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In this episode, farmer Brian Sakurada of Shiwa Green Farm in Iwate, Japan shares a unique and interesting way to package and label their produce, especially their more exotic varieties. Subscribe for more content on sustainable farming, market farming tips, and business insights! Get market farming tools, seeds, and supplies at Modern Grower. Follow Modern Grower: Instagram Instagram Listen to other podcasts on the Modern Grower Podcast Network: Carrot Cashflow Farm Small Farm Smart Farm Small Farm Smart Daily The Growing Microgreens Podcast The Urban Farmer Podcast The Rookie Farmer Podcast In Search of Soil Podcast Check out Diego's books: Sell Everything You Grow on Amazon Ready Farmer One on Amazon **** Modern Grower and Diego Footer participate in the Amazon Services LLC. Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.
L'actualité japonaise de mars 2025 par Gael et Charly : Introduction Rubrique TOURISME : 02:48 Augmentation des taxes au Japon (aérien, hébergement) 07:51 Floraison tardive des sakura 12:35 Moins de Japonais dans les sites touristiques de Kyoto 17:30 Pénuries d'eau dans les onsen 19:39 nouveautés du Shinkansen : cabines privatives, nouveau design, retard à Sapporo 25:09 Record des dépenses des touristes étrangers au Japon 26:36 L'aéroport Hello Kitty 28:45 Tokyo la ville aux parcs + Le plus petit parc du monde 32:16 Incendies ravageurs à Iwate, Ehime et Okayama 35:18 Fermeture du Studio Alta à Shinjuku 39:00 Dîner à 50 mètres de hauteur dans la baie de Tokyo Rubrique SOCIÉTÉ : 41:33 Réduction des émissions carbone au Japon ? 45:19 Visa long terme non accessible aux époux homosexuels 47:07 Catégorie non-binaire au marathon de Tokyo 49:10 Assassinat d'une streameuse en live 52:57 Record d'argent liquide perdu et rapporté 54:35 Japon, 3ème pire pays pour la place des femmes au travail 56:38 Fin des jupes pour les policières 58:08 Contrôles au faciès au Japon 01:00:16 Seul 1 Japonais sur 6 possède un passeport 01:02:21 Augmentation du nombre de résidents étrangers au Japon 01:03:31 Les chiffres de la pilule abortive 01:04:58 Chute toujours accélérée de la démographie japonaise 01:07:03 Plus assez de candidats aux concours d'entrée des lycées Rubrique POLITIQUE et ÉCONOMIE : 01:08:57 Scandale des chèques offerts par le Premier ministre Ishiba 01:11:07 Pacte de sécurité États-Unis / Japon et réarmement 01:13:37 Conséquences des droits de douane imposés par la Maison Blanche 01:16:12 Le Japon renforce ses alliances économiques avec d'autres pays 01:18:46 Commande ANA d'avions Boeing 01:20:05 Accroissement des exportations de riz japonais Rubrique POP CULTURE : 01:22:27 Polémiques du jeu Assassin's Creed Shadows au gouvernement japonais 01:26:15 Notre avis sur Assassin's Creed Shadows 01:40:39 Le sanctuaire de Tsushima interdit aux touristes à cause de mauvais comportements 01:44:04 Le box office du cinéma japonais en 2024 01:46:07 Ventes record de manga au Japon 01:47:19 Un plat dévalisé à Tokyo grâce à Monster Hunter 01:49:52 L'Agence des affaires culturelles récompense Gosho Aoyama et Masahiro Sakurai 01:51:57 Pokémon Go racheté par le gouvernement Saoudien + les vraies motos Pokémon 01:56:51 Ressortie du film Battle Royale au cinéma 02:01:12 Succès fou des visuels "Ghibli-fiés" par Open AI 02:06:31 Crossover animé entre la ligue de baseball et Demon Slayer 02:08:41 Le film "Sidonie au Japon" par Marjorie 02:17:15 Visites du musée Nintendo, parc Donkey Kong et Legoland par Gael Nos RÉCURRENTS : 02:25:49 Le Yen toujours faible Les articles Kanpai du mois passé Les podcasts Kanpai du mois passé et du mois prochain Conclusion
Idag har kan podden stoltsera med att vara första nordiska media med att ha beskådat den nordiska paviljongen vid den stundande världsutställningen i Osaka.Vi har varit på Yumeshima - Drömmarnas ö - som ligger i Osakabukten ungefär en halvtimmes resa med tåg från centrala Osaka.Den här upplagan av Japanpodden finns i en särskild Youtubeversion där det finns bilder och videomaterial från världsutställningen. Kolla in Japanpoddens Youtubekanal nu!NYHETERI ett försök att komma till rätta med de skenande priserna på ris - Japans basföda - inleddes den här veckan en auktion på 150 000 ton ris från det beredskapslager på en miljon ton som staten har.Riset i butik kostar i nuläget dubbelt så mycket som för ett år sedan och många hushåll har därför dragit ned på användandet eller ersatt det med nudlar av olika slag.I ett första skede är det alltså 150 000 ton som läggs ut på auktion och ytterligare 60 000 ton kan tillkomma senare. De som lägger högst bud vinner och riset ska därefter ut i butikerna, med förhoppningen att priset för konsumenterna ska kunna hållas nere.Orsaken till prisrusningen uppges vara en dålig skörd 2023 i kombination med spekulativ handel från vissa handlare.—------------De kraftiga bränder som rasat i Iwate län i norra Japan är nu under kontroll efter nära tre veckors släckningsarbete. Alla evakueringsorders har hävts då brandmyndigheterna bedömer att det inte längre finns någon risk att elden ska börja sprida sig igen.I staden Ofunato som var hårt drabbat brann ett 70-tal hus ned och en person påträffades senare död, medan närmare 5 000 tvingades lämna sina hem.Total brann ett område på 2 900 hektar företrädelsevis skogsmark, men elden hotade också flera byar och mindre städer.Perioden februari till april är normalt den mest brandfarliga eftersom det är mycket torrt i skog och mark. I år har det dock ovanligt många bränder, något som vissa bedömare menar kan bero på klimatförändringarna med kortare och torrare vintrar.—------------Med anledning av årsdagen av den stora Tohokujordbävningen den 11 mars 2011 har de styrande i staden Minami-sanriku avtäckt en minnessten över de sammanlagt 37 kommunanställda som miste livet i katastrofen. De flesta av de omkomna drunknade när en jättelik flodvåg drog in över kustsamhällena längs norra Japans stillahavskust.Sammanlagt omkom mer än 18 000 personer i katastrofen och mer än 2 000 saknas fortfarande. Gällande situationen vid det havererade kärnkraftverket Fukushima Dai-Ichi pågår saneringsarbetet alltjämt och väntas ta åtminstone ytterligare 30 till 50 år. Det ansvariga kraftbolaget Tepco har lovat att hela området ska saneras. Ännu har man dock inte kunnat ta sig in i de havererade reaktorerna på grund av den extremt höga radioaktiviteten.—------------Nordkorea testsköt i måndags flera ballistiska robotar, oklart hur många, bara timmar efter det att landet i kraftfulla ordalag fördömt en gemensam amerikansk-sydkoreansk militärövning som inleddes samma dag.Övningen som går under namnet Freedom Shield ska pågå fram till den 20 mars.Samtidigt kom under måndagen nya uppgifter om en incident i förra veckan då två stridsplan från det sydkoreanska flygvapnet av misstag bombade en by nära gränsen mot Nordkorea. Närmare 30 personer boende i byn ska ha kommit till skada och chefen för det sydkoreanska flygvapnet Lee Young-suu framförde en offentlig ursäkt och lovade göra allt han kan för att förhindra liknande misstag begås i framtiden.—---------Kvinnokläder saknar ofta fickor. Detta gör att kvinnor löper större risk att råka ut för jobbiga situationer än män. Men nu är kanske en förändring på gång som ska råda bot på ojämlikheten.En kvinna som intervjuas i dagstidningen Japan Times har dragit igång en namninsamling för att förmå tillverkarna att se till att kvinnors kläder utrustas med fickor i större utsträckning än vad som nu är fallet.Kvinnan som själv irriterat sig på att hon inte har några fickor att förvara sina visitkort i när hon går på möten.Droppen var när hon läste om en flygolycka där männen ombord lyckades få med sig en del värdesaker när de flydde ur det brinnande planet medan de kvinnor som lyckades rädda sig var tvungna att lämna samtliga personliga ägodelar ombord på det brinnande planet.Företrädare för klädmärket Uniqlo säger i en kommentar att de omgående tänker se till att också deras kläder för kvinnor utrustas med fickor utom när det inte är möjligt av estetiska eller andra skäl.—------I den stundande turneringen i sumobrottning som inleds i Osaka nu på söndag är allas ögon riktade på hur den nye stormästaren - mongolen Hoshoryu ska klara sin debut som stormästare - yokozuna.Med sina 25 år är Hoshoryu relativt ung för att utses till sportens högsta rang och får han vara skadefri tros han ha framtiden för sig. Det ska dock understrykas att en stormästare är under stor press att leverera resultat, i varje turnering. Den dag han inte lever upp till förväntningarna är det kutym att han drar sig tillbaka och blir coach eller stallchef.En annan brottare som levererat goda resultat är japanen Onosato som i Osaka ställer upp som Ozeki - den nästa högsta rankingen.Onosatos framgångar har gjort att sumointresset i Japan formligen exploderat och turneringen i Osaka som pågår i 15 dagar är mer eller mindre redan utsåld. Sporten har under flera år dominerats av utländska brottare - de flesta från Mongoliet, vilket gjort att intresset bland japaner svalnat betänkligt. Men med Onosatos framgångar har sporten snabbt vunnit nya anhängare. Om Onosato gör ett bra resultat i Osaka, och då ska han helst vinna hela turneringen, är det ett första steg mot att även han utnämns till stormästare. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit japanpodden.substack.com
東日本大震災の発生から14年を迎え、海岸で朝日を見る人たち、11日午前、仙台市若林区東日本大震災の発生から14年を迎えた11日、津波で甚大な被害を受けた岩手、宮城、福島各県の沿岸部では、早朝から犠牲者を追悼する人々の姿が見られた。 Prayers were offered from early Tuesday morning for victims of the devastating tsunami that hit coastal areas in the northeastern Japan prefectures of Iwate, Miyagi and Fukushima 14 years ago.
東日本大震災の追悼式で、献花する石破茂首相、11日午後、福島市東日本大震災から14年となった11日、岩手、宮城、福島3県で追悼式が行われ、地震発生時刻の午後2時46分に黙とうがささげられた。 Ceremonies were held Tuesday to mark the 14th anniversary of the 2011 massive earthquake and tsunami at the three hardest-hit prefectures of Iwate, Miyagi and Fukushima in northeastern Japan.
Prayers were offered from early Tuesday morning for victims of the devastating tsunami that hit coastal areas in the northeastern Japan prefectures of Iwate, Miyagi and Fukushima 14 years ago.
Ceremonies were held Tuesday to mark the 14th anniversary of the 2011 massive earthquake and tsunami at the three hardest-hit prefectures of Iwate, Miyagi and Fukushima in northeastern Japan.
I staden Hirosaki i Aomori län längst upp i norr på den japanska huvudön Honshu bor sedan mer än trettio år tillbaka en svensk kom dit för att träna kampsporten Taido i ett halvår, men sedan blev kvar.Alvar Hugosson heter han och du möter honom i dagens upplaga av Japanpodden. NyheterDe kraftiga skogsbränder som rasar i Iwate län i norra Japan fortsätter att sprida sig över ett allt större område och har hittills krävt minst ett människoliv och lett till mer än 2 000 personer tvångsevakuerats till skolor och gymnastiksalar. Brandkårer från flera län deltar i släckningsarbetet och myndigheterna uppmanar boende i närheten att vara beredda att evakuera med kort varsel.Perioden februari till april är normalt den mest brandfarliga eftersom det är mycket torrt i skog och mark. I år har det dock ovanligt många bränder, något som vissa bedömare menar kan bero på klimatförändringarna med kortare och torrare vintrar.Det är sex gånger vanligare att utlänningar blir stoppade och utfrågade av polisen i Japan. Det visar en undersökning som gjorts på uppdrag av en grupp advokater i Tokyo.Enligt undersökningen som refereras av bland andra dagstidningen Japan Times har två av tre utlänningar råkat ut för polismaktens opåkallade uppvaktning, medan bara en av åtta japaner råkat ut för samma sak. I de flesta fall handlade det om att man cyklat utan lyse eller haft på sig hörlurar och tittat på sin mobil samtidigt som man cyklade - något som inte är tillåtet i Japan.Poliser som intervjuades anonymt av advokaterna uppgav att de regelbundet beordras av sina chefer att ha särskilt uppsikt över personer som “ser utländska ut” och att de varje månad måste uppfylla en särskild utlänningskvot.Födelsetalen nådde en ny bottennotering under fjolåret och totalt föddes bara 720 000 bebisar, vilket var en minskning med hela 5 procent jämfört med året innan och dessutom det nionde året på raken med fallande födelsetal. Samma trend syns bland annat i Sydkorea, Frankrike och Kina där allt färre väljer att skaffa barn.I Japan minskar befolkningen som helhet och fortsätter trenden som hittills kommer det i Japan bara att finnas ett enda barn någonstans runt år 2 700.Innan det går så långt hoppas regeringen kunna vända trenden och premiärminister Shigeru Ishiba har aviserat ett mångmiljardprogram som bland annat innefattar fler daghem och lägre skolavgifter.Årets löneförhandlingar ser ut att slå rekord. Den japanska Metallarbetarunionen som representerar två miljoner anställda i verkstadsindustrin har aviserat att den kommer att kräva löneökningar på motsvarande drygt ett tusen svenska kronor per månad, vilket är det högsta kravet sedan 2014.Anledningen är inte minst att den japanska centralbanken Bank of Japan nu övergett nollräntepolitiken vilket lett till en inflationen börjat röra sig uppåt för första gången på många år. Till detta kommer stigande priser på mat och boende. Särskilt grönsaker och den japanska stapelvaran ris har gått upp kraftigt. Så mycket har priserna stigit att japanska media rapporterar om att matbutikerna har börjat vitkål och salladskål delade i fjärdedelar eftersom kunderna annars drar sig för att handla.Jätteaffären kring jourbutikkedjan Seven-Eleven har satts på paus sedan handelshuset Itochu dragit sig ur en finansieringplan som innebar att man skulle skjuta till motsvarande drygt 600 miljarder svenska kronor för att den nuvarande ledningen tillsammans med grundarna skulle kunna köpa ut moderbolaget Seven and I Holdings från börsen.Nu riktas återigen sökarljuset mot den kanadensiska kedjan Couche-Tard som bland annat driver Circle K bensinmackar runt om i världen, bland annat i Sverige.Det kanadensiska bolaget har tidigare varit aktuellt som köpare men det bud man lade ansågs vara för lågt.Seven-Eleven är världens största jourbutikkedja. Den grundades i USA, men växte starkast i Japan. Så stark att det japanska dotterbolaget till sist köpte ut sina amerikanska grundare. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit japanpodden.substack.com
VOV1 - Mặc dù đã qua 6 ngày, nhưng đám cháy rừng nghiêm trọng bùng phát tại tỉnh I-oa-tê (Iwate) - Đông Bắc Nhật Bản từ hôm 19/2 vẫn tiếp tục lan rộng, đe dọa các khu dân cư phụ cận.
Send us a textEpisode 45 transports us to Tohoku in the north-east of Japan's main island of Honshu. Tohoku is a large region comprised of six prefectures – Fukushima, Yamagata, Akita, Miyagi, Iwate and Aomori – known for its open and striking landscapes and distinct local traditions. Leading us on this exploration is photographer Alfonso Calero. With more than 20 years of experience as a professional photographer, Alfonso leads small photography tours to Japan each year, including his 10-day autumn tour in Tohoku.Alfonso's tour focuses on the natural landscapes of Tohoku including the mountains, forests, lakes and rivers of Towada-Hachimantai National Park and rugged rock formations of the Sanriku Coast. The tour balances its focus on landscape with cultural destinations including Towada Art Center and the samurai district of Kakunodate. Full details of the tour can be found on Alfonso's website and you can also follow him on Instagram, Facebook and YouTube. I hope that this episode piques your interest in Alfonso's photography and tours and Tohoku as a destination. Easily accessible thanks to Japan's Shinkansen / Bullet Train network, Tohoku is in every other sense a world away from the congestion, neon and hum of Tokyo. Outland Japan is a bi-weekly podcast hosted by Peter Carnell - a freelance tour guide based in northern Nagano – that transports you to rural, regional and the wilds of Japan in pursuit of stories that lie outside the neon hum of Tokyo and golden trimmings of Kyoto. Stories of travel, life and culture beyond the big cities. Follow the show on Instagram, Facebook and YouTube. Please note, prior to October 2024, Outland Japan was named Snow Country Stories Japan.
JTSC host Mike Innes signs off for 2024 with a comprehensive review of all 20 J3 teams, using his pre-season predictions as a guide and putting the teams into five groups of four. Mike starts with Toyama, Matsumoto, Gifu, and Nara (01:20 to 10:30), then Imabari, Osaka, Hachinohe, and Kanazawa (10:30 to 19:55). After that, the focus turns to champions Omiya, Kitakyushu, Sagamihara, and Nagano (19:55 to 29:00), followed by Ryukyu, Sanuki, and bottom two YSCC and Iwate (29:00 to 38:30). Mike rounds out the episode with Fukushima, Numazu, Tottori, and Miyazaki (38:30 to 47:30), and a special announcement at the end. Thank you for your support of J-Talk: Short Corner over the last 4 years, and for your ongoing support of the J-Talk Podcast and J-Talk: Extra Time. Join the JLeague chat Discord server here: https://discord.gg/p6PVbF9E Join the J-Talk Podcast Patreon here: https://www.patreon.com/jtalkpod
This is the second of two episodes talking about the people in the north of the Japanese archipelago: The Emishi and the Mishihase. Last episode we covered things from an archaeological overview, looking at the traces of the Epi-Jomon, Satsumon, and Okhotsk Sea cultures. This episode focuses more on what was actually written in the Nihon Shoki, including a journey to introduce Emishi to the Tang Emperor himself! For more information, check out our podcast blog at: https://sengokudaimyo.com/podcast/episode-117 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan. My name is Joshua and this is episode 117: The People of the North, Part 2 Abe no Hirafu gazed out at the sea, waiting for his opponents to appear. He had traveled with a fleet to the far north, into a land that was unlike anything that most of his men had ever seen. They were far away from the rice fields of their home villages. Up here, the people made their way by hunting and fishing, and the land was much more wild. Besides the people, the land was also home to giant bears, much larger than anything back in the Home Provinces. Giant beasts with paws the size of a man's head. They were truly incredible, but they were not his target this time. As he watched the waves, he saw his prey emerge. They rowed their ships around the cape, coming out from the defensive position they had previously established. Where Hirafu's men flew banners made of silk, his opponents had created flags made of feathers, which they hoisted high in their boats. They were small in number, but they knew this land and these waters. They were comfortable traveling in the cold and unforgiving seas, and they no doubt had reinforcements. Hirafu may have had the upper hand, but he knew he couldn't get too cocky. It was probably too much to hope for that the size of his fleet alone would cause them to submit. If they could be bought off, then perhaps that was best, but Hirafu knew that was probably unlikely. This was going to be a fight, and Hirafu and his men were ready for it. Before we jump into the episode proper, a quick thank you to Hakucho for donating to support Sengoku Daimyo. We always appreciate any support, and there is information at the end of each episode on how to help out if you would like to join them. Last episode we introduced the Emishi and the Mishihase and talked about them and their connections to the Yamato and Japanese state, as well as to the modern Ainu people. We went over a lot of the archaeological findings, and talked about how the Jomon period, uninterrupted in northern Honshu and Hokkaido, eventually gave way to the Epi-Jomon and Satsumon cultures, while the Ohokotsk Sea Culture is observed from around the 5th to 9th centuries, and we talked about how these existed in the lands we know as being connected to the Emishi and the Mishihase people mentioned in the Chronicles. This episode we are going to rely a lot more on the narrative found in the Nihon Shoki, but I wanted to make sure that we had that discussion about the archaeology, first, so that people would have a background. If you haven't already done so, I highly recommend going back and giving Part 1 a listen. So let's back up a bit, and let's set the scene on the peninsula and the archipelago, and see what led up to this moment. In 654, the sovereign of Yamato, Karu, aka Kotoku Tennou, had passed away in his palace in Naniwa. His sister, Takara Hime, and other members of the royal family had gathered once more in Naniwa when they caught word of his illness, but their visit was brief. Karu passed away on the 1st day of the 10th month, and a little over two months later he was buried. After that, rather than taking up residence again in Naniwa, the court moved back to the old capital of Asuka, where Takara Hime re-ascended the throne. It was now the year 655, almost a decade since Crown Prince Naka no Oe had orchestrated the murderous coup that had seen the powerful scions of the Soga family cut down in front of Takara Hime and others, causing her to abdicate. And now, well, perhaps Naka no Oe was comfortable controlling things from behind the scenes, because Takara Hime was once again the one in power—or at least the one sitting on the throne. And there's a LOT that would go on during this reign according to the chronicles. On the peninsula at this point, the Tang-Goguryeo war was in full swing, with the Tang dynasty regularly harassing Goguryeo. Goguryeo was at least nominally allied with Baekje, whose ruling family also claimed descent from a shared Buyeo ancestor, and Baekje was, of course, a long time ally of Yamato. Meanwhile, Silla had thrown their lot in with the Tang dynasty, though as alliances went it was not exactly an alliance of equals – and most alliances came and went as the political winds changed throughout the peninsula. Over time, we'll see some resolution coming to the situation on the peninsula. But overall, one of the biggest trends is that during Takara Hime's second reign, Yamato was reaching out to a much wider world than it had in the past. This included connections to the south—to those on the Ryukyu islands, and possibly beyond. And there were continued efforts to reach out to the Tang empire, with varying degrees of success. Those that did go would sit and learn at the feet of some of the most famous scholars in the world, including the Buddhist priest, scholar, and traveler, Xuanzang, someone I cannot wait to get into in a future episode, as he really demonstrates just how connected the world had become at this time in a way that is often hard for us to comprehend, today. But there is also plenty happening in the archipelago, and even just in Asuka. In fact, regardless of what the Chronicles say, there are a lot of ancient monuments and archaeological finds in the Asuka region that aren't directly mentioned in any historical record, but can be generally traced to this era - reminders of this period that are literally carved in stone. We still have plenty of questions as to just what was going on, but we're starting to see more and more lasting physical traces. Our first relevant entry in the Nihon Shoki for the topic of this episode comes from the 7th month of 655, the year that Takara Hime had taken the throne. We are told that 99 Northern Emishi and 99 Eastern Emishi were entertained at the court of Naniwa—presumably using the government facilities built during Karu's time. At the same time, there were 150 envoys from Baekje who were likewise feted. Caps of honor, of two grades in each case, were bestowed on nine Emishi of Kikafu and six Emishi of Tsugaru. This is an interesting record, and let's explore what it means for Yamato's view of itself and its own authority. First, the Baekje and the Emishi are being streated similarly—they both appear to be groups that are from *outside* Yamato conducting some kind of diplomacy with the court. That said, it is quite clear from the way that the Chronicles deal with them that Yamato viewed each group as distinctly different. Baekje was Yamato's continental ally, and their primary means through which they could access the continent and all that it had to offer. They had helped bring Buddhism to the archipelago, and were clearly seen as a civilized country. The Emishi, on the other hand, were Yamato's own “barbarians”. They were outside and Yamato clearly saw them as less civilized. In many ways Yamato viewed the Emishi similar to how the Tang court likely viewed Yamato. After all, just as Tang literature talked about the differences between the quote-unquote “civilized” center of the empire and the so-called “barbaric” lands beyond their borders, Yamato could place itself in a similar position, simply by placing the Nara Basin at the “Center” and with the Emishi helping define that which was outside. So in an odd way, this may have been uplifting for Yamato's own self-image. And just as the Tang court enticed border states into their sphere of influence with the promise of imperial titles, the Yamato court similarly was bestowing rank upon the Emishi, making themselves the granter of prestige and recognition. By being a part of the system, you were rewarded with recognition of your status, something that likely appealed to many. As to the places referenced – Kikafu and Tsugaru – Aston isn't certain about Kikafu, but Tsugaru seems quite obvious as the northernmost tip of Honshu, in modern Aomori prefecture, where the islands of Honshu and Hokkaido are separated by none other than the Tsugaru strait. The fact that the Chroniclers differentiated between the Eastern and Northern Emishi likewise suggests that this was not a monolithic state. Yamato saw a difference between the Emishi in one part of the archipelago versus the other. Three years later, in the 4th month of 658, Yamato sent one of the largest expeditions against the northeast. Abe no Omi—other entries name him as Abe no Omi no Hirafu—took 180 ships up north on an expedition to the Emishi. We are told that he met with the Emishi in the districts of Aita and Nushiro, believed to be in modern Akita prefecture. Akita prefecture is on the western side of Tohoku, towards the very northern tip. It is opposite Iwate prefecture on the east, and just below Aomori prefecture, which, at the time, was known as Tsugaru. This was on the extreme end of Honshu. Both Aita and Nushiro quickly submitted to the Yamato mission. Still, Abe drew up his ships in order of battle in the bay of Aita, where an envoy from the Emishi named Omuka came forward and made an oath. He swore that they had no ill-intentions. The fact that the Emishi were armed with bows and arrows was not because they were at war, but because up in that area of Tohoku, they were all hunters, and so it was their regular tool. They swore to the gods of Aita bay that they had not raised arms against Yamato, but they were willing to submit to Yamato rule. For his part, Omuka was granted court rank, and local governors were established at Nushiro and Tsugaru—likely meaning they recognized local chieftains and made them responsible for representing the others. Finally, they summoned the Emishi of Watari no Shima to the shores of Arima, and a great feast was provided. After that, they all returned home. The term “Watari no Shima” seems to almost undoubtedly refer to the island of Hokkaido. “Watari” means to cross, so referring to the “Emishi of Watari no Shima” likely referred to the Emishi on Hokkaido vice those in the Tohoku region. The entire entry seems a bit suspect. Abe no Hirafu takes an armed party up north and then they all… just sit down and have tea together? There seems to be a lot of missing context. Of course, from Yamato's perspective, they were the civilized center. Does that mean that any violence they committed was simply swept under the rug of history? Or did they truly meet with such quick submission that only a show of force was necessary? There is one other entry for 658, relative to all of this. It isn't given a specific date, so it is unclear when, exactly it occurred, but it may shed some light. That entry states that Abe no Hikida no Omi no Hirafu, warden of the land of Koshi, went on an expedition not against the Emishi, but against the Mishihase, or Su-shen. He is said to have brought back from this trip two live “white bears”, or “shiguma”. So was his expedition really against the Emishi, or was his actual goal to fight the Mishihase, which means he didn't just stop at the end of Honshu, but he continued on to Hokkaido—Watari no Shima—and up at least to Central Hokkaido, where he would have met with the people of the Okhotsk Sea culture—likely the Mishihase of the Chronicle? Or was he sailing against both? This also leads to numerous other theories as to just what was going on. While Yamato was pushing on the Emishi from the south, were these Mishihase likewise encroaching on the Emishi in the north? Were they pushing them south or absorbing those in the farthest north? There seems to have clearly been a difference and some conflict between them, as evidenced by later entries, which we'll cover in a bit. Quickly, though, I do want to touch on the idea that they brought back two “white bears”. “Shiguma” appears to refer to a “white bear”, and at its most simplistic understanding, this would seem to refer to a polar bear, but that seems quite a stretch. Today, polar bears largely live in the arctic regions, out on the permanent sea ice, where they are able to hunt. They are considered an aquatic animal, living mainly in the ocean, though they will come ashore to hunt, on occasion. Still, they are mostly adapted to life on the sea ice. While the climate of the 700s was different, I don't know that the sea ice extended that far south. It is possible that polar bears had been captured much further north, and then sold to people further south, through the extensive trade networks that ran up through Kamchatka, Siberia, and even across the Aleutian chain, but as far as I can tell, polar bears would not have been living in Hokkaido or even in the Kuril or Sakhalin islands at that time. It is much more likely that the “Shiguma” was one of the Hokkaido brown bears. They may have been albino, but more likely it was simply an easy designation to distinguish them from the bears of the rest of the archipelago—the Asian black bear. These are clearly black bears, though their fur can appear lighter in some instances. Meanwhile, although brown bears can be a very dark brown, their fur can vary to almost a blond, and if you look at many photos you can see how they might be considered “white”, especially compared to the black bear that was the norm in Yamato. I suspect that this is actually the species that Hirafu brought back, and which would be referenced in later entries, where “shiguma” furs appear to be have been quite plentiful, suggesting it wasn't just a rare mutation. In addition, I can't help but note that the presence of bears, here, seems to also further connect with modern traditions of the Ainu of Hokkaido. Most notably in their reverence for bears, including the traditional Iyomante ceremony. There is also evidence of the importance of bears in what we see of the Okhotsk Sea Culture. It is hard to tell if there is more from this interaction, but it still raises some questions. But I digress. While there are still a lot of gaps, we can see that the Emishi were being brought into the fold, as it were, while the Mishihase were apparently the threat that Yamato would be fighting. In fact, I can't help but wonder if the threat posed by the Mishihase didn't help encourage the Emishi to ally themselves with Yamato in an attempt to protect themselves. Whatever happened, the relationship with the Emishi, from that point, seems to place them as subjects of Yamato. We are told that three months later, over 200 Emishi visited the Yamato court, bringing presents for the sovereign. These were not just the Emishi of the far reaches of Tohoku, but seems to have included Emishi from several different regions. We are also told that the entertainment and largess provided by the court was even greater than any time before, no doubt presenting the carrot in contrast to Abe no Hirafu's stick. One of the carrots handed out was court rank, We are told that two Emishi of the enigmatic Kikafu region each received one grade of rank while Saniguma, the Senior governor of Nushiro, was granted two steps in rank, making him Lower Shou-otsu in the rank system of the time, and he was given the superintendence of the population register—likely meaning he had a charge similar to the other governors dispatched to take a census and let the court know just how many people there were in the region. His junior governor, Ubasa, received the rank of Kembu, the lowest rank in the system. Meanwhile, Mamu, the Senior governor of Tsugaru was granted the rank of Upper Dai-otsu and Awohiru, the Junior governor of Tsugaru, was granted the rank of Lower Shou-out. At the same time, two ranks were granted on the Miyatsuko of the Tsukisara Barrier and one rank was granted to Inadzumi Ohotomo no Kimi, Miyatsuko of the Nutari Barrier. These last two appear to have been members of Yamato rather than Emishi, but clearly all related to the issue of the borders and beyond. And so we are given three different locations. We are not told the names of the Emishi from Kikafu, but we are given the names of the senior and junior governors—likely local chieftains co-opted into the Yamato polity—of Nushiro and Tsugaru. Together with the name “Omuka” we have some of our earliest attestations to possible Emishi names—though whether these were names, titles, or something else I could not say. We have Saniguma, Ubasa, Mamu, and Awohiru. None of these are given with family names, which seems to track with the fact that formal “family” names appear to have been an innovation of the Kofun culture, rather than an indigenous phenomenon. I would also note that I am not sure if these ranks came with any kind of stipend: after all, much of that region wasn't exactly suited to rice-land, so where would the stipend come from? That said, there were certainly more practical gifts that were laid out for them as well. The governors of Nushiro and the governors of Tsugaru were each given 20 cuttle-fish flags—likely a banner similar to the koi nobori, or carp banners, in use today—as well as two drums, two sets of bows and arrows, and two suits of armor. This seems to be one for the Senior and one for the Junior governor. In addition, Saniguma was commanded to “investigate” the Emishi population as well as what Aston translates as the “captive” population—by which I suspect they mean those living in bondage within the Emishi communities. It is interesting to me that even though the senior governor of Tsugaru was given a higher rank, this last duty was only given to the governor of Nushiro. And there you have it. With all of that the Emishi were at least nominally subject to the Yamato court. They were still, however, cultural outsiders. It is quite likely that they spoke a different language, and given the number of placenames in Tohoku that seem to correspond with the modern Ainu language, it is quite likely that a language at least related to modern Ainu was spoken in the Emishi controlled areas. A similar pattern to the year 658 took place in the entries for the following year. Once again, Abe no Hirafu went north with 180 ships on what we are told, at least in Aston's translation, was an expedition against the Emishi. He assembled a selection of the Emishi of Akita and Nushiro, totaling 241 people, with 31 of their captives, as well as 112 Emishi of Tsugaru with 4 of their captives, and 20 Emishi of Ifurisahe. Once he had them all at his mercy he then… feasted them and gave them presents. Is this really what an expedition *against* the Emishi looked like? It almost sounds more like a diplomatic mission. We are told that after feasting and giving the assembled Emishi presents, Abe no Hirafu made an offering to the local gods of a boat and silk of various colors. He then proceeded to a place called “Shishiriko”, where two Emishi from a place called Tohiu, named Ikashima and Uhona, came forward and told him that Yamato should create an outpost at Shiribeshi, on the west coast of Hokkaido, which would be the seat of local Yamato government. This sounds not entirely dissimilar from the idea of the Dazai in Kyushu. Abe no Hirafu agreed and established a district governor there. Relevant to this, between the 7th and 8th centuries, we see clusters of pit dwellings in Hokkaido largely in the areas corresponding to the modern sub-prefectures of Sorachi, Ishikari, and Iburi, with many of them clustered near modern Sapporo, and a very small number near Rumoi, further north along the western coast. Once more it is another account, not the main narrative of the Nihon Shoki, where we might see what was really going on. That entry claims that Abe no Hirafu went north to fight with the Mishihase and, on his return, he brought back some 49 captives. So was this what all of this was really about? Was he going up there to fight the Emishi, or was he perhaps fighting with the Emishi against the Mishihase? When Abe no Hirafu finally returned, it seems that the provincial governors of Michinoku—pretty much the whole of Touhoku—and Koshi, which was also a land known for being home to Emishi, were granted two grades of rank. Their subordinates, the district governors and administrators, each received one grade of rank. We are also told that on the 17th day of the 3rd month of 659, that a copy of Mt. Meru was constructed on the riverbank east of Amakashi no Oka and that Emishi of Michonoku and Koshi were both entertained there. Little more is given, and, again, it isn't clear if this is before or after Hirafu's expedition of that year. Mt. Meru—read as Shumisen, today—is the mountain at the center of the world, according to some Buddhist traditions. Building a copy would have been a statement, creating a copy of the mountain and bringing the center of the universe to you. This was probably a feature in a garden—at least that is how it was conceived of during the reign of Kashikiya Hime. This second one may have been made with a pile of stones, and there have even been found some features in Asuka that some think could be remnants of this ancient model of the universe, but they aren't without controversy. In any case, that same year that the Emishi were brought to Asuka to view this Buddhist monument, in 659, a mission was sent to the Tang court. We'll talk about the mission at some other time, but for now I want to focus on the fact that they brought with them an Emishi man and a woman to show the Tang emperor. Regrettably, we don't know their names, and we don't know their status in Emishi society. Were these captives, possibly enslaved? Or were these volunteers, who had gone willingly with the envoys to see the lands beyond their home. They likely had heard of the Tang empire from Yamato, and so it wouldn't be so surprising if they decided to go see it for themselves. Where it is of particular interest to us right now is that we have an apparent eyewitness account of the description given to the Tang Emperor about the Emishi by the Yamato envoys. Be aware that the envoys were not necessarily experts in Emishi culture, and may not have met any other than their travel companions, but the description, given by none other than Yuki no Hakatoko, who was apparently there, at the Tang court, when it happened, gives us invaluable insight into how Yamato viewed the Emishi. The entire thing is a bit of a question and answer session as the Tang Emperor, Tang Gaozong, inquired about the Emishi and who they were. In response to his questions, the envoys assured him that Yamato and the Emishi were at peace with each other. They further noted that there were three different groups of Emishi. Those farthest from Yamato were the Tsugaru Emishi. Next, slightly closer to Yamato, were the Ara-Emishi. “Ara” in this case means “soft”, and was probably a reference to the fact that those Emishi closer to Yamato were seen as more compliant. Finally ,there are the “Nigi-Emishi”, living right on the borders. “Nigi” in this case seems to refer to them being the “Gentle” or even “Civilized” Emishi. I suspect that those living closest to Yamato were also the ones doing things like farming, and possibly building burial mounds. They may have even mixed with some of the border communities, and may have included Wa communities that were outside of Yamato's influence. After all, it isn't entirely obvious that “Emishi” referred to a single ethnic identity. In providing further answers to the emperor's questioning, we are told that the Emishi, at least according to the Yamato envoys, didn't farm, but instead they sustained themselves through hunting and fishing. Furthermore, we are told that they didn't live in houses, but instead they dwelt under trees and in the recesses of the mountains. This one is a little more questionable, after all, we have evidence of pit houses and villages all the way up to Aomori and back to Jomon times. However, it is quite possible that Yamato was often encountering hunting parties, which very likely may have been using makeshift shelters or utilizing natural features like caves when they were out traveling. Some of this, though, may have been built around ideas and concepts of how quote-unquote “barbaric” people lived, focusing on the exceptional, exotic, and sensationalist instances rather than on the more mundane day-to-day details. Finally, the emperor himself commented on the “unusual appearance” of the Emishi. We know that the Japanese terms for the Emishi refer to them as hairy barbarians, and if they were anything like modern Ainu, they were likely a good deal more hirsute than their Yamato neighbors. This was no doubt a stereotype, as, again, Emishi may have also included some members of the Wa in their numbers, but they also appear to have included groups of people that were quite physically distinct. Some DNA evidence also bears this out, and even today many people with deep ancestral ties to the Tohoku region demonstrate closer ties to ancient Jomon populations than to the succeeding Yayoi population that came over from the continent with their rice farming techniques. And so that gives us mostly what we know about the Emishi, except that they seem to have left out the Emishi of Watari no Shima—the Emishi of Hokkaido. They would have been beyond the Tsugaru Emishi, unless they were considered similar, and painted with the same brush. And speaking of Watari no Shima, we have one more entry before we bring things to a close, and that is from the third month of the year 660. Once more, Abe no Omi, who must have been getting his frequent sailor miles in by this point—or at least one hopes he had been invited to the Captain's circle at least. Anyway, Abe no Omi was sent on yet another expedition, this time with 200 ships, and this time quite specifically against the Mishihase. He made a stop in Michinoku on the way up where he brought some of the Emishi on his own boat—possibly as translators and guides. They then continued northern until they reached a large river—Aston suggests that it was possibly the Ishikari river, north of modern Sapporo. There they found a thousand Emishi of Watari no Shima encamped. Upon seeing the Yamato forces, two men came out from the camp to let Hirafu and his men know that the Mishihase had arrived in their own fleet, threatening to kill all of them. And so they asked permission to cross the river over to Hirafu and join him. Specifically we are told they asked to “serve the government” suggesting that they were willing to suborn themselves if Hirafu would assist with driving off the Mishihase. Hirafu had the two spokespersons come aboard his ship and then show him where the enemy was concealed. They showed him where, telling him that the Mishihase had some 20 ships. Hirafu sent for the Mishihase to come and face him, but they refused. And so instead he tried a different tactic. He piled up colored silk cloth, weapons, iron, etc., in sight of the Mishihase, hoping that their curiosity and greed would get the better of them. Sure enough, they drew up in their boats, which were decorated with feathers tied on poles like a flag. Their vessels were powered with oars, and they brought them to the shallows. From there, they sent two older men out to inspect the pile. The men came out, and when they saw what was there, they exchanged their clothes for some from the pile and took some of the silk cloth and then returned to their ship. After some time, they came back out, took off the exchanged garments and laid them down with the silk. With that, they then boarded their ship and departed. Aston suggests that this behavior mimics an aspect of something called an “unseen trade” which he claims had been common in the region of Hokkaido until recently. I hadn't found anything specifically about that, but it does make a kind of sense, especially if groups are possibly hostile and perhaps don't speak the same language. So does that mean that, for all of his military might, Hirafu was basically just buying off the Mishihase? In any case, it seems they did not take it. They left the garments and the silk, which seems to have indicated that they had no deal, and they departed. Hirafu pursued the Mishihase, and tried to get them to come out again—presumably looking for a stand up fight between his 200 ships and the MIshihase's 20, but instead the Mishihase headed to the island of Herobe, in another part of Watari no Shima. After a while of being holed up, the Mishihase did sue for peace, but by that point, Abe no Hirafu was having none of it. So they took themselves to their palisades and there they tried to hold out against Abe no Hirafu's forces. Noto no Omi no Mamukatsu was slain in the fighting, as we can only suspect that others were as well, but over time the Yamato forces began to wear them down. Finally, when it seemed there was no way they could win or escape, the MIshihase took the drastic step of killing their own women and children, perhaps fearing what the Yamato soldiers would do to them if they were caught. And with that, it was over. There are only a few mentions of the Mishihase, or even the Emishi, in the rest of the Nihon Shoki. Granted, as we will eventually see, the people of Yamato were no doubt pre-occupied with what was going on to the west, where the Baekje-Tang war would be soon coming to a close. Abe no Hirafu would be called on, once more, in that famous conflict, but we are going to save that for another day. For now, I think we can end things here. Or just about. I would be remiss if I didn't mention that there is a theory that many of these expeditions were actually the same thing, but recorded slightly differently in different ways, with some confusion about the actual dates. Even if that was the case, it doesn't necessarily discount the overall information provided, and that information seems to at least somewhat conform to what we know about the archaeological record, as far as I can tell. Granted, this is still the story as told by outsiders. Since the people labeled “Emishi” didn't leave us with any records of this time, themselves, we don't exactly have their side of things, which is something we should keep in mind. This isn't the last time the Emishi will pop up in Japanese history. Even if they were being granted rank, the Emishi remained a group apart. Succeeding generations of Japanese would settle in the Tohoku region, eventually absorbing or pushing out the Emishi, or Ezo, while on Hokkaido, the people we know as the Ainu, who were likely an amalgamation of both Okhotsk Sea people and Epi-Jomon and Satsumon cultures, would eventually become dominant across the island of Hokkaido—at least until the 19th century. But that is for much later episodes. For now, we'll continue to stick with our small, but active corner of the 7th century. There is still a lot more to explore in this reign. Next episode will be our annual New Year's recap, and then we will continue on with more from this episode in the following year. Until then thank you for listening and for all of your support. If you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts. If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page. You can also email us at the.sengoku.daimyo@gmail.com. Thank you, also, to Ellen for their work editing the podcast. And that's all for now. Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.
Jordan has returned from his trip to Iwate and talks all about what Japanese PR gets wrong. David talks about the Pokemon X Kogei Exhibit happening now in Tokyo. Discord invite Contact Us: Email Twitter: @tokyofreshpod Instagram: @tokyofreshpodcast @afroinjapan @zyrell MERCH JPN USA/EU/WORLD
KC, Joe, Damon and Ryan explore the beautiful Iwate prefecture and discuss UFO's and the supernatural, while Joe recounts the recent Asian Amateur in Gotemba, before delving into the Japan open and its ridonculous rough- Adam Scott is not a fan having miss the cut by 11! Today's Podcast is in association with Titleist:https://golf-in-japan.com/titleist-fitting-experienceFeatured: Iwate prefecture:https://golf-in-japan.com/courses/iwate
Brian Sakurada of Shiwa Green Farm in Iwate, Japan joins host Diego to share his interesting farming journey and how he began selling organic produce not just in his local area but all over Japan. He also talks about the differences between farming in the US and farming in Japan, as well as the reality of organic farming in Japan. Click here to learn more about Brian Sakurada and Shiwa Green Farm! Get time and labor-saving farm tools at shop.modern grower.co Listen to other podcasts on the Modern Grower Podcast Network: Farm Small, Farm Smart Farm Small, Farm Smart Daily The Growing Microgreens Podcast Check out Diego's book, Sell Everything You Grow, which is only $0.99 on Amazon. https://www.amazon.com/Sell-Everything-You-Grow-Homestead-ebook/dp/B0CJC9NTZF
Yuko Kaneko is Director and Corporate Counsel of the Business Legal Department at Renesas Electronic Corporation. Yuko discusses her career journey, starting as an attorney at Nishimura Asahi before transitioning to in-house roles. A career can span many years and so we discuss career longevity, the importance of continuous learning, and balancing professional and personal life. If you are looking for a role model of how to do a legal career in Japan then please listen to Yuko's story. If you enjoyed this episode and it inspired you in some way, we'd love to hear about it and know your biggest takeaway. Head over to Apple Podcasts to leave a review and we'd love it if you would leave us a message here! In this episode you'll hear: How Yuko left Iwate for Tokyo and found her way to a legal career Her tips for lawyers transitioning from private practice to in-house How she spends her time and makes exercising a priority even with a family Her favourite saying and other fun facts About Yuko Yuko Kaneko is Director & Corporate Counsel, Business Legal Department of Renesas Electronic Corporation. She graduated from Tokyo University, and after attending the Legal Training Research Institute of the Supreme Court as a Legal Trainee, she started her career as an attorney-at-law at Nishimura & Asahi in 2000. In June 2010, Yuko changed her career path and switched to become an in-house legal counsel. She served as the Manager of Legal Affairs Office at Nippon Otis Elevator Company for over five and a half years. Thereafter, she moved to Alconix Corporation, where she served as the General Manager of the Legal and Compliance Department for just under 6 years. Yuko obtained an L.L.M. from the Florida Coastal School of Law through e-learning while raising three daughters. Yuko is also a Certified Fraud Examiner and volunteers for the Executive Board of Women in Law Japan. In her spare time she loves to get involved in her hobbies, which are golf, running, skiing and playing the koto. Connect with Yuko LinkedIn:https://www.linkedin.com/in/yuko-kaneko-019188132/ Links Hakone Pola Art Museum: https://www.polamuseum.or.jp/en/ Connect with Catherine Linked In https://www.linkedin.com/in/oconnellcatherine/ Instagram: https://www.instagram.com/lawyeronair YouTube: https://youtube.com/@lawyeronair
ジェニのピカピカ日本語へようこそ。 今日は、私たちのウェブカフェでご紹介した日本のローカルフードについてご紹介します。 まずは、北海道の「いくら」、岩手県の「わんこそば」、京都の「やつはし」をご紹介します。 お楽しみください。 Welcome to Jeni's Pika Pika Japanese. Today, I would like to introduce you to some Japanese local foods that we have introduced in our webcafe. First, we will introduce “ikura” (salmon roe) from Hokkaido, “wanko soba” from Iwate, and “yatsuhashi” from Kyoto. Enjoy! Bienvenidos a Jeni's Pika Pika Japanese. Hoy me gustaría presentarles algunas comidas japonesas locales que hemos introducido en nuestro cibercafé. Empezamos con huevas de salmón de Hokkaido, wanko soba de la prefectura de Iwate y yatsuhashi de Kioto. ¡Que aproveche!
With less than a week to go before the biggest show in Marigold's short history, Matt and Rob are here to give you the lowdown to everything you need to know!They review the last two nights of the Grand Opening Wars Tour in Sendai and Iwate, as well as the opening night of the Summer Gold Shine tour in Osaka before going on to preview everything to do with Summer Destiny 2024 in Ryogoku Kokugikan on Saturday!Subscribe to our PATREON: https://patreon.com/TheStardomCastThe Stardom Cast website: https://www.thestardomcast.comSubscribe to the Podcast: https://linktr.ee/TheStardomCastJoin our Discord Server: https://discord.gg/bbDcAwcTwitter: https://www.twitter.com/marigoldpodcastBuy our Merch: https://teespring.com/en-GB/stores/podmania-podcasting-networkYouTube: https://tinyurl.com/2s4zrf3rBuy Rob's NEW Stardom Book - Chasing the Dream: 50 of Stardom's Greatest Matches Right Here: https://tinyurl.com/2eemszmtAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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The ugly Nike and Fanatics baseball jerseys are released at the same time as New York Fashion Week; and Special Guest Professor Joan Waugh, Professor of History at University of California, Los Angeles (UCLA), talks Gilded Age and LA Dodgers. Drink: Baeren Hyakunen Bakushu Classic from Baeren Brewery Co in Kitayama, Morioka, Iwate, Japan Prof. Waugh's Amazon page: https://www.amazon.com/stores/Joan-Waugh/author/B001HO6QR4?ref=sr_ntt_srch_lnk_1&qid=1708293891&sr=8-1&isDramIntegrated=true&shoppingPortalEnabled=true Last Call Baseball Instagram: Last Call Baseball Last Call Baseball Twitter: @LastCall4040 Intro and Outro Music: DeCarlo Podcast Logo Artist Instagram: regan_vasconcellos
ふんどし姿の男衆が護符の入った麻袋を激しく奪い合う「蘇民袋争奪戦」、17日午後、岩手県奥州市ふんどし姿の男衆が護符の入った麻袋を奪い合う奇祭「蘇民祭」が17日、岩手県奥州市の黒石寺で開かれた。 The major Somin-sai festival with a history of over 1,000 years was held for the last time at a Buddhist temple in the northeastern prefecture of Iwate on Saturday.
The major Somin-sai festival with a history of over 1,000 years was held for the last time at a Buddhist temple in the northeastern prefecture of Iwate on Saturday.
Eftersom Lars och Tommy har fastnat i deadline-träsket den här månaden så måste vi flytta vårt ordinarie avsnitt till nästa månad. Men som plåster på såren kommer här en liten julklapp från oss, i formen av avsnittet om Kappa från patreonserien Hela världens folktro. Tack så väldigt mycket för att ni lyssnar och tipsar våra vänner om podden! Låter det intressant med folktro från resten av världen, så kan vi varmt tipsa om att stödja oss på Patreon. Där vi just nu har över ett 30-tal olika bonusavsnitt att lyssna på, bland annat serien om Fornnordisk mytologi och många andra avsnitt och inlästa berättelser: https://www.patreon.com/narmantalaromtrollen God jul och ett gott nytt år! BONUSAVSNITT - Kappa | Hela världens folktro Den här gången tar vi oss till Japan och möter där kappa! Den är en av den japanska folklorens mesta berömda väsen, eller yokai som man säger där. En typisk beskrivning av kappa är att den är liten, grönaktig till färgen och påminner om en människoliknande groda, sköldpadda eller apa. Dess rygg täcks ofta av en ryggsköld, ungefär som hos en sköldpadda. Dess ansikte har i regel skarpa drag med en näbbliknande mun. Mellan fingrarna och tårna har den simhud. På hjässan har kappa ofta en skålformad hålighet, fylld med vatten eller en speciell vätska. Kappas kropp kan vara täckt av hår eller helt sakna kroppsbehåring och då kan dess hud vara täckt av fjäll. Det berättas ofta att den luktar som en fisk. Sägner om kappa har berättats över hela Japan, från norr till söder. Lokala ritualer eller mindre festivaler som hedrar kappa förekommer årligen på olika håll i Japan. Dessutom finns det sushi som är namngiven efter kappa. Bara en sån sak! I avsnittet berättar Tommy om sina resor till Japan, där han bland annat sett en mumifierad kappahand, besökt flera helgedomar till kappa, pratat med personer som delgett sägner om kappa, besökt ett yokai-museum i Miyoshi och där han rest runt i Tono i Iwate prefektur i spåren efter kappa. Vi har även en kort genomgång av vad yokai egentligen är i den japanska folktron samt varför kappa har en förkärlek att peta ouppmärksamma pigor och simmare i rumpan.
Last time we spoke about the failure of diplomacy between the Empires of Russian and Japan as well as the Yellow Peril. The Russians said they would demobilize and pull out of Manchuria, but when the time actually came to do so, they suddenly had a change of heart. Japan felt threated, but extended the hand of diplomacy trying to thwart beginning a war against a great power. Tsar Nicholas II was being egged on by his cousin Kaiser Wilhelm II, who utilized Yellow Peril rhetory to push Russia into a war with Japan. The Russians did not put up a serious effort when it came to diplomacy, basically insulting Japan. Japan could only swallow so much, until she would take violent actions. The entire world was in for quite a shock, because a Sun was about to rise and a Bear was about to tumble. #74 The Russo-Japanese War Part 1: The Surprise attack on Port Arthur Welcome to the Fall and Rise of China Podcast, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about the history of Asia? Kings and Generals have an assortment of episodes on history of asia and much more so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel where I cover the history of China and Japan from the 19th century until the end of the Pacific War. On January 13th of 1904, Japan proposed to Russia that she would recognize Russia's sphere of influence over Manchuria if Russia would respect her's over Korea. It was a generous offer to maintain the peace, but Russia counter proposed that Japan respect her sphere of influence over Manchuria, and that Korea was basically open grounds. It was to be frank, an insult. It seemed clear to the Japanese the Russians were not serious about diplomacy, in fact they were biding time to build up their military strength in Asia. In February of 1904, Prime Minister Katsura's cabinet decided for war. You really have to take a step back and look at what a colossal decision that was. Russia was a great power, Japan was considered an emerging regional power. Japan had defeated the Qing dynasty, yes, but in the minds of the great powers, this was nothing more than two lesser nations battling it out. A lot of the attitudes of the day were as you can imagine, racist. The idea of a non white nation going to war against a white nation let alone a great power, was ridiculous. So how did Japan think she was going to defeat a larger empire like Russia? For Japan the prospect of victory would rely on a pre-emptive strike against her fleet anchored at Port Arthur, sound a bit familiar? Yes in many ways you can think of this as a Pearl Harbor prequel. The idea similar to Pearl Harbor was to deliver a surprise attack and then issue the formal declaration of war. In the Pacific the Russian Far East fleet consisted of 7 battleships, 6 cruisers and 13 destroyers at Port Arthur. At Vladivostok there were 4 first class cruisers, with a number of torpedo boats. At Chemulpo in Korea were the protected cruisers Varya and gunboat Koreyetz. A crucial component of the conflict would be commanding the sea ways. Both nations recognized this fact all too well. The Russian far east fleet was constrained from year the round training by being icebound in Vladivostok for 3 months of the year. Her fleet was also a ragtag bunch with different armaments, speed, armor and flexibility. Russia was dependent on foreign built ships, though she was fully capable of building her own. Russia had ships built from Britain, Germany, France and the US. The Russian navy was based on conscription at 7 years with 3 years of reserve. The IJN combined fleet consisted of 6 battleships, 10 cruisers, 40 destroyers and 40 smaller vessels, led by Vice Admiral Heihachiro Togo. The Russian ships were a hotchpotch of differing types, armaments and speeds, with a varied amount of armor protection. The Japanese ships were nearly all British built, uniform and faster. Alcohol excess amongst Russian crews was a serious problem. Baltic crews spent the 6 months of winter ashore because the gulf of Finland froze and because of bureaucratic demand for uniformity. So did the crews of the Black Sea fleet. Thus, Russian sailors spent less time at sea and less time training. The Japanese navy under British instruction spent more time at sea, and trained intensively. Japanese sailors were literate, while most Russian sailors were not. These variables would come out to play when dealing with steam-driven warships, the most technologically advanced weapons of the day. Japan held an advantage over the Russians: an intricate spy network run by Baron Akashi Motojiro. He was sent as a roaming military attache all over Europe and, by 1902, moved to Saint Petersburg, setting up a network using locally-based Japanese merchants, workers and others sympathetic to Japan, making sure to pay more than the Russians did. He gathered valuable information on troop movements and naval development, and began to support Russian extremists such as Litvinoff, Orlovsky and Lenin. It is alleged he recruited the famous spy Sidney Reilly, who went to Manchuria and Port Arthur secretly gathering intelligence and, if it is to be believed, alongside his acquaintance Ho Liang Shung, stole the Port Arthur harbor defense plans and sold it to the IJN. Allegedly, Vice-Admiral Togo was given some false information from Reilly and other spies around Port Arthur about the garrison there being on full alert. This led him to not want to risk his capital ships against a well-prepared enemy. He thus elected to send a destroyer force to surprise-attack Port Arthur. To prepare for the war, the Japanese had troopships prepared in predetermined positions, already loaded with provisions and munitions. Aboard his flagship, Admiral Togo read to his admirals a message from Emperor Meiji before all of them lifted a glass of champagne and gave a few bonzai's. The Japanese press were forced into utmost secrecy, everything possible was concealed. As the combined fleet departed on the morning of February the 7th, they had an agreement, whether at Port Arthur or if the Russian fleet found them first, the Japanese would fire first. The IJN combined fleet made a rendezvous south of Chemulpo around Lindsay island. They were met by the Akashi who had been tasked with surveying the Russian navy's movements in the region. The Akashi reported the Russian naval forces had not departed Port Arthur, everyone sighed with relief. The Russian naval forces outside Port Arthur were the unprotected cruisers Varyag and an old gunboat called the Koreyetz, both at anchor in Chemulpo. Chemulpo was a designated landing spot for the IJA, three troopships carrying 2500 troops detached from the combined fleet escorted by the armored cruisers Asama, Takachiho, Nanussa, unarmored cruisers Suma and Akashi and two torpedo boats. Commanding the small detachment was Rear Admiral Uriu. The Japanese intelligence indicated, alongside the two Russian warships there was numerous warships from other nations. The HMS Talbot, USS Vicksburg, Italy's Elba, Frances Pascal and Japans protected cruiser Chiyoda were anchored there. Chiyoda slipped out of the port to meet up with the incoming Uriu who forwarded the information on the international presence. Uriu worried about the political consequences of attacking the Russians in the harbor next to international warships which was against international law. If they could lure the Russians out of the harbor it would be much better politically. Meanwhile the Russians were in a bit of an awkward state. Many believed hostilities could break out at any moment, but did not have orders to attack first. The commander of the Koreyetz was quite nervous and wanted to receive an update from Port Arthur on the political situation so he departed from the harbor during the early afternoon. Unluckily for the Koreyetz she came across the incoming Japanese. Upon discovering the incoming ships were Japanese, the Koreyetz turned around, but some of her gunners were too trigger happy and fired two ineffectual shots. The Koreyetz fled back to her anchorage beside the Varyag and Russian steamer Sungari. The 3 captains quickly met watching the Japanese warships also anchor within the harbor. Soon they could see the Japanese troopships unloaded troops and provisions around 6pm on February 8th. The Japanese troops went to work occupying the city and by 3am on the 9th, four IJA battalions of the 12th division had unloaded without incident. Rear admiral Uriu sent a letter to the senior Russian commander, Captain Stefanov advising him that hostilities existed between their two nations and that the Russian ships must leave the neutral port of Chemulpo. He also indicated he spoke to the other nationalities captains warning them to stay clear if a fire fight broke out in the harbor. The Russians had until noon to comply, if they stayed at 4pm, Uriu would attack. Captain Stefanov ran over to the HMS Talbot to plead with her British captain to get the international ships to restrain the Japanese or help escort them out to sea. Captain Denis Bagly of the Talbot went out to meet Uriu with a letter signed by the other captains protesting the violation of a neutral port. Bagly had no illusions it was a useless gesture and he bid farewell to Stefanov, advising the man he should try to escape or surrender. Stefanov spoke with his fellow captains and they agreed surrender was not an option. At 11am, outgunned and outnumbered the two Russian warships departed the anchorage in front of numerous spectators. Varyags band played ‘god save the Tsar” as the sailors sang the anthem. They sailed directly at the awaiting Japanese fleet. Upon seeing the Russians come out, the Asama trained her 8 inch guns on the Varyag and at a range of 4 miles opened fire. The new Shimose shells began to hit Varyag and soon Chiyoda added her guns to the duel. Eye witness, reporter Thomas Cowen had this to say of the scene “Her decks were being torn and riven, and men were dashed down in mangled heaps all round each gun, for the guns had no shields to protect their crews. Like the furious windsqualls in the height of a hurricane came the bursting of terrible explosives all the length of the ship, shattering and burning and sweeping away men and pieces of machinery indiscriminately” The Varyag's crew literally ran out of men to carry away the wounded on deck. A shell smashed into the bridge to the left of the captain killing his runner. Another shell hit to the captains right killing his bugler and taking some of the side of his face. Most of Varyags guns were silenced, she took a hit below the waterline and was listing to port. Despite all of this, the able men kept to their duty, trying to maneuver the ship by the propellers after her steering gear had been shot off. With no way to fight the enemy the captain ordered them to return to port and the maneuver left Koreyetz exposed to fire for the first time. Koreyetz could not even fire upon the enemy because her range was too limited and soon the Chiyoda began to fire upon her. Koreyetz captain decided to simply follow the crippled and on fire Varyag. Suddenly the gunfire ceased, the Japanese went back to where they anchored before and the two Russian warships did the same. Varyags superstructures were flattened, two of her four funnels were blown off and her masts as well. The Russian survivors were quickly taken aboard the Talbot, Elba and Pascal. The Russian captains had decided to scuttle the three ships. As the explosives went off, the band aboard the Elba played the Russian anthem. The Japanese sailors all bowed in a salute. Later within Chemulpo some of the Russian sailors would be treated by Japanese medical staff and all were permitted to return to Russia on parole, so that they would not take up arms again during the war. Admiral Togo took the rest of the fleet to another rendezvous point, this time at Elliot island, some 65 miles east of Port Arthur. Togo's fleet was divided into three divisions. The 1st division consisted of the 6 battleships, Asahi, Hatsuse, Shikishima, Yashima, Fuji and Togo's flagship Mikasa. They had an overall speed of 18 knots and a displacement of 12300-15000 tons with broadsides weighing some 4000 lbs. The 2nd division consisted of armored cruisers, the Yagumo, Izumo, Iwate, Azuma and Tokiwa with an average speed of 24 knots. The third division consisted of unarmored cruisers Chitose, Takasago, Yoshino and Kasagi. Additionally 15 destroyers armed with the brand new Whitehead torpedo capable of 30 knots and 20 torpedo boats would take up the role of picquet. Over in Port Arthur's harbor the inner line consisted of 5 Russian battleships, Sevastopol, Petropavlovsk, Peresvyet, Pobieda and Poltava. In the middle line were the battleships Tsarevitch and Retvizan, alongside 3 cruisers. In the southernmost line were 3 other cruisers along with the duty ship Pallada. Patroling outside the harbor were destroyers Rastoropni and Bezstrashni around 20 miles out. The commander of the Russian Far Eastern Fleet was Vice Admiral Oscar Victorovitch Stark. It just so happened on February 8th he had planned a large birthday party for his wife. The guests would include Viceroy and Supreme Commander Admiral Alexeiev, his chief of staff Vice Admiral Witgeft, Starks deputy Rear admiral Uktomski and a plethora of other commanders and their wives. Stark actually suspected the Japanese would attack, most likely utilizing torpedoes in a surprise, but the Viceroy refused to allow him to prepare the fleet for war. None the less Stark ordered his captains to prepare to repel torpedo attacks. He ordered all ships to put out anti-torpedo nets and be prepared for action. However, several ships did not carry out these orders and did not take the situation seriously despite multiple night alarms. Many main battery guns were unloaded, many nets uncast, entire crews lay asleep in hammocks, and the two patrolling destroyers were told not to fire if they saw anything, but instead to report it to the CIC. This was because the Tsar had instructed his far Eastern forces, for political reasons, that if war should occur, Japan must be seen to have started it. Alongside this, the majority of the officer corps would be celebrating on the shore and at a party hosted by Admiral Starck for the birthday of his wife on the deck of his flagship, the Petropavlovsk. The celebrating crowd would in fact mistake explosions as cannon salutes for her birthday party. At 7pm Togo released his destroyers, the 1st, 2nd and 3rd flotillas had orders to proceed to Port Arthur while the 4th and 5th would try to ambush any Russian ships sailing around Dalny. 10 destroyers were enroute to Port Arthur, each warship held crews of around 50 men, armed with two 12 pounder guns, 4 6 pounders and two torpedoes. The 1st Flotilla consisted of the destroyers : Shirakumo, Asashio, Kasumi, Akatsuki; 2nd Flotilla: Inazuma, Oboro, Ikazuchi; 3rd Flotilla: Usugumo, Shinonome, Sazanami. They used stearch lights, went towards Liau-ti-chan, allegedly using stolen plans from Sidney Reilly to navigate through the Russian minefield protecting the harbor. At 10:50pm, the 1st flotilla came across the two Russian destroyers on patrol, the Rastoropni and Bezstrashni. This prompted the 1st squadron to douse their lights, trying to avoid detection and slip past. During the process, the Japanese destroyer Oboro collided with the Ikazuchi, disabling her and blocking the path of the Inazuma. This in turn led the flotillas to become separated and were forced to act independently, with the Inazuma becoming lost and the Oboro limping slowly. 20 minutes after midnight, the 1st flotilla arrived, seeing Russian warship searchlights. Approaching closer they saw 3 ranks of ships and then the cruisers Pallada saw the Japanese destroyers, but presumed they were the returning Rastoropni and Bezstrashni. The Rastoropni and Bezstrashni had no radios and were rushing back to try and report the incoming Japanese. At 11:50pm Captain Asai Shojero aboard the Shiragumo gave the attack signal. The four destroyers turned to port and increased their speed to 30 knots before releasing two torpedoes each and turning southwards. The Shiragumo fired the first two torpedoes, followed by two from the Asashio. Because the Pallada was more active, she received more attention than the rest. Pallada was hit amidship, caught fire and began to keel over. Retvizan was hit next at her bow creating a hole large enough for a car to pass through. Tsesarevitch's steering gear was hit. When the explosion of the hit against Pallada was heard many of the Russian ships began firing wildly. The Kasumi fired her two torpedoes, followed by the Akatsuki. Ikazuhi acting alone, came to the scene and fired a single torpedo before fleeing south as well. The 3rd flotilla attracted by the explosions rushed to the scene, finding some lights approaching them, they doused their lights and stopped their engines. It turned out to be the Inazuma who had got lost and requested to join them. They continued finding the Russians ships in a wild disarray. Usugumo was the first to fire, followed by Shinonime and Inazuma before they made their escape south. Meanwhile the Sazanami had been separated from all the others since 11 pm, but had managed to slip past the two russian destroyers around 1:25am and came in to fire a single torpedo before also departing south. The last ship was the damaged Oboro who attempted to repair herself before limping towards the enemy. At 1:45am she fired a torpedo and made her escape. The Russians had been caught completely by surprise. Their skeleton crews aboard the battleships had no idea what was occurring. Many men tumbled out of their bunks awaiting orders, orders that never came. To further explain, when a ship is in action each individual has his own designated tasks, but when an attack comes unexpectedly and a large number of the crew are absent, orders have to be given on the spur of the moment. The explosions were heard by many in the city of Port Arthur, but countless assumed it to be fireworks for celebration. The Russians wild attempts at firing back upon the enemy were useless. The Norvik was the only ship to give chase to the enemy. The torpedo attack killed two officers, 29 sailors and wounded 8 others. Pallada was grounded under the western battery in the harbor; Retvizan was grounded on a ledge near the entrance passage and Tsesarevitch was grounded close to Retvizan. Out of a total of 16 torpedoes launched, only 3 found targets. A major reason for this was luckily due to the few crews who had deployed anti torpedo nets as suggested by Starck. By the way if you would like to see a visual representation of the attack, there is a fantastic Japanese series on the Russo Japanese war called “Saka no Ue no Kumo” narrated by the legendary Ken Watanabe. On my personal channel the pacific war channel one of my most popular episodes is on the Russo-Japanese war, and I used a lot of footage from the series. I will admit I embarrasingly messed up the episode by speeding up the narration somewhat because it was simply too long, but its still ok. By the time this podcast comes out I hope its alright to say, I have been writing a 10 part Russo Japanese War series for Kings and Generals and the animation will look awesome. But back to the story. Starcks staff briefed him on what had occurred and he immediately reported it to the Viceroy in a manner of “i told you so”. Starck most likely hoped the Viceroy would shoulder the blame alongside him, but instead rumors were spread to exaggerate the fact he was having a party for his wife during the event. None the less the two admirals quickly began to plan their next steps as they both assumed the IJN combined fleet was about to come in an attack them. The viceroy sent a message appealing for everyone to stay calm in the city while Starck ordered the fleet to be made ready for sea immeidately. Countless officers and sailors scrambled to get to their ships. Following the attack, at 8am, Togo dispatched Vice Admiral Dewa Shigeto with the four cruisers of the 3rd flottila to investigate Port Arthur and, if possible, lure them out south of Encounter Rock. At 9am, Dewa observed 9 Russian warships getting ready for sea, with 3 aground. The smaller vessels, such as gunboats, torpedo boats and mine planters were outside the harbor looking to be in disarray. Dewa approached within 7500 yards of the harbor, but no one fired upon him. This prompted Dewa to believe the Russians were completely paralyzed. Dewa wireless-messaged Togo that the Russians seemed to be paralyzed, the time was ripe to attack. Togo had wanted to lure the Russians away from Port Arthur's shore batteries, but the report prompted him to order an immediate attack. The Russian formation was quite all over the place. Askold was to the east, Bayan in the center, Novik was far to the west having attempted to chase the enemy, many of the other ships were still at anchor. Togo devised his 3 divisions to form a column coming in one after the other, each ship was to fire starboard. The Japanese approached the harbor at 11:55am. Port Arthur was tossed into pure chaos. Warships moved quickly to jettison inflammable material while coolies in sampans paddled through the jetsam. Captains lept about demanding status reports of their ships while all they could see was dakr smudges on the horizon. At a range of 8500 meters, the Mikasa was the first to fire her guns. After firing her 12inch forward gun, she turned and opened fire with her starboard broadside, the other ships followed in same fashion. The Russian shore batteries erupted firing back on the Japanese causing a duel between the warships 12 inch guns aimed at the shore batteries while their 8 and 6 inch guns targetted the Russia nwarships. The Mikasa took a full 20 minutes to form her pass and was followed by Asahi, Fuji, Yashima, Shikishima and Hatsuse. Asahi targeted a Peresviet type, Fuji & Yashima fired upon cruiser Bayan, Shikishima fired on a ship in the center and Hatsuse dueled the enemy nearest to her. With the exception of Novik, the Russian moved like ants around a nest beneath their fort guns, trying not to make themselves stationary targets. The Novik charged out of the harbor to meet the enemy and received a hell of a mauling for it. The Russian flagship Petropavlosvk flying Starcks flag was battered; Poltava took a hit and cruisers Diana and Askold were severely damaged. The damage was not a one way street however, Mikasa, Shikishima, Fuji, Hatsuse and Iwate took hits. The shore batteries were becoming increasingly effective. When the 2nd and 3rd divisions were making their turn, everything had become like a barrom brawl. Within just 5 minutes of the dueling, Mikasa had taken a 10 inch shell to her starboard side which ricocheted and exploded under her mainmast. Her chief engineer, a staff officer, a paymaster, one midshipman and 3 crew members were wounded, and part of her aft bridge was carried away. The Fuji received a shell through her forward casing, smashing a stack and exploding, killing a turret officer and wounding many. Shikishima then received a hit to her forward stack causing it to explode. By 12:20, Admiral Togo realized that Dewa was incorrect in his assessment - the enemy was not paralyzed - thus he motioned the fleet to withdraw. After just a single run of it, Togo had decided to back out and rendezvous with Uriu at Chemulpo. The departing maneuver exposed Togo's entire fleet to the full brunt of the Russian shore batteries. The Hatsuse, Fuji, Shikishima and Mikasa would take the lionshare of the damage, around 7 hits distributed amongst them. As the fleet made its turning point, the IJN cruisers took several hits. Within the 2nd Division: Azuma fired upon Novik, Iwate fired upon Askold, Iwaki fired upon Askold and then Bayan. As the cruisers turned to port to follow the 1st division Azuma was hit by three shells, one to her battle flag, the other off the water of her starboard quarter exploding, the third to her after turret. Yakumo was hit twice one to her forward main top and midshipman. Novik received many hits and fired torpedoes at Iwate missing. Within the 3rd Division: Chitose (flag of admiral Dewa) fired on center, Takasago fired on Bayan, Kasagi fired upon a Sevastopol type, Takumo fired on nearest enemy ship. Takasago and Chitose then fired on Askold which alone came closer to them, a shell his Askolds second stack, another her forward stack. Chitose then attack Novik and Takasgo attacked Bayan. As they turned to withdraw they received no major hits. The IJN cruisers also launched salvos of torpedoes. The Novik trying to engage them closer evaded the torpedoes, but took several shells below her waterline. The Japanese finally got out of range of the dreaded batteries of Port Arthur, lucky to not have any ships sunk. The casualties were quite balanced for the engagement. The Russians had 150, the Japanese betwene 90 and 130. Neither had any warships sunk, but many were severely damaged. For the Japanese this was not a major issue, their damaged ships returned to Sasebo for immediate repairs, however for the Russians this was a major issue. Port Arthur held limited capabilities, they had only one small dry dock and another incomplete. This meant some of the larger Russian warships could not receive proper repairs, and now they were blockaded. Many 12 inch shells had fallen into the city. The Russo-Chinese bank was hit causing the employees to frantically burn the currency and prepare coins to be transported away. Lumps of coal littered the city grounds like confetti. Many Chinese grabbed their belongings and fled the city aboard steamers. Many buildings were damaged, civilian casualties were light. When the news of the surprise attack reached Tsar Nicholas II he was stunned. He could not believe the Japanese would initiate a warlike actions without formally declaring war first. His advisers had assured him the Japanese had been bluffing and would not dare attack. The first secretary of the British embassy, Cecil Spring Rice went on the record to state the Tsar was left “almost incredulous”. Japan issued their declaration of war 3 hours after the surprise attack. Russia went on a war footing on the 10th and a few days later submitted their official declaration of war after stating to the international community Japans actions were dishonorable. In response Japan referenced the Russian attack on Sweden in 1808, which they did without declaring war first as a justification somewhat for their own actions. The international community were mixed in their favor, but many did sympathize with the Japanese. Notably President Theodore Roosevelt held sympathetic views for the Japanese and the Japanese would take a strong notice to this. Admiral Togo was dissapointed in his lack of success with the surprise torpedo attack. But for now Japan had won command of the sea, the Russian navy was trapped. From Chemulpo, Togo sailed his damaged ships back to Sasebo for repairs, but would go on the record to state “He felt he failed to take the opportunity as Nelson would have done, to deal a blow to the Russian fleet from which they would not recover”. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. Admiral Togo had delivered the very first blow of the Russo-Japanese war. His surprise attack upon Port Arthur was a bold and terrific strategy, but had he done enough to give Japan the upper hand in the battles to come?
I'm not alone in finding Japanese museums about earthquakes and tsunamis interesting and impactful; I know my friend Catherine who travelled with me in Tohoku last month is the same. This episode will test out whether it's just the two of us, or if more of you share this feeling - a yearning to understand more about these kinds of disasters, to get to know more about the human stories behind them, and a keen desire to share in the "hope tourism" equation of the scenario. In this episode, I talk about three parts of my recent trip to Japan that fit under this idea of "hope tourism" - and not "dark tourism". As well as visiting the "Kaze no Denwa", we spent many hours at two new museums in northern Japan: the Iwate Tsunami Memorial Museum in Rikuzentakata, Iwate, and the Great East Japan Earthquake and Nuclear Disaster Memorial Museum in Futaba, Fukushima. We both found these visits so impactful, and I'm still mulling over a lot of what I saw and learnt there to this day. Links: “Really Long Distance” - This American Life episode about the Wind Phone - https://www.thisamericanlife.org/597/one-last-thing-before-i-go-2016/act-one Iwate Tsunami Memorial Museum - https://iwate-tsunami-memorial.jp/en/visit.html The Great East Japan Earthquake and Nuclear Disaster Memorial Museum - https://www.fipo.or.jp/lore/en Hope Tourism - https://www.hopetourism.jp/en/ Walk Japan - our hike - Episode 308 - https://notaballerina.com/308 Join our Facebook group for Thoughtful Travellers - https://www.facebook.com/groups/thoughtfultravellers Join our LinkedIn group for Thoughtful Travellers - https://notaballerina.com/linkedin Show notes: https://notaballerina.com/310 See omnystudio.com/listener for privacy information.
Record Rainfall in Iwate and Typhoon 7 Approaching Kansai and Tokai, & more… English news from Japan for August 14th, 2023. Transcription available at https://japandailynews.com/2023/08/14/news.html
Typhoon 7 Approaching Japan, Record Rainfall in Iwate, & more… English news from Japan for August 12th, 2023. Transcription available at https://japandailynews.com/2023/08/12/news.html
With the new J3 season kicking off on March 4th, it's time to start previewing the 20 clubs that will be battling it out in Japan's third tier in 2023. In a 'J-Talk: Short Corner' takeover, Mike 'The Magic' Innes will be running the rule over the division in a series of 4 preview mini-pods, taking a forensic look at 5 teams in each episode. In Part A, it's Hachinohe, Iwate, Fukushima, YSCC, & Sagamihara that find themselves under the Mike-roscope (I'm bringing this pun back for increased validation that it's actually funny and clever). Hope everyone enjoys the episode - the remaining 3 parts are on the way! Timecodes: 01:00 to 04:30 - Vanraure Hachinohe 04:30 to 07:50 - Iwate Grulla Morioka 07:50 to 11:20 - Fukushima United 11:20 to 14:40 - YSCC 14:40 to 18:00 - SC Sagamihara
James Taylor and Jon Steele got together for the final time this year to discuss how the teams finishing from 16th to 22nd in J2 fared. They were joined by Matt Bruce (@MatthewDBruce) to cover Tochigi, Steve Fryer (@ardija01talk) to talk about Omiya, and James Gallagher (@FLManInJapan) to review Ryukyu. James and Jon discussed Yamaguchi, Kofu, Gunma, and Iwate, before closing the episode with a question from @akakichnoeleven. 00:00-05:57 Renofa Yamaguchi (James and Jon) 05:58-15:42 Tochigi SC (Matt Bruce) 15:43-21:52 Ventforet Kofu (James and Jon) 21:53-54:25 Omiya Ardija (Steve Fryer in conversation with Jon) 54:26-1:00:56 Thespakusatsu Gunma (James and Jon) 1:00:57-1:21:12 FC Ryukyu (James Gallagher) 1:21:13-end Iwate Grulla Morioka and listener question (James and Jon) Stats were courtesy of jleague.jp, transfermarkt.com, football-lab.jp, sporteria.jp, and @Data_Swan. Thanks again to our contributors for their analysis, and to Patreon subscribers for their ongoing support. And of course, thank you to everyone who listened throughout the year. See you in pre-season!
"Suzuki Zenkō prime minister of Japan Suzuki Zenkō, (born January 11, 1911, Yamada, Iwate prefecture, Japan—died July 19, 2004, Tokyo), prime minister of Japan (1980–82), who worked closely with the United States and other Western countries. The son of a fisherman, Suzuki attended the former Imperi" "--START AD- #TheMummichogblogOfMalta Amazon Top and Flash Deals(Affiliate Link - You will support our translations if you purchase through the following link) - https://amzn.to/3CqsdJH Compare all the top travel sites in just one search to find the best hotel deals at HotelsCombined - awarded world's best hotel price comparison site. (Affiliate Link - You will support our translations if you purchase through the following link) - https://www.hotelscombined.com/?a_aid=20558 “So whatever you wish that others would do to you, do also to them, for this is the Law and the Prophets."""" #Jesus #Catholic. Smooth Radio Malta is Malta's number one digital radio station, playing Your Relaxing Favourites - Smooth provides a ‘clutter free' mix, appealing to a core 35-59 audience offering soft adult contemporary classics. We operate a playlist of popular tracks which is updated on a regular basis. https://smooth.com.mt/listen/ Follow on Telegram: https://t.me/themummichogblogdotcom END AD---" "al Fisheries Institute and joined the Japan Fisheries Association. At the second postwar general election, in 1947, Suzuki won a seat in the lower house of the Diet (parliament) as a socialist. Two years later he switched to the conservative Liberal Party, forerunner of the Liberal-Democratic Party (LDP), and he won reelection 12 times, during which period he held several cabinet posts. His abilities as a mediator brought him the chairmanship of the LDP's executive council a record 10 times, but he was virtually unknown abroad when elected prime minister on July 17, 1980. When his predecessor, Ōhira Masayoshi, unexpectedly died 10 days before an election, a three-week battle for succession resulted within the LDP. Suzuki, a loyal and longtime party worker, was the dark-horse winner of the LDP presidency, which assured him the prime ministership. Close-up of terracotta Soldiers in trenches, Mausoleum of Emperor Qin Shi Huang, Xi'an, Shaanxi Province, China BRITANNICA QUIZ History: Fact or Fiction? Get hooked on history as this quiz sorts out the past. Find out who really invented movable type, who Winston Churchill called ""Mum,"" and when the first sonic boom was heard. In office Suzuki upheld his political slogan, “politics of harmony,” while stressing moderate internationalism. In 1981 he attended a summit with U.S. President Ronald Reagan in which the two countries' relationship was defined as an “alliance.” The following year, however, Suzuki drew criticism for Japan's struggling economy and for his handling of the controversy that ensued after Japanese textbooks were revised to downplay the country's aggression against China during World War II. Suzuki lost support within the LDP, and in 1982 he decided not to seek reelection as the party's leader and thereby relinquished the post of prime minister. He retained his seat in the Diet, however, and continued to lead a sizable faction of the LDP. Suzuki remained active in politics until his retirement in 1990. https://www.britannica.com/biography/Suzuki-Zenko?utm_medium=email&utm_source=otd&utm_content=more-events&utm_campaign=otd2022-11-26 "
This week on Krewe of Japan Podcast... the Krewe is back full steam ahead on a travel train (plane?) and this time we are taking a more prefecture-specific approach like past seasons! Joined by returning guests Kay Allen of Japan National Tourism Organization & Megan DeVille of JETAA USA , we explore the prefecture of Aomori and everything it has to offer. From Hirosaki Castle & Nebuta Matsuri to apple cidre, Tsuruga Jamisen restaurants, & the tomb of Jesus Christ (what?), there's so much to learn and love about this prefecture! Bring your notebook, because this episode is jam-packed with ideas and travel tips for your next trip to Japan!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ More Info on JNTO ------Japan National Travel Organizaiton's WebsiteJNTO on InstagramJNTO on YouTubeJNTO on TwitterTohoku Kanko Website------ More Info on JET Program ------JET Program Website (Application Page)JETAA (JET Program Alumni Association) USA WebsiteUSJETAA Website
This week on JTET, Jon and James collaborated on a full review of all of the big J2 news from the last seven days. They began with a chat about Kofu's incredible penalty shoot-out win over Hiroshima in the Emperor's Cup Final, then segued into discussing Okayama's home defeat against Akita that clinched the J2 title for Niigata, and promotion for Yokohama FC. The boys then review Yokohama FC's thrilling home defeat against Kanazawa, before turning their eyes to Gunma's 5-1 drubbing of Iwate (a result that sealed Gunma's J2 survival, and confirmed relegation for Iwate and Ryukyu). Jon then reviews the rest of the J2 action solo, before getting help from James to preview all of the games coming up on the final day of the regular season this Sunday. After that, Mike 'The Magic' Innes is in position to cover all of the latest J3 events in 'J-Talk: Short Corner'. This episode was recorded before the horrible news of Miyazaki striker Masato Kudo's untimely passing at just 32 years old, so apologies if the tone of the episode seems 'off' this time. We will do our best to give Kudo-san a full and proper tribute next week. Rest In Peace, Masato. Thank you for all the memories.
Check out the video podcast on Spotify or our YouTube. For the best place on the internet to find your next job in Japan, go to JobsinJapan.com. Some websites you can check out to support relief for Tohoku: 東北ライブハウス大作戦 (Tohoku Live House Daisakusen) Sapporo Klub Counter Action Miyako Klub Counter Action Blue Resistance Freaks Slang Miyako Iwate Orgs Safecast Atlantic Pacific Blue Compass Playground of Hope Photohoku Matt's Features about 3.11 Alma Mater Hobart & William Smith Japan Times Pittsburgh Post-Gazette Medium Soundcloud
"Chagu Chagu Umakko," a traditional horse festival in the northeastern Japan prefecture of Iwate, joined a parade on Avenue des Champs-Elysees in Paris Sunday.
18日、パリのシャンゼリゼ通りで行われたパレードに参加した「チャグチャグ馬コ」の馬【パリ時事】パリのシャンゼリゼ通りで18日、日本の無形民俗文化財に指定されている岩手県の伝統行事「チャグチャグ馬コ」がパレードに参加した。 "Chagu Chagu Umakko," a traditional horse festival in the northeastern Japan prefecture of Iwate, joined a parade on Avenue des Champs-Elysees in Paris Sunday.
Kawasaki Heavy Industries, hope its new robot named Nyokkey will help compensate for labor shortages in the face of Japan's declining population. Japanese marine biologists managed to reach a record depth of 9,801 metres while studying the ocean floor. And in Iwate, the independent sake brewery Kiku-zakari, founded in 1894 and rebuilt following the 2011 earthquake, was named with a renewed sense of purpose in mind, determined to press ahead no matter what happens. Its two best brands of Junmai-shu sake, “Taxi Driver” and “Ya-kyoku”, look to Scorsese and folk songs for further inspiration. Learn more about your ad choices. Visit megaphone.fm/adchoices
Ben Verlander talks about the incredible experience he had traveling on a bullet train to Shohei Ohtani's childhood home, Iwate, Japan. He also recaps Day 3 of his journey in Japan. Next, Verlander shares his experience visiting Shohei Ohtani's former high school baseball team, Hanamaki Higashi High School, and his former little league team, Mizusawa Little Leaguers. Ben shows his appreciation and love that he has for the fans and for Shohei Ohtani for making this experience possible. Finally, Ben shares his favorite moments from the first Flippin Bats Meet & Greet in Japan! Learn more about your ad choices. Visit megaphone.fm/adchoices
Join Ben Verlander as he travels on a bullet train to visit Shohei Ohtani's childhood home, Iwate, Japan. Verlander talks about his experience at the Tokyo Dome, meeting Flippin Bats fans, and his favorite moments from Day 2 in Japan. He also introduces a new segment "So Important, it made it to Japan!" where he discusses hot topics in MLB; the New York Yankees falling apart, Tony La Russa issuing another intentional walk and much more! Learn more about your ad choices. Visit megaphone.fm/adchoices
With the Morioka Sansa Odori summer festival in Iwate prefecture taking place along with Sendai's Tanabata festival in Miyagi prefecture, traditions from both of these festival converge on this week's Aomori Nebuta, a festival of giant mobile lanterns in Aomori city committed to bidding old spirits farewell and ideas of "sleep" passed along 6 generations of Nebuta-shi craftsmen. Learn more about your ad choices. Visit megaphone.fm/adchoices
Episode 114. With the recent heatwave, there was one kind of sake that kept grabbing our attention. Not just cold sake, but super-chilled "Mizore" sake. Mizore means sleet in Japanese, and this word describes perfectly the sake slushies we made ourselves for this week's episode. Sake slushies are made by freezing one cup sake or a small bottle to about 25 degrees F without letting it freeze solid. When the sake is then agitated, it transforms by magic into an icy, cool and super refreshing sake sorbet-like treat. Listen in as John and Tim get super chill and enjoy their first homemade Mizore Sake slushies. #SakeRevolutionSupport the show
James Taylor and Jon Steele convened to discuss the latest J2 action, focusing on Sendai v Yokohama FC, Yamagata v Kofu and Iwate v Tokushima. James reviewed the rest of the games from the weekend and last Wednesday's rearranged match, before previewing round 23 with Jon. Then, Mike Innes reviewed the action from J3 and previewed the upcoming league fixtures. 00:00-10:09 Sendai v Yokohama FC 10:10-16:08 Yamagata v Kofu 16:09-24:12 Iwate v Tokushima 24:13 to 36:04 J2 MD22 roundup (plus rearranged MD16 game) 36:05 to 42:20 J2 MD23 preview 42:21 to 1:05:09 J3 MD13 review (plus rearranged MD8 game) 1:05:10 to end J3 MD14 preview
Seiko is the owner of Seiko's Auto Service Inc in Monrovia CA since January 2014. The shop specializes in providing exceptional customer service along with high quality automotive service and repairs for Toyota, Lexus, Subaru, Honda and Acura vehicles. Seiko is a SGV native and was born and raised in Monterey Park. He attended El Repetto K-8 and Mark Keppel High School. He considers himself lucky to have attended Mark Keppel that still had automotive technology available as a class. This is where his passion for automobiles was ignited. Since then, he has worked at multiple locations throughout his career as an automobile technician. Two years of which he was able to train in Iwate, Japan. Since becoming a business owner, Seiko has realized that not only growing the business is important but also the next generation. The company has sponsor local middle school and high school Robotics teams and is open to training and growing future automotive technicians. Website: Seikosauto.comEmail: Seiko@seikosauto.comPhone: 626-359-0589Address: 804 E Huntington Dr. Ste A Monrovia CA 91016__________MusicPodcast Intro and OutroEveryday, Jason Farnhmam, YouTube Audio LibraryPodcast AdvertisementI love you, Vibe Tracks, YouTube Audio LibrarySour Tennessee Red (Sting), John Dewey and the 41 Players, YouTube Audio LibraryDewey, Cheedham, and Howe (Sting), John Dewey and the 41 Players, YouTube Audio LibraryFilm Project Countdown.flac Copyright 2013 Iwan Gabovitch, CC-BY3 license
Once again, the JTET crew swing into action to look back on all of the latest J2 and J3 news. This week, Jon Steele and James Taylor take an in-depth check on the situation at the foot of the J2 table, with a special focus on Iwate, Ryukyu and Omiya. After that, Jon rounds up all the rest of the weekend J2 action, before reconvening with James to preview the upcoming Round 20 matches. As if that wasn't enough, Mike 'The Magic' Innes is in control of the 'J-Talk: Short Corner' segment, reviewing all of last week's third-tier games, and looking ahead to both the midweek Emperor's Cup ties involving J3 sides (as well as the next slate of league fixtures coming up on Saturday and Sunday). Hope everyone enjoys the show - it's a packed one this week!
James Taylor rounds up all of the J2 matchday 17 action from the weekend, plus the rearranged round 15 match between Omiya and Iwate from last Wednesday, and takes a quick look at this Wednesday's fixtures. Then, Mike Innes reviews rescheduled J3 games from last week and J3 teams' matches in the Emperor's Cup first round, and looks ahead to this weekend's league action. 00:00-11:12 J2 MD17 roundup (and Omiya v Iwate) 11:13-12:15 J2 MD18 preview 12:16-17:54 J3 review 17:55 to 29:23 Emperor's Cup roundup 29:24 to end J3 MD 10 preview
How on earth does a young woman from Edinburgh find her way to Iwate Prefecture, in the depths of Tohoku to become a successful sculptor? A sculptor of gigantic stone public art you see in front of buildings all over the world. You are about to hear the Legend of Kate Thomson. If you are an artist at heart, that did something else like I did, you will love this episode and I hope it inspires you to bring yourself back to your art. If you enjoyed this episode and it inspired you in some way, we'd love to hear about it and know your biggest takeaway. Head over to https://podcasts.apple.com/jp/podcast/legends-interview-series-presented-by-sarah-furuya/id1524551512?l=en (Apple Podcasts) to leave a review and we'd love it if you would come and say hi over on @sarafuruyacoaching on Instagram. In this episode you'll hear: How Kate almost didn't become an artist, thinking she could only be a restorer Developing her skills in community and public art in the Gorbals of Glasgow How Kate avoided meeting the man who would “turn her life upside down” What it was like to live in rural Iwate, and wake up with snow on your futon The similarities between Celtic and Ainu patterns that influenced her sculptures How Kate created a travelling installation to help with the healing process in post earthquake ravaged Tohoku About Kate Kate was born in St. Alban's England and grew up in Edinburgh, Scotland, surrounded by artists, musicians, and actors. Her father was a television director and producer, and her mother an interior designer. She loved playing with clay since she was a child and spent every holiday with their parents, siblings, and cousins in the countryside of the Scottish borders or surrounded by the sea on her visits to her grandparents on the island of Guernsey. She went on to study fine arts at university, and then onto become an artist in earnest while a student. She also experimented with life performance, stage lighting and costume design, and formed a dance company with her friends to perform at the Edinburgh International Festival, Fringe and other festivals. After graduating, she worked as a community artist in Glasgow for three years, introducing locals to the joy of art. She was then a founding director at the Glasgow Sculpture Studios. Wanting to learn how to carve, she won a place as an assistant for the Scottish sculpture workshops, International Stone Carving Symposium in 1988. There she met Hironori Katagiri. Kate has completed many large-scale site-specific public sculptures in Scotland, Europe, Lebanon, America in Japan. Connect with Kate Ukishima Sculpture Studio web site https://ukishima.net/en/ (https://ukishima.net/en/) Instagram https://www.instagram.com/ukishimasculpturestudio/ (https://www.instagram.com/ukishimasculpturestudio/) Ukishima Sculpture Studio YouTube channel: https://www.youtube.com/channel/UCfnIviDE_rk108Twnt3ww4A (https://www.youtube.com/channel/UCfnIviDE_rk108Twnt3ww4A) Links Kate Thomson https://www.youtube.com/watch?v=qsma8W2aBr0 (https://www.youtube.com/watch?v=qsma8W2aBr0) Hironori Katagiri https://www.youtube.com/watch?v=6OVgMc-6IiE (https://www.youtube.com/watch?v=6OVgMc-6IiE) Photohoku : https://www.facebook.com/photohoku (https://www.facebook.com/photohoku) Connect with Sarah Linked In: https://www.linkedin.com/company/sarah-furuya-coaching/ (https://www.linkedin.com/company/sarah-furuya-coaching/) Instagram: https://www.instagram.com/sarahfuruyacoaching/ (https://www.instagram.com/sarahfuruyacoaching/) Facebook: https://www.facebook.com/sarahfuruyacoaching (https://www.facebook.com/sarahfuruyacoaching) Twitter: https://twitter.com/sarahfuruya (https://twitter.com/sarahfuruya) Youtube: https://www.youtube.com/channel/UCXsuS_yVT9fMHjhAylVy8-w (https://www.youtube.com/channel/UCXsuS_yVT9fMHjhAylVy8-w)
Discover the travel word "sakura" cherry blossoms: types & timings, events, food (✔ vegan ✔ Muslim-friendly), cruises, Tokyo (✔ wheelchair ✔ pushchair), Japanese countryside, Yoshino famous area, sakura hot springs, climate change… Thanks to the guests plus Steve Gerecke, Josh Grisdale and Bryan Baier for wheelchair/onsen tips! Host: Sébastien Duval, community director for Japan Travel KK. Guests in order of appearance: Luca De Pasquale, ex-cruise staff. Jessica Paje, ex-Kanagawa resident. Alena Eckelmann, Kansai resident. Malcome Larcens, Iwate resident. Bonson Lam, aviation & Hokkaido expert.
I denne episode møder du Trine fra Iwate i Japan. Kom med ind til til en spændende snak om arbejdsuger på +80 timer, jordskælv, hvordan du flytter til Japan og derudover alt fra HC Andersens hus til spørgsmålet om hvorfor kvaliteten af håndværk overordnet set er så mærkværdig dårlig i udlandet sammenlignet med DK. Lyt med nu.
J2 is back! James Taylor was joined by Stuart Smith to discuss the opening weekend of the 2022 J2 season. In part 1, Stuart analysed Nagasaki v Tokyo Verdy (to 18:10) and JEF v Iwate (18:10 to 28:56) in detail. Then, in part 2 James summarised the rest of the action (29:00 to 35:51). In Part 3, Stuart returned to preview the matchday 2 fixtures (35:55 to end).
With the brand new J.League season almost upon us, Jon Steele was joined by James Taylor to run the rule over eight more of the sides comprising this year's J2 roster. Part 1 begins with the gents analyzing newly-promoted Kumamoto and Iwate, before covering Gunma. Then Jon let James off the leash to bring us up to date on all of Kanazawa's winter transfer business. In Part 2, we run the rule over four teams from lower mid-table in 2021: Akita, Tochigi, Yamaguchi and Omiya. Hope everyone enjoys the show - look out for Part 3 before the big kick-off at the weekend!
16 years later Masamune Date, heir to the Date clan in Iwate province of northeastern Japan catches up with his best friend Tensha Fuma to request a very special birthday present and vent about the health of his grandfather. Voice actors: Narrator: Lalani Richmond Masamune Date: Jeff Girmus @jeffgirmus Asagao: Aomikazuki on Fiverr Tensha Fuma, Kosa: JLee Youtube @A Noticing Senpai IG: pro_black_af https://www.patreon.com/thefollowingpath All donations go into making the show better such as hiring voice actors, upgrading equipment, future giveaways, etc.
To get 2022 started with a bang, Jon Steele and Mike Innes look back over the 2021 J3 season in a 3-part special. In this episode (Part 1), Jon quizzed Mike on the third-tier season's top 5 finishers, including promoted Kumamoto and Iwate, high-flying debutants Miyazaki, an ultimately disappointing Toyama, and much-improved Fukushima. Enjoy the show, and Happy New Year!
Calling upon the expertise of Paul Christie, CEO of trailblazing tour operator Walk Japan, we'll be spotlighting the Japanese prefectures you (probably) haven't heard of but should be making tracks to, his top Japanese travel tips and why Japan is leading the way for slow travel. Plus, Paul shares his insider guide to the Kunisaki Peninsula in Kyushu, a bucolic hidden paradise that he calls home. Our travel editors also share their go-to guide to Iwate, an under-the-radar prefecture filled with blissful beaches, snow-sure mountains and soothing hot springs, and deep-dive into how wellness is key to unlocking Japanese culture. We want to know where in Japan you've set your sights on. Want to hit the ski slopes? Soaking in onsen hot springs more your scene? Or how about slurping soba noodles in Iwate? Share with us your Japan travel plans to be in with the chance of winning a collector's bundle of SUITCASE Magazine, worth over £100. Simply fill in this survey.Start planning your trip to Japan with the Japan National Tourism Organisation here.Our Go-to Guide to Iwate, JapanTo stay:For relaxing hot springs and beautifully situated boltholes, bed down in one of these hotels: Hotel Senshūkaku, Hotel Hanamaki or Hotel Kōyōkan. To eat:For the noodle-lovers out there, we recommend heading full-steam ahead to Pairon Honten in Morioka – a local hole-in-the-wall loved for what is arguably the region's best jajamen (udon noodles topped with cucumbers, garlic, chilli oil and a sweet miso sauce).To do:Sun-seekers should absolutely head to Jodogahama Beach, while skiers should make a beeline for Appi Kogen Ski Resort. How to get there:Simply hop on a fast train from Tokyo and in just over two hours you'll be greeted by the epic scenery and standout food of Iwate. Need some Japan travel inspiration? Check out these articles on suitcasemag.comhttps://suitcasemag.com/articles/less-visited-japanhttps://suitcasemag.com/articles/diamond-route-japanhttps://suitcasemag.com/articles/mitsuboshi-kaidou-three-star-road-japanhttps://suitcasemag.com/articles/Ishikawa-and-gifu-prefectureshttps://suitcasemag.com/articles/pilgrimage-shonai-japanhttps://suitcasemag.com/articles/hachinohe
Remembering the earthquake and tsunami which devastated Japan and triggered a nuclear emergency in 2011. Max Pearson, who reported from Japan at the time, presents eyewitness accounts of the disaster which left thousands dead and led to many questioning the future of the country's nuclear industry. Photo: Tsunami smashes into the city of Miyako in Iwate prefecture shortly after an earthquake hit the region of northern Japan, 11th March 2011 (JIJI PRESS/AFP via Getty Images)
Alex and Dylan return for episode 44 of Stardom Quest. In this episode, they review Stardom's events in Shiga, Shizuoka, Iwate, and Aomori including discussions on Oedo Tai's direction and evil Starlight Kid. They then preview Stardom's upcoming shows in Aomori and Hokkaido. Follow Dylan on twitter: @XXIchiban Follow Alex: @LWOSPWAlexR or @LWOProWrestling Amazing show art courtesy of @KHsNotebook Also listen to Dylan and Alex's other podcast @VTGPod which is all about the legendary All Japan Women's Pro Wrestling which is also available on the Dragon Suplex Podcasting Network
monk: Light and Shadow on the Philosopher's PathBy Yoshihiro Imai Intro: Welcome to the number one cookbook podcast, Cookery By the Book with Suzy Chase. She's just a home cook in New York City, sitting at her dining room table, talking to cookbook authors.Emmy Reis: My name is Emmy Reis. I am one of the translators along with Naomi Reis who translated Chef Yoshihiro Imai's monk: Light and Shadow on The Philosopher's Path.Suzy Chase: Emmy, you live in Brooklyn, but you're originally from Kyoto. How do you know Chef Imai, and how were you involved with this book?Emmy Reis: Sure. It's actually a funny story. Chef Imai and I met at a very random bar in the pub district in Kyoto. We were each meeting work clients and then they happened to be going to this very random hole-in-the-wall bar. We just happened to sit next to each other at this bar. We were both feeling very awkward, and then we got talking and he talked about his first book, Circle, which he was carrying in his bag. Right off the bat, I don't know, we connected. So yeah, we've been good friends. He's had this vision of this book for a really long time, and so yeah, I was really happy to be involved in the translation of it.Suzy Chase: Monk is the story of your 14-seat, seasonally inspired restaurant. I want to kick things off talking about the word path.Emmy Reis: I think the motif of a path is a really big theme for monk, and of course the book in many ways. It's also in the subtitle, Light and Shadow on the Philosopher's Path. The Philosopher's Path is the actual name of the small path where monk is located. It's such a perfect name because it's named after the various philosophers and writers that are said to have walked on this path to ruminate about life, et cetera. The vibe of the path hasn't changed much today. It's still a quiet, tranquil pass along a small canal. It's very calming and meditative to walk this path.Emmy Reis: I think this image of philosopher walking on a path day after day connects to this idea in Chef Imai's work, where each day is this meditation, repetition and accumulation of a communion with nature and the ingredients that it provides. It sums up to the larger picture, which is a journey and an exploration, as you said, and one that is ongoing.Emmy Reis: His daily ritual of traveling up north, out of Kyoto city to the countryside of Ohara, where he gathers his vegetables, herbs, and flowers of the day. It's definitely a practical ritual in the sense that he gets his ingredients, but it's definitely much more than that. It's about feeling the energy and the breath of the natural environment, and then bringing that back with the ingredients and keeping that intact in the dishes that he makes so that it can be shared and felt by the guests as well.Emmy Reis: His approach is very much about being receptive to nature, and so going to the farms and fields where he can feel that is an essential part of his practice. That's basically what guides his path.Suzy Chase: Chef Imai seems to epitomize the definition of creativity, although he's uncomfortable using the word, how come?Emmy Reis: I think, well, he's expressed that he's always surprised and deeply moved by the beauty and wonder of nature, which is created by nature itself and the elements within that. We can't create anything without that ourselves, or even exist. I think that in the course of his life, he felt and understood this idea in very visceral ways, both in specific moments and over time. You can get a sense of that through the essays and stories he tells in the book.Emmy Reis: After that, once he have that realization, he says he almost felt ashamed to use that word, not because the word creative or using the word creative is inherently bad in any way, but because of the way it's been used in certain contexts in a maybe entitled or capitalistic ways. I think it just doesn't feel right to him within his relationship with nature, as a chef and as a person, to put it that way. He prefers just being with nature with deep respect, and that's monk in a nutshell. This also means the dishes reflect seasonality and sense of space, sense of place, and the environment and the changes that come with each day and moment. That's the most important thing, and the menu and dishes evolve each day because of that.Suzy Chase: For those of us who don't have a garden, we're here in New York City, or we can't forage, we go to the grocery store. Does he think there's a way for us to tap into the awe and respect that bubbles up for him every morning on his commute to the farmer's market?Emmy Reis: Yeah, definitely, there's still a way to tap into that. He suggests going to the grocery store or farmer's market without deciding what you're making beforehand. Just go there with a neutral mind and open your eyes and your heart to what they have and see what ingredients speak to you or seem most vital. Think about what's in season right now. Even in a grocery store in the city, there should be a larger stock of seasonal things that are perhaps less expensive and are pure, fresh and vital. Once you have one or two, or maybe many ingredients if you're lucky like that, from there, you can think about what you're going to make. That's kind of the same thing as what he does in the farmer's market and out in the fields every morning.Suzy Chase: Chef Imai's primary aim is for his guests to enjoy a delicious and pleasurable time at monk. What is his deeper takeaway for his guests?Emmy Reis: It's a really huge pleasure for him to see the guests have a delicious and fun time, but he also hopes to resonate with someone's heart on a really deep level, in a way that remains imprinted in their memory, not just in the mind, but of course, in a way that's connected to the senses and the body. What he's always thinking about and talking about with his staff is to imagine what type of feeling the guests would be taking home after dinner. If you have a clear sense of that, you can have a strong sense of what to do and how. Restaurants have many elements, like interior design, flowers, music, lighting, conversations that happen, and the food's just one of those elements. He's always thinking about what the guests might feel and the whole experience of the restaurant and how that might reverberate for them as they return back to their daily lives.Suzy Chase: I'd love to hear about his search for the perfect spot for monk that's situated on the Philosopher's Path.Emmy Reis: Yeah. it took him a long time to find the right place, I think he said almost eight months. He had a really clear vision of a location close to nature and ideally next to a river or stream, running water. He told some real estate companies, but they didn't get his image really, or they just didn't have anything like that. But he also didn't want to settle, so he just kept trying. Finally, one company that got his vision got back to him four months after he brought this up and they told him about this place. It was right at the foot of the mountains, kind of away from the city, next to flowing water, so it was perfect. There was a really special energy. It feels very protected and secluded and closer to nature. But the building itself was super old, so he was a little unsure when he walked in, but something about the vibe just clicked so he went with it.Suzy Chase: His work at Monk is a direct reflection of how he lives everyday life. I would love to hear about that.Emmy Reis: Yeah. I think that when someone does this kind of work, daily life and work become almost seamless. First of all, you're working very closely with your senses, your intuition, your philosophy, and you can't turn that off. The two have to meet in sync. Then secondly, the work of a restaurant is around the clock. It starts very early in the morning and goes into late night, so definitely the condition of the body and soul is very important. He always says if that's out of balance, you can't move someone's heart. He's very dedicated to keeping himself healthy and happy and making sure he can spend time with his family doing some light yoga on his breaks and stuff like that. That's part of his work as well. By the way, his wife, Ena, is a really amazing yoga instructor. They use the second floor above the restaurant as her studio.Emmy Reis: The dishes come to life because of his routine of going to the farmer's market and the farm, so it's very important what he sees and feels there. He says it sometimes almost feels like the dishes are a diary that he's writing.Suzy Chase: I'm so interested to hear about the connection between music style and taste.Emmy Reis: Yeah. He would say there's definitely a connection between music style and taste in the ways they're structured and also in the ways they might make you feel. Like maybe the rich and textured sounds of the symphony might compare to the atmosphere and labor-intensive techniques of classic old cuisine in a French restaurant, and then maybe the way pop music is embellished with different kinds of sounds or synthesized in certain ways can be compared to contemporary gastronomy.Emmy Reis: Chef Imai himself enjoys a wide variety, both in music and in cooking. I know he listens to a lot of hip hop, Japanese hip hop, and jazz when he's driving, but the type of music he really resonates with on a deeper level is pretty simple, like solo piano performances or minimalistic combinations of vocals and acoustic guitar. I think this really shows in his approach to cooking as well.Suzy Chase: While attending university, Chef Imai would travel around alone on his breaks, like backpacking across Asia and Europe. One particular winter in Canada, he had a home stay experience where the mother of the family made pizza at home. Can you talk a little bit about that?Emmy Reis: He talks about this memory as something that has been deeply imprinted in his mind and how, looking back, it's one of the pivotal moments for sure that connects in this line with where he is now, because pizza was a chance meaning for him and this was definitely one of those things that pulled him in that direction.Suzy Chase: Almost all the cooking at monk is done in a wood-fired oven, imported from Italy. That's the heartbeat of the restaurant. First, I'd love for you to describe how the open flame takes to vegetables.Emmy Reis: The infrared heat of the oven can gently cook the vegetables in a way that really encapsulates their essence and goodness. He really believes this is the best way to eat vegetables, and especially seasonal vegetables, and capture that umami. The assorted grilled vegetable dish is always part of the omakase course, and it's a major highlight of the meal. It seems really simple, and it is simple, but because of that simplicity, it also involves a lot of craft and skill because the vegetables have to be cut, grilled and salted very precisely so that they really shine. It's also about, I think, the experience of seeing the flames cook the ingredients right before your eyes and the way that connects with something very primal within us.Suzy Chase: Then I'm so curious about the tasting menu that starts and ends with pizza.Emmy Reis: The first course is a simple combination of a seasonal vegetable potage soup and grilled pizza crust, which Chef Imai calls suyaki, su meaning as is or natural, and yaki meaning grilled. It's just grilled really quick in the oven and topped with olive oil and Parmigiano-Reggiano. The idea is to deliver the bare essence of the restaurant, and it's inspired by traditional Cha-kaiseki cuisine, or also known as tea ceremony kaiseki, where the course starts with a simple soup and just small bite of cooked rice.Emmy Reis: Then the meal moves on to series of small appetizer-sized dishes, using daily vegetables combined with dairy or seafood. These have a lot of freedom and really shift with the ingredients of the day. They're often accentuated with fresh herbs or fermented foods. The fifth dish after that is one of the highlights, which we talked about, the assorted roasted vegetables, followed by a meat dish. Then the second highlight of course is a pizza that comes after the meat dish.Emmy Reis: In Japanese cuisine, there's a concept we call shūryō which means end or close, and it refers to a warm and filling very wholesome meal, most often carb-based, so it will probably be something like noodles or rice. So ending with pizza connects to this idea of shūryō. It made sense to Chef Imai to close the meal on this happy and wholesome way. Lastly, of course, is the dessert, which usually features herbs or grilled seasonal fruit, so the night can end on a really bright, light, uplifting and refreshing note.Suzy Chase: Why pizza?Emmy Reis: Yeah, this is a really great question and something that also comes up in the book, because of course everyone is so curious and asking him that all the time. In fact, there is a essay in the book with that exact title, Why Pizza? There are many reasons, which the book reveals more about as it unfolds, but this is something Chef Imai himself has thought about a lot, as would anyone who has dedicated so much of their life to a specific craft. I think there's always a philosophical, maybe even existential, question of why am I doing this specific thing?Emmy Reis: In the essay, Chef Imai talks about how maybe it could have been architecture or music or something else instead of pizza, but this idea of path comes up again. On the specific path he happened to be on, pizza was what showed up for him in a very profound way in his early twenties. This experience of eating it at that moment was a very visceral thing that spoke to the core of his being. In that moment, he just knew that he wanted to replicate that for others and that was kind of it. Pizza also just happens to be this wonderful template in which he can both play homage to traditional Japanese cuisine and local ingredients and the changing seasons, while also opening a space that is flexible, playful and experimental and not bound to conventions or certain expectations.Suzy Chase: There are three pizzas in the book that I would love for you to describe. The first is the fresh nori pizza.Emmy Reis: Yeah, the fresh nori pizza is a very simple combination of fresh nori, mozzarella and Parmigiano-Reggiano cheese. The nori here is not the sheet nori that you think about when you hear nori. It's a raw variety of seaweed called aosa lettuce. It's got a paste-like consistency, and it comes out in the very beginning of the spring. This is a dish to celebrate the arrival of spring. It has a really nice minerally, salty flavor, so it's best to keep it simple in this way.Suzy Chase: The next one is the eggplant pizza.Emmy Reis: Ayu and Kamo-nasu eggplant pizza.Suzy Chase: Yes.Emmy Reis: Yep. This one is a half-and-half pizza with a traditional Kyoto variety eggplant called Kamo-nasu, it's very meaty and juicy, and ayu, which is a summer freshwater river fish known for a very pleasant, bitter flavor. These are ingredients that signal the beginning of summer. The ayu is prepared as a confit and the liver is made into a sauce to add a deep accent to the flavor. The eggplant is roasted in the wood-fired oven and pureed.Suzy Chase: God, that sounds great.Emmy Reis: It is.Suzy Chase: Then the next is the kōtake mushroom pizza.Emmy Reis: This is a pizza that is very close conceptually to sushi. It's the minimal combination of a carbohydrate and an ingredient, and this really allows the seasonal mushrooms to shine. The mushrooms are foraged by his forager friend, Mr. Sasaki, who lives up north in Iwate. They're quite special and this is a really nice way to enjoy them.Suzy Chase: Monk is housed in an old 100-year-old residence with traditional blue roof tiles. Would you please describe the interior? I am dying to go here, by the way.Emmy Reis: Yeah. It's a combination of Japanese and Scandinavian modern, simple but refined, and yet also very warm, inviting, and comfortable. It's minimal in a way that isn't uptight and it just soothes and relaxes your eyes and heart. The beams and pillars are the original wood and the dome-shaped window with cast iron frames looks out onto the tree-lined Philosopher's Path.Emmy Reis: The pizza oven and counter is the first thing you see when you come into the dining space. The floor is one level throughout and the kitchen counter, where all the food prep happens, is right there. That, and the warm lighting, make it feel very intimate. The vegetables and flowers picked fresh in the morning and the farms adorn the kitchen counter and stove top spaces, and that brings you a sense of the vital energy from nature that morning.Suzy Chase: Chef Imai seems to approach everything in his life with an artist's eye, even down to how the firewood is stacked. Could you please tell me the story of the cover and the physical design of this cookbook?Emmy Reis: The photographer, Yuka Yanazume, who did all the photography is a high school friend of Chef Imai. They've worked on an independent book project together before this. Her photos are just stunning, so Chef Imai knew from the beginning he wanted to with her. She really did a fantastic job of capturing the vibrance of the dishes and the nature. The designer, Julia Hasting, also did such an amazing job. The design of the book really speaks to the aesthetics of the restaurant. It's dynamic and tranquil all at the same time, in a way that evokes not just Monk, but also the vibe of Japan, and specifically Kyoto, but in a really refreshing and just genuine and natural way.Emmy Reis: It was really important that the book didn't cater to some kind of pre-existing or packaged idea of Japan or Kyoto and maybe conventional imagery or narrative within that. This book really needed to be its own thing, free to express what Monk embodies, and Julia really allowed that to come through, which is so amazing.Emmy Reis: Another important thing is the theme of light and shadow, which is in the subtitle of this book. It's definitely expressed in the design, layout and photos throughout the book, which is organized by the four seasons, beginning with spring. In terms of the theme of light and shadow in this book, there's an ongoing play between smaller moments of tension and contrast between light and shadow, like in the individual photos, and then there's a larger cycle that happens over the course of a year and the seasons, starting with this rising bright energy of spring that's full of light and vibrant colors and then ending with a certain darkness or quietness, deeper tones of color, which gives the book closure, but also a sense of renewal and rebirth beyond that.Emmy Reis: The cover was rendered from a photo taken by Yuka, in which the leaves from the trees on the Philosopher's Path were casting these beautiful moving shadows on the Monk exterior wall. It gives a really tactile sense of that warmth and carries that theme of light and shadow. It was a really beautiful and perfect cover for this book. It also has this feeling that those shadows could move or change at any moment, and that's also something that pulls you in deeper. So yeah.Suzy Chase: Where can we find Monk on the web and social media?Emmy Reis: You can find his website at restaurant-monk.com, and also on Instagram, his handle is yoshihiroimai. There's also a recording of the online release event, I think you can find it on his Instagram. It's one of the newest posts. That's a really great way to get a sense of the book as well.Suzy Chase: This cookbook is truly a work of art. Thank you so much, Emmy, for coming on Cookery by the Book Podcast for Chef Imai. This is certainly something I've never done before and I loved talking to you.Emmy Reis: Thank you so much, Suzy. This was a total pleasure and I'm so excited to be talking with you.Outro: Follow Cookery by the Book on Instagram, and thanks for listening to the number one cookbook podcast, Cookery by the Book.
The JTET team are back & banging with another roundup of the latest J2 & J3 action. To look back on Round 14 of the J2 season, Jon Steele was joined by Sagacious Sean Carroll. For the latest J3 & Emperor's Cup info, Magic Mike Innes returns with 'J-Talk: Short Corner', with a brief (but very welcome) cameo from Super Stuart Smith to discuss the big Iwate v Gifu match. Enjoy the show!
Episode 55. Few sake personalities shine as bright as Mr. Kosuke Kuji, the 5th generation President of the Nanbu Bijin Sake Brewery. Known as "Mr. Sunshine" of the sake industry, Kuji-san has been a tireless booster of the sake while promoting his Nanbu Bijin brand literally around the world. We were honored for Mr. Kuji to take time to talk to us. After a bit of introduction to his brewery, we finally learn the answer to a question that has long puzzled sake fans far and wide! Why is "Nanbu Bijin" a.k.a. "Southern Beauty", located in the northern prefecture of Iwate? You'll need to tune in to find out! And also, we get Kuji-san's take on the growing industry of sake brewing outside Japan. While learning the art of sake brewing on Youtube alone may not be the answer, listen in to find out why we need sake producers all around the world and not just in Japan. We also taste Kuji-san's much loved Shinpaku Junmai Daiginjo - it's velvety and alluring. Listen in on this fun, interesting and enlightening talk with this well known Kuramoto!
Japan's Top Business Interviews Podcast By Dale Carnegie Training Tokyo, Japan
Timothy Connor, Managing Director of Synnovate Advisory has been a veteran of Japanese business, having worked in Japan for over 30 years. He originally came to Japan under the MEF program (currently known as JET, a program that provides opportunities for internationals to teach English in Japan) and lived in Morioka City in the Iwate prefecture where he quickly learned Japanese. While teaching in the evenings, Mr. Connor studied fashion design at Esmod Japon and eventually began his own apparel brand still in his 20s. He specialized in making clothes for Japanese and international clients who were either very tall or small, so did not fit standard sizes. He calls the experience “great fun” and made various outfits including a wedding dress. After four years, Mr. Connor transitioned into the more promotional aspect of the creative business and began marketing for other artists and designers. As this was the 80s, Mr. Connor recalls enjoying the boom time in Japan like eating gold speckled sushi. Mr. Connor then moved on to importing artists work and promoting them in Japan, acting as the marketing arm for boutique designers. Mr. Connor then began working in a corporate environment in a senior strategy and marketing role in a firm of 25 staff within a large Japanese conglomerate in the printing industry. Stepping into a corporate leadership position for the first time, Mr. Connor found it challenging to lead a diverse group of Japanese and non-Japanese employees in a company with a traditional age-based culture. Mr. Connor was careful in finding the right balance between being part of a team but also maintaining a certain degree of distance as this is what was expected from leaders in the company. Having led a diverse number of teams in various industries, Mr. Connor also noted the difficulty in setting goals and targets with people from different backgrounds and set of expectations. Mr. Connor claims: “one of the tricky balancing roles and balancing challenges was to paint the right picture of where we're trying to go. But give people enough roadmaps so that they knew where they should go. What are their actual targets and what are my expectations to them?” Having worked with a number of salespeople, Mr. Connor also mentored and trained his staff to be able to close the sales instead of being too relationship focused with the client. After the firm closed down due to the economic downturn of the 90s, Mr. Connor worked with the parent company's president for a few years. Mr. Connor then took a leave and pursued his MBA at Duke University. Upon his return, Mr. Connor was released from his company and began his own management consulting business. Mr. Connor mainly consulted startup type clients and maximized his general manager skills he had acquired working in a large Japanese company. Mr. Connor eventually joined one of his client's company that sold online coupons to be used in restaurants as their general manager. After realizing the infrastructure for the marketing not being present, Mr. Connor joined the parent company that provided face-to-face marketing and sales and event marketing services to consumer products. There he worked as a managing director looking after three divisions of the company in sales, retail products, and legal, as well as HR when in need. On team engagement, Mr. Connor tries to maintain a balance between setting expectations as the leader but also ensuring his employees enjoy their work. Mr. Connor states: “What I discovered was we had people doing things and I wouldn't say they were struggling, but it seemed to me that they could shine doing something else. And so I would move people around from time to time doing different things. And when people are doing things that they're good at, they just stayed to automatically grow into it. That was a great discovery just to see that actually people do progress and grow and do things much, much better if they enjoy what they're doing.” On innovation, Mr. Connor encourages people to come up with their own ideas by being patient and having open communication while asking leading questions. He also uses this style of communication to finding commonalities and gain trust, while noting the importance of “reading the air.” Mr. Connor also finds that showing and communicating that you trust someone further enhances the relationship. For newcomers leading Japan, Mr. Connor advises to learn the language and understand work and home life are different for Japanese people although this is changing for the younger generation. “I think there is a lot of change happening…also, there there's a lot more openness now about people having stress-related issues. The ability to actually go to the boss and say, I'm feeling stressed out…It's a different world now [from the showa era].”
JSC PODCAST l #19 Diez años despues del Gran Terremoto 9.2 Diez años despues deñ Gran Terremoto de Tohoku(Sendai), el Tsunami en Iwate y el accidente nuclear de Fukushima... Japon Sin Censura Youtube: https://www.youtube.com/channel/UCdUyUHBS3QS3QlPNfuIPVCw Nakahodo Photographe Youtube: https://www.youtube.com/channel/UCFbrEwDrZklpUafaopp_qaQ Primer video de Paseos en Japon: https://youtu.be/_cXjpMc0NP4 En Conduccion: Juanjo Nakahodo FaceBook: 仲程 じゅあん Twitter: @RyuZaKi2809 Instagram: Nakahodo_Photographer Contactados en Twitter @JaponSinCensura FaceBook JaponSinCensura YouTube #JaponSinCensura
In Folge 119 von unserem #Podcast geht es um den neusten Skandal in der japanischen Regierung, den Klimanotstand in Iwate, das #Japan Cybermobbing schneller rechtliche bekämpfen will, veraltete Schultoiletten und dass die Arcadehallen langsam aussterben.
In Folge 119 von unserem #Podcast geht es um den neusten Skandal in der japanischen Regierung, den Klimanotstand in Iwate, das #Japan Cybermobbing schneller rechtliche bekämpfen will, veraltete Schultoiletten und dass die Arcadehallen langsam aussterben.
Season 1. Episode 40. Today we focus on another "Sake Spotlight" - this time it is the far north prefecture of Iwate. This is a rural and and sparsely populated part of the country with a total of approximately 20 sake breweries total. Lots of snow and agriculture, too. Despite it's remote location, sakes from Iwate have made their way around the world and Tim and John will taste two stellar examples of Iwate sake in this spotlight. We explore two well known Iwate brands - Nanbu Bijin and Tsukinowa. If you need a break from sake for any reason, be sure to try the gently competitive "Wanko Soba" challenge which is native to Iwate. Sake and Soba have ever had a better pairing! Join us as we dive deep into all things Iwate!
This podcast is about Kenji Miyazawa, who was a Japanese novelist and poet of children's literature from Hanamaki, Iwate. The story in the podcast is "Gauche the Cellist". Apologies for the errors made.
PRIMER SEGMENTO Anner Mejía conversa con Mauricio Alvarez y Sergio Herrarte acerca del libro EL JUEGO INFINITO de SIMON SINEK. SEGUNDO SEGMENTO Protagonistas del Futuro Experto: César Pérez Abstract: Ing. en ciencias y sistemas por la Universidad de Iwate, Japón. Master por U. Cadiz y Salamanca. Estudios de Gobernabilidad y Tecnologia Syracuse University EEUU (Fulbright), estudios en India, Corea y Alemania. Miembro de Singularity University Guatemala Chapter. Consultor en gestión de proyectos para cooperación del gobierno de EEUU, Canadá y Holanda en C.A., México, Colombia y Argentina, voluntario de Naciones Unidas. Tema: ¿Cómo evitar el fracaso en proyectos para 2021? TRENDS 2021 Luis Fernando Aguilar conversa con Anner Mejía acerca de la tendencia satélites, basura espacial y de la tendencia de los "wereables". TERCER SEGMENTO Julissa Sanchez, Ginny Castillo y Walter Maeda conversan acerca de Tendencias 2021. Tendencias en Inteligencia Artificial, Juguetes y Scoarings.
On today's show, Ben and Burke discuss the GoTo Travel campaign that the government has introduced to encourage domestic travel and help boost local businesses due to the Corona virus pandemic. The Japanese government will provide subsidies of up to 50 percent on costs for hotels, transportations, restaurants, shopping, and tourist attractions within Japan. The guys also talk about butchered English slogans, just like “GoTo Travel”, Burke taking advantage of the campaign during the long 4-day weekend at the end of July, Tokyo being excluded from the campaign, Iwate prefecture angry about outsiders visiting, Ben's favourite places to travel in Hokkaido, Burke’s experience of hiking Mt Fuji, and much much more. Enjoy the show!Support the showUse our Buzzsprout affiliate link to start your podcast today!Website:https://www.voicesinjapan.com/Follow us and check out our other content:https://twitter.com/voicesinjapanhttps://www.facebook.com/voicesinjapan/https://www.instagram.com/voicesinjapan/Get in touch: voicesinjapan@gmail.com
trable v Iwate a dáma s nadváhou
Dean is originally from America and has been in Japan for over 16 years years. The whole time living in Iwate prefecture. Dean is a teacher, outdoor sports and being a part of the local community in his town. In this episode Dean really helps us dive deep into what makes his prefecture great and why he has been there for so long. In depth and highly educational conversation.
Nick and Stephen, two hombres with little expertise but lots of passion, are back and recording remotely to bring you the tale of the Matagi Bear Hunters, a quickly vanishing group of Japanese woodsmen in the rural north! “Red spots of blood flower in the virgin snow as the bear’s dead body is dragged to a nearby plain to be gutted and dismembered using a traditional Matagi knife. Part of the bear’s intestines are left as an offering to the mountain goddess.“. They cut off the bear’s paws before gutting and skinning the rest of its body. https://www.nationalgeographic.com/photography/proof/2017/11/matagi-hunting-tradition-japan/ Currently there are still some Matagi communities in the Tōhoku region (Aomori, Akita, Iwate, Yamagata, Niigata and Nagano). There are no more full time Matagi hunters anymore because of hunting restrictions so most of the remaining Matagi are elderly farmers or foresters in the offseason. There is a Matagi museum in Akita. https://visitakita.com/en/sightseeing/history-culture/213/ Matagi Documentary on NHK WORLD: https://www3.nhk.or.jp/nhkworld/en/ondemand/video/3016051/
Season 1, Episode 6. Who doesn’t love a potluck? Well, I think lots of people don’t if you end up with three different jello salads, but we lucked out with our potluck: Three fantastic sakes to taste and profile. How did we get so, em, lucky? It must be the good luck brought in by our very first sake interview guest! Today we’ll be talking with sake pro and talented sake brewer Mr. Ben Bell. Ben is well known in the sake industry for having worked for two years at Nanbu Bijin Sake Brewery in Iwate, Japan. Getting access to work at a Japanese sake brewery is a rare opportunity for foreigners, so we talk to Ben about how that came about and his overall path in the world of sake. Tasting three unique and vibrant sakes round out our episode.
Anthony is joined by his new co-host Vinnie from Tell Your Time. Vinnie has made guest appearances on the show before and most memorable for the 36mm vs 39mm Rolex Explorer conversation. Also joining today is JP of jp_melbs on IG. We take a trip down memory lane with some of JP's earliest pieces. Talk about how tastes and collecting mindset evolve over time. Then we go into battle. TO SELL, OR NOT TO SELL? That was the question. We go deep into the mind of one guy who sold his Rolex BLNR and one who kept his. It was an epic conversation and very topical for the times right now. I can't thank JP enough for taking to time to speak with us and bring all his passion to the table. People to go follow on instagram: Tell Your Time - aquanautt Defining_Time - springdriven JP_melbs - tyalexanderphotography Favourite Review from the Fifth Wrist website - Grand Seiko GMT – Flying the Mt. Iwate all the way from Japan We hope you enjoy it!!!! Cheers from Tell Your Time and Defining Time.
Uncanny Japan - Exploring Japanese Myths, Folktales, Superstitions, History and Language
Have you ever been sleeping and had a bout of kanashibari (sleep paralysis)? Then during that surreal -- most likely frightening -- experience, have you ever had what feels like a ghost child crawling on top of you? Or maybe late one night when you're all alone, you've heard an unseen child giggling. Perhaps you've heard tiny footsteps running across the floor, or found little footprints on your floor or handprints on the wall. If so, you've probably just experienced a have you ever had what feels like a ghost child crawling on top of you? Or maybe late one night when you're all alone, you've heard an unseen child giggling. Perhaps you've heard tiny footsteps running across the floor, or found little footprints on your floor or handprints on the wall. If so, you've probably just experienced a zashiki warashi (a guest room child). But don't worry, they're not bad news. In fact, they're the bringer of good luck and fortune.zashiki warashi (a guest room child). But don't worry, they're not bad news. In fact, they're the bringer of good luck and fortune. Listen to me talk about this and more on episode 47 of Uncanny Japan. You can also find me on: Twitter: https://twitter.com/UncannyJapan Facebook: https://www.facebook.com/uncannyjapan/ Patreon: https://www.patreon.com/thersamatsuura Instagram: https://www.instagram.com/uncannyjapan/ YouTube: https://www.youtube.com/channel/UCqAtoUS51HDi2d96_aLv95w Website: https://www.uncannyjapan.com/ Notes: Intro/Outro and music bed by Julyan Ray Matsuura. Here and here. And here. Transcript: Hey hey, everyone, I did it. I got two episodes of Uncanny Japan out in February. The weather even cooperated and became all nice and rainy and dreary. That’s not sarcasm. I really mean it. I love this weather. So today’s topic is a continuation on the last one, episode 46. Remember we were talking about kanashibari, or sleep paralysis? Well, there is something that is often associated with kanashibari. At least I think so, because of this thing that happened to me ages ago. I was newly married and living in this old Japanese house we were renting. I had no friends. I mean, I had friends, but they were all living in the States or my friends from university in Japan, had all graduated and gone back to their respective countries. So I had just moved into this house in this small town, in this very old fashioned neighborhood, and I didn’t know anyone my own age. If I’ve said it once, I’ve said it a hundred times, this was a few years before the Internet began being used in homes, so, yeah, I was feeling pretty isolated. I wasn’t sad though, I spent my days hanging out with my mother-in-law or the elderly women who lived nearby. I also spent a lot of time translating and cooking recipes from this giant cookbook I bought at a local bookstore. When I got tired of that, I watched a bunch of Ge Ge Ge no Kitaro, Hisatsu Shigotonin and Hokuto no Ken. Anyway, one night for no reason I can think of, I got kanashibari, which was fine. I was kind of used to it. I had learned that if I tried to call out or thrash about, nothing happened and it made it scarier. If, though, I could concentrate on moving a finger or toe, then that tiny movement usually snapped me out of it. Well, that wasn’t working this time. Another odd thing was I couldn’t see, but it felt like someone was in the room. Not my sleeping husband. Someone awake. And then just as soon as I had that thought, someone or something began to climb on me. It was really painful. It felt like something small and heavy was purposefully digging its sharp elbows and knees into my stomach and chest and moving around. The next day I mentioned the episode to my mother-in-law. She clapped her hands in delight and told me how wonderful that was to hear. I had to reiterate how much it had hurt and how scared I’d been. But she said, no, it wasn’t scary. What had climbed on me last night was a zashiki warashi. A little ghostie thing that looks like a child and visits people at night, sometimes while they sleep. It just wanted to play, she said. It was bringing me good luck. The vibe I got wasn’t good luck. It was more that painting The Nightmare by Henry Fuseli. You know the one of a woman sleeping, arms thrown back over her head, while crouched on her chest and looking straight at the you, is small demonlike figure. Yeah, that’s what it felt like. Anyway, she begged to differ and that’s when I first heard about the zashiki warashi, sometimes called in English the ‘guest room child’. I’ve since learned they go by zashiki warabe, zashiki bokko, and zashiki kozou as well. There are reports of them all across Japan, with the Tohoku or northeastern area being most famous for them. You’ll find lots of stories about zashiki warashi visitations in Iwate, Aomori, Akita, and Miyagi Prefectures. Especially Iwate. First off, what does a zashiki warashi look like? Just in case you run across one. Or one runs across you. In general, they look like children, usually thought to be about five or six-years old, although there are reports of both younger and older ones. They can be male or female, or no gender at all, alone or in pairs. It’s also said they have a red face and sport a bob haircut with straight bangs. This in Japanese is sometimes called an okappa cut. They’ll be wearing these old fashioned clothes, like a chanchanko, a kind of Japanese jacket, or kimono, either formal or informal. They’re clothes are usually dark colored or perhaps red. Sometimes even an old fashioned design or striped. You can find images of them looking super cute or super scary. You might have heard of them from anime and manga. Zashiki warashi have made appearance in titles from Yokai Watch and Onmyoji, to Mononoke and Ge Ge Ge no Kitaro. Although I read through some of the episodes involving them and even though these were written by Japanese authors, some seem ot have taken a few liberties with the original legends. So I’ll stick to the original stories here. Zashiki warashi are associated with a place, not a person. And not every place has one, but if you do live in a house and one or two or more decide to settle there, it’s considered very good luck for you. It’s thought with them comes prosperity, fortune and happiness. But you have to be careful because they won’t necessarily stay. If you don’t give them the respect they deserve, they’ll leave. Or if you pay too much attention to them, they’ll leave, and if a zashiki warashi leaves your home, you’ll find your luck and wealth will both suddenly decline. So what else do they do? They pranksters mostly. Remember we talked about the makura gaeshi last time? Well, I’ve read that sometimes the zashiki warashi will also do the pillow switching trick. Sneaking it from under your head while you sleep and placing it at your feet. They’ve been known to leave tiny footsprints in scattered ash or handprints on windows and doors. You might hear them giggle and run across the tatami mat floor. You might hear music or see white orbs floating about the room. All these things are the work of a zashiki warashi. Now not all zashiki warashi are created equal. There are some different different kinds. One is called the choupirako, these beautiful glowing apparitions are also luck and wealth bringers. They’re thought to be the spirits of deceased children of more well off families. For example imagine a wealthy family with only one child. If that child passes away at a young age, an entire room could be dedicated to the deceased boy or girl, a room filled with gifts and toys and kept pristine. A very perfect environment for the choupirako to appear. They are a little high maintenance, though, so you must give them more attention than a regular zashiki warashi. Another kind is called the hoso te (skinny arms) or the hosote nagate (skinny arms, long arms). When sleeping, during the night, these long red slender child’s arms come out to wake you. I found two totally different versions of the myth behind these youkai. One, that they use their long arms to warn you against a disaster, say a flood of tsunami. On another site, however, in Japanese, and what looked to be an old text was a story about the hosote, skinny arms and how they bring bad luck. It was as story about how up north a man was staying in an inn when a pair of long, skinny arms came out from the back of the room, beckoning him. Nothing happened at the time but shortly after he lost his wife in a tsunami. In the same town the arms appeared again in another house, they were attached to a child of three or four and reached out like vines across the room. Later that man’s house was washed away by a flood. There are also a type of zashiki warashi that inhabit the dirt floor in an old home. They’re called notabariko or usutsuriko, or kometsuki, warashi. These little guys aren’t necessarily the happy type. Let’s get dark for a moment. As in most cultures, way back in the day, some times, some people did this thing called infantacide. One name for it in Japanese was called usugoro. Usu is a mortar and goro means to kill. Now I’ve usually heard this called mabiki. Mabiki is what you do when you plant seeds and a bunch sprout, but since they’re so crowded together, you need to pull out a bunch and let the strong ones thrive. Anyway, usugoro. An usu, a mortar is big and made of wood or stone. The story goes, that was used to get rid of perhaps sickly newborns, or whatever. The story also goes that sometimes they were buried under the dirt floor in a house. These restless spirits would walk around on rainy days (see I told you the weather cooperated today) and bother people. For example, the notabariko would crawl out from the dirt floor and crawl around, while the usutsuriko would make the sound of a mortar grinding something. Now, another zashiki warashi story. There is an inn called Ryokufusoo, in Iwate Prefecture that is quite famous for having one or more zashiki warashi living there. I remember watching TV shows about people who had spent the night there and the experiences they’d had. Hearing sounds, seeing things usually white floating orbs, or feeling things. I also remember thinking, wouldn’t it be cool to make a reservation and spend the night there, just to see what happens. But the waiting list was two years long. And also, the area where the zashiki warashi was supposed to appear was a little spooky. There were hundreds of dolls, toys, especially stuffed animals piled up along the walls, and in the tokonoma alcove, some of them quite old and creepy looking. It’s said that most of the strange occurrences often happened in a room called the Enju no ma. One legend is that back in the 1300s, during the Nanboku Era, a boy who lived there fell sick. On his death bed he promised to protect his household forever. The zashiki warashi is thought to be his spirit, still protecting. Although sometimes they’re referred to in the plural, so maybe he has since invited some friends. Anyway, still it was always in the back of my head, Ryokufusou was a place I wanted to visit someday. Then suddenly on the night of October 4th, 2009 the entire inn burned down. Which to me was kind of creepy. I mean, weren’t these little ghosties supposed to be protecting the place? But listening to interviews with the thirty or so people who were staying at the inn that night, they said that everyone escaped unharmed and not only that but the nearby shrine that was dedicated to the zashiki warashi was also completely unharmed. They believe it was the zashiki warashi that helped protect the people, then escaped themselves to the shrine, living there, while the inn was being rebuilt. Once Ryokufusou reopened the zashiki warashi returned. The place is quite gorgeous now and still having otherworldly activity happening. So there you have it, next time you’re hanging out at home, late at night, all by yourself, and you hear a child giggling in the next room, perhaps running up behind you, or maybe your asleep unable to move, and some curious creature crawls on top of you and pushes and pulls, begging you to play; don’t be afraid. It’s just a zashiki warashi there to increase your fortune and luck. Then again it could be hosote nagate trying to warn you about something. Or something even more insidious. I say trust your gut on this one. Thank you everyone for listening, supporting me on Patreon, and leaving such lovely reviews. I wanted to mention that this month’s Patreon-only Bedtime Story is called Gonbei the Duck Hunter. Come listen and find out why Gonbei is a jerk. Also, I’ll be putting up a karaage fried chicken recipe soon, too. Have a wonderful day, wash your hands, stay safe,
En este nuevo episodio viajaremos a la prefectura de Iwate, para conocer un curioso festival de invierno: Sominsai. Revisamos la vida de Fred Rogers con el documental Won't You Be My Neighbor y la película A Beautiful Day In the Neighborhood. Finalmente, conoceremos a Cristopher Watts, un asesino que acabó con la vida de su familia. Todo en un solo y maravilloso episodo de Nope FM. No tenemos redes aún, pero pueden mandarnos un correo a nopefm.pod@gmail.com
On this week's episode, Zach Weiss and I are joined by another Zach, Zach Kazan, our most recent contributor to Worn & Wound and who's been killing it with some great content on the site. Some weeks back, Zach attended the Jones & Horan spring auction to witness the sale of a really important timepiece — the Howard, Davis & Dennison #3 pocket watch. He wrote an excellent article for us about the watch (which you can read here), its fascinating history, and the auction itself, and I thought it'd be great to have him on the podcast for a deeper dive into the story. This week's episode is brought to you by Bulova and their collection of Automatic Timepieces. For the Fall season, Bulova is introducing more than 15 new automatic timepieces. Some highlights include the new Regatta collection, which is based on a vintage Bulova style, and features two automatic pieces with a slim automatic movement, and nods to the original design with unique angled lugs. Another style coming this fall is the new Wilton featuring a 40-hour power reserve with power reserve indicator on the dial. The timepiece features a stainless steel case and dials in either silver white, deep blue, or grey, perfect for every day wear or an evening event. To learn more about Bulova and their new Automatic timepieces, head to bulova.com. SHOW NOTES Zach K's wrist check - Rolex Explorer II Ref. 16570 "polar" dial Zach W's wrist check- Farer Lander chronograph Ilya's wrist check - vintage Fortis Cosmonauts chronograph Zach K's Grand Seiko GMT ref. SBGJ203 (with Mt. Iwate dial) USA-exclusive Grand Seiko Seasons collection Grand Seiko's Joe Kirk on The Worn & Wound Podcast Jones & Horan auction house Auction Report Jones & Horan To Sell The Howard Davis & Dennison No. 3 Pocket Watch via Hodinkee How Watches Are Made: Vortic (Fort Collins, Colorado) Paul Newman's "Paul Newman" Daytona Speedy "Holy Grail" ChronoMaddox.com
Nocturnal Symphony (Ultrasound). Bats of Ryusendo Cave, Iwate, Japan. (15 min)
I've been waiting to do this episode. Episode 32 of the Young Lion's Perspective is back and giving you a review of the World Tag League 2018 Finals show from this past Sunday in Iwate, Japan. I break down every single match on the card including the NEVER Openweight Championship #1 Contender's Match between the returning Will Ospreay and Taichi, the NEVER Openweight Championship match between Hirooki Goto and Kota Ibushi, and the main event between Tama Tonga and Tonga Loa, the Guerilla of Destiny, and LIJ's EVIL and Sanada to determine who is the best tag team in New Japan. Follow me on: Twitter - @suedesenatorWWI Instagram - @young_lions_perspective --- Send in a voice message: https://anchor.fm/younglionsperspective/message Support this podcast: https://anchor.fm/younglionsperspective/support
Think you can eat 50 bowls of noodles? What about 100? This week, The Feast explores the tradition of wanko soba from Iwate, Japan, where families and friends compete to see who can slurp the most noodles in a single sitting. But what makes soba, or buckwheat, the preferred noodle for this centuries-old food contest? We'll dig into the celebrated history of food competitions in pre-modern Japan where writers depicted epic battles waged amongst favorite foods. Forget tiger versus shark; what about steamed eggplant versus shrimp tempura? From these early fanciful food battles, we trace a line to modern food manga, an ever-growing Japanese comic book genre that has inspired some of the most popular food shows on television today. Iron Chef, anyone? Join us as we talk about the serious business of noodle-slurping with food scholars Dr. Greg de St. Maurice, Dr. Eric Rath, and Dr. Lori Brau on this history-packed soba seminar. Cover photo by Takekazu Omi. The Feast is brought to your Care/Of, a new kind of vitamin company. Enter the promo code "FEAST" & receive 50% off your first month's supply of vitamins and supplements. Learn more at www.takecareof.com The Feast is also brought to you by CastBox, the fastest growing podcast app around with over 9 million downloads in just 18 months. Learn more at www.castbox.fm Learn more about your ad choices. Visit megaphone.fm/adchoices
W sierpniu 1992 roku w nadbrzeżnej wsi Kuji w japońskiej prefekturze Iwate pewnego ranka para ludzi wyszła na swoje pole fasoli i zastała nietypowy widok. Poprzez pole, pośród traw, biegła wydeptana ścieżka dziwnych śladów, i ciągnęła się aż do podszycia. Ślady nie przypominały niczego, co widzieli wcześniej ludzie, którzy całe swoje życie mieszkali w tej okolicy. Dziwne tropy ciągnęły się przez ponad 20 metrów i znikały w otaczającym pole lesie...
W sierpniu 1992 roku w nadbrzeżnej wsi Kuji w japońskiej prefekturze Iwate pewnego ranka para ludzi wyszła na swoje pole fasoli i zastała nietypowy widok. Poprzez pole, pośród traw, biegła wydeptana ścieżka dziwnych śladów, i ciągnęła się aż do podszycia. Ślady nie przypominały niczego, co widzieli wcześniej ludzie, którzy całe swoje życie mieszkali w tej okolicy. Dziwne tropy ciągnęły się przez ponad 20 metrów i znikały w otaczającym pole lesie...
New Japan held shows in Sendai and Iwate on Tuesday and Wednesday for Nights 10 & 11 of the G1 Climax 25 tournament. Both Blocks were in action and Sean has the low down on everything that happened. Due to an error found in the video for Night 10, New Japan didn't upload it to NJPW World until really late last night. So, this is why I'm having to combine both nights again. Night 10 in Sendai featured Block B action with mostly good matches, but with only one standout match.Night 11 in Iwate featured Block A action with a few stinkers, a pretty good match, and a great main event. Remember you can check out all my other recaps of the G1 Climax 25 tournament right here. You can also read my written reviews here: http://lastwordonsports.com/category/lwosxtra/pro-wrestling/
New Japan held shows in Sendai and Iwate on Tuesday and Wednesday for Nights 10 & 11 of the G1 Climax 25 tournament. Both Blocks were in action and Sean has the low down on everything that happened. Due to an error found in the video for Night 10, New Japan didn't upload it to NJPW World until really late last night. So, this is why I'm having to combine both nights again. Night 10 in Sendai featured Block B action with mostly good matches, but with only one standout match.Night 11 in Iwate featured Block A action with a few stinkers, a pretty good match, and a great main event. Remember you can check out all my other recaps of the G1 Climax 25 tournament right here. You can also read my written reviews here: http://lastwordonsports.com/category/lwosxtra/pro-wrestling/
TOTEM PODCAST Episode 09 :with Sakiko Osawa iTunes Music Podcast https://geo.itunes.apple.com/jp/podcast/totem-podcast-dj-mix-show/id895801332?mt=2&uo=6&at=1l3vt8g Soundcloud https://soundcloud.com/totemtraxx/sets/dj-mix-show-totem-podcasts Mixcloud https://www.mixcloud.com/totem-traxx/ Official Page http://totemtraxx.com/main.php/mixies Youtube https://www.youtube.com/playlist?list=PLeMDa2QH4Xwve9rg8qzKuxshh_nWi4LCk -Sakiko Osawa PLAY LIST- 01.Fullmoon feat.斎藤ネコ (Laungage Slow Sunset Remix ? Club Edit- ) Sakiko Osawa 02.Orbit (Original Mix) - Iori Wakasa 03.Where Do We Go feat. Casey K. (ME & her Remix) - Crom & Thanh 04.Airhead (Original Mix) - Pedro Aguiar 05.FUSE (Original Mix) - Satoshi Imano 06.On Off (Sebastien Leger Remix) - Cirez D 07.Sixth Sense (WHYT NOYZ Remix) - Kaiserdisco 08.Junkyard Tool (Original Mix) - Seth Troxler 09.In Search Of Ethnic Dimension feat. Sinsuke Fujieda (DO SHOCK BOOZE Remix) - Koyasu 10.Girl One (Cosimic Boys Remix) - Marc Houle 11.Burn (Original Mix) - Jimmy Edgar 12.Lemonade (Secret Cinema Remix) - Citizen Kain, Phuture Traxx 13.Go Down Street (Original Mix) - Satoshi Imano 14.Pocket Piano (Breakbeat Mix) - KiNK -Sakiko Osawa's Profile- Sakiko Osawa is a exciting and sought after music creator, producer and a DJ, based in Shibuya, Tokyo. By the produce of “Oiran Music”, she released her first EP “Tokyo Disco Beat” from 7Stars Music (Amsterdam) on February 2014. She was born in Iwate prefecture and started her music career by playing Violin at the age of 3. However, once she discovered a world of Rock in the school days, she formed a mixture rock and punk band and played bass-guitar. She did not take time to choose her career; she entered one of a top art college in Tokyo, Nihon University College of Art, and majored Music and studied Music Information, Acoustics, Recordings, and Media-Art. She researched her own surround sound system which differs from the standard but uses eight speakers at once. Since rave culture attracted Sakiko’s interest when she was 20, she has approached music using various inspirations from wide range of un-musical sources. She entered one of the top visual production company and acquired knowledge and skill of projection mapping, visual directing, and interactive broadcast system. Her interest expands to fashion as well, she wears “Triangle” motif clothing and accessories and expands her creativity in music. Sakiko played her live set at “Shibuya Oiran”, one of the famous warm-up bar in Shibuya and met with a DJ, lyricist, and producer of Shibuya Oiran, Venus Kawamura Yuki and scouted to play at her dance music specialized internet radio “block FM”, which is considered as a BBC radio1 in Japan. Sakiko’s thrilling and solid character has become one of the essences of new Japanese beauty and her one-of-a-kind sound is considered as the future for the next generation. Sakiko Osawa is a exciting and sought after music creator, producer and a DJ, based in Shibuya, Tokyo. By the produce of “Oiran Music”, she released her first EP “Tokyo Disco Beat” from 7Stars Music (Amsterdam) on February 2014 and hit Top2 in the electronics chart on iTunes. http://oiranmusic.com/sakikoosawa https://soundcloud.com/sakikoosawa Stay Tuned! #totempodcast
Ep163 Got Faded Japan Podcast Johnny and Shank get the smack-down from special guest Lady Beard! Be sure to go to ladybeard.com or Ladybeard on Facebook for more! Man arrested for cutting off woman's underwear while she sleeps and Iwate cracks down on upskirts. The Got Faded Japan Podcast gives listeners a glimpse of the seedy side of Japan's news, culture, politics, parties, and all around mischief and mayhem. Hosted by Johnny and Shank who add their own opinions and otherwise drunken bullshit to the mix. Send us an email on FB/twitter/instagram @ Got Faded Japan, gotfadedjapan@gmail.com or go to gotfadedjapan.com to buy a t-shirt to support the show. Or hell man, just tell a friend & post a link to keep this pod rolllin' Fader! Kanpai mofos!
Ep143 Got Faded Japan Podcast Johnny's takes a drunken taxi tour while Shank dons a beer helmet. Man rams police station and sets it aflame, mummified corpse found in Iwate restaurant, knife-wielding intruder busted at JR High School, teacher mounts camera in prepubescent potty, man punches schoolchildren outside station, 26 motorcycle members go berserk on rival gang, and Tokyo pimp gives up the gold for girly pics. Got Faded Japan is sponsored by Main Pursuit, which is the best way to find the sickest places when you travel to other cities around the world, we HIGHLY recommend to check them out and to support the show: http://www.mainpursuit.com/gotfadedjapan Also, you might just win a free iPAD The Got Faded Japan Podcast gives listeners a glimpse of the seedy side of Japan's news, culture, politics, parties, and all around mischief and mayhem. Hosted by Johnny and Shank who add their own opinions and otherwise drunken bullshit to the mix. Send us an email on FB/twitter/instagram @ Got Faded Japan, gotfadedjapan@yahoo.co.jp or go to gotfadedjapan.com to buy a t-shirt to support the show. Or hell man, just tell a friend & post a link to keep this pod rolllin' Fader! Kanpai mofos!
Terrific food safety interview w/Kimberly Roberson of Fukushima Fallout Awareness Network and Mary Beth Brangan of Ecological Awareness Network. Learn what you can do to boost your health and resist the effects of our increasingly radioactive food chain. Plus radiation in Fukushima #2 too hot for even the robots; Japanese politicians furious that Sapporo mayor refuses radioactive waste from Miyagi and Iwate; Former Prime Minister Kan now an anti-nuke activist!; San Onofre slammed into shutdown by NRC; NRC licenses 2 new nukes in South Carolina; radioactive kelp in southern California; Japan to provide canned radioactive fish to Cambodia for school lunches w/United Nations approval. INSANE!; and Friends of Earth produce a TV ad to keep San Onofre shut -- Jon Stewart, when will it be on The Daily Show?
Terrific food safety interview w/Kimberly Roberson of Fukushima Fallout Awareness Network and Mary Beth Brangan of Ecological Awareness Network. Learn what you can do to boost your health and resist the effects of our increasingly radioactive food chain. Plus radiation in Fukushima #2 too hot for even the robots; Japanese politicians furious that Sapporo mayor refuses radioactive waste from Miyagi and Iwate; Former Prime Minister Kan now an anti-nuke activist!; San Onofre slammed into shutdown by NRC; NRC licenses 2 new nukes in South Carolina; radioactive kelp in southern California; Japan to provide canned radioactive fish to Cambodia for school lunches w/United Nations approval. INSANE!; and Friends of Earth produce a TV ad to keep San Onofre shut -- Jon Stewart, when will it be on The Daily Show?
Terrific food safety interview w/Kimberly Roberson of Fukushima Fallout Awareness Network and Mary Beth Brangan of Ecological Awareness Network. Learn what you can do to boost your health and resist the effects of our increasingly radioactive food chain. Plus radiation in Fukushima #2 too hot for even the robots; Japanese politicians furious that Sapporo mayor refuses radioactive waste from Miyagi and Iwate; Former Prime Minister Kan now an anti-nuke activist!; San Onofre slammed into shutdown by NRC; NRC licenses 2 new nukes in South Carolina; radioactive kelp in southern California; Japan to provide canned radioactive fish to Cambodia for school lunches w/United Nations approval. INSANE!; and Friends of Earth produce a TV ad to keep San Onofre shut -- Jon Stewart, when will it be on The Daily Show?
Ep88 Got Faded Japan Podcast Johnny gets maddened by movie mosaic while Shank gets stoked on Spocha. AKB48 member's mother popped for diddling 15 year old boy, pop groups targeted by otaku "seamen handshakes", Osaka cop forges police IDs, Iwate cop uploads nude photos of woman, murdered and buried baby corpse, woman hit by three cars, and man hides mother's corpse in vacuum bag and slits wrists. The Got Faded Japan Podcast gives listeners a glimpse of the seedy side of Japan's news, culture, politics, parties, and all around mischief and mayhem. Hosted by Johnny and Shank who add their own opinions and otherwise drunken bullshit to the mix. Send us an email on FB/twitter Got Faded Japan, to gotfadedjapan@yahoo.co.jp or go to gotfadedjapan.com to buy a t-shirt to support the show. Or just tell a friend or post a link to keep this pod rolllin' Fader! Kanpai mofos!
今回の話題は「地震とハリケーン」です。東北地方で起こった地震の話をきっかけに、広島で起こった芸予地震や、アメリカのハリケーンについて話します。アメリカではハリケーンに名前をつけるのが慣例ですが、これはどのようにして起こったのでしょうか。 今回は、Hiroshima University's English Podcastが始まってから長い間司会をつとめてくれたJuriさんが出演する最後の回となります。 今回お借りした素材 Hurricane Katrina:Wikipedia Download MP3 (15:04 8.7MB 初級~中級)*** Script *** (Slow speed) 02:45-04:45 (Natural speed) 9:35-11:15 Earthquakes and Hurricanes M: Hey, Miki! Did you see the news about the big earthquake in Tohoku this morning? I was sooo surprised! W: Yeah, I did. I was really worried about my friend because he lives in Iwate. That was awful! M: Really? Is your friend OK? W: Yeah, I e-mailed him and he answered that he's fine. But he said that the earthquake was the worst one he'd ever had. M: Are there earthquakes here in Hiroshima? W: Yeah, we've had some, but not much, and not so big like that. M: Really? I've never been in an earthquake. What are they like? W: Hmm. The last one I had in Hiroshima was, maybe 7 or 8 years ago, I think. Because I remember that I was in elementary school. It was big, and was called the Geiyo earthquake. It's because this area is called the Geiyo area. A big earthquake is usually named after the area that had the earthquake. M: Hmm. That's interesting. In the States, we often have tornadoes and hurricanes. Especially to hurricanes, we usually give a woman's or a man's name, like Katrina, Jeanne, or Andrew. W: Yeah, I've heard about that. Katrina is very famous, right? But why do you give a person's name? M: Ahh, I heard that people started to name hurricanes from around World War II. Whether true or not, I heard that it was first a kind of American humor, like hurricanes were similar to women, and they were difficult to calm down. So in the beginning, hurricanes were named only after women. But in the late of 1970's, they started to give man's names to hurricanes, you know, to be politically correct. W: Wow! That's interesting! But I just feel sorry for the person who has the same name as a hurricane, such as Katrina. They might not feel good about their name when it's used for a hurricane. M: Oh, I don't think they care! (Written by Saori Nakanishi)
今回の話題は「地震とハリケーン」です。東北地方で起こった地震の話をきっかけに、広島で起こった芸予地震や、アメリカのハリケーンについて話します。アメリカではハリケーンに名前をつけるのが慣例ですが、これはどのようにして起こったのでしょうか。 今回は、Hiroshima University's English Podcastが始まってから長い間司会をつとめてくれたJuriさんが出演する最後の回となります。 今回お借りした素材 Hurricane Katrina:Wikipedia Download MP3 (15:04 8.7MB 初級~中級)*** Script *** (Slow speed) 02:45-04:45 (Natural speed) 9:35-11:15 Earthquakes and Hurricanes M: Hey, Miki! Did you see the news about the big earthquake in Tohoku this morning? I was sooo surprised! W: Yeah, I did. I was really worried about my friend because he lives in Iwate. That was awful! M: Really? Is your friend OK? W: Yeah, I e-mailed him and he answered that he's fine. But he said that the earthquake was the worst one he'd ever had. M: Are there earthquakes here in Hiroshima? W: Yeah, we've had some, but not much, and not so big like that. M: Really? I've never been in an earthquake. What are they like? W: Hmm. The last one I had in Hiroshima was, maybe 7 or 8 years ago, I think. Because I remember that I was in elementary school. It was big, and was called the Geiyo earthquake. It's because this area is called the Geiyo area. A big earthquake is usually named after the area that had the earthquake. M: Hmm. That's interesting. In the States, we often have tornadoes and hurricanes. Especially to hurricanes, we usually give a woman's or a man's name, like Katrina, Jeanne, or Andrew. W: Yeah, I've heard about that. Katrina is very famous, right? But why do you give a person's name? M: Ahh, I heard that people started to name hurricanes from around World War II. Whether true or not, I heard that it was first a kind of American humor, like hurricanes were similar to women, and they were difficult to calm down. So in the beginning, hurricanes were named only after women. But in the late of 1970's, they started to give man's names to hurricanes, you know, to be politically correct. W: Wow! That's interesting! But I just feel sorry for the person who has the same name as a hurricane, such as Katrina. They might not feel good about their name when it's used for a hurricane. M: Oh, I don't think they care! (Written by Saori Nakanishi)
In this week's edition of the New Japan Purocast, we review Kizuna Road 2016 from 7/3 in Iwate. Plus, we discuss the official A and B blocks for the G1 Climax 26.Support this podcast at — https://redcircle.com/super-j-cast/donationsWant to advertise on this podcast? Go to https://redcircle.com/brands and sign up.