Podcasts about Come On

Scott & Tim Sports Show  Season 5 Episode 30 “Did They Change The Recipe For Ice?”     8/12/2021  Scott & Tim from the Boyle Theatre talk about pretty much every sporting event and story in the last month or more.Olympics, NFL, MLB, College Football, Then ticks and the strongest Beetle. Enjoy, like, share.    Huge thanks to NEW CHUMS our show theme music “Come On, ComeOn” available wherever you get your music. Check them out here: https://www.facebook.com/newchumsband/ Or here https://twitter.com/newchumsband?lang=en or here https://newchums.bandcamp.com/   Follow us on Twitter:  @scottohsman  @tboyle15   Instagram  Scottohsman Tboyle15 Mitchellsowens

Long ago, when everyone was trapped inside, ancient weeb kings spoke curses of great and terrible power. But these Podcasts caused a pandemic which threatened to destroy the entire world, until four brave young morons sealed the magic away within the mystical Millennium Microphone. Now, 5000 years later, four NEW morons unlock the secret of the Millennium Microphone to once again bring about the dreaded Podcast Dimension. This week we cover episodes 135-142, judge some third-rate dueling, and get to the end of Battle Ci- wait what? It's NOT the end? Oh, COME ON! Join our four hosts: ShibuyaKaiba, Carlamity Wheeler, Maximillian Shorasus, and Bio-Fudo as they go through the ancient wasteland that is the original Yu-Gi-Oh! anime run! If you want to watch the video version of the podcast, you can find the YouTube playlist over here: https://www.youtube.com/watch?v=CIy_dS4sInE&list=PLn_Ey4ZwoCjmARajEEx-3jNECwPHf-J_P Thank you to our Blue-Eyes White Dragons: Offstage-Tax, Amew The Fox, Joshua Silberfein, Dragon F*cker, EmperorZero, Andres Rojas, and Zomb1eslayer051 And to our Forbidden Ones: ShinyMew, Douglas Jenkins, and Nills If you'd like a shout out, or just want to support us, consider checking out our Patreon at https://www.patreon.com/millenniummic Where To Find Us: ShibuyaGato: Twitter | Twitch CalamityCarl: Twitter | Twitch Shorah: Twitter | Twitch Bio-Roxas: Twitter | YouTube Little Kuriboh: Twitter | YouTube | Facebook | Twitch

You're just not that into her, and she has no radar for this kind of thing. She's perfectly nice if a little intrusive (or a lot intrusive), and you don't want to hurt her feelings, but COME ON, LADY! GET THE HINT! The Ladies discuss this and receive a most touching letter about great friendship in a time of need.

‘There's party going on around here. Celebrating Tuck Talk for 52 weeks this year. We've had some good times, with some laughter too. It's sure been fun sharing wisdom with you. Come on now. CELEBRATION! It's time to celebrate and have a good time!' Happy Birthday and CONGRATULATIONS to Tuck Talk Podcast for One-Full-Year in the Playing! How fun has this been?! I'm grateful for your listening. I'm grateful for your allowing me to share my love of life experiences, my love for song and dance, as well as my favorite poems, quotes and new words. Given you have NOT had the opportunity to listen yet, and/or to share in a li'l Tuck Talk Podcast wisdom, there are 52 ways and possibilities to have the EPIPHA-GASM of your life!! Take a trip down memory lane and join this weeks Tuck Talk Podcast conversation. ‘Everyone around the world - Come On!' Who is this Rebel Belle? Tuck Self is a "personal growth enthusiast" and catalyst with a passion for squeezing as much juice and joy out of life as possible. As a southern woman, she was raised to do what is "appropriate" making everyone else around her comfortable, even at the expense of her own happiness. Her journey has been one of finding and reclaiming her voice and boldly expressing that to the world. Her passion is empowering her clients to find their voice, express it fully and on their own terms! Tuck is a Certified Life Development Coach in Communication, Certified Natural Law Coach, Certified Hypnotist, and a Human Design Specialist and BG5™ Career and Business Consultant. Having studied and mentored with many great Masters of our time ( including Bob Proctor, Dr. Carol McCall, Jennie Marlow, Dr. Joe Dispenza, Dr. Jill Ammon-Wexler, Richard Rudd, Christian Pankhurst, Loral Langemeier and many more) she has synthesized the tools and techniques into her Rebel Belle Philosophy. These pathways create a solid foundation, insight and joy in your life that aligns you with your truest path and most authentic essence. Tuck invites you to take an unparalleled leap of faith in yourself. Grab your petticoat ruffles and high step your way to a whole new fun and fabulous life. If you're interested in learning more about Tuck, visit her website at https://therebelbelle.com

Growing up in Vacherie, Louisiana, Zachariah D Landry had a gift and love of music he did not realize. He found himself sitting at a keyboard listening to music then duplicating it. He was told, “Maybe you should take this serious. Not too many people are able to play by ear.” Zack, as he is called by his family and friends, began to play the organ and piano at age 15. He was then placed in classes where he learn how to read music. It did not take long for his family to realize that he was given the gift of music by God. The family's faith was tried and tested. In 2005, Hurricane Katrina displaced Zack and his family. Times were hard but his faith grew stronger. At that time, he realized what the songwriter meant when he wrote, “Because He Lives.” Zack realized that it was God who had the final say because He held tomorrow. Through this adversity, Zack wrote several songs, “Lord, We Say Thank You” and “I Realize.” He realized his purpose is to win souls for Christ throughout the nation with music. Zack has had the pleasure of singing these song with a group of his friends, Phaze. The group was created in 2008 when Zack was asked to lead praise and worship at his church. In October 2015, Zack and Phaze recorded an album, “Come On, Praise Him.” They have performed at the New Orleans Jazzfest on the Gospel Stage as well as the New Orleans Chapter of Gospel Music Workshop of America. He has also performed with various artists, one of whom more noted, Pastor Donnie McClurkin, who encouraged Zack to “Set a standard in music. Be a trendsetter, not a follower.” In 2015, Zack was the winner of the Rhythm of Gospel Best Contemporary Artist. In 2016, he won the NOLA Award for Best Contemporary Artist. Zack has remained humble in his walk with God. His love for gospel music has not changed. With a neo-soul flare and a jazzy twist, his style not only reaches young people but the young at heart as well. Recognizing the calling God has placed upon him, Zack currently works as Minister of Music. His mission is to “Fulfill God's word through music.”

Come on, baby! Soak in this sneaky good playlist of some great songs that feature the phrase, "Come On!"

We're back! With a Friday release? Shit's been weird y'all and we get into it a little on the show. It's been such a trip doing this so far, and we talk about how adult life, parenting, work, and our own mental struggles have made this one hell of a rollercoaster ride! But never worry, the Blue Skies will always be back to deliver your much needed dose of positivity and potassium!  Returning guest, and friend who hasn't seen any of the shows or movies we love, Kaitlyn, joins us and continues to shock and surprise with even more classics she famously hasn't seen either! Honesty joins us in spirit and soundboard form to remind us where all the butt stuff is, and that we should be talking about it more. We get into a huge TikTok section with the crew, plus a couple bonus vids! Lets just say one is cute and the other is racist as fuck. OH an they are both original vids from the boys, recorded by the bananas themselves! We cover a lot in this one, and Kaitlyn always brings out the deep topics and introspection in us, so here is a quick rundown of what to expect! Bo Burnham's new special (guess what? she hasn't seen it), SpongeBob and the woes of not having basic cable, astrology talk, Austin hunts for cougars, lines in comedy and being regular ass people online, we all say niche wrong (nitch vs nish vs neesh), "I want her to not like it", the notorious "Piss yourself right now!" debate resurfaces, more shit Kaitlyn hasn't seen (ROBOCOP?! COME ON!) fucked up teeth and innie nipples, our shared hatred of homework and love of Tom Holland, and then drunkenly talking about COVID and the misinformation around masks and vaccines! I TOLD YOU, this one is a doozy and thanks to Kaitlyn for bringing out the best in the boys on this episode! All of this, and much more, only on BSFTB!  Thank you for listening and please don't forget to rate and review us on iTunes or wherever else you find us. Do it, or we will put your knee caps on your elbows and visa versa. It will look real dumb and you prolly won't be able to walk.  Please consider Donating to the show at PayPal it helps us keep doing whatever it is we're doing here! We also have a Venmo (@blueskiespod) and a Cash app account ($blueskiespod) if you prefer using those! FOLLOW US Our home base - PodBean - blueskiesfromthebasement.podbean.com YouTube - BlueSkiesfromtheBasement Twitter - @blueskiespod FB - Blue Skies from the Basement Insta - @blueskiespod Follow Austin and now the full SHOW on Twitch @ twitch.tv/bananacultleader THE SHOW IS LIVE ON TWITCH, EVERY SATURDAY (unless otherwise noted) SUB TO THE TWITCH, AND JOIN THE DISCORD FOR STREAM ANNOUNCEMENTS!  Email us to join the banana cult - blueskiespodcast@gmail.com Leave us a voicemail and have it played on the show - 614-600-2056 Hop on the Discord and join the conversation! - https://discord.gg/fKtFYpw Special thanks to everyone in our Discord server and the community over in Slack! Check out our SoundCloud where Wes has been experimenting with samples and Austin has a freestyle - https://soundcloud.com/user-241247125 and Instagram  @bananacultleader Honesty @honestyisaliar Wes @savagedad_wes  FIND Honesty on TikTok @ www.tiktok.com/@honestyisaliar for some amazing vocal work AND GET YOUR BSFTB MERCH NOW @ TEEPUBLIC  and as always,  don't mind me... I'm a tourist!

We take another crack at an interactive episode with yet another quiz. This time it's the IStandWith quiz, where we discover which political parties and popular American politicians we are deemed to most agree with – some of it may surprise you, other comparisons likely won't. Either way, we had more fun tackling it as counterfactuals, (fun) predictions, historical trivia and personal anecdotes ensue. It's the show you know, you know? Stay tuned for a teaser to our next interactive quiz next week. (It's been a manic week so we goof on some of our information: Ryan confuses Anwar al-Awlaki for Abu Musab al-Zarqawi and Sebastian says Biden's been president for two years already – COME ON, MAN!) Keep an eye out for appearances by John C. Reilly, Richard Nixon, Caitlyn Jenner and previous "Mars on Life" guest Heather Friedman. Interested in taking the IStandWith quiz? Find out who you side with at https://www.isidewith.com Social media: Mars on Life: @marsonlifeshow on Twitter and Instagram Sebastian Schug: @drsebby (Instagram) and Seabass on YouTube Ryan Mancini: @mancinira (Twitter) and @manciniryan (Instagram) Artwork by Zachary Erberich (@zacharyerberichart) "Space X-plorers" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/mars-on-life-show/message Support this podcast: https://anchor.fm/mars-on-life-show/support

This week, Matt wins the book at the expense of an innocent child's life, and Chris wins the book at the expense of an innocent child's life COME ON! SRSLY?! Hey, don't panic! It's ancient Greece! Lots of kids died as a narrative device! Maybe they won't get the same read?

Scott & Tim Sports Show  Season 5 Episode 29 “Shark Week, Spelling Bee & How Tall Is Tom Brady?”    7/19/2021    Scott & Tim from the Boyle Theatre talk about pretty much every sporting event and story in the last month or more. Oh and shark week. Enjoy, like, share.    Huge thanks to NEW CHUMS our show theme music “Come On, ComeOn” available wherever you get your music. Check them out here: https://www.facebook.com/newchumsband/ Or here https://twitter.com/newchumsband?lang=en or here https://newchums.bandcamp.com/   Follow us on Twitter:  @scottohsman  @tboyle15   Instagram  Scottohsman Tboyle15 Mitchellsowens

We knocked off the Saints. Butters is back early. It's a good time to be a Port fan again. Except it's not. Boaky's 300th looks like no crowd. COME ON, UNIVERSE!!!

Sandy B – “Feel Like Singing” (Original B.O.P. Club Mix) [Nervous] Trackmasters – “Come On, Do Anything” (Vocal) [Nervous] Kim English – “Nitelife” (Armand Van Helden Retail Mix) [Nervous] The Swing Kids – “Good Feelin'” (Upstairs Mix) [Nervous] Niceguy Soulman – “Feel It” (Egotrip Mix) [Nervous] House Rated – “Let The Music Motivate You” (Original […] The post The Penthouse Sessions 18th Jul 2021 appeared first on SSRadio.

The Robin Williams debate continues. Chris went on vacation; the dad bods are back in town! Black Widow and Loki discussions. Who are you to say? Crazy news! Become a Patron at jayandjack.com Write us an email at RCADCast@gmail.com Follow us on Instagram at RCADCast Leave us an iTunes review for a free drawing from […] The post Ramblecast After Dark Ep. 132: “Come On, Drop Those Balls!” appeared first on Jay and Jack.

It's been a couple months since the last episode of The Counter Bootleg Podcast. In the 12th episode I quickly discuss who I wanted as Athletic Director. Spoiler alert - Trev Alberts was not my first pick. Then I went over my initial reaction to the news that Trev Alberts would be the new athletic director at Nebraska. As I say in the podcast my immediate reaction was, “OH, COME ON!.” After several hours of thinking about the hire the excitement dissipated and I reevaluated my initial reactions. If you listen to the podcast I bet you will find that you probably also had a lot of the same thoughts one way or the other. I still don't know where I land on the decision but regardless he's the one they picked and now all I can do is hope he is successful. Please give it a listen! Please subscribe and download the podcast. Leave a review and let me know what you think! If there's a football topic that you would like me to comment on for less than 10 minutes then let me know. I appreciate your time. You can find me on twitter @nmchugh85 Also you can contact me through Cornnation.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

From Hell's Black Heart I Scream At Thee!Playlist: J.G. Thirlwell - No VacancyThe Spores - Meat Bi-ProductThe Plasmatics - Living DeadMatt Ellis - Pig HeadManuel and the Renegades - Rev UpRonnie Self - Bop-A-LenaWetnurse - Bar WarsThe Bobbyteens - Girl DowntownThe James T. Kirks - (Do The) Pulley ShakeThee Manipulators - No Ifs, Ands Or butsJackson Phibes - Old Devil MoonThe Introducers - Rancho RelaxoTex & The Horseheads - TumbleweedThe Quid - Crazy ThingsThe Exploders - Vanilla GorillaVanilla Muffins - Sugar Oi! Come On!Benny Blue - Made CapNeedles//Pins - 12:34The Welders - P-E-R-V-E-R-TSe - Meilla Voisi Tanaan Olla HauskaThe Revillos - She's Fallen In Love With A Monster Man

維尼有個 Z 世代的妹妹，他是抖音小屁孩。維尼本集就要來介紹維尼妹最常使用的抖音流行用語，簡單輕鬆的一集，大家一起抖起來！ 延伸學習，不容錯過：【生活英文】是在哈囉？Oh, Come On! 感謝收聽，喜歡別忘了要到各大平台上給本節目評論喔！

Come On in Where The Table Is Spreand and The Word Is Going on with Our Conitnued Series

Scott & Tim Sports Show  Season 5 Episode 28 “Only 3 Beers!”     6/26/2021    Scott & Tim from the Boyle Theatre talk about Scott's golf trip, Mariners, MLB pitcher goup,NBA playoffs, US Open, NFL and Tim brings the biggest story in sports, maybe ever to the program.  Enjoy, like, share.    Huge thanks to NEW CHUMS our show theme music “Come On, ComeOn” available wherever you get your music. Check them out here: https://www.facebook.com/newchumsband/ Or here https://twitter.com/newchumsband?lang=en or here https://newchums.bandcamp.com/   Follow us on Twitter:  @scottohsman  @tboyle15   Instagram  Scottohsman Tboyle15 Mitchellsowens

In the eighth episode of Season Six of Star Wars: In a Galaxy, Eli and Jacob discuss the final arc of Season Three of Star Wars: The Clone Wars: "Padawan Lost" and "Wookiee Hunt" Among their discussion: – Is this arc a lesson for Ahsoka or Anakin? – The younglings may lessen the impact of the arc. – Trandoshan culture. – The "digging for scraps" feeling of the arc. – "Hey look, it's Chewbacca!" – Should there have been a third episode in this arc? – "Your son died because of your own actions, not mine." – Ahsoka Tano – "Maybe this was a good idea" – Yoda (thinking it, not saying it. I mean, we're not sure, but COME ON that was 100% what he was thinking.) – Why "Wookiee Hunt" isn't a statement, and why that separates it from every other Star Wars television finale. Follow us on Twitter: @InaGalaxyPod Follow us on Instagram: @starwarsinagalaxy Follow Eli on Twitter: @OchiFan327 Leave us a 5-star rating and review! It really helps! You can email us at swinagalaxy@gmail.com. --- Send in a voice message: https://anchor.fm/inagalaxy/message

What a gag.....it's FLAG DAY! And what flag are we celebrating? COME ON! That one. You know the one we are talking about.  We are celebrating Flag Day with a Pop Quiz about Sweden and Switzerland (it doesn't need to make sense) and then we then bring it on home with a quiz about our grand old flag. We learn the shocking history of this national holiday (it has nothing to do with FDR, don't get excited). We also learn that only Lindsey is really unclear as to what the differences are between those two S countries. Everyone else seems to get it?  What do stars, stripes and Swiss cheese have in common? They are mentioned in this week's episode of FYIS so take a listen to learn more than you ever cared to know about stuff we will forget we taught you tomorrow.   Follow the show's Insta: instagram.com/kellyandlindsey/ Follow Kelly: instagram.com/kelly_wallacebarnowl Follow Lindsey: instagram.com/lindseygentile Donate to giveindia.org for urgent covid relief!

Join us for praise and worship as our Celebration Praise Team under the direction of Kerry Hollands lead us in singing "Come On and Bless The Lord With Me", Revelations 19:1-Hallelujah, Salvation And Glory, and Pass Me Not O Gentle Savior. The Special Music is by Anthony Wilson singing "Touched The Hem Of His Garment."

Join us for praise and worship as our Celebration Praise Team under the direction of Kerry Hollands lead us in singing "Come On and Bless The Lord With Me", Revelations 19:1-Hallelujah, Salvation And Glory, and Pass Me Not O Gentle Savior. The Special Music is by Anthony Wilson singing "Touched The Hem Of His Garment."

Scott & Tim Sports Show  Season 5 Episode 27 “How Do You Really Feel Brooks?”     5/31/2021    Scott and Tim from Manhut Studios. Long time off, Vacations, Graduations and audio gold from the PGA Championships. Plus NFL, MLB and even Tim’s NBA segment. Other typical nonsense as well. Enjoy, like, share.    Huge thanks to NEW CHUMS our show theme music “Come On, ComeOn” available wherever you get your music. Check them out here: https://www.facebook.com/newchumsband/ Or here https://twitter.com/newchumsband?lang=en or here https://newchums.bandcamp.com/   Follow us on Twitter:  @scottohsman  @tboyle15   Instagram  Scottohsman Tboyle15 Mitchellsowens

Tony Nominee Derrick Baskin showed up in NYC and had literally nowhere to stay. He did, however, have a job at TGI Friday's which is sometimes all you need. Spelling Bee, Memphis, Difficult People, Aint Too Proud, Marshall... COME ON!! His memoir is coming out this year called From Friday's to Broadway... that's not true. But it's a catchy title. This week we talk to a Tony Nominee who was almost a doctor. There are a million different ways to make your path in this industry... sometimes you just got to jump in and move to New York City with a dream. Derrick Baskin received a Tony Nomination and a San Francisco Theatre Critics Circle Award for his star turn as Otis Williams in Ain’t Too Proud. He was last seen in the Oscar‑nominated film Marshall and is best known for his role in the critically acclaimed Hulu sitcom Difficult People and his recurring role on Law & Order: SVU. Other film credits include Annie starring Cameron Diaz and Jamie Foxx; and Anesthesia starring Glenn Close, directed by Tim Blake Nelson. This award‐winning actor was last seen onstage in The New York Times Critic’s Pick Whorl Inside a Loop and has originated roles in the Tony Award®‐winning Broadway musicals Memphis; Spelling Bee, where he also earned a Drama Desk Award; and Disney’s The Little Mermaid working alongside Oscar‐, Grammy‐, and Tony‑winning composer Alan Menken and Pulitzer Prize author Doug Wright. Baskin’s concert experience includes performances with Wynton Marsalis, Michael Bublé, Wiz Khalifa, and Mariah Carey, and he has written songs on former Beyoncé musical director Divinity Roxx’s debut album, I’m Possible.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Fran Costigan, Beth from Vecreation, and Rob from Crave Free-From chocolate dispense advice on that most covetable of foodstuffs, from tempering, to some frankly out-there truffle flavours. Plus you'll get to hear the inside story on how this particular episode was beset by a barrage of problems. And... It's episode 13. I mean, COME ON. 

Rudy, Rudy Rudy….I’ve yet to quote the bible in this series, but to quote the King James version 2 Samuel Chapter 1 - “Oh how the mighty have fallen.” Rudolph William Louis Giuliani, once America’s hero, America’s Mayor, has become a laughingstock of the news, a punchline for late night hosts and pundits and possibly the most pathetic of all the Trump Mafia crew members. On paper, this guy was as good as it gets, I mean a real fucking stud of the judicial system. He served as US Associate Attorney General from 81-93 and US Attorney for the Southern District of NY from 83’ to 89’ and in 94’ he became the 107th Mayor of NYC. Seriously. A Fucking Rockstar. In the 80s, as the U.S. Attorney for the Southern District of New York he led the federal prosecution of New York City mafia bosses. He turned Times Square from a drug and porn epicenter in NYC into a veritable Disneyland filled with corporate restaurants, and businesses and made it into one of the biggest tourist attractions in the country. Rudy Gazooty was also widely credited with the steeply falling crime rates in NY, well ahead of the national average. In 2001, he was named Time Magazine’s Man of the Year, and if that’s not enough, in 2002, he was given an honorary knighthood by the Queen of Goddam England. I mean COME ON! So how did this “G” fuck it all up? Well, that’s the story I want to tell. You see, although he received those accolades, behind-the-scenes our headline-grabbing crime fighter, was not all pure of heart and most of his greatest hits, had a dark lining, which I will dig into, and when you understand the “REAL RUDY”—the Rudy who was married to his OWN FUCKING COUSIN FOR 14 YEARS—gimme a minute, I will explain this one—you will see that there has been no real fall from grace, he’s always been a douche bag.

Scott & Tim Sports Show  Season 5 Episode 26 “Stupid Optimism, NFL Draft 2021”       5/1/2021  Scott and Tim from the Boyle Theater/Studios. Start with the Jodi Allen story comes out at a Seahawks press conference.Then live reactions to the crazy 1st round of draft night. Some funny stuff as usual.. Enjoy, like, share.    Huge thanks to NEW CHUMS our show theme music “Come On, ComeOn” available wherever you get your music. Check them out here: https://www.facebook.com/newchumsband/ Or here https://twitter.com/newchumsband?lang=en or here https://newchums.bandcamp.com/   Follow us on Twitter:  @scottohsman  @tboyle15   Instagram  Scottohsman Tboyle15 Mitchellsowens Recorded at The Boyle Theatre in Snohomish, WA 

Scott & Tim Sports Show  Season 5 Episode 25 “Best NFL Draft Prospects Eat Pop Tarts”      4/24/2021  Scott from Manhut Studios and Tim from the Boyle Theater/Studios. Start with Mariner therapy session on a good start for the team. Some college football overtime chatter and Tom Brady on numbers. Sven Golly joins as our NFL Draft expert. Seahawks, Jacksonville talk, which is weird, but fun.    Huge thanks to NEW CHUMS our show theme music “Come On, ComeOn” available wherever you get your music. Check them out here: https://www.facebook.com/newchumsband/ Or here https://twitter.com/newchumsband?lang=en or here https://newchums.bandcamp.com/   Follow us on Twitter:  @scottohsman  @tboyle15   Instagram  Scottohsman Tboyle15 Mitchellsowens

- SUBSCRIBE TO OUR PODCAST: http://cornerofthegalaxy.com/subscribe/ - COG LA GALAXY DISCORD: https://discord.gg/drr9HFZY2P - COG MERCHANDISE (SCARVES, T-SHIRTS, BUTTONS, COASTERS): http://www.cornerofthegalaxy.com/SHOP COG STUDIOS, Calif. -- The LA Galaxy are preparing to welcome you back to the stadium for the first time in over a year. We're excited, you're excited, and you can bet the players are excited too! Hosts Josh Guesman and Eric Vieira are getting you ready for a game against the New York Red Bulls that is certainly going to test a Galaxy team that doesn't have it all figured out. They've got history against them, and they're trying to do something they've only done four times in the entire lifespan of the organization: win back-to-back games to start the season. Can the Galaxy break an 11-year drought? We're getting you ready for a weekend that should be a homecoming to many fans (not all, but a lot). But the Galaxy team that is taking the field is already acting like a family. That's an important thing that the guys want to talk about. Plus, has Greg Vanney really not seen Ted Lasso? COME ON, COACH! Josh and Eric will reveal which Galaxy player is one of two mentioned in a Galaxy town hall earlier this week, and perhaps we have a guess on the second one? Although it's just a guess and not a rumor! And we're getting you prepped for a false start on selling a Galaxy three-pack and why you better have already listened to the show by 9 AM on Friday (but if it's already Saturday, don't worry, you didn't miss anything, probably). Finally, before the guys go haywire with another dramatic game preview, they're telling you about a player that won't be dressing for the next two games and the odd way the League chose to let that happen. We've got a packed show that is just dying to get you out of the house, take you out for lunch, and drop you off at the stadium for a little game of soccer. Won't you join us?

- SUBSCRIBE TO OUR PODCAST: http://cornerofthegalaxy.com/subscribe/ - COG LA GALAXY DISCORD: https://discord.gg/drr9HFZY2P - COG MERCHANDISE (SCARVES, T-SHIRTS, BUTTONS, COASTERS): http://www.cornerofthegalaxy.com/SHOP COG STUDIOS, Calif. -- The LA Galaxy are preparing to welcome you back to the stadium for the first time in over a year. We're excited, you're excited, and you can bet the players are excited too! Hosts Josh Guesman and Eric Vieira are getting you ready for a game against the New York Red Bulls that is certainly going to test a Galaxy team that doesn't have it all figured out. They've got history against them, and they're trying to do something they've only done four times in the entire lifespan of the organization: win back-to-back games to start the season. Can the Galaxy break an 11-year drought? We're getting you ready for a weekend that should be a homecoming to many fans (not all, but a lot). But the Galaxy team that is taking the field is already acting like a family. That's an important thing that the guys want to talk about. Plus, has Greg Vanney really not seen Ted Lasso? COME ON, COACH! Josh and Eric will reveal which Galaxy player is one of two mentioned in a Galaxy town hall earlier this week, and perhaps we have a guess on the second one? Although it's just a guess and not a rumor! And we're getting you prepped for a false start on selling a Galaxy three-pack and why you better have already listened to the show by 9 AM on Friday (but if it's already Saturday, don't worry, you didn't miss anything, probably). Finally, before the guys go haywire with another dramatic game preview, they're telling you about a player that won't be dressing for the next two games and the odd way the League chose to let that happen. We've got a packed show that is just dying to get you out of the house, take you out for lunch, and drop you off at the stadium for a little game of soccer. Won't you join us?

Another five songs from the triple j hottest 100 of 2001? OH YEAH Some long awaited returns and some new champs? ALRIGHT Talk of sensible driving, yogurt, and the most evocative train songs? COME ON! Now can I get a 'OO OO'? No. You can't. Put some shoes on.  SONGS COVERED: 90. New Order - 60 Miles Per Hour 89. Muse - New Born 88. Spiderbait - Four on the Floor 87. Michael Franti - Rock the Nation 86. Rhubarb - Light on Your Shoulder Theme music by Sweet Potato (aka Wax Ecstatic) Editing and audio engineering by Adam Buncher Remember, music criticism is legal. They can't make us not do it. And sharing this episode, tweeting about it, recommending it to your friends, giving us a five star review, that's all legal too! And it'll get you a big OH YEAH from us.

Given that we're a bunch of nerds on this podcast it is more than surprising how many of us nerds just don't respect the franchise of DBZ! I mean, COME ON! You can't tell me you havent heard of it, even if you don't watch anime! Its not like there hasnt been a bunch of people converted to anime because of it either! Well, here ONE of us rant about how such a franchise should be repected for being alot better than you might have thought! *SPOILERS FOR: DragonBall Z (Duh) --- Support this podcast: https://anchor.fm/randomrantgenerator/support

Is Monster Hunter maybe not the kind of movie you'd normally watch?  Well if you're reading this then you probably have a Home Theater or at least love "The Home Theater Experience" and DJ is going to tell you why you need to own this 4K disc.  Plus Listener Comments, his take on the new Sony Projectors, another reason why you need to "Keep Things Simple" and more.  Just Push PlayAnd dont forget to check him out on YouTubeIs Monster Hunter maybe not the kind of movie you'd normally watch? Well if you're reading this then you probably have a Home Theater or at least love "The Home Theater Experience" and DJ is going to tell you why you need to own this 4K disc. Plus Listener Comments, his take on the new Sony Projectors, another reason why you need to "Keep Things Simple" and more. Just Push PlayPODCAST Time StampsMovies and Scenes- 9:06Listener Comments- 10:20Monster Hunter Trailer- 23:40Spoiler Free Review- 25:55Scene Reviews- 30:25To Help Support the Podcast you can sign up for a Monthly Donation HERE to become a Patreon Member

This is the first Clubhouse for DELIC. Thanks to our friend's Dave Rabin and Molly Maloof who invited DELIC into their Psychedelic Clubhouse on the Clubhouse app. We talk to Dave, Molly and "sex-pert" Nicolle Hodges. Enjoy the show!  Come to our Bicycle Day Celebration. A tribute to LSD! This Monday, April 19, 4:20 pm PST. COME ON!  Brought to you by Meet DELIC: The Psychedelic Wellness Summit, this November. Visit MeetDelic.com for more! 

在上次跟大家講解「是在哈囉？」的英文應用方式後，維尼這次要來跟大家分享如何使用 give me a break 的各種花式用法！一樣用生活化的例子以及豐富的聲音內心戲（用聽的都有畫面），來示範給大家看你在日常中如何使用這些 phrases! 延伸學習，不容錯過：【生活英文】是在哈囉？Oh, Come On! 感謝收聽，喜歡別忘了要到各大平台上給本節目評論喔！ 收聽 你早該懂了 Know Shit. No Shit! Podcast YouTube 版： https://bit.ly/34QlYwW 給需要單字卡的朋友們，節目會配合著單字出現的時間在影片中跳出字卡。 YT 版更新速度較慢，請訂閱 podcast 版本才不會錯過最新的集數，也方便通勤時收聽。 Follow 維尼（是的絕對都是本人回： Instagram: @winnieyujuliao/@opstudiostpe Twitter: @Winniebanana Facebook: https://www.facebook.com/wupwinnie 歡迎合作、英文教學洽詢及廣告推廣： yujuliao901@gmail.com (私訊粉專回應更快喔) More Winnie: https://linktr.ee/WinnieLiao

Scott & Tim Sports Show  Season 5 Episode 24 “The Squint & Tim Show?”      4/8/2021  Scott from Manhut Studios and Tim from the Boyle Theater/Studios. Open with a fun story about Tim’s lunch discussing Brady..Then, a review of Gonzaga collapse and then welcome back Squint Martindale so he can gloat about winning the bracket pool. We move on to cover Tiger, NFL trades, draft picks and some other college basketball. Good stuff.    Huge thanks to NEW CHUMS our show theme music “Come On, ComeOn” available wherever you get your music. Check them out here: https://www.facebook.com/newchumsband/ Or here https://twitter.com/newchumsband?lang=en or here https://newchums.bandcamp.com/   Follow us on Twitter:  @scottohsman  @tboyle15   Instagram  Scottohsman Tboyle15 Mitchellsowens

VizzTone is proud to announce the February 12, 2021 release of the new album THE CORNER by EARLY TIMES and the HIGH ROLLERS. Early Times is a Blues Rock street poet, living in a gritty urban landscape spanning New York's East Side street corners, bodegas, and the project park – populated by characters like Little Hustler, Uptown Charlie, Tijuana Madonna, Sweet Lou the Butcher, Ruby, Shakey, funky old Mabel, and of course Mary with her Cha Cha hat. Early and his High Rollers create moods so thick you could cut them with a chainsaw, and his incisive guitar playing is always spot on. The first single, “She’s About to Lose Her Mind,” features a guest appearance by Popa Chubby, and the second single "Come On, Let's Ride" is a swinging rocker with an insistent guitar riff moving it along. Both tracks have been on exclusive heavy rotation on Siriux XM’s Bluesville, where Early is also a popular DJ. We are happy to release the album now to all press and radio, please use the buttons above to stream or download the tracks.

VizzTone is proud to announce the February 12, 2021 release of the new album THE CORNER by EARLY TIMES and the HIGH ROLLERS. Early Times is a Blues Rock street poet, living in a gritty urban landscape spanning New York's East Side street corners, bodegas, and the project park – populated by characters like Little Hustler, Uptown Charlie, Tijuana Madonna, Sweet Lou the Butcher, Ruby, Shakey, funky old Mabel, and of course Mary with her Cha Cha hat. Early and his High Rollers create moods so thick you could cut them with a chainsaw, and his incisive guitar playing is always spot on. The first single, “She’s About to Lose Her Mind,” features a guest appearance by Popa Chubby, and the second single "Come On, Let's Ride" is a swinging rocker with an insistent guitar riff moving it along. Both tracks have been on exclusive heavy rotation on Siriux XM’s Bluesville, where Early is also a popular DJ. We are happy to release the album now to all press and radio, please use the buttons above to stream or download the tracks.

Your Butt Is Mine Gonna Take You Right Just Show Your Face In Broad Daylight I'm Telling You On How I Feel Gonna Hurt Your Mind Don't Shoot To Kill Come On, Come On, Lay It On Me All Right I'm Giving You On Count Of Three To Show Your Stuff Or Let It Be I'm Telling You Just Watch Your Mouth I Know Your Game What You're About Well They Say The Sky's The Limit And To Me That's Really True But My Friend You Have Seen Nothing Just Wait 'Til I Get Through

Scott & Tim Sports Show  Season 5 Episode 23 “Don’t Paint Me Into A Corner”      3/25/2021  Scott from Manhut Studios and Tim from the Boyle Theater/Studios. Talk March Madness, how the Big 10 sucks & we were so wrong about the Pac-12, but why? NFL free agency is crazy, Russ is still simmering, well according to Tim..    Huge thanks to NEW CHUMS our show theme music “Come On, ComeOn” available wherever you get your music. Check them out here: https://www.facebook.com/newchumsband/ Or here https://twitter.com/newchumsband?lang=en or here https://newchums.bandcamp.com/   Follow us on Twitter:  @scottohsman  @tboyle15   Instagram  Scottohsman Tboyle15 Mitchellsowens

Scott & Tim Sports Show  Season 5 Episode 22 “It’s Dr. Bandwagon To You!”      3/18/2021    Scott from Manhut Studios and Tim from the Boyle Theater/Studios. Coach O is back from Fly Over studios. NFL free agency is crazy, Russ is still simmering. March Madness, Squint Martindale joins with his brackets and Tim, Scott & Coach O run through the big upsets no one is talking about.    Huge thanks to NEW CHUMS our show theme music “Come On, ComeOn” available wherever you get your music. Check them out here: https://www.facebook.com/newchumsband/ Or here https://twitter.com/newchumsband?lang=en or here https://newchums.bandcamp.com/   Follow us on Twitter:  @scottohsman  @tboyle15   Instagram  Scottohsman Tboyle15 Mitchellsowens

Scott & Tim Sports Show  Season 5 Episode 21 “Russ & Royalty Deal”      3/11/2021    Scott from Manhut Studios and Tim from the Boyle Theater/Studios. Coach O is back from Fly Over studios. NFL trades, Russ rumors, March Madness, Dak Deal and even the Royal story as Russ and Royalty do a deal.    Huge thanks to NEW CHUMS our show theme music “Come On, ComeOn” available wherever you get your music. Check them out here: https://www.facebook.com/newchumsband/ Or here https://twitter.com/newchumsband?lang=en or here https://newchums.bandcamp.com/   Follow us on Twitter:  @scottohsman  @tboyle15   Instagram  Scottohsman Tboyle15 Mitchellsowens

Episode one hundred and sixteen of A History of Rock Music in Five Hundred Songs looks at “Where Did Our Love Go?” by the Supremes, and how the “no-hit Supremes” became the biggest girl group in history. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “She’s Not There” by the Zombies. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ —-more—-   Resources As usual, I’ve created a Mixcloud streaming playlist with full versions of all the songs in the episode.  For Motown-related information in this and other Motown episodes, I’ve used the following resources: Where Did Our Love Go? The Rise and Fall of the Motown Sound by Nelson George is an excellent popular history of the various companies that became Motown.  To Be Loved by Berry Gordy is Gordy’s own, understandably one-sided, but relatively well-written, autobiography. Women of Motown: An Oral History by Susan Whitall is a collection of interviews with women involved in Motown. I Hear a Symphony: Motown and Crossover R&B by J. Andrew Flory is an academic look at Motown. The Motown Encyclopaedia by Graham Betts is an exhaustive look at the people and records involved in Motown’s thirty-year history. How Sweet It Is by Lamont Dozier and Scott B. Bomar is Dozier’s autobiography, while Come and Get These Memories by Brian and Eddie Holland and Dave Thompson is the Holland brothers’. And Motown Junkies is an infrequently-updated blog looking at (so far) the first 694 tracks released on Motown singles. Girl Groups by John Clemente contains potted biographies of many groups of the era. The Supremes biography I mention in the podcast is The Supremes by Mark Ribowsky, which seems factually accurate but questionable in its judgments of people. I also used this omnibus edition of Mary Wilson’s two volumes of autobiography. This box set contains everything you could want by the Supremes, but is extraordinarily expensive in physical form at the moment, though cheap as MP3s. This is a good budget substitute, though oddly doesn’t contain “Stop in the Name of Love”. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, this episode contains a brief mention of rape, and the trauma of a victim, and a glancing mention of an eating disorder. The discussion is not particularly explicit, but if you think you might find it upsetting, you might be advised to check the transcript before listening, which as always can be found on the site website, or to skip this episode. Today, we’re going to look at the first big hit from the group who would become the most successful female vocal group of the sixties, the group who would become the most important act to come out of Motown, and who would be more successful in chart terms than anyone in the sixties except the Beatles and Elvis.  We’re going to look at the record that made Holland, Dozier, and Holland the most important team in Motown, and that made a group that had been regarded as a joke into superstars. We’re going to look at “Where Did Our Love Go?” by the group that up until this record was known in Motown as “the no-hit Supremes”: [Excerpt: The Supremes, “Where Did Our Love Go?”] The story of the Supremes starts, like almost every Motown act, in Detroit. Specifically, it starts with a group called the Primes, a trio who had grown up in Birmingham, Alabama, and then had moved to Cleveland, before moving in turn to Detroit. The Primes consisted of Eddie Kendricks, Paul Williams, and Kell Osborne, and were gaining popularity around the city. But their act was lacking something, and their manager, Milton Jenkins, was inspired by Ray Charles’ backing vocalists, the Raelettes. What if, he thought, his male vocal group had a group of female backing singers, the Primettes? Stories vary about exactly how Jenkins pulled the group members together, including the idea that he literally stopped girls on the streets of the housing projects where the eventual members all lived. But what everyone seems to agree on is that Betty McGlown was dating Paul Williams, so she was an obvious choice. Mary Wilson and Florence Ballard knew each other and were good singers, especially Ballard, and they joined together, with Ballard becoming the new group’s leader. And nobody seems to be clear who asked Diana Ross to join, but she was invited in. Ross says she was already singing with the other three around the neighbourhood. Wilson insisted that they didn’t know her, and that she was brought in by Jenkins. While Ballard and Wilson were friendly enough, and all of them were from the same small area and so knew each other by sight, this wasn’t a group that came together as friends, but people who were put together by a third party. This would make a big difference to them over the years. Ross was probably introduced to the group because she already had a reputation among the people who were playing Detroit’s talent shows. For example there’s Melvin Franklin, who in the late fifties was singing with The Distants: [Excerpt: The Distants, “Come On”] Franklin was an old friend of Ross’ from school, and he would rave about Ross to his friends, so much so that Otis Williams, another member of the Distants (which would soon merge with the Primes to become the Temptations) knew Ross’ name long before he ever met her, and later remembered thinking “Jesus, this girl must be something special.” So Jenkins would have known about Ross through these connections. Incidentally, before we go any further, I should mention the issue of Diana Ross’ name. At this point, she was mostly known by the name on her birth certificate, Diane, and that’s how many people who knew her in this period still refer to her when talking about the late fifties and early sixties. However, she says herself that her parents always intended to name her Diana and the person filling in the birth certificate misspelled it, and she’s used Diana for many decades now. As a general rule on this podcast I always refer to someone by the name they choose for themselves unless there’s a very good reason not to, and so I’m going to be referring to her as Diana throughout — and later when we talk about the Byrds, I will always refer to Roger McGuinn, and so on. It’s difficult to talk about Diana Ross in any sensible way, because she is not a person who has inspired the greatest affection among her colleagues, or among people writing about her. But almost all the negative things said about her have a deep undercurrent of misogyny. One of the biographies I used for researching this episode, for example, in the space of four consecutive sentences in the introduction, compares her face to that of ET, says she looked “emaciated and vacant” (and this is a woman who suffered from anorexia), talks about how inviting her mouth is and her “bedroom eyes”, and then talks about how she used her sexuality to get ahead. You will be shocked, I am sure, to hear that this book was written by a male biographer. Oddly, the books I’m using for the upcoming episodes on Manfred Mann and the Beach Boys don’t talk of their lead singers in this way… In particular, there is a recurring theme in almost everything written about Ross, which criticises her for having affairs with prominent people at Motown, most notably Berry Gordy, and accuses her of doing this in order to further her own ambitions. That sort of criticism is rooted in misogyny. This is not a podcast that will ever deal in shaming women for their sexuality, and what consenting adults do with each other is their business alone. I would also point out that Ross’ affair with Gordy is always portrayed as ethical misconduct on Ross’ part, but *if* there was anything unethical about their relationship, the fault in a relationship between a rich, powerful, married man in his thirties and his much younger employee is unlikely to have been due to the latter. That’s not to say that Ross is flawless — far from it, as the narrative will make clear — but to say that it’s very difficult, when relying on reportage either from people with personal grudges against her or from writers who take attitudes like that, to separate the real flaws in the real woman from the monster of the popular imagination. But that’s all for later in the story. At this point, Ross was merely one of four girls brought together by Jenkins to form the Primettes – but Jenkins soon realised that this group could be better used as a group in their own right, rather than merely as backing vocalists for the Primes.  At this point, early on, there was no question but that Florence Ballard was the leader of the group. She had the most outspoken personality, and also had the best voice. When Jenkins had asked to hear the girls sing together, all the others had just looked at each other, while she had burst out into Ray Charles’ “Night Time is the Right Time”: [Excerpt: Ray Charles, “Night Time is the Right Time”] That would become a staple of the girls’ early act, along with “The Twist” and “There Goes My Baby”. All of the girls would take lead vocals on stage, but Florence was the first among equals. At that time, indeed, Ballard thought that Ross should not be a lead singer at all, but Ross got very angry at this, and kept working at her vocals, trying to get them more commercial and make better use of her more limited voice. Ballard was a natural singer, who sang passionately in a way that apparently blew audiences away with relatively little effort, because she was singing from the heart. Ross, on the other hand, was a calculated performer who was deliberately trying to gain the audience’s popularity, and was improving with every show as she learned what worked. The combination worked, at least for a time, though the two never got on even from the start. Of the other members, Mary Wilson was always the peacemaker, someone who was so conflict-averse she would find a way to get Florence and Diana to stop fighting, no matter what. Meanwhile, Betty was the least interested in being in a group — she was just doing it as a favour for her boyfriend. And finally, there was a fifth member, Marvin Tarplin, who didn’t sing but who played guitar, which made them one of the few vocal groups in the city who had their own accompaniment. Fairly quickly, Franklin dropped out of management — he spent some time in hospital, and after getting out he just never got back in touch with the girls — and the Primettes took over looking after themselves. There are various stories about them being approached by different people within Motown at different points, but everyone agrees that their first real contact with Motown came through Ross. Ross had, a year or so before the group formed, been friendly with Smokey Robinson, on whom she had a bit of an adolescent crush. Knowing that Robinson was now recording for Motown, she got in touch with him, and he made a suggestion — her group should audition for him, and if he thought they were good enough, he’d get them an appointment with Berry Gordy. The group sang for Robinson, who wasn’t hugely impressed, except with their guitarist. So Robinson made a deal with them — he’d get the girls an audition for Motown, if he could borrow their guitarist for a tour the Miracles were about to do. They agreed, and Robinson’s temporary borrowing of Tarplin lasted fifty years, as Tarplin continued working with Robinson, both in the Miracles and on Robinson’s solo records, until 2008, and co-wrote many of Robinson’s biggest hits. But Robinson kept his word, and the girls did indeed audition for Berry Gordy, who was encouraging but told them to come back after they had finished school.  But two other producers at Motown, Richard Morris and Robert Bateman, decided they weren’t going to wait around. If Berry Gordy didn’t want to sign them yet, they’d get the Primettes work with other labels. Morris became their manager, and they started getting session work on early recordings by future soul legends like Wilson Pickett: [Excerpt: Wilson Pickett, “Let Me Be Your Boy”] And Eddie Floyd: [Excerpt: Eddie Floyd, “I am Her Yo-Yo Man”] The group also eventually got to put out their own single. The A-side featured Ross on lead: [Excerpt: The Primettes, “Tears of Sorrow”] While the B-side had Wilson singing lead, but also featured a prominent high part from Ballard: [Excerpt: The Primettes, “Pretty Baby”] Shortly after this, several things happened that would change the group forever. One was that Betty decided to leave the group to get married. She had never been as committed to the group as the other three, and she was quickly replaced with a new singer, Barbara Martin. The other, far more devastating, thing was that Florence Ballard was raped by an acquaintance. This traumatised Ballard deeply, and from this point on she became unable to trust anyone, even her friends. She would suffer for the rest of her life from what would now be diagnosed as post-traumatic stress disorder, and while it’s likely that the later problems between her and Ross would have occurred in some form, the way they occurred was undoubtedly affected by the fact of Ballard’s untreated mental illness as a result of this trauma. After refusing to speak to anyone at all for a couple of weeks, Ballard managed to get herself well enough to start singing again, and then only a few days later Richard Morris was arrested for a parole violation and found himself in prison.  With all these devastating changes, many groups would have given up. But  the Primettes were ambitious, and they decided that they were going to force their way into Motown, whether Berry Gordy wanted them or not. They took to hanging around Hitsville, acting like they belonged there, and they soon found themselves doing minor bits of work on sessions — handclaps and backing vocals and so on, as almost everyone who hung around the studio long enough would. Eventually they got lucky. Freddie Gorman, who was the girls’ postman in his day job and had not yet written “Please Mr. Postman”, had been working on a song with Brian Holland, and the girls happened to be around.  Gorman suggested they try the song out, to see what it sounded like with harmonies, and the result was good enough that Holland and Gorman called in Gordy, who tinkered with the song to get his name on the credits, and then helped produce the session: [Excerpt: The Supremes, “I Want a Guy”] That came out under the name The Supremes, with a Berry Gordy song on the B-side, a knock-off of “Maybe” by the Chantels called “Never Again”. How the group got their new name has also been a subject of some dispute, in part because of legal issues later on, as Florence Ballard tried to claim some intellectual property rights in the group name as the one who had chosen it. Everyone involved has a different story about how the name was chosen, but it seems to be the consensus that Ballard did pick the name from a shortlist, with the dispute being over whether that shortlist was of names that the group members had come up with between them, or whether it was created by Janie Bradford, and whether Ballard made a conscious choice of the name or just picked it out of a hat. Whatever the case, the Primettes had now become the Supremes. The problem was that Berry Gordy wasn’t really interested in them as a group. Right from the start, he was only interested in Diana Ross as an individual, though at least at first all the members would get to take lead vocals on album tracks — though the singles would be saved for Diana. With one exception — after the group’s first single flopped, they decided to go in a very different direction for the second single.  For that, Gordy wrote a knock-off of a knock-off. In 1959 the Olympics had had a very minor hit with “Hully Gully”: [Excerpt: The Olympics, “Hully Gully”] Which had been remade a few months later by the Marathons as “Peanut Butter”: [Excerpt: The Marathons, “Peanut Butter”] Gordy chose to rework this song as “Buttered Popcorn”, a song that’s just an excuse for extremely weak double entendres, and Florence got to sing lead: [Excerpt: The Supremes, “Buttered Popcorn”] That was no more successful than “I Want a Guy”, and that would be the last time Florence Ballard ever got to sing lead on a Supremes single. It would also be the last single the Supremes released as a four-piece. While Barbara Martin had recorded some material with the group that would be released later, she became pregnant and decided to leave the group. Having decided that they clearly couldn’t keep a fourth singer around, the other three decided to continue on as a trio. By this time, Motown had signed the Marvelettes, and they’d leapfrogged over the Supremes to become major stars. The Supremes, meanwhile had had two flops in a row, and their third did little better, though “Your Heart Belongs to Me”,  written and produced for them by Smokey Robinson, did make number ninety-five in the charts. That was followed by a string of flops that often did, just, make the Hot One Hundred but didn’t qualify as hits by any measure — and many of them were truly terrible. The group got the nickname “the no-hit Supremes” and tended to get the songs that wouldn’t pass muster for other groups. Their nadir was probably the B-side “The Man with the Rock & Roll Banjo Band”, a song that seems to have been based around Duane Eddy’s “Dance With the Guitar Man”: [Excerpt: Duane Eddy, “Dance With the Guitar Man”] But instead of the electric guitar, the Supremes’ song was about the banjo, an instrument which has many virtues, but which does not really fit into the Motown sound: [Excerpt: The Supremes, “The Man with the Rock and Roll Banjo Band”] This sort of thing continued for two years, with the Supremes now being passed in chart success not only by the Marvelettes but also by the Vandellas, who also signed to Motown after them and had hits before. The “no-hit Supremes” at their best only just scraped the bottom of the Hot One Hundred, no matter who produced them — Lamont Dozier and Brian Holland, Clarence Paul, Berry Gordy, and Smokey Robinson all had multiple attempts at recording with the group, because of Gordy’s belief in Ross’ star potential, but nothing happened until they were paired with Holland, Dozier, and Holland, fresh off their success with the Vandellas. The musical side of the Holland/Dozier/Holland team had already worked with the group, but with little success. But once Holland/Dozier/Holland became a bona fide hit-making team, they started giving the Supremes additional backing vocal parts. They’re in the vocal stack, for example, on Marvin Gaye’s extraordinary “Can I Get a Witness”: [Excerpt: Marvin Gaye, “Can I Get a Witness”] The first song that Holland, Dozier, and Holland wrote as a team for the Supremes is very different from the heavy, soulful, records they’d specialised in up until that point. Lamont Dozier has said that when he came up with the idea for “When the Lovelight Starts Shining in His Eyes” he was thinking of Phil Spector and Brian Wilson, although it’s unlikely he was actually thinking of Wilson, who at this point in 1963 was still making rather garagey surf-rock records rather than the symphonic pop he would start to specialise in the next year. Which is not to say that Holland, Dozier, and Holland weren’t paying attention to Wilson — after all, they wrote “Surfer Boy” for the Supremes in 1965 — but Dozier is probably misremembering here. It’s entirely plausible, though, that he was thinking of Spector, and the song definitely has a wall of sound feel, albeit filtered through Motown’s distinctly funkier, non-Wrecking-Crew, sound, and with more than a little Bo Diddley influence: [Excerpt: The Supremes, “When the Lovelight Starts Shining Through His Eyes”] That also featured additional backing vocals from the Four Tops, another group with whom Holland, Dozier, and Holland were working, and who we’ll be hearing more of in future episodes. “When the Lovelight Starts Shining Through His Eyes” went to number twenty-three, the first bona fide hit the Supremes had ever had. So they were set. They even had a surefire smash follow-up. With Holland, Dozier, and Holland they’d recorded *another* Phil Spector knock-off, *before* “Lovelight”, a record modelled on “Da Doo Ron Ron”, titled “Run Run Run”, but they’d held it back so they could release it next — they decided to release a record that sounded like a medium-sized hit first, to get some momentum and name recognition, so they could then release the big smash hit. But “Run Run Run” only went to number ninety-four. The group were at a low point, and as far as they could tell they were only going to get lower. They’d had their hit and it looked like a fluke. The big one they’d had hopes for had gone nowhere. The story of their next single has been told many ways by many different people. This is a version of the story as best I can put it together, but everything that follows might be false, because as with so much of Motown, everyone has their own agenda. As best I can make out, Holland, Dozier, and Holland were working on tracks for a proposed Marvelettes album and came up with a simple, stomping, song based on a repetitive eight-bar verse, with no bridge, chorus, or middle eight. The Holland brothers disagree about what happened next, and it sounds odd, but Lamont Dozier, Mary Wilson, and Katherine Anderson of the Marvelettes all say the same thing — while normally Motown artists had no say in what songs they recorded, this time the Marvelettes were played a couple of backing tracks which had been proposed as their next recording, and they chose to dump the eight-bar one, and go instead with “Too Many Fish in the Sea”: [Excerpt: The Marvelettes, “Too Many Fish in the Sea”] The way Dozier tells the story, that presented Holland, Dozier, and Holland with a problem. They’d recorded the backing track, and one of the many ways that Motown caused problems for its creative workers was that they would be charged against royalties for studio time. If the track didn’t get released, they’d lost all the money. So they turned to the Supremes, and Dozier tried to persuade Mary Wilson that he’d written this great new song, just for them, they’d love it, but by this point they’d already talked to the Marvelettes and been told about this dreadful song they’d managed to get out of doing, and advised to avoid it if they could. But while the Marvelettes were a big, successful group, the Supremes weren’t yet, and didn’t have any choice. They were going to record the song whether they liked it or not. They didn’t like it. Having already been poisoned against the song by the Marvelettes, there were further problems in the studio because one of the production team had originally told Mary Wilson she could sing lead on the song. Everyone seems agreed that Brian Holland insisted on Diana Ross singing it instead, but Eddie Holland remembers that he thought that Wilson should sing and it was Brian and Dozier who insisted on Ross, while Dozier remembers that *he* thought that Wilson should sing, and it was the Holland brothers who insisted on Ross. Somehow, if all these memories are to be believed, Brian Holland outvoted his partners one to two, possibly because Berry Gordy had declared that Ross should be the lead singer on all Supremes singles. Mary was devastated, while Ross was annoyed that she was having to sing what she thought was a terrible song, in a key that was much lower than she was used to. She got more annoyed when Eddie Holland kept coaching her on how he wanted the song sung — she was playing with the phrasing and Holland insisted she sing it straight. Eventually she started threatening to get Gordy to come down, at which point Eddie told her that she could do that, but then Gordy could just produce the session and they needn’t bother hoping for any more Holland/Dozier/Holland songs.  She sang through her lead putting as little emotion as she could into her voice, while glaring daggers at the producers, before storming off as soon as she’d completed the take they wanted, complaining about being given everyone else’s leftovers: [Excerpt: The Supremes, “Where Did Our Love Go?”] Holland, Dozier, and Holland then got on with trying to get the other two Supremes to do the backing vocal parts. But the parts Lamont Dozier had come up with were difficult, nobody was in a good mood, and Mary Wilson was still upset that she wasn’t going to be singing lead. They couldn’t get the vocals down, and eventually, frustrated, Dozier told them to just sing “baby baby” when he pointed, and they went with that. Towards the end of the session, Ross came back in, with Berry Gordy, who she had clearly been complaining to about the song. He asked to hear it, and they played back this recording that nobody was happy with. Gordy, much to Ross’ shock, was convinced it was a hit, and said to them “Cheer up, everybody! From now on, you’re the big-hit Supremes!”: [Excerpt: The Supremes, “Where Did Our Love Go?”] Motown was in a bit of a slump at that point — several of the label’s big stars had had disappointing follow-ups to their hits, and they’d just lost Mary Wells, one of their biggest stars, to another label. Gordy decided that they were going to give “Where Did Our Love Go?” a huge push, and persuaded Dick Clark to put the Supremes on his Caravan of Stars tour. When the record came out in June, they were at the bottom of the bill, opening the show on a bill with more than a dozen other acts, from the Zombies to the Shirelles to Freddie “Boom Boom” Cannon above them. By the end of the tour, their record was at number one in the charts and they had already recorded a follow-up. As “Where Did Our Love Go?” had included the word “baby” sixty-eight times, the production team had decided not to mess with a winning formula: [Excerpt: The Supremes, “Baby Love”] That went to number one by the end of October 1964, making the Supremes the first Motown act to have two number ones. There would be a lot more where that came from. But there was already trouble brewing in the group. Even on the Dick Clark tourbus, there were rumours that Diana Ross wanted a solo career, and there was talk of her forcing Florence Ballard out of the group. We’ll look at that, and what happened with the Supremes in the latter part of the sixties in a few months’ time.  But I can’t end this time without acknowledging the sad death, a month ago today, of Mary Wilson, the only member of the Supremes who stayed with the group from the beginning right through to their split in 1977. For a member of a group who were second only to the Beatles for commercial success in the sixties, she was underrewarded in life, and her death went underreported. She’ll be missed.

Growing up in Vacherie, Louisiana, Zachariah D Landry had a gift and love of music he did not realize: He was able to easily duplicate music that he heard "by ear." Zack (as he's called by family and friends) began playing piano and organ at age 15, and with his family's encouragement, he started classes to develop his music reading skills. It was during this time that Zack's family came to know that this talent for music was a Gift From God.In 2005, Zack's family's faith was tried and tested when Hurricane Katrina displaced them from their home. Times were hard but Zack's faith grew stronger. Through this adversity, Zack wrote several songs, "Lord, We Say Thank You" and "I Realize." Zack has had the pleasure of singing these songs with a group of his friends, Phaze.Formed in 2008, Zack and Phaze recorded a 2015 album, "Come On, Praise Him." They have performed at the New Orleans Jazzfest on the Gospel Stage, as well as the New Orleans Chapter of Gospel Music Workshop of America. Zack has also performed with various artists, including Pastor Donnie McClurkin, who encouraged Zack to "Set a standard in music. Be a trendsetter, not a follower." In 2015, Zack was the winner of the Rhythm of Gospel Best Contemporary Artist. In 2016, he won the NOLA Award for Best Contemporary Artist. Zack is currently a Minister of Music with a mission to "fulll God's word through music."https://www.iamasound.org/https: //www.facebook.com/zdlmusichttps: //instagram.com/officialiamasound

Scott & Tim Sports Show  Season 5 Episode 20 “The Tasmanian Devil Is Real?”      3/5/2021    Scott from Manhut Studios and Tim from the Boyle Theater/Studios. Coach O has the week off. Special guest, Chip Morningwood with his “Chipitology” helping everyone with their March Madness Brackets.  in our version of The Antique Road Show with sports cards. NFL trades, Russ rumors, MLB spring training, college hoops and the latest on Tiger Woods.    Huge thanks to NEW CHUMS our show theme music “Come On, ComeOn” available wherever you get your music. Check them out here: https://www.facebook.com/newchumsband/ Or here https://twitter.com/newchumsband?lang=en or here https://newchums.bandcamp.com/   Follow us on Twitter:  @scottohsman  @tboyle15   Instagram  Scottohsman Tboyle15 Mitchellsowens

It's March again somehow and the Kpop is being messy, so let's get back in our Kpop time machine and learn all about the Kpop music that came out 20 years ago! Just like last time, we've got comebacks from artist we've met, debuts of artists you definitely know now, disbandments, tragedy, gravity defying haircuts, scarring music videos, JYP slander... all the things you want! Hey, Come On!Here's the playlist to follow and watch along! https://youtube.com/playlist?list=PL-8Wdlv0O5P7f0BYXZ0Vhw4a10LgD7C1n See acast.com/privacy for privacy and opt-out information.

Scott & Tim Sports Show  Season 5 Episode 19 "McDonald's Cup & All My Cards are 10's!"      2/25/2021    Scott from Manhut Studios and Tim from the Boyle Theater/Studios. Coach O from fly over studios.Special guest, Pete the Appraiser in our version of The Antique Road Show with sports cards. We cover Russ trade talks, Tiger crash, Mariners hot seat and even Australian Open. Oh yea, college hoops and the bubble.    Huge thanks to NEW CHUMS our show theme music “Come On, ComeOn” available wherever you get your music. Check them out here: https://www.facebook.com/newchumsband/ Or here https://twitter.com/newchumsband?lang=en or here https://newchums.bandcamp.com/   Follow us on Twitter:  @scottohsman  @tboyle15   Instagram  Scottohsman Tboyle15 Mitchellsowens

在上集聽完 all right 的正確使用方式後，這集讓 Winnie 示範 come on 的各種用法！ 大家喜歡用的是在哈囉？其實就是英文的 Oh, Come On! 延伸學習，不容錯過：教你如何正確使用 Alright! Alright, Alright, Alright！教你如何正確使用 Alright 感謝收聽，喜歡別忘了要到各大平台上給本節目評論喔！ 收聽 你早該懂了 Know Shit. No Shit! Podcast YouTube 版： https://bit.ly/34QlYwW 給需要單字卡的朋友們，節目會配合著單字出現的時間在影片中跳出字卡。 YT 版更新速度較慢，請訂閱 podcast 版本才不會錯過最新的集數，也方便通勤時收聽。 Follow 維尼（是的絕對都是本人回： Instagram: @winnieyujuliao/@opstudiostpe Twitter: @Winniebanana Facebook: https://www.facebook.com/wupwinnie 歡迎合作、英文教學洽詢及廣告推廣： yujuliao901@gmail.com (私訊粉專回應更快喔) More Winnie: https://linktr.ee/WinnieLiao

ITS THAT MONDAY AGAIN! We are back with our long awaited special guest who won the free hoodie giveaway, Zac Elliott. We were supposed to have new mics but the ol ice storm delayed the arrival of those. In this episode the cancel culture topic comes back with people now cancelling the term breast milk. It’s offensive people and needs to be called human/chest milk now... COME ON!!!!! We get a phone call in to the River posse on Coca-Cola’s new training on how to be less white! Jayson brings up how Luke combs apologizes for having a confederate flag in a music video and how everyone needs to stop apologizing. And of course Ted Texas Cruz leaves the state to get his family in a warmer place because he has the ability to do so. Zac brings TWO FMK’s to the table. Check it out, ‘‘twas a good one!

Scott & Tim Sports Show  Season 5 Episode 18 (Replay) “Worth 85 Cents”      2/18/2021    Replay today as we are off this week. Scott from Manhut Studios and Tim from the Boyle Theater/Studios. Special guest, Enjoy Appraiser Pete in our version of The Antique Road Show with sports cards. We will be back with a live new show next week.    Huge thanks to NEW CHUMS our show theme music “Come On, ComeOn” available wherever you get your music. Check them out here: https://www.facebook.com/newchumsband/ Or here https://twitter.com/newchumsband?lang=en or here https://newchums.bandcamp.com/   Follow us on Twitter:  @scottohsman  @tboyle15   Instagram  Scottohsman Tboyle15