Podcasts about cop movie

Like what you hear? Show some love and send a text. #Cheers In this episode, we dive into the 80s classic Beverly Hills Cop (1984), where Eddie Murphy's iconic character, Axel Foley, flips the script on what it means to be a fish out of water. Join Reels, Booze & Bro's aka RB2podcast as we break down Axel's wild ride through the posh streets of Beverly Hills, armed with nothing but street smarts, a killer sense of humor, and zero respect for the rules. We'll chat about the unforgettable one-liners, the high-energy action, and why this film still holds up as a quintessential blend of comedy and crime. Plus, we'll debate whether or not a Detroit cop really could outsmart the Beverly Hills elite, all while keeping us in stitches. Tune in for the laughs, stay for the action, and don't forget to keep your bananas out of tailpipes! Support the Show.

 Coming Up #OnWithMarioLopez – Actor #JudgeReinhold zooms in to talk #BeverlyHillsCopAxelF, other 80s classics, & more! Plus, some sibling justice in Courtney's Court, a bit of Buzz, & #AccessHollywood's #ZuriHall joins us to talk #AmericanNinjaWarrior, #MacysFourthOfJuly, & more!See omnystudio.com/listener for privacy information.

Axel Foley (Eddie Murphy) is a street-wise cop from Detroit who - against his boss's orders - goes "on vacation" to Beverly Hills, California to solve his best friend's murder... drawing the ire of the very by-the-book police department there. Michael Yeager joins me this week to discuss 1984's biggest hit movie: Paramount Pictures' Beverly Hills Cop, co-starring Judge Reinhold, John Ashton, Steven Berkoff, Lisa Eilbacher, Paul Reiser, and Ronny Cox. THIS EPISODE CONTAINS EXPLICIT LANGUAGE --- Music from #Uppbeat (free for Creators!): https://uppbeat.io/t/moire/space-ranger License code: RDDJNOUVQCDNNUPB "Axel F" by Harold Faltmeyer and audio from the film are used within Fair Use copyright guidelines.

Lethal weapon directed by Richard Donner, the man who gave us Scrooged, and Superman was released in 1987. The film stars Mel Gibson and Danny Glover,2 cops forced to be partners who learn to appreciate each other. Maybe the perfect example of a buddy cop film and probably still the best. Today John is joined by David AKA Shamrock balls discuss one of their all time favorite films! We hope you enjoy the show! EMAIL: letstalkentmt@gmail.comInstagram https://instagram.com/letstalkentertainmentandmedia?utm_medium=copy_linkFacebook https://www.facebook.com/Letstalkentmt/Twitter or X: https://twitter.com/letstalkentmtAPPLE PODCAST LINK https://podcasts.apple.com/us/podcast/lets-talk-entertainment-and-media/id1667124623PANDORA LINK https://www.pandora.com/podcast/lets-talk-entertainment-and-media/PC:1001053804Digital code Give Away: Every week we give away a digital code. On Fridays video we will announce the Movie and the question you will have to answer in the comments section. Then on Mondays video we will announce the winner and how you will receive the video code. Also Keep an eye out for major give aways as the channel reaches its goals witch we can't do without all of you, so thank you for your support.

It's the feel-good Christmas movie of the year... that was released in March. Two detectives - one a family man who's getting too old for this shit, and the other a loose cannon who's deep into grieving the loss of his wife - are paired up to solve a homicide, and instead get caught in the middle of a massive drug ring. It's 1987's Lethal Weapon, and my guest to discuss it is Sebastian Posey, an award-winning podcast producer and journalist who's had a deep love for this film since he saw it as a kid. --- Music from #Uppbeat (free for Creators!): https://uppbeat.io/t/moire/space-ranger License code: RDDJNOUVQCDNNUPB

I have returned from Italy refreshed and ready to talk wrestling! Jeff and I break down  the most popular member of The Judgement Day, tiny boats, and why the MJF and Adam Cole angle is working so perfectly.See omnystudio.com/listener for privacy information.

Dave McArthur welcomes guest hosts Chris Gragg and Bill Hodges to drink Black Russians and discuss the 1982 action/comedy film 48 Hours starring Eddie Murphy and Nick Nolte. Black Russians are vodka mixed with kahlua.

This episode Mike, Alex and Aubrey look at the 1988 Genre crossing buddy cop movie about capitalism, eternal life and going full Piscopo!

In this Episode: Our Heroes get hammered on sour milk and snack on some beaver carpaccio this week in celebration of Alien Nation! In our final buddy cop movie we tackle this sci fi gem in all it's moody dish-soap-crack-cocaine glory. Tune in..! Follow Us: Our Website Twitter Instagram Facebook Items discussed (links to more info): Note - if the below links don't work in your podcast player please visit the show page at: https://ebd.fm/episodes/202 Khan High ground District 9 Inigo Montoya Kate Blanchette Marion Cobretti Spaceballs DS9 Zod Wall Street Regulate Dragnet Pedro Pascal Hot Ones Mando 48 Hrs Mortal Kombat Meatloaf T2 Night Slasher Princess Bride Swolo Billy Joel Kirk Dragon Ball Z Ben Gazara GaryGraham Crystal Pepsi New Coke Wayne's World

Police from three department competing for the Polar Plunge on 3/4/23 in studio with Joe and Tina to win donations to their efforts. They were asked questions about cop movies and, well, you'll hear how they did! The departments from Carpentersville, Lake in the Hills, and Algonquin in the burbs of Chicago were on hand. If you would like to find more to donate now or about their efforts click here. Catch Joe and Tina live on Star 105.5 in the NW Burbs of Chicago Monday-Friday from 5A-10A Central and at star105.com!

For this edition of "Making Movies Great Again," Sebastian and Chris Kohls, AKA "Mr. Reagan," talk about one of the quintessential buddy-cop movies and action movies of the 1980s: The original "Lethal Weapon"Support the show: https://www.sebgorka.com/See omnystudio.com/listener for privacy information.

Editor's note: This video was recorded prior to Ray Liotta's passing.Police Accountability Report show hosts Taya Graham and Stephen Janis kick off the holidays with a spoilers-free review of the exceptional film Cop Land. Taya and Stephen take a tour behind the scenes of police culture and explore how difficult it really is for individual officers to hold other police accountable for their crimes. Decades later, Cop Land remains one of the most revealing and honest movies about the current state of policing in America. As copaganda only becomes more pervasive, this blast from the past is a breath of fresh air that offers a more realistic look at the commonplace corruption and impunity rife in police departments around the country.Help us continue producing Police Accountability Report by following us and becoming a monthly sustainer: Donate: https://therealnews.com/donate-pod-parSign up for our newsletter: https://therealnews.com/nl-pod-parGet Police Accountability Report updates: https://therealnews.com/pod-up-parLike us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnews

It's Hanksgiving! They're so bad at being bad... but so much worse at being good - like the voices of 80s Revisited! Use code "Revisited" for 20% off and free shipping at MANSCAPED.COM. 80srevisited@gmail.com to talk with us, and leave a review for us! Thank you for listening 80s Revisited, hosted by Trey Harris. Produced by Jesse Seidule.

This week I rewatched and reviewed the 1984 action comedy Beverly Hills Cop.

Der Podcast über die Montags (OV) Sneak in Frankfurt am Main und in euren Wohnzimmern. Denn was könnte schöner sein, bei weit über 30 Grad da draußen, als sich vor der Sonne zu verstecken und daheim ein paar Klassiker nach zu holen? Passend zum den sommerlichen Temperaturen schickte uns Sam dieses Mal nach Mexiko, mit dem auf Netflix völlig untergegangenen innovativen Spielfilm / Doku Hybriden bei dem das einzig simple der Titel „A Cop Movie“ / "Una pelicula policias" ist. So komplex wie der Film ist auch die Thematik und so verstricken sich Helena, Sam, Maike und Malte in Diskussionen um Korruption, Polizeigewalt auf der einen und die Erzählweise des Filmes auf der anderen Seite. Spoiler gibt es übrigens erst ab Minute 33, bis dahin könnt ihr also gefahrlos zuhören. Die nächste HeimkinoSneak kommt dann von Malte und ist ausnahmsweise ebenfalls kein entspannter Trash, seit also gespannt.

Will, Adam, and Ryan watched Bad Lieutenant (1992) and then talk about summer time and swimming pools. IMDb: imdb.com/title/tt0103759/ Trailer: youtube.com/watch?v=oFvGeMDW7bw

India Directed by Eeshwar Nivas

This week on Scene Stealers, Leo & Charles use a time machine to open the vault and discuss Alfred Hitchcock's 1946 thriller Notorious and Rian Johnson's  2012 Sci-Fi hit Looper.  They crack the safe and dive into the deep cast of complicated characters for John Hillcoat's Triple 9.

Ein charmanter Kommissar mit großzügiger Regelauslegung (Omar Sly) und sein arroganter Kollege (Laurent Lafitte) müssen in „Ein Mordsteam ermittelt wieder“ einen irrwitzigen Kriminalfall in der französischen Provinz lösen. Die klassische Buddy-Cop-Komödie, transportiert ins Jahr 2022. Darüber sprechen Hadnet und Matthias mit dem Actionkomödien-Experten Gerry Streberg. Sie diskutieren, welche Klassiker hier zum Vorbild genommen wurden und wie wichtig die Buddy-Chemie für so einen Film generell ist. Dabei sind sich alle einig: Die gute, alte Verfolgungsjagd wird hier besonders meisterhaft inszeniert. Weitere Empfehlungen: ein „etwas anderer” Buddy-Cop-Film und ein lupenreiner Genre-Klassiker, plus ein bewegendes Special mit Oprah Winfrey und Viola Davis. Ihr wollt den Hosts eine Frage stellen? Ihr habt Feedback zum Podcast oder einen Hot Take zu eurer aktuellen Lieblingsserie? Dann schickt uns eine Sprachnotiz oder Textnachricht an +49 1529 0020195. Ausgewählte Nachrichten werden im Podcast abgespielt.

Caitlin Durante says most Hollywood films are way too cop-positive when in reality the po po mostly suck d*ck (and not in the hot way). Listen in and decide whether you agree we need to stop the police aggrandization or if you think representation should have even more posi vibes, or maybe you think movies should depict private police forces or only social workers.Holler at Arielle if you wanna argue something different should be done:arielle.norman@gmail.comor @ellendegenderlessSupport the mission here, plus bonus clips of standup and whatnot:Patreon - patreon.com/politicallynbSubstack - wrongqo.substack.comMuchas gracias to our new producer, Raymond Cabrera!

Caitlin Durante says most Hollywood films are way too cop-positive when in reality the po po mostly suck d*ck (and not in the hot way). Listen in and decide whether you agree we need to stop the police aggrandization or if you think representation should have even more posi vibes, or maybe you think movies should depict private police forces or only social workers.Holler at Arielle if you wanna argue something different should be done:arielle.norman@gmail.comor @ellendegenderlessSupport the mission here, plus bonus clips of standup and whatnot:Patreon - patreon.com/politicallynbSubstack - wrongqo.substack.comMuchas gracias to our new producer, Raymond Cabrera!

Tyler and David discuss what they've been watching, including Waves, Faya Dayi, Pig, American Night, Sundown, The Olive Trees of Justice, Malignant, Free Guy, A Hero, No Sudden Move, Spencer, Old Henry, All About My Sisters, Parallel Mothers, Azor, The Card Counter, A Cop Movie, Lamb, The Village Detective: A Song Cycle, Being the Ricardos, Lingui, Ascension, Mission: Impossible - Ghost Protocol, Cryptozoo, Hell Hath No Fury & Licorice Pizza.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Host Ryan Dilbert welcomes a revolving door of guests to break down their top 5 picks for a variety of wrestling topics. In this episode, Wrestle Inn columnist and Monthly Puroresu writer Trent Breward joins Ryan as they each pick their best wrestler/actor combos for potential buddy cop movies. Read our features on our website WrestleInn.com. Follow us on Twitter @WrestleInn. Support us on Patreon at patreon.com/WrestleInn. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In a World...where some people need to push just a little farther, higher, and faster to live life on the edge...one man will get drawn into a world few ever experience. Torn between duty, justice, love, and the need for the adrenaline rush only a mega slip ‘n slide can bring, Detective Jensen will find himself...Climbing Intensely Down… This show features the improv games Scenes Without the Letter, Gibberish Switch, Questions Switch, and Cutting Room. Plus some mad cap slip ‘n sliding - and otters!! About this Episode In this episode, we pay homage to adrenaline fueled, undercover police, “got a little too close,” action movies like Point Break, The Fast and the Furious, Terminal velocity, and more! We play some fun improv games and somehow the “adrenaline activity” ends up being extreme slip ‘n sliding!  Oh, and we completely mix-up the Charlie Sheen skydiving movie (Terminal Velocity) and the Wesley Snipes skydiving movie (Drop Zone). Whoops! Links Point Break on Wikipedia: https://en.wikipedia.org/wiki/Point_Break The Fast and Furious on Wikipedia: https://en.wikipedia.org/wiki/The_Fast_and_the_Furious_(2001_film) Terminal Velocity on Wikipedia:  https://en.wikipedia.org/wiki/Terminal_Velocity_(film) Drop Zone on Wikipedia: https://en.wikipedia.org/wiki/Drop_Zone_(film) Time Codes Segment 1 - Discussion the Genre Tropes: 04:56 Segment 2 - Creating the Movie Outline: 11:34 Segment 3 - Picking the Improv Comedy Games: 16:26 Start of show: 23:20 Improv Game - Scenes Without the Letter: 25:40 Improv Game - Gibberish Switch: 30:24 Improv Game - Questions Switch: 38:54 Improv Game - Cutting Room: 52:15 End of show, into announcements: 1:06:38 More Information About the Show, Mike, and Avish Subscribe to the podcast: http://avishandmike.com/subscribe/ Our Website: www.AvishAndMike.com Our Facebook Group: https://www.facebook.com/groups/143183833647812 Avish's site: www.AvishParashar.com  Mike's site: www.MikeWorthMusic.com/   Transcription of the “Discussing the Genre Tropes” Segment (Unedited and Un-Cleaned up) Avish Parashar: This brings us to segment one. Avish Parashar: All right now we're gonna spend five minutes discussing the tropes commonalities and cliches of this genre i'm going to set my little duck timer here for five minutes hello, the duck timer and away we go all right Mike why don't you kick us off, especially since it's fresh. Michael Worth: In your mind why don't know. Michael Worth: As Bourbon fresh that can be um so the trump's of this particular genre is it's always a young, law enforcement officer in point break it was obviously. Michael Worth: FBI and for terminal velocity I think it was FBI as well anyways The point is, there is a vexing series of crimes that happened that have some sort of. Michael Worth: cool hiccup to them like either they are the criminals either dress funny or they break in and an interesting way and nobody can figure them out there, like super super professional and. Michael Worth: one cup kind of notices something about them, that makes him think that they're not your typical criminals so that's kind of the the first trip is there's like some sort of. Michael Worth: reveal like I think in terminal velocity like left behind, like some polymer and the polymer is that kind of stuff you'd use in a parachute or something like that you don't mean like. Avish Parashar: yeah point break. Avish Parashar: Just based on the schedule of the break ins are like we think these guys are running backs to fund their surfing habits. Michael Worth: Right exactly and then one of them had a when they move the camera they have like a clear. Michael Worth: surfing line like when they when they move the cameras. Avish Parashar: yeah. Michael Worth: So for 10 so that's the the big trope now what that means is that basically um the young COP has to go undercover into this adrenaline filled sport that these robbers are kind of engaged in. Avish Parashar: yeah and he usually like he just gets in with one crew and then by chance that crew happens to be the criminals, but he doesn't know at first he just like trying to get into that world, so it looks up some people. Avish Parashar: And then they think like oh this other gang is probably it, but then turns out that's not it like an employee goes red hot chili peppers wherever it. Is. Avish Parashar: it's. Avish Parashar: A chili peppers right, I was like yeah this is Anthony kiedis and flee I don't know about the other two. Michael Worth: yeah. Avish Parashar: that's awesome so, then you get you get the sequences where he has to like prove his worth. Avish Parashar: and learn kind of the. Avish Parashar: drag racing the surfing skydiving whatever right. Michael Worth: Right now, in point break and I think, also in terminal velocity the coach is usually the love interest. Avish Parashar: I was like helping him, does he was like two people right there's like a mentor figure like a vin diesel and Patrick swayze. Avish Parashar: yeah who's kind of mentoring to to be, but then yeah there's like someone who you're really green, let me teach you and that's like a love interest but, like a love interest the mentors like the head of the bad guys. Michael Worth: yeah exactly so um now here's the question that I have for this kind of trope does the. Michael Worth: Good guy witness a crime or is he already or does he become one of the criminals first look i'm trying to remember, if, like like. Avish Parashar: hey go either way and that'll probably come out but yeah there's usually like a mid movie crime. Avish Parashar: yeah that he's he's using involved in right maybe accidentally he doesn't want to be, but protect his cover or you know I think like. Avish Parashar: You know the love interest. Michael Worth: yeah I think. Michael Worth: yep yep i'm like yeah that's what happens is you kind of perfectly gets involved he doesn't want to, but to keep his cover yes to kind of join up with it right. Avish Parashar: yeah and there's always like the whole part I the whole point of this is that, even though he's undercover he starts to get drawn both the the activity, and especially to like the mentor like he really. Avish Parashar: feels a connection there and see them as a friend like almost like families these very conflicted about like doing his job at stopping them versus like hey this has become my friend and buddy. Michael Worth: I was gonna say that that's a big critical part is is he starts to kind of when he dances with monsters, and he becomes the master starts to look like you know, family and friends so exactly. Michael Worth: um and then the final act now uh I didn't finish point break last second I fell asleep, but does the bad guy bad the shadow mentor or the bad guys. Michael Worth: up the ante and F3 forcing the good guy to make a decision like does the Gary busey character get killed or something like that, because sometimes that happens where they the the team ratchets up to some level unacceptable crime. Avish Parashar: And the good guys like Well, no, I think there's a couple ways to go, I think. Avish Parashar: I think either yeah they ratchet up the crime, and I think that kind of happens in point break I forget exactly what the shoots bore there's like a third. Avish Parashar: group or something, and so, like the bad guys that the heroes close to. Avish Parashar: Still, a criminal but it's sort of redemptive like I think in both important break like kiana let's. Avish Parashar: Patrick swayze surf away I think yeah I think I forget we kind of hang out at the end, but like vin diesel I think gets away so there's like that the bad guys get stopped, but I think the main mentor guy kind of gets away or the hero, let them get away. Michael Worth: yeah yeah exactly and then I think um I think the people that we want to play i'll play PG were like the criminals do end up getting arrested. Avish Parashar: not killed listed like maybe the main guy gets like. Avish Parashar: The other thing I think that's critical to this genre is a. Avish Parashar: fun thing. Michael Worth: To do it's. Avish Parashar: it's our crack know is part of it is like pulling behind the curtain, so you really learn about the world of drag racing or skydiving or surfing so there's some minutiae in there about the culture and. Avish Parashar: The activity and. Avish Parashar: To an outside observer it's almost ridiculous right like I live my life quarter mile of a time and. Avish Parashar: You know the the obsession they have with surfing like so it's all it's kind of over the top there's like a. Avish Parashar: Like they're not actually playing it for laughs, but I think part of the appeal of like a point break this many years later, is it's sort of ridiculous. Michael Worth: It really is over the top espn ridiculous the over the top soundtrack is also a ton of fun like. Avish Parashar: Oh yeah. Michael Worth: Oh God it's great man it's like you know funny enough, you know weird way top gun has some elements of this point break because of the adrenaline junkie kind of thing more of. Avish Parashar: It I just don't have the undercover bit, but yeah the adrenaline junkie the whole that whole thing is there and don't worry, we are on episode coming. Michael Worth: Oh baby I. Avish Parashar: went to the other depending when this drops maybe the top episode already came I don't. Michael Worth: Whatever so. Michael Worth: This is. Michael Worth: This is not citizen kane or you know touch of evil you. Avish Parashar: Know it's. Avish Parashar: it's barely Harry and the hendersons. Michael Worth: speed of which. Michael Worth: An awful thing improvising a movie the style of chinatown oh God oh. God. Michael Worth: alright. Transcription of the “Creating the Outline” Segment (Unedited and Un-Cleaned up) Avish Parashar: So that brings us to segment two. Avish Parashar: Alright, so now we're gonna spend five minutes hashing out a high level outline number one we use a four act structure similar three x we just split the log act three into two parts and. Avish Parashar: This is the outline we're going to roughly follow but improv being what it is we may abandon it here on. Michael Worth: to it, who knows exactly it's. Michael Worth: Our rights. Avish Parashar: Alright, so now the duck timer for five minutes. Michael Worth: Yes. Avish Parashar: And away we go. Avish Parashar: Alright, so we often start, we always start with either prologue or trailer yep. Michael Worth: The prologue could be a them doing their first crime right that could be like kind of like. Avish Parashar: We don't actually meet the hero, we just see the crime. Avish Parashar: I think that's good. Michael Worth: To prologue yeah. Avish Parashar: prologue short prologue with the crime yep. Avish Parashar: Just one we got to meet our hero main character yep. Avish Parashar: We got it he's got to learn about the crime and then that oh it's it's probably you know these type of people yep. Michael Worth: So, so in act one he'll probably end up getting paired with a senior guy that's where he discovers because he's a new he's a new law enforcement so pair with the senior guy who's been tracking the crimes and then figures out. Michael Worth: Oh it's probably like you said this particular adrenaline junkie team right. Avish Parashar: And then he's got a I think act one kind of ends with him. Avish Parashar: meeting and getting in with the team, so we can meet them and then maybe as a past whatever little like initiation type test like Oh, you know show us, you can search for shows this you know kind of yeah they kind of sort of passively accept him into the group. Michael Worth: yeah exactly yeah yeah, but at this point he they none of them knows anything about anybody else but they don't know he doesn't know that there, possibly the criminals, they don't know that he's an FBI agent or. Avish Parashar: yeah he just trying to meet some you know surfers and. Avish Parashar: and get it with them, so he does yep then an act to I think this is where maybe you get like the red herring like the red hot chili peppers thing. Avish Parashar: where he thinks he knows who it is and he's sort of investigates and he's also learning more about the craft of this activity and getting more ingratiated with the group. Michael Worth: yeah yeah I agree a hill also make enemies and allies within the group there's going to be one guy that doesn't like him. Avish Parashar: Oh there's always want to do it, it doesn't trust them or like i'm yep. Michael Worth: yep and. Avish Parashar: oftentimes it's like the acts of the. Avish Parashar: romance. Michael Worth: romance interest yes and it's like the second in command usually right it's almost it yeah second in command right yeah lieutenant so that's going to be the tests allies and enemies portion right. Avish Parashar: cold I think act to will end right around with him discovering that his group is the. Avish Parashar: bad guys yep yep exactly. Michael Worth: So at three is going to be him drawn into the committing of the crimes while at the same time trying to get enough evidence or find a way to bring them to justice so he's he's going deeper into the rabbit hole right. Avish Parashar: yeah I think also didn't happen is maybe somewhere in act three enact at the end of Act two he discovered that this is the gang but maybe he doesn't have enough evidence right, but then in act three the gang discovers that he's an undercover COP. Michael Worth: And now there's no yeah yep. Avish Parashar: they're going to force him into their plan otherwise they're gonna expose him kill him kill the love interest whatever mm hmm yep that's it that's. Michael Worth: All these are all correct everything you say is correct, so act for is the final crime final heist or whatever it's going to be a with the hero trying to you know escape the snarl that they've been trapped in for the crime and bring everyone to justice. Avish Parashar: yeah I feel like act, I mean there's two ways of going either act for can be him, no longer part of the group and trying to stop their crime or at for can be him part of them kind of. Avish Parashar: times I feel like I can point break I feel like. Avish Parashar: Act for was like a separate thing I don't I never saw the end in a long time so. Michael Worth: I must be basically be the final crime, however, that plays out there can be a file crime yep. Avish Parashar: And he's also to an extent I think he's got to deal with his conflict of saving his reputation as a cop stopping the crime but also dealing with his own emotions about the appeal of this adrenaline activity in groups. Michael Worth: So much character nuance in this kind of film I, who would have thunk it. Avish Parashar: I know. Avish Parashar: Like Hamlet baby dimensions. Michael Worth: Oh, my God dimensions baby, let me tell you this this depth depth. Avish Parashar: I mean it's pretty straightforward there's got to be, and it does have a little bit of nuance between character interaction and kind of you know, some of the, how do you get out of the situation, but overall it's pretty straightforward yeah. Avish Parashar: This is not rocket law enforcement guy. Avish Parashar: got to go into the group gets in with the things there okay discovers they're bad they discover scenes a cop, then big finish yep. Michael Worth: Clarity and high jinks ensue all right good we're ahead of ahead of the duck let's do it.

This week on Episode 160: It's a good week for Jason since 2022 begins with reviews of LETHAL WEAPON 1-4. It's gonna be a great time! Thanks for watching!

The Bloody Awesome Movie Podcast focuses on a single film per episode, usually a new release (hopefully theatrically at some point) giving a spoiler-free review. Then Matt Hudson (@wiwt_uk) from What I Watched Tonight and Jonathan Berk (@berkreviews) from Berkreviews.com will introduce a variety of movies or pop-culture-related topics in a series of segments. However, for this week we are covering the Tribeca Film Festival so we are rapidly discussing spoiler-free reviews of the films we saw from it. Review of The Matrix Resurrections (2021) Directed by Lana Wachowski Written by Lana Wachowski (Based on Characters), David Mitchell, Aleksandar Hemon Starring Keanu Reeves, Carrie-Anne Moss, Yahya Abdul-Mateen II, Jonathan Groff, Jessica Henwick, and Neil Patrick Harris. IMDb.com Synopsis: Return to a world of two realities: one, everyday life; the other, what lies behind it. To find out if his reality is a construct, to truly know himself, Mr. Anderson will have to choose to follow the white rabbit once more. 65% RT critic, 64 Metascore, 5.8 IMDb user score, and 3.1/5 on Letterboxd RELEASE location / DATE: Theaters/HBO Max ‘The Matrix Resurrections' Would Have Moved On Without Lana Wachowski If She Didn't Volunteer To Direct | Collider Interview Chuffed Headlines Movie/Pop culture news that caught our attention Matt's Headline: The Batman's Action Is Already Better Than Nolan's Dark Knight Trilogy Jon's Headline: Tons of critics are bashing the #1 movie on Netflix right now Media Consumption Movies, TV, Video Games, Music, Podcasts (not ours), etc that we use to pass the time Matt's others: The Book of Boba Fett E1 Jon's others Blank Check - No episode Lamb, Val, Becoming Cousteau, A Cop Movie, Summer of Soul, Home Alone 2/A Christmas Story, Don't Look Up, Licorice Pizza, Roadrunner: A Film About Anthony, My Heart Won't beat unless you tell it to Hawkeye Ep 6, Ted Lasso Season 2, Book of Boba Fett BAMP on Twitter | BAMP on Instagram | TeePublic Merchandise Jon on Twitter | Jon on IG | Jon on Letterboxd.com Matt on Twitter | Matt on IG | Matt on Letterboxd.com Berkreviews.com | WhatIWatchedTonight.co.uk --- Send in a voice message: https://anchor.fm/bloody-awesome/message Support this podcast: https://anchor.fm/bloody-awesome/support

Fear Level: Terrifying/Existentially DisconcertingTrigger Warnings:  Sexual Assault, Gaslighting, homophobia, gore, violence, kids with drugs and alcoholWhat if Home Alone, but terrifying. Director: Chris Peckover Writers: Zack Kahn, Chris Peckover Stars: Olivia DeJonge, Levi Miller, Ed Oxenbould, Virginia Madsen, Patrick Warburton Topics of Discussion: Seething Rage Home Alone Christmas movies Homophobic moms Doorknobs: what the fuck is wrong with them? The Cop Movie of Babysitter Movies Accents Recommendations: You're Next The Ref We Need to Talk about Kevin Ready or Not A World of Calm Home Alone 3? Follow our guest:Michael TannerTwitter: @mikeisernieWebsiteFollow us on twitter @proghorrorpodFollow Emily on twitter @megamothEmily's Website: Megamoth.netFollow Ben on twitter @benthekahnPre-Order Ben's new book, Renegade Rule.Follow Jeremy on twitter @jrome58Visit his website at JeremyWhitley.comRSS Feed: https://feeds.transistor.fm/progressively-horrifiedWebsite: https://progressivelyhorrified.transistor.fm/Join our Patreon at: patreon.com/progressivelyhorrified to support the show, get bonus episodes, early access to upcoming episodes, and a cool Progressively Horrified t-shirt.Come back next week to hear about Better Watch Out★ Support this podcast on Patreon ★

Reviews of the films Encanto, House Of Gucci & Bad Luck Banging Or Loony Porn. Reviews of the Netflix films A Cop Movie & Procession.DIRECT LINK

In the penultimate News & Reviews of this year Alex brings you a bumper crop of new releases. From Netflix we have documentaries 'Procession', 'A Cop Movie' and directorial debuts in Oscar hopefuls 'tick, tick...BOOM!' and 'Passing', alongside this we have festive Aardman stop motion with 'Robin Robin'.Elsewhere there's powerful drama 'Rose Plays Julie', satirical thriller 'The Beta Test', mother and child horror 'Son' and MCU entertainment by way of 'Shang-Chi and the Legend of the Ten Rings'. 

This week's episode of End Credits has at least 75 per cent new material. Speaking of that new material, we will review a new and interesting documentary on Netflix about what it takes to be a police officer in Mexico, and it's also a love story. We're going to review the aptly named, A Cop Movie, and we will also walk down memory lane by re-running the series on Aaron Sorkin. This Wednesday, November 24, at 3 pm, Adam A. Donaldson and Tim Phillips will discuss: Re-Run the Series: The Films of Aaron Sorkin. We were going to do something else for the first part of the show, but it fell through, so let's revisit one of our Run the Series entries from last year. Next month, Amazon releases Meet the Ricardos, Aaron Sorkin's behind the scenes look at the making of I Love Lucy, so before that happens, we will look again at the films written and/or directed by Sorkin, and we will reconsider how his series should be run. REVIEW: A Cop Movie (2021). The Mexican Police have long been played in American films and TV as endlessly corrupt and ineffective in the face of uncorruptible hero cops from north of the border, but that can't be the truth, right? Director Alonso Ruizpalacios' new documentary aims to re-frame how we look at police officers in Mexico in a unique mix of interviews, re-creation, and immersion as two actors take on the role of two different police officers, and by doing so they're not only telling the story, they're also living it. So does it work for the audience? End Credits is on CFRU 93.3 fm and cfru.ca Wednesday at 3 pm.

Immaculately produced by Daniela Alatorre and Elena Fortes and stylishly directed by Alonso Ruizpalacios (“Museo”, “Gueros”, “Narcos: Mexico”), A COP MOVIE is a dazzling hybrid documentary brain teaser and gorgeous piece of cinematic eye candy. It's also, well, a cop movie, with a blood pumping chase scene and a pair of captivating Mexico City police officers known as “the love patrol.” At its core, the movie illuminates the systemic police corruption that plagues the Mexican police force, eroding the public's trust and making life untenable for even the “good cops.” Mike and Ken spent a thoroughly engaging afternoon with Alonso, who, fresh off a screening at DOC NYC, set us straight about what was “real” and what was scripted, how he imbedded his actors in a police academy training program and shared a hilarious anecdote about Alfonso Cuaron's baby dummy from “Roma”! This is the kind of documentary that even your Thanksgiving in-laws will appreciate. So, grab another slice of pie and cozy up with “A Cop Movie”. Available now on Netflix. Follow us on twitter @topdocspod   Hidden Gems:   Waltz with Bashir The Five Obstructions The English Surgeon F for Fake Also mentioned:  The Conversations: Walter Murch and the Art of Editing Film Midnight Family

In this episode of Film Forward, the accomplished producers Daniela Alatorre and Elena Fortes discuss their brilliant and inventive documentary, A Cop Movie. The Netflix doc, A Cop Movie, takes us deep into the Mexican police forces with the story of Teresa and Montoya, together known as ‘the love patrol.' In this thoroughly original and unpredictable documentary, the filmmakers play with the boundaries of nonfiction and immerse the audience into the human experience of police work within a dysfunctional system. A Cop Movie is available to stream right now on Netflix. Check it out, and let us know what you think! This genre-bending documentary is not to be missed.

In A COP MOVIE director Alonso Ruizpalacios takes us deep into the Mexican police force with the story of Teresa and Montoya, together known as “the love patrol.” In this thoroughly original and unpredictable documentary, Ruizpalacios thoroughly blurs with the boundaries of nonfiction and immerses the audience into the human experience of police work within a dysfunctional system. What does it take to be a cop in Mexico City? Two professional actors undergo an immersive process of “training” to become police officer, playing the role of Teresa and Montoya, in order to explore this question, while gaining a visceral understanding of an officers responses as they guide us on their journey from the ‘inside'. Director Alonso Ruizpalacios (MUSEO, GUEROS) joins us for a conversation on his mind-bending approach to policing in a city and country where the struggle for police officers is a never-ending question of ethics versus economics, law enforcement versus corruption. In Select Theaters October 20 To watch beginning November 5 go to: netflix.com/A Cop Movie

OAF 43 is here! It was the earliest recording yet with Dan and Tom barely awake. Despite that, Dan is hyped about new releases from Charli XCX with Christine And The Queens and Caroline Polachek, The Weeknd & Post Malone, and Lola Young.  He's also been on a horror film odyssey. Tom looks forward to the new Ghostbusters film, some big films on Netflix, and Disney+ day. He's also dead chuffed there's a new Snail Mail album. Spotify playlist: https://open.spotify.com/playlist/6BOVLLad2duA31cP98rcQy?si=f2b9993177684c2cTrailers: Ghostbusters: Afterlife: https://youtu.be/G_ua10EMbSgRed Notice: https://youtu.be/Pj0wz7zu3MsThe Harder They Fall: https://youtu.be/Poc55U2RPMwA Cop Movie: https://youtu.be/b_m3jC4hGn0Home Sweet Home Alone: https://youtu.be/2BkVf2voCr0Thanks for listening, as always. Please like, subscribe, rate, review, share, and say nice things about and to us. 

Two professional actors undergo an immersive process to find out what it takes to be a cop in Mexico City.

Otra semana, otro episodio de Fritzgance, empiezo con series que deje de ver las cuales son Midnight Mass, Brooklyn Nine Nine y en especial (6:50) Sex Education T3 y su falso propósito educativo... (16:52) luego hablamos sobre Mythic Quest T2...(37:03) sobre The Souvenir que me dejó confundido con su propuesta artística...(49:39) la bonita decepción Lily Topples the World...(1:11:28) The Eyes of Tammy Faye y su crítica a la iglesia...(1:35:49) A cop movie, México y los policías.

Welcome to the premiere episode of Contrast Ratios with hosts Edward Bartholomew and John Arthur Wilson.  Edward is the Principal of Bartholomew Lighting (https://sites.google.com/view/bartholomew-lighting) and John is the founding director of Fernhill Shopworks (https://www.fernhillshopworks.com). Edward and John reveal some of the "awkward" and raw topics from their podcast.

We are back with a new Amir Shervan film. Since the passing of Richard Donner we figured a knockoff of Lethal Weapon would be perfect.    Hollywood Cop | 1987 ‧ Action ‧ 1h 41m   An undercover police officer (David Goss) thwarts a mob boss (Jim Mitchum) holding a boy hostage for $6 million.   Site: http://SimplisticReviews.net Spotify: https://goo.gl/pcBg5V Twitter: https://twitter.com/simpletweeters Facebook: http://facebook.com/SimplisticReviews Instagram: https://www.instagram.com/simplygramming iTunes: https://goo.gl/orhsR4   #Movie #Commentary #Action #HollywoodCop #Podcast #80s

We are back with a new Amir Shervan film. Since the passing of Richard Donner we figured a knockoff of Lethal Weapon would be perfect.    Hollywood Cop | 1987 ‧ Action ‧ 1h 41m   An undercover police officer (David Goss) thwarts a mob boss (Jim Mitchum) holding a boy hostage for $6 million.   Site: http://SimplisticReviews.net Spotify: https://goo.gl/pcBg5V Twitter: https://twitter.com/simpletweeters Facebook: http://facebook.com/SimplisticReviews Instagram: https://www.instagram.com/simplygramming iTunes: https://goo.gl/orhsR4   #Movie #Commentary #Action #HollywoodCop #Podcast #80s

durée : 00:53:34 - Blockbusters - par : Frédérick Sigrist - Ils forment sans doute l'un des duo policiers les plus célèbres de l'histoire du cinéma américain avec aussi Tango & Cash. Alors qui sont vraiment Martin Riggs et Roger Murtaugh ? Que nous racontent ces deux personnages aux tempéraments aussi explosifs, indissociables que complémentaires ? - réalisé par : Jérôme BOULET

durée : 00:53:34 - Blockbusters - par : Frédérick Sigrist - Ils forment sans doute l'un des duo policiers les plus célèbres de l'histoire du cinéma américain avec aussi Tango & Cash. Alors qui sont vraiment Martin Riggs et Roger Murtaugh ? Que nous racontent ces deux personnages aux tempéraments aussi explosifs, indissociables que complémentaires ? - réalisé par : Jérôme BOULET

Maybe 4.5 is a little high, but the ending is so awesome it leaves you with a great feeling, not caring if you want more, because it was do damn fun you don't want it ruined. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/kevin-conner/support

Part 2 of our William Friedkin trilogy. Alex got to show Bob “To Live and Die in LA” and answered some of those burning questions. Is that a shadow, or a dong? Did Willem Dafoe actually paint? Does William Petersen look like Dan Marino?

Only one more sleeps folks. ...

Sex, Drugs, Law Enforcement, and full frontal Keitel. Join us as we discuss a 90’s crime classic, joined by a special guest...A homicide detective.

Apparently the same folks who told you to put cancer on your baby are making a few mistakes in the vax game... Whodathunkit? Subscribe to Conspiracy Randy on Youtube! https://www.youtube.com/channel/UCh4CDmlNfg5PbrQieCsMoxg Go to sdwildlife.com or https://sdwildlife.com/collections/squatchin and use code RANDY at checkout for 15% off. #sasquatchdongs Check out the Conspiracy Randy Soundtrack Playlist on Spotify https://open.spotify.com/playlist/3Z4SZ0Z8T2HGFEwxtmEEMH?si=HQ6bujj1RXmvvjMHYRS-Qw or on Apple Music by https://music.apple.com/us/playlist/conspiracy-randy-podcast/pl.u-aZb0kWDIPxge1kL Follow us on IG @conspiracyrandy @tylereffinstone @skinnyidiotstudios      

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. For the final installment in our essential picks from the 2021 Berlin Film Festival, I'm joined by Berlin-based critic Jessica Kiang, who wrote about the festival for The New York Times and filed multiple reviews of highlights for Variety. Movies discussed include The Scary of 61st, from Red Scare podcast co-host Dasha Nekrasova; the Georgian small-scale epic What Do We See When We Look at the Sky?; fresh readings of Alice Diop's We, the Vietnamese curio Taste, and Alonso Ruizpalacios's meta-docufiction A Cop Movie; and Petite Maman, Céline Sciamma's follow-up to Portrait of a Lady on Fire. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Today's HEADLINES: Chris Pratt doing UNI buddy cop movie  A QUIET PLACE gets spinoff movie  Ruth Wilson + Andrew Scott @ HBO  UNI sets temp 17 day window Cinemark deal  EXEC Moves at WBTV, ESPN, Blumhouse, Warner Music Group SLINGBOX RIP   TRAILER HOUSE: HULU's “Happiest Season”   LISTEN TO: FOO FIGHTERS “Shame, Shame” on Spotify   BUY COFFEE!  Fresh from Colombia and delicious. Order DEVOCION COFFEE here  -  use code WAKEUP for 20% off   CONTACT + FOLLOW The Wakeup: On Instagram Here for an early AM podcast preview. Follow on LinkedIn here. Email at Wakeupodcast@gmail.com 

Legal Correspondent Patrick H joins the show to review the popularity of Cop Movies in the wake of George Floyd protests and Black Lives matter. Joey and Patrick move on to to Bike ridership in New York City during Covid-19. --- Send in a voice message: https://anchor.fm/estimates/message

The Film Pigs are ending July with a bang – namely, the unending bangs from all the neighborhood lunatics who seem to have an endless supply of fireworks. In-between car alarm-triggering novelty explosions, the Pigs are discussing the future of the cop genre. What will it look like in a world that has been staging … Continue reading Podcast #126 – The Future of the Cop Movie →

In this special episode of the "MOPPC", the guys celebrate the 30 episodes, recreate their favorite buddy cop movies, and list their top 5 favorite Hip Hop Artist.

In this special episode of the "MOPPC", the guys celebrate the 30 episodes, recreate their favorite buddy cop movies, and list their top 5 favorite Hip Hop Artist.

Av, Brendan and Zach discuss the 1991 movie POINT BREAK.They dive deep into the movie, discussion listener feedback and decide the connection for the next movie in the Ladder. Ladder discussion begins at 50:56. So (re)watch the film currently available for rental, listen along and submit your questions, comments, rating and suggested connections for next week's movie to themovieladder@gmail.com. You can also find the podcast on Letterbox (@TheMovieLadder) and Twitter (@MovieLadder). You can find each of us individually on Twitter (@asinensky @FitzyBrendan @brooksza). ‏

Greg found a list of buddy cop movies and it was awful, we need to do a better one!

Hello!   I have had too many requests for this episode! #HTTPStatusCodeJokes   Episode #429 Segmented Thusly:   Movie Monologue = Colossal, 11/8/16, The Dinner, The Meyerowitz Stories (New and Selected) and Patton Oswalt: Annihilation   Television Talk = Bar Rescue (Strip Club Episode) and To Catch a Contractor   Book Banter = Star Trek Discovery (Season 1, Episode 8 & 9)   Game Gabbin' = The Turing Test   Internet Intercourse = D&D is for Nerds: Annihilation Now!, Call of Duty: WWII Twitch Streams, Welcome to the Shadow Zone (Season 2?) and Playing Games with Jimmy Pardo*See Quote*  

For our fifth episode, we watched a Disney movie about a fox, a rabbit, and racism. No, not Song of the South: we're talking about Zootopia. Beyond the prejudicial offerings at hand, we explore the original plot of Zootopia, how Disney will never be able to please everyone, and how Alan Tudyk became the new John Ratzenberger.  Links for this episode: Imagining Zootopia - Tame Collars and Stereotypes How Disney's Zootopia Gets Racism Wrong Zootopia's Message Came From Story & Character, Not Politics There She Is step 1 with (accurate) english translation - links to a playlist of all 5 videos.   

Here we go again! After the stars align in our schedules, the Film Pigs return with a brand-new podcast! This time we're talking a Hollywood staple: the Cop Movie. Expect lots of loose cannons being too close to the case, along with Movie News, Movie Jail, the Nic Cage Memorial Bizarre Line Reading, a fresh Straight to DVD Corner with Tonn Slingdog, a Cold Reading, fun and games, a squawking bird, a raccoon in a tree, and Falk's agitated dog.