Podcasts about peiffer

Fir hir 20 Joer ze feieren huet d'Rockhal eis de 24. September mat op eng Rees duerch d'Museksgeschicht vu Lëtzebuerg geholl - an Deeler vu Bands optriede gelooss, déi et guer net méi gëtt. Zanter der Rentrée ënnerhält sech de Jeff Schinker mat enger ganzer Rei vu Bands, déi Lëtzebuerger Museksgeschicht geschriwwen hunn. No Monophona, Defdump, Inborn, Eternal Tango, Hal Flavin a Metro ass et un der Band Babyoil, fir iwwer hir Bandgeschicht ze schwätzen. Hiren Historique retracéiert de Gittarist Paulo 'Jim' Fernandes, begleet vun der Kënschtlerin a Schwëster vum tragesch verstuerwene Sänger Sébastien Peiffer, der Séverine Peiffer. Am zweeten Episod geet et dorëms, wéi d'Band versicht huet, sech mam Album Score an engem, Lëtzebuerg, dat nach keng Infrastrukturen hat, ze professionaliséieren.

Fir hir 20 Joer ze feieren huet d'Rockhal eis de 24. September mat op eng Rees duerch d'Museksgeschicht vu Lëtzebuerg geholl - an Deeler vu Bands optriede gelooss, déi et guer net méi gëtt. Zanter der Rentrée ënnerhält sech de Jeff Schinker mat enger ganzer Rei vu Bands, déi Lëtzebuerger Museksgeschicht geschriwwen hunn. No Monophona, Defdump, Inborn, Eternal Tango, Hal Flavin a Metro ass et un der Band Babyoil, fir iwwer hir Bandgeschicht ze schwätzen. Hiren Historique retracéiert de Gittarist Paulo 'Jim' Fernandes, begleet vun der Kënschtlerin a Schwëster vum tragesch verstuerwene Sänger Sébastien Peiffer, der Séverine Peiffer. Am drëtten a leschten Episod geet et dorëms, wou Babyoil no der Plack "Assume Nothing" hätt kënne goen – d Band wollt ënnert engem neien Numm, We Promised You September, nach eemol quasi vu vir ufänken. Ma en tragescht Accident huet de ganze Projet op en Enn bruecht – an den Jim Fernandes och eng Zäit dovun ofgehalen, Musek ze maachen.

Fir hir 20 Joer ze feieren huet d'Rockhal eis de 24. September mat op eng Rees duerch d'Museksgeschicht vu Lëtzebuerg geholl - an Deeler vu Bands optriede gelooss, déi et guer net méi gëtt. Zanter der Rentrée ënnerhält sech de Jeff Schinker mat enger ganzer Rei vu Bands, déi Lëtzebuerger Museksgeschicht geschriwwen hunn - an zeechent domat ee Portrait vun enger Zeen zur Joerdausendwend, virun oder wärend den Ufäng vu music:LX. No Monophona, Defdump, Inborn, Eternal Tango, Hal Flavin a Metro ass et un der Band Babyoil, fir iwwer hir Bandgeschicht ze schwätzen. Hiren Historique retracéiert de Gittarist Paulo 'Jim' Fernandes, begleet vun der Kënschtlerin a Schwëster vum tragesch verstuerwene Sänger Sébastien Peiffer, der Séverine Peiffer. Am éischten Episod verroden si eis, wéi den Jim an de Sebb sech op engem Noir Désir Concert kennegeléiert hunn, wisou si an engem Zoo zu Senningen hu misse prouwen a wéi d'Band a ganz ënnerschiddleche Konstellatiounen lues a lues hire Sound fonnt huet.

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Now, for the first time, in The Slip: The New York City Street That Changed American Art Forever (Harper, 2023) Dr. Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art—eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Wien oder wat ass ideal fir e “Reality Check”? Fir d'Ekipp vun der Escher Konschthal natierlech d'Konscht. Bis de Sonndeg inclus presentéiert si an enger Gruppenexpo eng hallef Dose Kënschtler:innen, déi konkret Realitéiten op hir Manéier mat, gréisstendeels, der Konschtfotografie iwwersetzen. Dorënner och dräi Lëtzebuerger:innen: d'Séverine Peiffer, déi mam Nass-Kollodium schafft, engem Procédé aus dem 19. Joerhonnert; de Marc Schroeder, Ex-Banquier, mat sengem perséinlechen Temoignage iwwer 40 Deportéierten aus Transsylvanien, déi ënner dem Stalin d'UDSSR mat rekonstruéiere sollten; an d'Foto- a Filmkënschtlerin Birgit Ludwig mat hirem Fotojournal “Antidotes”. D'Kerstin Thalau ass vun hir méi iwwer Gëft e Géigegëft gewuer ginn.

von Stülpnagel, Christian www.deutschlandfunk.de, Sport am Samstag

von Stülpnagel, Christian www.deutschlandfunk.de, Sport am Samstag

Paralegal-by-day and debut novelist by night Doug Peiffer joined us on The Spark to discuss his six-year labor of love, Big Blue, “a parable of modern-day migration” that explores the fraught relationship between the United States and Mexico through the eyes of ordinary—and extraordinary—individuals.Support WITF: https://www.witf.org/support/give-now/See omnystudio.com/listener for privacy information.

Im letzten Teil des Biathlon-WM-Specials des Wintersport-Podcasts ziehen die Sportschau-Experten Erik Lesser und Arnd Peiffer ihr Fazit zu den Titelkämpfen in Lenzerheide. Die beiden ehemaligen Biathleten sprechen über ihre Arbeit als TV-Experten und reflektieren, wie sich ihre Rolle abseits der Loipe verändert hat. Sie geben spannende Einblicke in ihren Alltag vor Ort, erklären, wie sie sich auf Analysen vorbereiten und was hinter den Kulissen einer Live-Übertragung passiert. Neben der Expertenarbeit steht natürlich die sportliche Bilanz im Mittelpunkt. Die Sportschau-Experten bewerten die Leistungen des deutschen Teams, sprechen über die größten Überraschungen der WM und analysieren, welche Athletinnen und Athleten besonders überzeugt haben. Eine Folge voller Insiderwissen, Hintergrundgeschichten und ehrlicher Einschätzungen. Hört rein! Weiter geht's im Wintersport-Podcast am kommenden Donnerstag - dann wieder mit Gastgeberin Julia Kleine. Alles zum Wintersport-Podcast bei der Sportschau findet ihr hier: https://www.sportschau.de/podcasts/wintersport-podcast Wintersport-Videos gefällig? Hier findet ihr, was ihr sucht: https://www.ardmediathek.de/sport-wintersport Zum Tourfunk kommt ihr hier: https://www.ardaudiothek.de/sendung/sportschau-tourfunk/90012758/ Ihr habt Feedback, Fragen oder Vorschläge? Schreibt uns: fragen@sportschau.de.

durée : 00:06:50 - Régis Peiffer, délégué en Meurthe et Moselle du syndicat de police Unité SGP - Le gouvernement fait de la lutte contre le trafic de drogue une priorité. Le Sénat examine, depuis ce lundi, un texte pour donner plus d'outils à la police et à la justice pour lutter contre les réseaux. Pour en parler avec nous le délégué en Meurthe et Moselle du syndicat de police Unité SGP

Contributor: Megan Hurley MD Educational Pearls: What is the mediastinum? The thoracic cavity is separated into different compartments by membranes The lungs exist in their own pleural cavities, and the mediastinum is everything in between The mediastinum extends from the sternum to the thoracic vertebrae and includes the heart, the aorta, the trachea, the esophagus, the thymus, as well as many lymph nodes and nerves. What is a pneumomediastinum? Air in the mediastinum How can pneumomediastinum be categorized? Traumatic Ex. Stab wound to the trachea Ex. Boerhaave's Syndrome of the esophagus, possibly from an endoscopic procedure. This mechanism in particular is a higher risk of infection because not only air but food can accumulate in the mediastinum Ex. Intubation with a bougie These will likely need surgical repair Nontraumatic Ex. Forceful inhalation causing microperforations in the trachea. Possibly while inhaling something like drugs Ex. Bad asthma for similar reasons Ex. Gas forming bacteria What happens if you use positive pressure ventilation on a patient with a hole in their trachea? The positive pressure will force extra air into the mediastinum The air will move between the layers of subcutaneous tissue and can track up into the neck and face regions recognized as crepitus on exam This can also cause a tension pneumomediastinum in which the air pressure in the compartment constricts the heart, impeding its ability to fill during diastole These patients can undergo bronchoscopy because that procedure does not require positive pressure and will not worsen the condition. Endoscopies do require positive pressure so endoscopies are not an option How is a tension pneumomediastinum treated? By inserting a needle into the space from below the xiphoid process to allow the air to escape, similar to a pericardiocentesis As a temporizing measure, if the hole is high enough in the trachea, the intubation can be continued by deliberately pushing the endotracheal tube into the right main bronchus, creating a seal, and only ventilating the right lung while the patient heads to surgery. This is called right-mainstemming. References Clancy DJ, Lane AS, Flynn PW, Seppelt IM. Tension pneumomediastinum: A literal form of chest tightness. J Intensive Care Soc. 2017 Feb;18(1):52-56. doi: 10.1177/1751143716662665. Epub 2016 Aug 3. PMID: 28979537; PMCID: PMC5606356. Grewal, J., & Gillaspie, E. A. (2024). Pneumomediastinum. Thoracic surgery clinics, 34(4), 309–319. https://doi.org/10.1016/j.thorsurg.2024.06.001 Underner, M., Perriot, J., & Peiffer, G. (2017). Pneumomédiastin et consommation de cocaïne [Pneumomediastinum and cocaine use]. Presse medicale (Paris, France : 1983), 46(3), 249–262. https://doi.org/10.1016/j.lpm.2017.01.002 Summarized by Jeffrey Olson, MS3 | Edited by Meg Joyce & Jorge Chalit, OMS3 Donate: https://emergencymedicalminute.org/donate/  

Email:afreshnupmu@gmail.com Listen to us live on mytuner-radio, onlineradiobox, fmradiofree.com and streema.com (the simpleradio app)https://onlineradiobox.com/search?cs=us.pbnnetwork1&q=podcast%20business%20news%20network&c=ushttps://mytuner-radio.com/search/?q=business+news+networkhttps://www.fmradiofree.com/search?q=professional+podcast+networkhttps://streema.com/radios/search/?q=podcast+business+news+network

durée : 00:03:56 - Régis Peiffer du syndicat de police UNITE

L'épisode que vous allez écouter est une rediffusion d'un épisode initialement sorti le 14 mars 2024. Aujourd'hui, je reçois Florent Peiffer, président du groupe Urbania France. En écoutant, cet épisode, vous en apprendrez plus sur : # Son parcours de présentateur maîtrisant le direct # La mission d'Urbania : faire de l'information sourcée et pertinente de manière drôle, divertissante et créative # La promesse d'Urbania qui n'est pas dictée par l'actualité et l'information ; il n'y a pas de format de prédilection pour ne pas lasser les auditeurs # L'historique d'Urbania au Québec # La composition d'Urbania en France : un studio de création, une maison de production et un média # Les relations avec la maison mère Québécoise, qui compte une 100 de collaborateurs # Les audiences visées : 18-34 ans ou les “jeunes adultes” et les formats vidéos prennent de l'ampleur # Le micro mag - un produit éditorial qui mime le format story des réseaux sociaux - avec des abonné•es en propre au Canada # Les formats sur lesquels Urbania mise : le podcast (avec Chagrin d'Amour) et le live avec YouBLive pour créer des narrations live originales # Leurs réseaux sociaux de prédilection : TikTok, Instagram et Youtube # L'objectif d'Urbania : parvenir au 1M d'abonné•es et continuer à augmenter la notoriété de la marque # Les enjeux d'Urbania France : parvenir à l'équilibre et garder un positionnement de niche. Pour aller plus loin : # Fragments d'Arte # YouBLive # Les trucs cools de Florent : Louisa Donna sur Urbania et la série Raël sur Netflix # Rejoignez la communauté WhatsApp juste ici. # Abonnez-vous à la chaîne YouTube ici. Pour découvrir tout ça, c'est par ici si vous préférez Apple Podcast, par là si vous préférez Deezer ou encore là si vous préférez Spotify. Et n'oubliez pas de laisser 5 étoiles et un commentaire sympa sur Apple Podcast si l'épisode vous a plu. Mediarama est un podcast du label Orso Media produit par CosaVostra. Retrouvez Mediarama sur : Apple Podcasts | Spotify |Deezer

Our episode today focuses on anti-corruption messaging: what messaging has looked like in the past, the challenges and risks it poses, and novel approaches that could yield better results. Holly Sandalow, Program Officer at CIPE's Anti-Corruption & Governance Center, sits down with Caryn Peiffer, Associate Professor in International Public Policy and Governance at the University of Bristol, and Nic Cheeseman, Professor of Democracy at the University of Birmingham, who have authored the new How-to Guide to Anti-Corruption Messaging in partnership with CIPE and with support from the National Democratic Institute. Anti-corruption campaigns have been a staple of both foreign aid programming and civil society over the last 30 years, and there is often an element of awareness-raising that involves producing messages about the harm that corruption can do. There is growing concern, however, that anti-corruption messages may be ineffective—or even do more harm than good—in part because they are not being tailored, targeted and tested to make sure they have the desired effect. Drawing upon their own research and studies by fellow academics about the impacts & efficacy of anti-corruption messaging, Peiffer and Cheeseman discuss the risks of deploying messages that have not been rigorously tailored, targeted, and tested. Listen in to hear what ideas they have for crafting more effective messaging campaigns.

WisBusiness: the Podcast with Coleman Peiffer, Alliant Energy by wispolitics

Herzlich willkommen zu einer neuen Ausgabe des "Der Mutmacher- Podcast für authentischen Vertrieb mit Claudia Freimuth"! In dieser Episode haben du und ich das Vergnügen, Helene Andreas von Andreas & Peiffer als Gast zu begrüßen, zuständig für Business Growth und Business Development bei Andreas & Pfeiffer.

When Johnny's indisposed the podcast gets hijacked by Kyle, Zac and Ben. Johnny's loss is your win essentially. In this episode we discuss two recent papers that further help to elucidate the efficacy and effectiveness of BFR in combination with aerobic exercise. Here are the two papers we reviewed: Smith, N. D. W., Girard, O., Scott, B. R., & Peiffer, J. J. (2024). A comparison of physiological and perceptual responses to fixed‐power and perceptually regulated cycling with and without blood flow restriction in trained cyclists. European Journal of Sport Science: EJSS: Official Journal of the European College of Sport Science. https://doi.org/10.1002/ejsc.12068 Thompson, K. M. A., Gamble, A. S. D., Kontro, H., Lee, J. B., & Burr, J. F. (2023). Low- and high-volume blood-flow restriction treadmill walking both improve maximal aerobic capacity independently of blood volume. Scandinavian Journal of Medicine & Science in Sports. https://doi.org/10.1111/sms.14534

Aujourd'hui, je reçois Florent Peiffer, président du groupe Urbania France. En écoutant, cet épisode, vous en apprendrez plus sur : # Son parcours de présentateur maîtrisant le direct # La mission d'Urbania : faire de l'information sourcée et pertinente de manière drôle, divertissante et créative # La promesse d'Urbania qui n'est pas dictée par l'actualité et l'information ; il n'y a pas de format de prédilection pour ne pas lasser les auditeurs # L'historique d'Urbania au Québec # La composition d'Urbania en France : un studio de création, une maison de production et un média # Les relations avec la maison mère Québécoise, qui compte une 100 de collaborateurs # Les audiences visées : 18-34 ans ou les “jeunes adultes” et les formats vidéos prennent de l'ampleur # Le micro mag - un produit éditorial qui mime le format story des réseaux sociaux - avec des abonné•es en propre au Canada # Les formats sur lesquels Urbania mise : le podcast (avec Chagrin d'Amour) et le live avec YouBLive pour créer des narrations live originales # Leurs réseaux sociaux de prédilection : TikTok, Instagram et Youtube # L'objectif d'Urbania : parvenir au 1M d'abonné•es et continuer à augmenter la notoriété de la marque # Les enjeux d'Urbania France : parvenir à l'équilibre et garder un positionnement de niche. Pour aller plus loin : # Fragments d'Arte # YouBLive # Les trucs cools de Florent : Louisa Donna sur Urbania et la série Raël sur Netflix # Rejoignez la communauté WhatsApp juste ici. # Abonnez-vous à la chaîne YouTube ici. Pour découvrir tout ça, c'est par ici si vous préférez Apple Podcast, par là si vous préférez Deezer ou encore là si vous préférez Spotify. Et n'oubliez pas de laisser 5 étoiles et un commentaire sympa sur Apple Podcast si l'épisode vous a plu. Mediarama est un podcast du label Orso Media produit par CosaVostra. Retrouvez Mediarama sur : Apple Podcasts | Spotify |Deezer

Prudence Peiffer's first book, The Slip, is the never-before-told story of an obscure little street at the lower tip of Manhattan and the remarkable artists who got their start there. For just over a decade, from 1956 to 1967, a cluster of dilapidated former sail-making warehouses became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Lenore Tawney, Delphine Seyrig, and Jack Youngerman. As friends and inspirations to one another, they created a unique community of unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art. Peiffer pays homage to these artists and the impact their work had on the direction of late 20th-century art and film. This remarkable biography questions the very concept of a “group” or “movement,” as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones—it was one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists' own time, a development battleground for people like Jane Jacobs and Robert Moses. I caught up with Peiffer, in the Fall of 2023 where she unpacked this group portrait, one of my favorite books of the year. Listen to hear Prudence Peiffer discuss the history of Coenties Slip.

durée : 00:06:07 - L'invité de la rédaction de France Bleu Lorraine Matin - Dans un communiqué, unité SGP Police FO 54 alerte sur la multiplication des crimes et délits avec armes dans le département. Pour en parler, ce vendredi matin sur France Bleu, nous recevions Régis Pfeiffer, porte parole du syndicat en Lorraine

Die Biathlon-WM hat begonnen - und das direkt mit einer hochspannenden Mixed-Staffel. Im WM-Special des Wintersport-Podcasts sprechen die Sportschau-Experten Arnd Peiffer und Erik Lesser über den Auftakt und blicken auf die weiteren Wettkämpfe in Nove Mesto voraus. Während der WM wird Moderator Uri Zahavi in drei Folgen mit euren Biathlon-Stars auf das Geschehen in Nove Mesto blicken. Jeweils an den Ruhetagen (am 8., 12. und 16.) erscheint eine neue Folge - sodass ihr auch ohne tagesaktuelles Rennen immer up to date bleibt! Alles zum Wintersport bei der Sportschau findet ihr hier: https://www.sportschau.de/podcasts/wintersport-podcast Die Doku "Der perfekte Biathlet" gibt es hier. Über eine Bewertung sowie ein Abo freuen wir uns übrigens sehr!

In the 1950s and 60s, Coenties Slip—an obscure street on the lower tip of Manhattan overlooking the East River—was home to some of the most iconic artists in history, and who would define American Art during their time there: Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, these artists created a unique community for unbridled creative expression and experimentation. Prudence Peiffer is the kind of art historian who understands the importance of context and place, and her book, “The Slip: The New York City Street that Changed American Art Forever” provides the kind of rich context and human detail that textbooks could only dream of. She joined me to discuss the history of these artists, why we have such a hard time seeing artists as people, the friction between accessible artists and their inaccessible art, why watching Robert Indiana eat a mushroom for 39 minutes is actually totally beautiful, and what it means to authentically nudge art history towards inclusion. Prudence Peiffer is an art historian, writer, and editor, specializing in modern and contemporary art. She is Director of Content at MoMA, New York. She was a Senior Editor at Artforum magazine from 2012-2017, and Digital Content Director at David Zwirner in 2018. Her writing has appeared in the New York Times, New York Review of Books, Artforum, and Bookforum, among other publications.  Her book, “The Slip: The New York City Street that Changed American Art Forever” has been longlisted for the National Book Award. See the images: https://bit.ly/3rOM7vE Music used: The Blue Dot Session, “Skyforager” Rufus Wainwright, “11:11” Support the show: www.patreon.com/lonelypalette

Writer, editor, and art historian Prudence Peiffer joins Kate Wolf to speak about her first book, The Slip: The New York City Street That Changed American Art Forever. The book is a group biography of a collection of luminous American artists including Agnes Martin, Ellsworth Kelly, Robert Indiana, James Rosenquist and Jack Youngerman, as well as his wife, the French actress and filmmaker, Delphine Seyrig. From the late 1950s to the middle of the 1960s, all of them happened to live in the same place: a collection of former sail-making warehouses on Coenties Slip, a dead end street in one of the oldest sections of Manhattan, right next to the river. Rather than jostle their work into well-established art historical movements and categories, Peiffer's book asserts place as the generative frame from which to understand these artists and the connections and influence between them. Though the community was short-lived, their support of one another, the collective solitude they found, even their rivalry, takes shape as integral to their development, and at least one of the reasons that their work survives today. Also, Andrew Leland, author of The Country of the Blind, returns to recommend Darryl by Jackie Ess.

Writer, editor, and art historian Prudence Peiffer joins Kate Wolf to speak about her first book, The Slip: The New York City Street That Changed American Art Forever. The book is a group biography of a collection of luminous American artists including Agnes Martin, Ellsworth Kelly, Robert Indiana, James Rosenquist and Jack Youngerman, as well as his wife, the French actress and filmmaker, Delphine Seyrig. From the late 1950s to the middle of the 1960s, all of them happened to live in the same place: a collection of former sail-making warehouses on Coenties Slip, a dead end street in one of the oldest sections of Manhattan, right next to the river. Rather than jostle their work into well-established art historical movements and categories, Peiffer's book asserts place as the generative frame from which to understand these artists and the connections and influence between them. Though the community was short-lived, their support of one another, the collective solitude they found, even their rivalry, takes shape as integral to their development, and at least one of the reasons that their work survives today. Also, Andrew Leland, author of The Country of the Blind, returns to recommend Darryl by Jackie Ess.

Today I'm chatting with the ever so amazing Prudence Peiffer. Prudence is an accomplished art historian, writer, and Managing Editor of the creative team at the Museum of Modern Art in NYC. She just released her latest book titled "THE SLIP: The New York City Street That Changed American Art Forever" (from Harper Collins), this month.  Prudence is a mom of three young children and will share a bit about her absolutely wonderful Lithub essay on writing, motherhood, creativity. With a PhD from Harvard University and an impressive career spanning positions at Artforum magazine and David Zwirner, her writings have graced the pages of the New York Times, New York Review of Books, Artforum, and Bookforum, showcasing her expertise in modern and contemporary art. Prudence is brilliant. Enjoy today's episode.https://www.prudencepeiffer.com/https://www.coentiesslip.com/Support the showFollow Moms Who Create:Instagram - https://www.instagram.com/momswhocreatepodcast/Facebook - https://www.facebook.com/momswhocreatepodcastMonthly Meeting Book Club - https://www.facebook.com/groups/momswhocreatebookclubWebsite - https://www.momswhocreate.com/

Episode No. 613 features author Prudence Peiffer and museum director Timothy Potts. Peiffer is the author of "The Slip: The New York City Street That Changed American Art Forever." The book, out this week from Harper, is a group biography of seven artists -- Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman -- who worked on Coenties Slip in the 1950s and '60s. Coenties Slip was a street that overlooked the East River in lower Manhattan. Peiffer's book argues for not only the importance of the artists themselves, but for where and how they worked as being important to the development of post-war art in New York. Peiffer is director of content at the Museum of Modern Art, New York.  Amazon and Bookshop offer "The Slip" for $22-36. Potts discusses the J. Paul Getty Museum's co-acquisition (with the National Portrait Gallery, London) of Joshua Reynolds' Portrait of Mai (ca. 1776). The painting, among Reynolds' finest works, is on view at the National Portrait Gallery. The first presentation at the Getty will be in 2026.

Interview with Prudence Peiffer, author of the book The Slip: The New York City Street That Changed American Art Forever.You can learn more about the Coentis Slip by clicking here.You can support the podcast today by buying me a coffee, or you can subscribe to the podcast via Apple iTunes for ad-free episodes.Support this podcast at — https://redcircle.com/reading-and-writing-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Gilbertsville entrepreneur Jeff Peiffer and his daughter Rachel Trettin turn unexpected encounters into opportunities for uncommon and successful enterprises. The future didn't look bright to the shy young boy from a dysfunctional family unit who hasn't graduated from high school or even thought about attending college. But Jeff's openness to the opportunities presented to him have led to uncommon success which happens to be the title of the reality show he and Rachel are currently marketing to networks and production companies. Jeff has owned assorted businesses throughout his life; he owns three currently with his daughter: The Gilbertsville Farm--featuring a high-tech corn maze; North Wynd Stable, a horse boarding facility; and Heat4Less, a national infrared space heater company. Motivated by his Christian faith, his faith in himself and the uncommon ways he to uses uncommon situations leads to his uncommon success and is inspiring.

SandiPeiffer (Pie fur) has been happily married to her best friend for 36 yrs. She is a 58yr old mother of 4 (ages 18-31) and grandmother of 2(ages 2 and 1) who lives on the Atlantic coast of Florida. She is a veteran homeschool mom of 26 years, her youngest is graduating this year. She enjoys walking, reading, crafting, cooking and spending time with her family. As an adult Sandi has tried most of the diets, we have all heard of… Weight Watchers, Susan Powter Stop the Insanity, TOPS, The Zone Diet, 40-30-30, Shake diets, Suzanne Somers “Somersize”, South Beach, Atkins, The Rosedale Diet, etc. Her real struggle with weight started when she went on an anti-depressant for anxiety. Then the pounds really started to pack on. 120 lbs by the time it was all said and done. She found intermittent fasting after a diagnosis of Type 2. Diabetes with an A1C of 8.4, and a fasting glucose of 237. Though weight loss has been a nice side benefit, she really has had the focus of reversing her diabetes. Starting IF in Dec. 2018, at 5'4” and 300 lbs. Now after 1565 days of clean fasting, she is currently at 240 lbs, but more importantly to her, her A1C is 6.2 and her fasting glucose stays in the 120's, without diabetes. meds. She started IF by dipping her toe in the water, so to speak. With her previous health issues, especially her recent bout with Adrenal Fatigue, she was determined to be gentle with her body. So she started with 14:10, clean fasting, and didn't change her way of eating at all. After a couple of weeks, went up to 15:9, then did the same to get to 16:8 and 17:7. She actually lost most of her weight at 17:7, even though she went on to 18:6 and eventually 19:5. Doing OMAD, “restaurant style” at 18:6 and 19:5. After 3 yrs of 19:5 OMAD, her body apparently said that was too stressful. Her cholesterol jumped very high, as well as triglycerides and measures of inflammation. So, through working with a functional medicine Dr., she changed her IF schedule to 16:8 and her diet to a modified Paleo plan. That did the trick and the problems have corrected, and she's taken off an additional 10 lbs. We are all an experiment of one, and sometimes we have to “tweak” how we practice IF. Listening to our bodies is so important! Her husband also practices IF and has lost 65 lbs. Patreon If you enjoy these episodes and want to help to get it out to the world, please join our patreon community. Without the help from our patrons to bring you the podcast each week it won't be sustainable to keep doing them. So please, if you enjoy them become a patron of the podcast. For details on the two levels of support please go to The Fasting Highway | Intermittent Fasting Podcast & Community | Patreon You can win a mentoring prize get exclusive early access to the podcasts and get access to the fasting highway audio book. Plus, bonus content and a monthly online coffee catch up by zoom for our top tier patrons. Please consider this as its vital we get the support of the listeners to bring it to you each week. The Fasting Highway News Graeme is now available to have a private one on one coaching and mentoring session with you. He can help you with those burning questions. How to get started or overcome issues no matter what phase you are up to on your intermittent fasting journey. Get accountable and come and have a chat with Graeme who is vastly experienced in all areas of intermittent fasting and the mindset it takes. To book a time go to the website click get help/coaching. www.thefastinghighway.com Click on get help/coaching and book a time and date to suit you. All times you see available are in your local time. You will also find information at the web site on how to obtain a copy of his book The Fasting Highway from your Amazon store or direct from him if you live in Australia or New Zealand. Disclaimer-Nothing you hear on the podcast should be taken as medical advice. All views expressed are those of the guest and host. --- Send in a voice message: https://podcasters.spotify.com/pod/show/graeme-currie/message

Anil K. Gupta, MD, CCFP, FCFP / Nathan Peiffer-Smadja, MD, PhD - Steps Towards Preventing COVID-19 Variants: Because Every Individual Counts

Anil K. Gupta, MD, CCFP, FCFP / Nathan Peiffer-Smadja, MD, PhD - Steps Towards Preventing COVID-19 Variants: Because Every Individual Counts

Zweieinhalb Jahre plante und baute Benjamin Peifer an seinem eigenen Restaurant "Intense" in Wachenheim. Und das ist deshalb ganz besonders, weil Benjamin die Gerichte seiner neu interpretierten Pfälzer Küche dort über offenem Feuer zubereitet. FEINSCHMECKER-Redakteur Julius Schneider spricht in dieser Folge mit einem der aktuell spannendsten und mutigsten jungen deutschen Spitzenköche darüber, wie komplex diese Art des Kochens ist, wie fordernd und aufregend die Bauzeit war, und was Benjamin Peiffers Erfolgsrezept ist.

Tom Peiffer spent three years competing on the Freeride World Tour.  Now, the Whistler resident is shifting his skiing to more of adventure based approach.   He talks about his transition away from competition and his current attempts to juggle a ski career, a real job and finding time to work towards a university degree.  We also learn about his first big mountaineering mission to climb and ski a peak in Nepal. Unfortunately, that turned out to be a failed attempt but none the less it was a learning experience that will be invaluable to him moving forward. WATCH on YouTube: https://youtu.be/pQBVr1EZ11M Everything LPP: https://linktr.ee/LowPressurePodcast Presented by: CMH Heli Skiing and Sumnmer Adventures, Peak Performance, Fat Tire, RMU Mtn Culture Kicking Horse Mountain Resort in Golden BC

Ab geht's in eine neue Extrarunde mit Bundestrainer Mark Kirchner. Schon seit über einem Jahrzehnt ist Mark für das Training der deutschen Herren zuständig. In dieser Zeit prägt er vor allem die Ära um Arnd Peiffer, Simon Schempp, Erik Lesser und Benedikt Doll. Das wohl beste Team, das er je trainiert hat? Aber Mark ist nicht nur für die Erfolge von Peiffer und Co bekannt. Er selbst schafft in den 90er Jahren als aktiver Biathlet den Durchbruch in die Weltspitze. Als “Wunderkind” bezeichnet, holt er bereits in jungen Jahren nahezu alles, was man im Biathlon gewinnen kann. Mehrfacher Olympiasieger, Weltmeister in Einzeldisziplinen und der Staffel. Aber ein Titel bleibt für ihn unerreicht. Mit 29 Jahren beendet das “Ausnahmetalent” seine aktive Zeit im Biathlon. Aber warum hing er sein Gewehr so früh an den Nagel? Wie fällt sein Fazit zum vergangenen Winter aus? Und was sagt er zum aktuellen Kampf um die ausstehenden Weltcupplätze? Außerdem gibt es Neuigkeiten aus der Szene zu besprechen. Der Traditionsort Altenberg wird degradiert. Die deutschen Teams für die World Team Challenge auf Schalke sind bekannt. Sebastian Samuelsson legt sich mit allen an und ein neuer Dopingfall ist aufgedeckt. All das und noch viel mehr erfährst du in der neuen Extrarunde Biathlon. Verpasse nichts im Biathlon-Weltcup und folge uns auf Instagram: https://www.instagram.com/extrarunde Oder suche nach @extrarunde Kontaktiere uns über E-Mail: info@extrarunde-biathlon.de Oder auf unserer Website: https://www.extrarunde-biathlon.de/

Caroline Peiffer, historienne et professeure d'histoire-géographie est l'autrice du roman Les Forces de l'ombre, paru chez City Editions en février 2022. Passionnée par la seconde guerre mondiale, Caroline vient nous expliquer dans cet épisode comment réaliser ses recherches avant d'écrire un roman historique. Vous pouvez également la trouver sur YouTube, Wattpad et sur son podcast. N'hésitez pas à soutenir cet épisode et ce podcast en laissant 5 étoiles et un commentaire sur Apple Podcast et sur Spotify ✨ → Pour plus de contenus sur l'écriture et l'entrepreneuriat pour les auteurs : Cliquez ici pour vous inscrire à la liste d'attente "Auteur du web" Retrouvez-moi sur Instagram Recevez chaque mardi matin de nouveaux conseils écriture et marketing grâce à ma Newsletter

We wanted to know more about what a B Corp is and what is fueling the desire to become B Corp certified. Our guest on this episode is passionate about their B Corp certification and took the time to share with us a broad overview of what it takes to achieve this status.Beth Peiffer, owner and president of Ralph E. Jones, a painting, wallcovering, and special coatings contractor in Harrisburg, shares her company's experience around becoming B Corp certified.Peiffer believes being a B Corp is the wave of the future. The philosophy behind this certification is to make your company focus less on your product or service and more on the prioritization of employees and their well-being, your environmental footprint, community impact, your governance structure, and your relationship with customers and suppliers.Listen to this latest podcast episode to hear more about Peiffer's journey to becoming B Corp certified and how this decision has changed the way they do business.Peiffer is proud to say, "Ralph E. Jones, painting a better community!"

Au programme de C à vous la suite : Invité·es : Michèle Laroque et MB14, acteur et champion du monde de beatbox par équipe en 2018 • “Ténor” : Le cinéma à pleine voix • “Ténor” : Michèle Laroque enseigne le chant à MB14 • “Ténor” : la rencontre du rap et de l'opéra • Michèle Laroque et MB14 réunis dans “Ténor” ! • MB14 : De “The Voice” au cinéma L'Oeil de Pierre - Hommage à Arno La Story médias - Quand la soirée électorale devient une fiction en direct Invités : Félix Moati et Florent Peiffer, coproducteur de “Jour de Gloire” • “Jour de gloire” : Le cinéma en direct • « Jour de gloire » : politique-fiction • « Jour de gloire », le premier film tourné et diffusé en direct ! L'ABC : Les actualités de Bertrand Chameroy • L'entrée de Bertrand Macron • Des envoyés spéciaux PAR-TOUT • Manuel Valls sur France 2 et Clark Kent au Champ-de-Mars • Apolline de Malherbe psychiatre et Waze • Mais où est Emmanuel Macron ? • L'Aperol d'Anne-Sophie Lapix • Bonne ambiance au Champ-de-Mars • Valérie Pécresse est vivante !

durée : 01:59:59 - Le 7/9 - par : Nicolas Demorand, Léa Salamé - Félix Moati, acteur, et Florent Peiffer, coproducteur de Jour de gloire, diffusé sur le site arte.tv dimanche 24 avril de 19h à 20h05, et Louis Aliot, vice-président du RN, maire de Perpignan, sont les invités du 7/9 de France Inter. - invités : Félix MOATI, Louis ALIOT - Félix Moati : comédien, Louis Aliot : Homme politique

In life, we have to go through challenges and hardship. Sometimes, even discrimination and rejection. But life is also a series of awakenings. It's up to you how you see and welcome it. So join us and our guest, Gretchen Peiffer, as she talks about her enlightenment journey here on, "Where the F* am I heading?." See acast.com/privacy for privacy and opt-out information. Become a member at https://plus.acast.com/s/where-the-f-am-i-heading.

Charlie Murphy ain’t got nothing on Billy Peiffer. In the second of our two-part podcast with the Lynn Allen founder and front man, he talks about the band’s career going back to the early ’80s and his friendship and collaboration with Jesse Johnson, as well as his various interactions with the one and only PRINCE. […]

In a first in the 110 episodes of QCUncut, we ran into technical difficulties in the middle of our interview with Lynn Allen’s Billy Peiffer, necessitating a cutoff of our show mid-conversation and needing to jump back in for a part two. In our first part of this lengthy and fun conversation over beers at […]