Celtic Roots Radio

Vel Tones,Ral Donner,Earl Nelson,Fiestas,Del Roys,Baritones, And More!

This is the audio from our video here: https://youtu.be/ui2LVpvaVmU In this episode we are delighted to welcome the wonderful Mark Lettieri to the show! Mark is highly loved and respected musician based in Fort Worth, Texas, who has built a stellar reputation via his work in Snarky Puppy, Fearless Flyers and his own solo work.  We met Mark back in January at the NAMM show and fixed a plan for him to drop into the TPS studio on his next trip to Europe. Thusly, he stepped off a plane from Dallas and into a car to Somerset!We talk a little bit about Mark’s background in music, his uncanny ability for groove and rhythm and of course the pedalboard he flies with. Plus a little cameo from Joey Landreth at the end - yep he was here that day too. Quite the day! For everything Mark Lettieri including his current tour dates, please check out: https://www.marklettieri.com/Also check out Snarky Puppy: https://snarkypuppy.com/ Enjoy the episode! Pedals & stuff in this episode… • MXR M280 Vintage Bass OctaveUK & Europe: http://bit.ly/2wEr8eS • Pigtronix Octava MicroAustralia: http://bit.ly/2HVc82y • Dunlop Volume X MiniUK & Europe: http://bit.ly/2QLS44KAustralia: http://bit.ly/2MhpSsI • Keeley Monterey Custom Shop Edition (links for standard finish)UK & Europe: http://bit.ly/2meiKPUAustralia: http://bit.ly/2XtGxdB • J Rockett Melody DriveAustralia: http://bit.ly/2Ior0FJ • J Rockett The DudeUK & Europe: http://bit.ly/2WMhRzRAustralia: http://bit.ly/2G7OeQN • MXR Phase 95UK & Europe: http://bit.ly/2IkLdvYAustralia: http://bit.ly/2WgJUmO • TC Electronic Flashback 2 DelayUK & Europe: http://bit.ly/2u3UHm8USA: http://bit.ly/2GVHWlhAustralia: http://bit.ly/2CVjyxO • Dunlop EP103 EchoplexUK & Europe: http://bit.ly/2cQsuNcAustralia: http://bit.ly/2cLB8JH • TC Electronic Hall Of Fame Reverb (no longer made, links for V2)UK & Europe: http://bit.ly/2h8jTGVAustralia: http://bit.ly/2uHUszg • TC Electronic Ditto Looper (out of shot)UK & Europe: http://bit.ly/2v1PspSUSA: http://bit.ly/2D90aPTAustralia: http://bit.ly/2X17xAv Why do we have preferred retailer links? Find out here: http://www.thatpedalshow.com/partners Interesting bits and go-to sections…- Intro playing: 0:00- Oh no – Mick stopped the jam by accident: 00:45- Body position?: 1:45- But how do you say his name? 3:37- Mega musician, funk, style and background: 7:00- Snarky Puppy – no charts: 10:35- Formal study? 11:13- Let’s talk about looping: 13:01- Name drop horn: 14:35- Practising with a loop…and setting up an awesome loop of parts: 15:19- Mark’s travel pedalboard: 20:14- How do you choose pedals? 21:31- J Rockett Melody Drive: 23:25 (25:37)- What is that bridge pickup? 26:20- J Rockett The Dude: 27:40 (28:11)- Modulation on Mark’s board: 29:45- Keeley Monterey: 32:00- Pigtronix Octave Fuzz: 34:08- MXR Vintage Bass Octave: 34:45- The swing – it really does mean a thing: 37:25- The importance of playing with humans: 39:20- Mark’s delays: 40:15- TC Flashback 2: 40:30- …and the Dunlop Echoplex: 42:00- Volume pedal? 42:57- TC Hall Of Fame Reverb: 43:40- Mark’s reverb TC Toneprint: 44:18- Mark’s Don Grosh NOS Classic: 45:45- Baritones? 50:15- The intern brings the coffee… and jams: 54:20 Guitars in this episode:• Don Grosh NOS Retro – http://groshguitars.com/guitars/bolt-on-models/nos-retro/ Amps in this episode• Supro Black Magick 1x12 combo with standard speaker• Fender Hot Rod Deluxe III 1x12 combo with standard speaker We hope you enjoy this episode. Please subscribe to our channel. You can buy TPS merch to support our efforts https://www.thatpedalshowstore.com We are on Patreon – crowdfunding for creativeshttps://www.patreon.com/ThatPedalShow Please visit our preferred retailers!UK & Europe: Andertons Music http://bit.ly/2cRvIvtUSA: Riff City Guitar & Music Company http://bit.ly/2cyOYjDAustralia: Pedal Empire http://bit.ly/2mWmJQf

Come down to the bassment and enjoy the deep sound of the bass and bass-baritone voices with Seattle Opera Dramaturg Jonathan Dean. Basses play dads, priests, kings, old bearded guys, God, and the Devil; they get to be evil, they get to be funny, and they always sing with great authority. Includes a 4-pack bass sampler from BORIS GODUNOV, a taste test of Hagens from GÖTTERDÄMMERUNG, and a buffo bass patter race. Musical examples feature favorite Seattle Opera basses and bass-baritones including Kevin Langan, Richard Best, Peter Rose, Ante Jerkunica, John Relyea, Gabor Andrasy, Nicolas Cavallier, Alexander Anisimov, Arthur Woodley, Eduardo Chama, Shenyang, Ashraf Sewailam, Greer Grimsley, Vladimir Ognovienko, baritone Marius Kwiecien, Alfred Walker, William Wildermann, John Macurdy, Simon Estes, John Del Carlo, Monte Pederson, Kevin Short, and Stephen Milling.

Welcome to the June episode of the BBC Music Magazine podcast. This month we're celebrating Clara Schumann – astounding pianist, brilliant composer and general all-round musical powerhouse. Hear a clip of her Piano Trio in this podcast, as featured on your cover CD this month. Plus, we explore the turbulent life of Alma Mahler and take a look at the legendary Battle of the Baritones at the 1989 Cardiff Singer of the World competition. See acast.com/privacy for privacy and opt-out information.

In this episode, Eric and Melissa take questions from listeners about guitar humidification, Tele bridge pickups, Baritones vs. the Bass VI, gluing in frets, Tightbond vs. Hide Glue, and much more.

Ted Wulfers is a Los Angeles based singer-songwriter, multi instrumentalist, and more. Phil and Ted are longtime friends, going back to Ted's time in Chicago. At the time of this interview, they had just completed a new album by Phil Circle at Ted's Sherman Oaks studio. Although they had shared many stages and social activities, this was their first collaboration on an album. Not prone to profound discussions with each other in the past, in this podcast you are privy to the effect creative collaboration has on people. After five days of soulful creation, heartfelt performances, and conceptual production, it was only natural that music be discussed at its deepest level. Here are Phil and Ted at their most authentic. This was recorded at 663 Sound and in Ted's van, in Sherman Oaks, California, on March 7th, 2019. Ted added the intro and segue way you'll hear. The album that Phil and Ted produced was called Baritones 61.7 and ended up on several Best of 2019 lists. In September of the same year, Phil Circle returned to Ted Wulfer's studio to produce the audiobook version of Phil's book (see below). Here's a video of Phil and Ted upon the completion of the audiobook, found in the In The Loop playlist of Circle's YouTube page. If you're enjoying Phil Circle's discussions, check out his award-winning book, The Outback Musician's Survival Guide: One Guy's Story of Surviving as an Independent Musician, available in all formats. --- Send in a voice message: https://anchor.fm/philcircle/message

Seattle Opera Dramaturg Jonathan Dean introduces the baritone voice, a sound which celebrates the beauty and power of masculinity. In opera, baritones play clowns and kings, urban sophisticates and unlettered innocents; good, bad, and every shade of grey. They win our hearts, melt our hearts, and break our hearts. Featuring musical examples with sweet lyric baritones, proud heroic baritones, snarly dramatic baritones, and many other varieties, including Seattle Opera favorites John Moore, Dale Duesing, Alfonso Antoniozzi, Mariusz Kwiecien, Gordon Hawkins, Richard Stilwell, Will Liverman, David Adam Moore, Vladimir Chernov, Morgan Smith, Christopher Maltman, Julian Patrick, Malcolm Rivers, Andrew Garland, Richard Paul Fink, and Brett Polegato.

We go from very serious to sci-fi romp this week on SSHB! First up: a member of a genderless race falls for Riker and admits she identifies as female, which is seen as an illness on her world, in "The Outcast". After that, it's "Groundhog Day" in space - and predating the movie, in fact - as the "Enterprise" keeps getting sh*tmixed in "Cause and Effect"! Also this week: belated Christmas, Jake bores us with math, and Chris bores us with starship trivia. Content warning: discussion of gay conversion therapy, homophobia, and transphobia. Notes: Grinches can skip Christmas joy by going to 9:25. "Orville" spoilers are at 24:42-26:00 Timestamps: Christmas presents: 2:23; synopses: 9:25; The Outcast: 15:51; Cause and Effect: 52:53

Host Andreas Kraemer sits down with low voices E. Scott Levin, Luvi Avendano, and Andrew Potter to discuss Don Giovanni, POP shows past and present, low voices in Opera, Mozart, acting, and the artistic lifestyle. Visit pacificoperaproject.com for Don Giovanni tickets! Evening of April 20,21 Matinee April 22, 2018

Verdi baritone, lyric baritone, dramatic baritone... What's the difference? On this episode of The Metropolitan Opera Guild Podcast, Guild lecturer and audience favorite Naomi Barrettara explores the many different kinds of baritones we find on the opera stage, highlighting the unique aspects of each vocal category and the singers that bring these roles to life.

In a continuation of our series on voice types in the 2014 Season, we focus on the basses and baritones with roles like Dr. Dulcamara, Don Quixote, Silvio, Tonio and Anckarstom. Listen to the differences between lyric voices and voices more suited to the big, dramatic roles. Dr. Nicolas Reveles, Education Director for San Diego Opera, tells it all.

This Week on "TheMusicBox" w/ national recording artist Tanya Dallas-Lewis! Join us for our FIRST EVER virtual online ''Choir Rehearsal'' with composer/musician/songwriter great, Carlton Burgess! Carlton also joins us to tell us some exciting news about something UH-MAZING that he's bringing to the Washinton D.C. Metropolitan area, and how YOU can be a part! So, to all the SOPRANOS, ALTOS, TENORS and even you BARITONES out there! Suit up! It's almost time for choir rehearsal! And by the way: ALTOS RULE! -Tanya, Stellar/Dove Nominated Recording Artist

From Thomas Becket to Sergeant Sulpice, from Amonasro to the High Priest of Dagon, we have a parade of exciting lower voices coming to you this season. Watch and listen as Nicolas Reveles, The Geisel Director of Education & Outreach for San Diego Opera, reveals it all to you!

From the Nimbus "Prima Voce" series: 16 great baritones of the past: Lucien Fugere, Victor Maurel, Mattia Battistini, Mario Ancona, Riccardo Stracciari, Giuseppe de Luca, Titta Ruffo, Pasquale Amato, Joseph Schwarz, Heinrich Schlusnus, Carlo Galeffi, John Charles Thomas, Lawrence Tibbett, Gerhard Husch, and Igor Gorin. (72 min.)

A compilation of 13 baritones who sang Wagner, among other material.The baritones represented sing arias from Tannhauser,Lohengrin, Meistersinger,Walkure, Siegfried, Gotterdamerung, Flying Dutchman, and Parsifal. Artists included are: George London, Bryn Terfel, Friedrich Schorr,Ferdinand Frantz,Herman Uhde, Hans Herman Nissen, Jose Van Dam, Michael Bohnen,Rudolf Bockelmann, Heinrich Schlusnus, Paul Schoeffler, JoelBerglund, and Emil Schipper.                                       (70 minutes)

The baritone is the man's man of opera.  If George Clooney were an opera singer, he'd probably be one.  But he's not.  So we won't go there.

Those Oldies but Goodies #10 Your home for the best of Doo Wop Sounds from the 50's & 60's. Tunes list in order of play; 1) For Me and My Girl by The 4 J's, 2)Money by The 5 Pennies,3)Our Wonderful Love by The Accents, 4)Shine Again by The Adelphis, 5)All For You by The Admirations, 6)A Moment Ago by The Angels, 7) Never Go by Valentine & The Apollos, 8) Vacation Days are Over by The Argyles, 9)Dearest Little Angle by The Autumns,10)Sentimental Journey by The Baritones, 11)Blue Eyes by The Big Five Beatles Fans check out Pop Go The Beatles a 45 CD Anthology of the Beatles for an amazing special of  $179 (45 CDs) or set 1 for $69.99 (14 CDs) at  htp://www.BeatlesNetwork.com 

  Selections by 12 famous baritones: Robert Merrill, Hugo Hasslo, Gabriel Bacquier,Theodore Uppman, Heinrich Schlusnus,Giuseppe Danise, Ettore Bastianini,Igor Gorin,Mattia Battistini, John Charles Thomas, Riccardo Stracciari, Pavel Lisitsian (in photo)(50 minutes)

   Recordings by seven baritones who excelled especially in the German Fach:       Georg Hann,Michael Bohnen,Joel Berglund,Rudolf Bockelmann,               Paul Schoeffler,Herman Prey, George London