Podcast appearances and mentions of Lisa Coleman

A petition calling for safety measures on a road where a child died in a crash in Shannon has been launched. Dylan Coady Coleman died after being struck by a car at Purcell Park in February 2024. The 10 year-old's aunt is behind the petition seeking urgent changes on the road beside Purcell Park and St Patrick's comprehensive school in Shannon. Lisa Coleman has launched the petition in Dylan's memory. Alan Morrissey spoke with Lisa, and her sister Deirdre O'Neill earlier..

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠It's YOUR time to #EdUpIn this episode, President Series #358,  (Powered By ⁠⁠⁠Ellucian⁠⁠⁠), & brought to YOU by Ellucian LIVE 2025 & HigherEd PodConYOUR guest is ⁠⁠Dr. Lisa Coleman, President, Adler UniversityYOUR host is ⁠⁠⁠⁠Dr. Joe SallustioHow can universities leverage partnerships for growth & sustainability?Why is branding & differentiation critical in higher education?How can institutions expand their impact through mental health initiatives?What role does AI play in the future of education & student well-being?How can graduate institutions drive innovation in higher ed?Topics include:Expanding health & equity initiatives in educationStrengthening alumni engagement & community partnershipsThe impact of global education & collaborationInnovating in graduate education for the future workforceBuilding strong institutional trust & leadershipNavigating enrollment shifts & sustainability strategiesFor #EdUp Subscribers only via the extended conversation:Leadership philosophy for new university presidentsBuilding institutional trust & credibilityStrategies for long-term sustainability in higher edExpanding mental health initiatives in educationThe future of partnerships in higher educationInnovations in student engagement & retentionListen in to #EdUpDo YOU want to accelerate YOUR professional development?Do YOU want to get exclusive early access to ad-free episodes, extended episodes, bonus episodes, original content, invites to special events, & more?Then ⁠⁠⁠⁠⁠⁠BECOME A SUBSCRIBER TODAY⁠⁠ - $19.99/month or $199.99/year (Save 17%)!Want to get YOUR organization to pay for YOUR subscription? Email ⁠⁠⁠EdUp@edupexperience.comThank YOU so much for tuning in. Join us on the next episode for YOUR time to EdUp!Connect with YOUR EdUp Team - ⁠⁠⁠⁠⁠⁠⁠⁠⁠Elvin Freytes⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠Dr. Joe Sallustio⁠⁠⁠⁠● Join YOUR EdUp community at ⁠⁠⁠⁠⁠⁠⁠⁠⁠The EdUp Experience⁠⁠⁠⁠⁠⁠⁠⁠⁠!We make education YOUR business!

[REBROADCAST FROM March 7, 2025] Before the 1985 Grammy Awards, no women had ever been nominated for Producer of the Year. Wendy Melvoin and Lisa Coleman became the first as part of Prince and the Revolution, though still no woman has ever won the award. Wendy & Lisa discuss their career as part of our series Equalizers: Women in Music Production. Plus, Susan Rogers, a veteran audio engineer who worked for years with Prince and on a number of Wendy & Lisa's albums, shares some tales from the studio. 

Fundamental and technical pressures on credit markets are growing as trade wars escalate, according to JPMorgan Asset Management. “We just need to be paid a little bit more for the uncertainty risk now in the market,” says Lisa Coleman, the firm’s head of global investment-grade corporate credit. “The technicals from where we were at the beginning of the year have deteriorated,” Coleman, who manages $73 billion in assets, tells Bloomberg News’ James Crombie and Bloomberg Intelligence’s Jody Lurie in the latest Credit Edge podcast. Coleman and Lurie also discuss the earnings outlook for US companies, opportunities in consumer, health care and bank debt and fund flows.See omnystudio.com/listener for privacy information.

Before the 1985 Grammy Awards, no women had ever been nominated for Producer of the Year. Wendy Melvoin and Lisa Coleman became the first as part of Prince and the Revolution, though still no woman has ever won the award. Wendy & Lisa discuss their career as part of our series Equalizers: Women in Music Production. Plus, Susan Rogers, a veteran audio engineer who worked for years with Prince and on a number of Wendy & Lisa's albums, will share some tales from the studio. 

La MTV, la cadena que revolucionó la música en los 80 y que se había sacado de la manga el guitarrista de los Moonkes Michael Nesmith, llevó al éxito a nombres que destacaron del resto de forma inmediata y que nos exigieron a todos una especial atención. Uno de ellos fue Prince, El Principe, un artista que basaba su producción en la música de baile, un formato que le permitía cambiar de estilo en cada disco sin dejar de parecer innovador, algo que ya habían hecho en su día Dylan y David Bowie. El tipo tenía un ego que no cabía en todo el estado de Minnesota y una avidez de éxito y dinero similar. Lo consiguió todo. Cantante, multiinstrumentista, compositor, productor discográfico y actor, ganó numerosos premios y nominaciones, y es considerado, por unanimidad, como uno de los mejores músicos de su generación. Prince nació en el seno de una familia de músicos. Su madre, cantante de jazz y su padre pianista y compositor. Fue su padre precisamente el que le dio el nombre artístico de Prince, un apodo que él mismo había usado anteriormente. Con la ayuda de Owen Husney, un hombre de negocios de Minneapolis con el que Prince había firmado un contrato de gestión, llegaron a un acuerdo con la Warner Bros mediante el cual, Prince grabaría tres álbumes teniendo siempre el control creativo y retendría, además, sus derechos de publicación. El primero de estos álbumes fue “For you”, un trabajo en el que Prince escribió, produjo, arregló, compuso y tocó los 27 instrumentos de la grabación, excepto en “Soft and Wet”, Suave y húmedo. Este tema, que precisamente vamos a escuchar ahora, fue su primer sencillo y se lanzó el 7 de junio de 1978, el día en que el artista cumplía sus veinte años. El disco vendió 150.000 copias y todo empezó a rodar. Las comparaciones fueron espectaculares, grandes estrellas como Steve Wonder o Michael Jackson. Enseguida se puso en marcha la máquina de hacer dinero y se realizó un casting para componer una banda que le acompañara en directo. En 1979 lanzó su álbum Prince. En este trabajo se incluía un tema “¿Why you wanna treat me so bad?” que en ese momento pasó desapercibido pero que resumía todo aquello que le haría famoso: un bajo funk, un ritmo persistente de rock, voz soul en falsete y un uso destacado de la guitarra eléctrica. También, este tema, fue causa de controversia con su bajista André Cymone. Éste se había ocupado de todas las líneas de bajo y de algunas armonías vocales y, sin embargo, no aparecía reseñado en las acreditaciones. Si fue un error tipográfico, como alegó Prince, o no, no lo sabemos. Pero ahí empezaron sus roces. Pero bueno, a pesar de todo, en febrero de 1980 este álbum se convirtió en su primer disco en superar el millón de copias vendidas, y consecuentemente, su primer disco de platino. Tenía 21 años. El músico siguió publicando discos en los que cambiaba radicalmente de estilo. En el titulado Dirty Mind presentaba una imagen provocativa, aparecía en la portada en calzoncillos y con medias de mujer debajo de una gabardina. Las letras, extremadamente sexuales, se convirtieron en la pesadilla de los censores y, para cerrar el círculo, nuevamente omitió en los créditos el nombre del bajista André Cymone. En el siguiente álbum, Controversy, dio a su imagen una vuelta de tuerca. Precisamente por esta deriva, abandonó el grupo la teclista Gayle Chapman que fue sustituida por Lisa Coleman, una instrumentista con menos escrúpulos que la anterior. En 1982 publicó “1999”, su primer gran éxito popular y según críticos y los propios músicos, su primera gran obra maestra. La revista Rolling Stone lo considera el álbum más influyente de Prince. En él, cierra el estilo que poco más tarde sería conocido como sonido Minneapolis. Curiosamente, la canción que da título al disco, fue plagiada algunos años más tarde por Phil Collins. Pero bueno, la canción que le catapultó a las listas de éxitos fue el segundo sencillo, Little red Corvette Prince, ya lo hemos dicho antes, lo quería todo. A principios de la década de los 80, su posición en el mercado de la música se limitaba, que tampoco es poca cosa, a varios éxitos de R&B, vídeos musicales y alguna aparición en TV. Con este equipaje, se subió al tren del cine. Se empeñó y consiguió, en 1984, sacar adelante la exitosa Purple Rain, una película remotamente autobiográfica y de la que también era autor de la banda sonora. El álbum de esta banda sonora vendió más de 13 millones de copias en los EEUU y estuvo 24 semana consecutivas en el número 1 de la lista Billboard. Para comprender mejor el éxito de este trabajo basta repasar algunos datos:  La película recibió un Premio de la Academia a la mejor banda sonora de canción Original.  La película recaudó más de 250 millones de dólares en los Estados Unidos.  En un momento de 1984, Prince tuvo simultáneamente el álbum, el sencillo y la película en el número uno de sus respectivas listas en los EEUU. Fue el primer artista en conseguir esta hazaña.  El álbum Purple Rain ocupa el octavo lugar en la lista de los 500 mejores álbumes de todos los tiempos publicada por la revista Rolling Stone. Hay tres canciones en el álbum que son de obligado cumplimiento. La primera, ”When doves cry”, Cuando las palomas lloran, primer sencillo del álbum y disco de platino. Otra de las canciones que no nos queda más remedio que escuchar es “Let’s go crazy”, Hagamos locuras, una canción que merece ser escuchada con atención. Empieza con una música de órgano que parece de funeral y sobre la que Prince hace un panegírico a “esto que se llama vida”. La canción va subiendo de tono por culpa de la batería y el bajo para llegar al climas con los solos de guitarra a cargo del propio Prince. Atentos. Y, por supuesto, la súper power ballad “Purple rain”. Su primera grabación fue en directo, en el club First Avenue de Minneapolis, aunque ha sido retocada para posteriores lanzamientos. Esta canción es un hito en la carrera de Prince, la cantaba en todos sus conciertos. Curiosamente la canción tiene un poco de historia porque, cuando Prince terminó su composición, le pareció que sonaba muy parecida a otra compuesta por Jonathan Cain. Lo comentó con él y éste, sin poner ningún problema, le dio su visto bueno. Así que, aquí está la famosa Purple rain. El 7 de abril de 2016 tuvo que suspender dos actuaciones programadas. Lo hizo con un comunicado aduciendo una gripe. Cuando se sintió mejor, el 14 de abril, dio la que, a la postre, sería su última actuación. Cuando volvía de esta actuación, su avión privado tuvo que hacer un aterrizaje de emergencia para que Prince fuera tratado de una sobredosis. Por voluntad propia y contra el consejo de los médicos, abandonó el hospital al día siguiente. Ya en casa, se le vio haciendo compras y, brevemente, en una fiesta en la que manifestó encontrarse bien. El día 21 de abril, a las 09:43 h se hizo una llamada a urgencias para que se enviara un ambulancia de la casa de Prince, en Paisley Park. Los servicios de emergencia encontraron a Prince inconsciente y solo pudieron certificar su muerte. Se le declaró muerto a las 10:07 h. Se dio la circunstancia de que, en la escena, no había signos de suicidio o violencia, por lo que se diagnosticó la muerte de Prince como una sobredosis accidental de fentanilo. Tenía 57 años. Inmediatamente se desató la guerra por la herencia de Prince. Su hermana Tyka Nelson y sus cinco hermanastros presentaron la documentación pertinente para acreditar su derecho. Lo curioso del caso fue que también lo hicieron unas 700 personas que juraban por todos los santos ser hermanos de la estrella. Tras arduos análisis y pruebas de ADN, la herencia fue a parar a los auténticos hermanos del artista. Que cosas. Vamos con su música. Según las propias palabras de Prince, la canción Cream la escribió cuando se miraba al espejo. Desde luego, los cursillos de autoestima no estaban pensado para él. Por supuesto, nos queda mucho que decir sobre esta auténtica estrella de la música. Lo haremos en posteriores programas. Ahora tenemos que irnos y lo vamos a hacer escuchando “Delirious”, una canción en la que Prince nos cuenta como se está volviendo loco por una hermosa mujer. La canción está llena de connotaciones sexuales, lo suficientemente ocultas como para salvar la censura. Amigas, amigos, hasta la próxima.

With recent setbacks and growing skepticism, many are wondering if the end of DEI as we know it is imminent. We've curated a powerful clip from HR Daily Advisor‘s webinar, “Is It the End of DEI as We Know It?” Listen in as our expert panelists discuss the decline in DEI efforts, their personal perspectives on the issue, the importance of curiosity in fostering meaningful dialogue, and more. Get ready for a thought-provoking conversation that explores the challenges and opportunities facing DEI in the workplace. Listen to the full webinar here: https://event.on24.com/wcc/r/4699198/B037E143BB70131E1B8996E612E24D49 Speakers: Dr. Lisa Coleman, President, Adler University Reggie Willis, Chief Diversity Officer, Ally Financial, Inc. Rachel Bourne, Transformation Director, Cummins Antoine Andrews, Chief Diversity and Social Impact Officer, SurveyMonkey

Thanks for tuning in! Today we'll be sitting down with Lisa Coleman. We discuss her wilderness seasons and battle of losing her eye sight.. We also discuss her work with FCA. Thank you for the tremendous support. Enjoy and follow along the next seven weeks.

In this episode, we dive into the heart of the DEI debate. With recent setbacks and growing skepticism, many are wondering if the end of DEI as we know it is imminent. We've curated a powerful clip from HR Daily Advisor's webinar, "Is It the End of DEI as We Know It?" Listen in as our expert panelists discuss the decline in DEI efforts, their personal perspectives on the issue, the importance of curiosity in fostering meaningful dialogue, and more. Get ready for a thought-provoking conversation that explores the challenges and opportunities facing DEI in the workplace. Listen to the full webinar here: https://event.on24.com/wcc/r/4699198/B037E143BB70131E1B8996E612E24D49 Speakers: Dr. Lisa Coleman, President, Adler University Reggie Willis, Chief Diversity Officer, Ally Financial, Inc. Rachel Bourne, Transformation Director, Cummins Antoine Andrews, Chief Diversity and Social Impact Officer, SurveyMonkey

It's been 40 years since Prince released his psychedelic pop masterpiece, Purple Rain. Hosts Jim DeRogatis and Greg Kot revisit their classic album dissection of Purple Rain for its anniversary.--Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops--Featured Songs:See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The 40th anniversary of Prince's best-selling album and film “Purple Rain” is next month on June 25 and 27 respectively. And on Tuesday, a new memorabilia- and picture-filled book will be released in honor of the occasion: “Prince and Purple Rain: 40 Years.”Prince's story is told by Minneapolis-based music journalist Andrea Swensson, who is also the host of the Official Prince Podcast, a Minnesota Book Award winner and former host of the Current's Local Show. A long-time reporter on Prince and the Minnesota music beat, she calls her new book a “love letter” to his legacy.It all began in 2014 when Swensson assembled a 30th-anniversary package for MPR News and the Current.“And that really started this whole Prince adventure that I've been on over the last decade,” Swensson told MPR News on Monday.“I started covering his career so closely when he was still with us and have done a lot of work around his legacy since we lost him. And I really wanted to take this opportunity to put together something that captured so many of these amazing stories about him, and really spoke to my own personal connection to his music and to his life and what he meant to me.” April 2017 Remembering Prince at his home and studio October 2017 Andrea Swensson tells the story of the 'Minneapolis Sound' in first book Swensson describes the era of “Purple Rain” as iconic and world-building, calling the watershed film unrivaled in rock history. Prince's influence, she said, is almost impossible to untangle from the fabric of the music industry over the last 40 years. 'Prince and Purple Rain: 40 Years' Swensson says she has interviewed each member of The Revolution — Bobby Z, BrownMark, Dr. Fink, Lisa Coleman and Wendy Melvoin — at least three times.“He wanted us to be a gang … and by the time we got to ‘Purple Rain,' we were,” drummer Bobby Z recalls in the book. Bassist BrownMark affirmed: “We were experts … The way we rehearsed, I mean, ‘Purple Rain,' I could fall asleep and probably play it. That's how well we knew the whole set.”“We've had some really, really memorable conversations,” Swensson said. “This was such a pivotal time in all of their lives. Wendy Melvoin was only 19-years-old when she joined Prince's band. And her very first show is the night that they played at First Avenue and recorded ‘Purple Rain.'”The book was put together and contributed to by a hyperlocal team, including photography from Greg Helgeson, Tommy Smith III and Nancy Bundt; private archivist Rich Benson; designers Sotera Tschetter and Cindy Laun; editor Dennis Pernu and art director Heather Godin. It's filled with evocative photography, images of ticket stubs, posters and vinyl records, reflective quotes and iconic lyrics — transporting the reader back to the summer of 1984.Writing the tribute conjured up some unexpected emotions for Swenson.“There was something therapeutic to me about being able to revisit that meeting that I had with him because we did talk a lot about his feelings about anniversaries ... At the time that we met, he had two new albums in the can he was getting ready to put out,” she said. “So there was something really poignant and a little bittersweet to me to really sit with my notes and my memories of that night and be able to write about it in this way. And it did feel like some kind of full circle moment.”“Prince and Purple Rain: 40 Years,” including a foreword by Maya Rudolph, debuts on May 21. There is a book release party on June 12 at Electric Fetus in Minneapolis; a pre-order is required.

INTRO2mins - First memories of Prince, and standing next to the TV...feeling the static from Gett Off! Listening to Prince's Hits cassette in the Green Mondeo.4mins - Born in the year of Lovesexy!5mins - When did you realise that Prince's work could become a lifetime pursuit? "First and foremost I'm a fan...". Obsessed with John Waters, Pee Wee Herman and Bette Davis too. 'Eccentric, creative and fabulous people'.6mins - Seeing Purple Rain at 14 and getting into fashion. "Prince was always on my mood board."7mins30s - Studying Prince for years as an independent researcher alongside work...'when you do a PhD it's just the beginning of your research.'9mins30s - 'The idea of Prince & Fashion, with a focus on the labour aspect and fan culture as well...'11mins30s - What's going on with the Prince of the late 1970s? Casci unpacks the different sartorial elements. 'Very typical of a young adult finding themselves...through dress.'14mins - Prince's experiments in fashion, thrift stores, borrowing, wearing women's clothing...17mins - 'Becoming Prince': The Beautiful Ones book, and understanding elements of Prince's early imagination and dress-sense. The influence of his parents, musicians in North Minneapolis...and getting dressed to the 9s in the 1970s.22mins - Heroes and influences...23mins - Make Up.26mins - World Building...'in a world called Fantasy'30mins - Prince's female kinship. 'He surrounded himself with incredible women...and loved female energy.' Sly Stone's fashion, and James Brown's performances...expressing sexuality and sensuality. 'He liked the way particular fabrics felt on his body...' How Can U Just Leave Me Standing? In Search of Prince... is produced and arranged by Sam J. Bleazard - but couldn't exist without the fabulous contribution from all of our guests!The show also features significant original music compositions from Gavin Calder.LINKSPlease follow me on Instagram and Facebook if you'd like to interact with the show on social media.Email me at: bleazas@hotmail.com if you have any ideas for future episodes, or if you'd like to share any feedback on the show. #prince4ever #love4oneanother

In this episode, we welcome Academy Fellow Dr. Lisa Coleman, Senior Vice President for Global Inclusion and Strategic Innovation at New York University, to discuss what lies ahead for people evaluating their early careers and how the lessons of the recent past can inform the future of work.  Support the Podcast Today at:donate@napawash.org or 202-347-3190Music Credits: Sea Breeze by Vlad Gluschenko | https://soundcloud.com/vgl9Music promoted by https://www.free-stock-music.comCreative Commons Attribution 3.0 Unported Licensehttps://creativecommons.org/licenses/by/3.0/deed.en_

  Lisa and I have been in the real estate industry for a combined 35+ years (whew!) — listen in on our conversation to discover: How getting mad is what started Lisa's career Lisa's best tip for new agents starting out and how she was selling 30+ houses/year as a new agent Who's buying today Creative financing in buying/selling homes Letting buyers know that a house isn't *just* a place to live, it's also… About As a seasoned real estate agent, investor, and mentor, Lisa is dedicated to helping individuals achieve their real estate investment goals. With years of experience in the industry, she has honed her skills to guide and support clients through every step of their real estate journey. Whether you are a first-time investor or a seasoned pro, she provides personalized coaching and mentorship to ensure your success. From analyzing potential properties to negotiating deals and maximizing profits, she is committed to empowering you with the knowledge and strategies needed to make informed decisions and thrive in the real estate market. Let her help you make your investment dreams a reality! How to Connect With Lisa Website: https://yourtimeisnowinc.com/ LinkedIn: https://www.linkedin.com/in/MidtownRealtor/ Facebook: https://www.facebook.com/groups/yourtimeisnowinc Instagram: https://www.instagram.com/midtownrealtor Recommended Resources  REIA https://nationalreia.org/ Bigger Pockets https://www.biggerpockets.com/ Dollars Flow to Me Easily https://amzn.to/40cgRDt

In this episode of “The Business of Blueberries,” host Kasey Cronquist, president of the U.S. Highbush Blueberry Council (USHBC) and the North American Blueberry Council (NABC), is joined by Lisa Coleman, director of healthy living for Giant Food, which includes 166 supermarkets in Maryland, Virginia, Delaware and Washington, D.C. As the leader of Giant's Healthy Living Team of credentialed nutrition professionals, Coleman helps guide an inclusive, all-foods-fit approach to educating and inspiring the community Giant serves through classes, store tours, workplace wellness programs, cook-alongs, social media engagement and a biweekly podcast, “Healthy Living by Giant.”“We have this kind of rallying cry that health is for everyone. It doesn't have to be exclusive or expensive. We really like to show people that there's healthy foods in every aisle of our stores and healthy living isn't perfect. It's not all or nothing. It's about the little things that you do everyday that support your health.” - Lisa ColemanTopics covered include: An introduction to Coleman and her role with Giant Food. An exploration of Coleman's journey from in-store nutritionist to head of health strategy and health initiatives.A discussion of the partnerships, collaborations and projects Giant Food is pursuing to spread the healthy eating, healthy living message. A look at food and produce prescriptions, and the impact they have on grocery purchases.

INTRO2min - Do you have a most cherished Prince related possession (from the 9 years you worked together)? "I joke with my friends that I only buy vinyl with my name on it!"4mins - Biggest 'pinch-me' moments working with Prince...? 3121 era, cherished memories.6mins30s - Which kind of people engaged Prince best behind the scenes?7mins30s - Prince and his heroes...and a fierce competitive streak.8mins - Memories of the Musicology tour, Sam's favourite shows.10mins - When did you last speak to Prince?11mins - Where were you, when you heard...14mins - View of The Prince Estate and posthumous releases overall17mins - What was it like getting tapes in the post from Prince??17mins30s - Any tracks that you personally heard for the first time that blew you away?19mins - Studio version of Prince & The Band22mins - What's the piece of work that you're proudest of?23mins - The creative process of working with Prince26mins - NPG Ahdio Shows31mins30s - DJing on Twitch: how does it work?33mins - Prince album battles! Lovesexy vs The Black Album...Cindy C vs Alphabet Street??36mins30s - Legacy

INTRO2mins30s - Growing up in Chicago Illinois4mins - Pursuing a career in the Web back in the mid 90s..."it was an interesting time, it was kind of like the Wild West"5mins30s - Nona Gaye & The Beautiful Experience6mins30s - Finding all of the other Prince fans on the internet via online communities...and organising parties at the Berlin club in Chicago9mins - When did Sam first have contact with Prince? Fans coming together on a 'community project'...and AOL chat rooms.11mins - How long did you think it would last?13mins - Confidentiality and Prince...14mins - Love4OneAnother.com in 1999 and Rave Un2 The Joy Fantastic16mins - Prince's legacy in the digital world - one of the first to have his own internet business and music distributing artist17mins - Releasing a 'ton of music in 2001'...'a tremendous explosion of activity for him...' and The Prince Museum online.19mins - If Prince had lived and you had to design a digital presence for him now, what would that be?21mins30s - What was the Prince music you first became aware of, early memories and favourite unreleased recordings...27mins30s - Meeting Prince in person for the first time...30mins - Maintaining professionalism as a fan...32mins - How difficult was it to challenge Prince? Fan websites

Intro1mins30s - Wishing he could have spoken to Prince during the making of his Cloud guitar, the instrument specs, and making something great instinctually.3mins30s - Guitar specific questions for Dave on the Cloud guitar and how it was made - how much was stock, and what was bespoke?5mins - Prince and his heavy strings, and Takumi the guitar tech.6mins20s - One month and a half to come up with a world famous guitar!  9mins30s - Wendy Melvoin's clear body guitar...and the story behind it.12mins - Sam asks Dave how he felt when he first saw Prince play the guitar in the movie...and also when he first saw Prince playing the cloud guitar live.13mins - sitting in on the Purple Rain rehearsals with Prince 'every day was exciting'15mins - going to Paisley Park, and taking part in 'the Celebrations'18mins - How did Dave feel when Prince passed away? "I couldn't say anything, I was just speechless..."21mins - The Prince Estate asking Dave to give up the trademark on his guitar design.25mins - Which Minneapolis musicians did you get to know along the way?26mins30s - Still making the signature White Cloud guitar, and taking orders from around the world.30mins - Meeting other Prince guitar makers, and knowing a network of musicians.33mins - What happened to the original cloud guitars that Dave made?

Intro2mins - Growing up in Minneapolis and musical background3mins15s - The Beatles, and early influences4mins20s - First song Dave learned on the guitar, and favourite music5mins30s - Father-son relationship and parental support for guitar playing and passions7mins -  Working in the local music store in MPLS, learning about the guitar as an instrument...and a 'sideline for voilin repair-men'11mins - Starting out as a Luthier, working from home...and supporting local bands12mins - Bumping into Prince at the Knut-Kupee music store...'we knew about him for a couple of years before the first album...'13mins - Minneapolis in the late 1970s, black and white musicians playing in different parts of town14mins45s - Auditioning for Prince's early band, Dave shares his memories...trying out at Dell's Tyre Mart19mins - What were musicians wearing in the late 1970? 'A lot of spandex was occuring!' MPLS music scene memories...21mins - An amazing achievement for someone who created an entire scene and became famous throughout the world - Prince putting Minneapolis on the map.24mins - Working in London in his early 20s and working with famous musicians early on in his career (1981-83)26mins - Working with Gary Moore, and a guitar inherited from Peter Green of Fleetwood Mac29mins30s - How did going to London influence your part in Prince's story?31mins - Coming back to MPLS and Prince is achieving a level of fame...and the initial approach from his people. "He wants a guitar, and you're going to make it..."33mins30s - "I was exhilarated rather than nervous..." - making Prince's most iconic guitar having never made one before!36mins - Did you know if the guitar was actually going to be part of the Purple Rain movie??

1mins30s - Prince's music in the 90s, albums Jim liked, plus bootleg tapes from '93/'94 - The Beautiful Experience and stripped back versions of Come and Endorphinemachine after hours in London.3mins15s - Emancipation was a major artistic statement, but was it a seminal work? Plus liner notes for The Gold Experience (and not getting paid for it).5mins - "Fighting for the freedom he knew technology offered...". And Chance The Rapper winning multiple Grammys from a self-produced tape...missing Prince6mins - Hit n Run part 1: 'A Creative Approach'.7mins30s - Getting commissioned to write the liner notes for The Gold Experience.9mins - A rebirth in the 90s & 'Bud Lite on guitar!' on NBA All Star weekend.13mins - Getting up, then staying up late, to watch Prince play aftershows...17mins - Prince & Madonna on the same stage...and still seeing some of the NPG and The Revolution around town18mins - In admiration of Morris Hayes19mins30s - Going back to Paisley Park...how do you feel about it?21mins - Opinions on the music after 2002...remaining 'an avid listener'. The Current radio show in MPLS.22mins30s - memories of the last show, a Piano & Microphone performance24mins - When Prince passed away...an energy change in Minneapolis: writing an obit 'through the tears'26mins30s - 'I would never write that now...' an open letter to Prince in the media28mins - Playing with local musicians on the night Prince died29mins30s - Jim's view on the music coming out retrospectively & Welcome 2 America32mins30s - 'Context is everything with Prince...', so stay open33mins30s - Favourite live show of the 1980s, and which live DVD should be released?

Jim Walsh - journalist and author of Gold Experience: Following Prince in the '90sIntro2mins - Were the 1990s Prince's 'punk period'?5mins - Challenging Prince to be more vital!8mins30s - the mad scientist out in Chanhassen, the feeling of greatness nearby10mins - Going back to Paisley as a museum? Being in the building together...11mins - the 90s, the forerunner to everyone having their own radio station...and preserving the legacy13mins - Thoughts on The Rainbow Children, a transitional album and critically renowned live shows15mins - seeing Prince over the years, often until 6am17mins - living your life to the fullest creativity18mins - seeing Prince for the first time in the early 1980s at First Avenue - "they were just badass, oh my God!"21mins - Allen Beaulieu photographer, studio was just up the street from First Avenue...where Target Center is now. Pictures eventually adorned all of Prince's early album covers.22mins30s - What kind of person was Prince? "Really warm and loving...he was know-able, that was my experience."25mins - Playing different styles of music every night at Paisley Park27mins - Jam of the Year tour memories from 1997, followed by an all-night performance... 'it was so good!'29mins - Middle-aged bad-assery at The Rock n Roll Hall of Fame and The Superbowl30mins30s - Best guitar solos ever? 'Feathery blues at Glam Slam...'32mins - Carlos Santana, Larry Graham & Prince at the Northrop Auditorium34mins - Larry Graham's influence on Prince: Jim Walsh's view36mins - A fleeting sight of Prince in 2014, 'a deeply spiritual God-loving man'.

C.A. Weis  is proud to be the first elementary level community partnership school in the state of Florida. Learn how this one-stop-shop partnership that includes University of West Florida, Children's Home Society, Community Health Northwest Florida and Escambia County School District, is unifying and strengthening our community.Guests: Dr Kimberly Thomas & Lisa Coleman, https://cawes-ecsd-fl.schoolloop.com/partnersinedu Learn more about Escambia County School District: https://ecsd-fl.schoolloop.com/ Host:  Meredith Hackwith Edwards 

On episode 146 of the Press Rewind – Prince Lyrics Podcast, I head to Prince's home studio in Orono, MN, where Prince recorded much of his Dirty Mind LP and a couple of unreleased gems, “Lisa” and “Rough.” Was “Lisa” written about his new keyboardist, Lisa Coleman? Was “Rough” intended for the first Time album? Listen … Continue reading Lisa/Rough: Press Rewind – Prince Lyrics Podcast →

Author Neal Karlen, in conversation with Sam Bleazard.Introduction - New York Times, Rolling Stone magazine, author...friend?1-3mins: "Please don't let my scoop go away!" - Memories from another lifetime...and the BBC Omnibus documentary4mins ...time to stop writing - and talking about - Prince, wanting to be a fan again and not a critic...7mins - MPLS, segregation and the 'Minneapolis Sound'9mins30s - Prince as an 11-year-old kid, and a story from one of his substitute teachers11mins30s - Was Prince's life a sad story or a triumphant story of success?13mins30s - 'This Thing Called Life' - were you worried that by being so candid it would create a backlash on the book?17mins - the audiobook, the showman and Prince off the record in the 1980s19mins - small aspects of the real guy being revealed: showing the imperfect human being behind the star.20mins30s - "I Love U..."? And how it feels...22mins30s - Humour in the book and 'The Crusher'!24mins30s - The dilemma of releasing tapes of Prince speaking from the 1980s...'the most compartmentalised person I've ever met'27mins - "Prince who?" - "The real Prince!"29mins - The only person still awake at 4am and happy to shoot the breeze...30mins30s - Different personalities and the blurring between friendship and employment33mins - Not deifying Prince...and his relationship with his mother and father49mins - the last conversation with Prince (3 weeks before his passing)50mins - any things you wished you'd put in the book?

Lisa Coleman is a musician and composer who plays piano and keyboards and she was a member of Prince's band 'The Revolution' from 1980 to 1986. She is one half of the incredible musical duo Wendy and Lisa, formed with Wendy Melvoin.She was 19 years old when she auditioned and was hired as a part of Prince's backing group in 1980, for his Dirty Mind album and tour. Lisa played keyboards for Prince on his Controversy and 1999 albums and the three albums as a member of The Revolution, which were Purple Rain, Around The World In a Day, and Parade.Shortly after the completion of Prince and The Revolution's Parade project, Lisa and Wendy started their own journey and under the Wendy and Lisa musical partnership. They released five full-length albums.Today, Lisa and Wendy continue to work together as film and television composers and have provided the musical scores for television shows including Crossing Jordan, Heroes, Nurse Jackie (which won them an Emmy for Outstanding main title theme), Prime Suspect, No Tomorrow, Witches of East End, Shades of Blue, and Touch which they were nominated for an Emmy. She is currently working on a new show called The Hospital, an adult animated sci-fi comedy from Maya Rudolph and Natasha Lyonne's Animal Pictures.Lisa, along with Wendy also shares the honor of winning a Grammy and Oscar for being part of The Revolution as Purple Rain won two Grammys and the Oscar for Best Original Score. She also received the inaugural ASCAP Shirley Walker award with Wendy in 2014, which honors those whose achievements have contributed to the diversity of Film and Television Music.She recently self-released her first solo instrumental album titled Collage. And incidentally, she also created the theme music for this, the music on my podcast.

Lisa Coleman is an over-comer, mother, toastmaster, and risk management specialist with a background in Information Technology. Tune in to hear how Mrs. Coleman started in the IT field and branched out into teaching, toastmasters, and entrepreneurship. Contact Lisa Coleman: Email: lcoleman39@gmail.com toastmasters.org newleaderscouncil.org Contact/ Follow Asher Tchoua IG: @itsmytimepodcast Website: itsmytimepodcast.com YouTube: @ItsMyTimePodcast --- Send in a voice message: https://anchor.fm/asher-tchoua0/message Support this podcast: https://anchor.fm/asher-tchoua0/support

Prince, Lisa Coleman, and Dez Dickerson.

The legendary Prince created an iconic band known as, The Revolution. Not only did the early '80s group incorporate an energy and sound that threw off music radio programmers worldwide, but The Revolution also consisted of overwhelming talent that embraced notions of diversity and inclusion with members from different backgrounds, ethnicities, races and sexual orientations. Two band members — Wendy Melvoin and Lisa Coleman — were romantically involved with each other and had kept their relationship under wraps from the public during the band's popularity. Host Eddie Robinson chats with the Emmy winners separately as they offer up career introspection and how their strong partnership played a significant impact on Prince. I SEE U also introduces a new guest host — author and political science professor, Dr. Melanye Price. She'll be the guiding voice for a couple of months while Eddie becomes a new dad and goes on paternity break. This episode is an encore of the October 2, 2021 broadcast.

As the pressures of fame mounted for Prince and The Revolution, and Prince longed to pursue new creative projects, the Purple Rain Tour was cut short and supplanted with a historic satellite broadcast concert from Syracuse, New York, which was also released on VHS for fans around the world. Host Andrea Swensson is joined by The Revolution - Wendy Melvoin, Lisa Coleman, BrownMark, Dr. Fink, and Bobby Z - plus saxophonist Eric Leeds, road manager Craig Rice, Prince's former manager Bob Cavallo, and production designer Roy Bennett.

In this episode, the 41st overall and the fifth this season, Kevin welcomes his college professor Joe Klinebriel onto the show. Joe talks about his uncanny ability to be on the cutting edge of musical trends, making a good first impression when meeting celebrities, and the music that both shaped his life and inspired a one-person show he has been writing during his sabbatical away from teaching at Clarke University. For more information about the "award winning" music criticism site, Anhedonic Headphones, click here! Also, here is a link to watch Joe's brief appearance in the MTV News bit mentioned in the interview. It's great.  Episode Musical Credits Intro Music: "Brooklyn Zoo (instrumental)," written by Russell Jones, Dennis Coles, and Robert Diggs; originally performed by Ol' Dirty Bastard. Taken from the Get On Down reissue of Return to The 36 Chambers: The Dirty Version, 2011.  Outro Music: "What Does Your Soul Looks Like (Part 4)," performed by DJ Shadow. Endtroducing..., Mo Wax, 1996. "Once in A Lifetime," written by David Byrne, Brian Eno, Chris Frantz, Jerry Harrison, and Tina Weymouth; performed by Talking Heads. Remain in Light, Sire, 1980. "The Curse," written and performed by Josh Ritter. So Runs The World Away,  Pytheas Recordings, 2010. I Will Follow You Into The Dark," written by Ben Gibbard; performed by Death Cab for Cutie. Plans, Atlantic, 2005. "Famous Last Words" written by Rolland Orzabal and Nicky Holland; performed by Tears for Fears. The Seeds of Love, Fontana, 1989. "In Spite of Me," written by Mark Sandman; performed by Morphine. Cure for Pain, Rykodisc, 1993. "So What'cha Want," written by Adam Yauch, Michael Diamond, and Adam Horovitz; performed by Beastie Boys. Check Your Head, Capitol, 1992. "Strange Fruit" written by Abel Meeropol; performed by Billie Holiday. Commodore, 1939. "The Life," written by Wendy Melvoin and Lisa Coleman; performed by Wendy and Lisa. Wendy and Lisa, Columbia, 1987. "Please, Please, Please, Let Me Get What I Want," written by Johnny Marr and Steven Patrick Morrissey; performed by The Smiths. Hatful of Hollow, Rough Trade, 1984. "Rock n Roll Suicide," written and performed by David Bowie. The Rise and Fall of Ziggy Stardust and The Spiders From Mars, RCA, 1972.

Prince wasn't just well known in 1984. He was red-hot. Host Andrea Swensson welcomes The Revolution and friends for a story about the summer Prince became a household name and the Purple Rain Tour took hold of America. With musicians Wendy Melvoin, Lisa Coleman, BrownMark, Dr. Fink, Bobby Z, and Eric Leeds, manager Bob Cavallo, and production designer Roy Bennett.

#Prince 1999# one of the greatest artists ever # singer, songwriter producer, arranger,multi instrumentalist # classic song and vocals featuring Jill Jones,Dez Dickerson,Lisa Coleman # the Revolution # respect and Rip --- Support this podcast: https://anchor.fm/mr-maxxx/support

What happens when a successful artist suddenly becomes a global superstar? For Prince, that transformation happened during his momentous Purple Rain Tour, which embarked at a moment when he had the number 1 song, number 1 album, and number 1 film in America. Host Andrea Swensson invites the members of The Revolution—Wendy Melvoin, Lisa Coleman, Bobby “Z” Rivkin, Mark Brown, and Matt “Dr.” Fink—and friends along for a story about the Purple Rain Tour, from the red-hot premiere of Purple Rain to their impressive 98-show tour run, which sold 1.7 million tickets. This two-part podcast series will be your first chance to hear the newly remastered audio from Prince and The Revolution: Live, their historic performance at the Carrier Dome in Syracuse, New York that was broadcast via satellite to millions and released as a Grammy-nominated concert film. The concert has been entirely remixed from the original 2” multitrack master reels by engineer Chris James and remastered by Bernie Grundman, bringing you closer to Prince and The Revolution's electric performances than ever before.

INTROWith pianist Greg Kane1min - "Prince is the teacher", and why the 1980s needs more respect. Funk as social commentary.3min - Covering Sign 'O' The Times,  audiophiles, working with jazz musicians and having no fear.5mins30s - Seeing Prince after hours at the Garage in Glasgow.7mins - Near misses with Wendy and Lisa, Bobby McFerrin and Paisley Park.With vocalist Pat Kane10mins - Musical background, jazz heritage, hearing Prince for the first time and the ambition of 1999.13mins30s - the 80s as the era of 'half-punk, half synthesizer'. 15mins - the influence of 1986 album Parade on the band, and its 'majestic landscapes'.17mins - The Family album, Prince's side projects and Eric Leeds ('the best funk saxophonist ever').18mins45s - Sign O The Times: 'his sense of taste, and his choices are incredible'. Prince's phrasing and genius.23mins - Horn riffs and discord in Prince's music, Alphabet street and arrangements in jazz, pop and soul.26mins - the musical work and career of Clare Fischer and Rufusized by Chaka Khan.28mins30s - Prince's solo piano and microphone work, Pat's favourite eras of Prince and reflection on his late career. 32mins30s - Acoustic album The Truth and solo piano album One Nite Alone.33mins30s - Money Don't Matter 2Nite and Diamonds & Pearls (big band version on Bandzilla).35mins - Music as protest, social commentary and rebellion in Prince's music.36mins30s - Prince as the 'link' in African American roots music.37mins30s - Gett Off: "Jazz is the preacher, but funk is the teacher" and the Pharaoh Saunders mode.38mins - Funk like an elephants foot, George Clinton and musical theories.39mins - Creating a zone of freedom for black artists, and The Work.41mins30s - Creating tracks and new songs forming organically at jam sessions.43mins - Memories of musical celebrations at Paisley Park with Prince.45mins - Hoping to work with Quincy Jones at the height of their fame in the 1980s (and recording at Paisley Park).47mins - Jamming with Stevie Wonder and D'Angelo.49mins - Pat asks a Prince fan for thoughts on his untimely death.56mins - Funk revivals, snap bass and Pop Life.58mins - A Prince cover the band are ashamed of! And 80s nights at Butlins.60mins - What question would Pat ask Prince if he were still alive today?

Recorded shortly after The Revolution disbanded in 1986, Camille was planned for release under a pseudonym using distorted vocals. Versions of Feel U Up and Strange Relationship date back to '81 and '83. The Camille project was assigned a Warner Brothers catalog number and planned for release in January '87, with Shockadelica as the lead single. Wendy Melvoin and Lisa Coleman appear on Strange Relationship (although their contributions were buried in the mix), and Susannah Melvoin is featured on Rockhard In a Funky Place. As the project further developed into Crystal Ball, seven of the eight tracks were kept. Ultimately, Housequake, Strange Relationship, and If I Was Your Girlfriend remained as the Crystal Ball project became Sign o' the Times.

INTRO2mins - 'going to concerts all the time' in my teenage years6mins - growing up in a family listening to a diverse and eclectic mix of music9mins - going to the Coliseum to see USC football games10mins30s - memories of the show and lasting impression of Prince that day. 'He blew me away...and definitely captured my imagination'.11mins - a concert that started to 'get a little scary'12mins30s - negative energy as things start being thrown onto the stage14mins - '...the way he was dressed was just too much for The Rolling Stones fans...they weren't ready for it.'16mins - lasting impressions on Prince that evening. 'So dynamic...there was a confidence and stage presence there.'18mins - Prince feeling vital again with 3rd Eye Girl and the Piano & Microphone tour.20mins - Book of Prince fan memories: The Day I Was There. Ricci recalls the Purple Rain tour in 1985 - 'wear something Purple!'25mins - Andre Cymone and the influence of Adam Ant and the New Romantics.26mins - The euphoria of the LA Forum in '85 - 'it was so inspiring, the whole visual of it.'29mins30s - The 1980s - an era of separations, divorces and broken homes...the role Purple Rain the movie played in the teenage psyche.31mins30s - 'A.U.T.O-matic' - Ricci's rock memorabilia story35mins - Furthest lengths / greatest expense to see a show...37mins30s - Feelings on posthumous releases from Prince's vault.38mins30s - any things you'd like to hear in future?40mins - Reflections on the Prince community, and what it all means ultimately. Love 4 One Another...

WRAM / Monmouth McDonald's "Coaches Corner" interview with Prairie Communications Sports Director Shawn Temple and United Girls Basketball coach Lisa Coleman. (Recorded Friday, Jan. 21, 2022)

Monmouth McDonald's "Coaches Corner" interview with Prairie Communications Sports Director Shawn Temple and United High School varsity girls basketball coach Lisa Coleman. (Recorded Jan. 13, 2022)

WRAM "Community Hour" host Kelsey Crain speaks with United High School girls basketball coach Lisa Coleman for an update on the Red Storm's season. (Recorded Jan. 6, 2022)

It's hard to overstate the career Lisa Coleman has had to date. As a solo artist, part of iconic duo Wendy and Lisa and as a core member of The Revolution, Lisa Coleman has some brilliant insights that everyone can learn something from. As Prince said of Lisa: “she plays Mozart, she'll be funky”. With […]

Monmouth McDonald's "Coaches Corner" interview with Lisa Coleman, varsity girls basketball coach at United High School. (Recorded Nov. 18, 2021)

Monmouth McDonald's "Coaches Corner" interview with Lisa Coleman, varsity girls basketball coach at United High School. (Recorded Dec. 2, 2021)

The legendary Prince created an iconic band known as, The Revolution. Not only did the early '80s group incorporate an energy and sound that threw off music radio programmers worldwide, but The Revolution also consisted of overwhelming talent that embraced notions of diversity and inclusion with members from different backgrounds, ethnicities, races and sexual orientations. Two band members -- Wendy Melvoin and Lisa Coleman -- were romantically involved with each other and had kept their relationship under wraps from the public during the band's popularity. Host Eddie Robinson chats with the Emmy winners separately as they offer up career introspection and how their strong partnership played a significant impact on Prince. I SEE U also introduces a new guest host -- author and political science professor, Dr. Melanye Price. She'll be the guiding voice for a couple of months while Eddie becomes a new dad and goes on paternity break.

Unconscious bias is a huge driver of work outcomes. While we've known this for generations, only recently has it become a bigger discussion in management theory and the training space. In this episode of Your Brain at Work Live, our own Janet Stovall sits down with NYU's inaugural senior vice president for global inclusion and strategic innovation, Dr. Lisa Coleman, and Dr. Natalie Byfield, a professor in the Department of Sociology and Anthropology at St. John's University. The three discuss bias as an impediment to innovation, bias as a cultural concern, and ways of overcoming the inherent challenges of bias.

In the 42nd episode of the Pictures of Lily Podcast, I talk about my experiences interviewing musicians and composers Wendy Melvoin and Lisa Coleman, forever remembered as Prince‘s right and left … Continue reading → The post Pictures of Lily Podcast: Episode 2.42: Wendy & Lisa appeared first on Lily Moayeri.

Duane Tudahl has spent his career working on TV series, but also producing numerous documentaries and music videos.  He is a writer and researcher, who has contributed many articles for Uptown magazine – the key Prince fanzine – for 12 years, from 1991 to 2003.  In recent years he received praise for his books documenting Prince's studio sessions in the 1980s, which are extensive in their research and provide an in-depth insight into the period.Thank you to all of our listeners around the world who've been tuning in and downloading the show from Europe to the USA, South America, India and Australia, your support is much appreciate.And our thanks to Gavin Calder for the music on today's show, which features the original album mix of True Funk Soldier, from the album Deep Field, by Balveda. Go to the Bandcamp website to hear more.  Please keep clicking on subscribe, leave your reviews and spread the word, whether you're listening on iTunes, Spotify, Amazon music, Gaana or Jiosaavn.Chapters & themes- Did Prince have any regrets from the mid 80s period? 'Prince was a control freak - he was a decider...after Purple Rain who's going to tell you what to do?'- Duane discusses the We Are The World? recording and the aftermath of the Purple Rain tour.- Prince goes to the beach and Duane's favourite stories - 'the ones that humanise him in some way'.- We discuss Prince's legacy and the threat to his legacy from potential revisionist history in the future.- The questions Duane would most liked to have asked Prince.- Future projects - what's next for Duane?

As part of the Allocation Spotlight Series, Jared Gross, Head of Institutional Portfolio Strategy, Kay Herr, Head of Fixed Income Research, and Lisa Coleman, Head of the Global Investment Grade Corporate Credit Team, discuss the current market environment--from ratings migration to fallen angels and rising stars--and the evolution of pension hedging strategy in LDI portfolios.

Duane Tudahl has spent his career working on TV series, but also producing numerous documentaries and music videos.  He is a writer and researcher, who has contributed many articles for Uptown magazine – the key Prince fanzine – for 12 years, from 1991 to 2003.  In recent years he received praise for his books documenting Prince's studio sessions in the 1980s, which are extensive in their research, and give further insight into one of the most fascinating periods in popular music.A big thank you to all of our listeners around the world who've been tuning in and downloading the show from Paris, to Detroit, from Bombay to Brazil, we really appreciate your support.And our thanks to Gavin Calder for the music on today's show, which features a Quiet Storm remix of True Funk Soldier, from the album Deep Field, by Balveda. Go to the Bandcamp website to hear more.  Please keep clicking on subscribe, leave your reviews and spread the word, whether you're listening on iTunes, Spotify, Amazon music, Gaana or Jiosaavn.

Summary: chapters and themes.PART 31min - Going back to a normal life and the 9-5...and why it was a good thing.4mins30s - My favourite memories of Prince...'he was a whole different person when we played basketball...and he was such a fun person outside of the music'.7mins - The lessons  that Prince taught me, for life in general and for my career.9mins45s - Contact with Prince in later years, and concerns.13mins - Remembering the final conversation, over a meal at Paisley Park.17mins - The Revolution reunions planned over the years and celebrating with fans in Minneapolis.19mins30s - Looking to the future. BrownMark on YouTube.22mins - A place in music history and continuing on the legacy.26mins - Bye for now...and see you in Europe!   

On this next episode of The Broken Record Player Podcast, my buddy Tim Guill and I pay homage to the Purple One, Prince, as we dive deep into the masterpiece that is Purple Rain. Coming off the success of 1999, Prince was looking to push the envelope further. Already a star, Prince would cement his legacy with Purple Rain. It was not just an album, rather it was a testament to the genius that was Prince. Filled with classics such as the title track itself, “When Doves Cry,” “Let's Go Crazy,” “I Would Die 4 U,” and more, Purple Rain is as close to perfection in an album as it gets. It was a more grand sound for Prince, and it brought him to superstar status on the same level as his peer (and occasional rival), Michael Jackson. What makes this album so unique, besides the epic and grand production and quality, is that Prince is working with a band: The Revolution. Wendy Melvoin, Lisa Coleman, Dr. Fink, Brown Mark, and Bobby Z, worked tirelessly with their mad scientist leader to craft an album that featured funky bass lines, shredding guitar solos, electronic effects, pounding drum beats, beautiful ballads, and the shrieks, screams, wails, and heartfelt vocals of Prince. As if a groundbreaking album wasn't enough, to showcase how ambitious Prince was in 1983, a movie of the same name was made. Tim and I discuss both as we take a look at one of the most celebrated albums, and artists, of all time. 

Summary, themes and chapters1mins - Memories of First Avenue and the debut performances of Purple Rain.5mins - Choreographing Prince & The Revolution and the changing face of the band.8mins - Movie premieres, wardrobe disagreements, concerts and 'craziness'.11mins - Prince and poducer bands: Mazarati; The Time; Vanity 6 and The Family.13mins30s - 'Too much too young is not a good thing' - the pressures of stardom on tour.18mins - The full story of how one of Prince's most famous songs was recorded.24mins15s - Being fined for missing notes, and working for one of music's most demanding bandleaders.27mins - Meeting the expected standards, and the parting of the ways.

Click here to buy: https://adbl.co/2HBB1mi Read by Sharon Bolton, Nathalie Buscombe, Peter Kenny, Lisa Coleman and Julia Barrie Return to the worlds of The Craftsman and Lacey Flint in this first short story collection from Sharon Bolton, International award-winning author of The Split. This collection is available exclusively in audio and features eight short stories, each with a new introduction written and read by the author. From the world of the Craftsman The Night Train read by Peter Kenny Alive! read by Nathalie Buscombe All Souls' Eve read by Nathalie Buscombe From the world of Lacey Flint Mugwort and Moonbeams read by Julia Barrie Lacey's Wedding read by Lisa Coleman From the world of Dead Woman Walking Time Travel, Flight and Invisibility read by Julia Barrie In a world of its own... Mr and Mrs Jansen and the Mermaid read by Julia Barrie And from the world of The Split The Snow Bride read by Julia Barrie

In 2009, multi-talented queer power duo Wendy & Lisa confirmed that their former bandleader, brother-in-arms and boss, Prince, was definitely not gay, but rather a… fancy lesbian. What a relief. Not that we’re scrambling for excuses to explore the Purple One for Aural Fixation. Purveyor of assless chaps, a deft hand with eyeliner and a spiritual connection with the fight to be one’s authentic self are just the tip of Prince’s queer iceberg. To lead Drew and Andy to Paisley Park, we secured the wisdom of DJ Matt Vaughan, the father of Sydney’s own iconic queer club movement Loose Ends and Professor of Princeology. Matt selected the bussy-shattering Dirty Mind for us to explore, and we selected the rosé. Once this hot mess of a pandemic is over, you’ll find news on the next Loose Ends party on Facebook – we’ll see you on the dancefloor. Matt also assisted with this episode's accompanying playlist, check it out! You can follow the pod on Instagram at @auralfixationpodcast, the boys on @with.all.drew.respect and @andrewdoyouthinkyouare, or Matt on @djmattvaughan.

Most casual Prince fans know Purple Rain was partially filmed at First Avenue. But did you know the title song is a live recording, taped at First Ave a few months before filming started? In this episode, we meet Prince and the Revolution at a benefit show for Minnesota Dance Theatre, where they debuted "Purple Rain" in support of dance and community. This is the fourth episode of The Current Rewind's "10 Pivotal Days at First Avenue" season. If you missed the first three episodes, catch up below. • April 3, 1970 (The day it all began)• Nov. 28-29, 1979 (The days that told the future)• Sept. 27, 1982 (Bad Brains/Sweet Taste of Afrika/Hüsker Dü) Transcript of The Current Rewind season 2, episode 4: "Aug. 3, 1983" ["Purple Rain" chords, but trembly and slowed-down. After several seconds, the music snaps into the original version, and we hear the lyrics, "I never meant to cause you any sorrow/ I never meant to cause you any pain."] Mark Wheat VO: After three episodes and 13 years of First Avenue's history, we've arrived at the song. The song that evokes an artist, a movie, and to some, a period of mourning: "Purple Rain." ["Purple rain, purple rain" fades into "Hive Sound" by Icetep] Mark Wheat VO: [over theme] I'm Mark Wheat. This is The Current Rewind, the show putting music's unsung stories on the map. For our second season, we're exploring the history of First Avenue, the downtown Minneapolis venue that has become one of the Twin Cities' – and the country's – greatest clubs. Most casual Prince fans know that scenes from the 1984 movie Purple Rain were filmed at First Avenue. The version of "Purple Rain" that you hear in the movie and the soundtrack was recorded live at First Avenue, but not at the same time the movie was filmed. Just a few months before the cameras rolled, Prince hadn't yet written the song. He first performed it on August 3, 1983 at First Avenue, during a benefit show for the Minnesota Dance Theatre. He had the show recorded, and when we listen to "Purple Rain" today, we're hearing him and the Revolution play it live for the very first time. In this episode, we'll explore the story of that song and that amazingly unique one-off performance, along with Prince's relationship to Minnesota Dance Theatre – a tale that captures Prince's ethos as a musician and a community member. So far this season, guest hosts have lent their voices to each episode of Rewind. But by this point, the coronavirus pandemic has complicated our production. So we here at The Current will step in to host a few episodes, including this one, which I was quite fond of from the beginning. It takes place when I had just moved to the United States, for good, in 1983. [rewind noise] Mark Wheat VO: The early 1980s were a transition moment in Minnesota music. Artists from two different local scenes were breaking out. On the indie rock side, the Replacements and Hüsker Dü were stirring up mosh pits all across the country. And Prince had just become a national star through the success of his fifth album, 1999. David Z: I mean, it was exciting, because Prince was our local star, and he had the beginning of success before this. I mean, he did do Dirty Mind. Mark Wheat VO: This is David Z, Prince's longtime producer – and brother of The Revolution drummer Bobby Z. David Z: So I mean, he wasn't a nobody, but he wasn't internationally famous at all. It was kind of a local thing, and we were all happy because we always wanted somebody from Minneapolis to make it. Mark Wheat VO: And before the world knew Prince's music – along with his slides, splits, spins and pelvic thrusts, he studied ballet with Minnesota Dance Theatre. [audio of a Minnesota Dance Theatre rehearsal] Mark Wheat VO: Renowned choreographer Loyce Houlton founded Minnesota Dance Theatre in 1962. They still teach classical and contemporary dance, and over the last 50 years, they've presented one of the best-attended performances of The Nutcracker in the country. In the '70s, the theater participated in Minneapolis Public Schools' Urban Arts Program, which Prince joined as a high school student. After Loyce's passing in 1995, her daughter Lise Houlton took over as artistic director. Lise Houlton: My mother and Wally Kennedy were developing this program in the Twin Cities for those us of who didn't fit in the traditional academic life. That's how my mother met Prince, through the urban arts program. And I think that she saw immediately that he had a special spark, that there was something – she used to talk about the combination of this insatiable appetite and this sadness that came together in some sort of combustion of energy, and I think because she had a similar quality that they had this common ground. Mark Wheat VO: You can catch the dance moves he mastered in Minnesota in some of his music videos. Lise Houlton: In the ballet world there's a step that's challenging and that we all have to do, and it's called an entrechat six, and it's where you do three beats in the air. You jump up, you do three beats and you land. Prince could do an entrechat six, and you learn that in a ballet class. That's not an instinctive move, because you do it with turnout, which is unnatural to the human body. He did tour en l'airs, where you jump in the air. Tour en l'airs. He did pirouettes with excellent placement, and that was combined with his jazz aesthetic and already his own personal grind. Mark Wheat VO: A few years after Prince graduated, Minnesota Dance Theatre needed financial help, and Loyce decided to get back in touch. As the Star Tribune reported at the time, she found out where Prince was staying in town and stood outside, waiting to ask if he could do a benefit show. Lise Houlton: But that was her style. If she believed in somebody, if she wanted to have a connection with an extraordinary talent, she did that sort of thing. That was her reputation as being a little bit crazy. But I think once again, that's where Prince and my mother saw their connection. Mark Wheat VO: Prince said yes, and First Avenue hosted the concert. Right after Prince played "Little Red Corvette," his biggest hit to date, Loyce Houlton took the mic to thank him for his support. It was guitarist Wendy Melvoin's first time on stage with Prince – and therefore, the first time the Revolution's classic line-up performed together, even though they weren't billed as such. Along with Prince and Wendy, there was drummer Bobby Z, bassist Brown Mark, keyboardists Lisa Coleman and Matt Fink, aka Dr. Fink. It was also the night Prince recorded "Baby I'm A Star," "I Would Die 4 U," and "Purple Rain" – right there at First Avenue, live. David Z: And you'll see that there's not very much added or changed to the original performance, especially with the song "Purple Rain." Mark Wheat VO: It was normal for Prince to have David record his performances, so no one expected anything unusual to happen. David Z: Nobody really knew there was a movie coming out. We just thought it was gonna be a live record, or whatever. Mark Wheat VO: And as Dr. Fink recalls, it wasn't the most comfortable environment. Matt Fink: We all knew it was a hot, muggy summer night and that First Avenue would be packed, and it would be very uncomfortable for older people to be standing in there. And we were right, 'cause we were all drenched with sweat within two minutes of taking the stage, because that's how hot it was in there. The air conditioning wasn't keeping up. It was back when people smoked cigarettes in clubs. So not only did you have [Dr. Fink laughs] all the heat and humidity and bodies and cigarette smoke, but it was just very difficult to be comfortable. Mark Wheat VO: According to First Avenue's records, about 1200 people bought tickets to the show. On an average night in 1983, a Mainroom show would run about five bucks, but tickets to this benefit were $25 – the equivalent of about $60 today. Including staff and an extensive guest list, about 1,500 people were in the club that night. First Avenue manager Steve McClellan was just trying not to overpack the place. Steve McClellan: I had to go and tell people, except for the really important VIP list, it's not good for you tonight. Because my goal was to keep my list under 100, Prince's was supposed to be under 100, Minnesota Dance Theatre was supposed to be under 100. That night that all went blowin' in the wind. The guest lists poured in, and that's why that night, everybody says, "Well, why didn't you watch the show?" I remember between having to get the numbers together – because I thought I would have to pay the Minnesota Dance Theatre that night, so I had to get all my costs together. Because it was a $25 ticket. We'd never done a $25 ticket before. And so I knew that the money was gonna be big. Mark Wheat VO: When we had Steve and veteran doorperson Richard Luka in for an interview, we asked Richard what he was up to that night. Richard Luka: I was at the back door, and I could see everything from behind. "Why isn't he playing anything familiar here? What the hell's this stuff?" And but then there also this people going in and out through the garage to this truck that was out there. Turns out they were recording everything. Nobody knew that there was gonna be a movie within a year or so of that. None of us knew. That's why when you come back to a night like that – well, you know, it had sort of a cultural impact further down the line. But when you're in those moments you don't know that. So it's like, "This jerk just wants to get inside right now." No. You're Prince's cousin. Aren't we all. No, you can't come in. And we're dealing with things on an interpersonal level like that, whereas up there they're doing this thing that's gonna be here, and then it's gonna go out all over the world later. Steve McClellan: I do remember hearing "When Doves Cry" the first time. There were certain times when I was able to stand and go, "Oh, pretty good." But, you know, life goes on. Mark Wheat VO: Maybe Steve and Richard didn't get to experience the full show, but Prince fan Heidi Vader couldn't tear herself away. Heidi Vader: It was so hot, so hot and so crowded. Mark Wheat VO: When the band played "Purple Rain," the crowd didn't know what to make of it. Heidi Vader: The song seemed to go on forever. So the audience was – you know – listening. They were paying attention, but nobody was freaking out and excited. And it was nothing like the movie, and nobody had all their costumes on, like in the movie. [Heidi laughs] Mark Wheat VO: According to Dr. Fink, Prince and his band had just started practicing "Purple Rain" a couple of weeks before the show. Matt Fink: Prince didn't write that one 'til the very end, which is more about like mid-to-late July of '83. He brought that song to the group. He hadn't finished the lyrics. He hadn't finished the melody. All he had was the chord structure and he came to us and said, "Ok, let's try this; let's just start jamming on this chord progression I've got for this song." And then we all coalesced into what you hear live. And even at that live show, he improvised his guitar solo somewhat. [about 10 seconds of the "Purple Rain" guitar solo] Matt Fink: He wasn't playing it exactly like he did it every time at rehearsal. Nor was I playing my piano parts exactly the same at rehearsal that evening. It just did what it did. Mark Wheat VO: Kevin Cole, a former First Avenue DJ who now hosts the afternoon show at KEXP in Seattle, remembers there being cameras that night. Kevin Cole: At that point in time, we were experimenting with filming sessions, or, filming performances at the club, that we would then give to the band. So there's footage floating around out there of that very first performance from a different perspective. [cheers from the live bootleg fade up] Kevin Cole: One of the cameras is to the left of the stage and above the stage, looking down, kinda right where Prince was playing from. And it's remarkable, but you're also seeing the audience. People are just stunned watching that song. Mark Wheat VO: In fact, the crowd was so quiet, David Z had to tweak the recording. David Z: When it came time for the movie, I cheated and put a crowd from the Minnesota Vikings in the audience track. Mark Wheat VO: Because technology at the time couldn't record wireless bass well, Prince added in some bass overdubs. Heidi remembers the song being long because it was. Prince cut five minutes and still ended up with a nine-minute song. David Z recorded the show in a truck from the New York-based Record Plant, which was considered the best in the industry at the time. Meanwhile, director Albert Magnoli was working with Prince on the early stages of a movie, which didn't have a name yet. He and Prince had gone through about a hundred songs that could go into the movie, but Magnoli felt they were still missing a piece. Al Magnoli: Interestingly enough, there was no "Purple Rain" in that 100 songs. Mark Wheat VO: During a recent trip to Minnesota, he elaborated in an interview with The Current host Jill Riley. Al Magnoli: So I went to him, after I lined up what I thought was the storyline and lined up the songs...and said, we're missing the song – that catalyst, in all of this journey – that song that releases you finally to become the person you should become. And he said, ok, I got another song to write. Mark Wheat VO: The director came to town to scout out locations for the movie and hear new songs from the band that night. When he heard "Purple Rain," he knew it was the one song he needed. Our producer Jackie Renzetti called him up and asked him why "Purple Rain" worked. Al Magnoli: Well, it had the right pacing and it had the right lyric content. It had the right soulfulness and emotion. And it wasn't like anything he had done before. To me, it was a unique sounding piece, and that's what I was looking for. He obviously knew he had that song when I said we didn't have the song. So he didn't immediately say, "Oh, I've got a song that would fit the bill." He didn't say that. He performed it, not realizing that I would approach and then say that could be the song. I said, "What's it called," and he says, "'Purple Rain,'" and then there's a pause, and he says, "Could we call the movie Purple Rain?" and I go, "Yes." Mark Wheat VO: By the end of the night, Prince had raised $23,000 for Minnesota Dance Theatre. That's the equivalent of about $60,000 today. Although Prince would go on to perform dozens of philanthropic acts – giving to music education and coding programs; buying houses for his band members; and paying medical bills for loved ones – few of them would be so public. David Z: He would give money to people without trying to use it as publicity. Nothing! And then he would do charity, but in his own way of the true meaning of charity, which is not get all these people recognizing you for it. He just did it and didn't want the recognition. He just wanted to do a good thing and pay it back. Mark Wheat VO: Our producer, Cecilia Johnson, asked The Current host and Prince expert Andrea Swensson to put his giving in perspective. Andrea Swensson: Prince was raised in a really pivotal time just in history, during the civil rights movement and during the political uprising that was happening in North Minneapolis in the 1960s. His mother was a social worker. He was also partly raised by Bernadette Anderson, who was a huge community figure. [She] worked at the YWCA and was just really admired as a leader. I mean, Prince's philanthropy goes back to the very beginning of his career. I remember his bandmates telling me stories of, even on their first couple of tours, they would squeeze in shows to play at community centers or play for the Deaf or do something out of their way to give back to the community. It was clearly something that Prince really valued. And that went all the way up until the end of his life, when he was funding projects like Yes We Code, and sending money to Baltimore, and honoring Freddie Gray in his music. He just had that spirit in him. I think it really goes back to coming up in North Minneapolis and being so involved in the community there and being raised by community leaders like Bernadette Anderson and like his mother, Mattie Shaw. It was just part of who he was. Cecilia Johnson:: So what else was going on in the early '80s when Prince was starting to have this huge rise, in terms of philanthropy or giving or like celebrity? Andrea Swensson: Yeah, well there's "We Are The World," which was a huge moment culturally, as all of these stars came together to record this song. There was Live Aid. U2 coming up – that was something that they really preached, and I think it just became part of the pop music culture, that in order to be, like, a good citizen, that if you were successful, that you should use some of your power and your money to give back. But also, Prince was very discreet about his generosity. He did not do it for his own name or reputation or personal brand. It was just something that he valued, and especially later on as he became more religious, explicitly, with converting to Jehovah's Witness, it was a huge part of his faith as well, that that was not something that you were supposed to advertise. That's not why you give. That's not why you give money or help people in the community. You do it because it's important and because you value it. Mark Wheat VO: We might not ever really know who all Prince helped. But we know he donated to a lot of programs centered on youth and community. At the Circle of Discipline in South Minneapolis, Sankara Frazier wrote a letter to Prince asking for funding to help keep his community boxing program going. Prince ended up making multiple contributions over the years. Our producer Jackie visited Circle of Discipline to ask how Sankara felt when he got the checks. Sankara Frazier: I wasn't surprised. I wasn't surprised. Prince helped a lot of people. He saw what we were doing, with all of the young people and our older people. We have – you know, the community comes in here. And he saw what we were doing, community-wise, we're putting a lot of people together, people that wouldn't be together, you know? This right here, the boxing, was something that they grew up around. He didn't box – as far as I know, he didn't didn't box – but they know the importance, and how it develops a lot of the youth into better people. Worthy cause. We're working with the community. Mark Wheat VO: Sankara was part of Prince's community from a young age. As kids, he lived with Prince and André Cymone, one of Prince's best friends and earliest bandmates. Speaking with Jackie, Sankara used the phrase "behind the scenes" to describe Prince as a community member. But although his actions may have been discreet, they were full of love for his cities. Sankara Frazier: Oh, Prince was, he was down for Minneapolis. He was down. All of the people that had opportunities and stuff that were with him, they got him here. You know, so he decided to put this on the map. That's why, you know, even making Purple Rain, he's putting Minnesota on the map. Yeah, I give him credit for that. Mark Wheat VO: To Lise, Prince's support of Minnesota Dance Theatre has been about more than just the money. Lise Houlton: He's continuing to have an impact on Minnesota Dance Theatre, because every time this subject is brought up, Minnesota Dance Theatre is right there in the story, and once again, for me, having been so surprised with this event that happened in the '80s when I was far away, to feel those repercussions still is such a gift. Mark Wheat VO: His legacy continues to inspire community work, especially among his longtime fans. Heidi Vader, who saw the August '83 show, told Cecilia that she sensed a vacuum in the fan community after Prince's death. She wanted to unite people behind something healing. So in 2017, she started a music education program called Purple Playground. Each summer, Purple Playground runs a two-week music camp where young students write their own music and record it. They also hear from guest speakers about Prince's legacy and what it's like to be a professional musician. [Purple Playground's song "Purple Playground" plays for several seconds] Heidi Vader: They write, like, five or eight songs, and then we record them. And we put them out, and they're on our website. And we ended up with these inspiring songs about supporting each other and loving yourself and believing in yourself, and all this stuff. That's what we were hoping but we didn't know it would happen – you know. They come in, these kids who – a couple of them knew each other, but a lot of them don't know each other. And then they're, immediately, like within an hour, they're like "Let's do this," back and forth, and yeah. So some of the songs will make you cry. ["Purple Rain" "twinkling" arpeggios and cymbal washes from the end of the song, with cheers from the audience. Prince tells the crowd, "We love you very, very much. Good night!" "Hive Sound" by Icetep fades up and plays under the credits.] Cecilia Johnson VO: And there you have it. Mark Wheat's final contribution to The Current and The Current Rewind. This episode of The Current Rewind was hosted by Mark Wheat. It was produced by me, Cecilia Johnson, and Jackie Renzetti. Marisa Morseth is our research assistant, and Jay Gabler is our editor. Our theme music is "Hive Sound" by Icetep. This episode was mixed by Johnny Vince Evans. Thanks to Brett Baldwin, Rick Carlson, Shelby Sachs, and David Safar for additional support. If you liked this episode, check out the series Prince: Official Podcast, which is produced by The Current and the Prince Estate. It's available on Spotify, Apple Podcasts, and beyond. We work really hard on all these music history podcasts, and if you'd like to give back or say thanks, we'd really appreciate reviews on Apple Podcasts or a donation via support.mpr.org. If you have any comments or stories you'd like to share directly with us, send them to rewind@thecurrent.org. The Current Rewind is made possible in part by the Minnesota Legacy Amendment's Arts and Cultural Heritage Fund. It is a production of Minnesota Public Radio's The Current. The Current Rewind goes to First Avenue

At the conclusion of their dazzling, grueling Parade Tour, The Revolution play their final show with Prince. Hear from Lisa Coleman, Wendy Melvoin, Dr. Fink, BrownMark, Eric Leeds, Atlanta Bliss, and Levi Seacer, Jr.

At the conclusion of their dazzling, grueling Parade Tour, The Revolution play their final show with Prince. Hear from Lisa Coleman, Wendy Melvoin, Dr. Fink, BrownMark, Eric Leeds, Atlanta Bliss, and Levi Seacer, Jr.

An earthquake hits the California coastline while Prince is in L.A. recording at Sunset Sound, and has an unexpected influence on his classic song “Sign O’ The Times.” With insights from Warner Bros. Records president Lenny Waronker, engineer Susan Rogers, collaborators Susannah Melvoin, Wendy Melvoin, and Lisa Coleman, and scholars Duane Tudahl and Daphne A. Brooks.

An earthquake hits the California coastline while Prince is in L.A. recording at Sunset Sound, and has an unexpected influence on his classic song “Sign O' The Times.” With insights from Warner Bros. Records president Lenny Waronker, engineer Susan Rogers, collaborators Susannah Melvoin, Wendy Melvoin, and Lisa Coleman, and scholars Duane Tudahl and Daphne A. Brooks.

The story of Sign O’ The Times involves many twists, turns, and abandoned projects. We begin with key collaborators Wendy Melvoin and Lisa Coleman as they reflect on Prince's prolific Dream Factory period, with additional insights from engineer Susan Rogers and musicians Eric Leeds, Atlanta Bliss, Matt Fink and BrownMark.

The story of Sign O' The Times involves many twists, turns, and abandoned projects. We begin with key collaborators Wendy Melvoin and Lisa Coleman as they reflect on Prince's prolific Dream Factory period, with additional insights from engineer Susan Rogers and musicians Eric Leeds, Atlanta Bliss, Matt Fink and BrownMark.

1984 was a great year for Prince fans. We got his classic album 'Purple Rain'. We also got a movie with the same title that uses a lot of those songs as inspiration and features a performance from the musician himself. Does the film work as a narrative or are the sequences of live performances the best part of it? We checked it out to find out! Got feedback? Send us an email at oldiebutagoodiepod@gmail.com Follow the show! Facebook: https://fb.me/oldiebutagoodiepod Omny: https://omny.fm/shows/oldie-but-a-goodie YouTube: https://www.youtube.com/channel/UCjfdXHxK_rIUsOEoFSx-hGA Songs from 1984 Playlist: https://open.spotify.com/playlist/39v1MbWf849XD8aau0yA52 Follow the hosts! Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/ - Twitter: https://twitter.com/sandrofalce - Letterboxd: https://letterboxd.com/SandroFalce/ Zach Adams - Instagram: https://www.instagram.com/zach4dams/ See omnystudio.com/policies/listener for privacy information.

Esta edição do Resumo do Som vai ser um desafio pessoal: como contar a história de uma música de alguém que não dava entrevistas, que não falava sobre os detalhes das gravações, que fazia tudo sozinho e ainda por cima guardava seus segredos em um cofre? Pois é, eu tô falando do Prince e seu hit 1999. Capa do compacto de 1999(a partir da esquerda) Banda do Prince em 1982: Matt Fink, Mark Brown, Bobby Z., Prince, Dez Dickerson e Lisa Coleman. 1999 está disponível em:       1999 foi escrita por Prince Roger Nelson© 1982 Warner Bros Músicas utilizadas nesta edição: YouTube Music LibraryThe Mamas and Papas - Monday, MondayPhil Collins - SussudioDan Lebowitz - Say WhatTrack Tribe - Taste e Happy Feet Agradecimentos aos produtores virtuais pelo apoio:Fabiano F. M. Cordeiro Ricardo Bunnyman (AutoRadio Podcast)Tiago Rosas (Kit de Releituras Musicais)Marcos ColuciMarcelo Machado (Podcast de Garagem) Gostaria de apoiar o 80 WATTS? É só escolher a plataforma de sua preferência.      This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.Background vector created by freepik - www.freepik.com

Join Nancy and Drew as they discuss Lisa Ann Coleman; a woman's who's rough upbringing never improves, and turns deadly.

An audio memoir produced by Lisa Coleman about the time they opened for the Rolling Stones at the L.A. Coliseum. A relatively unknown Prince went onstage as part of The Rolling Stones' massive 1981 tour. That night, before he even played a note, the audience started throwing food, drinks, and whole baked chickens at him and the band. Listen now to hear the whole story from the perspective of the band members on stage those 2 nights.

Prince's longtime collaborator and keyboard player, Lisa Coleman, joined Prince's band in the early 1980s and became a member of the Revolution. Coleman spoke to The Current's Andrea Swensson about her time working with Prince, both in the studio and on the road. "Hang around Prince, and stuff was going to happen," Coleman recalls. "And it did. I never met anybody that really followed through on everything they said like that." Listen to Andrea's full conversation with Lisa Coleman.

Prince's longtime collaborator and keyboard player, Lisa Coleman, joined Prince's band in the early 1980s and became a member of the Revolution. Coleman spoke to The Current's Andrea Swensson about her time working with Prince, both in the studio and on the road. "Hang around Prince, and stuff was going to happen," Coleman recalls. "And it did. I never met anybody that really followed through on everything they said like that." Listen to Andrea's full conversation with Lisa Coleman.

The 1999 Tour was no routine trek: referred to as the “Triple Threat Tour,” the Time and Vanity 6 toured as openers for the band starting to be known as Prince and the Revolution. By the summer of 1983, “Little Red Corvette” had become a top 10 hit and Prince was one of the first black artists to be placed into rotation on MTV. Host Andrea Swensson is joined by Brenda Bennett, Bobby Z, Tom Marzullo, Michael Howe, Matt Fink, Roy Bennett, Lisa Coleman, Jellybean Johnson, Dez Dickerson, Brittany Howard, Fred Armisen, and Nile Rodgers.

The 1999 Tour was no routine trek: referred to as the “Triple Threat Tour,” the Time and Vanity 6 toured as openers for the band starting to be known as Prince and the Revolution. By the summer of 1983, “Little Red Corvette” had become a top 10 hit and Prince was one of the first black artists to be placed into rotation on MTV. Host Andrea Swensson is joined by Brenda Bennett, Bobby Z, Tom Marzullo, Michael Howe, Matt Fink, Roy Bennett, Lisa Coleman, Jellybean Johnson, Dez Dickerson, Brittany Howard, Fred Armisen, and Nile Rodgers.

With reams of material created over the winter of 1981-1982, Prince turned his attention toward refining his emerging double album and shaping the look and sound of protégés The Time and Vanity 6. Inspired by a 1980 movie called The Idolmaker, Prince aspired to create not just an album but a musical movement. Host Andrea Swensson interviews Dez Dickerson, Duane Tudahl, Jellybean Johnson, Brenda Bennett, Bobby Z, and Lisa Coleman.

With reams of material created over the winter of 1981-1982, Prince turned his attention toward refining his emerging double album and shaping the look and sound of protégés The Time and Vanity 6. Inspired by a 1980 movie called The Idolmaker, Prince aspired to create not just an album but a musical movement. Host Andrea Swensson interviews Dez Dickerson, Duane Tudahl, Jellybean Johnson, Brenda Bennett, Bobby Z, and Lisa Coleman.

As Prince pulled away from the spotlight in the winter of 1981-1982, his creative drive began whirring faster than ever. Hear some of the never-before-released material recorded by Prince during this prolific era, alongside stories about his two early '80s workspaces: his home studio on Lake Riley in Chanhassen, Minnesota; and Sunset Sound in Los Angeles. Host Andrea Swensson interviews Bobby Z., Lisa Coleman, Duane Tudahl, and Peggy McCreary.

As Prince pulled away from the spotlight in the winter of 1981-1982, his creative drive began whirring faster than ever. Hear some of the never-before-released material recorded by Prince during this prolific era, alongside stories about his two early '80s workspaces: his home studio on Lake Riley in Chanhassen, Minnesota; and Sunset Sound in Los Angeles. Host Andrea Swensson interviews Bobby Z., Lisa Coleman, Duane Tudahl, and Peggy McCreary.

This week on Solve It, Lisa Coleman, Head of Global Investment Grade Corporate Credit, covers how investors should be thinking about the corporate bonds in their portfolio in order to avoid a credit cliff.

The story of 1999 begins with one of the most legendary concert debacles in rock history. When an October 1981 crowd of Rolling Stones fans greeted opener Prince with scorn, it solidified his resolve to forge a new path. Hear the first tracks Prince recorded in that pivotal moment, which are included in the Super Deluxe Edition reissue of 1999, alongside stories from bandmates Dez Dickerson, Lisa Coleman, Dr. Fink and Bobby Z.; engineer Peggy McCreary; journalist Robert Hilburn; and vault archivist Michael Howe.

The story of 1999 begins with one of the most legendary concert debacles in rock history. When an October 1981 crowd of Rolling Stones fans greeted opener Prince with scorn, it solidified his resolve to forge a new path. Hear the first tracks Prince recorded in that pivotal moment, which are included in the Super Deluxe Edition reissue of 1999, alongside stories from bandmates Dez Dickerson, Lisa Coleman, Dr. Fink and Bobby Z.; engineer Peggy McCreary; journalist Robert Hilburn; and vault archivist Michael Howe.

This week on Solve It, Head of Global Investment Grade Corporate Credit, Lisa Coleman explains how in this late stage in the credit cycle, passive investing in corporates does not always achieve the goals that investors want.

PLEASE SUBSCRIBE ON YOUTUBE – THANK YOU! Brought to you by FUNKNSTUFF.NET and hosted by Scott Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music’s foremost masters of the groove. Featured in TIR […]

PLEASE SUBSCRIBE ON YOUTUBE – THANK YOU! Brought to you by FUNKNSTUFF.NET and hosted by Scott Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music’s foremost masters of the groove. Featured in TIR […]

PLEASE SUBSCRIBE ON YOUTUBE – THANK YOU! Brought to you by FUNKNSTUFF.NET and hosted by Scott Goldfine — musicologist and author of “Everything Is on THE ONE: The First Guide of Funk” ― “TRUTH IN RHYTHM” is the interview show that gets DEEP into the pocket with contemporary music’s foremost masters of the groove. Featured in TIR […]

Dan Simons from Farmers and Distillers, a farm to table restaurant and small batch distiller of spirits, joins us to talk about happy hour trends. We'll focus on why mocktails, food-inspired cocktails, craft beverages, comfort foods, and even sustainability are front and center this year. We'll also talk with Lisa Coleman from Giant about ways you can bring these trends home.