Podcasts about united artists records

Welcome to Season 04 Episode 12 - the "Homeward Bound" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in  northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Ms. Anna Gagliano, director of Little Women for Main Street Studios; Mr. Tim Newell, director of Agnes of God for the Lakeshore Center for the Arts; and Prof. Dan Lendzian, director of the One Act Festival for SUNY Fredonia Dept. of Theatre and Dance. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. And don't forget to enter the giveaway for a $25 gift card from deJohn's Spaghetti House and 2 tickets to the Cinema Series! Entries must be received by Friday April 25th at 12 noon! Listen to the podcast for the question and answer. Then email your answer to operahouse@fredopera.org. Make sure you put the word "Giveaway" in the subject line and include your preferred contact information. Thanks for listening! Time Stamps (Approximate) 02:18  Anna Gagliano/Little Women 19:30  Tim Newell/Agnes of God 36:51  Arts Calendar 39:37  Dan Lendzian/One Act Festival TADA Media "King of the Road," written and performed by Roger Miller, from the Album The Return of Roger Miller, January 1965, Smash Records scene from the motion picture Little Women; Greta Gerwig, director; featuring Saoirse Ronan as Jo March and Emma Watson as Meg March; Columbia Pictures, December 2019 scene from the motion picture Agnes of God; Norman Jewison, director; featuring Jane Fonda as Dr. Martha Livingstone and Anne Bancroft as Mother Miriam Ruth; Columbia Pictures 1985 "Avalanche", from the album Will the Circle Be Unbroken, produced by the Nitty Gritty Dirt Band, November 1972, United Artists Records. "Ramblin' Man", from the Allman Brothers album Brothers and Sisters, composed and performed by Dickey Betts, August 1973, Capricorn Records Artist Links Main Street Studios Lakeshore Center for the Arts Dan Lendzian Box Office at SUNY Fredonia Lake Shore Center for the Arts Main Street Studios Ticket Website WCVF Fredonia WRFA Jamestown Register Here for the 1891 Run/Walk for the Opera House BECOME AN OPERA HOUSE MEMBER!          

Show #1065 New & Then Some 01. Pat Fulgoni Blues Experience - Keep The Blues Alive (6:12) (Pat Fulgoni Blues Experience, Chocolate Fireguard Music, 2024) 02. Tas Cru Band - You Keep The Money (4:20) (Live, Subcat Records, 2024) 03. Gary Nicholson - The Truth About A Lie (3:30) (Common Sense, Qualified Records, 2024) 04. Sam Morrow - Thunderbird Motel (3:17) (On The Ride Here, Connor Pasich Records, 2024) 05. Little Steve & the Big Beat - Circles (4:43) (Circles, Timezone Records, 2024) 06. Wildcat O'Halloran Band - Temptation (4:24) (Lead Me Not Into Temptation, I'll Find It Myself, Doves Nest Records, 2024) 07. Piper & The Hard Times - You're Gonna Miss Me When I'm Gone (5:28) (Revelation, Hard Times Records, 2024) 08. Steve Leon & the Accusations - Bound To Break (4:19) (Borrowed Time Bonanza, Off Label Records, 2024) 09. Tab Benoit - Overdue (5:44) (I Hear Thunder, Whiskey Bayou Records, 2024) 10. Aynsley Lister - Tougher Than Tough (3:30) (Supakev 'n Pilchards, Ruf Records, 2002) 11. Witherspoon, Mulligan & Webster - Time's Gettin' Tougher Than Tough (3:05) (At The Renaissance, Hi-Fi Jazz Records, 1960) 12. Long John Baldry - Times Are Getting Tougher Than Tough (2:27) (Long John's Blues, United Artists Records, 1964) 13. Witherspoon & Baldry - Times Gettin' Tougher Than Tough (6:34) (Jimmy Witherspoon With Duke Robillard Band, Stony Plain Records, 2000) 14. Charles Norris Trio - Money's Getting Cheaper [1947] (2:44) (Right Hand Man Chuck Norris Vol.1, Koko Mojo Records, 2024) 15. Ben Sidran - Times Gettin' Tougher Than Tough (3:19) (Rainmaker, Nardis Records, 2024) 16. Zac Harmon - Never Have A Better Night (3:51) (Floreada's Boy, Catfood Records, 2024) 17. Marcus Trummer - Waiting For Change (4:28) (From The Start, Gypsy Soul Records, 2024) 18. Blues People - Knee Off My Neck (4:04) (The Skin I'm In, self-release, 2024) 19. Mick Clarke - Dirty Work (4:15) (Dirty Work, Rockfold Records, 2024) 20. Mojo Man - Seventeen (5:31) (Love And Revolution, Continental Record Services, 2024) 21. Johnny Burgin - Gettin' My Blues On (3:59) (Ramblin' From Coast To Coast, Straight Shooter Records, 2024) 22. Russell Ballantine - Cakewalking (3:34) (Delta Days, self-release, 2024) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Don McLean III is an American singer-songwriter, best known for his 1971 hit song "American Pie", an 8.5-minute folk rock "cultural touchstone" about the loss of innocence of the early rock and roll generation (US #1 for four weeks in 1972 and UK #2). Though some of his early musical influences included Frank Sinatra and Buddy Holly, as a teenager, Don became interested in folk music, particularly the Weavers' 1955 recording At Carnegie Hall. He often missed long periods of school because of childhood asthma, particularly music lessons, and although Don slipped back in his studies, his parents allowed his love of music to flourish. By age 16, he had bought his first guitar and began making contacts in the music business, becoming friends with the folk singers Erik Darling and Fred Hellerman of the Weavers. Don recorded his first album, Tapestry in 1969 in Berkeley, California during the student riots. After being rejected 72 times by labels, the album was finally picked up and released. Don worked on the album for a couple of years before putting it out. It attracted good reviews but little notice outside the folk community, although on the Easy Listening chart "Castles in the Air" was a success, and in 1973 "And I Love You So" also became a number 1 Adult Contemporary hit for crooner, Perry Como. Don's major break came when the record company he was with was taken over by United Artists Records, which gave him major label promotion for his second album, American Pie. The album launched two number one hits - the title song and "Vincent". American Pie's success made Don an international star overnight and piqued interest in his first album, which charted more than two years after its initial release. In 2004, he was inducted into the Songwriters Hall of Fame. In January 2018, BMI certified that "American Pie" and "Vincent" had reached five million and three million airplays respectively. His composition "And I Love You So" has been sung by Elvis Presley, Perry Como, Helen Reddy, Glen Campbell, and others, and in 2000, Madonna had a hit with a rendition of "American Pie". His other hit singles include "Vincent" , "Dreidel" , a rendition of Roy Orbison's "Crying", a rendition of the Skyliners' "Since I Don't Have You" , and "Wonderful Baby". Recently, the Grammy-award honoree and BBC Lifetime Achievement Award recipient has released his latest studio album, "American Boys" which pays tribute to his rock and roll heroes. As always, if you'd like to request a music guest for the show, please get in touch with me sandy@abreathoffreshair.com.au --- Send in a voice message: https://podcasters.spotify.com/pod/show/sandy-kaye3/message

Before Billy Joel was a household name, and before he was even a solo recording artist or known as a piano player, he released his first album on United Artists Records in 1967.  That album was The Hassles, by the band of the same name. Billy, still a teenager, wasn't in the spotlight. Rather, he was the organ player who contributed a few original songs and vocals.    For this album episode, we're reviewing the deluxe re-release from 1992. It contains the entire first album, plus 8 additional bonus tracks of b-sides, demos and alternate takes.    This generous serving of blue-eyed-soul and Long Island rock and roll provides Billy's first step into the music industry at large. And, it reveals a few germs of the melodic instincts, arrangement styles, and vocal prowess that Billy would cultivate into his signature sound just a few years later.    Join us as we dig deep into The Hassles' self-titled debut album.    ------   Email us: glasshousespodcast@gmail.com   Glass Houses - A Billy Joel Podcast on the web / social media: Website: http://www.glasshousespod.com Facebook: https://www.facebook.com/glasshousespodcast/ Instagram: https://www.instagram.com/glasshousespod/ Twitter: https://twitter.com/glasshousespod  Discord: https://discord.gg/6G6cMRFu7T   Support the podcast: Paypal: https://paypal.me/glasshousespod Venmo: @MGrosvenor   Produced by Michael Grosvenor & Jack Firneno for Glass Houses Media, LLC Learn more about your ad choices. Visit megaphone.fm/adchoices

Before Billy Joel was a household name, and before he was even a solo recording artist or known as a piano player, he released his first album on United Artists Records in 1967.  That album was The Hassles, by the band of the same name. Billy, still a teenager, wasn't in the spotlight. Rather, he was the organ player who contributed a few original songs and vocals.    For this album episode, we're reviewing the deluxe re-release from 1992. It contains the entire first album, plus 8 additional bonus tracks of b-sides, demos and alternate takes.    This generous serving of blue-eyed-soul and Long Island rock and roll provides Billy's first step into the music industry at large. And, it reveals a few germs of the melodic instincts, arrangement styles, and vocal prowess that Billy would cultivate into his signature sound just a few years later.    Join us as we dig deep into The Hassles' self-titled debut album.    ------   Email us: glasshousespodcast@gmail.com   Glass Houses - A Billy Joel Podcast on the web / social media: Website: http://www.glasshousespod.com Facebook: https://www.facebook.com/glasshousespodcast/ Instagram: https://www.instagram.com/glasshousespod/ Twitter: https://twitter.com/glasshousespod  Discord: https://discord.gg/6G6cMRFu7T   Support the podcast: Paypal: https://paypal.me/glasshousespod Venmo: @MGrosvenor   Produced by Michael Grosvenor & Jack Firneno for Glass Houses Media, LLC

Before Billy Joel was a household name, and before he was even a solo recording artist or known as a piano player, he released his first album on United Artists Records in 1967.    That album was The Hassles, by the band of the same name. Billy, still a teenager, wasn't in the spotlight. Rather, he was the organ player who contributed a few original songs and vocals.    For this album episode, we're reviewing the deluxe re-release from 1992. It contains the entire first album, plus 8 additional bonus tracks of b-sides, demos and alternate takes.    This generous serving of blue-eyed-soul and Long Island rock and roll provides Billy's first step into the music industry at large. And, it reveals a few germs of the melodic instincts,  arrangement styles, and vocal prowess that Billy would cultivate into his signature sound just a few years later.    Join us as we dig deep into The Hassles' self-titled debut album.   ------   Email us: glasshousespodcast@gmail.com   Glass Houses - A Billy Joel Podcast on the web / social media: Website: http://www.glasshousespod.com Facebook: https://www.facebook.com/glasshousespodcast/ Instagram: https://www.instagram.com/glasshousespod/ Twitter: https://twitter.com/glasshousespod  Discord: https://discord.gg/6G6cMRFu7T   Support the podcast: Paypal: https://paypal.me/glasshousespod Venmo: @MGrosvenor   Produced by Michael Grosvenor & Jack Firneno for Groove Music Marketing  

Show #1038 Waterman Blues 01. Bukka White - Parchman Farm Blues (2:35) (78 RPM Shellac, Okey Records, 1940) 02. Reverend Gary Davis - Death Don't Have No Mercy (4:43) (Harlem Street Singer, Bluesville Records, 1960) 03. Gina Sicilia - Death Don't Have No Mercy (6:18) (Unchange, VizzTone Records, 2022) 04. Lightnin' Hopkins - Bad Things On My Mind [1953] (2:53) (Out Came The Blues, Ace Of Hearts, 1964) 05. Jesse Fuller - San Francisco Bay Blues [1962] (3:24) (Friends of Old Time Music, Smithsonian Folkways, 2006) 06. Eric Clapton - San Francisco Bay Blues (3:23) (Unplugged, WEA International, 1992) 07. Sonny Terry & Brownie McGhee - Brownie's Blues (5:19) (In London, Nixa/Marble Arch Records, 1958) 08. Son House - Trouble Blues [1960s] (4:58) (The Real Delta Blues, Blue Goose Records, 1975) 09. John Lee Hooker - Hobo Blues [1965] (2:36) (American Folk Blues Festival 1962-1966 Vol. 1, Hip-O DVD, 2003) 10. Mississippi Fred McDowell - Kokomo Blues (2:05) (Delta Blues, Arhoolie Records, 1964) 11. Bonnie Raitt - Write Me A Few Of Your Lines / Kokomo Blues (3:52) (Lenox Music Inn, August 25, 1973) 12. Mississippi John Hurt - Coffee Blues (3:46) (Today!, Vanguard Records, 1966) 13. Lovin' Spoonful - Day Blues (3:14) (Daydream, Kama Sutra REcords, 1966) 14. Elizabeth Cotten - Freight Train (2:46) (Folksongs and Instrumentals with Guitar, Folkways Racords, 1958) 15. Taj Mahal - Freight Train (4:37) (Music Fuh Ya', Warner Bros Records, 1977) 16. Sleepy John Estes - Drop Down Mama (3:16) (78 RPM Shellac, Champion Records, 1935) 17. Bert Deivert & Copperhead Run - Drop Down Mama (3:43) (Blood In My Eyes For You, rootsy.nu, 2015) 18. Skip James - Cypress Grove Blues (3:16) (78 RPM Shellac, Paramont Records, 1931) 19. Robert Connely Farr - Cypress Grove (3:52) (Country Supper, self-release, 2020) 20. Muddy Waters - My Home Is In The Delta (4:01) (Folk Singer, Chess Records, 1964) 21. Doc Watson - You Don't Know My Mind Blues (3:03) (Memories, United Artists Records, 1976) 22. Hugh Laurie - You Don't Know My Mind (3:39) (Let Them Talk, Warner Bros Records, 2011) 23. Willie Dixon & Memphis Slim - Go Easy (5:54) (Willie's Blues, Prestige Bluesville Records, 1959) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

The Classics IV featuring Dennis Yost a enjoyed two more top-10 hits, "Stormy" (1968, Hot 100 No. 5) and "Traces" (1969, Hot 100 No. 2, Easy Listening No. 2), the latter of which Emory Gordy also co-wrote. Cobb and Buie borrowed heavily from 1936's "Every Day with Jesus" by Robert C. and Wendell P. Loveless to pen the top 20 follow-up "Every Day With You Girl" (1969, Hot 100 No. 19, Easy Listening No. 12). "Spooky," "Stormy," and "Traces" each sold more than one million units, and all were awarded gold discs by the R.I.A.A. Those three hits plus "Every Day With You Girl" also appeared in the 1977 film The Chicken Chronicles. In 1970, Cobb, Buie and Daughtry formed what would become Atlanta Rhythm Section with Candymen drummer Robert Nix. However, the former two remained active as writers and producers for the band.[5] After recovering from a car accident suffered in May 1969, Eaton left the band and later on became an electronics expert, working for Unisys. 1970–1975: Later years With Yost as the remaining original member, the group changed its name again to Dennis Yost and the Classics IV. After Imperial was absorbed into United Artists Records, the group signed with MGM South. In 1971 after working for other Lowery artists Tommy Roe and the Swingin' Medallions, Michael Huey became the drummer. During this period Huey also became the staff drummer for Lowery Studios and later moved to Los Angeles. The band's subsequent releases were less successful, despite the final top 40 hit, "What Am I Crying For?" which peaked at No. 39 in 1972. By this time, the partnership between Cochran and Buie ended. After the release of "My First Day Without Her" in 1975, Yost disbanded the group and returned to Florida. 1975–2001: After Classics IV In 1977, Yost returned to performing on the Holiday Inn circuit, this time simply under his own name or "The Classic One." (He lost the rights to the Classics IV name.) The same year, Eaton got a job on Jacksonville's computer system in 1977 and later on worked for the City Hall. He is currently a professor at Florida Community College. During the mid 70s to early 80s, the Atlanta Rhythm Section scored a number of Top 40 hits, notably "Doraville", "So in to You", "Imaginary Lover", "I'm Not Gonna Let It Bother Me Tonight", "Do It or Die", and their rendition of "Spooky". During the 1990s, Yost used many backup bands including Steve "Stevie G" Guettler (guitar, vocals), Jeff "JT" Strickler (bass guitar, vocals), Steve Farrell (guitar, vocals), Mike Wilson (keyboards, vocals), and Wes Armstrong (drums, vocals) of the Atlanta-based group The Rockerz. He also used Nashville-based Steve Jarrell and The Sons of the Beach Band, as well as the Hitts out of Virginia Beach, Virginia, with Ed Hutchison (guitar, backing vocals), Ramon Gonzalez (keyboards, backing vocals), Andy Crosswell (drums), and David Voss. Other incarnations included Toledo musicians Danny Joe Greenburg on Bass, and Sid Siddall on drums. Nashville bassist Louie Meek also did a stint with the band. In 1993, Classics IV was inducted into the Georgia Music Hall of Fame. 2001–2006: Reformation In 2001, Yost underwent successful throat surgery for a condition that had severely impaired his singing voice. Later on, he started touring under the Classics IV name, which he gained the rights to. 2006–2008: Death of Yost On July 11, 2006, Yost fell down a flight of stairs and suffered serious brain trauma. To assist Yost and his wife with their medical bills, a benefit concert was held on March 25, 2007, at Rhino's Live in Cincinnati, Ohio. The concert did not significantly benefit Yost or his wife financially as hoped, as expenses far exceeded the money raised, leaving the event in the red. After the accident, Tom Garrett was chosen by Yost to replace him as lead singer. The plan was for Yost to make a few yearly "special appearances", and gradually have Garrett take over as the leader of the band. However, Yost was able to perform with them for only one appearance in 2008. Yost died at age of 65 from respiratory failure on December 7, 2008, the 40th anniversary of the entrance of "Stormy" into the Hot 100's top 10. 2008-present: Post-Yost The current line-up of Classics IV consists of Tom Garrett as lead vocalist, Kevin Lloyd on bass, James Yoder on keyboards, Paul Weddle on saxophone, John Kerner on guitar, and Shawn White on drums. The group regularly tours to this day.

A Monday release!? Well, it's my birthday, so as a special treat you get this super fun episode today! This was so much fun to edit!Yes, it's time for this month's Tailoring Talk Bondathon episode and sadly no Phil, BUT you do get the wonderful Jon & Alex from the Play Pause Turn Podcast join me to review the 11th 007 James Bond movie: yes it's time for Moonraker!WARNING: This episode contains a vast  amount of spoilers so if you haven't seen The Spy Who Loved Me and don't want to know what happens, go watch the movie and come back to the episode straight after!This start to finish run through of Roger Moore's fourth 007 outing includes the boys discussing the outfits, gadgets, villains and Bond girls plus all the key plot points... and going off on all the usual tangents of course!Enjoy!Get in touch! Got a particular Bond film you love? Would you like to be on the show to review and discuss it with Roberto and our co-hosts? Then what are you waiting for, get in touch!  Email Roberto at  tailoringtalkpodcast@gmail.com or get in touch via the show's  Instagram page @tailoringtalkpodcast !Links:Roberto on Instagram http://www.instagram.com/robertorevillalondonTailoring Talk on Instagram http://www.instagram.com/tailoringtalkpodcastTailoring Talk & Roberto Revilla on YouTube https://YouTube.com/@robertorevillaThe Play Pause Turn Podcast https://playpauseturn.showPlay Pause Turn on Twitter https://twitter.com/playpauseturnJon Evans https://twitter.com/jonprevans Alex Hansford https://twitter.com/alexhansfordCredits:Tailoring Talk intro and outro music by Wataboy on PixabayProduced & Edited by Roberto RevillaMoonraker is an EON ProductionThe Theme Song “Moonraker” was composed by John Barry and Hal David and performed by Shirley Bassey. Published by United Artists Records.Support the show

Episode 89 The Theremin Part 2: Recordings After 1970 Playlist Ultimate Spinach, “(Ballad of The) Hip Death Goddess” from Ultimate Spinach (1968 MGM Records). This American psychedelic rock band was from Boston, Massachusetts, although they had a sound that had more an affinity with the free spirit of San Francisco. The Theremin has a prominent part in this song, following the vocalist and filling in some interesting instrumental parts. Bass and Feedback, Richard Nese; Vocals, Drums, Tabla, Bass Drum, Bells, Chimes, Keith Lahteinen; Vocals, Electric Guitar, Guitar, Kazoo, Barbara Hudson; Vocals, Electric Piano, Electric Harpsichord, Organ, Harpsichord, Twelve-String Guitar, Sitar, Harmonica, Wood Flute, Theremin, Celesta, Ian Bruce-Douglas; Vocals, Lead Guitar, Guitar Feedback, Sitar Drone, Electric Sitar, Geoffrey Winthrop. 8:11 Hawkwind, “Paranoia Part 2” from Hawkwind (1970 Liberty). Hawkwind was a pioneering space-rock and psychedelic group from the UK. They were known to use a theremin during their early years—1969 to 1973 and revived its use on stage in later performances using a Moog Etherwave model in the 2000s. This first album features a theremin added to much of the sonic textures, sometimes overtly but often run through effects to provide a looming background, as in this song. It is sometimes difficult to distinguish, but I think there is a theremin providing some of the droning background and then sporadic bursts of tones beginning around 4:25. 14:54 McKendree Spring, “God Bless the Conspiracy” from 3 (1972 Decca). Electric Violin, Viola, Theremin, Michael Dreyfuss; Electronics (Ring Modulator), Tom Oberheim; Vocals, Acoustic Guitar, Dulcimer, Fran McKendree; Electric Bass, Larry Tucker; Electric Guitar, Martin Slutsky. This progressive band with experimental leanings was a quartet without a drummer. Dreyfus later said, “In God Bless the Conspiracy and No Regrets I was able to play viola and Theremin at the same time by bringing my body closer to the Theremin (to change pitch) while playing a harmony part on the viola,”(2006). He played a Theremin beginning 1969. He may have used a Moog theremin, such as the Troubadour. 6:53 Linda Cohen, “Horizon Jane” from Lake Of Light (1973 Poppy). Folky album from Philadelphia featuring several electronic musicians. Acoustic Guitar, Bass, Piano, Polytonic Modulator, Jefferson Cain; Classical Guitar, Composer, Linda Cohen; Flute, Stan Slotter; Producer, Electric Guitar, Matrix Electronic Drums, Modulator, Sitar, Synthesizer, Craig Anderton; Minimoog, Theremin, Charles Cohen. 3:36 Ronnie Montrose, “Space Station #5” from Montrose (1973 Warner Brothers). Ronnie Montrose added a custom-built Theremin to his equipment with the pitch antenna mounted on his aluminum (silver) Velano guitar so that he could play both at the same time. Volume for the theremin was controlled by a black box mounted on a mike stand, to which he stood nearby. He was recording with it throughout the 1970s. Here is a great live clip you where you can see how he played it. Note the end of the clip where he put the theremin guitar up against the speaker and wails on the volume control of the theremin control box. Bass, Bill Church; Drums, Denny Carmassi; Guitar, Theremin-Guitar, Ronnie Montrose; Vocals, Sam Hagar. 5:36 Arthur Brown's Kingdom Come, “Time Captives” from Journey (1974 Passport). Fender Bass, Percussion, Vocals, Phil Shutt; Bentley Rhythm Ace, Vocals, Arthur Brown; Electric Guitar, Vocals, Andy Dalby; Mellotron, ARP 2600, EMS VCS 3, Piano, Theremin, Percussion, Vocals, Victor Peraino. 8:37 Michael Quatro, “Get Away” from In Collaboration with The Gods (1975 United Artists Records). Brother of Detroit rockers Suzi and Patti Quatro, he had a flare for progressive rock and electronic keyboards in the 1970s. The Theremin makes frequent appearances on this album, this track in particular. Arranger, Piano Baldwin, Electric Piano Gretsch Electro, Piano Tack Piano, Sonic Six Synthesizer, Effects Univox Phaser, Univox Stringman, EC-80 Echo, Elka Electric Piano, Hammond Organ, Minimoog Synthesizer, Univox Mini-Korg, Electroharmonix Boxes, Mellotron Violin, Cello, Flute, Effects Wah-Wah Pedals, Effects Syntha-Pedal, Bass Nova Bass, Horns, Organ Pipe Organ, Sounds Ring Modulation, Maestro Theremin, Electronic Effects, Percussion , Michael Quatro;Bass, Lead Vocals, Arranged By Arranging Assistance, Dave Kiswiney; Drums, Kirk (Arthur) Trachsel; Guitar, Teddy Hale. 4:04 Melodic Energy Commission, “Revise The Scene” from Stranger In Mystery (1979 Energy Discs). This is the first album from this Canadian space-rock, psychedelic and folk troupe from British Columbia. The Theremin was a key instrument in their ensemble and was custom-built by group member George McDonald. His Theremin would eventually be known as the Galactic Stream Theremin and would take some 25 years to build and evolve into a six antennae instrument for “tuning into the performers body motions.” During this recording, a simpler, more traditional version was used. Gas & Steam Bass, Bells, Tambourine, Mark Franklin; Dulcimer, Bowed Dulcimer, Khaen, Gongs, Flute, Randy Raine-Reusch; Hydro-electric Guitar, Custom-made Theremin, Aura, Wall Of Oscillation, George McDonald; Percussion, Tablas, Brass Tank, Glockenspiel, Roland SH5 Synthesizer, Organ, Paul Franklin; EMS Synthi AKS, Delatronics, Electric Guitar, Del Dettmar; Wordy Voice, Guitar, Piano, Organ, Roland SH 1000 Synthesizer, Gongs, Vibraphone, Kalimba, Stone Drum, Egyptian Shepherd's Pipe, Xaliman. 6:13 The Nihilist Spasm Band, “Elsinore” from Vol. 2 (1979 Music gallery Editions). Canadian group that used all hand-made instruments, including the kit-made Theremin by Bill Exley. Bass, Hugh McIntyre; Drums, Greg Curnoe; Guitar, John Clement, Murray Favro; Kazoo, John Boyle; Pratt-a-various, Art Pratten; Vocals, Theremin, Bill Exley. Recorded live at the Toronto Music Gallery, February 4th 1978. 5:14 Yuseff Yancy, Garret List, “Sweetness” Garrett List / A-1 Band, “Sweetness” from ‎Fire & Ice (1982 Lovely Music). Alto Saxophone, Byard Lancaster; Maestro Theremin, Electronics, Youseff Yancy; Vocals, Genie Sherman. 4:11. Todd Clark, “Into the Vision” from Into The Vision (1984 T.M.I. Productions). Guitar, Cheetah Chrome; Theremin, Bat-wing Guitar with ARP Avatar, Todd Clark; Found Vocals, William Burroughs. 8:38 Danielle Dax, “Yummer Yummer Man” from Yummer Yummer Man (1985 Awesome). UK artist Danielle Dax. Wah Guitar, Steve Reeves; Guitar, Slide Guitar, Organ, David Knight; Producer, arranger, lyrics, Vocals, Theremin, Tapes, Danielle Dax; Drums, Martyn Watts; Music by Danielle Dax, David Knight. Dax is an experimental English musician, artist, and producer, born as Danielle Gardner. 3:16 Mars Everywhere, “Attack of the Giant Squid” from Visitor Parking (1989 Audiofile Tapes). Cassette release from this space-rock band from the 1980s. Electric Guitar, Electronics, Tape, Ernie Falcone; Synthesizer, Theremin, Keyboards, Tom Fenwick. 5:03 Jon Spencer Blues Explosion, “Vacuum of Loneliness” from The Jon Spencer Blues Explosion (1992 Caroline). This NY band uses an original Moog Vanguard (circa 1960). This rock and blues band was active from 1991 until 2016. Baritone Saxophone, John Linnell; Drums, Russell Simins; Guitar, Vocals, Judah Bauer; Tenor Saxophone, Kurt Hoffman; Trumpet, Frank London; Vocals, Guitar, Moog Vanguard Theremin, Jon Spencer. Here is a video of a live performance of The Jon Spencer Blues Explosion with a Moog Vanguard Theremin (just after the 39-minute mark). 3:02 Calvin Owens and His Blues Orchestra, “Vincent Van Gogh” from That's Your Booty (1996 Sawdust Alley). Trumpet solo and vocals, Calvin Owens; Maestro Theremin, Youseff Yancy; Alto Saxophone, Tenor Saxophone, Eddy De Vos, Kurt van Herck, Peter Vandendriessche; Backing Vocals, B. J. Scott, Frank Deruytter, Mieke Belange, Yan De Bryun; Baritone Saxophone, Bo Vander Werf, Johan Vandendriessche; Bass, Ban Buls, Roman Korohek; Cello, B. Piatkowski, X. Gao; Drums, Cesar Janssens, Laurent Mercier; Guitar, Marty Townsend, Yan De Bryun; Keyboards, Rafael Van Goubergen; Organ, Peter Van Bogart; Saxophone, Jimmy Heath; Tenor Saxophone, David "Fathead" Newman, Shelly Caroll Paul; Trombone, Marc Godfroid, Yan De Breker; Trumpet, Andy Haderer, Rüdiger Baldauf; Violin, D. Ivanov, E. Kouyoumdjian; Vocals, Archie Bell, Otis Clay, Ruby Wilson. 6:23. David Simons, “Music For Theremin And Gamelan (1998-1999), parts I and II” from Fung Sha Noon (2009 Tzadik). Theremin, Rob Schwimmer; Gamelan, Theremin, Sampler, MIDI Controller, Percussion, Marimba, Zoomoozophone, 43 Pitch Zither, Harmonic Canon, Slide Guitar, Chromelodeon harmonium, David Simons; Gamelan, Barbara Benary, Denman Maroney, John Morton, Laura Liben. 6:09 (part I) and 6:29 (part II) Lydia Kavina, “Voice of the Theremin,” composed by Vladimir Komarov from Music from The Ether, Original Works For Theremin (1999 Mode). TVox Tour model theremin, Lydia Kavina. Arranged, mixed, performed by Lydia Kavina. 8:11 Lydia Kavina, “Free Music #1,” composed by Percy Grainger from Music from The Ether, Original Works For Theremin (1999 Mode). TVox Tour model theremin, Lydia Kavina; mixed and spatialized, Steve Puntolillo. This work was originally written for theremin although Grainger had many ideas around how this type of “free music” should be played. This native Australian was fascinated by the sounds of the real world and invented a mechanical machine for making such sounds. In 1938, Grainger said, "...Out in nature we hear all kinds of lovely and touching 'free' (non-harmonic) combinations of tones, yet we are unable to take up these beauties and expressiveness into the art of music because of our archaic notions of harmony.” His adaptation of free music for theremin was an attempt to create sounds that were new to music. This version was multitracked by Kavina and an old acquaintance of mine, sound engineer Steve Puntolillo, to recreate the parts for four theremins. 1:19 The Kurstins, “Sunshine” from Gymnopedie (2000 Rouge Records). Composed by Roy Ayers; Minimoog, ARP String Ensemble, Organ, Guitar, Sampler, Drums, Rhodes Electric Piano, Greg Kurstin; Moog Theremin, Theremin Vocoder, Moogerfoogers, Pamelia Kurstin. 3:47 The Kurstins, “Outside” from Gymnopedie (2000 Rouge Records). Composed by Greg Kurstin; Minimoog, ARP String Ensemble, Organ, Guitar, Sampler, Drums, Rhodes Electric Piano, Greg Kurstin; Moog Theremin, Theremin Vocoder, Moogerfoogers, Pamelia Kurstin. 3:55 Hecate's Angels, “Shrink-Wrapped Soul” from Saints And Scoundrels (2004 redFLY Records). Los Angeles-based Pietra Wexstun is a composer, singer, keyboard and theremin player. Vocals, Farfisa organ, piano, theremin, sound effects, Pietra Wexstun; bass, Bill Blatt; guitar, Stan Ridgway; drums, Elmo Smith. 3:52 Pamelia Kurstin, “Barrow In Furness” from Thinking Out Loud (2007 Tzadik). From Kurstin first solo record. Composed, Produced, Theremin With L6 Looping Pedals and Microsynth Pedal, Guitar, Piano, Pamelia Kurstin. She played the Etherwave Pro Theremin by Moog fo this recording. Pamelia Kurstin, video with she and Bob Moogdiscussing the Etherwave Pro when it was introduced. Kurstin uses the Etherwave Pro Theremin by Moog Music. 5:12 Barbara Bucholtz, “SixEight” from Moonstruck (2008 Intuition Records). Bucholtz was a German theremin player and composer. She played a TVox Tour model theremin. Drums, Sebastian Merk; Music By, Contrabass Flute, Sampler, programmed, engineered, produced, and recorded by Tilmann Dehnhard; Trumpet, Arve Henriksen. 4:01 Herb Deutsch, “Longing” from Theremin One Hundred Years (2020 Electronic Sound). Composer, Herb Deutsch; Piano, Nancy Deutsch; Moog Melodia Theremin, Daryl Kubian. Recording from 2012. The beloved Herb Deutsch, who died recently at age 90, was an early collaborator with Bob Moog on the creation of the synthesizer. Herb became acquainted with Bob by purchasing a Theremin kit—a Moog Melodia model, in the early 1960s. He was primarily responsible for convincing Moog to add a keyboard to his modular unit. Also, this is taken from a terrific compilation of modern Theremin artists to benefit the New York Theremin Society. Check it out. 3:38 M83, “Sitting” from M83 (2016 Lowlands Festival). This is a live recording from Holland. “Sitting” was a song on M83's first album in 2001. But it didn't have a theremin part until they decided to spice-up the live interpretation of the song in 2016. Jordan Lawlor uses a Moog Theremini when M83 performs this in concert. He puts down his guitar, grabs some drum sticks, beats a rhythm on some electronic drums while dancing in place and moving his hands around a theremin. You can hear the theremin in this track but don't mistake it for the keyboard tones that Gonzalez is playing on his modular system. A longer sequence of theremin begins at 1:38 in the audio. You can view the video here, beginning at 26:54 into the show. M83 is a French electronica band founded in 1999 by Anthony Gonzalez, who remains the only sole member from the original outfit. Performing members on this live tour included: Anthony Gonzalez, lead vocals, modular synthesizers, keyboards, guitars, piano, bass, drums, percussion, programming, arrangement, mixer, production; Loïc Maurin, drums, percussion, guitar, bass, keyboards; Jordan Lawlor, guitars, vocals, multi-instrumentalist; Kaela Sinclair, Dave Smith and M-Audio keyboards, vocals; Joe Berry, piano, synthesizers, electronic wind instrument, saxophone. 4:03 Radio Science Orchestra, “Theme from Doctor Who” (2019). This UK-based band unites theremin, ondes martenot, Moog and modular electronics, for its performances. They've played such events as the TEDSummit, the British Library, and Glastonbury Festival. They made a concert recording with Lydia Kavina in 2009 of the Theme from Doctor Who. This version was made more recently and appears to also include Kavina. She plays the TVox Tour model theremin made by her husband G. Pavlov. 2:18 Thorwald Jørgensen, Kamilla Bystrova, “Moderato” from Air électrique: Original Music For Theremin And Piano (2020 Zefir). Jørgensen is an accomplished Dutch classical theremin player. Piano, Kamilla Bystrova; Liner Notes, Design, Moog Etherwave Pro Theremin, Thorwald Jørgensen. 2:10 Dorit Chrysler, “A Happy Place” from Theremin One Hundred Years (2020 Electronic Sound). Issued with the magazine's 7” vinyl and magazine bundle Electronic Sound Magazine, issue 70. Written, produced, and performed by Dorit Chrysler. 2:06 Dorit Chrysler, “Calder Plays Theremin Side A” from Calder Plays Theremin (2023 NY Theremin Society/Fridman Gallery) Written for Theremin Orchestra in 5 Movements, Chrysler's work is based on a commissioned sound piece by The Museum of Modern Art in conjunction with the exhibition Alexander Calder: Modern from the Start. Chrysler identified two of Alexander Calder's sculptures, Snow Flurry, I (1948) and Man-Eater with Pennants (1945), to interact and “play” multiple Theremins on site. I believe the Theremin are various Moog models. Calder Plays Theremin is a co-release of the NY Theremin Society and Fridman Gallery. 8:48   Opening background tracks: Ronnie Montrose, “Open Fire” (excerpt) from Open Fire (1978 Warner Brothers). Bass, Alan Fitzgerald; Drums, Rick Shlosser; Guitar, Custom-built Theremin mpounted to his electric guitar, Ronnie Montrose; composed by Edgar Winter, Ronnie Montrose. 2:09 Hooverphonic, “‎L'Odeur Animale” from The Magnificent Tree (2000 Columbia). Guitar, Raymond Geerts; Keyboards, Bass, Programmed by Alex Callier; Vocals, Geike Arnaert; Maestro Theremin, trumpet, Youseff Yancy; Fairlight, Effects, Dan Lacksman. 3:46. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations.

Show #976 Passed And Gone Blues 01. Christine Perfect - No Road Is The Right Road (2:50) (Christine Perfect, Blue Horizon, 1970) 02. Chicken Shack - When The Train Comes Back (3:31) (Forty Blue Fingers, Freshly Packed And Ready To Serve, Blue Horizon, 1968) 03. Chicken Shack - I Wanna See My Baby (3:52) (OK Ken, Blue Horizon, 1969) 04. Christine Perfect - I'd Rather Go Blind (3:11) (Christine Perfect, Blue Horizon, 1970) 05. Boyd Small - Can You Help (3:34) (This Time No Lies, Cool Buzz Records, 1998) 06. Boyd Small - Belair (4:05) (...So Easy, Cool Buzz Records, 2001) 07. Boyd Small - Here Come The Tears (2:51) (Four + One, Cool Buzz Records, 2002) 08. Ramsey Lewis Trio - The 'In' Crowd (3:22) (The In Crowd, Argo Records, 1965) 09. Jerry Lee Lewis - Lewis Boogie (2:03) (78 RPM Shellac, Sun Records, 1956) 10. Bobby Rydell - I Dig Girls (2:30) (45 RPM Single, Cameo Records, 1959) 11. Jerry Butler & the Impressions - For Your Precious Love (2:44) (45 RPM Single, Vee-Jay Records, 1958) 12. Mable John - Who Wouldn't Love A Man Like That (2:43) (45 RPM Single, Tamla Records, 1960) 13. Mable John - Your Good Thing (Is About to End) (3:02) (45 RPM Single, Stax Records, 1966) 14. Syl Johnson - Dresses Too Short (2:47) (Dresses Too Short, Twinight Records, 1968) 15. Marvin Gaye - Can I Get A Witness (2:52) (45 RPM Single, Tamla Records, 1963) 16. The Temptations - Ain't Too Proud To Beg (2:33) (45 RPM Single, Gordy Records, 1966) 17. Bob Dylan - Temporary Like Achilles (5:06) (Blonde On Blonde, Columbia Records, 1966) 18. Dr. Feelgood - Paradise (3:48) (Sneakin' Suspicion, United Artists Records, 1977) 19. Five Satins - In The Still Of The Nite (3:02) (45 RPM Single, Standord Records, 1956) 20. Buddy Holly & the Crickets - That'll Be the Day (2:17) (45 RPM Single, Brunswick Records, 1957) 21. Janis Joplin - Mercedes Benz (1:40) (Pearl, CBS Records, 1971) 22. Doobie Brothers - Cotton Mouth (3:39) (Toulouse Street, Warner Bros Records, 1972) 23. Seals & Crofts - Cotton Mouth (3:46) (Down Home, TA Records, 1970) 24. Procol Harum - Lime Street Blues (3:02) (45 RPM Single, Deram Records, 1967) 25. Ernie Andrews with Terrell Prude Trio - River's Invitation (Part I+II) (4:33) (45 RPM Single, Tangerine Records, 1965) 26. Barbara Morrison - Don't Touch Me (5:31) (I Know How To Do It, Blue Lady Records, 1996) 27. Lionel Hampton (ft. Janet Thurlow) - I Can't Believe That You're in Love With Me (3:12) (78 RPM Shellac, MGM Records, 1951) 28. Paul Butterfield Blues Band - I Got My Mojo Working (3:36) (The Paul Butterfield Blues Band, Elektra Records, 1965) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Show #975 Straight To The Music 01. Rick Berthod - Stop Messing Around (4:11) (Tribute to Peter Green, self-release, 2022) 02. Malaya Blue - Bring Me Your Sin (4:02) (Blue Credentials, Blue Heart Records, 2022) 03. Mitch Grainger - Honey Bee (3:44) (Single, self-release, 2022) 04. Vanessa Collier - Tongue Tied (7:26) (Live at the Power Station, Phenix Fire Records, 2022) 05. Johnny Mastro & Mama's Boys - Last Dance In Memphis (3:55) (Elmore James For President, CSB Roxy Music, 2021) 06. Elly Wininger - Shade (5:38) (Little Red Wagon, Earwig Music, 2018) 07. Ra'Shad The Blues Kid - You Got It (3:31) (Single, Music Access, 2022) 08. Jimmy Johnson - Steal Away (3:24) (Single, Delmark Records, 2022) 09. Dr. Feelgood - All Through The City (3:04) (Down By The Jetty, United Artist Records, 1975) 10. Dr. Feelgood - All My Love (3:48) (Sneakin' Suspicion, United Artists Records, 1977) 11. Wilko Johnson's Solid Senders - The Whammy (4:40) (The London R&B Sessions, Albion Records, 1980) 12. Patrick McLaughlin - Everybody's Broken (3:21) (Just Like The Record, Bolt Records, 2022) 13. Supersonic Blues Machine - I Will Let Go (5:24) (Voodoo Nation, Provogue Records, 2022) 14. Eric Demmer - What Was I Thinking (4:23) (So Fine, Gulf Coast Records, 2022) 15. The Versions - Slow Death (4:59) (Single, Algo Records, 2022) 16. Micke Bjorklof & BlueStrip - Grapesugar Love (3:17) (Whole 'Nutha Thang, Ruf Records, 2021) 17. Kate Lush Band - Voodoo Woman (6:03) (Thredbo Blues, self-release, 2022) 18. Hazmat Modine - Hoarder (5:39) (Box Of Breath, Jaro Records, 2019) 19. Bridget Kelly Band - Cottondale (4:45) (Winter's Coming, Alpha Sun Records, 2022) 20. miXendorp - Strollin' (5:16) (EP, Black and Tan Records, 2022) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Label: U.A. 370Year: 1961Condition: M-Price: $16.00One of my all-time favorite folk numbers, this song has been recorded many times over the years — including at least two off the top of my head, by the Beach Boys and by CCR. This is one of the nicest stock copies I've yet had in the store since opening in 2001! Note: This beautiful copy comes in a vintage United Artists Records factory sleeve. The labels grade very close to Mint, and the audio sounds almost flawless! The vinyl (styrene) also grades Near Mint with just a little scuffing.

Label: UA 584Year: 1975Condition: M Last Price: $7.50. Not currently available for sale.Here's a new, unplayed copy of Spears' biggest Country hit, which I liked so much I quickly made an mp3 "snippet" of it... so have a listen! Note: This copy comes in a vintage United Artists Records factory sleeve.

Ex-medical doctor Norman Seeff emigrated from South Africa to New York in 1968 to pursue a career as a photographer, filmmaker, and designer. Three years later, he relocated to Los Angeles as Art Director at United Artists Records, where his album cover designs and photography received many Grammy nominations. He went independent in 1975 and has worked with hundreds of artists, including Ray Charles, The Rolling Stones, Miles Davis, Ike and Tina Turner, Michael Jackson, Joni Mitchell, and many others. Seeff is now engaged in documentary filmmaking, focusing on exploring the inner dynamics of the creative process. Websites Norman Seeff Sebastiao Salgado Sponsors Charcoal Book Club Chris Suspect Day of the Dead Workshop Education Resources: Momenta Photographic Workshops Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download it for . Click here to download Support the work we do at The Candid Frame by contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

Show #946 British Sixties Spinner goes back to the 1960s with rhythm & blues from England collected by his brother. 01. Georgie Fame - Pride and Joy (2:29) (Fame at Last, Columbia Records, 1964) 02. Alexis Korner - Little Bitty Girl (6:30) (A New Generation of Blues, Philips Records, 1968) 03. Keef Hartley Band - Not Foolish Not Wise (4:01) (The Battle Of North West Six, Deram Records, 1969) 04. Dr. K's Blues Band - Pet Cream Man (6:30) (Dr. K's Blues Band, Spark Records, 1968) 05. Zoot Money's Big Roll Band - The One And Only Man (3:32) (Zoot!, Columbia Records, 1966) 06. Ken Colyer's Skiffle Group - Streamline Train (2:45) (45 RPM Extended Play, Decca Records, 1955) 07. Alexis Korner - Streamline Train (2:34) (I Wonder Who?, Fontana Records, 1967) 08. Long John Baldry - You're Breaking My Heart (4:35) (Long John's Blues, United Artists Records, 1965) 09. Savoy Brown - It's My Own Fault (5:02) (Shake Down, Decca Records, 1967) 10. Alexis Korner's Blues Incorporated - I Wanna Put a Tiger in Your Tank (2:57) (R&B from the Marquee, Ace Of Clubs Records, 1962) 11. Ten Years After - I May Be Wrong, But I Won't Be Wrong Always (10:41) (Undead, Deram Records, 1968) 12. The Graham Bond Organization - Have You Ever Loved A Woman (4:55) (There's A Bond Between Us, Columbia Records, 1965) 13. Alexis Korner's Blues Incorporated - Rainy Tuesday (4:25) (Alexis Korner's Blues Incorporated, Ace Of Clubs Records, 1965) 14. Love Sculpture - Don't Answer The Door (6:05) (Blues Helping, Parlophone Records, 1968) 15. The Graham Bond Organization - Wade In The Water (2:45) (The Sound Of 65, Columbia Records, 1965) 16. Cliff Bennett & The Rebel Rousers - Steal Your Heart Away (3:34) (Cliff Bennett & The Rebel Rousers, Parlophone Records, 1965) 17. Alexis Korner's Blues Incorporated - Woke Up This Morning (2:44) (Red Hot from Alex, Transatlantic Records, 1964) 18. Zoot Money's Big Roll Band - Feelin' Sad (6:28) (It Should've Been Me, Columbia Records, 1965) 19. Alexis Korner's Blues Incorporated - Honesty (4:59) (Sky High, Spot Records, 1965) 20. Ten Years After - Adventures Of A Young Organ (2:39) (Ten Years After, Deram Records, 1967) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Harvey Brownstone conducts an in-depth interview with Mel Tormé's Son, Steve March-Tormé, Singer / SongwriterAbout Harvey's guest:Steve was born in New York City to the multi-talented Mel Tormé and the former model/actress, Candy Tockstein. They were divorced when Steve was young, and Candy married Hal March, an actor/comedian best known as the host of NBC-TV's The $64,000 Question Show, but who also starred on Broadway in Neil Simon's Come Blow Your Horn. An avid baseball player and fan growing up in Westchester County, N.Y., Steve's dream was to play for the Yankees. He was a devoted fan who listened to games on the radio in the basement of his family home. Following every game, he'd switch to the Top 40 music stations and sing along with such artists as The Four Seasons, Nat King Cole, The Temptations, Ricky Nelson, and Gene Pitney. With his natural ear for harmonies, his favorite quickly became and remains The Beatles. By the age of 12, he knew that he wanted to be a performer, and at 13 he earned his first paycheck fronting his own band. After his family moved to Beverly Hills, he continued to develop as a musician and his influences grew to include Joni Mitchell, James Taylor, Todd Rundgren, and Steely Dan.Steve recorded his first LP, Lucky, for United Artists Records, supporting it with a 20-city, national concert tour. Upon returning to California, he produced and sang on Liza Minnelli's Columbia Records release Tropical Nights, which became a favorite of New York dance clubs.He spent three years as the featured vocalist on ABC-TV's $100,000 Name That Tune and also hosted two Los Angeles-based television shows, Video 22 (a precursor to MTV) and Box Office America.Steve's first solo project after Full Swing was his CD Swingin' at the Blue Moon Bar & Grille, recorded with a crackerjack big band. It also features a duet between Steve and Mel (“Straighten Up and Fly Right”) and showcases an improvised scat lesson between father and son. That disc was followed up by The Night I Fell For You, featuring an alluring arrangement of the Lerner & Loewe classic “On the Street Where You Live,” and a number of Steve's original tunes, many penned with longtime collaborator, pianist and musical conductor Steve Rawlins. Those two releases were followed up by The Essence of Love, a collection of some of the most romantic, well-crafted standards ever written, including “Blue Skies,” “Stardust,” “Every Time We Say Goodbye,” and a playful duet with jazz icon Diane Schuur on “The One I Love Belongs To Somebody Else.” His current jazz CD, So Far (on iTunes, cdbaby.com, and amazon.com), combines the most popular material from his first three CDs into one “best of” recording.Steve's latest CD, Inside/Out, goes back to his roots as a singer/songwriter, words and music written by Steve, on which he not only sings but plays keyboards and guitar. Because a natural interest exists in hearing Steve sing the songs his dad was known for, he did a 28-city cross-country tour for Columbia Artists Mgt. Inc. (CAMI) entitled Tormé Sings Tormé. Steve is proud to have had the opportunity to pay tribute to his father in a show featuring a ten-piece band playing the extraordinary arrangements penned by Marty Paich exclusively for Mel and including a multimedia presentation of photos and video clips. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/https://www.stevemarchtorme.com/https://facebook.com/stevemarchtormehttps://twitter.com/stevemarchtormehttps://instagram.com/stevemarchtorme#SteveMarchTorme  #MelTorme  #harveybrownstoneinterviews

Realizatori: Ionuț Dulămiță, Mihai Lukàcs, Paul Breazu ==================================== Ce a ajuns, la sfârșitul anilor '70, la Timișoara, venind din Novi Sad? Cum s-a numit prima formație de punk din Banat? În ce ziar a apărut anunțul primului ei concert? Cum cânta o rață din Peking? Pe ce dansau tinerii în discoteca PM6 la începutul anilor '80? Ce s-a întâmplat pe scena din Periam după ce a trecut pe-acolo Cântarea României? Răspunsurile le aflați numai din Arhiva de Sunet: Timișoara, episodul 3. ==================================== Vorbesc, în ordinea apariției: Ionuț Dulămiță (Arhiva de Sunet), Mimo Obradov (jurnalist), Paul Breazu (Arhiva de Sunet), Radu Pavel Gheo (scriitor), Flavius Băican (jurnalist, CEO Revolution Festival), Octavian Horvath (muzician, Implant Pentru refuz) ==================================== Muzică: Pekinška Patka, „Biti ružan, pametan i mlad” (muzică și text: Nebojša Čonkić & Sreten Kovačević, Jugoton, 1979) Šarlo Akrobata, „Niko Kao Ja” (muzică și text: Šarlo Akrobata, Jugoton, 1981) ​​Idoli, „Maljčiki” (muzică: Srđan Šaper, text: Vlada Divljan, Jugoton, 1981) Električni Orgazam, „Krokodili Dolaze” (muzică și text: Srđan Gojković, Jugoton, 1981) Deutsch Amerikanische Freundschaft, „Der Mussolini” (muzică: Robert Görl, text: Gabi Delgado, Virgin Records, 1981) The Stranglers, „Ugly” (muzică și text: The Stranglers, United Artists Records, 1977) Sex Pistols, „God Save The Queen” (muzică și text: Glen Matlock, Johnny Rotten, Paul Cook, Steve Jones, Virgin Records, 1977) Autostop, „Anonimul” (muzică: Mircea Nedelcu & Mircea Jebelean, text: Mircea Jebelean, 1984, fragment preluat de pe canalul de YouTube al lui Mircea Nedelcu) Haos, „Mașina de stat” (live la Underground Festival, 2000) Das Ich, „Gott ist toth” (live at M'era Luna Festival, 2002) ==================================== Echipa #ArhivadeSunet: Paul Breazu, Ionuț Dulămiță, Mihai Lukàcs Editor audio: Cătălin Matei Comunicare: Textual Media ==================================== Parteneri media: Radio România Cultural, Radio România Timișoara, RFI, IQAds, Scena 9, Vice, Cultartes, Decât o Revistă, Un site de muzică, Cooperativa Urbană ==================================== Mulțumiri speciale: Universitatea de Vest din Timișoara, Librăria La Două Bufnițe, Londohome ==================================== Arhiva de Sunet: #Timișoara este un proiect al Centrului Dialectic și este realizat cu sprijinul Primăriei Municipiului Timișoara și al Consiliului Local Timișoara. Proiectul cultural nu reprezintă în mod necesar poziția Primăriei Municipiului Timișoara și a Consiliului Local Timișoara. Conținutul proiectului cultural și modul în care rezultatele acestuia pot fi folosite reprezintă responsabilitatea exclusivă a autorilor și beneficiarului finanțării. Primăria Municipiului Timișoara și Consiliul Local Timișoara nu sunt responsabile pentru conținutul materialului și modul în care acesta ar putea fi folosit.

In this week's episode we've got a magnificent snapshot of the talented United Artists country roster: "A King & Two Queens" (1964). Initially conceived as a soundtrack-centric label in conjunction with it's film wing, United Artists Records later expanded to jazz and rock and roll. Furthermore, when the legendary Pappy Daily moved from Mercury/Starday to United Artists in 1962, he brought George Jones with him. Also along for the ride was the newly-signed Melba Montgomery and Judy Lynn, both fresh to UA in 1963 and 1962 respectively. Even though "A King & Two Queens" is a compilation of previously released material, pretty typical for the era, it feels slightly more cohesive in that each artist has four cuts and they rotate evenly throughout the LP. But more importantly is the quality of the material: straight ahead fiddle-and-steel honky tonk with no messing around. A snapshot of the small but mighty country roster at United Artists in 1964.

Show #912 10 past 12 Spinner got the blues because he is worried about the climate crisis that is happening around us while the visionary leadership needed to counter the threat is nowhere to be seen. 01. Tommy Castro - Women, Drugs And Alcohol (4:19) (A Bluesman Came To Town, Alligator Records, 2021) 02. Guy Verlinde - Karma's Gonna Kick Your Ass (4:06) (Standing In The Light Of A Brand New Day, R&S Music, 2021) 03. Jennifer Lyn & the Groove Revival - Lay Your Memory Down (4:02) (Nothing Holding Me Down, self-release, 2021) 04. Brad Vickers & His Vestapolitans - When I Am Drinking (2:54) (The Music Gets Us Thru, Man Hat Tone, 2021) 05. Rusty Ends Blues Band - Broken Dreams For Sale (2:50) (Rusty Ends Blues Band, Earwig Music, 2021) 06. Hipbone Slim & the Kneetremblers - Talking To Myself (2:39) (Tremblin', Dirty Water Records, 2021) 07. Teresa James & the Rhythm Tramps - Once The World Stops Ending (4:57) (Rose Colored Glasses Vol. 1, Blue Heart Records, 2021) 08. Mick Kolassa - Wasted Youth (4:53) (Wasted Youth, Endless Blues Records, 2021) 09. Elly Wininger - Right Kind Of Trouble (4:21) (The Blues Never End, Earwig Music, 2021) 10. GA-20 - Sadie (5:20) (Try It... You Might Like It!, Colemine Records, 2021) 11. The Porkroll Project - A Taste Of Malt Liquor (4:35) (Papa Didn't Raise Me Right, Roadhouse Redemption Records, 2021) 12. Mike Zito - Running Man (4:15) (Resurrection, Gulf Coast Records, 2021) 13. Tammi Savoy & the Chris Casello Combo - It's Been A Good Year (4:10) (Single, Swelltune Records, 2021) 14. Lindsay Beaver & Brad Stivers - Hesitate (4:36) (Lindsay Beaver & Brad Stivers, VizzTone Records, 2021) 15. Diane Durrett & Soul Suga - Good News (3:23) (Put A Lid On It, Blooming Tunes Music, 2021) 16. McKinley James - Spare Change Blues (4:45) (Still Standing By, Red Lodge Records, 2021) 17. Soulful Femme - Dead Man's Blues (6:40) (It Is Well With My Soul, MTS Records, 2021) 18. Free - Riding On A Pony (4:16) (Highway, Island Records, 1970) 19. Bad Company - Rhythm Machine (3:38) (Desolation Angels, Swan Song Records, 1979) 20. Dr. Feelgood - All My Love (3:42) (Sneakin' Suspicion, United Artists Records, 1977) 21. Gabe Stillman - Susquehanna 66 (3:23) (Just Say The Word, VizzTone Records, 2021) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Episode 48 An East River Park Sound Walk in New York   Playlist East River Park Sound Walk, New York City, June 26, 2021. The sound of a single recording made while circling the park. It is heard simultaneously on three tracks: 1) the unadulterated recording; 2) the recording played through a transducer and an antique gasoline can; and 3) the recording played through a transducer and a one-gallon ceramic preservation crock. Each of the versions has its own character of sound that highlights different frequency bands. Peter Kilham and Alfred L. Hawkes, Side 2 of The Swamp In June (1964 Droll Yankees Inc.). Monophonic LP. Recording by Peter Kilham, narration (side 1) by Alfred L. Hawkes. Recorded on Joe Ranger's swamp, North Pomfret, Vermont. From the liner notes: “On this recording you will hear the sounds of swamp citizens ranging from the buzzing of flies through the pained groaning of pickerel frogs to the mewing of baby beavers in their lodge, and the startling splashes of their parents. Birds provide the melody in the background, while insects add rhythm and continuity. The narrator identifies the sounds, and comments on swamp life on one side of the record. The bizarre swamp chorus is heard alone on the reverse side.” RCOA Stereo Systems Test Record, side 1 (1974 Yorkshire Records). Art Direction, Lucie Leniston; Producer, Harold L. O'Neal Jr. From the liner notes: “The Ultimate High-Fidelity Test Record.” Side 1 includes: Reference Tone 1kHz; White Noise For Channel Identification; Left & Right; Channel Identification; Channel Balance Test; Left Channel Frequency Test 50, 100, 200, 400, 700, 1,000, 2,000, 4,000, 6,000, 8,000, 10,000; Spot Checks; 30Hz - 2kHz Sweep; Right Channel Frequency Test (Same As Left Channel); Cartridge Tracking Test (Tone Bursts With Specific Frequency With Noise); Anti-Skating Test. Background music: A mix of Shirley Bassey singing “Light My Fire” (1970 United Artists Records) and city sounds recorded by Thom Holmes, including sounds of the handball court at First Avenue and Houston St. and the sounds of the fountain area behind Village View apartments on First Avenue. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations.

Season 2.  Episodes 1 – 4.   Samantha finds out she is pregnant.  Darren starts to neglect Samantha. Darren's old army buddy is a victim of a 300 year old curse.  Mistaking the Tate's son to be his grandson, Maurice whisks the boy off to a Warlock Convention.  Special Guest Stars include:  William Redfield.    We are joined by Barbara Venkatarama, author of the Jaimie Quinn series.  You can find her work at the following links:   A Year of Shorts: Flash Fiction (Shorts Flash Fiction) Jamie Quinn Mysteries Books 1-6 (Jamie Quinn Cozy Mystery)     Opening Credits; Introduction (.36.21); Bewitching Going On/Season 2:  Episode 1:  Alias Darrin Stephens (7.02);  Episode 2:  A Very Special Delivery (26.43); Episode 3:  We're In For A Bad Spell (43.07); Episode 4:  My Grandson, The Warlock  (57.34); Witch or Mortal (1:23.21); The Bewitching Hour (1:35.56); The End Credits (1:44.56); Closing Credits (1:47.10)   Opening Credits– Theme Song from Bewitched Television Show by Jack Keller.  Copyright owned by Screen Gems. ​ Closing Credits – (You're) Having My Baby by Paul Anka and Odia Coates– taken from the album Anka.  Copyright owned United Artists Records 1975.   All rights reserved.  Used by kind permission from the licensed companies.  

Red Steagall maintains that he was twenty-five years old before he knew anything other than mesquite trees, buffalo grass, barbed wire and Bob Wills. But after a move from his Texas Panhandle home to Hollywood in 1965, Steagall learnt quickly. During twenty years in the music business he worked with many of the biggest artists, producers, songwriters and musicians in country history. From running the West Coast office of United Artists Records to pitching songs to Frank Sinatra and Dean Martin with Jimmy Bowen as part of Amos Publications, Steagall learnt the ropes from the business end. His own solo career never reached the heights it should have and though he might not be a national household name, Steagall's western swing-infused country music catalogue remains sorely overlooked: from a box of 45RPM singles, this week's show is a deep dive into Steagall's cavernous body of work and a chance to re-discover "Texas Red".

Red Steagall maintains that he was twenty-five years old before he knew anything other than mesquite trees, buffalo grass, barbed wire and Bob Wills. But after a move from his Texas Panhandle home to Hollywood in 1965, Steagall learnt quickly. During twenty years in the music business he worked with many of the biggest artists, producers, songwriters and musicians in country history. From running the West Coast office of United Artists Records to pitching songs to Frank Sinatra and Dean Martin with Jimmy Bowen as part of Amos Publications, Steagall learnt the ropes from the business end. His own solo career never reached the heights it should have and though he might not be a national household name, Steagall's western swing-infused country music catalogue remains sorely overlooked: from a box of 45RPM singles, this week's show is a deep dive into Steagall's cavernous body of work and a chance to re-discover "Texas Red".

Betty Lou Landreth – Miranda [Ya Ya Inc, 1979 – Reissued by Outernational Sounds, 2021] Kodwin – Just Yesterday [Taurus, 1990] Pedro Ruy-Blas – Despertar [Polydor, 1975] Rhapsody – You Never Know [Sunset Beach Records, 1981 - Reissued by Favorite Recordings, 2021] Ahmad Jamal – Misdemeanor [20th Century Records, 1974] Travis Biggs – Fly Like An Eagle [TB & C Enterprises, 1976] Takeo Yamashita – A Touch Of Japanese Tone [Reissued by 180g, 2020] The Mystery Kindaichi Band – Yatsuhakamura [King Records,1977 Reissued by We Want Sounds, 2020] Takeshi Inomata & Sound L.T.D. - Joint [Columbia, 1970] Frank Foster – E.W. Beautiful People [Mainstream Records, 1972 - Reissued by We Want Sounds, 2021] Jorge Dalto & The Interamerican Band – Skydive [Concord Jazz Picante, 1985] Lloyd McNeill – Samba For The Animals [Baobab, 1980] Francisco Mora Catlett – Afra Jum [AACE Records, 1986 – Reissued by Far Out Recordings, 2021] Dave Valentin – Land Of The Third Eye [Arista GRP, 1980] Cal Tjader – Amazonas [Fantasy, 1976] Esperanto – Cosa Suave [CBS, 1980 – Reissued by Favorite Recordings, 2021] Paz – For Art [Coda Records, 1986] Occident – Life-Liv [Zamir, 1981] Poder Del Alma – Bacanal [Polydor, 1975 – Reissued by Discodelic, 2021] Michel Legrand – Dand La Soirée [United Artists Records, 1969 - Reissued by We Want Sounds, 2021] Les Masques accompagné par Le Trio Camara – Les Filles Et Les Garçons [CBS, 1969] Jose Mauro – Moenda [1970 – Reissued by Far Out Recordings, 2021] Reginaldo Bessa – Cadê Yayá [Mac Du Son, 1978]

Episode 36 Listening to Malcolm Cecil and T.O.N.T.O Malcolm Cecil's synthesizer setup was known as T.O.N.T.O., an acronym meaning The Original New Timbral Orchestra. Playlist Caldera, “Share With Me the Pain” from A Moog Mass (1970 Kama Sutra). Synthesizer programming and engineering by Malcolm Cecil and Robert Margouleff; spoken vocals, Malcolm Cecil; tenor vocals, Robert White; harpsichord, John Atkins; synthetic speech effects, Robert Margouleff' cello, toby Saks. 4:31 Tonto's Expanding Head Band, “Timewhys” from Zero Time (1971 Atlantic). Written by, programmed, engineered, produced and performed by Malcolm Cecil and Robert Margoulff. Lyrics by Tama Starr. Recorded with an expanded Moog Modular III synthesizer. This was prior to expanding their system into what would become T.O.N.T.O.. 5:03 Tonto's Expanding Head Band, “Cybernaut” from Zero Time (1971 Atlantic). Written, programmed, engineered, produced and performed by Malcolm Cecil and Robert Margoulff. Recorded with an expanded Moog Modular III synthesizer. A nice demonstration of what they could accomplish with the Moog. 4:31 Stephen Stills/Manassas, “Move Around” from Manassas (1972 Atlantic). Synthesizer, electric guitar, organ, vocals, producer, Stephen Stills; keyboards, Paul Harris; drums, Dallas Taylor; guitar, Chris Hillman. Synthesizer programming, Malcolm Cecil. 4:17 Stevie Wonder, “Keep on Running” from Music Of My Mind (1972 Tamla). Synthesizers, ARP and Moog, Piano, Drums, Harmonica, Organ, Clavichord, Clavinet, Stevie Wonder. Engineering and synthesizer programming, Malcolm Cecil and Robert Margouleff. Adds the ARP and another Moog to the T.O.N.T.O. setup. 6:38 Stevie Wonder, “Evil” from Music Of My Mind (1972 Tamla). Synthesizers, ARP and Moog, Piano, Drums, Harmonica, Organ, Clavichord, Clavinet, Stevie Wonder. Engineering and synthesizer programming, Malcolm Cecil and Robert Margouleff. 3:31 Pat Rebillot, “The Naked Truth” from Free Fall (1974 Atlantic). Synthesizer and electric piano, Pat Rebillot. Engineering and synthesizer programming, Malcolm Cecil and Robert Margouleff. 3:28 Tonto, “The Boatman” from It's About Time (1974 Polydor). Written, programmed, engineered, produced, and performed by Malcolm Cecil and Robert Margoulff. Features the expanded analog version of T.O.N.T.O. featuring ARP, Moog, and Oberheim equipment. Note the rain and thunder sounds created using the synthesizer. Reminds me of Beaver and Krause from this era. 5:04. Tonto, “Tonto's Travels” from It's About Time (1974 Polydor). Written, programmed, engineered, produced, and performed by Malcolm Cecil and Robert Margoulff. Features the expanded analog version of T.O.N.T.O. featuring ARP, Moog, and Oberheim equipment. I think you can hear the joystick that Cecil created. 8:25 Mandrill, “Peaceful Atmosphere” from Beast From The East (1975 United Artists Records). T.O.N.T.O. played by Claude “Coffee” Cave, Carlos Wilson; electronic music programming, Malcolm Cecil. From the liner notes: “T.O.N.T.O. The Original New-Timbrel Orchestra. This instrument consists of twelve synthesizers linked together and played simultaneously. A polyphonic touch-sensitive also plays also plays an essential role in the creation of sound when the instrument is played. We thank you Malcolm Cecil for the creation of T.O.N.T.O. 3:19 Mandrill, “Honey-Butt” from Beast From The East (1975 United Artists Records). T.O.N.T.O. played by Claude “Coffee” Cave, Carlos Wilson; electronic music programming, Malcolm Cecil. 4:58 Stairsteps, “Theme Of Angels” from 2nd Resurrection (1976 Dark Horse Records). Synthesizer, T.O.N.T.O., Billy Preston; T.O.N.T.O. programmed by Malcolm Cecil and Robert Margouleff; produced and engineered by Robert Margouleff. Music By, Lyrics By, Lead Vocals, Lead Guitar, Bass, Kenneth Burke; Backing Vocals, Ivory Davis; Backing Vocals, Stairsteps; Drums, Alvin Taylor; Guitar, Dennis Burke; Keyboards, Billy Preston. 3:18 Stairsteps, “Salaam” from 2nd Resurrection (1976 Dark Horse Records). Synthesizer, T.O.N.T.O., Billy Preston; T.O.N.T.O. programmed by Malcolm Cecil and Robert Margouleff; produced and engineered by Robert Margouleff. Music By, Lyrics By, Lead Vocals, Lead Guitar, Bass, Kenneth Burke; Backing Vocals, Ivory Davis; Backing Vocals, Stairsteps; Drums, Alvin Taylor; Guitar, Dennis Burke; Keyboards, Billy Preston. 4:26 Quincy Jones, “I Heard That” from I Heard That!! (1976 A&M). Synthesizer, Dave Gruisin. Synthesizer programming by Malcom Cecil, Robert Margouleff, Paul Beaver. 2:12 Quincy Jones, “Theme from ‘The Anderson Tapes” from I Heard That!! (1976 A&M). Synthesizer, Dave Gruisin. Synthesizer programming by Malcom Cecil, Robert Margouleff, Paul Beaver. Synthesizer, Ed Kalehoff. Also features a vibraphone solo by Milt Jackson, a trumpet solo by Freddie Hubbard, Toots Thielemans on harmonica, and Bobby Scott on piano. 5:05 Steve Hillage, “Octave Doctors” from Motivation Radio (1977 Virgin). Producer, Engineer, Synthesizer T.O.N.T.O., Malcolm Cecil; Synthesizer & Saucersizer, Vocals, Lyrics, Miquette Giraudy; Composed, Arranged, Lyrics, Guitar, Guitar Synthesizer, Voice, Shenai; Steve Hillage. 3:30 Steve Hillage, “Radio” from Motivation Radio (1977 Virgin). Producer, Engineer, Synthesizer T.O.N.T.O., Malcolm Cecil; Synthesizer, Vocals, Lyrics, Miquette Giraudy; Composed, Arranged, Lyrics, Guitar, Guitar Synthesizer, Voice, Shenai; Steve Hillage. 6:11 Gil Scott-Heron & Brian Jackson, “1980” from 1980 (1980 Arista). Produced by Brian Jackson, Gil Scott-Heron, Malcolm Cecil; engineered and mixed by Malcolm Cecil; Synthesizer (T.O.N.T.O.), piano, electric piano, keyboard bass, Brian Jackson; composer, guitar, piano, vocals, Gil Scott-Heron; horns, Bill Watrous, Denis Sirias, Gordon Goodwin; drums, Harvey Mason; guitar, Marlo Henderson. 5:59 Gil Scott-Heron & Brian Jackson, “Late Last Night” from 1980 (1980 Arista). Produced by Brian Jackson, Gil Scott-Heron, Malcolm Cecil; engineered and mixed by Malcolm Cecil; Synthesizer (T.O.N.T.O.), piano, electric piano, keyboard bass, Brian Jackson; composer, guitar, piano, vocals, Gil Scott-Heron; horns, Bill Watrous, Denis Sirias, Gordon Goodwin; drums, Harvey Mason; guitar, Marlo Henderson. 4:24 Malcolm Cecil, “Gamelonia Dawn” from Radiance (1981 Unity Records). Composed, Performed, Produced, Engineered by Malcolm Cecil. Recorded at T.O.N.T.O. studios in Santa Monica, California. From the liner notes: “The Original New Timbral Orchestra is the world's largest privately built and owned synthesizer standing some six feet high and twenty feet in diameter. It was designed and built by Malcom Cecil.” In addition to Cecil on T.O.N.T.O., this track features Paul Horn on “golden” flute. 4:35 Malcolm Cecil, “Dance of the Heart” from Radiance (1981 Unity Records). Composed, Performed, Produced, Engineered by Malcolm Cecil. Recorded at T.O.N.T.O. studios in Santa Monica, California. 3:28   Background music: Caldera, “Make Me Carry The Death Of Christ” from A Moog Mass (1970 Kama Sutra). Synthesizer programming and engineering by Malcolm Cecil and Robert Margouleff; spoken vocals, Malcolm Cecil; tenor vocals, Robert White; harpsichord, John Atkins; synthetic speech effects, Robert Margouleff' cello, toby Saks. Tonto's Expanding Head Band, “Riversong” from Zero Time (1971 Atlantic). Written by, programmed, engineered, produced and performed by Malcolm Cecil and Robert Margoulff. Lyrics by Tama Starr. Recorded with an expanded Moog Modular III synthesizer. This was prior to expanding their system into what would become T.O.N.T.O.. 8:01 Here is the video produced with Malcolm Cecil by the National Music Centre of Canada. This short history of T.O.N.T.O. at Rolling Stone magazine is also of interest.   Introductory and background music by Thom Holmes unless otherwise indicated. Opening and closing sequences were voiced by Anne Benkovitz. For episode notes, see Noise and Notations. For more information about the history of electronic music, see Electronic and Experimental Music, sixth edition, published by Routledge.

The Clovers were one of the top R&B vocal groups of the 1950s scoring 21 chart-toppers between 1951 and 1959. These include "Don't You Know I Love You", "One Mint Julep", "Blue Velvet", "Ting-A-Ling", "Devil or Angel", and "Love Potion No. 9". On this installment of "Trick Bag", we'll hear a 2014 interview with Harold Winley, the group's bass singer and last surviving original member. Harold is a great raconteur and tells the story of the Clovers as only he can. This two-part series also features Clovers hits and obscurities, including several rare live performances from the mid '50s.In Part 2, Harold shares colorful stories about the Clovers' continued string of hits in the latter half of the 1950s. We'll hear the Clovers' bass man reminisce about many of the great New York R&B songwriters, the group's abrupt switch from Atlantic to United Artists Records, and what led to their disbanding in the 1960s. Also featured is a live performance by the Clovers with the Count Basie Orchestra done in New York for Alan Freed's radio show in 1956. This includes a rare duet between Harold and Etta James!Songs played in this episode:“Blue Velvet”“In the Morning Time”“Devil or Angel”“Hey, Doll Baby”“Your Tender Lips” (Live with Count Basie's band, 1956)“Dance with me Henry” (Live with Count Basie's band, 1956)“Love, Love, Love” (Live with Count Basie's band, 1956)“Love Potion #9”“Noni Cosi”“To Each His Own”“(That) Old Black Magic”“Try My Loving On You” See acast.com/privacy for privacy and opt-out information.

Show #880 That's Old An episode with music of 40-plus years old. 01. ZZ Top - Precious And Grace (3:10) (Tres Hombres, London Records, 1973) 02. Taj Mahal - Bacon Fat (6:40) (Giant Step/De Ole Folks At Home, Columbia Records, 1969) 03. Dr. Feelgood - Drop Everything And Run (3:14) (Let It Roll, United Artists Records, 1979) 04. Sonny Jones - Love Me With A Feeling [1939] (2:51) (Carolina Blues Guitar 1936-1939, Old Tramp Records, 1994) 05. Memphis Slim & Canned Heat - Trouble Everywhere I Go (3:50) (Memphis Heat, Blue Star Records, 1974) 06. Johnny Burnette Trio - Chains Of Love [1956] (2:32) (The Legendary Johnny Burnette Rock'n'Roll Trio, Charly Records, 1984) 07. Fenton Robinson - Checking On My Woman (3:26) (Somebody Loan Me A Dime, Alligator Records, 1974) 08. Mississippi John Hurt - Spike Driver Blues (2:30) (Avalon Blues, Rounder Records, 1963) 09. Doc Watson - Spikedriver Blues (2:39) (Doc And The Boys, United Artists Records, 1976) 10. Charley Musselwhite Blues Band - Bag Gloom Brews (9:09) (Stone Blues, Vanguard Records, 1968) 11. Ruth Brown - Daddy Daddy (2:52) (Rock & Roll, Atlantic Records, 1957) 12. Charles Carson - Time Has Expired [1962] (2:22) (Gumbo Stew, Ace Records, 1993) 13. Son Seals - Telephone Angel (5:27) (Midnight Son, Alligator Records, 1976) 14. Dorothy Ellis - Slowly Going Out Of Your Mind [1952] (Rare Blues Girls From King, Sing Records, 1988) 15. Sonny Boy Williamson II - Lonesome Cabin [1960] (3:01) (Bummer Road, Chess Records, 1969) 16. Flavium - Nightlife (3:44) (No Kiddin', Polydor Records, 1979) 17. JB Lenoir - If I Get Lucky [1966] (3:00) (Vietnam Blues, Evidence Records, 1995) 18. John Sebastian - Harpoon (2:21) (Tarzana Kid, Warner Bros, 1974) 19. Paula Lockheart - Black Mountain Blues (3:48) (It Ain't The End Of The World, Flying Fish Records, 1979) 20. Frankie Miller - Mail Box (3:13) (Once In A Blue Moon, Chrysalis Records, 1972) 21. Johnny Mars - Cruisin' (3:18) (Johnny Mars And The Oakland Boogie, Big Bear Records, 1976) 22. Little Bill Gaither - Moonshine By The Keg [1941] (2:46) (Booze & The Blues, Columbia Records, 1996) 23. John Lee Hooker - One Bourbon, One Scotch, One Beer [1966] (3:02) (Chess Chartbusters Vol. 4, Chess Records, 2008) 24. John Dummer Blues Band - Nine By Nine (3:16) (John Dummer's Famous Music Band, Fontana Records, 1970) 25. Kenny Burrell & Jimmy Smith - Blues For Del (6:11) (Blue Bash!, Verve Records, 1963) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Die Resterampe und die Beschaffungskriminalität. == August 2020 1. Deep Purple — Dancing In My Sleep (Whoosh! — 7. August 2020 — earMUSIC) 2. The Gaslamp Killer — The Cat's Meow: Feat. Amir Yaghmai (Heart Math — 7. August 2020 — Cuss Records) 3. DMX Krew — Mr Blue (Wave Funk Volume 2 — 16. Juni 2020 — Breakin' Records) 4. Nikki Nair — Pah (Worst Behavior Volume 3 — 7. August 2018 — Worst Behavior) 5. Chernobilly Orkestr — Mary: Trouble Is Your Middle Name (Psycho In The Street Vol. 4 — 20. März 2020 — Vicious Mistress Records) 6. Hombre Lobo Internacional — Lone Wolf Rider (No Brain Rock and Roll — 13. Juni 2020 — Family Spree Recordings) 7. Civic Center — High Beams (The Ground Below — 26. Juni 2020 — American Dreams Records) 8. DRIFT. — Human (Symbiosis — 19. Juli 2020 — Tapete Records) 9. Five Moons Align — Clown Sausage (Five Moons Align — 22. Juni 2020 — 1441807 Records DK2) 10. Drvg Cvltvre — Please Officer: f DyLAB (NYH222 — 21. August 2020 – New York Haunted) 11. Klutæ – Counterstrike (Queer For Satan — 1. August 2020 — Læbel) 12. standards — Starfish (Fruit Island — 28. August 2020 — top shelf records) 13. Dame — Ersatz (Dame — 28. Juli 2020 — Beach Impediment Records) 14. ShitKid — Dying to (20/20 ShitKid — 25. September 2020 — PNKSLM Recordings) 15. Hawkwind — Silvermachine (In Search of Space — 1971 — United Artists Records) 16. Acid Mothers Temple — Suzie Sixteen (Does The Cosmic Shepherd Dream of Electric Tapirs? — 2019 — Space Age Recordings) 17. Alejandro Jodorowsky — Los Mendigos Sangrados (El Topo — 1971 — Apple Records) 18. This Is Wreckage — Body Luggage (I Don't Live, I Exist — 8. März 2020 — Not On Label) 19. Oliver Tree – 1993 (Ugly Is Beautiful — 17. Juli 2020 — Atlantic) 20. BeK — warning (SDMD — 25. Juli 2020 — Errance Records) 21. Time Cow & SO$A — Ben UFO (Travels — 31. Juli 2020 — Equiknoxx Music) 22. Beau Wanzer — Toss The Burner (How Sick Do You Get When You Look At Yourself? — 6. August 2020 — L.I.E.S. Records) 23. Piezo — OX (Perdu — 7. August 2020— Hundebiss) 24. The Mountain Goats ‎— As Many Candles As Possible (Getting Into Knives — 23. Oktober 2020 — Merge Records) 25. Spice — I Dont Wanna die in new York (Spice — 17. Juli 2020 — Not on Label) 26. The Flying Burrito Brothers — Down In the Churchyard (Burrito Deluxe — Mai 1970 — A&M Records) 27. Rødhåd — Unleash (Rødhåd - Anxious — 18. Oktober 2017 — Dystopian) 28. Λleven — Split — (Cant Explain — 7. August 2020 — Adapted Records) 29. Psychedelic Sex Kicks — Uptight and Hungup (Psychedelic Sex Kicks — 15. August 2020 — Modern Harmonic) 30. Anamanaguchi — Vancouver (Summer Singles 2020/4 — 11. August 2020 — Not On Label) == Informationen * Septembersendung auf Pi Radio: 17. September 2020 um 1:00 Uhr * Septembersendung auf Radio Corax: 2. Oktober 2020 um 2:00 Uhr == Subtracks Neuste Errungenschafften und ungespielte Neuveröffentlichungen. Das was von einer Hitparade übrigbleibt, trocken wiederverwendet, um die Datenhalden abzubauen. * https://subtracks.funkwelle.org

间谍文学一度被视为上不得台面的商业文学。然而在20世纪，伴随着冷战的发生，涌现出了一批间谍小说大师，他们作品的深度与思想性丝毫不弱于严肃文学，他们的读者里有商界领袖、学术精英甚至大国情报头目。本期《忽左忽右》，正在进行类型小说创作的《上海书评》执行主编郑诗亮为大家带来有关间谍文学的一切。 【主持】 程衍樑（新浪微博：@GrenadierGuard2） 杨一（新浪微博：@杨一1） 【嘉宾】 郑诗亮，《上海书评》执行主编（豆瓣ID：PomBom） 沙青青，上海图书馆历史文献中心副主任（豆瓣ID：BBpanda） 04:00英国为何能在在间谍小说领域占据崇高地位 05:00吉卜林笔下的文学形象启发了“剑桥五杰” 06:50为什么冷战题材的间谍小说人物更具深度 07:40勒卡雷与格雷厄姆·格林的有趣对比 10:40肯·福莱特间谍文学里的工党价值观 12:50 007系列原著在英国上流社会遭遇冷眼 13:50间谍小说家的苦恼：受欢迎还是被认可？ 15:00英国情报机构充斥着大量左派人士 16:10《锅匠裁缝士兵间谍》其实是一本职场小说 17:30情报人员的日常工作并不神秘 18:45詹姆斯·邦德在勒卡雷小说里成了干脏活的蓝领 22:10冷战时代的记者作家常充当编制外的情报人员 26:30美国国家档案馆与《信息自由法》 27:15文化名流与情报机构互相利用、各取所需 30:30苏联情报头子爱读勒卡雷小说 31:25每个作家内心深处都有一个间谍梦 32:40西方文艺作品对于对手的社会描述往往很浅薄 34:05张爱玲、钱钟书都爱看《柏林谍影》 35:10间谍电影的一个问题在于男主太帅 36:05英美情报机构青睐历史学者与摩门教徒 40:10人类学“脑后有反骨”，不被情报机构喜欢 41:00历史研究与情报工作方法论上契合 41:40学界特工揪出学界“鼹鼠”的经典案例 49:00每一座“谍都”都值得诞生一部经典小说 52:10沙青青谈自己的情报纪实作品 58:43局势复杂的地区永远都会有情报掮客 60:10同一阵营的不同情报机构也会互相抢条线 61:16韩国电影倾向于夸大自身情报机关的作用 62:40英国人在面对CIA的存在时从容很多 69:25满铁调查部曾容纳许多左翼日本人 73:50郑诗亮谈《春天的十七个瞬间》 76:45苏联七八十年代的间谍文学很优秀 79:06许多类型文学作家最好的作品都是冷战题材 80:39福赛斯的技术流小说堪称操作指南 83:13类型文学发达得益于大众商业社会 84:33金·费尔比准确预言了今天的俄国领袖 86:36间谍出身与军人出身是完全不同的思维方式 87:26情报人员跳槽前往商业公司很普遍 87:59后冷战时代的出色间谍将在码农中诞生 88:15剿灭拉登行动背后的“码农立志传” 90:23未来间谍文艺还有很大的延伸空间 【延伸资料】 《三十九级台阶》约翰·巴肯 《密探》约瑟夫·康拉德 《柏林谍影》约翰·勒卡雷 《锅匠裁缝士兵间谍》约翰·勒卡雷 《寒鸦行动》肯·福莱特 《007全集》伊恩·弗莱明 《代号D机关》柳广司 《伯恩的身份》罗伯特·陆德伦 《澳新内幕》约翰·根室 《春天的十七个瞬间》尤·谢苗诺夫 《伟大的经典》F.R.利维斯 《古典传统》吉尔伯特·海厄特 《满铁调查》 《豺狼的日子》弗·福赛斯 【音乐】 "James Bond Theme"（John Barry & Orchestra·Dr. No·1962·United Artists Records and Liberty Records） "National Anthem Of The USSR"（The Red Army Choir·The Best Of The Red Army Choir - The Definitive Collection·2002·Silva Screen） "Piano Prelude"（Sol Kaplan·The Spy Who Came In From the Cold (Original Soundtrack)·1965·Intrada） "La Mer (El Mar)"（Julio Iglesias·En El Olympia·1976·RCA） 您可以通过网易云音乐、Spotify搜索「忽左忽右 BGM」，获得节目完整歌单。 【logo设计】杨文骥 【制作总监】王若弛 【收听方式】 
推荐您使用「苹果播客」、Spotify、小宇宙App或任意安卓播客客户端订阅收听《忽左忽右 》，也可通过网易云音乐、喜马拉雅FM、蜻蜓FM和荔枝FM收听。 【本节目由JustPod出品】 【互动方式】 联系方式：contact@justpod.fm
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间谍文学一度被视为上不得台面的商业文学。然而在20世纪，伴随着冷战的发生，涌现出了一批间谍小说大师，他们作品的深度与思想性丝毫不弱于严肃文学，他们的读者里有商界领袖、学术精英甚至大国情报头目。本期《忽左忽右》，正在进行类型小说创作的《上海书评》执行主编郑诗亮为大家带来有关间谍文学的一切。【主持】程衍樑（新浪微博：@GrenadierGuard）杨一（新浪微博：@杨一1 ）【嘉宾】郑诗亮，《上海书评》执行主编（豆瓣ID:PomBom）沙青青，上海图书馆历史文献中心副主任（豆瓣ID：BBpanda） 04:00英国为何能在在间谍小说领域占据崇高地位05:00吉卜林笔下的文学形象启发了“剑桥五杰”06:50为什么冷战题材的间谍小说人物更具深度07:40勒卡雷与格雷厄姆·格林的有趣对比10:40肯·福莱特间谍文学里的工党价值观12:50 007系列原著在英国上流社会遭遇冷眼13:50间谍小说家的苦恼：受欢迎还是被认可？15:00英国情报机构充斥着大量左派人士16:10《锅匠裁缝士兵间谍》其实是一本职场小说17:30情报人员的日常工作并不神秘18:45詹姆斯·邦德在勒卡雷小说里成了干脏活的蓝领22:10冷战时代的记者作家常充当编制外的情报人员26:30美国国家档案馆与《信息自由法》27:15文化名流与情报机构互相利用、各取所需30:30苏联情报头子爱读勒卡雷小说31:25每个作家内心深处都有一个间谍梦32:40西方文艺作品对于对手的社会描述往往很浅薄34:05张爱玲、钱钟书都爱看《柏林谍影》35:10间谍电影的一个问题在于男主太帅36:05英美情报机构青睐历史学者与摩门教徒40:10人类学“脑后有反骨”，不被情报机构喜欢41:00历史研究与情报工作方法论上契合41:40学界特工揪出学界“鼹鼠”的经典案例49:00每一座“谍都”都值得诞生一部经典小说52:10沙青青谈自己的情报纪实作品58:43局势复杂的地区永远都会有情报掮客60:10同一阵营的不同情报机构也会互相抢条线61:16韩国电影倾向于夸大自身情报机关的作用62:40英国人在面对CIA的存在时从容很多69:25满铁调查部曾容纳许多左翼日本人73:50郑诗亮谈《春天的十七个瞬间》76:45苏联七八十年代的间谍文学很优秀79:06许多类型文学作家最好的作品都是冷战题材80:39福赛斯的技术流小说堪称操作指南83:13类型文学发达得益于大众商业社会84:33金·费尔比准确预言了今天的俄国领袖86:36间谍出身与军人出身是完全不同的思维方式87:26情报人员跳槽前往商业公司很普遍87:59后冷战时代的出色间谍将在码农中诞生88:15剿灭拉登行动背后的“码农立志传”90:23未来间谍文艺还有很大的延伸空间【延伸资料】《三十九级台阶》约翰·巴肯《密探》约瑟夫·康拉德《柏林谍影》约翰·勒卡雷《锅匠裁缝士兵间谍》约翰·勒卡雷《寒鸦行动》肯·福莱特《007全集》伊恩·弗莱明《代号D机关》柳广司《伯恩的身份》罗伯特·陆德伦《澳新内幕》约翰·根室《春天的十七个瞬间》尤·谢苗诺夫《伟大的经典》F.R.利维斯《古典传统》吉尔伯特·海厄特《满铁调查》《豺狼的日子》弗·福赛斯【音乐】"James Bond Theme"（John Barry & Orchestra·Dr. No·1962·United Artists Records and Liberty Records）"National Anthem Of The USSR"（The Red Army Choir·The Best Of The Red Army Choir - The Definitive Collection·2002·Silva Screen）"Piano Prelude"（Sol Kaplan·The Spy Who Came In From the Cold (Original Soundtrack)·1965·Intrada）"La Mer (El Mar)"（Julio Iglesias·En El Olympia·1976·RCA）【logo设计】杨文骥【制作总监】王若弛【收听方式】推荐您使用「苹果播客」、Spotify、小宇宙App或任意安卓播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【本节目由JustPod出品】【互动方式】联系方式：contact@justpod.fm微博：@忽左忽右leftright微博：@播客一下微信公众号：忽左忽右Leftright微信公众号：播客一下

间谍文学一度被视为上不得台面的商业文学。然而在20世纪，伴随着冷战的发生，涌现出了一批间谍小说大师，他们作品的深度与思想性丝毫不弱于严肃文学，他们的读者里有商界领袖、学术精英甚至大国情报头目。本期《忽左忽右》，正在进行类型小说创作的《上海书评》执行主编郑诗亮为大家带来有关间谍文学的一切。【主持】程衍樑（新浪微博：@GrenadierGuard）杨一（新浪微博：@杨一1 ）【嘉宾】郑诗亮，《上海书评》执行主编（豆瓣ID:PomBom）沙青青，上海图书馆历史文献中心副主任（豆瓣ID：BBpanda） 04:00英国为何能在在间谍小说领域占据崇高地位05:00吉卜林笔下的文学形象启发了“剑桥五杰”06:50为什么冷战题材的间谍小说人物更具深度07:40勒卡雷与格雷厄姆·格林的有趣对比10:40肯·福莱特间谍文学里的工党价值观12:50 007系列原著在英国上流社会遭遇冷眼13:50间谍小说家的苦恼：受欢迎还是被认可？15:00英国情报机构充斥着大量左派人士16:10《锅匠裁缝士兵间谍》其实是一本职场小说17:30情报人员的日常工作并不神秘18:45詹姆斯·邦德在勒卡雷小说里成了干脏活的蓝领22:10冷战时代的记者作家常充当编制外的情报人员26:30美国国家档案馆与《信息自由法》27:15文化名流与情报机构互相利用、各取所需30:30苏联情报头子爱读勒卡雷小说31:25每个作家内心深处都有一个间谍梦32:40西方文艺作品对于对手的社会描述往往很浅薄34:05张爱玲、钱钟书都爱看《柏林谍影》35:10间谍电影的一个问题在于男主太帅36:05英美情报机构青睐历史学者与摩门教徒40:10人类学“脑后有反骨”，不被情报机构喜欢41:00历史研究与情报工作方法论上契合41:40学界特工揪出学界“鼹鼠”的经典案例49:00每一座“谍都”都值得诞生一部经典小说52:10沙青青谈自己的情报纪实作品58:43局势复杂的地区永远都会有情报掮客60:10同一阵营的不同情报机构也会互相抢条线61:16韩国电影倾向于夸大自身情报机关的作用62:40英国人在面对CIA的存在时从容很多69:25满铁调查部曾容纳许多左翼日本人73:50郑诗亮谈《春天的十七个瞬间》76:45苏联七八十年代的间谍文学很优秀79:06许多类型文学作家最好的作品都是冷战题材80:39福赛斯的技术流小说堪称操作指南83:13类型文学发达得益于大众商业社会84:33金·费尔比准确预言了今天的俄国领袖86:36间谍出身与军人出身是完全不同的思维方式87:26情报人员跳槽前往商业公司很普遍87:59后冷战时代的出色间谍将在码农中诞生88:15剿灭拉登行动背后的“码农立志传”90:23未来间谍文艺还有很大的延伸空间【延伸资料】《三十九级台阶》约翰·巴肯《密探》约瑟夫·康拉德《柏林谍影》约翰·勒卡雷《锅匠裁缝士兵间谍》约翰·勒卡雷《寒鸦行动》肯·福莱特《007全集》伊恩·弗莱明《代号D机关》柳广司《伯恩的身份》罗伯特·陆德伦《澳新内幕》约翰·根室《春天的十七个瞬间》尤·谢苗诺夫《伟大的经典》F.R.利维斯《古典传统》吉尔伯特·海厄特《满铁调查》《豺狼的日子》弗·福赛斯【音乐】"James Bond Theme"（John Barry & Orchestra·Dr. No·1962·United Artists Records and Liberty Records）"National Anthem Of The USSR"（The Red Army Choir·The Best Of The Red Army Choir - The Definitive Collection·2002·Silva Screen）"Piano Prelude"（Sol Kaplan·The Spy Who Came In From the Cold (Original Soundtrack)·1965·Intrada）"La Mer (El Mar)"（Julio Iglesias·En El Olympia·1976·RCA）【logo设计】杨文骥【制作总监】王若弛【收听方式】推荐您使用「苹果播客」、Spotify、小宇宙App或任意安卓播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【本节目由JustPod出品】【互动方式】联系方式：contact@justpod.fm微博：@忽左忽右leftright微博：@播客一下微信公众号：忽左忽右Leftright微信公众号：播客一下

间谍文学一度被视为上不得台面的商业文学。然而在20世纪，伴随着冷战的发生，涌现出了一批间谍小说大师，他们作品的深度与思想性丝毫不弱于严肃文学，他们的读者里有商界领袖、学术精英甚至大国情报头目。本期《忽左忽右》，正在进行类型小说创作的《上海书评》执行主编郑诗亮为大家带来有关间谍文学的一切。【主持】程衍樑（新浪微博：@GrenadierGuard）杨一（新浪微博：@杨一1 ）【嘉宾】郑诗亮，《上海书评》执行主编（豆瓣ID:PomBom）沙青青，上海图书馆历史文献中心副主任（豆瓣ID：BBpanda） 04:00英国为何能在在间谍小说领域占据崇高地位05:00吉卜林笔下的文学形象启发了“剑桥五杰”06:50为什么冷战题材的间谍小说人物更具深度07:40勒卡雷与格雷厄姆·格林的有趣对比10:40肯·福莱特间谍文学里的工党价值观12:50 007系列原著在英国上流社会遭遇冷眼13:50间谍小说家的苦恼：受欢迎还是被认可？15:00英国情报机构充斥着大量左派人士16:10《锅匠裁缝士兵间谍》其实是一本职场小说17:30情报人员的日常工作并不神秘18:45詹姆斯·邦德在勒卡雷小说里成了干脏活的蓝领22:10冷战时代的记者作家常充当编制外的情报人员26:30美国国家档案馆与《信息自由法》27:15文化名流与情报机构互相利用、各取所需30:30苏联情报头子爱读勒卡雷小说31:25每个作家内心深处都有一个间谍梦32:40西方文艺作品对于对手的社会描述往往很浅薄34:05张爱玲、钱钟书都爱看《柏林谍影》35:10间谍电影的一个问题在于男主太帅36:05英美情报机构青睐历史学者与摩门教徒40:10人类学“脑后有反骨”，不被情报机构喜欢41:00历史研究与情报工作方法论上契合41:40学界特工揪出学界“鼹鼠”的经典案例49:00每一座“谍都”都值得诞生一部经典小说52:10沙青青谈自己的情报纪实作品58:43局势复杂的地区永远都会有情报掮客60:10同一阵营的不同情报机构也会互相抢条线61:16韩国电影倾向于夸大自身情报机关的作用62:40英国人在面对CIA的存在时从容很多69:25满铁调查部曾容纳许多左翼日本人73:50郑诗亮谈《春天的十七个瞬间》76:45苏联七八十年代的间谍文学很优秀79:06许多类型文学作家最好的作品都是冷战题材80:39福赛斯的技术流小说堪称操作指南83:13类型文学发达得益于大众商业社会84:33金·费尔比准确预言了今天的俄国领袖86:36间谍出身与军人出身是完全不同的思维方式87:26情报人员跳槽前往商业公司很普遍87:59后冷战时代的出色间谍将在码农中诞生88:15剿灭拉登行动背后的“码农立志传”90:23未来间谍文艺还有很大的延伸空间【延伸资料】《三十九级台阶》约翰·巴肯《密探》约瑟夫·康拉德《柏林谍影》约翰·勒卡雷《锅匠裁缝士兵间谍》约翰·勒卡雷《寒鸦行动》肯·福莱特《007全集》伊恩·弗莱明《代号D机关》柳广司《伯恩的身份》罗伯特·陆德伦《澳新内幕》约翰·根室《春天的十七个瞬间》尤·谢苗诺夫《伟大的经典》F.R.利维斯《古典传统》吉尔伯特·海厄特《满铁调查》《豺狼的日子》弗·福赛斯【音乐】"James Bond Theme"（John Barry & Orchestra·Dr. No·1962·United Artists Records and Liberty Records）"National Anthem Of The USSR"（The Red Army Choir·The Best Of The Red Army Choir - The Definitive Collection·2002·Silva Screen）"Piano Prelude"（Sol Kaplan·The Spy Who Came In From the Cold (Original Soundtrack)·1965·Intrada）"La Mer (El Mar)"（Julio Iglesias·En El Olympia·1976·RCA）【logo设计】杨文骥【制作总监】王若弛【收听方式】推荐您使用「苹果播客」、Spotify、小宇宙App或任意安卓播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【本节目由JustPod出品】【互动方式】联系方式：contact@justpod.fm微博：@忽左忽右leftright微博：@播客一下微信公众号：忽左忽右Leftright微信公众号：播客一下

间谍文学一度被视为上不得台面的商业文学。然而在20世纪，伴随着冷战的发生，涌现出了一批间谍小说大师，他们作品的深度与思想性丝毫不弱于严肃文学，他们的读者里有商界领袖、学术精英甚至大国情报头目。本期《忽左忽右》，正在进行类型小说创作的《上海书评》执行主编郑诗亮为大家带来有关间谍文学的一切。【主持】程衍樑（新浪微博：@GrenadierGuard）杨一（新浪微博：@杨一1 ）【嘉宾】郑诗亮，《上海书评》执行主编（豆瓣ID:PomBom）沙青青，上海图书馆历史文献中心副主任（豆瓣ID：BBpanda） 04:00英国为何能在在间谍小说领域占据崇高地位05:00吉卜林笔下的文学形象启发了“剑桥五杰”06:50为什么冷战题材的间谍小说人物更具深度07:40勒卡雷与格雷厄姆·格林的有趣对比10:40肯·福莱特间谍文学里的工党价值观12:50 007系列原著在英国上流社会遭遇冷眼13:50间谍小说家的苦恼：受欢迎还是被认可？15:00英国情报机构充斥着大量左派人士16:10《锅匠裁缝士兵间谍》其实是一本职场小说17:30情报人员的日常工作并不神秘18:45詹姆斯·邦德在勒卡雷小说里成了干脏活的蓝领22:10冷战时代的记者作家常充当编制外的情报人员26:30美国国家档案馆与《信息自由法》27:15文化名流与情报机构互相利用、各取所需30:30苏联情报头子爱读勒卡雷小说31:25每个作家内心深处都有一个间谍梦32:40西方文艺作品对于对手的社会描述往往很浅薄34:05张爱玲、钱钟书都爱看《柏林谍影》35:10间谍电影的一个问题在于男主太帅36:05英美情报机构青睐历史学者与摩门教徒40:10人类学“脑后有反骨”，不被情报机构喜欢41:00历史研究与情报工作方法论上契合41:40学界特工揪出学界“鼹鼠”的经典案例49:00每一座“谍都”都值得诞生一部经典小说52:10沙青青谈自己的情报纪实作品58:43局势复杂的地区永远都会有情报掮客60:10同一阵营的不同情报机构也会互相抢条线61:16韩国电影倾向于夸大自身情报机关的作用62:40英国人在面对CIA的存在时从容很多69:25满铁调查部曾容纳许多左翼日本人73:50郑诗亮谈《春天的十七个瞬间》76:45苏联七八十年代的间谍文学很优秀79:06许多类型文学作家最好的作品都是冷战题材80:39福赛斯的技术流小说堪称操作指南83:13类型文学发达得益于大众商业社会84:33金·费尔比准确预言了今天的俄国领袖86:36间谍出身与军人出身是完全不同的思维方式87:26情报人员跳槽前往商业公司很普遍87:59后冷战时代的出色间谍将在码农中诞生88:15剿灭拉登行动背后的“码农立志传”90:23未来间谍文艺还有很大的延伸空间【延伸资料】《三十九级台阶》约翰·巴肯《密探》约瑟夫·康拉德《柏林谍影》约翰·勒卡雷《锅匠裁缝士兵间谍》约翰·勒卡雷《寒鸦行动》肯·福莱特《007全集》伊恩·弗莱明《代号D机关》柳广司《伯恩的身份》罗伯特·陆德伦《澳新内幕》约翰·根室《春天的十七个瞬间》尤·谢苗诺夫《伟大的经典》F.R.利维斯《古典传统》吉尔伯特·海厄特《满铁调查》《豺狼的日子》弗·福赛斯【音乐】"James Bond Theme"（John Barry & Orchestra·Dr. No·1962·United Artists Records and Liberty Records）"National Anthem Of The USSR"（The Red Army Choir·The Best Of The Red Army Choir - The Definitive Collection·2002·Silva Screen）"Piano Prelude"（Sol Kaplan·The Spy Who Came In From the Cold (Original Soundtrack)·1965·Intrada）"La Mer (El Mar)"（Julio Iglesias·En El Olympia·1976·RCA）【logo设计】杨文骥【制作总监】王若弛【收听方式】推荐您使用「苹果播客」、Spotify、小宇宙App或任意安卓播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【本节目由JustPod出品】【互动方式】联系方式：contact@justpod.fm微博：@忽左忽右leftright微博：@播客一下微信公众号：忽左忽右Leftright微信公众号：播客一下

间谍文学一度被视为上不得台面的商业文学。然而在20世纪，伴随着冷战的发生，涌现出了一批间谍小说大师，他们作品的深度与思想性丝毫不弱于严肃文学，他们的读者里有商界领袖、学术精英甚至大国情报头目。本期《忽左忽右》，正在进行类型小说创作的《上海书评》执行主编郑诗亮为大家带来有关间谍文学的一切。 【主持】 程衍樑（新浪微博：@GrenadierGuard2） 杨一（新浪微博：@杨一1） 【嘉宾】 郑诗亮，《上海书评》执行主编（豆瓣ID：PomBom） 沙青青，上海图书馆历史文献中心副主任（豆瓣ID：BBpanda） 04:00英国为何能在在间谍小说领域占据崇高地位 05:00吉卜林笔下的文学形象启发了“剑桥五杰” 06:50为什么冷战题材的间谍小说人物更具深度 07:40勒卡雷与格雷厄姆·格林的有趣对比 10:40肯·福莱特间谍文学里的工党价值观 12:50 007系列原著在英国上流社会遭遇冷眼 13:50间谍小说家的苦恼：受欢迎还是被认可？ 15:00英国情报机构充斥着大量左派人士 16:10《锅匠裁缝士兵间谍》其实是一本职场小说 17:30情报人员的日常工作并不神秘 18:45詹姆斯·邦德在勒卡雷小说里成了干脏活的蓝领 22:10冷战时代的记者作家常充当编制外的情报人员 26:30美国国家档案馆与《信息自由法》 27:15文化名流与情报机构互相利用、各取所需 30:30苏联情报头子爱读勒卡雷小说 31:25每个作家内心深处都有一个间谍梦 32:40西方文艺作品对于对手的社会描述往往很浅薄 34:05张爱玲、钱钟书都爱看《柏林谍影》 35:10间谍电影的一个问题在于男主太帅 36:05英美情报机构青睐历史学者与摩门教徒 40:10人类学“脑后有反骨”，不被情报机构喜欢 41:00历史研究与情报工作方法论上契合 41:40学界特工揪出学界“鼹鼠”的经典案例 49:00每一座“谍都”都值得诞生一部经典小说 52:10沙青青谈自己的情报纪实作品 58:43局势复杂的地区永远都会有情报掮客 60:10同一阵营的不同情报机构也会互相抢条线 61:16韩国电影倾向于夸大自身情报机关的作用 62:40英国人在面对CIA的存在时从容很多 69:25满铁调查部曾容纳许多左翼日本人 73:50郑诗亮谈《春天的十七个瞬间》 76:45苏联七八十年代的间谍文学很优秀 79:06许多类型文学作家最好的作品都是冷战题材 80:39福赛斯的技术流小说堪称操作指南 83:13类型文学发达得益于大众商业社会 84:33金·费尔比准确预言了今天的俄国领袖 86:36间谍出身与军人出身是完全不同的思维方式 87:26情报人员跳槽前往商业公司很普遍 87:59后冷战时代的出色间谍将在码农中诞生 88:15剿灭拉登行动背后的“码农立志传” 90:23未来间谍文艺还有很大的延伸空间 【延伸资料】 《三十九级台阶》约翰·巴肯 《密探》约瑟夫·康拉德 《柏林谍影》约翰·勒卡雷 《锅匠裁缝士兵间谍》约翰·勒卡雷 《寒鸦行动》肯·福莱特 《007全集》伊恩·弗莱明 《代号D机关》柳广司 《伯恩的身份》罗伯特·陆德伦 《澳新内幕》约翰·根室 《春天的十七个瞬间》尤·谢苗诺夫 《伟大的经典》F.R.利维斯 《古典传统》吉尔伯特·海厄特 《满铁调查》 《豺狼的日子》弗·福赛斯 【音乐】 "James Bond Theme"（John Barry & Orchestra·Dr. No·1962·United Artists Records and Liberty Records） "National Anthem Of The USSR"（The Red Army Choir·The Best Of The Red Army Choir - The Definitive Collection·2002·Silva Screen） "Piano Prelude"（Sol Kaplan·The Spy Who Came In From the Cold (Original Soundtrack)·1965·Intrada） "La Mer (El Mar)"（Julio Iglesias·En El Olympia·1976·RCA） 您可以通过网易云音乐、Spotify搜索「忽左忽右 BGM」，获得节目完整歌单。 【logo设计】杨文骥 【制作总监】王若弛 【收听方式】 
推荐您使用「苹果播客」、Spotify、小宇宙App或任意安卓播客客户端订阅收听《忽左忽右 》，也可通过网易云音乐、喜马拉雅FM、蜻蜓FM和荔枝FM收听。 【本节目由JustPod出品】 【互动方式】 联系方式：contact@justpod.fm
 微博：@忽左忽右leftright 微博：@播客一下 微信公众号：忽左忽右Leftright 微信公众号：播客一下

Providing freaky music since 1999. For those who wonder: What is The Brain? Listen this! 1. Introduction 2. Cassetteboy - Anne Frankinghachine - Barry's Bootlegs - 2003 3. The Brain - Générique 2010 - Unreleased - 2010 4. Ennio Morricone - a Fistfull of Dollars - rca International - 1971 5. Driver & Driver - Back to l.a - Staatsakt - 2011 6. Gulshabu - sio Dashimaki - Kumaru Records - 2010 7. Burt Bacharach - After the fox - United Artists Records - 1966 8. Mosh Mosh - das Polyphone Rauschen - Wired Records - 2009 9. Wipers - over the Edge - Enigma Records - 1986 10. Kimikata Matsumae - the Royal Academy of Katamari (Kimitaka Matsumae Remix) - Columbia Music Entertainment - 2009 11. Freddyfrogs - Ring Master - Frogs - 2010 12. Kumisolo & Odot - Taidama - Tsunami-addiction - 2009 13. The Black Lips - Modern art - Vice Records - 2011 14. Hariharan, Udit Naryan, Hema Sardesai, Shankar Mahadevan & Saif ali Khan - Abcdefghiklmnopqrstuvwxyz i Love You - ??? - 1999 15. Nino Rota - l'Uccello Magico a Dresda - Cam - 1976 16. Cibbo Mato - Black Hole sun - el Diablo - 1995 17. Procyon Lotor - Engage - Autoproduced Online - 2011 18. Michel Bananes jr - Fucking a Smurf - Autoproduced on Bandcamp - 2010 19. Wali Band - Baik Baik Sayang (Disco mix) (the Brain Cut) - ??? - 2009 20. Little Peggy - i Will Follow him (in Japanese) - ??? - 1963 21. Allegra - Chunky Monkey - Tricatel - 2007 22. Disasteradio - you win - Autoproduced - 2011 23. Drinking Electricity - Discord Dance - Survival Records - 1982 24. Philippe Arthuys - Boite à Musique - ??? - 1955 25. Frederik Schikowski - Indicatif the Brain 1.3 - Unreleased - 2004 == Über The Brain The Brain ist eine DJ-Show gemischt aus Electro Broadcasts, Dissonanz-Pop, Rock'n'Roll, epileptischen Gesängen und vorindustriellen Robotik, Raumfahrt-Pop, vorsintflutlichen Vintage-Raritäten in Form von kinematischen Mini-Dada. Jede Sendung bietet einen epischen, akustischen, frischen Sound mit dem kindliche Euphorie in vollem Umfang nachgekommen wird. Let's Spock! * http://www.thebrainradio.com/

During the 1960s, in which girl groups were at their height, there was nothing quite like “Egyptian Shumba” by the Pennsylvania-based group The Tammys. In Episode 7 of In Loving Recollection, sisters Gretchen and Cathy Owens tell the story of the three singles they recorded with their classmate Linda Jones for United Artists Records. Reminiscing about their relationship with friend and mentor Lou Christie, the sisters also speak on their times in the recording studio and how their shrieking and howling once caused all the musicians in the studio to stop playing.

Find us at: iTunes Spotify Patreon STRONG CONTENT WARNING: Racism and discussions of racism in the deep south. Also, violence, murder, misogyny and abuse of women. Last year, the Academy championed a film that explicitly whitewashed Southern racism by centering an amazing black story on his white chauffeur. It’s not the first time they would do this, and it certainly won’t be the last. But the bitter taste that Green Book left has colored most films dealing with racism and the South that we’ve viewed since then. Enter a breath of fresh air this week, with a movie that doesn’t try to hide the evil, pervasive nature of racism and Jim Crow. It’s not perfect, and it pulls its punches strategically, but it’s light years ahead of what Hollywood often accepts as commentary on racism. Perhaps it’s the crackling, tense energy of Sidney Poitier and Rod Steiger that elevates the film, but it might just be how honest and raw the movie feels. This week, we’re watching In the Heat of the Night (1967) for Macintosh & Maud Haven’t Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. If you like the podcast, make sure to subscribe and review on iTunes, Spotify, or your favorite podcatcher, and tell your friends. Intro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "In the Heat of the Night," written by Quincy Jones with lyrics by Alan and Marilyn Bergman, and performed by Ray Charles. Copyright 1967 United Artists Records, Inc. Excerpt taken from the film In the Heat of the Night are copyright 1967 Metro-Goldwyn-Mayer Studios Inc. All rights reserved. Excerpt taken from "L'il Red Riding Hood," written by Ronald Blackwell and performed by Sam the Sham and the Pharaohs. Copyright 1967 Metro-Goldwyn-Mayer, Inc. Excerpt taken from "Prelude: Thoroughly Modern Millie," arranged and conducted by Andre Previn and performed by Julie Andrews. Copyright 1967 MCA Records, Inc.

Find us at: iTunes Spotify Patreon CONTENT WARNING: Discussion of incdeints of animal cruelty and negligence, mtions of racism and anti-Semitism. Well, we did it, everyone. We found the worst movie. Literally, this is now our worst rated film of all time, and it’s not even close. The entire production was a fiasco of epic proportions, and that’s before Rex Harrison’s complete and utter lack of energy in the role. Seriously, there’s nearly two hours of movie before anything of consequence happens in this movie, and even then it’s still pretty awful. And the only reason it’s on our list is that it got nominated for 9 Academy Awards. We continue our ‘67 Oscars series with the abominable, abysmal, awful Doctor Dolittle (1967) on this episode of Macintosh & Maud Haven’t Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. If you like the podcast, make sure to subscribe and review on iTunes, Spotify, or your favorite podcatcher, and tell your friends. Intro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Clip from the main title sequence of Doctor Dolittle was written and composed by Leslie Bricusse and conducted by Lionel Newman. © 1967 Apjac Productions, Inc. and Twentieth Century Fox Film Corporation. Renewed 1995 Twentieth Century Fox Film Corporation. Clip from "Star Wars (Main Theme)" composed by John Williams and performed by the London Symphony Orchestra, conducted by John Williams. Copyright 1977 Lucasfilm, Ltd. Excerpt taken from Babes in Toyland (1986), copyright 1986 Orion Pictures Corporation. All rights reserved. Excerpt taken from "In the Heat of the Night," written by Quincy Jones with lyrics by Alan and Marilyn Bergman, and performed by Ray Charles. Copyright 1967 United Artists Records, Inc.

Find us at: iTunes Spotify Patreon CW: Violence including violence against women, casual sexism, and sexual harassment. Roger Moore…in a good Bond film? Who knew? Well, most Bond experts, but also Macintosh & Maud Haven’t Seen What?!, now that we’ve seen this arguably classic spy film. There’s giant boats and nuclear submarines, a car that goes underwater, a gorgeous KGB agent and THE HORNIEST JAMES BOND OF ALL TIME. Not creepy horny, just HORNY HORNY. It’s adorable, and we love it. So join us for a discussion of Roger Moore’s best Bond outing, The Spy Who Loved Me! Macintosh & Maud have started a Patreon! Any little bit you can contribute helps, and we have special contributor-only content if you donate at the $2 level, including two Bond specials, 1967’s Bond spoof Casino Royale and the 1983 non-Broccoli Bond remake Never Say Never Again! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. If you like the podcast, make sure to subscribe and review on iTunes, Spotify, or your favorite podcatcher, and tell your friends. Excerpt taken from "James Bond Theme," written and composed by John Barry, and performed by the John Barry Orchestra. ℗ 1962, 2012 Capitol Records LLC. Clips from The Spy Who Loved Me © 1977 Danjaq, LLC and United Artists Corporation. Excerpt taken from from "Main Title (Theme from Jaws)," written and composed by John Williams. © 1975 Universal Pictures, MCA Records, Inc. Clip from Austin Powers: International Man of Mystery © 1997 Dnew Line Productions, Inc. All Rights Reserved. Excerpt taken from from "Nobody Does it Better," written and composed by Marvin Hamlisch and Carole Bayer Sager, and performed by Carly Simon. © 1977 Elektra Records, United Artists Records. Excerpt taken from “Moonraker” written by John Barry and Hal David, and performed by Shirley Bassey. © 1979 Danjaq, S.A. & United Artists Music and Records Group, Inc.. Intro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive.

Find us at: iTunes Spotify Google Play On today's very special Track Meet, we're joined by the amazingly awesome Raeanna Larson of Mount Olympus University. And why is this episode of Track Meet out on a Wednesday? Well it's because today is Raeanna's birthday! [Fireworks! Confetti Cannons! Noisemakers!] Raeanna's birthday gives us a bit of a challenge this week, though, as we dig through the very murky musical year of 1992. It's a bit of a gap year for popular music, but the really great songs always find their way to the surface, and this week is no different. Enjoy this little tour through 1992 on this extra awesome Raeanna-centered #SongFight! Songs featured in this episode include: "Happy Birthday" originally written by Altered Images, performed by The Beatles. ℗ 1989, 2007 BBC Worldwide under license to Sanctuary Records Group Ltd.. "Hey Jealousy" written byDoug Hopkins, performed by Gin Blossoms. ℗ 1989, 1992 A&M Records, Inc. "Friday I'm In Love" written and performed by The Cure. ℗ 1992 Elektra Entertainment, a division of Warner Communications Inc. "Walking on Broken Glass" written and performed by Annie Lennox. ℗ BMG Records (UK) Ltd. "This Charming Man" written by Johnny Marr and Morrissey, performed by The Smiths. ℗ 1983 Glad Hips Music Limited, 1992 Sire Records Company. "Friday on My Mind" written by Harry Vanda and George Young, performed by The Easybeats. ℗ 1966 Parlophone, United Artists Records. Intro and outro music taken from "Run in the Night" by The Good Lawdz from their album A Lil Sumthin' Sumthin'. Licensed under an Attribution-ShareAlike 3.0 Unported (CC BY-SA 3.0) license. To hear the full song or get more information, visit the song page at the Free Music Archive.

harassment. This week, Macintosh & Maud Haven’t Seen What?! returns to the relatively safe harbor of mediocre Bond films. ‘Cause let’s be honest, anything would have been an upgrade from the garbage pile we witnessed last week. Roger Moore is really making his own space as Bond, and Christopher Lee really sells Scaramanga as a classic villain of the franchise, third nipple and all. On the other hand, both our Bond ladies are thoroughly one-dimensional, either the butt of jokes or the subject of Bond’s and Scaramanga’s violence. And then there’s the Wonderful World of Disney shooting gallery for Scaramanga…it’s just a bit much. it all evens out to middle this week as we review The Man With the Golden Gun! Macintosh & Maud have started a Patreon! Any little bit you can contribute helps, and we have special contributor-only content if you donate at the $2 level, including an upcoming episode on Kubrick's final film, Eyes Wide Shut! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. If you like the podcast, make sure to subscribe and review on iTunes, Spotify, or your favorite podcatcher, and tell your friends. Excerpt taken from "James Bond Theme," written and composed by John Barry, and performed by the John Barry Orchestra. ℗ 1962, 2012 Capitol Records LLC. Excerpt taken from “You Only Live Twice,” written and composed by Leslie Bricusse and John Barry, and performed by Nancy Sinatra. ℗ 1967, 2012 Capitol Records LLC. Clip from On Her Majesty’s Secret Service © 1969 United Artists Corporation and Danjaq, LLC. Clips from The Man WIth the Golden Gun © 1973 United Artists Corporation and Danjaq, LLC. Clip from Fantasy Island © Sony 1978 CPT Holdings, Inc. All Rights Reserved. Clip from Mulan © 2004 Disney, All Rights Reserved. Excerpt taken from from "The Man with the Golden Gun," written and composed by John Barry and Don Black, and performed by Lulu. © 1974 Chelsea Records, United Artists Records. Excerpt taken from from “Man with the Golden Gun," written and performed by the Alice Cooper group. ℗ © 1973 Warner Bros. Records Inc. Excerpt taken from from "Nobody Does it Better," written and composed by Marvin Hamlisch and Carole Bayer Sager, and performed by Carly Simon. © 1977 Elektra Records, United Artists Records. Excerpt taken from “Thunderball” written and performed by Johnny Cash. © 1965, 2011 Sony Music Entertainment. Intro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive.

Find us at: iTunes Spotify Patreon CW: Racism and frank discussions of race. Like A LOT. Plus violence, some discussion of diseases, casual sexism, and sexual harassment. It's time to get back to Bond, and that's great, right? Like, it's James Bond, he's always fun and we get a new Bond to talk about. Oh, except that whole issue of "we the super white producers of this British spy thought it'd be cool to make a blaxploitation film and have all the villains be black." This movie's just dripping with barely veiled racism, and to top it off it's also pretty damn boring. The only saving grace is Roger Moore, who's by far the most charming (and possibly most lusty) Bond of all time. That and perhaps the greatest Bond theme of all time. We didn't expect to start off with a dumpster fire, but that's what we got this week when we reviewed Live and Let Die! Macintosh & Maud have started a Patreon! Any little bit you can contribute helps, and we have special contributor-only content if you donate at the $2 level, including an upcoming episode on Kubrick's final film, Eyes Wide Shut! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. If you like the podcast, make sure to subscribe and review on iTunes, Spotify, or your favorite podcatcher, and tell your friends. Excerpt taken from "James Bond Theme," written and composed by John Barry, and performed by the John Barry Orchestra. ℗ 1962, 2012 Capitol Records LLC. Clips from Live and Let Die © 1973 United Artists Corporation and Danjaq, LLC. Excerpt taken from "Going West (Main Title)," the theme song for Dr. Quinn, Medicine Woman, composed by William Patrick Olvis. © 1998 Blue Focus Management. Excerpt taken from "Live and Let Die," written by Paul McCartney and Linda McCartney, and performed by Paul McCartney and Wings. © 1973 Apple Records, United Artists Records. Excerpt taken from from "The Man with the Golden Gun," written and composed by John Barry and Don Black, and performed by Lulu. © 1974 Chelsea Records, United Artists Records. Intro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive.

Today’s Bombshell (Bombshell Radio) Generating Steam HeatBombshell Radio 4pm EST 9pm BST 1pm PDT bombshellradio.com#GeneratingSteamHeat #Postpunk #punk #newmusic #60sClassics #Ska #60sGarage #StitcherRadio #Itunes #BombshellRadioNEU!-Lila Engel (lilac angel) (From the Brain Records album ‘NEU! 2 1973)Flat Worms-Red Hot Sand (Volar Records 7’’ 2017)The Replacements-Stuck In The Middle (From the Twin/Tone Records EP ‘Stink’ 1986)The Cramps-Human Fly ( From the Illegal Records EP ‘Gravest Hits’ 1979)The Jesus and Mary Chain-Surfin’ USA (From the Blanco Y Negro Records album ‘Barbed Wire Kisses 1988)Drenge-Running Wild ( From the Infectious Records album ‘Undertow’ 2015)Lou Reed-How Do You Think It Feels (From the RCA Records album ‘Berlin’ 1973)Jefferson Airplane-White Rabbit (From the RCA Records album ‘Surrealistic Pillow’ 1967)The Idles-The Surge (From the Forty Six Records album ‘Arrogance Through Ignorance’ 2010)Thee Oh Sees-C (From the Castle Face Records album ‘Smote Reverser’ 2018)45 Grave-Violent World (From the Enigma Records album ‘Sleep In Safety’ 1983)Beak-Brean Down (Invada Records 7’’ 2018)Can-Vitamin C (From the United Artists Records album ‘Ege Bamyasi’ 1972)Motorhead-Overkill (From the Bronze Records album ‘Overkill’ 1979)

Today's Bombshell (Bombshell Radio)Generating Steam HeatBombshell Radio4pm EST 9pm BST 1pm PDT bombshellradio.com#GeneratingSteamHeat #Postpunk #punk #newmusic #60sClassics #Ska #60sGarage #StitcherRadio #Itunes #BombshellRadioFeral Five-Pet Show (Self released digital single 2018)The Mob-Rise Up! (All The Madmen Records 7’’ 2013)Okay Champ-The Party’s Over (Goodbye Yellow Brick Road)Crim-Quan Tornin Les Sirenes (From the Pirates Press Records album ‘Pare Nostre Que Esteu a L’Infern’ 2018)Xmal Deutscland-Fetisch (From the 4AD Records album ‘Fetisch’ 1983)Comsat Angels-Real Story (From the Polydor Records album ‘Waiting For A Miracle’ 1980)Pleasures-Apathy (Self released digital single 2018)The Action-Shadows and Reflections (Parlophone Records 7’’ 1967)Buzzcocks-Walking Distance (From the United Artists Records album ‘Love Bites’ 1978)Holiday-Tuppence For Hate (From the Pumpkin Records album ‘California Steamin’’ 2017)Salad-The Selfishness Of Love (Three Bean Records Digital single 2018)Ink Bomb-Invincible Summer (From the self released digital EP ‘Invincible Summer’ 2016)Estrons-Body (From the Gofod Records album ‘You Say I’m Too Much, I Saw You’re Not Enough’ 2018)The Insane-El Salvador (No Future Records 7’’1982)Evi Vine-Sabbath (Self released digital single 2018)

Today's Bombshell (Bombshell Radio)Generating Steam HeatBombshell Radio4pm EST 9pm BST 1pm PDT bombshellradio.com#GeneratingSteamHeat #Postpunk #punk #newmusic #60sClassics #Ska #60sGarage #StitcherRadio #Itunes #BombshellRadioSolger-I Hate It (From the self released/self titled EP 1981)Holiday-Cq (From the Pumpkin Records album ‘California Steamin’’ 2017)Crim-Potser No Hi Ha Final (From the Pirates Press Records album ‘Pare Nostre Que Esteu a L’Infern’ 2018)Cock Sparrer-Taken For A Ride (From he self titled Decca Records album 1978)Stage Bottles-Sometimes Anti Social, Always Anti Facist (KOB/Mad Butcher Records 7’’ 1999)Wynona Riders-Childhood Game (From the Lookout Records EP ‘Some Enchanted Evening’ 1992)Bears-On Me (Waldos Records 7’’1978)Maniacs-Chelsea 77 (United Artists Records 7’’ 1977)The Mekons 77-Still Waiting (From the Slow Things Records album ‘Twice Blessed’ 2018)Molar-Courage (From the Everything Sucks Records EP ‘Straniero’ 2018)The Raincoats-Fairytale In The Supermarket (Rough Trade Records 7’’ 1979)Pleasures-Company Drought (Self released digital single 2018)Sin 34-War At Home (From the Spinhead Records album ‘Do You Feel Safe?’ 1983)Natterers-Appetite For Distraction (From the Boss Tunage Records album ‘Head In Threatening Attitude’ 2018)Agnostic Front-Victim In Pain (From the Ratcage Records album ‘Victim In Pain’ 1984)Gorilla Biscuits-Start Today (From the Revelation Records album ‘Start Today’ 1989)The Sinyx-The Plague (From the Grand Theft Audio Records album ‘Britain Is A Mausoleum’ 2007)Vice Squad-Spikey Hair (From the Captain Oi! Records album ‘The Rarities’ 1999)The Pigs-Youthanasia (New Bristol Records 7’’ 1977)The Proletariat-The Murder Of Alton Sterling (Bridge Nine Records 7’’ 2018)

JOURNALIST, PROGRAMLEDARE, FÖRFATTARE, 38 år. Född i Karlstad, bosatt i Stockholm. Sommarvärd 2009 och Vintervärd 2012. Hur kan allt fortsätta att vara precis som vanligt, trots de ständiga varningsrapporterna från klimatforskare över hela världen? Om alla vet vad som håller på att hända, varför gör ingen något? Det är dagsaktuella existentiella frågor Hanna Hellquist tar upp i sitt Vinterprat. I en del av berättelsen ligger hon i en sjö i Grums, långt borta från lägenheten i Vasastan där alla ständigt renoverar och köper nytt. Det brinner i skogen bara några kilometer bort. Ängsligt har Hanna följt rapporteringen i P4 men ändå är det här vid sjön som hon är trygg. Här kan hon odla och ha djur och därför överleva. Här växer kryddor och jordgubbar, och dvärgtaxen Ines alldeles för stora hundkoja har blivit sovplats för några höns. - När naturen är det som ger en ångest så hittar jag inte tröst i kulturen. Jag hittar bara tröst i mer natur, berättar Hanna Hellquist och påminner oss om att människor i alla tider skapat trädgårdar som en motreaktion mot dålig miljö. Hanna Hellquist knyter också an till sin uppmärksammade krönika i Dagens Nyheter i januari 2018, som handlade om hennes oro för vad hon kommer att missa här i livet om hon aldrig skaffar barn. - I krönikan som jag skrev hänvisade jag till den franska författarinnan Corinne Mayer som i sin bok No kid deklarerar att varje barn som föds i västvärlden är en ekologisk katastrof. Och hon har inte fel i det. Föräldraskapet verkar vara så paradoxalt, på många sätt men framför allt ur miljösynpunkt. Ibland när jag pratar med mina vänner som har barn så kan jag inte låta bli att undra; varför tar ni inte det här på större allvar? Hanna Hellquist landar ändå i sitt Vinterprat i att vi kan göra skillnad. Vi kan diska och återvända plastpåsar. Vi kan sätta frön i jorden och skapa gröna oaser. Vi kan sluta ta bilen när vi lika gärna kan gå. - Det här handlar inte om hur jag ska rädda världen. Eller hur jag tycker att någon annan ska rädda världen åt mig. Det handlar om hur jag ska göra för att känna att min tid på den här jorden har något slags värde. Hur jag ska förmå mig tänka några veckor längre fram än min nästa tandläkartid. Hur jag ska handskas med min egen maktlöshet. Om Hanna Hellquist Sedan flera år en av programledarna för Morgonpasset i P3. Uppskattad krönikör i bland annat Dagens Nyheter och tidningen Elle. Debuterade som författare 2009 med boken Karlstads Zoologiska och har även gett ut krönikesamlingen En tryckare på Blue Moon Bar. Har lett tv-programmen Jakten på lyckan och Jakten på det perfekta livet. Fick 2017 både Region Värmlands litteraturstipendium och Karlstads kulturstipendium till Gustaf Frödings minne. Renoverar ständigt i sitt fritidshus utanför Grums och tillbringar mycket tid där tillsammans med dvärgtaxen Ines. Producent: Elin Unnes Här är den rätta låtlistan 1. SIGNATUR: Vintergatan 2. All Out of Catastrophes, Marissa Nadler 3. Keep Your Weeds, Jex Thoth 4. The Mysterious Vanishing of Electra, Anna von Hausswolff 5. Shallow, Lady Gaga, Bradley Cooper 6. Video Games, Lana Del Rey 7. Konstiga restauranger, Jonas Lundqvist 8. Love Hurts, Gram Parsons 9. Masked Ball, Jocelyn Pook, från skivan Flood (Virgin), 06.09 10. Synthetic World, Swamp Dogg, från skivan Total Destruction to Your Mind (Alive/Bertus), 03.26 11. Take on Me, a-ha, från skivan MTV Unplugged - Summer Soltice, 04.14 12. Therell Always Be Music, Tina Turner, från skivan Tina Turns the Country on! (United Artists Records), 04.10 13. Kyss mig i slo-mo (feat. Leslie Tay), Oscar Zia, Leslie Tay, från skivan Din (Warner), 03.04

Generating Steam Heat​Today's Bombshell (Bombshell Radio)Bombshell Radio4pm EST 9pm BST 1pm PDT bombshellradio.com#GeneratingSteamHeat #Postpunk #punk #newmusic #60sClassics #Ska #60sGarage #StitcherRadio #Itunes #BombshellRadioBad Moves-Cool Generator (Don Giovani Records digital single 2018)Petite-Torches (From the self released cassette EP ‘II’ 2017)Shopping-Shave Your Head (From the Fat Cat Records album ‘The Official Body’ 2017)Haymaker-Underdogs (From the Firm Records album ‘We Apologise to Nobody’ 2018)Armada-Lisboa (From the Pirates Press Records album ‘Bandeita Negra’ 2018)Basic Bitches-How Come None Of You Ever Want To Hang Anymore? (Self released digital single 2018)Happy Accidents-Maybe Tomorrow (From the Alcopop! Records album ‘Everything but the Here and Now’ 2018) Colour Me Wednesday-Sugarcoated (From the Lauren Records split album ‘Spoonboy + Colour Me Wednesday’ 2014) th’sheridans-Metal (Self released digital single 2018)Marie Moor-Pretty Day (AAAA Records 7’’ 1982)Patience-White of an Eye (Night School Records 7’’ 2017)Gold Baby-Duppy (Self Released digital single 2017)Litige-Bord De Route (From the Destructure Records MLP ‘Fuite En Avant’ 2017)Richard Hell and the Voidoids-Time (From the Red Star Records album ‘Destiny Street’ 1982)D.N.A-Little Ants (Medical Records 7’’ 1978)The Scabs-Leave Me Alone (From the self titled Clubland Records EP 1979)Dr Feelgood-She Does It Right (From the United Artists Records album ‘Down By The Jetty’ 1975)Generation-Wake Up (From the Spirit Of Punk Records EP ‘Who Loves This Generation?’ 2017)Worst Witch-The Fever (From the Alerta Antifascita Records album ‘Toil and Trouble’ 2018)Guerilla Poubelle-Nous Sommes Morts Trop Jeunes (From the Red Scare Record album ‘La Nausee’ 2017)

间谍文学一度被视为上不得台面的商业文学。然而在20世纪，伴随着冷战的发生，涌现出了一批间谍小说大师，他们作品的深度与思想性丝毫不弱于严肃文学，他们的读者里有商界领袖、学术精英甚至大国情报头目。本期《忽左忽右》，正在进行类型小说创作的《上海书评》执行主编郑诗亮为大家带来有关间谍文学的一切。【主持】程衍樑（新浪微博：@GrenadierGuard）杨一（新浪微博：@杨一1 ）【嘉宾】郑诗亮，《上海书评》执行主编（豆瓣ID:PomBom）沙青青，上海图书馆信息咨询与研究中心竞争情报部副主任（豆瓣ID:BBpanda）[04:00]英国为何能在在间谍小说领域占据崇高地位[05:00]吉卜林笔下的文学形象启发了“剑桥五杰”[06:50]为什么冷战题材的间谍小说人物更具深度[07:40]勒卡雷与格雷厄姆·格林的有趣对比[10:40]肯·福莱特间谍文学里的工党价值观[12:50]007系列原著在英国上流社会遭遇冷眼[13:50]间谍小说家的苦恼：受欢迎还是被认可？[15:00]英国情报机构充斥着大量左派人士[16:10]《锅匠裁缝士兵间谍》其实是一本职场小说[17:30]情报人员的日常工作并不神秘[18:45]詹姆斯·邦德在勒卡雷小说里成了干脏活的蓝领[22:10]冷战时代的记者作家常充当编制外的情报人员[26:30]美国国家档案馆与《信息自由法》[27:15]文化名流与情报机构互相利用、各取所需[30:30]苏联情报头子爱读勒卡雷小说[31:25]每个作家内心深处都有一个间谍梦[32:40]西方文艺作品对于对手的社会描述往往很浅薄[34:05]张爱玲、钱钟书都爱看《柏林谍影》[35:10]间谍电影的一个问题在于男主太帅[36:05]英美情报机构青睐历史学者与摩门教徒[40:10]人类学“脑后有反骨”，不被情报机构喜欢[41:00]历史研究与情报工作方法论上契合[41:40]学界特工揪出学界“鼹鼠”的经典案例[49:00]每一座“谍都”都值得诞生一部经典小说[52:10]沙青青谈自己的情报纪实作品[58:43]局势复杂的地区永远都会有情报掮客[60:10]同一阵营的不同情报机构也会互相抢条线[61:16]韩国电影倾向于夸大自身情报机关的作用[62:40]英国人在面对CIA的存在时从容很多[69:25]满铁调查部曾容纳许多左翼日本人[73:50]郑诗亮谈《春天的十七个瞬间》[76:45]苏联七八十年代的间谍文学很优秀[79:06]许多类型文学作家最好的作品都是冷战题材[80:39]福赛斯的技术流小说堪称操作指南[83:13]类型文学发达得益于大众商业社会[84:33]金·费尔比准确预言了今天的俄国领袖[86:36]间谍出身与军人出身是完全不同的思维方式[87:26]情报人员跳槽前往商业公司很普遍[87:59]后冷战时代的出色间谍将在码农中诞生[88:15]剿灭拉登行动背后的“码农立志传”[90:23]未来间谍文艺还有很大的延伸空间【延伸资料】《三十九级台阶》约翰·巴肯《密探》约瑟夫·康拉德《柏林谍影》约翰·勒卡雷《锅匠裁缝士兵间谍》约翰·勒卡雷《寒鸦行动》肯·福莱特《007全集》伊恩·弗莱明《代号D机关》柳广司《伯恩的身份》罗伯特·陆德伦《澳新内幕》约翰·根室《春天的十七个瞬间》尤·谢苗诺夫《伟大的经典》F.R.利维斯《古典传统》吉尔伯特·海厄特《满铁调查》《豺狼的日子》弗·福赛斯【音乐】"James Bond Theme"（John Barry & Orchestra·Dr. No·1962·United Artists Records and Liberty Records）"National Anthem Of The USSR"（The Red Army Choir·The Best Of The Red Army Choir - The Definitive Collection·2002·Silva Screen）"Piano Prelude"（Sol Kaplan·The Spy Who Came In From the Cold (Original Soundtrack)·1965·Intrada）"La Mer (El Mar)"（Julio Iglesias·En El Olympia·1976·RCA）【logo设计】杨文骥【收听方式】推荐您使用「苹果播客」、Spotify或任意安卓播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM、蜻蜓FM、 荔枝FM、网易云音乐收听。【本节目由JustPod出品】【互动方式】微博：@忽左忽右leftright 微博：@播客一下 微信公众号：忽左忽右微信公众号：播客一下

间谍文学一度被视为上不得台面的商业文学。然而在20世纪，伴随着冷战的发生，涌现出了一批间谍小说大师，他们作品的深度与思想性丝毫不弱于严肃文学，他们的读者里有商界领袖、学术精英甚至大国情报头目。本期《忽左忽右》，正在进行类型小说创作的《上海书评》执行主编郑诗亮为大家带来有关间谍文学的一切。【主持】程衍樑（新浪微博：@GrenadierGuard）杨一（新浪微博：@杨一1）【嘉宾】郑诗亮，《上海书评》执行主编（豆瓣ID:PomBom）沙青青，上海图书馆信息咨询与研究中心竞争情报部副主任（豆瓣ID:BBpanda）●[04:00]英国为何能在在间谍小说领域占据崇高地位●[05:00]吉卜林笔下的文学形象启发了“剑桥五杰”●[06:50]为什么冷战题材的间谍小说人物更具深度●[07:40]勒卡雷与格雷厄姆·格林的有趣对比●[10:40]肯·福莱特间谍文学里的工党价值观●[12:50]007系列原著在英国上流社会遭遇冷眼●[13:50]间谍小说家的苦恼：受欢迎还是被认可？●[15:00]英国情报机构充斥着大量左派人士●[16:10]《锅匠裁缝士兵间谍》其实是一本职场小说●[17:30]情报人员的日常工作并不神秘●[18:45]詹姆斯·邦德在勒卡雷小说里成了干脏活的蓝领●[22:10]冷战时代的记者作家常充当编制外的情报人员●[26:30]美国国家档案馆与《信息自由法》●[27:15]文化名流与情报机构互相利用、各取所需●[30:30]苏联情报头子爱读勒卡雷小说●[31:25]每个作家内心深处都有一个间谍梦●[32:40]西方文艺作品对于对手的社会描述往往很浅薄●[34:05]张爱玲、钱钟书都爱看《柏林谍影》●[35:10]间谍电影的一个问题在于男主太帅●[36:05]英美情报机构青睐历史学者与摩门教徒●[40:10]人类学“脑后有反骨”，不被情报机构喜欢●[41:00]历史研究与情报工作方法论上契合●[41:40]学界特工揪出学界“鼹鼠”的经典案例●[49:00]每一座“谍都”都值得诞生一部经典小说●[52:10]沙青青谈自己的情报纪实作品●[58:43]局势复杂的地区永远都会有情报掮客●[60:10]同一阵营的不同情报机构也会互相抢条线●[61:16]韩国电影倾向于夸大自身情报机关的作用●[62:40]英国人在面对CIA的存在时从容很多●[69:25]满铁调查部曾容纳许多左翼日本人●[73:50]郑诗亮谈《春天的十七个瞬间》●[76:45]苏联七八十年代的间谍文学很优秀●[79:06]许多类型文学作家最好的作品都是冷战题材●[80:39]福赛斯的技术流小说堪称操作指南●[83:13]类型文学发达得益于大众商业社会●[84:33]金·费尔比准确预言了今天的俄国领袖●[86:36]间谍出身与军人出身是完全不同的思维方式●[87:26]情报人员跳槽前往商业公司很普遍●[87:59]后冷战时代的出色间谍将在码农中诞生●[88:15]剿灭拉登行动背后的“码农立志传”●[90:23]未来间谍文艺还有很大的延伸空间【延伸资料】《三十九级台阶》约翰·巴肯《密探》约瑟夫·康拉德《柏林谍影》约翰·勒卡雷《锅匠裁缝士兵间谍》约翰·勒卡雷《寒鸦行动》肯·福莱特《007全集》伊恩·弗莱明《代号D机关》柳广司《伯恩的身份》罗伯特·陆德伦《澳新内幕》约翰·根室《春天的十七个瞬间》尤·谢苗诺夫《伟大的经典》F.R.利维斯《古典传统》吉尔伯特·海厄特《满铁调查》《豺狼的日子》弗·福赛斯【音乐】"James Bond Theme"（John Barry & Orchestra·Dr. No·1962·United Artists Records and Liberty Records）"National Anthem Of The USSR"（The Red Army Choir·The Best Of The Red Army Choir - The Definitive Collection·2002·Silva Screen）"Piano Prelude"（Sol Kaplan·The Spy Who Came In From the Cold (Original Soundtrack)·1965·Intrada）"La Mer (El Mar)"（Julio Iglesias·En El Olympia·1976·RCA）【logo设计】杨文骥【收听方式】推荐您使用泛用型播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【互动方式】新浪微博：@忽左忽右leftright微信公众号：忽左忽右leftright

间谍文学一度被视为上不得台面的商业文学。然而在20世纪，伴随着冷战的发生，涌现出了一批间谍小说大师，他们作品的深度与思想性丝毫不弱于严肃文学，他们的读者里有商界领袖、学术精英甚至大国情报头目。本期《忽左忽右》，正在进行类型小说创作的《上海书评》执行主编郑诗亮为大家带来有关间谍文学的一切。【主持】程衍樑（新浪微博：@GrenadierGuard）杨一（新浪微博：@杨一1）【嘉宾】郑诗亮，《上海书评》执行主编（豆瓣ID:PomBom）沙青青，上海图书馆信息咨询与研究中心竞争情报部副主任（豆瓣ID:BBpanda）●[04:00]英国为何能在在间谍小说领域占据崇高地位●[05:00]吉卜林笔下的文学形象启发了“剑桥五杰”●[06:50]为什么冷战题材的间谍小说人物更具深度●[07:40]勒卡雷与格雷厄姆·格林的有趣对比●[10:40]肯·福莱特间谍文学里的工党价值观●[12:50]007系列原著在英国上流社会遭遇冷眼●[13:50]间谍小说家的苦恼：受欢迎还是被认可？●[15:00]英国情报机构充斥着大量左派人士●[16:10]《锅匠裁缝士兵间谍》其实是一本职场小说●[17:30]情报人员的日常工作并不神秘●[18:45]詹姆斯·邦德在勒卡雷小说里成了干脏活的蓝领●[22:10]冷战时代的记者作家常充当编制外的情报人员●[26:30]美国国家档案馆与《信息自由法》●[27:15]文化名流与情报机构互相利用、各取所需●[30:30]苏联情报头子爱读勒卡雷小说●[31:25]每个作家内心深处都有一个间谍梦●[32:40]西方文艺作品对于对手的社会描述往往很浅薄●[34:05]张爱玲、钱钟书都爱看《柏林谍影》●[35:10]间谍电影的一个问题在于男主太帅●[36:05]英美情报机构青睐历史学者与摩门教徒●[40:10]人类学“脑后有反骨”，不被情报机构喜欢●[41:00]历史研究与情报工作方法论上契合●[41:40]学界特工揪出学界“鼹鼠”的经典案例●[49:00]每一座“谍都”都值得诞生一部经典小说●[52:10]沙青青谈自己的情报纪实作品●[58:43]局势复杂的地区永远都会有情报掮客●[60:10]同一阵营的不同情报机构也会互相抢条线●[61:16]韩国电影倾向于夸大自身情报机关的作用●[62:40]英国人在面对CIA的存在时从容很多●[69:25]满铁调查部曾容纳许多左翼日本人●[73:50]郑诗亮谈《春天的十七个瞬间》●[76:45]苏联七八十年代的间谍文学很优秀●[79:06]许多类型文学作家最好的作品都是冷战题材●[80:39]福赛斯的技术流小说堪称操作指南●[83:13]类型文学发达得益于大众商业社会●[84:33]金·费尔比准确预言了今天的俄国领袖●[86:36]间谍出身与军人出身是完全不同的思维方式●[87:26]情报人员跳槽前往商业公司很普遍●[87:59]后冷战时代的出色间谍将在码农中诞生●[88:15]剿灭拉登行动背后的“码农立志传”●[90:23]未来间谍文艺还有很大的延伸空间【延伸资料】《三十九级台阶》约翰·巴肯《密探》约瑟夫·康拉德《柏林谍影》约翰·勒卡雷《锅匠裁缝士兵间谍》约翰·勒卡雷《寒鸦行动》肯·福莱特《007全集》伊恩·弗莱明《代号D机关》柳广司《伯恩的身份》罗伯特·陆德伦《澳新内幕》约翰·根室《春天的十七个瞬间》尤·谢苗诺夫《伟大的经典》F.R.利维斯《古典传统》吉尔伯特·海厄特《满铁调查》《豺狼的日子》弗·福赛斯【音乐】"James Bond Theme"（John Barry & Orchestra·Dr. No·1962·United Artists Records and Liberty Records）"National Anthem Of The USSR"（The Red Army Choir·The Best Of The Red Army Choir - The Definitive Collection·2002·Silva Screen）"Piano Prelude"（Sol Kaplan·The Spy Who Came In From the Cold (Original Soundtrack)·1965·Intrada）"La Mer (El Mar)"（Julio Iglesias·En El Olympia·1976·RCA）【logo设计】杨文骥【收听方式】推荐您使用泛用型播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【互动方式】新浪微博：@忽左忽右leftright微信公众号：忽左忽右leftright

间谍文学一度被视为上不得台面的商业文学。然而在20世纪，伴随着冷战的发生，涌现出了一批间谍小说大师，他们作品的深度与思想性丝毫不弱于严肃文学，他们的读者里有商界领袖、学术精英甚至大国情报头目。本期《忽左忽右》，正在进行类型小说创作的《上海书评》执行主编郑诗亮为大家带来有关间谍文学的一切。【主持】程衍樑（新浪微博：@GrenadierGuard）杨一（新浪微博：@杨一1）【嘉宾】郑诗亮，《上海书评》执行主编（豆瓣ID:PomBom）沙青青，上海图书馆信息咨询与研究中心竞争情报部副主任（豆瓣ID:BBpanda）●[04:00]英国为何能在在间谍小说领域占据崇高地位●[05:00]吉卜林笔下的文学形象启发了“剑桥五杰”●[06:50]为什么冷战题材的间谍小说人物更具深度●[07:40]勒卡雷与格雷厄姆·格林的有趣对比●[10:40]肯·福莱特间谍文学里的工党价值观●[12:50]007系列原著在英国上流社会遭遇冷眼●[13:50]间谍小说家的苦恼：受欢迎还是被认可？●[15:00]英国情报机构充斥着大量左派人士●[16:10]《锅匠裁缝士兵间谍》其实是一本职场小说●[17:30]情报人员的日常工作并不神秘●[18:45]詹姆斯·邦德在勒卡雷小说里成了干脏活的蓝领●[22:10]冷战时代的记者作家常充当编制外的情报人员●[26:30]美国国家档案馆与《信息自由法》●[27:15]文化名流与情报机构互相利用、各取所需●[30:30]苏联情报头子爱读勒卡雷小说●[31:25]每个作家内心深处都有一个间谍梦●[32:40]西方文艺作品对于对手的社会描述往往很浅薄●[34:05]张爱玲、钱钟书都爱看《柏林谍影》●[35:10]间谍电影的一个问题在于男主太帅●[36:05]英美情报机构青睐历史学者与摩门教徒●[40:10]人类学“脑后有反骨”，不被情报机构喜欢●[41:00]历史研究与情报工作方法论上契合●[41:40]学界特工揪出学界“鼹鼠”的经典案例●[49:00]每一座“谍都”都值得诞生一部经典小说●[52:10]沙青青谈自己的情报纪实作品●[58:43]局势复杂的地区永远都会有情报掮客●[60:10]同一阵营的不同情报机构也会互相抢条线●[61:16]韩国电影倾向于夸大自身情报机关的作用●[62:40]英国人在面对CIA的存在时从容很多●[69:25]满铁调查部曾容纳许多左翼日本人●[73:50]郑诗亮谈《春天的十七个瞬间》●[76:45]苏联七八十年代的间谍文学很优秀●[79:06]许多类型文学作家最好的作品都是冷战题材●[80:39]福赛斯的技术流小说堪称操作指南●[83:13]类型文学发达得益于大众商业社会●[84:33]金·费尔比准确预言了今天的俄国领袖●[86:36]间谍出身与军人出身是完全不同的思维方式●[87:26]情报人员跳槽前往商业公司很普遍●[87:59]后冷战时代的出色间谍将在码农中诞生●[88:15]剿灭拉登行动背后的“码农立志传”●[90:23]未来间谍文艺还有很大的延伸空间【延伸资料】《三十九级台阶》约翰·巴肯《密探》约瑟夫·康拉德《柏林谍影》约翰·勒卡雷《锅匠裁缝士兵间谍》约翰·勒卡雷《寒鸦行动》肯·福莱特《007全集》伊恩·弗莱明《代号D机关》柳广司《伯恩的身份》罗伯特·陆德伦《澳新内幕》约翰·根室《春天的十七个瞬间》尤·谢苗诺夫《伟大的经典》F.R.利维斯《古典传统》吉尔伯特·海厄特《满铁调查》《豺狼的日子》弗·福赛斯【音乐】"James Bond Theme"（John Barry & Orchestra·Dr. No·1962·United Artists Records and Liberty Records）"National Anthem Of The USSR"（The Red Army Choir·The Best Of The Red Army Choir - The Definitive Collection·2002·Silva Screen）"Piano Prelude"（Sol Kaplan·The Spy Who Came In From the Cold (Original Soundtrack)·1965·Intrada）"La Mer (El Mar)"（Julio Iglesias·En El Olympia·1976·RCA）【logo设计】杨文骥【收听方式】推荐您使用泛用型播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【互动方式】新浪微博：@忽左忽右leftright微信公众号：忽左忽右leftright

间谍文学一度被视为上不得台面的商业文学。然而在20世纪，伴随着冷战的发生，涌现出了一批间谍小说大师，他们作品的深度与思想性丝毫不弱于严肃文学，他们的读者里有商界领袖、学术精英甚至大国情报头目。本期《忽左忽右》，正在进行类型小说创作的《上海书评》执行主编郑诗亮为大家带来有关间谍文学的一切。【主持】程衍樑（新浪微博：@GrenadierGuard）杨一（新浪微博：@杨一1 ）【嘉宾】郑诗亮，《上海书评》执行主编（豆瓣ID:PomBom）沙青青，上海图书馆信息咨询与研究中心竞争情报部副主任（豆瓣ID:BBpanda）[04:00]英国为何能在在间谍小说领域占据崇高地位[05:00]吉卜林笔下的文学形象启发了“剑桥五杰”[06:50]为什么冷战题材的间谍小说人物更具深度[07:40]勒卡雷与格雷厄姆·格林的有趣对比[10:40]肯·福莱特间谍文学里的工党价值观[12:50]007系列原著在英国上流社会遭遇冷眼[13:50]间谍小说家的苦恼：受欢迎还是被认可？[15:00]英国情报机构充斥着大量左派人士[16:10]《锅匠裁缝士兵间谍》其实是一本职场小说[17:30]情报人员的日常工作并不神秘[18:45]詹姆斯·邦德在勒卡雷小说里成了干脏活的蓝领[22:10]冷战时代的记者作家常充当编制外的情报人员[26:30]美国国家档案馆与《信息自由法》[27:15]文化名流与情报机构互相利用、各取所需[30:30]苏联情报头子爱读勒卡雷小说[31:25]每个作家内心深处都有一个间谍梦[32:40]西方文艺作品对于对手的社会描述往往很浅薄[34:05]张爱玲、钱钟书都爱看《柏林谍影》[35:10]间谍电影的一个问题在于男主太帅[36:05]英美情报机构青睐历史学者与摩门教徒[40:10]人类学“脑后有反骨”，不被情报机构喜欢[41:00]历史研究与情报工作方法论上契合[41:40]学界特工揪出学界“鼹鼠”的经典案例[49:00]每一座“谍都”都值得诞生一部经典小说[52:10]沙青青谈自己的情报纪实作品[58:43]局势复杂的地区永远都会有情报掮客[60:10]同一阵营的不同情报机构也会互相抢条线[61:16]韩国电影倾向于夸大自身情报机关的作用[62:40]英国人在面对CIA的存在时从容很多[69:25]满铁调查部曾容纳许多左翼日本人[73:50]郑诗亮谈《春天的十七个瞬间》[76:45]苏联七八十年代的间谍文学很优秀[79:06]许多类型文学作家最好的作品都是冷战题材[80:39]福赛斯的技术流小说堪称操作指南[83:13]类型文学发达得益于大众商业社会[84:33]金·费尔比准确预言了今天的俄国领袖[86:36]间谍出身与军人出身是完全不同的思维方式[87:26]情报人员跳槽前往商业公司很普遍[87:59]后冷战时代的出色间谍将在码农中诞生[88:15]剿灭拉登行动背后的“码农立志传”[90:23]未来间谍文艺还有很大的延伸空间【延伸资料】《三十九级台阶》约翰·巴肯《密探》约瑟夫·康拉德《柏林谍影》约翰·勒卡雷《锅匠裁缝士兵间谍》约翰·勒卡雷《寒鸦行动》肯·福莱特《007全集》伊恩·弗莱明《代号D机关》柳广司《伯恩的身份》罗伯特·陆德伦《澳新内幕》约翰·根室《春天的十七个瞬间》尤·谢苗诺夫《伟大的经典》F.R.利维斯《古典传统》吉尔伯特·海厄特《满铁调查》《豺狼的日子》弗·福赛斯【音乐】"James Bond Theme"（John Barry & Orchestra·Dr. No·1962·United Artists Records and Liberty Records）"National Anthem Of The USSR"（The Red Army Choir·The Best Of The Red Army Choir - The Definitive Collection·2002·Silva Screen）"Piano Prelude"（Sol Kaplan·The Spy Who Came In From the Cold (Original Soundtrack)·1965·Intrada）"La Mer (El Mar)"（Julio Iglesias·En El Olympia·1976·RCA）【logo设计】杨文骥【收听方式】推荐您使用「苹果播客」、Spotify或任意安卓播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM、蜻蜓FM、 荔枝FM、网易云音乐收听。【本节目由JustPod出品】【互动方式】微博：@忽左忽右leftright 微博：@播客一下 微信公众号：忽左忽右微信公众号：播客一下

间谍文学一度被视为上不得台面的商业文学。然而在20世纪，伴随着冷战的发生，涌现出了一批间谍小说大师，他们作品的深度与思想性丝毫不弱于严肃文学，他们的读者里有商界领袖、学术精英甚至大国情报头目。本期《忽左忽右》，正在进行类型小说创作的《上海书评》执行主编郑诗亮为大家带来有关间谍文学的一切。【主持】程衍樑（新浪微博：@GrenadierGuard）杨一（新浪微博：@杨一1）【嘉宾】郑诗亮，《上海书评》执行主编（豆瓣ID:PomBom）沙青青，上海图书馆信息咨询与研究中心竞争情报部副主任（豆瓣ID:BBpanda）●[04:00]英国为何能在在间谍小说领域占据崇高地位●[05:00]吉卜林笔下的文学形象启发了“剑桥五杰”●[06:50]为什么冷战题材的间谍小说人物更具深度●[07:40]勒卡雷与格雷厄姆·格林的有趣对比●[10:40]肯·福莱特间谍文学里的工党价值观●[12:50]007系列原著在英国上流社会遭遇冷眼●[13:50]间谍小说家的苦恼：受欢迎还是被认可？●[15:00]英国情报机构充斥着大量左派人士●[16:10]《锅匠裁缝士兵间谍》其实是一本职场小说●[17:30]情报人员的日常工作并不神秘●[18:45]詹姆斯·邦德在勒卡雷小说里成了干脏活的蓝领●[22:10]冷战时代的记者作家常充当编制外的情报人员●[26:30]美国国家档案馆与《信息自由法》●[27:15]文化名流与情报机构互相利用、各取所需●[30:30]苏联情报头子爱读勒卡雷小说●[31:25]每个作家内心深处都有一个间谍梦●[32:40]西方文艺作品对于对手的社会描述往往很浅薄●[34:05]张爱玲、钱钟书都爱看《柏林谍影》●[35:10]间谍电影的一个问题在于男主太帅●[36:05]英美情报机构青睐历史学者与摩门教徒●[40:10]人类学“脑后有反骨”，不被情报机构喜欢●[41:00]历史研究与情报工作方法论上契合●[41:40]学界特工揪出学界“鼹鼠”的经典案例●[49:00]每一座“谍都”都值得诞生一部经典小说●[52:10]沙青青谈自己的情报纪实作品●[58:43]局势复杂的地区永远都会有情报掮客●[60:10]同一阵营的不同情报机构也会互相抢条线●[61:16]韩国电影倾向于夸大自身情报机关的作用●[62:40]英国人在面对CIA的存在时从容很多●[69:25]满铁调查部曾容纳许多左翼日本人●[73:50]郑诗亮谈《春天的十七个瞬间》●[76:45]苏联七八十年代的间谍文学很优秀●[79:06]许多类型文学作家最好的作品都是冷战题材●[80:39]福赛斯的技术流小说堪称操作指南●[83:13]类型文学发达得益于大众商业社会●[84:33]金·费尔比准确预言了今天的俄国领袖●[86:36]间谍出身与军人出身是完全不同的思维方式●[87:26]情报人员跳槽前往商业公司很普遍●[87:59]后冷战时代的出色间谍将在码农中诞生●[88:15]剿灭拉登行动背后的“码农立志传”●[90:23]未来间谍文艺还有很大的延伸空间【延伸资料】《三十九级台阶》约翰·巴肯《密探》约瑟夫·康拉德《柏林谍影》约翰·勒卡雷《锅匠裁缝士兵间谍》约翰·勒卡雷《寒鸦行动》肯·福莱特《007全集》伊恩·弗莱明《代号D机关》柳广司《伯恩的身份》罗伯特·陆德伦《澳新内幕》约翰·根室《春天的十七个瞬间》尤·谢苗诺夫《伟大的经典》F.R.利维斯《古典传统》吉尔伯特·海厄特《满铁调查》《豺狼的日子》弗·福赛斯【音乐】"James Bond Theme"（John Barry & Orchestra·Dr. No·1962·United Artists Records and Liberty Records）"National Anthem Of The USSR"（The Red Army Choir·The Best Of The Red Army Choir - The Definitive Collection·2002·Silva Screen）"Piano Prelude"（Sol Kaplan·The Spy Who Came In From the Cold (Original Soundtrack)·1965·Intrada）"La Mer (El Mar)"（Julio Iglesias·En El Olympia·1976·RCA）【logo设计】杨文骥【收听方式】推荐您使用泛用型播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【互动方式】新浪微博：@忽左忽右leftright微信公众号：忽左忽右leftright

This intimate get together between two musically related people became an instant classic. It was a true meeting of minds by two of the most prominent Jazz players. Pianist Bill Evans and guitarist Jim Hall are not only known for their individuality but their musicality. They are both virtuosi who don't need to show off their chops on every tune. They are humble to the MUSIC, first and foremost. They met in 1959 at the Lenox School of Music where they were teaching and established a mutual admiration society. This came to fruition on this duet recording done in April and May of 1962 for United Artists Records called "Undercurrent" The two men explore a variety of great standard and non-standard tunes plus an original by Jim Hall and one by John Lewis. The result is one of the essential Jazz recordings. Undercurrent is an album of great creativity, intense introspection and wonderful lyricism by Evans and Hall.

Tonight's Feature is a true Jazz summit meeting. It took place in a New York studio for United Artists Records on September 17,1962. The people involved are Duke Ellington on piano, Charles Mingus on bass and Max Roach on drums. All the compositions are by Duke Ellington and they are all newly created for this date with two exceptions: Juan Tizol's and Ellington's "Caravan" and Ellington's and Eddie DeLange's "Solitude". This amazing meeting is now considered a truly classic encounter and I think you, the listener will agree!