Podcasts about Brown College

Steve Cavendish and Braden Gall talk Nashville sports, media and business. Our guest is Matt Brown, the owner and operator of college sports business newsletter Extra Points. Shifting from sports to business, why the business side is so important to college fans and the much-anticipated release of EA Sports College Football video game this summer. Brought to you by: 8th and Roast Coffee Co. The beans are better. Be sure to subscribe to the 440 YouTube page.

What you'll learn in this episode: Why artist jewelry is more than just miniature versions of larger work The history of artist jewelry, and how Esther is helping its story continue How Esther helps artists with their first forays into jewelry, and why making jewelry can be a fruitful challenge for fine artists Why an artist's first idea for a piece of jewelry is often not their best Why artist jewelry collectors must be brave About Esther de Beaucé Esther de Beaucé is the founder and owner of Galerie MiniMasterpiece in Paris, France. MiniMasterpiece is a gallery entirely dedicated to contemporary artists, designers and architects' jewelry. The gallery is an invitation given to those who usually never design jewelry because their work evolves on a more monumental scale (i.e. sculptures). Esther's passion is to convince those artists to change the scale of their work and accompany them in that new field of wearable art. She has collaborated with acclaimed contemporary artists such as Phillip King, Bernar Venet, Andres Serrano, Lee Ufan, Jean-Luc Moulène, and Pablo Reinoso. A graduate of Brown University, Esther previously co-owned the gallery Schirman & de Beaucé in Paris, dedicated to young artists of contemporary art. Photos available on TheJewelryJourney.com Additional Resources: Website Instagram Transcript: For gallerist Esther de Beaucé, artist jewelry isn't completely art or completely contemporary jewelry. It's in a niche all its own—and that's what makes it fascinating. As founder and owner of Galerie MiniMasterpiece in Paris, she helps fine artists translate their art into jewelry, creating something entirely new rather than a smaller version of their typical work. She joined the Jewelry Journey Podcast to talk about how she challenges artists to think about their work differently; how interest in artist jewelry has evolved over the years; and why artist jewelry collectors are so open minded. Read the episode transcript here. Sharon: Welcome to the Jewelry Journey, exploring the hidden world of art around you. Because every piece of art has a story, and jewelry is no exception. Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week. I don't remember how I found out about Esther de Beaucé's gallery in Paris. It is tucked back in the corner with other galleries. I don't know, unless you are looking for it, if you would find it easily. It was an intentional destination for me both times I've been there. It is very hard to find. I was determined that I was going to find it, and after a little bit of time I did find it. It is a very cozy and comfortable gallery, and Esther herself is easy to talk to. The gallery specializes in jewelry designed by artists. Some are French, some are Italian, and I'm sure there are others. The prices are very reasonable compared with other shops with jewelry by artists where you find a pretentious atmosphere. Esther speaks English flawlessly, having attended Brown College, and she has been on the podcast before, many moons ago. I'll let her tell you the rest of the story. Esther, welcome to the program. Esther: Hello, Sharon. Thank you for having me today. Sharon: I'm so glad to have you. So, why did you choose to sell jewelry by artists? Esther: I wanted to work with artists, contemporary artists, because before MiniMasterpiece, I had a first gallery also in Paris, working with young artists on paintings and sculptures and drawings. That gallery had to end, and my obsession was continuing working with artists because I really enjoyed that, that work, but I had to find another way. There are many art galleries in Paris, and I wanted to find a more special way to work with them. I knew of artist jewelry, and there aren't many places in the world and in Paris, either, for artist jewelry. So, this is how I started. Sorry, I think I said enough. Sharon: No, please, go ahead. Esther: So, at first, it was more for the pleasure of working with artists than that of making jewelry. After 12 years, I became very fond of jewelry, of course. I wouldn't say exactly the same thing, but back in time, 12 years ago, it was really my love for artists. Sharon: It was your love for artists. How was it changing from the drawings and the paintings and all of that to jewelry? Was it natural? Was it different? Esther: Yeah, it's a challenge for them, of course, when I invite them to think of their work at a different scale. They have to think of the body, which most of the time they never do because when you make a sculpture or a painting or a photograph, obviously it's not to be worn. But this time it was a big challenge for them and also for me, because 12 years ago I knew little about jewelry making itself. We both had to learn. It was a challenge for them, and it was also a challenge for me. But I knew that it was possible because it's a story that goes back in time for about a century now, with Picasso and Calder and Giacometti, all those great visual artists who made a few wearable art pieces on the side of their main activity. Sharon: Was it scary for you to start asking artists if they would do their jewelry, if they would make jewelry? Esther: I started asking those artists I knew personally because they were family friends, or I had worked with them in the past with that former gallery I had. So, I didn't take many risks the first year. Then I got more brave and I started to ask other artists. I only ask those artists where I like the work. I am a big fan of their monumental work. They are mostly sculptors. It's because I like their sculpture, but I think of inviting them to make a sculpture to wear. Sharon: Do they look at you funny, like, “What are you talking about?” Or, “I don't understand what you mean”? Esther: Most of them understand the idea. I've had several artists say no, but not that many. Sometimes they even thought about making a jewelry piece but never had the occasion to do so because they need to be surrounded by the good people. Very often they need to be accompanied by a goldsmith because they haven't mastered the work of gold or silver, so they need help on that matter. But once you invite them and tell them about that great story and how many artists have worked on that subject in the past, and that you can take them to the right goldsmiths that can help them understand their project, then it's much easier for them to accept. Sharon: And have they ever rejected you and just said, “Forget it. That's weird”? Esther: Yeah, of course they have. Sometimes it's because they don't get a good idea. Finding the right idea is not that easy. Sometimes they don't have time. Sometimes it's not a good time for them to spend some energy on that project. And of course, I understand that perfectly. In very, very, very few cases, sometimes they don't take jewelry very seriously. They have that image of jewelry being something not serious. But there are many artists I can invite, and those who don't want to play with me, it's no big deal. Sharon: Do you leave it to them to decide if it's a bracelet or a ring or a necklace or what they're going to make? Esther: Yes, of course. I open possibilities for them as wide as they want at the beginning. Then once they have ideas, we talk. Once it gets more precise, if they are going to make only one piece of jewelry, sometimes I advise them to think of a ring or a necklace because they are the most iconic type of jewels. If they have several ideas, then why not add a bracelet or earrings? But if they have to make only one, I usually recommend them to make a necklace. Also, because a necklace leaves more volume and space for them to express themselves. Sometimes it's very difficult for them to condense their work into a very tiny piece. A necklace is bigger. Sharon: What do you say to them if they say, “Esther, I'm a sculptor. I don't know how to make this small”? What do you say? Esther: I say that what I'm interested in is the DNA of their work. An idea has no size. Basically, it would be the same as making a very large sculpture. But when they are invited by a museum or a gallery, they are given a space to make. Sometimes they make a sculpture especially for that space, a museum or a gallery. I just tell them, “Well, this time you have to make a piece of a sculpture for the body.” It is just another way of thinking, and artists like to be challenged. It's a very big challenge for them, but they are very often excited by that challenge. Sharon: Are they doing other things? Are they making the jewelry for your gallery, and they're working on a sculpture or painting at the same time? It might be a different subject, but I'm wondering. Esther: Yes. I think they're on different topics at the same time. Also, when they have to think of making a wearable sculpture, sometimes it helps them to think of a new idea for a monumental work. This is something they have said to me on various occasions, that going from big to small and then back to big is also interesting for them. Sometimes it has an impact on how they think big afterwards. Sharon: You're located in the antique district in Paris, right? Esther: Yes. Not only antiques. It's called the Carré Rive Gauche. It's a very special geography because it's like a square with about six streets. It's very unique in the world because in that square you have about 120 galleries and antique shops of different specialties. You have contemporary art, you have antiques, you have Chinese art, African art, glass works, silver works. It's very unique to have such a strong—how would you say that—density of art shops. It's not like—you know the Marais? The Marais is another district that is very focused on contemporary design and contemporary art. Carré Rive Gauche and Saint-Germain-des-Prés reunites a wider range of art galleries, and I really like that mix. I feel very comfortable in that. It's a very enriching environment. Sharon: From the beginning did you know that was where you wanted to be? Esther: Yes, because it's the neighborhood where I grew up, and I'd never had a professional project in that area. And it's a lovely neighborhood. I love it. A lot of tourists as well still go to Saint-Germain-des-Prés. There aren't many places for rent, and sometimes they are very expensive. This is also why I'm in a courtyard, where you have to find your way through. But once you've been here for the first time, then it's easy to come back. There are many courtyards like this in Paris, and it's also the Parisian charm of finding the remote places. I like that idea. Sharon: It is very charming, and the Parisian charm is both in your gallery and the courtyard around it. Do you get people stumbling in? Tourists or French people who are just wandering around who find the gallery? Esther: Yes, of course. I have a sign on the street also. There are actually three different galleries in the courtyard, so we have a sign on the street with the name of the galleries. The large doors are open all day long, and there are many plants. I have random people coming very often, for sure. Sharon: When did you become attracted to jewelry? Esther: As a kid, because my mother is a great collector of artist jewelry, and I learned a lot from her. Since I was a kid, I've seen her wearing those weird pieces of jewelry that were artist jewelry only, no stones, no diamonds, only artist jewelry. That was very different from my friends' mothers, obviously. So, it was very natural to me, but I never imagined myself being a professional in that area because it was hers. But I found a way of making it mine because she's a collector and I'm an editor. I make new projects. Sometimes when she likes them, she gets them for her collection, but not always. So, I found a way of having my own role in artist jewelry different from hers. But I was really fed by her passion as a kid. Sharon: Did you think you were going to draw or paint professionally? What did you imagine yourself doing? Esther: No, I have no artistic talent myself. I really love working with artists and I'm the person next to them, but I have no desire to create myself. Even after 12 years of MiniMasterpiece, I have no desire to make jewelry myself. Artists come up with such great ideas all the time that I really don't have to think about this myself. But they need me for other things, so I'm happy to take care of all the rest. Sharon: When you say they need you for other things, I was thinking you are creative. You couldn't guide them, right? Esther: Yes, but I don't have the idea. I know how to make their ideas grow and make it possible, but it's really their work. The starting point is their work and their idea. I make it possible after that. Sharon: Who decides if it is going to be a limited edition and there are only a few? Who decides how many there are going to be? Esther: It's a tricky question. I discuss it with the artist, and we take into consideration the costs of their making, obviously. Sometimes it's a series of unique pieces. I've done that on several occasions. So, it's not really an edition; it's a series of 10 unique pieces, for example. Most of the time we make 10 or 12 different numbers of the same piece to stick to what is commonly made in sculptures. So, most of the jewels from the gallery run in an edition of 10 or 12 pieces. Sharon: You started to say that 30, though, is the limit to call it a limited edition, right? Esther: Yes, 30 is the maximum for us to call it an original piece of work. Most of the time after 30, it's not an original piece of work. I don't know how you would call it, but it would be just a regular edition. It's very rare that I go above 30. It has happened in the past, because sometimes museum shops call me for a special edition if they have a show of that artist running and they want to have a piece of jewelry in their shops. This is a very special project for me, and in that case, we make a larger edition. But this is very site specific. Sharon: How do you find the artists? Do you go to parties to look for them? Do you go to galleries? How do you find them? Esther: I go to art shows and exhibitions for the most time. When I find an artist whose work I like very much, then I try to find a way to contact him or her. But the first thing for me is to grasp and understand and like their work. After that, I try to find a possible way to get in contact with them. Sharon: Do they ever approach you first? Esther: Yes, it has happened, of course. There's a great Chinese sculptor in France called Wang Keping, with whom I've had the chance to work for the past four years. I met him at an art fair, and it was a great encounter because he's a fabulous man and a fantastic artist. It was a great, almost random encounter. Sharon: But he came to you. You looked at his work and liked his work, and he came to you? Esther: Yes. I was about to go to him, and then we met and he also wanted to discuss with me. So it was a random encounter, and it ended very well. Sharon: What is the overall state of artist jewelry—well, there are two questions—and art jewelry in France? Esther: What's the difference for you between artist jewelry and art jewelry? Sharon: That's an interesting question. I guess artist jewelry is by somebody who, it isn't their primary medium. They do painting and sculpture, and once in a while they do a pin or a ring or whatever. And the other is jewelers who do different jewelry. Esther: Yeah. It's their specialty. Making jewelry is their specialty. Sharon: Yes. Esther: So, you would call that art jewelry? Sharon: Yes. Esther: Okay. Sharon: I would call both art jewelry. But the artist jewelry— Esther: Yes. Well, I know of art jewelry, but not as well as artist jewelry, obviously, because only artist jewelry is my specialty. So, I wouldn't be able to speak of art jewelry as well. For artist jewelry, I think it's getting better because there are more editors working on the subject and inviting new artists, so it's more dynamic. It seems that in the 60s and in the 70s, the market for artist jewelry in France and in the world was more dynamic than in the 80s, in the 90s, in the early 2000s. For the past 15 years, maybe, it's getting more dynamic because new editors have started working on the subject. Museum shows have also taken place thanks to great collectors that are organizing shows on their collections. Books also have come out. So, slowly, I think it's getting more dynamic. But still, it's a story that needs to be explained more, and a lot of people don't know about it yet. So, it's also our mission to explain that story and to tell and to show. I think it's also the case for art jewelry. There aren't that many galleries and places in Paris that sell art jewels. I'm looking forward to the years to come because I believe it's going to get more and more dynamic. Sharon: Are the people who come, who assemble on your gallery, are they coming because they think, “Oh, it's jewelry. I want to look at diamonds and pearls,” and you have to explain what it is? Esther: Yes, all the time. All the time. Sometimes I talk for five, 10 minutes explaining the concept of the gallery, and they look at me and say, “Oh, so you are making the jewelry.” And I'm like, no, no, no, no, no, no. I'm not making the jewelry. I invite those who never make jewelry, and I ask them for a special project for the gallery. So, it takes a lot of energy explaining. Of course, some people know of that story, so it makes it easier for me. But I also like the challenge of getting that story more well-known and convincing women and men that this is also part of the jewelry world. It's not because the piece of jewelry doesn't have stones or diamonds that it's not worth it. Then we talk about value and what makes a jewel precious or not precious. So, it leads to interesting conversation. But it takes a lot of my time explaining that. Sharon: You said something I have to think about because I'm not sure I've thought about it, and that is that artist jewelry is part of the jewelry world. Esther: Of course. Sharon: Yeah. If you had asked me 10 minutes ago, I would have said yes, but I really would have had to think about it. Esther: It's contemporary jewelry, and contemporary jewelry has different compartments. I don't know how you would say that, but a small part of contemporary jewelry is that of artist jewelry, because it's being made today. So, for me, it's definitely part of it. Sharon: Do you ever have shows, meaning you take your gallery, the artist jewelry, and you cart it somewhere and show it?  Do you put it out for people to look at? Esther: You mean outside the gallery? Sharon: Yeah. Esther: Yes. Several times a year I try to be in fairs. I've never shown in a jewelry fair because I've always want to place the jewelry in a design or contemporary art background. So, I always try to show in design or art fairs, which is not always easy because there aren't that many art fairs, for example, that leave space for art jewelry. So, it's a tricky thing for me, to find a good place outside of the gallery to show that kind of jewelry. Although artist jewelry is part of art jewelry and contemporary jewelry at large, it's a bit different. I'm trying to connect it. I want the connection with the art and design world to be very strong, more than that of jewelry at large. I want to place it into an art environment as much as possible, so also for fairs. Sharon: What if you don't like the first drawing or the first couple of drawings of something that an artist shows you for a ring, let's say, or a bracelet? What do you do? Esther: If I don't like it, it's very often because it doesn't look like them. It's not connected well enough to their work, to what they are. Sometimes the first idea they have is an idea of a jewel, but it's more than just making a jewel. It's making their work into a jewel, you know? So, sometimes the first idea is not the right one, but it's not because it wouldn't make a nice jewel. It would. But you wouldn't recognize their work in that small piece. And it's very important for me that the link is very strong. But for me, a good artist jewel is not a reduction of a bigger project. This is not very interesting, to make very small exactly what you make in large. It has to be a new project, yet you have to recognize the artist's work. This is the biggest challenge in the making of an artist jewel. Sharon: I'm thinking, and I can't remember his name, that the Spanish sculptor who makes puzzles. He makes them large and he makes small, little pendants and things like that. He's Spanish. Esther: Maybe he's Franco-Argentinian, Pablo Reinoso? Sharon: No, that's not his name. But has Reinoso been part of your sculptures, your gallery? Esther: Yes, among many other ones. But, you know, I walked the path of artist jewelry for 12 years, and I've also evolved on that path. What I think today might be different than what I thought in the past, and it's the same for artists. I know their first idea is going to be nice, but maybe it's not going to be as interesting as the second idea or as the third idea. But I also have to respect their rhythm, that it's going to take a bit of time and that they have to grasp the idea of jewelry. Because this is so new to them, you also have to be patient. Sharon: Do you make the first or second drawing they have, even if you don't like it, and then you wait for them? Esther: No, I ask them to work hard for the first project as well, but I notice sometimes that the first project is very nice and interesting, yet the second one or the third one or the fourth one is even more interesting because it—how would I say that—it is more demanding. It is maybe less commercial. I have the feeling that the artist and myself have walked that path a bit more as it gets more interesting. It's also more demanding for the collector. It's really from the artist to the collector. I'm sure you're not the same collector today as you were 30 years ago. And maybe what you choose to wear today or what you assume to wear today is different from many moons ago. I think we all go through that path, and it's very interesting. It doesn't mean that what you make at first is not interesting, but you have to go through all these steps. Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out. Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

Nationally, fewer than 20% of men of color possessed a four-year college degree in 2012 (Pérez Huber et al., 2015). These numbers have not improved in close to 10 years (NCES, 2020) and have drawn national concern—prompting responses from philanthropy, postsecondary institutions, and policymakers that address how college climates have diminished retention and persistence (Museus et al., 2017). Many colleges and universities are not fully aware of men of color's intersectional needs and have yet to develop appropriate institutional responses to address these students' depressed retention and graduation rates (Clark et al., 2013). Many college campuses also have not considered how the college environment and institutional factors contribute to students' lack of connection with faculty, staff, and administration (Museus et al., 2017; Huerta, 2020; Hurtado & Carter, 1997; Rendon, 1994). The disconnection leads to perceptions that individual student failure is outside the scope of professional and moral responsibility and that students “should know” how to navigate a “hidden curriculum.”  On this episode of the podcast I had the pleasure of sharing the mic with X'andri Bautista and Jaime Cortez Jimenez. Both whom are recent and soon to be university graduates. In this episode we had the chance to speak on behalf of our experience as men of color and the peer perspective of X'andri. Digging in further to why the statistics have continued to read very low in the number of men attending colleges and universities. We hope you enjoy this episode, feel free to reach out and hopefully we can continue to keep the conversation going. Alrato

In another installment of Owl Have You Know's Flight Path Series, where guests share their career journeys and Rice insights, we speak to three innovators connected to the Liu Idea Lab for Innovation and Entrepreneurship. The Liu Idea Lab is a hub for entrepreneurship and innovation at Rice University. Its director of strategic innovations is Hesam Panahi, who has a Ph.D. in management information systems but found a passion for startups and making entrepreneurship more accessible to people.  Hesam is joined by two of his former students, who are running their own business ventures now. Taylor Anne Adams ‘23 got her B.A. in communications and film studies but soon realized her passion for venture capital. She ended up at Rice Business and took Hesam's course, New Enterprise, which she says was the most valuable class she took because of his hands-on teaching approach. Taylor recently co-founded a venture capital fund that invests in sports tech and entertainment, with a focus on female founders. Delaney Berman ‘22, CEO and co-founder of Berman Foods, left her job as a paralegal to pursue her passion for plant-based food, specifically cheese. At Rice, she was able to hone her idea and get the skills she needed to launch her company.Host Maya Pomroy talks to the trio about their career journeys, how ideas get shaped at the Liu Idea Lab Lab, and what makes Houston's startup culture unique.  The Owl Have You Know Podcast is a production of Rice Business and is produced by University FM.Episode Quotes:The Lilie Lab is not just a hub it's a space for entrepreneurs [Hesam Panahi] 8:21 - I always say, especially to the undergrads, that when you walk down these sidewalks, someone might be wearing a Brown College shirt, or a Wiess College shirt, or whatever sort of residential college they're a part of, or you might recognize them from one of your classes, but it's really hard to know who is an entrepreneur, who's interested in entrepreneurship. And so, what this physical space is designed to do is be that hub for that as well, right? So, it's not just the class; it's not just the co-curricular; it's all of that infrastructure that gives people the time and space to explore this.An important lesson from Hesam[Taylor Anne Adams] 42:08 - The biggest lesson I've learned and what I continue to use every day, and what I say to founders all the time, is to just test it. Test it and see what happens. And you aren't going to know unless you do that. So not letting perfect be the enemy of good.On being a tool to help entrepreneurs[Taylor Anne Adams] 11:45 - I'm very bullish about entrepreneurship and about entrepreneurs in general. I believe they have the capacity to change the world, given the right tools and resources. They can and will. So I want to be one of those tools and resources.Show Links: Liu Idea Lab The Collectiv Berman Foods Transcript Guests Profiles: Hesam Panahi Taylor Anne Adams Delaney Berman

“Every place I've been– whether enjoyable, miserable, a lot of work, not a lot of work, fun, not fun– I can see the role it played in my life. It doesn't have to be enjoyable to be important.” Radio and television host Kenzie K joins the show to discuss how she built a successful career in the entertainment industry as a radio and television host.A native of Asheville, NC, Kenzie received a broadcasting degree from Brown College before starting her radio career at KDWB in Minneapolis, MN. She also worked as a news reporter for KEYC News 12 and night show host for KDOG in Mankato, MN. In 2016, Kenzie moved to Tampa, FL to host middays at WLLD before coming to Chicago in 2019 to host middays on B96. Most recently, Kenzie is the creator, executive producer and host of “The MVP Game,” a baseball game show on Marquee Sports Network, and the co-host of Q101's morning show.In this episode, Kenzie talks about working multiple jobs around the clock before landing her first full-time radio gig. She shares the experiences, insights and industry connections she gained before taking a job offer in Chicago and how, on her second day of work, she met her now-husband, Justin Roman. We talk about Kenzie and Roman's romantic and professional partnership, which led to the couple co-creating and co-hosting “The MVP Game.” Kenzie attributes working hard, following God and trusting the process to her successful career in the entertainment industry.Connect with Kenzie:Kenzie's Instagram: HEREKenzie & Roman's Instagram: HEREThe MVP Instagram: HEREThis episode is brought to you by Magic Mind– the world's first productivity shot. Magic Mind is made with matcha to boost your energy, adaptogens to help you relax, nootropics to help you focus and agave to sweeten the taste. Visit MagicMind.co/astrocandy and use the discount code ASTROCANDY to get up to 56% off your first subscription in the next 10 days or 20% off your first one-time purchase.About Astrocandy:Host Raven Brinson invites you on a mission of self-exploration and discovery through spiritual and mystical topics like astrology, holistic healing and wellness, manifestation, mindfulness and meditation, human design, chakra balancing and more.Connect with Astrocandy: Website: astrocandypodcast.comInstagram: HERE

A detective investigating a man's death in the mountains meets the dead man's mysterious wife in the course of his dogged sleuthing and the two get hooked on worms and slither into the primordial ooze. On Episode 542 of Trick or Treat Radio we are joined by Arkham Josh for this week's December Double Feature Cram Jam! We discuss the films Decision to Leave from director Park Chan-wook, and All Jacked Up and Full of Worms from director Alex Phillips! We talk about South Korean cinema, sleazy films, and learn that investigations take time. So grab some psychedelic worms, leap off a tall mountain, and strap on for the world's most dangerous podcast!Stuff we talk about: Henry Cavill, Superman, The Witcher, James Gunn, Alan Moore, Bring It On, Brightburn, The Gunn Family, Lex Luthor, Pip the Troll, Krampusnacht Party for the Naughty, Krampus Krossover with the Zombie Grrlz, rather do meth than math, fuzzy math, a methematician or methamagician, mozzy wozzy sticks, Decision to Leave, Park Chan-wook, Brown College, Train to Busan, Bram Stroker, Parasite, Bong Joon Ho, Snowpiercer, “investigations take time”, Nick of Time, Mubi, Letterboxd, All Jacked Up and Full of Worms, Alex Phillips, Class of ‘84, DMV or D and V, fever dream, snorting worms, Cat III films, Black Magic Films, Spun, Requiem for a Dream, Trainspotting, Wish Joker and Harley, Deadbeat at Dawn, Street Trash, Dear God No, Midnight Movie aesthetic, Fantasia, Fantastic Fest, Juilliard, Danger Theater, Professor X's School for Acting, Jeff Dunham, Phillip Andre Botello, Roddy McDowall, Perry King, Lalo Schifrin, You're So Cool, Brewster, Three O'Clock High, The Night Comes for Us, Timo Tjahjanto, Joe Begos, Christmas Bloody Christmas, The Big Four, Watcher, A Wounded Fawn, Larry Fessenden, Glass Eye Pix, Wendigo, Fangoria #197, oversized pockets, The Hunt for Casablanca, Al Capone's Vault, The Dark Nacht, and Bait and Tickle.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Today's episode features a recent conversation with physicist and writer Alan Lightman during his visit to Brown College at the University of Virginia in October 2022. Dr. Lightman's prominent work in both science and the humanities challenges the divide between fields and he discusses his approach of both disciplines through a creative lens. Eventually, we get a little taste of what he does best - demonstrating the innate poetry of what we know, and don't know, about our universe. Are scientific and artistic pursuits really so different in their motivation? Alan Lightman presently serves as Professor of the Practice of the Humanities at the Massachusetts Institute of Technology (MIT). His new docu-series Searching: Our Quest for Meaning in the Age of Science will premiere on January 7th, 2023 on public television stations and stream online at PBS.org. CircleOfWillisPodcast.com Check us out on Twitter and Instagram for more content. Circle of Willis is a production of the Virginia Audio Collective at WTJU 91.1 FM and Brown Residential College at the University of Virginia. Find out more at http://circleofwillispodcast.com This podcast is powered by Pinecast.

Running is NOT easy. It takes discipline and elite level training, as well as a passion to get out there and work every day, even on the days you don't want to be there!  Dante Brown, has had a blessing of being fast and explosive, but he's going to share his journey and story with us today on the show!  We'll talk about various points of the career, from his NAIA days where he dominated, to the days at Auburn where he had some amazing results in the SEC, as well as now, at Grambling State University as he looks to finish his career with a bang!  We also get to learn about the life lessons from his running journey. How that's translated into his business ventures and other parts of his career.  Don't miss out on this one! And make sure you also check out this awesome offer I have with ClickFunnels. ClickFunnels is a software that allows you to build sales funnels online and take your business to the next level. With my code, you can get it at a HIGHLY discounted rate so make sure to check it out HERE!!  __________________ Come follow The Gametime Guru on the various social media platforms! Facebook: The Gametime Guru Twitter: @thegametimeguru Instagram: @gametimeguru TikTok: @thegametimeguru

Dave Schultz and Michael Brauner talk to Rob Brown of the Rob Brown show who gets furious about Paul Finebaum's comments on the Opening Kickoff about Dabo Swinney and Clemson. They also discuss super regional matchups. --- Support this podcast: https://anchor.fm/wnsp/support

Ty and Dan welcome back Matt Brown to get an up-to-the-minute perspective on the effect NIL is having on college football and figure out where the marketplace will take the sport next. Amid the news of Jordan Addison's transfer away from Pitt, the NCAA's renewed focus on collectives, the looming presence of the EA Sports video game, and predictions for the END OF THE COLLEGE FOOTBALL WORLD, we examine where things *actually* stand and whether Matt's opinion has changed since his last visit in February.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Small Town Tales Podcast April 2022​Join me for an up-and-close interview with Tim Dennis, long-time radio host of one of my favorite programs, Darkness Radio. Recently, this somewhat silent partner stepped out of the shadows and took over the show as the frontman for Darkness Radio.  Get to know Tim and how he got fascinated by the paranormal personally in this interview, his personal story, and what he envisions for the future of our favorite paranormal radio show.Tim Dennis grew up in Minnesota and is a second-generation broadcaster. He attended Winona State University and studied Mass Communication and Radio Broadcasting. He later graduated from Brown College in 1993. Tim has continued working in radio behind the scenes. He worked with Dave Schrader to found Darkness Radio back in 2006 as producer, co-host, and fill-in host for Darkness Radio and True Crime Tuesday. Tim continues today as host of both said programs. Tim has done public speaking events and workshops dealing with audio and visual evidence of the paranormal encounters. He teaches techniques on how best to use your ghost hunting equipment and what NOT to do. Tim's interest in the paranormal also stems from his youth with dream visitations from deceased relatives. Although he tilts towards the skeptical side, Tim remains open-minded and willing to explore the many possibilities of the paranormal. Where to Find Tim Dennis:Website: https://www.darknessradio.com/timdennisTwitter: https://twitter.com/DRTimDennisFacebook: https://www.facebook.com/tim.dennis.737Instagram: https://www.instagram.com/darknessradiotim/CL Thomas Website: https://www.clthomas.org/

{00:02.02} Looking back at week 17 in NFL; Up and down road for the 2021 Tennessee Titians {00:32.30} NFC recap; Green Bay has the best chance of winning the championship; Fear not for the fool and clown known as Antonio Brown {01:29.00} Why college football is not that far off from making major improvements to increase the popularity of the sport {01:45.07} The argument that today's college football players don't like the sport This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy Podcorn - https://podcorn.com/privacy

Scott and Gil welcome Nikki Valens, designer of Mansions of Madness: Second Edition, Eldritch Horror, Legacy of Dragonholt, Quirky Circuits, and the upcoming Artisans of Splendent Vale. We talk about making programming games like Quirky Circuits, app-driven games like Mansions of Madness, and campaign games like Legacy of Dragonholt. SHOW NOTES 1m27s: Brown College 3m22s: Robo Rally 3m50s: Colt Express 5m53s: Magic Maze 8m18s: The Mind 12m26s: Ra, Medici 35m49s: Betrayal Legacy 42m00s: "FFG" refers to Fantasy Flight Games, where Nikki worked for several years. 43m07s: XCOM: The Board Game 52m24s: Here's a compilation video of cats riding Roombas...

An airhacks.fm conversation with David Blevins (@dblevins) about: Atari 800, then Atari 2600, playing Pitfall!, enjoying Apple II, enjoying the M.U.L.E. game, the creative art kid, working at Public-access station, making special effects with Amiga 500, the Monday the 13th horror movie, specializing on make-up, halloween was a working day, the amazing B.B. King, learning blues, studying psychology, going to Ecuador, going to Brown College in Minnesotta, hitting a truck with a mini van, a nice truck driver, starting the iWeb company, working with Apple, developing websites with HTML and JavaScript, 80k salary for a Java developer in 1998, learning Java 1.0 in a week, working as Java consultant, working on Visual Basic and Java integration, writing a web server, hotsite, Silverstream, Jigsaw, working with NorthWest Bank with Swing and CORBA backend, using visigenics ORB, the power of source code, using com.sun.swing, the cancellation of a 35 million project, writing JDBC drivers for PostgreSQL, generating code in bash and Pearl, David Blevins on twitter: @dblevins and David's company: tomitribe

Welcome to Episode 3! Join Steve as he sits down with Seaton Brown to talk about CofC's one-year MBA Program, what it's like being a Director of Admissions at a university like the College of Charleston, and how forlorn Seaton is now that Kickin' Chicken's original, one-of-a-kind downtown location is a thing of the past.

Check Playlist This edition of The Five Count featured an exclusive interview with actor David Lawrence. David is best known for his role as “Terry Cahill” in the films Fubar and Fubar 2. He also portrayed the character on the TV shows Fubar: Age of Computer and Trailer Park Boys: Jail. During the show he discussed what it was like being followed by a camera crew for Fubar, being in jail with the Trailer Park Boys, and what Canadian metal bands are the best. Give'r! During the rest of the show we paid tribute to Five Count Alumnus Mary Wilson, Dustin explained why he regrets going to Brown College, and we discussed which professional wrestlers we would like as our valentines. Happy Valentine's Day! https://www.youtube.com/watch?v=DbW0_C2H19c

Talking about what convinced me to go to Brown College in Minnesota, my2 semesters there, why I left and stayed a few more months. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Matt Brown, who covers college football for TheIntercollegiate.com & Extra Points, joined DJ & PK to talk about the impact of the conference game-only models the Big Ten and Pac-12 have announced and where he thinks things are going for the coming college football season.

An incredible testament of service to others and Country. Listen to Brad Brown - our featured guest today on High Performance Pathways - talk about his love of sport, his service in West Point's Athletic Department for over a decade, his Army service and his overall quest chasing high performance in life. Connect with Brad on LinkedIn here. Or find him on the West Point Athletic Staff Directory here.Support the show (https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=5APZ8C5C6942Y&source=url)

Michael Poliakoff speaks with former U.S. Senator, Representative, and college president emeritus Hank Brown about immediate steps that colleges and universities must take in meeting the financial and operational crisis they are facing from the COVID 19 pandemic.

With so many people out of work, Reliability Matters speaks with friend and colleague Dr. Mike Stull about entrepreneurship. Dr. Stull is a professor at California State University San Bernardino. He is the director of the Inland Empire Center for Entrepreneurship (IECE) at California State University, San Bernardino (CSUSB). He also serves as Chair for the Department of Management in the Jack H. Brown College of Business and Public Administration and academic director for entrepreneurship. 

Episode 43: A Conversation with Cal State University's Dr. Mike Stull about Entrepreneurship and Today's Challenging TimesDr. Mike Stull is the Director of the Inland Empire Center for Entrepreneurship (IECE) at California State University, San Bernardino (CSUSB). He also serves as Chair for the Department of Management in the Jack H. Brown College of Business and Public Administration and academic director for entrepreneurship. With more than 30 years as an entrepreneur in for-profit, non-profit, and public sector environments, Mike describes himself as the “living example” that entrepreneurship is a process that can be applied in any setting and he truly “thinks like an owner.” As someone who likes to challenge his students in and out of the classroom, Mike is viewed as an innovative and demanding teacher that brings the reality of entrepreneurship into the classroom. As one of his students noted “the class projects that Mike assigns, such as having to start and run a business, touch on every aspect of what it takes to be an entrepreneur. It truly is learning applied to the reality of entrepreneurship.” Due to this “hands-on” and entrepreneurial approach, Mike has been recognized with several teaching awards in the Jack H. Brown College, was considered for the CSU system’s highest honor for faculty, the Wang Family Excellence Award, and was the recipient of the Entrepreneur of the Year (EOY) award from Ernst & Young.Directing the university’s entrepreneurship program and Inland Empire Center for Entrepreneurship (IECE), Mike is responsible for program & curriculum management and development, teaching entrepreneurship courses, and overseeing numerous entrepreneurial initiatives. He has raised over $28 million in grants, contracts and sponsorship and achieved national acclaim, including ranking as the #4 graduate entrepreneurship program in the U.S. from The Princeton Review & Entrepreneur Magazine, receiving the prestigious National Excellence in Entrepreneurship Education Award in 2010 from the United States Association for Small Business and Entrepreneurship (USASBE) and selected as one of the top 35 entrepreneurship programs globally in 2017 by AACSB International. EducationBA/MBA - California State University San BernardinoEDM - Case Western Reserve UniversityCourses/TeachingMike developed nine (9) of the current entrepreneurship courses taught at the undergrad and grad programs in Entrepreneurship. He currently teaches: ENTR 543 New Venture Opportunity AnalysisENTR 621 Entrepreneurship and New VenturesMike may be reached at mstull@csusb.edu

We are back with Covid Chronicles 2: Electric Boogaloo! I am joined by my friend and fellow Brown College graduate, Jesse Skelly! Jesse is a radio dj at Z93 La Crosse, Wisconsin and he joins us to talk about the impact music can have on us in times like these. We are going through some crazy stuff right now and music can transport us out of dark times. We talk favorite albums, artists, concerts, and so much more. We also answer your questions!     

If you want to succeed as an entrepreneur, don't let your limiting beliefs stop you from achieving great things. And if you're ready to crush your goals, keep reading and learn from the experts. In this week's episode, Ursula Mentjes, together with her special guest, Ernie Silvers, talks about the reasons why small businesses fail and what you can do to succeed. Part One of ‘Why Small Businesses Fail and What You Can Do to Succeed with Ernie Silvers’ Many small businesses fail because they're in it for the wrong reasons. They're not focused on growing the business and providing service. They don't know what they want to be when they grow up. They don't know what kind of job they want. So, they end up creating a job, not a company. Sometimes they see the business as an extension of their ATM. So, if you cannot separate your life from your company, you're going to fail. The company has to be a separate entity. “Many small businesses fail because they're in it for the wrong reason.” — Ernie Silvers  Ernie is the MBA Programs Director at the Jack H. Brown College of Business and Public Administration at California State University, San Bernardino, CA (CSUSB). Ernie has been teaching undergraduate and graduate-level courses in the Entrepreneurship, Management, and Marketing departments since 2014.  Ernie regularly teaches Small Business Management, Organizational Behavior, Administrative Communications, Marketing Principles, as well as Leadership and Ethics. As a professional, Ernie has more than 30-years of diverse managerial experience in executive management, operations management, manufacturing, sales and marketing, human resources, and logistics. The bulk of his career has been spent in the automotive aftermarket, which is a 63-billion-dollar global industry.   Part Two of ‘Why Small Businesses Fail and What You Can Do to Succeed with Ernie Silvers’ If you're in business because you need money, that's the worst reason, because you only see people as a paycheck. You can't serve somebody whom you consider a thing and not a person. Money has to be a result of what you do, not the reason you do it. You want to help people. You want to provide a service. You want to bring value and money as a result of providing excellent value. Do you know what it takes for a new entrepreneur to be successful? Focus, passion, and commitment. You have to be committed no matter what you're doing. You have to focus and you have to know what you're doing. It's like if you're driving a car, you have to look out the windshield. If you're looking out the side windows, you're going to crash your vehicle. You have to stay focused on what you're doing, and you have to do what you're passionate about. If you're not excited, why do it? If you can't have fun doing something, then why would you waste your time doing it? “Money has to be a result of what you do, not the reason you do it.” —  Ernie Silvers  Many people will try to put you down and tell you that you're not going to make it. Success is not a straight line. It's all over the place. You have to understand that there's going to be ups and downs. You will experience failures along the way before you become successful. You need to be around people who will encourage you to keep going.  You can either create your imposter syndrome, or you can let somebody else create it for you. Imposter syndrome can be defined as a collection of feelings of inadequacy that persist despite evident success. Sometimes you let other people's high expectations put pressure on you. As a result, you fear failure because you want to meet their unrealistic expectations of you.   Learn More About Ernie Silvers   Ernie is the President and CEO of Egge Machine Company, Inc. located in Santa Fe Springs, CA. Egge is a manufacturer and global distributor of internal engine components for vintage engine applications.  As an entrepreneur, Ernie is the driving force behind Silvers Connection, a growing consulting practice focused on connecting people and businesses with opportunities for growth and profitability through lean concepts, process improvement, education, and training. Silvers Connection specialized in leading mid-sized, small and family-owned businesses through the development and implementation of operating systems to maximize efficiency and sustain profitability.  Ernie is a U.S. Navy veteran who served six years as an aviation electrician on C-130A aircraft, stationed at NAS North Island, San Diego, CA.  Ernie earned a master’s degree in Business Administration from the University of Redlands, Redlands, CA. Ernie is also an active member of Toastmasters – Inland Empire chapter.  Connect with Ernie on LinkedIn www.linkedin.com/in/erniesilvers  How to Get Involved   Ursula Mentjes is the founder of Sales Coach Now, as well as a Sales Expert, Inspirational Speaker, Author and Certified Sales Coach who specializes in NLP to help her clients double and triple their sales. Sales Coach Now delivers a unique approach to sales training and coaching designed for ultimate retention and achievement.  Discover how to transform limiting beliefs, make powerful shifts with intention, and authentically serve (sell) your clients with my free pdf, "6 Secrets to Doubling Your Sales! www.salescoachnow.com/gift  Also, Ursula would love to partner with you at your next event, conference, or sales training session. If you're interested in coming to Sales Camp, that's her two-day live course then, you may find out more information here: https://www.salescoachnow.com/sales-camp/.

Well, I will finally make my parents happy. I’m putting my radio broadcasting degree to use, thanks Brown College! This summer as I was trying to put my thoughts in order for articles I’d like to write, one overwhelming theme kept popping in my head, “I wish I could just have a show and talk about stuff”. So here we are, with the Stuff ‘N Things Podcast, my co-host is my long-time college buddy @brojoe13 on Twitter. We used to have a radio show together when we were at Central College, so we jumped at the chance to start it up again! You can find our podcast on Anchor.fm, RadioPublic, Stitcher, Spotify, Overcast and Google Podcasts!

Going over AB's helmet controversy, College Football, Elliott hold out, and Cousins arrest warrant

Ryan is joined by radio personality Kim Kelley, the morning show host and production director for 97.9 KTAG in Cody, Wyoming. Kim's passion for music led her to a career in radio, where she earned her degree at Brown College in Minneapolis and worked at a variety of stations in Wisconsin, Minnesota and Wyoming.

Gabe Morency and Cam Stewart discussed Antonio Brown and the Steelers as there was a deal in place to send Brown to the Bills but did not happen. They guys weigh in on what is next for Antonio Brown. Gabe discussed the College Basketball slate with Steve Merrill and named teams that will get a invitation to March Madness. Gabe and Cam also talked about LSU basketball coach that was suspended for a wiretap that had him discussing a recruiting deal with a former Adidas consultant. Ian Bobano weighs in on the NBA games tonight and shared his picks for the evening. Lastly, Cam previews the NHL slate tonight and previewed his DFS lineup.  #fntsy #fntsysportsradio #gametimedecisions Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Gabe Morency and Cam Stewart discussed the NFL Combine and shared their thoughts on the performances of NFL prospects. They also shared that Kyler Murray will be selected first in the NFL draft according to the Arizona Cardinals. They also discussed the news surrounding Antonio Brown and makes mention that the Steeler will owe him money if he is still on the roster on March 13th. The guys shared their thoughts on college kids leaving school early for the big payday in professional sports. Gabe and Cam shared their thoughts and laughs when discussing a world that is cashless. Lastly, they replay a interview with Brian Baldinger.  #fntsy #fntsysportsradio #gametimedecisions #maythewinnersbeyours Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Welcome to the Stuff 'N Things podcast! Well, I will finally make my parents happy.  I'm putting my radio broadcasting degree to use, thanks Brown College!  This summer as I was trying to put my thoughts in order for articles I'd like to write, one overwhelming theme kept popping in my head, "I wish I could just have a show and talk about stuff".  So here we are, with the Stuff 'N Things Podcast, my co-host is my long-time college buddy @brojoe13 on Twitter.  We used to have a radio show together when we were at Central College, so we jumped at the chance to start it up again!  You can find our podcast on Anchor.fm, RadioPublic, Stitcher, Spotify, Overcast and Google Podcasts!

Welcome to the Stuff 'N Things podcast!   Well, I will finally make my parents happy.  I'm putting my radio broadcasting degree to use, thanks Brown College!  This summer as I was trying to put my thoughts in order for articles I'd like to write, one overwhelming theme kept popping in my head, "I wish I could just have a show and talk about stuff".  So here we are, with the Stuff 'N Things Podcast, my co-host is my long-time college buddy @brojoe13 on Twitter.  We used to have a radio show together when we were at Central College, so we jumped at the chance to start it up again!  You can find our podcast on Anchor.fm, RadioPublic, Stitcher, Spotify, Overcast and Google Podcasts!   We're talking a lot of Iowa sports and whatever nonsense we drift off in to!  We're always open for questions, you can find us at @StuffNThingsPod on Twitter.  Check it out, if you don't like it, we'll refund your money!

Sometimes, when you think you've got everything all figured out, a new revelation can really give you some perspective. These are the life lessons we get to learn along with all of our favorite arms dealers weapons manufacturers and college first-years freshmen as we take a look at 2010's Iron Man 2 and 2000's An Extremely Goofy Movie. Notes: The Fast and the Furious Snidely Whiplash A Goofy Movie Kafkaesque Charlottesville Bean Scene Café Post-irony Gilligan's Island The Honeymooners Team Rocket Blasts Off Again! Carl Wheezer EPCOT X Games Penny-farthing Brown College at Monroe Hill

On this MAY DAY edition of JAWGPOD I am joined by the afternoon drive time host at Z93 in La Crosse Wisconsin and a classmate of mine at Brown College, Jesse Skelley. We went through radio school together and still enjoy paying off those student loans. We talk our college days, what led Jesse to radio, and his currrent career. It was a fun chat I know you will enjoy. Follow Jesse on Twitter @Z93Jesse! 

Joe Leis is our guest on @RcadeRadio! Who is Joe Leis, you say? For about 40 years Joe has been active in the arcade community. Fresh out of the Air Force, he enrolled at Brown College for electrical engineering. His experience in electronics landed him in the arcade industry. Semi-retired from the arcade scene, he is one of the remaining engineers/operators from the Golden Age that still services routes and makes house calls for jukebox and arcade repair. We’ll talk to him about his extensive experience in the arcade industry. Original air date 12.22.16 --- Support this podcast: https://anchor.fm/rcaderadio/support

In a week dominated by stories about former New York Giants place kicker Josh Brown and the NFL's continual coverup of domestic violence, we speak to Jessica Luther, author of the book “Unsportsmanlike Conduct: College Football and the Politics of Rape.” This week I also have some choice words of my own about the Giants’ shameful handling of the Josh Brown incident and why Roger Goodell should, in my opinion, no longer be employed. Lastly, the ‘Just Stand Up’ award goes to Denasia Lawrence, a National Anthem singer with a purpose.Jessica Luther: http://jessicawluther.com | https://twitter.com/scATX Unsportsmanlike Conduct: College Football and the Politics of Rape http://www.akashicbooks.com/catalog/unsportsmanlike-conduct/Zirin column, ‘Another Shocking Domestic Violence Case Is Rocking the NFL’ https://www.thenation.com/article/another-shocking-domestic-violence-case-is-rocking-the-nfl—http://www.edgeofsportspodcast.com | http://twitter.com/edgeofsports | http://fb.com/edgeofsportspod | email us: edgeofsports@slate.com | Edge of Sports hotline: 401-428-3343 (EDGE)—music: “Safe From Harm” - Massive Attack http://massiveattack.co.uk | “U.N.I.T.Y.” - Queen Latifah http://queenlatifah.com (Kay Gee & Mufi production) | “FML” - Kanye West http://www.kanyewest.com (Erik Giovani remake https://soundcloud.com/erikgiovani) | “Warning” - Notorious B.I.G.  (Easy Mo Bee production) | “All the Way Up” - Fat Joe & Remy Ma (Edsclusive Cool & Dre production) | “Basketball” - Kurtis Blow (J.B. Moore & Robert Ford Jr. production)

We kick of a brand new moth with some new things coming to BTE Radio. First, we announce the winner of the BTE Radio Search for a new Co-Host Contest Marie Samuels. Marie will take the Co-Host seat permanently as the fun begins this Sunday night. Eric and the new BTE Radio Co-Host are happy to welcome our good friend Tim Dennis to the program as we talk with Tim about his interest in the Paranormal, Electronic Voice Phenomenon and maybe even throw in a little "pro wrassling" discussion. It's sure to be a great time with Darkness Radio's own Tim Dennis this Sunday night 8 to 10 pm Est. Tim is a life time resident of Minnesota, he grew up in Blaine and attended Winona State University where he studied Mass Communication and Radio Broadcasting. He later graduated from Brown College in 1993. Tim has continued working in radio behind the scenes. Tim's interest in the paranormal also stems from his youth with dream visitations from deceased relatives. Although the more skeptical of the two, Tim remains open minded and willing to explore the many possibilities of the paranormal. His grounded nature helps keep Dave in check. Tune in weekly to share in their experiences in The Darkness on The Edge Of Town. https://twitter.com/DRTimDennis https://www.facebook.com/tim.dennis.737 www.darknessradio.com

We kick of a brand new moth with some new things coming to BTE Radio. First, we announce the winner of the BTE Radio Search for a new Co-Host Contest Marie Samuels. Marie will take the Co-Host seat permanently as the fun begins this Sunday night. Eric and the new BTE Radio Co-Host are happy to welcome our good friend Tim Dennis to the program as we talk with Tim about his interest in the Paranormal, Electronic Voice Phenomenon and maybe even throw in a little "pro wrassling" discussion. It's sure to be a great time with Darkness Radio's own Tim Dennis this Sunday night 8 to 10 pm Est. Tim is a life time resident of Minnesota, he grew up in Blaine and attended Winona State University where he studied Mass Communication and Radio Broadcasting. He later graduated from Brown College in 1993. Tim has continued working in radio behind the scenes. Tim's interest in the paranormal also stems from his youth with dream visitations from deceased relatives. Although the more skeptical of the two, Tim remains open minded and willing to explore the many possibilities of the paranormal. His grounded nature helps keep Dave in check. Tune in weekly to share in their experiences in The Darkness on The Edge Of Town. https://twitter.com/DRTimDennis https://www.facebook.com/tim.dennis.737 www.darknessradio.com

Today we will be talking with Roy Finden a veteran of radio and tv in the 70's. He has served at WSPT, KRIB and KSTP and has taught broadcasting for more than 35 years at Brown College. November 8, 2014

My Paranormal Experience  Hosted by Niki ParaUnNormal and Dave Spinks Darkness Radio's Tim Dennis Tim is a life time resident of Minnesota, he grew up in Blaine and attended Winona State University where he studied Mass Communication and Radio Broadcasting. He later graduated from Brown College in 1993. Tim has continued working in radio behind the scenes. Tim's interest in the paranormal also stems from his youth with dream visitations from deceased relatives. Although the more skeptical of the two, Tim remains open minded and willing to explore the many possibilities of the paranormal. His grounded nature helps keep Dave in check. Tune in weekly to share in their experiences in The Darkness on The Edge Of Town.  Follow Tim Dennis on Twitter To join us in the LIVE~INTERACTIVE chat room- head over to : http://liveparanormal.com/m/chat/home/   My Paranormal Experience Radio Show on LiveParanormal.com   Like us on Facebook Follow us on Twitter      

Today we will be talking with Roy Finden a veteran of radio and tv in the 70's. He has served at WSPT, KRIB and KSTP and has taught broadcasting for more than 35 years at Brown College.