Podcasts about lara croft tomb raider

Phil and Emily continue the Angelina Jolie action films miniseries with Lara Croft: Tomb Raider — The Cradle of Life (2003), joined by Carson Betts and Caroline Thompson, co-hosts of the How Have You Not Seen It podcast. All four participants are watching this film for the first time. This is relevant information.The Cradle of Life follows Lara Croft racing to find Pandora's Box before a rogue scientist with strong Peter Thiel energy can use it as a biological weapon, with complications provided by her ex-lover Terry Sheridan, played by Gerard Butler. It cost $95 million, grossed $160 million worldwide, and opened July 25th, 2003 against Spy Kids 3D, Pirates of the Caribbean, Bad Boys 2, and Seabiscuit. It received three stars from Roger Ebert, which nearly convinced Emily to see it in theaters that summer. She saw The League of Extraordinary Gentlemen instead. Phil does not believe she made the better choice. The film was also banned in China for giving the impression of a country in chaos overrun by secret societies. Hollywood had not yet figured that out.The consensus is that this movie is more competent than the first Tomb Raider along nearly every axis, which somehow makes it less enjoyable. Phil calls it dumb and not fun, as opposed to the first film, which was dumb and fun. Emily notes the big action set piece in the middle is a shootout in a lab, which she finds strange given the title. The group also covers Jan de Bont's filmography and what it means that this was his final film, the Sasquatch creatures that the script introduces and then declines to explain, and the actual Cradle of Life, which turns out to be visually underwhelming in a way that Carson compares to a YouTube video that will not load.The true climax, Carson argues, was always going to be in Lara's heart.This is the third installment of the miniseries on Angelina Jolie's 2000s action films, following Gone in 60 Seconds and Lara Croft: Tomb Raider.Follow the show and guests:Podcast Like It's... — https://www.instagram.com/podcastlikeitsPhil Iscove — https://www.instagram.com/pmiscoveEmily St. James — https://www.instagram.com/emilystjamsCarson Betts — https://www.instagram.com/carsonlbettsCaroline Thompson — https://www.instagram.com/sportclimbbarbieHow Have You Not Seen It — https://www.instagram.com/hhynspod

Phil and Emily continue the Angelina Jolie action films miniseries with Lara Croft: Tomb Raider (2001), joined by BJ Colangelo and Harmony Colangelo, co-hosts of the This Ends at Prom podcast. BJ and Harmony previously joined the show for Hard-Boiled, which Phil describes as a superior action movie. Harmony agrees with everything about that sentence.Tomb Raider follows aristocrat archaeologist Lara Croft racing against the villainous Illuminati to retrieve the two halves of the Triangle of Light before a rare planetary alignment allows them to unlock its power over time. It cost $150 million, grossed $274 million worldwide, and opened June 15th, 2001 against Atlantis: The Lost Empire, Shrek, Swordfish, Pearl Harbor, and Evolution. Paramount had purchased the video game rights in 1998. No fewer than seven screenwriters took a pass at the script before Simon West stitched something together and pointed a camera at Angelina Jolie.The group agrees on several things: Jolie is perfectly cast, clearly having a blast, and simply is Lara Croft in a way that very few actors embody a character that completely. They do not agree on much else. Phil's issues are with the script, specifically a 45-minute delay before the film bothers to explain what is actually at stake. Harmony's defense is that this is video game logic, anything is possible, and sometimes you just want to watch someone cool do cool things. Emily ran into Angelina Jolie at a grocery store once and has thoughts.Daniel Craig is also in this movie. Nobody can identify what accent he is doing. Emily has a theory involving one specific block in Lincoln, Nebraska.This is the second installment of the miniseries on Angelina Jolie's 2000s action films, following Gone in 60 Seconds.Follow the show and guests:Podcast Like It's... — https://www.instagram.com/podcastlikeitsPhil Iscove — https://www.instagram.com/pmiscoveEmily St. James — https://www.instagram.com/emilystjamsBJ Colangelo — https://www.instagram.com/bjcolangeloHarmony Colangelo — https://www.instagram.com/harmonycolangeloThis Ends at Prom — https://www.instagram.com/thisendsatprom

Pierwszy Tomb Majder, pierwsza gra, to i film pierwszy także. Bo umówmy się: niezależnie od tego, jak go wspominamy, z jakimi minami wyszliśmy z kina ĆWIERĆWIECZE TEMU, Angelina Jolie jest wciąż tą filmową Larą. Ale film, w którym wystąpiła... no cóż, jest o czym porozmawiać! xDPomóż nam w tworzeniu programu – https://patronite.pl/bezdyskusjiNasz Discord: https://discord.gg/eyCGYBrx9fWpadaj na naszą grupę! - https://www.facebook.com/groups/520144846333243Chcesz nam coś kopsnąć? - https://buymeacoffee.com/bezdyskusji

Today we continue our videogame adaptation season by tackling 2001's Lara Croft: Tomb Raider, an early-noughties action flick starring megastar Angelina Jolie in the lead role, alongside pre-Bond Daniel Craig, a very young and very handsome Iain Glen and also Chris Barrie from Red Dwarf. Can it be the first videogame movie we've watched that isn't terrible? Hosted on Acast. See acast.com/privacy for more information.

Phil and Emily are joined by LaToya Ferguson to kick off a new miniseries on Angelina Jolie's action films of the 2000s, beginning with Gone in 60 Seconds (2000). LaToya is a TV writer, critic, and co-host of the Empire Diaries podcast. She has appeared on the show before, covering The Other Sister and Ladybugs on previous installments. She wanted to cover Mr. and Mrs. Smith. She did not get Mr. and Mrs. Smith.Gone in 60 Seconds follows retired master car thief Memphis Raines, forced back into the game to steal 50 high-end cars in one night to save his brother from a ruthless crime boss. It cost $100 million, grossed $237 million worldwide, outperforming both Remember the Titans and Coyote Ugly from the same Bruckheimer production year. Angelina Jolie had just won the Oscar. The film was sold entirely on her. She is barely in it. Nicolas Cage plays the lead, does not radiate car energy, and shares with Jolie what Emily describes as the opposite of chemistry. The movie goes dull at exactly the moment it should not, Frances Fisher has less screen time than the dog, and Christopher Eccleston delivers the villain line "it never rains, but it pours" with complete conviction.Phil makes the case for where this sits in the Bruckheimer era and why it signals the end of something, Emily misses the era of movies that made audiences want to steal cars, and LaToya has thoughts about Nicolas Cage, Billy Bob Thornton, and what actual dirtbag energy looks like on screen. They also get into whether Gone in 60 Seconds quietly paved the way for Fast and Furious, and why Phil rides for Sorcerer's Apprentice to the dismay of everyone present.This episode opens the miniseries on Angelina Jolie's 2000s action films, with Lara Croft: Tomb Raider up next.Follow the show and guests:Podcast Like It's... — https://www.instagram.com/podcastlikeitsPhil Iscove — https://www.instagram.com/pmiscoveEmily St. James — https://www.instagram.com/emilystjamsLaToya Ferguson — https://www.instagram.com/thelafergs

Josh and Alex watch another movie and talk over it. This time, we're... celebrating..? 25 years of 'Lara Croft: Tomb Raider.' You can watch Lara Croft: Tomb Raider (2001,) too and suffer with us. Please... Or you can listen and laugh at our pain. *This is the recommended method Please remember to check out the 2 Blokes from Blighty podcast, join our Discord

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

U novoj specijalnoj epizodi EmuGlx Podcasta, Nick i Doktor, zajedno sa specijalnom gošćom Telepjuter, razgovaraju o istoriji adaptacije video igara u bioskopski format. Od 1993. i prvog Super Mario Bros. filma, pa sve do današnjih ostvarenja i pogleda u budućnost, u ovoj priči od skoro dva sata ima svega - zato spremite kokice and have a blast!Teme u ovoj epizodi:1. Uvod - 00:00:002. Super Mario Bros. (1993) - 00:03:353. Double Dragon i Street Fighter (1994) - 00:10:294. Mortal Kombat (1995) - 00:17:425. Lara Croft: Tomb Raider (2001) - 00:25:596. Resident Evil (2002) - 00:33:127. Uwe Boll filmovi (2003) - 00:45:418. Silent Hill (2006) - 00:50:469. Tekken (2009) / Dead or Alive (2006) - 01:01:1110. Need for Speed (2014) - 01:08:1411. Pokémon Detective Pikachu (2019) - 01:10:5812. Sonic the Hedgehog (2020) - 01:13:0513. Uncharted (2022) i drugi PlayStation projekti - 01:19:4814. Five Nights at Freddys (2023) - 01:28:5315. The Super Mario Bros. Movie (2023) - 01:30:5016. A Minecraft Movie (2025) - 01:35:1717. Until Dawn (2025) - 01:38:5318. Iron Lung (2026) - 01:42:5719. Budućnost: Zelda / Elden Ring / Tsushima / Helldivers - 01:49:3220. Exit 8 (2026) - 01:56:1021. Odjava - 01:56:48Za sve ostale epizode i kompletnu arhivu podcasta posetite sledeću EmuGlx YouTube kanal playlistu.

Golden Globes (vincitori), George R.R. Martin vs Ryan Condal (House of the Dragon), casting Lara Croft/Tomb Raider e Kratos/God of War, Due Facce/Two-Face + rinnovi Emily in Paris, Mayor of Kingstown, Mr. & Mrs. Smith, The Pitt.(00:00) Il record di Zalone e le clausole della Medusa Film (02:14) I vincitori dei Golden Globes(06:42) La faida tra George R. R. Martin e Ryan Condal(09:34) Il casting di Lara Croft, Kratos e Due Facce(13:53) I rinnovi di Emily In Paris, Mayor Of Kingstown, Mr. & Mrs. Smith e The Pitt

Avengers: Doomsday has OFFICIALLY released 4 Teaser Trailers now, which the Russo Brothers are now encouraging fans to dive deeper on for clues & hidden details! We also get a first look at Sophie Turner as Lara Croft Tomb Raider, Major Star Wars shakeup: Kathleen Kennedy is stepping down as President of Lucasfilm and discuss the week's movie news at large! Black Panther & Fantastic Four Will Return | Avengers: Doomsday Trailer Reaction:    • AVENGERS DOOMSDAY TRAILER 4 REACTION!! Fan...   The X-Men Will Return | Avengers: Doomsday Trailer Reaction:    • AVENGERS DOOMSDAY X-MEN TRAILER REACTION! ...   Thor Will Return | Avengers: Doomsday Trailer Reaction:    • AVENGERS: DOOMSDAY TRAILER REACTION! Thor ...   Steve Rogers Will Return | Avengers: Doomsday Trailer Reaction:    • AVENGERS: DOOMSDAY TRAILER REACTION!! Stev...   As the road to Doomsday heats up, Joe & Anthony Russo are encouraging viewers to study each of the film's recent teaser trailers in-depth for clues and hidden details — because fans are already decoding potential connections to Avengers: Endgame and other key moments in the MCU narrative. The first four teasers have spotlighted major characters including Chris Evans' Steve Rogers/Captain America, Chris Hemsworth's Thor, the return of X-Men icons Patrick Stewart's Professor X and Ian McKellen's Magneto, and James Marsden's Cyclops, along with glimpses of the Fantastic Four (Vanessa Kirby, Pedro Pascal, Joseph Quinn & Ebon Moss-Bachrach), Letitia Wright's Shuri, Winston Duke's M'Baku, Tenoch Huerta's Namor, and more, prompting theories about emotional beats, timeline clues, and narrative setup for Marvel's next epic event. We also discuss the major Star Wars leadership shakeup, with Kathleen Kennedy stepping down as President of Lucasfilm and Dave Filoni and Lynwen Brennan stepping into new leadership roles — a shift that could signal a new creative era for the franchise. What details can be pieced together by scrubbing every frame of these teasers — and will the third time be the charm for the Tomb Raider franchise? Join Coy & Aaron as we break down this week's movie news! Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Learn more about your ad choices. Visit megaphone.fm/adchoices

Lara Croft goes on a quest to retrieve two halves of an ancient artifact that control time before it falls into the wrong hands.  The fearrless tomb raider must team up with a rival in order to complete the quest and find it's connection with her Father.  Angelina Jolie stars in the 2001 video game adaption of Tomb Raider! We also kick off 2026 with some things we watched over the holidays including Avatar: Fire and Ash, we discuss some films we are looking forard to this year and will Avengers: Doomsday be any good?  All this in outr first episode of the year!  Next week: Elysium! Visit us for all episodes & more at the www.therebelradiopodcast.com Please leave us a 5-Star review on iTunes! You can also find us on Spotify iHeartRadio Follow us on Facebook

As a new deadly villein unleashes a new game across Gotham City, pieces of Batman's past catch up as he tries to figure out just who Hush is.  As Selina Kyle, Poison Ivy, and other Batman foes seem to be mixed into the game, Batman races to solve the identity of Hush and stop him before everything comes unraveled.  We talk our annual Christmas Batman film this week with the animated adaption of Batman: Hush. Also this week our Top5 Movies of 2025, some pop culture news, and things we watched or played this week and more.  We will see you all in two weeks with our first episode of the new year with Lara Croft: Tomb Raider. Visit us for all episodes & more at the www.therebelradiopodcast.com Please leave us a 5-Star review on iTunes! You can also find us on Spotify iHeartRadio Follow us on Facebook

Dans Multijoueurs, Melinda Davan-Soulas, Romain “Menraw” Béïs, cofondateur du GrandPop.fr, et Valentin”Noddus” Cebo, journaliste spécialisé, débriefer la cérémonie des Game Awards 2025 qui a consacré Clair Obscur: Expedition comme phénomène et Jeu de l'année. Une soirée marquée aussi par le retour de Lara Croft (Tomb Raider), Leon Kennedy (Resident Evil Requiem) et Larian Studios, sacré pour Baldur's Gate 3, qui revient avec un étrange nouveau jeu.#thegameawards #clairobscurExpedition33 #clairobscur #Expedition33 #sandfallInteractive 

Title: [Wikipedia] [IMDb] Director: Simon West Producers: Lawrence Gordon, Lloyd Levin, Colin Wilson Writers: Patrick Massett, John Zinman (screenplay); Sara B. Cooper, Mike Werb, Michael Colleary (story); Core Design (original games) Stars: Angelina Jolie, Jon Voight, Iain Glen,. Noah Taylor, Daniel Craig Release date: June 15, 2001 (US) PROMO: Ninety For Chill: The Podcast with CatBusRuss SPECIAL GUEST: Craig Dickinson (@CraigMDickinson), Reading Between the Reels (‪@ReadBtweenReels) SHOWNOTES: On our latest Collaboration Special with Collateral Gaming, we are joined by Craig from Reading Between the Reels to talk Simon West's 2001 film adaptation of Tomb Raider, starring Angelina Jolie! Lara Croft: Tomb Raider is often overlooked in discussions about attempts to adapt video games in cinema, but looking back, it was a memorable action movie in its own right with a vivid performance by its female lead, and definitely worth an analysis today. So, grab your dual pistols and come chill with us as we review the first cinematic portrayal of gaming icon Lara Croft, and stay tuned for Bad Movie December—we'll be covering The ButterCream Gang 2 and Neil Breen's Cade: The Tortured Crossing! Collateral Cinema and Collateral Gaming are on Bluesky, Facebook, Instagram, Threads, and Twitter, and is on Goodpods, Apple Podcasts, Spotify, Podbean, Google Podcasts, YouTube, iHeart, and wherever else you get your podcasts! Also, check out Collateral Let's Play! on our YouTube channel. Reading Between the Reels is available on Apple Podcasts, Spotify, Podbean, YouTube, or wherever you get your podcasts! You can also follow them on Twitter, Instagram, or TikTok! Collateral Media merch is available on Dashery! Check out everything from shirts and hats, to stickers, and even tapestries, at our affiliate link now: collateralmedia.dashery.com (Collateral Cinema and Collateral Gaming are Collateral Media Podcasts. Intro song is a license-free beat from Purple Planet Music. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don't sue us; we're poor!)

Title: [Wikipedia] [IMDb] Director: Simon West Producers: Lawrence Gordon, Lloyd Levin, Colin Wilson Writers: Patrick Massett, John Zinman (screenplay); Sara B. Cooper, Mike Werb, Michael Colleary (story); Core Design (original games) Stars: Angelina Jolie, Jon Voight, Iain Glen,. Noah Taylor, Daniel Craig Release date: June 15, 2001 (US) PROMO: Ninety For Chill: The Podcast with CatBusRuss SPECIAL GUEST: Craig Dickinson (@CraigMDickinson), Reading Between the Reels (‪@ReadBtweenReels) SHOWNOTES: On our latest Collaboration Special with Collateral Cinema, we are joined by Craig from Reading Between the Reels to talk Simon West's 2001 film adaptation of Tomb Raider, starring Angelina Jolie! Lara Croft: Tomb Raider is often overlooked in discussions about attempts to adapt video games in cinema, but looking back, it was a memorable action movie in its own right with a vivid performance by its female lead, and definitely worth an analysis today. So, grab your dual pistols and come chill with us as we review the first cinematic portrayal of gaming icon Lara Croft, and stay tuned for Part 2 of our Ghost of Yōtei review (Part 1 out now), and Metroid Prime 4 next month! Collateral Gaming and Collateral Cinema are on Bluesky, Facebook, Instagram, Threads, and Twitter, and is on Goodpods, Apple Podcasts, Spotify, Podbean, Google Podcasts, YouTube, iHeart, and wherever else you get your podcasts! Also, check out Collateral Let's Play! on our YouTube channel. Reading Between the Reels is available on Apple Podcasts, Spotify, Podbean, YouTube, or wherever you get your podcasts! You can also follow them on Twitter, Instagram, or TikTok! Collateral Media merch is available on Dashery! Check out everything from shirts and hats, to stickers, and even tapestries, at our affiliate link now: collateralmedia.dashery.com (Collateral Cinema and Collateral Gaming are Collateral Media Podcasts. Intro song is a license-free beat from Purple Planet Music. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don't sue us; we're poor!)

Hey Retro Fans!

Title: The Amazing Spider-Man [Wikipedia] [IMDb] Director: Marc Webb Producers: Laura Ziskin, Avi Arad, Matt Tolmach Writers: James Vanderbilt (screenplay/story); Alvin Sargent, Steve Kloves (screenplay) Stars: Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Campbell Scott,. Irrfan Khan, Martin Sheen, Sally Field Release date: July 3, 2012 (US) PROMO: Ninety For Chill: The Podcast with CatBusRuss SHOWNOTES: On the latest episode of Collateral Cinema, Ash and Beau are swinging into a superhero film of 2012 that we can't help but find fascinating: The Amazing Spider-Man, starring Andrew Garfield! While less beloved than other live action incarnations of the character, this version of Peter Parker lives on in our brains, as well as this movie—which came out during a time when studios felt every comic book movie had to be dark and grounded, and makes for some interesting results with the wall-crawler. So, stick around for this review, and stay tuned for our upcoming collaboration with Collateral Gaming on Lara Croft: Tomb Raider (2001)! Collateral Cinema is on Bluesky, Facebook, Instagram, Threads, and Twitter, and is on Goodpods, Apple Podcasts, Spotify, Podbean, Google Podcasts, YouTube, iHeart, and wherever else you get your podcasts! Also, check out Collateral Let's Play! on our YouTube channel. Collateral Media merch is available on Dashery! Check out everything from shirts and hats, to stickers, and even tapestries, at our affiliate link now: collateralmedia.dashery.com (Collateral Cinema is a Collateral Media Podcast. Intro song is a license-free beat from Purple Planet Music. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don't sue us; we're poor!)

184 - Lara Croft: Tomb Raider In this action-packed episode of Reel Comic Heroes, the hosts dust off their dual pistols and dive headfirst into the early 2001 adventure phenomenon that was Lara Croft: Tomb Raider, starring Angelina Jolie. Based on the wildly popular video game series, this film promised to bring one of gaming's most iconic characters to life — but did it live up to the hype? Join us as we explore the film's ambitious blend of myth, mysticism, and globe-trotting action, discuss Jolie's star-making turn as the fearless archaeologist, and debate whether the movie's flashy stunts and early CGI hold up today.  Grab your map, load your gear, and get ready for an expedition through ancient tombs, British manor intrigue, and the relic-hunting nostalgia of Lara Croft: Tomb Raider!   Discuss the episode over on the Facebook group: The Reel Comic Heroes League of Citizens Follow @ReelComicHeroes on Letterboxd Join us for our next movie review - The One Instagram | Website  

  Featured Movie Review: The Toxic Avenger (2023) [Wikipedia] [IMDb] PROMO: Movie Wars (@MovieWarsPod) SHOWNOTES: It's Post-Halloween time on the Director's Cut!, as Beau and Ash review the 2023-by-way-of-2025 Toxic Avenger reboot, starring the likes of Peter Dinklage, Elijah Wood, and Kevin Bacon! As fans of all things Troma, we absolutely had to go see this at the movies and record a spoiler-free review, and what better way to conclude the spooky season than a new take on a splatter film icon? So, smoke some weed, grab your toxic mop, chill with us, and stay tuned for our review of The Amazing Spider-Man and Collateral Gaming collaboration episode on Lara Croft: Tomb Raider later this month! Collateral Cinema: Director's Cut! is on Bluesky, Threads, Twitter, Facebook, and Instagram. We are also available on Spotify, Apple Podcasts, iHeart, YouTube and wherever you get your podcasts. Also, look for us on Patreon, and check out Collateral Let's Play! on our YouTube channel. Collateral Media merch is available on Dashery! Check out everything from shirts and hats, to stickers, and even tapestries, at our affiliate link now: collateralmedia.dashery.com (Collateral Cinema is a Collateral Media Podcast. Intro song is a license-free beat. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don't sue us; we're poor!)

It's such a joy to introduce everyone to my delightfully knowledgeable work buddy Pat King (aka PK), who's a veteran bookseller at Poisoned Pen Bookstore in Scottsdale, AZ. One of our most beloved employees with decades of experience, PK is a Book Ninja, in that you can walk in, tell him what you're interested in or the kind of stuff you like & he'll find you your new favorite read. This week, I brought him on to discuss another one of his passions beyond Science Fiction & Horror. As a video game enthusiast & collector, PK is the perfect person to inject the pod (& this heavy year) with a little bit of nostalgia. Sharing our early memories of our first video game systems & favorite games, we move on to discuss the film adaptations of LARA CROFT: TOMB RAIDER (2001), the first RESIDENT EVIL film (2002), SONIC THE HEDGEHOG (2020), & the recent animated SUPER MARIO BROS MOVIE (2023).Originally Posted on Patreon (10/14/25) here: https://www.patreon.com/posts/141220694Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fiTheme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

In this episode, we welcome editor Glen Scantlebury, ACE. Glen has worked on a variety of influential films such as Megalopolis, Dracula, The Cotton Club, The Godfather Part III, Armageddon, Con Air, The Rock, Lara Croft: Tomb Raider, The Texas Chainsaw Massacre (2003), Friday the 13th (2009), A Nightmare on Elm Street (2010), Tropic Thunder, and Palo Alto. In our chat, we hear about his pathway to editing features, his role in pioneering digital editing workflows, collaborating with Francis Ford Coppola, and much more. Glen also offers the next generation of creators various insights and recommendations on editing and storytelling. “The Making Of” is presented by AJA:Gear up: AJA just launched new techFlexibility is everything in production, which is one of many reasons to check out AJA's newest products. IP25-R bridges SMPTE ST 2110 networks and 4K SDI/HDMI infrastructure, UDC-4K scales between HD and 4K/UltraHD, and BRIDGE LIVE 12G-4 provides a multi-channel UltraHD IP video workflow bridge for remote production, streaming, video contribution, and more. Learn more.Next-Gen DIY Storage, UnleashedThe OWC Express 1M2 80G delivers over 6000 MB/s real-world performance using the latest USB4 v2 (80 Gb/s) interface, with Thunderbolt 5 compatibility for next-gen workflows. Choose a ready-to-run or DIY enclosure—upgradeable to 8 TB using NVMe M.2 SSDs. Its passive heatsink design ensures silent, consistent speeds, all in a bus-powered, palm-sized form factor. Explore hereThe Art of Editing “Andor” with Yan Miles, ACE: OWC Takes Home Two Future's Best of IBC2025 Show Awards:Both the OWC Thunderbolt 5 Dual 10GbE Network Dock and OWC Jellyfish S24 Earn Coveted Honor at IBCOther World Computing announced its OWC Thunderbolt 5 Dual 10GbE Network Dock and its OWC Jellyfish S24 have both been awarded a Future's Best of Show Award, presented at IBC2025 by TVBEurope. Read more here Introducing Ninja TX:Introducing Ninja TX, the all-new addition to the Ninja family. It's equipped with 12G-SDI and HDMI, so now you can monitor & record from any pro camera to ultra-fast CFexpress media or external USB-C storage. You also get built in Wi-Fi for C2C workflows and AirGluTM timecode for multicam projects, all in a lightweight, compact 5-inch form factor. Atomos Ninja TX is available for pre-order for only $999 at Videoguys.com. Learn more herePost|Production World NY 2025:We're proud to support Post|Production World NY 2025, October 22–23 at NAB Show New York. Join editors, filmmakers, and creators for two days of expert-led sessions in color grading, cinematography, workflows, and creative AI. Save 15% with code FMCP15. Get your pass herePodcast Rewind:Sept 2025 - Ep. 95…Sponsor “The Making Of” newsletter and reach 250,000 filmmakers, TV production pros, and content creators each week. For more info, email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

The important thing in the world has happened. The Rock doesn't have as many muscles and now he's serious and has glasses. And in celebration of that we talk the greatest pivots in Hollywood history. Plus we talk an annoucement of the next DCU Superman movie, the Lara Croft TV show movies forward, a Call of Duty movie, 007 First Light James Bond gameplay, Alien: Romulus sequel loses it's director director, release dates for the Bluey movie and the Street Fighter film, trailers ahoy for 28 Days Later: The Bone Temple and Marvel Zombies and more! Thanks for listeningCheerful Early Podcast Festival with Guest Appearances on Plumbing the Death Star and Thumb Cramps: https://cheerfulearful.podlifeevents.com/New ep of James & Maso's Time Craspule out now on Big Sandwich! Plus entire back-catalogue of let's play videos, bonus podcasts, movie commentaries, early access and ad-free episodes all available on https://bigsandwich.coPLEASE be aware timecodes may shift up to a few minutes due to inserted ads.00:00 The Start05:32 Important Questions About Cars Universe07:51 Man of Tomorrow Superman Sequel Announced13:05 Sophie Turner Cast as Lara Croft (Tomb Raider)16:44 Call of Duty Movie Happening24:24 007 First Light James Bond Gameplay Trailer27:21 Alien Romulus Sequel Getting New Director30:28 Bluey Movie Gets Release Date32:59 Street Fighter Film Cast Reveal34:35 28 Days Later: The Bone Temple Trailer37:54 Marvel Zombies Series Trailer40:02 The Smashing Machine & The Rock's Big Acting Comments49:44 Best Actors Who Pivoted Genres and Roles01:32:35 What We Reading, What We Gonna Read (Feat. Peacemaker S2 Spoilers)01:48:52 Letters, It's Time For LettersSUBSCRIBE HERE ►► http://goo.gl/pQ39jNJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-moviesThe Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

Beer 1: - Top 5 Boxing matches that can currently be made. Canelo, Crawford, Fury, Joshua, Benevidez, Bivol, Rodriguez, Inoue, Nakatani and more - Top 5 World Series MVPs - the guys provide their top 5 preferences that they wish could be World Series MVP. Not necessarily top 5 favorite players - Top 5 Super Bowl Champions - caveat is you can't pick your own team. Who did the guys pick? Beer 2: Recasting multiple beloved characters with random actors. A multiple choice quiz that Jordan proposed to Drew; Luke Skywalker, Rick Grimes, Captain Jack Sparrow, Billy Madison, Lara Croft Tomb Raider, Wonder Woman, Sidney from SCREAM.

Mike Butler and Mike Field are once again joined by guest Russ Lyman to discuss "Lara Croft: Tomb Raider" starring Angelina Jolie on their limited special series "From Console to Screen".Does this film wash the taste of the atrocity that was "Mortal Kombat: Annihilation" from their mouths? Don't ask Butler!What's your favorite Tomb Raider movie? Let us know in the comments below!

On the forty- third episode of ATFT, actress/ producer Michelle Calloway and movie critic Matthieu Côté join me in celebrating Angelina Jolie for her 50th birthday!Angelina Jolie is one of the most globally beloved movie stars of our time with people admiring her through her iconic public image evolution from being the “wild child” to a humanitarian and mother. She hit the ground running in the late 90s by earning three Golden Globes and an Academy Award for her performance as Lisa Rowe in Girl, Interrupted. She established herself as an action star by playing the titular character in Lara Croft: Tomb Raider. While many know her from her action films, she quietly has built up a versatile filmography with many of her best films being hidden gems. Her brilliant and emotionally- charged dramatic talents are overshadowed by the celebrity attention she has received and being one of the most beautiful women on the planet. If her success in film isn't enough reason to celebrate her, she's a humanitarian who served for ten years as a Special Envoy for the UN High Commissioner for Refugees. She has also been an advocate for women as her health- focused op- eds inspired women, leading for the sort- of movement as “The Angelina Effect”. She has been an inspiration to me for several years but her global impact has remained strong for over two decades.This is Michelle's second time on the podcast while this is Matthieu's third time! This episode came together rapidly and the version everyone will hear is probably Plan E. Plans were set for months to have on a returning guest to discuss Angelina but she, unfortunately, became a no- show. It would have been easier to have cancelled this episode but I didn't want to because Angelina has had such an impact on me since I was about 18 years old and this was a great opportunity to honor her. I am incredibly grateful to Matthieu and Michelle for saving this episode! Michelle is planning a second Filmmaker Forum for August this year! The date has yet to be set but the first one, which took place in March, was a major success and incredibly informative so if you're in the Jacksonville area, stay tuned for more information by following @michellecalloway on Instagram! Also nominate Michelle for the Rising Star Award for the City of Jacksonville Film and Television Office Annual Awards by clicking this link!: https://www.filmjax.com/bizforms/rising-star-nomination-form?fbclid=IwY2xjawKsOhVleHRuA2FlbQIxMQBicmlkETF6YjRWVE1zdG4xT1l5S3pBAR4h4Kgd7IKZdXI7IHsYGCJC7OBfEKrH32qFvuiXbRWeWsoGLIh532Nnilme3A_aem_u_yaKfTGoCq4ScfjrfDpmA ! Matthieu has several exciting interviews that will soon be available on his YouTube channel including one with the director and star of the new horror film The Ritual. He's also working on a passion project, a hockey- focused documentary, which should be out later this year! Subscribe to his YouTube channel by clicking this link!: https://www.youtube.com/@matthieucote2272 As I mentioned, this episode came together quickly so it's definitely an eccentric casual format episode. Angelina's films from Hackers to Maria are discussed with only a few omissions, like Beyond Borders. We share our first memories of Angelina and our five favorite Angelina films. For one section of the episode, I talked about three Angelina films I especially wanted to highlight. Matthieu and I discuss his favorite Angelina film, By the Sea, at length while Michelle shares which filmmaker she hopes Angelina will work with someday. All this and more on the new episode of All the Film Things!Background music created and used with permission by the Copyright Free Music - Background Music for Videos channel on YouTube.Photo of Angelina used in the cover art was retrieved from Flickr (link to the photo: https://www.flickr.com/photos/worldeconomicforum/346665570 and link to the license rules: https://creativecommons.org/licenses/by-nc-sa/2.0/ ). The only change made to the image was that it was cropped. 

More tombs! More Raider! We won't stop! Tomb Raider movies forever! Oscar and Carl do the second Tomb Raider, to figure out who would watch this, and then they're gonna do more! Tomb Raider!!!!Find us through:Email: askwwwtpodcast@gmail.com YouTube: https://www.youtube.com/@whowouldwatchthis Instagram: https://www.instagram.com/whowouldwatchthis/ TikTok: @podcastwhowouldwatchthis More links: https://linktr.ee/whowouldwatchthis

Oscar and Carl watch Lara Croft: Tomb Raider to figure out who would watch this. Find us through:Email: askwwwtpodcast@gmail.com YouTube: https://www.youtube.com/@whowouldwatchthis Instagram: https://www.instagram.com/whowouldwatchthis/ TikTok: @podcastwhowouldwatchthis More links: https://linktr.ee/whowouldwatchthis

Filmbarátok Podcast #301 [Videojáték megfilmesítések] (Április 2025) 243 perc Beszélgetnek: Stöckert Gábor, Sorter, Blacksheep, Gergő, freddyD Téma: -Felvezető (00:00:00) -Borítókép (00:15:43) -Beszélgetés Stökiről (00:20:25) -Egy Minecraft film (00:31:28) -Lara Croft: Tomb Raider [2001] (01:20:00) -Resident Evil (01:47:55) -Mortal Kombat [1995] (02:12:55) -Super Mario Bros. [1993] (02:46:00) -Postal (03:18:50) Csatolmányok: Képtelen krónika podcast https://keptelenkronika.hu Checkpoint podcast https://iddqd.blog.hu Freddy vendégszereplése a Checkpoint Podcastben https://iddqd.blog.hu/2018/06/04/checkpoint_4x12_a_rossz_pc_jatekok_sorozat Stökiék Resident Evil filmösszefoglalásai képregényként https://index.hu/kultur/cinematrix/2017/01/28/resident_evil_osszefoglalo_kepregeny/ Super Mario Bros Super Show intró https://www.youtube.com/watch?v=BkWYP95WbbY

Review of Lara Croft: Tomb Raider (2001) Episode 2 of 5 of our Video Game Movie Rewind Review Hosts: Chris Trio & Anthony Ragucci Join our community! https://discord.gg/sTwgsXYGwc Watch us live on twitch at https://twitch.tv/delconerdnetwork Follow Us! https://linktr.ee/delconerds Intro and Outro Music by Alex Rome. https://www.youtube.com/AlexRome Lower Thirds By Alejandro Hernandez https://alejandrojhernandez.com Table by House of Me https://www.instagram.com/athomewithelm/ https://www.athomewithelm.com/

It's time to look at another terrible video game movie adaptation, and in this episode we're covering two for twice the misery. So join Mark, Nick, and Andy as they delve into the incredibly dated early 2000's action schlock that is the Angelina Jolie Tomb Raider movies. You can find additional content by us over on the LGR website at www.lapsedgamer.com and you can get in touch with us via Twitter at https://x.com/lapsedgamer or on the infinitely less awful Bluesky at https://bsky.app/profile/lapsedgamer.bsky.social You can also see our videos over on YouTube at http://www.youtube.com/channel/UCAGtlQOKR97vqxhyXekAVwg Our streams can be seen at Twitch.tv/LapsedGamer The Lapsed Gamer Radio Team created this episode. Edited by Mark Hamer Original LGR themes, FX and music cues created and composed by Mark Hamer. You can stream or directly download our episodes via our Podbean homepage https://lapsedgamerradio.podbean.com If you're enjoying our content, please subscribe to and review Lapsed Gamer Radio on Apple Podcasts.

⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐ A STAR IS BORN, HONEY! ⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐ A major event in Joliewood's history, it's time to crown her. No, it's not her Oscar, it's more important, it's 2001's Lara Croft: Tomb Raider! Orphaned heiress, English aristocrat and intrepid archaeologist, Lara Croft, embarks on a dangerous quest to retrieve the two halves of an ancient artifact which controls time before it falls into the wrong hands. As an extremely rare planetary alignment is about to occur for the first time in 5,000 years, the fearless tomb raider will have to team up with rival adventurers and sworn enemies to collect the pieces, while time is running out. But, in the end, who can harness the archaic talisman's unlimited power? (Sourced from Letterboxd) First things first, WHERE IS THE MIDRIFF? Surely the iconic Tomb Raider looks features a lil bit of belly as we all know! Well, all will be revealed in this episode. Our hosts have learned many things. Other things we've learned include, Angelina and daddy can do a halfway decent English accent but Daniel Craig can NOT do a serious American accent (Knives Out ham only). Popcorner chats include Tinā, Mickey 17, The Silver Fox Office, Sporcle, Severance, Sturgill Simpson's Sound and Fury, Adolescence, The Giver (Chappell Roan) and Relationships (HAIM).

Uma babá chega no serviço e os pais avisam que as crianças já estão dormindo. Aparentemente um trabalho fácil. O problema é que um estranho não para de ligar para ela e perguntar: “você já checou as crianças?”. A lenda urbana da babá e o homem no andar de cima inspirou o diretor Fred Walton a escrever um curta chamado The Sitter, que de tão tenso, acabou sendo transformado em um longa. Quando um Estranho Chama (1979) – também chamado de O Mensageiro da Morte – nos apresentou a terrível história de Jill Johson e as crianças que ela deveria cuidar. Em 2006, o filme ganhou um remake interessante, que tentou arrumar algumas coisas do original e apresentou a história para toda uma nova geração. No episódio dessa semana recomendamos não atender o telefone… O estranho pode estar mais perto do que você pensa.O RdMCast é produzido e apresentado por: Gabriel Braga, Thiago Natário e Gabi Larocca.Apoie o RdM e receba recompensas exclusivas: https://apoia.se/rdmCITADOS NO PROGRAMA:Mensageiro da Morte/Quando um Estranho Chama (1979)Quando um Estranho Chama (2006)Citações off topic:Eu Vi Que Foi Você (1965)Eu Vi o Que Você Fez… e Eu Sei Quem Você é! (1988)When a Stranger Calls Back (1993)Con Air – A Rota da Fuga (1997)Lara Croft: Tomb Raider (2001)Foster's Release (curta, 1971)A Vingança Será Minha (1973)Pânico (1996)Noite do Terror (1974)The Sitter (1977)Quando as Luzes se Apagam (2016)Mergulho Noturno (2024)Veludo Azul (1986)When a Killer Calls (2006)Diversão Macabra (2008)A Hora do Pesadelo (2010)A Morte Convida para Dançar (2008)EPISÓDIOS CITADOS:RdMCast #341 – Creepypastas: Lendas Urbanas da InternetRdMCast #448 – Creepypastas: Lendas urbanas da internet – parte 2RdMCast #356 – Lendas Urbanas do GuguRdMCast #281 – Franquia PânicoRdMCast #317 – O Horror depois de Pânico: Adolescentes nos anos 90Cabana RdM #47 – Mergulho Noturno: um filme rasoRdMCast #419 – A mente psicodélica de David LynchRdMCast #476 – Sessão Nostalgia: remakes dos anos 2000Siga o RdMYoutube: https://www.youtube.com/c/Rep%C3%BAblicadoMedoInstagram: @republicadomedoTwitter: @RdmcastEntre em contato através do: contato@republicadomedo.com.brPODCAST EDITADO PORFelipe LourençoESTÚDIO GRIM – Design para conteúdo digitalPortfólio: https://estudiogrim.com.br/Instagram: @estudiogrimContato: contato@estudiogrim.com.br

First-up there's Martin Campbell, the director of the acclaimed James Bond films Goldeneye with Pierce Brosnan and Casino Royale starring Daniel Craig. This is followed by a chat with Simon West, the director of the iconic '90s Nicolas Cage pic, Con Air and Lara Croft: Tomb Raider starring Angelina Jolie. Martin Campbell discusses his new film, Cleaner, a high-rise action pic starring Star Wars star, Daisy Ridley and Clive Owen. We not only talk about the practicalities of making an action film, but we also cover 30 years of Goldeneye, the legacy of the James Bond franchise, as well as why we haven't had a belated second sequel to his brilliant 1998 film, The Mask Of Zorro, starring Antonio Banderas and Catherine Zeta-Jones. This was my third time interviewing the great Simon West, so we had great fun talking about keeping interviews fresh, as well as his new comedic action film, Old Guy. Shot and set in Belfast, the film stars the eclectic combination of Christoph Waltz, Cooper Hoffman and Lucy Liu. Simon talks about filming in Belfast and why he was so eager to ditch the stereotype of Northern Ireland's violent past and shoot the province as a contemporary European location.

On this episode of Reel Insights, Sean Tajipour, the Mayor of Nerdtropolis, sits down with legendary director Simon West to talk about his action-packed new film, Old Guy! Starring Christoph Waltz, Cooper Hoffman, and Lucy Liu, the film blends high-octane action with sharp humor.Simon also reflects on his blockbuster career, including directing Con Air, The Expendables 2, and Lara Croft: Tomb Raider!

What's up Gamers? This week brings a throwback review to 2001's Lara Croft: Tomb Raider. How well did the movie represent the game? Was Angelina's upper half polygonal enough? Was this evenreallya movie? Listen now, and comment your thoughts below! This Podcast is a member of the DynaMic Podcast Network! Please check out the other shows on the Network:* Dynamic Duel: Marvel Vs. DC * Max Destruction: Movie Fights *Senjoh World: Anime ActionAnd check out the⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Linktree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Also, please consider leaving a 5 Star Rating and Review wherever you may be listening to this show, as it helps continue growing our listening audience! And please, check out our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!*DISCLAIMER: This show uses an AI made voice that has a resemblance to a real person. This is not done with malicious intent nor is there any intent to use said voice for monetary gain.*

This week on Galaxy Of Film, the Harold Dyson Ent. crew joins us to tie some loose ends up by discussing some more video game movie sequels! Ep69 - Sonic The Hedgehog Double Feature - https://www.galaxyoffilm.com/shows/episode/204c34d6/ep69-sonic-the-hedgehog-double-feature LFG - Knuckles - https://www.galaxyoffilm.com/shows/episode/4db2b422/knuckles-paramount-plus Ep192 - Borderlands & Lara Croft: Tomb Raider - https://www.galaxyoffilm.com/shows/episode/33fafc97/ep192-borderlands-and-lara-croft-tomb-raider Check out our newest short film, Femme Fatale - ⁠⁠⁠https://www.youtube.com/watch?v=Ep5falpV4Uk&t=21s⁠⁠⁠ The newest trailer for The Autograph King - ⁠⁠⁠⁠https://www.youtube.com/watch?v=y1Yv7GPfY8Q⁠⁠⁠⁠ You can find more of our podcast as well as the rest of our content on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠GalaxyOfFilm.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can follow us on Instagram, X, and TikTok @GalaxyOfFilm and subscribe to our YouTube channel, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Galaxy Of Film Productions⁠⁠⁠⁠⁠⁠!⁠⁠⁠ Follow our guest stars! Gamer Harold - ⁠⁠⁠@⁠⁠⁠GameBoyHarold on YouTube, @Gamer_Harold on Twitch & Instagram, and @GamerHarold_ on X Rique Chamberlain - @RiqueChamberlain on YouTube, TikTok and Twitch, and @pedrointroverto on Instagram Shirieff Frazier - @Shi The Uchiha on YouTube, @Young_reffia on Instagram and @Unhateable_kid on X Music made by Dakari Holder & Tyler Jansen Thumbnail by William Kish Graphic design by MC Media

“Mithril! All folk desired it. It could be beaten like copper, and polished like glass; and the dwarves could make of it a metal, light and yet harder than tempered steel. Its beauty was like that of common silver, but the beauty of mithril did not tarnish or grow dim.”Gandalf, The Fellowship of the Ring (J.R.R. Tolkien)Perhaps the most famous fictional metal of all time (at least until adamantium and vibranium came along), mithril is the rare metal found in Middle-earth from J.R.R. Tolkien's Lord of the Rings saga and Peter Jackson's movies. It is as strong and beautiful as it is durable. Lightweight and virtually impenetrable, it's a boon for adventurers and warriors. And while this stems from a world full of magical spells and creatures, one that was incredibly consistent throughout its original novels (and the screen adaptations that followed), you might be surprised at just how scientifically sound the concept of mithril is!Does mithril hold up to our scientific and story scrutiny the way it does swords, arrows, and everything else the forces of Mordor can throw at it? SUGGESTED VIEWING Peter Jackson's core Lord of the Rings trilogy, Fellowship of the Ring, The Two Towers, and The Return of the King, aren't just the finest fantasy films ever made, but some of the best movies of the 21st century, full stop! Watch them! Jackson also made a trilogy of prequel films based on The Hobbit, but they aren't as beloved and we can't call them essential viewing.We'd also like to point out that the prequel TV series The Rings of Power on Prime Video deals in part with the very origin of mithril itself, so if you need some deeper Middle-earth lore, you should give that a look. And for the newest installment in the screen version of the saga, The Lord of the Rings: The War of the Rohirrim is a lush, ambitious anime, which is currently in theaters.FURTHER READING Do you want to delve a little deeper into the facts, concepts, and stories Hakeem and Tamara referenced in today's episode? Of course you do! The Lord of the Rings SagaIf you haven't read the trilogy of novels that make up the core Lord of the Rings saga, you're missing out on the foundation of virtually all pop culture fantasy. Read ‘em in order! The Fellowship of the Ring, The Two Towers, and The Return of the King. Optional reads include the prequel (and perhaps most famous and beloved) The Hobbit and the almost textbook-y deep lore exploration, The Silmarillion.The Basics“The properties of any material depend most strongly on two things: the types of bonds that it forms, so you might remember in high school talking about ionic bonds, covalent bonds, and metallic bonds. The other characteristic of how a material behaves involves the metallic or molecular structure.”For the purposes of this episode, though, pay particular attention to the concept of how metallic bonds behave.Crystal Lattice StructuresIsn't Mithril beautiful and shiny? Sure! Crystals are often shinier than metal, but they're more brittle. The reason is because of how regularly the atoms are arranged (don't worry, we're bringing this back to Mithril in a moment).GrapheneOh, you want your metal armor to be both strong and lightweight? That's where a carbon fiber known as graphene comes in.Radiometric DatingFor when carbon dating just isn't enough to get a sense of the age of something!Tut's DaggerBecause history is often just as cool as fantasy, King Tutankhamen had a dagger made from the ore in a meteorite!Psyche (Asteroid)An asteroid worth over a quintillion dollars that could solve some of our natural resource problems? NASA is on the case. By the way, check out one of Tamara's favorite shows, For All Mankind, which deals with an “external resource” that changes the course of human history.WANT MORE FROM DOES IT FLY?This isn't the first time we've discussed fantasy metal alloys on Does it Fly? so check out our episode on Lara Croft: Tomb Raider.Want more pure magic and sword and sorcery action from us? We've taken a close look at The Witcher, too!FOLLOW US!Stay in the loop! Follow DoesItFly? on YouTube and TikTok and let us know what you think! And don't forget to follow Roddenberry Entertainment:Instagram: @RoddenberryOfficial Facebook: RoddenberryTwitter: @Roddenberry  For Advertising Inquiries: doesitfly@roddenberry.comCheck out the official Does it Fly? playlist, too!

Put on your sunglasses, grab the nearest ancient relic, reload your Berettas and get ready for a wide range of terrible accents as the Sequelisers tackle the Lara Croft Tomb Raider sequel in this Season 14 finale episode! See you next week for the start of the inter-season fun! Join our Patreon for early access, ad-free episodes and bonus content https://www.patreon.com/c/sequelisers Read the full pitch for FREE (no sign-up required) on Patreon (SPOILERS, obviously): https://www.patreon.com/posts/lara-croft-tomb-115622130 Follow us Website: www.sequelisers.com/  Discord: www.sequelisers.com/discord  Shop: www.sequelisers.com/shop  Twitter: twitter.com/sequelisers Instagram: instagram.com/sequelisers TikTok: tiktok.com/@sequelisers Music by Daniel Williams Learn more about your ad choices. Visit megaphone.fm/adchoices

Young Jorah?? Young Bond?? Sideways shooting with techno music?? Pointy cartoon breasts?? Where to find us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - "Free Guy" is our movie of the month, as well as, HOTD, more movies, etc. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠On The Path Socials⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lucy's Socials⁠

As the old adage goes, "Well-behaved women seldom make history" and Tomb Raider takes that to a whole new level. Based on the popular late 90s action-adventure video games, Angelina Jolie plays the titular Lara Croft in these high-energy films released during the early 2000s. To help us unpack the early inspirations for this character and her initial film adaptations, we are joined by Egyptologist (and sometimes Lara Croft cosplayer), Dr. Marina Escolano-Povdeda. While these films definitely fail the Bechdel test, one must marvel at this cinematic world in which no one questions Lara's capabilities as a Tomb Raider. Even if she probably destroys more tombs than not, her importance as an icon for young girls and women who wanted to enter the male-dominated field of archaeology cannot be overstated. That's got to count for something, right? If you are interested in learning more about #RealArchaeology and the people who do it, be sure to check out https://real-archaeology.com/index.html. And if you would like to learn more about Marina and her work, check out her Twitter and Instagram pages. Hosted on Acast. See acast.com/privacy for more information.

As the old adage goes, "Well-behaved women seldom make history" and Tomb Raider takes that to a whole new level. Based on the popular late 90s action-adventure video games, Angelina Jolie plays the titular Lara Croft in these high-energy films released during the early 2000s. To help us unpack the early inspirations for this character and her initial film adaptations, we are joined by Egyptologist (and sometimes Lara Croft cosplayer), Dr. Marina Escolano-Povdeda. While these films definitely fail the Bechdel test, one must marvel at this cinematic world in which no one questions Lara's capabilities as a Tomb Raider. Even if she probably destroys more tombs than not, her importance as an icon for young girls and women who wanted to enter the male-dominated field of archaeology cannot be overstated. That's got to count for something, right? If you are interested in learning more about #RealArchaeology and the people who do it, be sure to check out https://real-archaeology.com/index.html. And if you would like to learn more about Marina and her work, check out her Twitter and Instagram pages.

This episode of Does it Fly? is presented by Netflix, the exclusive home of Tomb Raider: The Legend of Lara Croft, starring Hayley Atwell, Allen Maldonado, Earl Baylon, Richard Armitage, and Zoe Boyle. Tomb Raider: The Legend of Lara Croft is now streaming only on Netflix.2001's Lara Croft: Tomb Raider movie is perhaps best remembered for the near-perfect casting of Angelina Jolie as the iconic video game character. And if you think it might seem an odd fit for an episode of Does it Fly? we would like to point out a few things that will correct the record on that front. For while this may not be the most well-loved action movie of its generation, it has all the elements that get us excited to talk about a project.Well, one element that contains multitudes, we should say. This movie's “MacGuffin” has it all! It's made from meteorites, which help grant it some strange and otherworldly powers. It only reveals its true power during the confluence of specific astronomical events such as planetary alignments or solar eclipses. It can be used to control time itself, and as you know, we love trying to wrap our heads around time travel story and science logic on this show (see our Doctor Who and Back to the Future and Terminator episodes for examples).What will Hakeem and Tamara find on this adventure and bring back for us to learn? FOLLOW US!Stay in the loop! Follow DoesItFly? on YouTube and TikTok and let us know what you think! And don't forget to follow Roddenberry Entertainment:Instagram: @RoddenberryOfficial Facebook: RoddenberryTwitter: @Roddenberry  For Advertising Inquiries: doesitfly@roddenberry.com

It's our most boob-filled discussion to date as we dissect the development and release of one of the biggest box office hits to ever be based on a classic video game! A blunder filled with interesting casting choices, over the top wire work, cute snow dogs, and an eccentric soundtrack to boot.

Come join the crew in watching the 2001 action-adventure blockbuster hit starring Angelina Jolie! And trust us when I say that you won't want to take on this task alone… because this film sucks! Weak characterization, sloppy editing, and poor cinematography are only the start of this dud. But don't worry, our audio track is here to spice things up and save you from utter chaos! Then you'll have all the context ya need for when we dig into its full production on the next episode. Stay tuned!

This week on Galaxy Of Film, Gamer Harold returns to the spotlight with some members of his crew to discuss some more video game flicks! LFG Knuckles - https://www.galaxyoffilm.com/shows/episode/4db2b422/knuckles-paramount-plus Check out our newest short film! - ⁠https://www.youtube.com/watch?v=j2ltWEbwWL4&t=1320s⁠ You can find more of our podcast as well as the rest of our content on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠GalaxyOfFilm.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can follow us on Instagram, X, and TikTok @GalaxyOfFilm and subscribe to our YouTube channel, ⁠⁠⁠⁠⁠⁠⁠Galaxy Of Film Productions⁠⁠⁠⁠⁠⁠⁠⁠! ⁠⁠The new show reel for "The Autograph King"⁠⁠⁠ - ⁠⁠https://www.youtube.com/watch?v=HOaAZvZp9b0⁠⁠ Follow our guest stars! Gamer Harold - ⁠⁠⁠@⁠⁠⁠GameBoyHarold on YouTube, @Gamer_Harold on Twitch & Instagram, and @GamerHarold_ on X Rique Chamberlain - @RiqueChamberlain on YouTube, TikTok and Twitch, and @pedrointroverto on Instagram Shirieff Frazier - @ Shi The Uchiha on YouTube, @Young_reffia on Instagram and @Unhateable_kid on X Music made by Dakari Holder & Tyler Jansen Graphic design by MC Media --- Support this podcast: https://podcasters.spotify.com/pod/show/galaxyoffilm/support

This week's episode features screenwriter Mike Werb, who has famously been involved with projects like The Mask (1994), Face/Off (1997) and Lara Croft: Tomb Raider (2001)! Join in the conversation as Mike shares about his career, his love for the Los Angeles Dodgers and Blink-182, and talks in detail about the significance of the 30th Anniversary of The Mask!

On this special episode of LFG, Brandon talks with TV/Film writer, Sara B. Cooper to discuss her career and her work on various projects including Chicago Hope, Star Trek: The Next Generation, 2001's Lara Croft: Tomb Raider and 2016's Milton's Secret. You can find more of our podcast as well as the rest of our content on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠GalaxyOfFilm.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can follow us on Instagram, X, and TikTok @GalaxyOfFilm and subscribe to our YouTube channel, ⁠⁠⁠⁠⁠⁠Galaxy Of Film Productions⁠⁠⁠⁠⁠⁠! ⁠⁠⁠You can watch our newest short film, Goonies in Agony ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠right here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! ⁠⁠⁠⁠⁠⁠⁠⁠- https://www.youtube.com/watch?v=j2ltWEbwWL4 ⁠⁠The new show reel for "The Autograph King"⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=HOaAZvZp9b0⁠⁠⁠⁠⁠⁠⁠⁠ Music made by Dakari Holder & Tyler Jansen Graphic design by MC Media LFG created by Danilo Wyatt & Brandon Messina --- Support this podcast: https://podcasters.spotify.com/pod/show/galaxyoffilm/support

Born into Wealth. Groomed by the Elite. Trained for Combat. In this episode Michael & Claire are visiting an iconic video game crossover - complete with skin-tight lycra and fake nipples - to save the world from Pandora's Box and the epic destruction contained therein. Remember that "no gun" rule? She reconsidered for Lara Croft: Tomb Raider - The Cradle of Life! At time of recording Lara Croft: Tomb Raider is available to stream on Paramount+ and MGM+ in the USA and Lara Croft: Tomb Raider - The Cradle of Life is available to rent & purchase from most paid streaming services. Both movies are available to stream free of charge on iPlayer in the UK

Co-hosts Aubrey Paris and Emily Black compare National Treasure with Lara Croft: Tomb Raider (2001), emphasizing the importance of family as a motivator in both franchises. Plus, what qualities define a "treasure hunt movie"? Join the hunt on Twitter and Instagram using @NTHuntPodcast, and find new episodes of National Treasure Hunt every-other Wednesday on Spotify, Apple Podcasts, or wherever you listen. More information about the National Treasure Hunt podcast, tour, and book can be found at www.nthuntpodcast.com. Order our book, "National Treasure Hunt: One Step Short of Crazy," from Tucker DS Press here: https://www.tuckerdspress.com/product-page/national-treasure-hunt-one-step-short-of-crazy To access even more exclusive National Treasure Hunt content, including bonus episodes and watch parties, subscribe to our Patreon: www.patreon.com/NTHuntPodcast

European video game documentarian Kim Justice joins the panel to discuss a broad variety of accents, whether or not Sonic R is a British game, and a revisitation of our Best British Games list. Hosted by Alex Jaffe, with Frank Cifaldi, Tim Rogers, Brandon Sheffield, and Kim Justice. Edited by Esper Quinn, original music by Kurt Feldman. Questions this week: Has a video game ever captured the qualities of sumo? (10:46) What are the most essential things we wouldn't have in games today without the early European games scene? (17:46) Apart from brand recognition, what are the advantages and disadvantages of working on a licensed game? (25:55) What is the worst video game the most people have played? (32:52) Carl/Charles: What would an English version of The Tairyou Jigoku's multiple dialect options be like? (40:23) LIGHTNING ROUND: Best British Games revisitation (50:27) Recommendations and Outro (01:01:25) Discuss this episode in the Insert Credit Forums A SMALL SELECTION OF THINGS REFERENCED: CeX Michigan: Report from Hell Sonic the Hedgehog 3 The Secret of Monkey Island The Legend of Zelda Metroid Cocoon Parasite Eve The 3rd Birthday Grange Hill The Hulk Sumo Super Mario 64 Ys series Virtua Fighter Buriki One: World Grapple Tournament '99 in Tokyo Death Stranding Yie Ar Kung-Fu Shadow of the Beast Roger Dean Psygnosis Wizardry games The Black Onyx Henk Rogers Tim Rogers Gary Sheffield Brandon Sheffield Michael Jackson Fred Rogers Outkast - Ms. Jackson The Police - Roxanne Eddie Murphy - Roxanne Duane Reade Walgreens Star Wars: Return of the Jedi - Death Star Battle TRON Tron (1982) Alien: Resurrection GoldenEye 007 Sharknado: The Video Game Sharknado 2: The Second One (2014) Cobra Rocky (1976) Candy Crush Saga FarmVille Bubble Witch Saga 2048 Threes! Carlsbad Caverns National Park The Tairyou Jigoku The Great British Bake Off Gex series Leslie Phillips Dana Gould KSAN 107.7 The Bone Space Ghost George Lowe Lamont & Tonelli Diablo series George Bernard Shaw My Fair Lady Glasgow dialect Geordie Manchester dialect Warwick Davis Willow (1988) Cary Grant Audrey Hepburn Elton John Archie Leach Daniel Craig Knives Out (2019) Lara Croft: Tomb Raider (2001) Logan Lucky (2017) Adam Driver Sean Connery Recommendations: Brandon: Turn off YouTube's Ambient Mode if you watch a lot of 4:3 content on your phone, CapsuleCity.com Kim: If you have a thumb drive with old documents sitting around, go back and read some, Kim Justice on YouTube, Kim Justice's Wrestling Road, kim_justice on Twitch, Waterworld (SNES) - Soundtrack Tim: If you live in the city of New York, never ride the subway ever again, check out Waterworld (1995) if you're Frank Cifaldi, The Zone of Interest (2023) Frank: Kim Justice as a concept This week's Insert Credit Show is brought to you by patrons like you. Thank you. Subscribe: RSS, Apple Podcasts, Google Podcasts, Spotify, and more!