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Within her work, Catalina Chervin (b. 1953, Argentina) depicts what the human mind intuits rather than what the eyes see—replacing empirical knowledge with subconscious feeling. Chervin studied at the Escuela Nacional Superior Ernesto de la Cárcova in Buenos Aires and worked with the Robert Blackburn Printmaking Workshop in New York City. Her work is held in prominent institutions worldwide, including The Metropolitan Museum of Art, New York; The Brooklyn Museum, New York; the New York Public Library; El Museo del Barrio, New York; the Art Museum of the Americas, Washington, DC; the Blanton Museum of Art (University of Texas), Austin; the Victoria & Albert Museum, London; The British Museum, London; and the Albertina Museum, Vienna. Catalina Chervin Untitled, 2004 Hard and soft ground etching with spite bite aquatint, printed on Somerset White paper Master Printer: Lothar Osterburg, New York, 2004 Image size: 15 x 11 in (38.1 x 27.9 cm) Sheet size: 21 x 16 in (53.3 x 40.6 cm) Artist proof edition of 5 Catalina Chervin Song 3, 2010 Hard ground and soft ground etching with dry point, printed on Rives De Lin with Kozo chine collé Master printer: Lothar Osterburg, New York, 2010 Image size: 15 x 11 in (38.1 x 27.9 cm) Sheet size: 21 x 16 in (53.3 x 40.6 cm) Edition of 20 Catalina Chervin, IT 1, 2015, Hard and soft ground etching, printed on Somerset Textured White paper, Master Printer: Lothar Osterburg, New York, 2015, Image size: 15 x 11 in (38.1 x 27.9 cm), Sheet size: 21 x 16 in (53.3 x 40.6 cm), Edition of 20
Réécoutez Maxximum DJ's avec Greg Kozo du dimanche 18 mai 2025
Last time we spoke about the Visayas Offensive. In March 1945, the Pacific War raged on. On Iwo Jima, the US Marines, after intense fighting and heavy casualties, declared the island secured. Meanwhile, in northern Luzon, General Clarkson's division advanced towards Baguio, facing fierce Japanese resistance, while General Mullins pushed through Balete Pass. The Japanese army, grappling with severe supply shortages, was forced to evacuate Baguio. In the Visayas, General Eichelberger's forces targeted the Sulu Archipelago and Central Visayan Islands, securing key airfields. The 40th Division landed on Panay, capturing Iloilo, and launched an assault on northern Negros. On Cebu, the Americal Division landed near Talisay, encountering mines but minimal resistance, and secured Cebu City. By April, Allied forces had made strategic advances across the Philippines, overcoming Japanese resistance and establishing crucial airfields. This episode is the Invasion of okinawa Welcome to the Pacific War Podcast Week by Week, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about world war two? Kings and Generals have an assortment of episodes on world war two and much more so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel you can find a few videos all the way from the Opium Wars of the 1800's until the end of the Pacific War in 1945. We have come to the grand final battlefield at last, that of Okinawa. Of course battles are raging in all sorts of other theaters like New Guinea, China, Burma, etc. However as you might imagine its becoming impossible given the week by week format to cover all of this in single episodes. So we are going to hardcore focus on Okinawa for awhile, we will circle back to the other theaters to catch up. Seriously it was the only logical way to do this and honestly in retrospect I wish the entire podcast was campaign by campaign instead of week by week. But I am a mere podcaster following the youtube series of this. But if you want to hear a campaign by campaign series, over at Echoes of War me and my cohost Gaurav are beginning to roll them out. The first series will be the entire Malayan Campaign, and I think after that I might try to do the Philippines. Regardless lets jump into the invasion of Okinawa. As previously noted, the directive issued by the Joint Chiefs of Staff on October 3 designated Okinawa as the final target for invasion, following the establishment of air and naval bases in Luzon and Iwo Jima. Capturing this crucial island would bring the conflict to Japan's doorstep, disrupt the enemy's air communications through the Ryukyu Islands, and flank their maritime routes to the south. Consequently, from these newly established air and naval bases in the Ryukyus, American forces would be able to launch attacks on Japan's main islands and implement a more rigorous sea and air blockade, isolating them from Japanese territories to the south. This made it imperative for the Japanese Empire to maintain control over Okinawa and the Ryukyus. To this end, the 32nd Army, led by Lieutenant-General Watanabe Masao, was formed there by late March 1944. Initially, it comprised four companies and one artillery regiment stationed at Amami Oshima; five companies and one artillery regiment at Nakagusuku Bay; four companies and one artillery regiment at Iriomote Island; along with various garrison units from the 19th Air District in Okinawa. Under Operation Tei-Go, the Ryukyus and Formosa were to form a long zone of interprotective air bases. These bases were expected to defeat any American sea or air forces sent into the region. To avoid destruction from the air, each base was to consist of a cluster of airfields, such that if one were damaged others could be used immediately. Military and civilian crews were promptly set to work building the numerous fields. 13 base clusters had to be created, stretching in a line from Tachiarai in the northern Ryukyus to Pingting on Formosa in the south. The only remaining tasks for ground forces were the defense of these facilities and their support anchorages and the unenviable work of building the fields. Much of the energy of 32nd Army would be absorbed building these air facilities. This was more difficult since 32nd Army had only two bulldozers and one earth roller. Japan had produced dozers in small numbers at its Komatsu plant since 1943, but few had reached the front. Since soldiers were thus obliged to use shovels, hoes, straw baskets, and horse-drawn wagons, construction was slow. Moreover, because of enemy submarine raiders, it was impossible for the Japanese to deliver the large quantities of fuel, ammunition, and anti-aircraft guns needed to operate the bases. Even more seriously, the planes themselves were not available. Between April and June, the 32nd Army received reinforcements, including the 44th and 45th Independent Mixed Brigades, the 21st Independent Mixed Regiment, and the 27th Independent Anti-Aircraft Artillery Battalion, among other air garrison units. From these forces, Watanabe chose to send the 45th Brigade to establish bases on Miyako Island and Ishigaki Island, while the 21st Regiment was tasked with setting up a base on Tokunoshima. On June 27, the 1st and 2nd Infantry Corps (approx. 4100 men) boarded the Toyama Maru and began the voyage to Okinawa. The 44th Brigade HQ, Artillery and Engineer Units meanwhile boarded other vessels of the Taka-412 convoy. Two days later, while the convoy was sailing east of Tokunoshima, the submarine Sturgeon successfully sank the Toyama Maru with two torpedoes, therefore inflicting the loss of 3724 men and much heavy equipment. Because of this, the 1st Corps had to be deactivated. Following the fall of Saipan, the Japanese Empire rapidly deployed significant ground forces to the 32nd Army, including the 9th, 24th, 28th, and 62nd Divisions, as well as the 59th, 60th, and 64th Independent Mixed Brigades, and the 27th Tank Regiment. Additionally, the 15th Independent Mixed Regiment was airlifted to bolster the beleaguered 44th Brigade, which was reorganizing its 2nd Corps with local recruits. The 32nd Army Staff wished to use as much of the indigenous population as it could in direct support of the war effort, so on January 1 1945 it ordered total mobilization. All Okinawan males aged 18 to 45 were obliged to enter the Japanese service. 39000 were drafted, of whom 15000 were used as nonuniformed laborers and 24000 as rear-echelon troops called the Home Guard (Boeitai). Many of the Boeitai replaced sea based battalions and rear-area supply units that had been reorganized and equipped for frontline duty. In addition to these, 1500 of the senior boys of the middle schools on Okinawa were organized into Iron and Blood Volunteer Units and assigned to frontline duty. Some of these students had been tried out in the signal service in the autumn of 1944 with good results, so the program was expanded. Since the fall of 1944, 600 senior students of the girls' middle schools also had been given training in the medical service. While most of these troops were sent to strengthen the main defenses at Okinawa, a large portion of the 28th Division was actually assigned to reinforce the garrisons on the Miyako and Yaeyama Islands. The 36th Regiment was dispatched to support the Daito Islands, the entire 45th Brigade was moved to garrison Ishigaki and the rest of the Yaeyamas, the 59th Brigade was tasked with defending Irabu Island, the 60th Brigade was sent to reinforce Miyako Island, and the 64th Brigade was deployed to the Amami Islands. On August 9, Lieutenant-General Ushijima Mitsuru took command of the 32nd Army. His initial strategy was to occupy all of Okinawa with a strong force and eliminate any invading troops at their landing sites. As fierce fighting began at Leyte, intensive training for the troops commenced, including divisional maneuvers at potential American landing points, artillery bombardments of beachheads, and nighttime assaults on bridges. However, on November 13, Tokyo decided to send the elite 9th Division to Formosa to prepare for a movement to the Philippines that ultimately did not occur. The unexpected withdrawal of the 32nd Army's best division disrupted Ushijima's operational plans. Ironically, this situation improved combat efficiency, as it compelled the army to achieve more with fewer resources. Ushijima chose to concentrate most of his forces in the mountainous and easily defensible Shimajiri area, located in the southern part of the island. This strategic location allowed the Japanese to maintain control over Naha port and target the northern airfields with artillery. Similar to the situation in Iwo Jima, this decision marked a departure from the previously favored strategy of a "decisive battle," opting instead for a war of attrition that had proven effective at Peleliu and Iwo Jima. As a result, Ushijima positioned Lieutenant-General Amamiya Tatsumi's reinforced 24th Division at the southern end of the island, Lieutenant-General Hongo Yoshio's reinforced 62nd Division along the central isthmus, Major-General Suzuki Shigeji's reinforced 44th Independent Mixed Brigade on the Hagushi plain, and Colonel Udo Takehiko's Kunigami Detachment, consisting of two battalions from the 2nd Corps, in northern Okinawa. These troop placements were successfully implemented in December; however, concerns arose that the 32nd Army was spread too thin to effectively counter the anticipated enemy invasion. Consequently, on January 15, Ushijima decided to move the 44th Brigade from the Hagushi plain southward to overlap with the 62nd Division's area on the east, significantly shortening the Japanese front. Additionally, one battalion from the Kunigami Detachment was sent to defend Iejima and its crucial airbase, which necessitated the rest of the unit to consolidate its positions and strengthen defenses on Yaedake Mountain in the Motobu Peninsula. Ushijima also had the support of the brigade-sized 5th Artillery Group, led by Lieutenant-General Wada Kosuke; the 21st Field Anti-Aircraft Artillery Corps; the 11th Shipping Group, which included several shipping engineer regiments and sea-raiding battalions; the 19th Air District overseeing various aviation service units; and Rear-Admiral Ota Minoru's Okinawa Naval Base Force, which comprised nearly 9,000 personnel stationed at the Oroku Naval Air Base near Naha. Ushijima had nearly 100,000 troops at his command, with 29,000 assigned to specialized units for anti-aircraft, sea-raiding, and airfield operations. Anticipating the nature of the impending conflict, these well-staffed service units were reorganized for ground combat. The 19th Air District transformed into the 1st Specially Established Regiment, responsible for defending the Yontan and Kadena airfields it had recently constructed and maintained. Most of the service personnel were integrated into the new 1st Specially Established Brigade in the Naha-Yonabaru area, while the sea-raiding base battalions became independent infantry units. Additionally, the remainder of the 11th Shipping Group was restructured into the 2nd Specially Established Brigade on the southwestern part of Okinawa. This reorganization, completed on March 21, bolstered ground combat strength by 14,000 men, leaving only 10,500 of the 67,000 Army personnel in specialized roles. To protect themselves, the Japanese began constructing robust fortifications, tunnels, and cave systems to shield against anticipated enemy bombardments. Work on the caves was begun with great vigor. "Confidence in victory will be born from strong fortifications" was the soldiers' slogan. The caves meant personal shelter from the fierce bombardments that were sure to come, and they also offered a shimmering hope of victory. The combination was irresistible, and units began to work passionately on their own caves. Enthusiasm was essential because of the great toil it took to create the caves. Just as 32nd Army had only two bulldozers to make airfields, it had no mechanized tunneling equipment at all. Besides lacking cutting equipment, 32nd Army also lacked construction materials. It had no cement, no ironware, and no dynamite. The units had to rely entirely on wooden beams that they obtained themselves to shore up their shafts. This was not necessarily easy because there were no forests in the south of the island where the troops were now stationed. Pine forests were abundant in the mountainous north, however, so each unit was assigned its own lumbering district in the north. Several hundred men from each division were detailed as its lumbering squad. The problem remained, however, of how to move the several million logs that were needed over the 40 or so miles from the forests to the forts. With no railroads and the use of trucks limited by a shortage of gasoline, the solution was for each unit to cut its own logs, then transport them in small native boats called sabenis. The divisions acquired 70 of these, which then plied the waters steadily from north to south. In January 1945, however, the Leyte-based B-24s that began flying over daily for reconnaissance also began strafing the boats. So the waterborne delivery of logs had to be switched from day to night, greatly lowering efficiency. Ushijima aimed to prolong the fight from these positions and decided to destroy the indefensible Yontan and Kadena airfields to prevent their use by the enemy, effectively ending the ineffective air defense strategy initially devised by Tokyo. Meanwhile, Admirals Nimitz and Spruance were preparing for Operation Iceberg, the invasion of Okinawa. Given the expectation that the capture of Iwo Jima and recent air assaults on Japan would concentrate enemy air power around the Empire's core, which would respond aggressively to any attacks on Okinawa, the Americans needed to first neutralize or eliminate enemy air facilities in the Ryukyus, Kyushu, and Formosa to achieve air superiority over their objective. As a result, all available carrier-based and land-based air forces were tasked with this operation, including Admiral Mitscher's Task Force 58, General Kenney's Far East Air Forces, Admiral Hoover's Central Pacific Forward Area, and General Arnold's 20th Air Force. From the 20th Air Force, General LeMay's 21st Bomber Command was assigned to attack Okinawa before moving on to Kyushu and other vulnerable locations in the home islands. Meanwhile, Brigadier-General Roger Ramey's 20th Bomber Command, supported by General Chennault's 14th Air Force, focused on neutralizing Formosa. Aircraft from the Southwest Pacific Area were also set to conduct searches and continuous strikes against Formosa as soon as conditions on Luzon allowed. Additionally, the British carriers of Vice-Admiral Bernard Rawlings' Task Force 57 were tasked with neutralizing air installations on the Sakishima Group in the ten days leading up to the landings. Once air superiority was achieved, Spruance's 5th Fleet was to land Lieutenant-General Simon Buckner's 10th Army, which included Major-General John Hodge's 24th Corps and Major-General Roy Geiger's 3rd Amphibious Corps. The 24th Corps comprised the 7th and 96th Divisions, while the 3rd Amphibious Corps included the 1st and 6th Marine Divisions. As the Commanding General of Expeditionary Troops, Buckner also oversaw the 27th and 77th Divisions and the 2nd Marine Division for special operations and reserve purposes. Furthermore, the 81st Division was held in area reserve. In total, Buckner commanded a force of 183,000 troops, with 116,000 designated for the initial landings. The plan called for Major-General Andrew Bruce's 77th Division to first secure amphibious bases in the Kerama Islands on March 26, with one battalion further securing Keisejima five days later to establish a field artillery group there. On April 1, following a demonstration by the 2nd Marine Division in southern Okinawa, the main landings were set to take place. The 24th Corps and the 3rd Amphibious Corps would land simultaneously on the west coast beaches north and south of Hagushi. After landing, both corps were to quickly advance across the island, capturing the airfields in their designated areas before securing all of southern and central Okinawa. Subsequently, Buckner's forces were to invade and secure Iejima and northern Okinawa. Once this was achieved, there were tentative plans to launch an invasion of Kikaijima with the 1st Marine Division and Miyako Island with the 5th Amphibious Corps. For the invasion, Spruance relied on a Covering Force under his command, along with Admiral Turner's Joint Expeditionary Force. This force included Admiral Blandy's Amphibious Support Force, which comprised minesweepers, UDTs, and escort carriers; Rear-Admiral Morton Deyo's Gunfire and Covering Force, consisting of ten battleships and eight heavy cruisers; Rear-Admiral Lawrence Reifsnider's Northern Attack Force, responsible for landing the 3rd Amphibious Corps; and Rear-Admiral John Hall's Southern Attack Force, tasked with landing the 24th Corps. Similar to Iwo Jima, Okinawa had endured multiple air attacks since October 1944 as part of the preliminary operations for the landings on Leyte, Luzon, and Iwo Jima that we previously discussed. These operations also included air strikes aimed at neutralizing Japanese air power on Formosa. Throughout February and March, Mitscher's carriers and LeMay's B-29s brought the conflict back to the Japanese home islands with a series of strikes that caused significant damage and instilled fear in the population. On March 1, Task Force 58 launched the first strike of the month against the Ryukyus, targeting Amami, Minami, Kume, Tokuno, and Okino, as well as Okinawa. This operation resulted in the destruction of 41 planes, the sinking of eleven vessels, damage to five others, and significant harm to island facilities. In between the main assaults on Japan, the superfortresses frequently targeted key sites in the Ryukyus, leading the beleaguered Japanese forces to refer to these missions as the "regular run." Throughout March, aircraft from the Southwest Pacific and the Marianas conducted nearly daily operations over the Ryukyus and surrounding waters, searching for Japanese shipping and contributing to the isolation of Okinawa by sinking cargo ships, luggers, and other vessels, while American submarines intensified the blockade around the Ryukyus. Meanwhile, after completing extensive training and rehearsals, Task Forces 51 and 55 gathered at Leyte, Task Force 53 assembled in the Guadalcanal-Russells area, and the rest of the 5th Fleet convened at Ulithi. On March 12, Reifsneider's convoy, carrying the 3rd Amphibious Corps, was the first to depart, successfully reaching Ulithi nine days later. On March 18, the tractor group transporting the 77th Division began its journey from Leyte to the Kerama Islands. On the same day, Mitscher's carriers targeted 45 airfields in Kyushu, claiming the destruction of 102 Japanese planes, damaging or destroying 275 on the ground, sinking six vessels, and damaging three more. In response, Admiral Ugaki's 5th Air Fleet launched a counterattack against the carriers Enterprise, Intrepid, and Yorktown, inflicting minor damage while losing 33 aircraft. The next morning, after locating the majority of the Combined Fleet at Kure, Mitscher dispatched 436 aircraft to target naval installations and shore facilities in the Inland Sea. At 06:50 three C6N Saiun “Myrt” recon planes discovered Task Force 58, and by 07:00 Captain Genda Minoru's elite, handpicked 343rd Kokutai had scrambled 63 advanced Kawasaki N1K2-J “George” Shiden-Kai fighters from Shikoku to intercept the Americans. Minutes later, Genda's powerful Shiden-Kais “waded into the Hellcats and Corsairs as if the clock had been turned back to 1942.” Soon the 343rd Kokutai was engaged in a wild maelstrom with 80 US fighters, including VF-17 and VBF-17 Hellcats from Hornet and VMF-112 Corsairs from Bennington. For once the Japanese broke about even, losing 24 fighters and one scout plane to the Americans' 14 fighters and 11 bombers. Nevertheless, Genda's expert but outnumbered 343rd Kokutai proved unable to blunt the American onslaught. Despite facing a formidable intercepting force, they managed to inflict damage on 18 Japanese warships, including the battleships Yamato, Ise, Hyuga, and Haruna, as well as six aircraft carriers. Additionally, one incomplete submarine was destroyed, 97 enemy planes were shot down, and 225 were either destroyed or damaged at Japanese airfields. In response, Ugaki launched a kamikaze counterattack that successfully struck the carriers Wasp and Franklin, causing significant damage and forcing Franklin to head to Pearl Harbor immediately. As Task Force 58 slowly withdrew the afternoon of March 20, a damaged Zero crashed destroyer Halsey Powell, killing 12 and wounding 29. Shortly afterwards friendly anti-aircraft fire started fires aboard Enterprise. At 23:00 eight Japanese torpedo planes unsuccessfully attacked the carriers, while three overnight snoopers were splashed by anti-aircraft fire. Between March 17 and March 20 Ugaki had committed 193 aircraft to battle and lost 161. On March 21 Ugaki dispatched a 48-plane strike, including 16 G4M “Betty” bombers, carrying the very first Ohka (“Cherry Blossom”) suicide missiles. However the combat air patrol (CAP) of 150 Hellcats and Corsairs repulsed them. Franklin, Wasp, and Enterprise, all damaged, steamed to Ulithi as a reorganized Task Group 58.2. Except for April 8–17, when Task Group-58.2 was briefly reestablished, Task Force 58 strength would remain at three Task Groups throughout Iceberg's duration. Ugaki's 5th Air Fleet was meanwhile effectively incapacitated for several weeks, but Ugaki nevertheless reported five carriers, two battleships, and three cruisers sunk, which IGHQ found scarcely credible. Meanwhile, the Mine Flotilla departed Ulithi on March 19, followed two days later by the rest of Task Force 52 and Task Force 54 to support the Kerama operation. On March 23, to prepare for the imminent minesweeping operations of Iceberg, Task Force 58 conducted extensive bombing raids on all known installations in Okinawa, resulting in significant damage and the sinking of 24 vessels and damage to three others over the following five days. Furthermore, Admiral Lee's battleships traversed the cleared area and opened fire on Okinawa, sinking an additional two vessels. With this naval and air support, Blandy's minesweepers and UDTs successfully cleared the route for Rear-Admiral Ingolf Kiland's Western Islands Attack Group by nightfall on March 25. Their primary opposition in the following two days consisted of a series of kamikaze attacks, which caused damage to the battleship Nevada, light cruiser Biloxi, four destroyers, two destroyer minelayers, one minesweeper, and two transports, while the destroyer Halligan was sunk by mines. The next morning, supported by naval gunfire and carrier aircraft, Bruce initiated his first landings. The 3rd Battalion, 305th Regiment landed on the southern beaches of Aka Island, facing sporadic resistance. Meanwhile, the 1st Battalion, 306th Regiment landed unopposed on Geruma Island, which was quickly secured. The 2nd Battalion, 306th Regiment achieved even faster success at Hokaji Island, while the 1st Battalion, 305th Regiment invaded Zamami Island with light resistance. The 2nd Battalion, 307th Regiment encountered minor opposition as it took Yakabi Island. The Fleet Marine Force Amphibious Reconnaissance Battalion scouted Keisejima and found no enemy presence. After encountering some resistance, the units on Aka and Zamami pushed back the enemy garrisons, securing two-thirds of Aka by nightfall and successfully repelling a strong counterattack on Zamami that night. Simultaneously, Deyo's warships and Blandy's carriers began bombarding the demonstration beaches, while minesweepers cleared progressively larger areas around Okinawa, although the minesweeper Skylark was sunk by mines. By March 27, the remaining enemy forces on Aka and Zamami were finally eliminated, and a company took Amuro Island without opposition. Additionally, a company from the 307th moved to Kuba Island, which was quickly secured. At the same time, Bruce continued his main landings, with the 1st and 2nd Battalions of the 306th Regiment landing on the west coast of Tokashiki Island, facing minimal opposition. As the two battalions advanced north along narrow trails toward Tokashiki town, the 3rd Battalion landed to secure the southern part of the island. On March 28, they reached the town, clearing the entire island and concluding the Kerama operation. In Kerama, "Island Chain between Happiness and Good," the Japanese tradition of self-destruction emerged horribly in the last acts of soldiers and civilians trapped in the hills. Camping for the night of March 28 a mile from the north tip of Tokashiki, troops of the 306th heard explosions and screams of pain in the distance. In the morning they found a small valley littered with more than 150 dead and dying Japanese, most of them civilians. Fathers had systematically throttled each member of their families and then disemboweled themselves with knives or hand grenades. Under one blanket lay a father, two small children, a grandfather, and a grandmother, all strangled by cloth ropes. Soldiers and medics did what they could. The natives, who had been told that the invading "barbarians" would kill and rape, watched with amazement as the Americans provided food and medical care; an old man who had killed his daughter wept in bitter remorse. Only a minority of the Japanese, however, were suicides. Most civilians straggled into American positions, worn and dirty. In all, the 77th took 1,195 civilian and 121 military prisoners. This operation resulted in the deaths of 530 Japanese soldiers, 121 captured, and the neutralization of over 350 suicide boats, with American losses totaling 31 killed and 81 wounded. While this initial operation was underway, the tractor groups of the Southern and Northern Attack Forces left their staging areas in Luzon and Ulithi on March 25, followed by the rest of Spruance's fleet two days later. On March 26 and 27, Rawlings' Task Force 57 conducted a series of strikes on the Sakishima Islands, primarily targeting Miyako. Meanwhile, after a 250-plane raid on the Mitsubishi plant in Nagoya on March 24, LeMay sent 165 B-29s from the 73rd and 314th Bombardment Wings to attack the Kyushu airfields on March 27, facing minimal resistance as they caused significant damage to the Tachiarai Army Airfield, the Oita Naval Airfield, and the Omura aircraft plant. Other bombers from the 313th Bombardment Wing laid aerial mines in the Shimonoseki Strait. The Japanese responded with a raid on Spruance's naval units using aircraft and suicide boats on the night of March 28, resulting in one LCM being destroyed and one cargo ship damaged. On March 29, Mitscher launched another strike against Kyushu, but poor weather conditions led to only minor damage, with 12 vessels sunk and one damaged. By this point, the “largest assault sweep operation ever executed” had cleared the Hagushi beach approaches in 75 sweeps, with minesweepers clearing 3,000 square miles of coastal waters. The following morning, as Task Force 58 once again targeted Okinawa, Deyo's ten battleships and eleven cruisers advanced to bombard Okinawa's defenses and demolish coastal seawalls with increased intensity. At the same time, the 314th sent 12 planes to attack the Mitsubishi engine works in Nagoya overnight. The next day, LeMay dispatched 152 B-29s for his second assault on Kyushu, completely destroying the Tachiarai machine works and heavily damaging the Omura airstrip. On March 31, back in Okinawa, the final underwater demolition operation off the Hagushi beaches was underway while the 420th Field Artillery Group was successfully positioned on Keisejima, prompting a strong reaction from Ushijima's artillery. That morning, a Ki-43 fighter crashed into Admiral Spruance's flagship, the Indianapolis, resulting in the deaths of nine crew members and severely damaging a shaft, which ultimately compelled Spruance to transfer his flag to the battleship New Mexico. Meanwhile, the frogmen completed their last demolition operations at Hagushi, and the final preliminary bombardment of Okinawa and the Sakishima Islands was executed successfully. By the end of the month, over 13,000 large-caliber shells had been fired in the shore bombardment, and approximately 3,095 sorties had been conducted against the Ryukyus. However, effective Japanese concealment prevented significant damage to Ushijima's defenses. As night fell, a vast fleet of transports, cargo ships, landing craft, and warships navigated the final miles of their long journey, successfully meeting off the Hagushi beaches in the East China Sea before dawn on April 1. While Turner's forces prepared for the landing, a fire support group consisting of 10 battleships, 9 cruisers, 23 destroyers, and 177 gunboats began the pre-landing bombardment of the beaches at 05:30, firing a total of 44,825 rounds of shells, 33,000 rockets, and 22,500 mortar shells. In response, the Japanese launched some scattered kamikaze attacks on the convoys, successfully hitting the transport Hinsdale and LST 884. At 07:45, carrier planes from Task Force 58 and Blandy's carriers targeted the beaches and nearby trenches with napalm. Fifteen minutes later, the first wave of amphibious tanks advanced toward the shore at four knots, followed closely by five to seven waves of assault troops in amphibious tractors. Alongside the primary landings, Major-General Thomas Watson's 2nd Marine Division staged a feigned landing on the southeast coast of Okinawa, near Minatoga, aiming to distract the enemy's reserves in that region. Meanwhile, on the main front, supported by rocket fire from LCI gunboats and artillery fire from Keisejima, a nearly continuous line of landing craft advanced toward the beaches at 08:20. Encountering no resistance, the first waves began to land on their designated beaches at 08:30, with additional troops following closely behind. Within an hour, Geiger's 3rd Amphibious Corps had successfully landed the assault elements of the 6th and 1st Marine Divisions north of the Bishi River, while Hodge's 24th Corps disembarked the 7th and 96th Divisions to the south of the river. The lack of significant opposition, coupled with the rapid disintegration of the untrained 5473 airfield service troops of the 1st Specially Established Regiment under heavy air and artillery bombardment, created a sense of foreboding among the men, prompting them to scout the area cautiously. As before, the enemy's primary response consisted of kamikaze attacks on naval units, resulting in damage to the battleships West Virginia and Tennessee, the British carrier Indefatigable, destroyers Prichett and Vammen, the British destroyer Ulster, the destroyer minelayer Adams, and four other vessels. Returning to Okinawa, after ensuring they were not walking into a trap, the troops began advancing inland while tanks and other support units were brought to the beaches. In the north, Major-General Lemuel Shepherd's 6th Marine Division deployed Colonel Merlin Schneider's 22nd Marines on the isolated Green Beaches and Colonel Alan Shapley's 4th Marines on the Red Beaches near Yontan Airfield. The 4th Marines advanced toward Yontan, encountering only scattered resistance, and quickly secured the objective east of the airfield by 13:00. Meanwhile, Schneider's 3rd Battalion moved through Hanza without opposition, but the 2nd Battalion's progress was hindered as it needed to protect its exposed flank, prompting the 22nd Marines to quickly commit its reserve battalion to maintain their momentum. To the south, Major-General Pedro Del Valle's 1st Marine Division landed Colonel Edward Snedeker's 7th Marines on the Blue Beaches and Colonel John Griebel's 5th Marines on the Yellow Beaches just north of the Bishi River. By 09:45, the 7th Marines on the left had advanced through the village of Sobe, their primary objective, while the 5th Marines were positioned 1,000 yards inland. At this point, it was decided to land the reserve battalions of both regiments, along with Colonel Kenneth Chappell's 1st Marines. With forces arranged in depth and reserves positioned to the right and left, Del Valle's units continued to advance steadily over the rolling terrain as the 11th and 15th Marines artillery units were also being landed. At 13:30, the 4th Marines resumed their advance, facing light resistance on the left but becoming overextended on the right while trying to maintain contact with the 7th Marines. As a result, Shapley landed his reserve battalion to fill this gap, while Shepherd also deployed his reserve 1st Battalion, 29th Marines, to secure the critical northern flank, allowing the 22nd Marines to keep advancing eastward. Meanwhile, further south, Major-General Archibald Arnold's 7th Division disembarked Colonel Frank Pachler's 17th Regiment on the Purple Beaches just south of the Bishi River and Colonel John Finn's 32nd Regiment on the Orange Beaches in front of Kadena Airfield. Both regiments quickly ascended the gentle hills at the landing sites and began advancing eastward. By 10:00, the 27th Regiment had patrols at Kadena Airfield, which was discovered to be empty; by 10:30, the front line was crossing the airstrip. Moments later, it advanced 200 yards beyond, heading towards Cholon. Simultaneously, the 32nd Regiment secured the southwestern edge of Kadena and continued along the road to Kozo. To the south, Major-General James Bradley's 96th Division landed Colonel Michael Halloran's 381st Regiment on the White Beaches in front of Sunabe and Colonel Edwin May's 383rd Regiment on the Brown Beaches at the extreme southern flank. Both regiments moved eastward with the same ease as the other units that day, making significant progress towards Momobaru in the north and successfully capturing Chatan in the south. Additionally, all divisional artillery of the 24th Corps landed early; Hodge's reserve regiments and battalions were successfully brought ashore, and by nightfall, direct-support battalions were in position. By the end of the day, over 60,000 men had landed, suffering only 28 dead, 27 missing, and 104 wounded, thereby establishing a beachhead 15,000 yards long and up to 5,000 yards deep in some areas. Shepherd's Marines paused for the night along a line stretching from Irammiya to the division boundary south of Makibaru, which the 1st Marine Division extended further south to Kadena. Meanwhile, the 7th Division advanced nearly three miles inland, destroying several pillboxes but losing three tanks to mines. The 96th Division secured positions along the river south of Chatan, on the elevated ground northwest of Futema, in the outskirts of Momobaru, and in the hills to the northwest and southwest of Shido. Although there were gaps in the lines in several areas, they were filled by reserve units or weaponry before nightfall. Thus, the Battle of Okinawa, seen by most as the final climactic battle of the Pacific War has only just begun. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. As Gandalf the White once said “The board is set, the pieces are moving. We come to it at last, the great battle of our time.” The battle of Okinawa will become the bloodiest campaign America has ever fought. The soul crushing journey has just begun as the Americans end the last stand of the Japanese in the Pacific War.
Episodio 301. Yo me sentía como... ignorado, como escrito por un payaso, metido en una gavetica en mi cerebro pequeña y oscura, pero hubo una coincidencia mágica, me saltó la chispa y viajé a Suráfrica para hacer mi propia comedia. Es gravísimo lo que le está pasando al guiski. Thanks Ollama!
Na przestrzeni ostatnich 200 lat archeologia dokonała odkryć, które zmieniły sposób, w jaki patrzymy na przeszłość świata. Pod powierzchnią ziemi wciąż znajdowane są artefakty minionych dziejów, ale nie tylko tam. Coraz częściej odpowiedzi na stawiane pytania odkrywamy tam, gdzie jeszcze nie szukaliśmy - pod wodą. (00:00:00) Powitanie (00:00:51) Rozmowa (00:56:37) Informacje i podziękowania ✅ Wspieraj Brzmienie Świata na Patronite: https://patronite.pl/brzmienie-swiata FB: www.facebook.com/brzmienieswiata IG: www.instagram.com/brzmienieswiata
Learn how many smoke and carbon monoxide alarms you should have in your home, what to do in the event of a fire, how to safely use space heaters, and more from FDNY Captain Michael Kozo, the Officer in Charge of the Fire Safety Education Unit. Captain Kozo also discusses brush fires, which, due to the record-dry fall, have presented the FDNY with difficult and dangerous challenges.
C'est une tradition ancestrale au Japon : la fabrication du washi, littéralement le papier japonais. Il y a 10 ans, l'Unesco inscrivait ce savoir-faire sur la liste du patrimoine culturel immatériel de l'humanité. Mais aujourd'hui, cette tradition est en train de se perdre... Merci pour votre écoute Transversales, c'est également en direct tous les samedis de 12h à 13h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Transversales sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/492 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.
This part of the conversation with Christina Carmel underscored the significance of attracting talent and promoters to Ghana while highlighting the impact of famous individuals visiting the country. This exchange of creativity and talent represents a promising trajectory for the global resonance of African music and culture.Projected potential visits to Ghana by influential figures such as Oprah, Diddy's camp, Drake, and Beyoncé, signalling the increasing interest in Ghana as a vibrant hub for cultural and musical exchanges. Watch full episode: https://youtu.be/sevakx0f5fk?si=-3V2UT3S8wpD4wDEListen to full episode: https://open.spotify.com/episode/38R1ygDvqV4JXg0KsmcRPiSome references mentionedSo African and other Ghanaian influencers supporting launch of Kozo in Kigali, RwandaGood Morning America in AccraMichaela Coel in Accra for Vogue Magazine shoot (2022)NFL Superbowl Advert at Makola Market, Accra, GhaanaEmpire Music Label visiting Accra Show Noteswww.thesoundofaccra.com/christinaSponsorsSeason 6 Sponsors: Workspace Global (connects you to remote creative teams that offer a variety of design, digital and development services to help you build and grow your brand.). Get your FREE 7 day trial here.Our partners1:1 coaching with Adrian Daniels: https://catchapp.co/u/adriandaniels/60-minutes-with-adrianStart a profitable business with Skool: https://thesoundofaccra.com/skoolFree Podcast course: https://skl.sh/2TRY0fN Start or uplevel a podcast: https://www.atozpodcasting.com Fresh Bread, Catering and Food Processing in Accra: https://ebatfoods.com/Ghana's First Super App: https://shaqexpress.com/Rent anything in the UK: https://fatllama.com/r/adri-6451bWatch season 6 episode 9 with Anthony Owusu-Ansah of ShaQ Expresshttps://youtu.be/bOZkXf3uRZ4?si=pBjw0ZGHsUZ4-lsKCatch up with Season 5 here:
Maak je klaar voor een trip down memory lane, een half uurtje nostalgie, en droom weg bij de hits en dansmoves uit jouw jeugd. Welke liedjes stonden er op toen Roos, Noraly en Eva twintigers waren en in de club stonden? En hoe dansten zij daarop? Welke artiest moet je écht een keer live zien (en wie niet)? Een gesprek over schuifelen en twerken, over zwijmelen over George Michael en ordinair dansen op Bizzey, over high van geluk zijn op een concert en over Taylor Swift-fan worden op je zestigste. In de zeventiende aflevering van Generatie Vrouw praten babyboomer Noraly Beyer, Roos Schlikker uit Generatie X en Millennial/Gen-Z'er Eva Breda over muziek. Muziekcredits:In de podcastaflevering wordt een fragment van het nummer 'Traag' van Bizzey gedraaid. Artiest: BizzeyFeatured artists: Kozo & Kraantje Pappie. Producers: Ramiks & BizzeyLabel: Noah's ArkSupport the show: https://libelle.nl/generatievrouwSee omnystudio.com/listener for privacy information.
Ana Serrano, coordinadora territorial de AEPSAL. Ayer domingo, 28 de abril se celebró el Día Mundial de la Seguridad y Salud Laboral. Es crucial incorporar la seguridad y la salud en el trabajo (SST) a las políticas climáticas y, asimismo, integrar las cuestiones climáticas en las prácticas de SST. La legislación puede necesitar una reevaluación o nuevas normativas a medida que cambian estos riesgos climáticos. Ha llegado el momento de actuar y de ello hablaremos hoy. Invitados especiales: Vanesa Statti de Kozo desde Argentina y J. L. Fernández Medina de Fraternidad-Muprespa, Mutua Colaboradora con la Seguridad Social nº 275 desde Zaragoza y en nuestros estudios.
The guest on this episode of rootbound is Jessika Raisor. First, Steve talks cellulose. Then Jessika shares her passion for producing paper and a tree that started it all. Steve talks a quintessential spring flower. Finally, a poem by Wordsworth.Show notes!CellulosePaper mulberryMaking of Handmade KozoGarden | Morgan ConservatoryWhy do Kozo papers have excellent longevity?ShojiTapa ClothNarcissus (mythology)Narcissus (plant)Lycorine | C16H17NO4 | CID 72378 - PubChemI Wandered Lonely as a Cloud by William WordsworthJessika's Paper SupplyJessika's InstagramSupport rootbound
For episode 29 of the Bao Podcast, we have another dual-guest episode for you, featuring Michael Lefeber and Ken Spranghers, co-founders of KOZO. Kozo designs and builds spaces that adapt to the people who buy them. Whenever something changes in their life, their house can change with them. Kozo's innovative construction method ensures that you can choose to adapt your home. A small starter home can grow into a fully-fledged family home and then even evolve into a care home. On top of this, their unique demountable connection system enables an easier way to recycle the different elements at the end of their life cycle. Show notes: Kozo David Gilmour Albert EinsteinLode Janssens: living in a balloon Matthew Walker - Why We Sleep Get in contact with Kozo: info@kozo.co Time stamps: 0:00 Intro1:42 Where does Kozo originate from? 13:15 Switching from event to construction26:40 The start & Kozo concept41:00 Biggest learnings43:00 Outro
#Japanuary-Spezial Und damit beginnt das #Japanuary-Resteessen! Diesmal mit Max und Johannes und einem weiteren Besuch bei Herrn Tsukamoto. Diesmal geht es um seinen nicht Debüt-Film (alle nennen da ja Tetsuo aber irgendwie passen die ja beide nicht) "The Adventure of Denchu-Kozo". Einen auf 47 Minuten komprimierten Shonen-Manga über einen Jungen mit Strommasten und Zeitmaschine. Freude! Podcast herunterladen
Julie McGlaughlin has been making paper and exploring its sculptural possibilities since the early 90's. She has been making large sheets from Kozo fibers for the last 14 years. Her interest in wearable paper garments subconsciously began over 50 years ago when she wore her first paper dress (popular in the 1960's) and she continues to push the boundaries between paper and textiles today. Eastern fibers work well for this, as they are extremely strong allowing her to make thin, fluid sheets which easily adapt to wearable art. These non-woven sheets are referred to as kamikogami. McGlaughlin shows her sculptural work and wearable paper garments nationally and internationally, and her work is in numerous private and corporate collections.
ラクスル福島さんを迎え、ハイグロース・マネジメントや非連続性について話しました。 「Fomulaを変えるのが非連続性」というのが今回一番のパンチラインだと思いました(by 矢本) [AIによる本エピソードの要約] このエピソードでは、日本の大企業がイノベーションのジレンマを克服するために必要なスキルセットや、ビジネスモデルを含めた非連続な人材のポートフォリオについて議論されています。経営者やマネージャーが、変化に対応し、自己否定して成長していくことが重要であり、全ての会社がイノベティブな会社になれるかという問いを常に立てていく必要があると語られました。また、AIやテクノロジーの進化に合わせた、常に最適な人材ポートフォリオを持つことが不可欠であることも強調されました。この内容は、ビジネスパーソンやマネージャーにとって有益な情報が含まれているため、ぜひ聞いてみてください。 [AIによるタイムスタンプ] 00:02 GenerativeAIについて話し合われていること 00:14 福島さんやラクスルのGenerative AI取り組みについて 01:00 新技術・イノベーションが発生したときのビジネス戦略 04:07 新しい技術を業務に取り入れるサイクルの早め方 06:26 e-commerceのビジネスモデルにおけるイノベーション 07:41 eコマースの流れとAIの進化 08:44 ティッピングポイントでの戦略立案 10:14 過去のテクノロジーの変化 11:47 会社の変化のアップデート速度についてのチャレンジとその規模についての議論 13:21 会社が技術に対して適応する速度の問題と、スタートアップと大企業の変化に対する柔軟性の違いについて 13:50 大企業とスタートアップがどのように変化に対応するかのアプローチについて 15:01 外部と内部の変化のスピード 20:51 非連続テーマ 24:28 事業の落とし所 25:32 非連続成長と連続成長の対比と人事評価制度（MBOとOKR） 26:14 非連続と連続の違いとオブジェクティブとKR 29:45 連続的成長を生み出してくれる人と非連続性のある探索をする人の要件 31:51 ウェブマーケティングからマスマーケティングへの転換 32:10 新領域に取り組む人材の必要性 32:35 公式から算出される連続的成長と非連続的成長（フォーミュラの変更） 32:57 非連続的成長（アルファ）と人材の評価 40:50 評価制度に関する話 41:39 人の行動について 42:56 評価制度の改善について 44:26 非連続リアシップについて 45:39 グロースのマネジメントについて 51:02 マネジメントとしては最前線にいるべき 52:00 機械をくくり出すことが大事 52:24 現場への飛び込み力が必要 53:44 e-commerceのドライバー 54:06 セールス組織の重要性 54:39 リーダーシップの必要性 56:08 機械をくくり出す基準の必要性 58:36 ティッピングポイントを見つけるタイミングの重要性について 59:35 ティッピングポイントを探究することの重要性について 01:01:10 技術の社会インパクトについて 01:02:46 規制や法律の影響により、トップランナー2社以外が排除されることもある。しかし、規制によって新規参入が促進されることもある。 01:03:18 規制や法律が、投資を制限することがある。そのため、自社のプレイングフィールドを制限してしまうこともある。 01:03:37 投資に制約があっても、事業を推進する上で起きた変化から、業界で成功した企業は学ぶことができ、競争に勝ち残ることができる。 01:04:19 企業はイノベーションのジレンマにより、必要な人材やスキルを持っていない場合がある。組織が更新し続けることができれば、インパクトのある成果を得ることができるようになる。 01:09:40 日本での人材不足 01:11:55 eコマースとSaaSでのホールバリュー競争の重要性 01:14:16 事業統合における技術的ボトルネック
Iluminados, neste episódio bônus, vocês escutarão o conto: Kozo. *** Considere tornar-se um apoiador do Siga a Luz, entre no site: apoia.se/sigaaluzpodcast ou apoie este projeto pela opção PIX que é o próprio e-mail do Siga a Luz. A sua ajuda fará toda a diferença para o podcast. *** Mandem relatos para: sigaaluzpodcast@gmail.com
Chris, Dave, and Kozo are back to ponder the big questions like… Can Tsubakuro die? Who’s number 71? Who’s the greatest number 17? How good is Murakami? And most importantly, who wears the best uniforms in Japan? All those questions are answered plus the obligatory COVID update, a recap of the Swallows games since the […]
The podcast is now entering coach number territory. Chris, Dave, and Kozo recap the roller coaster that was the Swallows’ post-IL schedule. The ride included some winning, a whole lotta COVID, and a bunch of losing. They also discuss whether 2022 Murakami Beast Mode can come close to 2013 Coco Balentien Beast Mode. Also, get […]
Chris, Dave, and Kozo try to get into a winning mindset with some wise words from MC Hammer, the Funky Headhunter. They also explore the not so nice history of the number 69 in Swallows history. The boys review the Swallows glorious Interleague run and all the players that contributed to the run. Things get […]
L'impact du choix de la plante que l'on tisse sur l'habitabilité de notre
Ralph Kiggell has been an important part of the international mokuhanga community for many years. Ralph takes many different elements of mokuhanga, the energy and exploration of an artist, to create some of the most dramatic and ambitious mokuhanga today. On this episode of The Unfinished Print I speak with mokuhanga printmaker Ralph Kiggel about his life in Thailand, using locally sourced materials for his mokuhanga from that country; we also speak on his artistic ambitions, his observations on the current state of the mokuhanga community, and what he would like to see as its future. Please follow The Unfinished Print and my own print work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Ralph Kiggell - website, Instagram, interview with Evil. O Japan and the West - Japan as a country has had an uneasy relationship with the "West." In many cases this relationship has focused solely with the United States. For a fine early description of this particular relationship please read The Making of Modern Japan, by Marius B. Jansen, and Empreror of Japan: Meiji and His World, 1852-1912 by Donald Keene. ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century. Rembrandt Harmenszoon van Rijn (1606-1669) - was a Dutch painter, considered to be a part of the Dutch Golden Age of painting. He was notable for his self-portraits, landscape painting, and empathic painting. Serigraphy - is another word for the art of silk screen printing. Silk screen printing can be in on various materials, silk, canvas, paper, etc. Western Engagement with Mokuhanga - the connection with woodblock prints and the West, predominantly with the United States and Britain, began when the elite of both countries started collecting ukiyo-e. Collecting ukiyo-e was the fashion for wealthier patrons of the arts who saw the beautiful images from Japan and their “Oriental” aesthetic as worth collecting. By the start of the twentieth century ukiyo-e production had began to wane. It wasn't until Watanabe Shōzaburō (1885-1962) who worked in the woodblock print business, and who exported prints to the West to a foreign market, saw the benefit of focusing his business for foreign buyers. He established his publishing house in Tōkyō for making woodblock prints with high end techniques (almost lost at that point) and used the traditional hanmoto system of print production to facilitate the demand. This began a fruitful business which created a new generation of woodblock production and Japanese aesthetic. The two important types of woodblock print styles from this period are shin-hanga (new prints), and sōsaku-hanga (creative prints). shin-hanga - or, new prints, is a style of woodblock print production connected to the early twentieth century in Japan. Attributed to Watanabe Shōzaburō, and were created via the ukiyo-e, hanmoto system. Prints are produced through a hierarchy. This hierarchy is as follows: publisher commissions artist who designs the prints, professional woodblock carvers carve the prints, and professional printers print the prints. This collaboration system helped make shin-hanga into the collectable works we find today. They help to codify a romanticized Japanese aesthetic, for a Western audience. sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self made prints was a breakthrough for printmakers beginning to move away from where only a select group of carvers, printers and publishers created woodblock prints. War prints & Japanese Imperialism - as Japan entered the Pacific Theatre of war (1941-1945) with the United States, the fascist military government had complete power in Japan at the time, and used woodblock prints, as well as other mediums such as lithography and photography, to propagandize their war effort. Printmakers such as Kawase Hasui (1883-1957) even got involved in producing prints that helped the war effort. He designed several war prints during this time period. Prints such as The Red Setting Sun, is a prime example of how the times and aesthetic show a relatively innocuous scene of figures (Japanese soldiers) riding on horses with a setting sun back drop. For more detailed information regarding war time prints I suggest, Conflicts of Interest: Art and War in Modern Japan, ed. Philip K. Hu w/ Rhiannon Paget, and The Politics of Painting by Asato Ikeda. My interview with Rhiannon Paget PhD can be found, here. The American Occupation and Woodblock Prints - the occupation of Japan occurred after the end of the Pacific theatre (1941-1945) and World War 2 (1939-1945). The Occupation of Japan was from 1945-1952. During this period of nation rebuilding, the Japanese print market as a post-war souvenir was very popular. The rapid growth of the woodblock print in the immediate post-war is attributed to several factors. Robert O. Muller (1911-2003) was an American collector who helped establish print connections with Japan and the United States. From owning the Shima Art Co. of New York City, to working with Shōzaburō in Tōkyō after the war, Robert O. Muller's contribution can be considered unprecedented in woodblock print history. Kōshirō Onchi (1891-1955) was another factor in the rise of woodblock prints during the Allied Occupation. His First Thursday Society, and with the help of his daughter who worked directly with the Supreme Commander of Allied Powers (SCAP), Onchi was able to spread the word on the creative prints project (sōsaku hanga) by making connections with important collectors in the American military government, as well as recruiting American artists, such as Ernst Hacker (1917-1987). For more information regarding the American Occupation of Japan and woodblock prints please read, Japanese Prints during the Allied Occupation 1945-1952, and Troubled Times and Beyond: Japanese Prints 1931-1960, published by Nihon no Hanga, Amsterdam. My interview with Maureen de Vries, curator of Nihon no Hanga, can be found, here. Evolving Techniques in Japanese Woodblock Prints - is a book published by Kodansha International in 1977. It was written by Canadian woodblock printer Gaston Petit, and Amadio Arboleda, who currently apprentices as a violin maker in Tōkyō. Tama Art University - is an arts university located in various campuses in Tōkyō. It has various departments such as Architecture, Product and Textile Design, and Art Studies. 入門 - "nyuumon" in the title of the book Ralph speaks about in our interview, where we discuss what the following kanji means. There are a few meanings for this particular kanji, but in regards to the book I believe it to mean, "beginning training." 水生 - "suisei" is a Japanese word meaning, "water based." 刷物 - "surimono" is a Japanese word which means, literally, "printed thing." These were also privately commissioned prints made by wealthier clients for special occasions. These prints usually were extremely extravagant, using high-end techniques and pigments. I could not in my research find whether or not "surimono" was used more colloquially, rather than "ukiyo-e." kentō - is the registration system used by printmakers in order to line up the colour woodblocks with your key block, or outline block, carved first. Wood Like Matsumura - is an online and brick and mortar store, for woodblock printmaking, located in Nerima City, Tōkyō. website. Will Francis - is a British mokuhanga printmaker who works predominantly for American graphic designer Jed Henry, and Mokuhankan. shina - is a type of Japanese plywood used in mokuhanga. jigsaw cutting - Ralph uses various methods when making his mokuhanga. One such method is jigsaw cutting, where the blocks are cut and those cuts are used to make prints. In this video, Ralph explains his process on making his prints. Akira Kurosaki 黒崎彰 (1937-2019) - one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here. Munakata Shikō 志功棟方 (1903-1975) arguably one of the most famous modern printmakers, Shiko is famous for his prints of women, animals, the supernatural, and Buddhist deities. He made his prints with an esoteric fervour where his philosophies about mokuhanga were just as interesting as his print work. flâneur - is a French word, meaning idler, walker of streets, a way to see a city, to understand it. The freedom to walk a city is a type of freedom that allows someone to truly understand where they are. While almost always written in French literature [(Charles Baudelaire (1821-1867)], for men there has been a question about why women haven't been associated with the word. Lauren Elkin, an American writer in Paris, tries to understand why women aren't associated with the term. The CBC podcast, IDEAS, interviewed her and it was a great way to understand what makes a flâneur, or flâneuse. You can find it, here. Alex Kerr and Lost Japan - Alex Kerr is an American Japanologist who lives and works in Japan. He has written many books on Japan, but is famous for Lost Japan, published in 1993. It describes the modernity of Japan, and what is destroyed when searching for that modernity. Meiji-jingu (明治神宮) - is a large parkland area near the Harajuku neighbouhood of Tōkyō. It is dedicated to Emperor Meiji (Prince Mutsuhito - [1867-1912]). It is open 365 days of the year and is especially busy during the New Years celebrations. Black Ships - are associated with the American naval commodore, Matthew C. Perry (1794-1858). The United States wanted to open trading with Japan, who had been in self-imposed isolation with the West since 1635. Matthew C. Perry essentially bullied his way into the conversation of trade with Japan and these "Black Ships" he arrived on, became a symbol of this moment. Frank Lloyd Wright and the Imperial Hotel - (1867-1959) FLW was an American architect who designed many different buildings in Japan since his first visit in 1905. The Imperial Hotel was located in Tōkyō in the Hibiya district. It was moved to, and reconstructed in 1968 at the Meiji-mura Museum Village in Aichi Prefecture. It was built in the Mayan Revival style. I got a chance to visit it in Aichi and it's pretty spectacular, and smaller than I thought it would be. The Imperial Hotel still exists today. Kozo paper - is a long fibered mulberry paper used for mokuhanga and cloth making. It is produced in Japan, Thailand, and South America. Lampang, Thailand - located in Northern Thailand and is a trading city with tourism, and farming. Yoshida Family of Artists - The Yoshida's are one of the most famous family of artists from Japan. Begun with painter Yoshida Kasaburō (1861-1894), made famous by Yoshida Hiroshi (1876-1950) and his work with woodblock printing. The Yoshida family has helped shape many artists around the world. More info from the Mount Holyoke College Art Museum, here. Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier, that made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925. Yoshida Tōshi (1911-1995) - eldest son of Hiroshi Yoshida. Having been affected by polio, and the pressure of continuing his fathers legacy, Tōshi Yoshida made prints and paintings which gradually became expressive, avant garde and abstract. Later in life he focused on birds and mammals. Yoshida Hodaka (1926-1995) - the second son of Hiroshi Yoshida, Hodaka Yoshida seemed to be a bit of the black sheep of the Yoshida family. His desire to become an artist was against his fathers wishes, and his work was an extreme departure from what his father had produced as well as his older brother. Inspired by western artists such as Henri Matisse (1869-1954), and Pablo Picasso (1881-1973), Hodaka began to move away from painting to woodblock prints in the 1950's. Hodaka travelled (the Yoshida family were constant travellers) and was constantly inspired by the world. This was reflected in his woodblock prints and woodblock/photo etching prints. Yoshida Tsukasa (b.1949) - is the son of Tōshi Yoshida. He is a woodblock printmaker focusing on themes of nature and especially the moon. Bangkok Art Biennale - is an art biennale located in Bangkok, Thailand. It was founded in 2018, and was created for visitors to immerse themselves in Thai culture through various arts installations and shows. The 2022/23 biennale will be from October 22, 2022 - February 23, 2023. (IG) Province of Manitoba, Canada - joined Confederation in 1870, and is known for its natural beauty and vast landscapes. The capital is Winnipeg. Province of Saskatchewan, Canada - joined Confederation in 1905, and is known for its vast fields and flat land. Its capital is Regina. April Vollmer - is an established artist who works predominantly in mokuhanga. Her book Japanese Woodblock Print Workshop is one of the authoritative books on the subject and has influenced many up and coming mokuhanga artists. Natasha Norman - is an artist based in Johannesburg, South Africa. Here mediums are mokuhanga, mokulito, monotype, and paintings. My interview with Natasha Norman can be found, here. MDF - Medium-density fibreboard is a board made of discarded wood fibres and bonded together by wax and resin, which makes it bad for you if you carve it. opening and closing credit music - Spadina Sounds as told by the walkway which had a moving sidewalk. Here are some of the sources used for the above notes: LIPSHULTZ, SANDRA LAWALL. A Japanese Legacy Four Generations of Yoshida Family Artists. Laura W. Allen, Kendall H. Brown, Eugene M. Skibbe, Matthew Welch, Yasunaga Koichi. Held at the Minneapolis Institute of Arts from FEBR. 2 to April 14, 2002. Chicago, Ill: Art Media Resources, 2002. MARTIN, KATHERINE. Highlights of Japanese Printmaking: Part Two - Shin Hanga. Scholten Japanese Art, 2006. DE VRIES, MAUREEN, Chris Uhlenbeck, and Elise Wessels. Troubled Times and Beyond: Japanese Prints 1931-1960. Nihon no Hanga, 2013. © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***
Letošnja turistična sezona prihaja na valu optimizma zaradi postopnega ukinjanja protikovidnih ukrepov in lažjih potovanj po nekaterih delih sveta. Po drugi strani se pri nas konec junija poslavljajo turistični boni. Uspešno sezono bodo tako znova krojili tudi tuji gosti. V Turističnem združenju Portorož našo največjo destinacijo letos oglašujejo na sedmih trgih. S kampanjo spodbujajo podaljšanje sezone v jesen in pomlad, izpostavljajo navtični turizem. Ob vsem so si odprli vrata v metasvet ali splet 3.0, v katerem tudi turizem odkriva nove možnosti oglaševanja. Piran-Portorož je namreč prva naša destinacija s svojim nezamenljivim digitalnim ali NFT žetonom. Njegov zaščitni znak je istrska koza Srečka. Več pa v tokratni oddaji.
68 is a magic number that Kozo’s been waiting to feature. Join him as he wows Chris and Dave with knowledge of all things players that have worn 68 for the Swallows since 2009. The episode even features an audio cameo from a person that’s worn 68 for the Swallows. The boys also go through […]
Great conversation about the option of building a NEW HOME, rather than waiting to find the right resale home. Kevin Kozo is back from Turnberry Construction Group to talk about all things NEW Construction... New HOME TRENDS, Designs and Supply Issues. - cost to build and ability to get supplies.. getting better? - red tape from local government to get approvals/permits to build? - benefits of building- average price per sq ft to build w/ out the lot? - building trends, designs, kitchen trends, bathroom trends etc.Listen to Real Estate and YOU every Thursday at 1pm!Keller Williams Platinum Realty Brad Weisman has been a Realtor since 1992 and proudly sponsors this podcast!
@druxdrux - Singing bowl // Peace in Ukraine VA – Vol III [feeder sound] For the third time in such a short term, we received a lot of positive feedback and support from many DJs and music producers, rapidly building an extended compilation that incorporates various shades and styles of electronic music, from laid-back and serene soundscapes to driving rhythms and textures. The new volume features 18 tracks signed by Bucurie, Cesare vs Disorder & Weg, Cirkel Square, Drux, Dudley Strangeways & Mortalyf, Gus Bonani, Hatari, Kozo, Oana, Osvit, Primărie, Sensek, Serbastian, Sound of Art to Come All Stars, Spiri:tual, Tru3 Lov3s, Zlatin, Stas Lenin Band, who were immensely gracious and responsive. All revenues collected from the sales will be directed to the Ukrainian artists with whom we managed to get in touch: Animated Sounds, Peshka, Komponente, Yansima, Ilya Cheise, Vlad Barocco, Orbit, Osvit, Kirik, Yaroslav Lenzyak as well as the initiative launched by Antipina Anna & Silat Beksi. You can find out more about the artists by reading this article – here. Grab your copy of Peace in Ukraine VA – Vol III from Bandcamp – here. Artists: Bucurie, Cesare vs Disorder & Weg, Cirkel Square, Drux, Dudley Strangeways & Mortalyf, Gus Bonani, Hatari, Kozo, Oana, Osvit, Primărie, Sensek, Serbastian, Sound of Art to Come All Stars, Spiri:tual, Tru3 Lov3s, Zlatin, Stas Lenin Band Title: Peace in Ukraine VA – Vol II Label: feeder sound Cat. number: FRSOVA003 Release date: 05.04.2022 Format: Digital The feeder sound team is extremely grateful to audiences from around the world who have donated to Ukrainian artists via the PEACE IN UKRAINE VA series or through any other means. Support from: Raresh, Priku, Archie Hamilton
@dudley-strangeways & @Mortalyf - FOP // Peace in Ukraine VA – Vol III [feeder sound] For the third time in such a short term, we received a lot of positive feedback and support from many DJs and music producers, rapidly building an extended compilation that incorporates various shades and styles of electronic music, from laid-back and serene soundscapes to driving rhythms and textures. The new volume features 18 tracks signed by Bucurie, Cesare vs Disorder & Weg, Cirkel Square, Drux, Dudley Strangeways & Mortalyf, Gus Bonani, Hatari, Kozo, Oana, Osvit, Primărie, Sensek, Serbastian, Sound of Art to Come All Stars, Spiri:tual, Tru3 Lov3s, Zlatin, Stas Lenin Band, who were immensely gracious and responsive. All revenues collected from the sales will be directed to the Ukrainian artists with whom we managed to get in touch: Animated Sounds, Peshka, Komponente, Yansima, Ilya Cheise, Vlad Barocco, Orbit, Osvit, Kirik, Yaroslav Lenzyak as well as the initiative launched by Antipina Anna & Silat Beksi. You can find out more about the artists by reading this article – here. Grab your copy of Peace in Ukraine VA – Vol III from Bandcamp – here. Artists: Bucurie, Cesare vs Disorder & Weg, Cirkel Square, Drux, Dudley Strangeways & Mortalyf, Gus Bonani, Hatari, Kozo, Oana, Osvit, Primărie, Sensek, Serbastian, Sound of Art to Come All Stars, Spiri:tual, Tru3 Lov3s, Zlatin, Stas Lenin Band Title: Peace in Ukraine VA – Vol II Label: feeder sound Cat. number: FRSOVA003 Release date: 05.04.2022 Format: Digital The feeder sound team is extremely grateful to audiences from around the world who have donated to Ukrainian artists via the PEACE IN UKRAINE VA series or through any other means. Support from: Raresh, Priku, Archie Hamilton
Bucurie aka @mihaibucurie - Basics // Peace in Ukraine VA – Vol III [feeder sound] For the third time in such a short term, we received a lot of positive feedback and support from many DJs and music producers, rapidly building an extended compilation that incorporates various shades and styles of electronic music, from laid-back and serene soundscapes to driving rhythms and textures. The new volume features 18 tracks signed by Bucurie, Cesare vs Disorder & Weg, Cirkel Square, Drux, Dudley Strangeways & Mortalyf, Gus Bonani, Hatari, Kozo, Oana, Osvit, Primărie, Sensek, Serbastian, Sound of Art to Come All Stars, Spiri:tual, Tru3 Lov3s, Zlatin, Stas Lenin Band, who were immensely gracious and responsive. All revenues collected from the sales will be directed to the Ukrainian artists with whom we managed to get in touch: Animated Sounds, Peshka, Komponente, Yansima, Ilya Cheise, Vlad Barocco, Orbit, Osvit, Kirik, Yaroslav Lenzyak as well as the initiative launched by Antipina Anna & Silat Beksi. You can find out more about the artists by reading this article – here. Grab your copy of Peace in Ukraine VA – Vol III from Bandcamp – here. Artists: Bucurie, Cesare vs Disorder & Weg, Cirkel Square, Drux, Dudley Strangeways & Mortalyf, Gus Bonani, Hatari, Kozo, Oana, Osvit, Primărie, Sensek, Serbastian, Sound of Art to Come All Stars, Spiri:tual, Tru3 Lov3s, Zlatin, Stas Lenin Band Title: Peace in Ukraine VA – Vol II Label: feeder sound Cat. number: FRSOVA003 Release date: 05.04.2022 Format: Digital The feeder sound team is extremely grateful to audiences from around the world who have donated to Ukrainian artists via the PEACE IN UKRAINE VA series or through any other means. Support from: Raresh, Priku, Archie Hamilton
@cesare-vs-disorder & @luca-albano-aka-weg - Sunday Trip // Peace in Ukraine VA – Vol III [feeder sound] For the third time in such a short term, we received a lot of positive feedback and support from many DJs and music producers, rapidly building an extended compilation that incorporates various shades and styles of electronic music, from laid-back and serene soundscapes to driving rhythms and textures. The new volume features 18 tracks signed by Bucurie, Cesare vs Disorder & Weg, Cirkel Square, Drux, Dudley Strangeways & Mortalyf, Gus Bonani, Hatari, Kozo, Oana, Osvit, Primărie, Sensek, Serbastian, Sound of Art to Come All Stars, Spiri:tual, Tru3 Lov3s, Zlatin, Stas Lenin Band, who were immensely gracious and responsive. All revenues collected from the sales will be directed to the Ukrainian artists with whom we managed to get in touch: Animated Sounds, Peshka, Komponente, Yansima, Ilya Cheise, Vlad Barocco, Orbit, Osvit, Kirik, Yaroslav Lenzyak as well as the initiative launched by Antipina Anna & Silat Beksi. You can find out more about the artists by reading this article – here. Grab your copy of Peace in Ukraine VA – Vol III from Bandcamp – here. Artists: Bucurie, Cesare vs Disorder & Weg, Cirkel Square, Drux, Dudley Strangeways & Mortalyf, Gus Bonani, Hatari, Kozo, Oana, Osvit, Primărie, Sensek, Serbastian, Sound of Art to Come All Stars, Spiri:tual, Tru3 Lov3s, Zlatin, Stas Lenin Band Title: Peace in Ukraine VA – Vol II Label: feeder sound Cat. number: FRSOVA003 Release date: 05.04.2022 Format: Digital The feeder sound team is extremely grateful to audiences from around the world who have donated to Ukrainian artists via the PEACE IN UKRAINE VA series or through any other means. Support from: Raresh, Priku, Archie Hamilton
@Hatarii - Aerials / Peace in Ukraine VA – Vol III [feeder sound] For the third time in such a short term, we received a lot of positive feedback and support from many DJs and music producers, rapidly building an extended compilation that incorporates various shades and styles of electronic music, from laid-back and serene soundscapes to driving rhythms and textures. The new volume features 18 tracks signed by Bucurie, Cesare vs Disorder & Weg, Cirkel Square, Drux, Dudley Strangeways & Mortalyf, Gus Bonani, Hatari, Kozo, Oana, Osvit, Primărie, Sensek, Serbastian, Sound of Art to Come All Stars, Spiri:tual, Tru3 Lov3s, Zlatin, Stas Lenin Band, who were immensely gracious and responsive. All revenues collected from the sales will be directed to the Ukrainian artists with whom we managed to get in touch: Animated Sounds, Peshka, Komponente, Yansima, Ilya Cheise, Vlad Barocco, Orbit, Osvit, Kirik, Yaroslav Lenzyak as well as the initiative launched by Antipina Anna & Silat Beksi. You can find out more about the artists by reading this article – here. Grab your copy of Peace in Ukraine VA – Vol III from Bandcamp – here. Artists: Bucurie, Cesare vs Disorder & Weg, Cirkel Square, Drux, Dudley Strangeways & Mortalyf, Gus Bonani, Hatari, Kozo, Oana, Osvit, Primărie, Sensek, Serbastian, Sound of Art to Come All Stars, Spiri:tual, Tru3 Lov3s, Zlatin, Stas Lenin Band Title: Peace in Ukraine VA – Vol II Label: feeder sound Cat. number: FRSOVA003 Release date: 05.04.2022 Format: Digital The feeder sound team is extremely grateful to audiences from around the world who have donated to Ukrainian artists via the PEACE IN UKRAINE VA series or through any other means. Support from: Raresh, Priku, Archie Hamilton
@cirkelsquare-music - 4 Ukraine // Peace in Ukraine VA – Vol III [feeder sound] For the third time in such a short term, we received a lot of positive feedback and support from many DJs and music producers, rapidly building an extended compilation that incorporates various shades and styles of electronic music, from laid-back and serene soundscapes to driving rhythms and textures. The new volume features 18 tracks signed by Bucurie, Cesare vs Disorder & Weg, Cirkel Square, Drux, Dudley Strangeways & Mortalyf, Gus Bonani, Hatari, Kozo, Oana, Osvit, Primărie, Sensek, Serbastian, Sound of Art to Come All Stars, Spiri:tual, Tru3 Lov3s, Zlatin, Stas Lenin Band, who were immensely gracious and responsive. All revenues collected from the sales will be directed to the Ukrainian artists with whom we managed to get in touch: Animated Sounds, Peshka, Komponente, Yansima, Ilya Cheise, Vlad Barocco, Orbit, Osvit, Kirik, Yaroslav Lenzyak as well as the initiative launched by Antipina Anna & Silat Beksi. You can find out more about the artists by reading this article – here. Grab your copy of Peace in Ukraine VA – Vol III from Bandcamp – here. Artists: Bucurie, Cesare vs Disorder & Weg, Cirkel Square, Drux, Dudley Strangeways & Mortalyf, Gus Bonani, Hatari, Kozo, Oana, Osvit, Primărie, Sensek, Serbastian, Sound of Art to Come All Stars, Spiri:tual, Tru3 Lov3s, Zlatin, Stas Lenin Band Title: Peace in Ukraine VA – Vol II Label: feeder sound Cat. number: FRSOVA003 Release date: 05.04.2022 Format: Digital The feeder sound team is extremely grateful to audiences from around the world who have donated to Ukrainian artists via the PEACE IN UKRAINE VA series or through any other means. Support from: Raresh, Priku, Archie Hamilton
Cesare vs Disorder & Weg - Sunday Trip / PEACE IN UKRAINE VA - Vol III
Bucurie - Basics / PEACE IN UKRAINE VA - Vol III
Sound of Art to Come All Stars - Tribute to Tony Allen / PEACE IN UKRAINE VA - Vol III
@gus-bonani-prod - Dramatically New / Peace in Ukraine VA – Vol III [feeder sound] For the third time in such a short term, we received a lot of positive feedback and support from many DJs and music producers, rapidly building an extended compilation that incorporates various shades and styles of electronic music, from laid-back and serene soundscapes to driving rhythms and textures. The new volume features 18 tracks signed by Bucurie, Cesare vs Disorder & Weg, Cirkel Square, Drux, Dudley Strangeways & Mortalyf, Gus Bonani, Hatari, Kozo, Oana, Osvit, Primărie, Sensek, Serbastian, Sound of Art to Come All Stars, Spiri:tual, Tru3 Lov3s, Zlatin, Stas Lenin Band, who were immensely gracious and responsive. All revenues collected from the sales will be directed to the Ukrainian artists with whom we managed to get in touch: Animated Sounds, Peshka, Komponente, Yansima, Ilya Cheise, Vlad Barocco, Orbit, Osvit, Kirik, Yaroslav Lenzyak as well as the initiative launched by Antipina Anna & Silat Beksi. You can find out more about the artists by reading this article – here. Grab your copy of Peace in Ukraine VA – Vol III from Bandcamp – here. Artists: Bucurie, Cesare vs Disorder & Weg, Cirkel Square, Drux, Dudley Strangeways & Mortalyf, Gus Bonani, Hatari, Kozo, Oana, Osvit, Primărie, Sensek, Serbastian, Sound of Art to Come All Stars, Spiri:tual, Tru3 Lov3s, Zlatin, Stas Lenin Band Title: Peace in Ukraine VA – Vol II Label: feeder sound Cat. number: FRSOVA003 Release date: 05.04.2022 Format: Digital The feeder sound team is extremely grateful to audiences from around the world who have donated to Ukrainian artists via the PEACE IN UKRAINE VA series or through any other means. Support from: Raresh, Priku, Archie Hamilton
Sound of Art to Come All Stars @intimidatah - Tribute to Tony Allen // Peace in Ukraine VA – Vol III [feeder sound] For the third time in such a short term, we received a lot of positive feedback and support from many DJs and music producers, rapidly building an extended compilation that incorporates various shades and styles of electronic music, from laid-back and serene soundscapes to driving rhythms and textures. The new volume features 18 tracks signed by Bucurie, Cesare vs Disorder & Weg, Cirkel Square, Drux, Dudley Strangeways & Mortalyf, Gus Bonani, Hatari, Kozo, Oana, Osvit, Primărie, Sensek, Serbastian, Sound of Art to Come All Stars, Spiri:tual, Tru3 Lov3s, Zlatin, Stas Lenin Band, who were immensely gracious and responsive. All revenues collected from the sales will be directed to the Ukrainian artists with whom we managed to get in touch: Animated Sounds, Peshka, Komponente, Yansima, Ilya Cheise, Vlad Barocco, Orbit, Osvit, Kirik, Yaroslav Lenzyak as well as the initiative launched by Antipina Anna & Silat Beksi. You can find out more about the artists by reading this article – here. Grab your copy of Peace in Ukraine VA – Vol III from Bandcamp – here. Artists: Bucurie, Cesare vs Disorder & Weg, Cirkel Square, Drux, Dudley Strangeways & Mortalyf, Gus Bonani, Hatari, Kozo, Oana, Osvit, Primărie, Sensek, Serbastian, Sound of Art to Come All Stars, Spiri:tual, Tru3 Lov3s, Zlatin, Stas Lenin Band Title: Peace in Ukraine VA – Vol II Label: feeder sound Cat. number: FRSOVA003 Release date: 05.04.2022 Format: Digital The feeder sound team is extremely grateful to audiences from around the world who have donated to Ukrainian artists via the PEACE IN UKRAINE VA series or through any other means. Support from: Raresh, Priku, Archie Hamilton
While Chris was off enriching lives through alcohol, Dave and Kozo got together on NPB opening night to discuss the Swallows and the CL. While the Swallows were busy getting beaten by the Tigers, the boys discussed the 2022 rules, highlight each of the other CL teams, delivered their 2022 CL predictions, and most importantly […]
Češka pravljica z zelo zanimivo, nenavadno in nekoliko zmedeno vsebino. Težko je povzeti njeno zgodbo. Najbolje bo, da ji prisluhnete.
Češka pravljica z zelo zanimivo, nenavadno in nekoliko zmedeno vsebino. Težko je povzeti njeno zgodbo. Najbolje bo, da ji prisluhnete.
毎年恒例、ラクスル取締役COO福島さん(@kozo_fk)をゲストにお招きして、事業・経営の壁打ちをさせていただきました。今回のメインテーマはグロース・ポートフォリオ経営についてです。 【アジェンダ】 (Ice break) オフィスとリモート グロース・ポートフォリオ経営とは 投資というレンズで事業を覗くなら 直近のBizDev市場 - 谷こそチャンス ハイレイヤ採用について (逆質問) ロードマップからの組織逆算
Chris, Dave, and Kozo kick off year 11 of the Tokyo Swallows Podcast by going through everything that happened in the offseason. The boys discuss who’s coming back, new faces including the long awaited draft recap, who tested positive for corona, and a whole bunch of BFSN. Also find out which Japanese beer has the […]
The Tokyo Swallows Podcast will return in 2022. Chris, Dave, and Kozo are proud to present the first ever Tokyo Swallows Podcast: Japan Series Champions edition. The boys take some time off of throwing money at the Swallows merchandising department to reflect back on the road to becoming the Japan Series Champions including the last […]
Less than 24 hours after the Swallows clinched their 8th CL pennant Chris, Dave, and Kozo got together to talk about their feelings. They retrace the team’s road to the pennant, compare 2021 to 2015, and look ahead to the CS both on and off the field. Links to things discussed in the episode: Number […]
Chris and Dave deal with the fact that they’ve been recording the podcast for 10 years. Meanwhile, Kozo makes ominous connections between the 2011 season and the ongoing season. All three of them go over the season post-Olympic break and answer the question “are the Swallows going to win the pennant?” Also, Cy Sneed loves […]
Chris, Dave, and Kozo take a break from their respective summer breaks to reflect back on the first half of the NPB season. They go through the Swallows’ games series by series since the last podcast, run through the other CL teams, and go through the lineup to diagnose what needs to happen in the […]
Uncanny Japan - Exploring Japanese Myths, Folktales, Superstitions, History and Language
The Tofu Kozo is a seemingly innocent little yokai who appears on rainy days offering a plate of tofu to unsuspecting people. What could possibly go wrong? Support us on Patron: https://www.patreon.com/thersamatsuura Buy Me a Coffee (one-time contribution): buymeacoffee.com/uncannyjapan
Chris, Dave, and Kozo came together at the beginning of June to discuss the state of the Swallows one week into Interleague action. The boys remain cautiously optimistic as the Swallows didn’t slump since the last recording and seemed to have bucked the trend of recent years. The usual game of who’s hot and who’s […]
My good friend, Kevin Kozo of Turnberry Construction Group, shares his insights on the New Home Market, Material Increases, and Post Covid Building Trends. - Post Covid building trends.- How much did lumber really go up? - Are labor shortages an issue with building a home? Listen to this Podcast for Lots of information about BUILDING or remodeling your home!
Mike makes a guarantee that by the end of this, he'll make you sick of one specific song. This time he tells the story of that song, its appearance in multiple anime titles (and how it got him to watch one of them), its original artist from almost 40 years ago, and how another song he performed was in one of the most beloved anime love stories from back then In many ways its the story of how one song can adapt and ultimately stand the test of time, a holy grail for any pop song and perhaps the only one to accomplish it in anisong form Visit our website for more information and links: https://animeroundtable.wordpress.com/2021/06/10/on-mikes-mind-june-9-2021/ Website: animeroundtable.com Twitter and IG: @animeroundtable Email: animeroundtable@gmail.com
Chris, Dave, and Kozo are back to review the first month of Swallows action. After a Tokyo COVID update, the guys go over who’s hot, who’s not, and how are the other CL teams faring after a month of baseball? Also discussed is the state of Jingu in 2021 and whether we’re legacy fans. Recorded: […]
ラクスルCOO @kozo_fk さんからの質問に答えつつ、経営者のスタイルについて話しました。前後編の後編です。
ラクスルCOO 福島さんとお話しました。僕の公開メンタリングのような時間で、学びの宝庫でした。他領域のBizDevのマネジメントから、経営と執行分離はどう考えるか、など奥の深いテーマを扱いました。前後編の前編になります。 自己紹介 ビットバレー時代 複雑性の高いB2B(2C)型事業におけるフェーズ分け 経営すら試して考える 非連続をできる人の逆説 ジュニアからのジャンプアップのための機会提供
Chris, Dave, and Kozo come together to kick off the 2021 season by reviewing all the news from the end of 2020 until now, including the return of some hot BFSN. (Recorded: February 23, 2021) Amongst the topics covered: New additions LHP Kohei Miyadai RHP Cy Sneed RHP Hiroki Kondo RHP Reiji Kozawa 1B/LF Seiichi […]
On this episode: EC and OH introduce the B-Boying leaf, one of the four Leaves of Hip Hop. The boys briefly touch on the origins of breakdancing before introducing the very first guest of Hip Hop Cloverleaf, a Break-Boy veteran who goes by the name of AB who shares insight on what B-Boying means to him and shares further knowledge on the culture itself. He also gives out some great advice for anyone who is starting out or interested in breakdancing. Hip Hop Leaf: B-BoyWhat'z On RotationEC: Sir - "Chasing Summer" (Album) | Westside Gunn | Benny The ButcherOH: Ye Ali | Love Renaissance - "Home For the Holidays" (Album)Guest: AB - Follow him on Instagram ---> @art0ffadesLike the pod? Subscribe and follow:Instagram: @hhcloverleafTwitter: @hhcloverleafFacebook: Hip Hop Cloverleaf PodcastYouTube: Hip Hop Cloverleaf PodcastSoundcloud: Hip Hop Cloverleaf PodcastWebsite: hiphopcloverleaf.comEmail: hiphopcloverleafpodcast@gmail.comCreditsSources:“Breakdancing History.” Breakdancing History, www.breakdancingninja.com/bboy_history.html. Accessed 29 Jan. 2021.Okumura, Kozo. “History of Breakdance.” Global Darkness, Dancers Delight, www.globaldarkness.com/articles/history%20of%20breakdance.htm. Accessed 29 Jan. 2021.“Breakdancing/B-Boying/Breaking.” History of HipHop, historyofthehiphop.wordpress.com/hip-hop-cultures/break-dancingdance. Accessed 29 Jan. 2021.Episode Artwork: "break dance" by escael is licensed with CC BY-NC 2.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/2.0/Photo was modified.Production:EC and OHMahfuzZahidEdgar P.Jay 717Adrian Stubbs
Profesor Vlastimil Kozoň – významný slovenský pedagóg a odborník v odbore ošetrovateľstvo, pôsobiaci v Rakúsku a na Slovensku. Od r. 1991 pôsobí vo Všeobecnej nemocnici – Medicínskom univerzitnom kampuse vo Viedni, na Viedenskej medicínskej akadémii a od r. 2007 prednáša na Vysokej škole zdravotníctva a sociálnej práce sv. Alžbety v Bratislave. V rámci ošetrovateľstva sa venuje predovšetkým manažmentu rán a ošetrovaniu pacientov s chronickými ranami. Podieľa sa na tvorbe medzinárodných štandardov v zdravotníctve, je autorom mnohých vedeckých a odborných prác, držiteľom viacerých ocenení. S ošetrovateľstvom súvisí aj jeho dlhoročné hobby – faleristika. Zozbieral, vytvoril a vyhodnotil zatiaľ svetovo najväčšiu zbierku (viac ako 5000 exemplárov) nositeľných ošetrovateľských vyznamenaní a odznakov z krajín celého sveta. Moderuje: Zuzana Šebestová. Tolkšou Nočná pyramída pripravuje RTVS - Slovenský rozhlas, Rádio Slovensko, SRo1. Rozhovor, interview vedie moderátor, hosť nemusí byť len „celebrita“. Respondent môže byť z najrôznejších oblastí, ako napr. umenie, kultúra, film, veda, šport, technika.
S Today I interviewed Mr Kozo Kaos. Kozo is a street performer, magician and all round entertainer. I used to bump into Kozo when I was walking down the street in Wellington and one of the things that really interested me was figuring out what life was like as a street performer. One thing that really blew my mind was learning about how street performers earn their money. My first though was that credit cards would have made it harder to earn a living and I really wanted to dive a bit more into the financial section of things and boy did we. You can find Kozo here: YouTube: https://www.youtube.com/user/kozk Facebook: https://www.facebook.com/kozokaos Instagram: https://www.instagram.com/kozokomatsu... --- Send in a voice message: https://anchor.fm/gavin-hewitson/message
The winter season is officially here, and with it, the threat of snowfall and colder weather. Winter also heightens the risk of fire-related incidents, as individuals are finding ways to stay warm, while others may be decorating for the holidays. ‘Tis the season for fire safety. That is the message you will hear from New York City Fire Department’s (FDNY) Capt. Michael Kozo on the latest episode of “Prep Talk.” As an FDNY veteran with more than 15 years of experience, Kozo shares important fire safety tips during the winter months. A winter don’t: never heat homes with a stove or oven. Kozo also advises listeners to make sure the batteries in smoke alarms and carbon monoxide alarms are changed regularly, at least every six months. Another helpful tip is the placement of space heaters and turning them off while you sleep.
Chris, Dave, and Kozo review the final month of Swallows baseball and get into offseason comings and goings. Kozo supplies the most comprehensive English language Swallows draft analysis available in audio form. Then the boys spend some time talking around the obvious Swallows 2020 MVP. Recorded: November 19, 2020 Players discussed: Departures LHP Ryota Igarashi […]
In the early days of the COVID-19 pandemic, the FDNY Community Affairs Unit pivoted their primary fire and life safety outreach from a largely in-person model to a mainly digital one. While difficult, it was a move that was made a bit easier as the Department […]
In the early days of the COVID-19 pandemic, the FDNY Community Affairs Unit pivoted their primary fire and life safety outreach from a largely in-person model to a mainly digital one. While difficult, it was a move that was made a bit easier as the Department […]
Chris, Dave, and Kozo review the last month of baseball and the depths to which the team has sunk. After a cursory discussion of who is performing well, the boys look ahead to potential cuts and retirements. Another update on the Jingu experience now leads to a look at the Jingu experience from the 1980’s. […]
As the weekend begins and autumn slowly sets in, we invite you to enjoy Kozo's selection recorded at the second transmission from our feeder sound live-streaming series.
durée : 00:54:20 - Affaires sensibles - par : Fabrice Drouelle - Aujourd’hui dans Affaires Sensibles, le parcours d'un jeune Japonais, Kozo Okamoto, soldat de "l'Armée Rouge Japonaise" et combattant pour la cause palestinienne. L'un des auteurs du « Massacre de Lod », en Israël en 1972. - invités : Jean Pierre FILIU - Jean Pierre FILIU historien spécialiste du Proche-Orient
Chris, Dave, and Kozo are back to trace the team’s fall back to #SixthPlaceBaseball. The boys discuss who’s performing and who can stand to pick it up. Chris and Dave also talk about their Jingu experiences and also reminisce about the old days. Recorded: September 3, 2020
Chris, Dave, and Kozo are back on the interwebs to discuss and analyze the first month of play. The boys (i.e. Dave) are armed with some Lifeguard Vodka and a Swallows alarm clock as they discuss the offense, pitching, the overall state of the CL, and the Jingu experience in coronavirus times. Recorded: July 30, […]
Part two with Stupid Kozo and special guest co-host Submerse! Go back and peep the first part where we find out who Stupid Kozo is and such. Part two of the podcast always focuses on music. Be it music made by our guests or shit we just like. We have convos! This one starts off with some convos about the rise in popularity of anime in rap and Japanese symbolism in non-japanese art. And the subsequent decline of comic book bars in popular rap despite the massive popularity of Marvel comics. We each share a track that reminds us of rainy days which leads to discussions about: the early growth of experimental instrumental hiphop-esque beats. The Roots Things Fall Apart being our favorite The Roots albums & Erykah Badu's Window Seat They also hip me to Fujimoto Tetsuro and Sauce 81. Turns out theyre amazing. Plus a lot a lot more. Thanks for listening Stupid Kozo has the best name. Pay attention. Like share subscribe. Check out Abysmal Lounge. https://m.soundcloud.com/abysmal_lounge Soundcloud - https://m.soundcloud.com/stupid-kozo
Finally got stupid kozo on! Stupid Kozo is a Japanese DJ and Tokyo transplant by way of Fukuoka. Long before the covidvirus had every DJ live streaming, he was running the Absymal Lounge online radio show. He can usually be spoted at beat shows here in Tokyo but also makes his way to Okinawa a few times a year to spin as well. I first came into contact with Stupid Kozo and Submerse while playing Overwatch on PS4. Randomly teamed with them and got a win. So we spend the first several minutes talking about gaming and the new upcoming console generations. After that Kozo shares how he first became interested in non-japanese music and culture, studying abroad and using rap lyrics to learn English, how useful traveling abroad was in helping him better understand hip-hop culture. Submerse also returns to the podcast for the first time since he co-hosted the Marcus D episode. We get into a lot other random convos. Be sure to return for part two next tuesday where we talk about early beat music scene artists like Daedelus and Prefuse73. Stupid Kozo has the best name. Pay attention. Like share subscribe. Check out Abysmal Lounge. https://m.soundcloud.com/abysmal_lounge Soundcloud - https://m.soundcloud.com/stupid-kozo @submerse @stupid_kozo
Episode Notes: Obsession with Japan. Tee shirts are weird. Two week dama search. Talking OG players. Rollerblading 4 life. Long shirts. On a lot of teams. Mugens. Blade homies. Going viral. It's a dog. Mouthy American. Kozo loves it more than you. Clean the window. Naming damas. Mods mods mods. Rat tail. The kendama unicorn. Q&A. -Outro: Rats and Rats and Rats for Candy by The Blood Brothers Support the show with $1 to get video episodes: www.patreon.com/kendertainment Follow us on IG: @damanerds, @mj_incro, @roddama, @kendertainment -GUEST IG: @dealwithitsf
In what seemed like years ago in a more innocent time Chris, Dave, and Kozo got together to record a season preview podcast. Many of the things discussed are still relevant today, three months later, as the Swallows’ season is about to kick off. Some things, particularly near the end of the podcast may not […]
Kevin Kozo of Turnberry Construction Group tells all about the path to building your next home. He wrote a book about the whole process of building... he talks about the "heart to heart" questions he will ask people to find out if they are really mentally prepared to build a home. When asked what's the single most important thing in picking your builder... he said, "trust". GREAT chat with lots of info!!
Chris, Dave, and Kozo got their microphones sorted out and got together to put a lid on the 2019 season. Recorded on October 6, 2019. Topics covered: Number 51s from history. (BFSN: It’s Aoki’s coffee dealer!) The Swallows Dream Game What happened to the Swallows season since the last podcast Our top 3 position players […]
Listen to the applications received in the feeder sound OPEN CALL for DJs and producers & VOTE on https://www.feeder.ro/2019/08/25/vote-sound-open-call/ Kenah – Contest Set 2 Set description: "I mixed this set with the focus on making subtle passages between the 2 tracks, offering a better rhythm, being all about when and how the elements combine altogether. The tracks' sound is the newly listened to at clubs nowadays." About Kenah As what he concerns, music made his life brighter with the appropriate amount of artistical value of which he can be well put into a magical grief towards evolving into this path. The way he mix gives you the energy to be concentrated on the sounds delivered because he is always playing from minimal to techno-house or even techno. Portfolio link: https://www.facebook.com/rorevet/ Current city: Bucharest, Romania
Chris, Dave, and Kozo got together to explain the whiplash experienced by the team since the last episode. Recorded on July 6, 2019. Due to some technical issues Chris is very hard to hear in this episode and there is more noise than usual. Topics covered: Who is number 50? We looked back on the […]
Chris, Dave, and Kozo got together to kick off a new era. Recorded on May 2, 2019. Topics covered: The history of the number 49 Reviewing the season thus far Swallows 50th anniversary shenanigans Heisei quiz time! Following up on the CL streaming situation This episode was encoded using Forecast and includes chapter markers (including […]
Chris, Dave, and Kozo got together to kick off another year of Swallows baseball and shill for Chris' various projects.
Si señoras y señores, hoy tenemos un Solo Round (no tan Solo) muy especial ya que ¡Tenemos nuestra primera entrevista internacional con toda una estrella! No es ni mas ni menos que Kozo Nakamura, celebre compositor de Konami que trabajo en juegazos como los Teenage Mutant Ninja Turtles o la saga de Guitar Freaks. Espero … Continue reading BitDancers Solo Round 1×08 – Entrevista a Kozo Nakamura →
Si señoras y señores, hoy tenemos un Solo Round (no tan Solo) muy especial ya que ¡Tenemos nuestra primera entrevista internacional con toda una estrella! No es ni mas ni menos que Kozo Nakamura, celebre compositor de Konami que trabajo en juegazos como los Teenage Mutant Ninja Turtles o la saga de Guitar Freaks. Espero … Continue reading BitDancers Solo Round 1×08 – Entrevista a Kozo Nakamura →
Chris, Dave, and Kozo got together on Pocky Day/Pepero Day/Remembrance Day (November 11) to put the 2018 season to bed and to look to the future a bit. Topics covered: WTF is up with Chris and unmarked shochu bottles? The end of the Swallows season The Japan series All 10 (!?) Swallows draft picks Top […]
The New York City Emergency Management Department and the FDNY remind you to “stand by your pan.” In honor of FDNY Fire Prevention Week, October 9 through 14, “Prep Talk” hosts sat down with FDNY’s Director of Community engagement Fabricio Caro, and FDNY Lieutenant Michael Kozo, to talk about the importance of educating New Yorkers about fire safety and prevention. In this episode, Lt. Kozo and Mr. Caro discuss FDNY’s range of programs to help people become “FDNY Smart,” from frequently changing batteries in smoke and carbon monoxide detectors, to standing by your pan while cooking, and closing the door in the event of a fire. Read full transcript: https://on.nyc.gov/preptalk17
Chris, Dave, and Kozo got together on Sports Day (October 7) to record an episode of the podcast that Overcast classifies as Infrequent. Topics covered: DAZN Adverts Post-all star update Youngsters making impacts Retirements and cuts Who we’d like to face in the CS As always, the intro and outro tracks were mixed by Dave […]
Chris, Dave, and Kozo got together on Marine Day (July 16) to discuss the Swallows’ rollercoaster June/July. Topics covered: Interleague success The Swallows’ formulas for success Kozo’s laptop Season outlook The hottest Swallows results Recent merch purchases Adventures in Pacific League parks As always, the intro and outro tracks were mixed by Dave Watkins. This […]
For the first time in the history of the Tokyo Swallows Podcast, Chris, Dave, and Kozo get together in the AM. Dave and Kozo were recovering from consuming the “Jingu Infinity Drinks” but they somehow managed to slog through. This episode was recorded on May 3rd, prior to our first win against the Dragons this […]
Today we continue our conversation with Makoto Itoh. Last week, we discussed educational privatization in Japan. This week, we explore the study of Marxism in Japan and the influence of Kozo Uno. Makoto Itoh teaches at Kokugakuin University and is professor emeritus of the University of Tokyo. His newest book, written in Japanese, is A guide to Capitalist Economy, which was published in February.
Rumors of their demise were greatly exaggerated as Dave, Chris, and Kozo rise from the ashes of 2017 and look ahead to 2018. The topics covered in this episode: Famous Swallows 43s. 2017 Memories Swallows 2017 Postseason awards and fan day Swallows ins and outs (acquisitions and releases) Bits and bobs quiz Roster analysis CL […]
Dave, Chris, and Kozo get together around microphones in western Tokyo to lick the wounds from a historically bad season, possibly for the last time ever. Among the topics covered in this episode Kozo’s shoutout to the Alvark. Who’s 42? How historically bad was this season? Manaka’s exit Ogawa and assorted coaching changes Dave, Chris, […]
Dave, Chris, and Kozo come off of their summer vacations to discuss the state of the Swallows. Topics covered include: Recorded prior to the game on Sunday September 3, 2017. At the end of the podcast we pay tribute to friend of Tsubamegun, Toshiyuki “Take-chan” Takeo who passed away suddenly at the too young age […]
Georgiana Lucaci is a young lady, born in Romania, Bacau. Her life was always surrounded by art, music and design. All those things guide her to get involved in activities like music, artistic dance and even sport. Being an electronic underground music lover, she felt attracted more and more by this style of Techno, Tech and Minimal Sound. So beginning with 2015, Georgiana started djing at events like Groove On, Underground Beats, Lakescape, also at events organized by Maraton, Zebra Events, Monocord Events and Romania Art, sharing the desk with artists such as Alexandra (Sunrise) [a:rpia:r], Barac (Sunrise), Alex Rusu (E▮VOIE▮), Kozo, Arapu and many other great artists. Georgiana Lucaci was standing out by her music style, which can be notice a pleasant blend between minimal sounds and abstract effects on an energetic rhythm. Ambitious yarn, she proposed having no limits for this passion, trying to reach the best performance as a dj and in the near future, she will seek to develop also in the industry of music production. Soundcloud : https://soundcloud.com/georgiana-lucaci-23 Facebook : www.facebook.com/Georgiana.Lucaci.23 Soundroom : www.facebook.com/soundroompodcast
V 78. epizodi Jan in Uroš neuspešno rišeta kozo. Na oddajo se lahko naročite preko iTunes ali RSS. Jan je na Twitterju @th0r, Uroš je @uros_m, Apgrejd pa je preprosto @Apgrejd. Mrežo Apparatus lahko podprete tudi osebno. Zapiski: Morebiten naslednji Xbox Andrew Kim in Xbox One S BlackBerry bo dobil denar od Qualcomma Telekom Slovenije naj bi kmalu omogočal plačevanje […]
@feeder-sound 53 @Kozo [Understand] SW 17 Totally passioned about the tech side of electronic music, Kozo isn't afraid to touch both house and techno genre to complete his musical journey. His groovy and uplifting sets are rumored to be inspired by the likes of Jules Verne, Terry Gilliam and Dalai Lama. Cartoon Network is still a sensitive subject. He strongly believes that one day Chuck Norris will find him. These days Kozo is focusing all his strenght in production and the growth of his new Understand label, founded with friends Cezar and Praslea. http://www.feeder.ro/categorii/sound/
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Tue, 1 Jan 2013 12:00:00 +0100 https://epub.ub.uni-muenchen.de/21754/1/10_1159_000350568.pdf Behr, Robert; Müller, Joachim; Chiong, Charlotte; Hui, Yau; Claassen, Andre; Skarzynski, Henryk; Kumakawa, Kozo; Morita, Akio; Kaga, Kimitaka; Brill, Stefan; Matthies, Cordula
ESWS 117 - Dark Knight's Who Say Knee Podcast episode 117 ES: CAUGHT IN THE WEB [搜索], WS: THE DARK KNIGHT RISES Video: n/a On episode 117 we are joined by Ross Chen (aka Kozo) from www.LoveHKFilm.com in the guest seat. Kevin, fresh back from Shenzhen, discusses the latest Mainland China film from Chen Kaige, CAUGHT IN THE WEB [搜索]. The we head west for a lenghty discussion of the final entry of the current Batman franchise, THE DARK KNIGHT RISES. We also discuss the latest salvo in the 'war of languages' that has been occuring in Southern China between Cantonese and Mandarin usage involving director Pang Ho-Cheung. In addition we look discuss how cinema space in Hong Kong is being challenged by luxury brands. Show notes and details can be found at our main website. visit us at www.kongcast.com or email us at eastscreen@gmail.com As always, thanks for listening!
demo clip.mp3 * title : port doc.1-5 artist : V.A. cat no. : PTCD001 track.09 "-[8] / Kozo Inada [digital narcis]" * 30sec.demo clip.mp3 more informations -> http://port-label.jp/catalog/001.htm
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