Podcasts about Colorado Plateau

Clay's conversation with writer Craig Childs of western Colorado. Childs is the author of more than a dozen books about America's backcountry. He's spent months, even years, exploring the Grand Canyon and a hundred lesser but magnificent canyons in desert country. Childs has been a river runner, a guide, and a consultant, but mostly, he is a writer of beautiful, spare, sometimes mystical prose about the Colorado Plateau. Clay and Craig talked about how he became a writer, about taking risks in the backcountry, being lost, and getting oneself lost. They also discuss the great 19th-century explorer John Wesley Powell, Henry David Thoreau, and Edward Abbey — the author of the enormously influential book Desert Solitaire. Childs is currently wandering through mountain lion country in western Colorado, trying to understand the ways of these magnificent creatures. You'll love this quiet discussion of things unrelated to America's current politics. This interview was recorded March 20, 2025.

One of the truly classic hiking trails in the United States, let alone the world, Buckskin Gulch swerves through a subterranean paradise for the senses. Attempt this visually-arresting walk as a day trip, or walk the entire 20 miles over the course of four days.Located in the Grand Staircase-Escalante National Monument (near Kanab, Utah) and Paria Canyon-Vermillion Cliffs Wilderness (Arizona), Buckskin Gulch trails takes hikers through the veritable layer cake of the Colorado Plateau's geographical wonderment. It is the longest and deepest slot canyon in the Southwest and offers obstacles like rock jams, pools, quicksand, and the potential for flash floods. Yet a day hike option via Wire Pass Trail is moderately easy, and should be a must-do tour on any hiker's list.For more visit www.the-overland-podcast.com

Proactive's Tylah Tully breaks down ‘Just the Facts' of the latest news from Anson Resources Ltd (ASX:ASN, OTCQB:ANSNF). The company has secured approval to drill 24 exploration holes, totalling approximately 1,000 metres, at its Yellow Cat Uranium and Vanadium Project in Utah, USA. Permits were granted by the US Bureau of Land Management (BLM) and the Utah Division of Oil, Gas and Mining (UDOGM). The drilling will target a 2-kilometre mineralised trend between the Windy Point Mine and the Mineral Treasure Mine, where samples have shown up to 10.33% uranium (U₃O₈) and 25.6% vanadium (V₂O₅). Fifteen holes will be drilled on the eastern side near Windy Point Mine, with the remainder on the western side near Mineral Treasure Mine. The program aims to develop a JORC-compliant resource using new and historical data. Shallow drilling depths of 12 to 40 metres will minimise costs and environmental impact. Located in the Colorado Plateau region, Yellow Cat has garnered interest due to rising uranium prices and US support for domestic production. While the company's primary focus is on lithium projects, it continues to advance Yellow Cat and plans to commence drilling in the coming months, contingent on local conditions and equipment availability. #ProactiveInvestors #AnsonResources #ASX #OTCQB #UraniumMining #Vanadium #YellowCatProject #MineralExploration #USMining #SustainableEnergy #EnergyTransition #NuclearEnergy #UraniumPrices #JORCResource #MiningApproval #UtahMining #BLMApproval #WhiteMesaMill #NuclearPower #RenewableEnergy #CriticalMinerals #LowCostDrilling #Mineralisation

I've been tempted more times than I can count to pull an Everett Ruess and disappear into the backcountry somewhere bounded by the Colorado Plateau. To date, the nearest I have come to following the leader was a two-week camping excursion ranging from Bear's Lodge in Northeast Wyoming down to Chaco Canyon in Northwest New Mexico via Capitol Reef and Canyonlands National Parks. It was while camping in Needles that I was attacked... --- Support this podcast: https://podcasters.spotify.com/pod/show/david-olson6/support

In this episode, we chat with Molly Wood, the Executive Director of The Whale Foundation, an organization dedicated to supporting the health and well-being of the Grand Canyon river guiding community. Growing up in the small town of Show Low, Arizona, Molly developed a connection to the outdoors, spending her childhood exploring the landscape and studying the native plants of the Colorado Plateau. Her journey led her to become a passionate river guide, specializing in ethnobotany and nature interpretation.Now, as the Executive Director of The Whale Foundation, she leads an organization dedicated to promoting the mental and physical well-being of river guides by providing essential support services such as counseling, scholarships, and emergency lifelines to help them navigate various challenges.Join us as Molly discusses the foundation's mission to create a stable and inclusive community for guides, the importance of mental health in the outdoor industry, and the work they do to promote a sustainable guiding career. Whether you're a seasoned guide or an outdoor enthusiast, this episode will inspire you to appreciate the deeper connections we have with the natural world and the communities that support us. Life in Motion is brought to you by Actual Outdoors. They help build beautiful brands that highlight the approachable and authentic parts of outdoor recreation. Said simply - they “keep it real”. Find them online at actualoutdoors.com or on Instagram at @actualoutdoors. Tweet us and let us know what you think of this episode! @illuminecollect Find more episodes at www.illuminecollect.com/blogs/life-in-motion-podcastSince 2017 Illumine has donated over $41,170 to outdoor nonprofits and shared over 221 stories on the Life in Motion Podcast.

About the Guest: Kyle Roerink is the Executive Director of the Great Basin Water Network. Roerink has been a pivotal figure in advocating for sustainable water management across the Great Basin and the Colorado Plateau. His organization has played a significant role in addressing critical issues related to water rights, environmental protection, and the ecological impact of industry and urban development in the arid Southwest. Episode Summary: In this engaging episode of "90 Miles from Needles," Chris Clarke speaks with Kyle Roerink, Executive Director of the Great Basin Water Network, about the ongoing battles and emerging concerns regarding water rights and environmental conservation in the arid regions of the Great Basin and the Colorado River Basin. The conversation kicks off with a light-hearted discussion about an unusual statement from the former president regarding a mythical "faucet" to solve water issues in California, setting an intriguing tone about broader misconceptions and real challenges. The episode delves deep into current projects and proposals that threaten the water security and ecological balance in the regions. Roerink highlights the pressing issues surrounding lithium mining in Green River, Utah, and its potential environmental impact. The conversation explores the novel direct lithium extraction technology and the legal precedents it may set, impacting future mining projects in the area. The discussion also touches on the alarming number of proposed new dams and diversions in the Upper Colorado River Basin and the implications for downstream water rights and ecological health. Key Takeaways: Direct Lithium Extraction and Environmental Concerns: The controversial lithium mining project in Green River, Utah, utilizing direct lithium extraction technology, poses several environmental risks and legal challenges, particularly concerning groundwater rights and public welfare. Over-Allocation of Colorado River Water: The ongoing issues of water over-allocation on paper versus actual availability, exacerbated by climate change and decreasing water flows, put immense pressure on water management across the Colorado River Basin. Ecological and Legal Implications of New Dams and Diversions: The numerous proposed dam and diversion projects in the Upper Colorado River Basin underscore the need for rigorous scrutiny and sustainable planning to prevent exacerbating water shortages and ecological damage. Glen Canyon Dam and Long-term Water Management: Discussion on the feasibility and future of maintaining both Lake Mead and Lake Powell reservoirs, with a growing consensus favoring prioritizing Lake Mead due to infrastructural and water delivery benefits. Community and Environmental Advocacy: Highlighting the importance of grassroots advocacy, collaboration among diverse stakeholders, and the significant role of public knowledge and engagement in addressing the complex water issues in the arid Southwest. Notable Quotes: Kyle Roerink: "We can only do the green energy transition once. There's no room for error, there's no margin for error." Chris Clarke: "There's a whole lot of money that you can make in destroying the desert, but not too much in saving it." Kyle Roerink: "Mother Nature is the best teacher." Kyle Roerink: "I think, like post federal lands Policy and Management act, that post Flitma era and push that really bolstered the environmental movement." Kyle Roerink: "If we're to believe the nation's best scientists, the worst is yet to come." Resources: Great Basin Water Network https://greatbasinwater.org/ Living Rivers http://www.livingrivers.org/ Glen Canyon Institute https://www.glencanyon.org/ UC Berkeley Climate Futures Lab https://nature.berkeley.edu/ClimateFuturesLab For more groundbreaking discussions about desert protection and water conservation, don't forget to listen to the full episode and stay tuned for more insightful content from "90 Miles from Needles." The desert needs your support and awareness now more than ever.Become a desert defender!: https://90milesfromneedles.com/donateSee omnystudio.com/listener for privacy information.

Heidi Redd is a renowned rancher, conservationist, author, and member of the National Cowgirl Museum's Hall of Fame. Sue Bellagamba serves as Canyonlands Regional Director at the Nature Conservancy, and for more than thirty years, she has worked to protect the lands and waters of southeastern Utah. Heidi and TNC have been partners since 1997 when Heidi sold her family's Utah ranch– The Dugout Ranch– to the Nature Conservancy in a historic conservation deal that protected the property from impending development. The Dugout Ranch is located at the gateway to Canyonlands National Park and sits within the boundaries of what is now Bears Ears National Monument– a fragile and arid landscape that has faced various development and environmental threats for many decades. Heidi and Sue have worked together in many capacities over the years, with one of their most notable achievements being the creation of The Canyonlands Research Center (“CRC”), which is headquartered at the Dugout Ranch. The CRC was founded in 2010, and its mission is to “promote a sustainable future on the Colorado Plateau for people and nature through research, inspiration, and demonstration of evidence-based solutions to solve some of our most pressing ecological, social, and economic issues.” Heidi is also the author of the excellent new book titled A Cowgirl's Conservation Journey: Stories from the Dugout Ranch. The book details her fascinating and adventurous life, with tales ranging from her youth (which included lots of rock climbing and skydiving), to her early years on the Dugout Ranch, all the way up to some recent behind-the-scenes stories from the designation of Bears Ears as a National Monument. If you're a fan of history, adventure, ranching, conservation, and purpose-driven people, I know you'll enjoy the book. We covered a lot in the episode, including Heidi's upbringing, her first visit to the Dugout Ranch, and when she knew that she would devote her life to stewarding the Dugout's spectacular landscapes. Sue provides some excellent context around conservation in the American Southwest, and why drylands are such a critical ecosystem and focus of TNC's efforts. We discuss how TNC initially built trust with Heidi back in the 1990s, the creation of The Canyonlands Research Center, new insights Heidi gleaned from writing her book, and much more. Be sure to visit the episode notes for links to everything we discuss, including Heidi's book. A huge thanks to Heidi and Sue for taking the time to chat with me and share their wisdom from so many decades of conversation work in such a special part of the country. Enjoy! --- The Dugout Ranch The Canyonlands Research Center A Cowgirl's Conservation Journey: Stories from the Dugout Ranch by Heidi Redd Full episode notes and links: https://mountainandprairie.com/heidi-sue/ --- This episode is brought to you in partnership with the Colorado chapter of The Nature Conservancy and TNC chapters throughout the Western United States. Guided by science and grounded by decades of collaborative partnerships, The Nature Conservancy has a long-standing legacy of achieving lasting results to create a world where nature and people thrive. On the last Tuesday of every month throughout 2024, Mountain & Prairie will be delving into conversations with a wide range of The Nature Conservancy's leaders, partners, collaborators, and stakeholders, highlighting the myriad of conservation challenges, opportunities, and solutions here in the American West and beyond. To learn more about The Nature Conservancy's impactful work in the West and around the world, visit www.nature.org --- TOPICS DISCUSSED: 4:00 - Heidi's upbringing 7:15 - Heidi describes the Dugout Ranch 13:30 - When Heidi knew she wanted to dedicate her life to the Dugout Ranch and surrounding area 16:00 - When Heidi took the reins of the Dugout 20:45 - When Heidi became interested in working with TNC 24:30 - Why Heidi trusted TNC 26:45 - Sue explains why TNC wanted to get involved with the Dugout Ranch and what their plan was once they purchased it 30:15 - Sue explains the mission and purpose of the Canyonlands Research Center 32:15 - When climate change got on Heidi's radar 37:45 - How Heidi discusses climate change, given our political climate 41:30 - Sue explains why drylands are so important 44:00 - Heidi and Sue explain the impact of the political battle surrounding Bears Ears on their work 50:30 - Heidi discusses whether or not writing her book helped her come to new conclusions 54:00 - Heidi's hopes for her family 55:30 - Heidi and Sue's book recommendations 59:45 - Parting words of wisdom --- ABOUT MOUNTAIN & PRAIRIE: Mountain & Prairie - All Episodes Mountain & Prairie Shop Mountain & Prairie on Instagram Upcoming Events About Ed Roberson Support Mountain & Prairie Leave a Review on Apple Podcasts

Far away from the mines of the Colorado Plateau, the first nuclear reactor in the world was built in Washington State. Here, uranium was used to create plutonium, showing the ore didn't just impact the people who pulled it out of the mountain, but the people who enriched and tested it down the nuclear supply chain. As more atomic veterans died from radiation exposure, their families sought to hold someone accountable — and though it would come back to uranium country eventually, those outside of Colorado would be the first to blaze the trail. Find references and stories, along with photos, at ⁠www.aleccowan.com/boomtown In this episode: Docents at the Manhattan Project B Reactor Historic Landmark in Hanford, Washington. John Findlay, professor emeritus at the University of Washington and author of "Atomic Frontier Days: Hanford and the American West." Bob Ince, one-time uranium miner from Gateway, Colorado. Trisha Pritikin, personal injury plaintiff in Hanford downwinder litigation (oral history interview). Michele Gerber, Hanford site historian (oral history interview). Veronica Taylor, a member and elder of the Nez Perce Tribe (oral history interview). Kirk Gladwin, president of the National Cancer Benefits Center.

SPONSORSAmerican WhitewaterinstagramfacebookAmerican RiversinstagramfacebookNRSinstagramfacebookHigh Desert Life OutdoorsinstagramfacebookFree Flow InstituteinstagramfacebookKSJD Community Radioinstagramfacebook GUESTKevin FedarkoA WALK IN THE PARKOrder the bookAudio BookTHE EMERALD MILE Pete McBrideWhile Pete is not a formal guest of these episodes, he is part of the  journey.  Here is his work from the same journey.Book:  THE COLORADO RIVER: Chasing WaterFilm:  INTO THE CANYON. TWO FRIENDS. 750 MILES THE RIVER RADIUSWebsiteInstagramFacebookApple PodcastSpotifyLink Tree

In This episode of ArtTalk, we find out how the community is harnessing its creative power. Cassie Paup shares all about the line up for the Moab Free Concert Series, beginning June 28th. There's a new local magazine called Ephemeral, a storytelling collective from the Colorado Plateau. Guests include Alison Hartford and Molly Gurney. We also hear from a budding new talent in Moab, Cozy Soul, whose new works recently appeared in his premier showing at the Moonflower. Multi Instrumentalist, educator, Jeff Guttierez of the Fiery Furnace Marching band and other bands hops in to give the downbeat on all things Musical and Moab. We even get to hear some original jazz compositions. Enjoy!

Comment with a Text MessageGuy Tal is an American  nature and landscape photographer, the author of several books, a regular contributor to photography publications such as LensWork and On Landscape, a prolific blogger, and educator. He resides in Torrey, Utah.Guy primarily photographs and writes about the Colorado Plateau in the American Southwest. He describes himself as a self-expressive artist who uses the camera to capture images of the wilderness near his home that act as visual metaphors for his emotions and feelings for these places.Topics Richard and Guy discuss:• Growing up in Israel• His move to the United States and the American Southwest• The influence of Edward Abbey• Being an 'expressive photographer'• Emotions in photographs• What are meaningful images?• The flow state• Creativity• Artistic style• Composition and intuition• The fear of failure• Social media• "Be Extraordinary"And much more.Notable Links:Guy Tal WebsiteGuy Tal BooksGuy Tal BlogBe Extraordinary (pre-order)*****This episode was brought to you by Luminar Neo.Powered by AI technologies, Luminar Neo streamlines the editing process and provides everything you could possibly need to get photos that will look amazing on the screen and in print. Luminar Neo was designed for both hobbyists and pros and includes cutting-edge editing tools – all in one intuitive and easy-to-use app.Luminar uses generative AI to intelligently analyze your photos and erase distracting elements in your compositions, add realistic objects that seamlessly blend into the background, or expand the frame in any direction. If that's not your thing, Luminar is still one of the most powerful photo editors for natural and realistic images too. Luminar Neo has all the features you need to enhance your images with precision and ease.You can use Luminar Neo as a standalone app on your PC or Mac computer or as a plugin for Adobe Lightroom and Photoshop, so you can keep your existing workflow.Learn more about Luminar Neo and how it can amplify your creative vision for your photos  by visiting skylum.com.*****This episode is brought to you by Kase Filters. I travel the world with my camera, and I can use any photography filters I like, and I've tried all of them, but in recent years I've landed on Kase Filters.Kase filters are made with premium materials, HD optical glass, shockproof, with zero color cast, round and square filter designs, magnetic systems, filter holders, adapters, step-up rings, and everything I need so I never miss a moment.And now, my listeners can get 10% off the Kase Filters Amazon page when they visit.beyondthelens.fm/kase and use coupon code BERNABE10Kase Filters, Capture with Confidence.

On the latest This Week in Moab, we hear from Science Moab's executive director, Carrie Schwartz. The nonprofit elevates the exciting science around the Colorado Plateau, and is bringing back 'Science on Screen' events to Swanny City Park. Plus, later in the program we have Karen Guzman-Newton, whose research at the University of Utah found that Moab's Main Street is Utah's deadliest. Guzman-Newton will discuss the grassroots effort around making Main Street safer for the public. // Music in this episode is 'As Colorful As Ever' by Broke for Free

Jim Enote is back to share his valuable insights on funding Indigenous communities.Jim discusses the importance of fostering genuine partnerships between donors and nonprofits, highlighting both success stories and lessons learned from his own experiences. Episode Highlights:Funding Indigenous communities with respect and empathyTrust-based giving and engagementJim Enote Bio:Jim Enote is a Zuni tribal member and CEO of the Colorado Plateau Foundation, which invests in Native-led organizations on the Colorado Plateau. As a counselor to the philanthropic community, he connects, engages, and leverages funding to support regional issues. Enote's service over the past 45 years includes natural resources, cultural resources, philanthropic, and art assignments for many domestic and international organizations. He serves on the Trust for Mutual Understanding Board, is the Chair of the Board at the Grand Canyon Trust and is on the Governing Council of the Wilderness Society. He is a Carnegie Foundation Senior Fellow and National Geographic Society Explorer. He lives in his work-in-progress home at Zuni, New Mexico, where he is also a lifelong traditional farmer.Links:Website: https://coloradoplateaufoundation.org If you enjoyed this episode, listen to these as well:https://podcasts.apple.com/us/podcast/175-be-effective-at-supporting-nonprofits-to-work-together/id1556900518?i=1000652465880 https://podcasts.apple.com/us/podcast/149-indigenous-peoples-day-special-episode-with-erik/id1556900518?i=1000630664943https://podcasts.apple.com/us/podcast/129-giving-well-to-indigenous-communities-with-jim/id1556900518?i=1000613959979Crack the Code: Sybil's Successful Guide to PhilanthropyBecome even better at what you do as Sybil teaches you the strategies and tools you'll need to avoid mistakes and make a career out of philanthropy.Sybil offers resources including free mini-course videos, templates, checklists, and words of advice summarized in easy to review pdfs. Check out Sybil's website with all the latest opportunities to learn from Sybil at https://www.doyourgood.comConnect with Do Your Goodhttps://www.facebook.com/doyourgoodhttps://www.instagram.com/doyourgoodWould you like to talk with Sybil directly?Send in your inquiries through her website https://www.doyourgood.com/ or you can email her directly at sybil@doyourgood.com.

Today - As the last remnants of winter recede, the trails beckon. Across the valleys that nestle between Mesa County and Ridgway, the dirt is packed, the air is fresh, and the Colorado Plateau Mountain Bike Trail Association is at the forefront of the season.Support the show: https://www.montrosepress.com/site/forms/subscription_services/See omnystudio.com/listener for privacy information.

Ever wonder how a daunting piece of land on the Colorado Plateau transformed into a goldmine for one astute investor? Strap in for a riveting tale that might just redefine the way you think about real estate. We'll take you through the journey of Wheeler Heights, where the challenge of no street frontage sparked an ingenious solution—a granny flat on a garage that churned out a dual income, enabling the owners to leap from an apartment to a house with equal, if not smaller, mortgage obligations. This episode is a masterclass in spotting hidden opportunities and converting them into profitable ventures, all while navigating the high seas of property investment.Now, let's talk strategies and how a simple granny flat can be the secret sauce to a high-yield portfolio. Selling an apartment to buy a house might sound like a game of Monopoly, but when you add a granny flat into the mix, the rules change. We discuss how this savvy move can mirror the returns of a swanky apartment while setting the stage for substantial capital growth. By opting to live in this cozy space and renting out the main residence, investors have unlocked a stream of income that many never even glimpse. It's an inspiring session that'll leave you evaluating your own estate for untapped potential and, who knows, it could be the gateway to your next investment triumph.

For the past three years, the Nature Conservancy has hosted a small cohort of Indigenous college students at their Canyonlands Research Center in southeast Utah. The program, known as N.A.T.U.R.E. (Native American Tribes Upholding Restoration & Education), seeks to empower the next generation of science and conservation leaders on the Colorado Plateau. During those seven weeks, students work with Indigenous knowledge holders and scientists, Western scientists, and program mentors to learn and teach about the science, conservation, and knowledge of the region's landscape and conduct their own original capstone research projects. In this episode, Science Moab talks with two students from the 2023 N.A.T.U.R.E. cohort, James Johanntoberns (Kiowa/Caddo/Pawnee) and Shundeen Smith (Diné). We talk about their experiences in the program and their capstone research projects focused on ant-biocrust interactions and the legacy of abandoned uranium mines on the Navajo Nation.

In the first half-hour, Tiokasin speaks with Frank Buffalo Hyde (Onondaga and Nez Perce), one of the five Native artists featured in the upcoming exhibition, “Sensing Sasquatch,” which will be on view March 2, 2024 - January 12, 2025 at the High Desert Museum in Bend, Oregon. Native peoples of the Plateau have long known about, encountered, depicted and told stories about Sasquatch, and the exhibition will examine the primate-like, reclusive and elusive being in the context of the High Desert region through an Indigenous lens. Frank Buffalo Hyde grew up in New York on his mother's Onondaga reservation. He began exhibiting his artwork at 18 years old as a hobby. He began taking his artwork career more seriously when he attended the Institute of American Indian Arts in Santa Fe. His artwork has been described as “Bold, Culturally Relevant and Inspiring!” featuring vibrant colors and animal subjects, most commonly buffaloes and his tribe. Frank's way of creating his artwork is to combine numerous aspects of modern culture with the internet and technology and combine it with Native American ideas. Frank has stated that the intention of his artwork is to highlight the social and political problems today's society. In addition, issues in today's society and in the lives of Native Americans is what drives him to continue with his career. Frank's goal for his artwork is to change the way people perceive Native American artwork and abolish any stereotypes that follow Native American artwork. He hopes to teach aspiring Native American artists to make the artwork that they want to make and not worry about their artwork being "Indian enough" or "Native enough.” Frank says, “Indigenous people are now at a point where they have to be dealt with … the popular culture, and the world can no longer ignore what we know and who we are.” More about Frank can be found at https://frankbuffalohyde.com/ In the second half-hour, Tiokasin welcomes back our friend Ed Kabotie with an important update. "The continued contamination of lands occupied by the Indigenous nations of the Colorado Plateau must be recognized for what it is: a continuation of the genocidal philosophies of Manifest Destiny. Many issues that Indigenous people face remain out of sight, out of mind to the general public,” says Ed. Ed Kabotie is an artist and musician from the Hopi village of Shungopavi and the Tewa village of Khap'o Owinge. He considers himself to be an “edu-tainer,” combining visual art, music, and education for his lectures and performances about “Alter-Native History” and issues related to the Indigenous people and lands of the four corner states region. Ed is also an event organizer and, along with his band Tha ‘Yoties and the generous support of nonprofits and committed friends, has held events that feature the Native voices in his homeland. Ed's solo music incorporates acoustic guitar, Native American flute, harmonica, percussion and voice. His lyrics are sung in English, Hopi and Tewa, and are often written in a storytelling fashion. Ed describes the music as “Nu-Native,” utilizing contemporary instrumentation as a vehicle to share the virtues of his Indigenous heritage, as well as our past and present struggles with colonialism. Production Credits: Tiokasin Ghosthorse (Lakota), Host and Executive Producer Liz Hill (Red Lake Ojibwe), Producer Karen Ramirez (Mayan), Studio Engineer, Radio Kingston Tiokasin Ghosthorse, Audio Editor Kevin Richardson, Podcast Editor Music Selections: 1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song) Artist: Moana and the Moa Hunters Album: Tahi (1993) Label: Southside Records (Australia and New Zealand) 2. Song Title: History Repeats Itself Artist: Jane's Addiction Album: N/A Label: N/A 3. Song Title: Delcho Drums Taken From: Denetah Radio, Yellowknife, NWT, Canada Album: N/A Label: N/A 4. Song Title: Tell Me a Tale Artist: Michael Kiwanuka Album: Home Again (2012) Label: Universal Music Group 5. Song Title: Don't Worry Be Hopi Artist: Ed Kabotie and Tha ‘Yoties Album: N/A (Can be heard on YouTube) Label: Ed Kabotie 6. Song Title: Funky Yotie Party Artist: Ed Kabotie and Tha ‘Yoties Album: N/A (Can be heard on YouTube) Label: Ed Kabotie AKANTU INTELLIGENCE Visit Akantu Intelligence, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuintelligence.org to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse

Can the simple beauty of an organism be enough to want to restore and preserve it? If so, Aspen would be at the top of that list. So much more than a beautiful tree, a stand or group of aspen trees is considered a singular organism with the main life force underground in the extensive root system. We talk with Paul Rogers, professor and Director of the Western Aspen Alliance, about the threats to Aspen today across the west and the Colorado Plateau. In the face of increasing drought and fire across the Colorado Plateau, this resilient tree finds itself most susceptible to the vast numbers of animals that forage on its young and nutritious shoots.

The Mogollon Rim in northcentral Arizona is a geological landform that spans around 200 miles east to west, demarking the southern boundary of the Colorado Plateau in the state.  This topographical feature is classified as an escarpment where wide and steeply sloping cliffs and rock masses delineate the high pine-covered plateau on the northern side, which receives cold winter temperatures and light snow from the desert-like conditions below to the south.  This transitional nature provides a habitat for significantly varying types of plants and animals.  Perhaps because of Mogollon Rim's liminal nature, this variance is claimed by many to also extend to creatures and phenomena that dwell beyond our understanding.  Accounts and legends of UFOs, supernatural occurrences, and even its own brand of a hominin-like beast known as the “Mogollon Monster” are familiar to the territory.  The supernatural element became all too real for our guest, Jay, who endured a terrifying encounter while working as a wildlife biologist for the Arizona Game and Fish Department.  While studying black bears in the rugged canyons and terrain of the Rim, Jay encountered an impossible stranger in a pretty unlikely place, one that insisted on getting a ride.  But who or what was this thing, and what was their intention?  An ancient spirit known to the Native American cultures of the region or a physical being with mystical powers masquerading as a weird human?  While it is never advisable to pick up strangers, it seems that one may be compelled to give a ride to a hitchhiker on Mogollon Rim, maybe as just a playful reminder that humans are not the apex of the paranormal food chain. Visit our website for a lot more information on this episode.

Given the increasing temperatures and aridity, the fate of pinyon-juniper woodlands on the Colorado Plateau is uncertain. We talk with Rebecca Finger-Higgens, Ecologist with the US Geological Survey, about the recovery of the pinyon-juniper woodlands in the La Sal Mountains following the Pack Creek Fire of 2021. Rebecca tackles the question of whether pre-fire forest thinning programs and post-fire seeding and erosion control expedite pinyon-juniper forest recovery.

Here in SE Utah, we are living in a geologically young, rapidly eroding landscape and we have the Colorado River to thank for sculpting such a beautiful and dynamic area. We talk with Joel Pederson, professor and Department Head of Geomorphology at Utah State University about his continuing research on incision rates of the Colorado River across the Colorado Plateau. We talk about some new advancements in age dating and why the area around Moab is currently the fastest eroding reach of the River.

October is American Archives Month and this month we're shining a light on the people at NAU who help make history come to life through the use of archival documents and materials. Let's meet today's guests from NAU Cline Library: Peter Runge, head of collectionsSean Evans, head archivistListen on as they share

Around the world, civilizations have literally been built on rock and the specific rock type of an area has definite influences on that society. Science Moab talks with wildlife and science documentary writer, Gautier Dubois, whose recent work, Top of the Rocks, will be featured at this year's Moab Festival of Science. Each episode of this 5-part series looks at a different rock (basalt, granite, sandstone, limestone, and clay) and how that rock influences our landscapes and environments. The Sandstone episode was filmed partially on the Colorado Plateau and features Moab scientist, Tim Graham.

The Glen Canyon Dam on the Colorado River provides electricity for some forty million people, and is one of the largest sources of water in the American West. It is also a testament to American settler colonialism, writes UT Austin history professor Erika Bsumek in The Foundations of Glen Canyon Dam: Infrastructures of Dispossession on the Colorado Plateau (U Texas Press, 2023). This region of the Southwest has been inhabited and irrigated by Indigenous societies since time immemorial, groups which were only recently (and partially) dispossessed by LDS Church settlers and by the US government. Bsumek argues that the structures, both physical and social, which form the foundation of Glen Canyon Dam - including science, law, and religion - make it a blueprint for structural dispossession, and a model which the United States would use to claim valuable Native lands. Yet, a mammoth undertaking such as this cannot be built without massive environmental change, and from the very beginning, both Indigenous and non-Indigenous people alike have questioned whether the dam was even necessary at all. In an era of warming climates and increasing droughts, Foundations of Glen Canyon Dam explains how we arrived at this moment of water crisis, and points to a path into an as-yet untapped future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Glen Canyon Dam on the Colorado River provides electricity for some forty million people, and is one of the largest sources of water in the American West. It is also a testament to American settler colonialism, writes UT Austin history professor Erika Bsumek in The Foundations of Glen Canyon Dam: Infrastructures of Dispossession on the Colorado Plateau (U Texas Press, 2023). This region of the Southwest has been inhabited and irrigated by Indigenous societies since time immemorial, groups which were only recently (and partially) dispossessed by LDS Church settlers and by the US government. Bsumek argues that the structures, both physical and social, which form the foundation of Glen Canyon Dam - including science, law, and religion - make it a blueprint for structural dispossession, and a model which the United States would use to claim valuable Native lands. Yet, a mammoth undertaking such as this cannot be built without massive environmental change, and from the very beginning, both Indigenous and non-Indigenous people alike have questioned whether the dam was even necessary at all. In an era of warming climates and increasing droughts, Foundations of Glen Canyon Dam explains how we arrived at this moment of water crisis, and points to a path into an as-yet untapped future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Glen Canyon Dam on the Colorado River provides electricity for some forty million people, and is one of the largest sources of water in the American West. It is also a testament to American settler colonialism, writes UT Austin history professor Erika Bsumek in The Foundations of Glen Canyon Dam: Infrastructures of Dispossession on the Colorado Plateau (U Texas Press, 2023). This region of the Southwest has been inhabited and irrigated by Indigenous societies since time immemorial, groups which were only recently (and partially) dispossessed by LDS Church settlers and by the US government. Bsumek argues that the structures, both physical and social, which form the foundation of Glen Canyon Dam - including science, law, and religion - make it a blueprint for structural dispossession, and a model which the United States would use to claim valuable Native lands. Yet, a mammoth undertaking such as this cannot be built without massive environmental change, and from the very beginning, both Indigenous and non-Indigenous people alike have questioned whether the dam was even necessary at all. In an era of warming climates and increasing droughts, Foundations of Glen Canyon Dam explains how we arrived at this moment of water crisis, and points to a path into an as-yet untapped future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

The Glen Canyon Dam on the Colorado River provides electricity for some forty million people, and is one of the largest sources of water in the American West. It is also a testament to American settler colonialism, writes UT Austin history professor Erika Bsumek in The Foundations of Glen Canyon Dam: Infrastructures of Dispossession on the Colorado Plateau (U Texas Press, 2023). This region of the Southwest has been inhabited and irrigated by Indigenous societies since time immemorial, groups which were only recently (and partially) dispossessed by LDS Church settlers and by the US government. Bsumek argues that the structures, both physical and social, which form the foundation of Glen Canyon Dam - including science, law, and religion - make it a blueprint for structural dispossession, and a model which the United States would use to claim valuable Native lands. Yet, a mammoth undertaking such as this cannot be built without massive environmental change, and from the very beginning, both Indigenous and non-Indigenous people alike have questioned whether the dam was even necessary at all. In an era of warming climates and increasing droughts, Foundations of Glen Canyon Dam explains how we arrived at this moment of water crisis, and points to a path into an as-yet untapped future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

The Glen Canyon Dam on the Colorado River provides electricity for some forty million people, and is one of the largest sources of water in the American West. It is also a testament to American settler colonialism, writes UT Austin history professor Erika Bsumek in The Foundations of Glen Canyon Dam: Infrastructures of Dispossession on the Colorado Plateau (U Texas Press, 2023). This region of the Southwest has been inhabited and irrigated by Indigenous societies since time immemorial, groups which were only recently (and partially) dispossessed by LDS Church settlers and by the US government. Bsumek argues that the structures, both physical and social, which form the foundation of Glen Canyon Dam - including science, law, and religion - make it a blueprint for structural dispossession, and a model which the United States would use to claim valuable Native lands. Yet, a mammoth undertaking such as this cannot be built without massive environmental change, and from the very beginning, both Indigenous and non-Indigenous people alike have questioned whether the dam was even necessary at all. In an era of warming climates and increasing droughts, Foundations of Glen Canyon Dam explains how we arrived at this moment of water crisis, and points to a path into an as-yet untapped future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The Glen Canyon Dam on the Colorado River provides electricity for some forty million people, and is one of the largest sources of water in the American West. It is also a testament to American settler colonialism, writes UT Austin history professor Erika Bsumek in The Foundations of Glen Canyon Dam: Infrastructures of Dispossession on the Colorado Plateau (U Texas Press, 2023). This region of the Southwest has been inhabited and irrigated by Indigenous societies since time immemorial, groups which were only recently (and partially) dispossessed by LDS Church settlers and by the US government. Bsumek argues that the structures, both physical and social, which form the foundation of Glen Canyon Dam - including science, law, and religion - make it a blueprint for structural dispossession, and a model which the United States would use to claim valuable Native lands. Yet, a mammoth undertaking such as this cannot be built without massive environmental change, and from the very beginning, both Indigenous and non-Indigenous people alike have questioned whether the dam was even necessary at all. In an era of warming climates and increasing droughts, Foundations of Glen Canyon Dam explains how we arrived at this moment of water crisis, and points to a path into an as-yet untapped future. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

The Glen Canyon Dam on the Colorado River provides electricity for some forty million people, and is one of the largest sources of water in the American West. It is also a testament to American settler colonialism, writes UT Austin history professor Erika Bsumek in The Foundations of Glen Canyon Dam: Infrastructures of Dispossession on the Colorado Plateau (U Texas Press, 2023). This region of the Southwest has been inhabited and irrigated by Indigenous societies since time immemorial, groups which were only recently (and partially) dispossessed by LDS Church settlers and by the US government. Bsumek argues that the structures, both physical and social, which form the foundation of Glen Canyon Dam - including science, law, and religion - make it a blueprint for structural dispossession, and a model which the United States would use to claim valuable Native lands. Yet, a mammoth undertaking such as this cannot be built without massive environmental change, and from the very beginning, both Indigenous and non-Indigenous people alike have questioned whether the dam was even necessary at all. In an era of warming climates and increasing droughts, Foundations of Glen Canyon Dam explains how we arrived at this moment of water crisis, and points to a path into an as-yet untapped future. Learn more about your ad choices. Visit megaphone.fm/adchoices

Remember, we welcome comments, questions, and suggested topics at thewonderpodcastQs@gmail.com. S4E24 TRANSCRIPT:----more----   Yucca: Welcome back to The Wonder, Science Based Paganism. I'm one of your hosts, Yucca Mark: and then the other one, Mark. Yucca: And today we are talking about that, that August holiday. We are here already. And I think we should start with, with what we call it, right? Mark: Right, because this is one of those where there are multiple names out there with varying degrees of pronunciability, depending on what your linguistic background is. And part of understanding what it is, is understanding how we talk about it. So what do you call it, Yakko? Yucca: So usually for me, it's second summer or when speaking with other people, I might use Lamas. That's because it's the one that's easiest for me to spell and I am spelling challenged. So that's usually what it will be. Sometimes the whole season right now is monsoon for us. So it's the monsoons. So yeah. But, you know, I recognize the other names as well. Unasa and things like that. Mark: Sure. I've always had kind of a hard time naming this holiday and because as I've mentioned before, I prefer not to use the Celtic names because that's not really Yucca: It's not your background. Mark: anything that I resonate to. And I, you know, the Catholic holiday llamas, I'm not all that interested in Catholicism either. Yucca: It always Mark: but you know what? Oh, llamas. Yucca: Yeah. Mark: Yes, the Peruvian holiday. So, So, there was a member of the Atheopagan Facebook group several years ago who suggested that she is using and I don't remember her name or I would credit her that she is using the terms brightening and dimming for the cross quarters at the beginning of February and the beginning of August. And I like that a lot because it's universal. I've always celebrated that February holiday as river rain, which makes a lot of sense where I live, but not. Pretty much everywhere else. So, so I've, I've adopted those terms and I find them useful. You know, the days are noticeably shorter now. The, you know, we've, we've stepped off from the peak at the summer solstice. Still plenty hot, still plenty of light, but there's definitely been a step down from that really blazing peak. And so Dimming, Dimming is a name that works well for me. Yucca: You know, I think one of the challenges with names may be that the, what's happening in each person's climate is, is really very different. And it's not as drastic of a difference in terms of it's not a change of season. We're in the middle of a large season. It's not like in the autumn or the spring, really, when. There's this switch going on, but what summer is for me and what summer is for you is very different, right, and what summer is going to be for somebody somewhere else, and whether it's still summer or, or we're approaching getting into autumn, because for me, it's not, right, this is not, you know, you talk about it dimming, and I do notice that the days are getting shorter, but this really is Thanks. This is the peak of summer for us. Mark: Huh. Yucca: It's not, there's no, this is the point where there is, it is the hottest time of the year. It is the most summery of summer. The, the summer solstice, it's like spring Barely ended and it is just jumped into summer for us. And so a lot of the types of things that people would associate with the summer solstice are more appropriate for us here, like sunflowers and things like that, that like the sunflowers are barely opening right now for us. Whereas I know for other people, they've been going for months. Right? Mark: Right. Yucca: And I think that that's Mark: Yeah. Yucca: You know, kind of across a lot of different places where it's just, there just isn't really a unified, what is this time of year? What is this holiday for many Mark: Right. Well, and it's not just this holiday. I mean, when it comes to summer, the hottest time of the year where I live is September. Yucca: Mm Mark: And the reason for that is that the sun has weakened enough that that fog system that I've talked about before no longer works. And so we're under the full sun rather than under a nice blanket of cooling fog. So we get days in the hundreds in September, and that is entirely uncooperative with any pagan calendar I've ever seen. It just, just doesn't work, right? You know, Oh, yes, the harvest and the, you know, the, the, the leaves and all that great stuff. Well, yes, we're having a harvest, but Not so much the leaves and stuff, cuz it's still blazing hot and it's going to be for a while. It's gonna stay really warm into November. Yucca: Mm Mark: So, so that's one reason why I find this word di dimming appealing because it doesn't refer to what's happening climatically, it just refers to what's happening with the sun, which is more of a universal thing for people in the northern hemisphere. Yucca: Right. Where it's, where if you're at the same latitude, same things happening, sun wise. Mark: Yeah. Yeah. Yucca: Yeah. That makes a lot of sense. So. What are some, let's talk about some of the themes, maybe some of the classical themes, and then how, how we approach those within our own climates. Mark: Mm-hmm. . Mm-hmm. . Sure. Well, to start with, In traditional paganism, and of course, we always have to issue the caveat that traditional neo paganism was put together 60 years ago or something. It's really not, you know, not something that goes way back, but it draws on folk traditions, which do go way back. And so this is traditionally the first harvest festival, the first of three, and this is associated with the grain harvest. So, the harvesting of barley and wheat and rye and it's associated with bread and with beer making and all of those things that we do with grain that around here, they actually get two harvests of of grain those that grow fodder for cattle. They're actually able to, you know, they get another growth of it that they can harvest before it starts to rain. But I like all those old associations. I like to bake a loaf of bread this time of year. It's the only time I ever do. Yucca: Mm Mark: and, you know, drink beer, which that's not the only time I ever do. And and just sort of enjoy, you know, reflecting on the season and thinking about what it must have been like for people in You know, the pre medieval medieval period, the classical period, you know, finally some real food is coming out of the ground. You know, the, the, the, the core food stuff that we eat, which is Yucca: stuff that lasts, right? That's the stuff that you store for the, you know, it's very different with the food that you're harvesting in the moment to eat. But that is what you're going to be able to store for a long period of time and know that, oh, we've got something. Right? When, when winter comes, I have something. Yeah. Mark: Yes. Yeah. So I enjoy all those associations. And then I have a bunch of other associations that I layer on top of that. But how about you? Are there other sort of the classical associations that you can think of that go with this as well? Yucca: The classical, I mean, there's, you know, there's some of the, like, the, the burning the straw man kind of stuff that happens. But a lot of what I, what I see kind of in the pegasphere the pagan sphere, would be would, a lot of that kind of bread. Association kind of stuff which definitely is not how I celebrate it. We, you know, we don't eat bread. We don't eat that kind of stuff. But it is the grass component is really important for us. That's a big, big theme. It's really honoring the ranges. I'm a range ecologist in particular. And we, we assign different associations throughout the year with different types of ecosystems. And so this is the other side from, even though it's not quite across but it's the other side from the winter solstice. For us where that's the forests and this is the grasslands. And this is when the grasslands are here. The grass is really at its at its fullest at its peak because it's monsoons. So for me, this this holiday is a lot about the monsoons. Mark: Uhhuh. for sure. Yeah. I mean that's a, in the southwestern deserts, that's probably the most influential climatic thing that happens all year round. It's the monsoon rains. Yucca: the monsoons and the snowpack, right? It's the moist, and those are, and that's when it's happening, right? We're hap it's happening, the snowpack is gonna be in that win in that winter kind of, really January, right? We're not really getting that much in December, it's not until January, so January and August. Although the monsoons will last for a few months, August really is the heart of it, Mark: Mm Yucca: we're lucky. Depends on the year. Mark: Right. Yucca: Yeah. Mark: The what was I going to say? Oh, but there are other meanings that I have kind of layered on to this time as well. This was the time when the ancient Greek Olympics would take place right around this time. And so, you know, naked men cavorting with javelins and pole vaulting and racing and all that kind of stuff. Yucca: Sounds great. Mark: so I tend to associate this time of year with skill and and I kind of, as our listeners, our regular listeners know, the other thing that I do is I tend to map the Sabbaths of the wheel of the year onto the arc of a human life. And that means that this point in the wheel of the year is for the middle aged. And I see the middle aged as people that are at the height of their intellectual and skill powers. They, you know, they are your senior engineers. They are your you know, your experienced inventors that have been through enough trial and error to know what's likely to work and what isn't. And so I associate technology. With this time of year as well, because one thing that note that I noticed was a glaring absence in the traditional pagan wheel of the year is any place for technology, because it's all kind of rooting this ye olde England the kind Yucca: of nostalgic for the past and yeah Mark: Right. Yeah. But believe me, at this time of year, if you didn't have a mill, you were you were not having a great time as a having a grain harvest. Yucca: Right. Mark: That technology is very valuable. Yucca: Well and and for today a Mark: to assume. Yucca: pretty pretty big fan of fans right now Mark: Yes. Yucca: Yep. Mark: Yeah, you bet. So, you know, technology, invention, skill, middle age all of those sort of I don't know. Summary and later in life kinds of things. Yucca: Mm hmm Mark: Not really elderly, but just, Yucca: mature. Mark: when I think of elderhood, I yeah, mature. When I think of elderhood, I think of people who have either retired or are near retirement or at least near the age when people used to be able to retire back when that was a thing we could do. Yucca: I have heard Mark: that, that I, yes, yes, I have heard the lore of the people that say that. The thing one can do but I associate that phase in life with the harvest festival at the Autumnal Equinox, which I associate with the elderly. And then of course, Hallows is death and decomposition. Yucca: Yeah. Mm Mark: So, so, you know, kind of a list of different sorts of themes to associate with, but I like having A different station in life for each of the Sabbaths because it gives an opportunity to celebrate people in my community that are of a particular age group Yucca: hmm Mark: and, you know, just to appreciate them for being in our community and what they bring and what they've been through, or what they're going to bring forth and, you know, the potential that they offer. And I just, I think that's a good thing for community building. So it's a, it's a thing I like to do. Yucca: And I really like your inclusion of the, the technology in there. I think that that's an important important thing to recognize, right? That it's, and it's kind of having a place to honor it because it isn't it's A bad thing, right? It's not like there's this competition between, like, natural and technology. Like, it's, no, no, this is all mixed in here together and, and, you know, like any tool, it's really just depends on what we're doing with those tools and what are, what's our intention behind the tools. But the tool itself, it's not necessarily, you know, a bad thing. Mark: right. Now, it doesn't reflect well that pretty much every technological innovation throughout history has been initially applied towards warfare. That, that's kind of a grim factoid. Yucca: Yeah, now I've heard that many times. I'm not I have to admit that I feel a little skeptical about that. I, but I don't have enough background to be able to point to something and say, ah, here's an example. But, I mean, it's something that I definitely hear is repeated, and there's certainly plenty of examples of it, but I don't know how, how fair of a representation that really is or isn't. Mm hmm. Mark: well, when you have a military dominated society and most societies throughout recorded history have been military dominated, then it's inevitable that what technologies arise are going to be applied to military applications. Yucca: Right. Mark: Like refrigeration, for example, refrigeration was initially used to transport food around for soldiers and then it got propagated out into various private applications. Yucca: Well, I can think of rockets, right? Or fire Mark: circuit, right, right. The integrated circuit was initially used in ICBMs and things like then fighter jets and things like that. But now we're talking over computers that use the integrated circuit. So there are many applications for technologies. And a part of a part of my, my rap about technology and. Capitalism and human society is that part of the problem that we've had is that the idea of science as this dispassionate value free proposition has allowed us to do research into areas that are very destructive. I mean, you know, doing research about how you can get more of an explosive yield out of a fusion reaction is pretty destructive. And if we had a society that was more informed by compassionate and humanitarian values. we would be less likely to invest money in that kind of research, I think. Yucca: hmm. Mm hmm. Mm hmm. Mark: But there's a tangent.  Yucca: Well, we have to have at least Mark: anyway, yes, we do. That's true. Anyway, technology, it does lots of good stuff for us. Keeps me alive. I wouldn't, I'm, I'm sure I wouldn't be here if not for the technology that goes into my pharmaceuticals. So I'm happy about technology. Yucca: Mm hmm. Mark: So, those are themes. How about rituals? What are, what are things you like to do to celebrate the grasslands and and those and the rains, the monsoons? Yeah. Yucca: Well, when the rains come, we go out in them. Because going out in the rain is a very different thing depending on where the rain is. Right, it may not be something that you would want to do if you live in Connecticut and rain is a very different thing there than it is here. But when the storms come it's just we get so little moisture that it's just amazing that we go out barefoot and we watch the, we watch the water just moving across the land. Of course, there's very practical reasons as well, because I want to see where the water is moving to and, you know, how can I slow that down and redirect it and make sure it's not getting into the foundations of my house and all of that stuff. But but it also, we The kids have some clear umbrellas, right? We go out and look at the rain through the clear umbrellas and get wet and muddy like those cartoons where the kid is just completely covered except for their little blinking eyeballs, right? Like, we, we make sure to do that. And Just spending time outside a lot. The other thing that comes up is that this is the, the proceeds are coming up so it's right after, so the per, they usually peak around like the 12th or so. But they're already getting going for like about a week or, and so before and after. So we spend a lot of time outside with that and just Just being out, but being out in the evening times because right now it is really hot in the middle of the day and the sun is very intense because we're so high up that, Mark: Mm hmm. Mm Yucca: you know, there's just, there's no cloud cover. And when the rains do come, the clouds come in the afternoons, early evening, and then they're gone, right? It's not like it's cloudy all day. You'll get the, you'll get that Few hours, and then it's clear again, clear again. All right. Mark: Then you get a great sunset Yucca: Yes, and this time of year, the Mark: the remnants of the clouds. Yucca: Yeah, the sunsets. I mean, we have beautiful sunsets throughout the year, but there's something about the summer and the autumn. And then just the whole sky is just pink and golden and and the light on the, the trees that we have here are mostly. Pinyon and juniper. So they have the needles that the every single needle will catch the light and it looks like little spears of fire and it's, it's just, it's just hanging out a lot. Just being with, with the land and and we got lots of animals this time of year. I was telling Mark some stories about our adventures with, with some very large mammals in and You know, that's what we're, that's what we're doing, so, Mark: That's great. I love that blood warm rain of the monsoons. When we get rain here, it's always cold. But that, that tropical rain is just so amazing. It's lovely to go out and get soaked in it. Yucca: And it's different, right, depending on which, which desert you're in because we say the desert southwest, but there's like five different deserts here, right, and what elevation you're at, where, you know, it's the, the, the rains that we have up here, I'm just I'm not quite on the Colorado Plateau but I'm right now, I'm at this crossroad between like several different major geologic regions, but it's so different than if you go down into the Chihuahuan. Right, the rain, even though they're getting the same weather patterns coming through, but the rain is just it smells different. It feels different. It's just so different each place. And then, of course, this is when the grasses come alive. Right, they're waiting, they're sleeping throughout the whole year and then they. Wake up and here we have, we're on a migratory path. The elk will come through as they're going between these two main mountain ranges that we have. And this is when, you know, we're moving around the, my whole neighborhood. Neighborhood I put that that's again relative for different people. This is a very large area that we have, but you know, we're moving our our herds of animals around and it's just it's just a very alive. That's that's I think if I had to give this name, this holiday name. I say, maybe I'd call it alive, Mark: hmm. Yucca: right? Or awake, alive, awake, something like that. Yeah. Mark: I like that. Nice. So, well, I guess I'll talk a little bit about ways that I celebrate. I mean, I've already talked about making bread and drinking beer and, Yucca: Mm hmm. Mark: you know, that kind of thing. I do like to get together with friends at this time of year and, you know, kind of center grain stuffs in the meal. So, our Northern California Atheopagan Affinity group is going to get together on the 6th of August and celebrate, and we'll be doing that with bread and empanadas, actually, which will also be really nice. So, it's still a summer holiday and to me that means gatherings. And you know, the opportunity to have a highly constrained, safe fire, Yucca: Mm Mark: because unsafe fires are unpopular in California now. They they, that's a, that's a good way for you to get sideways of your neighbors is to have too big and uncontained a fire. But we'll, you know, we'll, we'll build a little fire in a fire pit and that'll be nice to be around and we'll hang out into the evening and talk about life and enjoy bread and beer and empanadas and snacks and early vegetables and all that good kind of stuff. And it'll just be a good way to celebrate the season. Yucca: Mm. Mark: yeah, I really find that the the, the summer Sabbaths really lend themselves so much more to just kind of general social gatherings than they do to more. formal rituals. I, I tend to do more formal rituals in the fall, the winter, and the spring. But after the Maypole at at May Day or Beltane everything relaxes a great deal. Yucca: Yeah. Mm Mark: Uh, and it, it, it turns into barbecues at the beach and stuff like that as my way of celebrating the holiday because it's a great time to be out, right, to be out. In the world and experiencing it. Yucca: Yeah Because the other half of the year is much more indoor focused, right? And for me, it's often there's a, it's a much more turned inwards. experience where the, Mark: Mm hmm. Yucca: the warm half of the year is a much more turned out experience, just in terms of where the focus is. It's about, you know, what's going on outside with everything else, with the whole, you know, and then outside of the home and then in the home. Mark: Right. Right. Even even to the extent of other people, whereas in the wintertime, I tend to be more inward and less social. And that's one of the reasons why the winter solstice is important, Yucca: Mm hmm. Mark: it's this sort midwinter. Now we're going to have a big gathering and we're, you know, we're all going to like look at each other's eyes and realize that we're still alive and, you know, pack in the calories because, you know, who knows what we're going to have to eat come the end of January and that sort of celebration. I appreciate that over the years I have come to feel, to feel the seasons in my body. Yucca: Mm hmm. Mark: In a way and not just from the standpoint of how much light there is, but sort of a calling towards a particular kind of celebration at a particular time of year. Yucca: Yeah. Mark: So this has been a good conversation. This is our 4th. Podcast episode about this particular holiday. So it's Yucca: Yeah. Mark: the calendar. It's like that. It just goes around and around and around. So, forgive us if a lot of it was repetition, but, you know, it's the same holiday. We're not inventing a new one. So, Yucca: about traditions. Mark: of course, Yucca: them again and again. Mark: right, right. And. Of course, we're always interested to hear what kind of things you're doing. You can contact us at the wonder podcast queues at gmail. com or the wonder podcast QS at gmail. com. And we love to hear from you. We always really appreciate that. Anything else, Yucca? Yucca: I think that's it. So thanks, Mark. Thank you, everyone. Mark: Yeah. Thank you Yucca and we'll see you next week.      

Sedimentologists are geologists that study rocks on the earth's surface today in order to interpret ancient depositional environments. By studying deposits of river gravels, Andre Potochnik has been able to determine major changes in the drainages on the southern part of the Colorado Plateau. We talk with Andre about his work in Arizona on the Apache Reservation and how he has come up with the timing of significant drainage reversals for rivers in that area and how this impacts the interpretations of the Colorado River and the Grand Canyon.

Most of the debris burns up when it enters our atmosphere, and all we get is the bright blaze in the clear night sky because, from time to time, we see it as fleeting meteor showers. But sometimes a meteorite is tough enough to survive the atmosphere and large enough to leave a remarkable spot on our planet. Nestled in the Colorado Plateau in northern Arizona, Barringer Crater is a rimmed pit in the shape of a bowl we also call Meteor Crater. South Africa has its own gem, too - Vredefort Crater, the largest and the oldest one in the world. Let's take a look at some impressive craters around the world. Learn more about your ad choices. Visit megaphone.fm/adchoices

Glen Canyon was home to the flowing Colorado River until 1963 when Glen Canyon Dam closed its gates creating Lake Powell.  Over the past few years, water in Powell has dropped to levels not seen since the 1960s.  The River Radius went onto Lake Powell and up into the canyons to see what has returned in these canyons as they restore to their pre Powell eco-systems and to ask the questions of what is next for Powell and Glen Canyon.  Guests are the Glen Canyon Institute and Eric Balken.      SPONSORSDenver Area Nissan DealersWholesum GUESTSGlen Canyon InstituteInstagramFacebookFURTHER READINGEcon Report for Glen Canyon National Recreation AreaGlen Canyon National Recreation AreaGlen Canyon DamLake PowellLake Powell LevelsLake Powell Real Time and Historical DataColorado RiverColorado Compact 

This week Melissa Biggs Bradley transports you to the Grand Canyon for a conversation about how to get the most out of your trip to one of the greatest natural wonders in the United States.  President Roosevelt declared the Grand Canyon a national park in 1908 and famously said, "Leave it as it is. Man cannot improve on it; not a bit. The ages have been at work on it, and man can only mar it. What you can do is keep it for your children and your children's children and for all who come after you, as one of the great sights which every American, if he can travel at all, should see." The vast canyon was named a UNESCO World Heritage Site in 1979 and welcomes millions of visitors every year. To give a sense of its size, it spans a full mile in depth and is even larger than the entire state of Rhode Island.  Whether you're interested in hiking from rim to rim, or more simply marveling at its beauty, or somewhere in between, you should plan to visit the Grand Canyon at some point in your lifetime.   In this episode, Melissa welcomes Geno Kelly, a retired Arizona firefighter who has 45 years of experience guiding, rafting, and of course, hiking in the national park. He has a strong background in wilderness safety and a remarkable understanding of the unique geology, high desert flora, and history of the area. His depth of expertise and knowledge is astounding, and his true calling lies in helping travelers craft their own adventures to the Grand Canyon.

Jim Enote joins Sybil for a special bonus episode. He shares what he has been doing since his last appearance on the podcast, and then shares his wisdom for those who want to give to indigenous communities. Jim explains how to give in a righteous way that reflects equality, fairness, and respect. Episode Highlights:Give from a place of support and empowerment, not guiltTrust those you are giving Jim Enote Bio:Jim Enote is a Zuni tribal member and CEO of the Colorado Plateau Foundation. He serves on the boards of the Trust for Mutual Understanding, and Grand Canyon Trust, and formally with Jessie Smith Noyes Foundation. He is a National Geographic Society Explorer, a New Mexico Community Luminaria, and an E.F. Schumacher Society Fellow.Jim's service over the past forty years includes natural resource, cultural resource, philanthropic, and arts assignments for many organizations including UNESCO, UNDP, International Secretariat for Water, Nordic Council of Ministers, Tibet Child Nutrition Project, the Mountain Institute, National Geographic Society, US Bureau of Indian Affairs, US National Park Service, Zuni Tribe, and several major charitable foundations, museums, and universities. He has written in Heritage In the Context of Globalization; Science, Technology, and Human Values; Sacredness as a Means to Conservation; Mapping Our Places; Indigenous People and Sustainable Development; A:shiwi A:wan Ulohnanne, and Redrock Stories, to name a few. Recent short pieces include; We Cannot Live by Sentiments Alone, The Museum Collaboration Manifesto, Buyer Beware, What I Tell Boys, and Please Don't Call Me a Warrior.In 2010 while serving as the director of the A:shiwi A:wan Museum Jim was awarded the first Ames Prize for Innovative Museum Anthropology during the American Anthropological Association's annual conference. In 2013 he received the Guardian of Culture and Lifeways Award from the Association of Tribal Archives, Libraries, and Museums, and in 2016 received the Hewett Award for leadership and service to the New Mexico museum community and for achievements in the museum field. He lives in his work in-progress home at Zuni, New Mexico.Links:Colorado Plateau Foundation: https://coloradoplateaufoundation.org support page for CPF: https://coloradoplateaufoundation.org/support/LinkedIn: https://www.linkedin.com/in/jim-enote-32a368120 Comic Book “Stand Up”: https://issuu.com/coloradoplateaufoundation/docs/stand_up_4_ If you enjoyed this episode, listen to these as well:· https://www.doyourgood.com/blog/leveraging-public-dollars· https://www.doyourgood.com/blog/35-jim-enoteCrack the Code: Sybil's Successful Guide to PhilanthropyBecome even better at what you do as Sybil teaches you the strategies as well as the tools you'll need to avoid mistakes and make a career out of philanthropy through my new course, Crack the Code!In this new course you'll gain access to beautifully animated and engaging videos, along with many other resources. Link for the waitlist for the Philanthropy Accelerator https://www.doyourgood.com/Philanthropy-Accelerator-Mastermind-WaitlistLink to the nonprofit email sign-up to connect https://www.doyourgood.com/ticket-to-fundraisingCheck out her website with all the latest opportunities to learn from Sybil at www.doyourgood.comConnect with Do Your Goodhttps://www.facebook.com/doyourgoodhttps://www.instagram.com/doyourgoodWould you like to talk with Sybil directly?Send in your inquiries through her website https://www.doyourgood.com/ or you can email her directly at sybil@doyourgood.com!

For our latest podcast, we interview Erika Bsumek, Professor of History at the University of Texas, about her brand new book The Foundations of Glen Canyon Dam: Infrastructures of Dispossession on the Colorado Plateau. In the conversation, we discuss the ways that Glen Canyon Dam was the culmination of a century of dispossession of the […]

For our latest podcast, we interview Erika Bsumek, Professor of History at the University of Texas, about her brand new book The Foundations of Glen Canyon Dam: Infrastructures of Dispossession on the Colorado Plateau. In the conversation, we discuss the ways that Glen Canyon Dam was the culmination of a century of dispossession of the […]

A conversation with Craig Childs about their book, "Tracing Time: Seasons of Rock Art on the Colorado Plateau" (Torrey House Press, 2022). The Writing Westward Podcast is produced and hosted by Prof. Brenden W. Rensink (www.bwrensink.org) for the Charles Redd Center for Western Studies at Brigham Young University and hosted by. Subscribe to the Writing Westward Podcast on Apple Podcasts, Stitcher, Spotify, Google Play, and other podcast distribution apps and platforms. Follow the BYU Redd Center and the Writing Westward Podcast on Facebook or Twitter or get more information @ https://www.writingwestward.org. Theme music by Micah Dahl Anderson @ www.micahdahlanderson.com

Outdoors Arches National Parkhttps://www.nps.gov/arch/index.htm Arches National Park is a national park in eastern Utah, United States.  The park is adjacent to the Colorado River, 4 miles (6 km) north of Moab, Utah.  More than 2,000 natural sandstone arches are located in the park, including the well-known Delicate Arch, as well as a variety of unique geological resources and formations.  The park contains the highest density of natural arches in the world. The park consists of 310.31 square kilometres (76,680 acres; 119.81 sq mi; 31,031 ha) of high desert located on the Colorado Plateau. The highest elevation in the park is 5,653 feet (1,723 m) at Elephant Butte, and the lowest elevation is 4,085 feet (1,245 m) at the visitor center. The park receives an average of less than 10 inches (250 mm) of rain annually. Administered by the National Park Service, the area was originally named a national monument on April 12, 1929, and was redesignated as a national park on November 12, 1971. The park received more than 1.6 million visitors in 2018. Beers Grandpa's Bills Pils Pilsner  | 5.1% ABV Junkyard Brewery - Moorhead, MNThe brew's refreshing notes of tangerine blend with a hint of pithy grapefruit, topping off the biscuity body like marmalade.Crushable, Crisp, Refreshing, Citrusy, BiscuityHorney Devil - Beilgan Pale Ale | 10% ABV AleSmith Brewing Company - San Diego, CACandi sugar and coriander seeds blend for a caramel citrus swirl that flows through each sip. The sweet lift boosts the banana esters and orange peel nuances as they engulf clove and peppercorn undertones.Boozy, Effervescent, Fruity, Citrusy, Award winning, SpicedTough Love (Banished) 2022Stout - Imperial / Double | 14% ABV Crux Fermnetation Project - Bend, ORGrowing up gave this dark beauty a complex character and oaky vanilla charm.Its heavenly nuances of chocolate-covered cherries layered with notes of caramel are like cordial truffles. Meanwhile, the whiskey lends a hint of earthy cinnamon spice and a little booziness to this 14% ABV brew's smooth, dry finish.Barrel Aged, Boozy, Fruity, ChocolateyThe Glenrothes | 40% ABV Speyside Single Malt Scotch WhiskeyMatured only in Bourbon Seasoned Oak Casks and bottled at natural colour.Vanilla, Coconut, Pears and Crème brulee 

Sybil has a very special interview for you today. She had a wonderful conversation with Jim Enote, a Zuni Tribal Member, farmer, and Executive Director of the Colorado Plateau Foundation. In season one, Sybil interviewed him at length twice because his advice is so wonderful for donors who want to give effectively to Indigenous communities. Sybil has profiled some of her favorite parts of Jim's conversation in this episode, and they are here for you today to listen to. Episode Highlights:Ensure your ideas about what you want to give align with the mission of the organizationBuild your relationship on trustTalk with Indigenous communities from a place of opportunity and hopeJim Enote Bio:Jim Enote is a Zuni tribal member and has spent over 40 years working professionally to protect and steward cultural and natural resources. He is the CEO of the Colorado Plateau Foundation, which supports regional Native communities to protect water and sacred places, ensure food security, and preserve languages and ancestral knowledge. He also serves as the chair of the board of trustees for the Grand Canyon Trust and lives in Zuni, New Mexico.Link: Website: https://www.grandcanyontrust.orgLinkedin: https://www.linkedin.com/in/jim-enote-32a368120Colorado Plateau Foundation https://coloradoplateaufoundation.org/Candid https://candid.org/Native Americans in Philanthropy https://nativephilanthropy.org/Fact Sheet and Info about the Colorado Plateau Foundation https://drive.google.com/file/d/1eoOBjHx986wjjkvdiweCylQ18VuK8fQC/view?usp=sharingIllustrated Story of the Colorado Plateau Foundation https://drive.google.com/file/d/1BJfcmjBFe-eNkgAsh6cpirpEjqjZY5AR/view?usp=sharingIf you enjoyed this episode, listen to these as well:https://www.doyourgood.com/blog/35-jim-enotehttps://www.doyourgood.com/blog/32-anupama-joshihttps://www.doyourgood.com/blog/25-sybil-speaksCrack the Code: Sybil's Successful Guide to Philanthropy Become even better at what you do as Sybil teaches you the strategies as well as the tools, you'll need to avoid mistakes and make a career out of philanthropy through my new course, Crack the Code!In this new course, you'll gain access to beautifully animated and filmed engaging videos, and many more! Link for the wait list for the Philanthropy Accelerator https://www.doyourgood.com/Philanthropy-Accelerator-Mastermind-Waitlist Link to the nonprofit email sign-up to connect https://www.doyourgood.com/ticket-to-fundraising Check out her website with all the latest opportunities to learn from Sybil at www.doyourgood.com. Connect with Do Your Goodhttps://www.facebook.com/doyourgood https://www.instagram.com/doyourgood Would you like to talk with Sybil directly? Send in your inquiries through her website https://www.doyourgood.com/ or you can email her directly at sybil@doyourgood.com!

This week, Jeremi and Zachary are joined by Professor Erika Bsumek to discuss how major infrastructure projects tend to damage indigenous communities and contribute to their erasure. Zachary sets the scene with his poem entitled, "Sonnet on the Shores of Lake Powell" Dr. Erika Bsumek is an Associate Professor of History at the University of Texas at Austin. She is the author of: Indian-Made: Navajo Culture in the Marketplace and, most recently, The Foundations of Glen Canyon Dam: Infrastructures of Dispossession on the Colorado Plateau. Prof. Bsumek has received numerous teaching awards, including the UT Regents Outstanding Teaching Award.

A series of linear roads were built around 1000 years ago all over the four corners area, but focusing on the Chaco Canyon region. We talk with Rob Weiner – archaeologist, anthropologist, and student of religion – whose research at the University of Colorado in Boulder focuses on monumental roads that the ancestors of the Pueblo and dine people built about 1000 years ago here on the Colorado Plateau. We talk about the significance of these architectural monuments, how they are mapped out, and why it is important to preserve them.

A conversation with Democrat Adam Frisch who traveled to Washington, D.C. to attend Congressional orientation, even though his race in Colorado's 3rd district against Lauren Boebert is still undecided. Then, a woman injured in a derailment tells her story. And, new treatments for mood disorders offer hope. Also, a guidebook to the Colorado Plateau.

A conversation with Democrat Adam Frisch who traveled to Washington, D.C. to attend Congressional orientation, even though his race in Colorado's 3rd district against Lauren Boebert is still undecided. Then, a woman injured in a derailment tells her story. And, new treatments for mood disorders offer hope. Also, a guidebook to the Colorado Plateau.

In this world of mokuhanga, there are artists whose passion and dedication to the art form comes not only from their work, but from how they see the medium itself. Linda J Beeman is a Michigan based mokuhanga printmaker who desires to explore nature, its conservation, its power through colour, its meaning, and aesthetic. Linda's work takes the viewer to an existing place, which when allowed in, soothes and calms, enveloped by the sacred. On this episode of The Unfinished Print I speak with Linda J. Beeman about her world, natural and artistic, how she got involved with mokuhanga, how she views her audience, her style. We discuss her time at MI Lab, and her love of artist-in-residence programs in the United States. Linda also speak on her process, her tools, and why mokuhanga is such a big part of her life.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com  Artists works follow after the note about them. Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Linda J. Beeman - website, Instagram, Facebook.  Aurora Borealis (2022) Dundas Valley School of Art - is a multi disciplinary art school located in Dundas, Ontario, Canada, which is a suburb of Hamilton. Founded in 1964 by Marion Farnan and Emily Dutton, the DVSA has evolved into a modern, and chic art space, providing accessible and affordable art education for all.   Tuula Moilanen - is a Finnish mokuhanga printmaker and painter based in Finland. She lived and studied in Kyōto from 1989-2012,  where she learned her printmaking at Kyōto Seika University and from printmaker Akira Kurosaki (1937-2019). Her work can be found, here. Urban Holiday (2016)   David Bull's “Baren Forum”  - was an early mokuhanga forum for printmakers which can still be found, here. It's chock full of information for printmakers of all levels.   Mary Brodbeck - is a mokuhanga printmaker, based in Kalamazoo, Michigan. She has been producing mokuhanga for nearly 25 years. Her work refelcts nature, and the power it contains.  Remnants   kentō - is the registration system used by printmakers in order to line up the colour woodblocks with your key block, or outline block, carved first.     hanshita - is a thin sheet of gampi paper that is pasted, reverse side, on a piece of wood. This is a guide, carved onto the block and is generally used for the key block and subsequent colour blocks. Methods such as acetate with water based pigment, can also be used rather than the thin gampi paper, which can cause misregistration if not pasted correctly.   Petrified Forest National Park - is a national park located in northeastern Arizona, on what is called the Colorado Plateau. The Plateau connects the American States of Colorado, Utah, New Mexico, and Arizona. Petrified Forest National Park is famous for early traces of human civilization through archeology and fossils, as well as an abundance of nature and natural formations. More info can be found, here, and here.    The Great Lakes -  are a series of lakes which are connecte to one another. They are located in North America. The lakes are; Lake Ontario, Lake Superior, Lake Erie, Lake Michigan, and Lake Huron. The lakes connect to the Atlantic Ocean, and through various rivers and other tributaries.    MI Lab - is a mokuhanga residency located in Kawaguchi-ko, near Mount Fuji. More info can be found, here.    Keiko Kadota (1942-2017) - was the director of Nagasawa Art Park at Awaji City from 1997-2011, and then of MI Lab at Lake Kawaguchi from 2011 until her passing.   shin hanga - is a style of Japanese woodblock printmaking which began during the end of the Ukiyo-e period of Japanese printmaking, in the early 20th Century. Focusing on the foreign demand for “traditional” Japanese imagery and motifs such as castles, bridges, famous landscapes, bamboo forests, to name just a few.  Shin hanga was born in 1915 by Watanabe Shōzaburō (1885-1962) when he found Austrian artist Frtiz Capelari (1884-1950) and commissioned Capelari to design some prints for Watanabe's feldgling printing house . From there shin-hanga evolved into its own distinct “new” style of Japanese woodblock printing. It lasted as this distinct style until its innevitable decline after the Second World War (1939-1945).   sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self made prints was a breakthrough for printmakers beginning to move away from where only a select group of carvers, printers and publishers created woodblock prints.    Watanabe Shōzaburō [渡辺 庄三郎] (1885-1962) - was the catalyst of the new print movement (shin-hanga) in the Japan of the early 20th Century. He assembled printers, designers, and carvers to re-create the now dead,  ukiyo-e style, of woodblock prints in Japan. Watanabe also welcomed "foreign" artists to design prints, such as Charles Bartlett (1860-1940). His relationship with many of Japan's future woodblock stars, such as Yoshida Hiroshi (1876-1950), and Hasui Kawase (1883-1957) established a mokuhanga style that has been emulated ever since.   Porcupine Mountains Wilderness State Park - found in Ontanagan, Michigan, USA. This state park has 35,000 acres of old growth forest, watefalls and abundant nature, on Lake Superior. The artist in residence perogram information can be found, here.    Hawai'i Volcanoes National Park -is an active volcano site, and a UNESCO Heirtage Site. With public tours, a rugged landscape made up of lava rock, as well as incredible biodiversity, the HLNPH is a wonderful way to visit Hawai'i. Their artist in residence program can be found, here.   American National Parks -  are a series of public parks that are federally run. Since 1916, the National Park Service has overseen the national parks in the United States.    National Parks Art Foundation - is a foundatoin that offers artist in residence programs as well as other artist focused programs within the National Parks Service, heritage sites, and National monuments. More info can be found, here.    petroglyphs - are a type of rock art where the rock is marked by abrasion, carving, or picking. Generally associated with humans living 10,000-12,000 years ago, and are found all over the planet except in Antarctica.   Rebecca Salter - is the President of The Royal Academy of Arts, in London, England. She is also an artist who has written two books about Japanese woodblock printing, Japanese Woodblock Printing (2001), and Japanese Popular Prints (2006). She worked with the Satō Woodblock Print Workshop, documenting their process. Her interview with The Unfinished Print can be found, here.    Aurora 1 (2014)   Satō woodblock workshop - is a traditional Japanese woodblock production house based in Kyōto, Japan. Here is an article from The Journal of Modern Craft with Rebecca Salter regarding this workshop.    Michigan Artist and Culture Grants - are grants that are given to the citizens of Michigan who want to promote the arts within their communities. There are many avenues for application, so please look into your area of Michigan, perhaps there will be a grant program for you. Here is a link for the Michigan Arts and Council Grants, to get you started.    Winsor & Newton - is a British artist supply company, started in 1832,  which sells artist materials such as pigments, brushes, paper, etc. More info can be found, here.    Paul Furneaux - is a Scottish mokuhanga artist based in Edinburgh, Scotland. He makes abstract mokuhanga, mixed with wood and other mediums.    Lukas water colours - Lukas is an artist supply company founded in 1862, in Düsseldorf, Germany. They produce the Aquarell 1862 Water-colour which Linda describes in her interview. More info can be found, here.   Jerry's Artarama - originally founded in 1968 Long Island, New York, and now based in Raleigh, North Carolina. Jerry's Artarama sells various art supplies at reasonable princes. More info, here.  Dick Blick Art Supplies - is an art supply store with various brick and mortar stores throughout the United States, as well as online. Founded in 1911 by Dick Blick in Galesburg, Illinois, BLICK, as it's more commonly known, sells various types of art supplies, much like Jerry's Artarama. More info, here. shina - is a type of wood used in mokuhanga. It is part of the linden family of trees. This wood is produced in various parts of the world, such as Japan and Russia. Not all shina is created equal so buyer beware. Center for Contemporary Printmaking - founded by Grace and William Shanly in 1995. Orginally called The Connecticut Graphic Arts Center, it is a non-profit which, as its aim, is to increase the publics knowledge of orignal printmaking.  floating kentō - is a removable registration system attached to the block when printing. As the kentō isn't affixed to the block; blotting, and very clean borders are one of the positives of using this method of registration. It is an "L" shape.  * Production  note  - Linda says “last summer,” when discussing her last workshop. That “summer” was the summer of 2021.  © Popular Wheat Productions opening and closing musical credit - logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***              

Kathryn Wilder lived in many places around the West. Today, she makes her home on the Colorado Plateau in southwestern Colorado, near a herd of wild horses. This is where she got to know Chrome, a wild mustang that profoundly affected her life. She speaks with Russell and Alan about her experiences with the wild horses and the BLM, as well as her personal journey, all described in her award-winning memoir, Desert Chrome.

With a warmer and drier climate dominating the Colorado Plateau, traditional cattle ranching has its challenges. We talk with Utah State University PhD students Will Munger and Maria Stahl about their work at the Dugout Ranch in San Juan County, UT. The Criollo cattle, first brought to the New World by Christopher Columbus, are more adapted to arid climates, forage on more native vegetation, and travel farther from water sources. The introduction of these cattle at Dugout Ranch is part of an effort to move towards more sustainable ranching in the desert southwest.

Over 65 million years ago, a seaway existed across North America from the present-day Gulf of Mexico to present-day Alaska. Peter Flaig, Research Scientist at the Bureau of Economic Geology in Austin, TX, has studied the geology of this seaway by looking at deposits from the southwest US into Canada and Alaska. We talk with Peter about the margin of this seaway that includes parts of the present-day Colorado Plateau.

Welcome aboard your private gentle jet! Lean back and relax :) I hope you enjoy the radio voice and all the beautiful places we hopefully will visit again soon, happy travels!!! 00:00 Welcome aboard 04:07 Checking your seatbelt 06:08 Offering you snacks and drinks 12:27 Headphones, muffled sounds 13:47 Pillow, spray 17:18 Tour to England, France, Canada, Philippines, NYC, Colorado Plateau... ♥ #asmr #gentlewhispering --- Support this podcast: https://anchor.fm/maria-gentlewhispering/support