Podcasts about on borrowed time

Siskoid Cinema presents... On Borrowed Time, the shows that explores time travel in movies. On this episode, Siskoid and DC Dave discuss 1993's Bill Murray classic, Groundhog Day. It's the most iconic time loop movie ever made! Listen to the episode below, or subscribe to Siskoid Cinema on Apple or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK! Visit our WEBSITE: https://fireandwaterpodcast.com/ Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Support us on Patreon: https://www.patreon.com/fwpodcasts Subscribe via Apple Podcasts as part of the FIRE AND WATER PODCAST NETWORK. Credits: Bonus clips: "Groundhog Day" by Harold Ramis, starring Richard Henzel, Rob Riley, Bill Murray, Andie MacDowell, Stephen Tobolowsky Angela Paton, and Chris Elliott; and "Clouds" by George Fenton. Thanks for leaving a comment!

Original Release Date November 18, 2024: On the first part of a two-part roundtable, our panel discusses why the US is likely to see a slowdown and where investors can look for growth.----- Transcript -----Andrew Sheets: 2024 was a year of transition for economies and global markets. Central banks began easing interest rates, U.S. elections signaled significant policy change, and Generative AI made a quantum leap in adoption and development.Thank you for listening throughout 2024, as we navigated the issues and events that shaped financial markets, and society. We hope you'll join us next year as we continue to bring you the most up to date information on the financial world. This week, please enjoy some encores of episodes over the last few months and we'll be back with all new episodes in January. From all of us on Thoughts on the Market, Happy Holidays, and a very Happy New Year. Vishy Tirupattur: Welcome to Thoughts on the Market. I'm Vishy Tirupattur, Morgan Stanley's Chief Fixed Income Strategist. Today in the podcast, we are hosting a special roundtable discussion on what's ahead for the global economy and markets in 2025.I'm joined by my colleagues: Seth Carpenter, Global Chief Economist; Mike Wilson, Chief US Equity Strategist and the firm's Chief Investment Officer; and Andrew Sheets, Global Head of [Corporate] Credit Research.It's Monday, November 18th, at 10am in New York.Gentlemen. Thank you all for taking the time to talk. We have a lot to cover, and so I'm going to go right into it.Seth, I want to start with the global economy. As you look ahead to 2025, how do you see the global economy evolving in terms of growth, inflation and monetary policy?Seth Carpenter: I have to say – it's always difficult to do forecasts. But I think right now the uncertainty is even greater than usual. It's pretty tricky. I think if you do it at a global level, we're not actually looking for all that much of a change, you know, around 3-ish percent growth; but the composition is surely going to change some.So, let's hit the big economies around the world. For the US, we are looking for a bit of a slowdown. Now, some of that was unsustainable growth this year and last year. There's a bit of waning residual impetus from fiscal policy that's going to come off in growth rate terms. Monetary policy is still restrictive, and there's some lag effects there; so even though the Fed is cutting rates, there's still going to be a little bit of a slowdown coming next year from that.But I think the really big question, and you alluded to this in your question, is what about other policy changes here? For fiscal policy, we think that's really an issue for 2026. That's when the Tax Cut and Jobs Act (TCJA) tax cuts expire, and so we think there's going to be a fix for that; but that's going to take most of 2025 to address legislatively. And so, the fiscal impetus really is a question for 2026.But immigration, tariffs; those matter a lot. And here the question really is, do things get front loaded? Is it everything all at once right at the beginning? Is it phased in over time a bit like it was over 2018? I think our baseline assumption is that there will be tariffs; there will be an increase in tariffs, especially on China. But they will get phased in over the course of 2025. And so, as a result, the first thing you see is some increase in inflation and it will build over time as the tariffs build. The slowdown from growth, though, gets backloaded to the end of 2025 and then really spills over into to 2026.Now, Europe is still in a situation where they've got some sluggish growth. We think things stabilize. We get, you know, 1 percent growth or so. So not a further deterioration there; but not a huge increase that would make you super excited. The ECB should probably keep cutting interest rates. And we actually think there's a really good chance that inflation in the euro area goes below their target. And so, as a result, what do we see? Well, the ECB cutting down below their best guess of neutral. They think 2 percent nominal is neutral and they go below that.China is another big curveball here for the forecast because they've been in this debt deflation spiral for a while. We don't think the pivot in fiscal policy is anywhere near sufficient to ward things off. And so, we could actually see a further slowing down of growth in China in 2025 as the policy makers do this reactive kind of policy response. And so, it's going to take a while there, and we think there's a downside risk there.On the upside. I mean, we're still bullish on Japan. We're still very bullish on India and its growth; and across other parts of EM, there's some bright spots. So, it's a real mixed bag. I don't think there's a single trend across the globe that's going to drive the overall growth narrative.Vishy Tirupattur: Thank you, Seth. Mike, I'd like to go to you next. 2024 has turned out to be a strong year for equity markets globally, particularly for US and Japanese equities. While we did see modest earnings growth, equity returns were mostly about multiple expansion. How do you expect 2025 to turn out for the global equity markets? What are the key challenges and opportunities ahead for the equity markets that you see?Mike Wilson: Yeah, this year was interesting because we had what I would say was very modest earnings growth in the US in particular; relative to the performance. It was really all multiple expansion, and that's probably not going to repeat this year. We're looking for better earnings growth given our soft landing outcome from an economic standpoint and rates coming down. But we don't think multiples will expand any further. In fact, we think they'll come down by about 5 percent. But that still gets us a decent return in the base case of sort of high single digits.You know, Japan is the second market we like relative to the rest of the world because of the corporate governance story. So there, too, we're looking for high single digit earnings growth and high single digits or 10 percent return in total. And Europe is when we're sort of down taking a bit because of tariff risk and also pressure from China, where they have a lot of export business.You know, the challenges I think going forward is that growth continues to be below trend in many regions. The second challenge is that, you know, high quality assets are expensive everywhere. It's not just the US. It's sort of everywhere in the world. So, you get what you pay for. You know, the S&P is extremely expensive, but that's because the ROE is higher, and growth is higher.So, you know, in other words, these are not well-kept secrets. And so just valuation is a real challenge. And then, of course, the consensus views are generally fairly narrow around the soft landing and that's very priced as well. So, the risks are that the consensus view doesn't play out. And that's why we have two bull and two bear cases in the US – just like we did in the mid-year outlook; and in fact, what happened is one of our bull cases is what played out in the second half of this year.So, the real opportunity from our standpoint, I think this is a global call as well – which is that we continue to be pretty big rotations around the macro-outlook, which remains uncertain, given the policy changes we're seeing in the US potentially, and also the geopolitical risks that still is out there.And then the other big opportunity has been stock picking. Dispersion is extremely high. Clients are really being rewarded for taking single stock exposures. And I think that continues into next year. So, we're going to do what we did this year is we're going to try to rotate around from a style and size perspective, depending on the macro-outlook.Vishy Tirupattur: Thank you, Mike. Andrew, we are ending 2024 in a reasonably good setup for credit markets, with spreads at or near multi-decade tights for many markets. How do you expect the global credit markets to play out in 2025? What are the best places to be within the credit spectrum and across different regions?Andrew Sheets: I think that's the best way to frame it – to start a little bit about where we are and then talk about where we might be going. I think it's safe to say that this has been an absolutely phenomenal backdrop for corporate credit. Corporate credit likes moderation. And I think you've seen an unusual amount of moderation at both the macro and the micro level.You've seen kind of moderate growth, moderating inflation, moderating policy rates across DM. And then at the micro level, even though markets have been very strong, corporate aggressiveness has not been. M&A has been well below trend. Corporate balance sheets have been pretty stable.So, what I think is notable is you've had an economic backdrop that credit has really liked, as you correctly note. We've pushed spreads near 20-year tights based on that backdrop. But it's a backdrop that credit markets liked, but US voters did not like, and they voted for different policy.And so, when we look ahead – the range of outcomes, I think across both the macro and the micro, is expanding. And I think the policy uncertainty that markets now face is increasing both scenarios to the upside where things are hotter and you see more animal spirits; and risk to the downside, where potentially more aggressive tariffs or action on immigration creates more kind of stagflationary types of risk.So one element that we're facing is we feel like we're leaving behind a really good environment for corporate credit and we're entering something that's more uncertain. But then balancing that is that you're not going to transition immediately.You still have a lot of momentum in the US and European economy. I look at the forecasts from Seth's team, the global economic numbers, or at least kind of the DM economic numbers into the first half of next year – still look fine. We still have the Fed cutting. We still have the ECB cutting. We still have inflation moderating.So, part of our thinking for this year is it could be a little bit of a story of two halves that we titled our section, “On Borrowed Time.” That the credit is still likely to hold in well and perform better in the first half of the year. Yields are still good; the Fed is still cutting; the backdrop hasn't changed that much. And then it's the second half of the year where some of our economic numbers start to show more divergence, where the Fed is no longer cutting rates, where all in yield levels are lower on our interest rate forecasts, which could temper demand. That looks somewhat trickier.In terms of how we think about what we like within credit, we do think the levered loan market continues to be attractive. That's part of credit where spreads are not particularly tight versus history. That's one area where we still see risk premium. I think this is also an environment where regionally we see Asia underperforming. It's a market that's both very expensive from a spread perspective but also faces potentially kind of outsized economic and tariff uncertainty. And we think that the US might outperform in context to at least initially investors feeling like the US is at less relative risk from tariffs and policy uncertainty than some other markets.So, Vishy, I'll pause there and pass it back to you.Vishy Tirupattur: Thanks, Mike, Seth, and Andrew.Thank you all for listening. We are going to take a pause here and we'll be back tomorrow with our year ahead round table continued, where we'll share our forecast for government bonds, currencies and housing.As a reminder, if you enjoy the show, please leave us a review wherever you listen and share Thoughts on the Market with a friend or colleague today.

Siskoid Cinema presents... On Borrowed Time, the shows that explores time travel in movies. On this episode, Siskoid and Dr. Anj discuss 1946's Christmas classic, It's A Wonderful Life. Is it, in fact, a time travel film? We dare say yes! Listen to the episode below, or subscribe to FW Team-Up on Apple or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK! Visit our WEBSITE: https://fireandwaterpodcast.com/ Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Support us on Patreon: https://www.patreon.com/fwpodcasts Subscribe via Apple Podcasts as part of the FIRE AND WATER PODCAST NETWORK. Credits: Bonus clips: "It's a Wonderful Life" by Frank Capra, starring Henry Travers, James Stewart, Donna Reed, Lionel Barrymore, and Karolyn Grimes; and "Auld Lang Syne" (traditional; Isisip on piano). Thanks for leaving a comment!

On the first part of a two-part roundtable, our panel discusses why the US is likely to see a slowdown and where investors can look for growth.----- Transcript -----Vishy Tirupattur: Welcome to Thoughts on the Market. I'm Vishy Tirupattur, Morgan Stanley's Chief Fixed Income Strategist. Today in the podcast, we are hosting a special roundtable discussion on what's ahead for the global economy and markets in 2025.I'm joined by my colleagues: Seth Carpenter, Global Chief Economist; Mike Wilson, Chief US Equity Strategist and the firm's Chief Investment Officer; and Andrew Sheets, Global Head of [Corporate] Credit Research.It's Monday, November 18th, at 10am in New York.Gentlemen. Thank you all for taking the time to talk. We have a lot to cover, and so I'm going to go right into it.Seth, I want to start with the global economy. As you look ahead to 2025, how do you see the global economy evolving in terms of growth, inflation and monetary policy?Seth Carpenter: I have to say – it's always difficult to do forecasts. But I think right now the uncertainty is even greater than usual. It's pretty tricky. I think if you do it at a global level, we're not actually looking for all that much of a change, you know, around 3-ish percent growth; but the composition is surely going to change some.So, let's hit the big economies around the world. For the US, we are looking for a bit of a slowdown. Now, some of that was unsustainable growth this year and last year. There's a bit of waning residual impetus from fiscal policy that's going to come off in growth rate terms. Monetary policy is still restrictive, and there's some lag effects there; so even though the Fed is cutting rates, there's still going to be a little bit of a slowdown coming next year from that.But I think the really big question, and you alluded to this in your question, is what about other policy changes here? For fiscal policy, we think that's really an issue for 2026. That's when the Tax Cut and Jobs Act (TCJA) tax cuts expire, and so we think there's going to be a fix for that; but that's going to take most of 2025 to address legislatively. And so, the fiscal impetus really is a question for 2026.But immigration, tariffs; those matter a lot. And here the question really is, do things get front loaded? Is it everything all at once right at the beginning? Is it phased in over time a bit like it was over 2018? I think our baseline assumption is that there will be tariffs; there will be an increase in tariffs, especially on China. But they will get phased in over the course of 2025. And so, as a result, the first thing you see is some increase in inflation and it will build over time as the tariffs build. The slowdown from growth, though, gets backloaded to the end of 2025 and then really spills over into to 2026.Now, Europe is still in a situation where they've got some sluggish growth. We think things stabilize. We get, you know, 1 percent growth or so. So not a further deterioration there; but not a huge increase that would make you super excited. The ECB should probably keep cutting interest rates. And we actually think there's a really good chance that inflation in the euro area goes below their target. And so, as a result, what do we see? Well, the ECB cutting down below their best guess of neutral. They think 2 percent nominal is neutral and they go below that.China is another big curveball here for the forecast because they've been in this debt deflation spiral for a while. We don't think the pivot in fiscal policy is anywhere near sufficient to ward things off. And so, we could actually see a further slowing down of growth in China in 2025 as the policy makers do this reactive kind of policy response. And so, it's going to take a while there, and we think there's a downside risk there.On the upside. I mean, we're still bullish on Japan. We're still very bullish on India and its growth; and across other parts of EM, there's some bright spots. So, it's a real mixed bag. I don't think there's a single trend across the globe that's going to drive the overall growth narrative.Vishy Tirupattur: Thank you, Seth. Mike, I'd like to go to you next. 2024 has turned out to be a strong year for equity markets globally, particularly for US and Japanese equities. While we did see modest earnings growth, equity returns were mostly about multiple expansion. How do you expect 2025 to turn out for the global equity markets? What are the key challenges and opportunities ahead for the equity markets that you see?Mike Wilson: Yeah, this year was interesting because we had what I would say was very modest earnings growth in the US in particular; relative to the performance. It was really all multiple expansion, and that's probably not going to repeat this year. We're looking for better earnings growth given our soft landing outcome from an economic standpoint and rates coming down. But we don't think multiples will expand any further. In fact, we think they'll come down by about 5 percent. But that still gets us a decent return in the base case of sort of high single digits.You know, Japan is the second market we like relative to the rest of the world because of the corporate governance story. So there, too, we're looking for high single digit earnings growth and high single digits or 10 percent return in total. And Europe is when we're sort of down taking a bit because of tariff risk and also pressure from China, where they have a lot of export business.You know, the challenges I think going forward is that growth continues to be below trend in many regions. The second challenge is that, you know, high quality assets are expensive everywhere. It's not just the US. It's sort of everywhere in the world. So, you get what you pay for. You know, the S&P is extremely expensive, but that's because the ROE is higher, and growth is higher.So, you know, in other words, these are not well-kept secrets. And so just valuation is a real challenge. And then, of course, the consensus views are generally fairly narrow around the soft landing and that's very priced as well. So, the risks are that the consensus view doesn't play out. And that's why we have two bull and two bear cases in the US – just like we did in the mid-year outlook; and in fact, what happened is one of our bull cases is what played out in the second half of this year.So, the real opportunity from our standpoint, I think this is a global call as well – which is that we continue to be pretty big rotations around the macro-outlook, which remains uncertain, given the policy changes we're seeing in the US potentially, and also the geopolitical risks that still is out there.And then the other big opportunity has been stock picking. Dispersion is extremely high. Clients are really being rewarded for taking single stock exposures. And I think that continues into next year. So, we're going to do what we did this year is we're going to try to rotate around from a style and size perspective, depending on the macro-outlook. Vishy Tirupattur: Thank you, Mike. Andrew, we are ending 2024 in a reasonably good setup for credit markets, with spreads at or near multi-decade tights for many markets. How do you expect the global credit markets to play out in 2025? What are the best places to be within the credit spectrum and across different regions?Andrew Sheets: I think that's the best way to frame it – to start a little bit about where we are and then talk about where we might be going. I think it's safe to say that this has been an absolutely phenomenal backdrop for corporate credit. Corporate credit likes moderation. And I think you've seen an unusual amount of moderation at both the macro and the micro level.You've seen kind of moderate growth, moderating inflation, moderating policy rates across DM. And then at the micro level, even though markets have been very strong, corporate aggressiveness has not been. M&A has been well below trend. Corporate balance sheets have been pretty stable.So, what I think is notable is you've had an economic backdrop that credit has really liked, as you correctly note. We've pushed spreads near 20-year tights based on that backdrop. But it's a backdrop that credit markets liked, but US voters did not like, and they voted for different policy.And so, when we look ahead – the range of outcomes, I think across both the macro and the micro, is expanding. And I think the policy uncertainty that markets now face is increasing both scenarios to the upside where things are hotter and you see more animal spirits; and risk to the downside, where potentially more aggressive tariffs or action on immigration creates more kind of stagflationary types of risk.So one element that we're facing is we feel like we're leaving behind a really good environment for corporate credit and we're entering something that's more uncertain. But then balancing that is that you're not going to transition immediately.You still have a lot of momentum in the US and European economy. I look at the forecasts from Seth's team, the global economic numbers, or at least kind of the DM economic numbers into the first half of next year – still look fine. We still have the Fed cutting. We still have the ECB cutting. We still have inflation moderating.So, part of our thinking for this year is it could be a little bit of a story of two halves that we titled our section, “On Borrowed Time.” That the credit is still likely to hold in well and perform better in the first half of the year. Yields are still good; the Fed is still cutting; the backdrop hasn't changed that much. And then it's the second half of the year where some of our economic numbers start to show more divergence, where the Fed is no longer cutting rates, where all in yield levels are lower on our interest rate forecasts, which could temper demand. That looks somewhat trickier.In terms of how we think about what we like within credit, we do think the levered loan market continues to be attractive. That's part of credit where spreads are not particularly tight versus history. That's one area where we still see risk premium. I think this is also an environment where regionally we see Asia underperforming. It's a market that's both very expensive from a spread perspective but also faces potentially kind of outsized economic and tariff uncertainty. And we think that the US might outperform in context to at least initially investors feeling like the US is at less relative risk from tariffs and policy uncertainty than some other markets.So, Vishy, I'll pause there and pass it back to you.Vishy Tirupattur: Thanks, Mike, Seth, and Andrew.Thank you all for listening. We are going to take a pause here and we'll be back tomorrow with our year ahead round table continued, where we'll share our forecast for government bonds, currencies and housing.As a reminder, if you enjoy the show, please leave us a review wherever you listen and share Thoughts on the Market with a friend or colleague today.

Siskoid Cinema presents... On Borrowed Time, the shows that explores time travel in movies. On this episode, Siskoid and Ryan Blake discuss 1984's stone-cold time travel classic, The Terminator. Do we even need to say more here? Listen to the episode below, or subscribe to FW Team-Up on Apple or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK! Visit our WEBSITE: https://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Support us on Patreon: https://www.patreon.com/fwpodcasts Subscribe via Apple Podcasts as part of the FIRE AND WATER PODCAST NETWORK. Credits: Bonus clips: "The Terminator" by James Cameron, starring Shawn Schepps, Michael Biehn, Ed Dogans, Linda Hamilton and Arnold Schwarzenegger; Doctor Who's "Before the Flood" by Stephen Moffat, starring Peter Capaldi; and "The Terminator Main Theme" by Brad Fiedel. Thanks for leaving a comment!

Siskoid Cinema presents... On Borrowed Time, the shows that explores time travel in movies. On this episode, Siskoid and Waiting for Doom's Paul Hix discuss 2009's Triangle, an Australian-shot time loop horror thriller. Join us for a trip into movie history for all the details! Listen to the episode below, or subscribe to FW Team-Up on Apple or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK! Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Support us on Patreon: https://www.patreon.com/fwpodcasts Subscribe via Apple Podcasts as part of the FIRE AND WATER PODCAST NETWORK. Credits: Bonus clips: "Triangle" by Christopher Smith, starring Melissa George, Michael Dorman, Liam Hemsworth, Henry Nixon and Emma Lung; and "Jess Returns Home" on the Triangle soundtrack by Christian Henson, feat. Dot Allison. Thanks for leaving a comment!

Siskoid Cinema presents... On Borrowed Time, the shows that explores time travel in movies. On this episode, Siskoid and Rolled Spine's Diabolu Frank discuss 1984's Trancers, a B-movie that only SOUNDS like it's ripping off The Terminator, just in time for its 40th Anniversary this May. Join us for a trip into movie history for all the details! Listen to the episode below, or subscribe to FW Team-Up on Apple or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK! Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Support us on Patreon: https://www.patreon.com/fwpodcasts Subscribe via Apple Podcasts as part of the FIRE AND WATER PODCAST NETWORK. Credits: Bonus clips: "Trancers" by Charles Band, starring Tom Thomerson, Brad Logan, Richard Herd, Helen Hunt, and Biff Manard; "Trancers Opening Credits" by Mark Ryder and Phil Davies. Thanks for leaving a comment!

EPISODE 18 - “Character Actors (male)” - 01/015/2024 Films of Hollywood's Golden Era are often brightened and made all-the-better by the fantastic character actors who show up playing fathers, grandfathers, bankers, farmers, chefs, clerks, bosses, and neighbors. The moment you hear the distinctive voice of WALTER BRENNAN, not only do you know it's him, you know the film will have at least one interesting element. Last week we paid tribute to the ladies, this week we are giving the wonderful male character actors their due. Join us as we discuss their distinctive lives and careers.  SHOW NOTES:  Sources: The “It's A Wonderful Life” Book (1986), by Jeanine Basinger and Leonard Maltin Disney Voice Actors: A Biographical Dictionary (2011), by Thomas S. Hischak Also Starring… Forty Biographical Essay on the Greatest Character Actors Of Hollywood's Golden Era, 1930-1965 (2012), by Cynthia Brideson and Sara Brideson Illustrated Encyclopedia of Movie Character Actors (1986), by David Quinlan The Name Below The Title (2018), by Rupert Alistair The Film Encyclopedia (1994), By Ephraim Katz Leonard Maltin's Movie Encyclopedia (1994), by Leonard Maltin IMDBPro.com Wikipedia.com Stars/Movies Mentioned:    HENRY TRAVERS — It's A Wonderful Life (1946), Mrs. Miniver (1942), You Can't Take It With You (1938), High Sierra (1941), On Borrowed Time (1939), Our Town (1940), The Invisible Man (1933), Dark Victory (1939), Dodge City (1939), The Bells of St. Marys (1945), Shadow Of A Doubt (1943); CHARLES LANE — Smart Money (1931), It's A Wonderful Life (1946), Mr. Deed's Goes To Town (1936), You Can't Take It With You (1938), Mr. Smith Goes To Washington (1939), Arsenic and Old Lace (1944), State Of The Union (1948), The Great Profile (1940), Ball Of Fire (1941), The Music Man (1962), The Computer Wore Tennis Shoes (1995); FRANKLIN PANGBORN — Exit Smiling (1926), Wild Poses (1933), The Bank Dick (1940), Easy Living (1937), Christmas In July (1940), Hail The Conquering Hero (1944); FRED CLARK — The Jackpot (1950), How To Marry A Millionaire (1953), A Place In The Sun (1951), Boys Night Out (1962); GUY KIBBEE — Stolen Heaven (1931), Gold Diggers of 1933 (1933), Captain Blood (1935), Mary Jane's Pa (1935), Captain January (1936), Our Town (1940), Rain (1932), 42nd Street (1933), Little Lord Fauntleroy (1936), It's A Wonderful World (1939), Mr. Smith Goes To Washington (1939), Miss Annie Rooney (1942); STERLING HOLLOWAY — Casey At The Bat (1927), Remember The Night (1940), Star Spangled Rhythm (1942), Bambi (1942), Life Begins At Forty (1935), The Blue Bird (1940), Cheers For Miss Bishop (1941), Dumbo (1941), Alice In Wonderland (1951),  The Jungle Book (1967), The Aristocats (1970); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Siskoid Cinema presents... On Borrowed Time, the shows that explores time travel in movies. On its inaugural episode, Siskoid and Ashford J. Wright discuss the Back to the Future trilogy. How do each of its chapters rate on the show's Clock Scale? Does its rubberized view of history make sense? Just how many timelines are spawned over the course of those six seminal hours? Join us for a trip into movie history for all the details! Listen to the episode below, or subscribe to FW Team-Up on Apple or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK! Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Support us on Patreon: https://www.patreon.com/fwpodcasts Subscribe via Apple Podcasts as part of the FIRE AND WATER PODCAST NETWORK. Credits: Bonus clips: "Back to the Future" teaser trailer, starring Michael J. Fox; "Back to the Future Theme" by Alan Silvestri. Thanks for leaving a comment!

Sunday morning service at Broken Arrow (OK) First Church of the Nazarene, August 21, 1988. This message opens with a statement from the manual of the Church of the Nazarene, regarding the second coming of Christ. Pastor Stipp also references a two-part booklet that was popular at the time, titled "88 Reasons Why the Rapture Will Happen in 1988" and "On Borrowed Time." His message is not promoting the book, but using it to discuss the rapture and the end times as framed by Scripture. The heart of the message is an overview of the second half of the book of Zechariah, explaining Old Testament prophecy, and more specifically how these chapters explain some of the events of the end times. There is one chapter referenced incorrectly: at 22:28, Revelation 40 should have been Revelation 14. The message is incomplete and ends rather abruptly; while the ending would likely have added some additional context, it seemed there was enough to publish it as-is.

There's an old movie On Borrowed Time  in which Sir Cedric Hardwicke plays Mr. Brink, a reference to the brink of death. It seems more than one economy finds itself on the brink these days. How many are truly on borrowed time? Key topics:✔️ People choosing between food and warmth in the winter.✔️ "The forgotten people."✔️"Survival for only 19 days" following a job loss.✔️"Running faster to stand still or even move backwards."✔️"Many people have cut back right down to the bone."  ✔️$20/hr jobs and still homeless. Links I mention:https://www.youtube.com/watch?v=4v_aC1ZTlOg  (even Russell Brand is warning you about the "just sit down and shut up" attitude we're seeing from the power brokers)https://www.barrons.com/articles/what-to-know-today-51673427144https://www.federalreservehistory.org/essays/banking-panics-1930-31https://en.wikipedia.org/wiki/Henry_Paulsonhttps://www.cnbc.com/2008/07/22/paulson-were-gonna-be-alright.htmlhttps://en.wikipedia.org/wiki/IndyMachttps://www.thetimes.co.uk/article/bernanke-assures-investors-that-top-banks-are-solvent-7639rkcvrnhhttps://www.youtube.com/watch?v=N0VJXwr3KEshttps://www.youtube.com/watch?v=a5t2dufNkvUhttps://www.youtube.com/watch?v=czmJvQCEnbEhttps://www.youtube.com/watch?v=O58wklTuwwchttps://www.youtube.com/watch?v=jjE5mBXDKIUNeed more? Email me: https://causeyconsultingllc.com/contact-causey/ 

Sheldon Epps conceived and directed the Duke Ellington musical Play On! which received three Tony Award nominations, and was produced at the Goodman Theatre in Chicago, where it received four Jefferson Awards including Best Musical. The Pasadena Playhouse production was filmed by PBS for broadcast as part of the “Great Performances” series. He also conceived and directed the highly acclaimed musical revue, Blues in the Night. The Broadway production was nominated for a Tony Award for Best Musical of the Year, and the London production, which he also directed, was nominated for two Laurence Olivier Awards, and ran for over a year on the West End before being broadcast in Europe by Thames Television. His 2018 production of the show in Los Angeles received unanimously positive critical acclaim and set box office records at The Wallis Annenberg Center for the Arts. Mr. Epps was honored to be the Artistic Director of the renowned Pasadena Playhouse for two decades (1997-2017) and is widely credited with the rejuvenation and rebirth of that respected theatre company. His directing credits at The Playhouse include the record breaking production of Fences (starring Laurence Fishburne and Angela Bassett), Kiss Me Kate, Twelve Angry Men, Intimate Apparel, Blues for an Alabama Sky, The Night Is a Child, As Bees In Honey Drown, Blue, Play On!, Les Liaisons Dangereuses, The Importance of Being Earnest, The Old Settler, The Real Thing, On Borrowed Time, Mr. Rickey Calls a Meeting, Blues in the Night, Purlie (a co-production with the Goodman Theatre), and the world premiere productions of the musicals Sleepless In Seattle, Breaking Through, and Ray Charles Live! He inaugurated Hothouse at The Playhouse, the theatre's hugely successful new play development program. He also co-directed the Broadway production of Baby It's You!, which was originally produced at The Playhouse. He now continues his association with the theatre as Artistic Director Emeritus. Under his leadership, The Pasadena Playhouse once again established a reputation for outstanding productions distinguishing themselves in their artistic excellence and theatrical diversity. During his tenure several productions successfully transferred to Broadway, off Broadway and numerous theatres all over the country. Among many other honors he received the NAACP Community Service Award and the prestigious James Irvine Foundation Leadership Award for his many accomplishments during his tenure at The Playhouse. For television he has directed episodes of “The Upshaws,” “Family Reunion,” “Frasier,” “Friends,” “The George Lopez Show,” “Everybody Loves Raymond,” “Hannah Montana,” “Instant Mom,” “Evening Shade,” “Sister, Sister,” and many others, as well as several pilots. For five seasons he was also producer/director for the hit series “Girlfriends.” In recognition of his work in television, he was invited to be the Pankey Chair/Filmmaker in Residence at Chapman University. He has also taught acting, directing and theatre management at Yale School of Drama, USC, UCLA, University of San Diego, Occidental College, and Cal State LA among others. He was honored to receive the coveted Alumni Achievement Award from his alma mater Carnegie-Mellon University. He is a long-time member of the Executive Board of the Society of Directors and Choreographers and served as Chair of the SDC Foundation Board of Trustees. He is also on the board of the Ten Chimneys Foundation. Mr. Epps is a two-time recipient of the Theatre Communications Group/Pew Charitable Trust National Theatre Artists Residency Grant, which supported his four-year tenure at The Old Globe as Associate Artistic Director. Currently, he is honored to serve as Senior Artistic Advisor at Ford's Theatre in Washington, DC. # # #

This meticulously researched book explores the concept of fame in all its fleeting glory and confounding inconsistency. Why do so many entertainers do so much better financially than peers who have comparable resumes? Author Donald Jeffries also examines a subject he is quite familiar with; the myriad of unnatural deaths which have plagued the entertainment industry since the dawn of Hollywood. The deaths of John Lennon, Elvis Presley, Marilyn Monroe, Natalie Wood, and many others are scrutinized in exacting detail. Jeffries communicated with many older entertainers during the course of researching the book, and their perspectives are included here. On Borrowed Fame will be of great interest to fans, celebrities, and anyone with even a cursory affinity for the world of show business. If you're anything like me, and have a hard time not looking at the car crash as you drive by: You will love this book. I'm dyslexic and have difficulty reading but found it even more difficult stopping. The book showed me how very lucky I've been, pursuing my passions; Acting, Class A Speedway Racing and Inventing. - Billy Gray, Father Knows Best, The Day the Earth Stood Still Donald Jeffries' On Borrowed Fame is indeed a revelatory and painful experience. It paints the big picture of the price of Fame in Hollywood. One that mercilessly illustrates through fact and story the real price paid by many of my colleagues and myself. Fame is not a blessing, it's a curse. This book is a witness to the carnage and horrible truth of the matter. Fame is not what it appears to be on the outside. Fame is a glamorous car wreck. Fame sucks. This is an important book that tells us all as fellow human beings that attention must be paid. I congratulate Mr. Jeffries for having had the courage to write it. - Nick Mancuso, Paris 2020 “It's possible to be a musician in the biggest band imaginable, and within a few years be forced to work a regular job.” That ominous statement is echoed throughout Donald Jeffries' whirlwind of woe in the world of entertainment, On Borrowed Time. Those household name actors in your favourite TV shows you assumed were well paid and would surely always have a firm foothold in show business? Not so much it turns out, as stated here: “A regular on a television series is at least as likely to have their acting career end when their show does.” The arbitrary payment structures that seem to have been made up on the spot, the blatant rip offs and the sheer number of early and often suspicious Hollywood deaths that were rarely investigated would make anyone think twice about being an actor. What an eye opener this book is! - Graham Parker, singer-songwriter If you've ever dreamed of being famous--and who hasn't--then Donald Jeffries offers a shocking literary vaccine--so you might avoid those pitfalls. Just maybe! “On Borrowed Fame,” his juicy and richly detailed fast moving dossier, catalogues the long and winding and perilous road trod by some of the most famous names in showbiz. Those talented celebs had one thing in common: They inevitably discovered that fame does not guarantee fortune-- but is often a prescription for bankruptcy and early death. I have reported on Hollywood for nearly half a century but can attest that Jeffries has entertainingly laid out the most detailed compendium of horror stories experienced by some of tinsel town's biggest names. No one is spared--from Stan Laurel to Marlon Brando to Michael Jackson. And so, so many more. His research is formidable. This is the most fascinating chronicle of show business malfeasance, mayhem and misery I have ever read. The Beatles sang “Can't Buy Me Love,” They should have added “happiness” as well! - Ivor Davis

This meticulously researched book explores the concept of fame in all its fleeting glory and confounding inconsistency. Why do so many entertainers do so much better financially than peers who have comparable resumes? Author Donald Jeffries also examines a subject he is quite familiar with; the myriad of unnatural deaths which have plagued the entertainment industry since the dawn of Hollywood. The deaths of John Lennon, Elvis Presley, Marilyn Monroe, Natalie Wood, and many others are scrutinized in exacting detail. Jeffries communicated with many older entertainers during the course of researching the book, and their perspectives are included here. On Borrowed Fame will be of great interest to fans, celebrities, and anyone with even a cursory affinity for the world of show business. If you're anything like me, and have a hard time not looking at the car crash as you drive by: You will love this book. I'm dyslexic and have difficulty reading but found it even more difficult stopping. The book showed me how very lucky I've been, pursuing my passions; Acting, Class A Speedway Racing and Inventing. - Billy Gray, Father Knows Best, The Day the Earth Stood Still Donald Jeffries' On Borrowed Fame is indeed a revelatory and painful experience. It paints the big picture of the price of Fame in Hollywood. One that mercilessly illustrates through fact and story the real price paid by many of my colleagues and myself. Fame is not a blessing, it's a curse. This book is a witness to the carnage and horrible truth of the matter. Fame is not what it appears to be on the outside. Fame is a glamorous car wreck. Fame sucks. This is an important book that tells us all as fellow human beings that attention must be paid. I congratulate Mr. Jeffries for having had the courage to write it. - Nick Mancuso, Paris 2020 “It's possible to be a musician in the biggest band imaginable, and within a few years be forced to work a regular job.” That ominous statement is echoed throughout Donald Jeffries' whirlwind of woe in the world of entertainment, On Borrowed Time. Those household name actors in your favourite TV shows you assumed were well paid and would surely always have a firm foothold in show business? Not so much it turns out, as stated here: “A regular on a television series is at least as likely to have their acting career end when their show does.” The arbitrary payment structures that seem to have been made up on the spot, the blatant rip offs and the sheer number of early and often suspicious Hollywood deaths that were rarely investigated would make anyone think twice about being an actor. What an eye opener this book is! - Graham Parker, singer-songwriter If you've ever dreamed of being famous--and who hasn't--then Donald Jeffries offers a shocking literary vaccine--so you might avoid those pitfalls. Just maybe! “On Borrowed Fame,” his juicy and richly detailed fast moving dossier, catalogues the long and winding and perilous road trod by some of the most famous names in showbiz. Those talented celebs had one thing in common: They inevitably discovered that fame does not guarantee fortune-- but is often a prescription for bankruptcy and early death. I have reported on Hollywood for nearly half a century but can attest that Jeffries has entertainingly laid out the most detailed compendium of horror stories experienced by some of tinsel town's biggest names. No one is spared--from Stan Laurel to Marlon Brando to Michael Jackson. And so, so many more. His research is formidable. This is the most fascinating chronicle of show business malfeasance, mayhem and misery I have ever read. The Beatles sang “Can't Buy Me Love,” They should have added “happiness” as well! - Ivor Davis

This meticulously researched book explores the concept of fame in all its fleeting glory and confounding inconsistency. Why do so many entertainers do so much better financially than peers who have comparable resumes? Author Donald Jeffries also examines a subject he is quite familiar with; the myriad of unnatural deaths which have plagued the entertainment industry since the dawn of Hollywood. The deaths of John Lennon, Elvis Presley, Marilyn Monroe, Natalie Wood, and many others are scrutinized in exacting detail. Jeffries communicated with many older entertainers during the course of researching the book, and their perspectives are included here. On Borrowed Fame will be of great interest to fans, celebrities, and anyone with even a cursory affinity for the world of show business.If you're anything like me, and have a hard time not looking at the car crash as you drive by: You will love this book. I'm dyslexic and have difficulty reading but found it even more difficult stopping. The book showed me how very lucky I've been, pursuing my passions; Acting, Class A Speedway Racing and Inventing.- Billy Gray, Father Knows Best, The Day the Earth Stood StillDonald Jeffries' On Borrowed Fame is indeed a revelatory and painful experience. It paints the big picture of the price of Fame in Hollywood. One that mercilessly illustrates through fact and story the real price paid by many of my colleagues and myself. Fame is not a blessing, it's a curse. This book is a witness to the carnage and horrible truth of the matter. Fame is not what it appears to be on the outside. Fame is a glamorous car wreck. Fame sucks. This is an important book that tells us all as fellow human beings that attention must be paid.I congratulate Mr. Jeffries for having had the courage to write it.- Nick Mancuso, Paris 2020“It's possible to be a musician in the biggest band imaginable, and within a few years be forced to work a regular job.” That ominous statement is echoed throughout Donald Jeffries' whirlwind of woe in the world of entertainment, On Borrowed Time. Those household name actors in your favourite TV shows you assumed were well paid and would surely always have a firm foothold in show business? Not so much it turns out, as stated here: “A regular on a television series is at least as likely to have their acting career end when their show does.” The arbitrary payment structures that seem to have been made up on the spot, the blatant rip offs and the sheer number of early and often suspicious Hollywood deaths that were rarely investigated would make anyone think twice about being an actor. What an eye opener this book is!- Graham Parker, singer-songwriterIf you've ever dreamed of being famous--and who hasn't--then Donald Jeffries offers a shocking literary vaccine--so you might avoid those pitfalls. Just maybe! “On Borrowed Fame,” his juicy and richly detailed fast moving dossier, catalogues the long and winding and perilous road trod by some of the most famous names in showbiz. Those talented celebs had one thing in common: They inevitably discovered that fame does not guarantee fortune-- but is often a prescription for bankruptcy and early death. I have reported on Hollywood for nearly half a century but can attest that Jeffries has entertainingly laid out the most detailed compendium of horror stories experienced by some of tinsel town's biggest names. No one is spared--from Stan Laurel to Marlon Brando to Michael Jackson. And so, so many more. His research is formidable. This is the most fascinating chronicle of show business malfeasance, mayhem and misery I have ever read. The Beatles sang “Can't Buy Me Love,” They should have added “happiness” as well!- Ivor Davis

Anthony has a book out, On Borrowed Time, where he discussed his near death experience. His Podcast the Independent Mouth, challenges you to think for yourself. Check out this great interview and many more!Find the show by using any of the links found in my PodSpout page!https://podspout.app/shapingsuccessGo to podspout.com and use code Success to get 10% off any paid plan. Did I mention there is a free version as well?Check out my PodSpout link in my IG Bio @wes.tankersleyDo you have a Great story? Would you like to be a guest?Email wes@westankersley.com Check out my link  below for sponsorship Opportunities. https://tvpbn.com/advertisingLinkshttps://podspout.app/shapingsuccessSupport the show (https://www.patreon.com/user?u=34976605) Support the show (https://www.patreon.com/user?u=34976605)

The official definition of podcast is "a digital audio or video file or recording, usually part of a themed series, that can be downloaded from a website to a media player or computer." Yet to many of us, podcasting means so much more. Mike and Mike are joined by fellow podcasters Tyra Burton, Sean Whelan, and Charles McFall to discuss how the medium has evolved over the years and what it might be in the future. Plus, author and podcaster Anthony J. Williams III is "On Borrowed Time" as he faces the Geek Seat. All this, along with Angela's A Geek Girl's Take, Ashley's Box Office Buzz, Michelle's Iconic Rock Moments, Creative Outlet with filmmaker Tucky Williams, and Shout Outs! We want to hear from you! Feedback is always welcome. Please write to us at feedback@earthstationone.com and subscribe and rate the show on Apple Podcast, Stitcher Radio, Google Play, Spotify, Pandora, Amazon Music, or wherever fine podcasts are found. Table of Contents 0:00:00 Show Open / Interview with Podcaster & Author Anthony Williams 0:32:39 Box Office Buzz 0:35:34 Lowdown on Podcast 1:30:19 Michelle's Iconic Rock Moment 1:33:50 Creative Outlet - Filmmaker Tucky Williams 1:39:04 A Geek Girl's Place 1:40:32 Show Close Links Earth Station One on Apple Podcasts Earth Station One on Stitcher Radio Earth Station One on Spotify Past Episodes of The Earth Station One Podcast The ESO Network Patreon The New ESO Network TeePublic Store ESO Network Patreon Angela's A Geek Girl's Take Ashley's Box Office Buzz Michelle's Iconic Rock Talk Show The New Earth Station One Website The We Be Geeks Collective NSC Live TV Save Our Stages Tifosi Opitical The Independent Mouth Podcast On Borrowed Time: The Reinvention of a Lost Soul Dagger Kiss: Enchanted Forest Charles McFall Raging Bullets James Bond Lexicon Promos Tifosi Optics The Blurred Nerds Podcast NSC Live TV The ESO Network Patreon If you would like to leave feedback or a comment on the show please feel free to email us at feedback@earthstationone.com Special Guests: Anthony Williams III, Charles McFall, Sean Whelan, and Tyra Burton.

In this episode Philippa talks about online bookclubs and 3 podcasts she listens to. Philippa reviews 5 books and interviews author John Marrs! Books reviewed include "What Lies Between Us" by John Marrs, "Remember Me" by Amy McLellan, "The Archers - Ambridge At War' By Catherine Miller, "Platform Seven" by Louise Doughty and "On Borrowed Time" by Adam Croft.

How will our hosts cope in front of a live (socially distanced) audience? Did they enjoy their stroll around the reservoir together? And would you like to hear Bob sing for over a minute?  The answer to the last question should undoubtedly be yes, so have a listen to the latest episode of Partners in Crime with Robert Daws and Adam Croft. Adam takes us through the ten most powerful crime scenes, Bob recommends books from Elly Griffiths and Martin Edwards, while he also talks about a new ITV crime drama called Professor T. Adam's new book On Borrowed Time is discussed (well, it is launch week!), there's an in-depth fishing discussion and viewers on Patreon will get to see amazing views of Rutland Water in the background (unfortunately Adam and Bob are in the way a bit).  ~ Moriarty ~   RECOMMENDATIONS On Borrowed Time by Adam Croft https://www.kobo.com/en/ebook/on-borrowed-time-17 The Postscript Murders by Elly Griffiths https://www.kobo.com/en/ebook/the-postscript-murders Howdunit by Martin Edwards https://www.kobo.com/en/ebook/howdunit-a-masterclass-in-crime-writing-by-members-of-the-detection-club   October's Patreon free book of the month: True Justice by Tyler Porter https://www.kobo.com/en/ebook/true-justice-7 To get this book for free, become a patron at patreon.com/partnersincrimepodcast   Buy Partners In Crime merchandise here https://www.redbubble.com/shop/ap/52592091 Buy a 'Partners In Time' clock by clicking below! https://www.redbubble.com/shop/ap/52592683   Don't forget your exclusive Partners in Crime discounts through Kobo. Get 90% off your first purchase using the code CRIME at checkout. And you can also get 40% off all books using the code PARTNERS when you shop using this link: bit.ly/PartnersKobo If you’d like to support Partners in Crime and get early access to every episode — on video — plus lots of other goodies, head over to patreon.com/partnersincrimepodcast   CONTACT US Email: hello@partnersincrime.online Facebook: facebook.com/groups/crimefictionpodcast/ Twitter: twitter.com/crimeficpodcast Instagram: instagram.com/crimefictionpodcast/ Website: partnersincrime.online Patreon: patreon.com/partnersincrimepodcast

Adam Croft can write a killer hook. By crafting taglines that ask shocking, morality-challenging questions or demand the empathy of the reader, he is able to easily and effectively draw people to his books. Adam is a wildly successful independent author with over two million books sold worldwide. He took over the market in 2015 with his bestselling psychological thriller, Her Last Tomorrow, and again in 2017 with Only the Truth, which held the title of bestselling book in the world at the time. Croft’s upcoming release, On Borrowed Time, will be available this month.From Amazon.com:Adam Croft is one of the world's biggest-selling authors of crime fiction and gripping psychological thrillers. His books are known for their quick pace, thrilling plots and believable characters, and have sold in more than 120 countries around the world. His books have topped the Amazon storewide chart seven times, and in February 2017 Amazon's overall Author Rankings placed Adam as the most widely read author in the world, with J.K. Rowling in second place. Whether you’re traditionally published or indie, writing a good book is only the first step in becoming a successful author. The days of just turning a manuscript into your editor and walking away are gone. If you want to succeed in today’s publishing world, you need to understand every aspect of the business - editing, formatting, marketing, contracts. It all starts with a good book, then the real work begins. Join international bestselling author J.D. Barker and indie powerhouse, J. Thorn, as they gain unique insight and valuable advice from the most prolific and accomplished authors in the business.In this episode, you’ll discover:The elements of a killer taglineHow to develop and maintain your readerbaseThe importance of a mailing listThe importance of tracking sales data and trendsThe pros and cons of starting a podcastLinks:J. D. Barker - http://jdbarker.com/J. Thorn - https://theauthorlife.com/Adam Croft - https://www.adamcroft.net/Her Last Tomorrow by Adam Croft - https://www.amazon.com/gp/product/B018ZCAI10/ref=dbs_a_def_rwt_hsch_vapi_tkin_p1_i8Only the Truth by Adam Croft - https://www.amazon.com/gp/product/B07DRRX6ZB/ref=dbs_a_def_rwt_hsch_vapi_tkin_p2_i2On Borrowed Time by Adam Croft - https://www.amazon.com/gp/product/B08CVF78FW/ref=dbs_a_def_rwt_hsch_vapi_tkin_p1_i1Music by Nicorus - https://cctrax.com/nicorus/dust-to-dust-ep Voice Over by Rick Ganley - http://www.nhpr.com and recorded at Mill Pond Studio - http://www.millpondstudio.comContact - https://writersinkpodcast.com/contact/ “Muggable” quote by Harley Christensen - https://www.mischievousmalamute.com/*Full disclosure: Some of the links are affiliate links. See acast.com/privacy for privacy and opt-out information.

This is Episode 41 of the VulnerABLE Podcast!Starting at just 6 weeks old he would face life threatening health issues, and they would continue throughout his life. Now he's helping people realize we're all on borrowed time, and to live a better life!At just 6 weeks old he had to have stomach surgery because he wasn’t keeping food down, then at 2 years old he had a heart murmur. Health issues would continue to present themselves as he grew up, making it hard for him to do much of anything. It was challenging just to make friends, because he couldn’t exactly explain his complicated health issues to them. But thanks to his parents instilling great values in him of not giving up, he was able to start playing hockey and almost went professional. Now as the author of On Borrowed Time, he’s inspiring others to realize that life is not promised and that we all need to do more to make the best of it.For more information on Anthony Williams III you can follow him on social media, visit his website, and check out his book:LinkedIn: https://www.linkedin.com/in/anthonywilliamsiii/Facebook: https://www.facebook.com/anthony.williamsiiiInstagram: https://www.instagram.com/on_borrowed_time_author/Website: https://theindependentmouth.com/Book: https://amzn.to/31PTPpV

Show #828 The Way It Is Blue Spinner put a show together of music he likes for the way it is blue. 01. Mike Zito - Down Bound Train (4:03) (Rock 'N' Roll: A Tribute to Chuck Berry, Ruf Records, 2019) 02. Betty Fox Band - Winter's Cold (4:24) (Peace In Pieces, self-release, 2020) 03. Harper & Midwest Kind - Blues I Can't Use (3:35) (Rise Up, Access Records, 2020) 04. Jimmie Vaughan - Just A Little Bit (3:05) (Plays Blues, Balads & Favorites, Shout! Factory, 2010) 05. Delta Moon - Just Lucky I Guess (3:40) (Cabbagetown, Landslide Records, 2017) 06. Tinsley Ellis - Everything And Everone (4:00) (Ice Cream In Hell, Alligator Records, 2020) 07. Bai Kamara Jr. & the Voodoo Sniffers - Homecoming (4:17) (Salone, Moosicus/MIG Music, 2020) 08. Diana Rein - Yes I Sing The Blues (3:28) (Queen Of My Castle, Gulf Coast Records, 2019) 09. Kim Wilson - Sho Nuff I Do (3:29) (Blues And Boogie Vol. 1, Severn Records, 2017) 10. Frank Bey - All My Dues Are Paid (4:12) (All My Dues Are Paid, Nola Blue Records, 2020) 11. Bobby Blue Bland - Lovin' On Borrowed Time (3:18) (Dreamer, ABC Dunhill Records, 1974) 12. John Mooney - Shake Hands And Tell Me Goodbye (3:07) (Comin' Your Way, Blind Pig Records, 1979) 13. Little Milton - 4:59 AM (3:44) (I Will Survive, Malaco Records, 1985) 14. Sass Jordan - The Key (4:10) (Rebel Moon Blues, Stony Plain Records, 2020) 15. Kern Pratt - Something's Gone Wrong (6:38) (Greenville MS...What About You?, Endless Blues Records, 2019) 16. Bill Sibley - Skeletons (2:44) (Sweet Rain, self-release, 2019) 17. Melody Gardot - Who Will Comfort Me (4:54) (My One And Only Thrill, Verve Records, 2009) 18. Thorbjørn Risager & The Black Tornado - On And On (5:18) (Come On In, Ruf Records, 2020) 19. Larry Carlton & Robben Ford - That Road (8:45) (Unplugged, 335 Records, 2013) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Katie Finneran is featured in the third season of Netflix's critically acclaimed drama, Bloodline. Shot in the Florida Keys, Bloodline follows the story of a black sheep son from a respected family who threatens to expose dark secrets from their past. Sibling loyalties are put to the test in this dark, edgy show. Finneran last appeared on Broadway in 2015 It's Only a Play at the Bernard B. Jacobs Theatre starring Martin Short, Maulik Pancholy, F. Murray Abraham, Matthew Broderick, Stockard Channing, and Micah Stock. In 2012, Katie co-starred on NBC's "The MIchael J. Fox Show" and was called "this season's funniest breakout star" by The Daily Beast. In the fall of 2012, she starred on Broadway as Miss Hannigan in the Tony Nominated revival of "Annie." In 2010, she won a Tony, Drama Desk, and Outer Critics Circle Award for her performance in the Broadway revival of "Promises, Promises." She also was awarded the Tony, Drama Desk, and Outer Critics Circle Award in 2002 for her performance in the Broadway revival of "Noises Off." Katie was raised in Miami, Florida and graduated from New World School of the Arts. After a year of conservatory training at Carnegie Mellon University she moved to New York to study acting with the legendary Uta Hagen. Her first Broadway show was, "On Borrowed Time," starring and directed by George C. Scott. Other Broadway credits include, "Two Shakespearean Actors," "My Favorite Year," "In the Summer House," "The Heiress," Neil Simon's "Proposals," "The Iceman Cometh," "Mauritius," and as Sally Bowles in the Tony Award winning revival of "Cabaret." In 2009, Finneran was part of the original Off-Broadway cast of "Love, Loss and What I Wore," by Nora Ephron and Delia Ephron. TV credits include, "Sex and the City," "I Hate My Teenage Daughter," "Oz," "Wonderfalls," and the role of Poppy on season 2 of "Frasier." Her film credits include "Night of the Living Dead," "You've Got Mail," "Liberty Heights," "Miss Congeniality 2," "Bewitched," and "Broken Bridges.” In 2011 Finneran appeared as Amy in the New York Philharmonic production of "Company," starring Neil Patrick Harris and Patti Lupone. In the Spring of 2014, Finneran began filming a new Netflix original series. The untitled psychological thriller is written and executive produced by Damages creators Todd A. Kessler, Daniel Zelman and Glenn Kessler. The 13-episode series centers on a close-knit family of four adult siblings whose secrets and scars are revealed when their black sheep brother returns home. The cast includes Sissy Spacek, Sam Shepard, Kyle Chandler, and Norbert Leo Butz.

show#63002.13.16Polar VortexCorte - That's What Love Will Make You Do from Seasoned Soul 2015 (3:17)Riff Riders - Rich Song from Hit The Road 2015 (6:02)Mike Henderson - Weepin' and Moanin' from You Think It's Hot In Here 2015 (5:39)William Clarke - Drinking by Myself from Blowin' Like Hell 1990 (5:47)Kid Andersen - You Ain't So Pretty No More from Rock Awhile 2004 (4:06)Annie Ross & The Low Note Orchestra - I Don't Know You from Short Cuts 1993 (6:11)Fat Harry & The Fuzzy Licks - Jealous Man from Hard Lovin' Man 2012 (5:05)Jimmie Vaughan - I Ain't Gonna Do It No More from Plays More Blues, Ballads, and Favorites 2011 (3:50)Dave and Phil Alvin - Southern Flood Blues from Common Ground 2014 (4:29)Doug Deming & the Jewel Tones - Lucky Charm from What's It Gonna Take 2012 (4:14)Owen Campbell - Diggin' Holes from Sunshine Road 2011 (4:43)RB Stone - Standin' On Top Of The World from Some Call It Freedom (4:33)Big Guitars From Texas - Shanghi Cobra from Big Guitars From Texas (3:30)Van Wilks - Livin' On Borrowed Time from 21st Century Blues 2016 (4:58)The Boneshakers - Ball and Chain from Shake the Planet 1999 (4:27)Ronnie Baker Brooks - I Had My Chance from Take Me Witcha 2001 (5:22)John Németh - If It Aint Broke from Memphis Grease 2013 (4:41)John Frick Band - On the radio from Urban crossroads 2014 (2:56)Sugar Ray and the Bluetones - Hungry But Happy from Living Tear To Tear 2014 (4:50)King Mo - I was wrong from King of the town 2011 (4:31)Owen Campbell - Leave It Alone from The Pilgrim 2013 (4:45)Dan Hicks & His Hot Licks - How Can I Miss You When You Won't Go Away LIVE 1972 (2:41)Derek and the Dominos - Tell The Truth LIVE 1970 (11:38)Roy Buchanan - Roy's Bluz from Live Stock 1975 (8:10)

For the second week in a row, we are pleased to bring back Cary Grant to the stage! The double feature on Sonic Echo tonight comes from Gulf's Screen Guild Theater with "On Borrowed Time" and "Arsenic and Old Lace". Two great comedies that laugh great together! 

While Captain Buchanan and Dr. Breetal journey to Kalimor to confront their past, a curious stranger visits Deep Space 3, giving Commander Torkelson a new challenge to overcome. The post Star Trek: Outpost – Episode 48 – On Borrowed Time appeared first on Giant Gnome Productions.

While Captain Buchanan and Dr. Breetal journey to Kalimor to confront their past, a curious stranger visits Deep Space 3, giving Commander Torkelson a new challenge to overcome. The post Star Trek: Outpost – Episode 48 – On Borrowed Time appeared first on Giant Gnome Productions.

On Borrowed Time, launched in conjunction with World Tiger Day 2011, trains a spotlight on the poaching crisis in Belum-Temengor and calls for the problem to be put on the national agenda. These forests in northern Perak are of critical importance for the conservation of tigers and other endangered species, yet research and monitoring by … Continue reading On Borrowed Time →