Podcasts about Adobe Lightroom

Adobe mejora tu cámara:  App gratuita con inteligencia artificial para iPhone con IA, controles manuales y fotos RAW de alta calidad   Por Félix Riaño @LocutorCo  Adobe acaba de presentar una app experimental que transforma el modo en que usamos la cámara del iPhone. Se llama Project Indigo, y ya está disponible gratis en la App Store. Detrás del desarrollo están los mismos ingenieros que crearon la cámara de los teléfonos Pixel de Google. La promesa es clara: ofrecer una experiencia de captura con aspecto profesional, basada en inteligencia artificial, procesamiento por ráfagas y controles manuales. ¿Puede una app gratuita reemplazar la cámara nativa del iPhone y convertirse en la favorita de quienes aman la fotografía móvil?  Project Indigo no toma una sola foto: toma hasta 32 imágenes en ráfaga, las alinea y las fusiona para crear una sola más precisa, con menos ruido, mejor rango dinámico y más detalle. Lo más impresionante es que lo hace con un enfoque natural, evitando los efectos exagerados que muchos usuarios detestan. Está disponible desde el iPhone 12 Pro y en todos los modelos del iPhone 14 en adelante, aunque Adobe recomienda usarlo con un iPhone 15 Pro o superior. No necesitas tener cuenta de Adobe ni iniciar sesión, lo cual la hace ideal para experimentar sin compromiso. Además, es compatible con fotos RAW y JPEG. Y si usas Lightroom, puedes enviar tus fotos directamente desde Indigo para editarlas.  Pero no todo es perfecto: Pierdes funciones nativas como Live Photos, modo retrato y estilos fotográficos.   El cerebro detrás de Indigo es Marc Levoy, quien dejó Google en 2020 para unirse a Adobe con el objetivo de crear una “app de cámara universal”. Junto a él está Florian Kainz, también ex Google y experto en procesamiento de imagen. Ambos fueron clave en los avances del Pixel, que convirtió a la cámara de Google en un referente. Con Indigo buscan ir más allá: crear fotos que parezcan tomadas con cámaras réflex, sin dejar de aprovechar el poder del iPhone. Uno de sus logros técnicos es que el obturador no tiene retardo: la app ya está grabando imágenes RAW mientras estás encuadrando, así que cuando presionas el botón, ya tiene lista la mejor toma. Ideal para capturar momentos exactos como un perro en movimiento o una pelota entrando en el arco.  Muchos fotógrafos no confían en las cámaras del celular porque el software tiende a exagerar la imagen. Colores saturados, sombras aplastadas, reflejos molestos y detalles perdidos por la compresión digital. Apple ha hecho mejoras, pero su app de cámara sigue sin ofrecer controles manuales completos. Tampoco permite disparar con exposición prolongada real ni ajustar el número de imágenes por ráfaga. Project Indigo responde a esa necesidad con un enfoque híbrido: mantiene la sencillez del teléfono, pero entrega resultados dignos de una cámara avanzada. En lugar de aplicar filtros o IA que "inventan" detalles, Indigo capta datos reales desde el sensor y los combina para mejorar la nitidez. Incluso permite usar el movimiento natural de la mano como técnica para captar más perspectiva y obtener fotos más detalladas, algo conocido como "multi-frame super-resolution".  Project Indigo ya puede descargarse gratis y viene con funciones únicas que la distinguen de otras apps. Por ejemplo, permite hacer fotos en condiciones de luz muy baja sin necesidad de trípode, gracias a la combinación de 32 cuadros tomados en segundos. También incluye un botón dedicado para fotos de larga exposición, que simula el efecto de obturación prolongada en cámaras réflex: perfecto para capturar cascadas, luces en movimiento o trazos de luz en la noche. Otra función prometedora es la eliminación de reflejos con IA, ideal para fotos detrás de vitrinas o cristales. Y si te gusta editar, las fotos en RAW pueden abrirse directamente en Lightroom con compatibilidad total con los perfiles de color de Adobe. Aunque aún no tiene modo retrato ni video, ya se están desarrollando esas funciones, junto con bracketing de exposición y enfoque. La app también actúa como plataforma de pruebas para futuras funciones de Photoshop y Lightroom. Además, Adobe ya confirmó que la versión para Android “va a llegar seguro”.  Las imágenes tomadas con Indigo pueden verse en calidad HDR en una galería oficial alojada en Adobe Lightroom. Eso sí: la visualización óptima requiere una pantalla compatible y usar Google Chrome. Safari puede no mostrar correctamente los colores ni los brillos. Otra novedad técnica es el demosaico avanzado, que reconstruye los colores a partir del sensor de forma más precisa que otras apps. Indigo también ajusta el tono y el color basándose en lo que hay en la escena: sabe cuándo hay una persona en primer plano o cuándo estás fotografiando un cielo al atardecer. En las pruebas realizadas por medios como PetaPixel y CNET, se destacó que el zoom digital de Indigo supera al del iPhone al no inventar píxeles, sino construir la imagen con varias tomas desde ángulos apenas distintos. Además, la app permite ajustar la cantidad de cuadros por ráfaga, algo que no se ve en otras herramientas similares. Según Adobe, este es solo el comienzo: planean integrar más funciones creativas y fortalecer la app con la ayuda de los comentarios de quienes ya están probándola.  Project Indigo es una app gratuita de Adobe que convierte tu iPhone en una cámara avanzada con controles manuales, procesamiento inteligente y compatibilidad con RAW. Está pensada para quienes aman la fotografía, pero también para curiosos que quieran probar una nueva forma de tomar fotos. Descárgala, prueba sus funciones y cuéntanos tu experiencia. Y sigue el pódcast Flash Diario en Spotify.Bibliografía

Hoy exploramos una de las aplicaciones más potentes y accesibles para quienes quieren llevar la edición fotográfica al siguiente nivel. Ya seas fotógrafo profesional o aficionado, Adobe Lightroom puede convertirse en tu mejor aliada para revelar, ajustar y organizar tu archivo visual. ¿Qué es Adobe Lightroom y por qué destaca? Principales funciones y ventajas de Lightroom ¿Es para ti? Casos de uso y modelo de acceso Web de Adobe Lightroom

Samsung reduced the price of the Galaxy Z Fold 6, offering a $350 discount, up to $1,000 in trade-in value for select devices, and additional discounts on accessories and Samsung Care Plus. Trade-in values are highest for recent Samsung models, while Apple and Google devices receive lower amounts. The promotion also includes free subscriptions to services such as Peacock Premium, SiriusXM, and Adobe Lightroom. The offer is available ahead of the upcoming Galaxy Z Fold 7 launch.Learn more on this news by visiting us at: https://greyjournal.net/news/ Hosted on Acast. See acast.com/privacy for more information.

Adobe製品が複数アップデート　LightroomやIllustratorはパフォーマンス向上や新機能／機能改善　Photoshopは「ライブ共同作業」をプライベートβ提供。　アドビは2月13日、有料サブスクリプションサービス「Adobe Creative Cloud（Adobe CC）」を構成するアプリ／サービスの一部をアップデートした。アプリについては、最新バージョンに更新することで新機能を利用可能だ。

In this episode, Nick Ribera shares his process of editing photos using Lightroom, focusing on organizing, culling, rating, and applying various editing techniques. He discusses the importance of organization, how to efficiently rate and select photos, and the various filters and adjustments that can enhance images. The conversation also touches on color grading and the final touches that make a photo stand out. Nick reflects on his editing journey and shares insights for aspiring photographers.

Die Zukunft der Fotografie: Content CredentialsMobiler Workflow für FotografenIn dieser Episode des Leica-Enthusiast-Podcasts diskutieren Michel Birnbacher und Julian A. Kramer über Content Credentials, KI-gestützte Bildbearbeitung und die Vorteile der Cloud-Synchronisation. Der Schwerpunkt der Sendung lag auf dem mobilen Workflow für den Fotografen (nicht nur Leica M).Julian teilt Einblicke in seinen mobilen Workflow mit Lightroom Mobile, einschließlich Import, Organisation und Bearbeitung von Bildern. Außerdem werden Unterschiede zwischen Lightroom Mobile und Classic sowie Strategien zur Archivierung und Backup beleuchtet.Zu Julian A. KramerHomepage: https://www.julian-a-kramer.com/ Instagram: https://www.instagram.com/julian_a_kramer/ Ergänzung zum Thema Kabel:Wir sprechen über Kabel für Datentransfer/Ladestrom/etc. Wie erwähnt nutze ich das Kabel von meinem österr. Partner Angelbird, deren Produkte (Speicherkarten, Kartenleser,...) im professionellen Bereich zum Einsatz kommen – beginnend beim selbständigen Hochzeitsfotografen bis hin zur High-End-Kinofilmproduktion.Link zum Kabel: USB-C 3.2 Cable (Link zu Angelbird Homepage)Hier geht es zu ADOBE Lightroom. (Link zur Adobe Homepage)

Die Weihnachtspause ist vorbei und wir starten mit Knallern, nee Böllern ! Wir verzetteln uns im Nerd Talk über KI in der Bildbearbeitung und kostenlosen Alternativen zu Adobe Lightroom. Außerdem klären wir, was Michis Vater mit Sprengstoff am Hut hatte.

Top shot © Ron Tarver Cowboy lore has deep roots in American culture. Yet, black cowboys have lived pretty much under the radar until recently, when songs by pop culture icons Lil Nas X and Beyoncé went viral and catapulted the black western aesthetic into the limelight. In today's show, we're getting the inside scoop from two photographers who've been fully immersed in these vibrant communities since long before they became a top fashion trend. Separated by a generation in age and with pictures spanning from film to digital, we follow Ron Tarver and Ivan McClellan from their early years in Oklahoma and Kansas, to the urban stables of Northern Philadelphia, the legendary Roy LeBlanc Rodeo in Okmulgee, Oklahoma, and beyond. Listen in and discover how the popularity of a single newspaper assignment led Ron to the pages of National Geographic and a career defining body of work. In a similar manner, Ivan's hunch to act on a chance invitation morphed into a passion project that reconnected him to his midwestern roots and ultimately expanded his role from photographer to that of an entrepreneur and rodeo boss.  Ever wonder about the funding and stamina required to compete as a rodeo athlete? We take that bull by the horns at the end of the show. Guests: Ron Tarver & Ivan McClellan Episode Timeline: 4:09: Ron Tarver and Ivan McClellan's early memories of cowboy culture during their respective youths in Kansas City and Fort Gibson, Oklahoma. 9:19: Ron's early story for the Philadelphia Inquirer and his subsequent documentation of black cowboy culture. 15:06: The camera gear and film stock Ron used for his pictures, plus digitizing analog slides using a digital camera, macro lens and bellows system. 20:15: Technical limitations Ron faced when shooting film, and his editing process when working with National Geographic. 23:19: Ivan's start as a designer, his introduction to photography and the world of black cowboys, and his shooting process at the rodeo. 33:40: The dominance of women within black rodeos, a female horse whisperer, and tips for photographing horses in a rodeo context. 44:34: Episode Break 45:35: The journey behind our guest's respective books, and Ron's collaboration with a noted editor to create The Long Ride Home. 51:19: The back story to Ivan's book—from a self-published Kickstarter release to the editor he worked with to get Eight Seconds published by Damiani. 57:10: Ivan and Ron discuss each other's finished book projects, questions about model releases, plus the current hunger for black cowboy culture.  1:05:23: Ivan's work to promote black rodeo athletes and the economics of competing in this arena. 1:10:39: How Ivan's life has changed since founding the Eight Seconds rodeo in Portland, Oregon. 1:16:04: The impact of Ivan's work on the lives of rodeo athletes, and the maximum number of bulls a rodeo athlete can ride in a single day.  Guest Bios: Ron Tarver was born and raised in Fort Gibson, Oklahoma, and is now based outside Philadelphia, Pennsylvania. During 32 years as a staffer at The Philadelphia Inquirer, he was nominated for three Pulitzer's and shared the 2012 Pulitzer Prize for public service, in addition to many other accolades. Tarver's photographs have been exhibited internationally. His pictures can be found in private, corporate, and museum collections, and have appeared in major publications both in print and online.  In 2004, he co-authored the book We Were There: Voices of African American Veterans, published by Harper Collins, accompanied by a traveling exhibition. A recipient of a 2021 Guggenheim Fellowship and a 2001 Pew Fellowship in the Arts, Tarver has also received funding from the NEA, the Pennsylvania Council on the Arts, and an Independence Foundation Fellowship.  He currently serves as Associate Professor of Art at Swarthmore College. His book, The Long Ride Home: Black Cowboys in America was released by George F Thompson Publishers in September. Ivan McClellan is a photojournalist and designer originally from Kansas City, Missouri. These days he calls Portland, Oregon home.  His work reveals marginalized aspects of black culture, challenging broad assumptions and myths about racial identity in America.  His project Eight Seconds, focuses on elevating narratives about American Black cowboys, and transforming the culture of the American West by ‘re-centering' black women and men back as an integral part of our historical narrative.  After initially self-publishing his photos in book form, Eight Seconds: Black Rodeo Culture was released by Damiani books in April 2024. The winner of the 2022 Getty Inclusion grant, McClellan's photos have been presented in and collected by Museums and cultural spaces across the United States. His work has also been featured in ESPN: The Undefeated and Fast Company.  As an experience designer for Adobe Lightroom, he has led projects for Nike, Adidas, Disney, and the U.S. National Soccer Team. And most recently, he founded the Eight Seconds Rodeo in 2023. Stay Connected: Ron Tarver Website: https://www.rontarverphotographs.net/ Ron Tarver Instagram: https://www.instagram.com/rontarver/ Ron Tarver Wikipedia: https://en.wikipedia.org/wiki/Ron_Tarver Ron Tarver The Long Ride Home book:  http://www.gftbooks.com/books_Tarver.html Ivan McClellan Website: https://eightsecs.com/ Ivan McClellan Instagram: https://www.instagram.com/eightsecs/ Ivan McClellan / 8 Seconds Linktr.ee: https://linktr.ee/eightsecs Ivan McClellan at Damiani Books: https://www.damianibooks.com/en/collections/mcclellan-ivan End Credits: Host: Allan Weitz Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens

Nigel Danson is a renowned landscape photographer and YouTube creator from the United Kingdom. Best known for his atmospheric images that capture the rugged beauty and drama of Great Britain and across the world, Danson's work showcases his commitment to conservation and environmental awareness. His work often emphasizes the fleeting and powerful moods of nature - from mist-covered hills to seascapes to vibrant sunrises and sunsets - drawing the viewer into an immersive experience of the natural world.In addition to his photography, Danson is a dedicated educator and shares his insights through online tutorials, social media, and workshops. His popular YouTube channel has a substantial following with nearly 500K followers. There he breaks down his techniques and offers valuable tips on capturing the essence of landscape photography. His teaching approach is not only focused on the technical aspects but also encourages viewers to find their personal vision and connect emotionally with the landscapes they photograph. As a result, Danson has become an influential figure in the photography community, inspiring both aspiring and seasoned photographers to pursue their craft with passion and purpose.Notable Links:Nigel Danson WebsiteNigel Danson YouTubeInstagramLuskentyre Sands, Isle of Harris, Scotland*****This episode was brought to you by Luminar Neo.Powered by AI technologies, Luminar Neo streamlines the editing process and provides everything you could possibly need to get photos that will look amazing on the screen and in print. Luminar Neo was designed for both hobbyists and pros and includes cutting-edge editing tools – all in one intuitive and easy-to-use app.Luminar uses generative AI to intelligently analyze your photos and erase distracting elements in your compositions, add realistic objects that seamlessly blend into the background, or expand the frame in any direction. If that's not your thing, Luminar is still one of the most powerful photo editors for natural and realistic images too. Luminar Neo has all the features you need to enhance your images with precision and ease.You can use Luminar Neo as a standalone app on your PC or Mac computer or as a plugin for Adobe Lightroom and Photoshop, so you can keep your existing workflow.Learn more about Luminar Neo and how it can amplify your creative vision for your photos  by visiting skylum.com/beyondthelens.*****This episode is brought to you by Kase Filters. I travel the world with my camera, and I can use any photography filters I like, and I've tried all of them, but in recent years I've landed on Kase Filters.Kase filters are made with premium materials, HD optical glass, shockproof, with zero color cast, round and square filter designs, magnetic systems, filter holders, adapters, step-up rings, and everything I need so I never miss a moment.And now, my listeners can get 10% off the Kase Filters Amazon page when they visit.beyondthelens.fm/kase and use coupon code BERNABE10Kase Filters, Capture with Confidence.

From October 24th to November 3rd, OM Digital Solutions is hosting the third annual OM SYSTEM week, a global event, inspiring photographers to push their creative limits. This year's theme, "Creativity. It's in our nature," invites you to explore the outdoors with OM SYSTEM cameras. Throughout OM SYSTEM Week, you can score amazing deals, with up to $500 off select OM SYSTEM cameras and lenses. Plus, registered users will receive even more exclusive offers! Don't miss out on OM SYSTEM's creativity-themed photo contest! Running from October 24th, 2024, to January 3rd, 2025, you'll have the chance to showcase your best outdoor photos and compete to win an incredible trip to Japan with OM SYSTEM Ambassador Lisa Michele Burns. For more details, visit explore.omsystem.com/petapixel -- Experience unmatched versatility of Tamron all-in-one zoom lenses including the new Tamron 28-300mm F/4-7.1 Di III VC VXD lens for Sony E-mount. This all-in-one zoom covers a wide focal range, from expansive landscapes at 28mm to distant subjects at 300mm. With its fast and quiet VXD autofocus system, you'll capture sharp images effortlessly. The built-in VC (Vibration Compensation) minimizes camera shake for smooth handheld shooting, even in varying light conditions. Compact and lightweight, this lens is ideal for travel and outdoor adventures, empowering photographers to capture stunning scenery with flexibility and ease. Shop Tamron lenses at tamron-americas.com. -- This week, Chris Niccolls, Jordan Drake, and Jaron Schneider are in Tokyo, Japan and it got them thinking: photographers who travel internationally can often struggle with not knowing exactly what to bring, which results in them bringing too much. The trio share their tips to keep that keeps their packs light but doesn't make them feel like they are disadvantaged with their gear. Check out PetaPixel Merch: store.petapixel.com/ We use Riverside to record The PetaPixel Podcast in our online recording studio. We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe. -- In This Episode: 00:00 - Intro 05:45 - Excuse me, what was going on with the tape and the filter on the 500mm? 08:24 - DJI announced a new Air 3S 12:04 - There isn't going to be a DJI-branded mirrorless camera. 14:22 - DJI says import issues are why the Air 3S isn't available from retailers 16:27 - Insta360 has a new action camera 19:19 - Adobe Lightroom got a nice update 24:28 - How to travel as a photographer and not hate yourself 47:37 - Never read the comments 55:26 - Tech support 1:24:17 - Feel good story of the week: Jordan does Japan his own way.

Chase Jarvis is an award-winning artist, serial entrepreneur, best-selling author, and one of the most influential photographers of the past decade. He has created campaigns for Apple, Nike, Red Bull and dozens of other Fortune 100 brands.Chase has had fine art shows in the USA, Europe, and the Middle East, was a contributor to the Pulitzer-Prize winning New York Times story Snowfall, and earned an Emmy nomination for directing and producing the music documentary Portrait of a City.He also created Best Camera – which won “App of the Year” honors on the Apple App Store and was the first app to use photos as the basis for a social network.A pioneer in at the intersection of creativity and learning, Chase wrote the book Creative Calling – an instant best seller which has since been translated into a dozen languages, and was the Founder/CEO of CreativeLive, where more than 50 million students have learned photography, video, design, music and business from the world's top experts – a company that was acquired in 2021 by Fiverr.Chase lives with his wife, Kate, and their dog Bodhi in Seattle, and serves as a volunteer director for several non-profit boards.Notable Links:Chase Jarvis WebsiteNever Play It Safe Website*****This episode was brought to you by Luminar Neo.Powered by AI technologies, Luminar Neo streamlines the editing process and provides everything you could possibly need to get photos that will look amazing on the screen and in print. Luminar Neo was designed for both hobbyists and pros and includes cutting-edge editing tools – all in one intuitive and easy-to-use app.Luminar uses generative AI to intelligently analyze your photos and erase distracting elements in your compositions, add realistic objects that seamlessly blend into the background, or expand the frame in any direction. If that's not your thing, Luminar is still one of the most powerful photo editors for natural and realistic images too. Luminar Neo has all the features you need to enhance your images with precision and ease.You can use Luminar Neo as a standalone app on your PC or Mac computer or as a plugin for Adobe Lightroom and Photoshop, so you can keep your existing workflow.Learn more about Luminar Neo and how it can amplify your creative vision for your photos  by visiting skylum.com/beyondthelens.*****This episode is brought to you by Kase Filters. I travel the world with my camera, and I can use any photography filters I like, and I've tried all of them, but in recent years I've landed on Kase Filters.Kase filters are made with premium materials, HD optical glass, shockproof, with zero color cast, round and square filter designs, magnetic systems, filter holders, adapters, step-up rings, and everything I need so I never miss a moment.And now, my listeners can get 10% off the Kase Filters Amazon page when they visit.beyondthelens.fm/kase and use coupon code BERNABE10Kase Filters, Capture with Confidence.

Sam Abell is one of America's most influential and celebrated documentary photographers, best known for his rich, expressive, color photo-essays for National Geographic magazine where he made images for more than 30 years.Known as the ‘Quiet Photographer” Sam Abell has defined his career with patience, deliberation, and making carefully crafted imagery. In addition to his work with National Geographic, he's also published many books over his career, including The Life of a Photograph, Stay This Moment: The Photographs of Sam Abell, and Sam Abell : The Photographic Life.Notable Links:Sam Abell WebsiteSam Abell InstagramImage: Father at Train Station, 1959Image: Tolstoy's PearsImage: Hagi Tomoe WindowImage: Dog and Dolphin in IrelandImage: Branding and CastrationVideo: Timeless Value x Sam Abell / FUJIFILM*****This episode was brought to you by Luminar Neo.Powered by AI technologies, Luminar Neo streamlines the editing process and provides everything you could possibly need to get photos that will look amazing on the screen and in print. Luminar Neo was designed for both hobbyists and pros and includes cutting-edge editing tools – all in one intuitive and easy-to-use app.Luminar uses generative AI to intelligently analyze your photos and erase distracting elements in your compositions, add realistic objects that seamlessly blend into the background, or expand the frame in any direction. If that's not your thing, Luminar is still one of the most powerful photo editors for natural and realistic images too. Luminar Neo has all the features you need to enhance your images with precision and ease.You can use Luminar Neo as a standalone app on your PC or Mac computer or as a plugin for Adobe Lightroom and Photoshop, so you can keep your existing workflow.Learn more about Luminar Neo and how it can amplify your creative vision for your photos  by visiting skylum.com/beyondthelens.*****This episode is brought to you by Kase Filters. I travel the world with my camera, and I can use any photography filters I like, and I've tried all of them, but in recent years I've landed on Kase Filters.Kase filters are made with premium materials, HD optical glass, shockproof, with zero color cast, round and square filter designs, magnetic systems, filter holders, adapters, step-up rings, and everything I need so I never miss a moment.And now, my listeners can get 10% off the Kase Filters Amazon page when they visit.beyondthelens.fm/kase and use coupon code BERNABE10Kase Filters, Capture with Confidence.

Melissa Groo is an American conservation photographer and writer. She is a Sony Artisan of Imagery, an Associate Fellow with the International League of Conservation Photographers, an advisor to the National Audubon Society on photography content and ethics, and a contributing editor to Audubon magazine.Her work has also appeared on the covers of Smithsonian, Natural History, Living Bird, and Outdoor Photographer magazines and in publications such as National Geographicand National Wildlife.Melissa has been awarded the “Jay N. Ding Darling Memorial Award for Wildlife Stewardship Through Art,” from The Wildlife Society, the Audubon Connecticut's Katie O'Brien Lifetime Achievement Award and NANPA's Vision Award among others.She's a passionate advocate for wildlife and has been fighting to raise awareness about the unethical nature of photo game farms. She lives in Ithaca, New York, USA.Notable Links:Melissa Groo WebsiteMelissa Groo InstagramThe Ugly Truth About the Wild Animals of Instagram | Rolling Stone April 24, 2024International League of Conservation Photographers*****This episode was brought to you by Luminar Neo.Powered by AI technologies, Luminar Neo streamlines the editing process and provides everything you could possibly need to get photos that will look amazing on the screen and in print. Luminar Neo was designed for both hobbyists and pros and includes cutting-edge editing tools – all in one intuitive and easy-to-use app.Luminar uses generative AI to intelligently analyze your photos and erase distracting elements in your compositions, add realistic objects that seamlessly blend into the background, or expand the frame in any direction. If that's not your thing, Luminar is still one of the most powerful photo editors for natural and realistic images too. Luminar Neo has all the features you need to enhance your images with precision and ease.You can use Luminar Neo as a standalone app on your PC or Mac computer or as a plugin for Adobe Lightroom and Photoshop, so you can keep your existing workflow.Learn more about Luminar Neo and how it can amplify your creative vision for your photos  by visiting skylum.com.*****This episode is brought to you by Kase Filters. I travel the world with my camera, and I can use any photography filters I like, and I've tried all of them, but in recent years I've landed on Kase Filters.Kase filters are made with premium materials, HD optical glass, shockproof, with zero color cast, round and square filter designs, magnetic systems, filter holders, adapters, step-up rings, and everything I need so I never miss a moment.And now, my listeners can get 10% off the Kase Filters Amazon page when they visit.beyondthelens.fm/kase and use coupon code BERNABE10Kase Filters, Capture with Confidence.

Today, we are helping you with the most challenging question of all. "How do I not look like a slob?" Thankfully our friend Andrea Lavinthal from People Magazine has joined us to discuss how to make your clothes work, what trends to skip, and we discuss the most controversial trends in fashion right now, from the leggings with the butt crease, fake pockets, cropped sweatshirts, cutouts, and DUPES. Thank you for supporting our sponsors! Marshalls: Visit your local Marshalls or head to https://marshalls.com to see what good stuff you can find today! Hiya: Visit https://hiyahealth.com/LADY to get 50% off your first order! Progressive: Quote at https://Progressive.com to join the over 28 million drivers who trust Progressive. Adobe: Visit https://lightroom.adobe.com or download the Adobe Lightroom app to try Adobe Firefly today.

Vincent Ledvina, AKA “The Aurora Guy,” is a Space Physics Ph.D. student at the University of Alaska Fairbanks, a night sky photographer, aurora fanatic, science communicator, and educator living in Fairbanks, Alaska.Vincent, originally from Minnesota, has been a photographer since the age of 16. He earned his B.S in Physics from the University of North Dakota and now does his thesis research on how auroral beads form and how they relate to the auroral substorm process.In this episode, Vincent and Richard talk about how auroras are created, space weather, the mystery of auroral beads, understanding the substorm sequence, where in the world are the best places to see the aurora, the best predictive tools, photography strategies, plus many of Vincent's personal experiences while chasing auroras around the world.Notable Links:Vincent Ledvina WebsiteVincent Ledvina InstagramVincent Ledvina YouTubeSpace Weather LiveThe Glendale AppAurora CompassAurora Webcams*****This episode was brought to you by Luminar Neo.Powered by AI technologies, Luminar Neo streamlines the editing process and provides everything you could possibly need to get photos that will look amazing on the screen and in print. Luminar Neo was designed for both hobbyists and pros and includes cutting-edge editing tools – all in one intuitive and easy-to-use app.Luminar uses generative AI to intelligently analyze your photos and erase distracting elements in your compositions, add realistic objects that seamlessly blend into the background, or expand the frame in any direction. If that's not your thing, Luminar is still one of the most powerful photo editors for natural and realistic images too. Luminar Neo has all the features you need to enhance your images with precision and ease.You can use Luminar Neo as a standalone app on your PC or Mac computer or as a plugin for Adobe Lightroom and Photoshop, so you can keep your existing workflow.Learn more about Luminar Neo and how it can amplify your creative vision for your photos  by visiting skylum.com.*****This episode is brought to you by Kase Filters. I travel the world with my camera, and I can use any photography filters I like, and I've tried all of them, but in recent years I've landed on Kase Filters.Kase filters are made with premium materials, HD optical glass, shockproof, with zero color cast, round and square filter designs, magnetic systems, filter holders, adapters, step-up rings, and everything I need so I never miss a moment.And now, my listeners can get 10% off the Kase Filters Amazon page when they visit.beyondthelens.fm/kase and use coupon code BERNABE10Kase Filters, Capture with Confidence.

In this episode of the Research Like a Pro podcast, Diana and Nicole interview Mark Thompson, a professional genealogist specializing in digitizing and archiving family memorabilia and genetic genealogy. Mark shares his expertise on using artificial intelligence (AI) tools to analyze family photographs. Here are some key points from the interview: ●       Benefits of AI face tagging: AI face tagging is a huge time saver and makes it easier to find photos in your digital archive. It can also help you identify unknown people in photos by comparing them across different collections. ●       Prompts for AI photo analysis: Mark suggests using prompts like "when," "where," and "why" when analyzing photos with AI tools. ●       Getting started with AI in genealogy: Start by focusing on tasks you already do and are familiar with. Look for ways that AI can improve your current workflow and make a difference in your research. Mark also recommends several AI tools for photo analysis, including tagging tools like Lightroom, Mylio, and Apple/Google/Amazon, and AI chatbots with vision capabilities like ChatGPT and Perplexity. Links Mark's Historical Photo Analyzer CustomGPT - https://chatgpt.com/g/g-gbEbpBXtc-mark-s-historical-photo-analyzer The Family History AI Show Webpage - https://blubrry.com/3738800/ The Family History AI Show at Apple Podcasts - https://podcasts.apple.com/us/podcast/the-family-history-ai-show/id1749873836 Mark's website - Making Family History - www.makingfamilyhistory.com Adobe Lightroom facial recognition - https://helpx.adobe.com/ca/lightroom-classic/help/face-recognition.html Mylio Photo Manager - https://mylio.com/ Sponsor – Newspapers.com For listeners of this podcast, Newspapers.com is offering new subscribers 20% off a Publisher Extra subscription so you can start exploring today. Just use the code “FamilyLocket” at checkout.  Research Like a Pro Resources Airtable Universe - Nicole's Airtable Templates - https://www.airtable.com/universe/creator/usrsBSDhwHyLNnP4O/nicole-dyer Airtable Research Logs Quick Reference - by Nicole Dyer - https://familylocket.com/product-tag/airtable/ Research Like a Pro: A Genealogist's Guide book by Diana Elder with Nicole Dyer on Amazon.com - https://amzn.to/2x0ku3d 14-Day Research Like a Pro Challenge Workbook - digital - https://familylocket.com/product/14-day-research-like-a-pro-challenge-workbook-digital-only/ and spiral bound - https://familylocket.com/product/14-day-research-like-a-pro-challenge-workbook-spiral-bound/ Research Like a Pro Webinar Series 2024 - monthly case study webinars including documentary evidence and many with DNA evidence - https://familylocket.com/product/research-like-a-pro-webinar-series-2024/ Research Like a Pro eCourse - independent study course -  https://familylocket.com/product/research-like-a-pro-e-course/ RLP Study Group - upcoming group and email notification list - https://familylocket.com/services/research-like-a-pro-study-group/ Research Like a Pro with DNA Resources Research Like a Pro with DNA: A Genealogist's Guide to Finding and Confirming Ancestors with DNA Evidence book by Diana Elder, Nicole Dyer, and Robin Wirthlin - https://amzn.to/3gn0hKx Research Like a Pro with DNA eCourse - independent study course -  https://familylocket.com/product/research-like-a-pro-with-dna-ecourse/ RLP with DNA Study Group - upcoming group and email notification list - https://familylocket.com/services/research-like-a-pro-with-dna-study-group/ Thank you Thanks for listening! We hope that you will share your thoughts about our podcast and help us out by doing the following: Write a review on iTunes or Apple Podcasts. If you leave a review, we will read it on the podcast and answer any questions that you bring up in your review. Thank you! Leave a comment in the comment or question in the comment section below. Share the episode on Twitter, Facebook, or Pinterest. Subscribe on iTunes, Stitcher, Google Podcasts, or your favorite podcast app. Sign up for our newsletter to receive notifications of new episodes - https://familylocket.com/sign-up/ Check out this list of genealogy podcasts from Feedspot: Top 20 Genealogy Podcasts - https://blog.feedspot.com/genealogy_podcasts/

Malin Fezehai is an Eritrean-Swedish New York-based photographer, filmmaker, and visual journalist. She's worked in more than forty countries in the Middle East, Africa, Asia, and America. In addition to being a National Geographic Explorer, she's also worked for The New York Times, The Washington Post, and many other media organizations around the world.In 2016, Malin was commissioned by the United Nations to photograph survivors of violent extremism across Sub-Saharan Africa. This project became a book titled, 'Survivors.'  She received a 2015 World Press Photo Award, the Wallis Annenberg Prize, and was named to the Conde Nast Traveler's 'Women Who Travel Power List' for 2023.Notable Links:Malin Fezehai WebsiteSurvivorsMalin Fezehai Instagram*****This episode was brought to you by Luminar Neo.Powered by AI technologies, Luminar Neo streamlines the editing process and provides everything you could possibly need to get photos that will look amazing on the screen and in print. Luminar Neo was designed for both hobbyists and pros and includes cutting-edge editing tools - all in one intuitive and easy-to-use app.Luminar uses generative AI to intelligently analyze your photos and erase distracting elements in your compositions, add realistic objects that seamlessly blend into the background, or expand the frame in any direction. If that's not your thing, Luminar is still one of the most powerful photo editors for natural and realistic images too. Luminar Neo has all the features you need to enhance your images with precision and ease.You can use Luminar Neo as a standalone app on your PC or Mac computer or as a plugin for Adobe Lightroom and Photoshop, so you can keep your existing workflow.Learn more about Luminar Neo and how it can amplify your creative vision for your photos  by visiting skylum.com.*****This episode is brought to you by Kase Filters. I travel the world with my camera, and I can use any photography filters I like, and I've tried all of them, but in recent years I've landed on Kase Filters.Kase filters are made with premium materials, HD optical glass, shockproof, with zero color cast, round and square filter designs, magnetic systems, filter holders, adapters, step-up rings, and everything I need so I never miss a moment.And now, my listeners can get 10% off the Kase Filters Amazon page when they visit.beyondthelens.fm/kase and use coupon code BERNABE10Kase Filters, Capture with Confidence.

This week's episode brought to you by Slice on Broadway, and Sidekick Media Services and listeners like you at www.patreon.com/awesomecastJoin Michael Sorg, Katie Dudas, and Dave Podnar in this geek-packed episode of AwesomeCast as they delve into the latest tech news, gadget reviews, and personal tech mishaps. This week's episode features discussions on everything from laptop and phone durability to exciting developments in the world of Godzilla and Marvel comics. Here's what you can expect: • Laptop Survival Stories: Sorg shares a harrowing tale of his MacBook Pro surviving a dramatic fall down the stairs thanks to a $20 protective case. Dave and Katie also recount their own tech mishaps and the importance of investing in good protection for your devices.https://amzn.to/3VFHe2L New Gadgets and Gear: • Anker Soundcore Headphones: Katie reviews her new Anker Soundcore headphones, highlighting their impressive noise-canceling capabilities and excellent sound quality at an affordable price.https://amzn.to/4cjUTns • Logitech C270 HD Webcam: Dave talks about his experience with the Logitech C270 HD webcam, a budget-friendly option that offers decent quality for video calls and online presentations. https://amzn.to/3VE8GOo Apple and Adobe Insights: • Apple's New Final Cut Pro Camera App: Explore the features of Apple's new camera app designed for professional video recording with manual controls, aimed at competing with the Black Magic cameras.https://techcrunch.com/2024/06/20/apple-releases-final-cut-pro-for-ipad-2-and-final-cut-camera/ • Adobe's AI and Subscription Woes: Discussion on Adobe's recent integration of AI in Lightroom for photo editing, alongside the controversies surrounding their subscription model and recent legal challenges.https://helpx.adobe.com/lightroom-classic/help/remove-tool.html https://www.reuters.com/technology/us-sues-adobe-over-subscription-plan-disclosures-2024-06-17/ Exciting Tech and Media News: • Godzilla in the Marvel Universe: Katie introduces the upcoming Godzilla variant covers in Marvel Comics, featuring epic battles between Godzilla and various Marvel superheroes.https://www.instagram.com/p/C8pjlYTvErh/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA== https://www.instagram.com/p/C8p-WbLu7Rc/?utmsource=igwebcopylink&igsh=MzRlODBiNWFlZA== • OpenAI's Desktop App for Mac: Sorg highlights the new desktop app for ChatGPT, offering seamless integration and enhanced productivity for Mac users. Practical Tech Tips: • Zoom's New Reaction Features: Katie demonstrates Zoom's new emoji reactions that animate during calls, adding a fun and interactive element to virtual meetings. • Tips for Keeping Tech Devices Safe: The co-hosts discuss the importance of protective cases and AppleCare for ensuring the longevity and safety of your valuable tech devices. Tune in for an episode filled with practical advice, entertaining stories, and the latest in tech innovation. Don't miss out on these geeky updates and stay awesome! Subscribe to the Podcast: awesomecast.com Sorgatron Media Podcast Network Feed: sorgatronmedia.fireside.fm Join our AwesomeCast Facebook Group to see what we're sharing and to join the discussion! You can support the show at Patreon.com/awesomecast! Special Thanks to kidmental for the new AwesomeCast Sounds! Visit him at www.kidmental.com Join our live show Tuesdays around 7:00 PM EST on AwesomeCast Facebook, Youtube and Sorgatron Media Twitch!

This week's episode brought to you by Slice on Broadway, and Sidekick Media Services and listeners like you at www.patreon.com/awesomecastJoin Michael Sorg, Katie Dudas, and Dave Podnar in this geek-packed episode of AwesomeCast as they delve into the latest tech news, gadget reviews, and personal tech mishaps. This week's episode features discussions on everything from laptop and phone durability to exciting developments in the world of Godzilla and Marvel comics. Here's what you can expect: • Laptop Survival Stories: Sorg shares a harrowing tale of his MacBook Pro surviving a dramatic fall down the stairs thanks to a $20 protective case. Dave and Katie also recount their own tech mishaps and the importance of investing in good protection for your devices.https://amzn.to/3VFHe2L New Gadgets and Gear: • Anker Soundcore Headphones: Katie reviews her new Anker Soundcore headphones, highlighting their impressive noise-canceling capabilities and excellent sound quality at an affordable price.https://amzn.to/4cjUTns • Logitech C270 HD Webcam: Dave talks about his experience with the Logitech C270 HD webcam, a budget-friendly option that offers decent quality for video calls and online presentations. https://amzn.to/3VE8GOo Apple and Adobe Insights: • Apple's New Final Cut Pro Camera App: Explore the features of Apple's new camera app designed for professional video recording with manual controls, aimed at competing with the Black Magic cameras.https://techcrunch.com/2024/06/20/apple-releases-final-cut-pro-for-ipad-2-and-final-cut-camera/ • Adobe's AI and Subscription Woes: Discussion on Adobe's recent integration of AI in Lightroom for photo editing, alongside the controversies surrounding their subscription model and recent legal challenges.https://helpx.adobe.com/lightroom-classic/help/remove-tool.html https://www.reuters.com/technology/us-sues-adobe-over-subscription-plan-disclosures-2024-06-17/ Exciting Tech and Media News: • Godzilla in the Marvel Universe: Katie introduces the upcoming Godzilla variant covers in Marvel Comics, featuring epic battles between Godzilla and various Marvel superheroes.https://www.instagram.com/p/C8pjlYTvErh/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA== https://www.instagram.com/p/C8p-WbLu7Rc/?utmsource=igwebcopylink&igsh=MzRlODBiNWFlZA== • OpenAI's Desktop App for Mac: Sorg highlights the new desktop app for ChatGPT, offering seamless integration and enhanced productivity for Mac users. Practical Tech Tips: • Zoom's New Reaction Features: Katie demonstrates Zoom's new emoji reactions that animate during calls, adding a fun and interactive element to virtual meetings. • Tips for Keeping Tech Devices Safe: The co-hosts discuss the importance of protective cases and AppleCare for ensuring the longevity and safety of your valuable tech devices. Tune in for an episode filled with practical advice, entertaining stories, and the latest in tech innovation. Don't miss out on these geeky updates and stay awesome! Subscribe to the Podcast: awesomecast.com Sorgatron Media Podcast Network Feed: sorgatronmedia.fireside.fm Join our AwesomeCast Facebook Group to see what we're sharing and to join the discussion! You can support the show at Patreon.com/awesomecast! Special Thanks to kidmental for the new AwesomeCast Sounds! Visit him at www.kidmental.com Join our live show Tuesdays around 7:00 PM EST on AwesomeCast Facebook, Youtube and Sorgatron Media Twitch!

The team discusses the latest announcements from Apple's WWDC conference, while Elon Musk drops his lawsuit against OpenAI and HP laments falling print volumes. Our Hot Hardware candidate is once more a piece of software, viz. the latest edition of Adobe Lightroom.

In this episode I dive deep into Adobe Lightroom 13.3's new features, including AI Generative Remove. This is one of the biggest recent updates and I go through the Good, the Bad and the Ugly of this most recent Lightroom update.#Photography #Adobe #Lightroom #CameraShakePodcast******************************************************************SUPPORT THE PODCAST: www.buymeacoffee.com/camerashake******************************************************************JOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com******************************************************************Check out our sponsor: www.platypod.com******************************************************************THIS WEEK'S LINKS:INTERESTED IN THE LOFOTEN VIKING PHOTOGRAPHY WORKSHOP?https://www.idavewilliams.com/trainingNew Tether SupportCanon• EOS R10• EOS R100• EOS R50• EOS R6 Mark II• EOS R7• EOS R8• PowerShot V10New Lens Correction SupportHasselblad X• Hasselblad XCD 2,5/25VLeica• Leica Leitz Phone 3 Front Camera• Leica Leitz Phone 3 Rear CameraSIGMA L• SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE A024• SIGMA 50mm F1.2 DG DN A024• SIGMA 500mm F5.6 DG DN OS S024• SIGMA 500mm F5.6 DG DN OS S024 + TC-1411• SIGMA 500mm F5.6 DG DN OS S024 + TC-2011Sony FE• SIGMA 15mm F1.4 DG DN DIAGONAL FISHEYE A024• SIGMA 50mm F1.2 DG DN A024• SIGMA 500mm F5.6 DG DN OS S024Xiaomi• Xiaomi 14 Ultra Front Camera• Xiaomi 14 Ultra Rear Super Telephoto Camera• Xiaomi 14 Ultra Rear Telephoto Camera• Xiaomi 14 Ultra Rear Ultrawide Camera• Xiaomi 14 Ultra Rear Wide Camera• Xiaomi Civi 4 Pro Front Ultrawide Camera• Xiaomi Civi 4 Pro Front Wide Camera• Xiaomi Civi 4 Pro Rear Telephoto Camera• Xiaomi Civi 4 Pro Rear Ultrawide Camera• Xiaomi Civi 4 Pro Rear Wide CameraTo get more info about Lightroom, go here:https://prf.hn/l/lGnjDBlJOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com======================================CAMERA SHAKE PODCAST ON YOUTUBE:https://www.youtube.com/camerashakeFULL EPISODE 207 ‘What's NEW in Lightroom Classic ver 13.3 – THIS IS HUGE!' IS ALSO AVAILABLE ON: YouTube - https://youtu.be/Kf5WIl7JDjcApple Podcasts - https://apple.co/2Y2LmfmSpotify - https://spoti.fi/304sm2G  FOLLOW US ONInstagram: https://www.instagram.com/camerashakepodcast/Facebook: https://www.facebook.com/camerashakepodcastTwitter: https://twitter.com/ShakeCameraKersten's website:www.kerstenluts.comKersten on Instagram:https://www.instagram.com/kerstenluts/https://www.instagram.com/threeheadsinarow/

Our 168th episode with a summary and discussion of last week's big AI news! With guest host Gavin Purcell from AI for Humans podcast! Read out our text newsletter and comment on the podcast at https://lastweekin.ai/ Email us your questions and feedback at contact@lastweekin.ai and/or hello@gladstone.ai Timestamps + Links: (00:00:00) Intro / Banter + Response to listener comments / corrections Tools & Apps (00:08:00) OpenAI says Sky voice in ChatGPT will be paused after concerns it sounds too much like Scarlett Johansson (00:16:14) Microsoft's Copilot assistant is getting a GPT-4o upgrade + Recall is Microsoft's key to unlocking the future of PCs (00:21:36) ElevenLabs Launches AI-Voiced Screen Reader App (00:22:40) Adobe Lightroom gets a magic eraser, and it's impressive (00:25:07) Microsoft, Khan Academy provide free AI assistant for all educators in US (00:27:40) Microsoft Paint is getting an AI-powered image generator that responds to your text prompts and doodles Applications & Business (00:29:16) OpenAI founders Sam Altman and Greg Brockman go on the defensive after top safety researchers quit (00:36:58) OpenAI, WSJ Owner News Corp Strike Content Deal Valued at Over $250 Million (00:41:27) CoreWeave Raises $7.5 Billion in Debt for AI Computing Push (00:44:13) Google announced Trillium, its sixth generation of Tensor processors. (00:45:09) Inflection AI reveals new team and plan to embed emotional AI in business bots (00:47:01) Data-labeling startup Scale AI raises $1B as valuation doubles to $13.8B Projects & Open Source (00:48:35) Abacus AI Releases Smaug-Llama-3-70B-Instruct: The New Benchmark in Open-Source Conversational AI Rivaling GPT-4 Turbo (00:52:24) Introducing New Chatbot Arena Category: Hard Prompts (00:54:56) Microsoft brings out a small language model that can look at pictures Research & Advancements (00:56:05) New Anthropic Research Sheds Light on AI's 'Black Box' (01:04:03) Chameleon: Mixed-Modal Early-Fusion Foundation Models (01:08:14) SpeechVerse: A Large-scale Generalizable Audio Language Model (01:09:05) CAT3D: Create Anything in 3D with Multi-View Diffusion Models (01:11:17) Coin3D: Controllable and Interactive 3D Assets Generation with Proxy-Guided Conditioning (01:12:10) SpeechGuard: Exploring the Adversarial Robustness of Multimodal Large Language Models Policy & Safety (01:15:01) World's first major law for artificial intelligence gets final EU green light (01:17:18) Colorado governor signs sweeping AI regulation bill (01:22:10) Senators Propose $32 Billion in Annual A.I. Spending but Defer Regulation (01:23:25) Google DeepMind launches new framework to assess the dangers of AI models (01:25:05) Tech giants pledge AI safety commitments — including a ‘kill switch' if they can't mitigate risks Synthetic Media & Art (01:28:32) Sony Music warns tech companies over ‘unauthorized' use of its content to train AI (01:32:34) Hollywood agency CAA aims to help stars manage their own AI likenesses (01:38:28) What Do You Do When A.I. Takes Your Voice? (01:42:01) Outro + AI Song

Send me a message here with feedback or topics you'd like to see covered on upcoming episodes! Or just say hello!Despite the major improvements we've seen in Adobe Lightroom over the last few years, Photoshop still holds as the strongest photo editor on the market today. Even though most photographers know this, many are still stuck in Lightroom, where the editing workflow seems more intuitive and straightforward.In this week's episode, you'll learn how to get started in Photoshop to help you not only feel comfortable editing, but also to be able to create stunning edits of your landscape photography.Links from this episode:Setting up a Photoshop WorkspaceMy Photoshop Course (Beginner Level)My Photoshop Course (Advanced Level)If you're serious about becoming better at photography, the fastest way to do so is by joining me for an in-person workshop. Check my current workshop listings here.Find FREE photography tutorials on my YouTube channel.10 Landscape Photography Tips in 10 Minutes - FREE Video

Comment with a Text MessageGuy Tal is an American  nature and landscape photographer, the author of several books, a regular contributor to photography publications such as LensWork and On Landscape, a prolific blogger, and educator. He resides in Torrey, Utah.Guy primarily photographs and writes about the Colorado Plateau in the American Southwest. He describes himself as a self-expressive artist who uses the camera to capture images of the wilderness near his home that act as visual metaphors for his emotions and feelings for these places.Topics Richard and Guy discuss:• Growing up in Israel• His move to the United States and the American Southwest• The influence of Edward Abbey• Being an 'expressive photographer'• Emotions in photographs• What are meaningful images?• The flow state• Creativity• Artistic style• Composition and intuition• The fear of failure• Social media• "Be Extraordinary"And much more.Notable Links:Guy Tal WebsiteGuy Tal BooksGuy Tal BlogBe Extraordinary (pre-order)*****This episode was brought to you by Luminar Neo.Powered by AI technologies, Luminar Neo streamlines the editing process and provides everything you could possibly need to get photos that will look amazing on the screen and in print. Luminar Neo was designed for both hobbyists and pros and includes cutting-edge editing tools – all in one intuitive and easy-to-use app.Luminar uses generative AI to intelligently analyze your photos and erase distracting elements in your compositions, add realistic objects that seamlessly blend into the background, or expand the frame in any direction. If that's not your thing, Luminar is still one of the most powerful photo editors for natural and realistic images too. Luminar Neo has all the features you need to enhance your images with precision and ease.You can use Luminar Neo as a standalone app on your PC or Mac computer or as a plugin for Adobe Lightroom and Photoshop, so you can keep your existing workflow.Learn more about Luminar Neo and how it can amplify your creative vision for your photos  by visiting skylum.com.*****This episode is brought to you by Kase Filters. I travel the world with my camera, and I can use any photography filters I like, and I've tried all of them, but in recent years I've landed on Kase Filters.Kase filters are made with premium materials, HD optical glass, shockproof, with zero color cast, round and square filter designs, magnetic systems, filter holders, adapters, step-up rings, and everything I need so I never miss a moment.And now, my listeners can get 10% off the Kase Filters Amazon page when they visit.beyondthelens.fm/kase and use coupon code BERNABE10Kase Filters, Capture with Confidence.

Jay Cassario is the photographer every known photographer knows. He's been around for long enough to see the industry eb and flow and has this remakably simple outlook on life. A Leica Ambassador with a decade of weddings under his belt Jay didn't come into the wedding industry until long into his adult life. A career that left him feeling unfulfilled gave way to an opportunity to get back to doing what his mom did when he was a kid. Wedding photography was literally in his blood however this simple desire to live authentically, raise his son on the farm he grew up on in southern New Jersey, and photograph weddings from a place of intentionality is all his. Jay has this magnetic composure to him. A larger than life guy with a million stories who has maintained a posture of humility and kindness despite incredible success. We're excited to share with the world the Jay so many photographers know and call friend. The normal dude with a big laugh behind some absolutely remarkable images. https://www.jaycassario.com/ Check here for Jay's website or find him on instagram https://www.instagram.com/jaycassario/ This episode mentions our new partnership with Narrative Edit - the one place where you can cull, ship, and curate Ai edited images right through Adobe Lightroom with our very own color science applied. https://narrative.so/edit for more information and make sure you try the Iconic Color Style by Miles Witt Boyer. For more information on the Photographic Collective find us any time @mileswittboyer and @jaredmarkfincher on instagram. --- Support this podcast: https://podcasters.spotify.com/pod/show/mwbpodcast/support

Art Wolfe is an American nature, wildlife, and cultural photographer who travels the world leading photography workshops and creating award-winning images for his dozens of books. His photography career spans five decades and covers every continent on Earth.Art graduated from the University of Washington with degrees in fine art and art education. Art is the proud recipient of the Nature's Best Photographer of the Year Award, the North American Nature Photography Association's Lifetime Achievement Award and Fine Art in Nature Photography Award, as well as the Photographic Society of America's Progress Medal for his contribution to the advancement of the art and science of photography. Art also received the coveted Alfred Eisenstaedt Magazine Photography Award.Topics Richard and Art discuss:• Creating Books: how and why?• Why printed books have such an enduring quality• Art's newest book, ‘Wild Lives'• Art's first photograph• Being a photography generalist• Alaskan brown bears• Thoughts on cropping• What makes a wildlife photo with impact?• Eye contact• Rainforests• Avoiding the creative and artistic rutAnd much more.Notable Links:‘Wild Lives: The World's Most Extraordinary Wildlife' on AmazonArt Wolfe WebsiteArt Wolfe Instagram*****This episode was brought to you by Luminar Neo.Powered by AI technologies, Luminar Neo streamlines the editing process and provides everything you could possibly need to get photos that will look amazing on the screen and in print. Luminar Neo was designed for both hobbyists and pros and includes cutting-edge editing tools – all in one intuitive and easy-to-use app.Luminar uses generative AI to intelligently analyze your photos and erase distracting elements in your compositions, add realistic objects that seamlessly blend into the background, or expand the frame in any direction. If that's not your thing, Luminar is still one of the most powerful photo editors for natural and realistic images too. Luminar Neo has all the features you need to enhance your images with precision and ease.You can use Luminar Neo as a standalone app on your PC or Mac computer or as a plugin for Adobe Lightroom and Photoshop, so you can keep your existing workflow.Learn more about Luminar Neo and how it can amplify your creative vision for your photos  by visiting skylum.com.*****This episode is brought to you by Kase Filters. I travel the world with my camera, and I can use any photography filters I like, and I've tried all of them, but in recent years I've landed on Kase Filters.Kase filters are made with premium materials, HD optical glass, shockproof, with zero color cast, round and square filter designs, magnetic systems, filter holders, adapters, step-up rings, and everything I need so I never miss a moment.And now, my listeners can get 10% off the Kase Filters Amazon page when they visit.beyondthelens.fm/kase and use coupon code BERNABE10Kase Filters, Capture with Confidence.

Dan and Eric talk about NFL draft, Reggie Bush, Pinball Pete's, Adobe Lightroom, Chuck Mangione, The Tunnel, Blackout, Michael Caine, Pearl Jam, Alice In Chains

Matthieu Paley is a French photographer who has traveled the world working for National Geographic magazine. Focusing his efforts on regions that are misrepresented and misunderstood, he is committed to issues relating to diminishing cultures and the environment.Matthieu is the the recipient of numerous awards and has published several books of his work and his fine art images have been exhibited in galleries worldwide, including museums. He is regularly commissioned for commercial photography campaigns, photo workshops and speaking engagements around the world. He currently is living with his family in Portugal.Topics Richard and Matthieu discuss:• The Portugal fire• Pakistan• Cultural customs• Languages• “Hold you beliefs lightly”• Cultural immersion• A photography gear minimalist• Breaking down stereotypes• The Pamir Region of Afghanistan• Donkey stories• The concept of “home”And much more.Notable Links:Matthieu Paley WebsiteMatthieu Paley Instagram*****This episode was brought to you by Luminar Neo.Powered by AI technologies, Luminar Neo streamlines the editing process and provides everything you could possibly need to get photos that will look amazing on the screen and in print. Luminar Neo was designed for both hobbyists and pros and includes cutting-edge editing tools – all in one intuitive and easy-to-use app.Luminar uses generative AI to intelligently analyze your photos and erase distracting elements in your compositions, add realistic objects that seamlessly blend into the background, or expand the frame in any direction. If that's not your thing, Luminar is still one of the most powerful photo editors for natural and realistic images too. Luminar Neo has all the features you need to enhance your images with precision and ease.You can use Luminar Neo as a standalone app on your PC or Mac computer or as a plugin for Adobe Lightroom and Photoshop, so you can keep your existing workflow.Learn more about Luminar Neo and how it can amplify your creative vision for your photos  by visiting skylum.com.*****This episode is brought to you by Kase Filters. I travel the world with my camera, and I can use any photography filters I like, and I've tried all of them, but in recent years I've landed on Kase Filters.Kase filters are made with premium materials, HD optical glass, shockproof, with zero color cast, round and square filter designs, magnetic systems, filter holders, adapters, step-up rings, and everything I need so I never miss a moment.And now, my listeners can get 10% off the Kase Filters Amazon page when they visit.beyondthelens.fm/kase and use coupon code BERNABE10Kase Filters, Capture with Confidence.

We want to once again thank our podcast sponsor, OM SYSTEM, who are bringing you an unbeatable deal today! For outdoor enthusiasts and photographers, size and weight of camera gear often plays a big role. The OM SYSTEM OM-5 not only offers cutting-edge technology and unrivaled performance, but also ensures you have room in your bag for other essentials needed for your adventure. Adventure enthusiasts and photography fans alike can now pair the OM-5 with the M.Zuiko Digital ED 14-150mm F4.0-5.6 II lens for just $699.99. That's a steal considering the quality and performance you'll experience with this fully weather-sealed camera and lens combination. Don't miss out on capturing your adventures with OM SYSTEM. Head to your nearest authorized retailer or visit explore.omsystem.com/petapixel to take advantage of this amazing offer before it ends on April 28, 2024. Almost every camera manufacturer makes its own photo editing software, but we aren't super enthused to use any of them -- especially if camera features are locked behind them. As long as there is no real reason to ever download it and fire it up, it's actually not a big deal if a camera company's software doesn't work great. Photographers are using third-party software like Adobe Lightroom and Capture One a majority of the time and it probably isn't unusual for them to never feel the need to download first-party software. That was until companies started locking features behind these programs. For example, Canon Dual Pixel RAW requires the use of Digital Photo Professional and Sony requires photographers fire up Imaging Edge if they want to use Pixel Shift Multi-Shot. Neither of these programs are intuitive to use and, perhaps worse, they are frustratingly slow and prone to crashing. So, looking at the state of photography in 2024, Chris, Jordan, and Jaron asked themselves this: how is it acceptable that all these programs are just varying degrees of bad? The three dig into it while driving from San Jose to San Francisco in the first-ever PetaPixel Carcast! We use Riverside to record The PetaPixel Podcast in our online recording studio. We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe.

Unique Ways to Market Your Print on Demand BusinessWelcome to my limited series on Print on Demand! In our fifteenth (and final!) episode I discuss:10 Ways to Market Your POD ShopHow More Advertising = More RecognitionMarketing Within Your GenreWanna know this episode in one quote? I got you!"When you're new to business, ads can feel like a bad word. When you're new to POD, niching down can feel like a bad word. One great thing about POD is that you don't really need to niche down completely, especially if you're selling on a platform. However, the more niched down you are, the easier it's going to be to market.Here's what I mean! If you sell floral wall pennants with cute positive affirmations, you can easily start to brainstorm your dream customer. If you sell wall pennants and pillows and candles with no repeat designs or repeat themes, it will be harder to market what you're creating. See this as an opportunity! The more you build your shop, the more opportunities you're going to have, both in advertising and overall growth."NEW EPISODES EVERY MONDAY: January 8th to March 11th, 2024 . After that? We're just playing it by ear.*Marked explicit in case there are swears! I don't think there are any on this one, though!Mockup Photos | Your Photographer Mom Podcast | Photography Website | InstagramOpal and June Mocks: Use the code LISSATALKSPOD for 20% off!And best of all? Three free mocks!--------More Information + Links About Print On Demand!Total Disclosure: A few of these are affiliate links.Literally forever obsessed with Printify. I use Printify for all of my print on demand printing and I'll never stop singing their praises. They're incredible! For design work, I'm totally in love with Canva and also love finding extra artwork + fonts on Creative Fabrica and Creative Market. For photography, I shoot with a Canon R6 and most of my mockup photographs are taken with the 35L or 50L. I do all of my editing in Adobe Lightroom and have since 2011! It's my jam!Support the Show.

Rick Sammon is an American photographer of many decades. He's a tireless, prolific and inspirational image maker and one of the most active photographers working today. He divides his time between creating images, leading photo workshops, making personal appearances, and writing books - always educating, creating and inspiring people. He's also incorporated smartphone photography into his professional work, which is the primary topic of the conversation.Topics Richard and Rick discuss:• Embracing smartphone photography? The pros and cons.• Why the conversion? • Rick's recent projects and travels exclusively using the phone as an imaging tool.• The stigma of a professional photographer using a phone as an imaging tool.• Image quality• The biggest problem with phone photography• Post processing with phone images. How is it different?• Phone apps and software.• Apple and Samsung are driving imaging innovation.• Elitist thinking• Phones and AI artAnd much more.Notable Links:Rick Sammon Photography WebsiteRick Sammon on InstagramRick Sammon on Twitter/XRick and Susan Sammon's iPhone Photo ExperienceRick Sammon's Online ClassesRick's Phone Apps for Photography:SnapseedDistressed FXREEHELD - for hand-held long exposuresEvenLonger - for even longer hand-held exposuresPS ExpressPS CameraDramatic BWLightroom*****This episode was brought to you by Luminar Neo.Powered by AI technologies, Luminar Neo streamlines the editing process and provides everything you could possibly need to get photos that will look amazing on the screen and in print. Luminar Neo was designed for both hobbyists and pros and includes cutting-edge editing tools - all in one intuitive and easy-to-use app.Luminar uses generative AI to intelligently analyze your photos and erase distracting elements in your compositions, add realistic objects that seamlessly blend into the background, or expand the frame in any direction. If that's not your thing, Luminar is still one of the most powerful photo editors for natural and realistic images too. Luminar Neo has all the features you need to enhance your images with precision and ease.You can use Luminar Neo as a standalone app on your PC or Mac computer or as a plugin for Adobe Lightroom and Photoshop, so you can keep your existing workflow.Learn more about Luminar Neo and how it can amplify your creative vision for your photos  by visiting skylum.com.*****This episode is brought to you by Kase Filters. I travel the world with my camera, and I can use any photography filters I like, and I've tried all of them, but in recent years I've landed on Kase Filters.Kase filters are made with premium materials, HD optical glass, shockproof, with zero color cast, round and square filter designs, magnetic systems, filter holders, adapters, step-up rings, and everything I need so I never miss a moment.And now, my listeners can get 10% off the Kase Filters Amazon page when they visit.beyondthelens.fm/kase and use coupon code BERNABE10Kase Filters, Capture with Confidence.

Getting started with the digiKam photo management software. In hpr4071 I talked about my migration from Adobe Photoshop Elements and Lightroom to digiKam. Today I will give you some suggestions to getting started with digiKam, based on my experience and my opinion. You find the digiKam website at https://www.digikam.org/. On the documentation page you find a good and exhaustive documentation. The big user manual can be read online or downloaded as an epub book. I suggest you browse the manual before you install digiKam. My second suggestion is that you go to the Support page on the digiKam site and look at the Mailing List Subscription section. You can browse the mailing list archive online. But I really recommend you to also join the mailing list. It is a very active mailing list where also the main developers participates actively. Many questions are specific and may not be of interest to you. But I have found that I learn a lot about digiKam, its capabilities and other ways of working with photos than I have thought of. Of course I also learn about issues. I have asked some questions myself and also contributed with answers. I highly recommend you to join the mailing list. Thirdly, before you install digiKam, I suggest you copy a couple of your photos into a new sample folder. When you start digiKam for the first time a guide starts to help you to configure initial settings. One configuration is to tell digiKam where your photos are located. I suggest you use this sample folder only. Later on you add your real photo folders and you can also at the same screen delete the sample folder from digiKam. I suggest this because then you can consider settings in more detail first which includes the settings for meta data import to digiKam. Forthly, consider also where you want to store the digiKam databases. Myself, I created a folder for them at the top level of my home catalog. But you can store them wherever you want to. Install digiKam. Go to the digiKam settings. There are a lot of settings. I will focus only on meta data settings. DigiKam stores what you do in its own databases. That is mandatory. In the settings, it is possible to select what should be written to metadata and not. Meta data settings also have settings for associated files, which most of all is about xmp side cars. You can select that digiKam should read from associated files. This is important to decide before your photo collection is imported into digiKam. If you forget, it is possible to read meta data again after you change settings. Then there is an option if digiKam should write to side cars or not. And if yes, if it should write to both side cars and the object, or only if the object is write protected. Next I want to highlight the tick box if Associated files should be compatible with commercial programs. This needs further explanation: Default in digiKam is to have separate xmp side cars for each type of photo file. For example, if you have a photo stored both as jpg and raw, they will have separate side cars. This indeed has its advantages but is in my knowledge not according to xmp side car standard. According to standard, which digiKam refers to as commercial, the jpg and raw share the same sidecar. For example Adobe Lightroom uses the commercial method. Examples to clarify: DigiKam side car file syntax: photo1.jpg.xmp and photo1.raw.xmp. Standard/commercial file syntax: photo1.xmp. I highly recommend you to spend an hour or two to review all settings, not only meta data, before you start to use digiKam for your real photos. If there is something you do not understand, go to the documentation and do not hesitate to consult the digiKam mailing list.

All About Reviews in Your Print on Demand BusinessWelcome to my limited series on Print on Demand! In our eleventh episode (and first bonus episode!), we totally dig into reviews. Here's some of our topics!Most Reviews Are Amazing!Take a Deep BreathA Bad Review is Not The End of Your ShopEveryone is Going to Have Their Own BiasKnow Your PlatformKnow When You are Going to RespondHave Form ResponsesHow to Improve Customer Experience Wanna know this episode in one quote? I got you!"When you get a negative review, it can feel like a gut punch. While negative reviews can sting, know that sometimes they have nothing to do with you. Sometimes people are just having a bad day and leave a bad review. Also, sometimes people click the wrong stars and sometimes people leave a bad review when they know something is their fault or if something about the item was different than they expected, even if it was listed.... "If you are seeing a consistent problem in your reviews, there is probably something going on. If you aren't seeing a consistent problem, there probably isn't a lot to worry about." -------NEW EPISODES EVERY MONDAY: January 8th to March 11th, 2024 . After that? We're just playing it by ear.Mockup Photos | Your Photographer Mom Podcast | Photography Website | InstagramOpal and June Mocks: Use the code LISSATALKSPOD for 20% off!And best of all? Three free mocks!--------More Information + Links About Print On Demand!Total Disclosure: A few of these are affiliate links.Literally forever obsessed with Printify. I use Printify for all of my print on demand printing and I'll never stop singing their praises. They're incredible! For design work, I'm totally in love with Canva and also love finding extra artwork + fonts on Creative Fabrica and Creative Market. For photography, I shoot with a Canon R6 and most of my mockup photographs are taken with the 35L or 50L. I do all of my editing in Adobe Lightroom and have since 2011! It's my jam!--------Have a question about anything? Support the Show.

John Stanmeyer is an award-winning photographer, filmmaker, and educator, dedicated to social, humanitarian, and political issues that define our times. For more than than 20 years, John has worked nearly exclusively with National Geographic Magazine, producing more than 18 stories, resulting in more than 14 covers. Between the years of 1998 and 2008, John was a contract photographer for TIME magazine. His years with TIME resulted in 18 cover images and 100 plus stories. John is the recipient of numerous honors, including the prestigious Robert Capa Award, Magazine Photographer of the Year, and the World Press Photo of the year, among others. Topics Richard and John discuss:• A start in fashion photography - a failure?• Biggest lesson learned while working with National Geographic• How much preparation and research is enough?• The power of "I Don't Know"• Seeing with a child's mind• "I'm bored with photography"• How to reset when not inspired• Putting down the camera• Meeting Mother Teresa• The perfect travel coffee• Travel accessoriesAnd much more.Notable Links:John Stanmeyer WebsiteJohn Stanmeyer Instagram*****This episode was brought to you by Luminar Neo.Powered by AI technologies, Luminar Neo streamlines the editing process and provides everything you could possibly need to get photos that will look amazing on the screen and in print. Luminar Neo was designed for both hobbyists and pros and includes cutting-edge editing tools - all in one intuitive and easy-to-use app.Luminar uses generative AI to intelligently analyze your photos and erase distracting elements in your compositions, add realistic objects that seamlessly blend into the background, or expand the frame in any direction. If that's not your thing, Luminar is still one of the most powerful photo editors for natural and realistic images too. Luminar Neo has all the features you need to enhance your images with precision and ease. You can use Luminar Neo as a standalone app on your PC or Mac computer or as a plugin for Adobe Lightroom and Photoshop, so you can keep your existing workflow.Learn more about Luminar Neo and how it can amplify your creative vision for your photos  by visiting skylum.com.*****This episode is brought to you by Kase Filters. I travel the world with my camera, and I can use any photography filters I like, and I've tried all of them, but in recent years I've landed on Kase Filters.Kase filters are made with premium materials, HD optical glass, shockproof, with zero color cast, round and square filter designs, magnetic systems, filter holders, adapters, step-up rings, and everything I need so I never miss a moment.And now, my listeners can get 10% off the Kase Filters Amazon page when they visit.beyondthelens.fm/kase and use coupon code BERNABE10Kase Filters, Capture with Confidence.

Suddenly it washed over me - that odd euphoric sensation of contentment.  No idea what triggers it, but it's well worth holding onto!  Also in this episode, a quick review of ACDSee 10 (the Mac version).  If you'd like to try it yourself, please use this link (there is no kickback or finance attached, but it does let the guys at ACDSee know that the referral has come from me and the Mastering Portrait Photography Podcast!) Enjoy! Cheers P. If you enjoy this podcast, please head over to Mastering Portrait Photography, for more articles and videos about this beautiful industry. You can also read a full transcript of this episode. PLEASE also subscribe and leave us a review - we'd love to hear what you think! If there are any topics, you would like to hear, have questions we could answer or would like to come and be interviewed on the podcast, please contact me at paul@paulwilkinsonphotography.co.uk.  Full Transcript: EP146 On Being Content [00:00:00] Introduction and Studio Update [00:00:00] So in an effort to keep up my weekly episodes , I am recording this mid afternoon on a Tuesday, which normally would be fairly busy here in the studio, but given I've got two people who are off sick, with both Michelle and Sarah coughing and spluttering and generally not feeling very well. [00:00:16] So with a degree of persuasion, managed to get both of them to go home. I'm assuming they are now wrapped up in duvets drinking brandy or whiskey or possibly just Lemsip. And so I suddenly found myself with some time in the studio during normal working hours. So this is episode 146 being recorded when, well, I could be doing a million other things. [00:00:41] I'm Paul and this is a very distracted Mastering Portrait Photography podcast. [00:01:03] Now if you look at the list of things I should be doing, it's long, it's complicated, there's a lot to do in the studio just now, but I quite like recording the podcast, and so I am somewhat using it as a distraction. Displacement, I think is what it's called, and I'm going to record this episode. [00:01:22] Mastering Dogs and Their Owners Portraiture Photography Workshop [00:01:22] It's not that long since the last episode, so it's not like I've done a million different things, but yesterday we ran a Mastering Dogs and Their Owners Portraiture Photography, I can't remember the title, ah, uh, workshop, which essentially is a Photographing dogs with their owners. [00:01:37] Had the most incredible bunch of people as delegates and also as models. One of the great things about running these workshops, of course, is that we can bring in models who are regular clients. Steve and Ambra and their dog Luna, and then Gemma who came in the afternoon with her dogs Luke, and, archie. [00:01:58] It was just brilliant. Spent the whole day laughing, the whole day answering questions and discussing things about photography, not just how to take these pictures, but why we take these pictures. And certainly from the point of view of running a business. The weather held, it was gorgeous and sunny, a little too sunny, with that low raking February sunshine that we don't get enough of, and when we do get it, of course, as a photographer, I moaned that it was too harsh, uh, for some of what we were doing, particularly when we were trying to photograph in an alley where I needed both walls to have the same light, more or less, and of course the sun sort of threw that out the window, but hey, you know, what can you do when you get those days? [00:02:39] It was a fantastic day, and loved every second of it, I've created some images that I really like, and more importantly, I think our delegates went away with ideas and enthusiasm and determination and confidence, possibly more than they did when they arrived, which is the right way around, and if you ever give when we're delivering workshops, the great thing is not It's not about technical stuff really, it's about having the confidence to go and do it, because without that, it doesn't matter how good you are with a camera, or how good you are with Photoshop, you're not going to run any kind of business. [00:03:14] You'll never produce anything. You need the confidence to do it in the first place. So a big shout out to all the guys that came on the workshop yesterday, and a huge thank you to my clients. [00:03:22] ACDSee Software Review [00:03:22] Uh, before I get into the nuts and bolts of the podcast I want to give a quick shout out to the guys at ACDSee. [00:03:30] That's letter A, letter C, letter D, and the word 'See' S E E. A brilliant bit of software. It's a bit of software that I first used, I was trying to remember when they asked me to get involved. I was trying to remember when I last used it. I think I used version 1. I think it came free on the front of a magazine. [00:03:49] It was I think, recalling it was shareware back then. Shareware is not really such a common model, but back then, I'm guessing 15 or 16, maybe even longer years ago. Um, and it was an amazing piece of software primarily because it was super fast and It has the ability to preview files and organize files for you in an incredibly quick way. [00:04:13] And anyway, the guys at ACDSee asked me if I'd review it and then talk about it. So, cards on the table here. I have been given a free copy of ACDSee to see what I think. I'm on version 10, it's the MacStudio version. And so I've been bunged a free license, which I've been using for the past couple of months. [00:04:34] So it's not really, this isn't a paid commercial. Genuinely, I'm using the software and I said I would talk about it if I liked it. But I'd hate anyone to think that I wasn't being straight up and honest when I'm talking about it. And clearly I've been given a free license. But of course, here's the but in all of this stuff is I will never talk about anything on this podcast that I haven't had first hand experience of. [00:04:58] Somebody did ask me, there is someone has asked me to review like an energy drink from the US to use it for a while and then talk about what I think. Sadly though you can't get it in the UK so I had to go back to them and say I can't do that until you've got a supply chain or an importer over here. [00:05:15] And then of course I will try it and let you know what I think. So I won't talk about anything that I don't have first hand experience of there are many reasons for doing this podcast but being able to be authentic in the middle of it is the bit that under pins it. So what are my thoughts on this version of ACDSee? [00:05:31] So this is version 10, the Mac version. Um, so okay, straight up, slightly mixed bag, but don't I don't take that as anything other than there's just one little bit that I'm not happy about. So when they approached me, so when ACDSee approached me, I was beyond excited to do it. Firstly, I got to play with a bit of software that I used an awful lot back in the day. [00:05:57] And it was wonderful to be using the same software again. There's a degree of nostalgia, I suppose, about that. And it's always good to see a great piece of software, as it was, not only survive, but expand and become even more useful. The second reason I was excited about it, so I went and did a quick hunt around before I committed to giving it a go, is everything I read talked about the new AI keywording tools, and they looked incredible. It would help me enormously if using a bit of AI inside the software that I have on my computer, as opposed to going online and doing round tripping and all of those things, if I had some AI software that would help me identify with some very simple keywords. I'm not after that. Detailed keywords, but very simple keywords that would let me find, for instance, like a low key studio portrait, or a high key dog image, you know those, I'm talking really quite basic stuff. [00:06:50] Now we manage our catalogue really well, but stuff slips through, and with keywording, you know what it's like, you get one folder, I've got to archive it, I've run out of disk space, I need to move some stuff today, do I keyword it now? No, I'll do it later, and of course by do it later, what I actually mean is, it doesn't get done. [00:07:07] So, that was What I was looking forward to the the speed and the simplicity of this piece of software as it used to be, but also with some of the new AI stuff in particular, the keywording. And so I suppose the question is how did it do? Brilliantly, I think, is the word I'd use. It is still blazingly quick. [00:07:27] It's an unbelievable piece of software from that point of view. It's faster than using the Finder on the Mac or Pathfinder I also use. It's incredibly fast. Now, let me just clarify how I've used it or how I'm using it right now. Lightroom is at the heart of our workflow. All of our live catalogues. All of our live RAW files, all of our live PSDs are in Adobe Lightroom . [00:07:52] And what do I mean by live? Live just means the job is not yet archived. I looked earlier and there's about 75, 000 assets in Lightroom at any one point. That includes all of our live jobs but also our portfolio, our portfolio of heroes. Now, I've configured Lightroom in a very particular way so when I run an export of JPEGs that are going to go to the client, they're going to go into album designs anything that's flagged with five stars, the little bit of code in the background that I've written spits those out into a series of Dropbox folders that are organized in line with the jobs. [00:08:27] So, let's say there's a Le Manoir wedding Tom and Amy get married at Le Manoir on a date. When I spit those files out, there'll be an equivalent Dropbox folder that contains anything that was ranked with five stars. So it allows me to have these heroes in Dropbox. And we've been doing that for about eight years. [00:08:45] So you can imagine just how many images and folders we have in Dropbox running that little bit of the catalogue. But when I archive the folder away, when it's done, the job's finished, Tom and Amy have got their wedding album, then we remove all of the files off our live drives, remove the catalog components from Lightroom, and obviously new stuff has come in. [00:09:07] Those heroes, though, still need to be active, and they stay active in Dropbox, a series of Dropbox folders that I have. And it's always a little bit of a pain trawling up and down them. Well, ACDSee solves that, because once I visited a folder with this software, All of the thumbnails stay in its catalogue. [00:09:24] So it's as if I can browse things that go across folders. There's this thing called the Image Well, which is brilliant. I can find things by flags. I can find things by colour labels. It's absolutely phenomenal. So at the moment, I've got about a quarter of a million. There's about 250, 000 JPEGs in ACDSee. [00:09:47] It's really, really fast. And one of the things I really have liked about it, which is useful for me, is, and this is the bit of the AI that is working, is the facial recognition. Now, no Lightroom has facial recognition, but of course, in the end I don't use Lightroom for longer than the job is live for any folder. [00:10:05] Whereas this is folders that go back historically. And I'm not really that worried about identifying every face. What I am interested in is having the faces all looking at me in a series of thumbnails that I can scroll through and go, Do you know what, I remember that shoot or I remember that image. [00:10:22] That's what I'm looking for. Then I can find the shoot and then I can expand that to all of the other images. And on top of that, slightly weirdly, Hehe. I found myself just smiling this morning as I was trawling through this big page of thumbnails of my clients. It's all my clients faces looking back at me and smiling. [00:10:39] And it was really nice. It was a bit of a trip down memory lane, I think, for many of these. And I know that's not its intended purpose, but if you ever want a pick me up It's simply look in this folder on ACDSee of faces looking back at you, of all these clients, and of course the memories that go with it. [00:10:57] And it is rapid, I mean it's unbelievably quick in the way it does it. And it's really useful to have that. Now on the indexing side, it's a little bit, you have to get your head around it a little bit. It indexes any folder you've visited. Browsed. However, there is also a behind the scenes index that you can get ticking over, which will run whenever you're not using your computer and ACDSee is open. [00:11:20] So gradually over time, it picks up the files and it pops them pops all the thumbnails together and categorizes them for you. So it's really really useful. On top of that, a nice little touch that I've only really discovered this morning is that your license includes the use of a thing called SendPix. [00:11:38] This won't be useful to everybody, but it's quite a nice little bit of software. So it's, if you can imagine I suppose a hybrid version of something like Zenfolio which is a catalogue system for images for your clients and WeTransfer which is a way of sending files to your clients. It's sort of in between the two. [00:11:58] What it allows you to do is select a load of images, send them to someone but instead of sending them directly it creates a short lived online gallery. It's there for a couple of weeks, I think, looking at the dates it gave me. And that allows your client, or whoever you're sending them to, to log in, see the images, and download what they need. [00:12:15] So in a sense, it's like WeTransfer, but with an interactive component. And it's equally, it's a little bit like Zenfolio, but with a gallery that only lasts for a couple of weeks. So you don't have to worry about taking them up and taking them down, and all that kind of thing. It's only there for the time you need it. [00:12:30] And, surprisingly It's actually really useful, which I hadn't seen coming. It wasn't a bit of the software. I certainly didn't pick that up when I said yes to reviewing ACDSee, but it's incredibly useful. Now, sadly, the software doesn't integrate with Dropbox properly. There is no integration with Dropbox, which is a shame. [00:12:47] It would have been really nice. It does have an integration with iCloud, but I don't use that, so I can't comment on that part of it. But it would have been quite nice. It's no big deal. Doesn't really change my usage of it. And all in all, there are just dozens of little functions that make finding and retrieving files that you have on your folders and drives really easy. [00:13:09] It makes it fast, it makes it visually interesting. I haven't used the editing tools because for us, everything we do is edited in Lightroom on the RAW files and the PSDs. I suppose it could be useful if I do pick up a file, I just think, you know what? I wish that was slightly brighter, I wish that was slightly darker, or something like that. [00:13:26] I know there are some quite sophisticated tools in there, but that's not the part of the puzzle I've been interested in. And I think the license for the Mac version is about 99, and it's absolutely worth it. [00:13:38] Sadly, the AI keywording is in the Windows version but not the Mac, but still [00:13:42] I think it's absolutely worth it. Anyway, now whether that fits into your workflow is entirely down to you. [00:13:49] Only you can answer that question. Now bear with me, I'll come back in a minute. [00:13:53] Reflections on Happiness and Contentment [00:13:53] I've got a phone call to answer. [00:13:55] So sorry about that, I had to answer the phone. It was the editor, it was Terry, the editor of Professional Photo Magazine, who we regularly write for calling about the next edition, which is very exciting, as always. I've no idea, I've no idea in the final edit where I'll leave that cut in, or whether I'll just gloss over it. [00:14:15] Either way, as I was trundling in this morning, I don't know whether this happens to you, but it happens to me occasionally, where It's just this, it's almost a feeling of euphoria, and it's happened to me a couple of times today, whether it's just chemistry, whether it's just, I don't know, I've no idea. But today, I felt like everything was good in the world. [00:14:37] And, it's a real sort of skill, I suppose, in being completely comfortable with where you are. We had a text this morning. Someone was asking, how are things out in the industry? And I can only answer from our experience. And right now, we're doing well . Everything is busy phone's ringing, even this morning. [00:14:56] We had an enquiry for a wedding just come through. We've got enquiries for headshots and commercial. Portraiture feels maybe a little bit squidgier than it has been on the economy. But all in all, our business is running really well and I'm really happy. [00:15:07] I'm very satisfied with my lot. Now, I don't mean to be self satisfied, that's not what I'm saying, but I think the art of being content with your lot is a tricky one. Now don't get me wrong, I'm incredibly ambitious and driven and impatient. I want everything to happen and I want it all to happen now, but the reality of course is things are slower. [00:15:27] So I get frustrated with it, of course I do. But trying to find the space in my head to be content is a skill that I am still learning, I guess. It's really easy not to be happy. Even this morning, Sarah had the radio on, and the news came on, and I could feel myself just getting wound up. The state of our economy, we have a particularly crappy government at the moment, and I'd like to say that's specific to the UK. [00:15:57] I've got friends all over the world, and I keep, as best I can, I keep abreast of world news, and I think it might just be a global phenomenon. The kinds of people who you'd really want to lead you are not the kinds of people who we have leading us, I don't think. So it's easy to feel down, the weather's pretty rubbish, it's that time of year, you know, it's grey. [00:16:18] Yesterday we had this phenomenal day of beautiful weather, but today, well, it's back to normal, it's chucking it down. But yet, even though it was cold and dark, I still found myself skipping into work this morning. Life is okay. And being happy with yourself is not that straightforward, I don't think. Jake, our son, was asking me if I liked myself and I thought that's an interesting question and I don't really have a satisfactory answer. [00:16:45] Some days I like bits of me, some days I feel dreadfully insecure, but I'm always confident that on balance I'm alright. I feel alright, I'm on the whole nice to people, I try really hard not to be nasty to anybody. There are people I like more than others, of course there are. You know, you marry the one you like the most, right? [00:17:09] And she's incredible. So being happy with your lot. I think is something you can do and it just washed over me this morning, maybe it's the fact that we ran the workshop yesterday and I was around people who I liked [00:17:23] And even writing up the notes on ACDSee, it still feels really strange saying ACDSee, when I grew up in the 70s and the 80s, when ACDC was a band for those about to rock and all of that stuff. So it sounds really weird when I say it, but writing my notes on ACDSee I had to look through thousands of images that had dropped into our Heroes folders, which reminded me of the things we do. [00:17:46] And on top of that, of course, I put the facial recognition on, and that reminded me of all of the incredible people we do it for. And if it wasn't enough that I came in skipping down the road as an image, right? What we do for a living, the things we create, and the people we create these things for, what an honour. [00:18:05] not only ACDSee, but Sarah spent the past couple of days designing the most incredible book. A Tramontino book is the range from Graphistudio. And it's full of the same pictures, these pictures that we took in the past 12 months. It's a collection of some of our Favourite moments, I guess, out of 2023. A mix of clients and some dogs, all sorts of bits and pieces. [00:18:31] One or two award winning images. But mostly, it's just a celebration of the people we work with. And I can't wait for that to come, for Sarah to get it made, uh, and Graphistudio to get it, to get it made. [00:18:47] The Joy of Photography [00:18:47] It'll be beautiful, I know that. But more importantly, it will sit on our coffee table, and every time I feel flat, or I feel like, Oh, do you know what? I'm not sure how I feel about all of this. I can go down and have a look at it, just as I do with one or two other bits down there. [00:19:00] And it reminds me, just What a lovely job this is, and I can't wait to have that actually on our coffee table, not just as an advert for the product, and of course it is a great advert for the product, a Graphistudio product I may have mentioned we're ambassadors for Graphistudio, so there's my cards on the table again, but in the end, I am really lucky, and we are really lucky, to have a skill that allows me to create the pictures that we do, for the people that we do, the moments that we get to enjoy, the places that we get to visit, and the joy, that we get. [00:19:36] It's easy to get distracted by life, but sometimes it's worth focusing on what it is I do. And for whatever reason that happened subconsciously this morning, but I probably should make it happen more of a deliberate thing as I go. [00:19:52] Still ambitious, still competitive, still driven, still want it all to happen today. But maybe it just takes a little bit of time. . [00:19:59] Conclusion and Workshop Information [00:19:59] And on that happy note, I'm going to wrap up. If you're curious about our workshops, please do head over to Paul Wilkinson Photography and look for the coaching and workshops section. Eventually we're going to move all of those across into Mastering Portrait Photography, but for now they're all still on my normal website. [00:20:19] I'll put a link if you're curious about ACDSee and want to download a copy to have a play. I recommend you do actually, I've really I've grown to love it. I have two screens on my Mac, two huge 27 inch monitors, and ACDSee sits permanently on my right hand monitor whenever I'm doing any design work or doing anything for the websites. [00:20:39] It's there because I have easy and straightforward access to all of our hero images, all of my favourite images. It's incredible as a tool like that. It slots in alongside Lightroom for me. At least it won't replace it, though I'm sure the guys at ACDSee would love it too. That's not, for me, the function that it serves, but does that make it still worthwhile? [00:21:00] I think it does, and I, for one, will renew my license when the time comes up. So I shall put a link down in the show notes for you to head across. It does have my name in it. I don't get a kickback from it. I think it just allows the guys at ACDSee to see that it came through me. And I'll also put it on our Facebook group for all of the people that have been on our workshop community. [00:21:19] But All in all, I highly recommend it. [00:21:23] In the meantime, I hope the weather is a little nicer where you are. I hope it's more like yesterday than today. But whatever else, keep skipping, keep smiling, remember that what we do is an incredible job. I'm Paul, and whatever else, be kind to yourself. [00:21:38] Take care.

What it's like to edit photos in the virtual reality world inside Apple's headset.

What it's like to edit photos in the virtual reality world inside Apple's headset.

Mike Olbinski is a Phoenix, Arizona-based storm chasing and extreme weather photographer and cinematographer.  His passion is capturing extreme weather events like tornados, haboobs, supercells, and lightning events on camera and stunning cinematic time lapse videos. Topics Richard and Mike discuss:A Texas tornado that was one of Mike's 2023 highlightsWhat is an haboob and how are they created?Mike's career-altering haboobSupercells and mesocyclonesStorm chasing and risk takingThe dangers of wet roadsDo storm chasers root for storms?Weather apps for storm chasersTime lapse videosNot your typical storm-chasing wedding photographerAnd much more.Notable Links:Mike Olbinski WebsiteMike Olbinski InstagramMike Olbinski You Tube ChannelStorm Photos of the YearRadarScope Weather AppRadarOmegaGR Level 3LR Timelapse*****This episode was brought to you by Luminar Neo. Luminar Neo helps photographers with everything needed to edit and process photos that look amazing on the screen and in print. Luminar Neo was designed for hobbyists and pros alike and includes the most effective AI-powered editing tools and extensions all in one intuitive and easy-to-use app.You can use Luminar Neo as a standalone app on Windows and Mac computers or as a plugin for Adobe Lightroom and Photoshop so you can keep your existing workflow while having access to powerful editing tools you just can't find anywhere else.Learn more about Luminar Neo and how it can help you improve your creativity in photo editing by visiting the Skylum website.*****This episode is brought to you by Kase Filters. I travel the world with my camera, and I can use any photography filters I like, and I've tried all of them, but in recent years I've landed on Kase Filters.Kase filters are made with premium materials, HD optical glass, shockproof, with zero color cast, round and square filter designs, magnetic systems, filter holders, adapters, step-up rings, and everything I need so I never miss a moment.And now, my listeners can get 10% off the Kase Filters Amazon page when they visit.beyondthelens.fm/kase and use coupon code BERNABE10Kase Filters, Capture with Confidence.

Host Mary Iannelli sits down with Nancy Foster, a principal at Foster Media LLC, who has over 30 years experience in Multi-Media Production to take a deep dive into Film EditingCredits:Audio Engineer Gary GlorOne Heartbeat Away is provided to The Theater Project by Gail Lou References:Nancy's Bio:  Foster Media LLC, A Post-Production House and Design Firm.Nancy Foster, principal, has over 30 years of experience in Multi-Media Production.Clients have included:  ABC, Fox Broadcasting, 21st Century Syndication, CNBC, FoxNewsMedia, Fox Business, Comcast, MyNetworkTV, The New York Post, and Lancit Media LLC.Television Marketing:  Creative direction and execution of numerous TV Network & Syndication marketing campaigns.  Including developing cohesive on-air promotional materials, integrated promotion in programming, and advertising sales presentations.Film Narrative: Post-production work for numerous independent feature length films, shorts, music videos, long-form documentaries, and short bio pieces.Graphic Design:  Website design for TV Network & Syndication programs. Newsletters, out-door media, event advertisements, hospitality materials, and logo design. Foster Media has a long-standing commitment to supporting diverse community efforts and charitable organizations. We are honored to have developed video projects for:NYC Education Based “Partnership with Children” Catholic Charities Drug Rehabilitation CenterLaunched Wounded Warrior Promotional CampaignInternational Women's Media Foundation “Courage in Journalism” Award Black History Month Features on Hundred Black Men and NYC Eagle AcademyHispanic Heritage Month Features on NCAA Wrestling Champion Anthony Robles, KIND's CEO Daniel Lubetzy, Grammy Award-Winning Mariachi Band Flor De ToloacheMandy.comhttps://www.mandy.com/Adobe Premiere Prohttps://www.adobe.com/products/premiere.htmlFinal Cut Prohttps://en.wikipedia.org/wiki/Final_Cut_ProLightroomhttps://en.wikipedia.org/wiki/Adobe_Lightroom

Welcome back to another episode of Your Drone Questions Answered! In today's episode, John and David Young, the founder of Drone Launch Academy, discuss some must-have apps for both recreational and commercial drone pilots. The apps are categorized into flight automation, flight planning, insurance, and editing.Starting with flight automation, David introduces the Litchi app, a versatile tool for programming your drone's flight path and camera movements. Another powerful app is DroneLink, which goes beyond Litchi, offering advanced features like inspections and mapping. Drone Deploy and Pix4D Capture are also mentioned for creating lifelike models and maps.Moving on to flight planning, David recommends the Aloft app for checking airspace rules and regulations. UAV Forecast is highlighted for assessing wind conditions, crucial for safe drone flights. Additionally, David briefly mentions a new app called Drone Assist Flight Planning.When it comes to insurance, Skywatch AI stands out as a reliable option, offering on-demand liability coverage tailored to your specific needs. What's unique is that the app provides a safe driver score, potentially leading to reduced insurance costs based on your piloting skills.Lastly, David touches on video editing apps for those interested in cinematic footage. CapCut is recommended as a popular and user-friendly mobile video editor. DJI's own version, Light Cut, is mentioned, along with Adobe Lightroom for editing photos.John and David wrap up the episode by emphasizing the dynamic nature of the drone app market and encourage listeners to share their favorite apps for future discussions.If you have a burning drone-related question, head over to ydqa.io or the Drone Launch Connect community, and we'll ensure you get the answers you need. Until then, happy flying, and we'll see you in the sky!

Ami Vitale is a National Geographic photographer, Nikon Ambassador, writer, speaker and documentary filmmaker.She's a traveler to more than 100 countries and the recipient of numerous awards for her photography, including Magazine Photographer & International Photographer of the Year, the Daniel Pearl Award for Outstanding Reporting, and  a six-time award recipient from World Press Photos.Ami is also a founder of a non-profit called Vital Impacts, a women-led, non-profit which uses art and storytelling to support people and organizations who are protecting our planet.Topics Richard and Ami discuss:Ami's beginnings as a photo editor at the Associated PressHer first National Geographic assignmentAmi's transition from war photographer to wildlife and the environmentStorytelling versus fine artSeeing with your heart versus seeing with your eyesAmi's non-profit, Vital Impacts Giant panda assignment in ChinaAuthentic, solution-based storytelling.Books that inspireAnd much more.Notable Links:Ami Vitale WebsiteAmi Vitale InstagramVital ImpactsPanda Love: The Secret Lives of Pandas Ami's photo of "Sudan," the last Northern White Rhino*****This episode was brought to you by Luminar Neo. Luminar Neo helps photographers with everything needed to edit and process photos that look amazing on the screen and in print. Luminar Neo was designed for hobbyists and pros alike and includes the most effective AI-powered editing tools and extensions all in one intuitive and easy-to-use app. You can use Luminar Neo as a standalone app on Windows and Mac computers or as a plugin for Adobe Lightroom and Photoshop so you can keep your existing workflow while having access to powerful editing tools you just can't find anywhere else. Learn more about Luminar Neo and how it can help you improve your creativity in photo editing by visiting the Skylum website.

So we're kicking off 2024 with a slightly random podcast from the cab of my Land Rover (thank you Craig from New Zealand for telling me he quite likes the rawness - pretty much gave me permission to once again strap on my Madonna-esque headset mic and ad-lib my way through the first episode of the year!) This episode is a blend of a summary of 2023 and some ideas for 2024.  If anyone is curious, the lighting I mention is the Aputure LS60x and LS60d (tunable, focussable LED spotlights), the Aputure Accent B7c and the Phottix TR200R RGB Tube Lights.  All brilliant. The Superclass and Masterclass we will be running at the Societies Convention 2024 can be found at https://thesocieties.net/convention/speakers/paul-wilkinson/ and we would love to see you there - either at the workshops or just for a well-deserved pint! Finally, all of our workshops at our studio can be found at https://www.paulwilkinsonphotography.co.uk/photography-workshops-and-training/  Enjoy! Cheers P. If you enjoy this podcast, please head over to Mastering Portrait Photography, for more articles and videos about this beautiful industry. You can also read a full transcript of this episode. PLEASE also subscribe and leave us a review - we'd love to hear what you think! If there are any topics, you would like to hear, have questions we could answer or would like to come and be interviewed on the podcast, please contact me at paul@paulwilkinsonphotography.co.uk.  Full Transcript: [00:00:00] I wasn't intending to do too many more podcasts on the Land Rover. Um, however, However a nice guy called Craig from New Zealand emailed me over the Christmas period to say how much he enjoyed the podcast, how much he enjoyed Mastering Portrait Photography the website, and most importantly, at least from the perspective of this particular episode. How much he liked the ones from the Land Rover. To use his words, they feel a little bit more raw, and I don't know what that means. Whether it means unscripted, or whether the sounds of a rattling Land Rover as I travel from point A to point B is somehow an interesting soundbed. I've no idea, he doesn't elaborate. However, thanks Craig partly because it's always nice to know that what you're doing doesn't just disappear into the ether, and I think as photographers we would All appreciate that sensation but also that even when I'm recording things literally in the last few minutes I have between jobs, because that's all the [00:01:00] time I'm managing to find, then even those episodes have their value. So one way or another. A very happy new year. Please forgive the sound quality. I'm Paul, and this is the Mastering Portrait Photography Podcast.  Do you know one of the things you're meant to do as a sound engineer if you're recording for either, I guess, a podcast or radio or for video, is to record a sound bed, to record the ambient noise. So, forgive me while I record little bits like this. Yes, just, I suppose in theory it should be silence, but in a Land Rover nothing is silent. But I'm going to need lots of little bits of the audio if I have to do any corrections. I'm off to another shoot. I'm working with the Hearing Dogs [00:02:00] today, just a few miles down the road, in the UK, a typically average journey, I suppose, half an hour or so. Uh, half an hour out, half an hour back. If you live in the US, that's literally like tripping over your own doorstep because it's a journey under two hours. But here in the UK, we're used to slightly shorter journeys. The year has already got off to a ridiculous start. Uh, I actually thought, and every year I think this, that December will quieten down, I'll have a great break over Christmas, January will be quiet until it ramps up. And actually all that happens is I tear through the whole of the holiday period at a hundred miles an hour, hoping I can get a breather. December was really busy, which was good. 2023 however wasn't the year that I'd like to relive. It hasn't been a bad year, but we've had to fight every inch of the way. Nothing has ever landed in our lap. Both Sarah and I and Michelle. are grafters, [00:03:00] all of us work, and work hard for our living. But, last year really was a little bit of a brutal year. Um, just felt like the atmosphere out there in the marketplace wasn't everything it could have been. Um, we've got very, or have had, very high inflation in the UK, certainly for this country. Now, if you're listening to us in Venezuela or somewhere, possibly not quite the same thing. But with inflation rates kicking up, uh, touching out somewhere near 10 percent and then obviously hikes in interest rates by the Bank of England to bring that back down, essentially what you've got is the perfect storm for people like us who work in the service sector, because our costs of production have gone up in line with inflation. At the same time, the costs of living for our clients have gone up by the same amount, and so the battle for us to be one of their priority spends is that little bit more tricky. However, we've [00:04:00] done it, we had a really good year in the end, but like I said, we have fought tooth and nail, uh, to do it, and I think that's the making of a business. I've said over the years, and I think it's probably out there on a podcast, I'd be surprised if it wasn't, that being a successful business when things are going well is actually really easy. There's not an awful lot to it. You do your job, you create what you create, you sell it, you move on to the next one. Don't get me wrong, I know it's much more nuanced than that, I live this world. But broadly speaking, when things are going right, this job isn't that hard. It's when things are tough, that they show your real character. So, I've spoken about customer service, it's when it goes wrong, really, that you show the true Skillset, the true worth in everything that you do. When things are a little bit tougher, that's when you have to dig deep. It's when you have to show what you are made of. And we've done that over the past 12 months, and we ended December with some beautiful shoots, some lovely clients, [00:05:00] one or two unexpected sales that came in from jobs that I guess there was at least one that I had mothballed, to the point of it being in the archive when the orders eventually came in. Didn't expect to hear from them, hadn't heard from them in 18 months. So for a business like ours, where we are very much about a personal service, it's in person sales, it's an in-person experience, it's about memories, it's about laughter, it's about feeling valued. Wherever possible, we do not do remote sales. I don't do remote sales for precisely the reason that it's taken 18 months for one of our clients to come back and order their pictures. And that's in spite of us doing all the usual stuff, we've emailed them, we've called them. Not to be, not to hassle them. Just to see if there's anything we can do to help. But the problem with non in person sales, online sales is of course. You have very few levers you can pull, and there's not a lot you can do. You can [00:06:00] say you're going to take the album down, which we did. In fact, the album was dormant for probably two thirds of that time. We'd just changed the password so that no one could log in. But of course, when they emailed and said, Oh, I've just noticed I can't log in, we opened it back up. So it's not a real lever, it's just A way of us knowing that they're looking at the album again. And the order came through, and it was a beautiful order. So it's great. It's a proper Christmas bonus. Unexpected. Out of the blue. Beautiful album. Beautiful Graphistudio album. Beautiful frames. Big frames. And the whole thing, in the end, closed out at a really nice value sale.  So there's a lesson in there somewhere, which is, you know, don't ever write anything off. And we don't write anything off. I didn't know what the title of this podcast would be. Maybe that's what it should be. It's, you know, don't write any job off. But actually, this is one of those unscripted podcasts where I haven't really got a clue exactly what it was I was going to talk about. So I have this kind of list of things in my head, but who knows whether I'll get to the bottom of [00:07:00] it. Uh, on this year, on the title or on the topic of it being a New Year, of course everybody sits down and makes their list of New Year's resolutions, which actually I don't. I've never been a believer, and I think, I thought that's what the title of this podcast was going to be. I've never been a believer in New Year's resolutions. I don't know why, I just think if you want to do something, do it. Make, make every day the opportunity for a resolution. That's not to say that I'm really good at doing that. That's not to say that every time I've thought, you know what, I'm going to make that happen this year. I'm going to lose three stone and get fit, for instance. You know, doesn't happen. I'm going to stop drinking, doesn't happen. I'm going to become a vegetarian like my daughter, doesn't happen. There are plenty of things that I'd like to do that just Do you know what? They haven't happened. But Equally, I don't wait till New Year to change the big stuff. But, and there is a but, is that New Year does mark a [00:08:00] natural transition, certainly when it comes to reporting your successes as a photography business. We actually don't report our profits December to December. our accounting period is September to September. But we do Internally, track it in standard calendar years. Why? Well, actually because for social photographers there is a natural hiatus around about the end of December. People will have rollover jobs, we will very often have jobs in the diary. In the gap between Christmas and New Year simply because they book in for those. So it's not a perfectly clean break where , it stops, it starts. But there's definitely a feeling in the marketplace that, oh, let's wait till next year. If somebody rings us and says, I want to do a shoot for my family, and if it's any time around November, the chances are they're gonna say, oh, do you know what, let's push that into next year. Let's see what next year brings. There's a lot of that. And so it's [00:09:00] good for us to have a data point that I can compare year on year, decade, on decade these days, . And of course, covid sort of flung that up in the air, uh, three or two and a bit years of not really being able to rely on anything.  Our data is absolutely shot: the trajectories, the averages, our historical patterns have somewhat collapsed. We are getting back, I'll be honest about that, things are beginning to look a little bit more familiar, the end of last year, or the bulk of last year, it was definitely starting to feel that way. However, things that we are looking forward to doing, so some of this stuff kicked off last year, and some of it is things we're gonna do this year. So last year was a big sort of step up in us building our workshops and our workshop community. Lots to do on that front, we're not by any means in the position we are with our photography. Photography was a solid vision [00:10:00] for us. We can take a picture, we've worked out that the quality was good, we have fab suppliers, we have solid workflows, efficient practices, we knew our way around the marketing. Over a few years we built the business reasonably sure footedly. Obviously, we've tripped over some things like all businesses do. Not gonna say for a minute we got it all perfect. But it was something we could get our arms around and could understand. And the minute I knew we had a good product then I knew we could build a business around it. And I knew we had a good product because I've been taking pictures since I was a kid. I've been creating images and portraits since I was 10 years old, so I knew I could take a picture in the end, ignoring the whole kind of self confidence or insecurity bits and the imposter syndromes and all of the rest of the stuff we talk about all the time. I knew I could take a picture.  Training courses and workshops are slightly different. I still know I can take a picture, but whether or not we could run good workshops, whether or not we could supply great materials, [00:11:00] these were questions that we still had in our heads.   So, for instance, one of the things I was curious about was whether it would be a good idea to set the context of each workshop with a little presentation. I'm, I'm not a fan. When I go on a training course, I really, really, really want to see or want to understand how the person giving a workshop does what they do. Whatever it's in, whether it's marketing, sales, Photoshopping 3D, visuals. Customer relationships, I don't know, many, many different aspects to this business. But if I want to go and learn from someone, I want them to hit the road sorry, hit, yeah, no, hit the road quick and get into the nitty gritty. I'm not a big fan of spending hours in a preamble. However, one of the things I did pick up on is that you do need to be organized in your approach. And whether I like it or not, and whether I'm comfortable with it or not, I'm not that guy. I'm not the guy that thinks in a linear fashion. I can [00:12:00] when I have to. You know, I spent 10 years working as a manager in IT. Trust me, I can when I have to. But that's not my natural skill set. I'm not linear. And I can, if I could see Sarah's face when she listens to this podcast, she'd be like, yeah, no shit, Sherlock. You are not linear. Because Sarah's very organized, very drilled, very Put together, and I'm so not those things. I wish I was, sometimes, but out of the same chaos comes the imagery and the ideas that we have. So, I can't turn it off. I don't want to turn it off. If anything, being slightly chaotic is my superpower, because it brings ideas, and it brings energy, and it brings drive. But, equally, it brings inconsistency. It brings me being really easily distracted. Distracted by breathing, you know? It's just ridiculous. So, some of the things we did last year were to [00:13:00] try and see if there are ways in which I can help myself and help the delegates on our workshops not suffer at the hands of my own chaos. And one of them is we do a quick presentation, half an hour, forty minutes. If I get that right, of course that becomes a piece of collateral that we can send out to you if you come on one of our workshops. It becomes a series of ideas and diagrams that maybe I can use for training videos. It becomes some words that maybe I can re craft into maybe a podcast or for when I'm writing with NPhoto magazine or whether I'm writing for Professional Photographer. So these are just parts of the puzzle. And we got that together last year and the feedback we're getting from our workshops is just phenomenal. It's absolutely brilliant that people have come on it. They seem to enjoy it. They come back. So to all of those people who are multiple offenders, thank you. It's so lovely to see you all. It feels [00:14:00] like we're beginning to build a little community. So now I know I've got the product right or we're in the, we're going in the right direction with the product. Now we can really start to focus on it. Forgive the pun. We can really start to drive that home just like we did with the core photography business. And that's the target of this year. Mostly is to drive the training. Drive The platforms, the videos, all of the stuff that goes around that. The podcast is a big part of that. But finding the time when I'm on my own To sit and record is or has proven tricky over the past month or two. So, Christmas and New Year were lovely. I digress here a little bit, but there's a slight point to it. Christmas and New Year were lovely. So, we stopped, we shut the studio down. Day before or two days before Christmas Eve I went shopping with my boy to do some mop up. Spent a really, just had a really lovely day the day before Christmas Eve. Christmas Eve onwards up until, really up [00:15:00] until New Year's Day was spent with family and friends. And I really do mean pretty much every waking minute was with people I love. And now I'm an extrovert. In theory, as an extrovert, every one of those moments with family and friends is a moment to recharge. It's a moment for me to really feel energised. Yeah, that's, that's an extravert I love being around people. But I tell you what, when I got to New Year's Day, all I really wanted to do was just find myself in a dark room. And switch the social side of my brain off and do something much less much less social I suppose is the only word I can think of. I've had a couple of days of that and I'm beginning to get myself back together. And then, uh, last or two nights ago straight back out photographing the Christmas party for the Le Manoir chefs. And the staff, [00:16:00] which is riotous. Now those guys, Le Manoir is two Michelin starred hotel and restaurant, or restaurant with rooms, I think is how they like to call it. It's an amazing place, beautiful food, voted one of the top hotels in the world. It's in the top 50 every year, I think it was in the top 10 this year. Absolutely phenomenal place, and they work hours that make mine look kind of shabby, I think. They work long hours, it's hard graft, they love it, they're brilliant. But when you're thrown into their Christmas party, they don't half let off a little bit of steam, and it is great. So it was really nice to have a couple of quieter days, and then the Christmas party at La Manoire with my friends who are chefs, front of house gardeners, housekeeping you name it, the management team, marketing, sales, the HR team who asked me to do it. They're just brilliant, and I've come away from it buzzing and energized all over again. So I cannot wait for the year. [00:17:00] And on that, we are building the workshops up.  On that note, we have a couple actually, I'm going to be at the convention, the Societies of Photographers convention in January, I'm hoping there's some structure to this podcast by the way I'm gonna have to finish in about 5 to 10 minutes because I'll arrive at my client and I'll pick it up again, but I'll let you bet I'll repeat a bit because I won't remember where I got to, and I don't want to have to spend hours in edit, I don't have time to spend hours in the edit, so this is gonna be one of those podcasts That is pretty raw, it's gonna come out of the recording unit as it is, and it's gonna go straight out. As you're hearing it, I don't think there'll have been very much editing except to stick in some music underneath it, and just to check the sound quality's alright. So, forgive me for that. But it's gonna be well I'm at the convention, 17th, I'm at the whole of the convention, but I'm doing two workshops, I'm doing a super class on the 17th. And a Masterclass on the 18th. The Superclass you have to book in advance. I think there's one place left. That's all. If anybody fancies [00:18:00] it, head over to the Society's Convention and look for the Superclasses. We're gonna spend the whole of that three, three and a half hours. Creating headshots and personal branding images. I've never met the couple who are my models. I'm looking forward to meeting them. They sound really cool. But we're going to explore lighting, how you interact. We're going to talk about whatever people want to talk about. Whether it's the marketing side of it, whether it's the business side of it. Whether it's how you tell a story through the photos. It's whether, how you weave the story of the shoot. Because I think that's an underrepresented part of social photography is how you thread your way in a meaningful fashion through the shoots. That's the superclass. That's on the 17th.  On the 18th, I'm doing a masterclass, you don't need to book for that, but I'd love to see you. It's free if you have a ticket to the event. Come along and we're going to be talking about specifically ten lighting patterns. I'm going to put together ten easy lighting patterns that you can replicate. One of the things I'm acutely aware of is, [00:19:00] I find much of taking a portrait second nature to me. I do it Automatically, I can see light, I can feel it, I can almost smell it out. anD I, I don't know why or how that should be, but it is. So when I'm positioning lights, I know exactly what I'm doing, because I'm simply looking at what's in front of me. But, I've had to critique a few images some people have been on a workshop, some people have simply have asked me for some mentoring, and reading light, it turns out, is not the most natural thing in the world, and I, I assumed it was. So I've clearly misunderstood some aspects of what, how we can teach this, so part of the Masterclass really, or part of the idea behind the Masterclass really, is to see if we can nail down ten lighting patterns with two lights, so we use one light, we'll use two lights, we'll create some drama, we'll create some theatre, we'll create some very basic stuff, [00:20:00] But the idea is we're going to hand over some real examples done live in front of the audience as to how you can do this with basic equipment. We're going to do it in a normal room. It's just one of the meeting rooms in a hotel. We're going to do it with normal kit. I will have two lights I will, I think, have a pop up backdrop, which I'll bring in, just so I've got a plain backdrop, because I can't guarantee it. And we're going to go through some of the ideas. And that's kind of where we're taking all of our workshops now, is to give our delegates things they can take away with them. Proper, right, okay, if you do this, that will work. One of the things I've always fought against, the reason we haven't really gone down that road up until now, is I've Rebelled a lot against people telling me how I should do it. And I never ever, still don't, want to be the guy that says this is how you should do it. And I try really hard to remember at the beginning of every workshop, every presentation I [00:21:00] ever do. I did one the other day, we did a webinar, and I started by telling everybody on it. It's very personal to me. My eyes, my clients, my lights, my camera, my style. All of it is about me and what I like. It might not work for everybody. So I can give you insights into the thought process and this is what I thought we would do. We'll give insights, we'll give ideas, we'll give inspiration, we'll energize. And all of that works. But the problem is if you don't understand the fundamentals or can't read it like some photographers can, then it becomes slightly trickier. So the masterclass, the second of the two classes, the masterclass at the convention on the 18th of January, it's gonna be much to do with that. So if you're round the convention, you're a loose end. I think it's 11 till one 30 on the 18th. So it's a mid-morning slot. You'll finish your breakfast, you'll have had a couple of cups of coffee. You'll be thinking, what the hell am I gonna do today? Why not stick your head in and come and have a play?[00:22:00]  So that's what we're going to do. And at that stage, I'm going to break off here now, because as I turn this left hand bend on a very wet road. Here we go. I'm just going to arrive at my client, which is great. I'm photographing for the Hearing Dogs this afternoon. I'm photographing a re a recipient, so a partnership, a hearing dog and a a deaf person whose story is both heartbreaking and inspirational in equal measure. So I'm looking forward to that. It's going to be a lovely shoot. I will pick up again when I've broken off and let you know how that went. and finish off this podcast. Once again. Craig, thank you very much for telling me that I can, if I wish to record podcasts in the car,  So just to pick up where I left off, just come to the end of a lovely shoot. Sorry, also weaving, or trying to weave through traffic in a very small Buckinghamshire town. Wilmslow, it turns out, is full of tiny little [00:23:00] streets. Many of which I'm navigating a large Land Rover through. It's not easy and speaking at the same time. Apparently, it turns out, I can just about walk and chew gum at the same time, but cannot talk and drive a Land Rover at the same time. too: must be two different bits of my brain. Okay. And a nice person's let me out, and another person has refused to let me out. And there's a motorbike, and I've just landed into school traffic. In Bucks, which means that no one's paying attention at all to anyone except their own journey home and trying to get back for our, I'm assuming, a cup of tea and to get the kids a sandwich. Where are we? So yes, I just finished a really beautiful shoot with a really lovely person who she lost her hearing. Well, she had an illness, went into a coma, came out of the coma, and discovered that she had lost her hearing, one heck of a shock. And so she now has a Hearing Dog, but she's profoundly [00:24:00] deaf, has absolutely no hearing at all. And the hearing dog provides all of the support that she needs. So if the doorbell goes, the phone goes. Smoke alarms, obviously. Every minutiae of life that we take for granted, the hearing dog supports them. A hearing dog. A beautiful spaniel. I'm not going to give any names away, because that's not my place to. But an absolutely wonderful shoot. And I read in the notes that she wasn't particularly keen on being photographed. Not someone who's used to being photographed, not someone who enjoys being photographed. And you read these notes and I would say 80 percent of my clients sit in that bracket. Um, there are days, there are days when I wake up and wished everybody I photographed really, really, really wanted to be photographed. Models and the like. Because man, wouldn't that be just glorious? Really easy too. It'd be wonderful that every person in [00:25:00] front of the camera wanted to show off, and they just loved it, and they were confident, and knew how beautiful they were. But that's just not my world. So the lady, really super smart lawyer didn't really want to be, well my note said that she didn't really feel comfortable being photographed, but it turns out, uh, She could not have been lovelier. Did I just say that right? Lovelier, lovelier. She could not have I'm concentrating on driving. Lovelier. And the shoot has just been absolutely beautiful. The dog was stunning. The light has been really nice. We're under a rain warning at the moment. We're about to get some really heavy rain, but it held off long enough that we've done the whole shoot in the dry. Well, in the dry, but not on the dry. Everywhere. I don't know what it's like where you are around the world, but in Britain, just at the moment, we've had back to back rainstorms of one sort or another. Some of them big enough to be given names. And we've got another tranche of it coming in in about an hour. Oh, half an hour, about half an hour. [00:26:00] I don't know why that matters. I'm one of those people that have to suddenly get to detail. I don't know why. I apologize. Anyway, it's been a brilliant afternoon, and it's these kinds of shoots that remind me why I do what I do. Because just having people like the lady I've just photographed in front of the camera who full of energy, and smart, and laughter. She can hear nothing. Everything is being done through lip reading, which is, for me, is not I mean, I'm used to working around the deaf community, but I'm one of those people that spends a lot of time looking to the sides to see where the next shot's coming from. So, mid sentence, I'll suddenly find myself looking away. And, until working with the Hearing Dogs For Deaf People, I didn't even know I did it. And, of course, it becomes a profound challenge that I need to concentrate and I've spent the afternoon concentrating on making sure no matter who I'm talking to or what I'm thinking for the next shot I must always [00:27:00] have eye contact with the person, the hearing dog recipient because They're relying on seeing my lip movements to be able to understand what's going on. And it, you become acutely aware of it. but equally, she said, it's really bad when people try to talk slowly because that changes her understanding of the words. Because she's lip, because she's lip reading, if you speak slowly, actually that makes it harder to understand the wording. So all in all something I need to continue to work on and get better at. At least I'm aware of it, and I try, I try pretty hard, but the photos we've got are absolutely beautiful. So where were we, where were we? Oh, I think we'd come to a bit, some of that training, I've no idea, I told you I'd lose track. podcast part two, I'm Paul, and this is still the Mastering Portrait Photography Podcast. As I wind my way through the lanes. Other things that are happening in the studio. Obviously we're working on the setup of our training and our workshops. I'm about to re [00:28:00] platform all of our websites onto a new platform. Not quite sure which one it's going to be just yet.  But one of the challenges I guess all of us have is our web presence is really important, and so I built all my own websites built it all on WordPress. So all hosted it's all currently hosted on Siteground but over the years, a combination of price walking, which simply means every year it's got more and more expensive. You can get a good deal to start with, but gradually, I mean, we pay now. For two, the two main of our websites, I think the basic hosting is about 1200 quid a year for the two. And on top of that are all the little plug ins that we've had to buy and put in to run things like the shop, to run things like the automated side of it, the emails, to do certain things like display the images the way I want them. All of these bits of software are licensed. [00:29:00] Which is fine, but if you added all of that in to get in as well, rather, I think you get up into the region of sort of 1, 500 quid a year, 1, 600 pounds a year, somewhere around there for the two websites. Now that's fine, we're a big business. We work really hard at what we do, and we can justify paying properly, and paying, well pay our licenses anyway, but we can justify all of the expense of the website simply because it's a part of our turnover.  However, what irks me is firstly how difficult it is to keep on top of all of the updates of all of the component bits of software and also just how expensive it is when it doesn't need to be. It's not about the fact that I have to invest in it, it's about the fact that I don't think I need to do, I need to invest the time and the finances to the level we are. So I'm hunting around at the moment. I think I know what we're gonna do, and I think I know how I'm gonna do it. It'll take time, which is [00:30:00] something I don't have a lot of, but it's still got to be done. But if I can get all of the websites into one place, simplify them down, they don't need to be as comp, I'm really proud of our websites, but they do not need to be as complicated as they have evolved to be. And it's not that I set out to make them complicated, or I set out to do stuff that's particularly difficult. It's just that, year on year on year, as you add functionality, as you try to do new things, as you get on top of SEO, and structuring, and then keeping a track of 301s and 404s, and then you've got to have, like, an SEO tool to help you make sure your SEO's alright. And then you've got albums and portfolio bits of kit. You've got sliders. Oh man, there's so many bits of software. All of which is necessary to do what I have in my head. So what I've got to do first is figure out what's the bare minimum I can get away with. And then secondly, re platform all of that. So the websites will still be [00:31:00] beautiful. But if I can get it all under one roof, it'll be much easier to manage. And I don't have the time, to manage everything anymore, I simply don't. So that's, that's on the list for this year. And the other thing we're gonna do this year, or I've already started doing, is gradually pushing more into continuous lighting and away from strobes. Now, this is one which I don't yet know quite where the journey's gonna take me, but the foray that we've had into it so far has been incredibly rewarding. LED technology now with high CRI LEDs is at the standard where the quality is nearly as good as strobes. It's not, I still love the light you get off a Zenon strobe. There's something really beautiful about the quality of light, and of course, massively punchy. You get a huge amount of light, [00:32:00] a huge amount of kick. out of pretty much any strobe compared to an LED. If you had LEDs as bright as the strobe, as bright as the instantaneous flash of a strobe, people wouldn't be able to see. It's, you know, so bright, there's so much energy in that tiny fraction of a second, that, I don't know, thousandths of a second of light burst. But working with LED makes it easier to do video and you really can see What you're gonna get. And my logic is a very simple one. If it's good enough for the film industry, and the TV industry, Netflix and the like, then it's good enough for photography. Yes, alright, there are some things I'm gonna have to learn how to do differently. But I love doing that anyway. I'm a quick learner on most things. And so, I'm really excited about it. We've started I bought I've got a couple of Aputure Lightstorm Focusable, so these have got focusing lenses on the front focusable spots, and [00:33:00] they've got the old Bowens S type mounts on them, so we can mount pretty much anything. I use Profoto strobes in the studio but I've got these Aperture Lightstorm tunable lights, which are absolutely phenomenal. Really bright when you want them to be. If you turn them right down, they'll last for hours on a single charge. Also I've got a couple of, they were just cheap. I was working in the flash centre doing judging for the BIPP. And it was the flash centre in Birmingham were hosting us. And they had these light strips, just light rods. LED, Phottix. I think they were 40 quid each. I mean, they're really pennies. You know, a tank of fuel in this Land Rover is about 80 quid, so for the price of a tank of fuel, I can get two highly tunable, full spectrum lights that will do any color on the color wheel. As well as doing normal presets. They also do some clever things with, you can make, turn them into police lights and all the rest of it. They're quite cool. [00:34:00] So I got those working in the studio, but one of the challenges when you're working with Available light is the camera is going to capture everything it sees. With strobes, I don't worry about the lighting in the studio because the strobe overpowers it. Doesn't really matter. But with LED, you have to get the lighting, the whole lighting, exactly as you want it. And it caught us out a little bit when we were recording a video recently, and the video is simply too dark because I've lit my subject perfectly. But I haven't lit the rest of the studio because it never really occurred to me, and I need to do it, and it's fine. Everything's okay, and certainly the subject looks incredible, but when you look at the footage of me talking to camera, for instance, I'm in the gloom somewhere. And although we tried to sort it out a little bit, we haven't quite got there. So I've now retrofitted all of the lighting in the studio, so all of our normal overheads, office lighting if you like, in the studio, with, again, made by Aputure. They are, I can't, I think they're called [00:35:00] B7Cs or BL7Cs, which are, they look like a fat light bulb with an Edison screw thread, so they'll fit pretty much any light fitting from 100 volts up to about 250 volts. You screw them into a light fitting, and in normal mode, they just behave like normal light bulbs, except that you can hook them up to the same app I use for the Aputure Lightstorms, and you can control them completely from the phone. So I can control how strong they are. I can also control, again, like the Phottix, light sticks, I can control exactly what color they are. So these things, they're only about 50 quid each, but they are fully tunable. Any color I like and some special effects, if ever I did video that needed to feature, I don't know, police, car or fireworks or firelight, , it does all of those, that's of almost no interest to me. It's quite a cool thing to do, but. Not really for what I do. But I can control their light to be any colour [00:36:00] temperature and any power. On top of that, if you unscrew the light, it becomes a battery powered light. It simply can sit in someone's hand, or you can put it into any light fitting, even if it's not plugged in, and it will work exactly the same. It doesn't really make any difference. It'll last for about seven hours off the battery. These are really cool. So, we've started to experiment. A little way to go. I need some slightly, some LED panels. I've got a couple of bits. I do have some LED panels, but they're slightly older and the high CRI on the newer LEDs, you can really see the difference when you're illuminating skin. But it's a whole new adventure and it does change the way you shoot. So at the moment when I'm shooting, particularly when I'm doing headshots, I'll use, I'll do some with strobes because you get that glorious, clean light. With really deep depths of field. And obviously, ProPhoto units that modifies everything is absolutely stunning. So that's not something I'm gonna [00:37:00] completely get rid of anytime soon because I'm addicted to the quality of the light. But in the second half of the shoot, or maybe for certain shots, I'll bring out some LED lighting, maybe with a soft box or maybe LED, the strips and. You then get this beautiful thing where you can have much shallower depths of field. So, and total control, you can see exactly how the light's going to play. You can change the colours of the lights as if I was gelling the strobes, but it's so much easier. Literally, I can just dial it in to the app and change the colour of the lights. It's opening up new avenues to explore where we can play with colour because it's quicker. We can play with really shallow depths of field. I'm unlikely to ever be able to light, a family easily, because the power you'd need to get the depth of field you need, at least with the ISOs that we're still using at the moment, is possibly a bit too bright. But, [00:38:00] ISOs are becoming normal. The party I shot for the hotel I shot nearly all of it. Our ISO 10,000, ISO 10 K. That's just ridiculous in terms of sensitivity. But I wanted to capture the colors of the party. I wanted to capture the candlelight. I wanted to capture the sort of fairy lights and effects lights that the events company had put on. I wanted all of that, and I didn't wanna bounce, flash in and kill it. I did, obviously, when they're doing their awards. I used a flash gun. I used a, a speedlight on the camera because. Me being creative with the lighting is really not part of that puzzle. They need to be well lit, they need to be clear, they want to be able to celebrate the awards they've won. But, when it comes to the event side of it, the party side of it, I shot nearly all of it at ISO 10, 000 and then simply ran it through, for this particular run, I ran it through Adobe Lightroom, the AI noise reducer. I didn't turn the noise [00:39:00] reduction up very much, 20%? Tiny. But it has a really profound quality to it now. So you can run at ISO 10, 000 and still get pretty clean images. You lose a little bit of detail, it can get a little bit mushy. But it's a 50 megapixel camera, the Z9. And these pictures are not going to be used anywhere bigger, I'm going to guess, than 7x5. That's it. They're not hero pictures, they're not going out as posters. So, I've got a huge amount of latitude. And to be fair, I probably didn't even need to put the noise reducer on it, but I did just because, it's like somebody's going to zoom in and go, that's a bit grainy. Why do you need high ISOs, or clean high ISOs with LED? Well, think about it. Let's say I want to get to f8, right? Let's say I want to photograph a group of four or five people, and I'm going to need f8. To get the front to back bite in the image. So that the person at the front of the shot is nice and sharp, the person at the back of the shot is nice and sharp. Now, with a strobe, [00:40:00] that's really easy. With a strobe, I can turn the power wherever I like it, it won't make an awful lot of difference to the people in the shot, it's just a bright flash, and it's done. And I can set the camera at ISO 100, F8, F11, F16, whatever. Doesn't matter. It'll override all the light in the room, and I've got plenty of depth of field. Really easy. Now. If I turned my LEDs, and I'd need a few more than I own, up to get ISO 100, 100th of a second, f11, that is bright sunlight. That's effectively daylight, but on a sunny day. So, that's not really practical in a studio if I don't want people to be squinting. I could turn the power of the lights down, and use less power on the lights, but then of course I'm going to need to use slower shutter speeds, wider apertures, or higher ISOs. And now, with the ability to clean up even high ISO, [00:41:00] I'm starting to teeter on the edge of being able to do practically what you can do with strobes, with LEDs instead. Not there yet, but we're heading In the right direction. So that's on my list. That's part of this year. I'm gonna re-platform, the websites we're gonna switch over to LED. And we're gonna just see whether, for instance, we can create better videos, more videos, so it in, in the end. This year, it is all about making the changes we need to the business that we are looking forwards to. More about training, more about workshops, more about creating videos, about creating educational materials. Who knows, who knows, one day I might even get around to writing a second book to go with the very successful Mastering Portrait Photography. Mastering Portrait Photography Part 2, the sequel. This time it's personal. Mastering Portrait Photography Armageddon. I don't know, maybe I'll do it like Fast and Furious. We'll just do two, then three, then four, then [00:42:00] five, and then twenty eight. Who knows. But at the moment I haven't got that in me. The problem is always, of course, like all of us, our real clients, the clients that pay our everyday bills, the portrait clients, the wedding clients, the commercial clients I'm gonna have to service those guys first. And that's always the kicker, is how do I manage to keep the revenue coming in just as we need it, while still effectively building an entire add on or new business. It's a new business. So that's the puzzle. I will get to the bottom of it. I will figure it out. I'm enjoying the process very much. And so that, for us, is the year ahead. As I drive through, the rain has just arrived. It's dark and gloomy. My windscreen wipers are now squeaking in the background. I'm sure you can hear that on the recording. I'm driving through a very beautiful bit of the country. I'm running along one of the ridges in the Ridgeway. That's the Chiltern Hills. Just driving along and in spite of it being gloomy and dramatic, there's [00:43:00] fields full of sheep, there's just past an old farm, it's actually one of my clients here, and it's beautiful I'm guessing that is a medieval farmhouse, that is well old, that's got to be, and you're looking at the roof line, it's all sagged and these tiny little bricks and the road dips and drives around into the distance, it's Quite beautiful in spite of the rain. So there you have it. Please do head over to Mastering Portrait Photography. Also have a look if you're interested in the workshops that we're running this year. They're all out all up. The first six, at least, are up. The first few sold out literally within a day or so. Which is really flattering, but then gives me the problem of having to immediately schedule in new ones. There are a few spaces on some of the others though, so if you fancy coming and having an absolute blast about portrait photography in particular, whether it's you want to talk about the business side, the photoshopping side, or camera craft [00:44:00] or studio lighting, then please do head over to Paul Wilkinson Photography and look for the section on workshops. You can just google Paul Wilkinson Photography workshops. And you'll find them pretty quick. Whatever else happens, I hope your holiday season was peaceful. I hope you had a lovely, restful one. If not, I hope you're having an absolute party. And so, here's to 2024. Let's hope that it's Well, let's hope that it's a nicer year than it seems to have been in the first few days. There's nothing in the news that fills me with very much joy. So I'm just ignoring the news. I'm not paying any attention to it. I'm not getting involved. It just upsets me. I'm going to continue to do what I do and enjoy spending time with my clients, enjoy spending time with other photographers. Basically, I'm just going to make the most of my time on the planet. Here's to 2024 and whatever else, remember, be kind to yourself. Take care. [00:45:00]   

It's likely that everyone reading this has used, or at the very least heard of Adobe's ubiquitous piece of software called Photoshop. But are you familiar with the very first—and perhaps the most eccentric—of the evangelists working behind that magic curtain?   Well, you're about to meet him today, in our latest podcast featuring pioneers of photography and imaging. As Adobe employee number 38, graphic designer Russell Preston Brown was in the room when brothers Thomas and John Knoll showed up to demonstrate a new piece of software, in 1988. Suitably impressed with what he saw, Russell made a beeline to Adobe co-founder John Warnock and uttered the imperative “Buy it! Now!”   Thirty-five years later, Brown has not lost an ounce of passion for concocting magic with digital imaging tools, and for sharing his knowledge with other users during his outlandish workshops and events.   Join us for a rollicking chat with this shapeshifting impresario in cowboy attire. From Brown's earliest training in darkroom photography to his current digital workflow syncing a mobile phone with Profoto lighting gear, we cover a lot of ground.   Throughout our discussion, we reflect on the revolutionary effects of technological advances, plus Brown's uncanny luck to be there in the middle of the zeitgeist, which led him to a telling analogy:   “Yes, I was in the right place at the right time. I made my fair share of contributions, but it all comes back to—what if the Knoll brothers had not decided to make Photoshop? I want to see that Jimmy Stewart episode of “A Wonderful Life,” where Photoshop didn't appear. Would we be using Letrasets?...”   Guest: Russell Preston Brown For more information on our guests and the gear they use, see: https://blogd7.bhphotovideo.com/explora/podcasts/photography/adobes-first-evangelist-russell-preston-brown Above photograph © Russell Preston Brown Episode Timeline: 2:47: A peak behind the scenes of Brown's early experiences at Adobe and what constituted working as a graphic designer back in 1985.  10:24: Brown's early training in darkroom photography, the type of photos he made and the tech transitions to the mobile phones that he works with today.  15:55: Thomas Knoll calls the iPhone a hallucination of what you are seeing in terms of colors, dynamic range, and quality of light. It gives us what we want to remember from that moment. 19:45: Brown's workflow for shooting with an iPhone synched to Profoto strobes and other lighting modifiers, and his ability to carry everything around in one bag.  24:12: Comparing image captures from different brands of mobile phones: iPhone, Google Pixel 7 and Samsung 23. Plus, make sure to use a solar filter over the lens when photographing the eclipse. 31:27: Brown's experiences working directly with programmers in the development of Photoshop, plus working one-on-one with a programmer to develop actions, scripts, and panels for his own Photoshop tools.  36:06: Episode Break 36:39: Brown reflects on his rapport with photographic purists during early presentations about Photoshop—from a photojournalism conference in Perpignan, France, to an early discussion about digital with Greg Gorman.  42:39: Adobe's earliest dreams and goals about prepress and processing images to create CMYK output for print publication, and the subsequent ability to access Raw data. 47:15: Differentiating between generations of Adobe users and how they employ the software, plus distinguishing between Lightroom Classic and Lightroom Desktop. 51:46: Applications that have kept all the original tool sets, offering many routes to similar results, to serve the full range and successive generations of its user base.  54:00: The question of AI and differences between typing text and using AI prompts, or taking one's original photographs and supplementing them with AI through Photoshop's Generative Fill. 1:03:39: The dangers of using creative tools incorrectly, and Brown's predictions about creative trends to come.  Guest Bio: Russell Preston Brown is the Senior Creative Director at Adobe Systems Incorporated, as well as an Emmy Award-winning instructor. His ability to bring together the world of design and software development is a perfect match for Adobe products. In Brown 's 38 years of creative experience at Adobe, he has contributed to the evolution of Adobe Photoshop and Adobe Illustrator with feature enhancements, and advanced scripts. Most recently he has started to travel the world with a mobile phone camera to capture his adventures from a whole new creative perspective. This new age of mobile photography has sparked his creativity and has inspired a variety of new imaging directions.  Brown also specializes in inspirational hands-on training at Adobe MAX, where he shows users how to work and play with Adobe software. He shares his delight in testing the creative limits of his tools as a prolific creator of an entertaining collection of Photoshop tips and tricks. His in-depth design knowledge and zany presentation style have won him a regular following among beginning, intermediate, and advanced Photoshop users alike. A live performance of the Russell Brown Show is not to be missed.  Stay Connected: Russell Preston Brown Website: https://russellbrown.com/ Russell Preston Brown on Instagram: https://www.instagram.com/dr_brown/ Russell Preston Brown on Facebook: https://www.facebook.com/russellprestonbrown/ Russell Preston Brown on Youtube: https://www.youtube.com/user/therussellbrownshow/videos Russell Preston Brown on Vimeo: https://vimeo.com/user6594224 Russell Preston Brown at the Photoshop Hall of Fame:https://www.photoshophalloffame.com/russell-brown Adobe Max: https://www.adobe.com/max.html

A discussion about the future of Adobe Lightroom.

This is The Digital Story Podcast #920, Nov. 7, 2023. Today's theme is "How Lightroom Desktop Saved the Day." I'm Derrick Story. Opening Monologue Like most of you, I have the $9.99 a month Adobe Photography Plan that includes Photoshop, Lightroom Classic, Lightroom Desktop, and Lightroom Mobile. And even though Lightroom isn't my primary photo management app, at times, I find it very useful. Over the last month was one of those times, and on today's TDS Photography Podcast, I'll share with you why. I hope you enjoy the show. thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address. Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation. Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs. See you next week! You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Greg Benz shares some interesting "developments" made possible by the latest HDR tools inside Adobe Lightroom and Photoshop. The post The Rebirth of HDR! with Greg Benz – ep 823 first appeared on This Week in Photo.

Whether it's leaving the comfort of a steady paycheck to pursue photography, or checking out the possibilities of AI, sometimes the greatest rewards lie on the other side of fear. Teresa Au speaks to photographer Tobi Shinobi about his first career in law, making a name on Instagram, and why drone photography is so peaceful. Tobi also shares his perspectives as a brand strategist, advising the same types of corporate clients who hire him for their shoots.What you'll hear in this episode:Learn about Tobi's upbringing in East LondonWhy practicing law and photography are so oppositeThe importance of being exposed to the artsHow the shift from law to photography was both a jump and a pushThere's no time for fear when you're so busyGrowth and progress are not linearProfessionalism as a means to creativityListening to clientsWhat Tobi loves about photographyThe best way to shake a bad moodHow the AI revolution is like the Industrial RevolutionThe difference between fear and respectControversy over AI use in photographyThe AI we're already using without realizing itTobi's “real life” Photoshop techniqueWhat makes you more or less of an artist?The thing that makes both AI and photography excitingHow creative strategy is like storytellingWhy storytelling is so essential to human beingsAre you cut out for working with brands?Brand safety and authenticityTobi's one word for 2023 (and 2024)Tobi Shinobi is an award winning photographer and videographer based between London and Chicago who was just named one of Adobe's 2023 Firefly Creators to Watch. His work encompasses high profile events, product photography, architecture, and interviews. An early Instagram star, he has over 200,000 followers across online platforms. Tobi finds beauty in often gritty urban landscapes and his distinctive focus on detail, perspective, geometry, and symmetry allows for a new appreciation of architecture. Tobi provides social strategies for an array of digital content from video to photos for brands. He regularly works for clients such as Audi, Adidas, Coca-Cola and Samsung. He is an alumnus Adobe Lightroom Ambassador and Sony Global Imaging Ambassador. His first solo photo book, Equilibrium, is available now, and he starred in the award-winning documentary, I Take Photos. He is currently showing work in Brazil and in Chicago, some of which was recently selected as part of the 2023 MvVO awards. Teresa Au (@tautastic) is an executive for community engagement at Adobe. Her career spans diverse creative fields, primarily in New York's fashion industry, as well as architecture firms, and now Silicon Valley tech companies. She has always prized working with distinctive design and the interesting people behind it–from designer Elie Tahari to start-up CEOs. Learn more about this podcast, and find transcripts and links, at adobe.ly/inthemaking. In the Making is brought you by Adobe Express and Adobe Creative Cloud. Past episodes of Wireframe can still be found in the show archive within this feed, or online on Behance. Design flyers, TikToks, resumes, and Reels with the new, all-in-one Adobe Express. Create video, marketing, and social content. Edit photos and PDFs. Make it all in one app, including generative AI tools from Adobe Firefly and easy, one-click tasks like removing backgrounds.Adobe Creative Cloud provides apps, web services, and resources for all your creative projects — photography, graphic design, video editing, UX design, drawing and painting, social media, and more. Learn more about the apps in Creative Cloud

The integration of AI technologies with Adobe software has set the creative world on its head. To get a read on this hot-button, rapidly evolving field, we tapped two generations of tech wizardry—Scott Kelby, the original Photoshop Guy, and retouching powerhouse Kristina Sherk. We sat down with both of these experts at B&H's 2023 Depth of Field Conference in February 2023. Our first guest is Scott Kelby, the original Photoshop guy, who discusses the good and the bad of AI technology, from how it helps create workflow efficiencies to the potential for costing some photographers a job. Kelby envisions a future comprising high-end pros and serious iPhoneographers. With this in mind, we delve into the growing advantages of capturing images on a mobile device, while also identifying subjects that still require more robust gear. After a break, Kristina Sherk shares details about the powerful AI selection tools integrated into the Classic and Mobile versions of Adobe Lightroom, which are disruptive in a good way. Stay to the end for her story about saving the day for a wedding photographer whose sharp focus was disrupted by a rogue officiant, who stepped in front of the lens just before a couple's first kiss. Guests: Scott Kelby & Kristina Sherk For more information on our guests and the gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/adobe-software-and-ai-scott-kelby-kristina-sherk-at-depth-of-field-2023 Above photograph © Kristina Sherk Stay Connected: Scott Kelby Website: https://scottkelby.com Scott Kelby Instagram: https://www.instagram.com/scottkelby Scott Kelby Facebook: https://www.facebook.com/SKelby Scott Kelby YouTube: https://www.youtube.com/user/kelbymediagroup Scott Kelby Pinterest: https://www.pinterest.com/skelby01 Kristina Sherk / Shark Pixel Website: https://www.sharkpixel.com Kristina Sherk / Shark Pixel Instagram: https://www.instagram.com/shark_pixel Kristina Sherk Facebook: https://www.facebook.com/sharkpixel Kristina Sherk / Shark Pixel YouTube: https://www.youtube.com/@SharkPixel

Twitter's rebrand is the next stage in Elon Musk's vision for the company. With Starlink, Elon Musk's satellite dominance is raising global alarms. NASA+ is the space agency's very own streaming platform. Uber's fatal self-driving car crash saga ends with the operator avoiding prison. The NSA is lobbying Congress to save a phone surveillance 'loophole'. What iPad should I upgrade to from the 6th generation iPad? How can I write a computer script to do a specific task within it? Mikah got his hands on the Bitzee toy after Dick DeBartolo showed it off in episode 1984. What's wrong with my printer? Can I isolate the iPad screen as its own video output to my streaming software? What is a good Linux OS for newer users to install on Chromebooks? Is there a way to have a backup cell provider if the power goes out in my area? What are some recommendations for a Wi-Fi extender? Is there an alternative solution to using a Wi-Fi extender? Is there an iPhone app to track my car maintenance over time? Are there external hard drives very close to Apple's internal SSD speeds that I can use without paying for more storage in a new Mac? Why should I update the firmware on my TV if I don't connect it to the internet? A caller calls in with a suggestion for the caller back in episode 1982 on re-sizing their photos in large batches using Adobe Lightroom. Hosts: Leo Laporte and Mikah Sargent Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Show notes and links for this episode are available at: https://twit.tv/shows/ask-the-tech-guys/episodes/1985 Download or subscribe to this show at: https://twit.tv/shows/ask-the-tech-guys Sponsor: cachefly.com

Twitter's rebrand is the next stage in Elon Musk's vision for the company. With Starlink, Elon Musk's satellite dominance is raising global alarms. NASA+ is the space agency's very own streaming platform. Uber's fatal self-driving car crash saga ends with the operator avoiding prison. The NSA is lobbying Congress to save a phone surveillance 'loophole'. What iPad should I upgrade to from the 6th generation iPad? How can I write a computer script to do a specific task within it? Mikah got his hands on the Bitzee toy after Dick DeBartolo showed it off in episode 1984. What's wrong with my printer? Can I isolate the iPad screen as its own video output to my streaming software? What is a good Linux OS for newer users to install on Chromebooks? Is there a way to have a backup cell provider if the power goes out in my area? What are some recommendations for a Wi-Fi extender? Is there an alternative solution to using a Wi-Fi extender? Is there an iPhone app to track my car maintenance over time? Are there external hard drives very close to Apple's internal SSD speeds that I can use without paying for more storage in a new Mac? Why should I update the firmware on my TV if I don't connect it to the internet? A caller calls in with a suggestion for the caller back in episode 1982 on re-sizing their photos in large batches using Adobe Lightroom. Hosts: Leo Laporte and Mikah Sargent Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Show notes and links for this episode are available at: https://twit.tv/shows/ask-the-tech-guys/episodes/1985 Download or subscribe to this show at: https://twit.tv/shows/all-twittv-shows Sponsor: cachefly.com