Podcast appearances and mentions of Ray Kennedy

Rereleased in memory of Jan Gorski-Mescir. In this special edition of Scouser Tommies, Jim Boardman and Jan Gorski-Mescir discussed the career of Liverpool legend Ray Kennedy after his death at the age of 70. Bill Shankly's last signing, Ray would go on to be a key part of the Bob Paisley era, instrumental in the Reds making that step up from regular league title winners to regular European title winners. In Paisley's words, Ray was “one of Liverpool's greatest players and probably the most underrated” Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode 296: With Americanafest landing in Nashville, Craig Havighurst looked over the many  artists breaking out of Music City and got especially excited about Baltic Street Hotel by rocking songwriter Sophie Gault. It'll be released on Friday, but Craig's been listening for a few weeks and finds it rich with personal details, sharp melodies, and an old school Americana spirit that evokes Lucinda Williams or Kathleen Edwards. The show features exclusive teasers of several songs from this LP, produced by Ray Kennedy at his request. Also in the hour, a rising star of acoustic Americana, 15-year-old mandolinist Wyatt Ellis, who recently released his solo debut with guest turns by some of today's best mandolin players, including Marty Stuart. 

Mick and Kristian are back with another episode of On This Day which today includes a happy heavenly birthday to Ray Kennedy, the signings of Robbie Keane and Harvey Elliott before discussing Xherdan Shaqiri's overhead kick belter in 2018! Learn more about your ad choices. Visit megaphone.fm/adchoices

Coming down the homestretch of Season Three of The Load Out Music Podcast, we settle into our new digs in one of the great music venues in St. Louis – The Old Rock House. Most important, we welcome yet another Grammy Award winner in Jeff Hanna, founder and longest serving member of the Nitty Gritty Dirt Band. In the 1960s, the Detroit-native landed in Long Beach, California, where music was being transformed. The sounds of folk, rock, country, bluegrass and blues were being blended in from San Francisco to Los Angeles into what is today considered roots, Americana or alt-country. But it was the bands at that time, in that place that were doing it – The Byrds and Flying Burrito Brothers (both led by past guest Chris Hillman), Poco, Emmylou Harris, New Riders of the Purple Sage, The Buffalo Springfield, Linda Rondstadt Crosby, Stills and Nash, the Grateful Dead, Joni Mitchell and, of course, the Nitty Gritty Dirt Band. Hanna started hanging out at McCabe's guitar shop with a cast of characters that would shape the alt-country movement: Les Thompson, Jimmie Faddon, Ralph Barr, the legendary Jackson Browne and other founding or future members of the Nitty Gritty Dirt Band (NGDB) such as former Load Out guest John McEuen. NGBD's first big hit was a cover of Jerry Jeff Walker's “Mr. Bojangles.” But when the legendary Earl Scruggs and Doc Watson agreed to record with NGDB, it set in motion a recording effort in Nashville akin to The Band's Last Waltz documentary film and album. It was released in 1972 as Will the Circle Be Unbroken, which is in the Grammy Hall of Fame as well as The Library of Congress. Rolling Stone called the first record (there were ultimately three), “The most important record to come out of Nashville” and a 2004 ZAGAT survey called it “the most important record in country music.” True to form, Hanna just downplayed it and instead applauded those around him. “I think most of just felt like, how lucky are we get to make records,” he told me. “It was such a communal project.” All along, Hanna – in and out of NGBD – has succeeded. From the NGBD's start in 1966 to its 1985 country number one song "Modern Day Romance,” followed up by the smash hit "Fishin' in the Dark" in 1987. The song Hanna co-wrote with Marcus Hummon and Bobby Boyd in 1994, "Bless the Broken Road," won a Best Country Grammy Award for Rascal Flatts in 2006. Most recently, Hanna and NGBD – now featuring Hanna's son Jaime on vocals and guitar – has taken on another American institution near and dear to their hearts in Bob Dylan's songbook. Dirt Does Dylan, a ten-track album highlighting some of the gems from Dylan's vast catalog, was just released with stellar cuts of songs like “It Takes a Lot to Laugh, It Takes a Train to Cry,” “Forever Young” and other Dylan hits. Throughout our conversation, Hanna spends most of his time heaping praise on everyone in his circle but himself. From his longtime NGBD bandmates to his wife Matraca Berg and son, contributors to Circle like Levon Helm, producer Ray Kennedy and others – Hanna's intention is summed up in how he described the experience of recording Will the Circle Be Unbroken. “I'm so happy to be in that crowd.” Please enjoy the latest episode of The Load Out Music Podcast with founder Jeff Hanna of the Nitty Gritty Dirt Band.

In the newest episode of Rolling Stone's 500 Greatest Albums, we dive into Lucinda Williams' 1998 masterpiece "Car Wheels on a Gravel Road," an album that helped define modern roots music and got Williams' long-overdue recognition as one of America's greatest songwriters. The album took six years, three producers, and some label drama to make, but Williams' perfectionism resulted in an arguably perfect album. Williams joins Rolling Stone Country's Joseph Hudak to tell the stories behind songs like "Drunken Angel", and title track "Car Wheels on a Gravel Road" that affected Williams' father so much he apologized to Williams when he first heard it. Producers Steve Earle and Ray Kennedy in addition to Waxahatchee help flesh out the story. Later in the episode, Rolling Stone staffers Claire Shaffer and Jon Freeman join host Brittany Spanos to discuss the album's legacy.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sista helgen innan jul. Fredagsklubben är punktligt åter med ett nytt avsnitt. Det är fredag och då vet ni vad som gäller. Häll upp helgölen och slå er ner i favoritfåtöljen med Fredagsklubben i lurarna. Den här veckan med en salig blandning av grejer. Allt från Ray Kennedy via Auba till segern mot West Ham United och Cazorlas födelsedag. Som vanligt är det Teo Rothman, Malin Hägg och Jocke Lander som styr Fredagsklubben.

Join Ian Stone, Amy Lawrence, and James McNicholas for this week's Handbrake Off where we're praising our team on the pitch and asking questions about what's going on off itThis week: slickest team goals, a good win, and great concern for how Arteta will deal with Auba. Is it time for a new captain?That plus disappointment over a lack of tribute to Ray Kennedy and we wish Santi Cazorla a happy birthday!RUNNING ORDERPART 1 - Slick Arsenal goals (01.00)PART 2a - Arsenal 3-0 Southampton (07.30)PART 2b - Arteta's Auba problem (22.00)PART 2c - Lack of tribute to Ray Kennedy (35.00)PART 3 - Happy Birthday Santi Cazorla! (38.00) Hosted on Acast. See acast.com/privacy for more information.

Hablamos con Miguel Ruiz de lo acontecido durante la jornada 16 de Premier League, Alberto Feal nos trae lo más destacado de la jornada 22 en Championship y League One. Valentina Vega regresa para ponernos al día en cuanto al fútbol femenino. Álvaro Ramírez tiene un recuerdo para el recientemente fallecido, Ray Kennedy. Cerramos el programa analizando la primera fase y los emparejamientos de 1/8 de final de los equipos ingleses en Champions League con Miguel Ángel Ríos. ÚNETE A NUESTRA COMUNIDAD DE YOUTUBE. SUSCRIBETE! - YouTube: El Partido Podcast https://www.youtube.com/channel/UCMXCY1N_9aHi26iOybdmUzg? SÍGUENOS EN REDES SOCIALES: Twitter - twitter.com/PartidoPodcast Twitter - twitter.com/ByB_Futbol Instagram - instagram.com/partidopodcast/ Instagram - instagram.com/byb_futbol/ Facebook - facebook.com/elpartidopodcast/ Facebook - facebook.com/BedAndBreakfastOID/ Escúchanos: - Spotify: https://open.spotify.com/show/6a2qOO8I9YeUREU9AgEFov - iTunes: https://podcasts.apple.com/us/podcast/partido-podcast/id1330495051 Para más contenido: Sitio web: www.elpartidopodcast.com Sitio web: www.bybfutbolingles.com Contacto: contacto@elpartidopodcast.com

Welcome to the Brothers Red podcast. Five brothers discuss the latest Liverpool FC games and news. Made for LFC fans. Follow us on twitter @BrothersRed5. This episode we discuss the hype surrounding the return of Liverpool legend, Steven Gerrard, to Anfield as Aston Villa manager following the sad news of the death of another legend, Ray Kennedy. We talk about a hard-fought win but well-deserved win against the Villa defensive bus. Enjoy the show. Up the Reds!

Join Ian Stone, Amy Lawrence, and James McNicholas for this week's Handbrake Off where we're praising our team on the pitch and asking questions about what's going on off it This week: slickest team goals, a good win, and great concern for how Arteta will deal with Auba. Is it time for a new captain? That plus disappointment over a lack of tribute to Ray Kennedy and we wish Santi Cazorla a happy birthday! RUNNING ORDER PART 1 - Slick Arsenal goals (01.00) PART 2a - Arsenal 3-0 Southampton (07.30) PART 2b - Arteta's Auba problem (22.00) PART 2c - Lack of tribute to Ray Kennedy (35.00) PART 3 - Happy Birthday Santi Cazorla! (38.00)

The #liverbirds are back with Gae Mollie & Amy-Kate chatting about the return of Gerrard as a manager to Anfield, our record-breaking UCL Group campaign, the legends that are Mo & Divock and our remaining December fixtures. They also pay tribute to Ray Kennedy and there's even time to savour a couple of early Xmas presents courtesy of OT & Goodison! Merry Christmas Everton.... See acast.com/privacy for privacy and opt-out information.

Join Ian Stone, Amy Lawrence, Art de Roché and a cameo from James McNicholas as we reflect on Arsenal's disappointing 3-2 defeat to Manchester United.In this episode: why do Arsenal seem to bottle just as they're about to make a step forward? Is this just part of the growing pains of a young side, and a young manager, or are the senior players not pulling their weight?Plus we discuss James' article on “super-coaches”, does it matter that Arsenal don't have one?We pay tribute to a star of the 1971 Double winning side Ray Kennedy after his passing, and have a song to end.RUNNING ORDERPART 1a - Bizarrest goal you've ever seen (01.00)PART 1b - Man Utd 3-2 Arsenal (7.30)PART 1c - James McNicholas post-match from Old Trafford (21.44)PART 2a - “Super-Coaches” (28.04)PART 2b - tribute to Ray Kennedy (36.31) Hosted on Acast. See acast.com/privacy for more information.

Join Ian Stone, Amy Lawrence, Art de Roché and a cameo from James McNicholas as we reflect on Arsenal's disappointing 3-2 defeat to Manchester United. In this episode: why do Arsenal seem to bottle just as they're about to make a step forward? Is this just part of the growing pains of a young side, and a young manager, or are the senior players not pulling their weight? Plus we discuss James' article on “super-coaches”, does it matter that Arsenal don't have one? We pay tribute to a star of the 1971 Double winning side Ray Kennedy after his passing, and have a song to end. RUNNING ORDER PART 1a - Bizarrest goal you've ever seen (01.00) PART 1b - Man Utd 3-2 Arsenal (7.30) PART 1c - James McNicholas post-match from Old Trafford (21.44) PART 2a - “Super-Coaches” (28.04) PART 2b - tribute to Ray Kennedy (36.31)

The Athletic's Simon Hughes and Oliver Kay join Steve Hothersall to reflect on the Reds' 4-1 victory over Everton at Goodison Park. Particular focus is given to the impressive performances of Jordan Henderson and Mohamed Salah, the challenge faced by Rafa Benitez at Everton while The Red Agenda pays tribute to Liverpool great Ray Kennedy. Hosted on Acast. See acast.com/privacy for more information.

John Giles joined Nathan Murphy on Thursday's Off The Ball to talk about Manchester United and their dysfunction, the brilliant Ray Kennedy and a week's worth of Premier League mid-week games.   In association with Sky Ireland

Mo Salah løper fra folk med ball, og det svinger ordentlig av angrepsspillet til Liverpool nå. Det er nesten et under at det ikke er blitt flere enn seks mål på de to siste kampene slik Liverpool har rullet opp det ene nydelige angrepet etter det andre. I «Pausepraten – The Kopite Podcasten» denne uken har Arve Vassbotten med Arild Skjæveland og Torbjørn Flatin. Her er temaene: (NB! Tidskodene kan avvike noe på grunn av reklame)00:35: Liverpool kunne nærmest leder 5-0 før 10 minutter var spilt på Goodison Park, og på 2-0 begynte Everton-supporterne å gå. Her er dommen over Merseysidederbyet som Liverpool vant 4–1? 03:08: Liverpool har nå scoret 43 mål i Premier League på 14 kamper – 63 totalt på 21 kamper. Det er noen enorme tall. Og Salah er foran skjemaet fra sin første sesong. Den som endte på 44 scoringer. Hva er forklaringen på at Liverpool og Salah er så målfarlige nå? 07:11: Mangler Liverpool litt kynisme og tålmodighet? 09:01: Vi har snakket mye om midtbanetrioen Fabinho, Henderson og Thiago, nå har vi fått sett de sammen i de to siste kampene. Er det den drømmemidtbanen vi har etterlyst?14:01: En ting vi har etterlyst i flere sesonger er mangelen på mål fra midtbanen. Nå har vi ikke så mye å klage på der ... eller? 17.45: Rafael Benitez sin rare unnskyldning etter kampen. 20:20: Vi fikk en krangel i forrige podcast om hvordan laget bør disponeres spesielt i Champions League. Vi tar debatten på nytt om den kommende ukas kamper. 26:05: Brasils VM-vinnende keeper Claudio Taffarel har gått inn i Liverpools trenerteam. Hva betyr den ansettelsen? 30:30: Vi minnes Ray Kennedy som gikk bort 70 år gammel. 35:06: Chelsea 33 poeng, Manchester City 32 poeng og Liverpool 31 poeng etter 14 kamper. Dette blir virkelig mye å følge med på det neste halvåret. Hva er de fremste styrkene til de tre tittelkandidatene? See acast.com/privacy for privacy and opt-out information.

John Giles joined Nathan Murphy on Thursday's Off The Ball to talk about Manchester United and their dysfunction, the brilliant Ray Kennedy and a week's worth of Premier League mid-week games.   In association with Sky Ireland

John Giles joined Nathan Murphy on Thursday's Off The Ball to talk about Manchester United and their dysfunction, the brilliant Ray Kennedy and a week's worth of Premier League mid-week games.   In association with Sky Ireland

The Athletic's Simon Hughes and Oliver Kay join Steve Hothersall to reflect on the Reds' 4-1 victory over Everton at Goodison Park. Particular focus is given to the impressive performances of Jordan Henderson and Mohamed Salah, the challenge faced by Rafa Benitez at Everton while The Red Agenda pays tribute to Liverpool great Ray Kennedy.

@RobDaniels joined @vincetracy to discuss the life of times of Liverpool and Arsenal legend #RayKennedy who died recently at the age of 70. #England ladies thrashed #Latvia 20-0 and a lot of people are now saying these games that humiliate the minnows are not making any sense. This year's #BalonD'OR has controversially been awarded to #LionelMessi. The French will always have wanted a #PSG player to have won the award although this strange group of 180 journalists are asked to judge the winner by 3 criteria including the nominee's career and how he/she conducts him/her self professionaly. Many pundits seem to think #MoSalahs current form should have gained him this prestigious award. We looked at the mid-week games in the #PremierLeague and Rob gave us his #LaLiga roundup. We had a lot of games to review and a better idea of how to view the games which are being played this weekend.

In this episode we discuss bouncing back as a team and as individuals during the Newcastle game. We look at how we stayed patient and were able to break them down from two nicely worked goals. We look ahead to games against Man United and Everton and how much they will indicate where we are as a team. We talk about how we should approach the United game and the importance of a brave performance at Old Trafford. We pay tribute to the late, great Ray Kennedy.

On today's episode Dave discusses all LFC related news ahead of tonight's Merseyside Derby. Also sadly Ray Kennedy passed away yesterday. See acast.com/privacy for privacy and opt-out information.

Newcastle United remain bottom of the Premier League after drawing to Norwich, Pep Guardiola urges Jack Grealish to find his form this season, Jason Cundy fears for Rafa Benitez's future ahead of the Merseyside derby, there are tributes to Liverpool legend Ray Kennedy who has died aged 70 and England striker Ellen White becomes the Lionesses highest ever scorer. See acast.com/privacy for privacy and opt-out information.

I onsdagens «Pausepraten» hører vi om ansettelsen av Claudio Taffarel som ny keepertrener i Liverpool, vi lader opp til kveldens kamp mot Everton og minnes Ray Kennedy og Bill Shankly. See acast.com/privacy for privacy and opt-out information.

Matt Slater of The Athletic joined OTB's Joe Molloy to discuss David Beckham and the former Manchester United star's decision to be the face of next year's World Cup in Qatar on Wednesday's edition of The Football Show. Dan McDonnell of the Irish Independent was on hand to discuss a number of Irish football stories. Meanwhile, Mark Lawrenson was on the line to talk Everton vs Liverpool and remember the brilliant Ray Kennedy.  In association with Sky Ireland

Niall drops a short episode on the passing of Ray Kennedy Liverpool Legend Gone but not Forgotten --- Send in a voice message: https://anchor.fm/ian-kelly3/message

onight, Fergus & Guests will be looking back at Newcastle & Man United Games. The Memory of Ray Kennedy and the usual Gooner Debate. Enjoy, Share & Subscribe

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The Athletic's Simon Hughes and Oli Kay join Steve Hothersall in the wake of the return to Anfield and a 2-0 win over Burnley.On the podcast today, a full house at Anfield, Harvey Elliott's impressive performance, Mo Salah's contract renewal and whether Liverpool will make moves before the transfer deadline.Plus a word on club legends Ray Kennedy and Terry McDermott Hosted on Acast. See acast.com/privacy for more information.

The Athletic's Simon Hughes and Oli Kay join Steve Hothersall in the wake of the return to Anfield and a 2-0 win over Burnley. On the podcast today, a full house at Anfield, Harvey Elliott's impressive performance, Mo Salah's contract renewal and whether Liverpool will make moves before the transfer deadline. Plus a word on club legends Ray Kennedy and Terry McDermott Learn more about your ad choices. Visit megaphone.fm/adchoices

On the latest episode of The Anfield Index Podcast, Trev Downey, Kam Brainch, Karl Coppack and, double jobbing as producer and contributor, Guy Drinkel, bring you an eclectic mix of Reds chat and assorted bobbins. Ray Kennedy, Ibrahima Konate and Gini Wijnaldum feature heavily in the footy chat, with the topics of grizzly bears, sharks, kits and alcohol also getting their own animated tangents, before the show ends with Guy temporarily borrowing Trev's Quiz Champion title on the back of a bit of impressive ornithological insight. See acast.com/privacy for privacy and opt-out information.

More than nine in 10 retirees now agree that having a purpose -- and typically a purpose that revolves around family, but also on staying fit and active and possibly semi-employed -- is a key to a successful retirement, with the focus on purpose seemingly coming out of the slowdown and malaise of the pandemic. Scott Thoma from Edward Jones discusses those results from a recent survey, and how the pandemic has made people reset, reconsider and reprioritize their retirement plans. Also on the show, Brian Dress of Left Brain Investment Research examines Revolve Group, an online retailer with growth prospects beyond the reopening that make it an ideal recovery play, Ray Kennedy of Hotchkis and Wiley talks high yield investing specifically and fixed-income more broadly, and Randy Warren of Warren Financial mixes fundamentals, with top-down analysis and some technicals to select stocks in the Market Call.

S.T.E.M. and the Power of Podcasting with Ray Kennedy

Theo Delaney's guest is the former Arsenal and Scotland goalkeeper Bob Wilson who went on to have a hugely successful television career before setting up and running the excellent Willow Foundation charity with his wife Megs. His goal choices stretch from the 50s onwards and in this, part one of a two part special, scorers include Ferenc Puskas, Geoff Hurst and Ray Kennedy…

“It's hard to know how people are gonna react,” Chris Knight says of Almost Daylight, his ninth album and first new recording in over seven years. “I've written songs about a lot of different things going all the way back to my first record, and some folks still think ‘somebody kills somebody' is all I write about. Maybe that's why I was bound and determined to get these particular songs on this album. If people like them, then we'll be fine. But I wasn't gonna do it any other way.”For the past 20 years, Chris Knight has only made music his own way. He's released eight acclaimed albums, played thousands of electrifying live shows and built generations of fervent fans from Texas honky-tonks to Manhattan rock clubs. He's been hailed as “the last of a dying breed...a taciturn loner with an acoustic guitar and a college degree” (The New York Times) and “a storyteller in the best traditions of Mellencamp and Springsteen” (USA Today). Bottom line, he's hard-earned his reputation as one of America's most uncompromising and respected singer/songwriters. And now with Almost Daylight, Knight delivers the most powerful – and unexpected – music of his career.Almost Daylight is very much a Chris Knight album, familiarly featuring vivid pictures of rural characters, desperate men and hardscrabble survivors. At the same time it's unlike anything Knight has done before, with formidable testaments to compassion, redemption and even straight-up love. It's an album both tough and tender, as bare-knuckled as it is open-hearted. “I do think there's a cohesiveness to this album,” Knight explains in his thick Kentucky rasp.“The title is key, I suppose. Through all these songs, you could find a theme about seeking shelter.”Produced, mixed and mastered by Grammy-winner Ray Kennedy – best-known for his 30+ year creative partnership with Steve Earle as well as producing Chris' Enough Rope (2006),Trailer II (2009) and Little Victories (2012) albums – Almost Daylight also sounds like no other Knight record, with scorching guitars by Georgia Satellites founder and two-time Knight album producer Dan Baird, rich background vocals by Chris Clark, Siobhan Kennedy and Lee Ann Womack, and deeper instrumentation than ever before. “Chris had been playing some of these songs on the road and started developing ideas before we got to the studio,” Kennedy says. “He and I talked about keeping the Appalachian factor with banjo, fiddle, harmonica and mandolin where it felt right. It was significant that Dan was involved, as he's the man who can play guitar with the right feeling for Chris. The background vocals really brought the fire, and this lead to ideas for piano, Hammond B-3, accordion and Wurlitzer electric piano. Everything evolved from the performance of each song and I let the songs dictate what they needed in order to evolve into an album.”“I was determined not to do any acoustic songs on this album,” Chris explains. “I wanted it all to sound edgy and raw, but to feel big at the same time. We kept trying different approaches until I felt we landed on what worked. The thing is, some of my songs might take a year of writing before I even think they're ready for recording and I fretted about every one of these. I've never put a cover song on any of my records before, but there are two covers on this one. And I think it all fits together pretty good.”The album opens with “I'm William Callahan”, a defiant roar fueled by equal parts pride, memories and searing guitar. “Crooked Mile” is classic Knight, a piercing take on outsiders bound by love, while the poignant “Send It On Down” is a plaintive plea for salvation. There are tales of small-town despair (“I Won't Look Back”), ominous rural menace (“Trouble Up Ahead”) and melancholic break-ups (“Everybody's Lonely Now”). Chris' cover of Johnny Cash's “Flesh And Blood” – which originally appeared on the Dualtone 2002   (Read more at http://www.chrisknight.net)

“It's hard to know how people are gonna react,” Chris Knight says of Almost Daylight, his ninth album and first new recording in over seven years. “I've written songs about a lot of different things going all the way back to my first record, and some folks still think ‘somebody kills somebody' is all I write about. Maybe that's why I was bound and determined to get these particular songs on this album. If people like them, then we'll be fine. But I wasn't gonna do it any other way.”For the past 20 years, Chris Knight has only made music his own way. He's released eight acclaimed albums, played thousands of electrifying live shows and built generations of fervent fans from Texas honky-tonks to Manhattan rock clubs. He's been hailed as “the last of a dying breed...a taciturn loner with an acoustic guitar and a college degree” (The New York Times) and “a storyteller in the best traditions of Mellencamp and Springsteen” (USA Today). Bottom line, he's hard-earned his reputation as one of America's most uncompromising and respected singer/songwriters. And now with Almost Daylight, Knight delivers the most powerful – and unexpected – music of his career.Almost Daylight is very much a Chris Knight album, familiarly featuring vivid pictures of rural characters, desperate men and hardscrabble survivors. At the same time it's unlike anything Knight has done before, with formidable testaments to compassion, redemption and even straight-up love. It's an album both tough and tender, as bare-knuckled as it is open-hearted. “I do think there's a cohesiveness to this album,” Knight explains in his thick Kentucky rasp.“The title is key, I suppose. Through all these songs, you could find a theme about seeking shelter.”Produced, mixed and mastered by Grammy-winner Ray Kennedy – best-known for his 30+ year creative partnership with Steve Earle as well as producing Chris' Enough Rope (2006),Trailer II (2009) and Little Victories (2012) albums – Almost Daylight also sounds like no other Knight record, with scorching guitars by Georgia Satellites founder and two-time Knight album producer Dan Baird, rich background vocals by Chris Clark, Siobhan Kennedy and Lee Ann Womack, and deeper instrumentation than ever before. “Chris had been playing some of these songs on the road and started developing ideas before we got to the studio,” Kennedy says. “He and I talked about keeping the Appalachian factor with banjo, fiddle, harmonica and mandolin where it felt right. It was significant that Dan was involved, as he's the man who can play guitar with the right feeling for Chris. The background vocals really brought the fire, and this lead to ideas for piano, Hammond B-3, accordion and Wurlitzer electric piano. Everything evolved from the performance of each song and I let the songs dictate what they needed in order to evolve into an album.”“I was determined not to do any acoustic songs on this album,” Chris explains. “I wanted it all to sound edgy and raw, but to feel big at the same time. We kept trying different approaches until I felt we landed on what worked. The thing is, some of my songs might take a year of writing before I even think they're ready for recording and I fretted about every one of these. I've never put a cover song on any of my records before, but there are two covers on this one. And I think it all fits together pretty good.”The album opens with “I'm William Callahan”, a defiant roar fueled by equal parts pride, memories and searing guitar. “Crooked Mile” is classic Knight, a piercing take on outsiders bound by love, while the poignant “Send It On Down” is a plaintive plea for salvation. There are tales of small-town despair (“I Won't Look Back”), ominous rural menace (“Trouble Up Ahead”) and melancholic break-ups (“Everybody Read more at www.chrisknight.net

NUEVA EDICION DE LOS ESPECIALES DEDICADOS A LOS MEJORES TEMAS AL MENOS PARA NOSOTROS DE LA HISTORIA DEL AOR Y EL MELODIC ROCK. NO TE LO PIERDAS TRACKLIST VIGILANTE AOR TOP 4 1. WORK OF ART – WHY DO I? 2. IDLE CURE – BREAKAWAY 3. CRAAFT – I WANNA LOOK IN YOUR EYES 4. SKAGARACK – TAKE ME HOME TONIGHT 5. THE BRAVE – THE WAITING 6. 1ST AVENUE – WHEN THE NIGHT IS GONE 7. SIGNAL – DOES IT FEEL LIKE LOVE 8. ERIKA – TOGHETER WE´RE LOST 9. HEART – STRANDED 10. AMY GRANT – YOU´RE NOT ALONE 11. BOYSTOWN – SOMETHING IN THE WAY YOU TOUCH 12. B.J. THOMAS – IF IT TAKES ALL NIGHT 13. AMBITION – HOLD ON 14. BRETT WALKER – QUICKSAND 15. STAGE DOLLS – LOVE DIN´T BROTHER ME 16. RUSS BALLARD – TWO SILHOUETTES 17. CLIMB – GIRL LIKE YOU 18. HUGHES & THRALL – THE LOOK IN YOUR EYE 19. THOMAS VIKSTROM – IMAGES DANCING 20. BRIAN SPENCE – HEAR IT FROM THE HEART 21. STEVE PERRY – OH SHERRIE 22. PETER CETERA – WHERE THERE´S NO TOMORROW 23. CHEAP TRICK – THE FLAME 24. RAY KENNEDY – ISN´T IT TIME? 25. JEFF PARIS – I CAN´T LET GO 26. TOM DELUCA – GOING THE DISTANCE 27. EDDIE MONEY – I WANNA GO BACK 28. BALANCE – AMERICAN DREAM 29. GIANT – IF TAKES TWO 30. SOLEIL MOON - OHIO

Draft talk with host Rick Hughes, Ray Kennedy and Joshua Cole Allen. In this episode we also have special guest Kevin O'Donnell from WTVT a Fox News 13 in Tampa. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This is a full in bloom interview with producer Ric Browde. Ric talks about his experience working with Michael Schenker David Krebs, Ray Kennedy, Ginger Wildheart, & more. More Info @ fullinbloom.com: Ric Talks Poison's 'Look What the Cat Dragged In': https://fullinbloom.com/poison-producer-ric-browde-talks-look-what-the-cat-dragged-in-nikki-sixx-herman-rarebell-michael-wagener-white-lion-the-dogs-damour-full-in-bloom-interview/ Ric Talks Joan Jett: https://fullinbloom.com/joan-jett-producer-ric-browde-talks-1988-up-your-alley-album-kenny-laguna-faster-pussycat-full-in-bloom-interview/ Hit the subscribe button & click the bell if you would like to be notified as new interviews & excerpts are uploaded. Song by FOOL OF FATE

Today on Inland Edition, Lillian Vasquez has a conversation with C ommission Member Ray Kennedy about the California Citizens Redistricting Commission. Ray Kennedy has experience working in and around elections all over the world. He talks about the redistricting process, how the community can get involved, and the big job ahead for the commission. If you'd like to participate by sharing information about your specific community, visit: drawmycacommunity.org For more information about the California Citizens Redistricting Commission, visit www.wedrawthelinesca.org Written public comment may be mailed to: California Citizens Redistricting Commission C/O Public Comment 721 Capitol Mall, Suite 260 Sacramento, CA 95814 Or you can email votersfirst@crc.ca.gov

Rick Hughes, Ray Kennedy and Joshua Cole Allen discuss Giovani Bernard and the Bucs bringing back more of their own free agents. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Hoy vamos a tener un programa relajado, con una música elegante y ensoñadora, una extraordinaria selección de estándares de jazz interpretados por el guitarrista y cantante estadounidense Jhon Pizzarelli. Pizzarelli, nacido el 6 de abril de 1960 en Nueva Jersey, posee una voz cálida y suave y junto a su presencia siempre elegante, se ha convertido en uno de los principales exponentes del jazz tradicional. Siguiendo los pasos de su padre, el también guitarrista Bucky Pizzarelli, empezó a cantar a los 20 años y siempre ha destacado entre sus influencias a la hora de tocar la guitarra las de músicos como Les Paul y Django Reinhardt. En esta ocasión vamos a disfrutar repasando su disco Let there be love, que, como hemos dicho, selecciona una preciosa colección de estándares de jazz. Empezamos por el primer corte, la canción que da título al disco: “Let there be love”, “Que haya amor”. Esta canción se publicó por primera vez en 1940, escrita por Lionel Rand y con letra de Ian Grant. La canción siempre ha sido muy popular y ha tenido infinidad de versiones. Escucharemos ahora la de Jhon Pizzarelli. En 1993 el John Pizzarelli Trio hizo de telonero en una de las últimas giras de Frank Sinatra, y participó en la celebración del 80 cumpleaños de este en el Carnegie Hall. En 1997 participó también en la producción de Broadway Dream, un homenaje al compositor Johnny Mercer. En 1998 grabó un disco, Meets The Beatles, donde reinterpreta canciones clásicas del grupo de Liverpool, tamizadas por su voz y por el jazz. Al año siguiente, en 1998, rindió homenaje a una de sus más grandes influencias en la canción, Nat King Cole, con P.S. Mr. Cole. Pizzarelli firmó en 1999 con el sello Telarc y grabó dos discos de estándares, Kisses in the Rain y Let There Be Love, en 2000, disco del que nos estamos ocupando. Escuchamos ahora “I’m putting all my eggs in one basket”, “Estoy poniendo todos los huevos en una cesta”, una canción escrita por Irving Berlin para la película de 1936 “Follow the fleet”, interpretada por Fred Astaire y Ginger Rogers. Desde entonces, ha grabado numerosos trabajos; un disco con el pianista George Shearing, otro para celebrar sus diez años de música con su trío, grabado en directo: Live at Birdland en 2003. Apartándose por un momento del swing, Pizzarelli grabó Bossa Nova en 2004, cantando composiciones de Antonio Carlos Jobim como "The Girl from Ipanema" y "Aguas de Marco". Ya en 2005 presentó nuevos estándares en Knowing You y, respaldado por la Clayton-Hamilton Jazz Orchestra, le ha rendido homenaje a Sinatra en 2006 con Dear Mr. Sinatra. Seguimos con nuestro disco de hoy. Vamos a escuchar una cadenciosa versión de These foolish things, “Estas cosas tontas”, otro estándar con música de Jack Strachey y letra Eric Maschwitz, ambos ingleses y que se publicó en 1935. En este disco colaboran músicos de gran talento y muy reconocidos en el mundo del jazz. Al saxo tenor Harry Allen, un estadounidense que fue niño precoz y que destacó desde niño por poseer un talento excepcional para la música. Antes de trabajar con Jhon Pizzarelli ya lo hizo con su padre, Bucky Pizzarelli. Dominic Cortese, acordeonista, un músico versátil y quizá el más grabado de toda la historia de la música debido a sus innumerables participaciones, como músico de estudio, en sesiones de grabación de otros artistas, incluido, a modo de ejemplo, el trepidante “Viva las Vegas”, del Elvis. Ray Kennedy, pianista, compositor y arreglista, fue miembro del trío de John Pizzarelli durante más de una década aunque también grabó más de 10 álbumes bajo su propio nombre. Seguiremos con los músicos de la sesión pero, ahora, volvemos a la música: “Stompin’at the Savoy”, otro estándar de jazz de 1933, compuesto por Edgar Sampson y su título hace referencia al famoso local nocturno de Harlem, el Savoy Ballroom de Nueva York. Y aunque fue Benny Goodman el que llevó al éxito la composición y la acreditó como propia, el auténtico autor fue el citado Sampson. Dicho queda. Ken Peplowski, clarinetista y saxo tenor, otro de los músicos acompañantes de este disco, conocido principalmente como músico de swing. En algún momento ha sido comparado con Benny Goodman, con quien toco durante algún tiempo. Ambos fueron virtuosos en su instrumento. También toco en la orquesta Tommy Dorsey y ha colaborado como clarinete primero en orquestas sinfónicas. Y para que todo quedara en casa, nuestro artista invitado contó para este trabajo con la familia, su padre Bucky, a la guitarra y su hermano Martin al bajo, ambos músicos reconocidos en el mundillo del jazz. Más música: “I Don’t Know Why”, “No se por qué”, una canción publicada en 1931 y compuesta por Fred E. Ahlert. La canción ha sido grabada por muchos artistas (que van desde leyendas del country-blues como Moon Mullican y Jerry Lee Lewis hasta Dean Martin). Todos ellos la han convertido en lo que es hoy, un estándar. Y todavía nos queda un poco de tiempo para otra joya del álbum: “Just one more chance”, “Solo una oportunidad”, una canción de Arthur Johnston, compositor muy conocido en su época (1898/954) que trabajó con todos los grandes del momento: Irving Berlin, Sam Coslowy y Bing Crosby, entre otros. También fue nominado para el premio de la academia en 1936 a la mejor canción original por “Pennies from heaven”, otro de sus éxitos. Esta es la versión de Pizzarelli de “Just one more chace”. Os propongo una gratificante actividad para la que no tenéis que salir de casa. Volved a escuchar el podcast con los ojos cerrados. Estamos en un club de jazz, en Nueva York, en el Blue Note o en el Birdland, es igual, en buena compañía, con una copa en la mano y dejándonos llevar por la cadencia y la elegancia de la música… ¿Ya?... pues a vivir que son dos días. Bueno, para cuando os despertéis y ya me habré ido, así que, hasta la semana que viene… Y no, no se me olvida, …¡Buenas Vibraciones!.

Twice Grammy-nominated Nashville based, Beth Nielsen Chapman has released thirteen solo albums and written seven #1 hits and songs recorded by Bonnie Raitt, Willie Nelson, Bette Midler, Elton John, Neil Diamond, Michael McDonald, Keb Mo', Roberta Flack, Waylon Jennings, Indigo Girls, and Faith Hill's mega-hit This Kiss, ASCAP'S 1999 Song of the Year.Her song Sand and Water (1997), from her own solo album of the same name, was performed on stage by Sir Elton John to honor the memory of Princess Diana.Recently inducted into the Songwriters Hall of Fame, Beth is also a breast cancer surivivor, environmentalist and considere herself a "creativity midwife", passionate about inspiring others to fully blossom into their creative life.Beth continues to release her critically acclaimed solo albums, the newest of which, recorded and produced by Ray Kennedy, will be released in 2021.In 2021, Beth will also debut her own podcast "The SongSchool Podcast", which will feature guest songwriters describing what they consider the "perfect song" as well as on the spot critiques for songs submitted, both live in the studio and down the phone line from the other side of the world.bethnielsenchapman.com

¿No habías nacido? ¿Dónde estabas el año que mataron a John Lennon? ¿Qué estabas haciendo en 1980? ¿Qué música escuchabas, a qué conciertos fuiste? En el arranque de aquello que llamaron “movida madrileña” yo seguía a lo mío, a mis preferencias, escuchaba a Manolo Fernández, Antonio Fernández, Gonzalo Garrido, Rafael Abitbol, Mario Armero, Juan De Pablos, Vicente Caggiao, Julio Ruiz… Y de todo me inclinaba por la música “americana” de entonces, el legado del blues, del folk, del country, del country-rock, del jazz… El rock. Las. Músicas negras… La música disco… Hoy en el 7 º episodio de esta serie vamos a escuchar la segunda parte de aquel género que se llamó West Coast Sound pero que recibió otras acepciones como “White Soul”, “White Rhythm&Blues”, “A.O.R. (Discos de Orientación a Adultos)”, etc. America, Leah Kunkel, Player, Jess Rosen, Al Jarreau, Nicolette Larson, Terence Boylan, Ray Kennedy, Randy Crawford, Stephen Bishop y Seals & Crofts y The Beach Boys de regreso adaptándose a las nuevas corrientes californianas que ellos mismos emprendieron… DISCO 1 AL JARREAU Spain (I Can Recall) (6) DISCO 2 TERENCE BOYLAN Tell Me (8) DISCO 3 PLAYER Who Do You Think You Are (Cara 1 Corte 4) DISCO 4 MICHAEL JOHNSON You can Call Me Blue (5) DISCO 5 RANDY. CRAWFORD One Day i’ll Fly Away (2) DISCO 6 STEPHEN BISHOP Send A Little Love My way (Like Always (4) DISCO 7 LEAH KUNKEL Heart Of Stone (18) DISCO 8 AMERICA I Do Believe In You (6) DISCO 9 THE BEACH BOYS Sunshine (Cara 2 Corte 2) DISCO 10 DFK (Dudek, Finnigan Krueger Band) Just Like The Weather (Cara 1 Corte 2) DISCO 11 CHRIS MONTAN & Lauren Wood Is This The Way Of love (Cara 1 Corte 1) DISCO 12 RAY KENNEDY You Oughta Know By Now (Cara 2 Corte 1) DISCO 13 SEALS & CROFTS Stars (1) Escuchar audio

A new MP3 sermon from Lighthouse Baptist Church is now available on SermonAudio with the following details: Title: Revelation Speaker: Ray Kennedy Broadcaster: Lighthouse Baptist Church Event: Sunday Service Date: 11/15/2020 Bible: Revelation 1:1-3 Length: 49 min.

La salida de esta pandemia va a suponer cambios importantes en las más diversas facetas en nuestras vidas. La música tiene para muchos de nosotros una importancia casi capital que, por supuesto, no ensombrece en absoluto, otras prioridades. Al contrario, en ocasiones, sirve de apoyo y nos ayuda a paliar de alguna forma la inquietud y la incertidumbre. Por eso no podemos dejar de aplaudir iniciativas que apoyan una #CulturaSegura y propuestas como Lu's Jukebox In Studio Concert Series, una serie digital de conciertos temáticos nacidos en los días del Covid, ya grabados en directo por Lucinda Williams y su banda en el estudio que el productor Ray Kennedy tiene en Nashville. Se trata de seis episodios de los artistas de Louisiana incorpora alguna sorpresa. Los programas se emitirán en streaming bajo pago y se prevé que se editen posteriormente en CD y vinilo. Lu's Jukebox recaudará fondos para ayudar fundamentalmente a las salas de conciertos y promotores, recibiendo un porcentaje de la venta de entradas. Lucinda Williams, grabó en 1988 su tercer álbum, de título homónimo, donde incluyó “Changed The Locks”, una canción que Tom Petty incluiría junto a los Heartbreakers en Songs and Music from the Motion Picture "She's the One", el noveno álbum de estudio del grupo que, además, sirvió como banda sonora a la película que dirigió Edward Burns. Hoy ha abierto nuestro tiempo de radio, en el que vamos a precisar el pulso de la Americana. Ha pasado poco más de un año desde la edición del disco de debut de las Highwomen, y nos surgen ciertas dudas sobre el papel de Maren Morris en la formación, mientras han ido tomando cada vez más relevancia las apariciones de Sheryl Crow y Yola, que fueron invitadas a aquel registro y han participado en las pocas apariciones en directo del supergrupo. La actualidad nos ha regalado una nueva canción surgida de las sesiones de aquel álbum junto al productor Dave Cobb. La protagonista es la británica Yola acompañada, eso sí, por Brandi Carlile y Natalie Hemby en los coros, Sheryl Crow al piano y Jason Isbell en la guitarra. "Hold On" es una especie de conversación con la próxima generación de jóvenes negros en la que se les pide que ocupen su espacio, sean visibles y muestren su talento. Destiny Hotel es la mejor secuela posible de That Santa Fe Channel, el álbum de 2018 para Cordovas, en el que no ocultaba sus inclinaciones por Grateful Dead. Además, el grupo que lidera Joe Firstman ha extendido ahora sus afectos hacia The Band, con armonías vocales y ritmos entrecortados propios de la mítica formación canadiense, sumando también retazos de las raíces sureñas de los Allman Brothers. Al fin y al cabo, este nuevo trabajo rememora los mejores sonidos que se escucharon durante la década de los 70. El tono de nostalgia y ternura de este trabajo grabado en Los Angeles se muestra en “Afraid No More”, una balada de alto voltaje en la que se apuesta por vivir sin miedo en un momento como el actual frente a la paranoia y la ansiedad, utilizando la imagen del final del verano. Como ocurre a lo largo de las 10 canciones de este nuevo proyecto, encontramos calidez y energía positiva. Otro de los invitados a la aventura sonora de The Next Waltz ha sido Charley Crockett, que ha participado en el tercer volumen de las grabaciones realizadas en The Bunker con esta versión de “I Can Help”, la canción por la que todo el mundo recuerda a Billy Swan, un músico crecido escuchando a Hank Williams y Lefty Frizzell, además de recibir la influencia de artistas de rock'n'roll como Buddy Holly y Jerry Lee Lewis. Billy Swan, que había recibido algún dinero al perder un ojo en un accidente, se marchó a Memphis, Tennessee, desde su Missouri natal y después a Nashville, donde en principio sólo encontró un puesto de portero en los estudios de Columbia. Allí vio grabar parte de Blonde On Blonde a Bob Dylan y conoció a quién sería uno de sus grandes amigos, Kris Kristofferson. El productor Chip Young le invitó a grabar en Monument y empezó versionando el clásico de Hank Williams "Wedding Bells". Pero Billy Swan había recibido un órgano eléctrico portátil como regalo de bodas de Kristofferson y Rita Coolidge y en aquel instrumento nacieron las notas de "I Can Help" añadiendo la letra en muy pocos minutos inspirado por el embarazo de su mujer. Fue el más rotundo éxito de su carrera, encabezando las listas de country y de pop en 1974 con un reconocimiento internacional inimaginable. Por entonces, llegó a visitar España en una inesperada visita para promocionar el álbum del mismo título. Pero regresó con Kristofferson como miembro básico de su banda de acompañamiento y pasó prácticamente al anonimato. Entre las innumerables personas afectadas por la actual pandemia del COVID-19 se encuentran los músicos. Como estamos observando según pasan los días, las semanas y los meses, muchos de ellos se han puesto a la tarea de hacer la transición hacia los días inciertos que se avecinan. Ellos siguen creando y compartiendo sus creaciones con quienes hasta hace muy poco éramos sus oyentes y espectadores más fieles. Aunque los tejanos Flatland Cavalry grabaron "War With My Mind" antes del confinamiento para el sello The Next Waltz de Bruce Robison, esta canción nació de sentimientos de autoaislamiento, que ahora nos son demasiado familiares. Fue compuesta por su líder, Cleto Cordero junto a su novia, la también cantante y compositora Kaitlin Butts, y es ahora el momento en que ve la luz. El álbum The Next Waltz Volume Th3ee se pondrá a la venta el próximo 27 de noviembre con 10 canciones grabadas en The Bunker, localizado en Lockhart, Texas, sin lo que Bruce Robison llama “travesuras digitales”. Además de Charley Crokett, músicos como Jack Ingram, Flatland Cavalry, The Panhandlers, Cody Canada o David Ramirez, entre otros, han participado en esas sesiones. Y también pasó por allí Robert Ellis que realizó esta versión de "I Must Be In A Good Place Now", una de las canciones más hermosas de Bobby Charles. El legendario músico de Louisiana ya había sido elegido por Bruce Robison y Kelly Willis para incluir en este álbum "Tennessee Blues". Ethan Johns, un productor curtido al lado de nombres tan eclécticos y sonoros como Ray LaMontagne, Paul McCartney o Kings of Leon, ha sido el encargado de trabajar al lado de Mary Chapin Carpenter, a la que se llevó hasta los estudios Real World de Peter Gabriel en Bath, al suroeste de Inglaterra, para grabar The Dirt And The Stars, el nuevo álbum de la cantante compositora de Nueva Jersey, que explora los desafíos del presente desde una visión íntima y personal. Mary Chapin compuso estas canciones en su granja de Virginia antes de la pandemia, y deja momentos tan intensos como “Secret Keepers”, un recordatorio de aquellas experiencias irremplazables que nunca desaparecen. Que las cicatrices desaparezcan no significa que lo haga el dolor que las produjeron. Ella es Robynn Shayne, cantante y compositora residente en Austin desde hace siete años, a la que es fácil encontrar sobre los escenarios del Saxon Pub o el Continental Club. En realidad el músico de la familia era su hermano Shane, pero tras su muerte con tan solo 20 años, ella decidió aprender a tocar la guitarra de forma autodidacta para contar sus vivencias bajo la influencia de Dolly Parton, Jessi Colter y los sonidos de los Strangers de Merle Haggard. Su último single, "Devil You Know", es la entrada más alta de la lista semanal de canciones más pinchadas en las emisoras de Texas. Forma parte de su cuarto álbum de estudio, Let's Get This Show on The Road, y habla sobre ciertas situaciones en las que no deberías estar y no sabes a ciencia cierta si es mejor marcharte o quedarte. En conjunto, este trabajo es especialmente emotivo y viene a continuar el éxito de su predecesor, Coffee Days and Whiskey Nights, que llegó a ser nominado a álbum del año en 2018 por la Texas Country Music Association. Suponemos que “Burn My Bridges” es el adelanto de un nuevo proyecto para Michaela Anne, que vuelve a contar con el apoyo de Kelly Winrich y Sam Outlaw en la producción de una canción que surgió en una mañana de resaca tras una noche intensa en la que decidió que su vida tenía que cambiar de rumbo y para ello debía quemar ciertos puentes. Esta joven neoyorquina de Brooklyn establecida en Nashville ha padecido las circunstancias de la pandemia que le han impedido apoyar como merecía su tercer álbum, Desert Rose, que se editaba a finales de septiembre del año pasado. Si miras los créditos de algunas canciones que hayan grabado Lee Ann Womack, Sunny Sweeney, Charley Crockett e incluso Rodney Crowell, encontrarás como compositora a Brennen Leigh, una mujer con una facilidad especial para contar historias creíbles. Tiene ya seis álbumes y el último de ellos, Prairie Love Letter, ha sido producido por Robbie Fulks para rendir homenaje a su lugar de procedencia, la frontera entre el oeste de Minnesota y el este de Dakota del Norte y que viene a resumir sus sentimientos en el tema de apertura “Don’t You Know I’m From Here” donde la tradición y las raíces se muestran en cada nota. Hace varios meses, antes de la llegada del verano, anticipamos en TOMA UNO que Sturgill Simpson estaba grabando un álbum de bluegrass, el estilo de música propio de su estado natal, Kentucky. También fue ayer el día elegido para editarlo bajo el nombre genérico de Cuttin’ Grass Vol. 1 - The Butcher Shoppe Sessions, grabado en ese estudio de Nashville con músicos del nivel de Stuart Duncan, Mike Bub, Sierra Hull, Scott Vestal, Tim O’Brien, Mark Howard y su batería de siempre, Miles Miller. El encargado de la producción ha sido David “Ferg” Ferguson. Son 20 canciones en las que recorre su propia carrera en solitario y sus aventuras como miembro de Sunday Valley. Entre las canciones de sus álbumes en solitario, ha retomado de esta forma “Long White Line”, uno de los cortes de Metamodern Sounds In Country Music, que produjo Dave Cobb en 2014 y que supuso el segundo de su carrera, grabado con 4.000 dólares en cinco días y medio. Cualquier movimiento de Sturgill Simpson no suele pasar inadvertido, pero en este caso la sorpresa es evidente con esta revisión tan particular de algunas de las canciones de sus discos anteriores. Así ha ocurrido con “All Around You”, que abre este Cuttin’ Grass Vol. 1 - The Butcher Shoppe Sessions, y que fue una de las piezas de A Sailor's Guide To Earth de hace cuatro años, un tercer disco que superó todas las previsiones, dando un notable giro a su andadura y logrando llegar a la cima de las listas y conseguir un Grammy al mejor disco de country. “All Around You” ya fue uno de los cortes más reconocibles y cercanos de aquel trabajo que ahora en esta versión parece perfecto para paisajes agrestes y saludables. Escuchar audio

In this episode, we bring you three excellent pianists:  Ray Kennedy; Ray Bryant; and Phineas Newborn.

A new MP3 sermon from Lighthouse Baptist Church is now available on SermonAudio with the following details: Title: His Rebellious Children Subtitle: Lighthouse Bible Class Speaker: Ray Kennedy Broadcaster: Lighthouse Baptist Church Event: Bible Study Date: 8/30/2020 Bible: John 21:1-17; Luke 5:1-9 Length: 28 min.

A new MP3 sermon from Lighthouse Baptist Church is now available on SermonAudio with the following details: Title: His Rebellious Children Subtitle: Lighthouse Bible Class Speaker: Ray Kennedy Broadcaster: Lighthouse Baptist Church Event: Bible Study Date: 8/30/2020 Bible: John 21:1-17; Luke 5:1-9 Length: 28 min.

A new MP3 sermon from Lighthouse Baptist Church is now available on SermonAudio with the following details: Title: His Rebellious Children Subtitle: Lighthouse Bible Class Speaker: Ray Kennedy Broadcaster: Lighthouse Baptist Church Event: Bible Study Date: 8/30/2020 Bible: John 21:1-17; Luke 5:1-9 Length: 28 min.

A new MP3 sermon from Lighthouse Baptist Church is now available on SermonAudio with the following details: Title: His Rebellious Children Subtitle: Lighthouse Bible Class Speaker: Ray Kennedy Broadcaster: Lighthouse Baptist Church Event: Bible Study Date: 8/30/2020 Bible: John 21:1-17; Luke 5:1-9 Length: 28 min.

Mucho soul, mucho alma y corazón. Canciones para balancearnos suavemente, sentir el “feeling”, ese “groove” sutil que nos encandila. Nuevas canciones de Norah Jones, Carmen Boza, Katy Perry y Izo Fitzroy. Y temas puramente delicatessen de Randy Crawford, Ray Kennedy, Huey Lewis, Jean Carn o Weather Report o Boz Scaggs en acústico. ¿Quién recuerda a Melissa Manchester? DISCO 1 WEATHER REPORT Pearl On The Half-Shell (Cara 2 Corte 1) DISCO 2 NORAH JONES Hurts To Be Alone (3) DISCO 3 IZO FITZROY When The Wires Are Down (11) DISCO 4 BOZ SCAGGS Lowdown (Live) (5) DISCO 5 JEAN CARN My Love Don’t Come Easy ( ) DISCO 6 HUEY LEWIS & THE NEWS Heart & Soul (Cara 1 Corte 2) DISCO 7 CARMEN BOZA La Grieta) (GRIETA - 1) DISCO 8 RAY KENNEDY Sail On Sailor (Cara 2 Corte 2) DISCO 9 RANDY CRAWFORD Give Me The Night (Chill Night Remix) (1) DISCO 10 TOM SCOTT Gotta Get Out Of New York (Cara 2 Corte 1) DISCO 11 MELISSA MANCHESTER Your Place Or Mine (Cara 2 Corte 3) DISCO 12 JOHN MAYER & Katy Perry Who You Love (6) DISCO 13 KATY PERRY Daisies (NORAH - 13) Escuchar audio

For this episode we spoke to Siobhan Maher Kennedy. Siobhan is possibly best known as the singer with Liverpool band, River City People, as well as being a Children’s TV presenter and actress. River City People released two albums in the late 80s and early 90s; Say Something Good and This Is The World. They had their biggest chart success with a cover of California Dreamin’, originally released by Mamas and Papas. After the band split, Siobhan joined Kindred Spirit with Debbie Peterson of the Bangles. For the last 26 years, Siobhan has lived in Nashville, USA where she is married to record producer, Ray Kennedy. Her first solo album, Immigrant Flower, co-produced by Ray and Steve Earle, was released to critical acclaim in 2002. We spoke to Siobhan about the loss of her friend and songwriting legend, John Prine, her Liver Girls project supporting young breakthrough artists in Liverpool and of course, the song she wish she wrote, a song by Tom Paxton released in 1964. Enjoy listening! Americana Music Association UK

Peter Blake and Ray Kennedy talk with TJ Pittinger of Landry Football Network about Brady arriving and concerns with Covid 19 

By the time they released their seventh studio album, Out of the Blue,  British rock band E.L.O., also known as the Electric Light Orchestra was a successful machine for rock hits with a “Beatleseque Pop” sound.  The Beatles connection was not random, as guitarist and founding member Roy Wood wanted to introduce strings, violins, cellos, basses, horns and woodwinds to Rock music, and “pick up where the Beatles left off.”  ELO was formed by Wood on guitar, Bev Bevan on drums, and Jeff Lynne on  vocals and guitars.  Over time Lynne would become  synonymous with the group.  Out of the Blue is a double album written by Jeff Lynne in less than a month.  He was staying in a chalet in the Swiss Alps and couldn't come up with any songs during several weeks of dreary weather.  One day the sun came out, and an incredible burst of creativity came upon Lynne as a result.  The album makes extensive use of strings, and also a vocoder to produce unusual sounds.  The album was accompanied by a tremendous special effects-laden stage show and tour.  Jeff Lynne acquired the rights to the name Electric Light Orchestra from co-founder Bev Bevan in 1999, and tours as Jeff Lynne's ELO today.Sit back and enjoy - “there ain't a cloud in sight!” Turn to StoneThis track opens the album.  Jeff Lynne stated in a Rolling Stone interview that this is one of his most favorite songs — he loves the "shuffle beat."  It was the first singe from the album, and reached number 13 on the US Billboard chart.Wild West HeroThis is a deeper cut from the album, with a softer, wistful sound and great harmonies.  Westerns were a popular genre when Lynne was growing up.  The band's cello player played the honky tonk piano.  Supposedly Jeff Lynne wrote this in 4 minutes.Standin' in the RainSide three of the double album is subtitled “Concerto for a Rainy Day,” with four tracks about the weather.  This deeper cut leads off the concerto, and you can hear a vocoder about 30 seconds in, with a thunder crackle voicing the words "Concerto for a Rainy Day."Mr. Blue SkyThis well known song is the final track from “Concerto for a Rainy Day,” at which point the sun comes out.  The major key and fast pace give this song an amazingly optimistic feel.  Rob wants this played at his funeral — “Never mind I’ll remember you this way.”   ENTERTAINMENT TRACK:“That's All Right” Elvis PresleyThe last concert recorded by The King before his death was broadcast in this month.  Elvis had passed two months earlier in August 1977. STAFF PICKS:Brick House by The CommodoresBruce's staff pick started as a jam originated by bassist Ronald LaPread.  Producer James Carmichael challenged the band to turn it into a song.  Band member William King brought it home and his wife, Shirley Hanna-King wrote the lyrics based off the expression “built like a brick $#@!-house.”  Drummer Walter “Clyde” Orange sings lead instead of their normal front man, Lionel Ritchie, because the band thought he had the right funky voice for it.Strawberry Letter 23  by The Brothers JohnsonBrian keeps up the R&B flavor with this Quincy Jones' produced song.  It tells the story of the 23rd love letter between two lovers.Whips and Furs   by The VibratorsYou can count on Wayne for a deeper punk cut.  He discovered this on a compilation album.  Good new-fashioned rock! Isn't It Time  by The BabysRob's staff pick was penned by Babys bass guitarist Jack Conrad and songwriter Ray Kennedy.  It is Kennedy's story about falling in love with a Mademoiselle.  The song alternates between a soft and hard rock sound, and the chorus goes back and forth between the left and right channels.  “I just can't find the answers to the questions that keep going through my mind, Hey Babe...isn't it time?” INSTRUMENTAL TRACK:The Iron Dream by HawkwindWe finish off this week's podcast with a prog rock instrumental piece.

My guest today is Derek Bargaehr Chief Everything Officer of Vanguard Audio Labs. Co-Founded with Ken Avant, Vanguard's goal is to make fantastic-sounding, original microphones & audio gear that's within the financial reach of the everyman musician. Their V13 tube microphone has been used on a number of hit records by Grammy-winning engineers and artists. Derek began burning himself with a soldering iron and messing up his guitar pedals in high school, eventually working as Director of Operations for Avant Electronics (creators of the Avantone MixCubes) for several years. A freelancing engineer, producer, gear tech, and bassist, Derek received a BA in Commercial Music – Audio Engineering & Music Business from Azusa Pacific University in Azusa, CA. Vanguard Mics have gotten some great praise from engineers like Steve Genowick, Ray Kennedy, and Bob Bullock to name just a few and are seriously affordable super cool looking mics that will make you wish you had one for a hood ornament too! Thanks to our sponsors! OWC: Other World Computing: https://www.OWC.com WhisperRoom: https://whisperroom.com Get 10% off the 4x4 or 4x6 booths now when you mention Recording Studio Rockstars. JZ Microphones: https://usashop.jzmic.com Spectra1964: https://www.spectra1964.com Presonus Studio One: https://www.presonus.com RSR Academy: http://RSRockstars.com/Academy Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com Hear more on Youtube If you love the podcast, then please Leave a review on iTunes here CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/249

Theo Delaney is joined by the legendary Norman Jay MBE, the doyen of DJs, who has been a global superstar since the 90s and was honoured by the Queen in 2002 for services to deejaying and black music. Norman's other life long passion has been football and Tottenham Hotspur in particular. He recalls bunking into Wembley as a child, sticking around after away games for Northern Soul all-nighters before hitch hiking back to London and being convinced it was a prank when 10 Downing Street got in touch with news of his MBE. His remarkable tales take in Blackpool, Oslo, the Notting Hill Carnival, Seoul and Molineux. Among his selected goal scorers are Martin Chivers, Ray Kennedy, Heung Min Son and Paul Gascoigne accompanied by some fabulous music selections. See acast.com/privacy for privacy and opt-out information.

“Coolest Conversations” can be heard every Friday on the Mighty Manfred program SiriusXM Ch.21. It’s that series of interviews with artists who have earned themselves a “Coolest Song In The World” designation. This week Manfred’s guest is the legendary rock and country singer, Lucinda Williams.  Ahead of her upcoming album 'Good Souls Better Angels', Lucinda caught up with Manfred from her bunker in Nashville. She discussed her love for Memphis Minnie, the driving force and influence behind the album and working with Ray Kennedy.  Join Lucinda Williams with Mighty Manfred on this Coolest Conversations in Little Steven’s Underground Garage. www.undergroundgarage.com/ (https://gate.sc/?url=https%3A%2F%2Fwww.undergroundgarage.com%2F&token=670071-1-1586791549161) www.facebook.com/undergroundgarage/ (https://gate.sc/?url=https%3A%2F%2Fwww.facebook.com%2Fundergroundgarage%2F&token=428234-1-1586791549161) twitter.com/littlesteven_ug (https://gate.sc/?url=https%3A%2F%2Ftwitter.com%2Flittlesteven_ug&token=affae9-1-1586791549161) www.instagram.com/littlesteven_ug/ (https://gate.sc/?url=https%3A%2F%2Fwww.instagram.com%2Flittlesteven_ug%2F&token=1c620b-1-1586791549161)

You are invited to "The Garden Party" - The Best in Americana Blues Country & Folk Show with John Jenkins Vintage Radio Birkenhead - Originally broadcast on Wednesday 8th April 2020 This Week's Show - Wednesday 8th April 2020 - Michaela Anne - Desert Dove was Our Album of the Week Michaela Anne is an American musician currently residing in Nashville, Tennessee. Her music incorporates elements of classic country, pop, indie rock, and Honky Tonk. She has released three albums to date and her third album, Desert Dove, was released through Yep Roc Records on September 27, 2019. Laura Oakes - How Big is Your World was our EP of the Week 2018 saw Laura return to Nashville repeatedly to co-write with some of the world’s greatest songwriters including Jeff Cohen (The Band Perry), Beth Nielsen Chapman (Faith Hill), Leslie Satcher, Ray Kennedy, Jenn Bostic, James T Slater, Philip White, Mike Fiorentino, Chris Lindsey, Ketelyn Clampett, Jason Lehning and Palmer Green. On her return to the UK with a bundle of fabulous songs ready to perform to hungry audiences, she began the task of recording and co-producing the tracks alongside Alex Lanyon to create something truly magical ready to release in spring 2020 This week's show also includes Music from Danni Nichols Lilly Hiatt The Claudettes North Line Matthew Francis Anderson Junkboy Jessica Victoria Alec Bowman Iain Patterson Maya Rae Ben Kunder and so much more - all in 2 hours

In this episode, we feature pianists Ray Kennedy with his trio,  Wynton Kelly's last trio session, Cedar Walton, and Gerald Wiggins.

James and Kami Walbourne are The Rails, a husband and wife duo from London. “Fair Warning”, their first album was called by Mojo magazine the best folk album of 2014. Their newest CD, “Other People” broadens their sound and if possible is even better. James is the lead guitarist for The Pretenders and Kami is the daughter of Richard and Linda Thompson. This podcast was recorded with them in New York the morning after a very successful gig at The Mercury Lounge just before returning to London. Most anything you would want to discuss is covered in the conversation, their roots, musical and otherwise, their recent recording in Nashville with producer Ray Kennedy, their admiration for a varied list of fellow musicians and of course favorite guitars. Catch them live if you can. Their songs and their harmony singing will convince you that we will emerge from these Dark Times into a brighter future. Who doesn’t want some of that? 

29 mins.

Four mini-sermons by the church elders: Ray Kennedy, Scott Hardy, Dr. Maraj, and David Ross. 45 mins.

Today's word is "Scars" sent to us by Mat's Mom! On this week's show, Mat white-washes music and attempts to name all of Casper the Friendly Ghost's uncles, Mélissa is haunted by ketchup and explains the importance of eyebrow maintenance, Andrew jabs himself in the face with a screwdriver and laments about his hairline, and Dan bounces off the bed and into the place where two walls meet; a corner. The song at the end of today's show is called Scars by Ray Kennedy! --- Website - Onewordgoshow.com Submit your word! - Onewordgoshow.com/submit Merchandise - Onewordgo.storenvy.com Voicemail Line - 1-844-OWG-SHOW // (1-844-694-7469) Twitter - Twitter.com/onewordgo Facebook - Facebook.com/groups/onewordgo Share:FacebookTwitterDiggRedditTumblrPinterestStumbleUpon

27 mins.

Short Stories är små korta program som tar upp stora spelare och händelser.

Short Stories är små korta program som tar upp stora spelare och händelser.

Concluding the Week of Prayer, we look at the fulfillment of God's plan which began before creation. We look at the conclusion of a heavenly war, the Great Controversy ended. 17 mins.

In relation to God's work, do we simply look busy? Or are we actually busy accomplishing His work? This morning we look at God's faithful stewards. 35 mins.

The Christian life is often described as a race. A race designed by God, and in it we are called to fulfill His purpose for us. We are to be conformed to God's likeness. In today's message we look deeper into this analogy. 30 mins.

This morning we learn about Stewardship. What is Stewardship, and how does it affect the members of our church? 28 mins.

Wrestlemania 31 has come and gone and now we’re on a whole new Road to Wrestlemania. But before we’re too far along that Highway to Hell (in a Cell), the Post-Credits crew has assembled a dangerous alliance of friends to chat about the fallout from this year’s Wrestlemania and the following Monday Night Raw. Join the stable of Ben Silverio, ‘Likewise’ host MATT PANA, and undertaker (not THE Undertaker, an undertaker) RAY KENNEDY as they share their favorite Mania matches and their predictions for the future of the WWE. Meanwhile, Tim Rinehart tells you all about our new sponsor AUDIBLE (http://audibletrial.com/postcredits).And if you're not down with that, I've got two words for ya! POST-CREDITS!Sound Engineer: Anthony CipolloProducer/Co-Host: Tim RinehartCreator/Host/New New Age Outlaw: Ben Silverio

Wrestlemania 31 has come and gone and now we’re on a whole new Road to Wrestlemania. But before we’re too far along that Highway to Hell (in a Cell), the Post-Credits crew has assembled a dangerous alliance of friends to chat about the fallout from this year’s Wrestlemania and the following Monday Night Raw. Join the stable of Ben Silverio, ‘Likewise’ host MATT PANA, and undertaker (not THE Undertaker, an undertaker) RAY KENNEDY as they share their favorite Mania matches and their predictions for the future of the WWE. Meanwhile, Tim Rinehart tells you all about our new sponsor AUDIBLE (http://audibletrial.com/postcredits).And if you're not down with that, I've got two words for ya! POST-CREDITS!Sound Engineer: Anthony CipolloProducer/Co-Host: Tim RinehartCreator/Host/New New Age Outlaw: Ben Silverio

Don Pedigo will be joining us this coming Tuesday night March 3, 2015 at the Act One Pub as our special guest for the CAU Singing For Your Supper Showcase Series. Come join us in welcoming Don to the Chciago Music Scene'Don Pedigo's latest project THE CROSS EYED SESSIONS is a musical composition reflective of the life experiences of peaks in heartfelt love and valleys in endured hardships of the everyday working man. A presentation crafted in a devotion to the art of creating a style unique, the collection of songs reveals one of the Americana movement's most honest and compelling talents. Born in Freetown, IN, Pedigo's mid-western charm is matched by his ability to capture a listening audience with handcrafted lyrics, expressive vocals and Chet-like pickin'. With the will and work ethic of a Heartlander, Pedigo's passion led him to the heart of Music City where life as a recording artist, songwriter, musician, husband, father and friend shaped a sonic chapter of Pedigo's life called THE CROSS EYED SESSIONS. Mastered by five-time Grammy Award winning producer Ray Kennedy, the project captures the authentic and organic recording process within each song. Arriving in Nashville, he caught the ear of legendary songwriter Earl Bud Lee ("Friends In Low Places"/Garth Brooks, "Who Are You When I'm Not Looking"/Blake Shelton) who nurtured Pedigo's inherent song-crafting ability. In 2006, Pedigo recorded his first full-production record WHAT I WAS RUNNING FROM (featuring Buddy Miller on guitar) and released the single "Mama's Wedding Gown" (produced by Larry Crane) the following year. The complementary music video qualified the tune as a finalist on the CMT Music City Madness Singer/Songwriter's Competition Top 20 Video Countdown dubbing Pedigo as "the hard-rocking heartthrob from the heartland."