Podcasts about Dictaphone

Send us a textThe last time I interviewed Josh Carter of Phantogram was in 2010, before this site was even a podcast. It was one of the first interviews I ever did, and Carter mentioned the author Breece D'J Pancake. The name stood out, of course, but it took a while for me to read about Pancake's tragic backstory. Then more songwriters started mentioning him in interviews, so I finally read his book, and wow. Incredible. This time, Carter and Sarah Barthel join me on the podcast to talk about their decidedly old-school writing process. We talk about Barthel's collection of analog typewriters, Carter's use of his Dictaphone, and how we just need more time to be bored. Yes, we sound like three cranky old people railing against the impact tech has on creativity. But I'll take that any day as long as Phantogram continues to make such good music. Phantogram's latest album Memory of a Day is out now.

62+ Hours of  CrimeFirst a look at this day in History.Then Boston Blackie starring Dick Kollmar, originally broadcast August 6, 1946, 78 years ago, Fixed Court Case.  Blackie joins the Jerry Williams gang to break up a mob that covers its crimes by intimidating witnesses. Followed by Jeff Regan Investigator starring Frank Graham and Frank Nelson, originally broadcast August 6, 1950, 74 years ago, There's Nothing Like a Pork Chop When Supper Rolls Around. A Dictaphone tells too much and a leggy blonde tells too little.Then Dangerous Assignment starring Brian Donlevy, originally broadcast August 6, 1949, 75 years ago, Millionaire Murders.  Steve flies to Paris to investigate the murders of several millionaires. Followed by Under Arrest starring Joe DeSantis, originally broadcast August 6, 1950, 74 years ago, The Willing Victim Report.  Police Captain Jim Scott's fight against crime! The story of a con game and how a beautiful racketeer preys on the manager of an airport, leading to murder!Finally Superman, originally broadcast August 4, 1941, 83 years ago, Dr. Roebling and The Voice Machine.  Superman captures Jack Roebling and his wife.Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day. 

Today I talked to Benjamin Breen about his book Tripping on Utopia: Margaret Mead, the Cold War, and the Troubled Birth of Psychedelic Science (Grand Central, 2024). The generation that survived the second World War emerged with a profoundly ambitious sense of social experimentation. In the '40s and '50s, transformative drugs rapidly entered mainstream culture, where they were not only legal, but openly celebrated. American physician John C. Lilly infamously dosed dolphins (and himself) with LSD in a NASA-funded effort to teach dolphins to talk. A tripping Cary Grant mumbled into a Dictaphone about Hegel as astronaut John Glenn returned to Earth. At the centre of this revolution were the pioneering anthropologists - and star-crossed lovers - Margaret Mead and Gregory Bateson. Convinced the world was headed toward certain disaster, Mead and Bateson made it their life's mission to reshape humanity through a new science of consciousness expansion, but soon found themselves at odds with the government bodies who funded their work, whose intentions were less than pure. Mead and Bateson's partnership unlocks an untold chapter in the history of the twentieth century, linking drug researchers with CIA agents, outsider sexologists and the founders of the Information Age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today I talked to Benjamin Breen about his book Tripping on Utopia: Margaret Mead, the Cold War, and the Troubled Birth of Psychedelic Science (Grand Central, 2024). The generation that survived the second World War emerged with a profoundly ambitious sense of social experimentation. In the '40s and '50s, transformative drugs rapidly entered mainstream culture, where they were not only legal, but openly celebrated. American physician John C. Lilly infamously dosed dolphins (and himself) with LSD in a NASA-funded effort to teach dolphins to talk. A tripping Cary Grant mumbled into a Dictaphone about Hegel as astronaut John Glenn returned to Earth. At the centre of this revolution were the pioneering anthropologists - and star-crossed lovers - Margaret Mead and Gregory Bateson. Convinced the world was headed toward certain disaster, Mead and Bateson made it their life's mission to reshape humanity through a new science of consciousness expansion, but soon found themselves at odds with the government bodies who funded their work, whose intentions were less than pure. Mead and Bateson's partnership unlocks an untold chapter in the history of the twentieth century, linking drug researchers with CIA agents, outsider sexologists and the founders of the Information Age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today I talked to Benjamin Breen about his book Tripping on Utopia: Margaret Mead, the Cold War, and the Troubled Birth of Psychedelic Science (Grand Central, 2024). The generation that survived the second World War emerged with a profoundly ambitious sense of social experimentation. In the '40s and '50s, transformative drugs rapidly entered mainstream culture, where they were not only legal, but openly celebrated. American physician John C. Lilly infamously dosed dolphins (and himself) with LSD in a NASA-funded effort to teach dolphins to talk. A tripping Cary Grant mumbled into a Dictaphone about Hegel as astronaut John Glenn returned to Earth. At the centre of this revolution were the pioneering anthropologists - and star-crossed lovers - Margaret Mead and Gregory Bateson. Convinced the world was headed toward certain disaster, Mead and Bateson made it their life's mission to reshape humanity through a new science of consciousness expansion, but soon found themselves at odds with the government bodies who funded their work, whose intentions were less than pure. Mead and Bateson's partnership unlocks an untold chapter in the history of the twentieth century, linking drug researchers with CIA agents, outsider sexologists and the founders of the Information Age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Today I talked to Benjamin Breen about his book Tripping on Utopia: Margaret Mead, the Cold War, and the Troubled Birth of Psychedelic Science (Grand Central, 2024). The generation that survived the second World War emerged with a profoundly ambitious sense of social experimentation. In the '40s and '50s, transformative drugs rapidly entered mainstream culture, where they were not only legal, but openly celebrated. American physician John C. Lilly infamously dosed dolphins (and himself) with LSD in a NASA-funded effort to teach dolphins to talk. A tripping Cary Grant mumbled into a Dictaphone about Hegel as astronaut John Glenn returned to Earth. At the centre of this revolution were the pioneering anthropologists - and star-crossed lovers - Margaret Mead and Gregory Bateson. Convinced the world was headed toward certain disaster, Mead and Bateson made it their life's mission to reshape humanity through a new science of consciousness expansion, but soon found themselves at odds with the government bodies who funded their work, whose intentions were less than pure. Mead and Bateson's partnership unlocks an untold chapter in the history of the twentieth century, linking drug researchers with CIA agents, outsider sexologists and the founders of the Information Age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Today I talked to Benjamin Breen about his book Tripping on Utopia: Margaret Mead, the Cold War, and the Troubled Birth of Psychedelic Science (Grand Central, 2024). The generation that survived the second World War emerged with a profoundly ambitious sense of social experimentation. In the '40s and '50s, transformative drugs rapidly entered mainstream culture, where they were not only legal, but openly celebrated. American physician John C. Lilly infamously dosed dolphins (and himself) with LSD in a NASA-funded effort to teach dolphins to talk. A tripping Cary Grant mumbled into a Dictaphone about Hegel as astronaut John Glenn returned to Earth. At the centre of this revolution were the pioneering anthropologists - and star-crossed lovers - Margaret Mead and Gregory Bateson. Convinced the world was headed toward certain disaster, Mead and Bateson made it their life's mission to reshape humanity through a new science of consciousness expansion, but soon found themselves at odds with the government bodies who funded their work, whose intentions were less than pure. Mead and Bateson's partnership unlocks an untold chapter in the history of the twentieth century, linking drug researchers with CIA agents, outsider sexologists and the founders of the Information Age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Today I talked to Benjamin Breen about his book Tripping on Utopia: Margaret Mead, the Cold War, and the Troubled Birth of Psychedelic Science (Grand Central, 2024). The generation that survived the second World War emerged with a profoundly ambitious sense of social experimentation. In the '40s and '50s, transformative drugs rapidly entered mainstream culture, where they were not only legal, but openly celebrated. American physician John C. Lilly infamously dosed dolphins (and himself) with LSD in a NASA-funded effort to teach dolphins to talk. A tripping Cary Grant mumbled into a Dictaphone about Hegel as astronaut John Glenn returned to Earth. At the centre of this revolution were the pioneering anthropologists - and star-crossed lovers - Margaret Mead and Gregory Bateson. Convinced the world was headed toward certain disaster, Mead and Bateson made it their life's mission to reshape humanity through a new science of consciousness expansion, but soon found themselves at odds with the government bodies who funded their work, whose intentions were less than pure. Mead and Bateson's partnership unlocks an untold chapter in the history of the twentieth century, linking drug researchers with CIA agents, outsider sexologists and the founders of the Information Age. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to Benjamin Breen about his book Tripping on Utopia: Margaret Mead, the Cold War, and the Troubled Birth of Psychedelic Science (Grand Central, 2024). The generation that survived the second World War emerged with a profoundly ambitious sense of social experimentation. In the '40s and '50s, transformative drugs rapidly entered mainstream culture, where they were not only legal, but openly celebrated. American physician John C. Lilly infamously dosed dolphins (and himself) with LSD in a NASA-funded effort to teach dolphins to talk. A tripping Cary Grant mumbled into a Dictaphone about Hegel as astronaut John Glenn returned to Earth. At the centre of this revolution were the pioneering anthropologists - and star-crossed lovers - Margaret Mead and Gregory Bateson. Convinced the world was headed toward certain disaster, Mead and Bateson made it their life's mission to reshape humanity through a new science of consciousness expansion, but soon found themselves at odds with the government bodies who funded their work, whose intentions were less than pure. Mead and Bateson's partnership unlocks an untold chapter in the history of the twentieth century, linking drug researchers with CIA agents, outsider sexologists and the founders of the Information Age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/drugs-addiction-and-recovery

Today I talked to Benjamin Breen about his book Tripping on Utopia: Margaret Mead, the Cold War, and the Troubled Birth of Psychedelic Science (Grand Central, 2024). The generation that survived the second World War emerged with a profoundly ambitious sense of social experimentation. In the '40s and '50s, transformative drugs rapidly entered mainstream culture, where they were not only legal, but openly celebrated. American physician John C. Lilly infamously dosed dolphins (and himself) with LSD in a NASA-funded effort to teach dolphins to talk. A tripping Cary Grant mumbled into a Dictaphone about Hegel as astronaut John Glenn returned to Earth. At the centre of this revolution were the pioneering anthropologists - and star-crossed lovers - Margaret Mead and Gregory Bateson. Convinced the world was headed toward certain disaster, Mead and Bateson made it their life's mission to reshape humanity through a new science of consciousness expansion, but soon found themselves at odds with the government bodies who funded their work, whose intentions were less than pure. Mead and Bateson's partnership unlocks an untold chapter in the history of the twentieth century, linking drug researchers with CIA agents, outsider sexologists and the founders of the Information Age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Quoi de neuf chez Apple ? Les résultats financiers d'Apple Safari 18 et l'IA (lien) iOS 18 : Nouveau Siri dopé à l'IA (lien) iOS 18 : Notes et Dictaphone traiteraient l'audio et le texte à coup d'IA (lien) Apple préparerait bien des serveurs à base de M2 Ultra pour des fonctions IA d'iOS 18 (lien) Les stickers Apple, c'est fini ! Apple présente ses excuses pour la pub "Crush !" (lien) Nouveautés Apple : iPad Air, iPad Pro et Apple Pencil Pro Nouveaux iPad Air 11 et 13 pouces M2 Nouveaux iPad Pro 11 et 13 pouces M4 Nouvel Apple Pencil Pro La fin des iPad Lightning Baisse du prix de l'iPad 10 (439 € au lieu de 589 €) Le dossier de Mat Steve Jobs & Bill Gates (lien) L'Histoire de Windows et macOS (lien) La réflexion personnelle du mois Audrey : LOOT sur Apple TV+, avec Maya Rudolph (lien) Mat : Clarkson à la Ferme sur Prime Video (lien) Comment nous soutenir ? ➡️ ⁠Faire un don pour soutenir notre podcast⁠ Merci beaucoup pour vos dons ❤️

In the summer of 1914, someone shot through the window of a Long Island doctor's office, killing a woman inside. When investigators found a dictaphone installed inside the office, they began to suspect the doctor's jealous wife, who claimed to have been upstairs the evening in question. When the wife's alibi changed her testimony, Americans had to decide whether to believe the jealous wife or the black maid who contradicted her. Who was the woman in white seen outside the doctor's office just before Lulu Bailey was murdered?For Magic Mind's limited offer that gets you up to 48% off your first subscription or 20% off one-time purchases, use code OLDBLOOD20 at checkout.You can claim it at: https://magicmind.com/oldblood Sources:“Freeport History Encyclopedia.” Freeport Memorial Library. https://libguides.freeportlibrary.info/c.php?g=494599&p=3384485Hamilton, Marybeth. When I'm Bad, I'm Better: Mae West, Sex, and American Entertainment. (Berkeley: University of California Press, 1997).Kemp, Kathryn W. “‘The Dictograph Hears All': An Example of Surveillance Technology in the Progressive Era” The Journal of the Gilded Age and Progressive Era. Vol. 6, No. 4. October 2007. Pp. 409-430Philibert-Ortega, Gena. “Investigating the Murder Mystery of Louise Bailey with Newspapers.” Genealogy Bank. 28 June, 2013. https://blog.genealogybank.com/investigating-the-murder-mystery-of-louise-bailey-with-newspapers.htmlSelnes, Bill. “George Morton Levy Lawyer.” Mysteries and More From Saskatchewan. 3 August, 2016. https://mysteriesandmore.blogspot.com/2016/08/george-morton-levy-lawyer.htmlNewspapers:The New York Times (July 1914- May 1915)The Day Book. 20 October, 1914The Evening World. 8 May 1915The Medford Mail Tribune. 5 May 1915The Tacoma Times, 29 May 1915Music: Credits to Holizna, Fesilyan Studios & Virginia ListonFor more information, visit www.oldbloodpodcast.com

Today, we cover chapters 79-82 of The Running Grave. We discuss Farah Navabi's Dictaphone interview with Kevin Pirbright, Dev's latest update about Robin, and the Manifestation of the Drowned Prophet. Next episode (April 18): Chapters 83-87 Links: https://fartingsofafaculty.blogspot.com/2023/10/notes-on-running-grave-re-listen-part.html https://x.com/badly_wired/status/1768338570266230787 www.thesefilespod.com www.ko-fi.com/thesefilespod www.facebook.com/thesefilespod www.twitter.com/thesefilespod http://thesefilespod.tumblr.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/thesefilespod/message

Release Date: October 09, 2014A man is found murdered in his room with a dictaphone in the closet.Original Air Date: June 4, 1946Support the show monthly at patreon.greatdetectives.netSupport the show on a one-time basis at http://support.greatdetectives.net.Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netCheck out all our social media links and connect with us at http://www.greatdetectives.net

When I graduated from law school in the late 1980s, there was no internet, no email, and fax machines were widely in use.  I used a Dictaphone to generate correspondence and had an assistant to transcribe the tapes.  While working remotely was possible because of the telephone, going into an office was the norm. In the intervening years, the rate of technological change has been truly astounding.  And while the internet, email, and social media have continued that evolution, in my opinion, the explosion of AI in the practice of law has been the most significant change in my lifetime. Never before has it been easier to run a practice as a solo.  The array of tools for research, communication, analysis, and drafting are replacing human labor. I've always been interested in technology and while I do try to keep up, technology is not my major. So I've invited Colin Levy to talk about the state of the art in legal tech in the practice of law. Colin S. Levy is a lawyer and legal tech author and speaker. Throughout his career, Colin has seen technology as a key driver in improving how legal services are performed. Because his career has spanned industries, he witnessed myriad issues, from a systemic lack of interest in technology to the high cost of legal services barring entry to consumers. Now, his mission is to bridge the gap between the tech world and the legal world, advocating for the ways technology can be a useful tool for the lawyer's tool belt rather than a fear-inducing obstacle to effective legal work.  Colin is the author of The Legal Tech Ecosystem which discusses the development of the legal tech ecosystem over the past two decades, and how legal technology can help lawyers work more efficiently.  In addition, he is the editor of the Handbook of Legal Tech. A few years ago, I began seeing Colin come up a lot more in my LinkedIn feed and I realized that is was time to sit down with him and pick his brain! In this episode we discuss his overall philosophy about the use of technology in the law, his book, the Legal Tech Ecosystem, the biggest obstacles the legal industry faces when it comes to adopting new technology, and his role at Malbek. Additional Resources Episode 120-Scaling Your Law Firm with AI Episode 107-ChatGPT and Trends in Legal Marketing Technology-with Jared Correia

http://beaubfm.org/emissions/benevoles/le_dictaphone/426_homme_soja.mp3 - a priori c'est une bonne solution pour le contrôle des naissances - avec la montée de l'extrême droite ça risque être interdit - et la femme quinoa on en parle ? - bah l'homme steak ça sonne pas ouf non plus - pas de genre pas de problème de genre 03/01/2024 Dyade, avenir et nutrition : le Dictaphone se demande si l'homme-soja n'est pas LA solution. GROUPE Titre Album The Undertones Male Model The Undertones Nuit Rouge Supermâle Limoges Punx 2 Matchbox Stérilité, Sérénité Une Carrière En Plomb Algernon Cadwallader Yo Soy Milk Some Kind of Cadwallader Future of the Left The Male Gaze How to Stop Your Brain in an Accident Millionaire Alpha Male Paradisiac Francis Bebey La Condition Masculine African Electronic Music 1975-1982 The Beta Band Human Being (Radio Edit) Best Of Ulrika Spacek Beta Male The Album Paranoia sosojaja

Dictaphone Blues are playing at a music festival soon, their singer Ed called up to chat about the lack of blues in their set, and why he's looking forward to seeing Fazerdaze on stage. See omnystudio.com/listener for privacy information.

Some Items of Supporting Evidence - transcript of Dictaphone recordings found in the house of Mr Michael Dalby The previous episodes can be behind Doors 12, 14, 22, 25 and 28

Some Items of Supporting Evidence - transcript of Dictaphone recordings found in the house of Mr Michael Dalby --- Send in a voice message: https://podcasters.spotify.com/pod/show/hypnogoria/message

Today on the show, Steven and Shaun discuss the evolution of Braille devices following our recent conversation with Adi Kushner from Access Mind. Dan writes in with questions about the long-term viability of a device such as the Optima laptop and queries about long-term support from companies like Orbit and Vispero. Also, there's news of a new online Braille learning tool called Braille Brain from American Printing House for the Blind. Listener Lena shares her thoughts. And there's more of your feedback, in particular around the different and varying dictaphone devices we have available to us as people who are blind. Graham from Toronto shares his thoughts on the Wilson Recorder, while Greg in Pennsylvania suggests that the much-discussed Olympus DM-770 and DM-720 are two similar, but different devices. Check out more about the Braille Brain course here: https://www.aph.org/product/braille-brain/ Check out more about the Wilson Recorder here: https://getawilson.com Get in touch with the Double Tappers and join the conversation: Email: feedback@doubletaponair.com Call: 1-877-803-4567 (Canada and USA) / 0204 571 3354 (UK) X (formerly Twitter): @BlindGuyTech / @ShaunShed Mastodon: @DoubleTap

Today's guest on The Dream Dinner Party is Donal Skehan who is so much fun and who has been on Desert Island Dishes before – a few years ago but defiitrly worth having a listen to his main episode as it's a goodie. I think he was in the very early days when I just turned up with basically a little Dictaphone recorder and hoped for the best. Donal has a new book out called Home Kitchen and honestly Donal's books are really great – I don't know how he does it, I tried to get him to give me all his secrets but instead I did persuade him to tell us all about his dream dinner party and this is a very fun one. I'm also going to be posting Donal's Little Black Book on instagram which is a new little feature we are trying out and I thought might be fun so keep an eye out for that and show it some love if you like it.You are listening to our side dish: The Dream Dinner Party. This is the mini episode where we invite a guest to tell us all about their dream dinner party. This is a game I know a lot of people have played on long car journeys or maybe first dates so it's really fun to sit down with a different guest each week and hear who they would invite and what they would serve. You're allowed to invite 4 people – anyone you want, and I think it's impossible to listen without thinking of your own answers!Thank you for listening!Find us on Instagram @desertislanddishes Hosted on Acast. See acast.com/privacy for more information.

Episode 107 Crosscurrents in Early Electronic Music of Norway Playlist Arne Nordheim, “Epitaffio” (1963) for orchestra and tape from Nordheim, Alfred Janson, Bjørn Fongaard – Response: Electronic Music From Norway (1970 Limelight). Limelight release with the delightful painting of flying ears on the cover, includes the same tracks as the original Philips release from 1968 on the Prospective 21e Siècle label. The electronic sound material on the tape are taken from the end of the performance, but played during the opening section. It fuses the acoustic instruments and voices with electronics, filtering and speed changes. This recording is 10:15 Alfred Janson, “Canon” (1964) for chamber orchestra and tape from Nordheim, Alfred Janson, Bjørn Fongaard – Response: Electronic Music From Norway (1970 Limelight). Limelight release with the delightful painting of flying ears on the cover, includes the same tracks as the original Philips release from 1968 on the Prospective 21e Siècle label. In this piece, two tape recorders were used in performance. The first records for about four minutes and the, half a minute later, begins to play back what was recorded. The second tape recorder begins to record after the first tape machine ends, and then plays back what was recorded after another half minute, creating, in a sense, the structure of a canon. 12:27 Arne Nordheim, “Response I” (1966) for 2 percussion groups and tape from Nordheim, Alfred Janson, Bjørn Fongaard – Response: Electronic Music From Norway (1970 Limelight). Limelight release with the delightful painting of flying ears on the cover, includes the same tracks as the original Philips release from 1968 on the Prospective 21e Siècle label. Two percussionists respond to electronic sounds such as filtered white noise, sine waves and the filtered sounds of organ and metallic clanging distributed throughout the score. 18:09 Björn Fongaard, “Homo Sapiens” (1966) for magnetic tape from Poul Rovsing Olsen • Thorkell Sigurbjörnsson • Arne Mellnäs • Björn Fongaard – Nordiska Musikdagar 1968 Nordic Music Days Vol.3 (1969 His Master's Voice). Realized at the Norsk Riksringkastings studio, Oslo. 9:20 Bjørn Fongaard, “Galaxy” for 3 electric guitars in quarter-tones from Nordheim, Alfred Janson, Bjørn Fongaard – Response: Electronic Music From Norway (1970 Limelight). Limelight release with the delightful painting of flying ears on the cover, includes the same tracks as the original Philips release from 1968 on the Prospective 21e Siècle label. The electronic part makes use of audio filtering, changing tape speed, and editing to treat some unorthodoxed playing on the guitar. 12:05 Kåre Kolberg, “Keiserens Nye Slips - Electronic Music” from Kåre Kolberg – Contemporary Music From Norway (1980 Philips). A foray in computer composed music synthesis realized in the Electronic Music Studios in Stockholm using a PDP 15/40 computer; it was programmed in the EMS-1 computer language developed in the same studio. 9:54 Jan Bang, “Artificial Reeves” from from Narrative From The Subtropics (2013 Jazzland). Norwegian release of the Norweigian electronic musician and composer Jan Bang. Akai Sampler, MPC 3000 Sequencer, Dictaphone, Synthesizer, Jan Bang. 3:05 Jan Bang, “Funeral Voyage” from Narrative From The Subtropics (2013 Jazzland). Akai Sampler, MPC 3000 Sequencer, Dictaphone, Synthesizer, Jan Bang; Bass, Eivind Aarset; Guitar, Eivind Aarset; Synthesizer, Erik Honoré; Trumpet, Nils Petter Molvær. 5:26 Jan Bang, “Melee of Suitcases” from Narrative From The Subtropics (2013 Jazzland). Akai Sampler, MPC 3000 Sequencer, Dictaphone, Synthesizer, Jan Bang; Piano, Electronics, Dai Fujikura; Vocals, Sidsel Endresen. 4:03 Safariari, “Fetsild” from This Is The Cafe Superstar Beat Vol. 2 (2002 Café 2001 Records). Electronic music project of Jon Furuheim. 2:16 Remington Super 60, “RS60 And Milano In Space (Remix)” from This Is The Cafe Superstar Beat Vol. 2 (2002 Café 2001 Records). Electronic pop rock group, from Fredrikstad, Norway, founded late 1998. 6:07 Opening background music: Arne Nordheim, “Caliban's Warning” (excerpt) from The Tempest (Suite From The Ballet) (1980 Philips). An abrupt moment of electronic sound blended into the instrumentation. The electronic realization was done in the Studio Eksperymentalne, Warsaw, Poland. The Tempest was commissioned by the Schwetzinger Festival and first performed by Ballet Rambert at the Rokokotheater, Schwetzingen on 3. May 1979. 7:35 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

Avez-vous déjà interviewé une IA

In this episode of the WFLS podcast, we chat with Barney Chunn. Barney is the Co-founder and COO of CONQA.

Introducing our new mini episode...it's a little after dinner something to keep you going through the week. It's The Dream Dinner Party. It's short and sweet, just one simple question. Each week we will have a different guest guiding us through their Dream Dinner Party. They are allowed 4 guests, they can be dead or alive and of course we want to know why they will be invited. They're going to be talking us through their dream dinner party menu, what will their dream guests be feasting on and what will they drink?I'm so excited for this and our first guest sharing her dream dinner party is the wonderful Esther Coren. It only felt fitting to have Esther as our first Dream Dinner Party guest as she was my very first guest on Desert Island Dishes before I had a single listener and so that felt like a fun full circle moment. Thank you Esther for being so generous with your time – and for taking a chance on me and my little Dictaphone that I plonked on the floor between us. Esther is a fantastic writer, she's so witty and I just love her writing . She has a brilliant Substack which you should all subscribe to and can find here. Do make sure you're subscribed to catch all episodes of The Dream Dinner Party and Desert Island Dishes. Thank you so much for listening, bye!Find us on Instagram and Tiktok @desertislanddishes Hosted on Acast. See acast.com/privacy for more information.

Releases from Ernie Menehune, Mr Moai and the Tiki Heads, music from Rubin Stein & the Dictaphone, John Zorn, Te Vaka, The Tradewinds Orchestra and more.

http://beaubfm.org/emissions/benevoles/le_dictaphone/405_vocal_fry.mp3 - Et pouquoi les rappeurs on a l'impression qu'ils ont une patate dans la bouche ? - Et pourquoi bébé ils chialent pareil mais apprès ça change ? - Et c'est quoi le débit mitraillette ? - Et il y aurait ps un style Dictaphone ? - Et le trash-talking ? 08/02/2023 Vocal fry, ASMR, growlers, comment gémir à la mode ? GROUPE Titre Album Fergus & Geronimo Girls With English Accents Unlearn Room 204 Fire Bass Trans Panda Queens Of The Stone Age Go With The Flow Songs For The Deaf [Europe] Delinquent Habits Southern Accent Merry Go Round Ugly Duckling Slow The Flow Bang For The Buck Corbeaux The Light Has A Voice Kind Words Potobello Bones Power Of Their Voice Eden On Earth Let Us Just Call It Abstract So Many Voices, Not Enough Ears Travel Diary Of A Sentimental Dinosaur TrashTalking show

You started your business because you're fab at what you do, not to post daily content…that just came with the territory. Marketing expert Louise Gregson Williams walks you through how to make content creation more natural and fun to do rather than having it be yet another chore on your endless to-do list. Tune in for 10 tips on how to remove the pressure from consistent content creation.(10:59) “The stuff that doesn't go well for you are the things that people really want to know about in your content. They don't always want to know the shiny, glossy story of your amazing business. They want to know how you got there.”3 ways to start removing the pressure from consistently creating content (tune in for more tips):1. Dictaphone for rapid content creation: by speaking your content into your phone's recorder, you're able to create content where you sound more natural…bonus: it's also much faster!2. Reactive and proactive content, merged: set aside an afternoon each month to map our your month's content. Don't over plan, just make some notes on what you want to discuss this month. This way, you'll have a  “reactive element as well as that proactive planning” and you'll be able to “be a little bit more flexible if something happens in the industry”.3. Outfit changes and procrastination: “if you can't be bothered to get changed into loads of different outfits, don't put yourself under loads of undue pressure or use it as a reason for why you're not recording.” (08:58)  LinksConnect with Louise Gregson Williams: LinkedIn | Instagram | Discovery CallContent Planning Wizard - beat the blank content planner!If your general reaction to posting on social media is 'I HAVE NOTHING TO SAY' then it's time to turn yourself into a content creation wizard in this 2.5 hour masterclass + extras.You'll learn what things to talk about so that you don't run out of ideas and what channels to prioritise for your business.This content planning class gives you the kit to plan like a pro and is completely tailored to what is realistic for you and your business...You're going to be set-up for success so that you can create stop-the-scroll content to keep you in your customers' minds. YAY!Includes:2.5 hour action planning session f2f (if in Devon) or onlineA content planning template you can use every monthThe rest of your month planned outMy secrets for where to find ideasAll the tools I use to create contentWhatsApp check-in and support when you need it for 2 weeks afterwards30 min check in online to troubleshoot any questions you havetranscripts and recordings**SPECIAL OFFER** For ‘Build a brand with Rosie Parsons' listeners you can get this for the 2022 price of £345+VAT if you book your session before 28 February 2023. Email louise@leapthirtytwo.com for more info or book a free half hour discovery call about this or any of my other programmes – let's chat!WIN! Leave a podcast review and win a 1:Connect with Rosie on socials!LinkedInInstagramAnd if you're a woman in business who loves colour find out more about personal branding shoots on Rosie's photography website!

Jess Gillam is joined in the studio by countertenor Hugh Cutting to share the music they can't get enough of. Hugh's choices include the voices of Barbra Streisand, Anthony Rolfe Johnson, and Glen Campbell. Jess brings soundscapes by Anders Hillborg and Dictaphone, and a reimagining of Benjamin Britten's 'Concord' by cellist Matthew Barley. Playlist: Vivaldi - Bassoon Concerto in E Minor, RV 484: III. Allegro [Sergio Azzolini (bassoon) Ensemble L'aura Soave Cremona] Michel Legrand – A Piece of Sky (from Yentl) [Barbra Streisand] Anders Hillborg – Violin Concerto No.1 [Anna Lindal (violin), Swedish Radio Symphony Orchestra, Esa-Pekka Salonen] Vaughan Williams – On Wenlock Edge: Bredon Hill [Anthony Rolfe Johnson (tenor), Graham Johnson (piano), Duke Quartet] Dictaphone – Nr. 12 Bernstein – Candide Overture [Leonard Bernstein, New York Philharmonic] Glen Campbell – Wichita Lineman Britten – Concord [Matthew Barley]

Dictaphone Blues have released a new song called Soothe The Muse, their front man Ed called up to introduce it and discuss the recent reunion of his old band Degrees K in Christchurch. Was that it or will they reunite again? See omnystudio.com/listener for privacy information.

In this Roots of Reality Experiences episode, historian Ben Baumann talks with Russian musician Anton Makarov about his journey as an independent musician in Russia, the meaning of music, and making music in a changing world. (Anton Makarov is a Russian musician, composer, multi-instrumentalist, and producer who has performed all over Europe. He started participating in various groups since 2010, before starting a solo career in 2015. Since 2020, Makarov has been the lead singer of his new Russian band Dictaphone.) Website- http://www.antonmakarov.net/ Instagram- https://www.instagram.com/anton.mkrv/ Spotify- https://open.spotify.com/artist/1on1Tdmb3hL3sz9fwtxMSQ YouTube- https://www.youtube.com/channel/UCehNibIR0TIp4xn1njQbzkw Dictaphone Instagram- https://www.instagram.com/dictaphoneband/ Dictaphone Spotify- https://open.spotify.com/artist/3yNbvqQ9ZfmJQJh53AzIXu Dictaphone YouTube- https://www.youtube.com/channel/UC4Rd-YZleUBLxyQqLq6MzGQ If you like the podcast, leave a review at: podcasts.apple.com/us/podcast/root…ty/id1466338710 Follow Roots of Reality on Social Media: Facebook- facebook.com/RootsofReality Twitter- twitter.com/_RootsofReality Instagram- instagram.com/rootsofreality/?hl=en YouTube- youtube.com/channel/UCvmG6sKFW9…isable_polymer=true (The memories, comments, and viewpoints shared by guests in the interviews do not represent the viewpoints of, or speak for Roots of Reality)

http://beaubfm.org/emissions/benevoles/le_dictaphone/387_ananas.mp3 - Après si ça trouve la sexualité en Islande est nulle - Tu parle c'est un coup des marketeux du costa rica pour en vendre plus - Laisse moi deviner faudrait qu'il soit bio aussi ? - Une fois que t'as changer ton odeur de transpi, ton haleine et le gout de tes lèvres c'est la suite logique - Avec leur loi hygiéniste dans 5 ans on interdit l'échange de fluide corporel alors... - Bizarrement c'est toujours un truc exotique qui fait ça, genre c'est jamais le topinambour ou le rutabaga GROUPE Titre Album B Boys Taste For Trash 0 The Blood Brothers Trash Flavored Trash Crimes Sloy Spermadelic Electrelite Mush Fruits of the Happening 0 Shame Tasteless Songs of Praise Olaf Hund peche-ananas Kitch kitch Bananas At The Audience Not Physically Into The House Of Slumber Heliogabale Juicy Fruit Blood ananananananananas

http://beaubfm.org/emissions/benevoles/le_dictaphone/239_vieux_a_30ans.mp3 -réalisée à l'occasion des 30 de ta radio associative, qui en a maintenant 35-

http://beaubfm.org/emissions/benevoles/le_dictaphone/169_combien_moncheri_pour_etre_soul.mp3

Thanks for joining Jill Baughan today on Finding Joy ...No Matter What. Make a Joy Box for Someone You Care About: https://jillbaughan.com/joy-box/ Ducharme, Jamie. “Being Bored Can Be Good for You--If You Do It Right. Here's How,” Time.         January 4, 2019.  https://time.com/5480002/benefits-of-boredom/ “How a Dictaphone and Other Vintage Office Transcription Machines Worked.” https://clickamericana.com/topics/money-work/the-all-new-dictaphone-time-master-1958 Robinson, Bryan, PhD. “Why Scientists Say ‘Boredom Is Good for Your Brain's Health.'” Forbes. September 2, 2020. https://www.forbes.com/sites/bryanrobinson/2020/09/02/why-neuroscientists-say-boredom-is-good-for-your-brains-health/?sh=41433fb11842 Zomorodi, Manoush. “How Boredom Can Lead to Brilliant Ideas.” TedTalk, April 2017. https://www.ted.com/talks/manoush_zomorodi_how_boredom_can_lead_to_your_most_brilliant_ideas Connect with Jill: Facebook ~ Instagram ~ Twitter ~  Website

Tonight's edition features some beautiful, droney tunes from Fennessz, Sunda Arc, GWFAAS, Pjusk, Earn, Dictaphone, Penguin Cafe, Billow Observatory and plenty more! It's an early spring…

Dans cet épisode de Pimp My Mind je vous explique en quoi s'enregistrer avec son dictaphone peut aider dans son processus de guérison.

„Vardai ir garsai“ šiandien skelbia žinią apie islandų grupės „Sigur Ros“ sugrįžimą, po šešerių metų pertraukos nauju albumu nudžiuginusius džiazo chuliganus „Sheep Got Waxed“, į Vilnių atvykstančius įstabius vokiečius „Dictaphone“ ir daug kitų artėjančiu pavasariu kvepiančių naujienų. Laidos vedėjas – Ramūnas Zilnys

Kane, Thom and Aaron have years of experience between them of helping hundreds of entrepreneurs and businesses start, scale and monetise their podcasts. On this episode they discuss the various setups you can use to record your podcast, from full studio setups to small, portable equipment and which they have found are the best quality for cost. They also demonstrate all the dos and don'ts of microphone technique, room set up, and even what you should be wearing and how you should wear your hair while recording! KEY TAKEAWAYS Don't stick to one way of doing remote interviews. We recommend cleanfeed, but there are other browser-based recording apps like zencastr and riverside.fm or you can use Skype or Zoom. Be flexible, if your guest doesn't know how to use Zoom, for example, use something they do know how to use it'll make them more comfortable. There are multiple set ups you can use to record from a full studio setup to a portable rig that you can set up anywhere. The Zoom H1N is a great portable audio device that comes with a lavalier microphone that you clip onto your shirt. It's basically a really good quality Dictaphone. If you're recording out and about using this, make sure you use a pop shield to reduce wind noise. Dynamic microphones like the Behringer XM8500 are robust and durable, condenser microphones like the Behringer C1 are very sensitive to movements and electronic noise. These are all XLR microphones, not USB. The Zoom PodTrak P4 is a compact, affordable, portable recorder unit that makes it really easy to capture audio and can record audio direct from a phone as well as USB mics and plugs into your PC via a USB and becomes, essentially, a USB microphone on your PC. It also splits the audio streams from separate mics/devices so they don't interfere with each other, hopefully making editing easier. Boom are stands are better than tripod desk stands as they can be moved closer to you depending on whether you stand or sit far away from your desk. Moving the mic as close to your face as you can helps to reduce background sound and keep audio quality high. Make sure you're recording in a quiet room with lots of soft furnishing to break up the sound, rather than a kitchen or bathroom which has a lot of reflective, hard surfaces. You can even record from under the cover on your bed or sofa cushions. However, if you're recording from a location and want some background sound to add atmosphere, go for it, but acknowledge it and set the scene but make sure your voice is being picked up more loudly than the background sound. BEST MOMENTS ‘You definitely need a pair of headphones, no matter how good quality, because you won't be able to monitor the quality of your recording otherwise.' ‘As long as you're close and present while using a Behringer C1 it won't pick up background noise.' ‘You'll never need a 3-metre-long XLR cable, 1-1.5m is more than enough. And you get what you pay for, so don't buy cheap.' ‘Rhode NT1 and Blue Yeti are good, but more expensive than they should be. Samson Q2U USB/XLR mics are better value.' ‘The Double Ds: Distance and Direction are key to audio quality. Keep close to the mic and talk into the microphone, not into the side or the top.' VALUABLE RESOURCES Website Instagram ABOUT THE HOSTS Kane Baron, Thom Luter & Aaron Nelson manage over 100 live podcasts Including Rob Moore, Kevin Clifton, Shaa Wasmand & more.  Helping Entrepreneurs Launch, Scale & Monetise their podcast for over 7 years. CONTACT METHOD Website Instagram Email   Click Here to find out more about Starting a Podcast!: https://progressivemedia.uk/ See omnystudio.com/listener for privacy information.

http://beaubfm.org/emissions/benevoles/le_dictaphone/229_chat_envahisseur.mp3 Toutes ces questions que tu te poses -même si tu ne le sais pas encore- le Dictaphone t'aide à y répondre en musique puisque tous les artistes qui jouent de la musique à l'intérieur de l'oeuvre radiophonique on un lien avec le thème de la semaine. Quand j'y pense en fait, le Dictaphone c'est la solution à tout tes problèmes: retour de l'être aimé, fortune, fertilité, allongement du pénis, taille réel du terrain de foot dans Olive et Tom. Emission présenté par un dictaphone Pearlcorder S992 microcassette recorder de chez Olympus et dj Cartable, un faux dj qui sait pas mixer mais avec de vrais morceaux de musique dedans. fichier petit chat

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Poet and activist Warsan Shire grew up in London. She is the author of the collections Teaching My Mother How to Give Birth (flipped eye, 2011), Her Blue Body (flipped eye, 2015), Our Men Do Not Belong to Us (Slapering Hol Press and Poetry Foundation, 2015), and Bless The Daughter Raised By A Voice In Her Head (Random House, forthcoming 2021). Her poems have appeared in journals and magazines, including Poetry Review, Wasafiri, and Sable LitMag; in the anthologies Salt Book of Younger Poets (2011), Long Journeys: African Migrants on the Road (2013), and Poems That Make Grown Women Cry (2016); as well as in Beyoncé's visual album Lemonade (2016) and film Black Is King (2020).According to Alexis Okeowo in the New Yorker, Shire's work “embodies the kind of shape-shifting, culture-juggling spirit lurking in most people who can't trace their ancestors to their country's founding fathers, or whose ancestors look nothing like those fathers. In that limbo, Shire conjures up a new language for belonging and displacement.” Shire's poems connect gender, war, sex, and cultural assumptions; in her work, poetry is a healing agent for the trauma of exile and suffering. In an interview, Shire noted, “Character driven poetry is important for me—it's being able to tell the stories of those people, especially refugees and immigrants, that otherwise wouldn't be told, or they'll be told really inaccurately. And I don't want to write victims, or martyrs, or vacuous stereotypes … my family are really amazing—they'll tell me, ‘I have a new story for you,' and I'll get my Dictaphone and record it, so I can stay as true as possible to the story before I make it into a poem.”Shire has read her work in South Africa, Italy, Germany, and the United States. In 2013, she won Brunel University's first African Poetry Prize. In 2014, she was named the first Young Poet Laureate for London and chosen as poet-in-residence for Queensland, Australia. In 2017 she was included in the Penguin Modern Poets series. In 2019 she wrote the short film Brave Girl Rising,narrated by Tess Thompson and David Oyelowo, and became the youngest person to ever be inducted into the Royal Society of Literature.Shire is poetry editor of Spook Magazine and guest edited Young Sable LitMag.For more information about Warsan Shire:Previously on The Quarantine Tapes:Suketu Mehta on Shire, at 09:18: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-079-suketu-mehtaTim Robbins on Shire, at 07:10: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-113-tim-robbinsHome read by Warsan Shire: "Home" by Warsan ShireNY Times: Warsan Shire, the Woman Who Gave Poetry to Beyoncé's ‘Lemonade'https://www.nytimes.com/2016/04/28/arts/music/warsan-shire-who-gave-poetry-to-beyonces-lemonade.html

    This mix started with one album - Goats & Distortions 5 by Dictaphone. It's one of my 2021 favorites. I began a new mix project with one song from that album as the starter, not knowing where it would go but the vibe was off-kilter. Then I heard a new album on Lost Tribe Sound, Departures by mastroKristo, and I knew where the mix would go. This mix features a lot of wind instruments, although I'm not sure exactly what any of them are - clarinet, sax, soprano sax, oboe? A lot of the tracks are a bit askew, this is not smooth jazz. The music is atmospheric, moody, odd but the tracks all work perfectly together.  All the music is from 2021 and a few tracks are from some of my favorite albums of the year. I've already mentioned Dictaphone - Goats & Distortions 5. Another fav is Pino Palladino & Blake Mills - Notes with Attachments. And then there are two albums from Lost Tribe Sound that haven't been released yet but they will both be on my year-end favorites list. They are mastroKristo - Departures and Alapastel - Ceremony. They are both part of Lost Tribe Sound's Salt & Gravity series, which is fantastic. Here's what LTS says about the series - "The Salt and Gravity Series is by far our most classical / ambient / drone adjacent collection yet. This series showcases some the most texturally pungent music we've ever released. A life long fascination with low end, blurred, battered and subterranean type sound has led us to this point... sound that you can feel rumbling up through the earth... the good stuff that makes your whole body hum versus just rattling around inside your head." Go here to check it out... https://losttribesound.bandcamp.com/album/salt-and-gravity-series Cheers!   T R A C K L I S T : 00:00    Dictaphone - O. (Goats & Distortions 5 2021) 04:00    mastroKristo - Gionis (Departures 2021) 08:02    Frieder Nagel - Para live version (The Arrival 2021) 11:15    Josiah Steinbrick - Mouthfeel 5 (Mouthfeel 2021) 14:24    Pino Palladino & Blake Mills - Notes with Attachments (Notes with Attachments 2021) 15:57    William Ryan Fritch - Cited (Freeland 2021) 17:34    William Ryan Fritch - Dropped (Freeland 2021) 20:06    Sam Gendel & Sam Wilkes - Cold Pocket (Music for Saxofone and Bass Guitar More Songs 2021) 23:15    Eli Keszler - All the Mornings in the World (Icons 2021) 28:27    Masayoshi Fujita - Cumulonimbus Dream (Bird Ambience 2021) 32:00    Knower - As the Night Climbed, a Band of Raccoons Started Hastily to Perform their Nocturnal Jam (Curiosity Is Not Dead 2021) 36:05    Soft Generator - Asclepeion Process (A Carefully Controlled Space 2021) 39:22    Simon McCorry - Ocean Song (All Creatures 2021) 42:57    Hawsepiper - Air Stones (Red Knot Returns 2021) 47:00    Dictaphone - Goats & Distortions 2 (Goats & Distortions 5 2021) 49:11    Alapastel - New World Healing Centre (Ceremony 2021) 58:58    end  

Hacker History sits down with Greg Ferro AKA EtherealMind. We learn how Greg started his podcast and blogging empire back before most people even know what podcasting and blogging was. We learn about the early days of networking, Netware vs SCO. working with dictaphones at a law office. Show Notes Greg's Twitter Packet Pushers Greg's […]

Lori Lynn of Overall Buddies is a national early childhood specialist, an international speaker and an award-winning children's singer/songwriter. She is the creator of Overall Buddies a series of original songs and videos for young children and the grown-ups who care for and love them. Recently she expanded her business to create her first children's book. Read more about Overall Buddies. Learn more about The Passionistas Project. Full Transcript: Passionistas: Hi, and welcome to the Passionistas Project Podcast, where we talk with women who are following their passions to inspire you to do the same. We're Amy and Nancy Harrington and today we're talking with Lori Lynn of Overall Buddies. Laurie is a national early childhood specialist and international speaker and an award-winning children's singer song. She's the creator of Overall Buddies a series of original songs and videos for young children and the grownups who care for them and love them recently. She expanded her business to create her first children's book. So please welcome to the show. Lori Lynn. Lori Lynn: Thank you so much. I'm honored to be. Passionistas: We're really excited to have you. What's the one thing you're most passionate about? Lori Lynn: I am most passionate about early childhood, so everything and anybody that has to do with early childhood, that's my number one passion. And that includes teachers, or of course, young children, zero to five is my expertise. So anything having to do with that teachers and librarians and families. And quality programs that serve early childhood children. And then second to that in a very close second is my music. So right now, in this last act of my life, as I've heard of your, you hit a certain age you're in your last act. It was my mother's last wish that I follow this dream finally. And I am using both of those passions early childhood in music. Passionistas: How are you combining those two? Lori Lynn: I combine those two things with the brand that I created, the business that I've created is overall buddies. And I create quality content, um, for children and the people who love them, like you said, and that's the biggest part of my mission is that it's going to be quality content and number one, Is the social, emotional connection that music can have for young children and those around them, their families, their classmates, their teachers, um, just feeling connected through the music. Passionistas: So now you mentioned your mom, so let's take a step back a little bit. Where did you grow up? What was your childhood like? And when did you discover your love of music? Lori Lynn: I grew up in a small, small town in Iowa. I'm an Iowa farm girl and it's called prim guard. It's the only prim guard in the world. We had a big whopping number of 900 people in our down. Yes. I had like 30 people in my classroom and we were one of the biggest classrooms. I knew I loved music. From the earliest earliest age. My first song I wrote was when I was five years old and it was about my brother's motorcycle. Cause everybody was excited about this motorcycle. So I went around singing this song about how he loves this motorcycle. And, um, it was kind of a cute little song and it was about, I love my Yamaha. And now I live by Omaha. And so I'm writing a song about how I love my Omaha. And so it's the same tune since I was five years old. So it stuck in my head. And so I've always written these really ear wormy songs. You know, that, that my brothers will say, I remember that song and it sticks in my head. Darn you, you know, those kinds of things. So I always loved music. It was something that saved me. My, um, Father was had real angry trouble and took it out on us. Sometimes it was somewhat of an abusive childhood. Um, it wasn't every day it was very sporadic, but he died when I was 12 and my life after 12 was just blissful with my mom and those of us that were left and. You know, my dad, bill loved music and music was always allowed in my house. And my mom was 16 when she got married. So she grew up really with all these children and she grew up, I mean, she was 16 and got married. It was like the late fifties. So she was in her early twenties when the Beatles came out and the rolling stones and you know, my brothers are 10 years older than me, so I grew up. Tons of music in my house. And you know, my mom was a young woman and so she had all these albums and music. So my life was surrounded by music and I always, um, it was always tugging at me. I, I would say to people, okay. I don't know what God wants me to do with this. It's either a curse or a blessing. I don't know. But the songs keep coming to me and I'm like, okay, I'll write it down. Or I'll record it on a Dictaphone is what I used to use. You know, it was a cassette recorder and then I had a Dictaphone and now I use my voice memo on my, on my phone, but it's like, the songs will come to me and I'm like, it's either really a curse or they're going to blow. Me or other people someday, I just kept answering to it and capturing them. So now I'm trying to figure out if it's supposed to be what I was supposed to do all along. Right. Did you ever perform. Oh, yeah. I sang at church from the time I was, I think second grade I was singing in the little choir and singing solos and I loved singing in front of people. And I got a guitar at fifth grade and I was always singing at church. And then I was singing in school and I was a music major, a voice major for two years and then at college. So yeah, I didn't know what to do with music. I just knew it was going to be in my life. I kind of struggled in college, like. I don't think I want to be a music teacher and I didn't really know what else to do. So I just went to elementary education. I thought I can use music in my classroom all the time and which was true. And so that's kind of how that happened. Passionistas: So then tell us about that progression. You studied education, you got your Master's and then you started teaching. So tell us a little bit about that. [00:05:49] Lori Lynn: Well, I'm glad you asked because it's really a funny story, actually, that I became a teacher because when I was little and people asked you that question, what do you want to be when you grow up? I had no idea, but I would say this is my standard answer. When I was little. I don't know what I want to be, but I know I'm not going to be at. That's what I said to everybody. Not going to be a teacher. That's all I know. And why did I say that? Because I was one of those little children who had what they would probably call add. Right now. I was busy. I was answering my brain was always working and, you know, I told you I came from somewhat of an abusive childhood, so I kind of needed attention and I wasn't mean to kids, but I was an annoyance to my teachers. I'm sure. But, and I could feel it from. Right. And I learned at a very young age school was very easy for me. And if I got a paper and I got done quickly, I got more work to do. So I learned to not finish that last question just, but my brain was going, going, going, and I would think things like, can I throw this big eraser out that window? How, how high of a velocity do I have to get it? Cause a window opens this way. I was always thinking. Right. And so I knew. But it wasn't fun for teachers to teach. I could feel it, but the transition happened when I knew I didn't want. Probably finished my music degree and I didn't know what I wanted to do. I went home and I taught Bible school at church and there was this fifth grade boy who was really antsy and just kind of difficult. And I just knew what he did. He needed something hands-on he needed all those things we know now. And I just got it. And this person at my church said, you really have a gift for this, for healing. You need to be a teacher. So I went back and that's what I did. And I always say that teaching found me I did not pursue it because that was the last thing I was going to do, but it has been the biggest blessing for me. And I do think that. Those of us who struggle in school, especially young ages probably make some of the better teachers because we get it right. Then we kind of know what they need. Yeah. Passionistas: Was music always a part of your teaching process? Lori Lynn: Oh yeah. Always, always, always. It was because I didn't know it then, but early on, I just knew that music connected us and music made the atmosphere and atmosphere. Collective consciousness almost right. I didn't know those words, my first years of teaching, but I just knew it changed the atmosphere when I utilize music to transition or I use utilize music to teach something. Right. Cause the power of music we know most, so much now. And I love to train on this cause I train teachers as well. What music does to our brain and how it lights up our brain and gets us so ready to learn. So it's so powerful. And so, yeah, I always used it just natural instincts and also it was a great place to try out my songs that I had written. Like, let's just have some fun singing and just bond. Right. And so I always knew what songs really worked and they would give me ideas sometimes of songs. And so, yeah, it's always been a part of who I am and where I go. Are your songs always geared towards children? They are now. They weren't, as I grew up. When I was growing up, I just kind of, you know, you start realizing, you know, about three or four chords, you can write some songs. And I wrote the most horrific, awful stuff in seventh grade about may Evie and Louie were happy and free. Something bad happened and it broke them up. You see, I mean, it was just horrific, right. They ended up, you know, it's a Romeo and Juliet thing where they ended up killing themselves as awful. And, but so, no, I, I mean, you experiment, you know, I was like sixth grade or seventh grade and my mom even said, well, that's an interesting. But I also wrote a song that's about can't do nothing and it it's on my CD. It ended up sticking. It was just kind of a silly little song about how you go about your day and everything bad goes wrong. And that one was something that we put on the CD. Producer really liked. And he goes, put that on there. It's fun. So it's, yeah, it's always been part of it. And then I went through a country Western stage, and most of those songs will never see the light of day or no one will ever hear it, but there's a couple that have some, have some, some legs I think. And I would like to show them to somebody someday. I don't have a voice for that. But that was kind of a long stage, actually, that I wrote a lot of country Western songs. I like to tell stories and songs, but it was when I had my own children. That's when my pastor had the best saying, and I wrote it down and I've never forgotten it. He said, when you find your purpose in life, it is the most peaceful place to live. That's where you live is in your purpose. It's not just be, it's not just fine. You live in it. Right. And when I started writing songs for my boys, the little buys and the fun songs, I'm like, this is what all this has been for. And I knew that it was something for my boys and I, but. There was always something pulling at me. Like that's not, it, there's more, you're supposed to be sharing this with other children. And I always wanted to, I just never had the money right. To do it or the know-how to know where to go and how to start. And, um, I just got started really seriously recording it like about eight years ago and I was going very slowly saving money and going into the studio with my mom would have. Every story and she just I'd get done at the studio and she goes, come and tell me what happened. And do you have anything recorded and can I hear your bits and how far are you? And she just, she listened to all my dreams. She was a quiet, quiet lady and I am not. And so I have moments. I love to be quiet too, but when I talk about my passion, Talk a mile a minute and go on forever. Right? I think a lot of us that have passions and dreams, it's it's, uh, you can talk somebody's ears off unless they stopped you. And that was my mom. Passionistas: Tell us about her. What was she like? Lori Lynn: I said, they, um, got married young, um, 16, 17 that right around there. And she was a housewife. We were, um, farmers and farm wives work hard. Um, especially my dad was an only child, so there were no brothers around to help with the farm work and. And so mom, we had, she had eight children, so she did all the house stuff, the cooking, and worked in the field and never did I hear her complain ever. She just did it. You know, that's just, she always says, this is what I do. You just get up and you do. And so it was the true, true farm model, really. Right. You just pull up your bootstraps. Um, you know, you have a storm and things are, you know, falling apart, you just go figure it out and fix it. Right. So you kind of get that growing up on a farm. I think. How did her life change after your father passed? There were four of us left at home and she was only 39 because my dad died at 49. He was 10 years older. And so I think of that now. And I think, wow, how did she, she, she had finished her GED a couple of years before my dad died. He kind of knew it was his third heart attack. So he said, you need to finish your GED. So you have more options if I go. And, um, she started working. At the school, which I loved, she was a cook at the school. And so I got to see her every lunchtime and she'd always give me extra vegetables, you know, that you need a little more of those. That's so funny. And so I was like seeing her, but it didn't pay enough. So she had to. Changed jobs after a couple of years, she, that was something nice for her to do, to keep close to us. And, um, then she started working in a factory about 30 miles away. So she was gone every morning, about six. And so my older sister had graduated, so it was kind of just me and my little brothers and I. You know, if they were sick, I wrote the notes for them and I was just kind of got 'em up in the morning and fed them breakfast. And, you know, it was just, I always, it was just the three of us. It was kind of nice. And mom got home, you know, and she worked at the factory for a long, long time, like most of her life. And she really kind of liked it. She, she was the type, she was so laid back and she was happy to go and do the same thing every day and just kind of have her friends and she just did not complain. Passionistas: What do you think you learned about women's roles in society from her? Lori Lynn: I've learned things that I mimic from her. And I've also learned things. About boundaries and standing up for, for things like I remember when I was little, I didn't say it so nice. I said, I am not going to be a pushover, you know? Cause I saw her that way. But as you grow and you learn about what women's choices were back then, what they were dealt and how they dealt with that, what kind of supports were available for a woman that had eight children and no high school education? Her husband was not particularly kind to the children, but if she had left or done something else, would it be worse? I mean, I think it was, she kept the peace more than I realize, you know, and stepped in when she had to step in, but it was, it's been a process for me to, to try to. To come to terms with my sadness for her life, my, my pride for her life, my love of what she sacrificed for us, you know? Um, so it's a very different choice. We're very different choices and, but I've learned that. No matter when you're born or what era you live, women have those choices and they can make that choice to stay, or they can make that choice to live. Now, if it, if you're in an abusive situation, please, please get help. And I hope you go, right. Um, because now we have much more support for that. So I think I've learned a lot and, and we got really close her last few years. She came down to live by me because she was very sick and I had four. Five years with her down here and saw every single day. And it was pretty amazing. Passionistas: We're Amy and Nancy Harrington, and you're listening to the Passionistas Project Podcast and our interview with Lori Lynn of Overall Buddies. To learn more about her original songs and videos for young children and the grownups who care for and love them visit OverallBuddies.com. If you're enjoying this interview and would like to help us to continue creating inspiring content, please consider becoming a patron by visiting the PassionistasProject.com/Podcast and clicking on the patron button. Even $1 a month can help us continue our mission of inspiring women to follow their passions. Now here's more of our interview with Lori Lynn. So tell us more about overall buddies. How can people see the content and hear the music? Lori Lynn: Well, I knew, I, I thought, okay, I want to make a CD, but I thought I'm kind of a miss, a plus person. Like, I'm like, if you, you know, I'm like, I want to know how do I make this more than just a CD? What do people doing? So just like you, we met through a class, right? So I signed up for independent musician class with Rick Barker. And, you know, I just learned about the business side of it and how musicians nowadays we have to have, they say seven different ways to make money because. Basically our music's free. Right. So I thought, okay, how can I do this? So I thought let's create a brand and make some videos and have some storylines maybe going, and that's coming and maybe get a book, um, series going. So I had this big picture in mind. And so I just started with the little steps, but. I think I'm the type of person. Not everybody has to be this way. I have to know what the big pictures. So it looked like I was stalled, but I knew that in my brain, I had to know where am I going with this? So I knew what steps. And I knew I needed to come up with a name and I was trying to find a name that nobody had on the internet. So I had other names that I tried and I'm like, darn somebody got the.com and I wanted the.com. Right? You want to own that SEO? And so I, I just knew overalls have a meaning for me because my dad, you know, we grew up on the farm and there was. Uh, time, like in the spring and fall, there were these big jobs to do in the, in the farms and the neighbors would help each other. Like whether you were bailing hay, for instance, that's a big job and you need other hands, so, or shelling, corn, that kind of stuff. Well, the neighbors would show up and help and I'd see this. Big neighbor guys in their overalls come and they were ready to work. Right. It's like overalls, mint, friendship, and we're here to work and cooperate and get things done. So I just, overall it's kind of silly that I have. It's such a deep meaning for overalls, but it was just such a visual for me as a little girl to see these neighbors coming together. And, and then my dad and my brothers would have their turn to help the neighbors and put on your overalls and go help your neighbors, you know, so I loved the whole idea of overalls. I was doing overall friends and I was doing, trying different things and buddies came up and I'm like, oh gosh, that's fun to say. And there was nobody that I owned everything. There was nothing, nobody had.com.net.org. And I bought them. All right. So, and it's cheap if nobody has them, it doesn't cost much to get them. And so now if people just. Search Overall Buddies, you're going to come up with my stuff and that's really nice to have. Right. So I'm really fortunate that I found that name and saved it early. I saved that name probably eight years ago when I first started. I'm like, I'm going to save all that, even though I don't know what I'm going to really get to. Using it, um, cause I've had a couple of different ideas stolen because I wasn't careful. So I thought this time I'm going to be really careful. And so that's kind of how that name came about and, um, the overall buddies and I love the whole double meaning of overall after all an overall we're all overall buddies. Right? So. Excited about that name. It's been catchy and it's been a happy and I'm happy about that. So I had three missions really when I started over all buddies. Um, cause you gotta really figure out what is your, why, what is your purpose? And so my, why. Was, why do you want to do this? I read this book by Wayne Dyer wishes fulfilled. If you have not read that book, anybody that's listening, it's so marvelous, especially if you're going to be an entrepreneur, which is, you know, and encourage people. It's he quotes all kinds of religions and, and he talks about the collective consciousness and. Just connecting to the energy and things, but I'm a Christian. And so he also uses that. And so I think we're all connected, no matter all of those things. And so he said, you have to know your why, and I've heard this more and more now, but that was the first time I'd really heard it. And I read this book probably seven years ago and I still go back to it because I'm like, what is my why? And it's really pretty easy when I get caught up in. Can I make money at this all my goodness. Was I crazy to quit my job early and take lists, you know? And like, I just have to go back to why are you doing this? And it's those days, like my lullabies, when I sat with my children, On those wee hours of the morning, and there's no light except that little nightlight and you're feeding your child and you make up this lullaby and you sing to them. Right. And there's, it's like nothing else exists. And it's so marvelous. And I just, that is my why for my lullabies is. When I picture mothers singing that to their children, or a friend of mine sent me a picture of her three-year-old daughter singing one of my lullabies to their new baby. And I just started crying. I'm like, if I never make a cent, that is so worth my time, you know, to know that she's sharing that love like that. And then my funny songs, the same thing when I would write I'm a pig, for instance, um, which seems to be a favorite. And that's the book I'm going to be. My boys would help me with ideas because pig goes, shows up at this little girl's in her town at different places. And we lived in a small town at that time. They're like, mom, the pig needs to show up at the library and the pig needs to show up here. And I said, well, the song can't be an hour long, but these are great ideas. Let's choose four, four places, you know? And so, but we would sing it with the, you know, how you sing in the van with the windows down and then their friends get in the van and you're like, you want to sing my mom's song? And we would laugh. And. So when I can picture. My mom's doing that. And our family's doing that. I don't care if they know it's me. I don't care. I said, one of my visions, I told my boys, I said, someday, I think it'd be so cool if I was at an airport somewhere in a different state or different country. And I hear somebody singing my song and they have no idea it's me that wrote it. You know what I mean? Just saying, oh, my songs in the world. And it's making somebody happy. So when I get lost in all the other stuff, I'm like, okay, you're leaving something behind and that's good. Passionistas: How old are your sons now? Lori Lynn: They're 30 and 31. I have a grandson now he's 16 months old and it's amazing. And he's helped me. Right? Well, his daycare closed during COVID. And so I said, you know what? I lost all my gigs. I was just starting to get up and go. 'cause my first CD just came out in 2019, the spring, and I was doing some free stuff, getting myself known. And then I was just starting to get really nice paid gigs and had like 30 things lined up for the summer of 2020 womp like, well, darn, hopefully that comes back. It's not coming back yet for children. Stuff. People are still tentative, but I have a few libraries and schools lined up, but it'll come back and I'll do other things. Right. That's why we're supposed to have other, other branches on our business tree is what I call it. But yeah. So he's been here since June, every day and now. We're starting part-time, but we've written like six songs together with him sitting out in the front room and, and he just loves hearing me play guitar and, and every now and again, he'll hit the guitar and point to the stand. Like I'm done. I put it back now. Okay. You're done. Okay. But yeah, we've written some songs together, so it's kind of fun to kind of like what? Well, we wrote a fishing song. And we wrote a back time song because his mom said, I need a song for bath time. And it goes, it's my bath time, skinny to dial back. Whoa. So it's just kind of cute. And it talks about. You know, getting in the bath and I'm thinking, what would help a parent? You know, I need it to be long enough, like, okay, we gotta take her shirt off. And, but also being careful about don't make it so somebody can use it the wrong way. Right. You know? Cause you gotta be aware of these things. So I said, you're just gonna step in. And then you got to wash your face, wash your hair. And so it just kind of goes through that and it's pretty cute. I haven't recorded it yet. It's just, I've got about six songs that we've written. And one's a dance song that I think is going to be really fun, but I need to just, uh, all the income stopped so well, we got kind of back at that. Okay. Let's get some things going where I can get back in the studio. Right. So yeah, you know, I was talking about my mission statements and one of them is to create quality content for young children and the people who love them to help them connect. To those people around them. And so, and to help parents, like songs can help. Right. And so there's all these different things that I think about my songs like this, one's going to maybe be a helpful song. And at the beginning it goes bath time. Like you're calling him in right. And the, the, the, the, the, that time. So it's kind of like, Hey, cause that's the, um, Well, they called it that's the universal is a universal through the world. Is those that interval. So I use that time. It's a universal interval. I don't know if you knew that, but now, now, you know, you mentioned your upcoming book. Tell us a little bit more about it. The book is I'm a pig. It's my song. Put into it. And if you're familiar with Rafi or Lori Bergner some of the gurus of children's singing. They have books based on their songs as well. And the reason that is. Really important is that music and literacy connection, right? If a child knows a poem like itsy bitsy spider, right? And then there's a book there's so many books made on itsy bitsy spider. And there's a reason because when children are so familiar with the words, they're going to be really feel like they're confident in looking at the book and going, oh, I already know what that looks supposed to say. Right? So they start thinking, oh, these words are what I've been saying. And so that connection is strong. And so it's not just, Hey, I want to make a book on my song. There's real research behind why to do it. And so I've always wanted to make a book out of that song plus other ones. And then I have a series of my puppets and, and characters I want to make eventually, but I thought let's start with this one because teachers and librarians have been asking they're like that make a great song. And the other thing about this book is there's some really great extension activities with it. And, their story elements that you can teach children with it. And I want, I want to be able to teach that to families and parents, like, you know, there's settings because they go to different places. So you can start using those story element vocabulary with. But it's in a fun way. So it's going to be, and I'm going to make the words very interesting on the page. So that's another strategy to motivate children, to look at print and be excited about talking about the print. So there's a lot of really purposeful, intentional teaching things that go in it, but it's going to be really. Passionistas: Did you do the illustrations? Lori Lynn: I cannot draw at all. I have. If you have back my kickstart, I put something on there, but this is why I have an illustrator because I kind of mocked up the, the, um, The title page. And I just have no sense. I don't like the legs are just like, they don't even connect. I don't know. I have no sense of space of how to draw, so no I've hired an illustrator and that's one of my other mission statements is to, um, utilize local artists in the Omaha council Bluffs, Iowa was where I live and it's right across the river from Omaha. So to utilize the Omaha Metro area, artists, as much as I can and, um, pay them for it. That's so, um, my mom's last wish for me was to use anything. She left for me to do this CD and that's how I was able to get it done quicker than I would've. So I paid people fairly even children. And so the money went faster, but I feel good about that because I did the right. I think too often artists are, oh, you'll get exposure and no such a cute story. I have to tell you, there was this little boy who came and sang at the studio and we were in Christmas Carol together. So I've done theater, um, quite a bit. I do a lot of theater and we were both in Christmas Carol at the Omaha community Playhouse. And I used, there were like 24 children or something. I can't remember 18 children. And I asked them all to come to the studio and my producer. Oh, Lori Lynn. I said they won't all be able to come, but I can't just choose some. I just can't. I said, we'll do them and it's my money. We'll do them in sections. We'll just prove six at a time. And it's, you know, and 12 could come, so we did six and six, but anyway, he came and did that and then I paid him just, it was 30 minutes and they were done, you know, so I gave him a little bit and he came to the. Dressing room the next night. And he knocks on the door and he goes, Lori Lynn, I need to talk to you about somebody said, what is it? And he said, he had the money in his hand and it was so cute. He grabbed my hands and he said, I need you to take this back because I was so honored to get to sing on your CD. It meant so much to me. And I really don't need you to pay me. And I thought about this and I said, this quick little prayer. And I'm like, I want to say the right thing. Do I take it and honor what he's asking or. Do I tell him what I'm really thinking. So I said, okay, I'm going to say something to him. I said, listen, you have a gift, you have a talent, and that talent is worth something. And there's going to be so many times in your life that people are going to take advantage of that and, and want you to do it for just experience. And I said, I want you to take this and remember that you are. Yes. And so he said, okay. And then he kinda got a tear in his eye and I'm like, I got a tear in my eye. I'm like, I need it. You know? And so I think it was the right thing. I really debated like, gosh, you know, but I wanted him to hear that, you know, We're in a small, it's a, it, Alma has a big city, but it's a small city and there's not a lot of work paid work for artists as much as there probably should be. Right. And we just need to get that pendulum swung the other way that we need to pay people what they're worth. Right. Passionistas: What's been the most rewarding part of your career? Lori Lynn: Seeing the things I've envisioned for so long. Actually happened. Like my mom, when I talked about precious baby, the first lullaby I wrote for my first child and. I told she goes, are you going to put precious baby on your CD? And I said, mom, I just don't know if I can, because what I hear in precious baby is at least a string quartet. It just, I hear it. I hear it. And the video I want to make with it has a ballerina and she's orchestrating this rest time and the orchestras there. And then she goes and orchestrates the rest time. I just envision it and that's going to take money. I said, I think I need to make my first CD and then make some money. And then, you know, that'll be. So my mom was never the kind, she was this tough farm life and she, she did not give advice. It just wasn't what she did. Right. It's like, you got it. You're capable. Right. So when she did this, it was not typical. And it was the day before she lost the ability to speak when she was dying and she grabbed my hand, I was going to go and I said, I'll be back tomorrow, mom. And she grabbed my hand. So weak. Right. And she looked me in her, uh, in my eye and she said, you take the money that you're getting from me and you finish those songs and that video the way you want it to be. And I just kinda went okay, mom. And she just kept holding my hand until I looked her dead in the high. Right. And I said, I promise. And she just relaxed. And she lost her ability to speak the next day. So I'm telling you that day that we recorded that video. Cause I had the money to do it. I flew up above when the ballerina started dancing my body rose above everybody. I can't even explain it. I was above everybody watching it. And it was like, my father was saying, look, you did it. And it was just the most rewarding, wonderful thing. And I just can't even. I couldn't believe that that was happening. And then I'm like, oh geez, I got to pretend to sing. Now I'd better get back down to earth, you know, stand in my spot. And it's funny because when I went and saw Elton John's movie and his vision, he wanted to go to the Hollywood Bowl. And when he got there, he rose above and I'm like, oh my God, this is a thing. This happens to people when they see their dreams manifested. Right. And so. I kind of feeling the same way about the book. Like when I first saw the cover, it was like I wasn't in my body. And so I think that is just the best answer to that question, because whether anything comes from this, I hope to make a living off of. But to know that some of these things that were given to me from God, the songs themselves in this vision, that I was able to just leave it on the earth is pretty amazing, I guess. Passionistas: Thanks for listening to our interview with Lori Lynn of Overall Buddies to learn more about her original songs and videos for young children and the grownups who care for and love them. Visit Overall Buddies.com. Please visit the Passionistas Project dot com to learn more about our Podcast and subscription box filled with products made by women owned businesses and female artisans to inspire you to follow your passions. Get a free mystery box with a one-year subscription using the code FALLMYSTERY. And be sure to subscribe to the Passionistas Project Podcast. So you don't miss any of our upcoming inspiring guests. Until next time stay well and stay passionate.

Hey Dude, I riff about our new "barn" and the writing techniques of Erle Stanley Garner of Perry Mason fame. PEOPLE: Matthew Rhys, Al Matthews, Erle Stanley Gardner, Huell Howser, Caryl Chessman, Zane Grey PLACES: Elixer Coffeehouse, Cahuenga Pass, Temecula THINGS: iPhone XS, Perry Mason (HBO), California's Gold, dictaphone SOUNDS: footsteps, gravel path, Laguna Sawdust Cowbell Chimes, helicopter, wind GENRE: storytelling, personal narrative, personal journal PHOTO: "Barn by Marisol" RECORDED: August 7, 2021 from the "Wawona Lawn" under the flight path of the Bob Hope Airport in Burbank, California GEAR: Sony ICD PX370 digital voice recorder and Sony ECM CS3 "tie-clip" microphone. HYPE: "It's a beatnik kinda literary thing in a podcast cloak of darkness." Timothy Kimo Brien (cohost on Podwrecked and host of Create Art Podcast) DISCLAIMER/WARNING: Proudly presented rough, raw and ragged. Seasoned with salty language and ideas. Not for most people's taste. Please be advised.      

Hey Dude, I riff about our new "barn" and the writing techniques of Erle Stanley Garner of Perry Mason fame.AUDIO LINKPEOPLE: Matthew Rhys, Al Matthews, Erle Stanley Gardner, Huell Howser, Caryl Chessman, Zane GreyPLACES: Elixer Coffeehouse, Cahuenga Pass, TemeculaTHINGS: iPhone XS, Perry Mason (HBO), California's Gold, dictaphoneSOUNDS: footsteps, gravel path, Laguna Sawdust Cowbell Chimes, helicopter, windGENRE: storytelling, personal narrative, personal journalPHOTO: "Barn by Marisol"RECORDED: August 7, 2021 from the "Wawona Lawn" under the flight path of the Bob Hope Airport in Burbank, CaliforniaGEAR: Sony ICD PX370 digital voice recorder and Sony ECM CS3 "tie-clip" microphone.HYPE: "It's a beatnik kinda literary thing in a podcast cloak of darkness." Timothy Kimo Brien (cohost on Podwreckedand host of Create Art Podcast)DISCLAIMER/WARNING: Proudly presented rough, raw and ragged. Seasoned with salty language and ideas. Not for most people's taste. Please be advised. 

Le professeur stanberg est un scientifique travaillant sur un virus mortel. Lors d'une de ses très courantes prises de parole au Dictaphone, il est perturbé par un appel qui va précipiter ses expériences… N'hésitez pas à suivre le compte instagram de son créateur @alexash777 "La Minute de Stanberg" est un programme Two Cats Records

Nick Carter, Master Detective was a Mutual radio crime drama based on tales of the fictional private detective Nick Carter from Street & Smith's dime novels and pulp magazines. Nick Carter first came to radio as The Return of Nick Carter, a reference to the character's pulp origins, but the title was soon changed to Nick Carter, Master Detective. A veteran radio dramatist, Ferrin Fraser, wrote many of the scripts.---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Hear Greer: in 2013 the University of Melbourne bought the Germaine Greer Archive. In this podcast, we listen to the archivists who explain what it means to catalogue and comprehend a vast collection of print and audio material. We look specifically at audio recordings, made by Greer herself, between 1984 and 2008. From her musings while driving through the Australian countryside, earnest yearnings for a cuppa tea and the frustrations of a handheld Dictaphone on double-speed; we hear from audio archivist Kate Hodgetts about what it is like to have one of the greatest feminist of the 20th century in your ear. Producers: Rachel Buchanan and Kate Hodgetts Editors: Kate Hodgetts and Gavin Nebauer Audio engineering: Gavin Nebauer Production assistance: Claudia Hooper 5 Things About is a University of Melbourne training podcast and created by Dr Andi Horvath

Terri Hooley is a legend among the Belfast music community and beyond. During Northern Ireland's troubled dark times Terri Hooley's Good Vibrations record shops and label survived in countless locations around the city, selling and putting out amazing music. Terri Hooley has recently been the subject of a book ‘Hooleygan: Music, Mayhem, Good Vibrations' and the critically acclaimed movie of his life ‘Good Vibrations'. I recently met up with Terri in his East Belfast home for a chat and a coffee. I didn't really interview Terri; I simply turned on my Dictaphone and listened. This weeks unsigned artist is Crystal Voyager, a Brooklyn based artist with music best described as psychedelic alien wave. She is known for putting her audience in a trance with her electrifying beats and powerful vocals. As a visual artist as well as musician, she uses sculpture, lights, and video to create an entire landscape to further express her vision. Get in touch here: podcast@xsnoize.com