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Hosted by Anil Dash
3 episodes with Anil Dash
2 episodes with Anil Dash
2 episodes with Anil Dash
4 episodes with Anil Dash
2 episodes with Anil Dash
3 episodes with Anil Dash
2 episodes with Anil Dash
3 episodes with Anil Dash
This week, we discuss OpenAI acquiring io, Salesforce buying Informatica, and the future of AI agents. Plus, Coté shares details about a sensitive procedure and ceiling puzzles. Watch the YouTube Live Recording of Episode (https://www.youtube.com/live/pIp9PXs0SDQ?si=rfo5EdiQCSn_qJo4) 521 (https://www.youtube.com/live/pIp9PXs0SDQ?si=rfo5EdiQCSn_qJo4) Runner-up Titles Don't ride a bike for a week You've got to focus on the important things What's your NPS score? It all comes back to CSV THIS IS MY AI. THERE ARE MANY LIKE IT BUT THIS ONE'S MINE. You need an MCP.Factory Crimp and Hope Rundown Sam & Jony introduce io (https://openai.com/sam-and-jony/) Salesforce to acquire data management company Informatica in $8 billion deal (https://www.cnbc.com/2025/05/27/salesforce-informatica-deal.html) Agentic New capabilities for building agents on the Anthropic API (https://www.anthropic.com/news/agent-capabilities-api?utm_source=aibreakfast.beehiiv.com&utm_medium=newsletter&utm_campaign=openai-developing-a-wearable-device&_bhlid=1206587f1dbd9e1b358248d2b751bb04aca32ebe) Highlights from the Claude 4 system prompt (https://simonwillison.net/2025/May/25/claude-4-system-prompt/) Anthropic brings web search to free Claude users (https://www.engadget.com/ai/anthropic-brings-web-search-to-free-claude-users-224222689.html?guccounter=1&guce_referrer=aHR0cHM6Ly9uZXdzLmdvb2dsZS5jb20v&guce_referrer_sig=AQAAALjAuhaCUa960tMiV3B93BX-_2-Fq04ZYcRiw3-E8JOtY391-_OpEx7nj0HR6NVKVUUhqEZh0Az3M8wmsQhOkhickrd_80juraYFjgYIRNJobHYtZdUe3RvWsrTerX4cpTzkvysIumyb8_R4-e2ZfMMaofZrDNKJsZnLQa_kzZaO) SWE Agents Too Cheap To Meter, The Token Data War, and the rise of Tiny Teams (https://www.latent.space/p/token-data-war?utm_source=post-email-title&publication_id=1084089&post_id=164381135&utm_campaign=email-post-title&isFreemail=true&r=bucq&triedRedirect=true&utm_medium=email) Google CEO Sundar Pichai on the next AI platform shift (https://www.theverge.com/decoder-podcast-with-nilay-patel/673638/google-ceo-sundar-pichai-interview-ai-search-web-future) MCP Registry (https://github.com/modelcontextprotocol/registry) Anil Dash thoughts on MCP Servers (https://bsky.app/profile/anildash.com/post/3lq27z2k6cc2s) If AI Can Play Dungeons & Dragons, It Can Run Your ERP (https://thenewstack.io/if-ai-can-play-dungeons-dragons-it-can-run-your-erp/) MCP is the RSS of AI (https://thenewstack.io/mcp-is-rss-for-ai-more-use-cases-for-model-context-protocol/) Relevant to your Interests Mistral's new Devstral AI model was designed for coding | TechCrunch (https://techcrunch.com/2025/05/21/mistrals-new-devstral-model-was-designed-for-coding/) “Microsoft has simply given us no other option,” Signal says as it blocks Windows Recall (https://arstechnica.com/security/2025/05/signal-resorts-to-weird-trick-to-block-windows-recall-in-desktop-app/) From the ExperiencedDevs community on Reddit: My new hobby: watching AI slowly drive Microsoft employees insane (https://www.reddit.com/r/ExperiencedDevs/comments/1krttqo/my_new_hobby_watching_ai_slowly_drive_microsoft/) KrebsOnSecurity Hit With Near-Record 6.3 Tbps DDoS (https://krebsonsecurity.com/2025/05/krebsonsecurity-hit-with-near-record-6-3-tbps-ddos/) Microsoft Build 2025 Keynote: Everything Revealed, in 14 Minutes (https://www.youtube.com/watch?v=ZGgBuJE0-s4) Once worth over $1B, Microsoft-backed Builder.ai is running out of money (https://techcrunch.com/2025/05/20/once-worth-over-1b-microsoft-backed-builder-ai-is-running-out-of-money/) Meta launches program to encourage startups to use its Llama AI models (https://techcrunch.com/2025/05/21/meta-launches-program-to-encourage-startups-to-use-its-llama-ai-models/?utm_source=aibreakfast.beehiiv.com&utm_medium=newsletter&utm_campaign=openai-developing-a-wearable-device&_bhlid=3602222175ca608068c014ef12dcf2a5d1d6536f) Digg founder Kevin Rose offers to buy Pocket from Mozilla (https://techcrunch.com/2025/05/23/digg-founder-kevin-rose-offers-to-buy-pocket-from-mozilla/) AWS Breaking Changes (https://github.com/SummitRoute/aws_breaking_changes) Cloud computing is too important to be left to the Big Three (https://on.ft.com/43FnwZc) How to Lead an All-Hands After Delivering Bad News (https://hbr.org/2025/05/how-to-lead-an-all-hands-after-delivering-bad-news) Matt Hicks: CentOS move not popular, but better for open source (https://www.techzine.eu/blogs/infrastructure/131813/matt-hicks-centos-move-not-popular-but-better-for-open-source/) How tech workers really feel about work right now (https://www.lennysnewsletter.com/p/how-tech-workers-really-feel-about) Exposed: How ransom gang Lockbit negotiates payments (https://ia.acs.org.au/article/2025/exposed--how-ransom-gang-lockbit-negotiates-payments.html) Behind the Curtain: Top AI CEO foresees white-collar bloodbath (https://www.axios.com/2025/05/28/ai-jobs-white-collar-unemployment-anthropic) U.S. public wants business to move slower on AI: Axios Harris 100 poll (https://www.axios.com/2025/05/27/ai-harris-100-poll-move-slow) Musk's xAI signs Telegram tie-up as billionaire ‘bromance' blooms (https://on.ft.com/45tYlej) In 3.5 years, Notepad.exe has gone from “barely maintained” to “it writes for you” (https://arstechnica.com/gadgets/2025/05/in-3-5-years-notepad-exe-has-gone-from-barely-maintained-to-it-writes-for-you/) After 15 years, WhatsApp is finally ready for the iPad (https://www.theverge.com/news/674596/whatsapp-ipad-app-meta-availability) Nonsense Good Fortune Burger renamed its menu items to sound like office supplies (https://x.com/BrianRoemmele/status/1925648371508810182) Conferences POST/CON 25 (https://postcon.postman.com/2025/), June 3-4, Los Angeles, CA, Brandon representing SDT. Register here for free pass (https://fnf.dev/43irTu1) using code BRANDON (https://fnf.dev/43irTu1) (limited to first 20 People) Contract-Driven Development: Unite Your Teams and Accelerate Delivery (https://postcon.postman.com/2025/session/3022520/contract-driven-development-unite-your-teams-and-accelerate-delivery%20%20%20%20%20%208:33) by Chris Chandler SREDay Cologne, June 12th, 2025 (https://sreday.com/2025-cologne-q2/#tickets) - Coté speaking, discount: CLG10, 10% off. SDT News & Community Join our Slack community (https://softwaredefinedtalk.slack.com/join/shared_invite/zt-1hn55iv5d-UTfN7mVX1D9D5ExRt3ZJYQ#/shared-invite/email) Email the show: questions@softwaredefinedtalk.com (mailto:questions@softwaredefinedtalk.com) Free stickers: Email your address to stickers@softwaredefinedtalk.com (mailto:stickers@softwaredefinedtalk.com) Follow us on social media: Twitter (https://twitter.com/softwaredeftalk), Threads (https://www.threads.net/@softwaredefinedtalk), Mastodon (https://hachyderm.io/@softwaredefinedtalk), LinkedIn (https://www.linkedin.com/company/software-defined-talk/), BlueSky (https://bsky.app/profile/softwaredefinedtalk.com) Watch us on: Twitch (https://www.twitch.tv/sdtpodcast), YouTube (https://www.youtube.com/channel/UCi3OJPV6h9tp-hbsGBLGsDQ/featured), Instagram (https://www.instagram.com/softwaredefinedtalk/), TikTok (https://www.tiktok.com/@softwaredefinedtalk) Book offer: Use code SDT for $20 off "Digital WTF" by Coté (https://leanpub.com/digitalwtf/c/sdt) Sponsor the show (https://www.softwaredefinedtalk.com/ads): ads@softwaredefinedtalk.com (mailto:ads@softwaredefinedtalk.com) Recommendations Brandon: Cable Matters 100-Pack Cat 6 Pass Through RJ45 Connectors (https://www.amazon.com/Cable-Matters-Through-Stranded-Connectors/dp/B07PXMN2VK/?_encoding=UTF8&pd_rd_w=Pk41A&content-id=amzn1.sym.255b3518-6e7f-495c-8611-30a58648072e%3Aamzn1.symc.a68f4ca3-28dc-4388-a2cf-24672c480d8f&pf_rd_p=255b3518-6e7f-495c-8611-30a58648072e&pf_rd_r=B1A17R2AA5KDCVW0K92W&pd_rd_wg=kzlWJ&pd_rd_r=4c4d02be-bbb0-4de7-bc28-242f31111d53&ref_=pd_hp_d_atf_ci_mcx_mr_ca_hp_atf_d&th=1) Matt: Electric Foot Massager (https://www.amazon.com.au/dp/B0C9HJJ7ZR) Coté: Big Mac, inspired by Kenji's home brew (https://youtu.be/52Gf_0odraY?si=74hGU4qqF5gjgZpp).
The San Fransisco Standard published some sobering news for new graduates, the Forge team decided to put an AI agent in your shell, Fernando Borretti says you can choose tools that make you happy, Jujutsu's flexibility and safety changed Nathan Witmer's approach to version control, Anil Dash is as excited about MCP as almost everyone else is & Alex Kladov shares two rules of thumb around pushing "ifs" up and "fors" down.
The San Fransisco Standard published some sobering news for new graduates, the Forge team decided to put an AI agent in your shell, Fernando Borretti says you can choose tools that make you happy, Jujutsu's flexibility and safety changed Nathan Witmer's approach to version control, Anil Dash is as excited about MCP as almost everyone else is & Alex Kladov shares two rules of thumb around pushing "ifs" up and "fors" down.
The San Fransisco Standard published some sobering news for new graduates, the Forge team decided to put an AI agent in your shell, Fernando Borretti says you can choose tools that make you happy, Jujutsu's flexibility and safety changed Nathan Witmer's approach to version control, Anil Dash is as excited about MCP as almost everyone else is & Alex Kladov shares two rules of thumb around pushing "ifs" up and "fors" down.
Where did the Internet go wrong, and how do we fix it? To find out more, we talk to entrepreneur and activist Anil Dash about the alternate history of technology. But first, we talk about why Doctor Who is better than ever, and why we're loving the current season — but where is this venerable TV show headed next? We explore our hopes, dreams and anxieties about our favorite Time Lord.
The Internet Archive just lost its appeal over ebook lending Brazil Blocks X After Musk Ignores Court Orders Telegram Founder Pavel Durov's Indictment Thrusts Encryption Into the Spotlight Elon Musk, Tesla (TSLA) Beat Suit Over Promoting Dogecoin 'Pyramid Scheme' America Must Free Itself from the Tyranny of the Penny Did your car witness a crime? Bay Area police may be coming for your Tesla — and they might tow it NaNoWriMo is in disarray after organizers defend AI writing tools Ask Claude: Amazon turns to Anthropic's AI for Alexa revamp AI's impact on elections is being overblown AI may not steal many jobs after all. It may just make workers more efficient Anil Dash: How Oprah will screw up the AI story The winners of Michigan's 2024 "I voted" sticker contest Diggnation 2.0 Android Has Five New Features Out Today Google Removing Poor-Quality Android Apps From Play Store to Boost Engagement Google Clock rolling out new Timer Starter widget Google renames TensorFlow Lite to LiteRT, TensorFlow brand remains YouTube debuts new parental controls aimed at teens The Secret Inside One Million Checkboxes Carbonara in a can? Chefs get shirty but Heinz is unrepentant Hosts: Leo Laporte, Jeff Jarvis, and Paris Martineau Download or subscribe to this show at https://twit.tv/shows/this-week-in-google. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: veeam.com e-e.com/twit
The Internet Archive just lost its appeal over ebook lending Brazil Blocks X After Musk Ignores Court Orders Telegram Founder Pavel Durov's Indictment Thrusts Encryption Into the Spotlight Elon Musk, Tesla (TSLA) Beat Suit Over Promoting Dogecoin 'Pyramid Scheme' America Must Free Itself from the Tyranny of the Penny Did your car witness a crime? Bay Area police may be coming for your Tesla — and they might tow it NaNoWriMo is in disarray after organizers defend AI writing tools Ask Claude: Amazon turns to Anthropic's AI for Alexa revamp AI's impact on elections is being overblown AI may not steal many jobs after all. It may just make workers more efficient Anil Dash: How Oprah will screw up the AI story The winners of Michigan's 2024 "I voted" sticker contest Diggnation 2.0 Android Has Five New Features Out Today Google Removing Poor-Quality Android Apps From Play Store to Boost Engagement Google Clock rolling out new Timer Starter widget Google renames TensorFlow Lite to LiteRT, TensorFlow brand remains YouTube debuts new parental controls aimed at teens The Secret Inside One Million Checkboxes Carbonara in a can? Chefs get shirty but Heinz is unrepentant Hosts: Leo Laporte, Jeff Jarvis, and Paris Martineau Download or subscribe to this show at https://twit.tv/shows/this-week-in-google. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: veeam.com e-e.com/twit
The Internet Archive just lost its appeal over ebook lending Brazil Blocks X After Musk Ignores Court Orders Telegram Founder Pavel Durov's Indictment Thrusts Encryption Into the Spotlight Elon Musk, Tesla (TSLA) Beat Suit Over Promoting Dogecoin 'Pyramid Scheme' America Must Free Itself from the Tyranny of the Penny Did your car witness a crime? Bay Area police may be coming for your Tesla — and they might tow it NaNoWriMo is in disarray after organizers defend AI writing tools Ask Claude: Amazon turns to Anthropic's AI for Alexa revamp AI's impact on elections is being overblown AI may not steal many jobs after all. It may just make workers more efficient Anil Dash: How Oprah will screw up the AI story The winners of Michigan's 2024 "I voted" sticker contest Diggnation 2.0 Android Has Five New Features Out Today Google Removing Poor-Quality Android Apps From Play Store to Boost Engagement Google Clock rolling out new Timer Starter widget Google renames TensorFlow Lite to LiteRT, TensorFlow brand remains YouTube debuts new parental controls aimed at teens The Secret Inside One Million Checkboxes Carbonara in a can? Chefs get shirty but Heinz is unrepentant Hosts: Leo Laporte, Jeff Jarvis, and Paris Martineau Download or subscribe to this show at https://twit.tv/shows/this-week-in-google. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: veeam.com e-e.com/twit
The Internet Archive just lost its appeal over ebook lending Brazil Blocks X After Musk Ignores Court Orders Telegram Founder Pavel Durov's Indictment Thrusts Encryption Into the Spotlight Elon Musk, Tesla (TSLA) Beat Suit Over Promoting Dogecoin 'Pyramid Scheme' America Must Free Itself from the Tyranny of the Penny Did your car witness a crime? Bay Area police may be coming for your Tesla — and they might tow it NaNoWriMo is in disarray after organizers defend AI writing tools Ask Claude: Amazon turns to Anthropic's AI for Alexa revamp AI's impact on elections is being overblown AI may not steal many jobs after all. It may just make workers more efficient Anil Dash: How Oprah will screw up the AI story The winners of Michigan's 2024 "I voted" sticker contest Diggnation 2.0 Android Has Five New Features Out Today Google Removing Poor-Quality Android Apps From Play Store to Boost Engagement Google Clock rolling out new Timer Starter widget Google renames TensorFlow Lite to LiteRT, TensorFlow brand remains YouTube debuts new parental controls aimed at teens The Secret Inside One Million Checkboxes Carbonara in a can? Chefs get shirty but Heinz is unrepentant Hosts: Leo Laporte, Jeff Jarvis, and Paris Martineau Download or subscribe to this show at https://twit.tv/shows/this-week-in-google. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: veeam.com e-e.com/twit
The Internet Archive just lost its appeal over ebook lending Brazil Blocks X After Musk Ignores Court Orders Telegram Founder Pavel Durov's Indictment Thrusts Encryption Into the Spotlight Elon Musk, Tesla (TSLA) Beat Suit Over Promoting Dogecoin 'Pyramid Scheme' America Must Free Itself from the Tyranny of the Penny Did your car witness a crime? Bay Area police may be coming for your Tesla — and they might tow it NaNoWriMo is in disarray after organizers defend AI writing tools Ask Claude: Amazon turns to Anthropic's AI for Alexa revamp AI's impact on elections is being overblown AI may not steal many jobs after all. It may just make workers more efficient Anil Dash: How Oprah will screw up the AI story The winners of Michigan's 2024 "I voted" sticker contest Diggnation 2.0 Android Has Five New Features Out Today Google Removing Poor-Quality Android Apps From Play Store to Boost Engagement Google Clock rolling out new Timer Starter widget Google renames TensorFlow Lite to LiteRT, TensorFlow brand remains YouTube debuts new parental controls aimed at teens The Secret Inside One Million Checkboxes Carbonara in a can? Chefs get shirty but Heinz is unrepentant Hosts: Leo Laporte, Jeff Jarvis, and Paris Martineau Download or subscribe to this show at https://twit.tv/shows/this-week-in-google. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: veeam.com e-e.com/twit
The Internet Archive just lost its appeal over ebook lending Brazil Blocks X After Musk Ignores Court Orders Telegram Founder Pavel Durov's Indictment Thrusts Encryption Into the Spotlight Elon Musk, Tesla (TSLA) Beat Suit Over Promoting Dogecoin 'Pyramid Scheme' America Must Free Itself from the Tyranny of the Penny Did your car witness a crime? Bay Area police may be coming for your Tesla — and they might tow it NaNoWriMo is in disarray after organizers defend AI writing tools Ask Claude: Amazon turns to Anthropic's AI for Alexa revamp AI's impact on elections is being overblown AI may not steal many jobs after all. It may just make workers more efficient Anil Dash: How Oprah will screw up the AI story The winners of Michigan's 2024 "I voted" sticker contest Diggnation 2.0 Android Has Five New Features Out Today Google Removing Poor-Quality Android Apps From Play Store to Boost Engagement Google Clock rolling out new Timer Starter widget Google renames TensorFlow Lite to LiteRT, TensorFlow brand remains YouTube debuts new parental controls aimed at teens The Secret Inside One Million Checkboxes Carbonara in a can? Chefs get shirty but Heinz is unrepentant Hosts: Leo Laporte, Jeff Jarvis, and Paris Martineau Download or subscribe to this show at https://twit.tv/shows/this-week-in-google. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: veeam.com e-e.com/twit
Crash-level bugs continue to pose a significant challenge due to the lack of memory safety in programming languages, an issue persisting since the punch card era. This enduring problem, described as "the Joker to the Batman" by Anil Dash, VP of developer experience at Fastly, is highlighted in a recent episode of The New Stack Makers. The White House has emphasized memory safety, advocating for the adoption of memory-safe programming languages and better software measurability. The Office of the National Cyber Director (ONCD) noted that languages like C and C++ lack memory safety traits and are prevalent in critical systems. They recommend using memory-safe languages, such as Java, C#, and Rust, to develop secure software. Memory safety is particularly crucial for the US government due to the high stakes, especially in space exploration, where reliability standards are exceptionally stringent. Dash underscores the importance of resilience and predictability in missions that may outlast their creators, necessitating rigorous memory safety practices.Learn more from The New Stack about Memory Safety:White House Warns Against Using Memory-Unsafe Languages Can C++ Be Saved? Bjarne Stroupstrup on Ensuring Memory SafetyBjarne Stroupstrup's Plan for Bringing Safety to C++Join our community of newsletter subscribers to stay on top of the news and at the top of your game.
This episode features Anil Dash, VP of Developer Experience at Fastly, who returns to the podcast to share the integration of Glitch within Fastly post-acquisition. Anil shares how Glitch has continued flourishing under Fastly's umbrella, highlighting both platforms' seamless acquisition and mutual growth. Anil shares the technical and cultural collaboration that has allowed Glitch to maintain its identity and mission while contributing to Fastly's broader goals. The episode highlights the power of community in tech, the importance of maintaining core values in mergers and acquisitions, and the advancements both Glitch and Fastly are making in the developer space.Show Highlights: (00:00) - Introduction. (01:59) - Glitch's role within Fastly's infrastructure and services.(02:16) - Comparison of AWS and Glitch's approach to community building.(05:40) - Anil's ongoing enthusiasm for Glitch beyond typical post-acquisition experiences.(08:53) - Fastly's unique capabilities and impact on the internet. (14:35) - Fastly's technical infrastructure and its performance advantages.(20:42) - WebAssembly's implementation and significance at Fastly.(23:59) - Comparison of Glitch and Fastly's developer engagement and pricing models(25:18) - Ethical responsibilities and building a healthy tech ecosystem are important.(27:50) - Importance of creating lasting and sustainable technologies.(30:24) - Anil discusses Fastly's work culture and its influence on employee innovation and engagement.(34:26) - Anil discusses Glitch's thriving post-acquisition integration into Fastly.(38:26) - The critical role of Fastly's infrastructure in supporting major open-source platforms and decentralized networks.(39:26) - Closing remarks and where to find more about Anil's work.About Anil: Anil Dash is the vice president of developer experience at Fastly, where he leads the team behind Glitch, the friendly developer community where coders have collaborated to create and share millions of web apps. Anil advises startups and nonprofits, including Medium and the Lower East Side Girls Club. An accomplished writer and artist, Dash has contributed to Wired and The Atlantic and collaborated with Lin-Manuel Miranda on one of the most popular Spotify playlists in 2018.Links referenced: Anil's Personal Website: https://www.anildash.com/Glitch's website: https://preview.glitch.com/* Sponsor Panoptica Academy: https://panoptica.app/lastweekinaws
In the Feelings Check-In, Deana and Natasha share some news from the week and then discuss personal feelings about their lives and careers. BIG NEWS! Boys Club is throwing our first-ever conference called /brandnew. Learn more and buy tickets here. Limited tickets available. On this week's episode, they talk about the music NFT community drama, including the Flyana Boss scrapped drop on Sound.xyz, and had a conversation about where we go from here. Then, Natasha and Deana talk about the feeling of making a bet on crypto, and the asymmetric upside that could result. Ladidai on X VÉRITÉ thread Flyana Boss apology Dauda thread Jesse Grushak thread "The Internet Is About To Get Weird Again" by Anil Dash on RollingStone.com Too Online is on a new feed, check it on spotify and/or apple. Subscribe to the Boys Club newsletter here! Boys Club is proudly supported by Kraken. Kraken is a crypto exchange for everyone.
Our guest is Glitch CEO and writer Anil Dash. There are pizza headlines and our topic is Jeff Bezos' two-pizza rule.Anil Dash is an influential writer and technology entrepreneur. He is the founder of many tech companies. Currently, Anil is the CEO of Glitch (formerly known as Fog Creek Software). In 2022, he won a Webby Lifetime Achievement Award. Oh, and he is a Prince fanatic and scholar.Anil talks about the evolution of social media discourse on pizza, tech's influence on how we order and make pizza, and whether Prince has any connections to pizza. This podcast is brought to you by Ooni Pizza Ovens. Go to Ooni.com for more information.Follow us for more information!Instagram: @pizzapodparty @NYCBestPizza @AlfredSchulz4Twitter: @PizzaPodParty @ArthurBovino @AlfredSchulzTikTok: @thepizzapodpartyThreads: @pizzapodparty @NYCBestPizza @AlfredSchulz4
How can U just leave me standing? ...in search of Prince Rogers Nelson.
INTRO2mins30s - Growing up in Chicago Illinois4mins - Pursuing a career in the Web back in the mid 90s..."it was an interesting time, it was kind of like the Wild West"5mins30s - Nona Gaye & The Beautiful Experience6mins30s - Finding all of the other Prince fans on the internet via online communities...and organising parties at the Berlin club in Chicago9mins - When did Sam first have contact with Prince? Fans coming together on a 'community project'...and AOL chat rooms.11mins - How long did you think it would last?13mins - Confidentiality and Prince...14mins - Love4OneAnother.com in 1999 and Rave Un2 The Joy Fantastic16mins - Prince's legacy in the digital world - one of the first to have his own internet business and music distributing artist17mins - Releasing a 'ton of music in 2001'...'a tremendous explosion of activity for him...' and The Prince Museum online.19mins - If Prince had lived and you had to design a digital presence for him now, what would that be?21mins30s - What was the Prince music you first became aware of, early memories and favourite unreleased recordings...27mins30s - Meeting Prince in person for the first time...30mins - Maintaining professionalism as a fan...32mins - How difficult was it to challenge Prince? Fan websites
What makes Prince fans so intensely passionate? Our superfan host Nichole sits down with some other superfans to unpack their collective and individual love of Prince, and how he contributed to their sexual awakenings. Also, Nichole and Prince expert Anil Dash reflect on the surprising ways Prince connected with fans.To learn more about how CNN protects listener privacy, visit cnn.com/privacy
What made Prince such a unique performer? Musician and Prince muse Patrice Rushen, professor Kat Okedeyi, and writer Anil Dash explore how funk infused Prince's performance style, including his Super Bowl Halftime Show and one of his last concerts ever. To learn more about how CNN protects listener privacy, visit cnn.com/privacy
What inspired Prince to scrawl the word “slave” on his face and change his name to an unpronounceable symbol? Prince's first manager, Owen Husney, scholar Lynnée Denise, and writer Anil Dash unpack Prince's battle with his label to own his masters. To learn more about how CNN protects listener privacy, visit cnn.com/privacy
The great Anil Dash joined us to talk about... well, what do you think we talked about? But also, a broader discussion about the crazy year that the tech industry has had.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Special guest: Anil Dash. A little about last week's U.S. midterm elections, and a lot about what's going on at Twitter under Elon Musk.
There is no touching in the metaverse, no floral fragrances in Web3, and DeFi is distinctly flavourless. The promise of the digital world is a stark – because minimalism is encouraged due to development constraints – existence without the comforts of life. But artists like Jan Hendrik Viljoen, better known as Portchie, are bringing beauty to our second lives and making a little bank with Non-Fungible Tokens. Artist Kevin McCoy claims that he was the first person to mint an artwork NFT. The pixelated, colour changing octagon called Quantum was minted on the Namecoin blockchain in May 2014. Anil Dash developed the technical specification and the pair demonstrated the practical application at a Seven on Seven hackathon that connected technologists to artists. The name this pioneering duo chose for their new creation was Monetised Graphics. It obviously didn't stick, and they didn't patent their idea. And then, like all things that started with the best intentions, the internet got hold of it. Dash would later right an ode to his bastardised idea in the Atlantic. “If you liked an artwork, would you pay more for it just because someone included its name in a spreadsheet? I probably wouldn't. But once you leave aside the technical details of NFTs, putting artworks on the blockchain is like listing them in an auction catalog. It adds a measure of certainty about the work being considered.” “By default, copies of a digital image or video are perfect replicas—indistinguishable from the original down to its bits and bytes. Being able to separate an artist's initial creation from mere copies confers power, and in 2014 it was genuinely new.” Cycling by the Riverside is built on Ethereum, a blockchain that allows artwork creation and ownership to be authenticated and transferred. The NFTs are represented by unique tokens stored on the network and act as a permanent, tamper-proof record of provenance and ownership. Start your NFT journey today! Visit OpenSea Unencrypted is brought to you by https://www.addvirtt.com the sports advertising technology company - step out of the frame and into the action.
Recorded live at The Greene Space at WNYC! Sponsored by UBS. In celebration of AAPI Heritage Month, Jeff and Phil welcome tech entrepreneur/thinkers Anil Dash and Ben Sun to talk about Asian American impact on the tech industry (and get nostalgic about Asian Avenue). Part 3 of the in-studio "RISE Conversations" inspired by RISE: A Pop History of Asian America from the Nineties to Now. Produced with the generous support of UBS.
Where is the internet we were promised? It feels like we're dominated by megalithic, siloed platforms where users have little or no say over how their data is used and little recourse if they disagree, where direct interaction with users is seen as a bug to be fixed, and where art and creativity are just “content generation.”But take a peek beyond those platforms and you can still find a thriving internet of millions who are empowered to control their own technology, art, and lives. Anil Dash, CEO of Glitch and an EFF board member, says this is where we start reclaiming the internet for individual agency, control, creativity, and connection to culture - especially among society's most vulnerable and marginalized members.Dash speaks with EFF's Cindy Cohn and Danny O'Brien about building more humane and inclusive technology, and leveraging love of art and culture into grassroots movements for an internet that truly belongs to us all.In this episode you'll learn about:What past and current social justice movements can teach us about reclaiming the internetThe importance of clearly understanding and describing what we want—and don't want—from technologyEnergizing people in artistic and fandom communities to become activists for better technologyTech workers' potential power over what their employers doHow Wordle might be a window into a healthier webThis podcast is supported by the Alfred P. Sloan Foundation's Program in Public Understanding of Science and Technology.Music for How to Fix the Internet was created for us by Reed Mathis and Nat Keefe of BeatMower. This podcast is licensed Creative Commons Attribution 4.0 International, and includes the following music licensed Creative Commons Attribution 3.0 Unported by their creators: http://dig.ccmixter.org/files/djlang59/61577Get It - pop mix by J.Lang Feat: AnalogByNature & RJay http://dig.ccmixter.org/files/djlang59/59729Probably Shouldn't by J.Lang http://dig.ccmixter.org/files/JeffSpeed68/56377Smokey Eyes by Stefan Kartenberg http://dig.ccmixter.org/files/airtone/58703commonGround by airtone http://dig.ccmixter.org/files/Skill_Borrower/41751Klaus by Skill_Borrower http://dig.ccmixter.org/files/NiGiD/62475Chrome Cactus by Martijn de Boer (NiGiD)
RCS Editor-in-Chief Alex Estorick hosts a conversation between Christiane Paul, Adjunct Curator of Digital Art at the Whitney Museum of American Art, and Jason Bailey, CEO of ClubNFT. They discuss the consequences of NFTs for digital art as well the new Lumen Prize NFT Award, sponsored by RCS.
Today's show is a replay of a conversation I had with Anil Dash. Anil is the person who coined the term ‘JOMO', and hearing him explain what JOMO means to him in this episode makes me beam at the impact the JOMO movement has.Anil is the Founder of Glitch, an app that helps developers code. We spoke about the origin of how the word ‘JOMO' came to be and the beauty of missing out on the urgency of responding to messages and emails instantly.We also discussed why it's important to not let people project their personal views onto us or choose who we should be, and how he advocates for ethical tech within the industry. Get more JOMO at jomocast.com and bonus content at www.patreon.com/jomocast Check out the new JOMO Goods shop at www.jomogoods.com Book a 15-minute coffee chat with Christina - https://calendly.com/christina-crook/call Connect with Christina here: @thechristinacrookConnect with Anil at:@anildash@glitchdotcomwww.anildash.com www.glitch.com Music by Thomas J. Inge See acast.com/privacy for privacy and opt-out information.
Our anchors begin today's show breaking down New Street Advisors Group Founder and CEO Delano Saporu's outlook for inflation and the tech sector, and coding platform Glitch CEO Anil Dash shares his thoughts on Elon Musk's role at Twitter and more. Then, our Julia Boorstin covers a MoffettNathanson note outlining challenges facing streaming service Roku, and CNBC's Phil LeBeau reports on the TSA extending its mask mandate for air travel. Later, RBC Capital analyst Brad Erickson joins after lowering his estimates and price target for Meta, and CNBC's Steve Kovach hosts an exclusive conversation with Microsoft President Brad Smith at the IAPP Global Privacy Summit in Washington, D.C.
On today's episode of Way Too Interested, writer/podcaster/https://glitch.com/ (Glitch) CEO Anil Dash talks with Gavin Purcell about his fascination with America's interstate highway system, which started with his father — a civil engineer given a "genius visa" to immigrate from India to help build America's highways and bridges. Anil also talks about his personal history with technology, "living in the future" as a kid, and how the "information superhighway" of the internet is similar to actual highways. Then, Anil and Gavin are joined by journalist and former White House appointee Dan McNichol, the author of https://www.amazon.com/Roads-That-Built-America-Incredible/dp/1402734689 (The Roads That Built America: The Incredible Story of the U.S. Interstate System). Dan explains how President Dwight D. Eisenhower's vision for a nation crisscrossed by highways became a reality, the negative impact highways have had on various communities, and our present battles over infrastructural issues, such as 5G, broadband internet, and high-speed rail in California. Please follow or subscribe to Way Too Interested https://pod.link/1588020251 (in your podcast app of choice)! And if you liked this episode, then tell a friend to check it out. Also ... Follow Gavin on Twitter https://twitter.com/gavinpurcell (@gavinpurcell) Follow Anil on Twitter https://twitter.com/anildash (@anildash) Read https://danmcnichol.com/about/books/ (Dan's books), including The Roads That Built America
About AnilAnil Dash is the CEO of Glitch, the friendly developer community where coders collaborate to create and share millions of web apps. He is a recognized advocate for more ethical tech through his work as an entrepreneur and writer. He serves as a board member for organizations like the Electronic Frontier Foundation, the leading nonprofit defending digital privacy and expression, Data & Society Research Institute, which researches the cutting edge of tech's impact on society, and The Markup, the nonprofit investigative newsroom that pushes for tech accountability. Dash was an advisor to the Obama White House's Office of Digital Strategy, served for a decade on the board of Stack Overflow, the world's largest community for coders, and today advises key startups and non-profits including the Lower East Side Girls Club, Medium, The Human Utility, DonorsChoose and Project Include.As a writer and artist, Dash has been a contributing editor and monthly columnist for Wired, written for publications like The Atlantic and Businessweek, co-created one of the first implementations of the blockchain technology now known as NFTs, had his works exhibited in the New Museum of Contemporary Art, and collaborated with Hamilton creator Lin-Manuel Miranda on one of the most popular Spotify playlists of 2018. Dash has also been a keynote speaker and guest in a broad range of media ranging from the Obama Foundation Summit to SXSW to Desus and Mero's late-night show.Links: Glitch: https://glitch.com Web.dev: https://web.dev Glitch Twitter: https://twitter.com/glitch Anil Dash Twitter: https://twitter.com/anildash TranscriptAnnouncer: Hello, and welcome to Screaming in the Cloud with your host, Chief Cloud Economist at The Duckbill Group, Corey Quinn. This weekly show features conversations with people doing interesting work in the world of cloud, thoughtful commentary on the state of the technical world, and ridiculous titles for which Corey refuses to apologize. This is Screaming in the Cloud.Corey: It seems like there is a new security breach every day. Are you confident that an old SSH key, or a shared admin account, isn't going to come back and bite you? If not, check out Teleport. Teleport is the easiest, most secure way to access all of your infrastructure. The open source Teleport Access Plane consolidates everything you need for secure access to your Linux and Windows servers—and I assure you there is no third option there. Kubernetes clusters, databases, and internal applications like AWS Management Console, Yankins, GitLab, Grafana, Jupyter Notebooks, and more. Teleport's unique approach is not only more secure, it also improves developer productivity. To learn more visit: goteleport.com. And not, that is not me telling you to go away, it is: goteleport.com.Corey: It seems like there is a new security breach every day. Are you confident that an old SSH key, or a shared admin account, isn't going to come back and bite you? If not, check out Teleport. Teleport is the easiest, most secure way to access all of your infrastructure. The open source Teleport Access Plane consolidates everything you need for secure access to your Linux and Windows servers—and I assure you there is no third option there. Kubernetes clusters, databases, and internal applications like AWS Management Console, Yankins, GitLab, Grafana, Jupyter Notebooks, and more. Teleport's unique approach is not only more secure, it also improves developer productivity. To learn more visit: goteleport.com. And not, that is not me telling you to go away, it is: goteleport.com.Corey: This episode is sponsored in part by our friends at Redis, the company behind the incredibly popular open source database that is not the bind DNS server. If you're tired of managing open source Redis on your own, or you're using one of the vanilla cloud caching services, these folks have you covered with the go to manage Redis service for global caching and primary database capabilities; Redis Enterprise. To learn more and deploy not only a cache but a single operational data platform for one Redis experience, visit redis.com/hero. Thats r-e-d-i-s.com/hero. And my thanks to my friends at Redis for sponsoring my ridiculous non-sense. Corey: Welcome to Screaming in the Cloud. I'm Corey Quinn. Today's guest is a little bit off the beaten path from the cloud infrastructure types I generally drag, kicking and screaming, onto the show. If we take a look at the ecosystem and where it's going, it's clear that in the future, not everyone who wants to build a business, or a tool, or even an application is going to necessarily spring fully-formed into the world from the forehead of some God, knowing how to code. And oh, “I'm going to go to a boot camp for four months to learn how to do it first,” is increasingly untenable. I don't know if you would call it low-code or not. But that's how it feels. My guest today is Anil Dash, CEO of Glitch. Anil, thank you for joining me.Anil: Thanks so much for having me.Corey: So, let's get the important stuff out of the way first, since I have a long-standing history of mispronouncing the company Twitch as ‘Twetch,' I should probably do the same thing here. So, what is Gletch? And what does it do?Anil: Glitch is, at its simplest, a tool that lets you build a full-stack app in your web browser in about 30 seconds. And, you know, for your community, your audience, it's also this ability to create and deploy code instantly on a full-stack server with no concern for deploy, or DevOps, or provisioning a container, or any of those sort of concerns. And what it is for the users is, honestly, a community. They're like, “I looked at this app that was on Glitch; I thought it was cool; I could do what we call [remixing 00:02:03].” Which is to kind of fork that app, a running app, make a couple edits, and all of a sudden live at a real URL on the web, my app is running with exactly what I built. And that's something that has been—I think, just captured a lot of people's imagination to now where they've built over 12 or 15 million apps on the platform.Corey: You describe it somewhat differently than I would, and given that I tend to assume that people who create and run successful businesses don't generally tend to do it without thought, I'm not quite, I guess, insufferable enough to figure out, “Oh, well, I thought about this for ten seconds, therefore I've solved a business problem that you have been needling at for years.” But when I look at Glitch, I would describe it as something different than the way that you describe it. I would call it a web-based IDE for low-code applications and whatnot, and you never talk about it that way. Everything I can see there describes it talks about friendly creators, and community tied to it. Why is that?Anil: You're not wrong from the conventional technologist's point of view. I—sufficient vintage; I was coding in Visual Basic back in the '90s and if you squint, you can see that influence on Glitch today. And so I don't reject that description, but part of it is about the audience we're speaking to, which is sort of a next generation of creators. And I think importantly, that's not just age, right, but that could be demographic, that can be just sort of culturally, wherever you're at. And what we look at is who's making the most interesting stuff on the internet and in the industry, and they tend to be grounded in broader culture, whether they're on, you know, Instagram, or TikTok, or, you know, whatever kind of influencer, you want to point at—YouTube.And those folks, they think of themselves as creators first and they think of themselves as participating in the community first and then the tool sort of follow. And I think one of the things that's really striking is, if you look at—we'll take YouTube as an example because everyone's pretty familiar with it—they have a YouTube Creator Studio. And it is a very rich and deep tool. It does more than, you know, you would have had iMovie, or Final Cut Pro doing, you know, 10 or 15 years ago, incredibly advanced stuff. And those [unintelligible 00:04:07] use it every day, but nobody goes to YouTube and says, “This is a cloud-based nonlinear editor for video production, and we target cinematographers.” And if they did, they would actually narrow their audience and they would limit what their impact is on the world.And so similarly, I think we look at that for Glitch where the social object, the central thing that people organize around a Glitch is an app, not code. And that's this really kind of deep and profound idea, which is that everybody can understand an app. Everybody has an idea for an app. You know, even the person who's, “Ah, I'm not technical,” or, “I'm not really into technology,” they're like, “But you know what? If I could make an app, I would make this.”And so we think a lot about that creative impulse. And the funny thing is, that is a common thread between somebody that literally just got on the internet for the first time and somebody who has been doing cloud deploys for as long as there's been a cloud to deploy to, or somebody has been coding for decades. No matter who you are, you have that place that is starting from what's the experience I want to build, the app I want to build? And so I think that's where there's that framing. But it's also been really useful, in that if you're trying to make a better IDE in the cloud and a better text editor, and there are multiple trillion-dollar companies that [laugh] are creating products in that category, I don't think you're going to win. On the other hand, if you say, “This is more fun, and cooler, and has a better design, and feels better,” I think we could absolutely win in a walk away compared to trillion-dollar companies trying to be cool.Corey: I think that this is an area that has a few players in it could definitely stand to benefit by having more there. My big fear is not that AWS is going to launch stuff in your space and drive you out of business; I think that is a somewhat naive approach. I'm more concerned that they're going to try to launch something in your space, give it a dumb name, fail that market and appropriately, not understand who it's for and set the entire idea back five years. That is, in some cases, it seems like their modus operandi for an awful lot of new markets.Anil: Yeah, I mean, that's not an uncommon problem in any category that's sort of community driven. So, you know, back in the day, I worked on building blogging tools at the beginning of this, sort of, social media era, and we worried about that a lot. We had built some of the first early tools, Movable Type, and TypePad, and these were what were used to launch, like, Gawker and Huffington Post and all the, sort of, big early sites. And we had been doing it a couple years—and then at that time, major player—AOL came in, and they launched their own AOL blog service, and we were, you know, quaking in our boots. I remember just being kind of like, pit in your stomach, “Oh, my gosh. This is going to devastate the category.”And as it turns out, people were smart, and they have taste, and they can tell. And the domain that we're in is not one that is about raw computing power or raw resources that you can bring to bear so much as it is about can you get people to connect together, collaborate together, and feel like they're in a place where they want to make something and they want to share it with other people? And I mean, we've never done a single bit of advertising for Glitch. There's never been any paid acquisition. There's never done any of those things. And we go up against, broadly in the space, people that have billboards and they buy out all the ads of the airport and, you know, all the other kind of things we see—Corey: And they do the typical enterprise thing where they spend untold millions in acquiring the real estate to advertise on, and then about 50 cents on the message, from the looks of it. It's, wow, you go to all this trouble and expense to get something in front of me, and after all of that to get my attention, you don't have anything interesting to say?Anil: Right.Corey: [crosstalk 00:07:40] inverse of that.Anil: [crosstalk 00:07:41] it doesn't work.Corey: Yeah. Oh, yeah. It's brand awareness. I love that game. Ugh.Anil: I was a CIO, and not once in my life did I ever make a purchasing decision based on who was sponsoring a golf tournament. It never happened, right? Like, I never made a call on a database platform because of a poster that was up at, you know, San Jose Airport. And so I think that's this thing that developers in particular, have really good BS filters, and you can sort of see through.Corey: What I have heard about the airport advertising space—and I but a humble cloud economist; I don't know if this is necessarily accurate or not—but if you have a company like Accenture, for example, that advertises on airport billboards, they don't even bother to list their website. If you go to their website, it turns out that there's no shopping cart function. I cannot add ‘one consulting' to my cart and make a purchase.Anil: “Ten pounds of consult, please.”Corey: Right? I feel like the primary purpose there might very well be that when someone presents to your board and says, “All right, we've had this conversation with Accenture.” The response is not, “Who?” It's a brand awareness play, on some level. That said, you say you don't do a bunch traditional advertising, but honestly, I feel like you advertise—more successfully—than I do at The Duckbill Group, just by virtue of having a personality running the company, in your case.Now, your platform is for the moment, slightly larger than mine, but that's okay,k I have ambition and a tenuous grasp of reality and I'm absolutely going to get there one of these days. But there is something to be said for someone who has a track record of doing interesting things and saying interesting things, pulling a, “This is what I do and this is how I do it.” It almost becomes a personality-led marketing effort to some degree, doesn't it?Anil: I'm a little mindful of that, right, where I think—so a little bit of context and history: Glitch as a company is actually 20 years old. The product is only a few years old, but we were formerly called Fog Creek Software, co-founded by Joel Spolsky who a lot of folks will know from back in the day as Joel on Software blog, was extremely influential. And that company, under leadership of Joel and his co-founder Michael Pryor spun out Stack Overflow, they spun out Trello. He had created, you know, countless products over the years so, like, their technical and business acumen is off the charts.And you know, I was on the board of Stack Overflow from, really, those first days and until just recently when they sold, and you know, you get this insight into not just how do you build a developer community that is incredibly valuable, but also has a place in the ecosystem that is unique and persists over time. And I think that's something that was very, very instructive. And so when it came in to lead Glitch I, we had already been a company with a, sort of, visible founder. Joel was as well known as a programmer as it got in the world?Corey: Oh, yes.Anil: And my public visibility is different, right? I, you know, I was a working coder for many years, but I don't think that's what people see me on social media has. And so I think, I've been very mindful where, like, I'm thrilled to use the platform I have to amplify what was created on a Glitch. But what I note is it's always, “This person made this thing. This person made this app and it had this impact, and it got these results, or made this difference for them.”And that's such a different thing than—I don't ever talk about, “We added syntax highlighting in the IDE and the editor in the browser.” It's just never it right. And I think there are people that—I love that work. I mean, I love having that conversation with our team, but I think that's sort of the difference is my enthusiasm is, like, people are making stuff and it's cool. And that sort of is my lens on the whole world.You know, somebody makes whatever a great song, a great film, like, these are all things that are exciting. And the Glitch community's creations sort of feel that way. And also, we have other visible people on the team. I think of our sort of Head of Community, Jenn Schiffer, who's a very well known developer and her right. And you know, tons of people have read her writing and seen her talks over the years.And she and I talk about this stuff; I think she sort of feels the same way, which is, she's like, “If I were, you know, being hired by some cloud platform to show the latest primitives that they've deployed behind an API,” she's like, “I'd be miserable. Like, I don't want to do that in the world.” And I sort of feel the same way. But if you say, “This person who never imagined they would make an app that would have this kind of impact.” And they're going to, I think of just, like, the last couple of weeks, some of the apps we've seen where people are—it could be [unintelligible 00:11:53]. It could be like, “We made a Slack bot that finally gets this reporting into the right channel [laugh] inside our company, but it was easy enough that I could do it myself without asking somebody to create it even though I'm not technically an engineer.” Like, that's incredible.The other extreme, we have people that are PhDs working on machine learning that are like, “At the end of the day, I don't want to be responsible for managing and deploying. [laugh]. I go home, and so the fact that I can do this in create is really great.” I think that energy, I mean, I feel the same way. I still build stuff all the time, and I think that's something where, like, you can't fake that and also, it's bigger than any one person or one public persona or social media profile, or whatever. I think there's this bigger idea. And I mean, to that point, there are millions of developers on Glitch and they've created well over ten million apps. I am not a humble person, but very clearly, that's not me, you know? [laugh].Corey: I have the same challenge to it's, effectively, I have now a 12 employee company and about that again contractors for various specialized functions, and the common perception, I think, is that mostly I do all the stuff that we talk about in public, and the other 11 folks sort of sit around and clap as I do it. Yeah, that is only four of those people's jobs as it turns out. There are more people doing work here. It's challenging, on some level, to get away from the myth of the founder who is the person who has the grand vision and does all the work and sees all these things.Anil: This industry loves the myth of the great man, or the solo legend, or the person in their bedroom is a genius, the lone genius, and it's a lie. It's a lie every time. And I think one of the things that we can do, especially in the work at Glitch, but I think just in my work overall with my whole career is to dismantle that myth. I think that would be incredibly valuable. It just would do a service for everybody.But I mean, that's why Glitch is the way it is. It's a collaboration platform. Our reference points are, you know, we look at Visual Studio and what have you, but we also look at Google Docs. Why is it that people love to just send a link to somebody and say, “Let's edit this thing together and knock out a, you know, a memo together or whatever.” I think that idea we're going to collaborate together, you know, we saw that—like, I think of Figma, which is a tool that I love. You know, I knew Dylan when he was a teenager and watching him build that company has been so inspiring, not least because design was always supposed to be collaborative.And then you think about we're all collaborating together in design every day. We're all collaborating together and writing in Google Docs—or whatever we use—every day. And then coding is still this kind of single-player game. Maybe at best, you throw something over the wall with a pull request, but for the most part, it doesn't feel like you're in there with somebody. Certainly doesn't feel like you're creating together in the same way that when you're jamming on these other creative tools does. And so I think that's what's been liberating for a lot of people is to feel like it's nice to have company when you're making something.Corey: Periodically, I'll talk to people in the AWS ecosystem who for some reason appear to believe that Jeff Barr builds a lot of these services himself then writes blog posts about them. And it's, Amazon does not break out how many of its 1.2 million or so employees work at AWS, but I'm guessing it's more than five people. So yeah, Jeff probably only wrote a dozen of those services himself; the rest are—Anil: That's right. Yeah.Corey: —done by service teams and the rest. It's easy to condense this stuff and I'm as guilty of it as anyone. To my mind, a big company is one that has 200 people in it. That is not apparently something the world agrees with.Anil: Yeah, it's impossible to fathom an organization of hundreds of thousands or a million-plus people, right? Like, our brains just aren't wired to do it. And I think so we reduce things to any given Jeff, whether that's Barr or Bezos, whoever you want to point to.Corey: At one point, I think they had something like more men named Jeff on their board than they did women, which—Anil: Yeah. Mm-hm.Corey: —all right, cool. They've fixed that and now they have a Dave problem.Anil: Yeah [unintelligible 00:15:37] say that my entire career has been trying to weave out of that dynamic, whether it was a Dave, a Mike, or a Jeff. But I think that broader sort of challenge is this—that is related to the idea of there being this lone genius. And I think if we can sort of say, well, creation always happens in community. It always happens influenced by other things. It is always—I mean, this is why we talk about it in Glitch.When you make an app, you don't start from a blank slate, you start from a working app that's already on the platform and you're remix it. And there was a little bit of a ego resistance by some devs years ago when they first encountered that because [unintelligible 00:16:14] like, “No, no, no, I need a blank page, you know, because I have this brilliant idea that nobody's ever thought of before.” And I'm like, “You know, the odds are you'll probably start from something pretty close to something that's built before.” And that enabler of, “There's nothing new under the sun, and you're probably remixing somebody else's thoughts,” I think that sort of changed the tenor of the community. And I think that's something where like, I just see that across the industry.When people are open, collaborative, like even today, a great example is web browsers. The folks making web browsers at Google, Apple, Mozilla are pretty collaborative. They actually do share ideas together. I mean, I get a window into that because they actually all use Glitch to do test cases on different bugs and stuff for them, but you see, one Glitch project will add in folks from Mozilla and folks from Apple and folks from the Chrome team and Google, and they're like working together and you're, like—you kind of let down the pretense of there being this secret genius that's only in this one organization, this one group of people, and you're able to make something great, and the web is greater than all of them. And the proof, you know, for us is that Glitch is not a new idea. Heroku wanted to do what we're doing, you know, a dozen years ago.Corey: Yeah, everyone wants to build Heroku except the company that acquired Heroku, and here we are. And now it's—I was waiting for the next step and it just seemed like it never happened.Anil: But you know when I talked to those folks, they were like, “Well, we didn't have Docker, and we didn't have containerization, and on the client side, we didn't have modern browsers that could do this kind of editing experience, all this kind of thing.” So, they let their editor go by the wayside and became mostly deploy platform. And—but people forget, for the first year or two Heroku had an in-browser editor, and an IDE and, you know, was constrained by the tech at the time. And I think that's something where I'm like, we look at that history, we look at, also, like I said, these browser manufacturers working together were able to get us to a point where we can make something better.Corey: This episode is sponsored by our friends at Oracle HeatWave is a new high-performance accelerator for the Oracle MySQL Database Service. Although I insist on calling it “my squirrel.” While MySQL has long been the worlds most popular open source database, shifting from transacting to analytics required way too much overhead and, ya know, work. With HeatWave you can run your OLTP and OLAP, don't ask me to ever say those acronyms again, workloads directly from your MySQL database and eliminate the time consuming data movement and integration work, while also performing 1100X faster than Amazon Aurora, and 2.5X faster than Amazon Redshift, at a third of the cost. My thanks again to Oracle Cloud for sponsoring this ridiculous nonsense.Corey: I do have a question for you about the nuts and bolts behind the scenes of Glitch and how it works. If I want to remix something on Glitch, I click the button, a couple seconds later it's there and ready for me to start kicking the tires on, which tells me a few things. One, it is certainly not using CloudFormation to provision it because I didn't have time to go and grab a quick snack and take a six hour nap. So, it apparently is running on computers somewhere. I have it on good authority that this is not just run by people who are very fast at assembling packets by hand. What does the infrastructure look like?Anil: It's on AWS. Our first year-plus of prototyping while we were sort of in beta and early stages of Glitch was getting that time to remix to be acceptable. We still wish it were faster; I mean, that's always the way but, you know, when we started, it was like, yeah, you did sit there for a minute and watch your cursor spin. I mean, what's happening behind the scenes, we're provisioning a new container, standing up a full stack, bringing over the code from the Git repo on the previous project, like, we're doing a lot of work, lift behind the scenes, and we went through every possible permutation of what could make that experience be good enough. So, when we start talking about prototyping, we're at five-plus, almost six years ago when we started building the early versions of what became Glitch, and at that time, we were fairly far along in maturity with Docker, but there was not a clear answer about the use case that we're building for.So, we experimented with Docker Swarm. We went pretty far down that road; we spent a good bit of time there, it failed in ways that were both painful and slow to fix. So, that was great. I don't recommend that. In fairness, we have a very unusual use case, right? So, Glitch now, if you talk about ten million containers on Glitch, no two of those apps are the same and nobody builds an orchestration infrastructure assuming that every single machine is a unique snowflake.Corey: Yeah, massively multi-tenant is not really a thing that people know.Anil: No. And also from a security posture Glitch—if you look at it as a security expert—it is a platform allowing anonymous users to execute arbitrary code at scale. That's what we do. That's our job. And so [laugh], you know, so your threat model is very different. It's very different.I mean, literally, like, you can go to Glitch and build an app, running a full-stack app, without even logging in. And the reason we enable that is because we see kids in classrooms, they're learning to code for the first time, they want to be able to remix a project and they don't even have an email address. And so that was about enabling something different, right? And then, similarly, you know, we explored Kubernetes—because of course you do; it's the default choice here—and some of the optimizations, again, if you go back several years ago, being able to suspend a project and then quickly sort of rehydrate it off disk into a running app was not a common use case, and so it was not optimized. And so we couldn't offer that experience because what we do with Glitch is, if you haven't used an app in five minutes, and you're not a paid member, who put that app to sleep. And that's just a reasonable—Corey: Uh, “Put the app to sleep,” as in toddler, or, “Put the app to sleep,” as an ill puppy.Anil: [laugh]. Hopefully, the former, but when we were at our worst and scaling the ladder. But that is that thing; it's like we had that moment that everybody does, which is that, “Oh, no. This worked.” That was a really scary moment where we started seeing app creation ramping up, and number of edits that people were making in those apps, you know, ramping up, which meant deploys for us ramping up because we automatically deploy as you edit on Glitch. And so, you know, we had that moment where just—well, as a startup, you always hope things go up into the right, and then they do and then you're not sleeping for a long time. And we've been able to get it back under control.Corey: Like, “Oh, no, I'm not succeeding.” Followed immediately by, “Oh, no, I'm succeeding.” And it's a good problem to have.Anil: Exactly. Right, right, right. The only thing worse than failing is succeeding sometimes, in terms of stress levels. And organizationally, you go through so much; technically, you go through so much. You know, we were very fortunate to have such thoughtful technical staff to navigate these things.But it was not obvious, and it was not a sort of this is what you do off the shelf. And our architecture was very different because people had looked at—like, I look at one of our inspirations was CodePen, which is a great platform and the community love them. And their front end developers are, you know, always showing off, “Here's this cool CSS thing I figured out, and it's there.” But for the most part, they're publishing static content, so architecturally, they look almost more like a content management system than an app-running platform. And so we couldn't learn anything from them about our scaling our architecture.We could learn from them on community, and they've been an inspiration there, but I think that's been very, very different. And then, conversely, if we looked at the Herokus of the world, or all those sort of easy deploy, I think Amazon has half a dozen different, like, “This will be easier,” kind of deploy tools. And we looked at those, and they were code-centric not app-centric. And that led to fundamentally different assumptions in user experience and optimization.And so, you know, we had to chart our own path and I think it was really only the last year or so that we were able to sort of turn the corner and have high degree of confidence about, we know what people build on Glitch and we know how to support and scale it. And that unlocked this, sort of, wave of creativity where there are things that people want to create on the internet but it had become too hard to do so. And the canonical example I think I was—those of us are old enough to remember FTPing up a website—Corey: Oh, yes.Anil: —right—to Geocities, or whatever your shared web host was, we remember how easy that was and how much creativity was enabled by that.Corey: Yes, “How easy it was,” quote-unquote, for those of us who spent years trying to figure out passive versus active versus ‘what is going on?' As far as FTP transfers. And it turns out that we found ways to solve for that, mostly, but it became something a bit different and a bit weird. But here we are.Anil: Yeah, there was definitely an adjustment period, but at some point, if you'd made an HTML page in notepad on your computer, and you could, you know, hurl it at a server somewhere, it would kind of run. And when you realize, you look at the coding boot camps, or even just to, like, teach kids to code efforts, and they're like, “Day three. Now, you've gotten VS Code and GitHub configured. We can start to make something.” And you're like, “The whole magic of this thing getting it to light up. You put it in your web browser, you're like, ‘That's me. I made this.'” you know, north star for us was almost, like, you go from zero to hello world in a minute. That's huge.Corey: I started participating one of those boot camps a while back to help. Like, the first thing I changed about the curriculum was, “Yeah, we're not spending time teaching people how to use VI in, at that point, the 2010s.” It was, that was a fun bit of hazing for those of us who were becoming Unix admins and knew that wherever we'd go, we'd find VI on a server, but here in the real world, there are better options for that.Anil: This is rank cruelty.Corey: Yeah, I mean, I still use it because 20 years of muscle memory doesn't go away overnight, but I don't inflict that on others.Anil: Yeah. Well, we saw the contrast. Like, we worked with, there's a group called Mouse here in New York City that creates the computer science curriculum for the public schools in the City of New York. And there's a million kids in public school in New York City, right, and they all go through at least some of this CS education. [unintelligible 00:24:49] saw a lot of work, a lot of folks in the tech community here did. It was fantastic.And yet they were still doing this sort of very conceptual, theoretical. Here's how a professional developer would set up their environment. Quote-unquote, “Professional.” And I'm like, you know what really sparks kids' interests? If you tell them, “You can make a page and it'll be live and you can send it to your friend. And you can do it right now.”And once you've sparked that creative impulse, you can't stop them from doing the rest. And I think what was wild was kids followed down that path. Some of the more advanced kids got to high school and realized they want to experiment with, like, AI and ML, right? And they started playing with TensorFlow. And, you know, there's collaboration features in Glitch where you can do real-time editing and a code with this. And they went in the forum and they were asking questions, that kind of stuff. And the people answering their questions were the TensorFlow team at Google. [laugh]. Right?Corey: I remember those days back when everything seemed smaller and more compact, [unintelligible 00:25:42] but almost felt like a balkanization of community—Anil: Yeah.Corey: —where now it's oh, have you joined that Slack team, and I'm looking at this and my machine is screaming for more RAM. It's, like, well, it has 128 gigs in it. Shouldn't that be enough? Not for Slack.Anil: Not for chat. No, no, no. Chat is demanding.Corey: Oh, yeah, that and Chrome are basically trying to out-ram each other. But if you remember the days of volunteering as network staff on Freenode when you could basically gather everyone for a given project in the entire stack on the same IRC network. And that doesn't happen anymore.Anil: And there's something magic about that, right? It's like now the conversations are closed off in a Slack or Discord or what have you, but to have a sort of open forum where people can talk about this stuff, what's wild about that is, for a beginner, a teenage creator who's learning this stuff, the idea that the people who made the AI, I can talk to, they're alive still, you know what I mean? Like, yeah, they're not even that old. But [laugh]. They think of this is something that's been carved in stone for 100 years.And so it's so inspiring to them. And then conversely, talking to the TensorFlow team, they made these JavaScript examples, like, tensorflow.js was so accessible, you know? And they're like, “This is the most heartwarming thing. Like, we think about all these enterprise use cases or whatever. But like, kids wanting to make stuff, like recognize their friends' photo, and all the vision stuff they're doing around [unintelligible 00:26:54] out there,” like, “We didn't know this is why we do it until we saw this is why we do it.”And that part about connecting the creative impulse from both, like, the most experienced, advanced coders at the most august tech companies that exist, as well as the most rank beginners in public schools, who might not even have a computer at home, saying that's there—if you put those two things together, and both of those are saying, “I'm a coder; I'm able to create; I can make something on the internet, and I can share it with somebody and be inspired by it,” like, that is… that's as good as it gets.Corey: There's something magic in being able to reach out to people who built this stuff. And honestly—you shouldn't feel this way, but you do—when I was talking to the folks who wrote the things I was working on, it really inspires you to ask better questions. Like when I'm talking to Dr. Venema, the author of Postfix and I'm trying to figure out how this thing works, well, I know for a fact that I will not be smarter than he is at basically anything in that entire universe, and maybe most beyond that, as well, however, I still want to ask a question in such a way that doesn't make me sound like a colossal dumbass. So, it really inspires you—Anil: It motivates you.Corey: Oh, yeah. It inspires you to raise your question bar up a bit, of, “I am trying to do x. I expect y to happen. Instead, z is happening as opposed to what I find the documentation that”—oh, as I read the documentation, discover exactly what I messed up, and then I delete the whole email. It's amazing how many of those things you never send because when constructing a question the right way, you can help yourself.Anil: Rubber ducking against your heroes.Corey: Exactly.Anil: I mean, early in my career, I'd gone through sort of licensing mishap on a project that later became open-source, and sort of stepped it in and as you do, and unprompted, I got an advice email from Dan Bricklin, who invented the spreadsheet, he invented VisiCalc, and he had advice and he was right. And it was… it was unreal. I was like, this guy's one of my heroes. I grew up reading about his work, and not only is he, like, a living, breathing person, he's somebody that can have the kindness to reach out and say, “Yeah, you know, have you tried this? This might work.”And it's, this isn't, like, a guy who made an app. This is the guy who made the app for which the phrase killer app was invented, right? And, you know, we've since become friends and I think a lot of his inspiration and his work. And I think it's one of the things it's like, again, if you tell somebody starting out, the people who invented the fundamental tools of the digital era, are still active, still building stuff, still have advice to share, and you can connect with them, it feels like a cheat code. It feels like a superpower, right? It feels like this impossible thing.And I think about like, even for me, the early days of the web, view source, which is still buried in our browser somewhere. And you can see the code that makes the page, it felt like getting away with something. “You mean, I can just look under the hood and see how they made this page and then I can do it too?” I think we forget how radical that is—[unintelligible 00:29:48] radical open-source in general is—and you see it when, like, you talk to young creators. I think—you know, I mean, Glitch obviously is used every day by, like, people at Microsoft and Google and the New York Timesor whatever, like, you know, the most down-the-road, enterprise developers, but I think a lot about the new creators and the people who are learning, and what they tell me a lot is the, like, “Oh, so I made this app, but what do I have to do to put it on the internet?”I'm like, “It already is.” Like, as soon as you create it, that URL was live, it all works. And their, like, “But isn't there, like, an app store I have to ask? Isn't there somebody I have to get permission to publish this from? Doesn't somebody have to approve it?”And you realize they've grown up with whether it was the app stores on their phones, or the cartridges in their Nintendo or, you know, whatever it was, they had always had this constraint on technology. It wasn't something you make; it's something that is given to you, you know, handed down from on high. And I think that's the part that animates me and the whole team, the community, is this idea of, like, I geek out about our infrastructure. I love that we're doing deploys constantly, so fast, all the time, and I love that we've taken the complexity away, but the end of the day, the reason why we do it, is you can have somebody just sort of saying, I didn't realize there was a place I could just make something put it in front of, maybe, millions of people all over the world and I don't have to ask anybody permission and my idea can matter as much as the thing that's made by the trillion-dollar company.Corey: It's really neat to see, I guess, the sense of spirit and soul that arises from a smaller, more, shall we say, soulful company. No disparagement meant toward my friends at AWS and other places. It's just, there's something that you lose when you get to a certain point of scale. Like, I don't ever have to have a meeting internally and discuss things, like, “Well, does this thing that we're toying with doing violate antitrust law?” That is never been on my roadmap of things I have to even give the slightest crap about.Anil: Right, right? You know, “What does the investor relations person at a retirement fund think about the feature that we shipped?” Is not a question that we have to answer. There's this joy in also having community that sort of has come along with us, right? So, we talk a lot internally about, like, how do we make sure Glitch stays weird? And, you know, the community sort of supports that.Like, there's no reason logically that our logo should be the emoji of two fish. But that kind of stuff of just, like, it just is. We don't question it anymore. I think that we're very lucky. But also that we are part of an ecosystem. I also am very grateful where, like… yeah, that folks at Google use Glitch as part of their daily work when they're explaining a new feature in Chrome.Like, if you go to web.dev and their dev portal teaches devs how to code, all the embedded examples go to these Glitch apps that are running, showing running code is incredible. When we see the Stripe team building examples of, like, “Do you want to use this new payment API that we made? Well, we have a Glitch for you.” And literally every day, they ship one that sort of goes and says, “Well, if you just want to use this new Stripe feature, you just remix this thing and it's instantly running on Glitch.”I mean, those things are incredible. So like, I'm very grateful that the biggest companies and most influential companies in the industry have embraced it. So, I don't—yeah, I don't disparage them at all, but I think that ability to connect to the person who'd be like, “I just want to do payments. I've never heard of Stripe.”Corey: Oh yeah.Anil: And we have this every day. They come into Glitch, and they're just like, I just wanted to take credit cards. I didn't know there's a tool to do that.Corey: “I was going to build it myself,” and everyone shrieks, “No, no. Don't do that. My God.” Yeah. Use one of their competitors, fine,k but building it yourself is something a lunatic would do.Anil: Exactly. Right, right. And I think we forget that there's only so much attention people can pay, there's only so much knowledge they have.Corey: Everything we say is new to someone. That's why I always go back to assuming no one's ever heard of me, and explain the basics of what I do and how I do it, periodically. It's, no one has done all the mandatory reading. Who knew?Anil: And it's such a healthy exercise to, right, because I think we always have that kind of beginner's mindset about what Glitch is. And in fairness, I understand why. Like, there have been very experienced developers that have said, “Well, Glitch looks too colorful. It looks like a toy.” And that we made a very intentional choice at masking—like, we're doing the work under the hood.And you can drop down into a terminal and you can do—you can run whatever build script you want. You can do all that stuff on Glitch, but that's not what we put up front and I think that's this philosophy about the role of the technology versus the people in the ecosystem.Corey: I want to thank you for taking so much time out of your day to, I guess, explain what Glitch is and how you view it. If people want to learn more about it, about your opinions, et cetera. Where can they find you?Anil: Sure. glitch.com is easiest place, and hopefully that's a something you can go and a minute later, you'll have a new app that you built that you want to share. And, you know, we're pretty active on all social media, you know, Twitter especially with Glitch: @glitch. I'm on as @anildash.And one of the things I love is I get to talk to folks like you and learn from the community, and as often as not, that's where most of the inspiration comes from is just sort of being out in all the various channels, talking to people. It's wild to be 20-plus years into this and still never get tired of that.Corey: It's why I love this podcast. Every time I talk to someone, I learn something new. It's hard to remain too ignorant after you have enough people who've shared wisdom with you as long as you can retain it.Anil: That's right.Corey: Thank you so much for taking the time to speak with me.Anil: So, glad to be here.Corey: Anil Dash, CEO of Gletch—or Glitch as he insists on calling it. I'm Cloud Economist Corey Quinn and this is Screaming in the Cloud. If you've enjoyed this podcast, please leave a five-star review on your podcast platform of choice, whereas if you've hated this podcast, please leave a five-star review on your podcast platform of choice along with an angry comment telling me how your small team at AWS is going to crush Glitch into the dirt just as soon as they find a name that's dumb enough for the service.Corey: If your AWS bill keeps rising and your blood pressure is doing the same, then you need The Duckbill Group. We help companies fix their AWS bill by making it smaller and less horrifying. The Duckbill Group works for you, not AWS. We tailor recommendations to your business and we get to the point. Visit duckbillgroup.com to get started.Announcer: This has been a HumblePod production. Stay humble.
Criado em maio de 2014 pelo artista digital Kevin McCoy e o empreendedor Anil Dash, o NFT é a sigla para "non-fungible token" que, em português, pode ser traduzido para "token não fungível", uma espécie de registro eletrônico que não pode ser trocado por dinheiro e serve como um certificado digital de propriedade para confirmar autenticidade. No episódio de hoje convidamos Luciano Mathias, que é sócio e Diretor de criação da TRIO para falar sobre NFTs, como estão alterando os direitos de propriedade no mundo digital e quais as tendências para 2022.
There are two segments in this week's show: First- Ifeoma Ozoma is the Founder and Principal of Earthseed, a consulting firm advising individuals, organizations, and companies on tech accountability, public policy and health misinformation. A tech policy expert, Ifeoma is a co-sponsor of the Silenced No More Act. The legislation, authored by CA State Senator Connie Leyva and recently signed into law by Governor Gavin Newsom, allows everyone in California to share information about discrimination or harassment they have faced on the job, even after signing an NDA. Ifeoma led an initiative to provide tech whistleblowers with needed resources called the Tech Worker Handbook, and is now leading a project to scale the protections in the Silenced No More Act to more companies and workers via shareholder activism. Second- this week, the Filter Bubble Transparency Act was unveiled in the House of Representatives. The proposed legislation would require “require that internet platforms give users the option to engage with a platform without being manipulated by algorithms driven by user-specific data.” To explore the ideas behind the proposed legislation, I spoke to two people: Anil Dash, CEO of Glitch and an entrepreneur and writer; and Eli Pariser, Co-Director of New Public, an activist, an entrepreneur and author of the 2011 bestseller The Filter Bubble.
Twenty months since the start of the pandemic, economic recovery has been uneven at best. This week, On the Media takes a look at one sector that's been booming: cryptocurrency and, in particular, NFTs. Hear how a technology invented to give artists more control over their work has become a tool for speculators hoping to win big. 1. Anil Dash [@anildash], CEO of Glitch, helps explain the origin of NFTs. Listen. 2. OTM Correspondent Micah Loewinger [@MicahLoewinger] attends an NFT auction featuring Carlos Matos, one of crypto's most unlikely proponents. Listen. 3. Anil Dash [@anildash] on his ambivalence of what has come from his creation. Listen. Music:72 Degrees and Sunny by Thomas NewmanEye Surgery by Thomas NewmanHorizon 12.2 by Thomas NewmanOkami by Nicola CruzBitconnect Carlos Matos (What Is Love) by PsycholPenguins by Michael HurleySolice by Scott JoplinCarlos Matos (Take On Me) by MemeskiBubblewrap by Thomas NewmanVie En Rose by Toots Thielemans On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.
Twenty months since the start of the pandemic, economic recovery has been uneven at best. This week, On the Media takes a look at one sector that's been booming: cryptocurrency and, in particular, NFTs. Hear how a technology invented to give artists more control over their work has become a tool for speculators hoping to win big. 1. Anil Dash [@anildash], CEO of Glitch, helps explain the origin of NFTs. Listen. 2. OTM Correspondent Micah Loewinger [@MicahLoewinger] attends an NFT auction featuring Carlos Matos, one of crypto's most unlikely proponents. Listen. 3. Anil Dash [@anildash] on his ambivalence of what has come from his creation. Listen. Music:72 Degrees and Sunny by Thomas NewmanEye Surgery by Thomas NewmanHorizon 12.2 by Thomas NewmanOkami by Nicola CruzBitconnect Carlos Matos (What Is Love) by PsycholPenguins by Michael HurleySolice by Scott JoplinCarlos Matos (Take On Me) by MemeskiBubblewrap by Thomas NewmanVie En Rose by Toots Thielemans
In our latest episode, regular hosts Haitch and Jason are joined by the CEO of Glitch, and noted Prince historian, Anil Dash. We discuss the movie that changed geek culture forever, Tim Burton's Batman (1989). Anil gives us a DETAILED history of Prince's career and the groundbreaking legacy of his Batman soundtrack, and we relive powerful moments from our youth. Chapters Introduction (00:00:00) Dune News (00:10:05) Roundtable Discussion (00:20:43) Your Letters (01:35:07) Notes and Links Cats Can Has Grammar. Anil wrote a thoughtful article (in 2007!) that over a million people read. Check it out on anildash.com. Anil's Legendary Batdance Twitter Thread. Anil has been writing this thread (since 2014!) on the background of Prince's wildest song. Check it out on Twitter. Read our episode transcripts! Check out our transcripts every week on the Dune Pod Medium page. Join the Dune Pod Discord Server! Hang out with Haitch, Jason, guest hosts, and other friends of the pod. Check out the invite here. Dune Pod is a TAPEDECK Podcasts Jawn! Dune Pod is a member of TAPEDECK Podcasts, a collaboration of podcasts, featuring tons of talent you have heard on Dune Pod, including: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers comics and movies), Will Run For (obsessing about running), and Film Hags (a podcast about movies hosted by four hag friends). Check these pods out!. Tim O'Reilly's 1977 biography Frank Herbert See the movies we've watched and are going to watch on Letterboxd Dune Pod's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@dunepod.com or leave us a voicemail at +1-415-534-5211. Dune Pod: your one stop shop to get fully prepared for the new Dune movie by delving into the books, as well as the films directed by Denis Villeneuve and featuring the cast and crew of the new film. Dune neophytes and historians alike are welcome to join our tribe. Follow @dunepod on Twitter and Instagram Music by Tobey Forsman of Whipsong Music Cover art by @ctcher Dune Pod is a TAPEDECK Podcasts Jawn Dune Pod is a production of Haitch Industries
Engineer Jason Agel and tech expert Anil Dash join co-hosts Andrea Swensson and Shelby J. to discuss Prince's final work on Welcome 2 America in 2010 and his growing skepticism about selling music and retaining ownership over his work in the digital era, which he references in lyrics throughout the album.
Here's The Secret: Your legacy and Legacy Story may actually be something you've already experienced or never anticipated. It certainly can be something you can create starting today. I hope you join me today and in future episodes as I dive deeper into the Legacy Story journey of myself, special guests and you… the listeners. In This Episode: - What is an NFT? - The History Of NFTs - The Legacy Story Of NFT Pioneers Counterparty, Anil Dash & Kevin McCoy - Top Ten Sales Of NFTs Links Mentioned In This Episode: Financial Coaching Services: InFinancer.com The Super Easy Cryptocurrency App: Coinbase If you like this podcast, please consider donating via CashApp At $InFinancer You can follow the show on social media @yourlegacystory (Twitter is @thelegacystory) or follow me on social media @InFinancer. Don't forget to share this podcast with your friends & subscribe to Legacy Story wherever you listen to podcasts. Feel free to email me your questions or Legacy Story suggestions at LegacyStoryPodcast@InFinancer.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/legacystory/message Support this podcast: https://podcasters.spotify.com/pod/show/legacystory/support
Paris Marx is joined by Jacob Silverman to discuss the implications of the recent NFT boom, the libertarian ideology that underpins crypto, and where the hype economy goes from here.Jacob Silverman is a staff writer at The New Republic and the author of “Terms of Service: Social Media and the Price of Constant Connection.” Follow Jacob on Twitter as @SilvermanJacob.
“Lady” is an advocate for social change, vibrant businesswoman, internationally trained makeup artist, celebrity costumer/clothier, style icon, former model, and Mother of two. She is known to many as the empowering facilitator of her classic and signature Return of the Lady (ROTL) tea party seminars, established in 2003. ROTL, a division of Inner Makeup Enterprises (INRME), is a program suited for all ages, genders, ethnicities, and cultures. In June of 2016, ROTL was invited to the inaugural White House United State of Women (USOW) Summit, hosted by First Lady Michelle Obama, President Barack Obama, and Oprah, and honored as a “Nominated Change Maker.” This honor was achieved based on the work the ROTL organization had accomplished in its advocacy work in the areas of IPV/domestic violence and teen pregnancy. It was a honor only bestowed to leading activists, academics, journalists, public officials, and business leaders across the country. Currently, The Lady is working on her first book, with future plans to shop a television show entitled, The Return of the Lady. The Lady can also be seen as a subject in PBS’s new documentary Fast Forward. L'Oréal McCollum, LSW, MSW, M.Ed., (she/her) is an internationally accomplished multihyphenate--artist, wellbeing practitioner, and educator--on a journey to inspire radical joy, authenticity, empathy, and healing. Born in Richmond, Virginia and raised in Landstuhl, Germany and Atlanta, Georgia, her interests in sociology, the performing arts, and the inner workings of the brain blossomed during her early adolescent years where she drew inspiration from her father (a then-mental health counselor in the Air Force) and mother (a then-spokesmodel/brand executive for an international cosmetics company). Through the years, she has gained unique experience in the areas of community health & wellness, training & education, the healing arts, nightlife/restaurant hospitality, social activism, public affairs, communication media, and entertainment. She currently serves as the Black Mental Health & Healing Justice Training Coordinator/Trainer for BEAM (The Black Emotional and Mental Health Collective). In addition to her work with BEAM, she cultivates joy through expressing her artistry as a commercial actor/model and vinyl DJ. She is a graduate of Widener University where she completed an Advanced Graduate Certificate in Human Sexuality Studies (i.e. all but dissertation), as well as a M.Ed. in Human Sexuality Studies and MSW in Clinical Social Work. She also earned a BS degree in Communications (with a concentration in Media Studies) from Kennesaw State University. She can also be seen as a subject in PBS’s new documentary Fast Forward. "TK" Dutes is a nurse turned audio producer and co-host of TK in The AM, recently celebrating 1000 episodes of live streaming morning radio on Bondfire Radio. With experience spanning terrestrial radio (WBAI-NY) , online, podcast (Buzzfeed's "Thirst Aid Kit", Function with Anil Dash, Hear to Slay) and audio drama, her life in audio is all encompassing. TK's has a passion for Black audio drama, having produced W.E.B DuBois' The Comet, and The Weeksvile Project, a story about a free Black community Brooklyn, N.Y. She also spreads the gospel of radio and podcasting through workshops and mentorship, and was recently listed on Current.org's "Black Talents in Public Media You Should Know." Currently, she is on the board of the Association of Independents in Radio, and an Executive Producer at Spoke Media at the helm of Good Words with Kirk Franklin and more. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), Hysterical at FX on Hulu, Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf
In a sense, cars are a bit like the internet comments section of the real world. Driving, like leaving a reply on a message board or posting something on Twitter, can be done anonymously, dividing people from their fellow human beings and even leading to aggressive behavior… if not the complete corrosion of polite society. With custom details and bumper stickers promoting political ideologies and pithy slogans, cars are also outward expressions of personal identity… just like one's social media presence. To unpack the similarities between the sprawling systems of online communication and personal transportation, Doug talks to Anil Dash, the tech entrepreneur and pioneering blogger who's served as a sharp and thoughtful critic of the industry in which he has spent most of his career. Is a better, more humane internet possible? If so, what lessons can be learned for people who want safer, more humane streets? And what would Prince think? SHOW NOTES: Learn more about Anil Dash, including his love of bike sharing and his belief that, as a New Yorker, “there's never been a better time to walk down the street.” Follow Anil on Twitter: @anildash “New York City Fit How I Thought The World Should Work.” (TransAlt) This episode was sponsored in part by our friends at Cleverhood. Get 20% off your purchase of stylish, functional rain gear designed specifically for walking and biking with coupon code WARONCARS. Support The War on Cars on Patreon for exclusive access to bonus episodes and nifty rewards like stickers and more. Get an official War on Cars coffee mug and other goodies at our new online store. Buy a War on Cars t-shirt or sweatshirt at Cotton Bureau and check out The War on Cars library at Bookshop.org. Rate and review the podcast on iTunes. This episode was produced and edited by Doug Gordon. Our music is by Nathaniel Goodyear. Our logo is by Dani Finkel of Crucial D. Find us on Twitter: @TheWarOnCars, Aaron Naparstek @Naparstek, Doug Gordon @BrooklynSpoke, Sarah Goodyear @buttermilk1 Questions, comments or suggestions? Send a voice memo of 30 seconds or less to thewaroncars@gmail.com. TheWarOnCars.org
Twitter is revving the little blue checkmark engine back up, but it will work slightly differently than before. Stripe is either already impossibly big, or not nearly as big as it should be, depending on your point of view. Are you ready to speculate about the next generation of Apple Silicon chips? And, uniquely for this week, the week… end longreads suggestions.Sponsors:VistaPrint.com/techmemeTovala.com for $200 off the oven!Links: Twitter to relaunch account verifications in early 2021, asks for feedback on policy (TechCrunch) Payments Startup Stripe in Talks for Funding at $70 Billion Valuation or More (Bloomberg) MacBook Pro 16-inch M1X chip just leaked — and it's game over for Intel (Tom's Guide) Kuo: iPhone 12 demand strong, new form factor Apple Watch and MacBooks in late 2021 (9to5Mac)Ethereum 2.0’s Genesis Day Is Officially Set for Dec. 1 (Coindesk)Week-end Longread Suggestions:Can Shopify Compete With Amazon Without Becoming Amazon? (NYTimes Magazine) Hollywood’s ‘We’re Not in Kansas Anymore’ Moment (NYTimes) How Venture Capitalists Are Deforming Capitalism (The New Yorker) Substack got lucky, and so did Margins (Margins) Why a Paid Newsletter Won't Be Enough Money for Most Writers (And That's Fine): The Multi-SKU Creator (Hunter Walk) If your website's full of assholes, it's your fault (Anil Dash)
Special guest Anil Dash joins the show. Topics include the 25th anniversary of Windows 95, and the parallels between the cyber era of computing and today’s App Store controversies.
Glitch CEO Anil Dash joins me to reflect on the past, present, and future of who we are when we're with our tech, starting with the inception of that crazy little acronym -- JOMO. In this episode, we discuss:How the domination of the digital landscape by social media and marketing was neither a natural nor inevitable progressionHow Anil's moments of unplugged silence have made him realize how missing out is its own rewardThe double-edged sword of fame, social influence, and self-censorshipThe ways mindful tech use can be harnessed for social goodHow the digital landscape can evolve in the coming decade to build communityWhy YOU have a part to play in helping individual voices reclaim the web Links: JOMOcast.com | Glitch.com See acast.com/privacy for privacy and opt-out information.
Early Web pioneer and Glitch CEO Anil Dash has been a strong voice championing the core values of the Web since practically as long as it has existed. Along the way, he was an early executive at Movable Type, an adviser to the Obama Whitehouse's Office of Digital Strategy, and adviser to companies like Medium and Donor's Choose.Today Anil is the CEO of Glitch, a company that makes it easy to make apps, bots, art and all sorts of digital experiences, all within the Web browser, alongside a community of millions of other supportive creators.We talk a lot about how the sites and platforms of today could be more inclusive, more ethical and more humane, and of course about Glitch and the joy of watching people make things for the Web.. and if you know Anil, you know we also had to talk about Prince, and his Webby 5 Word Speech, Everything you think, is true. As a real Prince nerd, he helps us fill in some of the gaps of what Prince meant with those five words Hosted on Acast. See acast.com/privacy for more information.
Can platforms like Facebook or Twitter or Instagram help with depression? They do offer a quick way to connect with other humans, after all. But then again, do they? Are you talking to a human or are you just alone and typing? Tech thinker and Glitch CEO Anil Dash has been addressing the benefits and problems of social media for twenty years, since before even MySpace and Friendster. He also has a history of depression, which made it hard to run his own business at times, a business he had started when he was seventeen years old. Check out Anil's podcast, Function with Anil Dash. You can pre-order John's book at bit.ly/HilariousWorldBook. Follow us on Twitter: @THWofD Like us on Facebook: facebook.com/thwod Support our show today: hilariousworld.org/donate
It's almost Thanksgiving, which means that many of us will find ourselves elbow to elbow with family members, some of whom may have wildly differing opinions on topics like whether cranberry sauce should be homemade or canned, and who should be president. Before things get too heated, we recommend listening to this episode. Social psychologist Jonathan Haidt will explain why there's value in being exposed to different opinions, and blogger and entrepreneur Anil Dash talks to us about how we should treat each other despite our differences. Then, writer and theorist Andra Medea gives us five steps for defusing a Thanksgiving fight. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Carolyn and Seth discuss Anil Dash's article "There is No Technology Industry," then preview next week's Channel Directions Live. Anil's article: medium.com/humane-tech/there-i…4dfb3ed7#.9s9674ot9 Channel Directions: channeldirections.com
It's been on my mind since day one. I talk to Anil Dash, technologist and long-time diversity and inclusion advocate. But first, I chat with betaworks CEO John Borthwick about D&I, as well as recent grad and Twitter hire, Terri Burns. Full interview with Anil Dash: http://bit.ly/2axGUi5 Get your first 2 meal free: www.blueapron.com/intern Links: www.hiretechladies.com http://projectinclude.org http://www.c4q.nyc http://www.blackgirlscode.com https://en.wikipedia.org/wiki/Rooney_Rule Follow Anil Dash @anildash, Terri Burns @tcburning Music: -Upright TRex http://uprighttrexmusic.com -Erin Barra www.mammabarra.com -Interstellar Export by The Insider http://freemusicarchive.org/music/The_Insider/ Source: The Free Music Archive http://freemusicarchive.org/ License: CC by S-A 3.0 -Interstate 70 Rain Chants by Fields Ohio https://www.facebook.com/fieldsofohio Source: The Free Music Archive http://freemusicarchive.org/ ...
If you haven't heard of FOMO (Fear Of Missing Out) by now... well, no fear. There are cartoons to get you up to speed. There is a definition in the Oxford English Dictionary. There are diagnostic quizzes. There is a heavily-annotated Wikipedia entry. There is also a meaningful counter-term: JOMO (Joy Of Missing Out). And yes, the person behind FOMO and the person behind JOMO know each other - they are, in fact, old friends. Technologists Caterina Fake and Anil Dash – popularizers of FOMO and JOMO respectively – say they wish more had changed since they published their now-famous blog posts five years ago. On this week's episode of Note to Self, the two talk about the utility of acronyms, the importance of thoughtful software design, and the recent history of the Internet as we know it. "I don't think Silicon valley today, the technologists coming of age today who have always had access to the Internet and were born into it, understand that there are ethical choices to be reckoned with in the way that we build our apps and the way we build technology," Dash says. Fake agrees. She says that sense of "oh there is something I should be paying attention to" has been built into the platforms we use – our attention is the currency by which social networks are considered successful. "It's a lot of work to tilt the meters more towards the JOMO end of the spectrum," she says. "Software is good at exploiting those tendencies that we are unaware of or subject to. I think that a very conscious approach – media literacy, and ethics classes –are really where we need to be. As a culture, as a society, we know the software isn't going to go away. All of this is going to be with us and we should take it for granted that it will remain." It's a sentiment we know a little too well. Especially the certifiable digital junkies among us. (Note To Self) Read Caterina Fake's 2011 post about FOMO here. Read Anil Dash's 2012 post about JOMO here. For more conversations like this one, subscribe to Note to Self on iTunes, Stitcher, TuneIn, I Heart Radio, or anywhere else using our RSS feed.
Anil Dash is co-founder and CEO of ThinkUp and has a 3.5-year-old son.NotesAnil Dash@anildash on TwitterThinkUpThe Good Web BundleSponsorGitHub See acast.com/privacy for privacy and opt-out information.
Anil Dash and Jeffrey Zeldman discuss how government, media, and tech shape the world, and how we can influence them in turn. Our first meeting at SXSW in 2002. How selling CMS systems teaches you the dysfunction at media companies and organizations. Working for the music industry at the dawn of Napster. RFP-EZ. The early days of blogging. Designing websites for the government—the procurement problem. If we're pouring all this time into social media, what do we want to get out of it? How big institutions work and how to have an impact on them. Living in “Joe's Apartment.” Why, until recently, federal agencies that wanted a blog couldn't use WordPress or Tumblr and how the State Dept got on Tumblr. Achieving empathy for institutions. Being more thoughtful about what I share and who I amplify on social media. The launch of Thinkup, and a special offer exclusively for Big Web Show listeners.
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