Podcasts about Dictaphone

Crime on a WednesdayFirst, a look at the events of the dayThen, The Whistler, originally broadcast August 6, 1945, 80 years ago, The Man Who Came To Murder.  Wendell has been taking care of wealthy old Aunt Ellen's finances because she doesn't have much time left. When her condition improves, Wendell has to take certain steps to keep her from discovering his thievery!Followed by Top Secret starring Ilona Massey, originally broadcast August 6, 1950, 75 years ago, Disaster in London.   Nazi spies plan to start a plague in London.Then, Jeff Regan Investigator starring Frank Graham and Frank Nelson, originally broadcast August 6, 1950, 75 years ago, There's Nothing Like A Pork Chop When Supper Rolls Around.  A Dictaphone tells too much and a leggy blonde tells too little.Followed by The Adventures of Philip Marlowe starring Gerald Mohr, originally broadcast August 6, 1949, 76 years ago, The August Lion.  A former forger, now an accountant, deposits a beautiful corpse on Marlowe's bed and begs for help. Finally, Lum and Abner, originally broadcast August 6, 1942, 83 years ago, Mysterious Phone Call. The boys get a phone call from the letter writer in Kansas City, but the call is interrupted by a gunshot! Thanks to Laurel for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old-time radio shows 24 hours a day

This week we chat about AI stealing our faces and clients who never download their images, be sure to check out our Youtube channel if you'd like to see our faces: https://www.youtube.com/@OurCreativeCommuneLawson Film School: https://www.lawsonfilms.co.uk/lawson-film-schoolSay hi on Instagram @ourcreativecommuneliamandbee.comlawsonfilms.co.uklawsonphotography.co.uk Hosted on Acast. See acast.com/privacy for more information.

It's 2025, we look at some year-starting notebooks, discuss how one might use the Notes app with paper notebooks, and share our slate of waddya gots. Ted's audio changes a few minutes in, sorry about that!On the Calculation of Volume by Solvej BalleOctavia Books, New OrleansFlights by olga tokarczukBrief History of Seven Killings by Marlon JamesRose MatafeoLamy Hardcover notebook with Lamy rulingDoane paperStandard Memorandum 2025 by Word. and designed by Jon ContinoTake Note Patreon

Journeying through new technology can be difficult, but new tools can increase care quality and reduce physician burnout.

Send us a textThe last time I interviewed Josh Carter of Phantogram was in 2010, before this site was even a podcast. It was one of the first interviews I ever did, and Carter mentioned the author Breece D'J Pancake. The name stood out, of course, but it took a while for me to read about Pancake's tragic backstory. Then more songwriters started mentioning him in interviews, so I finally read his book, and wow. Incredible. This time, Carter and Sarah Barthel join me on the podcast to talk about their decidedly old-school writing process. We talk about Barthel's collection of analog typewriters, Carter's use of his Dictaphone, and how we just need more time to be bored. Yes, we sound like three cranky old people railing against the impact tech has on creativity. But I'll take that any day as long as Phantogram continues to make such good music. Phantogram's latest album Memory of a Day is out now.

62+ Hours of  CrimeFirst a look at this day in History.Then Boston Blackie starring Dick Kollmar, originally broadcast August 6, 1946, 78 years ago, Fixed Court Case.  Blackie joins the Jerry Williams gang to break up a mob that covers its crimes by intimidating witnesses. Followed by Jeff Regan Investigator starring Frank Graham and Frank Nelson, originally broadcast August 6, 1950, 74 years ago, There's Nothing Like a Pork Chop When Supper Rolls Around. A Dictaphone tells too much and a leggy blonde tells too little.Then Dangerous Assignment starring Brian Donlevy, originally broadcast August 6, 1949, 75 years ago, Millionaire Murders.  Steve flies to Paris to investigate the murders of several millionaires. Followed by Under Arrest starring Joe DeSantis, originally broadcast August 6, 1950, 74 years ago, The Willing Victim Report.  Police Captain Jim Scott's fight against crime! The story of a con game and how a beautiful racketeer preys on the manager of an airport, leading to murder!Finally Superman, originally broadcast August 4, 1941, 83 years ago, Dr. Roebling and The Voice Machine.  Superman captures Jack Roebling and his wife.Thanks to Honeywell for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old time radio shows 24 hours a day. 

Today I talked to Benjamin Breen about his book Tripping on Utopia: Margaret Mead, the Cold War, and the Troubled Birth of Psychedelic Science (Grand Central, 2024). The generation that survived the second World War emerged with a profoundly ambitious sense of social experimentation. In the '40s and '50s, transformative drugs rapidly entered mainstream culture, where they were not only legal, but openly celebrated. American physician John C. Lilly infamously dosed dolphins (and himself) with LSD in a NASA-funded effort to teach dolphins to talk. A tripping Cary Grant mumbled into a Dictaphone about Hegel as astronaut John Glenn returned to Earth. At the centre of this revolution were the pioneering anthropologists - and star-crossed lovers - Margaret Mead and Gregory Bateson. Convinced the world was headed toward certain disaster, Mead and Bateson made it their life's mission to reshape humanity through a new science of consciousness expansion, but soon found themselves at odds with the government bodies who funded their work, whose intentions were less than pure. Mead and Bateson's partnership unlocks an untold chapter in the history of the twentieth century, linking drug researchers with CIA agents, outsider sexologists and the founders of the Information Age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today I talked to Benjamin Breen about his book Tripping on Utopia: Margaret Mead, the Cold War, and the Troubled Birth of Psychedelic Science (Grand Central, 2024). The generation that survived the second World War emerged with a profoundly ambitious sense of social experimentation. In the '40s and '50s, transformative drugs rapidly entered mainstream culture, where they were not only legal, but openly celebrated. American physician John C. Lilly infamously dosed dolphins (and himself) with LSD in a NASA-funded effort to teach dolphins to talk. A tripping Cary Grant mumbled into a Dictaphone about Hegel as astronaut John Glenn returned to Earth. At the centre of this revolution were the pioneering anthropologists - and star-crossed lovers - Margaret Mead and Gregory Bateson. Convinced the world was headed toward certain disaster, Mead and Bateson made it their life's mission to reshape humanity through a new science of consciousness expansion, but soon found themselves at odds with the government bodies who funded their work, whose intentions were less than pure. Mead and Bateson's partnership unlocks an untold chapter in the history of the twentieth century, linking drug researchers with CIA agents, outsider sexologists and the founders of the Information Age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today I talked to Benjamin Breen about his book Tripping on Utopia: Margaret Mead, the Cold War, and the Troubled Birth of Psychedelic Science (Grand Central, 2024). The generation that survived the second World War emerged with a profoundly ambitious sense of social experimentation. In the '40s and '50s, transformative drugs rapidly entered mainstream culture, where they were not only legal, but openly celebrated. American physician John C. Lilly infamously dosed dolphins (and himself) with LSD in a NASA-funded effort to teach dolphins to talk. A tripping Cary Grant mumbled into a Dictaphone about Hegel as astronaut John Glenn returned to Earth. At the centre of this revolution were the pioneering anthropologists - and star-crossed lovers - Margaret Mead and Gregory Bateson. Convinced the world was headed toward certain disaster, Mead and Bateson made it their life's mission to reshape humanity through a new science of consciousness expansion, but soon found themselves at odds with the government bodies who funded their work, whose intentions were less than pure. Mead and Bateson's partnership unlocks an untold chapter in the history of the twentieth century, linking drug researchers with CIA agents, outsider sexologists and the founders of the Information Age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Today I talked to Benjamin Breen about his book Tripping on Utopia: Margaret Mead, the Cold War, and the Troubled Birth of Psychedelic Science (Grand Central, 2024). The generation that survived the second World War emerged with a profoundly ambitious sense of social experimentation. In the '40s and '50s, transformative drugs rapidly entered mainstream culture, where they were not only legal, but openly celebrated. American physician John C. Lilly infamously dosed dolphins (and himself) with LSD in a NASA-funded effort to teach dolphins to talk. A tripping Cary Grant mumbled into a Dictaphone about Hegel as astronaut John Glenn returned to Earth. At the centre of this revolution were the pioneering anthropologists - and star-crossed lovers - Margaret Mead and Gregory Bateson. Convinced the world was headed toward certain disaster, Mead and Bateson made it their life's mission to reshape humanity through a new science of consciousness expansion, but soon found themselves at odds with the government bodies who funded their work, whose intentions were less than pure. Mead and Bateson's partnership unlocks an untold chapter in the history of the twentieth century, linking drug researchers with CIA agents, outsider sexologists and the founders of the Information Age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Today I talked to Benjamin Breen about his book Tripping on Utopia: Margaret Mead, the Cold War, and the Troubled Birth of Psychedelic Science (Grand Central, 2024). The generation that survived the second World War emerged with a profoundly ambitious sense of social experimentation. In the '40s and '50s, transformative drugs rapidly entered mainstream culture, where they were not only legal, but openly celebrated. American physician John C. Lilly infamously dosed dolphins (and himself) with LSD in a NASA-funded effort to teach dolphins to talk. A tripping Cary Grant mumbled into a Dictaphone about Hegel as astronaut John Glenn returned to Earth. At the centre of this revolution were the pioneering anthropologists - and star-crossed lovers - Margaret Mead and Gregory Bateson. Convinced the world was headed toward certain disaster, Mead and Bateson made it their life's mission to reshape humanity through a new science of consciousness expansion, but soon found themselves at odds with the government bodies who funded their work, whose intentions were less than pure. Mead and Bateson's partnership unlocks an untold chapter in the history of the twentieth century, linking drug researchers with CIA agents, outsider sexologists and the founders of the Information Age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Today I talked to Benjamin Breen about his book Tripping on Utopia: Margaret Mead, the Cold War, and the Troubled Birth of Psychedelic Science (Grand Central, 2024). The generation that survived the second World War emerged with a profoundly ambitious sense of social experimentation. In the '40s and '50s, transformative drugs rapidly entered mainstream culture, where they were not only legal, but openly celebrated. American physician John C. Lilly infamously dosed dolphins (and himself) with LSD in a NASA-funded effort to teach dolphins to talk. A tripping Cary Grant mumbled into a Dictaphone about Hegel as astronaut John Glenn returned to Earth. At the centre of this revolution were the pioneering anthropologists - and star-crossed lovers - Margaret Mead and Gregory Bateson. Convinced the world was headed toward certain disaster, Mead and Bateson made it their life's mission to reshape humanity through a new science of consciousness expansion, but soon found themselves at odds with the government bodies who funded their work, whose intentions were less than pure. Mead and Bateson's partnership unlocks an untold chapter in the history of the twentieth century, linking drug researchers with CIA agents, outsider sexologists and the founders of the Information Age. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to Benjamin Breen about his book Tripping on Utopia: Margaret Mead, the Cold War, and the Troubled Birth of Psychedelic Science (Grand Central, 2024). The generation that survived the second World War emerged with a profoundly ambitious sense of social experimentation. In the '40s and '50s, transformative drugs rapidly entered mainstream culture, where they were not only legal, but openly celebrated. American physician John C. Lilly infamously dosed dolphins (and himself) with LSD in a NASA-funded effort to teach dolphins to talk. A tripping Cary Grant mumbled into a Dictaphone about Hegel as astronaut John Glenn returned to Earth. At the centre of this revolution were the pioneering anthropologists - and star-crossed lovers - Margaret Mead and Gregory Bateson. Convinced the world was headed toward certain disaster, Mead and Bateson made it their life's mission to reshape humanity through a new science of consciousness expansion, but soon found themselves at odds with the government bodies who funded their work, whose intentions were less than pure. Mead and Bateson's partnership unlocks an untold chapter in the history of the twentieth century, linking drug researchers with CIA agents, outsider sexologists and the founders of the Information Age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/drugs-addiction-and-recovery

Today I talked to Benjamin Breen about his book Tripping on Utopia: Margaret Mead, the Cold War, and the Troubled Birth of Psychedelic Science (Grand Central, 2024). The generation that survived the second World War emerged with a profoundly ambitious sense of social experimentation. In the '40s and '50s, transformative drugs rapidly entered mainstream culture, where they were not only legal, but openly celebrated. American physician John C. Lilly infamously dosed dolphins (and himself) with LSD in a NASA-funded effort to teach dolphins to talk. A tripping Cary Grant mumbled into a Dictaphone about Hegel as astronaut John Glenn returned to Earth. At the centre of this revolution were the pioneering anthropologists - and star-crossed lovers - Margaret Mead and Gregory Bateson. Convinced the world was headed toward certain disaster, Mead and Bateson made it their life's mission to reshape humanity through a new science of consciousness expansion, but soon found themselves at odds with the government bodies who funded their work, whose intentions were less than pure. Mead and Bateson's partnership unlocks an untold chapter in the history of the twentieth century, linking drug researchers with CIA agents, outsider sexologists and the founders of the Information Age. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Quoi de neuf chez Apple ? Les résultats financiers d'Apple Safari 18 et l'IA (lien) iOS 18 : Nouveau Siri dopé à l'IA (lien) iOS 18 : Notes et Dictaphone traiteraient l'audio et le texte à coup d'IA (lien) Apple préparerait bien des serveurs à base de M2 Ultra pour des fonctions IA d'iOS 18 (lien) Les stickers Apple, c'est fini ! Apple présente ses excuses pour la pub "Crush !" (lien) Nouveautés Apple : iPad Air, iPad Pro et Apple Pencil Pro Nouveaux iPad Air 11 et 13 pouces M2 Nouveaux iPad Pro 11 et 13 pouces M4 Nouvel Apple Pencil Pro La fin des iPad Lightning Baisse du prix de l'iPad 10 (439 € au lieu de 589 €) Le dossier de Mat Steve Jobs & Bill Gates (lien) L'Histoire de Windows et macOS (lien) La réflexion personnelle du mois Audrey : LOOT sur Apple TV+, avec Maya Rudolph (lien) Mat : Clarkson à la Ferme sur Prime Video (lien) Comment nous soutenir ? ➡️ ⁠Faire un don pour soutenir notre podcast⁠ Merci beaucoup pour vos dons ❤️

In the summer of 1914, someone shot through the window of a Long Island doctor's office, killing a woman inside. When investigators found a dictaphone installed inside the office, they began to suspect the doctor's jealous wife, who claimed to have been upstairs the evening in question. When the wife's alibi changed her testimony, Americans had to decide whether to believe the jealous wife or the black maid who contradicted her. Who was the woman in white seen outside the doctor's office just before Lulu Bailey was murdered?For Magic Mind's limited offer that gets you up to 48% off your first subscription or 20% off one-time purchases, use code OLDBLOOD20 at checkout.You can claim it at: https://magicmind.com/oldblood Sources:“Freeport History Encyclopedia.” Freeport Memorial Library. https://libguides.freeportlibrary.info/c.php?g=494599&p=3384485Hamilton, Marybeth. When I'm Bad, I'm Better: Mae West, Sex, and American Entertainment. (Berkeley: University of California Press, 1997).Kemp, Kathryn W. “‘The Dictograph Hears All': An Example of Surveillance Technology in the Progressive Era” The Journal of the Gilded Age and Progressive Era. Vol. 6, No. 4. October 2007. Pp. 409-430Philibert-Ortega, Gena. “Investigating the Murder Mystery of Louise Bailey with Newspapers.” Genealogy Bank. 28 June, 2013. https://blog.genealogybank.com/investigating-the-murder-mystery-of-louise-bailey-with-newspapers.htmlSelnes, Bill. “George Morton Levy Lawyer.” Mysteries and More From Saskatchewan. 3 August, 2016. https://mysteriesandmore.blogspot.com/2016/08/george-morton-levy-lawyer.htmlNewspapers:The New York Times (July 1914- May 1915)The Day Book. 20 October, 1914The Evening World. 8 May 1915The Medford Mail Tribune. 5 May 1915The Tacoma Times, 29 May 1915Music: Credits to Holizna, Fesilyan Studios & Virginia ListonFor more information, visit www.oldbloodpodcast.com

Today, we cover chapters 79-82 of The Running Grave. We discuss Farah Navabi's Dictaphone interview with Kevin Pirbright, Dev's latest update about Robin, and the Manifestation of the Drowned Prophet. Next episode (April 18): Chapters 83-87 Links: https://fartingsofafaculty.blogspot.com/2023/10/notes-on-running-grave-re-listen-part.html https://x.com/badly_wired/status/1768338570266230787 www.thesefilespod.com www.ko-fi.com/thesefilespod www.facebook.com/thesefilespod www.twitter.com/thesefilespod http://thesefilespod.tumblr.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/thesefilespod/message

Release Date: October 09, 2014A man is found murdered in his room with a dictaphone in the closet.Original Air Date: June 4, 1946Support the show monthly at patreon.greatdetectives.netSupport the show on a one-time basis at http://support.greatdetectives.net.Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netCheck out all our social media links and connect with us at http://www.greatdetectives.net

When I graduated from law school in the late 1980s, there was no internet, no email, and fax machines were widely in use.  I used a Dictaphone to generate correspondence and had an assistant to transcribe the tapes.  While working remotely was possible because of the telephone, going into an office was the norm. In the intervening years, the rate of technological change has been truly astounding.  And while the internet, email, and social media have continued that evolution, in my opinion, the explosion of AI in the practice of law has been the most significant change in my lifetime. Never before has it been easier to run a practice as a solo.  The array of tools for research, communication, analysis, and drafting are replacing human labor. I've always been interested in technology and while I do try to keep up, technology is not my major. So I've invited Colin Levy to talk about the state of the art in legal tech in the practice of law. Colin S. Levy is a lawyer and legal tech author and speaker. Throughout his career, Colin has seen technology as a key driver in improving how legal services are performed. Because his career has spanned industries, he witnessed myriad issues, from a systemic lack of interest in technology to the high cost of legal services barring entry to consumers. Now, his mission is to bridge the gap between the tech world and the legal world, advocating for the ways technology can be a useful tool for the lawyer's tool belt rather than a fear-inducing obstacle to effective legal work.  Colin is the author of The Legal Tech Ecosystem which discusses the development of the legal tech ecosystem over the past two decades, and how legal technology can help lawyers work more efficiently.  In addition, he is the editor of the Handbook of Legal Tech. A few years ago, I began seeing Colin come up a lot more in my LinkedIn feed and I realized that is was time to sit down with him and pick his brain! In this episode we discuss his overall philosophy about the use of technology in the law, his book, the Legal Tech Ecosystem, the biggest obstacles the legal industry faces when it comes to adopting new technology, and his role at Malbek. Additional Resources Episode 120-Scaling Your Law Firm with AI Episode 107-ChatGPT and Trends in Legal Marketing Technology-with Jared Correia

http://beaubfm.org/emissions/benevoles/le_dictaphone/426_homme_soja.mp3 - a priori c'est une bonne solution pour le contrôle des naissances - avec la montée de l'extrême droite ça risque être interdit - et la femme quinoa on en parle ? - bah l'homme steak ça sonne pas ouf non plus - pas de genre pas de problème de genre 03/01/2024 Dyade, avenir et nutrition : le Dictaphone se demande si l'homme-soja n'est pas LA solution. GROUPE Titre Album The Undertones Male Model The Undertones Nuit Rouge Supermâle Limoges Punx 2 Matchbox Stérilité, Sérénité Une Carrière En Plomb Algernon Cadwallader Yo Soy Milk Some Kind of Cadwallader Future of the Left The Male Gaze How to Stop Your Brain in an Accident Millionaire Alpha Male Paradisiac Francis Bebey La Condition Masculine African Electronic Music 1975-1982 The Beta Band Human Being (Radio Edit) Best Of Ulrika Spacek Beta Male The Album Paranoia sosojaja

Dictaphone Blues are playing at a music festival soon, their singer Ed called up to chat about the lack of blues in their set, and why he's looking forward to seeing Fazerdaze on stage. See omnystudio.com/listener for privacy information.

Some Items of Supporting Evidence - transcript of Dictaphone recordings found in the house of Mr Michael Dalby The previous episodes can be behind Doors 12, 14, 22, 25 and 28

Some Items of Supporting Evidence - transcript of Dictaphone recordings found in the house of Mr Michael Dalby --- Send in a voice message: https://podcasters.spotify.com/pod/show/hypnogoria/message

Today on the show, Steven and Shaun discuss the evolution of Braille devices following our recent conversation with Adi Kushner from Access Mind. Dan writes in with questions about the long-term viability of a device such as the Optima laptop and queries about long-term support from companies like Orbit and Vispero. Also, there's news of a new online Braille learning tool called Braille Brain from American Printing House for the Blind. Listener Lena shares her thoughts. And there's more of your feedback, in particular around the different and varying dictaphone devices we have available to us as people who are blind. Graham from Toronto shares his thoughts on the Wilson Recorder, while Greg in Pennsylvania suggests that the much-discussed Olympus DM-770 and DM-720 are two similar, but different devices. Check out more about the Braille Brain course here: https://www.aph.org/product/braille-brain/ Check out more about the Wilson Recorder here: https://getawilson.com Get in touch with the Double Tappers and join the conversation: Email: feedback@doubletaponair.com Call: 1-877-803-4567 (Canada and USA) / 0204 571 3354 (UK) X (formerly Twitter): @BlindGuyTech / @ShaunShed Mastodon: @DoubleTap

Today's guest on The Dream Dinner Party is Donal Skehan who is so much fun and who has been on Desert Island Dishes before – a few years ago but defiitrly worth having a listen to his main episode as it's a goodie. I think he was in the very early days when I just turned up with basically a little Dictaphone recorder and hoped for the best. Donal has a new book out called Home Kitchen and honestly Donal's books are really great – I don't know how he does it, I tried to get him to give me all his secrets but instead I did persuade him to tell us all about his dream dinner party and this is a very fun one. I'm also going to be posting Donal's Little Black Book on instagram which is a new little feature we are trying out and I thought might be fun so keep an eye out for that and show it some love if you like it.You are listening to our side dish: The Dream Dinner Party. This is the mini episode where we invite a guest to tell us all about their dream dinner party. This is a game I know a lot of people have played on long car journeys or maybe first dates so it's really fun to sit down with a different guest each week and hear who they would invite and what they would serve. You're allowed to invite 4 people – anyone you want, and I think it's impossible to listen without thinking of your own answers!Thank you for listening!Find us on Instagram @desertislanddishes Hosted on Acast. See acast.com/privacy for more information.

Episode 107 Crosscurrents in Early Electronic Music of Norway Playlist Arne Nordheim, “Epitaffio” (1963) for orchestra and tape from Nordheim, Alfred Janson, Bjørn Fongaard – Response: Electronic Music From Norway (1970 Limelight). Limelight release with the delightful painting of flying ears on the cover, includes the same tracks as the original Philips release from 1968 on the Prospective 21e Siècle label. The electronic sound material on the tape are taken from the end of the performance, but played during the opening section. It fuses the acoustic instruments and voices with electronics, filtering and speed changes. This recording is 10:15 Alfred Janson, “Canon” (1964) for chamber orchestra and tape from Nordheim, Alfred Janson, Bjørn Fongaard – Response: Electronic Music From Norway (1970 Limelight). Limelight release with the delightful painting of flying ears on the cover, includes the same tracks as the original Philips release from 1968 on the Prospective 21e Siècle label. In this piece, two tape recorders were used in performance. The first records for about four minutes and the, half a minute later, begins to play back what was recorded. The second tape recorder begins to record after the first tape machine ends, and then plays back what was recorded after another half minute, creating, in a sense, the structure of a canon. 12:27 Arne Nordheim, “Response I” (1966) for 2 percussion groups and tape from Nordheim, Alfred Janson, Bjørn Fongaard – Response: Electronic Music From Norway (1970 Limelight). Limelight release with the delightful painting of flying ears on the cover, includes the same tracks as the original Philips release from 1968 on the Prospective 21e Siècle label. Two percussionists respond to electronic sounds such as filtered white noise, sine waves and the filtered sounds of organ and metallic clanging distributed throughout the score. 18:09 Björn Fongaard, “Homo Sapiens” (1966) for magnetic tape from Poul Rovsing Olsen • Thorkell Sigurbjörnsson • Arne Mellnäs • Björn Fongaard – Nordiska Musikdagar 1968 Nordic Music Days Vol.3 (1969 His Master's Voice). Realized at the Norsk Riksringkastings studio, Oslo. 9:20 Bjørn Fongaard, “Galaxy” for 3 electric guitars in quarter-tones from Nordheim, Alfred Janson, Bjørn Fongaard – Response: Electronic Music From Norway (1970 Limelight). Limelight release with the delightful painting of flying ears on the cover, includes the same tracks as the original Philips release from 1968 on the Prospective 21e Siècle label. The electronic part makes use of audio filtering, changing tape speed, and editing to treat some unorthodoxed playing on the guitar. 12:05 Kåre Kolberg, “Keiserens Nye Slips - Electronic Music” from Kåre Kolberg – Contemporary Music From Norway (1980 Philips). A foray in computer composed music synthesis realized in the Electronic Music Studios in Stockholm using a PDP 15/40 computer; it was programmed in the EMS-1 computer language developed in the same studio. 9:54 Jan Bang, “Artificial Reeves” from from Narrative From The Subtropics (2013 Jazzland). Norwegian release of the Norweigian electronic musician and composer Jan Bang. Akai Sampler, MPC 3000 Sequencer, Dictaphone, Synthesizer, Jan Bang. 3:05 Jan Bang, “Funeral Voyage” from Narrative From The Subtropics (2013 Jazzland). Akai Sampler, MPC 3000 Sequencer, Dictaphone, Synthesizer, Jan Bang; Bass, Eivind Aarset; Guitar, Eivind Aarset; Synthesizer, Erik Honoré; Trumpet, Nils Petter Molvær. 5:26 Jan Bang, “Melee of Suitcases” from Narrative From The Subtropics (2013 Jazzland). Akai Sampler, MPC 3000 Sequencer, Dictaphone, Synthesizer, Jan Bang; Piano, Electronics, Dai Fujikura; Vocals, Sidsel Endresen. 4:03 Safariari, “Fetsild” from This Is The Cafe Superstar Beat Vol. 2 (2002 Café 2001 Records). Electronic music project of Jon Furuheim. 2:16 Remington Super 60, “RS60 And Milano In Space (Remix)” from This Is The Cafe Superstar Beat Vol. 2 (2002 Café 2001 Records). Electronic pop rock group, from Fredrikstad, Norway, founded late 1998. 6:07 Opening background music: Arne Nordheim, “Caliban's Warning” (excerpt) from The Tempest (Suite From The Ballet) (1980 Philips). An abrupt moment of electronic sound blended into the instrumentation. The electronic realization was done in the Studio Eksperymentalne, Warsaw, Poland. The Tempest was commissioned by the Schwetzinger Festival and first performed by Ballet Rambert at the Rokokotheater, Schwetzingen on 3. May 1979. 7:35 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

Avez-vous déjà interviewé une IA

In this episode of the WFLS podcast, we chat with Barney Chunn. Barney is the Co-founder and COO of CONQA.

Introducing our new mini episode...it's a little after dinner something to keep you going through the week. It's The Dream Dinner Party. It's short and sweet, just one simple question. Each week we will have a different guest guiding us through their Dream Dinner Party. They are allowed 4 guests, they can be dead or alive and of course we want to know why they will be invited. They're going to be talking us through their dream dinner party menu, what will their dream guests be feasting on and what will they drink?I'm so excited for this and our first guest sharing her dream dinner party is the wonderful Esther Coren. It only felt fitting to have Esther as our first Dream Dinner Party guest as she was my very first guest on Desert Island Dishes before I had a single listener and so that felt like a fun full circle moment. Thank you Esther for being so generous with your time – and for taking a chance on me and my little Dictaphone that I plonked on the floor between us. Esther is a fantastic writer, she's so witty and I just love her writing . She has a brilliant Substack which you should all subscribe to and can find here. Do make sure you're subscribed to catch all episodes of The Dream Dinner Party and Desert Island Dishes. Thank you so much for listening, bye!Find us on Instagram and Tiktok @desertislanddishes Hosted on Acast. See acast.com/privacy for more information.

Releases from Ernie Menehune, Mr Moai and the Tiki Heads, music from Rubin Stein & the Dictaphone, John Zorn, Te Vaka, The Tradewinds Orchestra and more.

http://beaubfm.org/emissions/benevoles/le_dictaphone/405_vocal_fry.mp3 - Et pouquoi les rappeurs on a l'impression qu'ils ont une patate dans la bouche ? - Et pourquoi bébé ils chialent pareil mais apprès ça change ? - Et c'est quoi le débit mitraillette ? - Et il y aurait ps un style Dictaphone ? - Et le trash-talking ? 08/02/2023 Vocal fry, ASMR, growlers, comment gémir à la mode ? GROUPE Titre Album Fergus & Geronimo Girls With English Accents Unlearn Room 204 Fire Bass Trans Panda Queens Of The Stone Age Go With The Flow Songs For The Deaf [Europe] Delinquent Habits Southern Accent Merry Go Round Ugly Duckling Slow The Flow Bang For The Buck Corbeaux The Light Has A Voice Kind Words Potobello Bones Power Of Their Voice Eden On Earth Let Us Just Call It Abstract So Many Voices, Not Enough Ears Travel Diary Of A Sentimental Dinosaur TrashTalking show

You started your business because you're fab at what you do, not to post daily content…that just came with the territory. Marketing expert Louise Gregson Williams walks you through how to make content creation more natural and fun to do rather than having it be yet another chore on your endless to-do list. Tune in for 10 tips on how to remove the pressure from consistent content creation.(10:59) “The stuff that doesn't go well for you are the things that people really want to know about in your content. They don't always want to know the shiny, glossy story of your amazing business. They want to know how you got there.”3 ways to start removing the pressure from consistently creating content (tune in for more tips):1. Dictaphone for rapid content creation: by speaking your content into your phone's recorder, you're able to create content where you sound more natural…bonus: it's also much faster!2. Reactive and proactive content, merged: set aside an afternoon each month to map our your month's content. Don't over plan, just make some notes on what you want to discuss this month. This way, you'll have a  “reactive element as well as that proactive planning” and you'll be able to “be a little bit more flexible if something happens in the industry”.3. Outfit changes and procrastination: “if you can't be bothered to get changed into loads of different outfits, don't put yourself under loads of undue pressure or use it as a reason for why you're not recording.” (08:58)  LinksConnect with Louise Gregson Williams: LinkedIn | Instagram | Discovery CallContent Planning Wizard - beat the blank content planner!If your general reaction to posting on social media is 'I HAVE NOTHING TO SAY' then it's time to turn yourself into a content creation wizard in this 2.5 hour masterclass + extras.You'll learn what things to talk about so that you don't run out of ideas and what channels to prioritise for your business.This content planning class gives you the kit to plan like a pro and is completely tailored to what is realistic for you and your business...You're going to be set-up for success so that you can create stop-the-scroll content to keep you in your customers' minds. YAY!Includes:2.5 hour action planning session f2f (if in Devon) or onlineA content planning template you can use every monthThe rest of your month planned outMy secrets for where to find ideasAll the tools I use to create contentWhatsApp check-in and support when you need it for 2 weeks afterwards30 min check in online to troubleshoot any questions you havetranscripts and recordings**SPECIAL OFFER** For ‘Build a brand with Rosie Parsons' listeners you can get this for the 2022 price of £345+VAT if you book your session before 28 February 2023. Email louise@leapthirtytwo.com for more info or book a free half hour discovery call about this or any of my other programmes – let's chat!WIN! Leave a podcast review and win a 1:Connect with Rosie on socials!LinkedInInstagramAnd if you're a woman in business who loves colour find out more about personal branding shoots on Rosie's photography website!

Jess Gillam is joined in the studio by countertenor Hugh Cutting to share the music they can't get enough of. Hugh's choices include the voices of Barbra Streisand, Anthony Rolfe Johnson, and Glen Campbell. Jess brings soundscapes by Anders Hillborg and Dictaphone, and a reimagining of Benjamin Britten's 'Concord' by cellist Matthew Barley. Playlist: Vivaldi - Bassoon Concerto in E Minor, RV 484: III. Allegro [Sergio Azzolini (bassoon) Ensemble L'aura Soave Cremona] Michel Legrand – A Piece of Sky (from Yentl) [Barbra Streisand] Anders Hillborg – Violin Concerto No.1 [Anna Lindal (violin), Swedish Radio Symphony Orchestra, Esa-Pekka Salonen] Vaughan Williams – On Wenlock Edge: Bredon Hill [Anthony Rolfe Johnson (tenor), Graham Johnson (piano), Duke Quartet] Dictaphone – Nr. 12 Bernstein – Candide Overture [Leonard Bernstein, New York Philharmonic] Glen Campbell – Wichita Lineman Britten – Concord [Matthew Barley]

Dictaphone Blues have released a new song called Soothe The Muse, their front man Ed called up to introduce it and discuss the recent reunion of his old band Degrees K in Christchurch. Was that it or will they reunite again? See omnystudio.com/listener for privacy information.

In this Roots of Reality Experiences episode, historian Ben Baumann talks with Russian musician Anton Makarov about his journey as an independent musician in Russia, the meaning of music, and making music in a changing world. (Anton Makarov is a Russian musician, composer, multi-instrumentalist, and producer who has performed all over Europe. He started participating in various groups since 2010, before starting a solo career in 2015. Since 2020, Makarov has been the lead singer of his new Russian band Dictaphone.) Website- http://www.antonmakarov.net/ Instagram- https://www.instagram.com/anton.mkrv/ Spotify- https://open.spotify.com/artist/1on1Tdmb3hL3sz9fwtxMSQ YouTube- https://www.youtube.com/channel/UCehNibIR0TIp4xn1njQbzkw Dictaphone Instagram- https://www.instagram.com/dictaphoneband/ Dictaphone Spotify- https://open.spotify.com/artist/3yNbvqQ9ZfmJQJh53AzIXu Dictaphone YouTube- https://www.youtube.com/channel/UC4Rd-YZleUBLxyQqLq6MzGQ If you like the podcast, leave a review at: podcasts.apple.com/us/podcast/root…ty/id1466338710 Follow Roots of Reality on Social Media: Facebook- facebook.com/RootsofReality Twitter- twitter.com/_RootsofReality Instagram- instagram.com/rootsofreality/?hl=en YouTube- youtube.com/channel/UCvmG6sKFW9…isable_polymer=true (The memories, comments, and viewpoints shared by guests in the interviews do not represent the viewpoints of, or speak for Roots of Reality)

http://beaubfm.org/emissions/benevoles/le_dictaphone/387_ananas.mp3 - Après si ça trouve la sexualité en Islande est nulle - Tu parle c'est un coup des marketeux du costa rica pour en vendre plus - Laisse moi deviner faudrait qu'il soit bio aussi ? - Une fois que t'as changer ton odeur de transpi, ton haleine et le gout de tes lèvres c'est la suite logique - Avec leur loi hygiéniste dans 5 ans on interdit l'échange de fluide corporel alors... - Bizarrement c'est toujours un truc exotique qui fait ça, genre c'est jamais le topinambour ou le rutabaga GROUPE Titre Album B Boys Taste For Trash 0 The Blood Brothers Trash Flavored Trash Crimes Sloy Spermadelic Electrelite Mush Fruits of the Happening 0 Shame Tasteless Songs of Praise Olaf Hund peche-ananas Kitch kitch Bananas At The Audience Not Physically Into The House Of Slumber Heliogabale Juicy Fruit Blood ananananananananas

http://beaubfm.org/emissions/benevoles/le_dictaphone/239_vieux_a_30ans.mp3 -réalisée à l'occasion des 30 de ta radio associative, qui en a maintenant 35-

http://beaubfm.org/emissions/benevoles/le_dictaphone/169_combien_moncheri_pour_etre_soul.mp3

Thanks for joining Jill Baughan today on Finding Joy ...No Matter What. Make a Joy Box for Someone You Care About: https://jillbaughan.com/joy-box/ Ducharme, Jamie. “Being Bored Can Be Good for You--If You Do It Right. Here's How,” Time.         January 4, 2019.  https://time.com/5480002/benefits-of-boredom/ “How a Dictaphone and Other Vintage Office Transcription Machines Worked.” https://clickamericana.com/topics/money-work/the-all-new-dictaphone-time-master-1958 Robinson, Bryan, PhD. “Why Scientists Say ‘Boredom Is Good for Your Brain's Health.'” Forbes. September 2, 2020. https://www.forbes.com/sites/bryanrobinson/2020/09/02/why-neuroscientists-say-boredom-is-good-for-your-brains-health/?sh=41433fb11842 Zomorodi, Manoush. “How Boredom Can Lead to Brilliant Ideas.” TedTalk, April 2017. https://www.ted.com/talks/manoush_zomorodi_how_boredom_can_lead_to_your_most_brilliant_ideas Connect with Jill: Facebook ~ Instagram ~ Twitter ~  Website

Tonight's edition features some beautiful, droney tunes from Fennessz, Sunda Arc, GWFAAS, Pjusk, Earn, Dictaphone, Penguin Cafe, Billow Observatory and plenty more! It's an early spring…

Dans cet épisode de Pimp My Mind je vous explique en quoi s'enregistrer avec son dictaphone peut aider dans son processus de guérison.

„Vardai ir garsai“ šiandien skelbia žinią apie islandų grupės „Sigur Ros“ sugrįžimą, po šešerių metų pertraukos nauju albumu nudžiuginusius džiazo chuliganus „Sheep Got Waxed“, į Vilnių atvykstančius įstabius vokiečius „Dictaphone“ ir daug kitų artėjančiu pavasariu kvepiančių naujienų. Laidos vedėjas – Ramūnas Zilnys

Kane, Thom and Aaron have years of experience between them of helping hundreds of entrepreneurs and businesses start, scale and monetise their podcasts. On this episode they discuss the various setups you can use to record your podcast, from full studio setups to small, portable equipment and which they have found are the best quality for cost. They also demonstrate all the dos and don'ts of microphone technique, room set up, and even what you should be wearing and how you should wear your hair while recording! KEY TAKEAWAYS Don't stick to one way of doing remote interviews. We recommend cleanfeed, but there are other browser-based recording apps like zencastr and riverside.fm or you can use Skype or Zoom. Be flexible, if your guest doesn't know how to use Zoom, for example, use something they do know how to use it'll make them more comfortable. There are multiple set ups you can use to record from a full studio setup to a portable rig that you can set up anywhere. The Zoom H1N is a great portable audio device that comes with a lavalier microphone that you clip onto your shirt. It's basically a really good quality Dictaphone. If you're recording out and about using this, make sure you use a pop shield to reduce wind noise. Dynamic microphones like the Behringer XM8500 are robust and durable, condenser microphones like the Behringer C1 are very sensitive to movements and electronic noise. These are all XLR microphones, not USB. The Zoom PodTrak P4 is a compact, affordable, portable recorder unit that makes it really easy to capture audio and can record audio direct from a phone as well as USB mics and plugs into your PC via a USB and becomes, essentially, a USB microphone on your PC. It also splits the audio streams from separate mics/devices so they don't interfere with each other, hopefully making editing easier. Boom are stands are better than tripod desk stands as they can be moved closer to you depending on whether you stand or sit far away from your desk. Moving the mic as close to your face as you can helps to reduce background sound and keep audio quality high. Make sure you're recording in a quiet room with lots of soft furnishing to break up the sound, rather than a kitchen or bathroom which has a lot of reflective, hard surfaces. You can even record from under the cover on your bed or sofa cushions. However, if you're recording from a location and want some background sound to add atmosphere, go for it, but acknowledge it and set the scene but make sure your voice is being picked up more loudly than the background sound. BEST MOMENTS ‘You definitely need a pair of headphones, no matter how good quality, because you won't be able to monitor the quality of your recording otherwise.' ‘As long as you're close and present while using a Behringer C1 it won't pick up background noise.' ‘You'll never need a 3-metre-long XLR cable, 1-1.5m is more than enough. And you get what you pay for, so don't buy cheap.' ‘Rhode NT1 and Blue Yeti are good, but more expensive than they should be. Samson Q2U USB/XLR mics are better value.' ‘The Double Ds: Distance and Direction are key to audio quality. Keep close to the mic and talk into the microphone, not into the side or the top.' VALUABLE RESOURCES Website Instagram ABOUT THE HOSTS Kane Baron, Thom Luter & Aaron Nelson manage over 100 live podcasts Including Rob Moore, Kevin Clifton, Shaa Wasmand & more.  Helping Entrepreneurs Launch, Scale & Monetise their podcast for over 7 years. CONTACT METHOD Website Instagram Email   Click Here to find out more about Starting a Podcast!: https://progressivemedia.uk/ See omnystudio.com/listener for privacy information.

http://beaubfm.org/emissions/benevoles/le_dictaphone/229_chat_envahisseur.mp3 Toutes ces questions que tu te poses -même si tu ne le sais pas encore- le Dictaphone t'aide à y répondre en musique puisque tous les artistes qui jouent de la musique à l'intérieur de l'oeuvre radiophonique on un lien avec le thème de la semaine. Quand j'y pense en fait, le Dictaphone c'est la solution à tout tes problèmes: retour de l'être aimé, fortune, fertilité, allongement du pénis, taille réel du terrain de foot dans Olive et Tom. Emission présenté par un dictaphone Pearlcorder S992 microcassette recorder de chez Olympus et dj Cartable, un faux dj qui sait pas mixer mais avec de vrais morceaux de musique dedans. fichier petit chat

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Poet and activist Warsan Shire grew up in London. She is the author of the collections Teaching My Mother How to Give Birth (flipped eye, 2011), Her Blue Body (flipped eye, 2015), Our Men Do Not Belong to Us (Slapering Hol Press and Poetry Foundation, 2015), and Bless The Daughter Raised By A Voice In Her Head (Random House, forthcoming 2021). Her poems have appeared in journals and magazines, including Poetry Review, Wasafiri, and Sable LitMag; in the anthologies Salt Book of Younger Poets (2011), Long Journeys: African Migrants on the Road (2013), and Poems That Make Grown Women Cry (2016); as well as in Beyoncé's visual album Lemonade (2016) and film Black Is King (2020).According to Alexis Okeowo in the New Yorker, Shire's work “embodies the kind of shape-shifting, culture-juggling spirit lurking in most people who can't trace their ancestors to their country's founding fathers, or whose ancestors look nothing like those fathers. In that limbo, Shire conjures up a new language for belonging and displacement.” Shire's poems connect gender, war, sex, and cultural assumptions; in her work, poetry is a healing agent for the trauma of exile and suffering. In an interview, Shire noted, “Character driven poetry is important for me—it's being able to tell the stories of those people, especially refugees and immigrants, that otherwise wouldn't be told, or they'll be told really inaccurately. And I don't want to write victims, or martyrs, or vacuous stereotypes … my family are really amazing—they'll tell me, ‘I have a new story for you,' and I'll get my Dictaphone and record it, so I can stay as true as possible to the story before I make it into a poem.”Shire has read her work in South Africa, Italy, Germany, and the United States. In 2013, she won Brunel University's first African Poetry Prize. In 2014, she was named the first Young Poet Laureate for London and chosen as poet-in-residence for Queensland, Australia. In 2017 she was included in the Penguin Modern Poets series. In 2019 she wrote the short film Brave Girl Rising,narrated by Tess Thompson and David Oyelowo, and became the youngest person to ever be inducted into the Royal Society of Literature.Shire is poetry editor of Spook Magazine and guest edited Young Sable LitMag.For more information about Warsan Shire:Previously on The Quarantine Tapes:Suketu Mehta on Shire, at 09:18: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-079-suketu-mehtaTim Robbins on Shire, at 07:10: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-113-tim-robbinsHome read by Warsan Shire: "Home" by Warsan ShireNY Times: Warsan Shire, the Woman Who Gave Poetry to Beyoncé's ‘Lemonade'https://www.nytimes.com/2016/04/28/arts/music/warsan-shire-who-gave-poetry-to-beyonces-lemonade.html

    This mix started with one album - Goats & Distortions 5 by Dictaphone. It's one of my 2021 favorites. I began a new mix project with one song from that album as the starter, not knowing where it would go but the vibe was off-kilter. Then I heard a new album on Lost Tribe Sound, Departures by mastroKristo, and I knew where the mix would go. This mix features a lot of wind instruments, although I'm not sure exactly what any of them are - clarinet, sax, soprano sax, oboe? A lot of the tracks are a bit askew, this is not smooth jazz. The music is atmospheric, moody, odd but the tracks all work perfectly together.  All the music is from 2021 and a few tracks are from some of my favorite albums of the year. I've already mentioned Dictaphone - Goats & Distortions 5. Another fav is Pino Palladino & Blake Mills - Notes with Attachments. And then there are two albums from Lost Tribe Sound that haven't been released yet but they will both be on my year-end favorites list. They are mastroKristo - Departures and Alapastel - Ceremony. They are both part of Lost Tribe Sound's Salt & Gravity series, which is fantastic. Here's what LTS says about the series - "The Salt and Gravity Series is by far our most classical / ambient / drone adjacent collection yet. This series showcases some the most texturally pungent music we've ever released. A life long fascination with low end, blurred, battered and subterranean type sound has led us to this point... sound that you can feel rumbling up through the earth... the good stuff that makes your whole body hum versus just rattling around inside your head." Go here to check it out... https://losttribesound.bandcamp.com/album/salt-and-gravity-series Cheers!   T R A C K L I S T : 00:00    Dictaphone - O. (Goats & Distortions 5 2021) 04:00    mastroKristo - Gionis (Departures 2021) 08:02    Frieder Nagel - Para live version (The Arrival 2021) 11:15    Josiah Steinbrick - Mouthfeel 5 (Mouthfeel 2021) 14:24    Pino Palladino & Blake Mills - Notes with Attachments (Notes with Attachments 2021) 15:57    William Ryan Fritch - Cited (Freeland 2021) 17:34    William Ryan Fritch - Dropped (Freeland 2021) 20:06    Sam Gendel & Sam Wilkes - Cold Pocket (Music for Saxofone and Bass Guitar More Songs 2021) 23:15    Eli Keszler - All the Mornings in the World (Icons 2021) 28:27    Masayoshi Fujita - Cumulonimbus Dream (Bird Ambience 2021) 32:00    Knower - As the Night Climbed, a Band of Raccoons Started Hastily to Perform their Nocturnal Jam (Curiosity Is Not Dead 2021) 36:05    Soft Generator - Asclepeion Process (A Carefully Controlled Space 2021) 39:22    Simon McCorry - Ocean Song (All Creatures 2021) 42:57    Hawsepiper - Air Stones (Red Knot Returns 2021) 47:00    Dictaphone - Goats & Distortions 2 (Goats & Distortions 5 2021) 49:11    Alapastel - New World Healing Centre (Ceremony 2021) 58:58    end  

Hacker History sits down with Greg Ferro AKA EtherealMind. We learn how Greg started his podcast and blogging empire back before most people even know what podcasting and blogging was. We learn about the early days of networking, Netware vs SCO. working with dictaphones at a law office. Show Notes Greg's Twitter Packet Pushers Greg's […]

Nick Carter, Master Detective was a Mutual radio crime drama based on tales of the fictional private detective Nick Carter from Street & Smith's dime novels and pulp magazines. Nick Carter first came to radio as The Return of Nick Carter, a reference to the character's pulp origins, but the title was soon changed to Nick Carter, Master Detective. A veteran radio dramatist, Ferrin Fraser, wrote many of the scripts.---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Hear Greer: in 2013 the University of Melbourne bought the Germaine Greer Archive. In this podcast, we listen to the archivists who explain what it means to catalogue and comprehend a vast collection of print and audio material. We look specifically at audio recordings, made by Greer herself, between 1984 and 2008. From her musings while driving through the Australian countryside, earnest yearnings for a cuppa tea and the frustrations of a handheld Dictaphone on double-speed; we hear from audio archivist Kate Hodgetts about what it is like to have one of the greatest feminist of the 20th century in your ear. Producers: Rachel Buchanan and Kate Hodgetts Editors: Kate Hodgetts and Gavin Nebauer Audio engineering: Gavin Nebauer Production assistance: Claudia Hooper 5 Things About is a University of Melbourne training podcast and created by Dr Andi Horvath

Terri Hooley is a legend among the Belfast music community and beyond. During Northern Ireland's troubled dark times Terri Hooley's Good Vibrations record shops and label survived in countless locations around the city, selling and putting out amazing music. Terri Hooley has recently been the subject of a book ‘Hooleygan: Music, Mayhem, Good Vibrations' and the critically acclaimed movie of his life ‘Good Vibrations'. I recently met up with Terri in his East Belfast home for a chat and a coffee. I didn't really interview Terri; I simply turned on my Dictaphone and listened. This weeks unsigned artist is Crystal Voyager, a Brooklyn based artist with music best described as psychedelic alien wave. She is known for putting her audience in a trance with her electrifying beats and powerful vocals. As a visual artist as well as musician, she uses sculpture, lights, and video to create an entire landscape to further express her vision. Get in touch here: podcast@xsnoize.com