POPULARITY
8 episodes with Barbara Martin
2 episodes with Barbara Martin
3 episodes with Barbara Martin
2 episodes with Barbara Martin
2 episodes with Barbara Martin
3 episodes with Barbara Martin
2 episodes with Barbara Martin
2 episodes with Barbara Martin
2 episodes with Barbara Martin
In dieser Folge sprechen Barbara Martin und Michael Röhle mit Thomas Wuttke über die Fallstricke agiler Transformationen – von Kommunikationslücken über strukturelle Hindernisse bis hin zur Bedeutung von Visionen, Fehlerkultur und Roadmaps. Ein ehrlicher Blick hinter die Kulissen agiler Projekte. Shownotes:
Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 4ú lá de mí an Mhárta, liomsa Lauren Ní Loingsigh. I 1989 fuair bean a bhí ag iompair agus a nia bás nuair a bhuail siad leoraí I gCeatharlach. I 2005 bhí a lán brú ar Michael Martin de bharr go raibh táille mhídhleathach ann do theach altranais. I 2005 bhí comhairle baile an tAonach Urmhumhan chun ainmniú agus náiriú a dhéanamh ar na gnó nár íoc a rátaí an bhliain sin. Dúirt bainisteoir an bhaile Paddy Heffernan muna raibh na gnó chun a rátaí a íoc go bheidís ainmnithe. I 2016 bhí Pauric O'Meara, ón chontae ar an teilifís. Bhí sé ag canadh ar The Voice of Ireland. Bhí Bressie a meantóir ar an chlár agus scaip an físeán go rábach nuair a chan sé Maniac 2000. Sin Too Many Broken Hearts ó Jason Donovan – an t-amhrán is mó ar an lá seo I 1989. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1974 tháinig ABBA amach le hamhrán nua darbh ainm Waterloo. Bhuaigh siad an Eurovision Song Contest leis an amhrán sin agus chuaigh sé chuig uimhir a haon I naoi dtír timpeall an domhain. I 2020 fuair amhránaí Barbara Martin bás ag aois 76. Bhí sí mar bhall den ghrúpa The Supremes ach d'fhág sí an ghrúpa I 1962. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh Brooklyn Beckham I Londain ar an lá seo I 1999 agus rugadh aisteoir Catherine O Hara I gCeanada ar an lá seo I 1954 agus seo chuid de na rudaí a rinne sí. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo.
Karma is the belief that your actions and decisions can influence both your current life and the next one. In simpler terms, what you choose to do can result in positive or negative outcomes. Karma is more complex than it seems; various elements, including our past lives, play a role in determining our outcomes. To help us understand this intriguing concept better, I've invited Dimitri Moraitis to explain the mysteries of this cosmic force. Dimitri Moraitis has been helping souls grow at Spiritual Arts Institute, the school he co-founded with the “Mozart of metaphysics,” Barbara Martin. His nonprofit is known as the premier metaphysical school by thousands of students around the world. He has authored several books, including international bestsellers and lectures across the U.S., and has spoken on various spiritual topics. During our conversation, Dimitri shares insights on the various forms of karma, explaining their effects on us. He also provides practical tips and tools to navigate karmic challenges and prevent the creation of negative karma, which are essential for our spiritual growth.
Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 4ú lá de mí an Mhárta, liomsa Lauren Ní Loingsigh. I 1989 fuair bean a bhí ag iompair agus a nia bás nuair a bhuail siad leoraí I gCeatharlach. I 2005 bhí a lán brú ar Michael Martin de bharr go raibh táille mhídhleathach ann do theach altranais. I 1977 bhí cruinniú in Inis ag UDC agus ar deireadh tháinig sé amach go mbeadh halla an bhaile nua le teacht. I 2005 bhí imní ann faoin todhchaí den phlean uasghrádú den ospidéal in Inis. Chosain sé timpeall 20.8 milliún euro. Sin Too Many Broken Hearts ó Jason Donovan – an t-amhrán is mó ar an lá seo I 1989. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1974 tháinig ABBA amach le hamhrán nua darbh ainm Waterloo. Bhuaigh siad an Eurovision Song Contest leis an amhrán sin agus chuaigh sé chuig uimhir a haon I naoi dtír timpeall an domhain. I 2020 fuair amhránaí Barbara Martin bás ag aois 76. Bhí sí mar bhall den ghrúpa The Supremes ach d'fhág sí an ghrúpa I 1962. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh Brooklyn Beckham I Londain ar an lá seo I 1999 agus rugadh aisteoir Catherine O Hara I gCeanada ar an lá seo I 1954 agus seo chuid de na rudaí a rinne sí. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo.
Welcome to another enlightening episode of Exploring the Mystical Side of Life with your host Linda Lang. This week, we dive into mastering your energy system with Dimitri Moraitis, co-director of the Spiritual Arts Institute and co-author of "Change Your Aura, Change Your Life." Join us as Dimitri shares his profound insights on resilience, the spiritual path, and your energy systems roll in creating your life. Learn the power of using protective colors like gold to strengthen your aura and how daily spiritual hygiene is as essential as physical care. In episode 240: - Your Energy Environment - Energy System Hygiene - Higher Self Connection - Spiritual Bank Account - Meditation & Visualization Practices - Handling Negative Energy - Law of Attraction and Aura - Spirit Guides and Angels Learn more at: https://spiritualarts.org/ References: Change Your Aura, Change Your Life by Barbara Martin and Dimitri Moraitis; The Spiritual Arts Institute If you'd like to buy us a cup of coffee, contributions (any amount) can be made to https://paypal.me/thoughtchange or https://www.buymeacoffee.com/s0ycsy6sj9. Thank you! Your donations help us produce more great episodes! Visit Linda Lang at https://ThoughtChange.com Freebies: https://thoughtchange.vipmembervault.com/ Free Meditations: https://insighttimer.com/thoughtchange Spiritual blog: https://medium.com/@thoughtchange123 Produced by Linda Lang, ThoughtChange, Box 551 Richmond, ON, Canada K0A2Z0 #mysticallife #spiritualenergy #aurahealing #meditation #divineguidance #energyprotection #spiritualawakening #positiveenergy #lawofattraction #podcast #spiritualarts #metaphysics #mysticism Produced by Linda Lang, ThoughtChange, Box 551 Richmond, ON, Canada K0A2Z0 Discover the concept of sending protective light ahead of you in challenging situations and how accessing your higher self can offer divine guidance. We also explore the intriguing idea of a "spiritual bank account," the importance of initiating change, and managing different energy environments. Distinguish between divine energies and those born of negative emotions, and how your aura reflects and impacts your life's experiences. Dive deep into spiritual lessons on worry and trust, the law of attraction, and the unseen guidance of spiritual beings. Whether you're new to metaphysical practices or a seasoned spiritual seeker, this episode offers valuable insights to elevate your spiritual journey. Tune in now to start mastering your energy and transforming your life. For more resources and information about Dimitri Moraitis and his work, visit the Spiritual Arts Institute. Learn more at: https://spiritualarts.org/ References: Change Your Aura, Change Your Life by Bara Martin and Dimitri Moraitis; The Spiritual Arts Institute If you'd like to buy us a cup of coffee, contributions (any amount) can be made to https://paypal.me/thoughtchange or https://www.buymeacoffee.com/s0ycsy6sj9. Thank you! Your donations help us produce more great episodes! Visit Linda Lang at https://ThoughtChange.com Freebies: https://thoughtchange.vipmembervault.com/ Free Meditations: https://insighttimer.com/thoughtchange Spiritual blog: https://medium.com/@thoughtchange123 Produced by Linda Lang, ThoughtChange, Box 551 Richmond, ON, Canada K0A2Z0 #mysticallife #spiritualenergy #aurahealing #meditation #divineguidance #energyprotection #spiritualawakening #positiveenergy #lawofattraction #podcast #spiritualarts #metaphysics #mysticism
Step into the foggy streets of Portland in December 1958, where a seemingly perfect family—Ken and Barbara Martin along their three daughters—vanished without a trace. From their cheerful "Candy Lane" home to their fateful trip in search of a Christmas tree, this haunting case captivated the Pacific Northwest as well as the rest of the nation. Featuring nearly daily coverage in newspapers like The Oregonian, the disappearance was a story of unresolved twists, from mysterious sightings of their vehicle to the eventual chilling discovery of two bodies in the Columbia River.Join us as we delve into the investigation of a case that clearly haunted lead Detective Walter Graven of the Portland Police Bureau. We'll explore suspicious ties to ex-convicts, and uncover the enigmatic role of the family's sole survivor, Donald Martin. Did a stolen .38 Colt Commander hold the key to the mystery? Was the family's demise the result of a tragic accident—or something far darker? This episode reexamines one of Oregon's coldest cases and its lingering mysteries. Visit our website! Find us on Facebook, Instagram, TikTok, Patreon, & more! If you have any true crime, paranormal, or witchy stories you'd like to share with us & possibly have them read (out loud) on an episode, email us at pnwhauntsandhomicides@gmail.com or use this link. There are so many ways that you can support the show: BuyMeACoffee, Spreaker, or by leaving a rating & review on Apple Podcasts. Sources
We're going to explore aura's- that special field of energy that is thought to emanate from all things in nature and is visible by people with psychic abilities. We have all felt someone's aura even if we didn't really know what it was. If you have ever met someone you instantly liked and connected with you were probably reacting to their aura. The same goes for someone you instantly disliked or felt uncomfortable with. We are going to touch on the fascinating world of auras, what they are and how we can harness this incredible spiritual energy. I'm talking to Dimitri Moraitis today who is the co-founder and executive director of the Spiritual Arts Institute in Encinitas, CA. Working with Barbara Martin who is one of the foremost clairvoyants and spiritual teachers in the world, they have re released the 25th anniversary edition of a metaphysical classic Change Your Aura, Change Your Life. A Step by Step Guide to Unfolding Your Spiritual Power. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today on Conscious Talk… Most of us have come to realize the importance of color in our lives, but did you realize color has deep spiritual significance. In fact, colors in our auras say a lot about us. How? We'll talk to Dimitri Moraitis, co-founder of The Spiritual Arts Institute in Encinitas, California. He's the co-author of “Change Your Aura Change Your Life with Barbara Martin. Website: www.SpiritualArts.org Learn more about your ad choices. Visit podcastchoices.com/adchoices
Today on Conscious Talk… Most of us have come to realize the importance of color in our lives, but did you realize color has deep spiritual significance. In fact, colors in our auras say a lot about us. How? We'll talk to Dimitri Moraitis, co-founder of The Spiritual Arts Institute in Encinitas, California. He's the co-author of “Change Your Aura Change Your Life with Barbara Martin. Website: www.SpiritualArts.org Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Today on Conscious Talk… Most of us have come to realize the importance of color in our lives, but did you realize color has deep spiritual significance. In fact, colors in our auras say a lot about us. How? We'll talk to Dimitri Moraitis, co-founder of The Spiritual Arts Institute in Encinitas, California. He's the co-author of “Change Your Aura Change Your Life with Barbara Martin. Website: www.SpiritualArts.org
Send us a textIn this episode, Mark and Andrew dig into the story of the Ringelmann Effect, a phenomenon first observed by French academic Max Ringelmann that suggests that individuals produce less output when they're in a group. They explore the historical context of Ringelmann's research and compare it with later research that coined the terms ‘social loafing' and ‘the Sucker effect'. Discussing studies by Ingham, Latane, and Kerr, and their own insights, Mark & Andrew uncover how individual effort can decrease in group settings due to factors like coordination loss, lack of motivation, and perceived fairness. Despite these challenges, the episode demonstrates how teams can still achieve outcomes that individuals never could, as long as there's proper motivation and shared goals.Chapters00:00 Suckers, Social Loafing and the Ringelmann Effect00:45 Introduction to the Ringelmann Effect01:34 Exploring the Original Ringelmann Paper03:58 Ringelmann's Experiments and Findings08:42 Coordination vs. Motivation in Group Effort18:20 Steiner's research19:10 Extending Ringelmann: Ingham's Rope-Pulling Experiments23:11 Latané et al's research24:47 Latane's Social Loafing Studies28:21 Coordination vs Motivation32:26 Exploring Attribution and Equity35:46 Understanding Overconfidence Bias38:47 The Sucker Effect and Social Loafing47:04 Positive and Negative pulls on team performance48:49 The Role of Motivation in Team Dynamics59:52 Concluding Thoughts on TeamworkResearch cited:Latané, B., Williams, K., & Harkins, S. (1979). Many hands make light the work: The causes and consequences of social loafing. Journal of Personality and Social Psychology, 37(6), 822–832 https://psycnet.apa.org/record/1980-30335-001David Kravitz, Barbara Martin (1986). Ringelmann Rediscovered: The Original Article May 1986 Journal of Personality and Social Psychology 50(5):936-941 50(5):936-941 https://psycnet.apa.org/doiLanding?doi=10.1037%2F0022-3514.50.5.936Ingham, A. G., Levinger, G., Graves, J., & Peckham, V. (1974). The Ringelmann effect: Studies of group size and group performance. Journal of Experimental Social Psychology, 10(4), 371–384. https://doi.org/10.1016/0022-1031(74)90033-XKerr, N. L. (1983). Motivation losses in small groups: A social dilemma analysis. Journal of Personality and Social Psychology, 45(4), 819–828. https://doi.org/10.1037/0022-3514.45.4.819Ringelmann, M. Recherches Sur Les Moteurs Animés Travail De L'homme Par Max Ringelmann. Annales de l'Institut national agronomique : administration, enseignement et Institut national agronomique Paris-Grignon (1913) https://gallica.bnf.fr/ark:/12148/bpt6k54409695/f14.item.langENSteiner, I. D. (1972). Group process and productivity. Orlando, FL: Academic Press. https://archive.org/details/groupprocessprod0000steiThanks for listening!Music by Tom Farrington
Out of CA, Dimitri Moraitis is not only the Co-founder of Spiritual Arts Institute but also the Director. In this podcast, we talk about his awakening, his teacher ~ Barbara Martin, magical moments, auras, the sea of energy, protective light, parenting and the maturing of the aura, lies and how we are finding God/source/spirit again in this Great Awakening.Dimitri ends with the "Just Be Practice" by leading a glorious meditation on wisdom. Love it!Connect with Dimitri and the Spiritual Arts Institute:Website: https://spiritualarts.orgFB: https://www.facebook.com/SpiritualArtsInstituteYouTube: https://www.youtube.com/c/SpiritualartsOrg/featuredInstagram: https://www.instagram.com/spiritual_arts_instituteLinkedIn: https://www.linkedin.com/company/spiritual-arts-institute/posts/?feedView=all*Host Eden Koz is a soul realignment specialist utilizing such gifts as psychological empathy, intuition, psychic ability, mediumship, meditation, mindset shift, Reiki, dimensional and galactic healing, to name a few. She can also perform a spiritual Co#id Vac+ Healing as well as remote & face-to-face sessions with individuals and groups. Contact info for Eden Koz / Just Be®, LLC:My 3D to 5D Merch here. Insta, FB, FB (Just Be), LinkedIn, TruthSocial, (see the podcast also on) BitChute, Rumble, YouTube, Odysee, Grassroots Warrior Network The Just Be~Spiritual BOOM Podcast can be found on the audio directories: Apple Podcasts, Spotify, ...
Today we take a deep dive into the Spiritual Arts and are talking with Dimitri Moraitis,co-founder of the Spiritual Arts Institute. We will discuss everything from Auras to Karma as we journey to understand our spiritual selves. Dimitri Moraitis (say MORE eye tis) has been helping souls grow at Spiritual Arts Institute, the school he co-founded with the “Mozart of metaphysics,” Barbara Martin. His nonprofit is known as the premier metaphysical school by thousands of students around the world. Welcome, Dimitri. Tell us, what is the difference between meditation and prayer? #voicesofcourage #kendfoster #DimitriMoraitis Website: spiritualarts.org Facebook: facebook.com/SpiritualArtsInstitute Instagram: instagram.com/spiritual_arts_institute Full Episode (Youtube): https://youtu.be/FVojOusLHCo Youtube: youtube.com/@voicesofcourageshow Spotify: https://shorturl.at/beNwR Apple Podcast: https://shorturl.at/rmROg Facebook: facebook.com/VoicesofCourageRadio Instagram: instagram.com/voicesofcourage.us Twitter: twitter.com/KennethFoster Linkedin: linkedin.com/in/kendfoster Voices of Courage: voicesofcourage.us Ken D Foster: kendfoster.com
Most of us have come to realize the importance of color in our lives, but did you realize color has deep spiritual significance. In fact, colors in our auras say a lot about us. How? We'll talk to Dimitri Moraitis, co-founder of The Spiritual Arts Institute in Encinitas, California. He's the co-author of “Change Your Aura Change Your Life with Barbara Martin. Website: www.SpiritualArts.org
Most of us have come to realize the importance of color in our lives, but did you realize color has deep spiritual significance. In fact, colors in our auras say a lot about us. How? We'll talk to Dimitri Moraitis, co-founder of The Spiritual Arts Institute in Encinitas, California. He's the co-author of “Change Your Aura Change Your Life with Barbara Martin. Website: www.SpiritualArts.org Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Most of us have come to realize the importance of color in our lives, but did you realize color has deep spiritual significance. In fact, colors in our auras say a lot about us. How? We'll talk to Dimitri Moraitis, co-founder of The Spiritual Arts Institute in Encinitas, California. He's the co-author of “Change Your Aura Change Your Life with Barbara Martin. Website: www.SpiritualArts.org
Dimitri Moraitis is cofounder and executive director of the Spiritual Arts Institute. An accomplished teacher and spiritual healer, he is coauthor of Karma and Reincarnation, The Healing Power of Your Aura, and Communing with the Divine. He lectures with Barbara Martin across the country. Join Robert Manni, author of The Guys' Guy's Guide To Love as we discuss life, love and the pursuit of happiness. Subscribe to Guy's Guy Radio on YouTube, iTunes and wherever you get your podcasts! Buy The Guys' Guy's Guide to Love now!
Dimitri Moraitis is cofounder and executive director of the Spiritual Arts Institute. An accomplished teacher and spiritual healer, he is coauthor of Karma and Reincarnation, The Healing Power of Your Aura, and Communing with the Divine. He lectures with Barbara Martin across the country. Join Robert Manni, author of The Guys' Guy's Guide To Love as we discuss life, love and the pursuit of happiness. Subscribe to Guy's Guy Radio on YouTube, iTunes and wherever you get your podcasts! Buy The Guys' Guy's Guide to Love now!
Air Date - 13 June 2024June 26th is Forgiveness Day. Is it possible to both forgive everyone who may have hurt you as well as offer forgiveness to those you may have hurt?My guest this week on Vox Novus, Dimitri Moraitis, says that there are Divine Forgiveness Principles that promote healing and “brighten your aura.” Dimitri Moraitis has been helping souls grow at the Spiritual Arts Institute, the school he co-founded with the “Mozart of metaphysics,” Barbara Martin. Thousands know this nonprofit of students around the world as the premier metaphysical school. He is the co-author of the international bestseller Change Your Aura, Change Your Life. You can learn more about his work at https://spiritualarts.org/. He joins me this week to share his path and the power of Divine Forgiveness.#DimitriMoraitis #DivineForgiveness #VoxNovus #VictorFuhrman #NewThought #Lifestyle #Metaphysics #Paranormal #SpiritualityVisit the Vox Novus Show Page https://omtimes.com/iom/shows/vox-novus/Connect with Victor Fuhrman at http://victorthevoice.com/Subscribe to our Newsletter https://omtimes.com/subscribe-omtimes-magazine/Connect with OMTimes on Facebook https://www.facebook.com/Omtimes.Magazine/ and OMTimes Radio https://www.facebook.com/ConsciousRadiowebtv.OMTimes/Twitter: https://twitter.com/OmTimes/Instagram: https://www.instagram.com/omtimes/Linkedin: https://www.linkedin.com/company/2798417/Pinterest: https://www.pinterest.com/omtimes/
Dimitri Moraitis has been helping souls grow at the Spiritual Arts Institute, the school, he co-founded with the “Mozart of metaphysics,” Barbara Martin. His nonprofit is known as the premier metaphysical school by thousands of students around the world. https://spiritualarts.org/
Love my show? Tip me! https://tpjr.us/talkwitholiverpodcast instagram.com/yeskingoliver twitter.com/yeskingoliver Only 90% of you who listen regularly have actually subscribed on Apple & Spotify! If you love my show, can I humbly ask if you could hit that subscribe button as it really helps the show grow and reaches more people. It would mean so much to me! The bigger the show gets, the bigger the guests get! Guest info: Dimitri Moraitis has been helping souls grow at the Spiritual Arts Institute, the school he co-founded with the “Mozart of metaphysics,” Barbara Martin. This nonprofit is known by thousands of students around the world as the premier metaphysical school. Learn more about retreats and online courses to develop your spiritual path at SpiritualArts.org. Inspired by Joe Rogan - The Joe Rogan Experience. Talk with Oliver Podcast Keywords: Not perfect podcast, Poppy Jamie, The higher self podcast, Sahara Rose, sadhguru, You can heal your life, hay House, Conspirituality, The School of manifestation, carys Leah, Spiritual shit, Alea lovely, hay House meditations, manifest daily, dheandra nicolette, The white witch podcast, Carly Rose, under the skin, above the noise, this is sunday delightful, Tom bilyeu, wim hoff, Ricky gevais, school of greatness, Lewis howes, bob proctor, Abraham hicks, esther hicks, impact theory, grant cardone, cardone zone, the tai Lopez show, tai lopez, Jimmy fallon, Justin timberlake, Kanye west, will smith, opera, trump, Donald trump, Elon musk, Justin bieber, Jonny depp, Leonardo DiCaprio, Jordan Peterson, London real, Brian rose, Jordan Belford, Tony robbins, joe wicks, jake Paul, Logan Paul, Russell brand
For those on a spiritual path, learning to becoming sensitive to spirit can happen in many ways. In this conversation, Leah talks with spiritual teacher and author Dimitri Moraitis, cofounder of the Spiritual Arts Institute in CA, about having a spiritual practice, learning to notice the energy of spirit, and how to become sensitive and committed to healing the self in order to meet the soul.Dimitri and his partner Barbara Martin are co-founders of the Spiritual Arts Institute and have written numerous books on spiritual growth together, including Karma and Reincarnation, The Healing Power of Your Aura, and Communing with the Divine. Listen in to be encouraged on your spiritual journey and to hear Dimitri's take on energy, spirit, communing with the other side and more. Thanks for listening! Follow leah on IG, FB & TK @leahthemodernsage for more!
It's little known that many people experience a spiritual awakening - often without total awareness or comprehension that this is what they're experiencing! They come in different shapes and sizes from dramatic - such as seeing visions, colors or other phenomena - to a more gentle experience like feeling a deeper sense of humility, oneness with others and creation, and deeper compassion. Today's special guest, co-founder, and co-spiritual director of Spiritual Arts Institute, Dimitri Moraitis is with us today to explain the top 3 signs you are having a spiritual awakening. To quote Dimitri, "A spiritual awakening is just that, an awakening. It is a transformative experience that changes your worldview for the better where an inexplicable mystery of life becomes more understandable. It's when you realize there is something more to life than just the physical world. It's an exciting time, a “eureka” where you have made a discovery you may not fully understand at first. It has sometimes been called an “ah ha!” moment.” Dimitri Moraitis has been helping souls grow at the Spiritual Arts Institute, the school he co-founded with the “Mozart of metaphysics,” Barbara Martin. This nonprofit is known by thousands of students around the world as the premier metaphysical school. Both Dimitri and Barbara believe that the key to your personal evolution — real, desired change — lies in your spiritual knowing and evolvement. As co-founders of the premier metaphysical school for spiritual development and soul growth, they have a combined 50 years of experience as wisdom teachers and clairvoyants.
In this episode, we chat with Dimitri Moraitis, the co-founder and co-spiritual director of Spiritual Arts Institute, a premier metaphysical school in Southern California. As an accomplished teacher and spiritual healer, Dimitri has co-authored a variety of books – including Karma and Reincarnation, The Healing Power of Your Aura, and Communing with the Divine. With a background in the arts, Dimitri began his metaphysical journey after a spiritual awakening at the age of 25. Since then, he has been working alongside his mentor, Barbara Martin, the person whom he solidified his understanding of metaphysics with… Join the discussion now to explore: What metaphysics are, and how they tie into spiritualism. What happens when you are in a heightened state of awareness. The importance of “following your bliss”. Why meditation is fundamental to connecting with your inner divine self. To learn more about Dimitri and his work with Spiritual Arts Institute, click here now! Episode also available on Apple Podcasts: https://apple.co/38oMlMr
Dimitri Moriatis is the co-founder and co-spiritual director of Spiritual Arts Institute (SAI) in Encinitas, CA. An illumined metaphysical teacher, healer and co-author of numerous books, Dimitri is also the co-creator, with Barbara Martin, of the SAI programs, course curriculums and numerous work-shops. At age twenty-five, Dimitri had a profound spiritual awakening that changed his life. He then met Barbara at a dinner party and knew that night Barbara was the spiritual teacher he had to study with. Barbara trained Dimitri in metaphysics as well as getting him involved in her spiritual mission which eventually led to their founding Spiritual Arts Institute and Dimitri becoming a spiritual teacher. Dimitri has been instrumental in bringing Spiritual Arts Institute to the place it is today as a premier metaphysical school. An eloquent speaker on a wide variety of spiritual topics, he has lectured across the country, appeared on numerous radio shows, and leads, with Barbara, the workshops and training classes offered at the Institute. Find out more about Spiritual Arts Institute here Connect with Christ Clemons Hoffman and the Radiate Wellness Community here Learn more about your ad choices. Visit megaphone.fm/adchoices
Speaking with Dimitri Moraitis talking about Meditation and the other side. His books "Heaven & Your Spiritual Evolution", "Change your Aura, Change your life" are co-authored with Barbara Y. Martin Visit the Spiritual Arts Institute: https://spiritualarts.orgFollow Tammy oninstagram & facebook: @tammylcymbalistyYou are invited to join the Podcast Facebook page: https://www.facebook.com/imstillherewithtlcI have many colouring books/journals on Amazon. There are two entitled: This Stage of Grief. There is room for you to colour, to journal and to record your most cherished memories. Click this link to my books here (amazon.ca) or click here (amazon.com)Would you like to share your experience with listeners? Email us: reikiandyoga@yahoo.comCredits:Music by Kevin MacLeod Disclaimer:I'm Still Here: Messages from the other side podcast is for informational and/or entertainment purposes only and is not a substitute for medical advice or treatment.Please seek the advice of a medical professional if you are struggling with loss and grief.Mental health matters https://ontario.cmha.ca/documents/understanding-and-coping-with-loss-and-grief/
Metaphysics teaches that we do not go to heaven just because we have been a good person; rather, we grow to heaven through the gradual, majestic process of spiritual evolution. To become a citizen of heaven, we must first unfold all that we can become. Like grades in school, as we unfold who and what we really are as a soul, step-by-step, we grow spiritually. Mystics call this spiritual growth our ascent. Join me and Dimitri Moraitis as we talk about the fascinating topic. Please donate and Help support my channel. Thank you https://www.paypal.com/donate?hosted_button_id=S9HELHULPMHTQ Dimitri Moraitis is the co-founder and co-spiritual director of Spiritual Arts Institute (SAI) in Encinitas, CA (www.spiritualarts.org). An illumined metaphysical teacher, healer and co-author of numerous books with Barbara Martin. Dimitri is also the co-creator, with Barbara, of the SAI programs, course curriculums and numerous workshops. Dimitri has been instrumental in bringing Spiritual Arts Institute to the place it is today as a premier metaphysical school. An eloquent speaker on a wide variety of spiritual topics, he has lectured across the country, appeared on numerous radio shows, and leads, with Barbara, the workshops and training classes offered at the Institute . About: Michael Philpott Michael is a Psychic Medium and has given readings to people in Canada US and the Caribbean. Michael is a Reiki Master for over 20 yrs. with clinical experience and teaches Intuitive Diagnosis for health professionals and is classically trained chef and former personal trainer and is the host of the popular podcast call The Metaphysical Mentor Show. Contact me through my social media or email me at michael@michaelphilpott.com Providing, Inspiration, Information, Knowledge and Motivation to help you on your soul's path. Covering topics related to all things Health and Happiness from the Mystical to the Metaphysical and everything in between. Making the unknown, known. https://www.youtube.com/channel/UC5mSbeHemKiHhvBimJvWBww https://www.facebook.com/michael.philpott.3133 https://www.instagram.com/themetaphysicalguy/
This was a fascinating and wonderful interview. Dimitri Moraitis has deep knowledge of the afterlife, reincarnation and the higher spheres. His most recent book explores heaven and your spiritual evolution. DIMITRI MORAITIS is co-founder and co-spiritual director of Spiritual Arts Institute. Dimitri has been instrumental in bringing Spiritual Arts Institute to the place it is today as a premier metaphysical school. With Barbara, he is co-author of the international bestseller Change Your Aura, Change Your Life, Karma and Reincarnation, The Healing Power of Your Aura, and Communing with the Divine. He is an eloquent speaker on a wide variety of spiritual topics, has lectured across the country, appeared on numerous radio shows, and leads the workshops and training classes offered at the Institute with Barbara. When we think of heaven and the hereafter, we think of the moment when we die. Yet the Great Beyond is so much more. Heaven is the foundation to your spiritual unfoldment here in physical life. It is the master key to the spiritual mysteries. Heaven and Your Spiritual Evolution inspires you to make your soul's growth an even stronger priority in your life. Based on fifty years of clairvoyant experience, Martin and Moraitis take you on an extraordinary journey through the many dimensions that exist in the world of spirit. They offer a clear picture of how spiritual growth is the process of evolving through the many inner realms of life, what the road to heaven looks like, and how the destiny of every soul is to reach the spiritual pinnacle. Learn effective meditations with Divine Light to increase your connection to the heaven worlds, unlock your creative potential, and accelerate your spiritual unfoldment. Complete with full-color illustrations by fine artist Jonathan Wilshire, the breadth and splendor of the spiritual worlds come vividly alive in this life-changing book Spiritual Arts Institute is the premier metaphysical school for the aura, spiritual healing, and soul growth. The Institute was co-founded by its teachers, Barbara Y. Martin and Dimitri Moraitis, with a mission to help people from all walks of life to accelerate their spiritual understanding and development. As spiritual directors, Barbara and Dimitri lead program training and founder events. Visit the Institute's website: https://SpiritualArts.org You can find his recent book here https://www.amazon.com/Heaven-Your-Spiritual-Evolution-Afterlife/dp/1954944020/ The New Earth Activation trainings - Immerse yourself in 12 hours of content focused on the new earth with channelings, meditations, advanced training and access to the new earth https://realityrevolutioncon.com/newearth Alternate Universe Reality Activation get full access to new meditations, new lectures, recordings from the reality con and the 90 day AURA meditation schedulehttps://realityrevolutionlive.com/aura45338118 BUY MY BOOK! https://www.amazon.com/Reality-Revolution-Mind-Blowing-Movement-Hack/dp/154450618X/ Listen to my book on audible https://www.audible.com/pd/The-Reality-Revolution-Audiobook/B087LV1R5V Like us on Facebook https://www.facebook.com/The-Reality-Revolution-Podcast-Hosted-By-Brian-Scott-102555575116999 Join our Facebook group The Reality Revolution https://www.facebook.com/groups/523814491927119 Subscribe to my Youtube channel https://www.youtube.com/channel/UCOgXHr5S3oF0qetPfqxJfSw Contact us at media@advancedsuccessinstitute.com For all episodes of the Reality Revolution – https://www.therealityrevolution.com Follow Us on Reddit https://www.reddit.com/r/TheRealityRevolution/ Follow me on Instagram https://www.instagram.com/the_reality_revolution/ Follow me on Twitter https://twitter.com/mediaprime Follow me on MeWe https://mewe.com/i/brianscott71 New to the Channel? Start Here - https://www.youtube.com/playlist?list=PLKv1KCSKwOo9O95w5w6aOPNdLe2NOgc2N All My Interviews -- https://youtube.com/playlist?list=PLKv1KCSKwOo_Y78_zt_zv9TI1AGx-WimT All my videos about Dr. Joseph Murphy - https://www.youtube.com/playlist?list=PLKv1KCSKwOo_OtBhXg2s85UuZBT-OihF_ All My Neville Goddard Videos In One Playlist - https://www.youtube.com/playlist?list=PLKv1KCSKwOo8kBZsJpp3xvkRwhbXuhg0M All My Robert B Stone Videos In One Playlist - https://www.youtube.com/playlist?list=PLKv1KCSKwOo_4YbfCN1F3HvE6Tk61Z5wk All my Audiobooks - https://www.youtube.com/playlist?list=PLKv1KCSKwOo-ArT_9WQ-SrKaEP7VgIPb5 All Audiobooks https://www.youtube.com/watch?v=_jo8qS0B3n0&list=PLKv1KCSKwOo-ArT_9WQ-SrKaEP7VgIPb5 All my videos on Orison Swett Mardenhttps://www.youtube.com/playlist?list=PLKv1KCSKwOo9daFLxe21nNa2K-GNqObsx All My Robert B Stone Videos In One Playlist - https://www.youtube.com/playlist?list=PLKv1KCSKwOo_4YbfCN1F3HvE6Tk61Z5wk All My Manly P Hall Videos in One Playlist - https://youtube.com/playlist?list=PLKv1KCSKwOo9XRvgyMncsaHQV3sNtdul2 #heaven #pastlives #healing
Let's face it, our concept of the “hereafter” keeps us far from the reality that the Divine world supports us in the here and now. Today's guest, Dimitri Moraitis, believes we do not go to heaven just because we're good, we grow to heaven through our spiritual evolution. Dimitri is co-author with Barbara Martin of the book “Heaven and Your Spiritual Evolution”. Website: www.SpiritualArts.org
Let's face it, our concept of the “hereafter” keeps us far from the reality that the Divine world supports us in the here and now. Today's guest, Dimitri Moraitis, believes we do not go to heaven just because we're good, we grow to heaven through our spiritual evolution. Dimitri is co-author with Barbara Martin of the book “Heaven and Your Spiritual Evolution”. Website: www.SpiritualArts.org
Drawing on previous experience working in nine countries for organizations like Google and Samsung, Barbara Martin Coppola joined IKEA Retail as its chief digital officer to oversee the furniture retailer's digital transformation, improve its customer experience, and foster the company's ongoing commitment to sustainability. In this episode, hosts Sam and Shervin speak with Barbara about how she empowers cross-functional collaboration and “testing, and iterating, and trying, failing, and starting again” to realize successful technology projects. She also shares the context behind some recent customer-facing AI tools the company has launched to assist customers through the buying process and free up front-line workers to focus on customer engagement instead of operational tasks. Read the episode transcript here. Me, Myself, and AI is a collaborative podcast from MIT Sloan Management Review and Boston Consulting Group and is hosted by Sam Ransbotham and Shervin Khodabandeh. Our engineer is David Lishansky, and the coordinating producers are Allison Ryder and Sophie Rüdinger. Stay in touch with us by joining our LinkedIn group, AI for Leaders at mitsmr.com/AIforLeaders. Guest bio: Barbara Martin Coppola is the chief digital officer for Ingka Group (IKEA), the world's largest home furnishings retailer. Martin Coppola started her career with IKEA in 2018 and has overall responsibility for leading the company's digital technology capabilities and transformation. She has over 20 years of experience in the technology sector and has lived and worked in more than nine countries. Before joining IKEA, she held leading positions in several global businesses, including Google, YouTube, Samsung, and Texas Instruments. Martin Coppola holds a master of science degree in telecommunications engineering from Universidad Politécnica de Madrid, a master of science in mobile communications from Télécom Paris, and an MBA in business administration and management from INSEAD. She is also a graduate of the Advanced Management Program at Harvard Business School.
More Hits by the Supremes is the sixth studio album by Motown's all female group, The Supremes. The album is composed largely of songs already released as singles and their B-sides.The group was composed of vocalists Mary Wilson, Florence Ballard, and Diana Ross. The group was renamed Diana Ross & the Supremes in 1967, but at this time they were still known as The Supremes. Originally formed in 1959 as The Primettes after being introduced to Berry Gordy by Smoky Robinson, the group began as a quartet including Betty McGlown. McGlown was replaced with Barbara Martin in 1960, then became a trio when Martin left in 1962.Success was slog in coming to The Supremes, and at one time they were known around Motown as "no-hit Supremes." However, The Supremes became Motown's most commercially successful act, and achieved twelve number 1 hits on the Billboard Hot 100. As part of their appeal the group deliberately embraced a distinctly glamorous feminine image, utilizing high fashion and makeup onstage. They were also prepared by Maxine Powell, who ran Motown's in-house finishing school, to "perform before kings and queens" as they toured the world. The result was an appeal to all audiences, domestically and internationally, and all races. They made 17 appearances on "The Ed Sullivan Show."John Lynch joins us for this podcast. Nothing But HeartachesThis hit peaked at number 11 on the Billboard Hot 100, but was a disappointment for Motown, as the previous five songs by The Supremes went to number 1. Back In My Arms AgainThe single to this song appeared just before "Nothing But Heartaches," and was a number 1 hit. Whisper You Love Me BoyThis ballad was originally recorded by Mary Wells, but her recording was shelved when she abruptly left Motown. The Supremes recorded it for this album, and it was used as the B-side to the single "Back In My Arms Again." Stop! In the Name of LoveOne of The Supremes' most recognized songs, this track was both a number 1 hit and a Grammy-nominee. The Supremes would be known not just for the song, but for the choreography - one hand on the hip and the other raised in a "stop" gesture. The lyrics are a plea from a girl to "think it over," before he goes with another girl. ENTERTAINMENT TRACK:"A Horse Is a Horse" (from the television series "Mr. Ed")The famous Mr. Ed, a talking horse who starred in the sitcom bearing his name, was appearing on CBS during 1965. STAFF PICKS:Seventh Son by Johnny RiversBruce's staff pick features Rivers performing an R&B song written by Willie Dixon, originally performed in 1955 by Willie Mabon. Rivers recorded this as the lead track for his album, "Meanwhile Back at the Whisky a Go-Go." It's supposed to be lucky to be the seventh son, or seventh sister, or seventh child, and this single went to number 7 on the Billboard Hot 100.Fly Me to the Moon (In Other Words) by Tony BennettRob features crooner Tony Bennett's cover of the song originally entitled "In Other Words," and performed by Kay Ballard in 1954. The most famous version would be Frank Sinatra's in 1964, which would get some boost in popularity from its association with NASA's Apollo program. Down in the Boondocks by Billy Joe RoyalJohn's staff pick is a story about a guy from the wrong side of town who falls for a girl from the "right" side of time. Billy Joe Royal was born in Valdosta, Georgia, and raised in Marietta, Georgia, and this would be his biggest hit.I Like It Like That by The Dave Clark FiveWayne closes out the staff picks with a "British Invasion" group who were competitors with The Beatles at the time. While the Beatles would move into the stratosphere of popularity as the sixties moved on, The Dave Clark Five would decline. COMEDY TRACK:Wooly Bully by the Sam the Sham and the Pharaohs This novelty song became a staple of college frat parties across the land and for decades since its inception.
On December 7th, 1958 the Martin family headed out to the Columbia River Gorge to gather items for their Christmas decorations. The family consisted of Kenneth Martin, his wife Barbara Martin, and his three daughters; Barbara, Virginia, and Susan. What was supposed to be a day trip ended with the entire family missing. Their disappearance would launch one of the largest manhunt in Oregon's history at the time and would be considered one of Oregon's "most baffling" cases. Find out on the twists, turns, and theories on the Martin Family disappearance on today's episode of Myths, Mysteries, & MonstersIf you have any myths, mysteries, or monsters you'd like us to cover, send an email to mythsmysteriesmonsters@gmail.comSubscribe, rate, and review. And remember, always look behind you.Sourceshttps://en.wikipedia.org/wiki/Martin_family_disappearancehttps://www.doenetwork.org/cases/2847dfor.htmlhttps://www.newspapers.com/clip/25720118/asheville-citizen-times/https://web.archive.org/web/20151201094006/http://charleyproject.org/cases/m/martin_kenneth.htmlhttps://www.google.com/books/edition/Echo_of_Distant_Water/Qt2dDwAAQBAJ?hl=en&gbpv=0https://www.newspapers.com/clip/90378611/herald-and-news/https://www.koin.com/news/martin-familys-1958-disappearance-remains-a-mystery/Support the show (https://www.patreon.com/mythsmysteriesmonsters)
It was a Sunday afternoon in 1958 when Ken and Barbara Martin took a drive with their three daughters and never returned home. The facts point to a tragic accident. But they also point to the possibility of homicide. Learn more about your ad choices. Visit podcastchoices.com/adchoices
In Dissident Histories in the Soviet Union: From De-Stalinization to Perestroika (Bloomsbury,, 2019), Barbara Martin traces the careers of four prominent figures: Aleksandr Solzhenitsyn, Roy Medvedev, Aleksandr Nekrich and Anton Antonov-Ovseenko. Based on extensive archival research into these four authors, Martin provides a new account of dissident history writing in the Soviet Union from the post-Stalin Thaw through to the Brezhnev era and Perestroika. Dissident Histories illuminates the challenges associated with researching, writing and publishing Soviet history and the critical impact that this work had on intellectual life in the Soviet Union. Barbara Martin is a postdoctoral researcher within the Department of History at the University of Basel. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In Dissident Histories in the Soviet Union: From De-Stalinization to Perestroika (Bloomsbury,, 2019), Barbara Martin traces the careers of four prominent figures: Aleksandr Solzhenitsyn, Roy Medvedev, Aleksandr Nekrich and Anton Antonov-Ovseenko. Based on extensive archival research into these four authors, Martin provides a new account of dissident history writing in the Soviet Union from the post-Stalin Thaw through to the Brezhnev era and Perestroika. Dissident Histories illuminates the challenges associated with researching, writing and publishing Soviet history and the critical impact that this work had on intellectual life in the Soviet Union. Barbara Martin is a postdoctoral researcher within the Department of History at the University of Basel. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies
In Dissident Histories in the Soviet Union: From De-Stalinization to Perestroika (Bloomsbury,, 2019), Barbara Martin traces the careers of four prominent figures: Aleksandr Solzhenitsyn, Roy Medvedev, Aleksandr Nekrich and Anton Antonov-Ovseenko. Based on extensive archival research into these four authors, Martin provides a new account of dissident history writing in the Soviet Union from the post-Stalin Thaw through to the Brezhnev era and Perestroika. Dissident Histories illuminates the challenges associated with researching, writing and publishing Soviet history and the critical impact that this work had on intellectual life in the Soviet Union. Barbara Martin is a postdoctoral researcher within the Department of History at the University of Basel. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
In Dissident Histories in the Soviet Union: From De-Stalinization to Perestroika (Bloomsbury,, 2019), Barbara Martin traces the careers of four prominent figures: Aleksandr Solzhenitsyn, Roy Medvedev, Aleksandr Nekrich and Anton Antonov-Ovseenko. Based on extensive archival research into these four authors, Martin provides a new account of dissident history writing in the Soviet Union from the post-Stalin Thaw through to the Brezhnev era and Perestroika. Dissident Histories illuminates the challenges associated with researching, writing and publishing Soviet history and the critical impact that this work had on intellectual life in the Soviet Union. Barbara Martin is a postdoctoral researcher within the Department of History at the University of Basel. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies
In Dissident Histories in the Soviet Union: From De-Stalinization to Perestroika (Bloomsbury,, 2019), Barbara Martin traces the careers of four prominent figures: Aleksandr Solzhenitsyn, Roy Medvedev, Aleksandr Nekrich and Anton Antonov-Ovseenko. Based on extensive archival research into these four authors, Martin provides a new account of dissident history writing in the Soviet Union from the post-Stalin Thaw through to the Brezhnev era and Perestroika. Dissident Histories illuminates the challenges associated with researching, writing and publishing Soviet history and the critical impact that this work had on intellectual life in the Soviet Union. Barbara Martin is a postdoctoral researcher within the Department of History at the University of Basel. Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
Co-founder and co-spiritual director of Spiritual Arts Institute, Dimitri Moraitis is one of the leading metaphysical teachers in the world. Originally trained in motion pictures and television, Dimitri was pursuing a promising career in directing and producing, having received an Academy Award nomination for his film short Don't Let It Bother You. When he was twenty-five, Dimitri had a profound spiritual awakening that changed his life. About a year later, he met his co-founder Barbara Martin at a dinner party and knew that night Barbara was the spiritual teacher he had to study with. With Barbara, he is co-author of the international bestseller Change Your Aura, Change Your Life, Communing with the Divine, Karma and Reincarnation, The Healing Power of Your Aura and their newest book Heaven and Your Spiritual Evolution, the subject of this week's conversation.
When we think of heaven and the hereafter, we think of the moment when we die. Yet the Great Beyond is so much more, for Heaven is the foundation to our spiritual unfoldment here in the physical life. It is our master key to the spiritual mysteries. Metaphysics teaches that we do not go to heaven just because we have been a good person; rather, we grow to heaven through the gradual, majestic process of spiritual evolution. To become a citizen of heaven, we must first unfold all that we can become. Like grades in school, as we unfold who and what we really are as a soul, step-by-step, we grow spiritually. Mystics call this spiritual growth our ascent. Heaven and Your Spiritual Evolution: A Mystic's Guide to the Afterlife & Reaching Your Highest Potential, co-authored by Barbara Y. Martin and Dimitri Moraitis , inspires us to make our spiritual path a stronger priority in our lives. Based on Barbara's fifty years of direct clairvoyant experience, she and Dimitri take us on an extraordinary journey through the many spiritual dimensions that exist in the hereafter. They show us a clear picture of what our spiritual growth is all about, what the road to heaven looks like, and how it is the destiny of every soul to eventually reach this spiritual pinnacle. The reader will learn effective meditative exercises with Divine Light to help increase awareness of the spiritual realms and our own potential as a human soul. By connecting with the spiritual worlds, we can unlock our creative potential and accelerate our spiritual growth. Discover the evolutionary process of growing into heaven worlds and our ultimate destination. Learn what various spiritual realms are like, including the astral, mental, etheric and the heavenly dimensions. Find answers to questions like “What will life be like in the hereafter? How do we love? Do my actions here really determine what my life will be in the hereafter? What happens to my talents and accomplishments? Are there cultures, governments, and societies on the other side? Do we see our Loved ones? Do we see God?” Beautifully illustrated with ten full-color drawings by fine artist Jonathan Wilshire, the breadth and splendor of the spiritual worlds come vividly to life in this beautiful book...one we will want to treasure for the rest of our earthly existence. Dimitri Moraitis the co-founder and co-spiritual director of Spiritual Arts Institute (SAI) in Encinitas, CA (www.spiritualarts.org). An illumined metaphysical teacher, healer and co-author of numerous books (see Barbara Martin above), Dimitri is also the co-creator, with Barbara, of the SAI programs, course curriculums and numerous workshops. Dimitri has been instrumental in bringing Spiritual Arts Institute to the place it is today as a premier metaphysical school. An eloquent speaker on a wide variety of spiritual topics, he has lectured across the country, appeared on numerous radio shows, and leads, with Barbara, the workshops and training classes offered at the Institute.
When we think of heaven and the hereafter, we think of the moment when we die. Yet the Great Beyond is so much more, for Heaven is the foundation to our spiritual unfoldment here in the physical life. It is our master key to the spiritual mysteries. Metaphysics teaches that we do not go to heaven just because we have been a good person; rather, we grow to heaven through the gradual, majestic process of spiritual evolution. To become a citizen of heaven, we must first unfold all that we can become. Like grades in school, as we unfold who and what we really are as a soul, step-by-step, we grow spiritually. Mystics call this spiritual growth our ascent. Heaven and Your Spiritual Evolution: A Mystic's Guide to the Afterlife & Reaching Your Highest Potential, co-authored by Barbara Y. Martin and Dimitri Moraitis , inspires us to make our spiritual path a stronger priority in our lives. Based on Barbara's fifty years of direct clairvoyant experience, she and Dimitri take us on an extraordinary journey through the many spiritual dimensions that exist in the hereafter. They show us a clear picture of what our spiritual growth is all about, what the road to heaven looks like, and how it is the destiny of every soul to eventually reach this spiritual pinnacle. The reader will learn effective meditative exercises with Divine Light to help increase awareness of the spiritual realms and our own potential as a human soul. By connecting with the spiritual worlds, we can unlock our creative potential and accelerate our spiritual growth. Discover the evolutionary process of growing into heaven worlds and our ultimate destination. Learn what various spiritual realms are like, including the astral, mental, etheric and the heavenly dimensions. Find answers to questions like “What will life be like in the hereafter? How do we love? Do my actions here really determine what my life will be in the hereafter? What happens to my talents and accomplishments? Are there cultures, governments, and societies on the other side? Do we see our Loved ones? Do we see God?” Beautifully illustrated with ten full-color drawings by fine artist Jonathan Wilshire, the breadth and splendor of the spiritual worlds come vividly to life in this beautiful book...one we will want to treasure for the rest of our earthly existence. Dimitri Moraitis the co-founder and co-spiritual director of Spiritual Arts Institute (SAI) in Encinitas, CA (www.spiritualarts.org). An illumined metaphysical teacher, healer and co-author of numerous books (see Barbara Martin above), Dimitri is also the co-creator, with Barbara, of the SAI programs, course curriculums and numerous workshops. Dimitri has been instrumental in bringing Spiritual Arts Institute to the place it is today as a premier metaphysical school. An eloquent speaker on a wide variety of spiritual topics, he has lectured across the country, appeared on numerous radio shows, and leads, with Barbara, the workshops and training classes offered at the Institute.
Heaven and Your Spiritual Evolution: A Mystic's Guide to the Afterlife and Reaching Your Highest Potential with Dimitri Moraitis Heaven and Your Spiritual Evolution inspires you to make your soul's growth an even stronger priority in your life. Based on fifty years of clairvoyant experience, Martin and Moraitis take you on an extraordinary journey through the many dimensions that exist in the world of spirit. They offer a clear picture of how spiritual growth is the process of evolving through the many inner realms of life, what the road to heaven looks like, and how the destiny of every soul is to reach the spiritual pinnacle. Learn effective meditations with Divine Light to increase your connection to the heaven worlds, unlock your creative potential, and accelerate your spiritual unfoldment. Complete with full-color illustrations by fine artist Jonathan Wilshire, the breadth and splendor of the spiritual worlds come vividly alive in this life-changing book. Dimitri Moraitis is the co-founder and co-spiritual director of Spiritual Arts Institute (SAI) in Encinitas, CA (www.spiritualarts.org). An illumined metaphysical teacher, healer and co-author of numerous books (see Barbara Martin above), Dimitri is also the co-creator, with Barbara, of the SAI programs, course curriculums and numerous work-shops. For more information visit: spiritualarts.org *************************************************** For more information about BITEradio products and services visit: http://www.biteradio.me/index.html To view the photography of Robert at: rpsharpe.picfair.com
There's only one chance left for Jane Patterson. She must encounter a Seer before she dies. As she ends her journey she must believe or never experience heaven. Barbara Martin, one of the "Seers" must find a way to ask Jane one final question, "Does she believe?" Support this podcast at — https://redcircle.com/final-day-before-heaven/donations
When most of IKEA's global retail locations closed temporarily during the pandemic, e-commerce became the cornerstone of the business. This near overnight shift was possible, in part, thanks to a digital transition that was already several years underway, one of the biggest in the company's 78-year-history. Barbara Martin Coppola, an alum of Google and Samsung, was hired in 2018 as the company's first-ever Chief Digital Officer to lead this transition, using data and technology to modernize everything from IKEA's supply chains, to its stores to the way its staffers work. In this episode, Coppola shares the leadership lessons she's learned and why she believes in resilience and “stubborn optimism.” She also shares and the experiences that have prepared her to tackle big challenges including early music studies. Hosted on Acast. See acast.com/privacy for more information.
When most of IKEA's global retail locations closed temporarily during the pandemic, e-commerce became the cornerstone of the business. This near overnight shift was possible, in part, thanks to a digital transition that was already several years underway, one of the biggest in the company's 78-year-history. Barbara Martin Coppola, an alum of Google and Samsung, was hired in 2018 as the company's first-ever Chief Digital Officer to lead this transition, using data and technology to modernize everything from IKEA's supply chains, to its stores to the way its staffers work. In this episode, Coppola shares the leadership lessons she's learned and why she believes in resilience and “stubborn optimism.” She also shares and the experiences that have prepared her to tackle big challenges including early music studies. See acast.com/privacy for privacy and opt-out information.
When most of IKEA's global retail locations closed temporarily during the pandemic, e-commerce became the cornerstone of the business. This near overnight shift was possible, in part, thanks to a digital transition that was already several years underway, one of the biggest in the company's 78-year-history. Barbara Martin Coppola, an alum of Google and Samsung, was hired in 2018 as the company's first-ever Chief Digital Officer to lead this transition, using data and technology to modernize everything from IKEA's supply chains, to its stores to the way its staffers work. In this episode, Coppola shares the leadership lessons she's learned and why she believes in resilience and “stubborn optimism.” She also shares and the experiences that have prepared her to tackle big challenges including early music studies.
Empowering Industry Podcast - A Production of Empowering Pumps & Equipment
In this bonus episode of the podcast, Charli talks to Barbara Martin, Director of Engineering & Technical Services at American Water Works Association.We brought Barbara on the podcast to share with you everything you need to know about ACE21 All Virtual.The event will be held June 14-17, virtually. ACE21 All Virtual offers premier education, timely insight, and networking opportunities aimed at solving the water sector's immediate and future challenges together.Watch this episode on YouTube.Register: https://www.awwa.org/ace/?utm_source=EmpoweringPumps Connect with Barbara: https://www.linkedin.com/in/barbara-martin-7448725/ Resources and Links:Get the digital editionSign up for Empowering Pumps & Equipment newsletterNominate an Industry Person of the WeekEmpowering Women Meetup - Wed, June 9th (every second Wed)Empowering Brands Meetup - Tues. June 15th (every third Tuesday)Join the Empowering Women in Industry Slack groupEmpowering Women in Industry PodcastIndustry Person of the WeekSponsor Empowering WomenLunch & Learn with VinceSustainable Infrastructure Summithttps://empowering-brands.comhttps://empoweringpumps.comhttps://empoweringwomeninindustry.comTwitter | Facebook | LinkedIn | Instagrampodcast@empoweringpumps.comhttp://creativecommons.org/licenses/by/4.0/
What is your aura, and why does it matter? Learn how it's the seven-layer-dip of your body and why you should fluff yourself, while Jillian and Rosalie get into the nitty gritty of your soul's mood-ring. Your hosts will take you on a tour of aura-manipulating techniques for all situations, and how maybe you can use your aura for psychic dreams or spiritual body-sculpting. SHOW NOTES https://www.instagram.com/witchymoms/ (Witchy Moms instagram): page that really sparked Rosalie's weekly woo! https://amzn.to/3bRe76J (Hands of Light), by Barbara Brennan: Jillian's favorite go to book on the aura and energy healing https://barbarabrennan.com/ (Barbara Brennan's School of Healing): a pretty in depth school to help you learn how to be an energy healer https://amzn.to/3wtQUiG (Change Your Aura Change Your Life), by Barbara Martin and Dimitri Moraitis: a great how-to book on how to interact with your aura to, well, change your life OTHER EPISODES YOU MIGHT GET A KICK OUT OF https://www.shitmysoulsayspodcast.com/episodes/episode/20a73b8f/chakra-shit-is-that-an-energy-wheel-or-are-you-just-happy-to-see-me (Chakra shit: is that an energy wheel or are you just happy to see me?) https://www.shitmysoulsayspodcast.com/episodes/episode/302a5367/energy-protection-shit-the-sucking-and-shoving-episode (Energy shit: the sucking and shoving episode) https://www.shitmysoulsayspodcast.com/episodes/episode/34a5ddf4/ghost-shit-cock-blocking-ghosts-are-the-worst-kind-of-ghosts (Ghost shit: cock blocking ghosts are the worst kind of ghosts) CONNECT UP! Be https://ko-fi.com/shitmysoulsays (one of our magical supporters,) and get special goodies like workshops and hangout and supporter-only content Sign up for our newsletter for more good shit (including how-to blog posts): https://www.shitmysoulsayspodcast.com/subscribe (https://www.shitmysoulsayspodcast.com/subscribe) Leave ahttps://podcasts.apple.com/us/podcast/shit-my-soul-says/id1544143111 ( review on Apple Podcasts) Follow us on Instagram:https://www.instagram.com/shitmysoulsays/ ( @shitmysoulsays) And Facebook!https://www.facebook.com/shitmysoulsays ( https://www.facebook.com/shitmysoulsays) OH YEAH... Some of our links might be affiliate links. Meaning each time you buy (at no cost to you!), we might get a little extra cha-ching for sending you their way. This gives us a way to add a little extra income to pay for all the podcasting stuff, and is a way for you to help support us while getting some good shit in the process. We swear will only recommend things that we love, for sure. Thanks for supporting us and helping grow our podcast!
It is sadly common for one person to disappear, but an entire family? Ken and Barbara Martin and their three youngest children vanished on a Christmas outing. It took days to realize they were gone and months for the first solid clues to arise, but we still do not know what happened to the Martin Family.
After a two month hiatus, the TBD podcast is back and better than ever with an energy-filled interview with Ms. Martini, one of Pioneer's Spanish teachers. We discuss what it was like to grow up in a large Italian family, the origins of her teaching principles, and what happened behind the scenes for teachers over the summer.
Episode one hundred and sixteen of A History of Rock Music in Five Hundred Songs looks at “Where Did Our Love Go?” by the Supremes, and how the “no-hit Supremes” became the biggest girl group in history. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “She’s Not There” by the Zombies. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ —-more—- Resources As usual, I’ve created a Mixcloud streaming playlist with full versions of all the songs in the episode. For Motown-related information in this and other Motown episodes, I’ve used the following resources: Where Did Our Love Go? The Rise and Fall of the Motown Sound by Nelson George is an excellent popular history of the various companies that became Motown. To Be Loved by Berry Gordy is Gordy’s own, understandably one-sided, but relatively well-written, autobiography. Women of Motown: An Oral History by Susan Whitall is a collection of interviews with women involved in Motown. I Hear a Symphony: Motown and Crossover R&B by J. Andrew Flory is an academic look at Motown. The Motown Encyclopaedia by Graham Betts is an exhaustive look at the people and records involved in Motown’s thirty-year history. How Sweet It Is by Lamont Dozier and Scott B. Bomar is Dozier’s autobiography, while Come and Get These Memories by Brian and Eddie Holland and Dave Thompson is the Holland brothers’. And Motown Junkies is an infrequently-updated blog looking at (so far) the first 694 tracks released on Motown singles. Girl Groups by John Clemente contains potted biographies of many groups of the era. The Supremes biography I mention in the podcast is The Supremes by Mark Ribowsky, which seems factually accurate but questionable in its judgments of people. I also used this omnibus edition of Mary Wilson’s two volumes of autobiography. This box set contains everything you could want by the Supremes, but is extraordinarily expensive in physical form at the moment, though cheap as MP3s. This is a good budget substitute, though oddly doesn’t contain “Stop in the Name of Love”. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, this episode contains a brief mention of rape, and the trauma of a victim, and a glancing mention of an eating disorder. The discussion is not particularly explicit, but if you think you might find it upsetting, you might be advised to check the transcript before listening, which as always can be found on the site website, or to skip this episode. Today, we’re going to look at the first big hit from the group who would become the most successful female vocal group of the sixties, the group who would become the most important act to come out of Motown, and who would be more successful in chart terms than anyone in the sixties except the Beatles and Elvis. We’re going to look at the record that made Holland, Dozier, and Holland the most important team in Motown, and that made a group that had been regarded as a joke into superstars. We’re going to look at “Where Did Our Love Go?” by the group that up until this record was known in Motown as “the no-hit Supremes”: [Excerpt: The Supremes, “Where Did Our Love Go?”] The story of the Supremes starts, like almost every Motown act, in Detroit. Specifically, it starts with a group called the Primes, a trio who had grown up in Birmingham, Alabama, and then had moved to Cleveland, before moving in turn to Detroit. The Primes consisted of Eddie Kendricks, Paul Williams, and Kell Osborne, and were gaining popularity around the city. But their act was lacking something, and their manager, Milton Jenkins, was inspired by Ray Charles’ backing vocalists, the Raelettes. What if, he thought, his male vocal group had a group of female backing singers, the Primettes? Stories vary about exactly how Jenkins pulled the group members together, including the idea that he literally stopped girls on the streets of the housing projects where the eventual members all lived. But what everyone seems to agree on is that Betty McGlown was dating Paul Williams, so she was an obvious choice. Mary Wilson and Florence Ballard knew each other and were good singers, especially Ballard, and they joined together, with Ballard becoming the new group’s leader. And nobody seems to be clear who asked Diana Ross to join, but she was invited in. Ross says she was already singing with the other three around the neighbourhood. Wilson insisted that they didn’t know her, and that she was brought in by Jenkins. While Ballard and Wilson were friendly enough, and all of them were from the same small area and so knew each other by sight, this wasn’t a group that came together as friends, but people who were put together by a third party. This would make a big difference to them over the years. Ross was probably introduced to the group because she already had a reputation among the people who were playing Detroit’s talent shows. For example there’s Melvin Franklin, who in the late fifties was singing with The Distants: [Excerpt: The Distants, “Come On”] Franklin was an old friend of Ross’ from school, and he would rave about Ross to his friends, so much so that Otis Williams, another member of the Distants (which would soon merge with the Primes to become the Temptations) knew Ross’ name long before he ever met her, and later remembered thinking “Jesus, this girl must be something special.” So Jenkins would have known about Ross through these connections. Incidentally, before we go any further, I should mention the issue of Diana Ross’ name. At this point, she was mostly known by the name on her birth certificate, Diane, and that’s how many people who knew her in this period still refer to her when talking about the late fifties and early sixties. However, she says herself that her parents always intended to name her Diana and the person filling in the birth certificate misspelled it, and she’s used Diana for many decades now. As a general rule on this podcast I always refer to someone by the name they choose for themselves unless there’s a very good reason not to, and so I’m going to be referring to her as Diana throughout — and later when we talk about the Byrds, I will always refer to Roger McGuinn, and so on. It’s difficult to talk about Diana Ross in any sensible way, because she is not a person who has inspired the greatest affection among her colleagues, or among people writing about her. But almost all the negative things said about her have a deep undercurrent of misogyny. One of the biographies I used for researching this episode, for example, in the space of four consecutive sentences in the introduction, compares her face to that of ET, says she looked “emaciated and vacant” (and this is a woman who suffered from anorexia), talks about how inviting her mouth is and her “bedroom eyes”, and then talks about how she used her sexuality to get ahead. You will be shocked, I am sure, to hear that this book was written by a male biographer. Oddly, the books I’m using for the upcoming episodes on Manfred Mann and the Beach Boys don’t talk of their lead singers in this way… In particular, there is a recurring theme in almost everything written about Ross, which criticises her for having affairs with prominent people at Motown, most notably Berry Gordy, and accuses her of doing this in order to further her own ambitions. That sort of criticism is rooted in misogyny. This is not a podcast that will ever deal in shaming women for their sexuality, and what consenting adults do with each other is their business alone. I would also point out that Ross’ affair with Gordy is always portrayed as ethical misconduct on Ross’ part, but *if* there was anything unethical about their relationship, the fault in a relationship between a rich, powerful, married man in his thirties and his much younger employee is unlikely to have been due to the latter. That’s not to say that Ross is flawless — far from it, as the narrative will make clear — but to say that it’s very difficult, when relying on reportage either from people with personal grudges against her or from writers who take attitudes like that, to separate the real flaws in the real woman from the monster of the popular imagination. But that’s all for later in the story. At this point, Ross was merely one of four girls brought together by Jenkins to form the Primettes – but Jenkins soon realised that this group could be better used as a group in their own right, rather than merely as backing vocalists for the Primes. At this point, early on, there was no question but that Florence Ballard was the leader of the group. She had the most outspoken personality, and also had the best voice. When Jenkins had asked to hear the girls sing together, all the others had just looked at each other, while she had burst out into Ray Charles’ “Night Time is the Right Time”: [Excerpt: Ray Charles, “Night Time is the Right Time”] That would become a staple of the girls’ early act, along with “The Twist” and “There Goes My Baby”. All of the girls would take lead vocals on stage, but Florence was the first among equals. At that time, indeed, Ballard thought that Ross should not be a lead singer at all, but Ross got very angry at this, and kept working at her vocals, trying to get them more commercial and make better use of her more limited voice. Ballard was a natural singer, who sang passionately in a way that apparently blew audiences away with relatively little effort, because she was singing from the heart. Ross, on the other hand, was a calculated performer who was deliberately trying to gain the audience’s popularity, and was improving with every show as she learned what worked. The combination worked, at least for a time, though the two never got on even from the start. Of the other members, Mary Wilson was always the peacemaker, someone who was so conflict-averse she would find a way to get Florence and Diana to stop fighting, no matter what. Meanwhile, Betty was the least interested in being in a group — she was just doing it as a favour for her boyfriend. And finally, there was a fifth member, Marvin Tarplin, who didn’t sing but who played guitar, which made them one of the few vocal groups in the city who had their own accompaniment. Fairly quickly, Franklin dropped out of management — he spent some time in hospital, and after getting out he just never got back in touch with the girls — and the Primettes took over looking after themselves. There are various stories about them being approached by different people within Motown at different points, but everyone agrees that their first real contact with Motown came through Ross. Ross had, a year or so before the group formed, been friendly with Smokey Robinson, on whom she had a bit of an adolescent crush. Knowing that Robinson was now recording for Motown, she got in touch with him, and he made a suggestion — her group should audition for him, and if he thought they were good enough, he’d get them an appointment with Berry Gordy. The group sang for Robinson, who wasn’t hugely impressed, except with their guitarist. So Robinson made a deal with them — he’d get the girls an audition for Motown, if he could borrow their guitarist for a tour the Miracles were about to do. They agreed, and Robinson’s temporary borrowing of Tarplin lasted fifty years, as Tarplin continued working with Robinson, both in the Miracles and on Robinson’s solo records, until 2008, and co-wrote many of Robinson’s biggest hits. But Robinson kept his word, and the girls did indeed audition for Berry Gordy, who was encouraging but told them to come back after they had finished school. But two other producers at Motown, Richard Morris and Robert Bateman, decided they weren’t going to wait around. If Berry Gordy didn’t want to sign them yet, they’d get the Primettes work with other labels. Morris became their manager, and they started getting session work on early recordings by future soul legends like Wilson Pickett: [Excerpt: Wilson Pickett, “Let Me Be Your Boy”] And Eddie Floyd: [Excerpt: Eddie Floyd, “I am Her Yo-Yo Man”] The group also eventually got to put out their own single. The A-side featured Ross on lead: [Excerpt: The Primettes, “Tears of Sorrow”] While the B-side had Wilson singing lead, but also featured a prominent high part from Ballard: [Excerpt: The Primettes, “Pretty Baby”] Shortly after this, several things happened that would change the group forever. One was that Betty decided to leave the group to get married. She had never been as committed to the group as the other three, and she was quickly replaced with a new singer, Barbara Martin. The other, far more devastating, thing was that Florence Ballard was raped by an acquaintance. This traumatised Ballard deeply, and from this point on she became unable to trust anyone, even her friends. She would suffer for the rest of her life from what would now be diagnosed as post-traumatic stress disorder, and while it’s likely that the later problems between her and Ross would have occurred in some form, the way they occurred was undoubtedly affected by the fact of Ballard’s untreated mental illness as a result of this trauma. After refusing to speak to anyone at all for a couple of weeks, Ballard managed to get herself well enough to start singing again, and then only a few days later Richard Morris was arrested for a parole violation and found himself in prison. With all these devastating changes, many groups would have given up. But the Primettes were ambitious, and they decided that they were going to force their way into Motown, whether Berry Gordy wanted them or not. They took to hanging around Hitsville, acting like they belonged there, and they soon found themselves doing minor bits of work on sessions — handclaps and backing vocals and so on, as almost everyone who hung around the studio long enough would. Eventually they got lucky. Freddie Gorman, who was the girls’ postman in his day job and had not yet written “Please Mr. Postman”, had been working on a song with Brian Holland, and the girls happened to be around. Gorman suggested they try the song out, to see what it sounded like with harmonies, and the result was good enough that Holland and Gorman called in Gordy, who tinkered with the song to get his name on the credits, and then helped produce the session: [Excerpt: The Supremes, “I Want a Guy”] That came out under the name The Supremes, with a Berry Gordy song on the B-side, a knock-off of “Maybe” by the Chantels called “Never Again”. How the group got their new name has also been a subject of some dispute, in part because of legal issues later on, as Florence Ballard tried to claim some intellectual property rights in the group name as the one who had chosen it. Everyone involved has a different story about how the name was chosen, but it seems to be the consensus that Ballard did pick the name from a shortlist, with the dispute being over whether that shortlist was of names that the group members had come up with between them, or whether it was created by Janie Bradford, and whether Ballard made a conscious choice of the name or just picked it out of a hat. Whatever the case, the Primettes had now become the Supremes. The problem was that Berry Gordy wasn’t really interested in them as a group. Right from the start, he was only interested in Diana Ross as an individual, though at least at first all the members would get to take lead vocals on album tracks — though the singles would be saved for Diana. With one exception — after the group’s first single flopped, they decided to go in a very different direction for the second single. For that, Gordy wrote a knock-off of a knock-off. In 1959 the Olympics had had a very minor hit with “Hully Gully”: [Excerpt: The Olympics, “Hully Gully”] Which had been remade a few months later by the Marathons as “Peanut Butter”: [Excerpt: The Marathons, “Peanut Butter”] Gordy chose to rework this song as “Buttered Popcorn”, a song that’s just an excuse for extremely weak double entendres, and Florence got to sing lead: [Excerpt: The Supremes, “Buttered Popcorn”] That was no more successful than “I Want a Guy”, and that would be the last time Florence Ballard ever got to sing lead on a Supremes single. It would also be the last single the Supremes released as a four-piece. While Barbara Martin had recorded some material with the group that would be released later, she became pregnant and decided to leave the group. Having decided that they clearly couldn’t keep a fourth singer around, the other three decided to continue on as a trio. By this time, Motown had signed the Marvelettes, and they’d leapfrogged over the Supremes to become major stars. The Supremes, meanwhile had had two flops in a row, and their third did little better, though “Your Heart Belongs to Me”, written and produced for them by Smokey Robinson, did make number ninety-five in the charts. That was followed by a string of flops that often did, just, make the Hot One Hundred but didn’t qualify as hits by any measure — and many of them were truly terrible. The group got the nickname “the no-hit Supremes” and tended to get the songs that wouldn’t pass muster for other groups. Their nadir was probably the B-side “The Man with the Rock & Roll Banjo Band”, a song that seems to have been based around Duane Eddy’s “Dance With the Guitar Man”: [Excerpt: Duane Eddy, “Dance With the Guitar Man”] But instead of the electric guitar, the Supremes’ song was about the banjo, an instrument which has many virtues, but which does not really fit into the Motown sound: [Excerpt: The Supremes, “The Man with the Rock and Roll Banjo Band”] This sort of thing continued for two years, with the Supremes now being passed in chart success not only by the Marvelettes but also by the Vandellas, who also signed to Motown after them and had hits before. The “no-hit Supremes” at their best only just scraped the bottom of the Hot One Hundred, no matter who produced them — Lamont Dozier and Brian Holland, Clarence Paul, Berry Gordy, and Smokey Robinson all had multiple attempts at recording with the group, because of Gordy’s belief in Ross’ star potential, but nothing happened until they were paired with Holland, Dozier, and Holland, fresh off their success with the Vandellas. The musical side of the Holland/Dozier/Holland team had already worked with the group, but with little success. But once Holland/Dozier/Holland became a bona fide hit-making team, they started giving the Supremes additional backing vocal parts. They’re in the vocal stack, for example, on Marvin Gaye’s extraordinary “Can I Get a Witness”: [Excerpt: Marvin Gaye, “Can I Get a Witness”] The first song that Holland, Dozier, and Holland wrote as a team for the Supremes is very different from the heavy, soulful, records they’d specialised in up until that point. Lamont Dozier has said that when he came up with the idea for “When the Lovelight Starts Shining in His Eyes” he was thinking of Phil Spector and Brian Wilson, although it’s unlikely he was actually thinking of Wilson, who at this point in 1963 was still making rather garagey surf-rock records rather than the symphonic pop he would start to specialise in the next year. Which is not to say that Holland, Dozier, and Holland weren’t paying attention to Wilson — after all, they wrote “Surfer Boy” for the Supremes in 1965 — but Dozier is probably misremembering here. It’s entirely plausible, though, that he was thinking of Spector, and the song definitely has a wall of sound feel, albeit filtered through Motown’s distinctly funkier, non-Wrecking-Crew, sound, and with more than a little Bo Diddley influence: [Excerpt: The Supremes, “When the Lovelight Starts Shining Through His Eyes”] That also featured additional backing vocals from the Four Tops, another group with whom Holland, Dozier, and Holland were working, and who we’ll be hearing more of in future episodes. “When the Lovelight Starts Shining Through His Eyes” went to number twenty-three, the first bona fide hit the Supremes had ever had. So they were set. They even had a surefire smash follow-up. With Holland, Dozier, and Holland they’d recorded *another* Phil Spector knock-off, *before* “Lovelight”, a record modelled on “Da Doo Ron Ron”, titled “Run Run Run”, but they’d held it back so they could release it next — they decided to release a record that sounded like a medium-sized hit first, to get some momentum and name recognition, so they could then release the big smash hit. But “Run Run Run” only went to number ninety-four. The group were at a low point, and as far as they could tell they were only going to get lower. They’d had their hit and it looked like a fluke. The big one they’d had hopes for had gone nowhere. The story of their next single has been told many ways by many different people. This is a version of the story as best I can put it together, but everything that follows might be false, because as with so much of Motown, everyone has their own agenda. As best I can make out, Holland, Dozier, and Holland were working on tracks for a proposed Marvelettes album and came up with a simple, stomping, song based on a repetitive eight-bar verse, with no bridge, chorus, or middle eight. The Holland brothers disagree about what happened next, and it sounds odd, but Lamont Dozier, Mary Wilson, and Katherine Anderson of the Marvelettes all say the same thing — while normally Motown artists had no say in what songs they recorded, this time the Marvelettes were played a couple of backing tracks which had been proposed as their next recording, and they chose to dump the eight-bar one, and go instead with “Too Many Fish in the Sea”: [Excerpt: The Marvelettes, “Too Many Fish in the Sea”] The way Dozier tells the story, that presented Holland, Dozier, and Holland with a problem. They’d recorded the backing track, and one of the many ways that Motown caused problems for its creative workers was that they would be charged against royalties for studio time. If the track didn’t get released, they’d lost all the money. So they turned to the Supremes, and Dozier tried to persuade Mary Wilson that he’d written this great new song, just for them, they’d love it, but by this point they’d already talked to the Marvelettes and been told about this dreadful song they’d managed to get out of doing, and advised to avoid it if they could. But while the Marvelettes were a big, successful group, the Supremes weren’t yet, and didn’t have any choice. They were going to record the song whether they liked it or not. They didn’t like it. Having already been poisoned against the song by the Marvelettes, there were further problems in the studio because one of the production team had originally told Mary Wilson she could sing lead on the song. Everyone seems agreed that Brian Holland insisted on Diana Ross singing it instead, but Eddie Holland remembers that he thought that Wilson should sing and it was Brian and Dozier who insisted on Ross, while Dozier remembers that *he* thought that Wilson should sing, and it was the Holland brothers who insisted on Ross. Somehow, if all these memories are to be believed, Brian Holland outvoted his partners one to two, possibly because Berry Gordy had declared that Ross should be the lead singer on all Supremes singles. Mary was devastated, while Ross was annoyed that she was having to sing what she thought was a terrible song, in a key that was much lower than she was used to. She got more annoyed when Eddie Holland kept coaching her on how he wanted the song sung — she was playing with the phrasing and Holland insisted she sing it straight. Eventually she started threatening to get Gordy to come down, at which point Eddie told her that she could do that, but then Gordy could just produce the session and they needn’t bother hoping for any more Holland/Dozier/Holland songs. She sang through her lead putting as little emotion as she could into her voice, while glaring daggers at the producers, before storming off as soon as she’d completed the take they wanted, complaining about being given everyone else’s leftovers: [Excerpt: The Supremes, “Where Did Our Love Go?”] Holland, Dozier, and Holland then got on with trying to get the other two Supremes to do the backing vocal parts. But the parts Lamont Dozier had come up with were difficult, nobody was in a good mood, and Mary Wilson was still upset that she wasn’t going to be singing lead. They couldn’t get the vocals down, and eventually, frustrated, Dozier told them to just sing “baby baby” when he pointed, and they went with that. Towards the end of the session, Ross came back in, with Berry Gordy, who she had clearly been complaining to about the song. He asked to hear it, and they played back this recording that nobody was happy with. Gordy, much to Ross’ shock, was convinced it was a hit, and said to them “Cheer up, everybody! From now on, you’re the big-hit Supremes!”: [Excerpt: The Supremes, “Where Did Our Love Go?”] Motown was in a bit of a slump at that point — several of the label’s big stars had had disappointing follow-ups to their hits, and they’d just lost Mary Wells, one of their biggest stars, to another label. Gordy decided that they were going to give “Where Did Our Love Go?” a huge push, and persuaded Dick Clark to put the Supremes on his Caravan of Stars tour. When the record came out in June, they were at the bottom of the bill, opening the show on a bill with more than a dozen other acts, from the Zombies to the Shirelles to Freddie “Boom Boom” Cannon above them. By the end of the tour, their record was at number one in the charts and they had already recorded a follow-up. As “Where Did Our Love Go?” had included the word “baby” sixty-eight times, the production team had decided not to mess with a winning formula: [Excerpt: The Supremes, “Baby Love”] That went to number one by the end of October 1964, making the Supremes the first Motown act to have two number ones. There would be a lot more where that came from. But there was already trouble brewing in the group. Even on the Dick Clark tourbus, there were rumours that Diana Ross wanted a solo career, and there was talk of her forcing Florence Ballard out of the group. We’ll look at that, and what happened with the Supremes in the latter part of the sixties in a few months’ time. But I can’t end this time without acknowledging the sad death, a month ago today, of Mary Wilson, the only member of the Supremes who stayed with the group from the beginning right through to their split in 1977. For a member of a group who were second only to the Beatles for commercial success in the sixties, she was underrewarded in life, and her death went underreported. She’ll be missed.
Episode one hundred and sixteen of A History of Rock Music in Five Hundred Songs looks at "Where Did Our Love Go?" by the Supremes, and how the "no-hit Supremes" became the biggest girl group in history. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "She's Not There" by the Zombies. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ ----more---- Resources As usual, I've created a Mixcloud streaming playlist with full versions of all the songs in the episode. For Motown-related information in this and other Motown episodes, I've used the following resources: Where Did Our Love Go? The Rise and Fall of the Motown Sound by Nelson George is an excellent popular history of the various companies that became Motown. To Be Loved by Berry Gordy is Gordy's own, understandably one-sided, but relatively well-written, autobiography. Women of Motown: An Oral History by Susan Whitall is a collection of interviews with women involved in Motown. I Hear a Symphony: Motown and Crossover R&B by J. Andrew Flory is an academic look at Motown. The Motown Encyclopaedia by Graham Betts is an exhaustive look at the people and records involved in Motown's thirty-year history. How Sweet It Is by Lamont Dozier and Scott B. Bomar is Dozier's autobiography, while Come and Get These Memories by Brian and Eddie Holland and Dave Thompson is the Holland brothers'. And Motown Junkies is an infrequently-updated blog looking at (so far) the first 694 tracks released on Motown singles. Girl Groups by John Clemente contains potted biographies of many groups of the era. The Supremes biography I mention in the podcast is The Supremes by Mark Ribowsky, which seems factually accurate but questionable in its judgments of people. I also used this omnibus edition of Mary Wilson's two volumes of autobiography. This box set contains everything you could want by the Supremes, but is extraordinarily expensive in physical form at the moment, though cheap as MP3s. This is a good budget substitute, though oddly doesn't contain "Stop in the Name of Love". Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, this episode contains a brief mention of rape, and the trauma of a victim, and a glancing mention of an eating disorder. The discussion is not particularly explicit, but if you think you might find it upsetting, you might be advised to check the transcript before listening, which as always can be found on the site website, or to skip this episode. Today, we're going to look at the first big hit from the group who would become the most successful female vocal group of the sixties, the group who would become the most important act to come out of Motown, and who would be more successful in chart terms than anyone in the sixties except the Beatles and Elvis. We're going to look at the record that made Holland, Dozier, and Holland the most important team in Motown, and that made a group that had been regarded as a joke into superstars. We're going to look at "Where Did Our Love Go?" by the group that up until this record was known in Motown as "the no-hit Supremes": [Excerpt: The Supremes, "Where Did Our Love Go?"] The story of the Supremes starts, like almost every Motown act, in Detroit. Specifically, it starts with a group called the Primes, a trio who had grown up in Birmingham, Alabama, and then had moved to Cleveland, before moving in turn to Detroit. The Primes consisted of Eddie Kendricks, Paul Williams, and Kell Osborne, and were gaining popularity around the city. But their act was lacking something, and their manager, Milton Jenkins, was inspired by Ray Charles' backing vocalists, the Raelettes. What if, he thought, his male vocal group had a group of female backing singers, the Primettes? Stories vary about exactly how Jenkins pulled the group members together, including the idea that he literally stopped girls on the streets of the housing projects where the eventual members all lived. But what everyone seems to agree on is that Betty McGlown was dating Paul Williams, so she was an obvious choice. Mary Wilson and Florence Ballard knew each other and were good singers, especially Ballard, and they joined together, with Ballard becoming the new group's leader. And nobody seems to be clear who asked Diana Ross to join, but she was invited in. Ross says she was already singing with the other three around the neighbourhood. Wilson insisted that they didn't know her, and that she was brought in by Jenkins. While Ballard and Wilson were friendly enough, and all of them were from the same small area and so knew each other by sight, this wasn't a group that came together as friends, but people who were put together by a third party. This would make a big difference to them over the years. Ross was probably introduced to the group because she already had a reputation among the people who were playing Detroit's talent shows. For example there's Melvin Franklin, who in the late fifties was singing with The Distants: [Excerpt: The Distants, "Come On"] Franklin was an old friend of Ross' from school, and he would rave about Ross to his friends, so much so that Otis Williams, another member of the Distants (which would soon merge with the Primes to become the Temptations) knew Ross' name long before he ever met her, and later remembered thinking "Jesus, this girl must be something special." So Jenkins would have known about Ross through these connections. Incidentally, before we go any further, I should mention the issue of Diana Ross' name. At this point, she was mostly known by the name on her birth certificate, Diane, and that's how many people who knew her in this period still refer to her when talking about the late fifties and early sixties. However, she says herself that her parents always intended to name her Diana and the person filling in the birth certificate misspelled it, and she's used Diana for many decades now. As a general rule on this podcast I always refer to someone by the name they choose for themselves unless there's a very good reason not to, and so I'm going to be referring to her as Diana throughout -- and later when we talk about the Byrds, I will always refer to Roger McGuinn, and so on. It's difficult to talk about Diana Ross in any sensible way, because she is not a person who has inspired the greatest affection among her colleagues, or among people writing about her. But almost all the negative things said about her have a deep undercurrent of misogyny. One of the biographies I used for researching this episode, for example, in the space of four consecutive sentences in the introduction, compares her face to that of ET, says she looked "emaciated and vacant" (and this is a woman who suffered from anorexia), talks about how inviting her mouth is and her "bedroom eyes", and then talks about how she used her sexuality to get ahead. You will be shocked, I am sure, to hear that this book was written by a male biographer. Oddly, the books I'm using for the upcoming episodes on Manfred Mann and the Beach Boys don't talk of their lead singers in this way... In particular, there is a recurring theme in almost everything written about Ross, which criticises her for having affairs with prominent people at Motown, most notably Berry Gordy, and accuses her of doing this in order to further her own ambitions. That sort of criticism is rooted in misogyny. This is not a podcast that will ever deal in shaming women for their sexuality, and what consenting adults do with each other is their business alone. I would also point out that Ross' affair with Gordy is always portrayed as ethical misconduct on Ross' part, but *if* there was anything unethical about their relationship, the fault in a relationship between a rich, powerful, married man in his thirties and his much younger employee is unlikely to have been due to the latter. That's not to say that Ross is flawless -- far from it, as the narrative will make clear -- but to say that it's very difficult, when relying on reportage either from people with personal grudges against her or from writers who take attitudes like that, to separate the real flaws in the real woman from the monster of the popular imagination. But that's all for later in the story. At this point, Ross was merely one of four girls brought together by Jenkins to form the Primettes - but Jenkins soon realised that this group could be better used as a group in their own right, rather than merely as backing vocalists for the Primes. At this point, early on, there was no question but that Florence Ballard was the leader of the group. She had the most outspoken personality, and also had the best voice. When Jenkins had asked to hear the girls sing together, all the others had just looked at each other, while she had burst out into Ray Charles' "Night Time is the Right Time": [Excerpt: Ray Charles, "Night Time is the Right Time"] That would become a staple of the girls' early act, along with "The Twist" and "There Goes My Baby". All of the girls would take lead vocals on stage, but Florence was the first among equals. At that time, indeed, Ballard thought that Ross should not be a lead singer at all, but Ross got very angry at this, and kept working at her vocals, trying to get them more commercial and make better use of her more limited voice. Ballard was a natural singer, who sang passionately in a way that apparently blew audiences away with relatively little effort, because she was singing from the heart. Ross, on the other hand, was a calculated performer who was deliberately trying to gain the audience's popularity, and was improving with every show as she learned what worked. The combination worked, at least for a time, though the two never got on even from the start. Of the other members, Mary Wilson was always the peacemaker, someone who was so conflict-averse she would find a way to get Florence and Diana to stop fighting, no matter what. Meanwhile, Betty was the least interested in being in a group -- she was just doing it as a favour for her boyfriend. And finally, there was a fifth member, Marvin Tarplin, who didn't sing but who played guitar, which made them one of the few vocal groups in the city who had their own accompaniment. Fairly quickly, Franklin dropped out of management -- he spent some time in hospital, and after getting out he just never got back in touch with the girls -- and the Primettes took over looking after themselves. There are various stories about them being approached by different people within Motown at different points, but everyone agrees that their first real contact with Motown came through Ross. Ross had, a year or so before the group formed, been friendly with Smokey Robinson, on whom she had a bit of an adolescent crush. Knowing that Robinson was now recording for Motown, she got in touch with him, and he made a suggestion -- her group should audition for him, and if he thought they were good enough, he'd get them an appointment with Berry Gordy. The group sang for Robinson, who wasn't hugely impressed, except with their guitarist. So Robinson made a deal with them -- he'd get the girls an audition for Motown, if he could borrow their guitarist for a tour the Miracles were about to do. They agreed, and Robinson's temporary borrowing of Tarplin lasted fifty years, as Tarplin continued working with Robinson, both in the Miracles and on Robinson's solo records, until 2008, and co-wrote many of Robinson's biggest hits. But Robinson kept his word, and the girls did indeed audition for Berry Gordy, who was encouraging but told them to come back after they had finished school. But two other producers at Motown, Richard Morris and Robert Bateman, decided they weren't going to wait around. If Berry Gordy didn't want to sign them yet, they'd get the Primettes work with other labels. Morris became their manager, and they started getting session work on early recordings by future soul legends like Wilson Pickett: [Excerpt: Wilson Pickett, "Let Me Be Your Boy"] And Eddie Floyd: [Excerpt: Eddie Floyd, "I am Her Yo-Yo Man"] The group also eventually got to put out their own single. The A-side featured Ross on lead: [Excerpt: The Primettes, "Tears of Sorrow"] While the B-side had Wilson singing lead, but also featured a prominent high part from Ballard: [Excerpt: The Primettes, "Pretty Baby"] Shortly after this, several things happened that would change the group forever. One was that Betty decided to leave the group to get married. She had never been as committed to the group as the other three, and she was quickly replaced with a new singer, Barbara Martin. The other, far more devastating, thing was that Florence Ballard was raped by an acquaintance. This traumatised Ballard deeply, and from this point on she became unable to trust anyone, even her friends. She would suffer for the rest of her life from what would now be diagnosed as post-traumatic stress disorder, and while it's likely that the later problems between her and Ross would have occurred in some form, the way they occurred was undoubtedly affected by the fact of Ballard's untreated mental illness as a result of this trauma. After refusing to speak to anyone at all for a couple of weeks, Ballard managed to get herself well enough to start singing again, and then only a few days later Richard Morris was arrested for a parole violation and found himself in prison. With all these devastating changes, many groups would have given up. But the Primettes were ambitious, and they decided that they were going to force their way into Motown, whether Berry Gordy wanted them or not. They took to hanging around Hitsville, acting like they belonged there, and they soon found themselves doing minor bits of work on sessions -- handclaps and backing vocals and so on, as almost everyone who hung around the studio long enough would. Eventually they got lucky. Freddie Gorman, who was the girls' postman in his day job and had not yet written "Please Mr. Postman", had been working on a song with Brian Holland, and the girls happened to be around. Gorman suggested they try the song out, to see what it sounded like with harmonies, and the result was good enough that Holland and Gorman called in Gordy, who tinkered with the song to get his name on the credits, and then helped produce the session: [Excerpt: The Supremes, "I Want a Guy"] That came out under the name The Supremes, with a Berry Gordy song on the B-side, a knock-off of "Maybe" by the Chantels called "Never Again". How the group got their new name has also been a subject of some dispute, in part because of legal issues later on, as Florence Ballard tried to claim some intellectual property rights in the group name as the one who had chosen it. Everyone involved has a different story about how the name was chosen, but it seems to be the consensus that Ballard did pick the name from a shortlist, with the dispute being over whether that shortlist was of names that the group members had come up with between them, or whether it was created by Janie Bradford, and whether Ballard made a conscious choice of the name or just picked it out of a hat. Whatever the case, the Primettes had now become the Supremes. The problem was that Berry Gordy wasn't really interested in them as a group. Right from the start, he was only interested in Diana Ross as an individual, though at least at first all the members would get to take lead vocals on album tracks -- though the singles would be saved for Diana. With one exception -- after the group's first single flopped, they decided to go in a very different direction for the second single. For that, Gordy wrote a knock-off of a knock-off. In 1959 the Olympics had had a very minor hit with "Hully Gully": [Excerpt: The Olympics, "Hully Gully"] Which had been remade a few months later by the Marathons as "Peanut Butter": [Excerpt: The Marathons, "Peanut Butter"] Gordy chose to rework this song as "Buttered Popcorn", a song that's just an excuse for extremely weak double entendres, and Florence got to sing lead: [Excerpt: The Supremes, "Buttered Popcorn"] That was no more successful than "I Want a Guy", and that would be the last time Florence Ballard ever got to sing lead on a Supremes single. It would also be the last single the Supremes released as a four-piece. While Barbara Martin had recorded some material with the group that would be released later, she became pregnant and decided to leave the group. Having decided that they clearly couldn't keep a fourth singer around, the other three decided to continue on as a trio. By this time, Motown had signed the Marvelettes, and they'd leapfrogged over the Supremes to become major stars. The Supremes, meanwhile had had two flops in a row, and their third did little better, though "Your Heart Belongs to Me", written and produced for them by Smokey Robinson, did make number ninety-five in the charts. That was followed by a string of flops that often did, just, make the Hot One Hundred but didn't qualify as hits by any measure -- and many of them were truly terrible. The group got the nickname "the no-hit Supremes" and tended to get the songs that wouldn't pass muster for other groups. Their nadir was probably the B-side "The Man with the Rock & Roll Banjo Band", a song that seems to have been based around Duane Eddy's "Dance With the Guitar Man": [Excerpt: Duane Eddy, "Dance With the Guitar Man"] But instead of the electric guitar, the Supremes' song was about the banjo, an instrument which has many virtues, but which does not really fit into the Motown sound: [Excerpt: The Supremes, "The Man with the Rock and Roll Banjo Band"] This sort of thing continued for two years, with the Supremes now being passed in chart success not only by the Marvelettes but also by the Vandellas, who also signed to Motown after them and had hits before. The "no-hit Supremes" at their best only just scraped the bottom of the Hot One Hundred, no matter who produced them -- Lamont Dozier and Brian Holland, Clarence Paul, Berry Gordy, and Smokey Robinson all had multiple attempts at recording with the group, because of Gordy's belief in Ross' star potential, but nothing happened until they were paired with Holland, Dozier, and Holland, fresh off their success with the Vandellas. The musical side of the Holland/Dozier/Holland team had already worked with the group, but with little success. But once Holland/Dozier/Holland became a bona fide hit-making team, they started giving the Supremes additional backing vocal parts. They're in the vocal stack, for example, on Marvin Gaye's extraordinary "Can I Get a Witness": [Excerpt: Marvin Gaye, "Can I Get a Witness"] The first song that Holland, Dozier, and Holland wrote as a team for the Supremes is very different from the heavy, soulful, records they'd specialised in up until that point. Lamont Dozier has said that when he came up with the idea for "When the Lovelight Starts Shining in His Eyes" he was thinking of Phil Spector and Brian Wilson, although it's unlikely he was actually thinking of Wilson, who at this point in 1963 was still making rather garagey surf-rock records rather than the symphonic pop he would start to specialise in the next year. Which is not to say that Holland, Dozier, and Holland weren't paying attention to Wilson -- after all, they wrote "Surfer Boy" for the Supremes in 1965 -- but Dozier is probably misremembering here. It's entirely plausible, though, that he was thinking of Spector, and the song definitely has a wall of sound feel, albeit filtered through Motown's distinctly funkier, non-Wrecking-Crew, sound, and with more than a little Bo Diddley influence: [Excerpt: The Supremes, "When the Lovelight Starts Shining Through His Eyes"] That also featured additional backing vocals from the Four Tops, another group with whom Holland, Dozier, and Holland were working, and who we'll be hearing more of in future episodes. "When the Lovelight Starts Shining Through His Eyes" went to number twenty-three, the first bona fide hit the Supremes had ever had. So they were set. They even had a surefire smash follow-up. With Holland, Dozier, and Holland they'd recorded *another* Phil Spector knock-off, *before* "Lovelight", a record modelled on "Da Doo Ron Ron", titled "Run Run Run", but they'd held it back so they could release it next -- they decided to release a record that sounded like a medium-sized hit first, to get some momentum and name recognition, so they could then release the big smash hit. But "Run Run Run" only went to number ninety-four. The group were at a low point, and as far as they could tell they were only going to get lower. They'd had their hit and it looked like a fluke. The big one they'd had hopes for had gone nowhere. The story of their next single has been told many ways by many different people. This is a version of the story as best I can put it together, but everything that follows might be false, because as with so much of Motown, everyone has their own agenda. As best I can make out, Holland, Dozier, and Holland were working on tracks for a proposed Marvelettes album and came up with a simple, stomping, song based on a repetitive eight-bar verse, with no bridge, chorus, or middle eight. The Holland brothers disagree about what happened next, and it sounds odd, but Lamont Dozier, Mary Wilson, and Katherine Anderson of the Marvelettes all say the same thing -- while normally Motown artists had no say in what songs they recorded, this time the Marvelettes were played a couple of backing tracks which had been proposed as their next recording, and they chose to dump the eight-bar one, and go instead with "Too Many Fish in the Sea": [Excerpt: The Marvelettes, "Too Many Fish in the Sea"] The way Dozier tells the story, that presented Holland, Dozier, and Holland with a problem. They'd recorded the backing track, and one of the many ways that Motown caused problems for its creative workers was that they would be charged against royalties for studio time. If the track didn't get released, they'd lost all the money. So they turned to the Supremes, and Dozier tried to persuade Mary Wilson that he'd written this great new song, just for them, they'd love it, but by this point they'd already talked to the Marvelettes and been told about this dreadful song they'd managed to get out of doing, and advised to avoid it if they could. But while the Marvelettes were a big, successful group, the Supremes weren't yet, and didn't have any choice. They were going to record the song whether they liked it or not. They didn't like it. Having already been poisoned against the song by the Marvelettes, there were further problems in the studio because one of the production team had originally told Mary Wilson she could sing lead on the song. Everyone seems agreed that Brian Holland insisted on Diana Ross singing it instead, but Eddie Holland remembers that he thought that Wilson should sing and it was Brian and Dozier who insisted on Ross, while Dozier remembers that *he* thought that Wilson should sing, and it was the Holland brothers who insisted on Ross. Somehow, if all these memories are to be believed, Brian Holland outvoted his partners one to two, possibly because Berry Gordy had declared that Ross should be the lead singer on all Supremes singles. Mary was devastated, while Ross was annoyed that she was having to sing what she thought was a terrible song, in a key that was much lower than she was used to. She got more annoyed when Eddie Holland kept coaching her on how he wanted the song sung -- she was playing with the phrasing and Holland insisted she sing it straight. Eventually she started threatening to get Gordy to come down, at which point Eddie told her that she could do that, but then Gordy could just produce the session and they needn't bother hoping for any more Holland/Dozier/Holland songs. She sang through her lead putting as little emotion as she could into her voice, while glaring daggers at the producers, before storming off as soon as she'd completed the take they wanted, complaining about being given everyone else's leftovers: [Excerpt: The Supremes, “Where Did Our Love Go?”] Holland, Dozier, and Holland then got on with trying to get the other two Supremes to do the backing vocal parts. But the parts Lamont Dozier had come up with were difficult, nobody was in a good mood, and Mary Wilson was still upset that she wasn't going to be singing lead. They couldn't get the vocals down, and eventually, frustrated, Dozier told them to just sing "baby baby" when he pointed, and they went with that. Towards the end of the session, Ross came back in, with Berry Gordy, who she had clearly been complaining to about the song. He asked to hear it, and they played back this recording that nobody was happy with. Gordy, much to Ross' shock, was convinced it was a hit, and said to them "Cheer up, everybody! From now on, you're the big-hit Supremes!": [Excerpt: The Supremes, "Where Did Our Love Go?"] Motown was in a bit of a slump at that point -- several of the label's big stars had had disappointing follow-ups to their hits, and they'd just lost Mary Wells, one of their biggest stars, to another label. Gordy decided that they were going to give "Where Did Our Love Go?" a huge push, and persuaded Dick Clark to put the Supremes on his Caravan of Stars tour. When the record came out in June, they were at the bottom of the bill, opening the show on a bill with more than a dozen other acts, from the Zombies to the Shirelles to Freddie "Boom Boom" Cannon above them. By the end of the tour, their record was at number one in the charts and they had already recorded a follow-up. As "Where Did Our Love Go?" had included the word "baby" sixty-eight times, the production team had decided not to mess with a winning formula: [Excerpt: The Supremes, "Baby Love"] That went to number one by the end of October 1964, making the Supremes the first Motown act to have two number ones. There would be a lot more where that came from. But there was already trouble brewing in the group. Even on the Dick Clark tourbus, there were rumours that Diana Ross wanted a solo career, and there was talk of her forcing Florence Ballard out of the group. We'll look at that, and what happened with the Supremes in the latter part of the sixties in a few months' time. But I can't end this time without acknowledging the sad death, a month ago today, of Mary Wilson, the only member of the Supremes who stayed with the group from the beginning right through to their split in 1977. For a member of a group who were second only to the Beatles for commercial success in the sixties, she was underrewarded in life, and her death went underreported. She'll be missed.
As girl groups emergiram no final da década de 1950 como um grupo de cantoras que cantavam músicas escritas por um grande time de compositores, em 1959, The Primettes um quarteto americano, formado por Diana Ross, Florence Ballard, Betty McGlown e Mary Wilson, que ficou trio em 1962 e viraram The Supremes, formado por Ballard, Ross (cantora líder) e Wilson que foi um dos grupos de garotas mais famoso mundialmente até 1977, e esse foi um grupo com muitas substituições, como McGlown por Barbara Martin, Ballard ser substituída por Cindy Birdsong, Ross por Jean Terrell e etc. Mary Wilson foi a única a ficar até o final sendo cantora original desde 1959.Nos anos 70 e início dos anos 80 teve uma profusão de grupos de disco, new wave e pop dance.No final dos anos 80 e também nos anos 90 surgiram os grupos de estilo pop manufaturado e às vezes fabricado (escolhiam as garotas para fazer parte de um grupo como por exemplo as Spice Girls) e os gêneros musicais mais conhecidos nessa época eram o teen pop e o R&B. Um dos grupos mais populares da época foi o TLC que se tornou o grupo feminino que mais vendeu na história da música nos E.U.A.
Sarah continues her streak of RPS and shares the story of the Pied Piper of Tucson, and professional wig wearer Charles Schmid. Melissa tells Sarah about the meth bender murders of John Painter and Barbara Martin.
This is part two of a two part interview. IKEA as we know it (the Ingka group now) is one of the most iconic global brands. It is in essence and extremely physical experience, but nowadays 70% of their customers kick off their shopping experience with the brand online. Our guest today is Barbara Martin Coppola, Chief Digital Officer for Ingka group, the former IKEA group. She is going to tackle some very interesting subjects with us as her company navigates a data centric, highly digital future, while at the same time expanding its vision about what it can do for communities and society overall: · How companies with a long history and legacy can stay relevant in this digital age · Making IKEA a digital brand for ten years’ time will involve a way to transition traditional values to a wider digital and community · How AI is going to be used and how will it look like going forward for IKEA · How IKEA will go beyond the idea of customer centricity to personal centricity · How does IKEA’s model for gender equality work and what can others learn from the power of interviewing to values and not just the job specification they might be interviewing for.
Hear Senior Jack Rosenberg and Counselor Resource Mrs. Barbara Martin discuss all things high school student life, college applications, and more from both the student and administrator perspective. Note: This was recorded before COVID-19 and isolation.
This is part one of a two part interview. IKEA as we know it (the Ingka group now) is one of the most iconic global brands. It is in essence and extremely physical experience, but nowadays 70% of their customers kick off their shopping experience with the brand online. Our guest today is Barbara Martin Coppola, Chief Digital Officer for Ingka group, the former IKEA group. She is going to tackle some very interesting subjects with us as her company navigates a data centric, highly digital future, while at the same time expanding its vision about what it can do for communities and society overall: · How companies with a long history and legacy can stay relevant in this digital age · Making IKEA a digital brand for ten years’ time will involve a way to transition traditional values to a wider digital and community · How AI is going to be used and how will it look like going forward for IKEA · How IKEA will go beyond the idea of customer centricity to personal centricity · How does IKEA’s model for gender equality work and what can others learn from the power of interviewing to values and not just the job specification they might be interviewing for.
- Hyperbole-Free Coronavirus Update- Is a National Shelter At Home order possible? What hurdles does it have to clear?- China lied- Wisconsin Primary pushed?- An interview with Barbara Martin about her Instagram account @WeThePeeple about her politically-themed Peep dioramas.
This episode takes us back to the 1950's. We discuss the disappearance of the Martin family who vanished on December 7th, 1958 in the Columbia River Gorge. The families eldest sone, Donald Martin, was in the Navy and stationed in New York during this time. The Martin family decided to take a day trip to gather some Christmas decorations. They were seen getting gas around 4 pm in Cascade Locks. The gas station owner, Dean Baxter, stated he saw the Martin family continue East after filling up their 1954 Ford Country Squire. The family was spotted again at a restaurant about 20 miles from Cascade Locks. This was the last time anyone has seen or heard from the Martin family. It was later reported that two ex convicts were seen leaving the restaurant at the same time as the Martin family. In February 1959 a volunteer searcher found tire tracks leading off of a cliff near The Dalles. The tire tracks that were found were reported to have matched the tires on the Martin family vehicle. On May 3rd Susan Martins body was found in the river near Camas, Washington. This was about 70 miles West of The Dalles where the tire tracks were found. One day later they located Virginia's body near the Bonneville Dam which is roughly 46 miles from The Dalles. Kenneth Martin (father), Barbara Martin (mother) and Barbie Martin (oldest daughter) still remain missing to this day and their vehicle has not been found. (part 2 out very soon) --- Send in a voice message: https://anchor.fm/alisha-shaikh9/message
This episode takes us back to the 1950's. We discuss the disappearance of the Martin family who vanished on December 7th, 1958 in the Columbia River Gorge. The families eldest sone, Donald Martin, was in the Navy and stationed in New York during this time. The Martin family decided to take a day trip to gather some Christmas decorations. They were seen getting gas around 4 pm in Cascade Locks. The gas station owner, Dean Baxter, stated he saw the Martin family continue East after filling up their 1954 Ford Country Squire. The family was spotted again at a restaurant about 20 miles from Cascade Locks. This was the last time anyone has seen or heard from the Martin family. It was later reported that two ex convicts were seen leaving the restaurant at the same time as the Martin family. In February 1959 a volunteer searcher found tire tracks leading off of a cliff near The Dalles. The tire tracks that were found were reported to have matched the tires on the Martin family vehicle. On May 3rd Susan Martins body was found in the river near Camas, Washington. This was about 70 miles West of The Dalles where the tire tracks were found. One day later they located Virginia's body near the Bonneville Dam which is roughly 46 miles from The Dalles. Kenneth Martin (father), Barbara Martin (mother) and Barbie Martin (oldest daughter) still remain missing to this day and their vehicle has not been found.
La familia Peña llega al teatro luego de 40 años de iniciarse en la televisión. Barbara Martin nos visitó para contarnos cómo se retomó la historia de esta familia cubana en Miami. Y también el actor Ariel Texido se une al nuevo show como Yanko.
La familia Peña llega al teatro luego de 40 años de iniciarse en la televisión. Barbara Martin nos visitó para contarnos cómo se retomó la historia de esta familia cubana en Miami. Y también el actor Ariel Texido se une al nuevo show como Yanko.
Barbara Martin Coppola, the new Chief Digital Officer of IKEA, shares why she decided to take on her new role after serving as CMO for Grubhub, differences between the CMO, CDO and CXO role, how to manage fast-paced technology, how to leverage data science, how to foster a culture of innovation, time management, mentors, invisible dynamics, body language, how to teach marketing strategy, how to market a fork in China and how to find a good partner in life!
An interview with Barbara Martin Stephens, wife of Jimmy Martin and author of “Don’t Give Your Heart to a Rambler,” a new book about her life with the bluegrass great. Barbara went on to become the first female booking agent on music row, booking acts like Grandpa Jones and Hawkshaw Hawkins. Barbara's website: dontgiveyourheart.com/ *PLUS* Hear rare unreleased recordings of Jimmy Martin playing at New River Ranch in Rising Sun, MD. Special thanks to Joe Lee and the Leon Kagarise Archives for the recordings. Many thanks to Susan Alcorn for theme music. Contact: yesterdayswinepodcast@gmail.com
Host: Sheryl Glick R.M.T. Special Guest: Dimitri Moraitis In today’s episode of “Healing From Within” your host Sheryl Glick author of the Living Spirit Answers for Healing and Infinite Love welcomes Dimitri Moraitis co-author with Barbara Martin of their new book Change Your Aura Change Your Life.Dimitri is a former guest of the show and a cofounder of the […]
Barbara Martin Coppola is the CMO at GrubHub which is an incredible food delivery service that blends an amazing technology with really yummy food! She’s had quite the career story living in nine different countries throughout her career which is something she prioritized early and often. You’ll hear what it’s like to live all over the world and what it’s like to bring food to a higher level at GrubHub. Take a listen!
Dimitri Moraitis is cofounder and executive director of the Spiritual Arts Institute. An accomplished teacher and spiritual healer, he is coauthor of Karma and Reincarnation, The Healing Power of Your Aura, and Communing With the Divine. In his latest book Change Your Aura, Change Your Life, you will discover your source of unlimited spiritual energy! Everything you think, feel, and do radiates a spiritual energy that comes through in various colors and hues: this is your aura—the aura is your spiritual blueprint. By changing the quality of your aura, you can automatically change the quality of your life. In this groundbreaking book, Dimitri Moraitis and renowned aura expert Barbara Martin, known as the "Mozart of Metaphysics," lead you through this technique for improving the aura—a technique that has been taught to thousands.
If you've ever wanted to shift your life, whether that's bring in more happiness, abundance, health, wealth, or anything else, then do we have the life transforming show for you. Today I'll be talking with Dimitri Moraitis, coauthor of karma and reincation, communing with the divine, and a book I wish I knew about years ago, but am so I glad I found now, The Healing Power of Your aura. Today I want to talk with him about changing your life through your light. How to use light and your aura, even if you can't see it, to enrich your life whether love, prosperity, healing or wisdom, plus how to deepen relationships, advance your career, and transform destructive emotions. That plus we'll talk about the auras of animals, kundulini rising, down-raying light, the power of color and fashion, and why you don't want to buy a car from somewhere wearing avocado green. Questions and Topics Include: What his co-author Barbara Martin saw on her mother's dress How Barbara Martin became Dimitri's teacher (and why a teacher is so important) What does it mean to change your aura and change your life What is your aura? What does the Law of Attraction and Affirmations for bringing in more abundance have to do with light and color How do bring prosperity about from the inside out Why the Chinese symbol for crisis and opportunity is the same symbol What is Divine Light? What exactly is an Aura? Why Barbara is called the ‘Mozart of Metaphysics' What is a natural clairvoyance, and how we can all be clairvoyant What is kundalini rising and what does it mean to arise too early. What are nature spirits? (21:30) What's the aura of animals? How can we refuel the energy of our pets? How do we begin to work with light (to change your aura) Why we need to decide what we want the light to do (need an intention) Why we get too impatient when things are taking off What our chakras have to do with drawing in the light Why (for the law of attraction) emotions are the engine What's it mean to down-ray light What are a few of the top lights we want to call in Prosperity / abundance The love ray What it means to call in a quality and a color of light What color do you bring in, to bring in a baby (pregnancy) How light affects depression How do you generate more self-love Why purple is the color of peace Why don't you want to buy a car from someone wearing avocado green What colors to wear and why What color helps us with concentration How light and affirmations work together How do we raise our children in the light? How do you use light to protect yourself (and protect yourself from negative energy) and to help with difficult people. spiritualarts.org (spiritual arts institute) Free Webinar May 6th – 1-800-650-Aura (2872) Grand Opening North San Diego County June 4th and 5th Advice for mom's for Mother's Day Love Energy Guided meditation (perfect for Mother's Day too!) Dimitri Moraitis, Co-Author of Change Your Aura, Change Your Life w/ Barbara Martin, Shares How to Boost The Law of Attraction & Transform Your Life Thru Color & Light! + Guided Meditation | Spiritual | Spirituality | Metaphysics | Self-Help | Inspire For More Info Visit: www.InspireNationShow.com
Change Your Aura, Change Your Life with Dimitri Moraitis We know that our AURA speaks of who we are, it can provide insight into the spiritual, emotional and physical aspects of our lives. If our lives are not what we want, Change Your Aura, Change Your Life is a must read. Authors Barbara Martin and Dimitri Moraitis demonstrate their clear comprehension of the aura by sharing personal experiences of aura viewing, along with more than 90 meditations for achieving personal goals (such as improved health and prosperity). In Change Your Aura, Change Your Life, you will discover your source of unlimited spiritual energy! Everything you think, feel, and do radiates a spiritual energy that comes through in various colors and hues: This is your aura. The aura is your spiritual blueprint. By changing the quality of your aura, you can automatically change the quality of your life. In this groundbreaking book, renowned aura expert Barbara Martin, known as the Mozart of Metaphysics, leads you through her technique for improving the aura—a technique she has taught to thousands. For more information visit: http://www.spiritualarts.org/
Barbara Martin and Mac Walter (Existential Blues); Howlin' Wolf (Killing Floor); Howlin' Mat (Tell Me); The Milkmen (Dust My Broom); Elmore James (Dumb Woman Blues); Joe Bonamassa (Distant Lonesome Train); Charlie McFadden (Times Are So Tight); Peetie Wheatstraw (Tight Time Blues); The Cash Box Kings (Baby Without You); Fenton Robinson (Tell Me What's The Reason); Mitch Woods (Thought I Heard Satchmo Say); Dr. John (Gut Bucket Blues); Son House (Preachin' Blues); Bessie Smith (Foolish Man Blues); Meschiya Lake and The Little Big Horns ('Lectric Chair Blues); 3 Dayz Whizkey (Down With The Blues).
To get live links to the music we play and resources we offer, visit This show includes the following songs: Lyndzie Taylor - What Do I Know Shirah Kahol - Isn't it Funny Jenelle Aubade - Heaven Denise Dimin - When I Come Home To You (feat. Rachel Williams) Electrets - Misfit Sonja Garlick - All I Want To Hear Barbara Martin - Between White and Black For Music Biz Resources Visit Visit our Sponsor: Joy Adler and The Souls of Evolution at: Visit our Sponsor: Joanna Marie at:
To get live links to the music we play and resources we offer, visit This show includes the following songs: Lyndzie Taylor - What Do I Know Shirah Kahol - Isn't it Funny Jenelle Aubade - Heaven Denise Dimin - When I Come Home To You (feat. Rachel Williams) Electrets - Misfit Sonja Garlick - All I Want To Hear Barbara Martin - Between White and Black For Music Biz Resources Visit Visit our Sponsor: Joy Adler and The Souls of Evolution at: Visit our Sponsor: Joanna Marie at:
To get live links to the music we play and resources we offer, visit This show includes the following songs: Lyndzie Taylor - What Do I Know Shirah Kahol - Isn't it Funny Jenelle Aubade - Heaven Denise Dimin - When I Come Home To You (feat. Rachel Williams) Electrets - Misfit Sonja Garlick - All I Want To Hear Barbara Martin - Between White and Black For Music Biz Resources Visit Visit our Sponsor: Joy Adler and The Souls of Evolution at: Visit our Sponsor: Joanna Marie at:
To get live links to the music we play and resources we offer, visit This show includes the following songs: LynZ Wells - Nothin' But Lies Imogen Clark - The Storm Stephanie Keller - See Me Ruth Moody - One And Only Cheryl Hillier - Dear John Barbara Martin - I Won't Forget Tracy Bonham - Under The Ruby Moon Visit our Sponsor: Get music by Bishon at: Visit our Sponsor: Get music by Tracy Colletto at:
To get live links to the music we play and resources we offer, visit This show includes the following songs: LynZ Wells - Nothin' But Lies Imogen Clark - The Storm Stephanie Keller - See Me Ruth Moody - One And Only Cheryl Hillier - Dear John Barbara Martin - I Won't Forget Tracy Bonham - Under The Ruby Moon Visit our Sponsor: Get music by Bishon at: Visit our Sponsor: Get music by Tracy Colletto at:
To get live links to the music we play and resources we offer, visit This show includes the following songs: LynZ Wells - Nothin' But Lies Imogen Clark - The Storm Stephanie Keller - See Me Ruth Moody - One And Only Cheryl Hillier - Dear John Barbara Martin - I Won't Forget Tracy Bonham - Under The Ruby Moon Visit our Sponsor: Get music by Bishon at: Visit our Sponsor: Get music by Tracy Colletto at:
To get live links to the music we play and resources we offer, visit QB Seven - Gravity Cheryl Hillier - Gifthorses PURCHASE ON ITUNES Claire Lynch - Highway Trysette - Feel So Pretty Kira Longeuay - Rock Star Windfall - Give Me That Memory Barbara Martin - Every Little Thing For Music Biz Resources Visit Visit our Sponsor: Get music by Victoria Celestine at Visit our Sponsor: Get Cheryl B Engelhardt's Mx4 Course at
To get live links to the music we play and resources we offer, visit QB Seven - Gravity Cheryl Hillier - Gifthorses PURCHASE ON ITUNES Claire Lynch - Highway Trysette - Feel So Pretty Kira Longeuay - Rock Star Windfall - Give Me That Memory Barbara Martin - Every Little Thing For Music Biz Resources Visit Visit our Sponsor: Get music by Victoria Celestine at Visit our Sponsor: Get Cheryl B Engelhardt's Mx4 Course at
To get live links to the music we play and resources we offer, visit QB Seven - Gravity Cheryl Hillier - Gifthorses PURCHASE ON ITUNES Claire Lynch - Highway Trysette - Feel So Pretty Kira Longeuay - Rock Star Windfall - Give Me That Memory Barbara Martin - Every Little Thing For Music Biz Resources Visit Visit our Sponsor: Get music by Victoria Celestine at Visit our Sponsor: Get Cheryl B Engelhardt's Mx4 Course at
To get live links to the music we play and resources we offer, visit This show includes the following songs: Robyn Cage - The Arsonist and The Thief Annie Gallup - Diamond Ring Dottie Scharr - Quit This Town LynZ Wells - Can't Have Me Lauren Fincham - Something In The Air Deborah Wargnier - Meant To Be Barbara Martin - Too Late To Die Young For Music Biz Resources Visit Visit our Sponsor: Get music by Amused Now at Visit our Sponsor: Get music by Far West Folk at
To get live links to the music we play and resources we offer, visit This show includes the following songs: Robyn Cage - The Arsonist and The Thief Annie Gallup - Diamond Ring Dottie Scharr - Quit This Town LynZ Wells - Can't Have Me Lauren Fincham - Something In The Air Deborah Wargnier - Meant To Be Barbara Martin - Too Late To Die Young For Music Biz Resources Visit Visit our Sponsor: Get music by Amused Now at Visit our Sponsor: Get music by Far West Folk at
To get live links to the music we play and resources we offer, visit This show includes the following songs: Robyn Cage - The Arsonist and The Thief Annie Gallup - Diamond Ring Dottie Scharr - Quit This Town LynZ Wells - Can't Have Me Lauren Fincham - Something In The Air Deborah Wargnier - Meant To Be Barbara Martin - Too Late To Die Young For Music Biz Resources Visit Visit our Sponsor: Get music by Amused Now at Visit our Sponsor: Get music by Far West Folk at
Barbara Martin and Dimitri Moraitis discuss their book Communing With the Divine: A Clairvoyant's Guide to Angels, Archangels, and the Spiritual Hierarchy.
Communing with the Divine: A Clairvoyant's Guide to Angels, Archangels and the Spiritual Hierarchy. In an age of social conflict, technological advancement and widespread disillusionment, it’s difficult to find something to believe in. Too often, we let everyday stresses and concerns distract us from connecting with the universe at large. The result? Persistent negative personal energy, loss of faith in the Higher power and spiritual isolation. Tonight we’re focusing on the sacred art of Theophany – communication with angels and the Divine – an increasingly prominent topic in pop culture as seen on the popular Bravo show The Long Island Medium and Bio’sPsychic Investigators. You CAN reconnect to the Divine. You CAN gain a great understanding of your strengths and weaknesses. You CAN find clarity in your purpose on this earth as well as how you evolved and where you are headed. Fascinating . . . Enlightening . . . Thought Provoking
12pm PST --- Host MICHELE MEICHE shares her weekly Soul Insights, Meditations, Healing, Activation and Acceleration work for Soul Alignment. What is your Soul's Purpose & how can you actualize this? What is your role, your path, and what are the signs in your life and in the world telling you? Call in for channeled guidance readings, and psychic mediumship readings. Michele is the author author of the DailyOM course to Learn how to align to your Soul's Purpose and create from your Soul Blueprint 2012: Navigate Through Your Greatest Soul Shift http://bit.ly/izvzS1 Call in and share your path of awakening and Soul Alignment. Readings are from 12-12:50 pm. You may also email your questions to be covered on air at awakenings@selfinlight.com. The second portion of the show is Conversations with Awakened Guests. Michele dialogues with spiritual teachers, healers, conscious experts, visionaries, awakened leaders, authors, conscious beings and people of all walks of life that are focused on living consciously. This week's conversation is Barbara Martin who is a Professional Animal Communicator practicing in the California Bay Area for the past 12 years. Yes… she talks to animals and they talk back. She has helped clients all across the US Mexico, and Canada, gain a better understanding of their beloved animal's behaviors. It can be explained simply as “mind-to-mind” communication between humans and animals. She specializes in animals with medical conditions, those getting ready to pass over, and animals that have passed over. She communicates wishes of the humans to their animals and visa versa. www.animalcommuncationplus.com
Guest: Barbara Martin & Dimitri Moraitis Hold onto your consciousness for your are about to shift perspectives. If you are ready shake up your life and go for the gold, ... The post Barbara Martin & Dimitri Moraitis: Unlock your Spiritual Powers and Play a Bigger Game appeared first on Danielle Lin Show.
Barbara Martin and Dimitris Moraitis are here again to provide you with your own aura reading. Call in to learn your aura colors and what it means for you!
a Healing method abandoned in the early 1900's as drug companies made their vaccines; is rediscovered by this helicopter mechanic "military lifer" . Jay is a card carrying Native American Shaman, teaching all, the ways of the healing stones, he mines, selects the correct radioactivity, then has mastered the placements to help you heal from darn near everything. Jay has students from the world over.
a Healing method abandoned in the early 1900's as drug companies made their vaccines; is rediscovered by this helicopter mechanic "military lifer" . Jay is a card carrying Native American Shaman, teaching all, the ways of the healing stones, he mines, selects the correct radioactivity, then has mastered the placements to help you heal from darn near everything. Jay has students from the world over.
As an animal communicator my desire is to bring animals and people to a closer understanding of each other so that they can fully enjoy their relationship. When I read the book "Kinship With All Life" by Allen J. Boone about 11 years ago, I was instantly struck by a passion to talk to animals, and have them talk to me, the way that Allen described in his book. Since I thought I had to be a guru or a gifted psychic in order to have the intuitive ability to communicate, I hesitated to pursue my desire to talk to animals. A few months later I noticed other books on the subject and read more. I learned that many of the people who communicated with animals had been taught through workshops and practice. When I took my first workshop I was hooked. I was already able to communicate with animals. Over the years I have refined my skills though workshops and practice sessions. I have assisted many people to understand the simple needs and joys of their animal friends. Coming from 16 years in the computer industry in Management positions to my current position as an Animal Communicator at a Healing Center has been a great experience. I truly love this work and I have learned a deeper level of compassion and respect for our animal friends and for their people. http://animalcommunicationplus.com/
As an animal communicator Barbara's desire is to bring animals and people to a closer understanding of each other so that they can fully enjoy their relationship. *Call in with your questions & stories*
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