Podcasts about darksunn

Rina Sawayama lança novo álbum; Bateu Matou ao vivo em Lisboa esta sexta; DarkSunn joga em casa, e atua em Almada no domingo.

Featured on Artemis: Eat What You Kill - by Yukari Kousaka - translated by Toshiya Kamei - narrated by Juliette Cavendish Push Button - by Eric Farrell Our Audio License AntipodeanSF Radio Show by Ion Newcombe is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Based on a work at www.antisf.com.au. Permissions beyond the scope of this license may be available at https://www.antisf.com.au/contact-editor Music Credits Takeaway Or Eat-In Instrumental by junior85 is licensed under a Attribution-NonCommercial-ShareAlike 3.0 International License. Touch A Button by DarkSunn is licensed under a Attribution-NonCommercial-ShareAlike License. You Name It, I'll Eat It (Bring The Hate Like An 808) by Talkshow Boy is licensed under a Attribution-NonCommercial License. Intro & Outro Music Celestial Navigation by Blue Dot Sessions is licensed under a Attribution-NonCommercial License

It's way too early for new year's resolutions. That's a fact. But it is in no way too early for home entertainment resolutions, specifically 480p, 576p, 1080p and 4K. This week's show is all about the fact that we find ourselves in a world where home entertainment is available in a number of different flavours, DVD, Blu-Ray and UHD for physical, and then the digital counterparts. Marketing will tell you that you always want the 4K version of everything, after it got done telling you DVD was over and everything had to be in Blu-Ray 1080p This week the Kids from the 80s assert that Just Like Heaven and the Lego Movie are never going to be better than they are at 576p (which is great but more definition does nothing to improve matters), Big Trouble In Little China and 12 Monkeys definitely look better at 1080p and 4K, well that seems to be a gimmick for Denis Villeneuve movies. Let's not even hunker down and consider how the definition of what even is 1080p varies wildly between a lovingly crafted prestige Blu-Ray and a cheeky Netflix stream, actually no, let's for a second. It's techie week on the 80s Kids and things have never been clearer, or sharper. This week's episode features an excerpt of Speak Easy by DarkSunn and bedding music Lost in dam central vs Exist by Planet Boelex vs Data Rebel. Both are licensed under a creative commons non-commercial attribution-based licence. Follow links for more information.

This episode we’re talking about Psychological Horror! We discuss gore, people being weenies, books with running in them, kiwi fruit, checking the under the bed for monsters, Law & Order: SVU, and our guest host says they want to poison everyone! You can download the podcast directly, find it on Libsyn, or get it through Apple Podcasts, Stitcher, Google Podcasts, Spotify, or your favourite podcast delivery system. In this episode Anna Ferri | Meghan Whyte | Matthew Murray | Alan Woo Things We Read (or tried to…) A Head Full of Ghosts by Paul Tremblay  Revenge: Eleven Dark Tales by Yōko Ogawa, translated by Stephen Snyder The Diving Pool: Three Novellas by Yōko Ogawa, translated by Stephen Snyder We Have Always Lived in the Castle by Shirley Jackson Her Body and Other Parties by Carmen Maria Machado The Grip of It by Jac Jemc Read by Meghan but not discussed We Are All Completely Fine by Daryl Gregory The Only Good Indians by Stephen Graham Jones Death in Her Hands by Ottessa Moshfegh Outer Dark by Cormac McCarthy  None Shall Sleep by Ellie Marney Other Media We Mentioned Hostel (2005 film) (Wikipedia) Parasite Eve by Hideaki Sena, translated by Tyran Grillo  Parasite Eve (video game) (Wikipedia) Dead Space (video game) (Wikipedia) The Library at Mount Char by Scott Hawkins Call of Cthulhu (role-playing game) (Wikipedia) Abbott and Costello Meet Frankenstein (Wikipedia) Your Turn to Die The manga’s not legally available in English, but you can find it online... Mexican Gothic by Silvia Moreno-Garcia American Psycho by Bret Easton Ellis The Haunting of Hill House by Shirley Jackson Pandemonium by Daryl Gregory Ring by Kōji Suzuki, translated by Robert B. Rohmer and Glynne Walley The Exorcist (film) (Wikipedia) The Cabin at the End of the World by Paul Tremblay Never Let Me Go by Kazuo Ishiguro The Green Ribbon (Wikipedia) The first version of this story is The Adventure of the German Student by Washington Irving (Wikipedia) Law & Order: Special Victims Unit (Wikipedia) TV Tropes In the Dream House by Carmen Maria Machado NOS4A2 by Joe Hill Dark Fang, Vol. 1: Earth Calling by Miles Gunter Kelsey Shannon Links, Articles, and Things Junji Ito (Wikipedia) John Saul (Wikipedia) Dean Koontz (Wikipedia) Friday the 13th set to Benny Hill music Episode 004 - Psychological Thrillers Episode 078 - Supernatural Thrillers Shirley Jackson Award (Wikipedia) The four times Book Riot has linked to us: 25 More Outstanding Podcasts For Readers by Kate Scott Masochistic Reading by Tiffani Willis 13 Must-hear Librarian Podcasts by Anna Gooding-Call 33 Of The Best Book Podcasts For All Genres by Julia Rittenberg Japanese horror (Wikipedia) Korean horror (Wikipedia) SCP Foundation The wolves are under the bed, they’re in the walls Over the Rainbow Booklist Not haunted house for sale To Arrakis by DarkSunn 16 Psychological Horror Books by BIPOC (Black, Indigenous, & People of Colour) Authors Every month Book Club for Masochists: A Readers’ Advisory Podcasts chooses a genre at random and we read and discuss books from that genre. We also put together book lists for each episode/genre that feature works by BIPOC (Black, Indigenous, & People of Colour) authors. All of the lists can be found here. Fledgling by Octavia Butler Let's Play White by Chesya Burke The Between by Tananarive Due After the People Lights Have Gone Off by Stephen Graham Jones The Ones That Got Away by Stephen Graham Jones The Vegetarian by Han Kang, translated by Deborah Smith The Graveyard Apartment by Mariko Koike, translated by Deborah Boliver Boehm Her Body and Other Parties by Carmen Maria Machado That Time of Year by Marie NDiaye, translated by  Jordan Stump Now You're One of Us by Asa Nonami, translated by Michael & Mitsuko Volek Revenge: Eleven Dark Tales by Yōko Ogawa, translated by Stephen Snyder Helter Skelter by Kyōko Okazaki White is for Witching by Helen Oyeyemi The Hole by Hye-Young Pyun, translated by Sora Kim-Russell Moon of the Crusted Snow by Waubgeshig Rice Dark Water by Kōji Suzuki, translated by Glynne Walley Give us feedback! Fill out the form to ask for a recommendation or suggest a genre or title for us to read! Check out our Tumblr, follow us on Twitter or Instagram, join our Facebook Group, or send us an email! Just again on Tuesday, April 20th when we’ll be giving an update on non-podcast media we’ve been reading, watching, and otherwise experiencing. Then on Tuesday, May 4th we’ll be discussing the genre of Literary Theory and Literary Criticism!

Listen to what this season one Chingona has been up to since 2017. Check out Julia’s work at https://www.juliaarredondo.com/ If you would like to support Julia in her endeavors, her CashApp is $CasualHaiky and her venmo is @QTVCLive. Julia's instagrams - https://www.instagram.com/curanderapress/ https://www.instagram.com/qtvclive/ https://www.instagram.com/covidtv/ If you’d like to support Chingona’s endeavors, the CashApp is $ChingonaPodcast. Instagram - https://www.instagram.com/chingonapodcast/ Twitter - https://twitter.com/ChingonaPodcast Theme song written and performed by Raul Garza Jr. Additional music this week by Jahzarr and DarkSunn

Raptilário: de Tristany a DarkSunn, as novidades do hip hop tuga The post Raptilário: de Tristany a DarkSunn, as novidades do hip hop tuga appeared first on NiTfm.

Raptilário: de Tristany a DarkSunn, as novidades do hip hop tuga The post Raptilário: de Tristany a DarkSunn, as novidades do hip hop tuga appeared first on NiTfm.

This season on White Market Podcast: Prepare for a lot of talk about Creative Commons music. We will talk about licenses, about business models, about resilience and about the love that goes into sharing music with others. In the first few episodes, there will be interviews with: Hessel van Oorschot from Tribe of Noise, a platform focused on creating fair and sustainable business opportunities for talented artist; their business model is exclusively based on CC-licensing and they recently acquired Free Music Archive. Emily Richards from ccMixter, the oldest community of musicians focused on Creative Commons music production; they promote remixing and make their works available under CC BY and CC BY-NC licenses. Konrad from ClongClongMoo, a curation service focused on Creative Commons music (althought not exclusively); on top of highlighting records, the website has other valuable resources for free and open music discovery, like the netlabel list There will be more guests and more topics later on, so make sure to subscribe to the podcast and check our website regularly. But before the whole things starts, a quick note of appreciation for the extra help White Market Podcast got this time. Without these people, there would be no new episodes. Jake Cusworth did the new sound imaging, remixing "Fremen" by DarkSunn (who kindly provided the STEMS to do that) Liam Milburn provided the voice work for the new jingles and sweepers Ciaran Edwards redesigned and coded our new fully FLOSS website Ricardo Correia will be helping out with the sound editing and mixing throughout the season. Stay tuned, White Market Podcast will be back soon.

Title: Zombie Honeymoon [Wikipedia] [IMDb] Director: David Gebroe Producers: David Gebroe, Christina Reilly Writer: David Gebroe Starring: Tracy Coogan, Graham Sibley, Tonya Cornelisse, David M. Wallace Release date: October 23, 2004 (Hamptons International Film Festival) SHOWNOTES: Collateral Cinema is back, cinephiles! On this extra-special post-season episode, we are joined by guest host Chazz Raab of the Trial By Error Variety Show podcast (@tbevarietyshow), and he brought us a bit of a left-fielder for a film: David Gebroe's 2002 romantic horror flick, Zombie Honeymoon. While this movie is certainly made for TV quality, it still engaged us with its likable characters, spirited directing, and heartfelt storyline with a surprisingly sad backstory. Chazz also talks a bit about Trial By Error and what he has in store for his listeners in the near future. So cuddle up with your (undead) significant other, and join us for all the zombie madness! And yes, Season Two will be premiering very, very soon, so we'll see you cinephiles later!!! Collateral Cinema is on Apple Podcasts, Chill Lover Radio, Podcoin, and wherever else you get your podcasts. Also, find us on Patreon; we will have exclusive full-length commentaries on our favorite movies soon! (Collateral Cinema is an LCompany Production. Intro song is a license-free beat by @DarkSunn. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don’t sue us; we’re poor! Special thanks to Chazz Raab.)

Title: Riki-Oh: The Story of Ricky (also known as Story of Ricky; Chinese: 力王) [Wikipedia] [IMDb] Director: Lam Ngai Kai Producer: Chan Dung Chow Writers: Lam Ngai Kai (screenplay), Tetsuya Saruwatari (manga: Riki-Oh) Starring: Fan Siu-wong, Fan Mei Sheng, Ho Ka-kui, Yukari Oshima, Frankie Chan Release date: 5 October 1991 (Japan) PODCAST SHOUTOUT: Hey everyone, Collateral Cinema is starting a new segment at the beginning of every episode that features a shout-out to the many podcasts that have followed & supported our little show over our first season. Our first featured shoutout is the Trial By Error Variety Show Podcast, which focuses on independent music from all genres, hosted by Chazz Raab. Give them a listen wherever you get your podcasts and on Patreon! (@tbevarietyshow) SHOWNOTES: That's right, fellow movie geeks; Collateral Cinema is back, and we've finally reached the final episode of Season One! On this season finale, Beau, Rob, and Ash decided to go full-on cult movie mode (again! Lol) as we review and analyze the absolutely batshit-insane 1991 martial arts/exploitation classic, Riki-Oh: The Story of Ricky, which has the head exploding scene used on the Craig Kilborne-era of Comedy Central's Daily Show! This movie is legendary for its absolutely excessive gore, which soaks the screen (and its actors as well!) with more blood than you can shake a Deadite at, and the martial arts action that causes all the mayhem, as well as the amazingly exaggerated acting and dialogue, makes for a graphic experience that we'll always enjoy with every viewing. So join us, as we send off our first season with tons of gore, and more than a few ham-fisted performances! Collateral Cinema is on Apple Podcasts, Chill Lover Radio, Podcoin, and wherever else you get your podcasts. Also, find us on Patreon; we will have exclusive full-length commentaries on our favorite movies soon! (Collateral Cinema is an LCompany Production. Intro song is a license-free beat by @DarkSunn. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don’t sue us; we’re poor! ...And see you next season in October!)

Title: Gummo [Wikipedia] [IMDb] Director: Harmony Korine Producers: Scott Macaulay, Robin O'Hara, Cary Woods, Nifty da Saurus Writer: Harmony Korine Stars: Linda Manz, Max Perlich, Jacob Reynolds, Chloë Sevigny, Jacob Sewell, Nick Sutton Release date: October 17, 1997 SHOWNOTES: Welcome to our rural American nightmare, Collateral Cinema listeners! That's right, hosts Beau, Robert, and Ash go back to the 90s arthouse, as we explore Harmony Korine's (@harmfulkorine) classically disturbing 1997 debut, Gummo. This film challenged us in many, many ways; with it's unique approach to cinematography, complete lack of a three-arc story structure, use of non-actors for realistic impact, stream of consciousness script writing, and the nightmarish dive into the depravity and emptiness of the American dream. This movie is peircing, haunting, disturbing, and unlike anything else released before or since; join us, as we barely scratch the surface of this twisted American psycho-drama, and take a trip with us into the dark underbelly of the American Zeitgeist. [Trigger Warning: some clips may contain homophobic language. Listener discretion is advised.] Collateral Cinema is on Apple Podcasts, Chill Lover Radio, Podcoin, and wherever else you get your podcasts. Also, find us on Patreon; we will have exclusive full-length commentaries on our favorite movies soon! (Collateral Cinema is an LCompany Production. Intro song is a license-free beat by @DarkSunn. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don’t sue us; we’re poor!)

Title: Freddy Got Fingered [Wikipedia] [IMDb] Director: Tom Green Producers: Larry Brezner, Howard Lapides, Lauren Lloyd Writer: Tom Green, Derek Harvie Stars: Tom Green, Rip Torn, Marisa Coughlan, Eddie Kaye Thomas, Julie Hagerty Release date: April 20, 2001 SHOWNOTES: "You hear that, Collateral Cinema fans? They're my hooooves! My hooooooooooooves!!!! Listen as they go clippity-clop, clippity-clop! Hahahahahahahah!" ...Oh yeah, folks; Collateral Cinema is taking on Tom Green's (@tomgreenlive) impressively surreal, yet universally panned 2001 absurdist comedy Freddy Got Fingered! We're wholly convinced this film is far more deserving of actual film analysis than it has received in the past, so hosts Beau, Robert, and Ash dissected and analyzed Tom Green's brazenly original humor, the strangely karma-free universe the movie operates in, each and every memorable bit of writing and acting, and every infinitely quotable scene. We also dive into the heady times that were pre/post-9/11 film culture. We also put forth an argument for Freddy Got Fingered to receive a place in the venerable Criterion Collection, and we dive into the massively negative critical response to this work, and how Freddy Got Fingered achieved a solid cult following and critical renaissance in the past few years. So remember in closing, Collateral Cinema fans: "I'm the backwards man, the backwards man; I can walk backwards fast as you can! I'm the backwards man, the backwards man..." Collateral Cinema is on Apple Podcasts, Chill Lover Radio, Podcoin, and wherever else you get your podcasts. Also, find us on Patreon; we will have exclusive full-length commentaries on our favorite movies soon! (Collateral Cinema is an LCompany Production. Intro song is a license-free beat by @DarkSunn. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don’t sue us; we’re poor!)  *Apologies for the audio everyone, we’ll be upgrading our studio very soon!

Title: Rocky [Wikipedia] [IMDb] Director: John G. Avildsen Producers: Irwin Winkler, Robert Chartoff Writer: Sylvester Stallone Stars: Sylvester Stallone, Talia Shire, Burt Young, Carl Weathers, Burgess Meredith Release date: December 3, 1976 (US) SHOWNOTES: Collateral Cinema is back in action, ya'll! Hosts Robert, Beau, and Ash return to analyze, review, and deconstruct the 1976 iconic boxing/sports epic, Rocky! Sylvester Stallone gave us one of his all-time classic performances for this movie, and we feel this is truly a film that is more pertinent and more necessary in these trying times; we were truly blown away by how well it holds up all these years. We talk about Stallone's overall career, the anime-esque feel to Rocky's character, the autobiographical nature of Stallone's writing, and how Rocky is the quintessential modern American folk hero. Join our discussion, and prepare to be inspired! Collateral Cinema is on Apple Podcasts, Chill Lover Radio, Podcoin, and wherever else you get your podcasts. Also, find us on Patreon; we will have exclusive full-length commentaries on our favorite movies soon! (Collateral Cinema is an LCompany Production. Intro song is a license-free beat by @DarkSunn. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don’t sue us; we’re poor!)

Title: Hectic Knife [Wikipedia] [IMDb] Director: Greg DeLiso Producers: Greg DeLiso, Peter Litvin, Michael Anthony Writers: Greg DeLiso, Peter Litvin Stars: Peter Litvin, Georgia Kate Haege, JJ Brine, John Munnelly Release date: July 28, 2016 SHOWNOTES: Hello again, Collateral Cinemaphiles! Today, we're proud to bring you our second ever indie film review, and we scoped out the latest release from legendary underground movie purveyors, Troma entertainment: Greg DeLiso and Peter Litvin's deliriously awesome action/horror/surreal comedy flick, Hectic Knife (@hecticknife)! Beau, Robert, and new host Ash Chancellor dig into the hilarious gore, out-of-this-world fourth wall-breaking, crazy performances, and surreal, mind-bending humor that makes this movie a true future cult classic. We're totally into crazy low-budget cinema like this, and we want all our listeners to check out Hectic Knife on Amazon Prime (free for Prime members!) and IMDb! Collateral Cinema is on Apple Podcasts, Chill Lover Radio, Podcoin, and wherever else you get your podcasts. Also, find us on Patreon; we will have exclusive full-length commentaries on our favorite movies soon! (Collateral Cinema is an LCompany Production. Intro song is a license-free beat by @DarkSunn. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don’t sue us; we’re poor!)

Title: Eraserhead [Wikipedia] [IMDb] Director: David Lynch Producer: David Lynch Writer: David Lynch Stars: Jack Nance, Charlotte Stewart, Allen Joseph, Jeanne Bates Release date: March 19, 1977 SHOWNOTES: Hello to all in the world of movie geekdom! Collateral Cinema is back with a journey into the world of seminal mindfuck director David Lynch's (@DAVID_LYNCH) 1977 powerhouse experimental art film debut, Eraserhead. This is the penultimate midnight movie, and it has mystified moviegoers for more than a few generations; hosts Beau and Rob were fascinated by the staunchly dreamlike atmosphere, claustrophobic sound design, creepy cinematography, harrowing set design, and the many different theories and interpretations cinemaphiles have hurled at this deep, penetrating work. We truly, truly love this flick, and we invite you to come with us on a journey through a dream of dark and terrible things! Collateral Cinema is on Apple Podcasts, Chill Lover Radio, Podcoin, and wherever else you get your podcasts. Also, support us on Patreon, where you can find exclusive full-length commentaries on our favorite movies! (Collateral Cinema is an LCompany Production. Intro song is a license-free beat by @DarkSunn. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don’t sue us; we’re poor!)

Title: Death Proof [Wikipedia] [IMDb] Director: Quentin Tarantino Producers: Quentin Tarantino, Robert Rodriguez, Elizabeth Avellán, Erica Steinberg Writer: Quentin Tarantino Stars: Kurt Russell, Rosario Dawson, Vanessa Ferlito, Jordan Ladd, Rose McGowan, Sydney Poitier, Tracie Thoms, Mary Elizabeth Winstead, Zoë Bell Release date: April 6, 2007 SHOWNOTES: Welcome back, Collateral Cinema listeners! Today, we celebrate 320 all-time downloads on Podbean by reviewing and analyzing our first Quentin Tarantino flick, his 2007 love letter to the horror/slasher & carsploitation genres of film, Death Proof, and as awesome as it is, it's still considered Tarantino's worst flick ever, even by the man himself. Host Robert Ortegon chose this movie, and host Beau Maddox joins him as they discuss the amazing camerawork and stunt driving, delve into the character development and dynamics between both groups of women, explain the technical aspects of the vehicles used in the movie, tackle Tarantino's idiosyncratic writing style, and try to determine where everything went wrong with the critical/audience reception to the film. Join our discussion in the comments section! Collateral Cinema is on Apple Podcasts, Chill Lover Radio, Podcoin, and wherever else you get your podcasts. Also, support us on Patreon, where you can find exclusive full-length commentaries on our favorite movies! (Collateral Cinema is an LCompany Production. Intro song is a license-free beat by @DarkSunn. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don’t sue us; we’re poor!)

Title: The Room [Wikipedia] [IMDb] Director: Tommy Wiseau Producer: Tommy Wiseau Writer: Tommy Wiseau Stars: Tommy Wiseau, Juliette Danielle, Greg Sestero, Philip Haldiman, Carolyn Minnott Release date: June 27, 2003 SHOWNOTES: Oh hai Collateral Cinema fans! We've been anticipating this episode for a while now, and we're totally excited to dive straight into Tommy Wiseau's (@tommywiseau) legendary 2003 so-bad-it's-awesome alleged “drama" film, The Room! Host Beau Maddox introduced this fine film to fellow host Robert Ortegon, and we totally nerded out on the insane writing, paradoxical acting, legendarily awesome quotes/scenes, amazingly stilted characters, random plot holes, outrageous sex scenes, and the man/myth/legend himself, Tommy Wiseau! So join us for a wonderfully nostalgic and hilarious outing with us, as we also look into James Franco's 2017 homage to the production of this glorious film, The Disaster Artist, as well! And never forget: chocolate is totally the symbol of love!!! (Correction: the actress who plays Lisa is actually named Julliette Danielle, not Julliette Daniels. Also, please excuse the audio on the intro song; we will fix it ASAP!) Collateral Cinema is on Apple Podcasts, Chill Lover Radio, Podcoin, and wherever else you get your podcasts. Also, support us on Patreon, where you can find exclusive full-length commentaries on our favorite movies! (Collateral Cinema is an LCompany Production. Intro song is a license-free beat by @DarkSunn. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don’t sue us; we’re poor!)

Title: Foodfight! [Wikipedia] [IMDb] Director: Lawrence Kasanoff Producers: George Johnsen, Lawrence Kasanoff, Joshua Wexler Writers: Lawrence Kasanoff (story & screenplay), Joshua Wexler (story), Sean Catherine Derek (screenplay), Brent Friedman (screenplay), Rebecca Swanson (screenplay) Stars: Charlie Sheen, Wayne Brady, Hilary Duff, Eva Longoria, Larry Miller, Christopher Lloyd Release date: June 15, 2012 (UK) SHOWNOTES: Hello Collateral Cinema listeners! Due to extenuating circumstances, Beau, Robert, and the guys are taking a breather this episode cycle. But fear not: we have new content for your earholes! On this exclusive, free-this-time-only episode, we give Lawrence Kasanoff's Foodfight! the reaming it so definitely deserves. We take on every single bit of shoddy writing, questionable casting decisions, and infinitely quotable scene of awkward silliness! So join us in real time for this free episode; future commentaries will be for patrons only! We thank all our patrons for their support; more commentaries and other content will be arriving here very soon, so stay tuned for more from Collateral Cinema, the only movie podcast that matters! (Collateral Cinema is an LCompany Production. Intro song is a license-free beat by @DarkSunn. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don’t sue us; we’re poor!)

Titles: Super Troopers [Wikipedia] [IMDb], Super Troopers 2 [Wikipedia] [IMDb] Director: Jay Chandrasekhar Producer: Richard Perello Writer: Broken Lizard Stars: Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, Erik Stolhanske, Brian Cox, Marisa Coughlan, Rob Lowe (Super Troopers 2) Release date: February 15, 2002 (Super Troopers); April 20, 2018 (Super Troopers 2) SHOWNOTES: What up, stoners? Collateral Cinema is back with Part 2 of our 4/20 Holiday Special, where hosts Beau and Robert head out to our local cinema on #420day to witness the first run release of Broken Lizard's brand new sequel to the 2001 police/stoner comedy Super Troopers. We had a blast getting blazed out and watching Super Troopers 2 for this episode, and we also have a lot of fun discussing both films, as well as the rest of Broken Lizard's filmography. In the discussion part of the episode, we give a short breakdown of the first film, talk about our overall experience seeing ST2 at the movies, and we give a spoiler-free review of the new movie! So come with us, as we go down the rabbit hole that is Super Troopers 2! Collateral Cinema is on Apple Podcasts, Chill Lover Radio, Podcoin, and wherever else you get your podcasts. Also, support us on Patreon, where you can find exclusive full-length commentaries on our favorite movies! (Collateral Cinema is an LCompany Production. Intro song is a license-free beat by @DarkSunn. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don’t sue us; we’re poor!)

Title: How High [Wikipedia] [IMDb] Director: Jesse Dylan Producers: Pamela Abdy, Danny DeVito, James Ellis, Shauna Garr, Michael Shamberg, Stacey Sher Writer: Dustin Abraham Stars: Method Man, Redman, Obba Babatundé, Lark Voorhies, Mike Epps Release date: December 21, 2001 SHOWNOTES: Happy 4/20, Collateral Cinema fans! Hosts Beau, Robert, and Joseph smoked an immense amount of sweet cheeba in order to bring you our first annual 4/20 Holiday Special, and we decided to discuss a movie that is near and dear to us for many, many reasons: Jesse Dylan's 2001 cult stoner/buddy/college movie How High, starring Method Man (@methodman), and Redman (@therealredman). We get super-baked as we discuss the memorable characters, hilarious situations, solid casting, funny performances, and copious amounts of dank that was consumed to bring you this incredibly funny and goodhearted stoner movie! Also, this will be a two-part celebration of #420day, as we'll be doing our first "At the Theater" review of Broken Lizard's brand-new stoner sequel, Super Troopers 2. So gather round, roll up ten or twenty blunts, and light that shit, smoke that shit, pass that shit!!! Collateral Cinema is on Apple Podcasts, Chill Lover Radio, Podcoin, and wherever else you get your podcasts. Also, support us on Patreon, where you can find exclusive full-length commentaries on our favorite movies! (Collateral Cinema is an LCompany Production. Intro song is a license-free beat by @DarkSunn. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don’t sue us; we’re poor!)

Our Fiftieth Episode Extravaganza is our longest episode ever! We answer your questions! We answer our questions! We talk about library fines, reading parties, stats, and much more. You can download the podcast directly, find it on Libsyn, or get it through iTunes, Stitcher, Google Play, Spotify, or your favourite podcast delivery system. In this episode Anna Ferri | Meghan Whyte | Matthew Murray | Jessi Here are the Bingo cards you can download! (And yes, Matthew did choose the Halloween theme for these because of course he did.) The Questions: What are your actual library jobs? Why did you start the podcast? British Columbia Library Association Readers’ Advisory Interest Group How are your genres selected? Current genre list The Readers’ Advisory Device What is the usual process for making the podcast? How do you do it from two different countries? How long does it take? We could not find the “um ah” file. Sorry! Matthew’s mom says through email: “Hi, I enjoy listening to your podcasts especially when you go off topic a little. I never realised that Librarians are professional READERS. I am amazed that you have to read so much and so widely. I also enjoy your individual tweets about the trials of being a librarian.” Kifty ask on Twitter: “What would Vespidae's favourite book be? Follow-on question: Would it be scratch 'n' sniff?” Jon Newell’s blog The crazy map Caleb asks on Facebook: “What’s the one trope in reading a book/graphic novel/media consumption vehicle that completely turns you off?” Vikki asks on Facebook: “Are there some approaches you have that are good at helping readers narrow down what they might like to try next?” Walden100 asked in an iTunes review: “since you are all librarians maybe you could talk about the difference between Canada/US in a future episode?” Idea Stores in the UK Who is the tallest/shortest podcaster? Do you think the book club has worked to make you better at Readers Advisory? How do you hope it is helping others to become better at Readers’ Advisory? What’s with that weird tone you use when editing in other content? Does your utter lack of feedback on the podcast make you feel like you’re shouting out into the void? 1% rule (Wikipedia) What genre/type of book are irresistible to you? Tell me more about these mythic reading parties? How do I throw one? Do I have to shush people if they talk? What genres do you dread having show up? What do you do when you’re not reading? What was your favorite reading experience from bookclub so far? Why are your email and website address so weird? Iskra - sekcija za ljevičarsku intelektualnu misao i aktivizam Have you appeared on any other podcasts? S.S. Librarianship Episode 22 ("You should keep writing things!"): Matthew talked about zines and why they should be in libraries. Episode 44 ("A child was more likely to get Infinite Jest... or Lady Chatterley's Lover."): Matthew talked about Raspberry Pi computers and maker spaces. Episode 66 ("It's this great love story - between a girl and her rocket ship."): Anna and Matthew talked about their experiences at the 2015 ALA Conference in San Francisco, and conferences in general. Episode 76 ("Open Source Toasters..."): Matthew talked about X-Men comics. Circulating Ideas - Episode 127: Matthew talks about various library things Meanwhile... Back at the Comic Book Shop: Blog vaguely connected to Matthew’s old radio show How do you feel about your iTunes reviews? Where are the samples in your intro from? Teen Titans Go Perversion for Profit Puffy Ami Yumi - Teen Titans Theme Why did you pick that song as your theme song? To Arrakis by DarkSunn from the Free Music Archive Stats!  Our special guests were (in order): Sam Mills, Jorge Cardenas, Inti Dewey, Jon Newell, and RJ Edwards. Questions Should we do a year or nothing but romance genres? Announcements   Anna and Matthew will be tabling at Grid Zine Fest, April 14, 2018 in Salt Lake City   Check out our Pinterest board and Tumblr posts, follow us on Twitter, join our Facebook Group, or send us an email! Join us again on Tuesday, April 17th when our genre will be Essay Collections! Then come back on Tuesday, May 1st when we’ll talk about the idea of Separating the Art from the Artist.

Title: Hardcore Henry [Wikipedia] [IMDb] Director: Ilya Naishuller Producers: Timur Bekmambetov, Inga Vainshtein Smith, Ilya Naishuller, Ekaterina Kononenko Writer: Ilya Naishuller Stars: Sharlto Copley, Danila Kozlovsky, Haley Bennett, Svetlana Ustinova, Tim Roth Release date: April 8, 2016 (US) SHOWNOTES: Greetings, Collateral Cinema fans! Today, we turn to our cohost Frankie Avila to choose our featured film, and let's just say he threw us a curveball: Ilya Naishuller's groundbreaking first-person action/sci-fi flick Hardcore Henry. This one was a bit challenging, folks; host Beau Maddox found the movie a bit boring near the end, yet Frankie made his case for the daring stuntwork, innovative directing/cinematography, and the sheer originality of it all. Join us, as we unpack everything there is to see in this crazy Russian-American production! Note: due to technical difficulties, we were unable to include any movie clips or music from this film. We will have our full production back in time for our 4/20 episode featuring How High. Collateral Cinema is on Apple Podcasts, Chill Lover Radio, Podcoin, and wherever else you get your podcasts. Also, support us on Patreon, where you can find exclusive full-length commentaries on our favorite movies! (Collateral Cinema is an LCompany Production. Intro song is a license-free beat by @DarkSunn. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don’t sue us; we’re poor!)

Title: Margam Director: Aurélia Marine Producers: Louis Bernard, Alessandro De Marco Writers: Louis Bernard, Aurélia Marine Stars: Louis Bernard, Mitchell Snell, Lucy Ford Release date: 2015 SHOWNOTES: Welcome back movie nerds! We're excited to bring you the first in what will hopefully be many mini-episodes focusing on independent filmmaking. Our featured short film comes to us by way of Mr. Louis Bernard (@louisgbernard), called Margam; an atmospheric horror/suspense flick that really impressed us with its minimalist tone, solid acting/writing, and gorgeous cinematography. This short took our breath away, and we're sure it'll do the same for you! Collateral Cinema is on Apple Podcasts, Chill Lover Radio, Podcoin, and wherever else you get your podcasts. Also, support us on Patreon, where you can find exclusive full-length commentaries on our favorite movies! (Collateral Cinema is an LCompany Production. Intro song is a license-free beat by @DarkSunn. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don’t sue us; we’re poor!)

Title: Halloween [Wikipedia] [IMDb] Director: John Carpenter Producer: Debra Hill Writers: John Carpenter, Debra Hill Stars: Donald Pleasence, Jamie Lee Curtis, P. J. Soles, Nancy Loomis Release date: October 25, 1978 SHOWNOTES: With the dawn of a new era in the Halloween franchise slowly creeping upon us, Collateral Cinema hosts Beau, Rob, and Frankie hearken back to the origin of everyone's favorite masked implacable killer by analyzing and discussing John Carpenter's 1978 horror breakthrough, Halloween. We discuss the overall history of the franchise, the impact the $300,000 budget had on the story, the stellar acting of Donald Pleasence and Jamie Lee Curtis, the upcoming reboot helmed by Danny McBride and Carpenter himself, and the overall cultural impact this movie had on the horror and slasher genres. Come for the terror, stay for the discussion! Collateral Cinema is on Apple Podcasts, Chill Lover Radio, Podcoin, and wherever else you get your podcasts. Also, support us on Patreon, where you can find exclusive full-length commentaries on our favorite movies! (Collateral Cinema is an LCompany Production. Intro song is a license-free beat by @DarkSunn. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don’t sue us; we’re poor!)

Title: Foodfight! [Wikipedia] [IMDb] Director: Lawrence Kasanoff Producers: George Johnsen, Lawrence Kasanoff, Joshua Wexler Writers: Lawrence Kasanoff (story & screenplay), Joshua Wexler (story), Sean Catherine Derek (screenplay), Brent Friedman (screenplay), Rebecca Swanson (screenplay) Stars: Charlie Sheen, Wayne Brady, Hilary Duff, Eva Longoria, Larry Miller, Christopher Lloyd Release date: June 15, 2012 (UK) SHOWNOTES: On the inaugural episode of Collateral Cinema Movie Podcast, hosts Beau Maddox, Joseph Cantu, and Robert Ortegon subject themselves to the disastrous 2012 CGI-animated shit-fest Foodfight! We marvel at the shoddy animation, half-finished audio mixing, inexplicable casting choices, and wholly uncomfortable sexual innuendo throughout the whole film. This one was painful, folks: join us, as we go toe-to-toe with this blatant act of product placement and utter hubris! Collateral Cinema is on Apple Podcasts, Chill Lover Radio, Podcoin, and wherever else you get your podcasts. Also, support us on Patreon, where you can find exclusive full-length commentaries on our favorite movies! (Collateral Cinema is an LCompany Production. Intro song is a license-free beat by @DarkSunn. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don’t sue us; we’re poor!)

Title: Audition (オーディション Ōdishon) [Wikipedia] [IMDb] Director: Takashi Miike Producers: Satoshi Fukushima, Akemi Suyama Writer: Daisuke Tengan (screenplay), Ryu Murakami (novel) Stars: Ryo Ishibashi, Eihi Shiina Release date: March 3, 2000 (Japan) SHOWNOTES: On the pilot episode of Collateral Cinema Movie Podcast, hosts Beau Maddox and Joseph Cantu take on the disturbingly effective 1999 horror/romance/drama flick Audition by Japanese cinema master Takashi Miike. We explore Miike's filmography, discuss the crazier side of Japanese extreme cinema, tackle the intense themes of familial vs. romantic love throughout the film, and just all-around analyze this fascinating work. Collateral Cinema is on Apple Podcasts, Chill Lover Radio, Podcoin, and wherever else you get your podcasts. Also, support us on Patreon, where you can find exclusive full-length commentaries on our favorite movies! (Collateral Cinema is an LCompany Production. Intro song is a license-free beat by @DarkSunn. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don’t sue us; we’re poor!)

Serg Rodriguez hasn’t seen his family in years. He was excommunicated by their church and grew apart from his parents and siblings. But now as a writer in Nashville, his little sister is never far from his mind. Without warning, she troubles his thoughts and finds here way into everything he puts on paper. In this episode, we find out how family rejection has actually helped Serg to better understand unconditional love. And then Nashville poet Ciona Rouse turns Serg’s story into an original poem. Credits: Editing and production by Tony Gonzalez, hosting and editing by Joshua Moore. Additional editing assistance: Emily Siner, Blake Farmer, Anita Bugg, Susannah Felts, Katie McDougall, & J. Joseph Kane. The show is mastered by Carl Pedersen. The music is by The Ampersand Posture, with additional tracks by Coolzey, and DarkSunn. Versify is a production of Nashville Public Radio and PRX. Stories and poems are gathered with the help of The Porch, Nashville's nonprofit literary center.

Nadia interviews Julia Arredondo, 30, a Chicago-based printmaker and owner of Vice Versa Press and Curandera Press. She opens up about her art, spirituality, and Corpus Christi roots. Check out Julia’s work at viceversapress.com, curanderapress.info, or on Instagram and Etsy. Additional music this week by Jahzarr and DarkSunn

The American Health Care Act is finally here! Music via the the Free Music Archive under Creative Commons licensing. Today’s music by Broke For Free, Evil Bear Boris, Blue Dot Sessions, Shake That Little Foot, The Joy Drops, and Darksunn. Show image via Flickr under Creative Commons licensing. This modified image by Don...The UpNorth Memories Guy... Senate Republicans have released their amendment to the already passed House bill - also known as TRUMPCARE. The bill is part of the “repeal and replace” campaign promise made by Donald Trump to eliminate the Affordable Care Act also referred to as Obamacare. The Congressional Budget Office or CBO is the independent group charged with scoring the bill to see what kind of collateral damage we are looking at. Their score is expected to be released in the final week of June, but things already don’t look very good. The CBO had already warned that the House version of the bill which Donald “nobody knew healthcare could be so complicated” Trump creamed his jeans f0r, would potentially throw 23 million Americans off of insurance. While the Affordable Care Act actually expanded Medicaid to most states, the Republican bill all but eliminates it while giving massive tax breaks to corporations and billionaires. The bill is so unpopular that 4 Republicans have already come out in opposition to its passing. This act of GOP mutiny is being led by Rand Paul of Kentucky, Ron Johnson of Wisconsin, Mike Lee of Utah, and Texas’ very own Ted Cruz. I can’t believe I’m about to say this, but if Ted Cruz thinks it’s bad for America then it must be reaaaallly fucked up. Because that’s like the shadiest car salesman ever telling you that all the cars on the lot are real lemons. Go. Run. A quick comment about Obamacare - when surveyed, a vast majority of people were in favor of the “Affordable Care Act” but when referred to as “Obamacare” many were adamantly opposed - EVEN THOUGH IT IS THE SAME LAW. Which leads me to believe that humans be FICKLE WITH THE DETAILS. While Obamacare was never perfect. I mean far, far from perfect, it is the best thing to happen to American’s health care since the invention of diet and exercise. Good things like not kicking a person off of insurance for being sick with a pre-existing condition. Fortunately, though perhaps too little, too late, many American’s are keen to this as promises to repeal the Affordable Care Act have resulted in overflowing town halls of angry people in motion - democracy in action - to Republican members of congress letting them know they are “displeased” with their representatives. And why wouldn’t they be? The new measure would not allow insurance companies to boot recipients off of insurance for pre-existing conditions, but if there is EVER a gap in coverage… oh boy, oh boy - to charge those same unfortunate souls seeking coverage astronomical amounts of money to punish them into better health, like luring a starving animal with a loaf of stale bread, only to beat it with it upon arrival. Of course the bill doesn’t eliminate Medicaid - it just guts it from the inside like a child told on Christmas morning that they were an unwanted pregnancy. NOBODY WANTS YOU BILLY! WHY DON’T YOU RUN AWAY AND JOIN A PETTING ZOO! Politicians can’t simply come out and say, “To the wonderfully average people of the great state of (fill in state name here) - my billionaire friends who fund my campaign each election have asked me to kill Medicaid. They said this so-called entitlement is rather inconvenient during this time of immense profitability for the most opulent and affluent among thee.” What they do instead is de-fund, de-fund, de-fund, mismanage and de-fund until citizens come and beg them to kill it off. This is essentially the Republican’s mantra. Step one: Place clowns in administrative positions. Step two: gut funding. Step three: Pop popcorn. Step four: Prepare lotion and Kleenex. Step five: Roll cameras. Ewww.. sounds sticky. But it is always darkest before the dawn. The California Senate just passed SB- 562, a single-payer health care bill called the Healthy California Act. Sometimes called “Medicare for all” a single-payer system is what is used in most other developed countries. SOCIALISTS! It means, there is one bill - and it goes directly to the government. If it sounds expensive, it’s because it is. Remember, “nobody knew healthcare would be so complicated” - or expensive! So we must ask the question - how the hell does California plan to pay for this cost saving measure? And how dare they? WAIT, WHAT??? That’s right, California plans to SAVE 8% on overall costs with a 2.3% tax on businesses. “The tyrannical government at it again - coming after small businesses!” Well, hold on there, Paul Revere. The first $2 million of every business is exempt, so my guess is this wouldn’t apply to you. California guesses it would apply to only 20% of you. So the richest and biggest businesses. “Oh, that poor Wal-Mart. How will they ever afford it with their low, low prices? And Mr. Mc-a-Donald? How is a dollar menu to remain a dollar menu in such times?” California will also set a 2.3% sales tax, offset by a 2% tax credit for the poorest families. So as California is actually ramping up its plan to save its taxpayers BILLIONS OF DOLLARS, we need to drop the façade that somehow having a single-payer, government ran healthcare system would be more expensive, because the numbers do not reflect this truth. These must be the same mathematicians hired by Creationists. “Hmmm let’s see, 5000 years ago for the bronze age (Jesus’ favorite metal btw)… 12,000 for natives in the Americas… 33,000 for cave art… 40o,ooo for stone spear hunting… weird plants, dinosaur bones - 120 million.. 240 million… 440 million, … Hallelujah! Earth is 6000 years old.” And just when you thought this message didn’t apply to Democrats, think again! Senator Cory Booker, a man of the people, a David to Goliath, a Sonny to our Cher - just sided with Republicans to stop a measure allowing the importation of cheaper drugs from Canada. Why? I don’t know, but I can tell you it’s probably part of his interview process for his next job: pharmaceutical lobbyist. Classy bastard. So people are worried American health care is going to get more expensive? Well, not only do the numbers not pan out, but American health care per capita is already the MOST EXPENSIVE HEALTH CARE SYSTEM IN THE WORLD. And not by a little bit. By a lot. Like Usain Bolt 100 meter sprint competitions against Stephen Hawking - lot. But not forever. Professor Hawking has you exactly where he wants you, Bolt. So if American spends the most, it’s care should be the best, right? WRONG! Because, it’s also consistently rated as ONE OF THE WORST HEALTH CARE SYSTEMS IN THE WORLD. And I mean that from the most objective place in my cold, lifeless, snow-flaky, libtard heart. The US consistently ranks as one of the worst systems in terms of efficiency when comparing life expectancy vs cost of care. We spend a whopping 18% of GDP on health care. While it’s true, the average American life span, though not the best at all, is still high 70s - this does you no good if every time you come back from the hospital you have a heart attack when you open your bill. So the good news? We are doing better than Russia. The bad news? According to Bloomberg, we rank 50 out of 55 in efficiency. Now, that doesn’t exactly mean life expectancy, even though maybe that’s how we should measure it. Let’s just keep with the status quo for arguments sake and treat every human like a number. One reason costs are so much more affordable in places like France and Germany is because the government will aggressively bargain with hospitals, medical providers, insurance companies, and pharmaceuticals. Remember that human turd, Martin Skrelli? He’s the guy that bought the Epipen and jacked up the price by a billion percent, because “fuck you”. That shit doesn’t happen in other countries? Why not? Because they have laws against that type of crap. So here’s a poem to help you remember which countries are better than us: Hong Kong and Singapore, man you know they’re first on the list, but them little shits is city states - and so I think you get the gist. Spain, South Korea, and Japan all made it to the top 5, One has massive unemployment but still manages to keep you alive. Mazel Tov in Israel even though we pay their military bills But it’s Emirates in the Middle East that’s healthcare really kills. Greece is in depression, a recession - but still livin' nice and old. Hell even Canada’s better, maple syrup mofos must be always cold. Mexico is filled with dead journalists run by gangs, murderers and drugs, but even they make our pharmacist lobbyists look like a flock of 3rd world thugs. For those keeping score at home, that means the US is stuck in a rut, between our Northern and Southern friends who no longer give a fuuuuu. Maybe they’ll get sessions wall-building lesson commies over in China, where you have better luck to find a doctor to examine your lady’s vagina. Former soviet Romania has more than bandaids in this rap, Apparently Malaysia too, but I can’t even find them mother fuckers on a map. Turkey is on its way to dictatorship but still better than Peru, even those terrorist-lovers in Iran have a working ICU. SAUDI ARABIA can cut off your neighbor’s head, and still give him a doctor when he’s clearly dead! Libya had great health care before the US screwed with it, bread is now harder to find anywhere, but the healthcare is still legit. In Ecuador, Belarus, or Serbia, you can find a nurse who plays the tuba, but the country with the most doctors are the sons of bitches down in Cuba. There’s a list of countries with healthcare better than the US of A, just remember that the next time you got medical bills to pay. Net Neutrality Day July 12th, mo-fers. Graphs and visual aids and shit are all available for this shit online. Google at it, dog. The United States is the most expensive country on the list, and also one of the worst upon delivery. Spending 18% of GDP, the second most spent by a country is a very distant Sweden at 12%. And in third place, Germany - where I just happen to have lived for the last 4 years. So I may be able to provide some insight on this topic. I pay about 25-30% of my paycheck in taxes. Is that a lot? Hell yes it’s a lot! But in reality it really ain’t much more than you pay right now in the states. Go look at your tax return. I’ll wait. I’m not gonna wait for you - this is a podcast. And what does that effectively mean in a country that spends over 10% of its GDP on healthcare? Well, instead of me telling you what a typical doctor’s visit is like. Let me instead offer you a reenactment of it. Forewarning, my German isn’t perfect so the grammar will not be the best. Deal with it. AND NOW… Gregory goes to the German Dr.’s office GREGORY: Hallo, Guten Tag. Ich habe mein Bein gebrochen. Es tut echt weh, und jetzt gibst Blut überall eure Boden. Es tut mir leid. Hello, good day. I have broken my leg. It really hurts, and now there is blood everywhere on your floor. I’m sorry. FRONT DESK: Grüß Gott. So es ist kein Notfall. Super. Haben Sie eine Versicherungskarte dabei? Greetings. So it is not an emergency. Super. Do you have an insurance card with you? GREGORY: Ja, natürlich! Was bin ich? Eine dumme Ami? Hier ist es. Of course! What am I? A dumb American? Here it is. FRONT DESK: Toll. Sitzen Sie bitte in unser Wartezimmer. Great. Have a seat in the waiting room. Fünf Minuten Später Five Minutes Later FRONT DESK: Herr Haddock, der Arzt wird Sie jetzt in Zimmer eins sehen. Mr. Haddock, the doctor will now see you in room #1. GREGORY: Boah! Das war richtig schnell! Wow! That was really fast! FRONT DESK: Ach! Ja Klar! Was denken Sie? Dass sind wir jetzt in Amerika? Ach! Of course! What do you think? That we’re in America? ARZT: Hallo, Herr Haddock - was ist genau der Problem? Hello Mr. Haddock - what is the problem exactly? GREGORY: Ich habe mein Bein gebrochen. Können Sie es reparieren? I broke my leg. Can you fix it? ARZT: Gott im Himmel nicht! Des ist ein Arzt Büro, kein Unfallstation! Sie sind nicht nur Depp aber dämlich. Sie müssen direkt ins Krankenhaus gehen. Ich rufe Ihnen ein Krankenwagen sofort an. God in heaven no! This is a doctor’s office, not an emergency room. You are not only stupid, but also dumb. You need to go directly to the hospital. I will call you an ambulance immediately. GREGORY: Oh, dass weiß ich nicht. Es klingt echt teuer… Oh, I don’t know. That sounds expensive. ARZT: Ach, Quatsch! Wir sind in Deutschland, nicht ein Drecksloch wie Amerika. Nonsense! We’re in Germany, not some shithole like America. GREGORY: Hoppla! Ha ha - Sie haben Drecksloch gesagt! Whoa! Ha ha, You said shithole! ARZT: Wie Amerika! Like America! GREGORY: Hoppla!! LOLZ Whoa! LOLZ ARZT: Hier ist auch ein Rezept für Schmerz Tabletten. Sie werden die brauchen. Here is also a prescription for pain pills. You will need them. GREGORY: Oh, ist das teuer? Oh, is that expensive? ARZT: Nein, ist kostenlos! No, it’s free! GREGORY: Mein Besuch ist aber teuer, ja? But my visit is expensive right? ARZT: Nein, was ist los mit dir, du total bescheuerte außerordentliche dumme Mensch. No, what’s wrong with you? You totally, stupid, inordinately dumb person. GREGORY: OK! Danke, Dr! Ok, thank you, doctor! ARZT: Bitte! Schönen Tag noch! Your welcome! Have a nice day! END SCENE I have one more anecdote for you. I know an older German couple here quite well, and am very familiar with their medical situations. Last year, the older man had a heart attack. He had chest pains in the morning, and decided to go to the hospital. Being a tough SOB he first showered before going, because - have some self-respect for yourself. In fact, his wife was angry with him for not shaving too. When we visited him in the hospital the thing that really struck me as odd about the situation was how calm he was about it all. And then it hit me - he had already surgery, and I found that the doctor was unusually helpful and friendly. The first and only question this sweet old man had was this: “When can I mow the lawn again.” Can you believe that shit? The entire mood of the setting was nothing but jubilant over the prospect that this man needed urgent care - and RECEIVED IT IN A TIMELY MANNER. No more than he had received his needed care, had he begun to forget the situation altogether. It was a shining example of how a society ought to treat the people they claim are part of the national family. No concerns about bills, about the next time - no what ifs, buts, or regrets. You have pain, you come in. Finished. He’s got a list of prescriptions and a collection of drugs that would put Charlie Sheen to shame. Eat shit, Charlie Sheen! And when I asked him how much he pays for his medication he told me next to nothing. Sometimes he has to pay a 5 Euro co-pay, but that’s it. That’s like $6. Otherwise, he doesn’t lose a wink of sleep over the whole ordeal, and he gets the care he needs when he needs it. A stark contrast to a country that constantly reminds its citizens that they don’t work hard enough, can’t help but sell guns and drop bombs, and healthcare is a privilege, not a right. That somehow there is nothing immoral about asking Americans to pay significantly more for good insurance by treating access to healthcare the same as being able to afford healthcare. There is no greater shame than this. This wonderful old man is alive and well today, and yes, still mowing the lawn as often as humanly possible - and boy does the grass look sharp. He is not plagued with anxiety about the future to come, because he lives in a country that gives a shit. So while what little healthcare Americans do have is under attack, I urge you in a CALL TO ACTION. If you are a female senior citizen who is struggling with drug addiction to cope with depression while simultaneously concerned about family planning or you are concerned about HUMANS dealing with any or all of these issues  — you need to run, not walk - or perhaps get the neighbor boy to drive you to your elected representative’s office and tell him or her to drop this Trumpcare nonsense, and move to support a single-payer or medicare-for-all bill - because all that you hold near and dear is in the hands of a group of seedy politicians desperately eager to please their financiers by selling your healthcare to the god damn devil.

Welcome to Weird Web Radio! This episode features Miami Psychic and Medium Alexis Reyes. Alexis has a unique blend of skills with Tarot, Angel Cards, Psychic abilities, and Mediumship. She bravely shares her story of struggling with her gift in her youth, the mixed response of her parents, and her own spiritual journey to where she is today. It's a joy and honor to call her a friend now. Alexis is very open to contact. Here's where you can find her: Her main site - https://alexispsychicboutique.com/ Alexis on Instagram - https://www.instagram.com/psychicalexisreyes/ Show Notes: Intro voice over by Lothar Tuppan. Intro Music by Nine Inch Nails on the album ‘7’, song title ‘Ghost’, under Creative Commons License. Outro Music by Dark Sunn on the album ‘Mint’, song title ‘Hunt’, under Creative Commons License.

Surfers from South Africa, Brazil and Australia report from the beach and compare Gotham surf to their native waters. Music credit: “Hunt” by DarkSunn

Welcome to Weird Web Radio! I'm your host, Lonnie Scott. This episode features John Beckett! John was wonderful to interview. I had a hard time bringing it to an end while keeping a lot of questions on the table to explore. That means a part 2 in the future for sure. In fact, John and I discussed a possible episode I think many of you will enjoy if and when we find the time to put it together. Yeah, I know that's a little vague. Surprises must be surprises. John Beckett's own description from his blog: "I grew up in Tennessee with the woods right outside my back door. Wandering through them gave me a sense of connection to Nature and to a certain Forest God. I’m a Druid graduate of the Order of Bards, Ovates and Druids, the Coordinating Officer of the Denton Covenant of Unitarian Universalist Pagans and a former Vice President of CUUPS Continental. I’ve been writing, speaking, teaching, and leading public rituals for the past thirteen years. I live in the Dallas – Fort Worth area and I earn my keep as an engineer." John Beckett is a modern Pagan writer and Druid Priest that dares to go deeper with questions on spirituality, the Gods, how to worship, magic, morals and ethics, politics, and challenging our worldviews. We explore everything from breaking free from fundamentalist Christianity, Human Sacrifice, and hearing the Gods all the way to his own personal journey. I hope you enjoy the show! Here's some helpful links: John's blog - http://www.patheos.com/blogs/johnbeckett/ John's post about escaping fundamentalism - http://www.patheos.com/blogs/johnbeckett/2015/09/escaping-fundamentalism.html Wild Hunt's Review of John's book - http://wildhunt.org/2017/03/book-review-the-path-of-paganism-by-john-beckett.html John's Book The Path of Paganism on Amazon - https://www.amazon.com/Path-Paganism-Experience-Based-Modern-Practice/dp/0738752053 Show Notes: Intro voice over by Lothar Tuppan. Intro Music by Nine Inch Nails on the album ‘7’, song title ‘Ghost’, under Creative Commons License. Outro Music by Dark Sunn on the album ‘Mint’, song title ‘Hunt’, under Creative Commons License.  

Welcome to Weird Web Radio! This episode features author and journalist Matt Swayne. Matt researches and collects ghost stories unique to Rock and Country music. His early start began with University hauntings. He admits that he doesn't investigate the paranormal himself by ghost hunting. What Matt does in his research is in many ways collecting the living myths and retelling the tales. He preserves important parts of our folklore unfolding still today. Matt's books include America's Haunted Universities, Haunted Rock & Roll, and Ghosts of Country Music. We cover Led Zeppelin, Jim Morrison, Elvis, Robert Johnson, the 27 Club, Hank Williams, Johnny Cash, and so much more  Tune in and enjoy the show! Show Notes: You can find Matt on Facebook, Twitter, and at his own site. Intro voice over by Lothar Tuppan. Intro Music by Nine Inch Nails on the album ‘7’, song title ‘Ghost’, under Creative Commons License. Outro Music by Dark Sunn on the album ‘Mint’, song title ‘Hunt’, under Creative Commons License.

Welcome to Weird Web Radio! This episode features a couple Jersey Girls you'll instantly love! Meet Cyndi Myst (Mom) and Adriana Pasterchick (Daughter). These women have been investigating the paranormal for a number of years with combined experience and skills making them unique in the Ghost Hunting community. Their integrity shines through along with their humor. Join along as they take you on a ride through their experience investigating the things that go bump in the witching hour! Enjoy the show! Remember to rate, comment, and share the episode! You can find us on the main site, iTunes, Facebook, and Twitter! Cyndi on Twitter @para_cyn Adriana on Facebook JPI / Jersey Paranormal on Facebook & NJPRO site. The PRT+ Team on Facebook The Shanley Hotel Fan Page Show Notes: Intro voice over by Lothar Tuppan. Intro Music by Nine Inch Nails on the album '7', song title 'Ghost', under Creative Commons License. Outro Music by Dark Sunn on the album 'Mint', song title 'Hunt', under Creative Commons License.

Welcome to a special episode of Weird Web Radio! There's a Kickstarter campaign going on for a bad ass series of comic books based on the folklore of a haunted cemetery! This episode features Charles D. Moisant talking about art changing lives and real life places becoming art. He's out fundrasing the campaign to launch the Haunting Tales of Bachelor's Grove! This may sound familiar because our previous episode touched on the subject with writer Brian K. Morris. More about Charles from his mother ship: Charles D. Moisant, is a comic book artist, writer, and the creative director of Silver Phoenix Entertainment (a 100% female owned company). Charles has been publishing comic books since 1991, starting with Kremin. Silver Phoenix Entertainment works with many artists, printing comic titles like Myth Told Tales by Robert Asprin and Jody Lynn Nye, Mystery Manor Haunted Theatre, and Whispers from the Void. Charles is also known for his Roller Derby Drama, which is loosely based on the Chicago Outfit Roller Derby Team. Charles can usually be found on his roller skates at Silver Phoenix Entertainment promoting some of the newer titles such as 'Whispers from The Void' where all monsters are reflections of the Seven Deadly Sins. Philo Barnhart is drawing the second issue. Some of his works currently in production include 'Zombie Annihilation’, where Doctor Zarvin is working with local heroes from Chicago to save the world from zombies; 'Danni and Dayna in Dino World' in which two Woman: IDA DANNI, a modern day military refueling pilot, and Dayna Onli, an African-American woman from Chicago 1902, are trapped 65 million years ago. Working against them are intelligent dinosaurs, lizard people, and the Atlantians a space-faring race who are stealing the world’s only major resource: Magik; and 'Thunder World' a story about three giant robots and a giant monster learning how to work with each other and saving the world, which is being written by him and Doug Rice of Dynamo Joe. His lates title is the History of Police of American™ Charles currently operates out of Silver Phoenix World Headquarters at a secret location in the greater Chicagoland area, preparing for a D-Day style, full frontal assault on the comic industry. Enjoy the show! Stay Weird, my friends!   Find Charles and company at silverphoenix.net   Join the kickstarter campaign at kickstarter.com/projects/charles-d-moisant/haunting-tales-of-bachlors-grove-first-of-6-comic   Help the History of Police campaign here gofundme.com/historyofpolice   Show Notes:   Intro voice over by Lothar Tuppan. Intro Music by Nine Inch Nails on the album '7', song title 'Ghost', under Creative Commons License. Outro Music by Dark Sunn on the album 'Mint', song title 'Hunt', under Creative Commons License.

A Partir Desse Dia - DarkSunn; Theory - 6V Battery Matrix; Liber Mysteriorum - Oz Alchemist, Sia, We Are One - Graham Bole; Geeknotes: 15th Amendment, 2/21 - Not my Sheriff! Not my President! No more Deportations!, 2/26-City Arts & Lectures: Edward Snowden & Daniel Ellsberg @ Nourse Theater, 2/28-Carnaval San Francisco in the Mission; Practice - 6V Types, 6 vs 12V; Hunt - DarkSunn

I have been wanting to do this for a long time, but somehow the opportunity only arrived now. This week’s show is a Monster Jinx special! Monster Jinx is a Portugal/Internet-based label specialised in hip-hop and electronic music. They are also an artist collective, and identify themselves as an indie label, having dropped their first record back in 2009. In the last few years, they managed to grab the attention of the Portuguese media, get some airplay on national radio stations and play at big festivals. Despite these big achievements, they remain humble and focused on putting out great music. With an enviable roster of MCs and producers, Monster Jinx are a great example of how Creative Commons licenses can boost the reach of a work, and how releasing music for free doesn’t mean a product is any less appealing. If you’re a regular listener of the show, you probably know at least part of their work by now, as I have been a long time supporter of their work. In the last few years, I have been uploading a great part of their music to WMP’s curator collection at Free Music Archive. Putting Lisbon’s great weather to good use, I sat down with Darksunn (co-founder, manager and do-it-all) to find out more about how the label started, why they picked Creative Commons as their licencing system, the challenges ahead and their strategy for the future. For the first time in White Market Podcast’s history, this interview was actually recorded on location, which may explain some of the sound issues on this episode. Nonetheless, please sit back and enjoy the vibes of the purple monster. Darksunn – Sidestep NO FUTURE – NOMONO MONEY Monstro Robot – Gata Borralheira (feat. Pulso) Monster Jinx – Venera o Diabo (Faz Festas a Gatinhos) J-K – Despedida Pulso – Estalo os Dedos All the tracks are available under a CC BY-NC-SA licence. I will be posting the list of background music tracks soon.

Correndo o risco de sermos acusados de “racismo musical”, convidámos o colectivo Monster Jinx (aqui representados pelo Darksunn e pelo J-K) a juntar-se a nós para mais uma conversa boa onda. Fala-se daquelas coisas bonitas: a vida, o amor e o myspace. Também há um espaço para os assuntos mais virais da semana, que vão […]

  In a podcast where we set out to read every genre (regardless of our actual interest) we are hit with a doozy for our first episode: Historical Romance. Listen to hosts Anna Ferri, Meghan Whyte, Amanda Wanner, Sam Mills, and Matthew Murray discuss royal marines, princesses, pirates, concubines, and far too many rakes and dukes.  Your Hosts This Episode Anna Ferri | Meghan Whyte | Amanda Wanner | Sam Mills | Matthew Murray Historical Romances We Read (or kinda): Recommended Marrying the Royal Marine by Carla Kelly The Constant Princess by Philippa Gregory The Other Boleyn Girl The Boleyn Inheritance The Countess Conspiracy by Courtney Milan The Iron Duke by Meljean Brook *Steampunk* Not Recommended Winterblaze by Kristen Callihan Destiny’s Captive by Beverly Jenkins The Virgin’s Lover by Philippa Gregory My Fair Concubine by Jeanne Lin Did Not Finish Awful free kindle books like Sea Scoundrel by Annette Blair (not recommended) 9 Rules to Break when Romancing a Rake by Sarah MacLean A few more books we mentioned A Week to be Wicked by Tessa Dare Tipping the Velvet by Sarah Waters The Professor’s Daughter by Joann Sfar, Emmanuel Guibert The Clan of the Cave Bear by Jean M. Auel Bear by Marian Engel Other Links The article we read on the alpha male The Book Riot list Meghan selected from Good recommendations on how to read romance for the first time The Most exciting cleaning company in Vancouver Regencies vs Regency Historical Romance - Which is more historical and less “sexy times”? Historical Romance set in Mayan and Aztec eras The (absurdly) complete notes from our Book Club meeting Questions Where do you buy sheepskin condoms? Well, you can search for that yourself. Our theme music is To Arrakis by DarkSunn, found on the Free Music Archive.