Podcasts about seven wonders

How can trauma become a catalyst for creative transformation? What lessons can indie authors learn from the music industry's turbulent journey through technological disruption? With Jack Williamson. In the intro, Why recipes for publishing success don't work and what to do instead [Self-Publishing with ALLi Podcast]; Why your book isn't selling: metadata [Novel Marketing Podcast]; Creating a successful author business [Fantasy Writers Toolshed Podcast]; Bones of the Deep – J.F. Penn. Today's show is sponsored by ProWritingAid, writing and editing software that goes way beyond just grammar and typo checking. With its detailed reports on how to improve your writing and integration with writing software, ProWritingAid will help you improve your book before you send it to an editor, agent or publisher. Check it out for free or get 15% off the premium edition at www.ProWritingAid.com/joanna This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Finding post-traumatic growth and meaning after bereavement, and using tragedy as a catalyst for creative transformation Why your superpower can also be your Achilles heel, and how indie authors can overcome shiny object syndrome Three key lessons from the music industry: embracing change, thinking creatively about marketing, and managing pressure for better creativity The A, B, C technique for PR interviews and why marketing is storytelling through different mediums How to deal with judgment and shame around AI in the author community by understanding where people sit on the opinion-belief-conviction continuum Three AI developments coming from music to publishing: training clauses in contracts, one-click genre adaptation, and licensed AI-generated video adaptations You can find Jack at JackWilliamson.co.uk and his fiction work at ABJackson.com. Transcript of the interview with Jack Williamson Jo: Jack Williamson is a psychotherapist, coach, and bestselling author who spent nearly two decades as a music industry executive. He's the founder of Music & You, his latest nonfiction book is Maybe You're The Problem, and he also writes romance under A.B. Jackson. Welcome to the show. Jack: Thank you so much for having me, Jo. It's a real honour to be on your podcast after listening all of these years. Jo: I'm excited to talk to you. We have a lot to get into, but first up— Tell us a bit more about you and why get into writing books after years of working in music. Jack: I began my career at the turn of the millennium, basically, and I worked for George Michael and Mariah Carey's publicist, which I'm sure you can imagine was quite the introduction to the corporate world. From there I went on to do domestic and international marketing for a load of massive artists at Universal, so the equivalent of the top five publishers in the publishing world that we all work in. Then from there I had a bit of a challenge. In December 2015, I lost my brother, unfortunately to suicide. For any listener or any person that's gone through a traumatic event, it can really make you reassess everything, make you question life, make you question your purpose. When I went through that, I was thinking, well, what do I want to do? What do I want out of life? So I went on this journey for practically the next ten years. I retrained to be a psychotherapist. I created a bucket list—a list of all the things that I thought maybe my brother would've wanted to do but didn't do. One of the things was scatter his ashes at the Seven Wonders of the world. Then one of the items on my bucket list was to write a book. The pandemic hit. It was a challenge for all of us, as you've spoken about so much on this wonderful podcast. I thought, well, why not? Why not write this book that I've wanted to write? I didn't know when I was going to do it because I was always so busy, and then the pandemic happened and so I wrote a book. From there, listening to your wonderful podcast, I've learned so much and been to so many conferences and learned along the way. So now I've written five books and released three. Jo: That's fantastic. I mean, regular listeners to the show know that I talk about death and grief and all of this kind of thing, and it's interesting that you took your brother's ashes to the Seven Wonders of the world. Death can obviously be a very bad, negative thing for those left behind, but it seems like you were able to reframe your brother's experience and turn that into something more positive for your life rather than spiralling into something bad. So if people listening are feeling like something happens, whether it's that or other things— How can we reframe these seemingly life-ending situations in a more positive way? Jack: It is very hard and there's no one way to do it. I think as you always say, I never want to tell people what to do or what to think. I want to show them how to think and how they can approach things differently or from a different perspective. I can only speak from my journey, but we call it in therapeutic language, post-traumatic growth. It is, how do you define it so it doesn't define you? Because often when you have a bereavement of a loved one, a family member, it can be very traumatic, but how can you take meaning and find meaning in it? There's a beautiful book called Man's Search for Meaning, and the name of the author escapes me right now, but he says— Jo: Viktor Frankl. Jack: Yes. Everyone quotes it as one of their favourite books, and one of my favourite lines is, “Man can take everything away from you, apart from the ability to choose one thought over the other.” I think it's so true because we can make that choice to choose what to think. So in those moments when we are feeling bad, when we're feeling down, we want to honour our feelings, but we don't necessarily want to become them. We want to process that, work through, get the support system that we need. But again, try to find meaning, try to find purpose, try to understand what is going on, and then pay it forward. Irrespective of your belief system, we all yearn for purpose. We all yearn for being connected to something bigger than ourselves. If we can find that through bereavement maybe, or through a traumatic incident, then hopefully we can come through the other side and have that post-traumatic growth. Jo: I love that phrase, post-traumatic growth. That's so good. Obviously people think about post-traumatic anything as like PTSD—people immediately think a sort of stress disorder, like it's something that makes things even worse. I like that you reframed it in that way. Obviously I think the other thing is you took specific action. You didn't just think about it. You travelled, you retrained, you wrote books. So I think also it's not just thinking. In fact, thinking about things can sometimes make it worse if you think for too long, whereas taking an action I think can be very strong as well. Jack: Ultimately we are human beings as opposed to human doings, but actually being a human doing from time to time can be really helpful. Actually taking steps forward, doing things differently, using it as a platform to move forward and to do things that maybe you didn't before. When you are confronted with death, it can actually make you question your own mortality and actually question, am I just coasting along? Am I stuck in a rut? Could I be doing something differently? One of the things that bereavement, does is it holds a mirror up to ourselves and it makes us question, well, what do we want from our life? Are we here to procreate? Are we here to make a difference? Some of us can't procreate, or some of us choose not to procreate, but we can all make a difference. And it's, how do we do that? Where do we do that? When do we do that? Jo: That's interesting. I was thinking today about service and gratitude. I'm doing this Master's and I was reading some theology stuff today, and service and gratitude, I think if you are within a religious tradition, are a normal part of that kind of religious life. Whether it's service to God and gratitude to God, or service and gratitude to others. I was thinking that these two things, service and gratitude, can actually really help reframe things as well. Who can we serve? As authors, we're serving our readers and our community. What can we be grateful about? That's often our readers and our community as well. So I don't know, that helped me today—thinking about how we can reframe things, especially in the world we're in now where there's a lot of anger and grief and all kinds of things. Jack: That's what we've got to look at. We are here to serve. Again, that can take different shapes, different forms. Some of us work in the service industry. I provide a service as a psychotherapist, you serve your listeners with knowledge and information that you gather and dispense through the research you do or the guests you have on. We serve readers of the different genres that we write in. It's what ways can we serve, how can we serve? Again, I think we all, if we can and when we can, should pay it forward. Someone said this to me once in the music industry: be careful who you meet on the way up and how you treat them on the way up, because invariably you'll meet them on the way down. So if you can pay forward that kindness, if you can be kind, considerate, and treat people how you want to be treated, that is going to pay dividends in the long run. It may not come off straight away, but invariably it will come back to you in some way, shape, or form in a different way. Jo: I've often talked about social karma and karma in the Hindu sense—the things that you do come back to you in some other form. Possibly in another life, which I don't believe. In terms of, I guess, you didn't know what was going to happen to your brother, and so you make the most of the life that we have at the moment because things change and you just don't know how things are going to change. You talk about this in your book, Maybe You're The Problem, which is quite a confronting title. So just talk about your book, Maybe You're The Problem, and why you wrote that. Put it into context with the author community and why that might be useful. Jack: Thank you for flagging my book. I intentionally crossed out “maybe” on the merchandise I did as well, because in essence, we are our own problem. We can get in the way, and it's what happened to us when we grew up wasn't our fault, but what we do with it is our responsibility. We may have grown up in a certain period or a climate. We didn't necessarily choose to do that, but what we do with that as a result is up to us. So we can stay in our victimhood and we can blame our parents, or we can blame the generation we are in, or we can blame the city, the location—however, that is relinquishing your power. That is staying in a victim mindset rather than a survivor or a thriver mindset. So it's about how can we look at the different areas in our life. Whether that is conflict, whether that is imposter syndrome, whether that is the generation we're born into. We try to understand how that has shaped us and how we may be getting in our own way to stop us from growing, to stop us from expanding, and to see where our blind spots are, our limitations are, and how that may impact us. There's so much going on in the moment in the world, whether that is in the digital realm, whether that is in the geo-climate that we're in at the moment. Again, that's going to bring up a lot for us. How can we find solutions to those problems for us so that we continue to move forward rather than be restricted and hindered by them? Jo: Alright. Well let's get into some more specifics. You have been in the author community now for a while. You go to conferences and you are in the podcast community and all this kind of thing. What specific issues have you seen in the author community? Maybe around some of the things you've mentioned, or other things? How might we be able to deal with those? Jack: With authors, I think it is such a wonderful and unique industry that I have an honour and privilege of being a part of now. One of the main things I've learned is just how creative people are. Coming from a creative industry like the music industry, there is a lot of neurodivergence in the creative industries and in the author community. Whether that is autism, whether that is ADHD—that is a real asset to have as a superpower, but it can be an Achilles heel. So it's understanding—and I know that there is an overexposure of people labelling themselves as ADHD—but on the flip side to that, it's how can we look at what's going on for us? For ADHD, for example, there's a thing called shiny object syndrome. You've talked about this in the past, Joanna, where it's like a new thing comes along, be it TikTok, be it Substack, be it bespoke books, be it Shopify, et cetera. We can rush and quickly be like, “oh, let me do this, let me do that,” before we actually take the time to realise, is this right for me? Does this fit my author business? Does this fit where I'm at in my author journey? I think sometimes as authors, we need to not cave in to that shiny object syndrome and take a step back and think to ourselves, how does this serve me? How does this serve my career? How does this work for me if I'm looking at this as a career? If you're looking at it as a hobby, obviously it's a different lens to look through, but that's something that I would often make sure that we look at. One of the other things that really comes up is that in order for any of us to address our fears and anxieties, we need to make sure that we feel psychologically safe and to put ourselves in spaces and places where we feel seen, heard, and understood, which can help address some of the issues that I've just mentioned. Being in that emotionally regulated state when we are with someone we know and trust—so taking someone to a conference, taking someone to a space or a place where you feel that you can be seen, heard, and understood—can help us and allow us to embrace things that we perceive to be scary. That may be finding an author group, finding an online space where you can actually air and share your thoughts, your feelings, where you don't feel that you are being judged. Often it can be quite a judgmental space and place in the online world. So it's just finding your tribe and finding places where you can actually lean into that. So there'd be two things. Jo: I like the idea of the superpower and the Achilles heel because I also feel this when we are writing fiction. Our characters have strengths, but your fatal flaw is often related to your strength. Jack: Yes. Jo: For example, I know I am independent. One of the reasons I'm an independent author is because I'm super independent. But one of my greatest fears is being dependent. So I do lots of things to avoid being dependent on other people, which can lead me to almost damage myself by not asking for help or by trying to make sure that I control everything so I never have to ask anyone else to do something. I'm coming to terms with this as I get older. I feel like this is something we start to hit—I mean, as a woman after menopause—is this feeling of I might have to be dependent on people when I'm older. It's so interesting thinking about this and thinking— My independence is my strength. How can it also be my weakness? So what do you think about that? You're going to psychotherapist me now. Jack: I definitely won't, but it's interesting. Just talking about that, we all have wounds and we all have the shadow, as you've even written about in one of your books. And it's how that can come from a childhood wound where it's like we seek help and it's not given to us. So we create a belief system where I have to do everything myself because no one will help me. Or we may have rejection sensitivity, so we reject ourselves before others can reject us. So it's actually about trying, where we can, to honour our truths, honour that we may want to be independent, for example, but then realising that success leaves clues. I always say that if you are independent—and I definitely align a hundred percent with you, Joanna—I've had to work really hard myself in personal therapy and in business and life to realise that no human is an island and we can't all do this on our own. Yes, it's amazing with the AI agents now that can help us in a business capacity, but having those relationships that we can tap into—like you mentioned all of the people that you tap into—it's so important to have those. I always say that it's important to have three mentors: one person that's ahead of you (for me, that would be Katie Cross because she's someone that I find is an amazing author and we speak at least once a month); people that are at the same level as you that you can go on the journey together with (and I have an author group for that); and then someone that is perceived to be behind you or in a younger generation than you, because you can learn as much from them as they can learn from you. If you can actually tap into those people whilst honouring your independence, then it feels like you can still go on your own journey, but you can tap in and tap out as and when needed. Sacha Black will give you amazing insights, other people like Honor will give you amazing insights, but you can also provide that for them. So there's that safety of being able to do it on your own. But on the flip side, you still have those people that you can tap into as and when necessary as a sounding board, as information on how they were successful, and go from there. Jo: No, I like that. If you're new to the show, Sacha Black and Honor Raconteur have been on the show and they are indeed some of my best friends. So I appreciate that. I really like the idea of the three mentor idea. I just want to add to that because I do think people misunderstand the word mentor sometimes. You mentioned you speak to Katie Cross, but I've found that a lot of the mentors that I've had who are ahead of me have often been books. We mentioned the Viktor Frankl book, and if people don't know, he was Jewish and in the concentration camps and survived that. So it's a real survivor story. But to me, books have been mostly my mentors in terms of people who are ahead of me. We don't always need to speak to or be friends with our mentors. I think that's important too, right? Because I just get emails a lot that say, “Will you be my mentor?” And I don't think that's the point. Jack: Oh, I a hundred percent agree with you. If you don't have access to those mentors—like Oprah Winfrey is one of the people that I perceive as a mentor—I listen to podcasts, I read her books, I watch interviews. There is a way to absorb and acquire that information, and it doesn't have to be a direct relationship with them. It is someone that you can gain the knowledge and wisdom that they've imparted in whatever form you may consume it. Which is why I think it is important to have those three levels: that one that is above you that may be out of reach in terms of a human connection, but you can still access; then the people at the same level as you that you can have those relationships and grow with; and again, that one behind that you can help pave the way for them, but also learn from them as well. So a hundred percent agree that that mentor that you are looking for that may be ahead of you doesn't necessarily need to be someone that is in a real-world relationship. Jo: So let's just circle back to your music industry experience. You mentioned being on the sort of marketing team for some really big names in music, and I mean, it's kind of a sexy job really. It just sounds pretty cool, but of course the music industry has just as many challenges as publishing. What did you learn from working in the music industry that you think might be particularly useful for authors? Jack: The perception of reality was definitely a lot different. It does look sexy and glamorous, but the reality is similar to going to conferences. It's pretty much flight, hotel, and dark rooms with terrible air conditioning that you spend a lot of time in. So sorry to burst the illusion. But I mean, it does have its moments as well. There is so much I've learned over the years and there's probably three things that stand out the most. The first one was I entered the industry right at the height of the music industry. In 2000, 2001. That was when Napster really exploded and it decimated the music industry. It wiped half the value in the space of four years. Then the music industry was trying to shut it down, throwing legal, throwing everything at it, but it was like whack-a-mole. As soon as one went down such as Napster, ten others popped up like Kazaa. So you saw that the old guard wasn't willing to embrace change. They weren't willing to adapt. They assumed that people wanted the formats of CDs, vinyls, cassettes, and they were wrong. Yes, people wanted music, but they actually wanted the music. They didn't care about the format, they just wanted the access. So that was one of the really interesting things that I learned, because I was like, you have to embrace change. You can't ignore it. You can't push it away, push it aside, because it's coming whether you like it or not. I think thankfully the music industry has learned as AI's coming, because now you have to embrace it. There's a lot of legal issues that have been going on at the moment with rights, which you've covered about the Anthropic case and so on. It's such a challenge, and I just think that's the first one. The second one I learned was back in 2018. There was an artist I worked on called Freya Ridings. At that time I was working at an independent record label rather than one of the big three major record labels. She had great songs and we were up against one of the biggest periods of the year and trying to make noise. At the time, Love Island was the biggest TV show on, and everyone wanted to be on it in terms of getting their music synced in the scenes. We were just like, we are never going to compete. So we thought, we need to be clever here. We need to think differently. What we did is we found out what island the show was being recorded on, and we geo-targeted our ads just to that island because we knew the sync team were going to be on there. So we just went hard as nails, advertised relentlessly, and we knew that the sync people would then see the adverts. As a result of that, Freya got the sync. It became the biggest song that season on Love Island, back when it was popular. As a result of that, we built from there. We were like, right, we can't compete with the majors. We have to think differently. We need to do things differently. We need to be creative. It wasn't an easy pathway. That year there were only two other songs that were independent that reached the top 10. So we ended up becoming a third and the biggest song that year. The reason I'm saying that is we can't compete with the major publishers. But the beauty of the independent author community is because we have smaller budgets—most of us, not all of us, but most of us—we have to think differently. We have to make our bang for our buck go a lot further. So it's actually— How can we stay creative? How can we think differently? What can we do differently? So that would be the second thing. Then the third main lesson that I learned, and this is more on the creative side, is that pressure can often work against you, both in a business sense, but especially creativity. I've seen so many artists over the years have imposed deadlines on them to hand in their albums, and it's impacted the quality of their output. Once it's handed in, the stress and the pressure is off, and then you realise that actually those artists end up creating the best material that they have, and then they rush to put it on. Whether that's Mariah Carey's “We Belong Together,” Adele with her song “Hello,” Taylor Swift did the same with “Shake It Off”—they're just three examples. The reason is that pressure keeps us in our beta brainwave state, which is our rational, logical mind. For those of us that are authors that are writing fiction, or even if we are creating stories in our nonfiction work to deliver a point, we need to be in that creative mindset. So we need to be in the alpha and the gamma brain state. Because our body works on 90-minute cycles known as our ultradian rhythm, we need to make sure that we honour our cycle and work with that. If we go past that, our creativity and our productivity is going to go down between 60% and 40% respectively. So as authors, it's important—one, to apply the right amount of pressure; two, to work in breaks; and three, to know what kind of perspective we're looking at. Do we need to be rational and logical, or do we need to be creative? And then adjust the sails accordingly. Jo: That's all fantastic. I want to come back on the marketing thing first—around what you did with the strategic marketing there and the targeted ads to that island. That's just genius. I feel like a lot of us, myself included, we struggle to think creatively about marketing because it's not our natural state. Of course, you've done a lot of marketing, so maybe it comes more naturally to you. I think half the time we don't even use the word creative around marketing, when you're not a marketeer. What are some ways that we can break through our blocks around marketing and try to be more creative around that? Jack: I would challenge a lot of authors on that presumption, because as authors we're in essence storytellers, and to tell a story is creative. There's a great quote: “One death is a tragedy. A thousand deaths is a statistic.” If you can create a story, a compelling narrative about a death in the news, it's going to pull at the heartstrings of people. It's going to really resonate and get with them. Whereas if you are just quoting statistics, most people switch off because they become desensitised to it. So I think because we can tell stories, and that's the essence of what we do, it's how can we tell our story through the medium of social media? How can we tell a story through our creative ads that we then put out onto Facebook or TikTok or whatever platform that we're putting them out—BookBub, et cetera? How can we create a narrative that garners the attention? If we are looking at local media or traditional media, how can we do that? How can we get people to buy in to what we're selling? So it's about having different angles. For me with my new romance book, Stolen Moments, one of the stories I had that really has helped me get some coverage and PR is we recorded the songs next door to the Rolling Stones. Now that was very fortunate timing, very fortunate. But everyone's like, “Oh my God, you recorded next door to the Rolling Stones?” So it's like, well, how can you bring in these creative nuggets that help you to find a story? Again, marketing is in essence telling a story, albeit through different mediums and forms. So it's just how can you package that into a marketable product depending on the platform in which you're putting it out on. Jo: I think that's actually hilarious, by the way, because what you hit on there, as someone with a background in marketing, your story about “we recorded an album for the book next door to the Rolling Stones”—it's got nothing to do with the romance. Jack: Oh, the romance is that the pop star in the book writes and records songs. Jo: Yes, I realised that. But the fact is— For doing things like PR, it's the story behind the story. They don't care that you've written a romance. Jack: Yes. Jo: They're far more interested in you, the author, and other things. So I think what you just described there was a kind of PR hook that most of us don't even think about. Jack: I'm sure a lot of authors already know this, so it's a good reminder, and if you don't, it's great. It's called the A, B, C technique. When you get asked a question, you Answer the question. So that's A. You Build a bridge, and then you go to C, which is Covering one of your points. So whenever you get asked a question, have a list of things you want to get across in an interview. Then just make sure that you find that bridge between whatever the question is to cover off one of your points, and that's how you can do it. Because yes, you may be selling a story, like I said, about writing the songs, but then you can bridge it into actually covering and promoting whatever it is you're promoting. So I think that's always quite helpful to remember. Jo: Well, that's a good tip for things like coming on podcasts as well. I've had people on who don't do what you just mentioned and will just try and shoehorn things in in a more deliberate fashion, whereas other people, as you have just done with your romance there, bring it in while answering a question that actually helps other people. So I think that's the kind of thing we need to think about in marketing. Okay, so then let's come back to the embracing change, and as you mentioned, the AI stuff that's going on. I feel like there's so many “stories” around AI right now. There's a lot of stories being told on both sides—on the positive side, on the negative side—that people believe and buy into and may or may not be true. There's obviously a lot of anger. There's, I think, grief—a big thing that people might not even realise that they have. Can you talk about how authors might deal with what's coming up around the technological change around AI, and any of your personal thoughts as well? Jack: I was thinking about this a lot recently. I mean, I guess everyone is in their own ways and forms. One of the things that came up for me is we have genre expectations and we have generation expectations. When we look at genres, you will have different expectations from different genres. For romance, they want a happily ever after or a happy for now. For cosy mysteries, they expect the crime to be solved. So we as authors make sure we endeavour to meet those expectations. The challenge is that if we are looking at AI, we are all in our own generations. We might be in slightly different generations, but there are going to be different generation expectations from the Alpha generation that's coming up and the Beta generation that's just about to start this year or next year because they're going to come into the world where they don't know any different to AI. So they will have a different expectation than us. It will just be normal that there will be AI agents. It will just be normal that there are AI narrators. It will be normalised that AI will assist authors or assist everyone in doing their jobs. So again, it is a grieving period because we can long for what was, we can yearn for things that worked for us that no longer work for us—whether it's Facebook groups, whether it's the Kindle Rush. We can mourn the loss of that, but that's not coming back. I mean, sometimes there may be a resurgence, but essentially, we've got to embrace the change. We've got to understand that it's coming and it's going to bring up a lot of different emotions because you may have been beholden to one thing and you may be like, yes, I've now got my TikTok lives, and then all of a sudden TikTok goes away. I know Adam, when he was talking about it, he'll just find another platform. But there'll be a lot of people that are beholden to it and then they're like, what do I do now? So again, it's never survival of the fittest—it's survival of the most adaptable. I always use this metaphor where there are three people on three different boats. A storm comes. And the first, the optimist, is like, “Oh, it'll pass,” and does nothing. The pessimist complains about the storm and does nothing. But the realist will adjust the sails and use the storm to find its way to the other side, to get through. It's not going to be easy, but they're actually taking change and making change to get to where they need to go, rather than just expecting or complaining. I get it. We are not, and I hate the expression, “we're all in the same boat.” I call bleep on that. I'm not going to swear. We're not all in the same boat. We're all in the same storm, but different people are going through different things. For some, they can adjust and adapt really quickly like a speedboat. For others, they may be like Jack and Rose in the Titanic on that terrible prop where they're clinging to dear life and trying to get through the storm. So it's about how do I navigate this upcoming storm? What can I do within my control to get through the storm? For some it may be easier because they have the resources, or for some of us that love learning, it's easy to embrace change. For others that have a fear mindset and it's like, “Oh, something new, it's scary, I don't want to embrace it”—you are going to take longer. So you may not be the speedboat, but at some point we are going to have to embrace that change. Otherwise we're going to get left behind. So you need to look at that. Jo: The storm metaphor is interesting, and being in different boats. I feel I do struggle. I struggle with people who suddenly seem to be discovering the storm. I've been talking about AI now since 2016. That's a decade. Jack: Yes. Jo: Even ChatGPT has been around more than three years, and people come to me now and they're talking about stories that they've seen in the media that are just old now. Things have moved on so much. I feel like maybe I was on my boat and I looked through my telescope and I saw the storm. I've been talking about the storm and I've had my own moments of being in the middle of the storm. Now I definitely do struggle with people who just seem to have arrived without any knowledge of it before. I oscillate between being an optimist and a realist. I think I'm somewhere between the two, probably. But I think what is driving me a little crazy in the author community right now is judgment and shame. There are people who are judging other people, and there's shame felt by AI-curious or AI-positive people. So I want to help the people who feel shame in some way for trying new technology, but they still feel attacked. Then those people judge other authors for their choices to use technology. So how do you think we can deal with judgment and shame in the community? Which is a form of conflict, I guess. Jack: Of course. I think with that, there's another great PR quote: “If it bleeds, it leads.” Especially in this digital age, there's a lot of clickbait. So the more polarising, the more emotion-evoking the headline, the more likely you are to engage with that content—whether that is reading it or whether that's posting or retweeting, or whatever format you are consuming it on. So unfortunately, media has now become so much more polarising. It's dividing us rather than uniting us. So people are going to have stronger positions. There's so much even within this to look at. One is, you have to work out where people are on the continuum. Do they have an opinion on AI? Do they have a belief? Or do they have a conviction? Now you're not going to move someone that has a conviction about something, so it's not worth even engaging with them because they're immovable. Like they say, you shouldn't talk about sports, politics, and religion. There are certain subjects that may not be worth talking about, especially if they have a conviction. Because they may not even be able to agree to disagree. They may not be willing or able to hear you. So first and foremost, it's about understanding, well, where are those people sitting on the continuum of AI? Are they curious? Do they have an opinion, but they're open to hearing other opinions? Do they have a belief that could be changed or evolved if they find more information? That's where I think it is. It's not necessarily our jobs—even though you do an amazing job of it, Joanna—but a lot of people are undereducated on these issues or these new technologies. So in some cases it's just a case of a lack of education or them being undereducated. Hopefully in time they will become more and more educated. But again, it's how long is a piece of string? Will people catch up? Will they stay behind? Are they fearful? I guess because of social media, because of the media, as they say, if you can evoke fear in people, you can control them. You can control their perspectives. You can control their minds. So that's where we see it—a lot of people are operating from a fear mindset. So then that's when they project their vitriol in certain cases. If people want to believe a certain thing, that's their choice. I'm not here to tell people what to think. Like I said earlier, it's more about how to think. But I would just encourage people to find people that align with you. Do a sense test, like a litmus test, to find where they sit on the continuum and engage with those people that are open and have opinions or beliefs. But shy away or just avoid people that have convictions that maybe are the polar opposite of yours. Jo: It's funny, isn't it? We seem to be in a phase of history when I feel like you should be able to disagree with people and still be friends. Although, as you mentioned, there's certain members of my family where we just stay on topics of TV shows and movies or music, or what books are you reading? Like, we don't go anywhere near politics. So I do think that might be a rule also with the AI stuff. As you said, find a community, and there are plenty of AI-positive spaces now for people who do want to talk about this kind of stuff. I also think that, I don't know whether this is a tipping point this year, but certainly— I know people who are in bigger corporates where the message is now, “You need to embrace this stuff. It is now part of your job to learn how to use these AI tools.” So if that starts coming into people's day jobs, and also people who have, I don't know, kids at school or people at university who are embracing this more—I mean, maybe it is a generational thing. Jack: Yes. Look, there were so many people that were resistant to working from home, or corporations that were, and then the pandemic forced it. Now everyone's embraced it in some way, shape, or form. I mean, there are people that don't, but the majority of people—when something's forced on you, you have to adapt. So again, if those things are implemented in corporations, then you're going to see it. I'm seeing so many amazing new things in AI that have been implemented in the music industry that we'll see in the publishing industry coming down the road. That will scare a lot of people, but again, we have to embrace those things because they're coming and there's going to be an expectation—especially from the younger generations—that these things are available. So again, it's not first past the post, but if you can be ahead of the wave or at least on the wave, then you are going to reap the rewards. If you are behind the wave, you're going to get left behind. So that's my opinion. I'm not trying to encourage anyone to see from my lens, but at the same time, I do think that we need to be thinking differently. We need to always embrace change where we can, as we can, at the pace that we can. Jo: You mentioned there AI things coming down the road in the music industry. And now everyone's going, wait, what is coming? So tell us— What do you see ahead that you think might also shift into the author world? Jack: There are three things that I've seen. Two that have been implemented and one that's been talked about and worked on at the moment. The first, and this will be quite scary for people, is that major record labels—so think the major publishers on our side—they're all now putting clauses in their contracts that require the artists that sign with them to allow their works to be trained by their own AI models. So that is something that is now actually happening in record labels. I wouldn't be surprised, although I don't have insight into it, if Simon & Schuster, HarperCollins, et cetera, are potentially doing the same with authors that sign to them. So that's going to become more standardised. So that is on the major side. But then on the creative side, there are two things that really excite me. The music AI platforms that we're hearing about, the stories that we've seen in the press, and it's the fact that with a click of a button, you can recreate a song into a different genre. I find it so fascinating because if you think about that—turning a pop song into a country song or a rap song into a dance song—the possibilities that we have as authors with our books, if we wish to do so, are amazing. I just think, for example, with your ARKANE series, Joanna, imagine clicking a button and just with one click you can take Morgan Sierra and turn her into a romantic lead in a romance book. Jo: See, it's so funny because I personally just can't imagine that because it's not something I would write. But I guess one example in the romance genre itself is I know plenty of romance authors who write a clean and a spicy version of the same story, right? It is already happening in that way. It's just not a one-click. Jack: Well, I think you can also look at it another way. I think one of the most famous examples is Twilight. With Twilight and Stephenie Meyer, if she had the foresight—and I'm not saying she didn't, just to clarify—but fan fiction is such a massive sub-genre of works. And obviously from Twilight came 50 Shades of Gray. Imagine if she had the licensing rights like the NFTs, where she could have made money off of every sale. So that you could then, through works that you create and give licence, earn a percentage of every release, every sale, every consumption unit of your works. There are just so many possibilities where you can create, adapt, have spinoffs that can then build out your world. Obviously, there may need to be an approval process in there for continuity and quality control because you want to make sure you're doing that, but I think that has such massive potential in publishing if we wish to do so. Or like I said, change characters. Like Robert Langdon's character in Dan Brown's books—no longer being the kind of thriller, but maybe being a killer instead. There's so many possibilities. It's just, again, how to think, not what to think—how to think differently and how we can use that. So that's the second of three. Jo: Oh, before you move on, you did mention NFTs and I've actually been reading about this again. So I'm usually five years early. That's the general rule. I started talking about NFTs in mid-2021, and obviously there was a crypto crash, it goes up and down, blah, blah, blah. But forget the crypto side—on the blockchain side, digital originality, and exactly what you said about saying like, where did this originate? This is now coming back in the AI world. It could be that I really was five years early. So amusingly—and I'm going to link to it in the notes because I did a “Why NFTs Are Exciting for Authors” solo episode, I think in 2022—it may be that the resurgence will happen in the next year, and all those people who said I was completely wrong, that this may be coming back. Digital originality I think is what we're talking about there. But so, okay, so what was the other thing? Jack: So the third one is the one that I'm most excited about, but I think will be the most scary for people. Obviously consumption changes and formats change. Like I said, in music I've seen it all the time—whether it's vinyl to cassettes, to CDs, to downloads, to streaming. Again, there's different consumption of the same format, and we see that with books as well, obviously—hardbacks, paperbacks, eBooks, audiobooks. Now with the rise of AI, AI narration has made audiobooks so much more accessible for people. I know that there are issues with certain people not wanting to do it, or certain platforms not allowing AI narration to be uploaded unless it's their own. The next step is what I'm most excited about. What I'm seeing now in the music industry is people licensing their image to then recreate that as music videos because music videos are so expensive. One of my friends just shot a music video for two million pounds. I don't think many authors would ever wish to spend that. If you can license your image and use AI to create a three-minute music video that looks epic and just as real as humanly possible, imagine if those artists—or if we go a step further, those actors—license their image to then be used to adapt our books into a TV series or a film. So that then we are in a position where that is another format of consumption alongside an audiobook, a paperback, an eBook, hardcover, special edition, and so on and so forth. It potentially has the opportunity to open us up to a whole new world. Because yes, there are adaptations of books that we're seeing at the moment, but for those of us that are trying to get our content into different formats, this can be a new pathway. I'm going to make a prediction here myself, Joanna. Jo: Mm-hmm. Jack: I would say in the next five to ten years, there will be a platform akin to a Netflix, Amazon Prime, Disney Plus, Apple Plus, where you can license the rights to an image of an actor or an actress. Then with the technology—and you may need people to help you adapt your book into a TV series or a film—that can then be consumed. I just think the possibilities are endless. I mean, again, I think of your character and I'm like, oh, what would it be if Angelina Jolie licensed her image and you could have her play the lead character in your ARKANE series? I mean, again, the possibilities potentially are endless here. Jo: Well, and on that, if people think this won't happen—1776, I don't know if you've seen this, it's just being teased at the moment. Darren Aronofsky has made an American revolutionary story all with AI. So this is being talked about at the moment. It's on YouTube at the moment. The AI video is just extraordinary already, so I totally agree with you. I think things are going to be quite weird for a while, and it will take a while to get used to. You mentioned coming into the music industry in 2000, 2001—I started my work before the internet, and then the internet came along and lots of things changed. I mean, anyone who's older than 40, 45-ish can remember what work was like without the internet. Now we are moving into a time where it'll be like, what was it like before AI? And I think we'll look back and go like, why the hell did we do that kind of thing? So it is a changing world, but yes, exciting times, right? I think the other thing that's happening right now, even to me, is that things are moving so fast. You can almost feel like a kind of whiplash with how much is changing. How do we deal with the fast pace of change while still trying to anchor ourselves in our writing practice and not going crazy? Jack: Again, it's that everything everywhere all at once—you can get lost and discombobulated. I always say be the tortoise, not the hare—because you don't want to fly and die. You want pace and grace. Everyone will have a different pace. For some marathon runners, they can run a five-minute mile, some can run an eight-minute mile, some can run a twelve-minute mile. It's about finding the pace that works for you. Every one of us have different commitments. Every one of us have different ways we view the industry—some as a hobby, some as a business. So it's about honouring your needs, your commitment. Some of us, as you've had people on the podcast, some people are carers. They have to care. Some people are parents. Some people don't have those commitments and so can devote more time and then actually learn more, change more as a result. So again, it's about finding your groove, finding your rhythm, honouring that, and again, showing up consistently. Because motivation may get you started, but it's habit and discipline that sees you through. Keep that discipline, keep that pace and grace. Be consistent in what you can do. And know where you're at. Don't compare and despair, because again, if you look at someone else, they may be ahead of you, but the race is only with yourself in the end. So you've got to just focus on where you are at and am I in a better place than I was yesterday? Am I working on my business as well as in my business? How am I doing that? When am I doing that? And what am I doing that for? If you can be asking yourself those questions and making sure you're staying true to yourself and not burning out, making sure that you are honouring your other commitments, then I think you are going at the pace that feels right for you. Jo: Brilliant. Jo: Where can people find you and your books and everything you do online? Jack: Thank you so much for having me on, Joanna, today. You can find me on JackWilliamson.co.uk for all my nonfiction books and therapy work. Then for my fiction work, it is ABJackson.com, or ABJacksonAuthor on Instagram and TikTok. Jo: Well, thanks so much for your time, Jack. That was great. Jack: Thank you so much. The post Post-Traumatic Growth, Creative Marketing, And Dealing With Change with Jack Williamson first appeared on The Creative Penn.

Listen to weekly sermons from Velocity Church in Lawrence, KS. Velocity is a vision-fueled and faith-filled community changing lives and transforming a city with the message of Jesus. For more information visit www.findvelocity.org

On the show: - WORST way to start the morning...Scott the wrecking ball strikes again - Weird ways to cope with the last stretch of winter - Sorry Fairport, it's about time you feel our pain - Judge rules in favor of Buffalo Wild Wings...They can keep calling them boneless wings - Us Women's Hockey team wins the GOLD! - The Miracle that happened at Ontario beach park...was it an act of God? - Jerk or Justified? Ratting out your kid's best friend ONLY to get the money reward - The 80minute bedtime gap - Honesty Box- Brutal honest feedback from our listeners - Kick off the Weekend with Seven Wonders

We start the show talking all the upsets happening in college basketball and talk the new look Mountain West Conference with Sacramento State joining North Dakota State and Northern Illinois next season. We look at how the new stadiums of the D2 schools joining D1 stack up against other schools and even high schools in Texas. We then ask if we have what it takes to be referees and go out there and take control of a game. We end the show in a rabbit hole talking about the Seven Wonders of The World.

Listen to weekly sermons from Velocity Church in Lawrence, KS. Velocity is a vision-fueled and faith-filled community changing lives and transforming a city with the message of Jesus. For more information visit www.findvelocity.org

What happens when a church does all the right things but with the wrong motivation?  In this message, Pastor Eric Robertson shares our necessary response. Ultimately, the Book of Revelation is about a problem that is only solved when God's people wake up, repent, and faithfully wait on the return of Jesus.One of the worst problems is the one you don't know you have.Even worse are the problems you can see but don't recognize.Ephesus: HistoryEphesus was an influential city in the Roman world: a major port city in Asia Minor—economically powerful, culturally diverse, and religiously pluralistic. Faithfulness required constant discernment.The city was defined by idol worship. The Temple of Artemis was one of the Seven Wonders of the Ancient World. Converting to Christianity meant rejecting the city's spiritual identity and economic system (Acts 19).Though the church seemed to be doing well, there was a glaring problem that John addressed.What Did It Mean: Revelation 2:1–7Each letter follows the criticism sandwich: (Good)(Bad)(Good).Jesus gives this critique while walking among the lampstands—the churches that illuminate Christ to the world.They served well, worked hard, corrected the wicked, removed toxic leaders, suffered faithfully, and didn't grow weary. Ephesus was a hard-working church.Imagine hearing: "You're great—but you don't love me."The letters were written to specific churches, but meant for all churches.What Does It Mean?This passage is often preached as a call to return to passion, but Jesus doesn't critique their passion.Paul once said of them: "Your faith in the Lord Jesus and your love for all God's people" (Eph. 1:15–16).The problem wasn't their works, but their why. They disconnected from the reason they exist.Returning to your first love is remembering why you do what you do: to love God and love others.When a church forgets its why, it doesn't stop working—it stops breathing.Our vision is Belong, Believe, Become, but Ephesus drifted into Believe, Become, Belong.When love is no longer the motivation, we build walls instead of bridges and become known for what we're against instead of Who we're for.How Do We Respond?1. Remember – "Consider how far you have fallen."Remember where you were when God found you and why the church exists.2. Repent – "Repent."Recognize how far you've drifted. The church illuminates Jesus, not itself.3. Return – "Do the things you did at first."Matthew 22:37–40: Love God and love your neighbor.If you don't love your neighbor, you don't have love at all.Closing: Revelation 2:7Whoever has ears, let them hear what the Spirit says to the churches.Returning to our first love is a return to paradise—the life God intended.If we fail to hear, our lampstand will be removed.The church at Ephesus no longer exists—only ruins remain.Have we fallen from our first love?

The Sound Chaser Progressive Rock Podcast is on the air. On the show this time I have new music from Sykofant, other music from across the decades of prog, the Symphonic Zone, and more. All that, plus news of tours and releases on Sound Chaser. Playlist1. Big Big Train - Hedgerow, from Empire2. Mastermind - This Lover's Heart, from Angels of the Apocalypse3. Kino - The Silent Fighter Pilot, from Radio Voltaire4. Shadow Gallery - Mystified, from Shadow Gallery5. Jan Akkerman - Maybe Just a Dream, from Profile6. Suzanne Ciani - Lumiere, from Neverland7. John Klemmer - Rose Petals, from Eruptions8. Pallas - Shock Treatment, from The Sentinel9. Steve Tibbetts - Interlude, from Steve Tibbetts10. Manfred Mann's Earth Band - In the Beginning, Darkness, from Solar Fire11. Strawbs - So Close and Yet So Far Away, from Deep Cuts12. Leni Stern - Closer to the Light, from Closer to the Light13. Clannad - In a Lifetime, from MacallaTHE SYMPHONIC ZONE14. Rick Wakeman - The Temple of Artemis, from The Seven Wonders of the World15. Antony Kalugin's Kinematics Orchestra - Sunrise, from AKKO 116. Jordsjø - Hulderheimen, from Jordsjø17. Asia - Gravitas, from Gravitas18. Atoll - Tunnel, from Tokyo C'est Fini19. Spock's Beard - Devil's Got My Throat, from Snow20. Spock's Beard - Open Wide the Flood Gates, from Snow21. Spock's Beard - Open the Gates Pt. 2, from Snow22. Spock's Beard - Solitary Soul, from Snow23. Spock's Beard - Wind at My Back, from SnowLEAVING THE SYMPHONIC ZONE24. Steven Wilson - Like Dust I Have Cleared from My Eyes, from Grace for Drowning25. Ozric Tentacles - It's a Hup Ho World, from Sliding Gliding Worlds26. Six-North - Inner Crystal, from I'm Here in My Heart27. Lensflare - Acropoli, from La Valle dell'Inferno28. Neuronium - Part 3 (Main Theme Studio Version), from From Madrid to Heaven29. Sykofant - Heart of the Woods, from Leaves30. Emily Bezar - 40 Mansions, from Moon in Grenadine31. Bo Hansson - Day and Night, from Attic Thoughts32. Frédéric L'Épée - Doubtless, from Sketches for Images33. Sonic Music - Ancient Hieroglyphs, from The Prisoner

Episode Description: The day starts with Max trying to score goals on the soccer field – but ends with the Problem Solvers trying to meet their goal of finding the next server.  This takes them back to Ancient Greece and the legendary Colossus of Rhodes statue.   There the foursome of Max, Molly, Katrina and Charlene use unit conversions, time calculations, and problem-solving to outsmart history without changing it. But when a shadowy figure appears, they realize the POGs may be closer than ever. Math Concepts: Circumference and diameter of a circle; Using π (Pi) to calculate diameter from circumference; Unit conversion (feet to inches, cubits to inches/feet); Area comparison using real-world objects (soccer balls vs. goal size); Multiplication strategies (mental math using ×11); Time calculationsHistory/Geography Concepts:  The Colossus of Rhodes and the Seven Wonders of the Ancient World; Ancient Greece (Rhodes, 230 BCE); The Siege of Rhodes; Ancient measurement systems (cubits); Greek mythology (Helios, Oracle of Delphi)

Imagine divers plunging into the Mediterranean and finding the colossal remains of the Lighthouse of Alexandria—one of the Seven Wonders of the Ancient World. For centuries, this beacon guided sailors safely into Egypt's harbors, its light shining like a star on Earth. But earthquakes toppled it long ago, burying its stones and statues beneath the waves. Now, archaeologists say they've uncovered these massive blocks, intricate carvings, and even pieces of statues that once guarded the legendary tower. This isn't just rubble—it's a direct link to the brilliance of ancient engineers, a chance to see how one of history's greatest structures was built and why it fell. Learn more about your ad choices. Visit megaphone.fm/adchoices

In dieser Episode jonglieren Arne, Sonja und René nicht nur mit WM-Tickets, Darts-WM und Adventskalender-Schokolade, sondern auch mit einer dicken Portion Nostalgie: Ihre persönlichen Topspiele von 2010–2014 reichen von Kingdom Builder und Russian Railroads bis zu Seven Wonders, Robinson Crusoe und obskuren Krabbelkisten-Perlen. Dazu kommen zwei frische Spielebesprechungen: Rebirth als „postapokalyptischer Kingdom-Builder-Cousin“ mit hübsch-chaotischem Mehrheiten-Gezanke in Schottland sowie Tag Team, ein knackiger Zwei-Personen-Autobattler, der Challengers-Vibes auf den Tisch bringt. Viel Spaß mit der Folge

Hi! My name is Terry J. Aman, marking my 106th episode of VideoFuzzy titled "NERD SHOW!" reporting the progress I've made in cataloging thousands of VHS transfers and digital recordings. The title comes from my Fuzzy Feature, episodes of The History Channel's "The Universe" that turned up in my cataloging efforts including "The Seven Wonders of The Solar System," "Extreme Energy," "Light Speed" and "Time Travel." In Cross Connections I highlight appearances by Savion Glover on The Colbert Report, Seth MacFarlane and Pamela Anderson at the Comedy Central Roast of David Hasselhoff. Also Dean Norris, Neil Grayston, René Auberjonois, Rhea Perlman, Bruno Campos, Tom Skerritt, Bob Gunton, Michael Rappaport, Robert Wisdom, Gregory Itzen, Jean Smart, John Michael Higgins and John Cena. I identify Robert Patrick of "Peacemaker" as a Golden Thread in my collection. Finally, I follow an appearance by Derek Hamilton in "Psych" to his appearance in mid-'90s FOX production "Strange Luck," which lead me on a journey that turned up 15 episodes of that show on a YouTube channel called "Videos and Memories" (https://www.youtube.com/@VideosandMemories-h9c) In my Classic Collection [VHS-to-DVD transfers] this set covered discs 1926-1950. I found interviews with photographer Doug Beasley and artist Andy DuCett on "Minnesota Original," shared to VideoFuzzy's Instagram. I note the passing of Jamaican artist Jimmy Cliff's passing, his having appeared on The Colbert Report archived to disc 1926. Also, comments on "Psych," "Tosh.0," "The Comedy Central Roast of David Hasselhoff," "Monty Python's Flying Circus," "Kids in the Hall" and their 2010-era effort "Death Takes a Holiday." In Book Reports, I note author and fellow podcaster Kemper Donovan's third installment in the ghostwriter mystery series "Sweet Spot" is now available for preorder, and talk about "The Woman in Cabin 10" by Ruth Ware, an author I learned of through his production with late, fondly remembered cohost Catherine Brobeck. In my Current Collection [direct to digital], spoiler-free comments on "Schitt's Creek," "Only Murders in the Building" and "Peacemaker" (second season opening sequence: https://youtu.be/xS11-GIemXY). Also P!nk's "I'm Not Dead" concert from 2007 and commentary on indy Canticle production "End of the Rope" (2023) Other movies I watched include "Coco," "Noises Off," "Cocaine Bear," "Let's Kill Ward's Wife," "Bros," "Spoiler Alert," "M3GAN," "The Fifth Element," "In Time," "Black Adam," "Sorry to Bother You," "Fritz the Cat," "Labyrinth," "The Dark Crystal," and may I HIGHLY recommend psychological spy thriller "Black Box" with Michael Fassbender and Cate Blanchett. Finally, I note with some irritation changes to tubi's presentation of classic "Doctor Who." In What I've Been Watching, watch for "Knives Out 3: Wake Up, Dead Man" on Netflix. Also, spoiler-free comments on "Wicked: For Good" and "Zootopia 2." And having found that YouTube channel, here's where I dig into "Strange Luck," the unlikely set of circumstances that led me to it, my astonishment at finding it at all and how enjoyable I found it to be after all these years. Also, a cheerful little coincidence that led me to a comment about coincidences themselves in an episode of the "All About Agatha" podcast's back catalog, also shared to VideoFuzzy's Instagram page. SPREADING THE WORD! "VideoFuzzy: The Video - Celebrating 100 Episodes!" is posted at https://youtu.be/eWfcCDiOZ2I. Please share as you're able to with anyone you feel might enjoy this production. For PROMOS, scroll all the way down at https://videofuzzy.libsyn.com. Also, there's a "Top Fifteen" episode guide for people looking for a quick read-in on this blog and podcast effort at: https://videofuzzy.libsyn.com/about. Enjoy!

Waarin we met een live publiek door de antieke Griekse wereld reizen of zoek naar de oorsprong én de overblijfselen van de zeven wereldwonderen. WIJ ZIJN: Jonas Goossenaerts (inhoud en vertelstem), Filip Vekemans (montage), Benjamin Goyvaerts (inhoud) en Laurent Poschet (inhoud). MET BIJDRAGEN VAN: Laurens Luyten, Warre Borgmans, Fatma Taspinar, Jelle Cleymans, Elisabeth Lucie Baeten, Bart Cannaerts, Leah Thys en Marie Vinck. WIL JE ONS EEN FOOI GEVEN? Fooienpod - Al schenkt u tien cent of tien euro, het duurt tien seconden met een handige QR-code. WIL JE ADVERTEREN IN DEZE PODCAST? Neem dan contact op met adverteren@dagennacht.nl MEER WETEN? Onze geraadpleegde en geciteerde bronnen:Boeken:Hughes, B. (2024). The Seven Wonders of the Ancient World. Weidenfeld & Nicolson. Londen.Newton, T. & Pullan, R.P. (2011). A History of Discoveries at Halicarnassus, Cnidus and Branchidae. Vol. 2. Cambridge University Press. Cambridge.Romer, J. (1995). The Seven Wonders of the World. A History of Imagination. Henry Holt & Co. New York.Websites (geraadpleegd op 6/12/2025):The 7 Wonders of the World: Ancient and Modern. Scala Archives. https://scalarchives.com/the-7-wonders-of-the-world-ancient-and-modern/What Makes a Wonder? On the Human Need to Map Out Monumental Greatness. Literary Hub. https://lithub.com/what-makes-a-wonder-on-the-human-need-to-map-out-monumental-greatness/ What Were the 7 Wonders of the Ancient World? (List & Video Reconstructions). The Collector. https://www.thecollector.com/7-wonders-ancient-world/7 wonders of the Ancient World. Live Science. https://www.livescience.com/seven-wonders-of-the-ancient-worldWereldwonder: het mausoleum van Halicarnassus. Geschiedenis Magazine. https://geschiedenismagazine.nl/mausoleum-van-halicarnassusPhilo of Byzantium, On the Seven Wonders of the World: an English translation and some notes. Blog Roger Pearce. https://www.roger-pearse.com/weblog/2019/08/23/philo-of-byzantium-on-the-seven-wonders-of-the-world-an-english-translation-and-some-notes/?utm_source=Pharos: The Lighthouse at Alexandria. Penelope UChicago. https://penelope.uchicago.edu/encyclopaedia_romana/greece/paganism/pharos.html#:~:text=According%20to%20the%20Suda%2C%20a,Life%20of%20Pyrrhus%2C%20VII).What Happened to the Lighthouse of Alexandria? Theories & History. The Collector. https://www.thecollector.com/lighthouse-of-alexandria-pharos/Het mausoleum van Halikarnassos. Blog Jona Lendering - Mainzer Beobachter. https://mainzerbeobachter.com/2023/06/02/het-mausoleum-van-halikarnassos/De kolossos van Rhodos. Blog Jona Lendering - Mainzer Beobachter. https://mainzerbeobachter.com/2023/12/07/de-kolossos-van-rhodos/Documentaire:Hughes, B. (2025). The Seven Wonders of the Ancient World. Channel 5.ERRATUM: De zon schijnt alle dagen, onafhankelijk van de plek waar de zon al dan niet geobserveerd wordt.See omnystudio.com/listener for privacy information.

Narrator: Thomas Jones

Built Not Born Podcast (Episode 179)- Enri Pjetri: Rome Revealed - Gladiators, Emperors & Michelangelo's Secrets ⚔️

Quick, no googling, how many of the seven wonders can you name off the top of your head?

EXPEDITION UNKNOWN kicks off the new season with a groundbreaking two-part adventure inside Egypt's Great Pyramid. With exclusive access to one of the Seven Wonders of the Ancient World, Gates unravels long-held conspiracy theories about how this marvel of engineering was truly built. Using first-of-its-kind 3D scans of a mysterious tunnel system, Gates executes a daring experiment to replicate the Pyramid's construction, uncovering a labyrinth of secrets buried deep beneath the stone.Throughout the extraordinary new season, Gates leads viewers on high-stakes and off-the-map investigations. He teams up with Gold Rush's Parker Schnabel to chase a multi-million dollar treasure from an infamous stagecoach heist, scours the Oregon coast on a real-life Goonies quest on the 40th anniversary of the iconic film, plunges into the icy Baltic Sea searching for a lost Nazi submarine and braves crocodile-infested waters in Nicaragua to hunt down Cornelius Vanderbilt's lost steamship.In EXPEDITION FILES, Gates embarks on a time-travelling quest, taking us into the past to solve history's most enduring mysteries. Gates reveals fresh evidence and striking, new revelations that could rewrite history as we know it. In the season premiere, Gates examines an explosive new theory about the fate of vanished Teamsters leader Jimmy Hoffa. He also reveals the extraordinary artifact that may finally end the age-old hunt for the Holy Grail and sets sail to unravel a maritime mystery – the disappearance of German inventor Rudolf Diesel, the man whose engines changed the world. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

  Where in the world am I? In San Diego, talking about Machu Picchu Are there any tips to help me avoid being cheated or robbed while traveling? Yes, you can take precautions like removing your expensive jewelry before traveling and not carrying expensive purses or shoes. Don't look like a target. Look like you belong, and try not to stand out from the usual crowd. Check reviews of any Airbnb or turo car rentals you book. Be careful not to walk alone in the dark at night, as much as possible. Think of the odds whenever you go out. Please put them in your favor, not a criminal. If you like today's Confidence Challenge, my book series dives deeper into safety and security while traveling solo—link in description""  See Book A for addressing this challenge. You can find it on our website​​ at https://www.5stepstosolotravel.com/ or on Amazon; it's a several-part series. Today's special destination is: Machu Picchu, Peru. I finally got there, after so many years of wanting to visit. And I had a great time. I hope the same goes for you. Peru is a wonderful place, but you do need to be prepared, and I was. I t'ss almost always a good time to book your ticket to Machu Picchu. So book it now if you are planning it. There is a daily cap of 5600 people. Once you get there, it will be too late to reserve a ticket. You could get lucky, so if you're in an emergency, you may be able to obtain one from a broker, but that will incur an additional cost. I was delaying the purchase for a few weeks, and I'm glad I booked my tour three months in advance. The tickets are not expensive, but it may be a challenge to afford them. I found a travel agency, but they wouldn't accept my credit card over the phone, and when I tried to set up a Western Union money transfer, it was a terrible experience. I'll share that in my mistakes later on. https://www.ticketmachupicchu.com/ticket-machu-picchu-2019/ Machu Picchu tips and insights on the travel for you. Step What to do Tips & costs 1. Tickets (book now!) Buy on Tuboleto.c ultura .pe – choose Circuit 2B (Classic Lower Terrace) for the iconic postcard view with moderate stairs. Cost 172 PEN ≈ US $45. Sales for 2025 opened on 19 Dec 2024; the daily cap is 5,600, so June slots sell out early. Peru RailEl País 2. Train 06:10 Inca Rail or 07:45 PeruRail Expedition from Ollantaytambo to Aguas Calientes; arrive 08:30‑09:30. Sit on the left‑hand side for Urubamba River views. Peru Rail 3. Bus up Buy a Consettur round-trip ticket (US$24) at the kiosk the night before; the first buses roll at 05:30, with a 25-minute ride. Ticket to Machu Picchu   4. Entry window Aim for the 09:00–10:00 slot (good light, less 6 am crowd, still before midday haze). Passport, ticket & small day pack only. My ticket was in the afternoon, and for that it was great. It was hazy that morning, I was told.         6. Optional short hike Huchuy Picchu add‑on (easy 1 km, 30‑40 min, extra 48 PEN) – great summit photo without the steep drop of Huayna Picchu. Ticket to Machu Picchu   7. Lunch & return Picnic outside the gate (no food inside), stamp passport, bus down, 16:20 train back to Cusco (arr. 20:30), or stay one more night at Aguas Calientes if you prefer a slower pace.   Packing checklist: passport, printed tickets, layers (for cool mornings/hot sun), rain shell, 1 L refillable bottle (no disposables), DEET, sunblock, walking poles with rubber tips, cash for snacks & toilets (2 soles). Quick Tips for a Smooth Trip Book everything online in advance, including flights, trains, Machu Picchu tickets, and buses, to avoid lines and secure cheaper fares. Cash is still king in small villages—carry small bills; ATMs are plentiful in Cusco. Solo safety basics: use registered taxis (Taxi Beat or Cabify apps), avoid isolated beach areas at night, and keep photocopies of your passport in separate bags. Enjoy Peru's vibrant coast, Andean culture, and the wonder of Machu Picchu—then you'll be perfectly primed for Brazil's beaches a few days later. ¡Buen viaje! Hard to use Western Union for a payment to my travel expert. Very challenging. It didn't happen; I brought it in person to Cusco. Paid by CC in person, but not to the travel agent. She had to find someone willing to accept the credit card payment in another shop. It was both a great deal and a great pain. The total cost was only $275.Here's a breakdown of my trip to Machu Picchu Machu Picchu: My One-Day Experience (start/finish in Cusco) Timeline & logistics 03:00 woke up; 03:30 ready; 04:00 pickup. Bus from Cusco → Ollantaytambo, then train to Aguas Calientes (Machu Picchu Pueblo)—you even shared the carriage with a few actors. Reached town around 08:30 in the rain; explored, then rented a bathing suit and towel and relaxed at the hot springs (20 soles entry; 5 soles suit; 5 soles towel). Met Eduardo, my English-speaking guide from Cusco (now living locally). I treated him to tea before we got started. Noon: lined up for Machu Picchu entry; private tour from ~12:00–16:30. You tipped 50 soles—he was excellent. The weather shifted from rain to cloudy to sunny, perfect for walking among the ruins. Stats: ~48 flights of stairs and 6.4 miles walked; lots of steps. Afterward, enjoy a massage (~$20), a chocolate bar, and plenty of water before heading back to Cusco at around 11 pm. It was a long, but so valued day. What I saw & felt The town is small: church (Virgen del Carmen, where I said prayers), district offices, train stations, and police clustered together. Wildlife moments: five llamas, including a 3-day-old nursing and another 3-month-old—adorable. The scenery felt grand and expansive—it reminded you of Yosemite for its scale, but with open, terraced mountains rather than dense trees. Photos turned out great. You loved the entire experience and happily checked off another of the Seven Wonders of the World. Language tidbit from your guide:"'ach'= old, 'icch'= mountain. You noticed so many other peaks around the citadel. What I learned….. The tour weaved together the Incas' worship, daily life, food, farming practices (especially corn/maize), and burial customs—you noted that mostly women's skeletons were found in the areas you discussed with your guide. Inca history (brief context): The Inca civilization flourished in the 15th–early 16th centuries across the Andes, constructing extraordinary stone architecture and terraced agriculture without the use of iron or the wheel. Machu Picchu itself sat hidden in the mountains for centuries, its location contributing to its preservation until its 20th-century reintroduction to global attention. The expansive mountain range around the site made it feel concealed and sacred, "hidden for centuries," much like the aura people describe with Angkor Wat (your comparison). Small moments that mattered Tea with Eduardo (my treat) set a relaxed rhythm for the afternoon, and since it was raining, it gave me a chance to dry out. Hot springs soak before the ruins helped counter the early start and altitude. I loved that I could rent a bathing suit for the morning. That was a first. The hot springs were soothing and an unexpected pleasure. Bring your suit if you remember. Private guiding made the history feel personal and clear. I thought I would be in a group, but this was a private tour. One-line takeaway A long, early start bloomed into a perfectly paced day—rain to sun, hot springs to high terraces—guided insight, baby llamas, countless stairs, and a deep, peaceful sense of awe among the Incas'""old mountain" Connect with Dr. Travelbest 5 Steps to Solo Travel website Dr. Mary Travelbest X Dr. Mary Travelbest Facebook Page Dr. Mary Travelbest Facebook Group Dr. Mary Travelbest Instagram Dr. Mary Travelbest Podcast Dr. Travelbest on TikTok Dr.Travelbest on YouTube In the news  

EXPEDITION UNKNOWN kicks off the new season with a groundbreaking two-part adventure inside Egypt's Great Pyramid. With exclusive access to one of the Seven Wonders of the Ancient World, Gates unravels long-held conspiracy theories about how this marvel of engineering was truly built. Using first-of-its-kind 3D scans of a mysterious tunnel system, Gates executes a daring experiment to replicate the Pyramid's construction, uncovering a labyrinth of secrets buried deep beneath the stone.Throughout the extraordinary new season, Gates leads viewers on high-stakes and off-the-map investigations. He teams up with Gold Rush's Parker Schnabel to chase a multi-million dollar treasure from an infamous stagecoach heist, scours the Oregon coast on a real-life Goonies quest on the 40th anniversary of the iconic film, plunges into the icy Baltic Sea searching for a lost Nazi submarine and braves crocodile-infested waters in Nicaragua to hunt down Cornelius Vanderbilt's lost steamship.In EXPEDITION FILES, Gates embarks on a time-travelling quest, taking us into the past to solve history's most enduring mysteries. Gates reveals fresh evidence and striking, new revelations that could rewrite history as we know it. In the season premiere, Gates examines an explosive new theory about the fate of vanished Teamsters leader Jimmy Hoffa. He also reveals the extraordinary artifact that may finally end the age-old hunt for the Holy Grail and sets sail to unravel a maritime mystery – the disappearance of German inventor Rudolf Diesel, the man whose engines changed the world. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Narrator: Thomas Jones

Series: Great Is the Mystery of Godliness Part 1: The Foundation and Framework of Godliness 1 Timothy 3:14–15 "These things write I unto thee, hoping to come unto thee shortly: But if I tarry long, that thou mayest know how thou oughtest to behave thyself in the house of God, which is the church of the living God, the pillar and ground of the truth." The Apostle Paul wrote his first letter to Timothy while pastoring in Ephesus, a bustling city filled with paganism, trade, and idolatry. Towering above the landscape stood the magnificent Temple of Artemis, one of the Seven Wonders of the Ancient World — held up by over a hundred marble pillars. It was the pride of the city, the centre of false worship, and the picture Paul uses when he writes that the church is the pillar and ground of the truth. Paul's purpose is simple: the local church must reflect the living God in both belief and behaviour.

The church in Ephesus stood in the shadow of one of the Seven Wonders of the Ancient World, the Temple of Artemis. It was massive, beautiful, and filled with idols. Yet Paul reminded Timothy that the true wonder of the world was not made of stone but of people.   In this message, Gene Coleman, an elder at CrossPointe, teaches from 1 Timothy 3:14–16, showing that the church is the household of God, the gathering of the living God, and the pillar and foundation of the truth. The world may build temples of pride and self-worship, but God is building a family that displays His truth through godly conduct, gospel identity, and the mystery of Christ.

The ancient Inca citadel of Macchu Picchu is one of the new Seven Wonders of the World, but still to this day, no one knows what it was for or why it was abandoned. Do Athena and Tiernan have the theory that unlocks the mysteries to this mystical place high in the Andes? Or just a lot of jokes about sneezing? It's up to you, our Chief Detectives, to decide! See omnystudio.com/listener for privacy information.

In Episode 117 of Two Beers and a Mic, the guys crack open “Diffusion” from Manhattan Project Beer Company and dive into a nostalgic rabbit hole—cartoon characters we all secretly (or not so secretly) crushed on as kids. From animated icons to unexpected picks, this one's packed with laughs and confessions.Between sips, the conversation takes a turn toward the Seven Wonders of the World—past, present, and maybe a few that should make the list. And to top it off, the crew shares hilarious (and slightly horrifying) stories about the wild things their dogs have gotten into and eaten.It's a blend of nostalgia, chaos, and cold beer—just another day at Two Beers and a Mic.

Narrator: Thomas Jones

Feeling overwhelmed by endless travel possibilities? You're not alone. Every wanderluster faces the delightful dilemma of where to go next. Drawing from years of solo travel experience, I reveal six distinct approaches to selecting your next destination – some spontaneous, others deeply intentional.You could explore trend-based travel, where popular destinations like Paris or Amsterdam beckon with their timeless appeal. I candidly share how social media discoveries have sparked unexpected adventures while cautioning about the carefully curated perfection of travel influencers' posts. For those seeking structure, I discuss how bucket list approaches like visiting all Seven Wonders create purposeful travel itineraries, sharing my personal experience visiting Machu Picchu with my son.A few playful and truly spontaneous methods – from literally throwing darts at maps to rolling dice for destination selection. Budget-conscious travelers will appreciate practical tips on leveraging flight deals and subscription services that alert you to fare bargains. But the heart of this episode lies in my final approach: creating deeply meaningful travel experiences aligned with your current emotional landscape. I vulnerably share how following this method led me to the solitude of Saguaro National Park after a traumatic period, resulting in a profoundly healing encounter with a horse named Rebel in the desert solitude.Whether you're seeking adventure, healing, or simply your next great story, these six approaches offer a framework for making travel decisions that truly resonate with your personal journey. And for those drawn to wellness travel, I extend a special invitation to join my European river cruise in 2026, where I'll blend my passions for Pilates and exploration in an intimate setting. Ready to discover where your next journey might take you?Support the showhttps://www.cherylbeckesch.com hello@cherylbeckesch.com Instagram @solotraveladventures50Facebook community: Solo Travel for Women Over 50 https://www.facebook.com/groups/860865768609200

In this week's episode, we journey to India to explore one of the Seven Wonders of the World – the breathtaking Taj Mahal. We uncover the history, myths, and deeper meanings of this architectural masterpiece, featuring insightful audio from Ted Ed that brings its legacy to life.Joining Leo for this adventure is special guest Mary Spender, adding her unique perspective on music, creativity, and timeless artistry. To keep the spirit metal, we crank up Leo from Frog Leap Studios' cover of “Sultans of Swing”—a fusion of classic groove and modern metal that mirrors the Taj Mahal's own blend of elegance and power.It's a story of love, loss, and legend, told through history and heavy riffs.Keep America Metal. Keep the Wonders Alive.

This week we set out on an adventure worthy of Indiana Jones as we explore Petra, the rose-red city carved into the cliffs of Jordan and one of the Seven Wonders of the World. From the narrow passage of the Siq to the legendary Treasury, Petra tells the story of the Nabataeans — master builders, traders, and keepers of secrets buried in the desert sands. Alongside its history and myths, we bring the riffs with ‘Judas Kiss' by Petra and other epic metal tracks that echo like thunder through the canyon walls. Grab your fedora and whip — this ride into the lost city will keep America metal, one wonder at a time.

This week we set out on an adventure worthy of Indiana Jones as we explore Petra, the rose-red city carved into the cliffs of Jordan and one of the Seven Wonders of the World. From the narrow passage of the Siq to the legendary Treasury, Petra tells the story of the Nabataeans — master builders, traders, and keepers of secrets buried in the desert sands. Alongside its history and myths, we bring the riffs with ‘Judas Kiss' by Petra and other epic metal tracks that echo like thunder through the canyon walls. Grab your fedora and whip — this ride into the lost city will keep America metal, one wonder at a time.

Send us a textLeadership is not for the faint of heart. I've felt it in my own life—moments of weariness, failure, and discouragement. And I know so many of you have, too. That's why I'm so excited to share this week's episode with you. I sat down with Dave Harvey, author of The Clay Pot Conspiracy: God's Plan to Use Weakness in Leaders, to talk about how God uses our weakness—not our strength—to shape us for lasting impact. In this conversation, Dave and I unpack the Seven Wonders of Resilience, walking through how God brings life out of loss, how repentance fuels strength, and how even wounds and criticism can be used to enlarge our souls. His words are raw, gospel-rich, and full of encouragement for leaders in every season. ✨ If you feel weary in ministry, leadership, or even in your personal walk, I pray this episode lifts your heart and points you back to the God who shines brightest through our cracks.Connect with Rev. Dave, purchase the book and sign up for his free devotionals at https://revdaveharvey.com/ 

Narrator: Thomas Jones

Episode Description: Trolly Moly the Trolls are back! A surprise messenger sends Max & Molly off to ancient Egypt to stop the Trolls from sabotaging the legendary Lighthouse of Alexandria. Can they decode a watery weapon, navigate nautical math, and save one of the Seven Wonders of the World? Math Concepts:  Division and ratios; Patterns and extrapolation; Estimating and solving with proportional reasoning; Understanding speed units like knots and converting between degrees, arc minutes, and arc seconds; Calculating how long it takes to travel one degree of latitude at a given speed.History/Geography Concepts: The history and significance of the Lighthouse of Alexandria; Use of lighthouses in ancient maritime navigation; How ancient ports like Alexandria supported trade and cultural exchange; Protractors and angles in real-world physics (catapults); Cultural geography: Nile Delta, ancient Egypt, ancient Alexandria

What would it have been like to have witness one of the most spectacular sights of the ancient world first-hand? Speaking to Rachel Dinning, Bettany Hughes explores the extraordinary Temple of Artemis at Ephesus, one of the Seven Wonders of the Ancient World. From its awe-inspiring grandeur to its dramatic tales of arson, murder, and sanctuary, she reveals the secrets and significance of this remarkable ancient site. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The time has come! Over a thousand votes were cast in our Seven Wonders of the UK poll, and Chelsea and James are itching to reveal the winners - featuring some very surprising entries! Plus, they share more travel hacks involving zip lock bags and their top tips for avoiding extortionate wifi costs on cruise ships.Have a holiday hack of your own or a travel nightmare you need to get off your chest? We'd love to hear from you! Email us at hello@passportspleasepod.com or if you're the really adventurous type you can even send as an actual postcard! You can find all the info you need at www.passportspleasepod.comDownload the SAILY app AND use our code PASSPORTS at checkout to get an exclusive 15% off your first purchase. Hosted on Acast. See acast.com/privacy for more information.

I used to have a black belt in consequence-giving.

Don D and Bigg Doom are Back With Another One! We Are Joined By Jiggs and Audy. First, We Start with Jiggs and WNBA Gambling, The Clipse Album, Coldplay Concert Cheating, and Seeing People in The Strip Club! (51:45) Audy Joins Us & We Move On To Women Rapper Freestyling, Hip Hop Takes, and The Vibe in Studio Sessions. We End With What Makes The EP, The Seven Wonders of The World & More!To See More of Our Guests, You Can Follow them  ⁨@Jiggs285⁩  and  ⁨@AudyAudemar⁩  !

Narrator: Thomas Jones

In this episode, I'm taking you along on the first half of my 9-day adventure through Peru with Intrepid Travel. From the bustling streets of Lima to the breathtaking ruins of Machu Picchu, I'm sharing what it was really like to experience this unforgettable trip.We start in Lima, Peru's vibrant capital, exploring Chinatown and the historic Plaza de Armas. Then, we head to Cusco—the former Inca capital—where I quickly fall in love with its cobblestone streets, colorful markets, and mountain views (plus some tips for navigating the 11,000-foot altitude).Next up is the Sacred Valley. I share highlights like feeding alpacas at Manos de la Comunidad, visiting the ancient Pisac ruins, enjoying a meal with local Andean women, and supporting single mothers through a social enterprise café in Urubamba.And of course—Machu Picchu. I give a behind-the-scenes look at what it's like to visit one of the Seven Wonders of the World, from the early morning bus ride to the awe-inspiring ruins perched high in the Andes.Whether you're dreaming of visiting Peru or curious about what it's like to travel with Intrepid, this episode is packed with practical travel tips, personal reflections, and inspiration to explore this incredible part of the world.

You may have heard of the Seven Wonders of the Ancient World. But could you name them? Joshua Leo and Rena Dam examine those seven famous structures.http://spotlightenglish.comDownload our app for Android at http://bit.ly/spotlight-androidDownload our app for iOS at http://bit.ly/spotlight-appleFacebook: https://www.facebook.com/spotlightradioAre you learning English? Are you looking for a way to practice your English? Listen to Spotlight to learn about people and places all around the world. You can learn English words, and even practice English by writing a comment.Visit our website to hear programs in English: Website: http://spotlightenglish.com/

Narrator: Thomas Jones

In hour two, funny reviews on google tourists left across the "Seven Wonders of the World" proving some people will just never be happy. Crowder is trying to do some reporting to check if Jason Taylor is actually banging the drum tonight. Plus, National Hockey play by play broadcaster John Ahlers joins the show to preview tonight's game.

How can understanding womb wisdom transform a woman's relationship with her body and intuition? In this episode, Shavita Kotak and I dive deep into the layers of womb wisdom, intuition, and the sacred feminine. Together, we explore how tuning into life's natural cycles—from menstruation to menopause—can empower women to reclaim their inner radiance and live with greater authenticity.You're going to love this conversation, and you're going to want to share it with everyone you care about who also desires to look and feel their best too!Learn more about Shavita Kotak:Shavita Kotak is a seeker of wisdom and knowledge, dedicated to helping women embrace menopause as a time of growth, wisdom, and empowerment. Today, she works as a yoga practitioner and mentor—guiding women through the transformative power of menopause. She's also the author of Seven Wonders of Menopause, where she shares insights that inspire you to discover the incredible potential inherent in this stage of life.Connect with Shavita:Website: https://shavitakotak.com/YouTube: https://www.youtube.com/channel/UCmLIua38SE1DkGycMJacTpAFor more resources related to today's episode, click here for the podcast episode page: https://www.theschoolofradiance.com/podcasts Follow Rachel Varga Official on Instagram: https://www.instagram.com/rachelvargaofficial/ —Catch full episodes of The School of Radiance Podcast here on YouTube https://www.youtube.com/@RachelVargaOfficial —Subscribe to the YouTube channel here: https://www.youtube.com/@RachelVargaOfficial —Follow me here:Instagram: https://www.instagram.com/rachelvargaofficial/ Facebook: https://www.instagram.com/rachelvargaofficial/ Website: https://www.theschoolofradiance.com —FREE STUFF: Download my FREE Skincare Checklist, sign up for my FREE 30 minute biohack your way to clear skin and slowing aging training now, and my newsletter for promos and exclusive events just for you! https://www.theschoolofradiance.com/freebiesEveryone gets one FREE call! Book your free 15-minute call with Rachel Varga to see which options will help you achieve your skin radiance goals! https://rachelvarga.as.me/YourPersonalizedRadianceConsultation —Looking for Skincare products, Tutorials, booking YOUR private One-on-One, and the deep dive Radiance Membership?SHOP skincare: https://alwaysradiantskinshop.comBOOK your private One-on-One: https://rachelvarga.as.me/Initialconsultation REGISTER for Tutorials and/or Membership: https://theschoolofradiance.com As a disclaimer, please note that the information shared in this podcast and interview is not to be taken as medical advice, and it's always important to consult with your physician before making any lifestyle changes. Rachel disclaims any responsibility for inaccurate credentials of guests or information used that may cause harm.Thank you for tuning in to this episode of The School of Radiance with Rachel Varga (formerly The Rachel Varga Podcast and The Always Radiant Skin Podcast)!Rachel Vargainfo@theschoolofradiance.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Chelsea and James are tackling another travel-based PSA: Do you really need £100 a day in your bank account to travel to Spain? Other very important travel-based questions are answered, like what should you do when you stumble across an old Greek lady in the middle of nowhere, and what are the Seven Wonders of the UK?Have a holiday hack of your own or a travel nightmare you need to get off your chest? We'd love to hear from you! Email us at hello@passportsplease.com or if you're the really adventurous type you can even send as an actual postcard! You can find all the info you need at www.passportspleasepod.comDownload the SAILY app AND use our code PASSPORTS at checkout to get an exclusive 15% off your first purchase. Hosted on Acast. See acast.com/privacy for more information.

“This is not a place for grieving; it is a place for rest.” Part one of the longest notes Darien has ever compiled for the show. Other topics include Egypt being really old with a lot going on, the true purpose of pyramids, Darien refusing to be distracted by DJ's shenanigans, a brief pitstop to look up all Seven Wonders of the Ancient World, how annoying it would be to get call in for pyramid duty on your day off, celebrations of corn and leavened bread, and some perhaps unfair criticism of Stonehenge.Content Warning: This episode contains mentions of and conversations about death, the afterlife, homophobia, transphodia, imperialism, and colonization. Learn more about the Human Rights Campaign: https://www.hrc.org/Once Upon a Dream: A Twisted Tale bonus episode available NOW on Patreon! https://www.patreon.com/musesofmythologyAbout UsMuses of Mythology was created and co-hosted by Darien and DJ Smartt.Our music is Athens Festival by Martin Haene. Our cover art is by Ranpakoka. Find him on Instagram @Ranpakoka Love the podcast? Support us on Patreon and get instant access to bloopers, outtakes, and bonus episodes! Patreon.com/musesofmythologyGet you hands on podcast merch at Musesofmythology.com/merchFind us @MusesOfMyth on Instagram. Find all of our episodes and episode transcripts at MusesOfMythology.com----------------------- Support the show

Narrator: Thomas Jones

More than 2,000 years ago, someone sat down and wrote a travel bucket list for the ancient world — suggesting must-see places that we now call The Seven Wonders of the World. It was kind of a Lonely Planet guide of its time, and included the Pyramid of Giza, the Hanging Gardens of Babylon, the lighthouse of Alexandria, and the Temple of Artemis, among others. Historian Bettany Hughes brings monuments and archaeological discoveries back to life in her book, The Seven Wonders of the Ancient World. 

I'm not sure why you'd make a hall of fame that's not also a sidewalk, but that's exactly what BoardGameGeek have gone and done - they've curated 25 games into their hall of fame, and we're here to judge them for their choices. It's weird that they didn't come to us first, honestly. Before we deck the halls, we talk about Arborea, Beyond the Horizon, and Taiwan Night Market.  02:49 - Arborea 10:32 - Beyond the Horizon 20:43 - Taiwan Night Market 32:00 - BGG Hall of Fame  38:57 - Diplomacy 40:35 - Acquire 41:55 - Cosmic Encounter 43:25 - Civilization 45:05 - 1830: Railways and Robber Barons 45:46 - Magic The Gathering 48:02 - Catan 49:03 - El Grande 49:58 - Tigris and Euphrates 51:04 - Ra 52:07 - Carcassone 53:29 - Power Grid  53:49 - Ticket to Ride 54:16 - Caylus 55:26 - Twilight Struggle 56:26 - Through the Ages 58:17 - Agricola 59:35 - Brass 01:00:25 - Race for the Galaxy 01:01:53 - Dominion 01:02:38 - Pandemic 01:03:39 - Seven Wonders 01:04:51 - Castles of Burgundy 01:05:14 - Terra Mystica 01:06:54 - Concordia   Get added to the BGB community map at: https://boardgamebarrage.com/map   Send us topic ideas at: https://boardgamebarrage.com/topics   Check out our wiki at: https://boardgamebarrage.com/wiki   Join the discussion at: https://boardgamebarrage.com/discord   Join our Facebook group at: https://boardgamebarrage.com/facebook   Get a Board Game Barrage T-shirt at: https://boardgamebarrage.com/store

On today's episode, David and Jason return for their first podcast episode in two years. Listen in, as David talks about returning to vlogging, traveling to the Seven Wonders of the World and his incredible body transformation. Plus, Mr. Beast gets Ilya a Lamborghini, Natalie and David hit their 10 year high school reunion, Jason is glad the podcast is back and Corinna makes an offer to Ilya and David where they could make 200K each. Learn more about your ad choices. Visit megaphone.fm/adchoices

Podcaster extraordinaire Chuck Bryant of the Stuff You Should Know podcast joins Scott to talk about going into the 17th year of Stuff You Should Know, ants, and the Seven Wonders of the World. Then, masked vigilante The Batmin returns to talk about criminals he has recently put away. Plus, spiritualist Luanne Lewis stops by to talk about seeking vortexes.Get tickets for the Comedy Bang! Bang! Into Your Mouth Tour 2024 over at https://CBBWorld.com/tour Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/cbb