Podcasts about Searchlight

Production for the next installment in the Spider-Man franchise is ramping up, and it appears Tom Holland will be joined by a new co-star. Multiple sources confirm that Stranger Things star Sadie Sink is set to join the upcoming Sony Pictures and Marvel Studios project, though details surrounding her role remain under wraps.Marvel and Sony have yet to comment on the casting, but Sink's addition marks a significant shift in the franchise's evolving cast. Following the events of Spider-Man: No Way Home, Peter Parker's world was reset, setting the stage for fresh faces to enter the mix while familiar characters may take a step back.With Sink's signature red hair and growing reputation in Hollywood, fans have begun speculating about which character she could be portraying. The most prominent theory is that she will debut as Jean Grey, marking the beginning of the X-Men's integration into the Marvel Cinematic Universe. However, other Spider-Man characters, such as Mary Jane Watson or Felicia Hardy (Black Cat), remain possibilities.Whoever she plays, the role is expected to be significant, with insiders indicating that Sink's involvement will be pivotal in shaping the future of the franchise.With the trilogy's original arc concluding in No Way Home, the next Spider-Man movie is set to explore new territory. Holland's Peter Parker now exists in a world where no one remembers him, allowing for a fresh start in storytelling. This shift also means an opportunity to introduce new allies—and adversaries—into his life.The film will be directed by Destin Daniel Cretton, known for his work on Shang-Chi and the Legend of the Ten Rings, with Amy Pascal and Marvel Studios president Kevin Feige producing.Sink has been in high demand following her breakout performance in Stranger Things, and her career shows no signs of slowing down. She recently wrapped filming on the Netflix series' final season, which is set to premiere in 2025. Before stepping onto the Spider-Man set, she will appear in the Broadway production John Proctor Is the Villain (opening April 4) and in the upcoming Searchlight musical O'Dessa, which debuted to strong reviews at SXSW and is set for a Hulu release next week.As for Holland, he is currently filming Christopher Nolan's upcoming epic The Odyssey and is expected to begin work on Spider-Man once that wraps.With production set to begin later this year, Sink's casting adds another layer of intrigue to an already highly anticipated film. Whether she's playing an X-Men mutant, a Spider-Man love interest, or a completely new character, her involvement signals a major moment for both the MCU and her own rising career.Who Is Sink Playing? Theories AboundA New Era for Spider-ManWhat's Next for Sink?Sources: Deadline, The Hollywood Reporter, Variety

We kick off Season 8 with a new Ego & Vice series called "One Year Later" Ego & Vice will still showcase new artists and bands but over the course of the year, as an occasional special episode, we will catch up with a returning guest and see how much has changed since the last time they were on the podcast. For Episode #1 of "One Year Later" Ego & Vice proudly presents the return of The New Hires. The New Hires are an indie rock band from Ottawa, Ontario, known for their energetic performances, catchy melodies, and signature dapper style. Formed during the pandemic, the five-piece group quickly gained recognition in the local music scene. In 2023, they were named a Top 100 finalist in CBC's Searchlight competition. With infectious hooks and dynamic live shows, The New Hires continue to make waves in the Canadian indie scene.https://linktr.ee/thenewhiresEgoandvicepodcast.comOttawagigs.ca

Monday Bible Study 3rd March 2025 At the Deeper Life Church Gbagada Lagos

Searchlight Capital partner Andrew Frey discusses the firm's investment in Ziply, its preference for backing existing telephone companies over greenfield fiber and trends in telecom deals.

Welcome to Multiverse News, Your source for Information about all your favorite fictional universes The topic of Captain America reshoots is one we've discussed a lot and recently Cap himself Anthony Mackie addressed reshoot and poor test screening rumors head on, telling Empire “It wasn't retooled at all, every Marvel movie I've done has done reshoots, so it's not retooling or remaking. You basically get the movie and the story you want, you edit it together, then go back and shoot a few more scenes." Since last week, The Hollywood Reporter has also finally revealed that the total budget of the film is significantly less than previously thought - coming in at around $180 million dollars. Switching to the Sorcerer Supreme himself, Benedict Cumberbatch made some headlines after revealing in an interview with Variety that Doctor Strange will not be in Avengers: Doomsday. Cumberbatch cited the reason being Strange's character “not aligning with this part of the story,” and also let loose that the Master of the Mystic Arts will be in “a lot” of Avengers: Secret Wars. In typical James Gunn fashion, the director and DC Studios co-chair gave us a first look at Milly Alcock's Supergirl in a still photo he released on social media last week. The post also confirmed filming recently began. The weekend's NFL division championships provided space for a new-ish Superman trailer, with mostly the same footage, but a different look at Nicholas Hoult's Lex Luther. And in our final DC news nugget, actor Ulrich Thomson was cast as villain Sinestro for the upcoming Lanterns series. Thomsen is a Danish actor who was seen in The Blacklist here in the states. In comics, Sinestro is Hal Jordan's mentor. The Oscar nominations were unveiled last week after a brief delay caused by the devastating and ongoing fires in California. Leading the pack this year is Emilia Pérez, earning an impressive 13 nominations despite ongoing controversy surrounding the film's portrayal of cultural identity, which has sparked heated debates online. Close behind are The Brutalist and Wicked, tied with 10 nominations each and A Complete Unknown and Conclave earned eight nods apiece. On the studio front, Netflix emerged as the frontrunner with 16 total nominations, followed by A24 with 14, Universal with 13, Focus Features with 12, and Searchlight with 10. However, the announcement wasn't without its surprises—or disappointments—as some fan-favorite films, including Challengers, Furiosa, and Civil War, were notably snubbed. Warner Bros unveiled a new official trailer for SINNERS from director Ryan Coogler and frequent collaborator and star Michael B. Jordan, the film will hit theatres April 18. David Leitch — the stuntman turned director behind John Wick and The Fall Guy — is in talks to direct Ocean's 14. The film is expected to return original Ocean's 11 cast members George Clooney and Brad Pitt, among others. Neon has released the first trailer for horror film Hell of a Summer, starring Stranger Things star Finn Wolfhard, who is also making his directorial debut. The film debuts in theaters on April 18. HBO has renewed anthology series The White Lotus for a fourth season. The third season will begin streaming on February 16. Focus Features, Universal's art house division which released and financed Nosferatu, is reteaming with Robert Eggers for his next film titled Werwulf, currently set for release on Christmas Day 2026. While details are scarce, sources tell The Hollywood Reporter that the story is set in 13th century England. George Nolfi, known for his screenplay work on movies such as The Bourne Ultimatum and Ocean's 12, has been tapped to write New Jedi Order, the Daisy Ridley-centric Star Wars movie. The move to Nolfi makes the third writer change for the project.

Interview with Alfred Stewart, Chairman, Director & VP Corporate Development of Searchlight ResourcesRecording date: 8th January 2025Searchlight Resources (TSX-V:SCLT), a Canadian exploration company, is advancing a diverse portfolio of rare earth, uranium, and gold projects in Saskatchewan's premier mining districts.The company's Kulyk Lake rare earth project in the Athabasca Basin has emerged as a significant discovery, with a 12-kilometer radiometric anomaly yielding surface samples grading up to 50% total rare earth oxides (TREO). According to Chairman Alfred Stewart, "Northern Saskatchewan is blessed with a large number of rare earth pegmatites and we have established a regional play in the Athabasca Basin area. All of these pegmatites are undrilled."The project's strategic value is enhanced by its proximity to the Saskatchewan Research Council's rare earth processing facility in Saskatoon, specifically designed to process monazite, the primary rare earth mineral found at Kulyk Lake. Recent exploration has identified a mineralized zone measuring 450 by 600 meters, with rock values exceeding $1,000 per tonne.Beyond rare earths, Searchlight controls the Flin Flon North gold project, which hosts four past-producing mines that historically produced around 10,000 ounces per year. The project, located just 5 kilometers from Flin Flon, benefits from existing infrastructure including a mill and tailings facility currently on care and maintenance. Historic work from 1989 outlined a resource of approximately 150,000 ounces.The company's uranium portfolio is anchored by the Duddridge Lake deposit, Saskatchewan's most southerly uranium deposit, acquired during the post-Fukushima uranium bear market. The project hosts a modest resource that remains open for expansion.Operating as a prospect generator, Searchlight aims to minimize shareholder dilution while advancing multiple projects simultaneously. The company maintains a low burn rate with just two key personnel, who are also major shareholders. Currently, Searchlight is in discussions with three different groups regarding their gold and uranium properties.The prospect generator model allows Searchlight to leverage its technical expertise in acquiring prospective ground, then seek larger partners to fund development in exchange for project interest. This approach provides investors with exposure to multiple commodities and discovery opportunities while managing exploration risk.With properties secured in one of the world's top mining jurisdictions, existing infrastructure advantages, and multiple pathways to value creation, Searchlight offers investors a unique opportunity to participate in Saskatchewan's resource sector resurgence.View Searchlight Resources' company profile: https://www.cruxinvestor.com/companies/searchlight-resources-incSign up for Crux Investor: https://cruxinvestor.com

Welcome to the Service Business Mastery Podcast! Visit our website for more episodes and insights! www.servicebusinessmastery.com In this episode, hosts Tersh Blissett and Joshua Crouch are joined by Kevin LeSage, CEO of SearchLight and Jonathan Torrey, Director of Marketing at SearchLight. A cutting-edge analytics platform for the service industry.

Daniel Loria and Rebecca Pahle go over the latest headlines in theatrical exhibitions and preview the Christmas season box office. In the feature segment, the Cinema Foundation's Executive Director, Bryan Braunlich, joins to talk about plans for the @ the Movies campaign—bringing four moviegoing—themed events to cinemas nationwide in 2025 to encourage habitual moviegoing.Give us your feedback on our podcast by accessing this survey: https://forms.gle/CcuvaXCEpgPLQ6d18 What to Listen For00:00 Intro00:20 Discussion on Cinema Activations and Promotions01:00 Christmas Box Office Preview Overview02:17 Weekend Box Office Recap: Craven the Hunter and Lord of the Rings Anime06:28 Sonic the Hedgehog 3 Box Office Forecast07:57 Mufasa: The Lion King Prequel Expectations09:03 Overview of Christmas Day Releases09:33 Focus Features' Nosferatu and Searchlight's A Complete Unknown11:28 Tracking and Projections for Nosferatu and A Complete Unknown12:42 Amazon MGM's The Fire Inside Biopic Discussion14:18 Marketing Strategies for Christmas Releases15:15 Amazon MGM and CinemaCon Updates16:55 Wicked's Sing-Along Screenings Announcement18:21 Fathom Events Rebranding as Fathom Entertainment20:27 UK Audience Development Initiative Escapes22:52 Cinema Foundation's At the Movies Campaign Overview25:00 January National Popcorn Day Plans28:52 Sneak Peek Saturday: Summer 2025 Previews34:26 August Date Night at the Movies Details37:12 November Family Day at the Movies Plans

Legendary Emmy and Tony-winning performer Judith Light joins The Art of Kindness with Robert Peterpaul and we couldn't be more excited. The Who's the Boss? lead discusses kindness to others and yourself, life-changing acts of kindness, researching spooky occurrences for her new Apple show BEFORE and more in this heart-lifting conversation. JUDITH LIGHT is known for her extensive body of work onstage, as well as in television and film, recently receiving a star on the Hollywood walk of fame. Her recent projects include Peter Hedge's film The Same Storm, “Julia,” HBO Max's drama series on Julia Child, Starz' horror comedy “Shining Vale” and Searchlight's dark comedy The Menu, alongside Anya Taylor-Joy and Ralph Fiennes. Second seasons of both “Shining Vale” and “Julia” are currently available for streaming. Light starred in The Young Wife and Down Low for FilmNation, both of which premiered at SXSW, and Out of My Mind for Disney+ which premiered at Sundance and can now be streamed on Disney+. Her 2019 film Ms. White Light also premiered at SXSW. She can also be seen in the second season of “American Horror Stories” and Rian Johnson's series “Poker Face” for Peacock, for which she won the Guest Actress in a Comedy Series Primetime Emmy. She currently stars in the Apple TV+ series “Before” alongside Billy Crystal. The full season can now be streamed. Next up, she stars in “The Terror: Devil in Silver” for AMC and Scott Free Productions. Additionally, she is working on a series of producing projects with her production company and Brillstein Creative Partners. Light also co-starred in Ryan Murphy's “Impeachment: American Crime Story” on FX, appeared in Lin Manuel Miranda's film, tick, tick…Boom! for Netflix as well as “The Accidental Wolf,” created by Arian Moyad and now streaming on Topic. In addition to her current projects, Light starred in the anthology series “Manhunt: Deadly Games,” which can currently be found on Netflix, as well as Ryan Murphy's Netflix series “The Politician,” and in the musical finale series of “Transparent,” Amazon Prime's Golden Globe–winning show, created by Joey Soloway, for which Light received a Golden Globe nomination and multiple Emmy and Critics' Choice nominations. Her role in Ryan Murphy's “The Assassination of Gianni Versace: American Crime Story” garnered her an Emmy nomination and Critics Choice nomination.  In 2012 and 2013, Light won two consecutive Tony and Drama Desk awards for her performances in Other Desert Cities and The Assembled Parties; these two performances made her the first actress in nearly two decades to win consecutive Tony Awards. Light also received the 2019 Isabelle Stevenson Tony Award for her extensive philanthropy work. She was also recently awarded the Excellence in Media Award from GLAAD in May 2022. Light sits on the board of directors of the MCC Theater in New York. Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

BlueCollar.CEO –Kevin LeSage is the CEO of SearchLight Digital, the fastest-growing revenue analytics company in the home service industry. He grew up in the home service industry, helping his father clean copper pipes for his plumbing business. After spending 11 years working in the automotive space implementing data-driven digital marketing strategies, Kevin founded SearchLight to help contractors improve revenue growth. In today's episode, Ryan and Kevin discuss the importance of exposing your data and the future of the home service industry.Blue Collar CEO is a podcast that is all about helping you build a better, more profitable, more sustainable & kick-ass home service business. Join Levergy® CEO Ryan Redding each week who will be joined by industry experts who will break down their success stories and give their best-kept secrets for industry domination. You do not want to miss it! Learn more at https://www.bluecollar.ceo/, or https://www.levergy.io.

Duane Hansen Fernandez is a writer and director. Born from a Danish mother and Filipino father, Fernandez's ethnic background towed him from his birthplace in Los Angeles, California to numerous corners and countries of the world throughout the years. It was these years that taught him to use his art to reflect an influence from his many cultural environments.Once dreaming of becoming an archaeologist, that passion never really went away, although it evolved. Fernandez found himself becoming his own archetype of an anthropologist -- seeking to understand how people live and interact with one another, but also how they make their lives meaningful. Why do people do what they do? What are their untold stories? Most importantly, how can we make the world a better place by telling them?Fernandez has had the opportunity to work with some of the greatest leaders in the industry, from Netflix, Hulu, Amazon, Disney, Marvel, Searchlight, A24, Focus Features, Universal Pictures, and Lionsgate, to Paramount, Sony Pictures, NBC, Fox, and FX.GUEST HOST: Niklaus Lange boasts a diverse and successful 30 year career in the media industry. Lange has transitioned seamlessly from on-screen talent to a sought-after behind-the-scenes creative force garnishing 200+ million video views and documentary filmmaking awards.A PLACE TO FALL DOWNThe directorial debut of Duane Hansen Fernandez, A PLACE TO FALL DOWN is a moving short film that delves into the life of Jose, an elite mechanic struggling to cope with overwhelming grief after losing his beloved wife. The film unfolds in the span of a single day, capturing Jose's emotional journey as he navigates balancing his daily life and with his profound sense of loss. Just when he thinks he might drown, he's reminded the world works in mysterious ways.Featuring an extraordinary performance from Clifton Collins Jr. (Jockey), A PLACE TO FALL DOWN explores the question: can a person work to make themselves whole again after experiencing trauma? Collins Jr. portrays the grief-stricken Jose with subtlety and elegance, proving it's in the darkest moments that the resilience of the human spirit shines the brightest. Teaser Trailer: A Place to Fall Down - Teaser TrailerInstagram: A Place to Fall Down IGThe Smith Society logo: Designer, Chris ScottEdited by: Ian ReneRecorded at: Westlake StudiosA PLACE TO FALL DOWN - FILM CREDITSDirector: Duane Hansen FernandezWriter: Duane Hansen FernandezProducer/s: Duane Hansen Fernandez & Rebecca Parks FernandezDirector of Photography: Tobin OldachEditor: Danielle L. StatutoExecutive Producer/s:Kristy Sowin, Devin StinsonFirst Assistant Director: Devin StinsonJose: Clifton Collins Jr.Charlotte: Erika ChristensenScott: Niklaus LangeMargo: Larissa DiasMeditation App: David GeorgeGrandpa & Lita: Toon$ & Boops MachadoCamera First Assistant: Jordan MartinDigital Image Technician: Conrad RadzikGaffer: Robert OlivaKey Grip: Adam ShambourSound-Mixer: Amanda Beggs, C.A.S.Texture Photographer: Devin StinsonStill Photographer: Paul ClearHair & Makeup Artist: Laurie HallakKey Production Assistant: Nash OldachComposer: Wink WinkelmannConsulting Music Supervisor: Thomas PageAutomotive Consultant: Jasen RemingtonAssistant Editor: Lucia WangColorist: Miles KulaAudio Post-Production: ElevenSound Mixer/Sound Designer: Jordan MeltzerSound Mixer, Producer: Andrew SmithGraphic Design - Garage Logo: Chris ScottEnd titles by: EndcrawlSCORETrack: A Beautiful Disaster 1Written by: Wink WinkelmannProduced by: Duane Hansen FernandezBass & Guitar: Wink WinkelmannKeys: Rashon MurphGuitar: Yunus IyribozDrums & Percussion: Garrit TillmanMultitrack Engineer: Ian ReneMultitrack Asst. Engineer: Patrick GardnerMix Session Engineer: Ian ReneMix Session Asst. Engineer: Hayden DuncanCourtesy of: VOKSEERecording/Mixing Studio: WestlakeSpecial thanks: Chelsea Devantez, Nena Erb, Genesis Automotive, Valerie Lertyaovarit, John 'Pliny' Eremic, Fatima AlbuquerqueFollow your dreams, no matter where they take you.See Privacy Policy at art19.com/privacy and California Privacy Notice at art19.com/privacy#do-not-sell-my-info

This week on Cinemaholics, Jon Negroni and Will Ashton take a real hard look at Jesse Eisenberg's A Real Pain, a film tackling generational trauma, identity crises, and the age-old question: are we in a Kieran Culkin Kierannaissance? We chat about its awards buzz, a Holocaust scene that's somehow pivotal and memorable, and the performances that make all the pain worth it. Plus, we break down the movie's balancing act between humor and heavy themes. A Real Pain was directed, written, and produced by Jesse Eisenberg. The cast includes Eisenberg himself, alongside Kieran Culkin, Will Sharpe, Jennifer Grey, and others, with Emma Stone and Dave McCary serving as producers under their Fruit Tree banner. Premiering at the Sundance Film Festival on January 20, 2024, the film later saw a limited theatrical release in the United States on November 1 through Searchlight Pictures. It has a 90-minute runtime. Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord and chat with us! We have a Cinemaholics channel here. Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Instagram. Synopsis for A Real Pain: Mismatched cousins David (Jesse Eisenberg) and Benji (Kieran Culkin) reunite for a tour through Poland to honor their beloved Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.

The old joke about advertising was that you know you're overspending by 50%, you just don't know which 50% to cut. Measures of opens and clicks are interesting, but they only give you some information. What you need is a tool that tells you specifically which ads are working, and be able to tie them directly to revenue. Enter Kevin LeSage and Searchlight. Kevin grew up in our industry, helping his Plumber Father as a kid, but after college worked in digital marketing and analytics. Then he returned to our industry to help is Dad and other Residential Service companies. Would you like to know which of your ad campaigns works best for you, and which ones are ineffective? Of course you would! Would you like to know how Searchlight does this? This is information you need to know!

We dive into two major 2025 Oscar contenders: A24's Anora and Searchlight's A Real Pain. We review each title and break down key moments of the films. Fair warning: our Anora conversation has a few spoilers, but we give you fair warning before ruining a few key moments of the film. Then, our A Real Pain conversation […] The post Podcast: ‘Anora,' ‘A Real Pain,' and the Elusive Fifth Best Actor Slot appeared first on The Contending.

Monday Bible Study for November 4th 2024 at the Deeper Life Bible Church Gbagada Lagos. https://dclm.org/sermons/bible-studies/2024-bible-study/-divine-searchlight-on-our-tongues/

Searchlight Radio - New Podcast Feed - https://feed.podbean.com/searchlightradiopodcast/feed.xml

Climate and election dread is on our minds... sigh...moving on.https://www.theguardian.com/us-news/2024/oct/09/hurricane-milton-florida-landfall-storm-surgehttps://www.motherjones.com/politics/2024/10/under-god-christian-nationalism-package/Election 2024 things! vote for MORSE: https://www.morseforcongress.com/ENDORSEMENTS: https://acdems.org/acdcc-endorsed-statewide-ballot-initiatives-for-nov-2024-election/https://wellstoneclub.org/endorsements/https://fresnocountydemocrats.org/en_US/LORI is doing this Saturday with Body Count:https://aftershockfestival.com/and she recommends checking this out: https://www.tiktok.com/@realmattbunting/video/7420890853507484971?_r=1&_t=8qPA8ZLela6and this: https://www.tiktok.com/@spaaaghettification/video/7421389445288545579?_r=1&_t=8qPAhGOCGP0 and we check out: https://www.youtube.com/@ElEsteparioSiberianoBe sure to check out Vice President Harris on The Howard Stern Show: https://www.theguardian.com/us-news/2024/oct/08/kamala-harris-howard-stern-interviewLIPSTICK ON the PIGShttps://www.hulu.com/series/mrs-america-96f330fe-878d-412e-949f-fd8b69b3adf2MOVIE REVIEW: https://www.hulu.com/movie/hold-your-breath-88293110-9607-4764-b677-27082b8b83a2?utm_source=Searchlight&utm_medium=Search&utm_campaign=HoldYourBreath&gad_source=1&gclid=Cj0KCQjw05i4BhDiARIsAB_2wfD5YIGiOIvje-xyZR7I92g4rwD8iSBW-xtPNhIsXUWcvgDPxSJjspYaAhMrEALw_wcB&gclsrc=aw.dsOn tap for review: EVIL SUBLET https://www.youtube.com/watch?v=QC2O829eLyk Support the showThe Parlour with Lori and Lisa comes to you with our takes on current events, politics, human interest stories, all things close to our hearts, and so much MORE! Thank you for following our media journey and be sure to look for us as we roll out in all the social platforms. #SlowMedia

R. Craig Hogan, Ph.D., is the author of Your Eternal Self, presenting the scientific evidence that the mind is not confined to the brain, the afterlife is a reality, people's minds are linked, and the mind affects the physical world. The book is hailed as “number one from the standpoint of offering the reader the full gamut of phenomena supporting the survival hypothesis in clear and concise language” (Michael Tymn, managing editor, The Searchlight) and “an eye-opening look at the pseudo natural and everything related to the human mind—highly recommended for anyone into the science beyond the mundane world” (“Reviewer's Choice,” Midwest Book Review, June 2008). Dr. Hogan co-authored Induced After-Death Communication: A New Therapy for Healing Grief and Trauma with Allan Botkin, Psy.D. and Guided Afterlife Connections: They Come to Change Lives with Rochelle Wright. He is the editor of Afterlife Communication: 16 Proven Methods, 85 True Accounts and of New Developments in Afterlife Communication and New Developments in Afterlife Communication.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-x-zone-radio-tv-show--1078348/support.

Tony Winters Returns!Take a walk with me down Fascination Street as I get to know Tony Winters EVEN MORE! In this episode, we catch up on how his industry has changed since covid, and we touch on some of the plays he as been involved in; as well as a play or two he may have coming up. We discuss some of his past films & television roles, and he lets a tale slip about a Christmas film he has written and is in the process of getting produced. 'Something For Santa' promises to bring back some of the MAGIC to Christmas movies. Then we dive right onto Tony's new film. The Supremes at Earl's All You Can Eat will be released on HULU, August 23rd (by Searchlight Pictures). It stars: Aunjanue Ellis-Taylor, Sanaa Lathan, Tati Gabrielle, Uzo Aduba, Mekhi Phifer, and Tony Winters (as Earl). As always; Tony brings the fun to Fascination Street. Check out the film on Hulu, and enjoy this conversation with Pretty Tony!***Full video interview available on the Fascination Street Podcast YouTube channel***

Nick Lowles is chief executive of HOPE not hate, the UK's largest anti-racism and anti-extremism movement. For the last 35 years, he has tirelessly fought against those who try to exploit frustrations, create divisions and pit groups against each other. Nick began his involvement with the anti-fascist movement as a student volunteer. He then worked for the anti-fascist magazine Searchlight before founding HOPE not hate in 2004. In his first ever interview about his life, Nick tells James why he's dedicated his life to fighting extremism and what keeps him awake at night. This episode is not suitable to those under 18 and contains sensitive topic discussions including racism and violence. If you are affected by anything you hear in this episode and need support, please see the suggested website links below. HOPE not hate SARI Stop Hate UK

This teeny tiny short story by Robert A. Heinlein also seems to be the last short story we will look at in this series. From here on out it will be wild novels. But this is a nice story to end with.

The Austin newspaper, the Texas Observer, chose Searchlight reporter Alicia Inez Guzmán, to receive its 2024 MOLLY Prize on May 30 th . Guzmán holds a Ph.D. in Visual and Cultural Studies from the University of Rochester in New York. Her article, “Buried Secrets, Poisoned Bodies,” is exemplary investigative journalism. The prize, awarded to only one journalist a year, honors Molly Ivins, the Observer editor for six years in the 70's. --- Support this podcast: https://podcasters.spotify.com/pod/show/ccnsupdate/support

Keep your eyes open and your mind sharp for a brain-melting good time with Caito Aase, Ben Silverio, and Ansel Burch. They're pop culture observers/ content creators/ excellent friends who are here to figure it all out and get home in one piece. It's finally time for us to share our interview with the director of Coherence, James Ward Byrkit. We have been so excited to give you the whole thing and we just know you're going to love it. Find us online! Caito Aase a.k.a. Helena Handbasket is @TheHelenaHandbasket and @CaitoAase on IG. She is also findable across the internet at Only Handbasket. Caito is a producer for Queens' Court Games (https://www.twitch.tv/queenscourtgames) and a recurring regular at Folk and Myth (https://www.twitch.tv/folkandmyth).Caito's films include Revealer (on Shudder and Amazon Prime) and Black Mold (coming to Tubi).Ben Silverio is @BSilverio20 on Instagram, X, Threads, Blusky, and Hive. Ansel Burch is @TheIndecisionist on IG Facebook, Yowsa, Blusky, and Threads. Check out Ansel's new TTRPG in development, Mavericks! https://the-indecisionist.itch.io/mavericks Join us next week when we start our coverage of the new movie “The Greatest Hits” from Searchlight on Hulu. We got to interview the director, Ned Benson, and will be interspersing bits of the interview into each episode. So, make sure you're subscribed because you know it's #Time2Party

This week, the boys discuss the recent layoffs at Checkr and the launch of connected TV (CTV) and live event ads on LinkedIn. They speculate on Checkr's future and the potential for LinkedIn to tap into the B2B market with video advertising. They also highlight the importance of targeting decision-makers and the challenges of streaming partnerships. In this conversation, Joel and Chad discuss various topics including the potential for LinkedIn to automate job ads on streaming services, the diverging paths of Job.com and Job&Talent, the acquisition of Searchlight by Multiverse, and the partnership between Waymo and UberEats for automated food delivery. They also play a game of 'Who'd You Rather' between Summer and Cariloop. Automation, recruitment, and the future of work ... throw in a fat man in a red suit and you've got Christmas.

Techcrunch is reporting that Checkr, a 10-year-old employee background check company  which was last valued at $5 billion has laid off 382 employees as companies are not significantly hiring talent. https://techcrunch.com/2024/04/10/checkr-layoffs/ Tech company Multiverse has acquired Searchlight, a talent intelligence and skills assessment platform that uses AI to help companies close their skills gaps. https://hrtechfeed.com/multiverse-acquires-ai-talent-software-company-searchlight/ NEW YORK – Cadient, a leading provider of talent acquisition solutions in the hourly hiring sector, has been acquired by Basis Vectors Capital, a private equity and technology investment firm that focuses on the B2B sass space https://hrtechfeed.com/cadient-ats-acquired-by-private-equity-firm/ SeekOut, the Talent Intelligence Platform, announced the release of conversational search as part of its SeekOut Assist generative AI product portfolio. The new feature expands the capabilities of SeekOut Assist, enabling recruiters to use their own language in sourcing. This makes powerful AI-assisted searches accessible to all recruiters, allowing for simple descriptions instead of complex Boolean queries. https://hrtechfeed.com/seekout-adds-conversational-search-to-its-platform/ ReadySetHire, powered by Talroo, is a new recruiting platform built from the ground-up exclusively for small businesses that lack the tools and insight needed to follow recruiting best practices to attract new hires.  https://hrtechfeed.com/talroo-launches-readysethire/  

Today on Equity's startup-focused Wednesday show, we dug into the Multiverse-Searchlight deal that reminded us of the Wonderschool-Early Day transaction that we covered on the show a few weeks back.We also dug into the latest Guesty round, which was both large and interesting from a financial perspective, the Monad Labs transaction that led us to try and explain the difference between L1 and L2 blockchains, and Cyera's quick recent megaround. Put more simply, startup news is feeling very busy, and very high-dollar again, and that's a lot of fun for the show.To round things out, we also squeezed in a new venture capital fund targeting growth-rounds in Africa.That's it for us today, but join us on Friday for our roundtable news roundup!Equity is TechCrunch's flagship podcast and posts every Monday, Wednesday and Friday, and you can subscribe to us on Apple Podcasts, Overcast, Spotify and all the casts.You also can follow Equity on X and Threads, at @EquityPod.For the full interview transcript, for those who prefer reading over listening, read on, or check out our full archive of episodes over at Simplecast. Credits: Equity is hosted by TechCrunch's Alex Wilhelm and Mary Ann Azevedo. We are produced by Theresa Loconsolo with editing by Kell. Bryce Durbin is our Illustrator. We'd also like to thank the audience development team and Henry Pickavet, who manages TechCrunch audio products.

Multiverse, the U.K. unicorn that builds apprenticeship programs for people to learn technology skills while on the job, has made an acquisition as it aims to skill up itself. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the virtual Lemonade Stand, Crystal and Emily are joined by Jonathan Torrey from Searchlight! They discuss unlocking the power of data-driven decisions, knowing the origin of your leads, and the value of operational efficiency for your data.0:07 - Exploring Data-Driven Marketing Strategies7:13 - Analyzing Revenue Potential and Conversions10:22 - Improving Contractor Operational Efficiency22:04 - Uncovering Customer Journey Insights With Searchlight30:05 - Digital Marketing Revenue Flow AnalysisIf you would like to learn more about what Searchlight can do for your business, head over to www.searchlightdigital.io to get in touch with their phenomenal team!If you enjoyed this chat From the Yellow Chair, consider joining our newsletter, "Let's Sip Some Lemonade," where you can receive exclusive interviews, our bank of helpful downloadables, and updates on upcoming content.Please consider following and drop a review below if you enjoyed this episode. Be sure to check out our social media pages on Facebook and Instagram.Interested in being a guest on our show? Be sure to contact us today!We'll see you next time, Lemon Heads!

We are so thrilled to welcome actor Jesse Garcia to Tipsy Casting! Jess and Jenn dove in with Jesse on his journey from living in a small town in Wyoming to leading the Searchlight feature "Flamin' Hot", directed by Eva Longoria! Jesse Garcia stars in the Disney+ feature, ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY. He can currently be seen in the Netflix feature, THE MOTHER, opposite Jennifer Lopez. He recently shot the Village Roadshow, Michael Olmos directed feature, MURDER CITY, opposite Stephanie Sigman. He can also currently be seen in the Amy Redford film, ROOST opposite Summer Phoenix , which played at the Toronto Film Festival (TIFF). He can also be seen starring as the lead role in the Eva Longoria-directed biopic for Searchlight, FLAMIN' HOT, based on the Flamin' Hot Cheetos creator Richard Montanez, that premiered at SXSW 2023. Currently streaming, he can be seen in the Michael Bay blockbuster, AMBULANCE, opposite Jake Gyllenhaal. He also just wrapped the Amazon pilot ONCE UPON A TIME IN AZTLAN opposite George Lopez. Before that, he shot the new season of NARCOS.  Garcia is an American actor best known for his award-winning film Quinceañera written and directed by Wash Westmoreland and Richard Glatzer, executive produced by Todd Haynes. The film won both the Grand Jury Prize and the Audience Award at the 2006 Sundance Film Festival in the Dramatic Independent Feature Competition. Garcia won Best Actor at the 2007 ALMA Awards for his role as Carlos, a troubled gay teenager. His television work also includes Edward James Olmos' movie WALKOUT for HBO, recurring roles on SONS OF ANARCHY, TERMINATOR: THE SARAH CONNOR CHRONICLES and THE SHIELD. Resources: Jesse Garcia's IMDB Jesse Garcia's Instagram ──────────────────────────── ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting --- Send in a voice message: https://podcasters.spotify.com/pod/show/tipsycastingpodcast/message

Anne Thompson and Ryan Lattanzio discuss changes at Netflix, Disney and Searchlight, Oscar Nominated Shorts, Independent Spirit Awards and Love Lies Bleeding. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week featured two huge film jobs finding their man: Netflix and Disney. Over at Netflix, seasoned producer Dan Lin is set to replace Scott Stuber, and Disney promoted David Greenbaum from Searchlight head to Disney Studios head. Do these moves mean a return to more original fare? “There's reason for hope,” says Richard Rushfield. “I mean, normally when you get these kinds of announcements, it's like, ‘Ok, well, another person like that to a different person like that.' But these are people you're genuinely excited to see what they might do, so go figure.” Also: the crew discusses the Paramount and Endeavor earnings calls, and what the takeaways were from the whole earnings slate. Transcript here. For more entertainment news, subscribe to The Ankler here. Learn more about your ad choices. Visit megaphone.fm/adchoices

There are two kinds of prayers that will have dramatic effects on your walk of faith. The first is "God, make whatever You will of me." The second is, "God, take whatever you will out of me." Neither prayer comes easy. Access all of the resources and lessons in this series: https://www.wisdomonline.org/the-song-volume-1

There are two kinds of prayers that will have dramatic effects on your walk of faith. The first is "God, make whatever You will of me." The second is, "God, take whatever you will out of me." Neither prayer comes easy. Access all of the resources and lessons in this series: https://www.wisdomonline.org/the-song-volume-1

This week, I'm joined by Brent Leuthold (AwakeintheDark.com) to review Mean Girls in a non-spoiler and spoiler review. Then, in our secondary review, we discuss the sci-fi thriller, I.S.S.  For Potpourri, I share some brief thoughts about Wong Kar-Wai's Chungking Express while Brent talks about the new Netflix docuseries, American Nightmare.   Timestamps Show Start - 00:28 News - 11:00   Reviews Mean Girls - 24:38 Spoiler Review - 52:02 I.S.S. - 1:08:09 Spoiler Review - 1:24:26   Potpourri Matt: Chungking Express (1994) - 1:36:13 Brent: American Nightmare - 1:42:12   Closing the Ep - 1:47:43 Patreon Clip - 1:50:09   Related Links  Jesse Eisenberg, Kieran Culkin Sundance Comedy-Drama ‘A Real Pain' Sells to Searchlight for $10 Million Netflix Buys Sundance Thriller ‘It's What's Inside' in Huge $17 Million Sale   Brent's Letterboxd Awake in the Dark Brent's Review of I.S.S. Brent's Review of Mean Girls (2024) Brent's Review of The Beekeeper Brent's Top Ten Films of 2023 As Good As It Gets - Linktree   Follow Us on Social Media My Letterboxd YouTube Facebook Twitter/X Instagram Threads Bluesky TikTok   My 2024 Podcast and Writing Archive One Year of Criterion Channel - Dec 24, 2023 - Dec 23, 2024 Apple Podcasts Spotify Audible   Support Us on Patreon for Exclusive Content Official OV Merch  Obsessive Viewer Obsessive Viewer Presents: Anthology Obsessive Viewer Presents: Tower Junkies   Mic Info Matt: ElectroVoice RE20 into RØDEcaster Pro II (Firmware: 1.3.3 BETA) Brent: Earthworks ICON Pro in Google Meet   Episode Homepage: ObsessiveViewer.com/OV413

In this week's episode of Mac Geek Gab 1022, dive into the savvy world of tech tips with Pilot Pete, Adam Christianson, and Dave Hamilton. Discover the ease of sharing App Store links by long-pressing the app icon, and get the lowdown on iMessage's quick flight information feature using Apple's […]

Remember to Rate (5 Stars), Review (Great show, blah, blah, blah) and Follow us on Apple Podcasts: https://podcasts.apple.com/us/podcast/b-o-boys-movie-box-office/id1489892648   Our AWESOME artwork was provided by the talented Ellie Skrzat. Check out her work at https://ellieskrzat.com/   Thanks to WannaBO Senior Intern Christopher for running our social media and WannaBO Intern Jack for the numbers.   E-mail us: theboboyspodcast@gmail.com   Subscribe on Youtube:   https://www.youtube.com/@theboboyspodcast   Follow us on Twitter: @TheBOBoysPod   Follow us on TikTok: @TheBOBoysPod   Subscribe to us on Substack and read our new articles: https://substack.com/@theboboys   -----

Seth Tupper, editor-in-chief of South Dakota Searchlight, joins us with a few of the bills his publication is watching closely this session.

Scott Copper (Director, Screenwriter, Producer) made his feature film directorial debut in 2009 with Fox Searchlight's Oscar-winning CRAZY HEART, which he also wrote and produced. The film, which starred Jeff Bridges, Maggie Gyllenhaal, Colin Farrell and Robert Duvall, earned three Academy Award nominations, winning for Best Actor (Bridges) and Best Original Song (T Bone Burnett and Ryan Bingham). Cooper won an Independent Spirit Award for Best First Feature and earned WGA, USC Scripter and Independent Spirit Award nominations, for his screenplay.Cooper's follow-up was the Leonardo DiCaprio/Ridley Scott-produced OUT OF THE FURNACE, starring Christian Bale, Woody Harrelson, Casey Affleck, Zoë Saldana, Forest Whitaker and Sam Shepard. For his work as writer, director and producer, Cooper won the Best Debut and Second Film Award at the 2013 Rome Film Festival, where he was also nominated for a Golden Marc'Aurelio Award. Next was Cooper's 2015 Warner Bros. gangster film BLACK MASS, which Cooper both directed and produced and which made its worldwide debut at the Venice International Film Festival.The box-office hit garnered wins from critics associations across the country, and earned lead actor Johnny Depp the Desert Palm Achievement Award at the Palm Springs International Film Festival, as well as a Best Actor nomination from the Screen Actors Guild. In 2017, Cooper's western epic HOSTILES debuted at both the Telluride Film Festival and Toronto International Film Festivals, earning widespread critical acclaim. The film reunited Cooper with his OUT OF THE FURNACE star Christian Bale and featured performances from Rosamund Pike, Wes Studi, Jesse Plemons, Rory Cochrane and Ben Foster. Cooper followed this up with ANTLERS, an exploration of yet another genre in the Guillermo Del Toro-produced horror film. Searchlight released the film to acclaim in October 2021.Most recently, Cooper re-teamed for the third time with Bale on THE PALE BLUE EYE, an adaptation of Louis Bayard's novel of the same name. The film tells the story of a series of murders at the United States Military Academy at West Point in 1830 and a cadet the world would later come to know as Edgar Allan Poe. Robert Duvall, Gillian Anderson, Timothy Spall, Toby Jones and Harry Melling round out the cast. The Netflix film will debut in Fall of 2022. Born in Virginia, Cooper now resides in Los Angeles.Please enjoy my conversation with Scott Copper.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

In this episode of the Boxoffice Podcast, co-hosts Rebecca Pahle, Shawn Robbins, and Chad Kennerk discuss last weekend's box office—dominated by the concert film Renaissance: A Film By Beyoncé–before looking ahead with updated forecasts on some of the biggest releases of December. In our feature segment, Pahle speaks with Frank Rodriguez, formerly of Searchlight Pictures, about Searchlight's philosophy towards theatrical distribution and its new film Poor Things, out in limited release this weekend.In this episode of the Boxoffice Podcast, co-hosts Rebecca Pahle, Shawn Robbins, and Chad Kennerk discuss last weekend's box office—dominated by the concert film Renaissance: A Film By Beyoncé–before looking ahead with updated forecasts on some of the biggest releases of December. In our feature segment, Pahle speaks with Frank Rodriguez, formerly of Searchlight Pictures, about Searchlight's philosophy towards theatrical distribution and its new film Poor Things, out in limited release this weekend.Give us your feedback on our podcast by accessing this survey: https://forms.gle/CcuvaXCEpgPLQ6d18 Episode Resources: Weekend Box Office: RENAISSANCE: A FILM BY BEYONCÉ Earns Best Post-Thanksgiving Opening Since 2003's THE LAST SAMURAI The Biggest Movies Coming to Theaters in December 2023 What to Listen For 00:00 Intro 02:30 Weekend box office top films 10:40 Searchlight Pictures' Poor Things   13:12 Hayao Miyazaki's The Boy and the Heron 15:08 Major releases in the holiday season 20:04 Searchlight Pictures' early years 29:00 What was your cinema growing up? 31:16 Film availability 

Lost in the world of marketing as a home service contractor? Fear not! Kevin LaSage, founder of Searchlight, shares his insights on making data-driven decisions that maximize your marketing investments. He unveils how his platform ties digital marketing efforts to customer activity in a CRM, offering real-time optimization to any marketing strategy. Kevin also underscores the importance of transparency and the benefits of having all marketing channels unified on one platform.We've all heard that change is the only constant, and in the realm of consumer behavior, this couldn't be truer. Discover why today's consumers are favoring chatbots, online forms, and schedulers over traditional phone calls as we explore this shift and its impact on business conversion rates. We emphasize how quick responses can make the difference between winning and losing a lead and why businesses need to adapt to the preferences of tech-savvy generations.The world of home service is not exempt from the ongoing digital revolution. We delve into the effectiveness of Google Ads in customer acquisition and discuss the rising cost of these ads. Here, Kevin introduces us to the concept that not all leads are created equal, as 75% of website conversions do not lead to paying customers. The conversation transitions into how AI technology is transforming areas like plumbing and roofing and how Searchlight uses AI to enhance customer service. So buckle up and get ready for an enlightening journey through the world of data-driven marketing for home service contractors.https://www.searchlightdigital.io/successful-life-podcast/ Support the showhttps://www.amazon.com/Simple-Steps-Sell-More-Stereotypes-ebook/dp/B0BRNSFYG6/ref=sr_1_1?crid=1OSB7HX6FQMHS&keywords=corey+berrier&qid=1674232549&sprefix=%2Caps%2C93&sr=8-1https://www.amazon.com/Dark-Side-AI-Sales-Frankenstein-ebook/dp/B0BX6G5THP/ref=sr_1_3?crid=16J189ZUCE8K6&keywords=corey+berrier&qid=1678457765&sprefix=corey+berrier%2Caps%2C111&sr=8-3https://www.youtube.com/channel/UCrPl4lUyKV7hZxoTksQDsyghttps://www.facebook.com/corey.berrier https://www.linkedin.com/in/coreysalescoach/

The Soccer OG - Having a proper football conversation Hosted on Acast. See acast.com/privacy for more information.

In a decisive move, Marvel Studios has already put together a new creative team for Daredevil: Born Again. Dario Scardapane of Netflix's The Punisher and Amazon's Jack Ryan is officially the showrunner while Moon Knight and Loki season two co-directors Justin Benson and Aaron Moorehead are stepping up to take charge of the remaining episodes of Daredevil. The show will be an amalgamation of previously shot scenes and episodes as well as new content written by Scardapane. Previous directors Chris Ord and Matt Corman will stay on as executive producers. While in the past we were told the show would have 19 episodes, that now seems unclear according to The Hollywood Reporter. In a guerrilla marketing move, the official Loki Instagram account became a blank slate following this week's fourth episode of the second season. The menacing Miss Minutes has taken over the account in the meantime with only one post: a short video of her telling us how it is on an inactive TemPad…and that means access is denied! There's also a mid-season trailer out and spoilers ABOUND. The internet might truly melt down with the announcement that Henry Cavill is set to play the legendary sword-wielding Scot in the Lionsgate Highlander reboot. John Wick director Chad Stahelski will be the man behind the camera for the film and Mike Finch has penned the current screenplay draft. Though just off his final season of The Witcher, Cavill has been working at a breakneck pace with Argylle and two Guy Ritchie projects currently in post-production. Universal and Blumhouse's Five Nights at Freddy's opened to a record-smashing $78 million dollars domestically and $131 million dollars worldwide, despite debuting simultaneously on sister streaming service Peacock. This is the biggest horror opening of 2023 to date, besting Scream VI. The upcoming three Doctor Who specials, which will feature the return of David Tennant as the Doctor and Catherine Tate as Donna Temple-Noblewill roll out over three weeks beginning Nov. 25 — two days after the actual 60th anniversary of Doctor Who‘s first ever episode. The specials will stream on Disney+ worldwide with the exception of the U.K. and Ireland, where they'll air on the BBC. Disney+ has also released a new trailer for the specials. A New York judge has ruled that actor Jonathan Majors must face trial on domestic abuse charges begining on November 29th. It was also revealed that the defense has filed a new motion under seal that seeks to keep details related to an undisclosed “evidentiary matter” shielded from public view. Apple TV+ is upping its price from the previous monthly fee of $6.99 to a now standard rate of $9.99. Director David Yates has given an update on the Fantastic Beasts Harry Potter spin off franchise, which halted after three of its five planned films were released. Quote: “With Beasts for a minute, it's all just parked,” Yates told the Inside Total Film podcast. “We got to the end of the third film and we're all so proud of that movie, and when it went out into the world, we just needed to sort of stop and pause, and take it easy.” Last week, Disney announced it is delaying the release of its live-action Snow White movie starring Rachel Zegler by a year to March of 2025 and released a first image of Snow White and the seven dwarves. Pixar's Elio has also been pushed back by more than a year to June of 2025. Disney and Searchlight have also removed Magazine Dreams starring Jonathan Majors from the December 2023 calendar most likely due to Major's legal situation. Netflix has announced a new adult animation limited series Carol & The End of the World which stars Martha Kelly as a woman facing the apocalypse. The series was created by Rick and Morty and Community writer Dan Guterman.

This week, for the 100th episode we have Writer/Actor/Executive Producer Steve Lemme (Super Troopers, Beer Fest, Tacoma FD and many many more) talk about his early career, his on-going collaboration with Kevin Heffernan and doing stand up.Show NotesSteve Lemme on IMDB: https://www.imdb.com/name/nm0501399/Steve Lemme on Twitter: https://twitter.com/SteveLemmeSteve Lemme on Instagram: https://www.instagram.com/steve_lemme/Free Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAutogenerated TranscriptSteve Lemme:Some guys were psyched that I had gotten it out there and the studio was psyched because fucking, it was massive. It was a massive announcement that got all those views. And so it was like, then the guys that were kind of mad about it were like, but don't feel like you did the right thing here. What you did was wrong. I was like, I know what I did was wrong. I'll never do it again. They're like, so don't feel justified. I'm like, I know, but then guys are looking at each other. But it is pretty fucking sweet and I definitely did the wrong thing and I would not advise that to anybody.Michael Jamin:You're listening to Screenwriters need to hear this with Michael lemin.Hey everyone. Welcome back to another episode of Screenwriters. Need to Hear this. I'm Michael and this is episode 100 of this podcast. And as an honor, I thought I would bestow this great honor onto the man. Yes. Yeah, I'm giving you the honor. It's an honor for you Lemme onto the man who's kept me employed for the past four years or more. Ladies and gentlemen, if you're listening to the podcast in your car, please pull over and give a warm round of applause to Mr. Steven Lemme. Lemme.Lemme tell people who you are, just by the way, this is the in case they don't know. So Lemme, as we call him, is the star and exec creator and executive producer showrunner of the show. I'm currently running on Tacoma fd, but you may know him. He's got a long track record of indie movies. We're going to talk about how he got these old made, including Super Troopers, bottle Cruiser Club, dread Beer Fest, lamb and Salmon, a bunch of stuff, including the latest one is quasi. I know I'm skipping over your complete filmography, but I want to give you a chance to talk. Let me thank you for being on my show here.Steve Lemme:I feel like you could just go on forever talking about me.Michael Jamin:Yeah, that would be the ideal Pat podcast for you. Just tell me more about me.Steve Lemme:I would prefer that. I would prefer that.Michael Jamin:Why? Is that? Because you're tired of telling your story over and over?Steve Lemme:No, I don't really get tired speaking about myself, but what I get less tired of is like I've gone and done some publicity lately. For instance, I did watch What Happens Live with Andy Cohen. Do you know what that show is?Michael Jamin:No, I didn't know that. Where is that?Steve Lemme:It's on the Bravo Channel. All those shows.Michael Jamin:All the shows you don't watch. Yeah. Yeah.Steve Lemme:I watch them. I watch because,Michael Jamin:Because your wife watches them.Steve Lemme:Well, that's exactly how a lot of people get sucked into it. It's because somebody else is watching and you walk through the room and you're like, what stupid show are you watching? I started watching, it was Real Housewives of New Jersey, and I walked through, I was like, who are these fucking people? And my wife was like, it's Real Housewives of New Jersey. They're just, last week, this chick right here flipped up a table and called this other one a prostitution whore. And then they actually showed it on the tv. They replayed what happened last week in a flashback. I was like, wait a second, hold on. And I sat down and I was like, hold on a second. Hold on a second. What happened? Why would she flip up a table? What's wrong with her? And she's like, well, that's the thing she's on. And there was born another fan of these shows. And then you try to resist.Michael Jamin:But wait, I want to know, you got to answer the question though. Why is it you didn't want to talk about yourself in the beginning? I asked you, is it because you do so much publicity?Steve Lemme:I got off track, I got off track, but it's not that I don't want to talk about myself becauseMichael Jamin:I think it must get hard answering the same thing over andSteve Lemme:Over again again. Well, sometimes I fascinate myself, Michael, and so I find great comfort in hearing myself speak while I'm saying it. I'm like, oh, this is nice. What I'm saying right now is good. And I'm enjoying my own company. I'm a big believer in actually my way into the arts was my mom saying, because I didn't have a lot of money growing up. And actually that's actually, it's mostly true, but it's more that my mom was a teacher at a really wealthy private school. And so whatever is the reality or not, and I suspect it actually is real. I didn't have much money growing up. It felt less to maybe I was hanging out with people that had, it's like the kind where after Christmas, or you go to their house before Christmas and there's a million presents under the tree.Michael Jamin:Yeah, that's right. AndSteve Lemme:You're like, Jesus, I've got two. And even that's better than a lot of people. That's why I hesitate to complain about it and put myself in that place. But when I was a kid, I would complain about not having toys and my mom would hand me paper and crayons and pencil and pen and scissors and scotch tape and say, make something, entertain yourself. And she would say, if you can't have fun with yourself, you'll never be happy. And so, by the way, am I allowed to be dirty on this podcast?Michael Jamin:You can say whatever you want to say.Steve Lemme:I was about to make a masturbation joke, which I know youMichael Jamin:Would like. I was already there.Steve Lemme:But anyway, my point is, so now that's totally off the market.Michael Jamin:You're saying this. This is your introduction to the arts,Steve Lemme:Right? So anyway, oh, I was saying I enjoy spending time with myself, the arts, but the point is I went on Andy Cohen, watch What Happens Live. And this has happened so many times where the intro, the way they introduce you is dog shit. And he didn't mention the movies, he didn't mention Broken Lizard. He just said he's on a new TV series on Hulu called QuasiMichael Jamin:Thanks for getting everything wrong,Steve Lemme:Which was not true either. And then it's like, look, I'm aware that a lot of, there is a younger generation of people who aren't familiar with Broken Lizard or those movies or Super Troopers or Beer Fest or anything like that, or they haven't watched it, but there are fans there. And also a lot of times if I don't know my mustache, people won't recognize me, but if they say it, if you get a nice intro, at least it gives you some credibility. But in this case, I was some jackass at the bar, the celebrity bartender. And so anyway, I like a good intro. I like to get stroked.Michael Jamin:Yeah. Did I stroke you enough when I brought you on?Steve Lemme:You did. You did. But I could have listened to more. YouMichael Jamin:Could to the thing about you, and I've said this before and I'll say it publicly, there are one of the great joys of working with you is that you are an open book when you talk about stories from your past and you're brutally honest. And the best comedians that I've worked with are the same way. Mark Merrim is the same way. He'd say things in the room, you'd be like, whoa, I can't believe you're telling me this. And you're the same way. So it makes it so much easier to write for you because you're just being vulnerable and you're sharing yourself and there's no judgment there. It's just funny.Steve Lemme:Thank you for saying that. I know that about myself. Kevin will say, I have no filter. That's what he will say, but I'll tell him he's too filtered.Michael Jamin:Right?Steve Lemme:I'll say, Kevin, you need to open up a little bit and share of yourself. Interesting. But it also puts the other writers at ease and encourages them to tell stories. It's like if I'm willing to tell the story about, again, it's like a lot of these things tend to wind up being a little bit crass, but it's like if I'm willing to tell a disgusting story about myself or a story where I embarrass myself horribly,Michael Jamin:Or a sex dream you had, for example,Steve Lemme:I've had severalMichael Jamin:With one of your friends.Steve Lemme:Okay.Michael Jamin:I don't want to say who, that's a great example.Steve Lemme:No. So that's a great example. So can you hear the noise? We'reMichael Jamin:Doing an interview here.Steve Lemme:My wife has come in with the children, so she doesn't know, and I'm displaced. I don't have an office with doors anymore, so I'm,Michael Jamin:There's some damage to his house. So he's got to do an impromptuSteve Lemme:Yeah, the whole, but go ahead side of the house is flooded. Okay. So the story is, so Michael and I have, I'll even say the guy's name.Michael Jamin:Yeah, okay.Steve Lemme:It makes it better. We have a common friend named Eric Levy. You grew up with him in Fresh Chester?Michael Jamin:Yes, in high school. Yeah.Steve Lemme:He and I went to college together, and I don't even know if this is proper improper to say, but I'm not gay and neither is he. But I had a dream about him where he showed up at my house with 50 bags of McDonald's burgers and then it cuts to me fucking him in the ass. But he was on top of me.Michael Jamin:I still love this story and then go on.Steve Lemme:But I told the story because whatever we were riffing on, it was like, what about those? And then I told him about it.Michael Jamin:Yes. And how did he take videos? ISteve Lemme:Called him up laughing the next morning and was like, holy shit, this is so fucking funny. I had this dream about it. You're never going to believe it. And there's a lot of guys who would be like, I'm taking that one to the grave. But the additional joke for me is that when I have with Reba McIntyre, I had a sex dream about her. And to me, when you have a sex dream about somebody, what's the difference between actually having sex with them? Because in real life, if you have sex with somebody afterwards, it's just a memory and it lives longer in your memory. And so to me, it's like if you have a vivid sex dream about Reeb McIntyre, which I did, and then it lives on in your memory, it kind of counts.Michael Jamin:But no, because no consent. She didn't consent to that either. Did Levy,Steve Lemme:You're sayingMichael Jamin:I'm was a nonconsensual sex dream that you had with both of them?Steve Lemme:I don't know. I feel like there's a blurry line there.Michael Jamin:But this is just a good example. You told this story probably the first year to call him after you in the writer's room. And I just remember laughing my ass off thinking, oh my God, this guy's going to be game for pretty much everything we pitch. And this makes easier to write.Steve Lemme:Well, and that's why you and I wound up sitting next to each other because you would always mutter filthy little offerings under your breath to me.Michael Jamin:You would enjoy them. Yeah,Steve Lemme:I didn't. I enjoyed them quite a bit. I enjoyed,Michael Jamin:Lemme ask you that, because I don't know if I've ever asked you this or maybe I forgot. We met you. The show had just gotten picked up and we met through, we had the same management company, right? Yeah, of course weSteve Lemme:Did. I used to be with them. I'm not with them anymore, but Kevin is still with them.Michael Jamin:And that's how we had that meeting. And did you meet with other writers at our level or did you just laise out, say, fuck, we'll just hire these guys. I don't want to meet more people.Steve Lemme:Kevin and I get in trouble like that. We oftentimes do hire the first person we meet, which was you,Michael Jamin:Thank God.Steve Lemme:Yeah. But I think we did. God, they're really making a racket over there. I did. We did meet with one other set of showrunners, I believe. But then what happens anyway, if Kevin and I get past the first interview and make it to the second one by the second one, we're definitely bored and we realize we've made a mistake by prolonging this process. So with us with timing is key. If you get in with us early, if you ever hear about a Lemme Heffernan gig, get your resume to us immediately because youMichael Jamin:Hire the first person you seeSteve Lemme:You got the job. Yeah.Michael Jamin:That's so funny. I know you're good that way. What is it like, I haven't asked you this question, but you do most, you don't do all your projects with Kevin, you do a lot of your projects with him or ever it now, is it everything?Steve Lemme:No, I have some side projects.Michael Jamin:How do you decide what you're doing with him and what you're not doing?Steve Lemme:Well, I try to do most things with Kevin, and I think Kevin would agree to this. For whatever reason, I sometimes find that Kevin is a little tougher to drag into things. I believe he will corroborate this. So I had the idea, we've kicked around the notion of firefighters for a while, but I said to him, let's do it.And then he said, what's the hook going to be? And I came back with this rainiest city in the country hook because it was super troopers, the most asserted stretch of highway in the country. And even then I had to drag him and I want to be careful with this because we developed a show then together and really fleshed it out. So it's like, and he has also had many ideas in those TV sessions. He also had some ideas that he wanted to do, but the animation thing now is another one I felt. I feel like it took me a long time to just get him to really be into it.Michael Jamin:I know it did.Steve Lemme:And actually I'm going to tell you, I think he's only finally into it now. Today,Michael Jamin:Today, todaySteve Lemme:For the last few weeks I We'll tell the story. We'll tell the story. But now and again, to be fair, it's like I was bringing it up probably two years ago, maybe longer, and he would say, okay, sure. But then we'd be writing the series or then we went into pre-production on quasi, which he was directing, but I never just ever got the sense that he really wanted to do it.Michael Jamin:But do you get the sense that he ever wants to do anything?Steve Lemme:No, and that's my point. That's my point. And what I realized with Kevin, and it's fine again, it's like because we're busy, but sometimes you just have to move the ball forward and he'll tell me the same thing just in general about things, and I actually think this is true in Hollywood anyway, if you want to do something, you just have to move the ball forward on your own if you can't get interest. And eventually at some point there's like, okay, this is what I've got.Michael Jamin:Are you, you know what though? When I talk about you, I talk about you guys specifically when I talk about people who've done inspiring things, because when I describe what you broken lizard, I describe you as Hollywood outsiders. There are ways that you can call the traditional way and the way you guys came, you just did it. You didn't ask for permission, you did it and you created a career from yourself and became so valuable that Hollywood now wants you as opposed to you begging Hollywood. It's the other way around.Steve Lemme:I think we're still begging Hollywood. I think with Supert Troopers three and our relationship with Searchlight has evolved to the point where the studio has said, we want to work with you. And that's how we got quasi and that's how we got Supert Troopers two, but Supert Troopers two, they were reluctant, but that's the way the business works. Then that movie did well and there were new studio heads and it's like, okay, this is a new relationship that this's really healthy. I think that everything that Tevin has ever gotten and that I have ever gotten, we have gotten for ourselves. Even though we have agents and I have great agents and managers who bring me things NowMichael Jamin:Are they bringing you, what talent are they bringing you ideas? What are they bringing you?Steve Lemme:My management and my agency will bring me TV and movie ideas to potentiallyMichael Jamin:For who?Steve Lemme:My management company. They have a big lit department, a big book and division, and so does my agency. So my management is Gotham Group, and then my agency is c a a and that every Friday, c a a sends me books, the books that are out, the new books and it's like, yeah, I mean I've never gone down that road. There was only one book I wanted to buy and then the rights to, and then my old manager poo-pooed the idea. And then I found out that three months later, Showtime bought that book and I was like, you son of a bitch. ButMichael Jamin:Wait, when they're sending are these best, these are, how are they getting the books? I don't know anything about it. They're getting bestsellers. These are the bestseller lists, these books.Steve Lemme:So my management company represents authors and c a A. They have a literature, a book literature division in New York City that represents writers and or publishers. I'm not sure really how it works, but I'm just telling you, every Friday I get a list of these things and howMichael Jamin:Interesting it is. It's so funny because you're getting an email list. I don't get an email list of books from U T A, how hard is it to put me on an email list?Steve Lemme:And that's the thing. And the thing is it's been years now and I've never even responded to the email. Then I think that I'm on an automated list now, which is actually, it's nice. I should actually look at the thing. I should look at the list.Michael Jamin:Are there PDFs attached or you request a book?Steve Lemme:I'll forward it to you on the side.Michael Jamin:Yeah. Okay. I'm just curious how Hollywood worksSteve Lemme:Well, but I think it works. It's so funny. It works so differently in every way. In fact, the joke that Kevin and I have, and I'll finish speaking about Kevin and the animation thing, but because kind of a funny story, but Kevin and I have always marveled at how Hollywood never has a shortage of original ways to screw you over.Michael Jamin:Oh, yes.Steve Lemme:And right now we've got another one going, which is that we've got the strike going and Kevin and I have a TV show that we can't promote, and it's like we worked really hard on it. We worked for over a year on it. We actually got pushed, the release got pushed six months or five months because that network in shambles. And then three weeks before it's going to come out, they say it's going to come out in July and then the strike happens. And we had been recording podcasts that would be accompany pieces with the episodes, and my older son acted in last week's episode. I couldn't promote it. My younger son is acting in this week's episode, I can't talk about it. And it's like, that's actually one of the most heartbreaking parts is that I got to act with one son in a scene. And where he was playing, me as a young boy, my character was a young boy and I was playing his grandfather. And then my other son, I got to direct in a scene where he gets to say dirty words and I can't talk about it. And I'm like, Jesus, what a screw here.Michael Jamin:Yeah. That's so fun, by the way. I know I'm hopping around, but what's it like when your comedy soup, broken lizard, is it weird to be acting against these same people over and over again and pretending, okay, now today we're pretending to be one thing, and I'm yelling at you, but we're actually friends on the side. Is that weird? Is there a moment when you're acting like, wait a minute, we're best friends?Steve Lemme:No, because funny, because Kevin and I, first of all with Kevin, he and I have now done so many, so much together and so many emotional scenes together. But we'd like to say it's so emotion. We don't deal with emotion. We deal with foam motion, as you know. And so it's like if you watch quasi, he and I have a few big blowup scenes with voice cracking and Tacoma. We have plenty of scenes where we yell at each other and sometimes we get emotional with each other. And I always think it's funny for us, it's also like we've been friends so long and we're so on each other's nerves all the time that these things are therapy sessions. Because a lot of the time in the show we're discussing things that bother him about me and me about him. And soMichael Jamin:Is there a moment where you're in the scene, you're supposed to be in character, and then suddenly you check, you go, wait a minute, he's just doing his thing and I'm doing my thing. And we're both doing make believe.Steve Lemme:The only time I ever feel that way is if we start improvising. And he starts, we had one, I can't remember what the episode was, but he said, oh, I know it was the episode, the chili Cookoff where he's fucked up on dental drugs. He had his wisdom teeth removed and he improvised a line like, oh, you must be, he's like, are we on a rollercoaster? Are we on a rollercoaster? He's like, oh, hey. Hey Eddie, you have to be this tall to ride this roller coaster. And I was like, well, and there's a maximum weight limit as well. And I felt bad about that. I was like, it didn't matter that he had made a short joke at me. At first, I felt bad that I had made a fat joke, and that happens periodically. I throw one out probably once every three months. So once a quarter I'll make a heavy guy joke.Michael Jamin:Is it weird though hanging out with him outside of work though, when you see each other so much?Steve Lemme:I think I'm good for him. The other day, a couple of months ago, I was like, why don't we just go out and hang out? And he's like, I see you every day. And I was like, that's exactly why we should hang out. We see each other every day because we are working together, but let's go have some beers and some tacos and have some laughs and not work.Michael Jamin:And did you do that?Steve Lemme:Yeah. And it's funny because one of my favorite pastimes is being right over a Kevin. I don't mean in the collaborative sense, but when my point of view is correct and yours is incorrect, which it was in that case, he was like, okay,Okay, fine. Alright, so let's go back to the animation thing. I was saying, I don't even think so with the animations, it took a while for me to get him. He would agree in theory, but then it was like there was never any, whenever he would talk about upcoming projects, I'd always be like, and we should talk about animation one of these days. He'd be like, yeah, okay. And I couldn't get him to engage. And then even I said, finally, let's just sit down. Just give me five minutes. I'm going to go through a list of animation ideas and let's discuss them. He said, okay. And so I sent them to him in advance and literally it was one line. It was like the lumberjacks, it was whatever, and including the one that we're working on. And he said, okay, I like these and that's fine.That's all I needed. And so then I started to flesh those things out and I would show them to him. Now, see, Kevin is a machine. He's a computer, and so if you really want to get his attention, you have to show him a piece of paper with something on it, and he puts it in his pile and he makes a list. And so then a week later I'll be like, have you had a chance to read the thing? And so what Kevin respects is work, which a lot of people do, it's in a creative process. It's like, don't tell me you don't like a joke if you don't have a replacement idea or don't say like, Hey, let's work on something and bother me about it if it's not real, if you just want me to actually make the first step. And so it's like if you give him the first step and it's like, Hey, I've done this work.He respects that, and so he'll read it. So then it was funny then because he was doing, he was editing quasi and we were in the writer's room for season four. You guys are busy. And I said, I'll do all the work on the animation thing. And so it's like I started to flesh it out and then I'd sent him this, the pitch document, here are the characters. And we started to get it together and what we were going to do, and the plan was that during a hiatus, we were going to wind up pitching these two producers who had been the president and vice president of True tv, and they were the ones who bought Tacoma FD and put us on the air, and they'd done everything that Thursday night with us in Practical Jokers. We were winning cable and they were beating t b s, their sister company, and then at t took over and they just got punted.So they did everything and they got fired, but we always had a good relationship and we always said, Hey, we'll work together again. At some point they approached me and they said, Hey, do you want to do some animated? We've got something going. So the idea then I told Kevin was like, we're going to pitch this during the first hiatus. And the hiatus for people who don't know is that after we shoot in blocks, so we shot the first three episodes in one block and Kevin directed all of them, and we took a week off to scout locations for the second block and prep, and that was the block I was directed. And so that was two more episodes, but in that first week, then we were ready to pitch Chris and Marissa. And so even the night before the pitch, I kept saying to Kevin, I was, so tomorrow we are pitching Chris and Marissa.He's like, but it's not like a pitch though. It's a conversation. I was like, well, it actually is a pitch. He's like, but it's not like a formal pitch. We're just talking to 'em. I'm like, no, we're actually pitching them. I'm pitching them the show, but don't worry. I'll do all the talking. And he said, fine. And so the next day we got on the Zoom with them. I pitched them the show, they seemed to love it, and we went our separate ways and they brought it to their studio that they're involved with. And three days later, we found out that studio was going to make an offer, which they did. And then we negotiated that offer for several months, which a lot of people who are not in Hollywood don't realize that sometimes negotiations can take nine months, sometimes a year. In this case, I think it was a six month thing. And in that period of time, we approached you guys, brought you guys in, and then we went to our first meeting with them after the deal. All the deal had been signed and everything. And you remember we were outside?Michael Jamin:Yes.Steve Lemme:Kevin asked me, he was like, have we,Michael Jamin:I asked Kevin, it started, I asked Kevin. Kevin didn't have the answer, so he asked you.Steve Lemme:Yeah, and the question was,Michael Jamin:Have we sold this?Steve Lemme:Have we actually sold this then? And the reason you asked that for people who don't know is most commonly, certainly before the streamers and the network time, there was something called an if come offer. And this was, I think the norm for most people who hadn't done anything. I went to a studio and I said, I've got an idea for a TV show. They might say, Hey, we love it. We're going to make you an if come offer. And what that is is we'll pay you X amount of dollars if a network says they want to do the show. And if not, we're not paying you anything. But because we've made you this offer, you're with us. And that was the norm. And we took that and we would negotiate that. We would negotiate a deal that we're not getting paid on unless somebody else says yes. And it's called an if come offer. And so that was the nature of that question. Have we actually sold this thing? Are we getting paid? And Kevin asked me and I was like, yes, we've sold it. But he put so much doubt into me that it was like, I think we're pitching again.So then we went in and sat with our executive producers, the people who had bought it, the producers who had brought us to them and sold it for us. And I pitched it again, but now I was nervous. I didn't do a great job pitching.Michael Jamin:No, you did great. You did great. And they loved it.Steve Lemme:But then it turns out, yes, we had sold it. We were going to get paid and we were moving forward. So then Kevin was very surprised. He's like, oh, I gave shit about that. And even then, he wasn't totally on board until we saw the animation. We were writing the script and he was like, yes, fine. It's still abstract. But it wasn't until we got into when they sent us potential sketches and artwork for all the characters and the locations and the scenes and settings that he said to me for the first time, this is really cool.Michael Jamin:Oh, good.Steve Lemme:There's a whole other world in Hollywood that we've never been a part of that we're a part of now. I was like, yeah,Michael Jamin:Yeah.Steve Lemme:So anyway.Michael Jamin:That's hilarious. How would you decide what projects not to do with them then?Steve Lemme:Oh,Michael Jamin:I don't think, do you have many? You've done some, but why would you not do a project with them?Steve Lemme:It just depends. And it's funny. There are times where I actually think I've said to him, and I mean this, that even if I do something separately, we'll still produce it with our production company. He'll be involved. I have a TV script that I've been working on for a long time that I probably wrote it back in 2009, and it's very much about that period, my high school years when I was at this elite private school and I was feeling like an outsider, but I wasn't an outsider. I had a great group of friends, and I was actually, I hate to say it, but I was fairly popular, but I felt like I didn't belong at this place. I almost felt like an imposter. And we were there, not because we were wealthy, which it was the school full of wealthy people because my mom had been a teacher there, and now she was gone there. So I didn't, they had only given me a partial scholarship when I was three when I first went there. But that's aMichael Jamin:Good idea. I think that could sell. That's a good idea.Steve Lemme:Well, and there was more to it, which is that I also had this job, I worked as a back elevator manBecause one of my friends, his family was so wealthy, they owned all these buildings in New York City, and he got me a job. I made $10 an hour working as a back elevator man slash janitor, luxury high-rise building in New York City that some people from my high school lived at, which was really hard to have them see me. But more importantly, I worked with these guys down in the basement who were lifers. There was a murderer down there who had fled the Dominican Republic. He had decapitated a guy, and he is a great guy. He's a great guy. He had decapitated a guy after a cock fight, he had a fighting bird. And by the way, he's telling me this story with a thick Dominican accent. He keeps saying, and my cock defeated the other guy's cock. And I'm like, whoa, I'm only 15 years old at this point in time. And the guy picked up his dead cock and theMichael Jamin:CockSteve Lemme:His lifeless dead bloody cock. Yeah,Michael Jamin:Flacid cock.Steve Lemme:Yeah. And the claw and the beaker sharpened on these creatures and this guy,Michael Jamin:Did they sharpen them for the fights? Yeah. Wow, that sounds awful. You just made something bad, even worse.Steve Lemme:I know. Well, so then this guy, the loser, picked up his dead bloody flacid, lifeless cock and slapped my coworker across the cheek with it, and the beak cut his cheek. My coworker told me this over lunch break. He was like, I went home and I calmly sharpened my machete and I went to his house and I knocked on the door. He opened the door and I cut his head off and he said, and that is when I came to America.Michael Jamin:Wow.Steve Lemme:Yeah. Wow. Yeah. So I was working down there with these guys, and the irony was that they would get taxes taken out of their paychecks. And I, I was a student, and so I was actually making more than these guys, but they also thought I was a rich kid. I was friends with the owner of the building and they knew that. And to them, I was the richest guy in the world, and I was going to a prep school. I had my whole future ahead of me. So I didn't kind of belong in that world either.Michael Jamin:It's a little flamingo kid.Steve Lemme:There was some flamingo kid there. Yeah. I was also a break dancer and a professional dancer.Michael Jamin:I knowSteve Lemme:That. And I was not really welcome in that community. So anyway,Michael Jamin:Why are you sitting on this? You should get that. Well, there's a strike. I wouldn't wait much longer on it.Steve Lemme:I sent the script out back in 2009, and it was incredibly well received, but this is pre streamers, and I sent it to H B O in Showtime, and I had a meeting with the president of H B O who, she was like, I love your script. I love your script, but I can't do a show about a 14 year old protagonist. And she said, but bring me everything you've got, and this is pre everything interesting. It's pre this new golden age of television. And same at Showtime. I had the same conversation. She's like, the lady was like, I love it. Absolutely love it.Michael Jamin:It was the 14 year old protagonist. That's such an odd thing because everybody hates Chris and Wonder years. There's plenty of shows about,Steve Lemme:But it was R-rated, it was an honest look. It was also part of the pitch was I see all these, when you see high school shows about in New York City, for instance, about a wealthy school, the rich kids are so fucked upAnd so evil and so conniving, and that wasn't my experience. And it was also like, or it's incredibly, incredibly cliquey with the fucking bully rich kids or the scummy fucking drug using druggies. I was like, that wasn't my experience at all, or it's incredibly angst-ridden. And I was like, I feel like there were a lot of incredibly fun experimental times. Yes, there were painful times, but there were also a lot of incredible times, and I never saw a good mixture of those things. Anyway, so I have been, and also the funny thing, the honest part was I made masturbation a heavy part of the show, the Cold Open. My character is masturbating in the shower, and his dad's trying to get inMichael Jamin:AndSteve Lemme:It's like a freeze frame. He's looking at the doorknob and the whole thing is that irony and the hypocrisy of the fact that in high school, your hormones are going raging and you're all masturbating, or the boys certainly were, can't speak to the girls, but no one would talk about it. And so my friends and I would be like, one of my friends would be like, you whack off. I'd be like, fuck no, I don't whack off. I'm not gay. And he's like, no, I know. I've never even touched my dick. I've never even touched my dick. How about you? You whack off. I was like, no fucking way. Do I whack off? And then it's like, but I know you whack off. He's like, fuck you, I don't whack off. And you're like, yeah, you whack off. Everybody's dying to get home and fucking beat off. I was a part of theMichael Jamin:Script dying to get home.Steve Lemme:So I've toned that part down in the script. I literally am revising it right now. I found a great thing that I wanted to include in it, a couple of new things. So I'm writing it. I'm using the strike to write.Michael Jamin:Well, sure. Everyone should be, I guess. But what about you guys also do a lot of standup, which is very different. Do you have a preference to how you spend your days?Steve Lemme:It makes me sad that I haven't done standup in five years.Michael Jamin:Really? Well, what's stopping you?Steve Lemme:Well, now, nothing. And I was thinking about it today, I am like, I should write a new set. Kevin and I filmed our third special right before we sold Tacoma. And when we sold Tacoma, it was when Super Troopers two was coming out. And so we did a few more live shows to promote Tacoma, but then we never had time because then it was like we were writing the season, we got renewed for season two, and then it's like, it's so much work. And even after we write and then we go right into shooting, and then after shooting, the hardest part of the show process is the six months of editing. And then it's like, IMichael Jamin:Think that's the best part. Because you're not on set. It's not as exhausting.Steve Lemme:Well, it's not as physically exhausting. Correct. And I mean, look, now in the days of Zoom, I'm home. I actually, I love it, but there's no time to, that's a nine to 6:00 PM or 11:00 PM job depending on what day of the week it is and what time of the editing process. I'm here with my family. And so it's like we've been fortunate enough to have four seasons where we have a week or two off, and then we have to start getting the writer's room together again. I'm not complaining about at all. I'm not even grousing. The one thing I really enjoyed doing for 10 years before we got that show was standup comedy, which you've done,Michael Jamin:But I mean, I did in college, so I was never at your level where I was touring and booking rooms.Steve Lemme:Well, but you do tour with a one man show and you do.Michael Jamin:Yeah, that's a little different. Yeah, it's not standup. Yeah,Steve Lemme:It's a little different, but it's still performing and getting out there and trying out material. I know if you have a story, I mean, I haven't seen your show,Michael Jamin:You must come. But what I find about it is, and I was talking about this with Taylor Swift, she's got this three hour concert, and when I was performing,Steve Lemme:Wait, wait, wait. You talked about this with TaylorMichael Jamin:Swift? No, I said this with my daughter about Taylor Swift's show.Steve Lemme:That's aMichael Jamin:Different big difference. Yeah. I got to clarify. So Taylor Swift's performing in her show is three, three and a half hours long. And so when I was doing my show, it was an hour and a half long, but it's the end of the day. It's at eight o'clock or whatever. The whole day I'm exhausted because I'm nervous. I'm preparing myself. And then at eight o'clock I'm up, and for the next hour and a half I'm giving everything. And then you're fricking then afterwards, you're still on a high, but you're exhausted. And then you got to do it again the next day where you're like, you're wringing your hands all day and you're pacing and then it is exhausting. You don't thinkSteve Lemme:I do. I do. Especially when you do Thursday, Friday, Saturday and the Friday and Saturday you're doing two shows in the nightMichael Jamin:And you're travelingSteve Lemme:And you're traveling. And also what Kevin and I would do is we would do meet and greets after every show, free ones, not like the ones where you pay extra and you get to come backstage. We would go, we'd tell people we're going to do a meet and greet out here after the show, come by and say hi. And so you're meeting half of the people that were at the show. Oftentimes that meet and greet would take an hour or more. She found that to be even more exhausting.Michael Jamin:Do you have a time limit with each person you're meeting and greeting?Steve Lemme:No, not really. I mean, it depends on the club or the theater. Because the first show, there's a natural out. You've got a second show, come on folks, and then you bang people through. And the second show, that's the one where people come up and they want to chug.Michael Jamin:That's kind of your brand, which is like, Hey, yeah, chug. And we're all college bros. But I wonder what's your thinking? You could do the other way. You could put a little separation between your audience and not do a meet and greet.Steve Lemme:You could, and I'm trying to think if there was ever a time where we came up with a reason or we had a reason not to, but I don't think so. There's something like we've always had this philosophy of meeting the fans and Jim Gaffigan once said it. He said, I'll meet them until I can't, meaning, and now he can't. He's justMichael Jamin:Too big.Steve Lemme:He's too big. It's impossible.Michael Jamin:Hey, it's Michael lemin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not going to spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.But how long? Is it 30 seconds or are you talking to the guy who doesn't want to talk anymore? How do you know when it's time to move on to the next person? There's a line.Steve Lemme:There's all different kinds of people. There's some people who just want to come and take a picture. There's some people who appreciate that there's a line behind them and you got to keep things moving. There's some people who are going to stay and talk to you until you have them move on. You'll be like, Hey, okay, but I hate to do this. Or the club will have security guards and they'll be like, all right, let's move it along. Let's go, let's go. We got a lot of people there. But I think that's something I've never really, I don't know. I've always enjoyed meeting people, and a lot of times I know a lot of my friends are like, oh God, that person's crazy. Don't talk to them. And I'm like, no, that's the person I want toMichael Jamin:Talk to. Really. Did you really, you're not worried about them forming some kind of parasocial relationship with you and wanting to get really close to you?Steve Lemme:I've never had that happen. I mean, there's absolutely, look, I am a man from the planet earth, and I lived here for a long time before any sort of recognition, fan recognition or celebrity, what's happening for me. And so it's like I can tell when I'm having a real connection with a person as opposed to when they're connecting with me and I don't feel it. And I could certainly, I know when mostly now because I'm skeptical and paranoid and cynical that I just assume it's like if anybody tries too aggressively to be friends, it's over for them.Michael Jamin:Oh, really? I see with you, you're very gracious and you're very social way more than me. So you could spend hours with people. I feel like even people you don't like, and I've seen you do that. I've seen you do that actually.Steve Lemme:Well, it depends where we are, but it's not like if you're at a film festival and some producer is like laughing at everything you say, you're like,Michael Jamin:Yeah,Steve Lemme:Okay, we're not friends. It's people that you're just hanging out with. It's funny because have a friend named Champagne, Rob, who we met in Atlanta, and the reason he's called Champagne Rob is because he and his girlfriend came to our show and they were sitting in the front row drinking champagne, and we just ragged on them. We were like, what the fuck is going on here drinking champagne at our show? They're like, yeah, man, we're having a good time drinking some champagne. It was like we had a great interaction with them. And then on the meet and greet line, afterwards, they came to either the late Friday show or the late Saturday show, the late Friday. If you really want to be friends with us, the late Friday show is the one that you might have a crack at it. We don't go out Thursday night and we don't go out Saturday night.Friday night's the one, you don't have to wake up for anything in the morning. So Friday night's the night we'd go after the late show, we'd go out and usually with people that we were friends with in our town and so on This particular night though, after that show, probably Friday night, then they were on the line and I had a joke about, I was talking about male grooming manscaping, and there was a poll given out to the people in the audience. Do you like it groomed or do you like it hairy? I'm like, it's a standup comedy. It's a set routine where I know that some women are going to be like you. It totally shaved. And you're like, well, what's wrong with a hairy one? And they're like, you get hair in your throat. And then my thing would be like, how far down are you going on this thing?And then basically I'm calling 'em the cookie monster of it was the Dick Gobbler is What and how. They're like, mom, I'm just eating a shit out of this dick and getting all the way down there. And that was a routine I was doing. And so Champagne, Rob's girlfriend happened to be that girl. And so then they came up afterwards and they were like, Hey, I'm the Dick Gobbler. And he's like, I'm champagne rob. And we're like, oh. And we had a good laugh on the line and the guy's like, look. And I had some friends there and they were from Atlanta, and they're like, we don't really know where to go. And the guy was like, I know a speakeasy that's literally across the street, literally across the street. Come with me, well have a great time. He's like, I'm not creepy. Let's just go. It's going to be awesome. And we're like, all right, fine. Fuck it. And we went outside and there was his car, and the license plate was Muff diver. It was the fucking,Michael Jamin:But I'm not creepy, I swear.Steve Lemme:And then we went to this speakeasy and had an awesome time, and of course we're hanging out with the guy there because he's gotten us in this place and we're just having drinks. And it was a totally normal hang, and it was like there was no awkwardness and there was no, it was, a lot of times when you meet these people, sometimes they don't then know what to say and they'll just start to ask you about yourself and they'll ask you questions, how did this happen? And how did this happen? And you're like, well, if we can't get past this stage, we'll never be friends and it doesn't get past that stage. So it's like, but this guy's like, yeah, we're hanging out, we're having a great time. And then it's like, whatever. And then it turns out he was a Giants fan, like Kevin and I am, and he showed us a photo of his toilet that he has at home, and in the toilet down at the bottom where the poop hits the bottom of the toilet was a Dallas Cowboys star. And we're like, this guy's fucking hysterical. So anyway, and then it turned out he was a professional, what do you call it, jet skierSponsored by Hooters. And so the whole thing just made perfect sense. It was like,Michael Jamin:Be good friends in this guy. Let me ask though, if you decided you wanted to go on tour comedy wise, whatever, next week, how fast does that happen? Let's say you already have a set let's, you already have material. Do you call someone and it happens? Do you have a booker and it happens?Steve Lemme:Yeah, I would call at a a, I have my standup agent,Which is actually how I got into C A A. I used to be with c a A, and then I went to U T A and I left U T A, and it was because I had a meeting with their standup agent who, I mean, I left U T A first and then I went to c a A, and it was the standup agent was the one who brought me in because at that point in time in 2009, we hadn't done anything. And so he was the guy who was like, oh, I think I can make some money for our agency with this fellow. And so he brought me in there.Michael Jamin:He books, he pimps you out to the various clubs, basically. Is that how that works? I'm surprised. C A A does that. I thought there was a smaller thing that smaller agents did not. Well,Steve Lemme:No, I mean, but there are agents who are bigger than others, so it's like he represents a lot of big people.Michael Jamin:Yeah,Steve Lemme:Big standups.Michael Jamin:So you could just, alright, literally you made a call today in a week or two, you could start touring basically.Steve Lemme:Yes.Michael Jamin:Wow.Steve Lemme:Yeah. But it depends. It also depends on, now it's been five years and we have the show. So the question would be what kind of places can we book? We know we can book the smaller places, we can sell those places out. We always were able to because of the movies that we had made. And so we enjoyed a success there that a lot of standup comedians, a luxury that a lot of that most standup comedians don't have. Because most standup comedians certainly back then had to do the club circuit. And first they would be doing five minutes, and then they strangers to people. So they'd have to make people like them, which to me is like 90% of the battle. Once you've already got the fans, you actually it a little bit more like you're giving a wedding toast. Not that your fans will accept subpar standup comedy, but they're more likely to give you the benefit of the doubt. And if you fuck up, you can just look at them and they'll be like, yeah. And you're like, I know I suck. And they're like, yeah, fuck you. And you're like, fuck you.Michael Jamin:Interesting. That's what Jay is doing now. He's on the road doing standup, right? I mean,Steve Lemme:Yeah, he's in the UK right now. He's actually breaking new ground in that. He's going do a show, a couple shows in England, which is, it's sort of like the logical next step for American standups. You go and do the uk, England, Ireland, Scotland, Australia.Michael Jamin:But you're not really interested in doing that now. I mean, because first of all, it's hard family. How long do you want to be on the road for? Or is that your thinking or No,Steve Lemme:I mean, I love doing standup comedy. I don't love touring. I only liked it because I was with Kevin and I wasn't alone. I did a couple of solo dates, and I found it to be very lonelyMichael Jamin:Because the entire day, you're lonely,Steve Lemme:You're alone. And then at night after the show, it's like if Kevin and I were sort of wired, we could at least go back to the hotel bar and have a beer, or we could go to one of our rooms and smoke a joint or something like that. Whereas when you're alone, it's like you might hang out with the other comedians just fine. People want to make new friends. Or you go out with a staff or you meet a fan or something. Somebody's at the show, I don't know. Or you go out by yourself or you go back to the hotel room, but you're wired and it's a really weird thing to just get in bed and watch TV or something like that. Yeah,Michael Jamin:It's so interesting to be talking about. I don't know, all this is so new to me. The life of a performer for you. It's fascinating to me.Steve Lemme:Well, I think that is, it's funny. The worst standup experience I ever had was I was booked to do a solo weekend in Vermont in Burlington, Vermont. ThatMichael Jamin:Was lovely in the fall. It's perfect.Steve Lemme:It was perfect. And I'll tell you, it was probably, yeah, it was the fall. And what happened was to promote the show, I was interviewed by a Vermont free newspaper,And the journalist asked me all these questions. And so Super Troopers two had been finished, and the studio said, we're going to wait a year to release it, because next year, on April 20th, April 20th Falls on Friday, so we can release the movie on Friday, April 20th on four 20. And so we're waiting for that day, the time to do it. We're like, okay. But they didn't announce the day, and they kept being like, they didn't know when they were going to announce it. And they kept it off, kept putting it off. They kept saying, soon, soon, soon, soon, soon. And it was killing everybody. And so I was doing this interview with this free newspaper, and the guy said, do you know the release date of Super Troopers two? I said, I do, but I can't tell you. And he said, come on, what is it? I was like, I honestly can't tell you. And he's like, come on, please tell me. And I was like, I can't tell you. I'm not going to tell you. And he said, okay. And so then we kept doing the interview, and then the interview was over, and he said, okay, the interview is over. And he said, now, as a fan, can you just tell me? And I said, I can't, I'm not going to, but I'll give you a hint. OhMichael Jamin:No,Steve Lemme:There's a very popular stoner holiday that falls on a Friday next year. And he said, okay. And he was like, that's awesome. I was like, yeah. So then I was flying the next day to Vermont, and when I landed, there was messages, a text message from Heman like, you're in trouble.Michael Jamin:You guys are big mouth. What a puts, whatSteve Lemme:A puts. And then the guy had an even kind of made fun of me. He's like, he wouldn't tell me the release date, but I pushed him and pushed him, and finally he told me it's four 20. And so that Jay was pissed off and my producer was pissed off. The studio was fucking furious. They wanted to announce it make best, but they had all the materials. They just weren't doing it. And so they were like, it was still this little teeny newspaper, a free newspaper, and it was like less week's.Michael Jamin:And you gave them the scoop, this free fucking Vermont mapleSteve Lemme:Syrup. You get in a pizzeria, you just fucking,Michael Jamin:Yeah, I don't, you throw away, you wipe the table with,Steve Lemme:Yeah, get theMichael Jamin:Scoop.Steve Lemme:I was really fucking, this is Thursday. I did a show that night and I was fucking devastated. So I went out there and did a half-hearted show. My heart was heavy, and it was wait and see if anybody picks us up. And then Friday morning it got fucking picked up and was everywhere. And meanwhile, there were email threads with all the studio, the president of the studio and a hundred people from Searchlight, and then all the broken lizard, not me. And even my producer, I was like, dude, I'm suffering over here. You got to tell me what's going on. He just wrote back. He was fucking pissed off. OhMichael Jamin:Wow.Steve Lemme:Yeah, no, it hurt. And I was like, I went jogging that day. And then they released it that day. They did the official release of the trailer and the date, and it got 8 million views in the first fucking 24 hours alone. But nobody was talking to me that whole weekend. I didn't know any of that, but I knew it was out there. But I knew I had rushed the process, but like I said, they had it andMichael Jamin:They just wanted to punish you.Steve Lemme:But then the next week there was a meeting at Searchlight on Wednesday to now game plan, and it was like the big question was, so that weekend fucking sucked. I did press on Friday morning and I did two shows on Friday night and Saturday night, and I had friends coming to the shows and I was so sad. I was sad Steve and I was alone. And the one guy who was kind of forgiving, who was actually totally forgiving was Kevin. And I also say Paul Soder, who you worked on Tacoma. Those guys were not so secretly they were like, you know what? I'm fucking glad you did it. Now it's out there finally. And they were psyched because now we could finally fucking talk about it. We were getting ass about all the time. So those guys were cool about it. The other guys weren't as happy with me. And then the big question was, was I going to go to that studio meeting? And I fucking went. I was like, I'm going to take my poison.Michael Jamin:Let'sSteve Lemme:Go.Michael Jamin:Did they give you shit there?Steve Lemme:I went in and I made the saving Grace was that the trailer got 8 million views in the first 24 hours, and it was like, holy shit. It exceeded, it far exceeded and was now on pace at that moment in time. It was like that actually might have been the actual trailer. This was just a teaser and the announcement and it was huge. And so they were happy about that. That's the only thing that saved me because a couple of 'em, the head of marketing and the president were not that fucking psyched with me.Michael Jamin:It's so interesting because usually they'll try to keep, you're the star of this movie. Usually they try to keep that, they try to hide their disdain from actors. They don't say it in front of their face. It wasSteve Lemme:A big deal and it caused massive shock waves and a shit storm then people had to fucking deal with while I sat there telling jokes. In Vermont,Michael Jamin:That's always the worst when you're, yeah, you have to wait through something. I know that feeling terrible. I've been there before. ISteve Lemme:Was sick. I was sick aboutMichael Jamin:It. Yeah, sick. Yeah, exactly.Steve Lemme:And mad at myself. How could I be so stupid? The whole thing?Michael Jamin:Did you confront that guy and say, Hey, you're a dick.Steve Lemme:No, I wanted to fucking die. I wanted the whole thing to die.But the funny thing was is that then the next internal broken lizard conversation was that because some guys were psyched that I had gotten it out there and the studio was psyched because fucking, it was massive. It was a massive announcement that got all those views and so was then the guys that were kind of mad about it were like, well, don't feel like you did the right thing here. What you did was wrong was like, I know what I did was wrong. I'll never do it again. They're like, so don't feel justified. I'm like, I know, but then guys are looking at each other. But it is pretty fucking sweet. And I definitely did the wrong thing and I would not advise that to anybody.Michael Jamin:Funny. Well, that's so interesting.Steve Lemme:It was an accident. It was an accident.Michael Jamin:Happy accident.Steve Lemme:It was a stupid mistake.Michael Jamin:I have to, this whole thing is that's what I love about you. You're just this open book and you tell, I feel like I get an education at the Hollywood from what you guys do. But tell me this though, as I've taken an hour of your time and you've been very gracious, but as you're, now that you're a showrunner for four Seasons now, and you obviously do a lot of hiring, I got a lot of people who listening to this podcast, sparring writers, what do you look for in a script? What do you look for in a new writer? All that stuff.Steve Lemme:So it's an interesting question for right now, because over the last, when we started with Tacoma, it was really at the beginning. Maybe it wasn't the beginning, but for me as a show runner, when we were putting together the writer's room, diversity was the first and most important thing that we were being told that we had toMichael Jamin:From the studio,Steve Lemme:The network in the studio to incorporate into the writer's room. And it was women, people of color across the board, everythingYou need to do this, which was fine. What I found was that then it used to be that I could, when we had a production deal at Warner Brothers for many years, and it's like you receive these movie scripts that were R-rated comedies and you were looking at, because that's what we were doing and we were going to be producing for other people. So it was like you just get every R-rated comedy sent your way. And so now, because of the diversity thing, we were receiving all kinds of scripts from all kinds of writers, from all kinds of backgrounds. And so it's like I couldn't receive a script from a Korean American woman, girl, young lady, of either whatever her sexuality was, and that experience would be reflected in the script,Which is not something I could relate to. So what I began to look for was the jokes inside the script, where before I didn't really, I could tell jokes and stuff, but I was just looking at the whole thing. Do I like the whole idea and stuff in terms of the scripts I started being sent, they weren't ideas that I could particularly relate to unless it was like, okay, you're the son of an immigrant who's going to a private school where they are out of their element. Okay, that I can relate to. But it was in any script I started to look for what's the type of joke they're telling? Is it a more highbrow joke? Are there a bunch of some dumb jokes? Is it word play? What's the type of humor here? And so that's what I started to look for in terms of the writing material.And then I found when I focused on that actually, but the plot of the script didn't matter at all. It was like, can they tell a story and are the jokes that they're setting up and paying off the type of jokes that I think will work for our show type of jokes, I will. Because it or not, everybody's got a style of humor. And if you're not telling the kind of jokes that I like to tell, it's I'm just not going to funny. And I can't hire you because in the writer's room, everything you're saying, I'm going to be like, it's dead air between us. I don't know. We're not on the same page. So I started to realize I could just look for the type of sense of humor and then nothing else really mattered. So I look for the type of jokes. I like to know that they can tell a story from beginning, middle, and end.And then the other thing is bring the person in. You find those scripts that you like. And then now we're going to do the zoom meeting. And I'll tell you what, if you're the first person I meet, you got the job, got the job. No, but in this case, and as we proceeded through each season, you started to realize that you actually, you do want to meet everybody, but then it becomes a personality thing. Can we riff with each other? And again, it's like it's not so much where you're from or who you are, what you represent. Can you and I have a conversation and have a funny conversation? That's what we look for too. Because as you know, it's like we're 17 weeks in a writer's room together. And the first few seasons we were in the room, and then the last couple of seasons we've been on Zoom. But in collaboration, sometimes there are disagreements and it's like we have to each other. We have to live with each other for 17 weeks, and I have to read your material and you have to accept my criticisms and ideas. And you have to my ideas. Because the truth is, if we're having a disagreement on something, I know who's going to win the argument.Michael Jamin:Yeah. People don't realize that.Steve Lemme:Yeah.Michael Jamin:Young writers often don't realize that the winner of the argument has already been decided. And that person sitting at the end of the table,Steve Lemme:I want to hear you defend your idea, but what I don't want, number one, what I don't want is for you to interrupt me a lot. What I don't want is for you to get mad. If I'm not taking your idea. Also, it's my show. Forget that it's my show. I'm the one whose responsibility is, if my joke sucks, that's my fucking problem.Michael Jamin:Yours.Steve Lemme:Nobody's going to say, wait a second, that joke sucked. Lemme see who wrote this episode. Oh, it's that person. I'm not going to hire them. Doesn't work that way. So like the personality is important,Michael Jamin:Right? Sure.Steve Lemme:And that's it for us. It'

In this episode Crawlspace Media's Tim Pilleri and Lance Reenstierna speak with Kay-Alana Turner's parents Rosa and Robby about their daughter's disappearance. Part one is episode 411 in the feed. Signup for the 5k on October 8th, 2023 in Reading, Massachusetts: https://runsignup.com/Race/MA/Reading/RunForTheMissing Check out our Missing subscription service where we have a bonus show and ad-free episodes! Find us on Apple Podcasts or on Supporting Cast: https://missing.supportingcast.fm/ Kay-Alana's Family FB: https://www.facebook.com/profile.php?id=100090547334716 Linktree: https://linktr.ee/updatesforkayalanaturner Doorbell footage of house she locked herself out of: https://www.12newsnow.com/article/news/local/kay-alana-missing-beaumont-woman-possibly-spotted-in-magnolia-texas-neighborhood-wednesday/502-42329fd6-2a99-42db-b742-3d2ab4b7f51b Doorbell footage of house she locked herself out of: https://www.youtube.com/watch?v=Pil2XW4zQks This video shows Kay-Alana singing one of her songs: https://www.youtube.com/watch?v=27SnyHVyp9w Brainscratch's Searchlight on Kay-Alana: https://www.youtube.com/watch?v=T-kl8_gvOqc&t=54s Brainscratch with Kay-Alana's parents: https://www.youtube.com/watch?v=4B70wSQn-n4 Main Theme by Kevin Macleod. Check out his work at https://incompetech.com/. Additional music by David Williams. See his work at http://williamsflutes.com. Follow Missing: TikTok: https://www.tiktok.com/@missingcsm Twitter: https://twitter.com/MissingCSM FB: https://www.facebook.com/MissingCSM IG: https://www.instagram.com/MissingCSM/ Check out our entire network at http://crawlspace-media.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode Crawlspace Media's Tim Pilleri and Lance Reenstierna speak with Christy Arnhart about the tragic disappearance of Kay-Alana Turner from Tomball, Texas on March 10th, 2023. This episode was researched by Christy Arnhart. Follow Christy on Twitter: https://twitter.com/CrimeChristy Follow Christy on TikTok: https://www.tiktok.com/@crimechristy Check out what PIFTM is doing at https://investigationsforthemissing.org/. Signup for the 5k on October 8th, 2023 in Reading, Massachusetts: https://runsignup.com/Race/MA/Reading/RunForTheMissing Check out our Missing subscription service where we have a bonus show and ad-free episodes! Find us on Apple Podcasts or on Supporting Cast: https://missing.supportingcast.fm/ Kay-Alana's Family FB: https://www.facebook.com/profile.php?id=100090547334716 Linktree: https://linktr.ee/updatesforkayalanaturner Doorbell footage of house she locked herself out of: https://www.12newsnow.com/article/news/local/kay-alana-missing-beaumont-woman-possibly-spotted-in-magnolia-texas-neighborhood-wednesday/502-42329fd6-2a99-42db-b742-3d2ab4b7f51b Doorbell footage of house she locked herself out of: https://www.youtube.com/watch?v=Pil2XW4zQks Moms Who Talk Crime podcast : https://rss.com/podcasts/momswhotalkcrime/880177/ This video shows Kay-Alana singing one of her songs: https://www.youtube.com/watch?v=27SnyHVyp9w Brainscratch's Searchlight on Kay-Alana: https://www.youtube.com/watch?v=T-kl8_gvOqc&t=54s Brainscratch with Kay-Alana's parents: https://www.youtube.com/watch?v=4B70wSQn-n4 Sources: https://www.fox26houston.com/news/kay-alana-turner-ran-into-the-woods-to-escape-a-harris-county-deputy-hasnt-been-since https://abc13.com/margaret-kay-alana-turner-missing-woman-disappears-from-tomball-texas-person-spotted-in-montgomery-county-stagecoach/13192250/ https://www.beaumontenterprise.com/news/article/kay-alana-turner-missing-near-houston-march-10-17852740.php https://www.click2houston.com/news/local/2023/04/28/woman-reported-missing-after-running-away-from-deputies-last-month-possibly-spotted-in-montgomery-co-last-week/ https://kfdm.com/news/local/candlelight-prayer-vigil-for-missing-woman-kay-alana-turner https://www.prweb.com/releases/Beloved_Local_Beaumont_Musician_Goes_Missing_Last_Seen_in_Tomball_Texas/prweb19233831.htm https://www.recordpatriot.com/news/article/efforts-find-missing-woman-kaya-alana-turner-17875729.php https://www.12newsnow.com/article/news/local/kay-alana-missing-beaumont-woman-possibly-spotted-in-magnolia-texas-neighborhood-wednesday/502-42329fd6-2a99-42db-b742-3d2ab4b7f51b https://en.wikipedia.org/wiki/Tomball,_Texas https://www.conroetoday.com/npps/story.cfm?nppage=9632 https://my.clevelandclinic.org/health/diseases/21603-mania  https://youmatter.world/en/definition/ecotourism/#:~:text=According%20to%20The%20International%20Ecotourism,and%20involves%20interpretation %20and%20education%E2%80%9D  Main Theme by Kevin Macleod. Check out his work at https://incompetech.com/. Additional music by David Williams. See his work at http://williamsflutes.com. Follow Missing: TikTok: https://www.tiktok.com/@missingcsm Twitter: https://twitter.com/MissingCSM FB: https://www.facebook.com/MissingCSM IG: https://www.instagram.com/MissingCSM/ Check out our entire network at http://crawlspace-media.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode MUY CALIENTE, Rachel La Loca chats with star Flamin' Hot, Annie Gonzalez during the film's virtual press day.  The FLAMIN' HOT new biographical drama/comedy premiered simultaneously on Disney+ and Hulu on June 9th. An added bonus in the second half is a one-on-one interview, conducted by our own Ramon Pesante, where the host of LOL's Pesante Picks chats it up with co-writer, AND FORMER GUEST OF LOL, Linda Yvette Chavez.  Hear how Searchlight and Eva Longoria handed her the keys to this fire film!ABOUT THE FILMFLAMIN' HOT is the inspiring true story of Richard Montañez, the Frito Lay janitor who channeled his Mexican American heritage and upbringing to turn the iconic Flamin' Hot Cheetos into a snack that disrupted the food industry and became a global pop culture phenomenon. The film is directed by superstar Eva Longoria, and stars Jesse Garcia (Quinceañera, Ambulance) and Annie Gonzalez (Vida, Gentefied).