Podcast appearances and mentions of David Olusoga

Morse code transcription: vvv vvv Perimenopause at 38 I felt robbed, says Emma Barnett Celebrity Traitors finale Winners and losers revealed but is it Alan Carr, Cat Burns, David Olusoga, Joe Marler or Nick Mohammed Our job is only killing how Sudans brutal militia carried out a massacre in el fasher A 20 minute date with a Tinder predator destroyed my life for years McDonalds managers in UK to get sexual abuse training Rogiet Two arrests after baby boy killed in XL bully dog attack GTA 6 release delayed to November 2026 Rebuilding Gaza The battle over its future redesign Elon Musks 1tn pay deal approved by Tesla shareholders ITV in talks to sell television business to Sky

Morse code transcription: vvv vvv Rebuilding Gaza The battle over its future redesign ITV in talks to sell television business to Sky McDonalds managers in UK to get sexual abuse training Celebrity Traitors finale Winners and losers revealed but is it Alan Carr, Cat Burns, David Olusoga, Joe Marler or Nick Mohammed Rogiet Two arrests after baby boy killed in XL bully dog attack Perimenopause at 38 I felt robbed, says Emma Barnett A 20 minute date with a Tinder predator destroyed my life for years Elon Musks 1tn pay deal approved by Tesla shareholders GTA 6 release delayed to November 2026 Our job is only killing how Sudans brutal militia carried out a massacre in el fasher

Morse code transcription: vvv vvv Our job is only killing how Sudans brutal militia carried out a massacre in el fasher GTA 6 release delayed to November 2026 Celebrity Traitors finale Winners and losers revealed but is it Alan Carr, Cat Burns, David Olusoga, Joe Marler or Nick Mohammed ITV in talks to sell television business to Sky Rogiet Two arrests after baby boy killed in XL bully dog attack Perimenopause at 38 I felt robbed, says Emma Barnett A 20 minute date with a Tinder predator destroyed my life for years Elon Musks 1tn pay deal approved by Tesla shareholders Rebuilding Gaza The battle over its future redesign McDonalds managers in UK to get sexual abuse training

Morse code transcription: vvv vvv A 20 minute date with a Tinder predator destroyed my life for years Celebrity Traitors finale Winners and losers revealed but is it Alan Carr, Cat Burns, David Olusoga, Joe Marler or Nick Mohammed Rebuilding Gaza The battle over its future redesign ITV in talks to sell television business to Sky GTA 6 release delayed to November 2026 Perimenopause at 38 I felt robbed, says Emma Barnett McDonalds managers in UK to get sexual abuse training Our job is only killing how Sudans brutal militia carried out a massacre in el fasher Elon Musks 1tn pay deal approved by Tesla shareholders Rogiet Two arrests after baby boy killed in XL bully dog attack

Morse code transcription: vvv vvv Martine Croxall broke rules over pregnant people facial expression, BBC says Labour should stick to manifesto pledges on tax, deputy leader says Southport families say killers parents should be accountable Snap food benefits Trump must fully fund aid program by Friday Pauline Collins, star of Shirley Valentine, dies at aged 85 Unprecedented police operation for Maccabi Tel Aviv Aston Villa Elon Musks 1tn pay deal approved by Tesla shareholders I wanted ChatGPT to help me. So why did it advise me how to kill myself Celebrity Traitors finale Winners and losers revealed but is it Alan Carr, Cat Burns, David Olusoga, Joe Marler or Nick Mohammed US congress panel asks Andrew to appear for questioning

Morse code transcription: vvv vvv Celebrity Traitors finale Winners and losers revealed but is it Alan Carr, Cat Burns, David Olusoga, Joe Marler or Nick Mohammed Snap food benefits Trump must fully fund aid program by Friday Southport families say killers parents should be accountable US congress panel asks Andrew to appear for questioning Elon Musks 1tn pay deal approved by Tesla shareholders Labour should stick to manifesto pledges on tax, deputy leader says Martine Croxall broke rules over pregnant people facial expression, BBC says Unprecedented police operation for Maccabi Tel Aviv Aston Villa I wanted ChatGPT to help me. So why did it advise me how to kill myself Pauline Collins, star of Shirley Valentine, dies at aged 85

Morse code transcription: vvv vvv Celebrity Traitors finale Winners and losers revealed but is it Alan Carr, Cat Burns, David Olusoga, Joe Marler or Nick Mohammed Snap food benefits Trump must fully fund aid program by Friday Pauline Collins, star of Shirley Valentine, dies at aged 85 US congress panel asks Andrew to appear for questioning Martine Croxall broke rules over pregnant people facial expression, BBC says Elon Musks 1tn pay deal approved by Tesla shareholders Labour should stick to manifesto pledges on tax, deputy leader says Unprecedented police operation for Maccabi Tel Aviv Aston Villa I wanted ChatGPT to help me. So why did it advise me how to kill myself Southport families say killers parents should be accountable

Morse code transcription: vvv vvv Unprecedented police operation for Maccabi Tel Aviv Aston Villa US congress panel asks Andrew to appear for questioning Labour should stick to manifesto pledges on tax, deputy leader says Pauline Collins, star of Shirley Valentine, dies at aged 85 Southport families say killers parents should be accountable Snap food benefits Trump must fully fund aid program by Friday Elon Musks 1tn pay deal approved by Tesla shareholders Martine Croxall broke rules over pregnant people facial expression, BBC says Celebrity Traitors finale Winners and losers revealed but is it Alan Carr, Cat Burns, David Olusoga, Joe Marler or Nick Mohammed I wanted ChatGPT to help me. So why did it advise me how to kill myself

Whether you're storming down the road like Fi or falling off the kerb like Jane, we hope you'll be safely seated for this episode. Jane and Fi chat about the dangers of pouffes, normal-sized partners, family vaults, and Zimmer frame world records. Plus, historian David Olusoga discusses his current tour 'History's Missing Chapters' and appearing on The Celebrity Traitors. We've announced our next book club pick! 'Just Kids' is by Patti Smith.You can listen to the playlist here: https://open.spotify.com/playlist/3qIjhtS9sprg864IXC96he?si=uOzz4UYZRc2nFOP8FV_1jg&pi=BGoacntaS_uki.If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Who's playing the smartest game so far, who's flying under the radar, and who might be next for the chop? Plus: that time we spotted David Olusoga filming in Newcastle, Clare Balding's 'national treasure' status, and the lack of famous people from Hull. So, the usual tangents... We'd love to hear from you:  Instagram: Elaine | Mark Letterboxd: Find us here Elaine's newsletter: Read it here Email: hello@thehoneymoonperiod.com  Support the show:  Leave us a review on Apple Podcasts or a star rating on Spotify Buy us a coffee here - thanks so much! 

Historian, author and broadcaster David Olusoga is among the famous faces to feature on new TV series The Celebrity Traitors, which launches in the UK next Wednesday, 8 October on BBC One. But what are the opportunities, and dangers, when historians become celebrities? And to what extent should history be entertainment? Regular panellists Hannah Skoda and Rana Mitter share their thoughts. Plus: history's most incredible imposters Find the full episode and never miss an episode by heading to History Behind the Headlines or following this link: ⁠⁠https://play.megaphone.fm/4csqwegyqeca-lg7yumskq Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this special episode, contemporary artist Elsa James joins EMPIRE LINES live, navigating how the slave ship marks and haunts Black lives in Britain today, in their interdisciplinary exhibition, It Should Not Be Forgotten (2025).*Content Warning* This episode discusses rape and other forms of sexual violence.Seeking to capture ‘the rupture, erasure, fragmentation and interconnectedness of Black Life in the diaspora', Elsa James' latest exhibition brings together performance works, neon sculptures, and collage. Elsa confronts Britain's ‘national amnesia' regarding its role in the transatlantic slave trade, bringing alternative perspectives on how we engage with the past. The artist crafts fictional narratives to contend with colonial archival records, and delves into the psychological effects of enslavement, both exposing historical atrocities and honouring the resistance of two enslaved women.In this special episode, recorded live in Elsa's Afro Dada studio at Firstsite in Colchester, we journey through the larger-than-life photographic installation located on the main floor of the gallery, which draws inspiration from American academic Christina Sharpe, and her idea that ‘the slave ship marks and haunts contemporary Black life in the diaspora'. Elsa shares influences including Tina M. Campt, Steve Martin, and David Olusoga, and details her collaborations, including with sound artist Trevor Mathison, who worked with a field recording from a sacred ceremony Elsa attended during an artist residency at Yinka Shonibare's Guest Artists Space in Nigeria. Exploring ideas around Afropessimism, we talk about the role of critical hope in Elsa's practice, touching on the work of Alberta Whittle and Maya Angelou.We discuss Elsa's long relationship with Essex, as the first artist to exhibit in Firstsite's Living Room space as part of her Black Girl Essex residency, and solo exhibition, Othered in a region that has been historically Othered, at Focal Point Gallery in Southend-on-Sea in 2022. We explore recent group exhibitions including the Hayward Gallery Touring Acts of Creation: On Art and Motherhood, and transfeminisms at Mimosa House in London, developing her research into Mary Prince. Plus, Elsa describes the interconnectedness of her research interests, and Black British, Caribbean, and African heritages.This episode was recorded live as part of the public programme for Elsa James: It Should Not Be Forgotten, an exhibition at Firstsite Colchester, in July 2025.For more information, visit: instagram.com/p/DK-WsOPzeI3/Hear the first episode with Elsa James, Living in the Wake of the Lust for Sugar (2023), recorded at the Museum of London Docklands: pod.link/1533637675/episode/NTFiZDQxMjUtZDI2Ni00ODE1LTk1YjktOTM4NzNhY2YzOTBiFor more about the Guest Artists Space (G.A.S.) Foundation, listen to artist Yinka Shonibare CBE RA on Decolonised Structures: Queen Victoria (2022) Yinka Shonibare at the Serpentine in London: pod.link/1533637675/episode/NTE4MDVlYzItM2Q3NC00YzQ1LTgyNGItYTBlYjQ0Yjk3YmNjAnd about fellow resident Leo Robinson, listen to this cutting with Dominic Paterson from The Trembling Museum at the Hunterian Museum and Art Gallery in Glasgow, part of ⁠⁠SEEDLINGS: Diasporic Imaginaries (2025)⁠⁠, curated by Jelena Sofronijevic with Travelling Gallery in Scotland: pod.link/1533637675/episode/ZDA5OTgyY2EtMGE3MC00MGExLTkwOTUtODc3ODFkNTAyZmQ3About Harold Offeh, listen to We Came Here (2022) at Van Gogh House in London: pod.link/1533637675/episode/ZmI5MmM2NWYtYzAyNy00MDkwLTk5MjMtNDhlZjcxZDExMTU3Hear Ekow Eshun, curator of the touring exhibition, The Time is Always Now (2024) at the National Portrait Gallery in London and The Box in Plymouth: pod.link/1533637675/episode/df1d7edea120fdbbb20823a2acdb35cfPRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcastSupport EMPIRE LINES on Patreon: patreon.com/empirelines

Katty is joined by historian and co-host of Goalhanger's Journey Through Time, Sarah Churchwell, to discuss their new series on the History of The National Rifle Association.  How does the history of the National Rifle Association help us better understand how Trump got into power? How did the NRA go from a sportsman's organisation set up to improve marksmanship following the civil war to a for-profit group fighting gun regulation? How did firearms become integral to certain conceptions of American national identity? Listen to David Olusoga and Sarah Churchwell on Journey Through Time to get the full story.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Alastair is joined by historian and co-host of Goalhanger's Journey Through Time, Sarah Churchwell, to discuss their new series on the History of The National Rifle Association.  How did The National Rifle Association go from a sportsman's organisation set up to improve marksmanship following the civil war to a for-profit group fighting gun regulation?  Why did a convicted killer become one of the most influential figures in modern gun politics? How did the NRA gain so much control over the American President and the Supreme Court? Listen to David Olusoga and Sarah Churchwell on Journey Through Time to get the full story.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

William and Anita are joined by historian and co-host of Goalhanger's Journey Through Time, David Olusoga, to discuss their new series on The Great Fire of London.  What caused the capital to go up in flames on 2nd September, 1666? How did a fire that started in a bakery grow to engulf so much of the city? Who was Samuel Pepys, the great diarist who documented the fire?  Listen to Journey Through Time, a podcast telling history from the bottom up, to get the full story.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

We are LIVE at the ARIAS - the Radio Academy's annual awards for the sector. We'll be speaking to the big winners about the state of the industry and striving for excellence in a digital world - as well as Radio Academy chief Aradhna Tayal Leach.Also on the programme: it's RAJARs week - yes, the latest radio listening figures are out. Sam Jackson, controller at BBC Radio 3 is here to discuss the numbers, as well as his revolution at the station.On the red carpet we speak to Angela Scanlon, Alastair Campbell, team Goalhanger, Jon Holmes, David Olusoga, Ken Bruce and many, many more.And, in the Audio Network Media Quiz, we're celebrating some other big winners of the week.That's all happening in this edition of The Media Club. Come on in!The Media Quiz is sponsored by Audio Network who select the music to score each episode - they can do it for you too at https://www.audionetwork.comBecome a member for FREE when you sign up for our newsletter at https://www.themediaclub.comA Rethink Audio production, produced by Matt Hill with post-production from Podcast Discovery.We record at Podshop Studios - for 25% off your first booking, use the code MEDIA CLUB at https://www.podshoponline.co.ukWhat The Media Club has been reading this week:Deadline's deep dive into the rumoured ITV acquisitionAudible unveils plans to use AI voices to narrate audiobooksMail's ‘Eliza' brand ditches website ahead of AI asteroid BBC to expand Local Journalism fund and grow content on YouTube & TikTokITV wins a special BAFTAUK SNL handed a short run Hosted on Acast. See acast.com/privacy for more information.

Historian and broadcaster David Olusoga joins Ellen and Alona to discuss political attacks on American history, the challenges facing academia in the UK—and how future generations will view England's colonial history.Our newsfeeds are dominated by towering figures like Trump and Elon Musk—but does the “great man” theory still hold? Is history really made by millions of ordinary people? How will historians look back at this moment?And with UK universities under pressure, he discusses why the humanities are still vital.Plus, Ellen and Alona discuss whether the clocks going forward is a “banger” or a “dud”.‘A Journey through Time' with David Olusoga and Sarah Churchwell can be streamed here. Hosted on Acast. See acast.com/privacy for more information.

What is the future of WW2 Museums? What did Dominic Sandbrook say about tanks, and David Olusoga say about machine guns? What happened to civil aviation during WW2, and was Lend-Lease powered by Spam? Join James Holland and Al Murray for a packed episode of war waffle, including Jim's recent scouring of Europe, a chance encounter in a hospital, and what Ukraine can expect based on Soviet negotiation tactics in 1945. EPISODES ARE AVAILABLE FOR MEMBERS AD FREE - SIGN UP AT patreon.com/wehaveways A Goalhanger Production Produced by James Regan Exec Producer: Tony Pastor Social: @WeHaveWaysPod Email: wehavewayspodcast@gmail.com Join our ‘Independent Company' to watch exclusive livestreams, get presale events, and our weekly newsletter book and model discounts. Membership Club: patreon.com/wehaveways Learn more about your ad choices. Visit podcastchoices.com/adchoices

We discuss the importance of World Book Day from a Black British perspective, as well as practical moves made to inspire girls and women as we mark International Women's Day. Richie is joined by acclaimed historian David Olusoga, children's book author Priscilla Ohene and 1Xtra presenter Fee Mak. We also catch up with presenter Priscilla Anyabu as she shares her passions of uplifting more girls and women through sport.

Scholars are still uncovering information about Britain's involvement in the transatlantic slave trade and its era of slavery, piecing together how the wealth generated from these atrocities shaped the nation's history. For some descendants, this means just now learning about their families' roles in and benefits from these horrors. In Britain, a few horrified heirs and private institutions are stepping forward to make amends, but there are few models for what meaningful reparations or restorative justice could look like. Where do we go from here, and what would truly make a difference? In this conversation from the 2024 Aspen Ideas Festival, the three panelists bring personal and academic experience to this weighty conversation. Harvard historian Vincent Brown, British TV presenter and historian David Olusoga and former BBC journalist and reparations advocate Laura Trevelyan discuss the meaning and practical application of reparations and restorative justice. New York Times editor Dean Baquet moderates the talk and takes questions from the audience. aspenideas.org

New technologies have always led to changes in society, though not always as quickly or drastically as people feared. Could artificial intelligence be different? Instead of letting a new AI reality unfold amid helpless hand-wringing, what if we tried to learn from the past? In this talk recorded at the 2024 Aspen Ideas Festival, a panel of thoughtful technology experts from various perspectives meet to discuss what might happen in a future AI-infused world. They explore the possibilities between immediate havoc and the eventual end of humanity, and suggest actions we can take to get the outcome we want. UK historian, writer and TV presenter David Olusoga joins UK government technology advisor Karen McLuskie and tech philanthropist Vilas Dhar of the Patrick J. McGovern Foundation. The executive director of Aspen Digital at the Aspen Institute, Vivian Schiller, moderates the conversation. aspenideas.org

In our turbulent times, how do we grapple with our past? Are we capable of grappling with Britain's imperial history without whitewashing? Historians David Olusoga and Alan Lester believe that the truth matters; it matters far too greatly to be hijacked by culture warriors, apologists and racists. They joined us in conversation to reveal the truth about the British Empire, and reveal a new way forward in understanding the history of the nation. To get an exclusive NordVPN deal, head to https://nordvpn.com/howtoacademy to get an extra 4 months on the 2-year plan. There's no risk with Nord's 30-day money-back guarantee. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to a special live edition of History Rage, recorded on-site at the Gloucester History Festival! For our opening episode, we are thrilled to be joined by the festival president, medieval historian, and self-proclaimed goth, Professor Janina Ramirez. Dive into a compelling discussion about the festival's growth, the diverse line-up of speakers, and the innovative ways history is being shared with a global audience through live streaming.Festival Highlights:- Discover how the Gloucester History Festival has evolved from the brink of closure during the pandemic to a thriving bi-annual event with global reach.- Learn about the diverse programme, featuring speakers like Tom Kerridge on the history of food, Stuart Lee on comedy, and David Olusoga on history wars.- Explore the festival's commitment to inclusivity and the democratisation of historical knowledge through City Voices and digital technology.Raging Against Historical Misconceptions:- Professor Janina Ramirez shares her rage about the misconception that becoming a nun in the medieval period was a fate worse than death.- Uncover the rich, influential lives of medieval nuns who contributed significantly to art, music, politics, and intellectual thought.- Delve into the nuanced history of monastic life, from the benedictine revival to the powerful roles women played within these communities.The Impact of the Reformation:- A passionate discussion on how the Reformation dismantled monastic institutions, stripping women of their opportunities and forcing them back into domestic spheres.- Examine the systematic deconstruction of monasteries and the long-term effects on women's roles in society.Join us as we rage against historical inaccuracies and celebrate the often-overlooked contributions of medieval women. Don't miss the chance to catch the Gloucester History Festival talks live or on-demand at www.gloucesterhistoryfestival.co.uk.Stay connected with History Rage on Twitter, Instagram, and Facebook @HistoryRage. Support our mission to bring historical truths to light by subscribing to our Patreon at patreon.com/historyrage, where you'll get early episode access, live stream invites, and the iconic History Rage mug.Stay informed, stay engaged, and most importantly, stay angry! Hosted on Acast. See acast.com/privacy for more information.

Jane and Fi have a supply teacher producer situation today and they're just not used to this kind of discipline - but they still manage to chat about why you don't see daytime ghosts, the multi 'talented' King Henry the 8th and whether plays within plays are any good.They also ask the big question: Do you throw your own? (Knickers)They're also joined by David Olusoga, who speaks about his new book 'Black History for Every Day of the Year' which he wrote with his siblings, Yinka and Kemi Olusoga.Our next book club pick has been announced! 'The Trouble with Goats and Sheep' by Joanna Cannon.If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

“I have been watching him for 12 years. He has been hiding, but I caught him at last...” A pre-meditated murder in broad daylight or the tragic result of deteriorating mental health? You decide. In this special pilot episode of Was Justice Served?, Professor David Olusoga OBE joins co-hosts Jen Baldwin and David Wilson to examine a murder hidden within his family tree. On the 10 September 1896, 64-year-old George Ewart approached 42-year-old Daniel Gray in broad daylight on the corner of Dalton Street in Byker, and shot him at close range with a revolver. Daniel would die that day of his wounds and George - David's great-great-grandfather - would go on to be tried for his murder. But this case is not as open and shut as it seems, as George's mental state is at the heart of his defence… David and the hosts discuss George and Daniel's lives, families, and the events leading up to that fateful day. They draw on testimonies delivered by family members – people that David's mother remembers – which were reported in the newspapers at the time as well as medical evidence and witness statements from the trial. They also examine the social and legal context at the time, and the burgeoning understanding of mental health as a factor in major crimes. And, ultimately, David reveals how this terrible tragedy set his family on a trajectory which has lasting impacts to this day. Discover the details for yourself in the episode's Case Files - a collection of all the key newspaper reports - available to browse for free on Findmypast: www.findmypast.co.uk/wasjusticeserved Was justice served? Share your judgement with the WJS community: X - @wasjusticeserved Instagram - @wasjusticeservedpod TikTok - @wasjusticeserved Producer - Madeleine Gilbert Assistant Producer: Daisy Goddard AV Editor - Callum Main Videographer - Angus Webster Video Lead - Andrew Farrell Graphics/Design - Kate Benzie, David Bradley and Graham Jacobs Researcher: Jen Baldwin Voiceover - Elliot Hardman AV Lead - Mark Asquith  

As broadcasters begin to announce their lineups, what will Ofcom do about Nigel Farage? Media news and analysis, this week with media writer and chair of Broadcasting Press Guild Manori Ravindran and The Media Leader's Ella Sagar.Also on the programme: we're in Bristol for the Creative Cities Convention and hear reasons to be cheerful from broadcaster David Olusoga and Screenskill's Laura Mansfield.All that plus, changes at Virgin Radio, why Channel 4 is thinking beyond England.... and, in the Media Quiz, it's American imports and exports.A Rethink Audio Production, produced by Matt Hill. Love our look and sound? Hire thelondonpodcaststudios.com for your next recording - and get 25% off your first booking when you use the code MEDIAPOD.  Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Michael Ohajuru is a London-based art historian who returns to the podcast to discuss the John Blanke project, a large gathering of artists and historians who have come together to re-imagine John Blanke, the black trumpeter to the courts of Henry 7th and Henry 8th and the first person of African descent in British history that we have both a visual and written record of. The participating artists include Keith Piper, Wole Lagunju, Phoebe Boswell, Paul Dash and Larry Achiampong. David Olusoga Professor of Public History at the University of Manchester says of the project:"The John Blanke Project redefines historical exploration by merging practical scholarship with innovation and critical imagination. Anchored in social justice, it reveals the overlooked narratives of Black Tudor England, enriching our grasp of diversity and British identity. By blending art and history, it encourages a deeper, empathetic engagement with our shared past, advocating for a more inclusive and equitable understanding of history."Thanks for listening to this independent podcast. You can support this work by reviewing and sharing the podcast or becoming a Shade Art Review subscriber.Read Shade Art Review Shade Art Review Series 10 | 20% discount codeShade Podcast InstagramShade Podcast is Executive produced and hosted by Lou MensahMusic King Henry IV for Shade Podcast by Brian JacksonEditing and mixing by Tess DavidsonEditorial support from Anne Kimunguyi Help support the work that goes into creating Shade Podcast. https://plus.acast.com/s/shadepodcast. Hosted on Acast. See acast.com/privacy for more information.

At the end of show a question from me. (Brian) Recommendations: Ruth: Cobra Season 3 Robert Carlyle returns to screens for the third instalment of fan favourite political thriller COBRA: Rebellion with Jane Horrocks joining the cast. https://www.skygroup.sky/article/-the-explosive-third-instalment-of-sky-original-drama-cobra-rebellion-coming-to-sky-max-and-now-on-12-october- Cove & Kilcreggan Book Festival https://www.facebook.com/cbhbookfest/ Eamonn: Party Gate Karaoke, suitcases of wine, ambushing cake... this factual drama tells the story of Covid from inside 10 Downing Street as staff kicked back at lockdown-breaching parties. https://www.channel4.com/programmes/partygate Stuart: Union National identity, social class, inequality. David Olusoga shines a light on our fractured modern society through the lens of the past, exposing the fault lines dividing the UK. https://www.bbc.co.uk/programmes/p0gd25kn

What does it mean to be patriotic in 2023? Following the significant population movements of recent years, leaders in European states are increasingly trying to foster a sense of identity that can hold together their diverse societies. In his recent book, “How to be a patriot: Why love of country can end our very British culture war”, Sunder Katwala draws on many years of research and scholarship in the UK to consider what collective identity without division, fear of immigration, and racism might look like. In this episode, he joins Mark Leonard to explore some identity-related dilemmas in post-Brexit Britain. How did immigration and European interact in the run-up to the 2016 referendum? And can the rest of Europe draw any lessons from the UK's experience? This podcast was recorded on 19 June 2023. Bookshelf: How to Be a Patriot: Why love of country can end our very British culture war? by Sunder Katwala Windrush: 75 Years of Modern Britain, by Trevor Phillips and Mike Phillips Black and British: a forgotten History, by David Olusoga

This episode is a live session from Jaipur Literature Festival 2023!

This episode is a live session from Jaipur Literature Festival 2023!

We're back with another monthly episode! We discuss: - The weirdest toe sucking story we've heard - The "gospel choir" at the coronation - David Lammy, David Olusoga and Black British identity - What crimes have you committed? - "Would you date a bus driver" and other nonsense dating questions And more... Please remember to like/rate and review on Soundcloud, Apple Podcasts and Spotify.
 SC: @talesfromtheplantation
 AP: podcasts.apple.com/gb/podcast/tale…on/id1403137269
 Spotify: open.spotify.com/show/26ki3XvVIIl…ENRbCB7rOP-AirBA Hit us up on:
 Instagram - @talesfromtheplantation
 Facebook - @talesfromtheplantation
SoundCloud - @talesfromtheplantation
 Twitter - @plantationtales Tales from the Plantation is a podcast that started off as a WhatsApp group where friends came to complain about the struggles of being a black person in the workplace, and had a continuous stream of stories about microaggressions, off key comments and downright outrageous behaviour.
The monthly podcast features discussions on a variety of topics from a primarily black perspective.
If you have a tale about racism you've experienced, whether in the workplace, on the street etc., send it in to talesfromtheplantation@gmail.com and we'll read it out on the next show!

The historian and broadcaster David Olusoga is being honoured with a BAFTA special award. He gives his first interview since the news dropped. Comedian Nish Kumar talks about the launch of his new podcast, Pod Save the UK. They're joined by The Spectator's political editor Katy Balls and Emily Bell, Professor at the Columbia School of Journalism. Presenter: Katie Razzall Producer: Dan Hardoon

The BBC's disinformation and social media correspondent Marianna Spring joins Adam to talk about how the world is reacting to Donald Trump's indictment online, as well as how US voters are experiencing the news on their feeds. The UK government says it has struck the "biggest trade deal since Brexit", but how big are the benefits for the economy? The BBC's trade and economics correspondent Dharshini David gives her analysis. And, as The Guardian apologises for its historic links to slavery, board member and historian David Olusoga tells Newscast what the paper is doing to try to atone. Today's Newscast was presented by Adam Fleming and was made by Chris Flynn with Rufus Gray, Madeleine Drury. The assistant news editor is Damon Rose.

Almeno 39 persone sono morte nell'incendio in un centro di detenzione per migranti a Ciudad Juaréz, una città messicana al confine con gli Stati Uniti. Da un'indagine commissionata dalla proprietà del quotidiano britannico è emerso che i fondatori facevano affari con aziende che importavano cotone prodotto nelle Americhe da schiavi e schiave. Camilla Desideri, editor di America Latina di Internazionale, e Alessio Marchionna, editor di Stati Uniti di Internazionale John Foot, storico britannico, da BristolVideo Mexico: https://www.youtube.com/watch?v=d9C6ACwclSgVideo Guardian, David Olusoga: https://www.theguardian.com/news/video/2023/mar/28/david-olusoga-examines-the-guardians-links-to-slavery-that-reality-cant-be-negotiated-withJohn Foot sulla statua di Edward Colston abbattuta a Bristol: https://www.lrb.co.uk/blog/2022/january/the-colston-fourScrivi a podcast@internazionale.it o manda un vocale a +39 3347063050Consulenza editoriale di Chiara Nielsen.Produzione di Claudio Balboni.Musiche di Tommaso Colliva e Raffaele Scogna.Direzione creativa di Jonathan Zenti.

Radio Times writer David Butcher runs through the week's TV highlights, avoiding any that involve MPs and soap stars around a campfire. There's a sharp comedy-drama with James Corden, a feature-length history tale from David Olusoga, a comedy romp in the woods courtesy of David Mitchell and – with the FIFA World Cup imminent – enough football documentaries to keep a small stadium happy. All this, plus as always, one show to miss. Hosted on Acast. See acast.com/privacy for more information.

Anita and Willie are joined by David Olusoga for a special episode of Empire, where they discuss the Queen, the Commonwealth, the future of the monarchy and the long shadow of Empire. LRB Empire offer: lrb.me/empire Email: empirepoduk@gmail.com Instagram: @EmpirePodUK Twitter: @EmpirePodUK goalhangerpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Show notes:1:00 evidence at trial from historian David Olusoga regarding Colston's ownership of more slaves than any other Brit in history, one of the earliest, biggest slave traders 1:30 Colston died circa 1720 1:45 statue of Colston erected by Victorian dignitaries in Bristol2:10 half of the schools, streets and whatever in Bristol are named after Colston2:20 circa 1990s, true history of Colston revealed3:25 in the wake of the killing of George Floyd, the Black Lives Matter protests group pushed Colston statue into the harbor 3:45 restorative justice by others with community penalty3:55 Colston 4 jury trial over prosecution of four individuals involved in toppling Colston statute4:05 Elected for a Crown Court jury trial and were acquitted5:20 Conservatives and those in the government, including the cabinet, expressed surprise at the verdict6:10 UK Attorney General considered whether to send the case to the appeal court to consider whether there was an error of law in the direction of the jury7:50 bill going through Parliament with a provision to increase the potential sentence for criminal damage against a public monument8:15 proposed bill to change threshold that currently exists for criminal damage against a memorial or public monument with value under 5000 pounds, maximum sentence magistrates that could  impose was three months in prison8:50 proposed bill is to remove financial threshold and make maximum sentence 10 yearsTo view rewards for supporting the podcast, please visit Warfare's Patreon page.To leave questions or comments about this or other episodes of the podcast, please call 1.929.260.4942 or email Stephanie@warfareofartandlaw.com. © Stephanie Drawdy [2022]

Sister Act the Musical is returning to the London stage, after two years of Covid delays and thirty years after the much loved Whoopi Goldberg film. Tom Sutcliffe met the stars of the new Hammersmith Apollo production, Beverley Knight who plays singer on the run Deloris and Jennifer Saunders who takes on the role of Mother Superior, to discuss mixing secular and sacred musical traditions with comedy and choreography. Curve Theatre, Leicester, has commissioned a series of plays called Finding Home to mark 50 years since the Ugandan Asian exodus initiated by the then President Idi Amin. Many of those who fled came to family and contacts in Leicester. Reporter Geeta Pendse talks to some of the writers and performers and visits Leicester Museum to hear the stories of what happened in August 1972. Story Trails is a new project that uses virtual reality to reveal hidden local histories in fifteen places across the UK. Film maker David Olusoga, who is the project's creative director, explains how the UK's largest immersive storytelling project will work. Presenter: Tom Sutcliffe Producer: Emma Wallace Picture: Sister Act - Beverley Knight as Deloris van Cartier and Jennifer Saunders as Mother Superior. Photographer Criedit: Manuel Harlan

David Olusoga is a historian and broadcaster specialising in Black British History.In this episode he talks with Nikki Gamble about writing the empire back into history, escaping from biographical approaches and plans to produce material to support educators.About Black and British An Illustrated HistoryThis beautiful hardback gift book is a stunning visual journey through Black British history for younger readers by award-winning historian and broadcaster David Olusoga and illustrated by Jake Alexander and Melleny Taylor. The essential starting place for anyone who wants to learn about Black British History. David Olusoga's thought-provoking text charts the forgotten histories of Black people in Britain from Roman times right through to the present day.From Roman Africans guarding Hadrian's Wall to an African trumpeter in the court of Henry the Eighth, Black Georgians fighting for the abolition of slavery, Black soldiers fighting for Britain in the First World War, Windrush and right up today. These are the stories that brought us all together in this country. When did Africans first come to Britain? Who are the well-dressed black children in Georgian paintings? Why did the American Civil War disrupt the Industrial Revolution? These and many other questions are answered in this essential introduction to 1800 years of Black British history.This children's edition of the bestseller Black and British: A Forgotten History is beautifully illustrated in full colour with maps, portrait galleries, timelines, photos and portraits.

We all remember the summer of 2020 when, in the wake of the murder of George Floyd, statues were brought down in the UK and the US. But is this the right way to ensure we continue to live in a liberal democracy? Should we think about what unites us, rather than divides us? I am joined by Peter Hughes, author of A History of Love & Hate in 21 Statues.You can get in touch on the Twitter @olliewcq @aspectshistory Email history@aspectsofhistory.com or head to our website.You can buy his book here: https://amzn.to/3ry5tlXIn the show we talked about:David Olusoga's Black & BritishThe documentary made by Olusoga's production company, and presented by Marvin Rees, Mayor of Bristol, Statue WarsThornton Wilder's novel, The Bridge of San Luis ReyAndrew Gold's Podcast, which certainly has influenced me, is: On the Edge

Welcome to the Half Open Door Podcast brought to you by Kindfull Creations- Where we will be bringing you informative and enlightening lectures from some interesting people around the world. Join our Instagram Kindfull.Creations https://www.instagram.com/Kindfull.Creations/ to discuss any topics from the podcast. We can only show you the door, its up to you to walk through it. Episode details: The British Library, Oct 11, 2020 The murder of George Floyd in the US reverberated around the world. It gave way to an explosion of protest, and a closer examination among historians of the systemic racism in the way the African diaspora is described. Cultural institutions around the world are examining their own legacy within the history of colonialism and imperialism. Join historian David Olusoga in conversation with Dr Omar Khan for his personal perspective on how we memorialise, teach and write about racism, and why black British history matters. Professor David Olusoga is a British-Nigerian historian, broadcaster and BAFTA award-winning presenter and filmmaker. He is Professor of Public History at the University of Manchester and a regular contributor to the Guardian, Observer, New Statesman and BBC History Magazine. The author of several books including Black and British: A Forgotten History and A House Through Time, he was also a contributor to The Oxford Companion to Black British History. In 2019 he was awarded the OBE for services to history and community integration. David's new children's book, Black and British: A Short Essential History has recently been published. Omar Khan was director of the Runnymede Trust, the UK's leading race equality thinktank for 6 years, until June 2020, and before that Head of Policy at Runnymede. In this capacity he was involved in helping bring the Windrush injustice to light and was a member of the advisory group of the Windrush Lessons Learned Review, chaired by Wendy Williams. During his tenure as Director, Runnymede produced the award-winning site Our Migration Story (www.ourmigrationstory.org.uk) and consistently argued for the need to teach history more accurately in Britain. He is now Director of the higher education charity TASO, and has written and spoken widely on equality, race and racism in policy, academic and media debates in Britain and internationally. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/halfopendoor/support

The classic memoir of an 18th-century British former slave, and leading figure in the abolitionist movement, Olaudah Equiano. Introduced by David Olusoga, author of the highly acclaimed Black and British. Kidnapped and sold into slavery at the age of 10, Olaudah Equiano's memoir caused a sensation when it was first published in 1789. The Interesting Narrative of the Life of Olaudah Equiano is the true story of his life, from his 10 years of service as a slave in the British Navy to his experiences - after having purchased his freedom twice - as a freed Black man living in 18th-century England. Equiano would go on to be a leading figure in the anti-slavery movement, boosted by the success of his memoir, which became a best seller and went through nine editions in his lifetime. This new edition of the landmark memoir features a foreword by historian and best-selling author David Olusoga (Black and British), bringing this long-overlooked classic back into the spotlight, and showing his importance, which has been too often neglected, for the story of the abolition of slavery in Britain.

Hello dear friends,If you've watched the wildly-popular Netflix series Bridgerton or the wonderful film The Personal History of David Copperfield starring Dev Patel, you might have experienced and appreciated what today's podcast guest saw: People of color in a fictionalized dramatization of 18th and 19th Century Britain. But in Gretchen Gerzina's case - and unlike most of us - she knows the back stories of the real lives of Black residents of Britain in those eras. Professor Gerzina says she is drawn to “biographies and lives of those who cross boundaries of history, time, place or race” - that's on her website - and her work is all about this. In books like Black London, Black Victorians, and Britain's Black Past, Gerzina bridges all of those boundaries for us - connecting us to people across time, place, and history - and introducing us to some of the Black performers, memoirists, activists and everyday people in Britain in the 18th and 19th centuries. Professor Gerzina joined me a few weeks ago, by Zoom, for today's Austen Connection podcast, and we talked about the lives of some of these Black residents of Britain historically, how she is helping to tell the stories about their lives, and how contemporary fictionalizations of Regency England capture these stories, or not. Enjoy the podcast - and if you prefer to read, here's an excerpt from our conversation. Plain JaneSo, I have been poring through your books, and I really enjoyed Black London [among others]. And … it's just really beautiful the way that you write about what you're doing - reconstructing, repainting history. In a way, you say, to illuminate the unseen vistas of people and places that are part of British history and part of our world history. Really illuminating the stories of the people and the community of Black women and men in [the] Regency era in 18th and 19th century Britain. So would you just talk first, Professor Gerzina, about that, illuminating the unseen? In what ways has this history been erased? And in what ways are you still trying to uncover that history?Gretchen Gerzina So that book was published 25 years ago or so and it's still being read all the time. And in fact, it's available as a free download through the Dartmouth College Library. And it stays in people's minds. The reason I wrote it was that I was actually working on a very different book. And … I went into a bookshop, a very well known bookstore in London, looking for … Peter Fryer's book called Staying Power, the history of Black people in Britain - massive book. And it had just come out in paperback. So I said, “Oh, let me go buy that.” And I went into the bookshop, and I couldn't find it. And I finally went up to a clerk. And I said, “I'm looking for this new this book. It's just been released in paperback.” And she looked at me and said, “Madam, there were no Black people in Britain before the Second World War.” And I said, “Well, no, that's not true.” .. .So I got so angry. I never found the book. I mean, I went to another bookshop, and it was right there. But I got so angry that I went home and put aside the book I was working on and wrote Black London. Now, I wasn't the first to write about this. Other people have written about it. And I wanted to both consolidate some of their research, go back to their research, and really look at everything that I could find. And then try to tell the story of Black people living in England. It was supposed to be called Black London. It was called Black London here but in England it was published as Black England. And of course, the reviewers all said, “Well, this is all about London. Why are you not calling it Black London?” which was amusing. … But I wanted to make people see … that these people are walking the same streets, we're living in the same neighborhoods. And I wanted to make it a living, breathing history. Now a lot of other people are working on this now and have done for a long time. But when I first started working on it, there weren't as many. And it wasn't known. And even now, it's not so much that it's been erased, as has been forgotten. People didn't quite realize that there had been a Black British history that goes back as far as the Romans. And they're still finding, they're excavating, you know, old Roman encampments and finding Black African nobility women. And they are doing documentaries on it. I've been in a few. So it's become quite a well-known issue now. Although there's still a great sense of many British people wanting not to understand or believe that past. I wanted to make people see … that these people are walking the same streets, we're living in the same neighborhoods. And I wanted to make it a living, breathing history.Plain JaneSo I suppose, as you say, this was almost 25 years ago, that Black London came out. You've mentioned in the BBC series that you did, Britain's Black Past, you mentioned that it's a detective job … finding these stories. How have you managed to find the stories that you found? And what was it like putting that into an audio series?Gretchen GerzinaThat was wonderful. And of course, it became a book, which was published when all the new research came out last year. So I was able to update a lot of the things … I've got to say - you're in radio - these producers … who have these independent companies and do the productions for BBC, they're incredible researchers. They sometimes find people that I hadn't been able to find, because we academics think in a very different kind of way than radio and television producers, who are out there finding people. So … I knew a lot of the people and we went to some of the places - but they were able to find some people I didn't know about. And then there were incredible stories … I think I was supposed to originally spend six months doing it. And then I was about to change jobs. And I only had one month. So I think I traveled all over Britain in one month doing the entire series. I would wake up in London and get on the train to Glasgow, spend the afternoon in Glasgow, come back to London. The next day, I go to Bristol, you know, kind of went on and on like that.Plain Jane That [sounds like] a really fun part of it. Gretchen GerzinaYeah, it was very tough. … Going to some of these places to really stand in the houses or on the shore. … But it was quite an adventure, to unearth some of these stories. And to just see how, for many people, these stories still last. People still really care.Plain JaneWhat stories have fascinated you? What have [written about] so many individual stories that are wonderful to hear. But what have you found most surprising and exciting to discover?Gretchen GerzinaThere's one - maybe it's one of the ones you're gonna ask about - which is Nathaniel Wells. And I resisted using that story. But they really pushed me because I hadn't really known it before. Nathaniel Wells was the son of a slave owner. He was mixed race. So he was the son of a [enslaved woman] and a slave owner. The owner … had daughters, but no legitimate sons. … He left this money to this mixed-race son ... He sent him off to England to be educated, as many slave owners did with their mixed-race children. And he went to boarding school and he studied. And then he died when Nathaniel was only 20 or 21, when he became the heir. He spent a lot of money. He was a young guy, and he moved to Wales to Chepstow. And he used the money to buy this enormous place. He built this incredible house. He had acres upon acres of this scenic land that was so gorgeous, that it became a kind of pleasure ground. And people would come - there was an open day - and they could come and walk through the parks and all of the mountains, and it was quite something. But he made his money. His money came from the slave plantation. And in fact, his mother owned slaves, his mother, who had been herself enslaved, and I was very reluctant to tell the story of a - essentially a Black or mixed-race - slave owner living in Britain. He married a succession of wealth, to white women … and his house is a ruin now. But he became the first Black sheriff in Britain. He had this enormous wealth. He didn't die with a lot of money. But his story was one I never expected to find. The one in my heart is always Ignatius Sancho, who's now been a play and everything.Plain JaneWhy is he the one in your heart?Gretchen GerzinaWell, because he was so amusing and so serious at the same time. He was brought as an enslaved child. He managed to get away, he was taken in by the Montague family, finally, away from these “three witches,” I think people call them now, who had owned him, didn't want him to read. So they took him in, he was educated. And he became a butler in their house for many, many years. And then he was a little on the heavy side, and then finally couldn't continue to do all his work. So they gave him a pension, and some money. And he moved to London. And he … set up a shop in Westminster, right near the heart of everything of the movers and shakers of British aristocracy and politics. And people would come into his shop. He married a Black woman, which was unusual at the time. And he wrote these letters, and he knew everybody. I mean, they would come in and talk to him. Laurence Sterne. He wrote to Laurence Sterne and [said], “If you're writing Tristram Shandy, please say something about slavery in there.” And he did. He had his portrait painted by Gainsborough. And it's quite a beautiful portrait. It's unfortunately in Canada - the British realize they made a mistake and are trying to get it back. I don't think they're going to get it. … And he was just somebody that people were so fascinated with - all of his letters have been published, his son arranged that they got published after he died. And he's still considered just a huge character. I mean, he … saw the Gordon riots and wrote about them in his letters. He knew people. And he was kind of the face of 18th century Britain in some ways, even though he's a Black man. He was also the first Black man ever to vote in England.Plain JaneSo many of these people were close to influential people and so therefore having an influence. As you point out, they're the easier ones [to discover], and the people who are able to write their own lives are easier to unearth and to find. But so many of the experiences of Black residents in London during this time were below stairs or quietly or really by necessity a lot of the time having to be under the radar. ...Gretchen Gerzina It's hard because … for instance, the British census doesn't list race. When I first published Black London, some reviewers said that I should have gone to all the rent rolls and seen who was Black. But the rent rolls don't necessarily indicate race. It's really hard to find. But the same thing happens in America. … When my book Mr. And Mrs. Prince came out about 10 years ago - it was about two formerly enslaved people who lived in New England in the 18th century. It was a long time ago. And all the stories that had been written about them were written about other people, most of whom got the facts wrong. They claimed that their ancestor had freed them or things like that, that proved not to be true. I had a publisher ask me if I had a photograph of them. And I said, “There was no photography in the 18th century, you know, what do you expect?” And… in general, you don't have your portrait painted, you don't have a journal, you're too busy getting on in life … If you're literate, you don't necessarily sit down and pen your memoirs, you know. You're just trying to get going. But on the other hand, there were people like Francis Barber, who was the servant of Samuel Johnson, and became his literary executor and heir at the end. And that was much disputed. And people were not very happy about that. So those kinds of people who were educated and were lucky enough to be known [we can learn about]. I actually think that the people who are finding out the most now are people you don't expect - genealogists who are starting to trace back family histories. A lot of white genealogists in Britain, they're finding that they have Black ancestors, and they didn't realize it.Plain Jane I'm a big fan of “Finding Your Roots” with Henry Louis Gates, Jr. It seems like he ends every episode saying, “See how we're all connected? More than we thought we were?” … So yes, I hear you, that's really fascinating - that so many disciplines are sort of reevaluating and re-seeing, looking again, revisioning, all of this history. You're reminding me, when you talk about no photography from 18th century Britain, you're reminding me that not only are you and scholars like you having to honor these unseen histories, but you're actually having to re-tell stories where there's been a campaign of basically very racist imagery. You write about the constant, reinforcing sexualization of Black women from these times; but then also the pro-slavery imagery and campaigns that were put out there. Even the sentimentality. You say that there's sort of two versions that even those that were anti-slavery at the time, were sort of overly sentimentalized versions, like we think of Harriet Beecher Stowe. And, you know, doing a lot of good work, I suppose, and having an influence; but yet, we need to revision those stories as well. And you mentioned that you're just looking for the real people. They're real people in real places. So [you are] … having to, as you say, repaint these people?Gretchen GerzinaWell, I mean, just remember it's all worked very differently in America, and in Paris. And the way that it's memorialized or remembered is very, very different. There were certainly Black people in Britain from hundreds and hundreds of years. But there was not slavery on their soil in the same way that it was here. So they were able to sexualize women by looking at the Jamaican plantations and what happens there with a lot of rape and a lot of punishments. But this is the country, Britain is the countries, I should say, where Black minstrelsy was a television show until the 1970s. Blackface minstrelsy was not only on television, but it was in all the private homes. But at the same time, in the 19th century Uncle Tom's Cabin was the biggest thing going. People loved it, it really spoke to them. So there was Uncle Tom wallpaper. There [were] Topsy dolls. So you would go into a child's nursery and there could be wallpaper and dolls. So that sense that America was terrible, and “Look at us, we're so great. We abolished slavery before you did,” takes away the fact that for the most part, the British actually supported the American South in the Civil War. Because their cotton came from there that fueled their textile mills in the north of Britain. They didn't have the same kind of racism, it worked a little differently, but it certainly existed. But there were lots of people who were just living among them who were not necessarily known. They weren't necessarily in a book, and they were just sort of living their lives. And that's what I'm trying to write about now. But also I just really want to have a shout out to some people who are working on these things now. Miranda Kaufmann's book, Black Tutors, really sparked a huge response. … It became a huge bestseller in England. And there was a lot of pushback when people said there were no Black tutors. And she would show them the images of the people, and then all the documentation, and they didn't want to believe it. I belong within a group that she started, that is looking into Black people in British portraiture, and trying to identify who those people were. And so far, the list has over 300 British paintings that have Black people in them - they're most often a small boy servant or something, but not always. And they're scattered all over. They're in private homes. They're in museums. But there were lots of people who were just living among them who were not necessarily known. They weren't necessarily in a book, and they were just sort of living their lives. And that's what I'm trying to write about now.So there is a kind of visual reality to all of this, where you can see the people and you can understand a bit about their lives. And so people are going into the records trying to find out, who were these people? Were they borrowed sometimes, some painter would say, “Oh, you know, he's got a Black servant, let's put him in the picture and bring him over to a bigger house for a while.” So you know, trying to track them down is difficult. But there's just more and more evidence of this ongoing presence.Plain Jane You point out now in in your works the way these stories have been played, have been part of popular culture through the ages. And I guess our culture - various cultures - have worked out the stories, have worked out some of these things, either effectively or ineffectively, on the stage. And so that brings me to where much of your research deals with - the Regency era, which happens to be where so many contemporary cultural retellings, fan fiction, and romance is taking place. And then of course, we've got Bridgerton. So let me just start with a general question. We're talking about what people typically miss, but how are you experiencing some of these cultural inventions? Gretchen Gerzina Yeah, you know, I'm enjoying the heck out of this stuff. Just like a lot of [us].Sanditon, I can let go. It was, I felt, a travesty. It kept some of the book, but it actually just took things in a direction that I found very difficult. So, for example, in Sanditon, the Jane Austen novel - the fragment because it's incomplete - the heiress from the West Indies is Miss Lambe … She is not necessarily identifiably Black. They know she's mixed race. In the series, they made her a very dark-skinned woman to point out that she in fact was a Black woman. They wanted to make that visual sense very strong for people like “Oh, we're dealing with a Black woman here.” Whereas I think in Austen it was more subtle and probably more accurate about how somebody like her would have been seen. But Bridgerton just went over the top, and I just thought it was fabulous. Because we do know that Queen Charlotte probably had some mixed-race background. She was the wife of King George III. So she's presented as a mixed-race or dark woman … But then by just making everybody in it, you know, it was like saying, “Okay, what if we recognize that all these people were there? And assuming that they could have made their way into the aristocracy, how would this world have looked?” And I think the visual treat of it all is just really great. And we all know that that is not how Regency England looked. But we can say, “You know what? I would like to see what this looks like. If this could have been true, what would it have looked like?” And of course, it's just like a visual feast anyway. It's not just the racial stuff. It's the clothes and the sets.Plain JaneTell us more, Professor Gerzina, about Queen Charlotte. You did an entire Zoom talk event with JASNA, the Jane Austen Society of North America, about these questions, and this sort of casting and Black Britain and its history. And there were hundreds of people on the Zoom. But you talked about Queen Charlotte, and the chat room just went crazy. … So it was very, very lively. So anyway, all of that to say - tell us about Queen Charlotte?Gretchen GerzinaShe had … Portuguese family so that there were a lot of that movement between North Africa, the kind of what we would think of as North Africa today. But she probably had some ancestry through her Portuguese ancestors who might have been Black. When I was doing some research on Black people who left America and moved to Canada after the Revolutionary War, those who had become the British patriots, the Black ones, a lot of them went to Canada. So I was in Nova Scotia at a center there on Black history in the province. And I noticed they had - I think it was a picture of Queen Charlotte on the wall - and I said, “Oh, what do you think of that? Do you think she was part Black?” And he said that Princess Anne had come to visit many years before and had seen the portrait and was asked about it. And she said, “Well, everybody in the royal family knows she was Black.” So that means to me Meghan Markle wasn't the first. So there's some history there. It can't be necessarily proven, but it's pretty well seen as probably true that she had some Black ancestry, and her portraits do seem to indicate that as well. But you know, the other one I really like is David Copperfield. And what you have to do in this - the same as in fiction - is you have to create a world that you will believe. You may not like all the characters, but you have to create a vision of a world that you are saying, “Okay, I'm, I'm willing to go into this world with you.” And see and believe. It's the willing suspension of disbelief, and I'm willing to do that. Do they create a world that I can believe in Bridgerton? We know it's fantasy, and fun, with some historical elements. And yes, I'm willing to throw myself into that world.Plain JaneI was a graduate student at UCL in London, during 1994 and 1995, and everybody was reading Cultural Imperialism. I literally saw people reading it on the tube in London. And I was falling in love with someone who was an Arab-English person with the name Saidi - close to Edward Said's name. So I was as a grad student in literature and also wanting to dive into our views and our histories and how race plays into that. These conversations are still going. Edward Said even writes about Jane Austen. And he writes about Mansfield Park, and he writes - really similar to you writing at the same time - we need to investigate the unseen in these stories, tell the unseen stories, which is so much what you're doing, as well. So my question is - almost going on 25 years, are we getting any better at this? Gretchen Gerzina  Well, you know, there's more being written and more being published all the time. David Olusoga's books. And all of his television programs in England are very well known. He's quite the face of Black British history and studies now. Others have been writing about it for decades. But I think what's interesting is that there's still a kind of resistance to it, to believing it. There are several things going on. One is ... the report the National Trust put out recently, which ... hired some academics and some others to take a look at the colonial and imperial and slave connections between some of the National Trust houses. And I think they listed 93 houses in the National Trust that have some kind of connection. That wasn't to say that they were houses where there was plantation slavery or anything, but a lot of it had to do with the fact that the money that was earned either out of the slave trade, or out of imperialism, or out of colonialism. [It] funded and help build, and perpetuate those houses. A lot of the money that was earned came from, originally, from the slave trade and slavery, and all of those absentee slave owners who had plantations in the West Indies. But also, from the fact that when they, when slavery ended in the West Indies in 1807, that they decided to compensate the slave owners for the loss of the enslaved people who had lived on those plantations. The enslaved people were not compensated, while the slave owners were. And a wonderful book and study done by Nicholas Draper, about the legacy of all of this showed how all of that money that was made from that compensation - built these houses. It funded the philanthropy; huge swaths of London were built based on that money. And all around the country. So they wanted to just say, “Hey, if you're going to come to one of these houses, this is great. You can look at it, you can see it, you can appreciate the beauty of it. You can see how the generations of owners contributed to the culture and the landscape and all of that. But in fact, you should recognize that the money came from colonialism. And also from imperialism.” You know, the houses were filled with porcelain from China. They were built on land that used to be tenanted, but pushed the tenants off and made a beautiful landscape that made it look like it had always been there. And they had built these houses based on that money. When that report came out, the backlash was quite strong. People did not want to hear about this. They thought, “Why do we fund a National Trust, and it spends its money on being woke?” Plain JaneInteresting. They don't see it as factual. They don't see it as history. They see it as politics happening.Gretchen GerzinaYes, they do. And there's also some work being done now on updating the curriculum in schools. So some more of this is being learned at a younger age.Plain JaneSo when you say in 1993, and you've been doing this ever since, among many other things that you're reconstructing, you don't even just mean that figuratively. I mean, your writing takes us down the streets. And really paints a visual picture ...and I would add to that the landscapes of the houses. Also sugar and so much of the economic foundations are part of what I think Edward Said was calling the interplay. … You you paint a picture of, you know, Elizabethan England and … Regency England then as well, and then even Victorian Britain as being a very cruel and violent place. And I think that in many ways, our PBS adaptations [etc] really do [whitewash] these histories in so many ways. You also point out the cruelty, the disease. But what I want to say, besides the cruelty, the disease, and just the ignorance that was rampant in these times, that we tend to forget about - probably, thanks to our screen adaptations - it was there. You found a community of Black residents in London during these times - not just individual people who were famous; they were portrayed on the stage; they were recounted in stories; and many of them were musicians, writers, very fascinating individuals - but also a community. And that was you've talked about how difficult that was to unearth. Can you talk about how you uncovered this community and the difficulty of doing that?Gretchen Gerzina A lot of that came from people who had been researching this for quite a long time. In terms of community, there are people who've been doing tons of research since my book came out. And they have been finding people and they've been finding communities. We can't be sure how much of a community there was. But we do know that there were communities - people lived in certain places and certain areas, they were part of the fabric of the kind of working class. There were people that we call the Sons of Africa. Some people have questioned whether there were as many and met as frequently as was thought … But we do know that they were there. “Hey, if you're going to come to one of these houses, this is great. You can look at it, you can see it, you can appreciate the beauty of it. You can see how the generations of owners contributed to the culture and the landscape and all of that. But in fact, you should recognize that the money came from colonialism. And also from imperialism.” And it was interesting to just think of the fact that in all of these grand houses that had Black servants, that those servants in the households, they socialized with each other. Those servants were meeting in the kitchen. Those servants were talking. And those servants were marrying the white servants, because they were mostly Black men. And then you get a sense of just this kind of other world where if Samuel Johnson is having dinner with Sir Joshua Reynolds, or with the great actors of the period, that their Black servants are probably hanging out, talking to each other. So there was a kind of network of people, definitely, who were living [among] them. And then, of course, after the Revolutionary War in America, when so many Black people had been convinced to fight for the British in exchange for their freedom. A lot of them ended up in Britain, that had been part of the promise. And so they came over in their hundreds. Plain JaneThat's fascinating - I think that you pointed out that something like 20 percent, of the soldiers fighting on both sides in the Revolutionary War with America were Black soldiers. They came back to England. And then you also pointed out they were not allowed, they were actually banned from learning crafts, learning trades ....?Gretchen GerzinaI'm not sure that they so much were banned from learning trades; they just found it difficult to find work. And also if, if they were poor, it's not so easy to move around in England at that time. I mean, physically, it's difficult. But also, it's often difficult to find work. And if you, Heaven forbid, get sick and die, you can't necessarily be buried where you're living because you're not officially part of that parish. So it's a very different kind of system than we might [envision]. And so a lot of people who worked on the British side, and obviously on the American side, in the Revolutionary War, were not just soldiers but they were doing other things: They were guides, they were helping to lead them through different terrain; they were washing clothes, they were cooking. They were following them and giving them advice.And then they also did fight. So, yes, they worked in a variety of ways and the British said, “Hey, come on our side and we'll give you your freedom and we'll give you a pension.” And then, lo and behold, the British lost then, and they came.Plain JaneOkay. So: Dido Belle and Mansfield Park - basically thoughts on that? There's also the book The Woman of Colour and there's this experience of Francis Barber and some of the others that you've mentioned. But  … what are your thoughts on Mansfield Park and is it possible that Jane Austen knew the story of Dido Belle?Gretchen GerzinaIt's possible. I have to think about the timing of it all. So Dido Elizabeth Belle of course, has nothing to do with Mansfield Park, although her great uncle who raised her was Lord Mansfield, who made a famous court decision that a Black person could not be returned to slavery in Jamaica. And that was taken by many people to say that slavery was no longer legal in England, and people ran away and said, “Hallelujah.” But in fact, that's not what the decision was.He also presided over the case of the Zhong [ship], where a slave ship had thrown over a huge number of people ... in order to collect the insurance. And he came down hard on that case. So Dido Elizabeth Belle was raised by him .. but a lot of research has been done since the film Belle was made. And a lot of that film took a lot of liberties with it. So Dido was mixed-race, and her mother was - [but] Dido was not - born into slavery. And that was a misconception. Her mother actually came and lived in England, near her, with her, for some time. And then went back to Pensacola, where she had been living in [an] old property. Dido was given some money, and so she was able to marry. But she didn't marry an abolitionist, like in the film. She married a man who'd been a steward to an important French family. And so that was still a high-up position, but it was not the big raging lawyer abolitionist [as in the film].… And I think the biggest thing about it was that her portrait was just a double portrait of herself, and of their cousin. It became the cover of my Black London book - and was later re-used by The Woman of Colour. So there's a lot of interpreting this portrait that people try to do.So I've spent a lot of time trying to track down the true story, to use the research of these other people who have done such a good job. Plain JaneWhat would you like people to keep in mind as they're watching and reading Regency era histories and romance? Just realize there are real people behind some of this. We know now that Jane Austen was likely an abolitionist, although she didn't write political things in her novels. We know that in Mansfield Park there are mentions of - and we know that the money came from - slavery. And so there was some reference to sugar and some other things in there. So we know that she's aware of it. But she doesn't make it front and center, because that's not what she does as a novelist. But I think it's really good for people who want to read these books - [to know] that there was a more racially diverse society than people realized. And that there were Black people there. And that in the places where she went and lived - because she lived in a number of places, she had to move around a lot - that she would have seen people like this.And so it's really good to remember that this was a very different world and people have now accepted it. And I think to understand and accept that, it makes it more interesting. It doesn't diminish it at all.——-Thank you for listening, reading and being with us, friends.Let us know your thoughts! Have you watched the increasingly diverse casts making up Regency and 19th century British stories like Bridgerton, A Personal History of David Copperfield, and Sanditon? What would you like to see more of in these retellings and screen adaptations? Want to know more about Queen Charlotte? Write us at AustenConnection@gmail.com.If you like this conversation, feel free to share it!And if you'd like to read more about Black life in Britain in the 18th and 19th centuries, here are some of the people and projects that Gretchen Gerzina mentioned during this conversation - enjoy!Gretchen Gerzina's website: https://gretchengerzina.com//BBC program on Britain's Black Past:- https://www.bbc.co.uk/programmes/b07wpf5vSee: National Trust research into the connection to the slave trade in its great houses: https://www.nationaltrust.org.uk/features/addressing-the-histories-of-slavery-and-colonialism-at-the-national-trustThe report: https://nt.global.ssl.fastly.net/documents/colionialism-and-historic-slavery-report.pdfAll things Georgian - Gretchen recommends in interview: https://georgianera.wordpress.com/David Olusoga:  https://www.manchester.ac.uk/discover/magazine/features/david-olusoga/Dido Belle as Fanny Price: http://jasna.org/publications-2/essay-contest-winning-entries/2017/a-biracial-fanny-price/Peter Fryer's Staying Power: https://www.plutobooks.com/9780745338309/staying-power/Mirands Kaufmann's Black Tudors: http://www.mirandakaufmann.com/black-tudors.htmlGet these and all our Austen Connection conversations delivered to your inbox, when you subscribe - it's free! Get full access to The Austen Connection at austenconnection.substack.com/subscribe

Jonty Claypole is Director of BBC Arts, Chairman of the arts centre HOME in Manchester, and was listed in the Bookseller's Top 100 Most Influential People. Although born in Australia, he grew up in London and now lives in east London with his family. His most recent project at the BBC was the landmark series Civilisations featuring Mary Beard, David Olusoga and Simon Schama.   NOTES 0:00-10:00: intro and growing up with a stutter, personal retrospective 10:00-23:00: why write this book, Words Fail Us; the real scoop with The King's Speech & King George VI; the wrong question and the right question; the "overcoming stuttering" narrative 23:00-29:07: stuttering: is it a disability or not? 29:07-30:00: stuttering in the workplace and in life 30:51-32:33: when is stuttering a disability 32:33-37:00: most admirable stuttering role models 37:00-42:00: the untold story of creativity and stuttering - in media and in the arts; let's start celebrating the creativity born from stuttering 42:00-50:31: Jonty's family and mum, and closing remarks   RESOURCES AND LINKS Words Fail Us (Book) Jonty Claypole, BBC Stamma Interview Why does art matter?   HOST BIO Uri Schneider, M.A. CCC -SLP is co-founder and leader at Schneider Speech; creator of Transcending Stuttering Academy and faculty at the University of California, Riverside School of Medicine.

Lina al-Hathloul, sister of Saudi women's rights activist, Loujain al-Hathloul, joins Christiane Amanpour to discuss her sister's release from prison and her views on Crown Prince Mohammed bin Salman. She argues he is not a reformer and that in Saudi Arabia, "activism is considered terrorism". We look at the history behind vaccine hesitancy in minorities with historian David Olusoga. He explains how he's campaigning to get minority communities in the UK to take the vaccine and why that hesitancy exists in Britain and beyond. Then U.S. National Security Adviser Jake Sullivan talks about reviving the Iran deal, the SolarWinds, troops in Afghanistan and relations with Saudi Arabia. Turning to big tech, our Hari Sreenivasan speaks to Shoshana Zuboff, author of "The Age of Surveillance Capitalism," about the information coup the tech companies are waging through data collection. To learn more about how CNN protects listener privacy, visit cnn.com/privacy

As movements for change sweep across the globe, two of the UK's most admired public thinkers, Mary Beard and David Olusoga, reflect on the enduring and evolving dialogue between past and present, and the duty we owe to the legacies we inherit. This conversation was broadcast online on the 21st July 2020. Discover more at: www.thersa.org/events/bridges-to-the-future

David Olusoga talks to Viv Jones about the making of Civilisations. They discuss his two episodes, First Contact and The Cult of Progress. David says that the great arts and history documentaries he watched growing up inspired him to become a historian and filmmaker, and he talks about the power of television to change lives.

As the BBC screens its new arts series, Civilisations, one of the presenters, David Olusoga, joins presenter Philip Dodd, anthropologist Kit Davis and the historian Kenan Malik to consider our different notions of world history from the dawn of human civilisation to the present day. David Olusoga is a historian, writer and broadcaster who has presented several TV documentaries including A House Through Time; The World's War: Forgotten Soldiers of Empire and the BAFTA award-winning Britain's Forgotten Slave Owners. His most recent book is Black and British: A Forgotten History.Dr Kit Davis is a lecturer in social anthropology at the School of Oriental and African Studies who has written about travels across Europe and about Rwanda. She is a regular panellist on BBC Radio 4's Saturday Review. Kenan Malik's books include From Fatwa to Jihad and The Quest for a Moral Compass: A Global History of Ethics. Kenan is a writer, lecturer and broadcaster who presented Nightwaves on BBC Radio 3 and has written and presented radio and TV documentaries including Disunited Kingdom, Are Muslims Hated?, Islam, and Mullahs and the Media.Recorded with an audience at Sage Gateshead as part of BBC Radio 3's Free Thinking Festival.Producer: Fiona McLean