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Qual a trilha da liberdade? No 127º episódio do 451 MHz, a jornalista e curadora Erika Palomino e o DJ e jornalista musical Camilo Rocha conversam com Amauri Arrais, editor da Quatro Cinco Um, sobre os espaços de resistência e criação surgidos nas pistas de dança e no jornalismo cultural do final do século 20 em São Paulo, cidade que completa 471 anos em 25 de janeiro de 2025. A cena clubber está no foco dos livros de Palomino, Babado Forte, relançado pela Ubu, e de Rocha, Bate-Estaca, publicado pela Veneta, registros importantes da história da cultura nos anos 1990 e 2000. O episódio foi realizado com apoio da Lei de Incentivo à Cultura. Apoie o 451 MHz: https://bit.ly/Assine451
“Oggi tocchiamo con mano il futuro. La nuova pista da bob di Cortina non è solo un'infrastruttura sportiva: è un simbolo del nostro impegno, della nostra determinazione e di quello che il Veneto e l'Italia possono offrire al mondo". Parole di un entusiasta Luca Zaia in visita al cantiere di Cortina dove si lavora, necessariamente, nonostante il weekend.
VENEZIA (ITALPRESS) - La sanità veneta, pur affrontando sfide significative, si dimostra in buona salute. A sottolinearlo, cifre alla mano, è stato il presidente della Regione Veneto, Luca Zaia, durante il punto stampa tenutasi oggi a Palazzo Balbi. Zaia ha sottolineato il peso rilevante che questo settore ha sui bilanci regionali, con un investimento complessivo che sfiora i 10 miliardi di euro. "Dal 2010 non abbiamo mai avuto piani di rientro né commissariamenti. I nostri bilanci sono in ordine, senza deficit, e riusciamo a chiuderli con un lieve attivo. Gestiamo circa 80 milioni di prestazioni all'anno, il che dimostra una gestione virtuosa del sistema sanitario", ha aggiunto. Zaia ha evidenziato il contesto complesso in cui si opera: "Ci troviamo in un momento storico caratterizzato dalla carenza di medici, con un deficit di 3.500 professionisti solo in Veneto. Nonostante ciò, nel 2024 i 64mila dipendenti del sistema sanitario regionale hanno prodotto risultati superiori rispetto al 2023, pur mantenendo invariato il livello di risorse a disposizione. A loro va il nostro ringraziamento”. xa7/tvi/gtr
VENEZIA (ITALPRESS) - La sanità veneta, pur affrontando sfide significative, si dimostra in buona salute. A sottolinearlo, cifre alla mano, è stato il presidente della Regione Veneto, Luca Zaia, durante il punto stampa tenutasi oggi a Palazzo Balbi. Zaia ha sottolineato il peso rilevante che questo settore ha sui bilanci regionali, con un investimento complessivo che sfiora i 10 miliardi di euro. "Dal 2010 non abbiamo mai avuto piani di rientro né commissariamenti. I nostri bilanci sono in ordine, senza deficit, e riusciamo a chiuderli con un lieve attivo. Gestiamo circa 80 milioni di prestazioni all'anno, il che dimostra una gestione virtuosa del sistema sanitario", ha aggiunto. Zaia ha evidenziato il contesto complesso in cui si opera: "Ci troviamo in un momento storico caratterizzato dalla carenza di medici, con un deficit di 3.500 professionisti solo in Veneto. Nonostante ciò, nel 2024 i 64mila dipendenti del sistema sanitario regionale hanno prodotto risultati superiori rispetto al 2023, pur mantenendo invariato il livello di risorse a disposizione. A loro va il nostro ringraziamento”. xa7/tvi/gtr
Nell'estrema propaggine orientale dei Monti Lessini, tre le provincie di Vicenza e di Verona, nel cuore della Val d'Alpone, culla del Soave Classico e della Garganega, si erge una collina di origine vulcanica dalla quale prende il nome una delle aziende vitivinicole storiche dell'areale che ha fatto del suo legame profondo con queste terre il filo conduttore del suo percorso e della sua evoluzione: Ca' Rugate.
E' partita col nuovo anno, con l'obiettivo di favorire una migliore conciliazione tra lavoro e vita privata. Il Direttore Generale Carlo Bramezza: «In questo modo possiamo essere un'Azienda più attrattiva per i lavoratori»
Gustavo Sleman fala sobre o livro Filosofia do Mamilo, escrito por Kael Vitorelo e lançado pela editora Veneta.
Grateful Dead China Cat Sunflower > I Know You Rider 13:57 1972-08-24 Veneta, OR Grateful Dead Me & My Uncle 2:56 1972-08-27 Veneta OR Grateful Dead Lazy Lightning > 3:23 1977-05-22 Pembroke Pines FL Grateful Dead Supplication 5:23 1977-05-22 Pembroke Pines FL Grateful Dead Uncle John's Band 7:09 1972-09-17 Baltimore MD Grateful Dead Truckin' > […]
Phil Lesh: A Tribute to a Musical IconIn this episode of the Deadhead Cannabis Show, Larry Mishkin discusses the significance of the Grateful Dead's concert on November 4, 1977, at Colgate University, along with various music news updates, tributes to Phil Lesh, and reflections on Quincy Jones's legacy. The conversation highlights the dynamics of the band during the concert, the impact of newer jam bands like Goose, and the importance of preserving musical legacies through releases like Dave's Picks. In this episode, Larry discusses the latest music news, particularly focusing on the Grateful Dead's legacy and their recent box set releases. He reflects on the band's unique performances and the significance of their music. The conversation then shifts to marijuana legalization efforts, particularly in Florida, where a recent ballot measure was rejected despite public support. Larry expresses disappointment in the political landscape surrounding marijuana and emphasizes the benefits of legalization. The episode concludes with a deep dive into a specific Grateful Dead performance, highlighting the band's improvisational style and the joy their music brings to fans.TakeawaysThis episode was recorded on Election Day, November 5th.The Grateful Dead's show on November 4, 1977, is a highlight.The Jones Gang incident showcased the band's playful dynamics.Goose represents the new generation of jam bands.Phil Lesh's influence on music and improvisation is profound.Quincy Jones's legacy in music is celebrated.Dave's Picks Volume 52 features a remarkable concert.The importance of preserving musical history through recordings.Larry reflects on his personal experiences with the Grateful Dead.The episode blends cannabis culture with music appreciation. Music brings joy and relaxation after a long day.The Grateful Dead's legacy continues to inspire new generations.Unique performances can redefine classic songs.Marijuana legalization faces political challenges despite public support.The benefits of marijuana legalization are well-documented.Music and cannabis culture often intersect in meaningful ways.The improvisational nature of the Grateful Dead's music is a hallmark of their performances.Public sentiment can sometimes clash with political decisions.The Grateful Dead's music remains timeless and relevant.Engaging with music and cannabis responsibly enhances the experience.Sound Bites"This is a special episode being taped on Election Day.""It's just a big love fest with all these guys.""Phil has changed my life.""Quincy was the man I won my first Grammy with.""It's a wonderful, wonderful show.""You just don't know what you're missing out on.""It's just cool to hear it.""This is a pretty amazing second set.""It's a very cool segue from one into the other.""It's a must hear.""It's a wonderful part of the show.""It's a very unfortunate thing that this happened.""People in Florida are gonna smoke marijuana anyway.""It's a great way to end this wonderful show."Chapters00:00Introduction and Context of the Episode03:45Exploring the Grateful Dead's November 4, 1977 Show11:34The Jones Gang Incident and Band Dynamics16:49Music News: Goose and Gen 3 Jam Bands20:51Tributes to Phil Lesh and Reflections on Legacy25:30Remembering Quincy Jones: A Musical Legend30:06Dave's Picks Volume 52: A Review36:30Celebrating Music and New Releases38:53Exploring the Grateful Dead's Legacy44:17Marijuana News and Legalization Efforts01:01:01Deep Dive into Grateful Dead Performances01:09:55Closing Thoughts and Reflections LARRY'S NOTES:Grateful Dead November 11, 1977 (47 years ago)Cotterrell GymnasiumColgate UniversityHamilton, NYGrateful Dead Live at Cotterrell Gym, Colgate U on 1977-11-04 : Free Download, Borrow, and Streaming : Internet Archive Dave's Picks #12 This show literally “popped up out of nowhere” during the very famous fall tour of the very famous 1977 year of touring. On November 1st they played in Detroit's legendary Cobo Hall. The next night up in Toronto. They had Nov. 3 set for Utica, NY but the show fell through a few weeks before. They were still set for Rochester on Nov. 5th (which was released as Dick's Picks #34) and Binghamton on Nov. 7th. So less than 4 weeks before this show, while already hitting the road, negotiations began for this show which were only finalized the night before. Cotterrell gym on the Colgate campus is a small venue. Think large high school gym with pull out bleachers. There were only 3,000 folks at the show. But 2300 of them were held for Colgate students so only 700 were sold to the public or really the Deadheads. A tough ticket as the Heads used to say. But those who made it in had a ball and saw one of the best shows of the year. One of those shows that lots of Deadheads wished they had seen. This version of the show from Archive, is an audience tape and a great contrast to other episodes where we have featured Dead show clips from audience tapes. This one was taped by Jerry Moore who was set up directly behind the soundboard. Go to Archive and check out the entire show. On a personal note, glad to see that Archive is back up and running after its hacking episode a few weeks ago. INTRO: Dupree's Diamond Blues Track #8 2:50 – 4:52 "Dupree's Diamond Blues" is based on an American folk song titled "Frankie Dupree," which was based on a real historical figure named Frank Dupree.According to In The Pine: Selected Kentucky Folksongs, Dupree tried robbing a diamond wedding ring from a jewelry store in Atlanta, Georgia, in 1921. He intended to give the ring to his girlfriend Betty. When a police officer showed up, Dupree shot him dead. He then fled to Chicago where he killed another officer and wounded others.Authorities eventually apprehended Dupree while he was getting his mail. They shipped him back to Atlanta where he was executed on September 1, 1922.The song is the second track on the Grateful Dead's third album, Aoxomoxoa (1969). As with most of the songs on the album, Dead lyricist Robert Hunter wrote the words and Dead frontman Jerry Garcia wrote the music.Well when I get those jelly roll bluesThe term "jelly roll" was once common African American slang for a woman's genitalia. The great ragtime pianist Jelly Roll Morton took his name from that very meaning. In 1924, Morton recorded an influential jazz song titled "Jelly Roll Blues," which is most likely what Hunter is referencing here. Debuted in January, 1969 and played a total of 17 times that year. Then dropped until Oct 2, 1977 at the Paramount Theater in Portland, OR, played 4 times that year, this version being the last one of the year. Played twice in 1978, then put back on the shelf until Aug. 28, 1982 at the Oregon County Fair in Veneta, OR (home to the famous show from August 27, 1972 to support the Creamery). From '82 to '90 played at least once a year, '85 was the outlier with 16 performances Only played two more times, both in 1994. This is a great version with Jerry's lyrics and playing both very strong. The 8th song of the first set following: GO TO ARCHIVE LINK A beautiful Bertha opening but I have featured that song so much, and it is such a common opener, that I needed to go with something else today. I love it from the 1969 Fillmore West shows where two of the nights the second set would start with DuPree's into Mountains of the Moon before jumping into the fabulous Dark Star/St. Stephen/11/Lovelight suite (in my humble opinion, the best suite of songs ever played by the Dead and certainly the one that best defines the band and the basic foundation that supports so much of their music. Played: 82 timesFirst: January 24, 1969 at Avalon Ballroom, San Francisco, CA, USALast: October 13, 1994 at Madison Square Garden, New York, NY, USA SHOW No. 1: Tuning (start of second set, stage banter re Jones Gang) Track #10 :15 – End Why did Phil do this? To kill time, he was dosed, adding a bit of levity to the evening's proceedings. Or there is this:Two nights before the Dead played in Toronto at Seneca College's Field House. The night before was at Cobo Hall in Detroit. So they took the 3d off while traveling from Toronto to Hamilton, NY to play this show. Apparently, the band could not or did not want to try to take their stash into Canada. Keith Richards of the Stones had just been busted in Canada for possession and no one wanted to take any chances. SO . . . . it seems they were “jonesing” from something, weed, acid, or whatever. Many of the Deadhead reports of the show in Archive and at the Dead Setlist Program note that the guys seemed very stoned or, more likely, dosed. They were wearing sunglasses indoors in the evening. Good friend Henry was a student at Colgate in 1977 and attended the show. In telling me about it, he basically began with the Jones Gang episode. So it was cool to finally hear the show and hear Phil do his thing. A great way to keep everybody entertained while waiting for some technical issues to be resolved. And something that was sadly missing in their later years when basically none of them said anything while on stage, Bobby sporadically with a comment and Jerry I saw speak from the stage maybe 5 times out of 110 shows. This is the kind of stuff that normalized them and separated them from the button down rock acts that showed up, played the same set list that they had played all tour and would keep playing When they spoke it was all pre planned, “Thank you (insert name of city where they are playing). And then launched into a killer Samson (even though it was a Friday). Just part of another great Dead experience and the kind of thing that makes it easy to remember the show even years later. Everyone talks about the Jones Gang show, maybe more than they think of it as a Colgate show or Hamilton, NY show. Sure took Henry back. MUSIC NEWS: Music Intro: Cold Rain & Snow Goose 10.25.2024 LJVM Coliseum Winston-Salem, N.C. Goose - “Cold Rain and Snow” (10/25/24 - LJVM Coliseum - Winston-Salem, NC) (youtube.com) 0:10 – 1:05 Another Phil tribute by one of the most promising Gen3 (Gen1 = Dead; Gen2=Phish) jam bands on the scene. Not the first time they have covered the Dead, but it's a damn good cover of a tune that traces its Dead roots to their very first album and even before that. Jerry loved it. Phil made it happen and restarted his singing career on the closing chorus in 1982 at MSG. And Goose nails it here. They really bring it every time they play. The jam band that I figure will outlast me! Mickey and Mike Gordon statements on Phil's passing: Quincy Jones dies: Quincy Delight Jones Jr. (March 14, 1933 – November 3, 2024 at 91) was an American record producer, songwriter, composer, arranger, and film and television producer.[1] Over his course of his career he received several accolades including 28 Grammy Awards, a Primetime Emmy Award and a Tony Award as well as nominations for seven Academy Awards and four Golden Globe Awards.[2] Jones came to prominence in the 1950s as a jazz arranger and conductor before producing pop hit records for Lesley Gore in the early 1960s (including "It's My Party") and serving as an arranger and conductor for several collaborations between the jazz artists Frank Sinatra and Count Basie. Jones produced three of the most successful albums by pop star Michael Jackson: Off the Wall (1979), Thriller (1982), and Bad (1987). In 1985, Jones produced and conducted the charity song "We Are the World", which raised funds for victims of famine in Ethiopia.[3] Jones composed numerous films scores including for The Pawnbroker (1965), In the Heat of the Night (1967), In Cold Blood (1967), The Italian Job (1969), The Wiz (1978), and The Color Purple (1985). He won the Primetime Emmy Award for Outstanding Music Composition for a Series for the miniseries Roots (1977). He received a Tony Award for Best Revival of a Musical as a producer for the revival of The Color Purple (2016). Throughout career he was the recipient of numerous honorary awards including the Grammy Legend Award in 1992, the Jean Hersholt Humanitarian Award in 1995, the Kennedy Center Honors in 2001, the National Medal of the Arts in 2011, the Ordre des Arts et des Lettres in 2014, and the Academy Honorary Award in 2024. He was named one of the most influential jazz musicians of the 20th century by Time.[1] "I woke up today to the Terrible news that we lost Quincy Jones.. Genius is a description loosely used but Rarely deserved. Point blank, Quincy was the MAN. I won my 1st Grammy with Quincy and I live with his Wisdom daily," Ice-T on X. Dave's Picks, Volume 52 (The Downs At Santa Fe, Santa Fe, NM • 9/11/83)Time to order Dave's Picks 2025 subscription. I say it every year. SHOW No. 2: Eyes of the World Track #15 11:10 – END INTO Estimated Prophet Track #16 Start - :20 The unique thing in this segment is that it is the first, and one of the only times, that the band played Eyes into Estimated as it was almost always played as Estimated>Eyes. This is the end of Eyes jam and segue into Estimated. Very cool to hear it played “backwards”. This entire Eyes (all 13 minutes of it), is magnificent and a must hear if you are looking for some great Dead jamming to rock to. On this night, the boys were apparently in a state of mind that let them do a bit of exploring away from the norm for them, if there even is a “Dead norm”. It sure worked out well for the rest of us. SHOW No. 3: The Other One Track #17 :52 – 3:00 We've featured this song so many times, discussed the whole That's It For The Other One suite and all of its subparts. This one is the opposite, a 4 minutes 20 seconds version, with the first 3+ minutes just a hard jam. They only sing the first verse of the standard Other One and then head straight into Drums. This clip just features the jam with Jerry leading the way. So clean and powerful, if 1977 is the best year ever for the band, then this has to be one of its peaks. Maybe not the best of '77 because Barton Hall, but still way up there for nights when the band was truly smoking hot and holding nothing back. Some of the best post-1970 psychedelic Dead that you will ever hear. Everyone in sync and making the magic that kept us all coming back for more until there was no more to come back to. Just buckle in and enjoy the ride. Played: 550 timesFirst: October 31, 1967 at Winterland Arena, San Francisco, CA, USALast: July 9, 1995 at Soldier Field, Chicago MJ NEWS: SHOW No. 4: Playin Reprise Track #21 3:00 – 6:34 "Playing in the Band" is a song by the Grateful Dead. The lyrics were written by Robert Hunter and rhythm guitaristBob Weir composed the music, with some assistance from percussionist Mickey Hart.[1] The song first emerged in embryonic form on the self-titled 1971 live albumGrateful Dead. It then appeared in a more polished form on Ace, Bob Weir's first solo album (which included every Grateful Dead member except Ron "Pigpen" McKernan). During a Bob Weir and Wolf Bros concert livestream on February 12, 2021, Weir credited David Crosby with the composition of the main riff. Weir stated, "David Crosby came up with the seminal lick... and then he left. We were out at Mickey's barn. So Mickey said, 'Make a song out of that'. Next day, I had it".[ It has since become one of the best-known Grateful Dead numbers and a standard part of their repertoire. According to Deadbase X, it ranks fourth on the list of songs played most often in concert by the band with 581 performances. In the Grateful Dead's live repertoire, all songs featured musical improvisation and many featured extended instrumental solos; but certain key songs were used as starting points for serious collective musical improvisation—the entire band creating spontaneously all at once. In this regard "Playing in the Band" was of major importance, second only to "Dark Star". During "Playing in the Band" the Grateful Dead would play the planned verses and choruses of the song itself; then they would improvise and explore brand new musical territory, sometimes for twenty minutes or more; and then the chorus would usually be reprised, to bring the song to its end. Sometimes during these extended "jams", the band would even perform other entire songs, before at last coming back around to the final chorus aka the “Reprise”. On some occasions, more early on than later, the band would play the main song, jam for some amount of time and slide back in for the reprise. Its performance in this style on 21 May 1974 at the Hec Edmundson Pavilion in Seattle has been cited as the longest uninterrupted performance of a single song in the Grateful Dead's history, clocking in at 46 minutes and 32 seconds.[3][4] It was released in 2018 on the boxset Pacific Northwest '73–'74: The Complete Recordings and as its own LP. Very cool – an entire album just for one song. Like Phish' Ruby Waves at Alpine Valley in 2019 got its own album. Then later they might add a song or two in between the main portion and the reprise. Then later they might hold it for the encore the same night the main song had been performed. Then later, they might hold it until the night after the main song had been performed and then two nights later and sometimes 3. Not uncommon for play the main song the first night of a multi-night run and then the reprise the last night. Usually during the show, but as stated, sometimes in the encore. Then they might forget to ever get back to it, play the main song again and the whole process would repeat as everyone would wait to see if and when they would finally play the reprise. David Dodd: To me, the unpredictability of a “Playin” jam was always a highlight of a show. It could get incredibly far out there—completely away from anything—and then, just like that, snap back in, quietly and cautiously or slam-bang, or later, after they'd played most of another song, or a whole set, into the “Playin Reprise.” Sometimes the reprise would never occur. While it usually ran 3 or 4 minutes, this show's reprise went almost 7 minutes with an extended jam before they every got to the reprise lyrics. For Phish fans, think Twe-pri. For non Phish fans that's the song Tweezer and its “reprise” and that band takes all sorts of liberties with it. Not so unlike the Dead's style as previously discussed but most famously, at least as far as I know as a still neophyte Phish head, during their 13 show Baker's Dozen run at MSG, Phish played Tweezer the very first night on July 21st to open the second set and then the Twi-Pri finally showed up on August 6th as the second song of the encore after On The Road Again to close out the entire 13 night run. Reprises are great! Played: 648 times (no separate breakdown for how may Reprises were played but I'm sure there were times they never got back to a reprise although one year April Fools 1985 at Cumberland County Civic Center in Portland MA – actually March 31st but called it their April Fools joke even though they did play again the next night, April 1, at the same venue - they played the reprise first and then the main song)First: February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast: July 5, 1995 at the Riverport Amphitheater in Maryland Heights (St. Louis), MO OUTRO Johnny B. Goode (Bob – “Happy Homecoming”) Track #22 0:12 – 2:08 We've also featured this song quite a bit, a Chuck Berry classic covered by almost every rock n roll band that ever played a set of music and even some that never did. Its guitar intro is as famous a song opening as any in the genre. I love this version because of Bobby's greetings to the students wishing them a happy homecoming! Imagine going to your high school or college homecoming dance and the band is the Grateful Dead. Now that's a story to tell. Not sure and I don't think it really matters whether that weekend was or was not Colgate's homecoming. It just showed that stoned and all, Bobby knew he was on a college campus. Almost always played as an encore or show closer if no encore. Unlike another Chuck Berry classic covered by the Dead, The Promised Land, which could be played as a show opener, set closer, second set opener, encore, it would pop up just about anywhere. Great way to end a great show. The boys just blow the walls down on this one. Or, as commenter RFKROX posted back in 2008 about this version, “Oh, and the Johnny B. Goode is the most incredible rockin' version I've ever heard this band play!! It's the fucking SHIT!!” I couldn't have said it any better myself! Played: 283 timesFirst: September 7, 1969 at Family Dog on the Great Highway, San Francisco, CA, USALast: April 5, 1995 at Birmingham-Jefferson Civic Center Coliseum, Birmingham, AL, USA - very interesting, not played at all on the final summer tour. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Strada ma anche territorio. Un'area vasta dove valore paesaggistico, cultura, enogastronomia e tessuto produttivo si incrociano in una connessione virtuosa che profuma di Veneto: di questo, grazie ad una narrazione diversa e non banale, parla il nuovo volume di Maria e Nazzareno Leonardi, con immagini di Cesare Gerolimetto, edito da Antiga Edizioni.
Ok, WE'RE BACK! Sorry about the delay.We (like everybody else in this country with a pulse) are having a lot of feelings (of course, Pearce is especially worked up). Join us we reconnect- Growing Up Naked style- with another pithy sit down that includes (among other things) THE ELECTION!, roach clips, broken teeth, Mo moving back to NYC, THE ELECTION!, Sandusky, Ohio, giant spiders and punching praying mantises, THE ELECTION!, a tribute to Phil Lesh, and much much more, including... THE ELECTION!!!DON'T FORGET TO VOTE!Growing Up Naked theme composed, arranged and performed by Isaac DellMusic:Cold Cold Feeling, written and performed by Ry Cooder and Joachim Cooder (from the album Election Special)He's Gone, lyrics by Robert Hunter, music by the Grateful Dead (Jerry Garcia, Bob Weir, Phil Lesh, Keith Godchaux, Donna Jean Godchaux and Bill Kreutzmann) live in Veneta, OR, 8/27/72 (from the album/soundtrack Long Strange Trip: The Untold Story of the Grateful Dead)Brown Eyed Women, lyrics by Robert Hunter, music by the Grateful Dead (Jerry Garcia, Bob Weir, Phil Lesh, Ron "Pigpen" McKernan, Keith Godchaux, Donna Jean Godchaux and Bill Kreutzmann) live in Copenhagen (from the album Europe '72)Bread Line Blues, written by Bernard Slim Smith, performed by Jorma Kaukonen, Sam Bush, Jerry Douglas, Byron House and Bela Fleck (from the album Blue Country Heart)
Welcome to MIIEN Notes TV by MIIEN Consultancy. In this video style consultant, Mikara Reid at MIIEN Consultancy, provides color combination ideas with a few wardrobe selections from Bottega Veneta Spring Summer 2025 Looks 2, 4 & 13. Are you trying any of these looks? Join The MIIEN Tribe - https://bit.ly/3TD8LSo Book a Style Session Today! - www.miien.co --- Support this podcast: https://podcasters.spotify.com/pod/show/miien/support
Veckans recensioner: Svalbard, sladdlurar, Bottega Veneta, Tradera, dagmammor, statliga jägare från Scan, inlåst i solariet, mumifieras på toaletten, mögel i öronen, anmälningsplikt, politiska reportern PO, bygget av Japan, Bobbe ska till Sälen och Michael Learns to Rock.
Il guardaroba di un adulto filtrato dallo sguardo di un bambino. Matthieu Blazy ci fa piangere con la sua SS25, ci prende per mano, ci fa mettere seduti per terra per guardare gli abiti da una prospettiva diversa: quella giocosa e aperta a mille possibilità dei piccoli. WOW! Foto: courtesy of Bottega Veneta Sound Effect by Justin Callaghan from Pixabay
Già dieci le squadre della protezione civile regionale, compresa una di salvataggio fluviale vicentina, hanno raggiunto Faenza in soccorso alle popolazioni colpite da ieri da piogge torrenziali.
Neste episódio de número 73, os raiúcas Bruno Porto, Lima Neto, Marcão Maciel e Pedro Brandt analisam lançamentos deste ano das editoras Comix Zone, Darkside, Fantagraphics / Mino e Veneta.
Beat it on down the… club. This week, our hosts Game, FiG and Knob are heading to West Germany for the Grateful Dead's April 21, 1972 show at the Beat Club in Bremen. On the way, discussions abound about the Veneta anniversary, television production in the 70s, and explain Game's unexplained absence. Bertha Playin in the Band Mr. Charlie Sugaree One More Saturday Night Playin in the Band Beat It On Down the Line Truckin > Drums > The Other One
Joe Sacco é um dos nomes mais conhecidos no Jornalismo em Quadrinhos dos EUA e "Palestina" é uma de suas obras mais conhecidas e marcantes. Originalmente publicada em 9 volumes, a obra mostra Sacco esmiuçando seu processo de compreensão do conflito na região palestina e do processo de colonização do espaço por Israel em uma posição bastante honesta de jornalista alfabetizado pela educação estadunidense. Arthur Marchetto, Cecilia Garcia Marcon, AJ Oliveira e Vilto Reis se reuniram em mais um episódio do 30:MIN para conversar sobre esta obra, lançada no Brasil em volume único pela editora Veneta, reunindo notas sobre o processo de escrita e prefácios de Edward Said e José Arbex Jr., para discutir a escrita, os capítulos mais marcantes e a construção do ponto de vista de Joe Sacco. Então aperta o play e indica pra gente quem você curte que faz jornalismo em quadrinhos! - Links Apoie o 30:MIN Siga a gente nas redes Formulário para concorrer ao "Nascida para o Trono" comentado por Cecília
Con domenica 11 agosto il conteggio delle giornate consecutive con temperature sopra i trenta i gradi ha raggiunto il numero di 33 date. E' destinato ad aumentare, previsioni alla mano, fino a quando non arriveranno perturbazioni a durata prolungata. A renderlo noto è Piccole Dolomiti Sport
Phish Tour Kicks Off: Anticipation and Reflections from the RoadLarry Mishkin is excited about the ongoing summer tour of the band Phish, particularly looking forward to their upcoming shows at Alpine Valley and St. Louis. He reflects on a Grateful Dead concert from July 22, 1984, at Ventura County Fairgrounds, sharing personal memories of attending shows in 1984, which was a significant year for him. He discusses the song "Loser" by Jerry Garcia, noting its Americana themes and its history with the Grateful Dead. He praises Garcia's performance at the 1984 show and the song's growling vocals and guitar work.Larry also talks about the song "Day Job," highlighting its unique history with the Grateful Dead as a song fans petitioned to be dropped from their setlists. He reflects on why the song wasn't popular among fans, comparing it to another song, "Liberty," which he personally didn't favor. Despite this, he appreciates the version performed at the Ventura show for its energy and Jerry's engagement.In the music world segment, the he provides updates on Phish's summer tour, sharing setlists from recent shows in Mansfield, Massachusetts. He expresses excitement about attending multiple shows and describes how his appreciation for Phish has grown, comparing it to his experience with the Grateful Dead. He anticipates hearing specific songs and is eager to connect with fellow fans.The show also features a segment on Stanley Jordan, a musician known for his unique guitar style. Jordan shares his journey to creating a project called Stanley Plays the Dead, a tribute to the Grateful Dead. He recounts meeting Phil Lesh and performing with him, which inspired his current project. Jordan's distinctive two-hand tapping technique on guitar is highlighted, along with his diverse musical collaborations over the years. Grateful DeadJuly 22, 1084 (40 years ago)Ventura County FairgroundsVentura, CAThe Grateful Dead Live at Ventura County Fairgrounds on 1984-07-22 : Free Borrow & Streaming : Internet Archive _____________________________________________INCOMPLETE BUT IT HAS ALL THE MUSIC CLIPSCAN WE TAPE TOMORROW AT 10 A.M. MY TIME?Let me know. Thank you______________________________________Fake Intro for my nephew, Ben Mishkin's 11th birthday, I will just introduce it as “my podcast”, play the clip and wish him a happy birthday, then we cut back to our normal intro tune and I do a regular introduction. What do you think? Bennie and the Jets - Elton John - Live in London 1974 HD (youtube.com)0:08 – 1:18 "Bennie and the Jets" (also titled "Benny & the Jets") is a song written by English musician Elton John and songwriter Bernie Taupin, and performed by John.[3] The song first appeared on the Goodbye Yellow Brick Road album in 1973. "Bennie and the Jets" has been one of John's most popular songs and was performed during his appearance at Live Aid.The track was a massive hit in the United States and Canada, released in 1974 as an A-side using the spelling "Bennie". In most territories the track was released as the B-side to "Candle in the Wind", using the spelling "Benny". Album artwork (back-cover track listing and center-panel design) consistently lists the song as "Bennie" while either "Bennie" or "Benny" appears on the vinyl album depending on territory. The track was released as an A-side in the UK in 1976, as "Benny and the Jets".It is ranked number 371 on Rolling Stone's list of The 500 Greatest Songs of All Time.Happy Birthday to my nephew Ben who turns 11 today while at summer camp in the Poconos. Great time to be alive. There with his big sister Lily and lots of good friends while his younger brother Nate has the run of the house! Have a great day big guy. And now, back to our regularly scheduled show: Normal house intro music Great show today from one of the Deadhead's favorite venues, Ventura County Fairgrounds. Basically on the car racing track and demo derby. View is of the beach and ocean. Shows start in the afternoon, 2 or 3, so no real light show except mother nature and if you are lucky, a beautiful sunset just as the show ends or shortly thereafter. Location of my first show ever and the only time I saw the boys there. This show is two summers later and finds the Boys cranking along in 1984, a big year for me in terms of shows that included a big chunk of Spring tour, Red Rocks, my first summer tour experience, first Alpine, and first New Years shows. Still found time to graduate from Michigan and start law school. INTRO: Loser Track #4 2:40 – 4:20 The song seems covered in the Americana dust of so many songs from this period of Hunter's and Garcia's songwriting partnership. Abilene, whether in Texas or Kansas, is a dusty cowtown—at the time in which the song seems to be set, the cattle outnumbered the human inhabitants by a factor of tens. It's easy to see the scene Hunter so casually sets, of a broken-down gambler in a saloon, with a dirt street outside full of armed cowpokes.Appearing, as it does, on Garcia (Jan, 1972), the song seems to pair naturally with the other gambling song on the album, “Deal.” It could be sung by the same character on a different day, in fact. And it fits in, as I mentioned, with a whole suite of songs that might be set in the same generic America of the late 19th or early 20th centuries: “Brown-Eyed Women,” “Jack Straw,” “Mister Charlie,” “Tennessee Jed,” “Cumberland Blues,” “Candyman,” and others, as well as certain selected covers, such as “Me and My Uncle,” and “El Paso.”The crowning glory of the song, as in many other Garcia/Hunter compositions, is the bridge.The song culminates in this cry of hopefulness: “Last fair deal in the country, Sweet Susie, last fair deal in the town. Put your gold money where your love is, baby, before you let my deal go down—go down.”(It's noted that “Sweet Susie” was dropped at some point, but then, occasionally, brought back. I think it was an optional decoration to the line. Alex Allan, in his Grateful Dead Lyric and Song Finder site, notes that “Sweet Susie” rarely appears after 1972, but that it's sung in performances in 1974 and 1979.)The version at this show is one of the best I've ever heard. Garcia's voice is growling, his guitar playing spot on, energy bursting out of him. 1984 was a great year for the Dead and this show, and this tune, really epitomize all of it. Almost always a first set tune, usually first part of the set, traded off with Candyman, Must Have Been The Roses, and other first set Jerry ballads.Played: 353 timesFirst: February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast: June 28, 1995 at the Palace at Auburn Hills, MI (Detroit) SHOW No. 1: Day Job Track #8 1:00 – 2:39 Garcia/Hunter “new tune” Never released on any studio recording, appears on Dick's Picks #6, Hartford Civic Center Oct. 14, 1983 in case you've never heard it. It's claim to fame, per Robert Hunter himself, is that “this song was dropped from the Grateful Dead repertoire at the request of the fans. Seriously.” I heard it a few times. Not my favorite, but good when Jerry was sharp and rocking like this version. Really one of the best. Played: 133First: August 28, 1982 at Oregon Country Fair Site, Veneta, OR, USALast: April 4, 1986 at Hartford Civic Center, Hartford, CT, USA SHOW No. 2: I Just Want To Make Love To You Track #11 1:27 – 3:10 "I Just Want to Make Love to You" is a blues song written by Willie Dixon. In 1954, it was recorded by Muddy Waters,[2] and released as a single with the title "Just Make Love to Me". The song reached number four on Billboard magazine's R&B Best Sellers chart.[3]Backing Waters on vocals are Little Walter on harmonica, Jimmy Rogers on guitar, Otis Spann on piano, Willie Dixon on bass, and Fred Below on drums.[1] Waters recorded the song again for the album Electric Mud (1968).The Rolling Stones covered the song on their 1964 debut album The Rolling Stones. In 1972, British blues rock group Foghat recorded a studio version for their self-titled debut album in 1972. The song was also released as a single and it became their first single to reach the charts, appearing at No. 83 on the Billboard Hot 100[9] and No. 31 in Australia.[10] An eight-minute version from a 1977 concert performance is included on Foghat Live. It was edited down to 3:56 release as a single, which reached number 33 on the Billboard Hot 100[9] and No. 28 on the RPM Top Singles chart in Canada. I heard this on Foghat Live and thought it was a Foghat song. Could not believe when I heard the Dead had played it! Dead played it 4 times: Pig in ‘66 Brent in ‘84 Jerry in ‘95 Times: 4First: November 29, 1966 at The Matrix, San Francisco, CA, USALast: February 21, 1995 at Delta Center, Salt Lake City, UT, USA SHOW No. 3: Drums Track #14 7;00 – end INTO Space Track #15 0:00 - :36 SHOW No. 4: Space Track #15 10:59 – end INTO Morning Dew Track #16 0:00 – 1:28 Birthdays: Benny John Gross OUTRO: Midnight Hour Track #19 1:42 – 3:27 .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
In dieser Episode spreche ich mit Veneta einer ehemaligen Teilnehmerin meines 10-wöchigen Online-Coaching-Programms Lifestyle schlank. Veneta ist eine außergewöhnliche 62-jährig Frau, die eine bemerkenswerte Transformation durchlaufen hat. Veneta hat in ihrem Elternhaus viel Gewalt durch ihren Vater erlebt, während ihre Mutter mit der Überforderung kämpfte, sowohl mit der Gewalt als auch mit der Verantwortung, sich um drei Kinder zu kümmern. Dadurch fühlte sich Veneta oft vernachlässigt und ungeliebt. Essen wurde für sie zu einem Weg, sich geborgen und geliebt zu fühlen. Von ihrer Mutter wurde Veneta für ihr Essverhalten bestraft und gemaßregelt was dazu führte das sie heimlich aß. Der einzige Ort, an dem sie sich als Kind wohl und akzeptiert fühlte, war bei ihrer Oma. Bei Oma durfte sie immer essen, was sie wollte, und dieses positive Erlebnis hat sich tief in ihrem Unterbewusstsein verankert und das Essen stark emotional verknüpft. Veneta spürte schon seit langer Zeit, dass ihr Essverhalten ein Ventil für ihre unterdrückten Emotionen war. Allerdings wusste sie nicht, wie sie dieses Problem angehen sollte, bis sie meinen Podcast entdeckte und schließlich den Entschluss fasste, sich für mein 10-wöchiges Online-Coaching-Programm "Lifestyle schlank" anzumelden. In diesem Programm arbeitet Veneta intensiv an den tief verwurzelten Glaubenssätzen, die aus ihrer schwierigen Kindheit entstanden sind, insbesondere dem Gefühl, nicht gut genug zu sein. Sie lernt, Selbstliebe zu entwickeln und ihre eigenen Bedürfnisse wertzuschätzen. Dieser Prozess ermöglicht es ihr nicht nur, 5 kg Gewicht zu verlieren, sondern auch eine erstaunliche Verbesserung ihrer Lebensqualität zu erfahren. Ihre Geschichte ist nicht nur inspirierend, sondern erinnert uns auch daran, dass es nie zu spät ist, an sich selbst zu arbeiten und positive Veränderungen vorzunehmen. Ich wünsche dir wie immer viel Freude und viele neue Erkenntnisse beim Zuhören. PS: Ich freue mich auch immer sehr über eine positive Bewertung von euch.
Question: If a movie about doppelgängers is itself a doppelgänger of another movie about doppelgängers… uh… like… what's up with that, huh? Our hosts will attempt to answer at least a version of that question as they voyeuristically peek into the world of Brian DePalma's “Obsession”. This episode could prove extra confusing if you haven't actually seen the movie given that: not only is it relatively obscure, its only reason to exist is as a comment on the 1958 Hitchcock masterwork Vertigo. So… you should really at least watch THAT movie before you listen. But whatever. Do what you want to do. It's a pretty good episode if we do say so ourselves! Topics include: Veneta vs. Cornell ‘77, Game of Thrones, and Hollywood-gate.
Run it Red 109 has dropped. Fresh sounds from Justine Perry, Mark Broom & Gene Richards, ANNE, Uncertain, Kerrie, Border One, Dubfire and more. Hit the charity links if you can and support the labels and artists wherever you can. Charity Link: fanlink.tv/Charities Subscribe: >>> fanlink.tv/runitred Spotify Playlist: bit.ly/RUNITREDSPOTIFY Upcoming tour dates: bit.ly/BenSimsBIT BEN SIMS pres RUN IT RED 109. April 2024 1. Obscur - Between Yes & No. Treatment 2. Gotshell & Jeroen Search - Modulation 01. Mind Medizin 3. Dimi Angelis - Phantom. Warm Up 4. Kameliia - Above Me And You. WSNWG 5. Rod - Proone 2. Rod20 6. Nørbak - Veneta. Token 7. Justine Perry - Diversion. The Third Room 8. Key Clef - Cemento. Prophet 9. Arthur Robert - String Theory. Conundrum 10. Alexander Johansson & Mattias Fridell - Spritdunk. Symbolism 11. Seddig - Forest of Manura. Symbolism 12. Backbone - Self Rhythm. Counterchange 13. Staffan Linzatti and Jonas Kopp - CO.LAB 009 A. Tremix 14. Border One - Fractal. Token 15. Gotshell & Jeroen Search - Modulation 02. Mind Medizin 16. Len Faki - Shri Yantra (Luke Slater Deep Heet Remix). Figure 17. Ribé - Conflictos. Gordo Trax 18. Radical Axis - Unspoken Truth. Mind Games 19. Dubfire - Dust and Gas (Decka Remix). Sci + Tec 20. Elektrabel - Koplavda. Loopaina 21. Joey M. - Gentlemens Walk. Boerde 22. Oblivian, Uranya - Moto Ondoso. Symbolism 23. Obscur - Fight Or Flight. Treatment 24. Singular Anomalies - Absidi. Float 25. Patrik Carrera - Overabundance. MORD 26. Seddig - Matchbox Collider. Symbolism 27. Oblivian, Uranya - Sussulto. Symbolism 28. Border One - Time Dilation. Token 29. Len Faki - Make Me Scream (Amotik Remix). Figure 30. Ø [Phase] - Exiting The Delusion. WSNWG 31. Jesterr - Over Trip. Newrhythmic 32. Lidvall - Think Twice. MORD 33. Mark Broom - VV2. Beard Man 34. Cari Lekebusch & Orion - Circuit Sage. H-Productions 35. Sciahri - Homid. Sublunar 36. Lorenzo Panico - Morgasmatron (Casual Treatment Remix). Dissident 37. Russian Roulette - I Believe (Hardspace Mix). Hardspace 38. Mark Broom x Gene Richards Jr - Track 1. Beard Man 39. Talismann - Lolabo. Talismann 40. Temudo - U Were My Second. Sublunar 41. Hurdslenk - Span. Unterwegs 42. Rod - A1.3. Rod20 43. Santos - Gentle In A Minute. Let Me Understand 44. Jay York - Alto. Enemy 45. Kastil - Modul. Stale 46. Procombo - Light Speed. Sway 47. DJ Bruce Lee - The Line. Hardgroove 48. ANNĒ - Moon Lander. Soma 49. Sciahri - 10k In One Year. Sublunar 50. JSPRV35 - Pimp. TH Tar Hallow 51. Gary Beck - Rejected. Mutual Rytm 52. Robert Hood - Alpha Key. M-Plant 53. Groef - Vlot. Bipolar Disorder 54. Uncertain - Submission. Mind Medizin 55. The Southern - Memories. CLR 56. ANNĒ - St. Strings. Soma 57. DJ Godfather - Yo Feet 2 Slo. Databass 58. Gary Beck - Variation 6.1. Mutual Rytm 59. D.Dan - Pins and Needles. Summerpup 60. Roland Leesker - Respect (Robert Hood Remix). Get Physical 61. Deetron - Pulse. COD3 QR 62. Szmer - Clapper (Benales Remix). N&N 63. Kerrie - Systematique Intellijent. Avoidant 64. R.M.K. - Cheng's Garden. Avoidant 65. Nørbak - Gare. Hayes 66. Oliver Way - The Fabulous Mr. Baker. EPM
Oggi parliamo del nuovo patto di stabilità europeo, della legge veneta sulle case popolari e dei danni d'immagine che la Lega deve pagare al Parlamento. ... Qui il link per iscriversi al canale Whatsapp di Notizie a colazione: https://whatsapp.com/channel/0029Va7X7C4DjiOmdBGtOL3z Per iscriverti al canale Telegram: https://t.me/notizieacolazione ... Qui gli altri podcast di Class Editori: https://milanofinanza.it/podcast Musica https://www.bensound.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Episode 11 of GD&F, lifelong music-lover Richard Sutton gives us a firsthand peek into the buildup to the Grateful Dead's August 27th 1972 benefit concert in Veneta, Oregon to help save the nearly bankrupt Springfield Creamery. In what would turn out to be one of the Dead's most legendary performances, Richard was behind-the-scenes working with the Kesey family & friends in the sweltering 100+ degree heat helping prepare the venue for the band and estimated 20,000 people who would ultimately be in attendance. Richard describes his life on the road leading up to the epic ‘72 concert in fascinating detail. He paints an amazingly colorful picture of his experiences living on communes and shares his incredible tale of when he stumbled onto a Grateful Dead rehearsal. He recalls his crosscountry journey to the East Coast where he fell in love at first sight, married a beautiful model and never looked back. Join us, and let's see where the energy takes us! #IFEhttps://music.apple.com/us/album/intro-live-at-veneta-or-8-27-72/680077190?i=680077195 https://music.apple.com/us/album/bertha-live-at-veneta-or-8-27-72/680077190?i=680077204 https://music.apple.com/us/album/ive-been-all-around-this-world-live-at-the-fillmore/1676232099?i=1676232357https://music.apple.com/us/album/workin-for-a-livin/723912623?i=723912769
Veneta, Oregon in Lane County, bills itself as a “quiet, small-town community” with access to both natural areas and the amenities of the Eugene metro area. It’s the kind of place where neighbors help neighbors, as evidenced by the recent activity on the Veneta Community Network Facebook page. During last week’s winter storms, the message board was full of posts from community members offering to help tow stuck cars, bring food to families who were snowed in, and clear downed trees from roads and driveways. Stacy Thompson is the admin of the page. She joins us to talk about how the community pulls together in times of crisis and what others might learn from Veneta’s example.
Matthieu Blazy has been a quiet but powerful force in the fashion industry for years, having worked under powerhouse designers like Raf Simons and Phoebe Philo. But in 2021, he earned that status on his own when he was named the creative director of Bottega Veneta. Since then, he's developed a reputation for pushing creative boundaries; BoF editors named his carnivalesque Autumn/Winter 2023 collection, which featured tank tops and jeans made of leather, as their favourite show of the season. “I was very interested in this idea of boring clothes. How can we push it so it really becomes something precious and luxurious?” Blazy says.This week on The BoF Podcast, Blazy sits down with BoF editor-at-large Tim Blanks at BoF VOICES 2023, where he opened up about his creative processes and work at Bottega Veneta. Key insights:For Blazy, collaboration and a close connection with his teams are paramount for creativity. Before taking the creative helm of Bottega Veneta, Blazy spent four years at Maison Martin Margiela. “The way I work with the team is quite emotional. … When I arrived at Margiela I took my office out of the studio and I put it inside the atelier. It was nice because it was not just me thinking on my own. We were actually making it together,” he shares.Whilst Blazy recognises the power of technology in fashion, at Bottega Veneta, he still puts the emphasis on craftsmanship first. “When you make something by hand, it will always have a little mistake, which is not a mistake, which is part of the process. … so when you go to the store, you won't find twice the same product. You have the idea of a theory, of course, but it's never the same. One artisan cannot finish the work of another artisan.”As a global brand, Blazy hopes customers around the world will be able to see themselves in Bottega Veneta under his creative direction. “Fundamentally I want [global customers] to also find something where they also recognize themselves in the story that is not just Italian.” Additional resources: Who Is Matthieu Blazy, Bottega Veneta's New Creative Director?Bottega Veneta: Everything Old Is New AgainBottega Veneta's Everything, Everywhere Essence Strikes Fashion Gold Hosted on Acast. See acast.com/privacy for more information.
In this captivating podcast episode, we delve into the remarkable journey of a dynamic architect, whose career has blossomed from humble beginnings into a flourishing enterprise. She shares her experiences of navigating the architectural landscape in Paris, offering unique insights into the industry's challenges and opportunities. Her story is a fascinating blend of personal growth, innovative business strategies, and the art of balancing professional and personal life. Listeners will be intrigued by her approach to overcoming early career obstacles, particularly in a competitive environment. The architect's perspective on integrating marketing and finance into the architecture profession is both enlightening and thought-provoking, revealing a side of the industry often overshadowed by design and creativity. Discover the secret to turning initial failures into long-term success in architecture. Uncover how a unique blend of marketing and finance can revolutionize an architectural business. Learn about the innovative strategies used to navigate fluctuating market challenges. Explore the importance of personal and professional balance in building a successful brand in architecture. This episode is not just for architects but for anyone interested in the intersection of creativity, business acumen, and personal growth. Don't miss these invaluable insights! To learn more about Veneta visit her: Website: https://www.va-architecture.fr/ Facebook: https://www.facebook.com/vaarchitectes Instagram: https://www.instagram.com/va_architectes/ LinkedIn: https://www.linkedin.com/company/va-architectes/ ► Transcription: https://otter.ai/u/vySFv0JC5MMzB7o0rC1Mi0GRewo?utm_source=copy_url ► Feedback? Email us at podcast@businessofarchitecture.com ► Access your free training at http://SmartPracticeMethod.com/ ► If you want to speak directly to our advisors, book a call at https://www.businessofarchitecture.com/call ► Subscribe to my YouTube Channel for updates: https://www.youtube.com/c/BusinessofArchitecture ******* For more free tools and resources for running a profitable, impactful, and fulfilling practice, connect with me at: Facebook: https://www.facebook.com/groups/businessofarchitecture Instagram: https://www.instagram.com/enoch.sears/ Website: https://www.businessofarchitecture.com/ Twitter: https://twitter.com/BusinessofArch Podcast: http://www.businessofarchitecture.com/podcast iTunes: https://podcasts.apple.com/us/podcast/business-architecture-podcast/id588987926 Android Podcast Feed: http://feeds.feedburner.com/BusinessofArchitecture-podcast Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9idXNpbmVzc29mYXJjaGl0ZWN0dXJlLmxpYnN5bi5jb20vcnNz ******* Access the FREE Architecture Firm Profit Map video here: http://freearchitectgift.com Carpe Diem!
Eric Renner Brown is a Senior Editor at Billboard magazine and was previously on staff covering music at Entertainment Weekly and the concert industry at Pollstar. Eric is a Sagittarius Sun // Sagittarius Moon // Scorpio Rising. We sit down to chat about the music and astrology of Jerry Garcia, Bob Weir, and Phil Lesh of—you know it—the Grateful Dead! What We Talked About: Grateful Dead - American Beauty (Album) // Grateful Dead – Dick's Picks (Playlist) // Grateful Dead - 8/27/72 - Veneta, OR (Audio) // Grateful Dead - 5/26/73 - San Francisco, CA (Audio) // Grateful Dead - 5/2/70 - Binghamton, NY (Audio) // Furthur (band) Wikipedia // A Requiem for the Dead (Article on Dead & Co) // Grateful Dead - Workingman's Dead (Album) // Robert Hunter 1941-2019: Ten Lyrical Gems From The Brilliant Mind & Author (Article) // Robert Hunter - Sentinel (Spoken word audio) // Jerry Garcia - Bird Song (Studio Version) // Ratboys - The Window (Album) // Billy Woods & Kenny Segal - Maps (Album) // JPEGMAFIA x Danny Brown - SCARING THE HOES VOL. 1 (Album) // Armand Hammer - We Buy Diabetic Test Strips (Album) // Animal Collective - Isn't It Now (Album) // Animal Collective - What Would I Want? Sky (Song, samples Grateful Dead) // Grateful Dead - Unbroken Chain (Song, sampled by AnCo) // Who is William Onyeabor? (Album) // Afro-Beat Airways (Album) // Death Cab for Cutie - Transatlanticism (Album) // The Postal Service - Give Up (Album) // Alice Phoebe Lou - Shelter (Album) // Geese - 3D Country (Album) // Cory Hanson - Western Cum (Album) // Grateful Dead - Ripple (Song) ...Check out more of Eric's work! @ericrennerbrown on Twitter.Our theme music is from the song, "Come & Get It" by Flamingosis. Follow us on Twitter and Instagram (@musicstr0l0gy) and check out our website at musicstrologypodcast.com.
Grateful Dead's 1982 Show Highlights and Unpopular TunesLarry Mishkin, introduces a Grateful Dead show from August 28th, 1982, featuring an opener where Jerry Garcia stumbles over lyrics. Larry shares insights into the band's performance, suggesting they might have been dosed that day. He discusses the history of the Grateful Dead at Woodstock, why they were omitted from the film, and a song called "Keep Your Day Job," disliked by fans and dropped from their repertoire. Larry contrasts it with the successful breakout of "West LA Fadeaway" that night, highlighting the unique way the Grateful Dead introduced and refined songs in their concerts.Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergRecorded on Squadcast INTRO: Bertha Track No. 1 3:16 – 4:46 Great opener, as always. One month after my first show and Jerry still can't remember the words. So instead we focus on the jam. He may fall short in lyrics but his playing is electric. Story is that the band was supposedly dosed that day and the comments reflect that the band was “ON”. SHOW #1: I Used To Love Her But It's All Over Now Track No. 7 1:05 – 2:22 It's All Over Now" is a song written by Bobby Womack and his sister-in-law Shirley Womack.[1] It was first released by The Valentinos, featuring Bobby Womack, in 1964. The Rolling Stones heard it on its release and quickly recorded a cover version, which became their first number-one hit in the United Kingdom, in July 1964. The Rolling Stones' version of "It's All Over Now" is the most famous version of the song. It was first released as a single in the UK, where it peaked at number 1 on the UK Singles Chart, giving the Rolling Stones their first number one hit.[5] It was the band's third single released in America, and stayed in the Billboard Hot 100 for ten weeks, peaking at number 26. Months later it appeared on their second American album 12 X 5. The song was a big hit in Europe and was part of the band's live set in the 1960s. Cash Box described it as a "contagious cover of the Valentinos' click" and "an infectious thumper that should head right for chartsville.” Covered by almost everybody in the music industry from the Stones to Ry Cooder to Nils Lofgren, Wide Spread Panic, Tom Petty & the Heartbreakers and even Molly Hatchet (Flirtin With Disaster) Covered by the Dead 154 times with Bobby singing. Frist on September 6, 1969 - Family Dog at the Great Hightway Last on July 2, 2995 – Deer Creek SHOW #2: Day Job Track No. 10 2:52 – 4:05 First time played in concert. Second set openerEventually played 57 times Last time on April 4, 1986 at Hartford Civic Center Per Robert Hunter in “A Box of Rain” collection of his lyrics, “this song was dropped from the Grateful Dead repertoire at the request of the fans. Seriously” First song ever ‘rejected' by the Deadheads! And the band listened to them and stopped playing it! But WHY was it so universally unpoplular? “a lot of people thought it was the band making fun of/scolding deadheads who spent all their time following around the band. Hunter kind of hinted at that at one point in an interview I think.” “Hippies don't work” “It sucks” There are a few fans who liked the jamming or could relate to the song, but overall, NOPE. SHOW #3: West LA Fadeaway Track No. 12 1:08 – 2:35 Breakout version of this song, along with Day Job. Five years later In The Dark was released with Wet LA on there, but Day Job did not make the cut. Dead would play this song 141 times in concert Last was June 30, 1995 at Three Rivers Stadium in Pittsburgh Always a fan favorite, great music, fun lyrics (only Hunter could work “copasetic” into song lyrics) SHOW #4: Playin' In The Band Track No. 14 1:50 – 3:10 Great version, very upbeat (a dosed band?) and sharp, Bobby right there with his inflection on PPPPLyaing in the BAAAnd, very sharp. I like this clip because it shows the transition from the hard charging opening of the song into a more mellow sound that signifies the jumping off point for the band into a Playin jam that could go anywhere. In this case, almost 20 minutes before segueing into Drums>Space>The Wheel>The Other One>Truckin'>Black Peter>Playin Reprise. What an amazing run of music. Great tunes, great jamming, outside in Oregon, what else could a Head ask for? Some clean Orange Sunshine or whatever the band was on! OUTRO: Dupree's Diamond Blues Track No. 20 1:05 – 2:24 This song was written by Hunter/GarciaIt appeared on the Dead's third album, Aoxomaxoa (released June 20, 1969). First played on January 24, 1969 at the Avalon Ballroom Last played on October 13, 1994 at MSG Played a total of 83 times. "Dupree's Diamond Blues" is based on an American folk song titled "Frankie Dupree," which was based on a real historical figure named Frank Dupree.According to In The Pine: Selected Kentucky Folksongs, Dupree tried robbing a diamond wedding ring from a jewelry store in Atlanta, Georgia, in 1921. He intended to give the ring to his girlfriend Betty. When a police officer showed up, Dupree shot him dead. He then fled to Chicago where he killed another officer and wounded others.Authorities eventually apprehended Dupree while he was getting his mail. They shipped him back to Atlanta where he was executed on September 1, 1922. Giggles: The term "jelly roll" was once common African American slang for a woman's genitalia. The great ragtime pianist Jelly Roll Morton took his name from that very meaning. In 1924, Morton recorded an influential jazz song titled "Jelly Roll Blues," which is most likely what Hunter is referencing here. In the late ‘60's and early ‘70's the band played it more frequently. Although more in the Americana style adopted by the Dead at the beginning of the ‘70's than the primal Dead from the ‘60's. But it became linked with primal Dead by being part of so many shows from that period. On the Fillmore West complete recordings for Feb. 27, 28 and March 1,2 on both the first and third night the band opened the second set with this song into Mountains of the Moon before launching in the Dark Star>St. Stephen>The Eleven>Lovelight suite made famous on Live Dead. But after that it just kind of fell off the band's radar except for certain tours where it would show up for three or four shows before again getting pushed to the side. Very enduring.
Camila Coutinho foi uma das primeiras pessoas a criar um blog de moda no Brasil. Iniciou sua carreira online há mais de uma década e segue criando projetos como sua marca GE Beauty, empreendendo e tendo uma forte presença nas redes sociais. Esperamos que amem. Nos sigam: @majutrindade @camilacoutinho —— Uma produção A Veneta. @a_veneta_ Captação de som e Podcast — Agência de Podcast (@agenciadepodcast) Direção de som: Alexandre Nickel (@alexandrenickel) Assistente de som e edição: Pedro Side (@pedro_side) Trilha: Pedro Zimmer: (@pfzimmer) Direção Criativa: Julia Tonon e Maju Trindade Roteiro e Direção: Julia Tonon (@juliatonons) Direção de Produção: Gabriel Barnabé (@gbrlbarnabe) Assistente de Produção: Pietra Bianco (@pe_bianco) Assistente de Produção: Raphaela Rechberger (@rapharechberger) Direção de Fotografia: Olivia Mucida (@oliviamucida) Assistente de Fotografia: Natália Pilati (@nataliapilati) Direção de Arte: Manoela Moura (@manolamoura) Produtora de Objetos: Carolina Camargo (@caroli.camargo) Contrarregra: Jota Martinez (@jotamartinz) Assistente de contrarregra: Daniel Ferreira (@dani.blaack) Beauty: Luísa Galvão: (@lugalvao_beauty) Assistente de Beauty: Fernanda Hiataki (@fe.hlataki) Assistente de Beauty: Vinne Negrão (@vinnenegrao) Styling: Jessica Neves: (@jessicaneves_) Look: (@misci__) Bota: (@tommyhilfiger) Camareira: Nadia Martins: (@_martinsnadia) Fotografia Still: Kim Costa Nunes: (@kimcostanunes) Design: Gabriella Campana: (@gabriella__campana) Edição Teaser e cor: Diolinha: (@diolinha) Apoio: Cinesala: (@cinesala) Estúdio Iquiririm: (@estudioiquiririm)
Hoje conversei com a Julia Tonon, que é formada em Publicidade e Propagando mas hoje possui a própria produtora de audiovisual. Como diretora, a Julia cria publicidades para as marcas e dirige projetos especiais como clipes, curtas etc. Entramos em assuntos como: comparação dentro da área profissional e como perder o medo de criar. Esperamos que amem. Nos sigam: @majutrindade @juliatonons —— Uma produção A Veneta. @a_veneta_ Captação de som e Podcast — Agência de Podcast (@agenciadepodcast) Direção de som: Alexandre Nickel (@alexandrenickel) Assistente de som e edição: Pedro Side (@pedro_side) Trilha: Pedro Zimmer: (@pfzimmer) Direção Criativa: Julia Tonon e Maju Trindade Roteiro e Direção: Julia Tonon (@juliatonons) Direção de Produção: Gabriel Barnabé (@gbrlbarnabe) Assistente de Produção: Pietra Bianco (@pe_bianco) Assistente de Produção: Raphaela Rechberger (@rapharechberger) Direção de Fotografia: Olivia Mucida (@oliviamucida) Assistente de Fotografia: Natália Pilati (@nataliapilati) Direção de Arte: Manoela Moura (@manolamoura) Produtora de Objetos: Carolina Camargo (@caroli.camargo) Contrarregra: Jota Martinez (@jotamartinz) Assistente de contrarregra: Daniel Ferreira (@dani.blaack) Beauty: Luísa Galvão: (@lugalvao_beauty) Assistente de Beauty: Fernanda Hiataki (@fe.hlataki) Assistente de Beauty: Vinne Negrão (@vinnenegrao) Styling: Jessica Neves: (@jessicaneves_) Look: (@niini.sp) Joias: @guerreirojoias / @skull_official Camareira: Nadia Martins: (@_martinsnadia) Fotografia Still: Kim Costa Nunes: (@kimcostanunes) Design: Gabriella Campana: (@gabriella__campana) Edição Teaser e cor: Diolinha: (@diolinha) Apoio: Cinesala: (@cinesala) Estúdio Iquiririm: (@estudioiquiririm) ME ENCONTRE: twitter: https://twitter.com/majutrindade instagram: https://www.instagram.com/majutrindade bymajuview: https://www.instagram.com/bymajuview studio 803: https://www.instagram.com/803.studio playlists spotify: https://open.spotify.com/user/majuzin... podcast em várias plataformas: http://hyperurl.co/a9yms2 CONTATO PARA TRABALHOS contatomajutrindade@outlook.com
A conversa de hoje foi com a Cris Paladino. Quando pensei em uma temporada com mulheres inspiradoras, pensei nela! Carisma, leveza e encantadora, a Cris é carioca, modelo e também influenciadora e nesse episódio contou um pouco de como iniciou seu trabalho e histórias da vida. Bate-papo leve e inspirador com essa mulher que admiro muito. Esperamos que amem. Nos sigam: @majutrindade @prettamesmo _ Uma produção A Veneta. @a_veneta_ Captação de som e Podcast — Agência de Podcast (@agenciadepodcast) Direção de som: Alexandre Nickel (@alexandrenickel) Edição de podcast e Assistente de som: Pedro Side (@pedro_side) Trilha: Pedro Zimmer: (@pfzimmer) Direção Criativa: Julia Tonon e Maju Trindade Roteiro e Direção: Julia Tonon (@juliatonons) Direção de Produção: Gabriel Barnabé (@gbrlbarnabe) Assistente de Produção: Pietra Bianco (@pe_bianco) Assistente de Produção: Raphaela Rechberger (@rapharechberger) Direção de Fotografia: Olivia Mucida (@oliviamucida) Assistente de Fotografia: Natália Pilati (@nataliapilati) Direção de Arte: Manoela Moura (@manolamoura) Produtora de Objetos: Carolina Camargo (@caroli.camargo) Contrarregra: Jota Martinez (@jotamartinz) Assistente de contrarregra: Daniel Ferreira (@dani.blaack) Beauty: Luísa Galvão: (@lugalvao_beauty) Assistente de Beauty: Fernanda Hiataki (@fe.hlataki) Assistente de Beauty: Vinne Negrão (@vinnenegrao) Styling: Jessica Neves: (@jessicaneves_) Look: (@shopfrancesca) Brincos: (@guerreirojoias) Camareira: Nadia Martins: (@_martinsnadia) Fotografia Still: Kim Costa Nunes: (@kimcostanunes) Design: Gabriella Campana: (@gabriella__campana) Edição Teaser e cor: Diolinha: (@diolinha) Apoio: Cinesala: (@cinesala) Estúdio Iquiririm: (@estudioiquiririm)
Hoje recebi a Bertha no Podcast pra gente conversar sobre lifestyle saudável com saúde, bem-estar e exercício físico. Sempre muito bom buscar informações sobre como podemos melhorar e inserir novos hábitos na nossa vida e disso a Bertha entende. Esperamos que amem. Nos sigam: @majutrindade @berthajuca _ Uma produção A Veneta. @a_veneta_ Captação de som e Podcast — Agência de Podcast (@agenciadepodcast) Direção de som: Alexandre Nickel (@alexandrenickel) Edição de podcast e assistente de som: Pedro Side (@pedro_side) Trilha: Pedro Zimmer: (@pfzimmer) Direção Criativa: Julia Tonon e Maju Trindade Roteiro e Direção: Julia Tonon (@juliatonons) Direção de Produção: Gabriel Barnabé (@gbrlbarnabe) Assistente de Produção: Pietra Bianco (@pe_bianco) Assistente de Produção: Raphaela Rechberger (@rapharechberger) Direção de Fotografia: Olivia Mucida (@oliviamucida) Assistente de Fotografia: Natália Pilati (@nataliapilati) Direção de Arte: Manoela Moura (@manolamoura) Produtora de Objetos: Carolina Camargo (@caroli.camargo) Contrarregra: Jota Martinez (@jotamartinz) Assistente de contrarregra: Daniel Ferreira (@dani.blaack) Beauty: Luísa Galvão: (@lugalvao_beauty) Assistente de Beauty: Fernanda Hiataki (@fe.hlataki) Assistente de Beauty: Vinne Negrão (@vinnenegrao) Styling: Jessica Neves: (@jessicaneves_) Look: (@miumiu) Brincos: (@skull_oficial) Camareira: Nadia Martins: (@_martinsnadia) Fotografia Still: Kim Costa Nunes: (@kimcostanunes) Design: Gabriella Campana: (@gabriella__campana) Edição Teaser e cor: Diolinha: (@diolinha) Apoio: Cinesala: (@cinesala) Estúdio Iquiririm: (@estudioiquiririm)
Catch up with the No Simple Road crew as they discuss everything from the music scene, family life, show recaps & reviews, spirituality, psychedelics, and everything in-between! We produce these episodes with the collaboration of The Edible Beats out of Denver, Colorado and couldn't make this happen every week without them! This week on The Rewind we recap our trip to The Oregon Country Fair! For over 50 year The Oregon Country Fair has been emerging from the Veneta, Oregon forest through the dedication and will of over 20,000 volunteers. Steeped in psychedelic history and lore, this one-of-a-kind happening is like nothing else on the planet... a literal continuation of The Acid Tests sprawled through the Oregon forest. We take you with us on our trip to Fair and talk through our experience there. To learn more about The Oregon Country Fair go to: www.oregoncountryfair.org Head over to www.patreon.com/nosimpleroad to become a supporter and take part in the growing community on our Discord server and get all the extra content that is starting to come out of the No Simple Road community. INTRO MUSIC by Young & Sick -FREE SHIPPING from Shop Tour Bus Use The PROMO CODE: nosimpleroad -Make Sure to visit our friends at Fire On The Mountain for some amazing food at one of the 3 locations in the Portland area or one of the 2 locations in the Denver area! -CHECK OUTwww.venuellama.com SIGN UP BEFORE JULY 4th AND YOU CAN WIN TICKETS OR VENUE LLAMA SCHWAG! MUSIC IN THE COMMERCIALS BY AND USED WITH PERMISSION OF: CIRCLES AROUND THE SUN OUTRO MUSIC BY AND USED WITH PERMISSION OF: CHILLDREN OF INDIGO No Simple Road is part of OSIRIS MEDIA. Osiris Media is the leading storyteller in music, combining the intimacy of podcasts with the power of music. We inform and delight music fans by creating shows with leading artists, telling untold stories, and working with brands to craft compelling narratives that bring music to life.
No episódio de hoje, convidei a Carollina Lauriano para trocar uma ideia sobre arte e um pouco do universo dela. A Carol é formada em comunicação social com ênfase em jornalismo. Tem extensão em Pesquisa e Análise de Tendências (em arte, design e moda) pela Central Saint Martins/University of the Arts London (ual) e atua como curadora independente desde 2017. Esperamos que amem. Nos sigam: @majutrindade @carollinalauriano _ Uma produção A Veneta. @a_veneta_ Captação de som e Podcast — Agência de Podcast (@agenciadepodcast) Direção de som: Alexandre Nickel (@alexandrenickel) Edição de podcast e Assistente de som: Pedro Side (@pedro_side) Trilha: Pedro Zimmer: (@pfzimmer) Direção Criativa: Julia Tonon e Maju Trindade Roteiro e Direção: Julia Tonon (@juliatonons) Direção de Produção: Gabriel Barnabé (@gbrlbarnabe) Assistente de Produção: Pietra Bianco (@pe_bianco) Assistente de Produção: Raphaela Rechberger (@rapharechberger) Direção de Fotografia: Olivia Mucida (@oliviamucida) Assistente de Fotografia: Natália Pilati (@nataliapilati) Direção de Arte: Manoela Moura (@manolamoura) Produtora de Objetos: Carolina Camargo (@caroli.camargo) Contrarregra: Jota Martinez (@jotamartinz) Assistente de contrarregra: Daniel Ferreira (@dani.blaack) Beauty: Luísa Galvão: (@lugalvao_beauty) Assistente de Beauty: Fernanda Hiataki (@fe.hlataki) Assistente de Beauty: Vinne Negrão (@vinnenegrao) Styling: Jessica Neves: (@jessicaneves_) Jaqueta: (@shopginger) Gola preta: (@gloriacoelhobr) Brincos: (@skull_official) Camareira: Nadia Martins: (@_martinsnadia) Fotografia Still: Kim Costa Nunes: (@kimcostanunes) Design: Gabriella Campana: (@gabriella__campana) Edição Teaser e cor: Diolinha: (@diolinha) Apoio: Cinesala: (@cinesala) Estúdio Iquiririm: (@estudioiquiririm)
A convidada de hoje é a Ellen, mais conhecida como Ellen Mil Grau. Neste episódio ela conta um pouco mais sobre o início de seu carreira como modelo, como foi morar fora do Brasil ainda menor de idade e seus projetos pessoais. Esperamos que amem. Nos sigam: @majutrindade @ellenmilgrau Uma produção A Veneta. @a_veneta_ Captação de som e Podcast — Agência de Podcast (@agenciadepodcast) Direção de som: Alexandre Nickel (@alexandrenickel) Edição de Podcast e Assistente de som: Pedro Side (@pedro_side) Trilha: Pedro Zimmer: (@pfzimmer) Direção Criativa: Julia Tonon e Maju Trindade Roteiro e Direção: Julia Tonon (@juliatonons) Direção de Produção: Gabriel Barnabé (@gbrlbarnabe) Assistente de Produção: Pietra Bianco (@pe_bianco) Assistente de Produção: Raphaela Rechberger (@rapharechberger) Direção de Fotografia: Olivia Mucida (@oliviamucida) Assistente de Fotografia: Natália Pilati (@nataliapilati) Direção de Arte: Manoela Moura (@manolamoura) Produtora de Objetos: Carolina Camargo (@caroli.camargo) Contrarregra: Jota Martinez (@jotamartinz) Assistente de contrarregra: Daniel Ferreira (@dani.blaack) Beauty: Luísa Galvão: (@lugalvao_beauty) Assistente de Beauty: Fernanda Hiataki (@fe.hlataki) Assistente de Beauty: Vinne Negrão (@vinnenegrao) Styling: Jessica Neves: (@jessicaneves_) Jaqueta: (@froufrou.vintage) Calça: (@cartel011) Brincos: (@skull_official) Camareira: Nadia Martins: (@_martinsnadia) Fotografia Still: Kim Costa Nunes: (@kimcostanunes) Design: Gabriella Campana: (@gabriella__campana) Edição Teaser: Diolinha: (@diolinha) Apoio: Cinesala: (@cinesala) Estúdio Iquiririm: (@estudioiquiririm)
A conversa de hoje é com a Letícia Ribeiro. Criadora de conteúdo e diretora de cena. A forma como a Letícia cria suas publicidades e compartilha sua visão de mundo me encanta e por essa razão, a convidei para um bate-papo aqui no Podcast para que vocês também possam conhecer e acompanhar o trabalho dela. Espero que amem. Nos sigam nas redes sociais: @majutrindade @leticiaribeiroo #FalaMaju #Podcast #LeticiaRibeiro Uma produção A Veneta. @a_veneta_ Captação de som e Podcast — Agência de Podcast (@agenciadepodcast) Direção de som: Alexandre Nickel (@alexandrenickel) Edição de podcast e Assistente de som: Pedro Side (@pedro_side) Trilha: Pedro Zimmer @pfzimmer Direção Criativa: Julia Tonon e Maju Trindade Roteiro e Direção: Julia Tonon (@juliatonons) Direção de Produção: Gabriel Barnabé (@gbrlbarnabe) Assistente de Produção: Pietra Bianco (@pe_bianco) Assistente de Produção: Raphaela Rechberger (@rapharechberger) Direção de Fotografia: Olivia Mucida (@oliviamucida) Assistente de Fotografia: Natália Pilati (@nataliapilati) Direção de Arte: Manoela Moura (@manolamoura) Produtora de Objetos: Carolina Camargo (@caroli.camargo) Contrarregra: Jota Martinez (@jotamartinz)
A convidada de hoje é a Julia Levenstein e hoje conversamos um pouco sobre o universo dela. Desde histórias que vivemos juntas até sobre sua carreira profissional que já passou por muitas fases, desde administração, mercado financeiro e music business. Espero que amem. Nos sigam nas redes sociais: @majutrindade @julialevenstein @paisage.co Uma produção A Veneta. @a_veneta_ Captação de som e Podcast — Agência de Podcast (@agenciadepodcast) Direção de som: Alexandre Nickel (@alexandrenickel) Assistente de som e edição: Pedro Side (@pedro_side) Trilha: Pedro Zimmer @pfzimmer Direção Criativa: Julia Tonon e Maju Trindade Roteiro e Direção: Julia Tonon (@juliatonons) Direção de Produção: Gabriel Barnabé (@gbrlbarnabe) Assistente de Produção: Pietra Bianco (@pe_bianco) Assistente de Produção: Raphaela Rechberger (@rapharechberger) Direção de Fotografia: Olivia Mucida (@oliviamucida) Assistente de Fotografia: Natália Pilati (@nataliapilati) Direção de Arte: Manoela Moura (@manolamoura) Produtora de Objetos: Carolina Camargo (@caroli.camargo) Contrarregra: Jota Martinez (@jotamartinz) Assistente de contrarregra: Daniel Ferreira (@dani.blaack) Beauty: Luísa Galvão (@lugalvao_beauty) Assistente de Beauty: Fernanda Hiataki (@fe.hlataki) Assistente de Beauty: Vinne Negrão (@vinnenegrao) Styling: Jessica Neves (@jessicaneves_) Camareira: Nadia Martins (@_martinsnadia) Fotografia Still: Kim Costa Nunes (@kimcostanunes) Design: Gabriella Campana (@gabriella__campana) Edição Teaser e cor: Diolinha (@diolinha) Apoio: Cinesala (@cinesala) Estúdio Iquiririm (@estudioiquiririm
The Deadcast concludes its dive into the Grateful Dead's entanglement with technology, exploring Jerry Garcia's digital graphics obsession, how Dead Head online communities helped shape the emergent internet, lyricist John Perry Barlow's manifestoes, & more. Guests: Paul Martin, Mary Eisenhart, David Gans, Steve Silberman, Bob Bralove, Dan English, Doug Oade, Christian Crumlish, Charlie Miller, John Markoff, Erik Davis, Michael CaloreSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast explores the Grateful Dead's long-term cosmic entanglement with the California technology world & the architecture of the internet itself, featuring biomusic pioneer Ned Lagin, Dead Heads at the Stanford AI Lab & Apple, sonic heroes from Alembic & Meyer Sound, & more.Guests: Ned Lagin, Ron Wickersham, Susan Wickersham, Daniel Kottke, John Meyer, Helen Meyer, Paul Martin, Andy Moorer, Steve Silberman, Erik Davis, John MarkoffSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
We present an encore of the Deadcast's Denmark episode from earlier this year to celebrate the 50th anniversary of Europe ‘72's proper release, as well as to get you ready for (or debrief you from) the Meet-Up At The Movies presentation of the Dead's historic Danish telecast.Guests: Sam Cutler, Steve Parish, Mountain Girl, Donna Jean Godchaux MacKay, Ben Haller, Alan Trist, Jim Sullivan, Gijsbert Hanekroot, John Morris, Sam Field, David Lemieux, MC Taylor, Lars Bennike, Bjørn Lindstrøm, Hans Francke, Jens Skovby, Palle Lykke, Lars Movin, Graeme Boone, Shaugn O'DonnellSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Grateful Deadcast celebrates Bobby Weir's 75th with the birthday boy himself, exploring Weir's world with Don Was, Jeff Chimenti, members of the expanded Wolfpack, & orchestral collaborator Giancarlo Aquilanti. Guests: Bobby Weir, Don Was, Jeff Chimenti, Barry Sless, Giancarlo AquilantiSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Ace 50The Deadcast welcomes Bobby Weir to honor the 50th anniversary of his 1972 solo debut “Ace” (& its forthcoming reissue), made with an all-star backing band that happened to be the Grateful Dead, featuring archival audio with “Ace” lyricists John Perry Barlow & Robert Hunter.Guests: Bobby Weir, Donna Jean Godhaux-MacKay, Don WasSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Pack the Microbus & hit the road with the Dead in ‘83, hang out with the deep scene of Dead Head graffiti writers & frisbee players in Central Park, & get back to Madison Square Garden for two shows with two room-shaking bustouts.Guests: David Lemieux, John Meyer, Helen Meyer, Dan English, Alan Trist, John Scher, Eric Schwartz, John Leopold, Charlie Miller, Jim Wise, Bob Minkin, Lee Greenfeld, Johnny Dwork, Eric Pooley, Rich Farrell, Larry Price, Dean Heiser, Mary Eisenhart, Corry Arnold, Elijah Funk, Alix Ross, Mark RodriguezSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast examines how the Grateful Dead remained a center of innovation in 1982, exploring their new sound system with John & Helen Meyer of Meyer Sound, an audacious plan to sell live tapes, the DIY zine scene, one future hit, & two sold-out shows at Madison Square Garden.Guests: Alan Trist, John Meyer, Helen Meyer, Dan English, Bob Minkin, Charlie Miller, Jim Wise, Eric Schwartz, Chris Goodspace, John Leopold, Johnny Dwork, Shaugn O'Donnell, Jeff Pincus, Marty Meyer, David Lemieux, J. Christian GreerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
We point the Deadcast to the ‘80s & channel the room-shaking power of the 1981 Madison Square Garden shows on the new box set with archivist David Lemieux, promoter John Scher, photographers Jay Blakesberg & Bob Minkin, tapers Jim Wise & Charlie Miller, & many more.Guests: David Lemieux, John Scher, Jay Blakesberg, Bob Minkin, Charlie Miller, Christina Schreiber, Jon Huntley, Jim Wise, Chris Goodspace, Eric Pooley, Shaugn O'Donnell, Marty Meyer, Frank BoeschSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
On a very special bonus episode, we check in with Mickey Hart about his latest drones and hear high tales of Grateful Dead madness, from frying bacon onstage to using firearms as percussion, plus stories about his handcrafted instrument, the Beam, and a look into the Barn, his recording “crucible” in Novato and one of the great and oft-forgotten studios of the ‘70s and ‘80s.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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