Podcasts about Hayato

In this episode, we welcome Hayato back for his second appearance! We kick things off with a warm-up chat about his recent final exams before diving deep into the world of Japanese instant noodles. Hayato gives us a quick history lesson on these iconic noodles, and then the real fun begins—we taste and review three different kinds! We had a blast, and we hope you enjoy it just as much!

Der Pianist Hayato Sumino experimentiert liebend gerne. Vor allem auf YouTube probiert er als "Cateen" neue Klangfarben auf dem Klavier aus und kombiniert zusätzliche Instrumente. Im Interview mit BR-KLASSIK berichtet der 29-Jährige, was ihn antreibt und wie er auf dem Klavier so untypische Klänge wie einen Snare-Sound erzeugt. Am 18. Januar ist er im Prinzregententheater in München zu hören.

In this episode, Michael welcomes third-year student Hayato onto the show. Hayato is a passionate and diligent student who not only studies hard but also devotes his time to research. We talk about his studies, his research interests, his unique part-time job, and much more. Enjoy!

Chace is back to answer audience questions with Jordan and Max about this cozy egg nog and latke season, and it's all Jews for Jesus, being Hanukkah curious, top Goldbelly gifts, New Years Eve plans, an almost too chic Christmas tree, hard shell taco insanity, the LA Times food poisoning party, more 101 snubs, the problem with oysters and Hayato, the chances of Vespertine and Taco Bell, Chace learns a cold hard fact, and Modesto Max Thanksgiving talk.

This is the first in a two part series on the people living to the Northeast of Yamato, in the areas of Tohoku and Hokkaido.  They are called in the Chronicles, the Emishi and the Mishihase, and these designations appear to refer to areas that include the Epi-Jomon and later Satsumon cultures as well as members of the Okhotsk Sea Culture, all archaeological designations for various people whom we know primarily through their archaeological remains.  We also discuss a bit about how all of this ties in (or doesn't) with the modern Ainu, and why we don't necessarily use that term until much later in the historical record. For more, check out our podcast blog at: https://sengokudaimyo.com/podcast/episode-116   Rough Transcript   Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is episode 116: The People of the North, Part 1   A soldier stood watch on the Nutari Barrier.  It was only a few years old—built to define and defend the boundaries between the lands under Yamato rule and the untamed wilds, beyond.  Looking behind him, the soldier could see the smoke from the nearby settlement, also newly constructed, which would supply him and his fellow guards with food and clothing while they took their turn at the border. Looking outwards, the soldier wondered what life beyond the barrier was like.  He had seen people crossing through, mostly with various trade goods.  For the most part, they didn't seem all that different, but he had heard stories: stories of wild men and women who lived in caves and slept under the trees.  They were hunters who knew the woods and could easily slip through areas that didn't even have roads. As one traveled further north, things grew only more wild and untamed—or so the stories said.   Giant bears with paws as large as a human head roamed the land—he'd seen a skin once and it was massive.  The people of the north fought with them and, or so he'd heard, even kept them as pets. Further, well beyond the pale, there were people who lived on the sea.  They traveled between islands in the frozen north, and hunted the beasts of the ocean.  They were few, but they were mighty people. A chill went through the soldier's spine.  He'd only ever heard stories of most of these outsiders, and even then it was hard to tell what was truth and what was merely exaggeration.  He had never actually gone out to see it himself, though he'd met some who claimed they had. It gave him some sense of worth that he was out here, defending the settled, civilized lands of his people from the wild, ungoverned tribes beyond the border.  That said, he hoped with all his heart that things remained peaceful.  Yes, it would certainly be better that way for all involved.   We are just starting out the second reign of Takara Hime, which started in the year 655.  For her first reign, the Chroniclers would give her the title of Kougyoku Tennou, but when she retook the throne they named her Saimei.  As we talked about in the last couple of episodes, there was a lot going on at this point, not just on the archipelago, but in the rest of Asia as well.   We'll summarize that briefly just to set the stage for the beginning of Takara Hime's reign, but this episode we're going to primarily focus on the expansion of Yamato authority throughout the rest of the archipelago, or at least the rest of Honshu.  In this context, we'll be talking extensively about the people that the Chronicles call the Emishi, since this section of the Chronicles contains numerous entries that give us our clearest look, to date, at who they were, at least from a Yamato perspective.  We'll also be looking at another group in the north, known to us as the Mishihase, for whom we have even less information. As this whole episode got a bit long, we are going to be doing this in two parts.  This episode, I'd like to introduce you to some of the terms, discuss some of the problems and considerations around these topics, and touch on what we know based largely on the archaeological record.  In the second episode we'll focus on the narrative as it appears in the Nihon Shoki, which hopefully will be something that makes more sense once we have that archaeological context.  While there are certainly some things that appear to coincide between the two narratives, there are a lot of differences.  Archaeology can help us understand the material culture, and give us some insights into the lifeways of a particular group of people, but it doesn't let us know what they said, and rarely gives us information about a particular event. Before we dive into this, I think it would be useful to touch on terms that we are going to be using this episode, and next.  I mention this because while we are dealing with the past, our story of the past is very much affecting the lives of people in the present.  Most specifically, the lives of the Ainu people of Hokkaido, and how their history and experience intertwines with the concept of the “Emishi” that we see in the Chronicles.  So let's explore these terms, and see where it takes us. First, I should probably make a note about the difference between “Wa” and “Yamato”, at least as I'm using it in this episode.  When I use “Wa” I'll be referring to the ethnic group, while “Yamato” refers to the state.  For the most part, as we are focused on the historical state forming in central Honshu, we'll talk about Yamato, or the State of Yamato. That is a political entity that is majority Wa in its make-up, but that doesn't mean that there weren't Wa people outside of the Yamato state, nor that Yamato was made up of only people who identified, ethnically as Wa.  As we've seen, the Yamato state also included immigrants who identified as people of Baekje, Silla, Goguryeo, and even Emishi. Next, the Emishi.  The term “Emishi” is an exonym used by Yamato to describe those who are outside of Yamato's borders and controls, especially up in Tohoku.  By “exonym”, I mean that it's a term imposed from outside – in this case, by Yamato – on the group of people known as the Emishi, because we really don't know what they called themselves. Moreover, the term “Emishi” is complex, and doesn't necessarily describe a single, monolithic ethnic group or culture – more a group of possible ethnicities, that occupied a particular “slot” relative to Yamato cultural identity, namely that of outsiders.  The Chronicles refer to several different geographic regions as “Emishi”, situated relative to the core of the Yamato polity -- but the archeological evidence is much more nuanced.  A prime example are the studies carried out on the “Emishi” mummies of the Oshu Fujiwara, a 12th century ruling elite who lived in Hiraizumi and who were considered “Emishi” by the court in Heian-kyo—modern Kyoto.  In studying the mummies, it was determined that they were closely related to the Wa people of Japan and the Kinki region.  This finding is important and I'll come back to it in a bit, but the takeaway is that “Emishi” doesn't automatically mean physical or cultural differences like we might assume.  There were likely ethnic Wa Emishi, along with Emishi who were more closely connected with the indigenous people—descendants of the Jomon and possible ancestors to the later Ainu people. Finally, the Ainu.  It's extremely likely that some of the people that the Chroniclers called “Emishi” may have been the ancestors of the Ainu people of today.  But the correspondence is definitely not one-to-one, as some historians used to think.  And since this is a sensitive topic with ongoing patterns of inequity and silenced voices, it's important to lay some groundwork before going further. For my part, I would like to do my best to introduce the people and the history as we know it with as little bias as I can manage, but please realize that there are certainly controversies around this area and open wounds that have not yet healed. The modern Ainu are the indigenous inhabitants of Hokkaido, Sakhalin, and Kuril islands.  They also once inhabited the very northern part of Tohoku.  In their own language, Ainu Itak, these islands are part of Ainu Mosir, the Lands of the Ainu, and “Ainu” itself is simply a word for “humans” or “people”.  While there are many cultural and linguistic ties to the Japanese—they have been neighbors for centuries—they are culturally distinct, and their language, Ainu Itak, is considered a linguistic isolate, with no known relatives outside of the Ainu homelands. The relationship between the Ainu and the Wa people—the general term for ethnic Japanese—has been one of tension and conflict born of colonization.  In the 19th century in particular, the nation of Japan claimed Hokkaido and began to settle it.  The wide open spaces were great for new industries, such as cattle ranching, which could supply dairy and beef, two things that had come into vogue with other aspects of Western culture.  I won't get into the entire history of it, but the Japanese government used tactics similar to those used in the United States against indigenous populations, often forcing people to speak Japanese instead of their native language in a paternalistic attempt to quote-unquote “civilize” the Ainu people.  Only relatively recently have the Ainu been accorded some protections in Japanese law. For our part, the study of Ainu history has long been one conducted by outsiders looking in, which of course has come with all sorts of baggage.  For instance, as I alluded to above, there has long been a tendency to equate the Ainu with the Emishi, which along with everything else cast the Ainu as somewhat less culturally evolved.  Much of this study was also taking place during a time when Marxist concepts of societal evolution were in vogue.  Add to that the generally patronizing and Colonialist concepts that were rampant in Western anthropology at the time—things like the stereotype of the “noble savage” and even the concept of “primitive” societies—and there were definitely some problematic concepts that continue to echo through into modern discussions.  Another complexity in understanding Ainu culture and history has been that the Ainu people do tend to be physically distinct from many other Japanese, which has been linked to outdated ideas about physical types and ethnicity.  Many Ainu people show more tendency towards body and facial hair than mainland Japanese, with bushy beards being common among men, and blue eyes aren't uncommon – which, combined with overall light skin, led to early identification of Ainu people as being of “Caucasian stock” according to outdated racial classifications.  The theory was that they traveled from the west across Asia in the distant past and somehow settled in the islands north of Japan.  This ties into how much of the archaeological fervor of the 19th and 20th centuries in Japan was wrapped around ethno-nationalist ideals and looking to find the origins of the Japanese people, often using concepts of eugenics to seek out physical and cultural differences between the Japanese and “other” people, such as the Ainu, to help better define who are—and who are not—Japanese.  For example, remember those Oshu Fujiwara mummies and how they were from a group described by the Chronicles as “Emishi” but ended up being more physically similar to modern Wa than modern Ainu?  Some scholars took this finding to mean that all of the Emishi were Wa people, effectively denying any ancestral claims or links that Ainu people may have had to Honshu, other than those historically attested to from about the 15th century onwards.  In similar ways, for each instance of some new “finding”, there have often been those who would use it as a further reason to discriminate against the Ainu. There is a lot of important archaeological work that has been done in Tohoku and elsewhere to help shed more light on the people living in areas that the Chronicles associate with the Emishi and beyond.  But while archaeological digs in places like Honshu and Kyushu were often done with great public support, archaeological work in places like Hokkaido often involved investigating burials of potential ancestors without consent, and even today there is some contention over how various artifacts were acquired.  As with too many places in the world, the data was not always gathered under what we may consider, today, the strictest of ethical standards.  So as important as the archeological perspective is – at least we are going off of physical items that we find rather than on the narrative imposed on the region by those in Yamato – it's important to keep that context in mind. Even recent attempts to better contextualize Ainu history at places like the Upopoy National Museum in Shiraoi, while apparently doing their best to provide that context, are still hampered by the weight of previous missteps in the relationship between the Ainu and the government.  Activists have noted that even Upopoy, the first such national museum devoted to the Ainu themselves, is still built on colonialist policies and artifacts and human remains acquired without all of the necessary consent and consultation with local Ainu.  Upopoy, for its part, appears to have reached out to those willing to work with them, and for all that there may be some controversy, it certainly has a lot of information for those interested in it. So, given these caveats, what does the archeological record tell us about the wide range of people and areas called “Emishi” by the Chronicles, including both those areas closer to the Yamato heartland, and the areas we know today as Ainu Mosir? To understand the patterns of settlement and cultural trends that we see up north – in Tohoku and Hokkaido --let's go back to the end of the Jomon period and the very start of the Yayoi.  As wet rice paddy cultivation (and accompanying pottery styles and other material goods) began to make its way into the archipelago, up through about the Kinki region—the original land of Yamato, or Yamateg—it was brought by a people that seem quite strongly connected to other people in east Asia, and these people largely replaced the indigenous Jomon era populations in western Japan.  However, the new material culture traveled faster and farther than the new people themselves, and it appears that in eastern Honshu, at least, much of the new farming technology, pottery, and other lifeways of the Yayoi culture were adopted by people that appear to share a great deal in common, physically, with the previous Jomon populations, suggesting that local populations were, themselves, adopting the new technology and being absorbed into the Yayoi culture.  This expansion of Yayoi culture and rice farming initially exploded all the way up to the very northern edge of Tohoku, but over time it started to decline in the northernmost regions.  Whether due to a change in the climate or simply the fact that the colder, snowier regions in Tohoku were not as hospitable to farming, we see that rice cultivation fell into disuse, and people seem to have once again picked up the lifeways of their ancestors in the region, returning to a more hunter-gatherer style of subsistence.  Indeed, in northern Tohoku and Hokkaido we see the continued evolution of Jomon culture in a phase that is generally known as the Epi-Jomon, or, in Japanese, the Zoku-Jomon period, which generally lasted through the end of the 7th century.  This Epi-Jomon or Zoku-Jomon cultural region lay far outside the “official” Yamato borders according to the Chroniclers in an area considered to be part of “Michinoku” – literally past the end of the road – so it's understandably commonly associated with the Emishi.  But once again, it's not that simple, because we do see Yayoi and Kofun culture extending up into this region.  In fact, there are even keyhole shaped kofun up in Tohoku, the largest of these being Raijinyama kofun, thought to have been built between the late 4th and early 5th centuries.  It sits south of modern Sendai, and there are numerous other tombs there as well, suggesting it was well connected to Yamato and the kofun culture of central Honshu. Another complication is that we have regions officially designated Emishi that were much closer in – on the borders of Yamato itself.  Based on simply the written record, it would seem that “Emishi” resided as close to Yamato as the lands of Koshi and the land of Hitachi, at the very least.  The Emishi in Koshi are mentioned several times in the Chronicles, and both the Nihon Shoki and works like the Hitachi Fudoki mention Emishi or people who are at least outside of the Yamato cultural sphere.  This area bordering Yamato seems to have been the most affected by kofun and even Yamato culture, and also would have likely come into the most direct conflict with Yamato itself.  It is also the area most likely to include those who, for one reason or another, decided to yet themselves outside the growing reach of the Yamato state, a pattern that would continue for centuries to come.  On top of that, there is something else going on in northern Hokkaido, where, starting around the 5th century, we see different archeological assemblages from the south, indicating further cultural distinctiveness from the Tohoku and southern Hokkaido inhabitants.  These are mostly found on the coast in the northern part of Hokkaido, and match closely with the culture we see first in the Sakhalin island, and later the Kurils, along the edges of the Okhotsk Sea.  Hence the name we've given to this unknown culture:  The Okhotsk Sea Culture, or just the Okhotsk culture. From what we can glean, the people of the Okhotsk culture subsisted largely off the hunting of marine mammals, such as seals, sea lions, sea cows, and whales.  In contrast, the Epi-Jomon people appear to have subsisted more on inland hunting strategies, along with coastal fishing, which is represented in their settlement patterns, among other things.  This latter description likewise tracks with descriptions of the Emishi as subsisting largely off of hunted game. It is unclear what exactly happened to the Okhotsk Sea Culture, but they appear to be one of the ancestral groups of the modern Nivkh people, on the northern part of Sakhalin and the lower Amur River and coastal regions, though the Okhotsk Sea Culture also seems to have had a large influence on the development of the people known today as the Ainu.  Modern DNA testing of Ainu demonstrate connections both with the earlier Jomon people of Japan—a connection that is much stronger than in most Japanese—but also with people from the Okhotsk Sea region.  Still, how and in what ways those people came together is not clear. The connection to the Jomon and Epi-Jomon people appears to be strengthened by the fact that throughout Tohoku there are placenames that appear to be more closely related to the Ainu language than to Japanese.  For example, in Ainu itak, terms like “nai” and “pet” refer to rivers and streams, and we find a lot of placenames ending with “nai”, “be”, or “betsu”.  These are often written with kanji that would be understandable to Japanese speakers, but the prevalence and location of these names often make people think that they are likely related to Ainu itak, in some way—possibly a proto-Ainuic language or dialect that is now lost. While I can't discount the fact that some this could be due to false etymologies, we can add to it the fact that the term “Emishi” was eventually changed to “Ezo”, which itself came to be used primarily for Hokkaido and the people there, including the people we know of today as the Ainu.  However, it isn't clear that the term Emishi, or even “Ezo”, was consistently applied to only one group, and its usage may have changed over time, simply being used in each period to refer to the people of the Tohoku and Hokkaido regions outside of the control of the Japanese court. Another aspect of the archaeological record is the change in the Epi-Jomon culture to what we know as the Satsumon culture around the time of our narrative.  Satsumon, like Jomon, is derived from the distinctive pottery styles found.  “Jomon” means “cord-marked”, referring to the use of pressed cords and similar decoration on the pottery, and starting in the 7th century we see a new style using wood to scrape designs, instead.  Thus the term “Satsumon”.  It first pops up in Honshu, but by the 9th century it had spread to Hokkaido and eventually even spread to areas associated with the Okhotsk Sea Culture.  It would last until roughly the 13th century, when it was replaced by a culture that is more clearly related to the modern Ainu people. But the Satsumon culture wasn't just new types of pottery.  We see more ironwork appearing in the Satsumon culture, as well as the cultivation of millet and other types of agriculture.  Tohoku and Hokkaido were still a bit cold for the ancient forms of wet rice agriculture that were prevalent in more southern regions, and millet and other crops likely fit more easily into the lifeways of the people in these areas. Likewise, by the 8th century, we also see a new type of stove appearing in Satsumon villages.  This “kamado” seems clearly related to the type of stove that came over to Honshu from the Korean peninsula around the 5th century, reaching Hokkaido by the 8th, and eventually finding purchase on Sakhalin by the 11th, demonstrating a slow yet continuous adoption. Some of these changes might be explained by greater contact with Wa people and the trade networks that extended through Honshu and over to the mainland, but there were also trade routes through Sakhalin island over to the Amur River delta and beyond that should not be overlooked, even if they weren't as prevalent in the written histories of the time. I previously mentioned that in the next episode, we'll dive into more of what the Chronicles have to say about the Emishi, but to give a preview, the Chronicles have already mentioned the Emishi several times as trading and treating with the Yamato state.  Back in the era before the Isshi Incident, Naka no Oe's coup in 645, Soga no Emishi himself had dealings with the Emishi of the land of Koshi, which we covered in episode 107.  Then, in the previous reign, Emishi had attended court, but the court had also erected barriers and barrier towns in Nutari and Ihabune in 647 and 648 to protect the border areas from purported raids by the Emishi.  Hence the episode opener, imagining what it might be like for a soldier at one of these barrier towns.  But, there is also another people that we've already talked about, mentioned in the Chronicles:  The Sushen people, also glossed as either the Mishihase or Ashihase people.  In the Nihon Shoki, they first appeared in an entry in the reign of Kimmei Tennou, when a group of them came ashore on Sado island, which we discussed back in episode 86.  In this period, however, the  appear to be referencing a people who were living in the north of Hokkaido, and who were putting pressure on the people to their south, much as Yamato was putting pressure on the people to their northeast. The Sinitic characters, or kanji, used to name them in the Nihon Shoki uses a term from mainland writings for the Sushen people.  This name is first given to people mentioned in early Warring States documents, such as the Classic of Mountains and Seas, as living on the Shandong peninsula.  Eventually, however, as empires expanded, the term was used to refer to people along the Amur river region and the coast, in modern China and Russia—the eastern areas of what we know as “Manchuria”.  These were probably not the same people originally referred to as living in Shandong, and instead seems to apply to the Yilou people, and likely also is cognate with the later term “Jurchen”. In the ancient Sinic documents, the Sushen are described as hunter-gatherers who live in the open, using caves and other such natural features for temporary shelter.  They hunted with bows and arrows, which were tipped with stone arrowheads.  To the settled cultures of the Yellow River basin, they were considered a primitive and barbaric people. As for the people mentioned in the Nihon Shoki, it is quite likely that the term “Sushen” was used differently.  Rather than referring to Jurchen people, or someone from mainland northeast Asia, it is thought that the characters were used because of the similar role played by the people of northern Hokkaido and Sakhalin island—and possibly because of connection with the Amur river region, including the area referred to in older documents as “Su-shen”.  Still, the people referred to in the Nihon Shoki were probably what we know as the Okhotsk Sea culture, especially based on what we know from later descriptions.  From Yamato's point of view, they were likewise living in the extreme northeast and they were a hunter-gatherer society that used stone arrowheads in their hunting.  The fact that it is glossed as either Mishihase or Ashihase by later commentators suggests that this was the name by which the Yamato knew these people, and the kanji were just borrowed for their meaning of a people in the northeast. And so in the 7th century we have both the Emishi and the Mishihase, at least in the northeast.  There are also the Hayato, another group of people in the southern reaches of Tsukushi.  We are told that they and the Emishi both attended the court in 655 in great numbers.   Discussion of who the Hayato were is probably best left for another episode.  Suffice it to say that they appear to be culturally distinct from the groups in the northeast, at least at this point. And that's where we are going to pause things for now.  The archaeological record gives us some idea of the people inhabiting the areas of Tohoku and up to Hokkaido, but it only tells part of the story—and it is a story that we are continuing to uncover.  Even today people are working on archaeological sites that just may turn up new information that will change how we see things. Next episode, we'll dive into the narrative of the Nihon Shoki and take a look at the actions of individuals—especially the actions of Abe no Hirafu, a key player in what was to happen in the north. Until then thank you for listening and for all of your support. If you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

What manga review show has two thumbs and two manga? Probably a lot of them actually but we'll fit that bill for today. Though you know what we don't fit? Those darn skinny jeans we keep getting sent to review from Aliexpress. Who in the hell thinks we want those and need to review them? Sure they make our package look fantastic but there's more to life than a stunningly wrapped tackle. Tim has Jinrui-shoku. It's sometime in the distant now and there are things called “mummily”s This is apparently a thing were family members die, become desiccated corpses, then wander around for a bit. This happens to Hayato when … Continue reading "Manga Pulse 524: Burn it at Borders"

Season 6 Episode 16 Episode 179 News Emulation / hacks / translations / homebrew games New budget, entry level Genesis/Mega-Drive flash cartridge, the OpenED, launches from Everdrive creator Krikzz; goes open-source Homebrew Genesis/Mega-Drive game Hayato's Journey finishes development; now available to download for free ROMhacking.net Moves to News Only, Database and File Archive Released to Internet Archive Other odd or interesting things JALECOIIe famicom games coming to the Switch Topic New Nintendo 3DS Game Club Discussion Warbirds Wii Sports New Game Club Games The Legend of Zelda: Ocarina of Time Theme Park Links Game Club Link Tree Retro Game Club Discord server Bumpers: Raftronaut , Inverse Phase Threads, Facebook, Twitter, Bluesky, and  Instagram managed by: Zach ===================================== #SegaGenesis #MegaDrive #Sega #Jaleco #Nintendo #3DS #Wii #WiiSports #Lynx #Warbirds #retro #retrogames #retrogaming #videogames #classiccomputing 

Tragische Romanzen sind nicht mein Genre, andererseits wollte ich unbedingt die Hauptdarstellerin sehen: Kotone Furukawa. Ihr Charisma trägt diesen Film, bei dem schnell klar ist, wohin die romantische Reise geht: Die schöne junge Frau ist krank, da ist ein junger Mann, eine tragische Liebe … SECRET: A HIDDEN SCORE geht dabei keinem Klischee aus dem Weg. Grundsätzlich ist der Film genau das, was er sein will: Ein Herzschmerztränendrücker mit schönen Menschen und schöner Mode. Im Podcast gehen wir unterschiedlich hart mit diesem Genrefilm ins Gericht. Andras erinnert sich daran, dass er das taiwanesische Original von 2007 gesehen hat, weiß aber nicht mehr, ob der ursprüngliche Film auch schon so schmalzig war. Aber es ist gibt auch eine positive (weibliche) Stimme zu dieser japanischen Romanze, trotz der Klischees und der Vorhersehbarkeit. Am Mikrofon habe ich direkt nach dem Film: Rene und Marcel von den Abspannguckern, Andras und eine junge Dame, deren Name ich leider vergessen habe.

今回はBigMoプレゼンツの特別企画「バスケファミリーON-AIR」をお届け！ バスケと家族をテーマに、世代を超えて受け継いでいくバスケットボールへの思いをお伝えしていきます。 第一回目のゲストは、44STREET&明星ストリートボール大学から、ギュンギュンのスピードスター、HAYATOが登場！！ ストリートボーラー、そして大学バスケ選手としてのHAYATOと、息子として、家族の一員としてのはやとがどのように育ち、これから何を見せてくれるのか。 バスケが人生を彩り、人生がバスケをドライブしていく。 世代を超えていくバスケ人生ON-AIR

Fluent Fiction - Japanese: Tokyo Tales: A Misunderstood Friendship Sparks a Grand Urban Adventure Find the full episode transcript, vocabulary words, and more:fluentfiction.org/tokyo-tales-a-misunderstood-friendship-sparks-a-grand-urban-adventure Story Transcript:Ja: 東京、その名の通り、東の都。その高層ビルの森には、大勢の人々が日々生活を営み、仕事に勤しむ。そんな一日の終わり、ハヤトとアイコは普通の一日を過ごしていた。En: Tokyo, as its name suggests, is the eastern capital. In the forest of towering buildings, a multitude of people go about their daily lives, working diligently. At the end of one such day, Hayato and Aiko were spending an ordinary day.Ja: ハヤトは、広い公園の隅に立つ自動販売機へと向かっていた。彼の心の中にあるのは、忙しい一日を終えての疲れと、喉の渇き。一方、アイコは彼の後ろから歩いていた。夜の風がそよぎ、街灯の下に自動販売機が静かに立っていた。En: Hayato was heading towards a vending machine standing in a corner of a spacious park. In his heart, he felt the exhaustion of a busy day coming to an end, as well as thirst. On the other hand, Aiko was walking behind him. The night breeze gently blew, and the vending machine stood quietly under the streetlight.Ja: ふいに、ハヤトは自動販売機を人だと誤認し、思わずお辞儀をした。彼が驚いて顔を上げると、アイコは笑いをこらえきれずに声をあげた。ハヤトの頬は少し赤くなったが、自分のミスを笑い飛ばすように 「始めまして、アイスティーくれますか？」と自動販売機に話しかけた。アイコはさらに大きく笑い、「ハヤト、あのね、それは自動販売機だよ」と言った。En: Suddenly, Hayato mistook the vending machine for a person and instinctively bowed. When he looked up in surprise, Aiko couldn't contain her laughter and let out a giggle. Hayato's cheeks turned slightly red, but he laughed off his mistake and said to the vending machine, "Nice to meet you, can I have an iced tea?" Aiko laughed even louder and said, "Hayato, you know, that's a vending machine."Ja: しかし、ハヤトはアイコに向かって微笑み、「いや、それは自動販売機じゃない 。これは僕の新しい友達だよ」と言い、再び自動販売機に向かってお辞儀をした。その言葉にアイコも笑いながら、二人はその夜の東京を楽しみ、夜の風と街灯の光を満喫した。En: However, Hayato smiled at Aiko and said, "No, it's not a vending machine. This is my new friend," and bowed once again towards the vending machine. With those words, Aiko also laughed, and the two of them enjoyed the night in Tokyo, savoring the evening breeze and the light of the streetlamp.Ja: そして、「むかしむかし」ではないが、その日からハヤトとアイコは自動販売機を友だちと呼び、日々を楽しむ事を決めた。それは、小さな誤解から広がる彼らの一大冒険の始まりだった。そう、都会の中で彼ら二人だけの小さな冒険が始まったのである。En: And so, although it didn't happen once upon a time, from that day onwards, Hayato and Aiko called the vending machine their friend and decided to enjoy life together. It was the beginning of their grand adventure, sparked by a small misunderstanding. Yes, amidst the urban landscape, their own little adventure began. Vocabulary Words:Tokyo: 東京name: 名suggests: 暗示するeastern: 東のcapital: 都forest: 森towering: 高いbuildings: 建物multitude: 多数people: 人々go about: 営むdaily lives: 日々の生活working: 働くdiligently: 勤勉にspending: 過ごすordinary: 普通のheading towards: 向かっているvending machine: 自動販売機standing: 立っているspacious: 広いpark: 公園exhaustion: 疲れthirst: 喉の渇きwalking: 歩いているnight: 夜breeze: 風gently: そよぐblew: 吹いたquietly: 静かにstreetlight: 街灯

マンスリースペシャルナビゲーター【 MAZZEL 】のHAYATOとEIKIの「FROM THE NEXT ERA」。 今回は、MAZZELが目指すエンターテイメントとそのイノベーションをふたりで語ります。See omnystudio.com/listener for privacy information.

マンスリースペシャルナビゲーター【 MAZZEL 】のHAYATOとEIKIによる “声”のブログ『TALK IN THE POD』 ふたりがプライベートでハマっていることや気になっていること、最近体験したことなど、近況をお話しします。See omnystudio.com/listener for privacy information.

Hayato Hori, the owner of RocketOffr, is a California-based real estate investor focused on investing in midwest markets. His real estate operations range from wholesaling to rental properties and he is with us today to share his experience in different niches and different markets. Listen now to learn more about Hayato, his operations at RocketOffr, and what it's been like to be a long-distance investor!to connect with Hayato, visit: @hayantoo

Episode 7! Zack and Ice talk about 2 fan favorite characters Yujiro Hanma from Baki and Hayato Furinji from Kenichi: The Mightiest Disciple! this podcast is part of the Dynamic Podcast Network!

Welcome back to Open The Voice Gate! Case (https://twitter.com/_inyourcase) and Mike (https://twitter.com/fujiiheya) are back with an update on the comings and goings of Dragongate.Open The Voice Gate returns with an earlier episode to discuss and review Dragongate's biggest Tokyo show of the year, Dangerous Gate 2023! Case and Mike offer their big picture and business thoughts before getting into the Kikuta vs Minoura Dream Gate main event, YAMATO vs Fujita “Jr.” Hayato, Tomohiro Ishii's first Dragon System match in almost 23 years, Takuma Nishikawa's Japanese debut announcement and much more! Our podcast provider, Red Circle, offers the listeners the option to sponsor the show. Click on “Sponsor This Podcaster” at https://redcircle.com/shows/open-the-voice-gate and you can donate a single time, or set up a monthly donation to Open the Voice Gate!Please Rate and Review Open The Voice Gate on the podcast platform of your choice and follow us on twitter at https://twitter.com/openvoicegate.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Hayato Sumino is a Japanese pianist out of the ordinary. He graduated from the Univerisity of Tokyo, which is Harvard-equivalent in Japan. Mr Sumino's YouTube channel attracts 1.25 million subscribers. - 音楽大学ではなく東京大学に進み、「Cateen かてぃん」の名前で配信するYouTubeでも人気の日本のピアニスト、角野隼斗（すみの・はやと）さんへのインタビューです。

Welcome back to Open The Voice Gate! Case (https://twitter.com/_inyourcase) and Mike (https://twitter.com/fujiiheya) are back with an update on the comings and goings of Dragongate.Dangerous Gate 2020, Dragongate's biggest Tokyo show of the year is this Sunday (8/20) and Open The Voice Gate is here to preview it! Fresh off the heels of winning King of Gate 2023, Kota Minoura is challenging Open the Dream Gate champion Madoka Kikuta in the main event with a 3-Way Twin Gate match, YAMATO vs Fujita “Jr.” Hayato, Tomohiro Ishii's first Dragon System match in 22 years and ISHIN vs Junior fill out the Ota City Gymnasium card and Case and Mike spend almost an hour and half previewing it. Closing out the episode, they go to the greater Dragon System and Mexico with the big Riot Lucha appearance of SB KENTo and Takuma!Our podcast provider, Red Circle, offers the listeners the option to sponsor the show. Click on “Sponsor This Podcaster” at https://redcircle.com/shows/open-the-voice-gate and you can donate a single time, or set up a monthly donation to Open the Voice Gate!Please Rate and Review Open The Voice Gate on the podcast platform of your choice and follow us on twitter at https://twitter.com/openvoicegate.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Jordan finally scored one of the lucky seven seats a night of Hayato thanks to returning Air Jordan all-star Charlie Fu, who joins Jordan and Shapiro inside the food building to discuss the 2 Michelin star Japanese restaurant that Bubbles has declared "perfect food." But, will Jordan agree? The fellas break it all down, including some of Jordan's favorite dishes, providing a loud glimpse into the toughest reservation in Los Angeles.

What is the best real estate investing strategy for 2023?Should you try wholesaling? Or invest in Airbnbs? How about fix-and-flips? Turnkey rentals? Or maybe a multifamily syndication?On this episode of Financial Freedom with Real Estate Investing, Garrett takes on the role of moderator, and we sit down with some big hitters in the industry to debate the pros and cons of each approach.Kyle Stanley of The Fearless Investor explains why he likes short-term rentals and Hayato Hori of RocketOffr shares the benefits of wholesaling.I describe the advantages of apartment building investing, Chris Clothier of REI Nation discusses why he prefers turnkeys, and Henry Washington of BiggerPockets explores the opportunities in fix-and-flips in 2023.Listen in for insight on the risks and challenges associated with each kind of real estate investing and learn which strategy is the quickest path to financial freedom!For full episode show notes visit: https://themichaelblank.com/podcasts/session373/

Gregory Polanco of the Lotte Marines is the guest, Jim and John take an early look at the new skippers, discuss the hidden meaning of masked-up Nippon Ham manager Tsuyoshi Shinjo and ponder the definition of slump as it pertains to Yomiuri star Hayato Sakamoto.

Host: Hayato Okamura /KDU-ČSL/, poslanec zahraničního výboru Sněmovny Pořadem provázel Daniel Takáč https://www.ceskatelevize.cz/porady/10095426857-interview-ct24/223411058040323/

Hayato Hori, the owner of RocketOffr, is a California-based real estate investor focused on investing in midwest markets. His real estate operations range from wholesaling to rental properties and he is with us today to share his experience in different niches and different markets.  Listen now to learn more about Hayato, his operations at RocketOffr, and what it's been like to be a long-distance investor! Key Talking Points of the Episode 00:00 Introduction 00:34 What does Hayato do? 01:00 Why did Hayato choose to invest in the midwest? 02:56 How did Hayato take on investing out of state? 04:41 What does Hayato's virtual operations look like? 06:51 How did Hayato start expanding his marketing efforts? 08:10 Where does Hayato find people to help him with business virtually? 09:05 What is Hayato's disposition strategy for his wholesaling business? 11:25 Why does Hayato rent his properties to Section 8 tenants? 13:15 What is it like to get a rental prepared for Section 8? 14:43 How can you handle property damages from Section 8 tenants? 15:44 Why do Section 8 tenants take better care of rental properties? 17:00 What strategies are landlords using to attract tenants in today's market? 19:44 Why are tax assessments important in the kind of market we have today? 22:20 How can you connect with Hayato?    Links   Instagram: Hayato Hori https://www.instagram.com/hayantooo/   Website: RocketOffr https://www.rocketoffr.com/properties-for-sale346171034

This episode we start our look at the reign of Ame Kunioshi Hiraki Niha, aka Kinmei Tennō. We'll start off with a look at his ascension to the throne and some of the politics that we can see going on in the court. We'll also discuss some of the theories regarding this reign, particularly its chronological placement in the Chronicles, which may not be exactly as it seems. Still, we are in what many consider to be the historical period, meaning that the records the Chroniclers were working from are assumed to be more accurate—they were likely using more written material, including books we no longer have extant. However, that doesn't mean everything is factual, and it is clear there are still some lacunae in the texts and some additional massaging by the Chroniclers themselves. For more information, check out https://sengokudaimyo.com/podcast/episode-81   Rough Transcript: Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is episode 81, the Politics of the Early Yamato Court. Last episode, before our Nara tour interlude, we covered the life of Takewo Hiro Kunioshi Tate, aka Senka Tennō.  He picked up where his brother, Magari no Ohine, aka Ankan Tennō, had[EB1]  left off, and is said to have reigned for about two and a half years, from 536 to 539.  During that time we see more of the rise of the family of Soga no Omi but we also see the Ōtomo no Muraji and the Mononobe going quite strong.  The sons of Ōtomo no Kanamura ended up involved with the government in Tsukushi, aka Kyuushuu, as well as the war efforts across the straits, mainly focused on Nimna and the surrounding areas.  Indeed, as we talked about last episode—episode 80—it is said that Ohtomo no Sadehiko went to Nimna and restored peace there, before lending aid to Baekje[EB2] .  This preoccupation with Nimna and events on the Korean peninsula are going to dominate our narrative moving forward, at least initially.  Much of the next reign focuses on events on the peninsula, rather than on the archipelago.  Oddly, this preoccupation isn't found everywhere.  In the Sendai Kuji Hongi—and other copies of the same work—there appears only a brief mention of Nimna, aka Mimana, in the record, which otherwise simply talks about inheritance and similar issues. But I'm getting ahead of myself. Before we dive into all of that, to include all of the peninsular goodness that we have coming our way, let's briefly talk about some of the things a little closer to home.  Mainly, let's talk about the succession and who our next sovereign appears to be. So first off, his name is given as Ame Kunioshi Hiraki Hiro Niha, and he is posthumously known to us as Kimmei Tennō.  For my part, rather than repeating the whole thing, I'm going to refer to him simply as Ame Kunioshi, though I'm honestly not sure if the best way to parse his name, assuming it isn't just another type of royal title.  He is said to have been the son of Wohodo no Ōkimi, aka Keitai Tennō, and his queen, Tashiraga, a sister to Wohatsuse Wakasazaki, aka Buretsu Tennō. This would all seem pretty straightforward if it weren't for the fact that two of his half-brothers had taken the throne before him.  Prince Magari and his brother, Takewo, were descended through another line, that of Menoko, daughter of Owari no Muraji no Kusaka.  Menoko did not appear to meet the Nihon Shoki's Chroniclers' strict requirements for being named queen—namely, they don't bother to trace her lineage back to the royal line in some way, shape, or form.  As such, the Nihon Shoki tries to pass off the reigns of the two brothers as though they were just keeping the seat warm while Ame Kunioshi himself came of age. None of the language used, however, really suggests that they were not considered legitimate in the eyes of their respective courts, and in all aspects they played the part of sovereign, and it is quite likely that if they had reigned long enough, or had valid heirs, themselves, we may be reading a slightly different story.  As it is, the Chroniclers likely manipulated the narrative just enough to ensure that things made sense in terms of a linear progression. And that manipulation hardly stopped at his ascension.  The account of Ame Kunioshi on the throne is filled with questionable narration.  Beyond just the fantastical—accounts of kami and of evil spirits—much of the reign is focused on events on the Korean peninsula, and these are almost always portrayed as actions by the Kingdom of Baekje, one of the three largest kingdoms across the straits, along with Silla and Goguryeo.  Baekje, in turn, is portrayed in the Nihon Shoki as a loyal vassal state, constantly looking to the sovereign of Yamato as their liege and attempting to carry out their will. For the most part, this is a blatant attempt by the Chroniclers to place Yamato front and center, and in control of events on the mainland.  Taken at face value, it has for a long time fueled nationalist claims to the Korean peninsula, and may have even been designed for that very purpose.  Remember, a history like this was written as much for a political purpose as it was record for posterity, and the narration is about as trustworthy as that of a certain fictional radio host in a sleepy desert community.  And yet, we want to be careful about throwing the proverbial baby out with the bathwater, here.  The Nihon Shoki is a treasure trove of stories about this period and what was happening on the mainland, even if we have to be careful of taking everything at face value.  The details given in the text are sometimes more than any other sources we have for this period, and they are certainly closer to the source.  Korean sources, such as the Samguk Sagi, the Samguk Yusa, and the Tongkam all have their own gaps in the literature of the time, as well as their own political aims and goals, such that even they are suspect.  Sure, the flowery speechification is probably a little too much, but much of the back and forth seems reasonable, and there are numerous times where the Nihon Shoki directly quotes the copy of the Baekje annals that they had at the time—a text that is no longer extant, and which seems to have items that did not make it into later collections.  By following the back and forth and the flow of allegiances and deceptions, and looking at who was said to have been involved—both the individuals and the countries—we might be able to draw a picture of this era. And what a picture it will be.  I probably won't get to it all today, but there is conflict over Nimna, with Baekje and Yamato typically teaming up against Silla and Goguryeo, but there are other things as well.  For one thing, nothing in this era is cut and dried, and while there are overarching themes, alliances were clearly fluid, and could quickly change.  Furthermore, all this activity spawned a new level of interaction, particularly between Baekje and Yamato, and we see a new era of Baekje sharing their knowledge with Yamato.  For instance, this reign we see the first mention of Yin-Yang Divination studies—the famous Onmyouji—as well as calendrical studies in the archipelago.  We also see the arrival of Buddhism to the islands.  Well, at least we see the formal introduction of Buddhism; given all of the people in the archipelago who came over from the continent, there were likely more than a few Buddhists already living in the archipelago, but it hadn't grown, yet, to be a State religion, as it would be in later centuries. To try to do this period justice, I'm going to try to break things down a bit so that we can focus on various themes as we move through the stories here.  It will probably take us a few episodes to get through.  Furthermore, at some point here I want to talk about this new religion, Buddhism, and how it traveled all the way from India to the islands of Japan.  But for now, let's focus on the Chronicles. Not all of what is talked about in this reign is focused on the mainland, so I'm going to start us off talking about the stories about this period that are taking place in the islands themselves, starting with how Ame Kunioshi came to the throne.  Or rather, with some events just before he came to the throne. The first story about Ame Kunioshi comes when he is simply a prince—it is unclear during which reign this is supposed to have happened, only that it happened before he came to the throne.  The Chronicles say that Ame Kunioshi had a dream in which he was told to seek out a man named Hata no Ōtsuchi. We've seen in the past these kinds of oracular dreams, where the gods, or kami, will speak directly to a person—often to the sovereign or someone close to the sovereign.  By all accounts, the ability to act as a conduit for the kami was an important aspect of rulership and political power at this time, and we've seen the supposed consequences of not listening to such an oracle as well.  And so he sent people out to find this man, who was eventually found in the Kii district of the land of Yamashiro. Now this area is not surprising.  It is identified as the area, today, in the modern Fushimi district of Kyoto.  In fact, it includes the area of the famous Fushimi Inari Taisha—the Fushimi Inari shrine.  That shrine is also connected to the Hata family. For those who don't recall, the Hata family appear to have been descended from weavers who were brought over from the continent.  The kanji used for their name is the same as that of the Qin dynasty, from which we get the modern name of China, though the pronunciation is taken from the word “Hata”, which appears to refer to a type of cloth, and also resembles the word for banners or flags.  We mentioned them some time back in episode 63, when we talked about one of the early heads of the Hata, who was given the name Uzumasa.  That name is still used to identify a district in Kyoto to this day. And so here we are, back in the Kyoto area, near Fushimi shrine, which is also, as it happens, connected to the Hata family.  That story is found not in the Nihon Shoki, but rather it is attributed to fragments of the Yamashiro no Fudoki.  In that account we hear tell of a wealthy man named Irogu, whom we are told is a distant relative of Hata no Nakatsu no Imiki—no doubt a contemporary to the Yamashiro Fudoki, and the reason the story made the cut.  Irogu, it seems, had made himself wealthy through rice cultivation.  In fact, he had so much rice that he was using mochi—pounded glutinous rice cakes—as targets for his archery practice.  As he was shooting at the mochi, suddenly one of them turned into a swan and flew up into the sky, up to the top of a nearby mountain.  Where it landed rice, or “ine”, began to grow. That mountain is none other than the site of Fushimi Inari Shrine, a shrine that will show up again and again in various stories, as it was quite prominent.  Though the shrine was only founded in the 8th century, the story may indicate that there were older rituals, or perhaps that it was a focus of worship much like Mt. Miwa, down in the land of Yamato, to the south, and that shrine buildings were simply added to the mountain at a later date.  Fushimi is, of course, the place, and Inari is the name of the god, or kami, worshipped at the shrine.  Inari is a god of farming—specifically of rice cultivation—and today small Inari shrines can be found throughout Japan.  They are typified by red gates—usually multiple gates, one after the other, often donated by various individuals.  In addition, one might see Inari's servants and messengers, foxes, which take the place of the lion-dogs that often guard shrine precincts.  Importantly, these foxes are not the kami themselves, but simply the kami's messengers.  Still people will often bring gifts of oily, deep fried tofu—abura-age—said to be a favorite of foxes, to help ensure that their prayers—their messages to the kami—are swiftly and properly delivered. I could probably do an entire episode on Fushimi Inari and Inari worship in Japan.  There is so much material on the phenomenon on foxes, or kitsune, and fox-spirits, especially with the co-mingling of both continental and insular belief, which is sometimes at odds.  For now, however, we can confine ourselves to the fact that Fushimi clearly had connections to the Hata family, who have shown up a few times in the past, but are still largely taking bit roles in things at the moment.  Nonetheless, since the Chroniclers were writing from the 8th century, things like this, which were no doubt important to the powerful families of their day, were often included. Getting back to our main story, when Hata no Ōtsuchi came before the prince, Ame Kunioshi, he told a story of how he had been traveling the land, coming back from trading in Ise, when he came upon two wolves, fighting each other on a mountain.  The wolves were each covered in blood from their hostilities, and yet, through all of that, Hata no Ōtsuchi recognized them as visible incarnations of kami.  Immediately he got off his horse, rinsed his hands and mouth to purify himself, and then made a prayer to the kami.  In his prayer he admonished them for delighting in violence.  After all, while they were there, attacking each other, what if a hunter came along and, not recognizing their divine nature, took both of them?  With his earnest prayer he got them to stop fighting and he then cleaned off the blood and let them both go, thus saving their lives. Hearing such a story, Ame Kunioshi determined that his dream was likely sent by the same kami saved by Ōtsuchi, or perhaps another spirit who had seen his good deed, who was recommending this good Samaritan to the prince.  And who was he to deny the kami?  So when he came to the throne, Ame Kunioshi put Hata no Ōtsuchi in charge of the Treasury. That would have to wait until he actually ascended the throne, however; an opportunity that preserved itself with the death of his half brother, Takewo no Ōkimi.  When Takewo passed away in 539, we are told that the ministers all requested that Ane Kunioshi take the throne, but at first he deferred, suggesting that the wife of his eldest half brother, Magari no Ohine, aka Ankan Tennō, take the throne, instead. This was the former queen, Yamada, daughter of Ōke no Ōkimi, aka Ninken Tennō, so no doubt she had a good sense of how the government should work.  Yet she, too, waved off the honor.  Her reasoning, though, is a very patriarchal and misogynistic diatribe about how women aren't fit four the duties of running the country.  Clearly it is drawn from continental sources, and it always makes me wonder.  After all, the Nihon Shoki was being written in the time of rather powerful women controlling the Yamato court – which, I imagine irked some people to no end, especially those learned in classic literature, such as the works of Confucius. So I wonder why this was put in.  Did he truly defer to her?  Or was this just to demonstrate his magnanimous nature?  Was she pushed aside by the politics of the court?  I also wonder why they went to her, and not Takewo's wife.  It is also interesting to me that the Chroniclers only note her own objections to her rule, and there isn't a peep out of the assembled ministers. There appears to be another possible angle.  Some scholars have pointed out inconsistencies with the timeline and events in the reign of Ame Kunioshi that may have actually happened much earlier, including the arrival of Buddhism.  They suggest that perhaps there was a period of multiple rulers, possibly rival dynasties, with Magari no Ohine and his brother, Takewo, handling one court and Ame Kunioshi ruling another.  If that were the case, then was Yamada the senior person in the other line?  At the very least she represents the transfer of power and authority over to Tashiraga's lineage. Moving forward, we're going to want to pay close attention to these kinds of political details.  Often we'll see how how princes of different mothers will end up as pawns in the factional infighting that will become de rigeur in the Yamato court, with different families providing wives in the hopes that they might eventually be family members to the next sovereign. So, however it really happened, Ame Kunioshi took the throne.  He reappointed Ōtomo no Kanamura and Mononobe no Okoshi Ōmuraji and named Soga no Iname no Sukune back to his position as Ō-omi.  He set up his palace at a place called Shikishima, in the district of Shiki in the middle of the Nara Basin in the ancient country of Nara—still within sight of Mt. Miwa and, by now, numerous kofun built for previous kings, queens, and various nobles.  Both the Emishi and the Hayato are said to have come and paid tribute—apparently part of the enthronement rituals—and even envoys from Baekje, Silla, Goguryeo and Nimna are said to have stopped in with congratulatory messages.  These were probably fairly pro forma messages to maintain good—or at least tolerable—relations between the various states of the day, not unlike today when various people call a newly elected president or prime minister to congratulate them on their own entry to office. He also took as his Queen his own niece, daughter of his half-brother, the previous sovereign, Takewo Hiro Kunioshi Tate, aka Senka Tennō.  Her name was Ishihime, and she would provide Ame Kunioshi with several children, including the Crown Prince, Wosada Nunakara Futodamashiki no Mikoto, aka the eventual Bidatsu Tennō. By the way, for anyone concerned that Ame Kunioshi was” robbing the cradle”, so to speak, remember that he was already 33 years younger than his brother.  It is quite possible, assuming the dates are correct, that he and Ishihime were roughly the same age.  To put it another way, if Ame Kunioshi was a Millennial, his brother Takewo had been a Boomer, meaning that Ishihime was likely either Gen X or a Millennial herself, to extend the analogy. Of course, they were still uncle and niece, so… yeah, there's that.  I could point out again that at this time it was the maternal lineage that determined whether people were considered closely related or not.  Children of different mothers, even with the same fathers, were considered distant enough that it was not at all scandalous for them to be married, and that we probably should be careful about placing our own cultural biases on a foreign culture—and at this point in history many aspects of the culture would be foreign even to modern Japanese, just as a modern person from London would likely find conditions in the Anglo Saxon era Lundenwic perhaps a bit off-putting.  Still, I don't think I can actually recommend the practice. Now it is true he was coming to the throne at relatively young age.  He was probably about 30 years old when he took charge of the state, while his brothers, their father's eldest sons, had come to the throne much later in life, in their 50s or 60s.  And if Ame Kunioshi was actually ruling earlier then he might have been younger, running the state of Yamato—or at least some part of it—when he was still in his early 20s. Along with Ishihime, Ame Kunioshi took several other wives.  The first two were Ishihime's younger sisters, Kurawakaya Hime and Hikage.  Then there were two daughters of Soga no Iname—and yes, *that* Soga no Iname, the re-appointed Ō-omi.  At least three of the next four sovereigns would come from those two unions, and I'll let you take a guess at how the Soga family's fortunes fared during that time.  Finally, the last wife was was named Nukako, and she was the daughter of Kasuga no Hifuri no Omi.   Kasuga was also the family name of Kasuga no Yamada no Himemiko, who had turned down the throne to allow Ame Kunioshi to ascend, though we don't hear too much else from the Kasuga family.  This could be connected to that, although it is hard to be certain.  For the most part the Kasuga family seems to stay behind the scenes, but the fact that they are inserting themselves into the royal line at different points would seem to be significant.   The Soga, on the other hand, are going to feature quite prominently in matters of state moving forward. While it is unclear just when the various marriages occurred—they may have happened before or after his ascension to the throne—it is interesting to see how much influence the Soga family may have had in the royal bedchamber, something we would do well to remember as we look into this period.  And while the Soga family was on the rise, other families were not doing so well.  In particular, it seems that something happened to the Ōtomo family. Now don't get me wrong, Ōtomo Kanamura, that veteran courtier, was reappointed as Ōmuraji at the start of the reign, and given all of his influence up to this point, he clearly had been doing something right.  But then we have a single incident at the start of Ame Kunioshi's reign that makes me wonder. It took place during a court visit to Hafuri-tsu-no-miya over at Naniwa—modern Ōsaka.  Hafuri would appear to refer to a Shinto priest, so apparently they were at the palace—or possibly shrine—of the Priest, at least as far as I can make out.  When Ame Kunioshi went out, much of the court came with, including Ōtomo no Kanamura, Kose no Omi no Inamochi, and Mononobe no Okoshi.    Of those three, Kose no Inamochi seems a bit of an odd choice, but we'll go with it, for now. While they were there, away from the palace, talking over various subjects, the conversation turned towards talk about invading Silla.  At this, Mononobe no Okoshi related the story of how Kanamura had basically orchestrated giving up four districts of Nimna over to Baekje.  Those were the Upper and Lower Tari, Syata, and Muro.  This had pissed off Silla, who no doubt wanted as much of a buffer state between them and their allies as possible, and who also may have felt that Nimna and other border states were theirs to manipulate.  Through all of these talks and deliberations, which apparently went on for some time, Kanamura stayed at home, out of the public eye, feigning illness.  Eventually, though Awomi no Ōtoshi no Magariko came to check in on him and see how he was doing, and Kanamura admitted that he had simply been feigning illness to get out of the humiliation of having given up the provinces so many years ago. Hearing of this, Ame Kunioshi pardoned Ōtomo no Kanamura of any guilt.  He could put the past behind him and speak nothing of it. And he did.  Speak nothing of it, that is.  Or at least nothing that was recorded in the Chronicles.  From here on out, we don't hear of Kanamura—and barely of Ōtomo.  There is a brief mention of Kanamura's son, Sadehiko, who had gone to the Korean peninsula to fight back in the previous reign.  Then, another member of the Ōtomo pops up again in the reign of Bidatsu, but this appears to be the last time we see an “Ōtomo no Ōmuraji”—no other Ōtomo would be recorded as having taken that position, even though others, particularly the Mononobe, would continue to be honored with the title up through at least the 7th century. Ōtomo no Kanamura's exit at this point in the narrative seems somewhat appropriate, as the narrative will go on to focus on Nimna, and the violence on the peninsula.  That fighting would consume much of the next century, with Silla eventually winding up on top, but that was not always a foregone conclusion.  In the meantime there were numerous battles, back and forth.  Sometimes it was Silla and Goguryeo against Baekje and Yamato.  Other times, Silla and Baekje fought against Goguryeo.  Then there were the smaller states of Kara, Ara, Nimna, and more. With all of that chaos, the Chronicles record numerous people from the peninsula coming to stay in the archipelago, but also there were many ethnic Wa people—possibly from Yamato, especially based on their names—that went to live and fight on the peninsula as well.  Family names such as the Mononobe, Ikuba, and even Kibi show up with Baekje or Silla titles, intermingled with other names of unknown, though likely peninsular, origin.  This intermingling would appear to indicate that the states of the Korean peninsula were multi-ethnic states, with individuals from all over.   Despite—or perhaps even because of—all the fighting, there seems to be an increased intercourse between the various states, as well as with states like the Northern Wei, to the West, in the Yellow River Basin, and Liang, to the South, along the Yangtze. We'll dive into all of that chaos and confusion—and try to draw a few more concrete facts and concepts—next time. Until then, thank you for listening and for all of your support.  If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

THE SAGA CONCLUDES—and is interrupted by filler! Nathan and Drew were having such a great time with Kamen Rider (1971). The last few episodes were building momentum going into the final episodes, and then Hongo and Hayato destroy the Shocker Riders…by running really fast?! And then a Muppet-y monster named Crowox with ridiculous powers (like goring) shows up to finally give us flying cars. But hey, at least you get to hear your hosts talk about the semi-obscure Sega Saturn spokesman, Segata Sanshiro, who was also played by Hiroshi Fujioka! Enjoy your latest dose of Henshin Men!This episode was edited by Christopher Riner and Nathan Marchand.Follow Henshin Men on Twitter: @HenshinMenPod. Join the official Facebook fan page for this and The Monster Island Film Vault, The Markalite Lounge.Listen to Travis's main podcast, Kaiju Weekly, and Nathan's podcasts, The Monster Island Film Vault and The Power Trip.Henshin Men is a proud member of the Kaiju Ramen Podcast Network.MUSIC:                                                                                          -“Kamen Rider - Let's Go!! Rider Kick (Cover)” by Eternal Melee-“Not Your Above-Average Joe [Standing Ovation]” by Ivan Hakštok

The saga continues! Nathan and Drew dive into two more episodes in what feels like the final story arc of Kamen Rider (1971)—except (SPOILER WARNING!) it isn't! With Hongo supposedly dead, the Kamen Kenny Force meets new allies who for whatever reason never talked to them until now: the Anti-Shocker Alliance. That's all well and good, but the show actually hears your hosts yelling at the screen because Hayato returns! And he's wearing a snazzy cowboy hat. But things really get out of hand when it turns out there's not one, not two, but six Shocker Riders! And they all wear different-colored scarfs. It's like Shotaro Ishinomori used them as the prototype for Super Sentai. All this plus Alvin and the Chipmunks make a cameo. Welcome to Kamen Rider and Henshin Men, baby!This episode was edited by Christopher Riner.Follow Henshin Men on Twitter: @HenshinMenPod. Join the official Facebook fan page for this and The Monster Island Film Vault, The Markalite Lounge.Listen to Travis's main podcast, Kaiju Weekly, and Nathan's podcasts, The Monster Island Film Vault and The Power Trip.Henshin Men is a proud member of the Kaiju Ramen Podcast Network.MUSIC:                                                                                           -“Kamen Rider - Let's Go!! Rider Kick (Cover)” by Eternal Melee -“Not Your Above-Average Joe [Standing Ovation]” by Ivan Hakštok

Welcome money makers to this week's episode, all about real estate wholesaling. Listen in to Indar and special guest Hyatt Hori talk about the secret method that goes into scaling your real estate wholesaling business. Wholesaling is the gateway strategy to starting in real estate investing. You can master wholesaling with little to no budget and manually scale. In this episode, Indar and Hyatt break down the automation tactics that you can use in wholesaling to get ahead in the market. Make sure to check us out on all social platforms @indarhawaii and if you'd like to start investing with us check out https://indarhawaii.com/community1:31 - What does your team look like? 7:40 - What's your process? How do you get sellers?17:20 - How do you get connections?19:20 - Wholesaling vs. Flipping23:00 - A lean dream team is key23:40 - Follow up, follow up, follow up29:36 - Hayato's Background30:00 - What are Hayato's personal investments?53:26 - Thanks for watching!

Hayato is the Founder and CEO of Kevin's Entertainment, a film production company based in Los Angeles. Hayato is originally from Japan. He is best known for WHERE FLORENCE SLEEPS (2016), MIRACLE IN KASAMA (2018) and LOVE SHACK (2022). On the episode we discussed his experiences in producing independent films, Japanese Cinema, and Martin Scorsese's THE WOLF OF WALL STREET. Hosted by Zef Cota    

Soup is delicious, easy to make, versatile, and a great way to use leftovers. But despite its many virtues, it's not terribly chic or exciting. Journalist and cultural commentator Anne Helen Petersen aims to change that. Born of peasant food to become a national dish, food writer and cook Zuza Zak dedicates a new cookbook to the Polish pierogi. Chris Scott, a chef known for his Brooklyn soul food restaurant Butterfunk, draws out the Dutch and German influences in soul food. Italian grandmothers are still waking early to make pasta by hand and author Vicky Bennison is here for it. With a $350 tasting menu and a mere 35 guests a week, Bill Addison crowns Hayato with the top spot on the LA Times 101 Best Restaurants list.

In S2Ep21 of the PRP, Adam is enlightened by thriving long distance runner, passionate golfer, engineering extraordinaire, forthright beer enthusiast and proud father, Hayato Shimizu who has been preparing for the New York City Marathon on November 6th, 2022. The lads waste no time and jump straight in to an in depth review of what has been an insanely impressive year for Hayato and his running career. With a broken PR in nearly every possible distance, the PRP listenership is schooled by Hayato's composed and uninhibited outlook on the sport. His secret? Work hard, but don't overthink it, it's that simple. The more pressure you put on yourself, the less enjoyment you will ultimately obtain. Committing yourself to the process and sharing your experiences with others are where the actual awards and benefits from running can be found. The time your watch reads at the finish line is actually quite trivial. Paul Livingstone, seasoned runner, local running gear merchant, aspiring brewer and one of Hayato's oldest running pals joins the show to offer his take on what the PRP has deemed, The Year of Hayato. From Boston, to Bayshore and now onto New York these two gentlemen have shared a lot of time out on the course in 2022 together and one thing is for certain... Hayato is absolutely on fire at the moment! Hayato sheds light on his journey to and through running over the past decade and shares his unique approach to how he builds his fitness blocks. For him, running is a pursuit of exploring the best version of yourself and is a journey of one. Before episode close, Hayato and Paul gossip all things Boston vs. New York. Because each of them have raced these events multiple times, they share a distinct credibility to offer opinions on all things from portapotty sitch, starting line logistics, time of year/temperature to overall vibe. New York or Boston, who do ya got? What on earth is Ekiden?! What the hell happened in Boston in 2017? Is Hayato throwing down impromptu 100m dashes to defend his honor? What exactly is Kendo?! Wait wait wait, CAN HAYATO DUNK?! Does Hayato just want to be just like Eduardo when he grows up? What are the Abbott World Majors?? Ummm, creamy peanut butter on an everything bagel? All of this and loads more to chew on in this educational and inspiring episode of the PRP! Recorded Wednesday October 26th @ 4:00PM EST Sponsors Ann Arbor Running Company Long Run Coffee Vul-pine Socks --- Support this podcast: https://podcasters.spotify.com/pod/show/preracepodcast/support

Hayato Yamada is not unfamiliar with success in the sport of basketball. In fact, Hayato was able to win at the highest level when he was in "Junior High School" in Japan, prior to coming to the United States to continue on with his basketball journey. Today on the show we'll hear about what basketball was like in Japan compared to that of the United States. We'll get to learn about him as a basketball player as well and what his strengths are on the court.  We're going to be chatting about it all today on the show, and you'll hear about:  - Difference in competition in the United States - 3 v 3 basketball and what you can learn in this style of basketball - Strenghts on the court (leadership, teamwork, reading screens, etc) So make sure to take some notes and enjoy our conversation.  You can also follow Hayato and his journey by going to: https://www.instagram.com/iam_hayato_7/  Also go to his LinkTree by going here: https://lit.link/en/17basketball  __________________ Calling ALL entrepreneurs!! If you are a business owner, and you are interested in utilzing online sales, then you MUST USE this tool to help you with it!  ClickFunnels will allow you to have an enterprise account to do everything you need for your business! (Including: Websites, funnel building, emails, products, etc)  Make sure to get a solid deal by going HERE for your offer! 

With an episode title like that, you'd think this would be a musical, but alas, all you get are music references. (But a Kamen Rider musical would be amazing!) This week, it's one of Travis and Nathan's favorite things: Double Riders! Yes, in a two-part episode, Hayato returns to help Hongo fight a pair of Shocker kaijin at a hot spring (because Team Rider went on vacation…again). First is the ridiculously freaky Mosquillas, who sucks your blood and reduces you to a crucified skeleton. Next is the asymmetrical Fiddler Crabking, who's tougher than his name suggests. Hayato is great in the first episode—and barely in the second. Oh well. Kamen Rider (1971) is available to stream on Shout!FactoryTV and Tubi. Watch there to follow along with us!Follow Henshin Men on Twitter: @HenshinMenPod. Join the official Facebook fan page for this and The Monster Island Film Vault, The Markalite Lounge.Listen to Travis's main podcast, Kaiju Weekly, and Nathan's podcasts, The Monster Island Film Vault and The Power Trip.Henshin Men is a proud member of the Kaiju Ramen Podcast Network.

Have you heard of the practice “wholesaling” but wondered what it is?  Are you a property owner (like me) that have gotten DOZENS of low ball offers for your property?Like every industry, there are good actors and bad actors.  Hayato Hori of RocketOffer joins us to show how wholesaling really works and how a win-win scenario can be achieved.Helpful Resources:Martel TurnkeyProp StreamConnect with Hayatohayato@rocketoffr.comInstagramTikTokShow SponsorsTimothy HeroLightbulb PodcastingStay connected with Wealth and Freedom Nexus!Instagram Twitter      YouTube   www.wealthandfreedomnexus.comWant to support the show?  Buy me a coffee or become a Patreon member!As always, be sure to follow, subscribe, rate and share this podcast with other like-minded individuals who are in pursuit of wealth and freedom!Your Future in Sales & MarketingA podcast that can help you make great decisions to get the most out of your Sales &...Listen on: Apple Podcasts Spotify

Music, comics, and other tangential references abound as Travis and Nathan continue their trek through Kamen Rider (1971). That's no surprise given that one kaijin shares a name with a DC Comics character who's an evil alternate universe Batman. Then your hosts discover that electric catfish are real—but they're nowhere near Japan! There's also a supervillain team-up with the return of Dr. Shinigami…who suddenly leaves after the commercial break. What a tease, am I right? But the most important question is: Are Hongo and Hayato worthy of wielding Mjolnir? All this and more on your favorite tokusatsu superhero podcast!Kamen Rider (1971) is available to stream on Shout!FactoryTV and Tubi. Watch there to follow along with us!Follow Henshin Men on Twitter: @HenshinMenPod. Join the official Facebook fan page for this and The Monster Island Film Vault, The Markalite Lounge.Listen to Travis's main podcast, Kaiju Weekly, and Nathan's podcasts, The Monster Island Film Vault and The Power Trip.Henshin Men is a proud member of the Kaiju Ramen Podcast Network.MUSIC:                                                                                         -“Kamen Rider - Let's Go!! Rider Kick (Cover)” by Eternal Melee-“Not Your Above-Average Joe [Standing Ovation]” by Ivan Hakštok

Today's episode on Agents Growth Academy promises insights from expert and Linkedin ninja, Hayato Nakamura. Hayato is going to share what he sees commercialized agents missing concerning Linkedin's abilities, both to market the agent and build long-term relationships. Discover what Linkedin is looking for in its algorithm today and hear how 15-20 minutes a day can result in sales you earn while you are sleeping.3 Key TakeawaysPotential customers are going to call the last agent who built trust with them. What are you doing to build rapport among your sales?Linkedin pushes good business value content but also good personal vulnerability content.Now more than ever is the best time we can present ourselves on social media as the businessperson we want to be.ResourcesShieldapp.ai to look at your Linkedin analyticsRich Dad, Poor Dad by Robert T. KiyosakiHayato's Linkedin

This week, Mitch and Hayato talk about feeling lonely during the pandemic, Doraemon's beloved creator passing away, a woman who tried to scam a foreigner in Japan, and more! Support us on patreon: https://www.patreon.com/smalltalkjapan Articles from this week's episode https://english.kyodonews.net/news/2022/04/4ddcf1bfd8c8-urgent-japan-eyes-resolute-action-against-russias-war-crimes-kishida.html https://english.kyodonews.net/news/2022/04/917565ad45ef-defense-experts-back-japan-acquiring-enemy-base-strike-capability.html https://english.kyodonews.net/news/2022/04/fc4bf7636562-japan-to-lift-covid-nonresident-foreigner-entry-ban-for-106-nations.html https://english.kyodonews.net/news/2022/04/b52fb8e1620f-urgent-japan-so-far-has-no-plan-to-resume-entry-of-foreign-tourists-kishida.html https://english.kyodonews.net/news/2022/04/46191486a5d1-lgbtq-safe-space-opens-in-osaka.html https://english.kyodonews.net/news/2022/04/033866bdf014-urgent-japan-to-ban-imports-of-vodka-freeze-assets-by-russian-lenders-pm.html https://english.kyodonews.net/news/2022/04/4abb60576a26-over-35-in-japan-feel-lonely-amid-pandemic-young-people-hit-harder.html https://english.kyodonews.net/news/2022/04/c126ff69e9b6-boj-chief-kuroda-says-yens-depreciation-somewhat-rapid.html https://soranews24.com/2022/04/08/bowl-or-chopsticks-which-one-should-you-pick-up-first/ https://soranews24.com/2022/04/08/pikachus-tail-and-snorlaxs-tummy-join-the-menu-at-the-pokemon-cafe/ https://soranews24.com/2022/04/07/fujiko-a-fujio-creator-of-doraemon-ninja-hattori-kun-and-kaibutsu-kun-passes-away-aged-88/ https://soranews24.com/2022/04/06/osaka-woman-gives-foreigner-uber-eats-worker-fake-money-thought-he-wouldnt-know-difference/ https://soranews24.com/2022/04/04/do-tokyo-natives-get-lost-in-shinjuku-and-shibuya-too-we-ask-our-in-office-tokyo-ites/ Check out our sponsors! STAPLETON 英会話: https://stapleton.me/ Online classes! DROPS Hair: http://drops-hair.jp/ If you are interested in the equipment we use, check out the links below! mic https://amzn.to/3gtJapQ mixer XLR USB https://amzn.to/2XtQ8SL camera https://amzn.to/2ZwsLuu headphones https://amzn.to/2TAYt64 amp https://amzn.to/3ehnfQM

In this episode, we interview founder of RocketOffr, Hayato Hori. Hayato shares with us the secrets and strategies he used to scale a successful business in his early 20s. He talks about being the youngest in the room can be a valuable asset at times. This episode is jam packed with quality steps to get into the real estate game without needing too much money.

A momentous episode of Henshin Men about a pair of momentous Kamen Rider (1971) episodes requires a momentous guest—Kamen Rider super-fan and tokustasu scholar August Ragone. Yes, Nathan managed to snag the one person in the English-speaking world who loves Kamen Rider more than Travis! After August regales the boys with his long list of credentials, storied life, and copious knowledge, the three of them discuss Hayato's final episode as the star of the show. It features Dr. Shinigami with a scythe, a crow kaijin (“Nevermore”?), and an insanity gas. Then arguably the most iconic portion of the show begins with Hongo's true return, and it features a henshin pose, a new villain (Serpentor?), and one of August's favorite kaijin, Jaguar-Man! Get ready for an epic double-length episode of Henshin Men! Special thanks to J.P. Gant for editing this episode. Thanks, man!Kamen Rider (1971) is available to stream on Shout!FactoryTV and Tubi. Watch there to follow along with us!Follow Henshin Men on Twitter: @HenshinMenPod. Join the official Facebook fan page for this and The Monster Island Film Vault, The Markalite Lounge.Listen to Travis's main podcast, Kaiju Weekly, and Nathan's podcasts, The Monster Island Film Vault and The Power Trip.Henshin Men is a proud member of the Kaiju Ramen Podcast Network.MUSIC:-“Kamen Rider - Let's Go!! Rider Kick (Cover)” by Eternal Melee-“Not Your Above-Average Joe [Standing Ovation]” by Ivan Hakštok

This episode covers episodes 37 - 39 of JoJo's Bizarre Adventure: Diamond is Unbreakable! We've finally reached the end as Hayato struggles for a way to undo the effects of Kira's Bites the Dust and get Josuke and friends into the fight.

Travis and Nathan mean that title literally! Shocker's kaijin-of-the-week are a leech and an anemone with tornado powers. (Ever get the feeling Toei had the same dart board as the infamous film studio The Asylum that has animals and natural disasters on it?) Leecherilla does look horrifying—until he doesn't. But Anemone is juxtaposed against the most Japanese-looking version of Africa you ever saw. Your intrepid hosts also discuss the missed potential of Shocker mind-controlling Hayato (and not telling him to transform?), the Rider Girls using playing cards as tarot cards (That's a thing?), and the “Rider Headbutt” (that Henshin Men does not endorse). Enjoy!Special thanks to J.P. Gant for editing this episode. Thanks, man!Kamen Rider (1971) is available to stream on Shout!FactoryTV and Tubi. Watch there to follow along with us!Follow Henshin Men on Twitter: @HenshinMenPod. Join the official Facebook fan page for this and The Monster Island Film Vault, The Markalite Lounge.Listen to Travis's main podcast, Kaiju Weekly, and Nathan's podcasts, The Monster Island Film Vault and The Power Trip.Henshin Men is a proud member of the Kaiju Ramen Podcast Network.MUSIC: -“Kamen Rider - Let's Go!! Rider Kick (Cover)” by Eternal Melee -“Not Your Above-Average Joe [Standing Ovation]” by Ivan Hakštok

This week's episode of Henshin Men is brought to you by…snow and hugs. (At least it's not mind control, am I right?) Nathan and Travis discuss the coldest episodes of Kamen Rider (1971) yet. In the first, Team Rider goes on (another!?) vacation to a ski lodge that, predictably, gets ruined by Shocker's kaijin, Bearkonger. Hayato injures his arm and isn't able to transform—for five seconds. Then he becomes the “Kamen Snowmobiler” for a chase that looks straight out of In Her Majesty's Secret Service. In the next episode, Travis continues to ship Taki and Hayato (“Takiato”) because KR2 has to save him and Goro—with a warm hug. Yep. Welcome to Henshin Men!Kamen Rider (1971) is available to stream on Shout!FactoryTV and Tubi. Watch there to follow along with us!Follow Henshin Men on Twitter: @HenshinMenPod. Join the official Facebook fan page for this and The Monster Island Film Vault, The Markalite Lounge.Listen to Travis's main podcast, Kaiju Weekly, and Nathan's podcasts, The Monster Island Film Vault and The Power Trip.Henshin Men is a proud member of the Kaiju Ramen Podcast Network.MUSIC:-“Kamen Rider - Let's Go!! Rider Kick (Cover)” by Eternal Melee-“Not Your Above-Average Joe [Standing Ovation]” by Ivan Hakštok

FINALLY! Hongo has come back to Japan! And he brought his own pair of kick@$$ Rider Girls! (But what happened to Ruriko?) Nathan and Travis are overjoyed to see the OG Rider return, and in true superhero fashion, team-up (and fight?!) with Hayato in an epic two-parter coming off the heels of the crazy Christmas special. Shocker's Japanese division has a new commander: Dr. Death/Dr. Reaper/Dr. Shinigami/Dr. Who (one of those is a pop culture reference, but not the one you're thinking) played by a former member of Toho's actor stable. Toei's filmmakers took a bit more care than usual with these episodes to mark such an incredible occasion—but what a tease! Welcome to Henshin Men, heroes of the internet!Kamen Rider (1971) is available to stream on Shout!FactoryTV and Tubi. Watch there to follow along with us!Follow Henshin Men on Twitter: @HenshinMenPod.Listen to Travis's main podcast, Kaiju Weekly, and Nathan's podcasts, The Monster Island Film Vault and The Power Trip.MUSIC:-“Kamen Rider - Let's Go!! Rider Kick (Cover)” by Eternal Melee-“Not Your Above-Average Joe [Standing Ovation]” by Ivan Hakštok

Hayato grew up in Singapore before moving to the US for school. After discovering the lifestyle of entrepreneurship, he knew that he needed to create financial freedom for himself. Hayato Hori is the owner of RocketOffr, a real estate wholesaling company out of Los Angeles. They wholesale properties in Detroit, Memphis, and Cleveland. Tim Stone dives into the journey with Hayato on what it's like to grow a business so quickly after coming to the United States.

“Death Mushroom!” Not only should that be the name of a Euro metal band, it's the name of the kaijin-of-the-week featured in today's episode…sorta. Travis and Nathan discuss a two-parter from Kamen Rider (1971), where Hayato/Kamen Rider 2 battles a convict who is pickled in weird mushroom juices for a week by Shocker to make him into a supervillain only a Matango would love. Yep, you read that right. Along the way, your intrepid hosts discuss the episodes' impressive action set pieces; Shocker's surprisingly dark and effective plot that hits differently in the post-COVID world; and Hayato and Tachibana's needlessly sexist rudeness toward the Rider Girls—who finally aren't useless ditzes, to boot!Kamen Rider (1971) is available to stream on Shout!Factory TV and Tubi. Watch there to follow along with us!Follow Henshin Men on Twitter: @HenshinMenPod.Listen to Travis's main podcast, Kaiju Weekly, and Nathan's main podcast, The Monster Island Film Vault.MUSIC:-“Kamen Rider - Let's Go!! Rider Kick (Cover)” by Eternal Melee-“Not Your Above-Average Joe [Standing Ovation]” by Ivan Hakštok

“大内密谈的听众朋友们，我爱你们！！！”未见其人先听其声的“巨星”***李朋克老师，隔着十米就知道他正向划水怪「哒哒哒哒哒哒」奔来。没错，史上最吵热闹、靠卖周边就红了的朋克乐队——咖喱3000，又来了！而且这次，远在日本的鼓手“好丫头”Hayato，顶着一团红色火焰也回归了，五个兄弟能量值满格地在大内集结啦（吼）！什么奇葩事件、白衣/红衣阿飘、各地美食啥的，都给你整齐活了！这期节目的话题可太丰盛了。从喝酒糗事到北京到底有没有美食，中间李朋克老师还激情演奏了一首歌以证自己没喝醉。什么Hayato在日本卖面包、神秘面试的幸运儿、咖喱3000终于要全国巡演了，以及划水怪一不小心对着乐队的小提琴手小诚，吐露的真心话：“小诚，你怎么还没退出这乐队啊？”。当划水怪强行开始搜刮大家遇到的「奇葩的人和事」之后，最后话题咋又落到了令人毛骨悚然的「灵异事件」？坚称自己是无神论者的李朋克老师突然上线开始反思摇滚乐圈的生态问题，虽已成为巨星，可他依旧不忘关怀普通乐手的生活，疫情期间没表演可咋办？总之「躁」就完事了，建议在情绪稳定且耳机音量合适的情况下收听本期节目～主播 / 相征嘉宾 / 咖喱3000封面设计 / 划水怪音频后期 / jimi音频上传 / Observersonglist：李朋克现场弹唱 @ 01:06:33咖喱3000-棒棒糖 @ 01:24:49大内密谈的各种帐号都是“大内密谈”欢迎加入 欢迎互动：）

Episode 11: This Isn't Even My Final Form! (Kamen Rider Eps. 20-21)This week, Kamen Rider II battles Mothra! (Moth Man? Mothra Man?) Well, kinda. Your toku-loving hosts, Travis and Nathan, are just as confused by Shocker's kaijin-of-the-week because, once again, he has two names: Dokugander and Poison-Mothdar! But if that wasn't enough, Toei tries to upstage Tsuburaya Productions by crucifying Tachibana and the Rider Girls on electrified crosses—twice! To say newbie Nathan wasn't prepared for any of this would be an understatement. But all this isn't even the weirdest thing discussed in this episode. No, much to Nathan's chagrin…Travis starts “shipping” Kamen Rider characters…specifically Hayato and Taki. So, this is how Henshin Men ends—with a thunderous facepalm.Kamen Rider (1971) is available to stream on Shout!Factory TV and Tubi. Watch there to follow along with us!

In this episode, Hayato and I discuss how he got into Real Estate investing, what he focuses on as an investor and the reasons for investing outside of your state or local market. Whether you're looking to invest or have been investing, I implore you to give this episode a watch! As always, SUBSCRIBE, LIKE, AND SHARE! Support this podcast: https://anchor.fm/rafael-pinsky/support --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/rafael-pinsky/message

You don't have to listen on pay-per-view (“pay-per-listen”?) to hear what the Henshin Men are cookin'! Your tag-team hosts Travis and Nathan discuss two of the most electrifying episodes of Kamen Rider (1971) where Hayato battles Pirasaurus, a champion pro-wrestler-turned-kaijin by Shocker. The least secret of secret organizations disguises the King of Dinosaurs (if you got that reference, you are a nerd among nerds) as the obvious heel, Satan Mask, to attract an arena full of people and murder them with poison gas. Meanwhile, this week's “Kamen Kenny” is Pirasaurus's little brother, who keeps trying to save his brother from Shocker, making the audience not want KR2 to kill the kaijin-of-the-week. What? That's gonna take one heck of an attitude adjustment! Have a nice day listening to the latest episode of Henshin Men—OH YEAH!Kamen Rider (1971) is available to stream on Shout!Factory TV and Tubi. Watch there to follow along with us!

本期节目的嘉宾有点咸有点辣、特别吵非常闹。他们是咖喱3000，是一支由各知名乐队的知名乐手组成“超级乐队”，也是一支主要贩售周边产品的乐队，但终究还是一支热血的朋克乐队。虽然经常胡说八道，经常老不正经，经常凑不到一块，但这都不重要。最重要的是，咖喱3000依然愤怒、依然真诚、依然独立。这是咖喱3000想要的，同样也是你们想要的。究竟这五个奇形怪状的家伙，是如何勾搭在一起的？这些老朋克所认为的朋克精神到底是什么？摇滚乐是不是必须愤怒？嗯，快听听他们是如何发自内心地胡说八道吧。欢迎收听本期朋克乱谈节目，All in For Freedom，祝大家听得开心！备注：咖喱3000鼓手Hayato，因故遗憾缺席本期节目，但他永远活在我们的心中，并且在节目片头以彩蛋的方式惊喜现声，快去听！主播 / 相征嘉宾 / 咖喱3000封面设计 / 划水怪音频后期 / 日子音频上传 / Observerplaylist咖喱3000 - 别伤害了别人,贬低了自己@00:26:14 咖喱3000 - COME ON BABY GIVE ME FIVE@00:46:02 咖喱3000 - 184@01:42:30大内密谈的各种帐号都是“大内密谈”欢迎加入 欢迎互动：）

本期节目的嘉宾有点咸有点辣、特别吵非常闹。他们是咖喱3000，是一支由各知名乐队的知名乐手组成“超级乐队”，也是一支主要贩售周边产品的乐队，但终究还是一支热血的朋克乐队。虽然经常胡说八道，经常老不正经，经常凑不到一块，但这都不重要。最重要的是，咖喱3000依然愤怒、依然真诚、依然独立。这是咖喱3000想要的，同样也是你们想要的。究竟这五个奇形怪状的家伙，是如何勾搭在一起的？这些老朋克所认为的朋克精神到底是什么？摇滚乐是不是必须愤怒？嗯，快听听他们是如何发自内心地胡说八道吧。欢迎收听本期朋克乱谈节目，All in For Freedom，祝大家听得开心！备注：咖喱3000鼓手Hayato，因故遗憾缺席本期节目，但他永远活在我们的心中，并且在节目片头以彩蛋的方式惊喜现声，快去听！主播 / 相征嘉宾 / 咖喱3000封面设计 / 划水怪音频后期 / 日子音频上传 / Observerplaylist咖喱3000 - 别伤害了别人,贬低了自己@00:26:14 咖喱3000 - COME ON BABY GIVE ME FIVE@00:46:02 咖喱3000 - 184@01:42:30大内密谈的各种帐号都是“大内密谈”欢迎加入 欢迎互动：）